string chaukadi kra. 14 (beethovan)

string quartet kra. 14 inn see minor, aup. 131, heey 1826 madhye ludwig vanne beethovanne purn kele. heey viruddha kramane lihilelya string quartetchya trikutanpaiki shevatche aahe. 132, 130 ('groz fuse' sampalyanantar), 131.
haah bithovencha uttaradhatil chaturthanshanmadhye aavadata hotah eka mitrala tyane asey mhatale hote qee tyala "ardh-lekhanachi eka naveen paddhat sapadel aanee devache aabhar, kalpanecha abhav purvipeksha qamee". asey mhatale jaate qee yaa chaukadichi eka sadarikarane aikalyavar shubertney tippani kelee, "yanantar, aaplyasathi lihinyasathi kaay urale aahe?"schuman mhanala qee hii chaukat aanee aup. 127 madhye bhavyata hotee... jeey shabdanni vyakt karata yet nahee. teey mallah ubhe asalyache disate... manvi qalaa aanee kalpanashaktine aataparyant prapt kelelya serve goshtinchya atyant simevar."
aatmahatyechya prayatnannantar beethovencha putanya carlela sainyat nelyabaddal krutadnyatecha ishara mhanoon heey kaam barrenla samarpit aahe. bithovenche nidhan scott musicdware kamachya prakashanapurvi aanee tyachya pahilya sadarikaranapurvi jhaale, jyachi tarikh anishchit aahe.
sangeet.
sumare 40 minitanchi lambi asalelya yaa khelat saat halchali asatat, jyaa viramashivay khelalya jaatatah
aup. 131 chaugh heey ekatmateche eka mothe yash aahe. bithovenne sahaa vegvegalya pramukh kshetranmadhye chaughanchi rachana kelee, tarr kaam see minormadhye suru hote aanee see mejarmadhye sampate. antim fereet pahilya halchalitil pahilya fyug theemcha thet ullekh tyachya gitatmak vishayavaril kshetrat keela aahe. yaa prakarchi chakriy rachana tyaa kalatil kamasathi avant-garde hotee. joseph german yanni lihileh lihileh chalvalichya sankalpanecha spasht karyatmak sandarbh heey" kadhihi hott nahee ". (piano sonata aupsarkhya itar kahee beethoven kamanmadhye heey ghadale hote. 101, cello sonata aup. 102 kra. 1, aanee pachve aanee navve symphany; heey joseph headonchya headonchya simphanimadhyehi yapurvi ghadale hote. tarihi, aup. 131 heey pahile beethovan karya aahe jyamadhye uddharan spasht uddharanasarkhe disanyaivaji tyachya naveen sandarbhat purnapane samakalit kele gele aahe, jaree haah parinam mageel varshi tarun felix mendelsohanchya octatemadhye apekshit hota aanee agadi aadhi khrishchan latrobechya headenla samarpit asalelya pramukh piano sonatamadhye.)
aup. 131 heey sahasa 132 aanee 130 asey gatbaddh kele jaate. teen kamanmadhye preranadayi devanghevan aahe. visheshtah, lahan sahavya kramankavar jaanyapurvi aanee nantar pramukhkade khalee padnyapurvi tonikparyant tonikparyant agraganya swaranche 'bodhvakya' heey yaa kamanmadhye samayik kelele eka mahattvache aakruti aahe.
hii chaukat hii beethovenchya sangitatil sarvat durmil kamanpaiki eka aahe. yaa vishayachi nirmiti jhalyanantar agadi suruvatipasunach, shupanzigh chaukadicha dusra violinevadak carl holzpasoon teey richard wagnerparyant, aajchya samkalin sangitshastradnyanparyant, yaa vishayavar mothya pramanat lihile gele aahe. eka lokpriy vishay mhanje yaa karyasathi sambhavya dharmik/aadhyatmik utpatti, jyala 'misa grivenis' shhee samya aahe. opchya pahilya halchalit. 131, satat vahanari rachana aadhichya kamatil benedicts aanee donna nobis pesamsarkhi disate. yavyatirikt, hetupurassar asso vaa naso, beethoven chaukadichya gitatmak halchalitil "misa glinismadhil" eka prerak aakruti uddhrut karato.
shoobertchya mrutyuchya paach divas aadhi, tyacha aanee beethovencha mitra carl holes aanee tyachi taranchi chaughani tyachyasathi khelanyasathi bhetali. tyala aikayache hote teey shevatche sangeet karya mhanje taar chaukat kra. 14 up. 131; holes yanni tippani keleeh "salokyachya rajane ganyachya rajala paar karnyasathi eka maitripurna boolii pathavali aahe."
haah bhag 2012 chya 'aaa lett quartet' yaa chitrapatachya kathanakat dakhavanyat aala hota. aamhi qaa ladhato' yaa bandhunchya gatatil bhagamadhyehi too dakhavanyat aala hota.
vishleshan.
aay. too eka naun tropo aanee molto aspressivo aahe.
khaleel vishayavar aadharit eka fugue, jyamadhye beethovenchya shevatchya string quartetchi ektrikaran rachana, harmonic minor scalecha dusra tetracard (baar 2-3) aaheh
\sapeksh jee ' {
 \qee sis \monor\time 2/2
 \seet guna.tempohydenote = ##t\tempo 2 = 44
 \seet karmchari.madhya vadya = violine"
 \pakshi 4 gis (\< .
 | sis) . a2. \sf\> gis4\p (. teey eka gosht aahe . e fis) gis2 \laissezvibrer .
</guna>
richard wagner mhanale qee, hii chalval "sangeetat vyakt keleli sarvat udas bhavna prakat karate". joseph german yala "serve farar lokanpaiki heey sarvat hrudayasparshi" mhanatat. jeey.doubleu.aine. sullivan (1927, pru. 235) too 'beethovenne lihilela sangitacha sarvat atimanavi bhag' mhanoon aikato."phillip radcliffe mhanato qee" [aaa] tyachya aupcharik ruparesheche ughad varnan yaa farkachya vilakshan sakholatechi kalpana deu shakate parantu phaar qamee."
II. elgro molto vives.
dii mejarchya killimadhye sanyugma dupal metermadhye eka najuk nrutya, khaleel lock-sarkhya sankalpanevar aadharit sankshipt sonata swarupatah
\sapeksh dii ' {
 \qee d\ mejar \time 6/8
 \seet guna.tempohydenote = ##t\tempo 2. = 80
 \seet karmchari.madhya vadya = violine"
 \patial 4. d4. \pp (.
 dii '4.) ~ dii 4 (see. aay. ess. 8) .
 see. aay. ess. 4 (aii. aay. ess. 8 bii. 4 see. aay. ess. 8) .
 (aii8 see. aay. ess. 8 eae. dii. bii.) .
 | (aii8 (aii8 eae8 .
 fis4 e8 d4 cis8) .
 cis4\ (ais8 b4 cis8 .
 d4\<cis8 e (\> d) b-.\) .
 aaa4!
</guna>
3. elgro moderato-edaggio.
bii minorchya killiche anusaran karoon 'recitativo obligato' chya bhavnene; bii minerpasoon eae mejarparyantche modulation pudhil halchalicha sankshipt parichay mhanoon karya karate.
4. vividhata.
hii, chaukadichi madhyavarti halchal, pahilya aanee gitatmak violinemadhil samayik kelelya pramukh vishayatil khaleel sopya sankalpanevar 7 prakarancha (6 purn aanee 1 apoorn, koda saha) sanch aaheh
\sapeksh aaa ' {
 \qee a\morage\tim 2/4
 \seet guna.tempohydenote = ##t\tempo 4 = 60
 \seet karmchari.madhya vadya = violine"
 {r8\pa4 ^ \markup {\itallic dolsey} (b16a . jee. aay. ess. 8) aar. 8 aar. 4 . iss4 dii '4 (eae16 dii . 
 cis8) r8 r4 \break 
 \averrideproperty guna.gair-sangeet kagadi stambh.resha-viram-pranali-tapasheel #'(vaay-offset. 17)
</guna>
yaa badalanche gatiche sanket asey aaheth andente maa naun troppo eae molto cantabile-andente moderato eae lucinghiro-adegio-elgreto-adegio, maa naun troppo eae semplies-elgreto
hii halchal hii beethovenchya shevatchya kalapasoonchya 'bhavya bhinnata' swarupachi prerana aahe.
vhee. aadhipasoon.
eae mejarmadhye, khaleel sopya kalpanevar aadharit, haah eka utkrusht sherzo aahe (jaree tippat veleaivaji duherimadhye):
\sapeksh buub ' {
 \qee eae\mejar \time 2/2
 \seet guna.tempohydenote = ##t\tempo 1 = 116
 \seet karmchari.madhya vadya = violine"
 bii 4-.\pii. jee. aay. ess.-. eae-. jee. aay. ess.-. .
 buub 2 (eae) .
 dis 4-. eae-. phis-. jee. aay. ess.-. .
 aii4 aar aar .
 jee. aay. ess. 4-. phis-. eae-. dis-. .
 see. aay. ess. 2 (eff. aay. ess.) .
 gis4 \f gis gis gis .
 jee. aay. ess. aar. 4 aar. 2 .
</guna>
sherzochya shevati, serve vadyansathi, mukhytah tyanchya sarvoch taranvar, 'pianosimo sul ponticello' lihinyacha eka aashcharyakarak marg aahe."joseph german vicharato," haah beethovenne aikatanachya kalat kharokhar aikala hota qaa, qee tyane 1826 madhye pahilyanda aavaj tayar keela hota? beethovan bahire heey 'aikanyas' kinwa keval swaranmadhil sambandhanchi kalpana karnyas kinwa shodhanyasach navhe tarr dhwanimudrane shuddha aanee sopee karnyasahi saksham hote."
vhee. ardhvel aanee alpakalin.
jee minormadhye, hii halchal kodasah barchya swarupat asate, jee pudhil halchalichi santh, saumya olakh mhanoon kaam karate.
vii. elgro.
antim samna sonata swarupat asato aanee see minorchya mukhya killivar parat yeto. pahilya vishayachya done mukhya kalpana aaheth
\sapeksh see ' {
 \qee sis \monor\time 2/2
 \seet guna.tempohydenote = ##t\tempo 2 = 132
 \seet karmchari.madhya vadya = violine"
 see. aay. ess. 4-.\eff. eff. aar. 4 aar. 2 .
 r4 cis8 (e gis4-.) aaa8 (see. aay. ess., .
 bis4) r4 r2 .
 r4 bis8 (dis jee. aay. ess. 4-.) aaa8 (biis, .
 see. aay. ess. 4) aar. 4
</guna>
\sapeksh see "\new karmchari\saha {\delta" vel _ swakshari _ koreev kaam "} {
 \qee sis \monor\time 2/2
 \seet guna.tempohydenote = ##t\tempo 2 = 132
 \seet karmchari.madhya vadya = violine"
 \parshvik 2 see. aay. ess. 4 aar. 8 dis .
 \wersen\Overriide gunank.barnamber #'break-visibility = ##(#f #t #t) \settle score.vartaman barnumber = #5 \baar "."
 eae4 iss4 phis phis iss4 aii .
 jee. aay. ess. 4 aar. jee. aay. ess. aar. 8 .
 eae4 iss4 dis eae4 iss4 sis .
 dii. ess. 4 aar. see. ess. aar. 8 dii. ess. .
 eae4 iss4 phis phis iss4 iss .
 | aarbi iss4 jee. aay. ess. .
 gs iss4 gs gs iss4 physis .
 jee. aay. ess. 4 aar
</guna>
yaa vishayatil hinsak taal haah haah, gitatmak gitatmak sankalpaneshi virodhabhas aaheh
\sapeksh a "\new karmchari\saha {\delta" vel _ swakshari _ koreev kaam "} {
 \qee sis \monor\time 2/2
 \seet guna.tempohydenote = ##t\tempo 2 = 132
 \seet karmchari.madhya vadya = violine"
 \seet guna.vartaman barnumber = #56 \baar "
 gis2 ~ \p gis8 (fis e dis) .
 eae dis sis bii aii jiis phis eae) .
 e4. (_ \markup {\italic cresc.} cresc.} bii "2 _ \markup {\itallic espress.)^\markup { \italic "poco "poco .
 bii bii .
</guna>
sandarbh.
srot

