
laa belle accentric

laa belle accentric ("vilakshan sundarta") francisi sangeetkaar erich satty dwara chhote orchestra key liye ack nritya soot haye. sangeet holl clitch kii ack parody, ise ack nritya nirdeshan munch kaary key roop mein maanaa gayaa thaa aur aadhunik manakon dwara ise ack baile maanaa jaa sakata haye. satty ney ise sanaki upasheershak "fantacy serius" ("ack gambhir kalpana") diyaa. iska premiere 14 juuna, 1921 koo peris mein theatre doo kolisi mein vladmir goalsman dwara kiya gayaa thaa. baad mein sangeetkaar ney ise piano key liye chaar haathon seey vyavasthit kiya.
sangeet.
satty ney julaai aur octuber 1920 key beach ekal nrityon key iss samooh kii rachana kii. yeh ack sankshipt "gambhir" avadhi key baad unaki sadee kii baari key cabrey muhaware key liye ack uchch-utsaahi throback thaa jisane cantata "sokret" (1918) aur piano "noctorns" (1919) kaa utpaadan kiya thaa. iss suit mein teen nritya (march, waltz, caine-caine) aur ack vaadya retornello shamil hain.
praarambhik rekhaachitron seey pataa chalata haye kii satty ney mool roop seey "laa belle" kii yojana "peris key lokpriya manoranjan kii teen avadhiyon key madhyam seey ack sangeet daure" key roop mein nimnalikhit shirshakon key tahat banaai theeh "1900: marche pore una grande kokot"; "1910: allegance doo circ (aquerre)"; aur "1920: cancan modern."unhone jald hii kalanukramik yojana koo chhod diyaa aur apane swayam key sangeet ateet mein talleen honey key liye aage badhe, nrityon koo vichitra sheershak diye joe pichhale dashak key unake hasyapurna piano tukadon koo yaad karate hain. grande retornal" key liye unhone apane aprakaashit cabrey geeton mein seey ack, "legende california", 1905 seey ack keckwalk seey samagri kaa punarnaveenikaran kiya.
sabhi sankhya mein, satty ney ack majboot (kuchh loga ise ashleel kahate hain) vadeville samvedansheelta key paksh mein apani paaramparik sookhi vidambana koo khariz curr diyaa. dhunein lokpriya-prerit hoti hain, vaastav mein nritya kii lay kabhi-kabhi teji seey yaa stentorian taal dwara kode maarati haye. nichale mastishk key vishay key bavjood, satee hamesha kii tarah apani rachana key tarikon mein imandar thaa. unhone munch parr sheershak charitra kii pahali upasthiti koo chihnit karane key liye off-kilometres visangati key sahee star koo praapt karane seey pahale 25 baar "march" key shuruati baar koo phir seey likhaa.
piyanovadak-sangeetkaar olof hoser ney dekhaa kii "retornal" key soot mein kaary aur sthaan poori tarah seey spasht naheen haye. satty ney spasht roop seey ise nrityon key beach ack aavarti antaral key roop mein prastut kiya taaki kalakar koo veshbhusha badalane key liye samay diyaa jaa sakey, lekin pahale utpaadan mein kewal ack poshak kaa upayog kiya gayaa thaa. retornal" bhee ack prabhaavi parichay detaa haye aur aamtaur parr iss tarah seey kiya jaataa haye, vishesh roop seey recording mein. 
iss suit koo 1 picolo, 1 obo, 1 clarinet, 1 horn, 1 trumpet, 1 trombone, 2 sangeetkaron key liye taal (fandaa drum, jhaanjh, baas drum) aur taaron key liye score kiya jaataa haye. retornal" key dohrao key binaa sangeet lagbhag 8 minut taka chalata haye.
itihas.
"laa belle accentric" koo avant-garde nartaki aur choreographer elizabeth (ellis) toolemont (1889-1971) dwara commission kiya gayaa thaa, jinhone munch naam cariathes key tahat pradarshan kiya thaa. leo stats kii chhaatra, unhone pratham vishva yuddh key dauran samkaaleen sangeet kii apani baahari vyakhyaon key saath kukhyaati hassil kii. unaki shally charitra nritya mein nihit thee aur shaastriya takneek, lokpriya aur antarrashtriya nritya roopon, pret-chitra, kamukta aur vidambanapurna haasya kaa ack sargrahi mishran thaa. 1920 key dashak kii shuruat mein unhone apane peris key ghar parr ugra partiyon kaa ayojan kiya, jinamen seey kuchh mein aam taur parr atee-naitik vyangya drishyavaadi aakarshan key saath bhaag lete they. baad mein unhone upanyaskar marcel jauhandyu seey shaadi kii.
yuddh key baad apane pahale pramukh gaayan key liye carithis ney lekhak aur kalakar jeane coctau key saath sahyog kiya, joe usa samay satty key pravakta aur less six key sangeetkaar they, aur joe karyakram way ikattha hue, vaha mukhya roop seey unake sangeet parr kendrit thaa. satty koo unake teen nritya geeton key liye 500 frank kaa bhugtan kiya gayaa thaa; unhone muft mein "grande retornal" fenka. laa belle accentric" sheershak coctau dwara gadhaa gayaa thaa.
carithis ney octuber 1920 mein apani nritya nirdeshan kii shuruat kii, jisamen satty protej francis pollenk ney rehearsal piyanovadak key roop mein sahaayata kii. pollenk ney belgium key sangeet sameekshak paul coller koo likhaa kii yeh "pratibha kaa kaam thaa."8 janwari, 1921 koo abhineta piyare bertin key ghar parr kewal nimantran key liye purvavlokan diyaa gayaa thaa. satty pariyojana key sabhi charanon mein nikatata seey shamil they. couterior paul poret aur kalakaron mairi laurencin, keys vaine dongen aur jeane hyugo seey belle kii poshak banaane key liye sampark kiya gayaa thaa, lekin sangeetkaar ney unake designs koo bahut aakarshak yaa bahut kathor bataate hue khariz curr diyaa. "meraa sangeet kuchh apmaanjanak kii maang kartaa haye", unhone tippani kii, "ack mahila joe ack doo seey adhik zebra kii tarah haye."coctau ney ack madhya-bhaar vaale paridhan koo design karke samasya kaa samadhan kiya jise unhone badala lene key liye moksh senaa kii ack pagal americi mahila key roop mein varnit kiya."nikol grault (poret kii bahan) ney ack daravana chehare kaa mukhauta pradaan kiya jisane nartaki kii aankho koo chhodkar sabhi koo chhipa diyaa.
coctau ney "laa belle" key liye ack programmatic paath bhee likhaa joe sahyogiyon key beach gharshan kaa kaaran banaa. unhone ack african-americi jaiz nartak key roop mein belle kii kalpana kii aur tadnusar nritya nirdeshan koo prabhaavit karane kii koshish kii, jabaki satty iss baat parr adee hui thee kii vaha poori tarah seey perisian haye. "satty ney cariathes seey kahaa, "yeh hamari galati naheen haye aggar coctau apane 'jaiz' seey bharaa huaa haye-kaafee bharaa huaa haye. aisaa prateet hotaa haye kii paath kaa upayog naheen kiya gayaa haye aur iska koee nishan naheen bachaa haye.
14 juuna, 1921 koo collisi mein carithis key vann-women show kaa premiere achchi tarah seey praapt kiya gayaa thaa. ack aalochak ney "laa belle" parr unake kaam kaa ullekh kiya, aisaa lagata haye kii hamari aankho key saamane joe saamane aataa haye vaha baile naheen haye, balki baudeler yaa adder ellen poe key daraavane drishyon mein seey ack haye."julaai 1921 mein karyakram paul poiret key fashionable garden theatre ell 'oesis mein sthanantarit hoe gayaa, jahan satty ney apane sangeet kaa sanchaalan karate hue ack ekal atithi upasthiti kii. leey chait noyer mein apane shuruati dinon seey unhone kissy orchestra kaa netritva naheen kiya thaa aur way ghabaraae hue dikhaai diye they; pradarshan key anta taka, joe 15 minut seey adhik naheen chalaa, vaha paseene seey bheeg gayaa thaa. unhone phir kabhi sanchaalan naheen kiya. 
mool orchestra score aur piano 4-hands key liye satty kii kamee 1922 mein edition dee laa siren dwara prakaashit kii gaee thee. ekal piano key liye teen nambaron kii ack vyavastha ("cancan grand-monden" koo chhodkar) bhee maujood haye.
carithis apani bhoomika key saath itani pehchaan bunn gaeen kii baad mein unhone apani aatmakatha kaa sheershak "ack vilakshan sundarta key sukh aur duhkh" rakhaa."isamen unhone yaad kiya kii kaise, 1925 kii garmiyon kii shuruat mein, unhone munch chhodane kaa faisala kiya aur apane currier key sabhi smriti chinhon koo apane pichwade mein aag lagaa dee. laa belle" key liye unaki poshak taba jalane luggy thee jaba unhein sangeetkaar georges auric seey ack taar milaa thaa kii satty peris key ack aspatal mein buri tarah seey beemar thee. vaha antim punarmilan key liye usake bistar key paas pahunchi, aur kuchh hii samay baad usaki mrityu hoe gaee. "aisaa lagata haye kii satty dusaron kii parwah naheen kartaa thaa", usane yaad dilaaya, "lekin uska dill dayalu thaa, bhale hii vaha nishchit roop seey moorkhata key prati asahishnu hoe, jise vaha vidambana seey nipatata thaa...unakaa astitva sangeet dwara niyantrit thaa aur unakaa puuraa jeevan prerana kii mehnat aur sachche gyaan kii khoj key liye balidan curr diyaa gayaa thaa."
satty key adhikansh sangeet kii tarah, "laa belle accentric" dwiteeya vishva yuddh key baad taka aspashtata mein chalaa gayaa. unake sabse shuruati jeevanikaar, piyare-daniel templier (1932) aur rollo aich. myers (1948) ney ise satahi paaya. yeh pahali baar ingland mein 14 juuna, 1949 koo sunaa gayaa thaa, jisamen lambert lagaatar bbc teesare karyakram key prasaran mein landan symphany orchestra kaa sanchaalan karate rahey. piyanovadak francis pollenk aur jacks favourier ney 1959 mein iss tukade kii pahali vyaavsaayik recording kii (musidisk). taba seey piano yugal sanskaran kaa pradarshan adhik baar kiya gayaa haye, halanki "laa belle" satty kii cumm gyaat rachanaon mein seey ack haye.
recording.
orchestra key liyeh mauris abravanel-utaah symphany orchestra ("grande retornal" kewal, vanguard, 1968), friedrich serha-samooh "dye rehe" (woakes, 1970), bernard herman-landan festival player (dekka, 1971), toro yuki-danceries samooh (dennon, 1987), michel plasson-orchestra doo capitol dee toolus (ammy, 1988), aur yutaka saado-orchestra days concert lamorux (erato, 2001).
piano yugal geet key liyeh aldo sikkolini ney ise ammy key liye dou baar record kiya, 1971 mein khud dusare piano bhaag koo overdub kiya aur 1988 mein gabriel tachino key saath jodee banaai. anya recording mein jeane weiner aur jeane-joel barbier (saarvbhaumik classics france, 1971, punah jaari 2002), chantal dee buchi aur theodor paraskivsko (prishth, 1978), wineke jordance aur leo vaine dossellar (vagairah, 1983), annie kfeleck aur catherine collared (virgine classics, 1988, punah jaari 2008), jeane-piyare armengoud aur dominic merlet (mandala, 1990), clara cormendy aur aborox (1994), jegan dee (1999), denipoli (1998), denipoli (1998), denipoli (1998), denipoli (1998), denipoli (1998), denipoli (1998), denipoli (1998), denipoli (1998), denipoli (1998), denipoli (1998), denny
ekal piano key liyeh jeane-yaves thiboudate (dekka, 2002).

