
sii mejar, bidablyuvi 564 ll tokkaatta, adajio, fugue

johann sebaastyan baachu rachicha oru avayavaghadanayaanu tokkaatta, adajio, fugue inn sii mejar (bii. dablyu. vii 564). baachu nadathunna mattu mikka avayavangaludeyum kaaryatthilennapole, autograph score nilanilkunnilla. aadyakaala kayyezhuthuprathikalude pakarppukal orupakshe 1719-1727 ll nirmmichathaakaam. akkaalathe avayavasaahithyathil ninnu pratheekshichathupole, eee pakarppukalile kashanathinte thalakkett "tokkaatta inn sii mejar" (allengil kooduthal krithyamaayi paranjaal, oru srothassil "tokkaatta pedda ex sii", obligaatto pedal bhaagathe soochippikkunna "tokkaatta ex sii pedalittar") aayi nalkiyittundu. orupakshe weimer varshangalude madhyam muthal avasaanam vare rachicha oru aadyakaala kruthiyaanu eee kashanam.iii. 1710-1717. bidablyuvi 538, bidablyuvi 540 thudangiya ore samayam rachicha mattu tokkattakalumaayi ithu chila samanathakal pankidunnu ivayellaam concerto shailiyudeyum roopathinteyum swaadheenam kaanikkunnu. 
rachana.
tokkatta.
pazhaya aamukha tharam, maanuval "pasajio", thudarnnu pedal sooloo, motivik-kontrappandal vibhaagam ennivayude naveekarichathum vipuleekarichathumaaya roopathilaanu punny aarambhikkunnath. bii. dablyu. vii 564 thurakkunna baachinte vipuleekritha "pasajio" buttstettinte aamukhangalil ninnu prachodanam ulkkondathaakaam; vaachaadopa vishramangal, thudarnnu tonikkilekkum single pedal kurippukalilekkum madangunnathu pazhaya paarambaryatthinte bhagamaanu. ennirunnaalum, inipparayunna pedal sooloo avayava saahithyathil savisheshamaanu baachinte modalukaludeyo (buxtehood, boham, mattullava) allengil addehathinte swantham munkaala kruthikaludeyo (udha.jii. bii. dablyu. vii 549) leeii pedal sooloo. pedal soloyil aadyamaayi avatharippicha uddeshyangalekkurichu thudarnnulla poornna shabda vibhaagam vishadeekarikkunnu. ooppaning maanuval, pedal bhagangal enniva "solos" aayum clossing kontraapandal sekshan "tutty" aayum edukkukayaanengil eee aadya chalanatthinte nirmmaanam engane oru concerto anusmarippikkunnuvennu vividha pandithanmaar abhipraayappettittund.
adjustant.
randaamathe chalanam veendum rund vibhagangalaayi vibhajikkappettirikkunnu, onnu adayaalappeduthiya adjio mattonn adayaalappeduthiya shavakudeeravum. oru avayavapravarthanathil oru madhya mandagathiyilulla chalanam ulppeduthunnathu baachinu asaadhaaranamaayirunnu, ennirunnaalum ithe kaalayalavile mattu kruthikalil eee aashayathinte adayaalangal kaanaan kazhiyum udaaharanathinu, "sii mejarile prelude aandu fugue" enna aadyakaala pathippaya bii. dablyu. vii 545-ll oru mandagathiyilulla "thrayam" adangiyirikkunnu, athu avasana pathippil ninnu neekkam cheyyappettu, pakshe avasaanathe avayava thrayam sonattakalilonnaaya bii. dablyu. vii 529-lake athu vazhi kandethi. aadyakaala baachinte savisheshathayaaya hraswa vaakyangal kondu nirmmicha oru ragamaanu adajio, athu oru thudarchayaaya bhaagamaayi kaanapedaam. giuseppe torrelly "concerto inn sii mejar" enna kruthiyumaayi eee samgeethathe thaarathamyam cheythittundu. 8. 1, ennaal baachinte pravartthanatthil, eee adajio ottaykku nilkkunnu, athinu samaanathakalilla. neopolitan aarukalude samriddhiyum ardha-pissicatto pedal itaaliyan swaadheenathe soochippikkunnu. adajio cheria shavakudeera vibhaagathilekku thadassamillaathe ozhukunnu, ithu itaaliyan "dures" chrometic purogathikaliloode, adutha cordil suspended cheythirikkunna ezhaamathe cordukalude niravadhi udaaharanangalkkoppam valuthaakkappedunnu, ithu tonikkilekk nayikkunnu.
thuzhayunnu.
moonnaamathe chalanam 6/8 leeii naalu voys fugue aanu. athil kramappedutthal fugukalude oru kaundar subject ulppedunnu, ithu asaadhaaranamaamvidham vishayavumaayi sambhaashanathil earppedunnu. fuginte niravadhi savisheshathakal soochippikkunnathu ithu baachinte ganyamaaya munnettatthe prathinidheekarikkunnu, prathyekichum madyasthanum aadipathyamullavanum vare madhyabhaagathulla entrikal undennu kanakkiledukkumbol. baachinu asaadhaaranamaayi, fugil valare kurachu episodukal maathrame ulppedunnulloo, ettavum dairkhyameriyathu vividha stail bris figarukale adisthaanamaakkiyulla kodayaanu.
swaadheenavum transcription.
baachinte jeevithakaalathum maranasheshavum niravadhi samgeethasamvidhaayakare bii. dablyu. vii 564 swaadheenichu. baachinte sishyanaaya johann ludwig crebs thante "prelude aandu fugue inn sii mejar" (ennirunnaalum, mandagathiyilulla chalanam ozhivaakkuka) enna kruthiyil eee kruthi anukarichu, irupathaam noottaandil ferruzio busoni pianoikkaayi bidablyuvi 564-nte oru transcription prasidheekarichu (1900; athe rachayithaavinte baachu traanscriptionukalil onnu), eee kruthi busoniyude swantham "tokkaatta phoor piano" (1920) yeei swaadheenichu. leopold stokovsky symphany orkkastraykkaayi transcribe cheytha adajio prasthaanam 1927 num 1939 num idayil addeham nadatthiya philadelphia oorkkastra avatharippikkukayum record cheyyukayum cheythu.