
cello sonaatta nambar. 2 (ensescu)

cello sonatta nambar. sii mejaril 2, oo. pii. 26, illa. 1935ll roman samgeethasamvidhaayakanaaya jorjju enescu ezhuthiya cello, piano ennivaykkulla oru sonaattayaan 2. oru prakadanam ekadesham 30 minitt neendunilkkum.
charithram.
orupakshe 1935 juunil tescanyil thante randaamathe cello sonatta rachikkaan thudangiya enescu, adutha novemberil athu poortthiyaakki. onnaamatheyum randaamatheyum neekkangal yathaakramam august 8num septambar 12num buchaarasttil poortthiyaayi. moonnaamatheyum naalaamatheyum chalanagal viyannayil septambar 27num november 30num poortthiyaayi.
sonatta pablo kaasalukalkkayi samarppichirikkunnu, 1936 march 4 nuu paareesile ekkol normal dii myusikkil pianoyil eneskuvinoppam sellist diran alexanian pradharshippichu.
eee kruthiyekkurichu manassilakkaan niyogichittulla 26-aamm nambar kruthi, munbathe moonnaamathe vayalin sonattayaaya oo. pii. yumayi thaarathamyappeduthumbol kaalakramatthil anuyojyamaanu. 25, thudarnnulla moonnaamathe oorkkastra suit, oopu. 27. vichitramaaya kaaryam, randaamathe vayalin sonaatta, opikku munbu ezhuthiya eph mainarile (1898) valare munbathe sonaattayum athil ulppeduthaan addeham thiranjedutthu ennathaanu. 6, rund cello sonaattakalum oru jodiyaayi prasidheekarikkunnu opu. 26, nambar. 1 umm 2 umm.
vishakalanam.
cello sonatta naalu chalanangalilanu.
naalu chalanangalulla sonaattayude classical maathrkayaanu kruthiyude vishalamaaya rooparekha pinthudarunnathenkilum, chalanangalude aantharika gadanakalil ninnu eneskuvinte pravartthanam parambaraagatha padhathikalkku anuyojyamalla. sangeetha saamagrikalude parivartthanatthil oru prathyeka chalanathmakatha 
classical kaalaghattatthinu samanamaaya pariharangalil athunnu, pakshe samgeethasamvidhaayakante vyakthiparamaaya abhiruchikku anusrithamaayi vyaakhyaanikkukayum maattukayum cheiyunnu.
aadyathe chalanam thaarathamyena prashnamillaathathaanu, sonatta-algro roopathil. aadya prameyam vipulamaayathaan, pianoy sello pothuve bhinnaswara bandhatthil rund valia bhagangalaayi vibhajikkappettirikkunnu. prameyathinte randaam bhaagathe oru vikasana bhagam kondu verthirichukondu randuthavana prasthaavichukondu athinte ghadana sankeernamaanu. secondary, pakaram schumanescue theem pradhaanamaayum pianoic nalkiyirikkunnu, cello idaykkide pissicatto interjectionukal nadathunnu. vikasanam valare parambaraagathamaanu, pakshe recapitulation asaadhaaranamaamvidham samkshipthamaanu, thudarnnu oru neenda koda undu.
randaamathe chalanatthinte ghadana valare prasnakaramaanu. oru vishakalana vidagthan ithine oru paridhivare mangiya ternery sherzo aayi kaanunnu. bentoyuvil udharichirikkunna mattoru vaadathil, "oru puthiya yadhaartha ghadana, oru sonatta-roopathe-exposion, development, recapitulation ennivayulla-fyooginte thathwangalkku melnottam vahikkunnu", athesamayam matoraal ithine oru abaa sherzoyude paatapusthaka udaaharanamaayi kaanunnu, ennirunnaalum aadya prasthaanatthinte muzhuvan pradhana prameyathinteyum chakrikamaaya madangivaravu ulppedunnu.
moonnaamathethu, mandagathiyilulla chalanathe oru prameyamaayum vyathiyaanangalaayum allengil, pakaram, oru swapnasamaanamaaya sonaatta roopamaayum kaanam. chalanatthiludaneelam ulla thaalam roman naadodi samgeethathinte savisheshathayaaya "parlando-rubatto" sailiyilaanu.
final chilappol oru ronto aanennum mattu samayangalil oru sonaatta-ronto aanennum avakaashappedunnu, athesamayam pascal bentoyu parayunnath "oru sonaatta foominu madikkaathe yogyatha nedunnathinulla ellah gadakangalum ithil adangiyirikkunnu" ennaanu.
dyscography.
recording theeyathi anusarichu kaalakramatthil pattikappedutthiyittundu.

