
aitihaasik roop seey soochit pradarshan

aitihaasik roop seey soochit pradarshan (jise avadhi pradarshan, pramanik pradarshan yaa hip key roop mein bhee jaanaa jaataa haye) shaastriya sangeet key pradarshan key liye ack drishtikon haye, jiska uddeshya usa sangeet yug key drishtikon, tareeke aur shally key prati wafadar honah haye jisamen mool roop seey ack kaam kii kalpana kii gaee thee.
yeh dou pramukh pahaluon parr adharit haih pradarshan key shaileegat aur takniki pahaluon kaa anuprayog, jise pradarshan abhyaas key roop mein jaanaa jaataa haye; aur avadhi upkaranon kaa upayog joe mool rachana key samay upayog mein aaney vaale aitihaasik upkaranon key punarutpadan hoe sakate hain, aur jinamen aamtaur parr apane aadhunik samkakshon seey alag lay aur swabhaav hotaa haye. adhyayan kaa ack aur kshetra, shrotaon kii apekshaon koo badalane kaa, teji seey jaanch key adheen haye.
19veen shatabdi key anta seey pahale sangeet kii koee dhwani recording maujood naheen haye, aitihaasik roop seey soochit pradarshan kaafee hudd taka granthon key sangeet sambandhi vishleshan seey praapt hotaa haye. aitihaasik granth, shaikshanik shikshak pustaken, aur sangeet karyakram kii aalochanaon key saath-saath atirikt aitihaasik sakshya, sabhi kaa upayog ack aitihaasik yug key pradarshan abhyaas mein antardrishti praapt karane key liye kiya jaataa haye. 1890 key dashak key baad seey maujooda recording (cylinder, disk aur piano roll koo punah prastut karna) ney 19veen shatabdi key romantikwad key vidvaanon koo iss shally kii ack vishisht vistrit samajh praapt karane mein saksham banaaya haye, halanki mahatvapurna shesh prashnon key binaa naheen. sabhi yugon mein, hip kalakar aam taur parr ack mool template key roop mein ack sangeet score key vidwan yaa paath sanskaranon kaa upayog karenge, saath hii saath samkaaleen shaileegat prathaon kii ack shrinkhala koo lagu karenge, jisamen layabaddh parivartan aur kaee prakaar key alankaran shamil hain.
20veen shatabdi key madhya seey anta taka kaee paschimi deshon mein aitihaasik roop seey soochit pradarshan mukhya roop seey vikasit kiya gayaa thaa, vidambana yeh haye kii yeh pahale kii pradarshan paramparaon key saath adhuniktawadi toot key liye ack adhuniktawadi pratikriya thee. shuru mein madhyayugeen, punarjagaran aur barok sangeet key pradarshan seey sambandhit, hip abb shaastriya aur romantic yug key sangeet koo shamil kartaa haye. hip 20veen aur 21veen shatabdi key praarambhik sangeet punruddhar andolan kaa ack mahatvapurna hissa rhaa haye, aur isane naatakiya munch koo prabhaavit karna shuru curr diyaa haye, udaaharan key liye barok opera key nirmaan mein, jahaan abhinay aur drishyon key liye aitihaasik roop seey soochit drishtikon kaa bhee upayog kiya jaataa haye.
kuchh aalochak koolhe kii gati kii karyapranali kaa virodh karate hue kahate hain kii isaki prathaon aur saundaryashastra kaa chayan 20veen shatabdi kaa ack utpaad haye aur yeh jaanana antatah asambhav haye kii pahale key samay key pradarshan kaise lagate they. jahir haye, shally aur pradarshan kaa bhandar jitna purana hoga, saanskritik doori utani hii adhik hogi aur sakshya koo galat samajhane kii sambhavana badhegi. iss kaaran seey, "aitihaasik roop seey soochit" shabd koo abb "pramanik" kii tulanaa mein pasand kiya jaataa haye, kyonki yeh aitihaasik pradarshan shally, yaa isase bhee badatar, ack naitik swar koo phir seey banaane mein poorna sateekta kaa sanket dene key bajaay, shaikshanik samajh kii seemaon koo sweekaar kartaa haye.
praarambhik vaadyayantra.
vaadyayantron kaa chayan aitihaasik roop seey soochit pradarshan key siddhant kaa ack mahatvapurna hissa haye. samay key saath sangeet vaadyayantra vikasit hue hain, aur joe vaadyayantra itihas kii praarambhik avadhi mein upayog mein they, way aksar apane aadhunik samkakshon seey kaafee alag hotey hain. kaee anya vaadyayantra upayog seey baahar hoe gaye hain, jinhen sangeet banaane key liye nae upkaranon dwara pratisthaapit kiya gayaa haye. udaaharan key liye, aadhunik violine key udbhav seey pahale, anya dhanushakar taar vaale vaadyayantra jaise kii rebeck yaa viol aam upayog mein they. sangrahalaya sangrah mein pracheen vaadyayantron key astitva ney sangeetvidon koo yeh samajhane mein madad kii haye kii vaadyayantron key vibhinn design, tuning aur tone ney pahale key pradarshan abhyaas koo kaise prabhaavit kiya hoga.
ack shodh upkaran key saath-saath aitihaasik upkaranon kii aitihaasik roop seey soochit pradarshan key abhyaas mein sakriya bhoomika haye. aadhunik vaadyayantrakaar joe ack aitihaasik dhwani koo phir seey banaane kaa lakshya rakhate hain, way aksar avadhi vaadyayantron (aur kabhi-kabhi mool vaadyayantron) key aadhunik punarutpadan kaa upayog iss aadhar parr karate hain kii yeh ack sangeet pradarshan pradaan karega jise aitihaasik roop seey mool kaam key prati wafadar maanaa jaataa haye, jaisa kii mool sangeetkaar ney ise sunaa hoga. udaaharan key liye, johann sebastian baach dwara sangeet kaa pradarshan karane vaalaa ack aadhunik sangeet samooh 17veen shatabdi key barok orchestra kii dhwani banaane key prayaas mein aadhunik vaadyayantron key bajaay prajanan barok violine bajaa sakata haye.
isase una sangeet vaadyayantron kaa punruddhar huaa haye joe poori tarah seey upayog seey baahar hoe gaye they, aur vartamaan abhyaas mein bhee upayog kiye jaane vaale vaadyayantron kii bhoomika aur sanrachana parr punarvichaar kiya gayaa haye.
orchestra aur samooh joe pradarshan mein avadhi vaadyayantron key upayog key liye jaane jaate hain, unamen teverner consort aur khilaadi (andreau tote dwara nirdeshit), pracheen sangeet akadami (christopher hogwood), concents musicus vn (nicolaus harnocort), angreji sangeet karyakram (traver pinock), hannover baind (roy goodman), angreji barok ekal kalakar (surr johnn elliot gardiner), sangeet antica collan (reinhard gobel), amsterdam barok orchestra aur gaayak (tunn coopman), less arts floricents (villium christy), laa paytite baind (sigiswald quizcane), lai chappel royal (phillipel), ack brand barbert (freezster), barbert (freezster), barbert (freezster), barbert (freezster), barbert (freezster), barbert (freezster), barbert (freezster), barbert (freezster), barbert (freezster), barbert (freezster jaise-jaise aitihaasik roop seey soochit pradarshan kaa daira romantic yug key karyon koo shamil karane key liye vistaarit huaa haye, 19veen shatabdi key vaadyayantron kii vishisht dhwani koo koolhe kii gati mein teji seey maanyata dee gaee haye, aur gardiner key orchester revolutionanier aitt romantic jaise period vaadyayantra orchestra ubhare hain.
harpsicard.
clavicord aur harpsicard jaise kaee prakaar key ack samay key aprachalit keyboard vaadyayantron koo punarjeevit kiya gayaa haye, kyonki praarambhik sangeet key pradarshan mein unakaa vishesh mahatva haye. ack sanchaalak key netritva mein symphany orchestra key vikas seey pahale, punarjagaran aur barok orchestra aamtaur parr harpsicard seey nirdeshit hotey they; nirdeshak nirantarta bajaakar netritva kartaa thaa, joe ack sthir, harmonic sanrachana pradaan karega jiss parr anya vaadyayantrakaar apane bhaagon koo sushobhit karenge. usa yug key kaee dhaarmik karyon mein pipe anga kaa samaan upayog kiya gayaa, aksar ack harpsicard key saath sanyojan mein. aitihaasik roop seey soochit pradarshan aksar keyboard-netritva vaale samooh khelane kaa upayog karate hain.
francois cuperin, domenico scarlatti, girolamo frescobaldi aur johann sebastian baach jaise sangeetkaron ney harpsicard, clavicord aur organ key liye likhaa.
harpsicard key pramukh aadhunik khilaadiyon mein scott ross, ellen curtis, villium christy, christopher hogwood, robbert hill, igor kipnis, tunn coopman, wanda landovska, gustaav leonhardt, traver pinock, skip sempe, andreas steyer, collin tilney aur christophe rooset shamil hain.
fortapiano.
18veen shatabdi key uttaraardh key dauran, harpsicard koo dheere-dheere sabse puraane piano dwara pratisthaapit kiya gayaa thaa. jaise-jaise harpsicard fashion seey baahar hoe gayaa, kaee nasht hoe gaye; vaastav mein, peris sanrakshanalaya francisi kranti aur napolean kaal key dauran jalaau lakadi key liye harpsicard kaa upayog karane key liye kukhyaat haye. halanki naam mool roop seey vinimeya they, abb humm piano kii purani, chhoti shally koo ingit karane key liye 'fortapiano' kaa upayog karate hain, adhik parichit 'pianofort' kaa upayog 1830 key aspas aadhunik designs key karib aaney vaale badey vaadyayantron kaa varnan karane key liye kiya jaataa haye. 20 veen aur 21 veen shatabdi mein, aitihaasik roop seey soochit pradarshan kii pravritti key parinamswarup fortapiano ney punruddhar kaa anand liya haye, jisamen haydon, mosart, beethoven aur schubert key kaam abb aksar fortapiano parr bajaaye jaate hain. teji seey, 19veen shatabdi key madhya seey shuru honey vaale pleel, erard, streacher aur anya piano kaa upayog choppin, liszt aur brahm jaise romantic sangeetkaron key dhwani paridrishya koo phir seey banaane key liye kiya jaa rhaa haye.
kaee keyboard khilaadi joe harpsicard mein visheshagya hain, way fortapiano aur anya avadhi key vaadyayantron mein bhee visheshagya hain. halanki kuchh keyboard vaadak joe apane fortapiano bajaane key liye prasiddh hain, way hain ronald broutigam, ingrid habler, robbert levin, malcum billson aur tobias coach.
ullanghan.
vials key liye sangeet kii ack badee matra, samooh aur ekal pradarshan donon key liye, punarjagaran aur barok yug key sangeetkaron dwara likhaa gayaa thaa, jisamen diego aurtiz, claudio montewardy, villium burd, villium lodge, heinry percel, monsear dee sente-colombe, jey.aiss. baakh, george phillip teleman, marrin marres, antoine forkware aur carle fredrick ebel.
sabse badey seey laker sabse chhote taka, viol parivaar mein shamil hainh
vials key agrani aadhunik khilaadiyon mein paolo pandolfo, weeland quizcane, jordy sawal, johnn suu aur vittoriyo ghilmi shamil hain. kaee aadhunik viol patniyaan hain.
recorder.
kaee aakaron mein recorder (contrabas, baas, tenner, aulto, soprano, sopranino aur isase bhee chhote cline sopranino yaa garkleen) aaj aksar mishrit aakar kii patniyon mein khele jaate hain. anya logon key alawa, handell aur teleman ney recorder key liye ekal kaary likhe. arnold dolmets ney recorder koo ack gambhir sangeet karyakram vaadyayantra key roop mein punarjeevit karane key liye bahut kuchh kiya, jisamen "recorders (deskent, trable, tenner aur baas) kii ack jodee kaa punarnirmaan kiya gayaa, joe sabhi cumm pitch parr aur aitihaasik mool parr adharit thee.
aksar recorder khilaadiyon key paas bansuri bajaane vaale hotey hain, phir recorder parr dhyaan kendrit karane mein parivartan hotaa haye. kuchh prasiddh recorder vaadakon mein fraans brugen (period instrument movement key ack prasiddh sanchaalak bhee), meechala petri, ashley soloman aur jiyovanni antonini shamil hain. handell aur teleman bhee utsuk aur kushal recorder khilaadi they (jaisa kii pahale ullekh kiya gayaa haye), jinamen seey pahale vaale ney recorder aur baso nirantarta key liye sonata key kaee seton kii rachana kii, halanki unamen 20veen shatabdi key madhya key dauran banaai gaee bansuri key pratilekhon kaa prabhutva haye.
gaanaa.
vaadya takneek kii tarah, gayakon key liye aitihaasik roop seey soochit pradarshan abhyaas key drishtikon koo sangeet anusandhaan aur shaikshanik bahas dwara aakar diyaa gayaa haye. vishesh roop seey, praarambhik sangeet punrutthan kii oonchaai parr vibrato kii takneek key upayog key baare mein bahas hui thee, aur koolhe key kaee samarthakon kaa uddeshya seedhe-swar gaayan kii "shuddh" dhwani key paksh mein vibrato koo samaapt karna thaa. shally mein antar koo maria kalas jaise grand opera gaayak kii dhwani key vipareet ack ladke kii teenahare kii dhwani seey pradarshit kiya jaa sakata haye.
kuchh aitihaasik mukhar takneekon ney lokpriyata hassil kii haye, jaise kii "trillo", ack ekal swar kii ack tremolo jaisi punaravritti jiska upayog praarambhik barok yug mein sajawati prabhaav key liye kiya gayaa thaa. inn abhivyanjak upkaranon kii akaadamik samajh aksar vyaktiparak hoti haye, halanki 17veen aur 18veen shatabdi mein granth lekhakon dwara charcha kii gaee kaee mukhar takneekon key lekhak key aadhar parr alag-alag arth hotey hain. seedhe swar key fashion key bavjood, kaee pramukh praarambhik sangeet gaayak apane pradarshan mein abhivyakti jodane key liye vibrato key ack sookshm, komal roop kaa upayog karate hain.
aitihaasik roop seey soochit pradarshan andolan mein yogdan dene vaale kuchh gaayak emma kirkabi, max vaine agmund, juuliyan bayered, nigel rosers aur david thomas hain.
praarambhik sangeet mein ruchi key punrutthan, vishesh roop seey pavitra punarjagaran bahubhashi aur barok opera mein, countertainer aavaaj key punrutthan koo prerit kiya haye. uchch aavaaj vaale purush gayakon koo aksar hip opera prastutiyon mein mahila contralto kii tulanaa mein chunaa jaataa haye, aanshik roop seey castrato gayakon key vikalp key roop mein. alfred deller koo countertainer gaayan key aadhunik punrutthan kaa agrani maanaa jaataa haye. pramukh samkaaleen kalakaron mein james bowman, david daniels, derek lii ragin, andreas schole, michael chaans, jacob joseph orilinsky, daniel teller, bryan asawa, yoshikazu meraa aur phillip zaroski shamil hain.
leout.
kalakaron key ack samooh key leout key baare mein maanak abhyaas, udaaharan key liye ack gaayak mandal yaa ack orchestra mein, samay key saath badal gayaa haye. ack pradarshan munch parr gayakon aur vaadyayantron key aitihaasik roop seey upayukt leout kaa nirdhaaran aitihaasik shodh dwara soochit kiya jaa sakata haye. dastaveji sakshya key alawa, sangeetvid aitihaasik jaankaari key liye ack praathamik srot key roop mein murtikala sakshya-samkaaleen chitra aur pradarshan karane vaale sangeetkaron key chitra-kii or bhee rukh curr sakate hain. sachitra srot vibhinn prathaon koo prakat curr sakate hain jaise kii ack samooh kaa aakar; vibhinn prakaar key vaadyayantron kii sthiti; ack gaayak mandal yaa keyboard vaadyayantra key sambandh mein unaki sthiti; ack sanchaalak kii sthiti yaa anupasthiti; chaahe kalakar baithe houn yaa khade houn; aur pradarshan sthaan (jaise kii ack sangeet karyakram kaksh, mahal kaksh, gharelu ghar, church, yaa baahar aadi).). german siddhantkar johann mathson ney 1739 key ack granth mein kahaa haye kii gayakon koo vaadyayantrakaaron key saamane khadaa honah chaahiye.
teen mukhya leout pralekhit kiye gaye hainh
praarambhik pradarshan prathaon koo punarpraapt karna.
sangeet sanketan kii vyakhya karna.
kuchh parichit kathin vastuein iss prakaar hainh
yaantrik sangeet.
ateet mein sangeet kaise bajata thaa, isake baare mein kuchh jaankaari samkaaleen yaantrik upkaranon seey praapt kii jaa sakati haye. udaaharan key liye, dutch sangrahalaya spielclock key paas 18veen shatabdi kaa ack yaantrik anga haye, jisamen sangeet karyakram kii rachana aur paryavekshan joseph haydon ney kiya thaa.
tuning aur pitch.
aadhunik yug taka, vibhinn sthaanon mein vibhinn tuning sandarbhon kaa upayog kiya gayaa haye. barok oboist broose heins ney jeevit pawan vaadyayantron kii vyaapak roop seey jaanch kii haye aur yahaan taka kii vaayalinvaadakon koo padosi churchon mein khelane key liye ack mamuli tihai seey phir seey dhuna lagaane key mamle kaa dastavejikaran kiya haye.
pratimashastriya sakshya.
sangeetvidon kaa shodh aksar kalaa itihaskaron key kaam key saath overlap hotaa haye; ack vishesh sangeet yug key samkaaleen sangeetkaron key chitron aur chitron kii jaanch karke, shikshaavid usa samay key pradarshan abhyaas key baare mein vivaran kaa anuman lagaa sakate hain. ack orchestra yaa samooh key leout koo dikhaane key alawa, ack kalaa kaa kaam samkaaleen bajaane kii takneekon key baare mein vistaar seey prakat curr sakata haye, udaaharan key liye dhanush yaa pawan vaadak key ubhare hue tareeke koo pakadane kaa tarika. haalaanki, jiss tarah ack kalaa itihaaskaar koo kissy kalaa key kaam kaa mulyankan karna chaahiye, usee tarah sangeet vigyaan key ack vidwan koo bhee kalakar kii sambhaavit saanskritik aur raajneetik preranaon koo dhyaan mein rakhate hue, usake aitihaasik sandarbh mein ack chitrakala yaa chitran key sangeet sakshya kaa mulyankan karna chaahiye aur kalaatmak licenses kii anumati deni chaahiye. sangeetkaron kii ack aitihaasik chhavi sangeet vaadyayantron kaa ack aadarsh yaa kaalpanik vivaran prastut curr sakati haye, aur utanaa hii jokhim haye kii yeh aitihaasik roop seey galat jaankaari vaale pradarshan koo janm dey sakata haye.
mudde.
kalaatmak aur shaikshanik preranaon koo sangeet pradarshan mein kaise parivartit kiya jaanaa chaahiye, iss parr raay alag-alag hoti haye.
halanki ack sangeetkaar key iradon koo unake aitihaasik sandarbh mein samajhane kaa prayaas karane kii aavashyakta kaa samarthan karate hue, ralf kirkpatrick takniki akshamta koo chhipaane key liye aitihaasik bahishkritata kaa upayog karane key jokhim parr prakaash daalate hainh "aksar aitihaasik pramanikta kaa upayog saundarya moolyon key kissy bhee sambhaavit roop seey ashant paalan seey bachane key saadhan key roop mein kiya jaa sakata haye, aur kissy bhee vaastavik kalaatmak jimmedaari kii dhaarana seey. saundarya moolyon aur kalaatmak jimmedariyon kaa tyag iss baat parr sadgi kaa ack nishchit bhram pradaan curr sakata haye kii itihas ney hamein kyaa prastut kiya haye, joe samay kii rait parr haddiyon kii tarah safed hoe gayaa haye.
praarambhik sangeet vidwan beverley gerold ney aitihaasik roop seey jaankaar sangeetkaron kii taar takneek parr sawal uthaaya haye, jisamen barok yug key sangeet karyakram mein jaane vaalon key vivaranon kaa hawala diyaa gayaa haye joe lagbhag vipareet abhyaas kaa varnan karate hain. aitihaasik roop seey jaankaar gayakon kii prathaon parr isi tarah kii aalochana kii gaee haye.
praarambhik sangeet punrutthan key kuchh samarthakon ney "pramanik pradarshan" kii shabdawali seey khud koo door curr liya haye. sanchaalak johnn elliot gardiner ney yeh vichaar vyakt kiya haye kii yeh shabd "bhraamak" hoe sakata haye, aur kahaa haye, "avadhi vaadyayantron key liye meraa utsaah pracheen kaal yaa nakali aur apraapya pramanikta kii khoj mein naheen haye, balki symphany orchestra key maanak, ekavarni gunon key liye ack taaza vikalp key roop mein haye."
daniel leach-wilkinson maanate hain kii koolhe kaa abhyaas adhikansh aavishkaar parr adharit haih "aitihaasik shodh hamein upkaran pradaan curr sakata haye, aur kabhi-kabhi unakaa upayog karane key baare mein kaafee vistrit jaankaari bhee pradaan curr sakata haye; lekin iss tarah key sakshya aur dhwani pradarshan key beach kaa antar abhee bhee itna badaa haye kii ise kewal badee matra mein sangeet aur aavishkaar seey hii cumm kiya jaa sakata haye. vaastav mein kitni aavashyakta haye, ise aasaani seey bhulaa diyaa jaa sakata haye, thheek isaliye kii sangeet aavishkaar kaa abhyaas kalakar key liye itna swachaalit haye."junch-wilkinson ney nishkarsh nikala kii praarambhik sangeet mein pradarshan shailiyon kaa utanaa hii sambandh vartamaan swaad seey haye jitna kii sateek prajanan seey haye."yeh shayed atee-nirashawadi haye. haal hii mein, andreau snedden ney sujhaav diyaa haye kii jaba usa yug kii saanskritik vyakhya key sandarbh mein sampark kiya jaataa haye tou koolhe key punarnirmaan majboot jameen parr hotey hain, naa kewal yeh jaanchate hue kii way kaise khelate they, balki way kaise bajaate they, aur sangeet mein kyaa saanskritik arth antarnihit haye.
beesavin shatabdi kii shuruat mein orchestra recording key apane adhyayan key samaapan mein, robbert phillip kaa kahana haye kii "joe abb swaadisht lagata haye vaha shayed pahale kii avadhi mein swaadisht lagata haye" kii avadharana aitihaasik pradarshan andolan key peechhe ack maulik lekin trutipurna dhaarana haye. poori pustak mein lay, compan aur bhaavvaachak kii jaanch karane mein kharch karane key baad, phillips kaa kahana haye kii swaad kii dhaarana kii bhranti key kaaran aitihaasik pradarshan key anuyaayi yaadrichhik roop seey una cheezon kaa chayan karate hain joe unhein sweekarya lagati hain aur pradarshan abhyaas key sabooton koo nazarandaj karate hain joe aadhunik swaad key khilaf hain.
swaagat.
apani pustak, "sangeet key saundaryashastra" mein, british daarshanik roser scribbon ney likhaa haye kii "[koolhe kaa] prabhaav aksar ateet koo nakali chhatravritti key ack daldal mein daalane, sangeet parr sangeet vigyaan koo oopar uthaane aur baakh aur unake samkaaleenon koo ack dhwanik samay-warp taka seemit karane key liye rhaa haye. itane saare 'pramanik' pradarshanon seey joe thakan kii bhavna paida hoti haye, usaki tulanaa aadhunik sangrahalaya key vatavaran seey kii jaa sakati haye... [praarambhik sangeetkaron key kaam] pramanikta key kaanch key peechhe vyavasthit hain, ack durgam screen key doosari taraf seey dhundhali nazar seey dekh rahey hain.
kaee vidwan koolhe kii gati koo anivarya roop seey 20veen shatabdi key aavishkaar key roop mein dekhate hain. praarambhik sangeet" (aitihaasik roop seey soochit pradarshan key baare mein pramukh patrikaon mein seey ack) key baare mein likhate hue, peater hill ney "praarambhik sangeet" mein sabhi lekhon koo alag-alag tarikon seey 'pramanikta' sthiti mein (shayed ghaatak) dosh key roop mein nott kiya. yeh haye kii ateet koo ateet key sandarbh mein samajhane kaa prayaas-virodhabhasi roop seey-ack bilkul samkaaleen ghatana haye."
aitihaasik roop seey soochit pradarshan andolan kii adhik sandigdh awazon mein seey ack richard tarruskin rahee hain. unakaa shodh prabandh yeh haye kii kathit roop seey aitihaasik roop seey soochit prathaon kaa pataa lagaane kaa abhyaas vaastav mein 20veen shatabdi kaa ack abhyaas haye joe adhuniktawad seey prabhaavit haye aur antatah, humm kabhi naheen zaan sakate kii sangeet kaisa lagata thaa yaa pichhali shataabdiyon mein ise kaise bajaaya gayaa thaa. "jise humm aitihaasik roop seey pramanik pradarshan key roop mein maanane key aadee they, main dekhane lagaa, naa tou kissy nirdhaarit aitihaasik prototype kaa pratinidhitva kartaa thaa aur naa hii unake dwara sambodhit repertory key saath abhyason key kissy bhee susangat punrutthan kaa. balki, unhone aadhunik (aaee. aiss. tii.) moolyon kii ack poori ichcha soochi koo moort roop diyaa, jise akadami aur bajar mein aitihaasik sakshya key ack sargrahi, avasarvaadi adhyayan dwara samaan roop seey maanya kiya gayaa."" "" aitihaasik "" kalakar joe 'sachchai taka pahunchane' kaa lakshya rakhate hain. ..avadhi vaadyayantron kaa upayog karke aur khoye hue khelane kii takneekon koo punarjeevit karke vaastav mein itihas key maal mein seey chunein aur chunein. aur way aisaa iss tarah seey karate hain joe kissy bhee pahale key yug kii tulanaa mein beesavin shatabdi key anta key moolyon key baare mein adhik kahata haye."
apani pustak "dha imaginary museum off musical worksah aine nibandh inn dha philosophy off music" mein, lydia gohar ney koolhe key andolan key samarthakon aur alochakon donon key uddeshyon aur galatiyon parr charcha kii haye. unakaa daavaa haye kii koolhe kii gati 19veen shatabdi key uttaraardh key dauran pahale key samay key sangeet parr aadhunik takneekon koo lagu karane key tareeke kii pratikriya key roop mein hui thee. iss prakaar kalakar sangeet pradarshan karane key ack "pramanik" tareeke koo praapt karane key liye chintit they-ack aadarsh joe sangeet seey judey sabhi logon key liye nihitarth rakhta haye. vaha 20veen shatabdi key uttaraardh key tarkon koo dou drishtikonon mein vibhajit karati haye, yaa tou pradarshan kii sthitiyon key prati nishtha praapt karati haye, yaa sangeet key kaam key prati nishtha praapt karati haye.
vaha alochakon key tarkon koo sankshep mein sankshep mein prastut karati hain (udaaharan key liye, kaalaatit, praarambhik sangeet parr vartamaan pradarshan vichaaron koo chuninda roop seey lagu karati hain), lekin phir yeh nishkarsh nikaalati hain kii hip andolan koo sangeet koo dekhane aur sunane kaa ack alag tarika pesh karna haih "yeh naee aadarshon key viniyaman key tahat nae tarikon seey sangeet kaa utpaadan karane kii sambhavana key liye hamari aankhen khuli rakhta haye. yeh hamari niyaamak avadhaaranaon kii swabhavik roop seey mahatvapurna aur punah vichaar karane yogya prakriti key liye hamari aankhen khuli rakhta haye. sabse mahatvapurna baat yeh haye kii yeh hamein sabse khatarnak maanyataon koo banaae rakhane kii usa gahari ichcha koo door karane mein madad kartaa haye, kii hamane kissy bhee samay apani prathaon koo poori tarah seey sahee paaya haye."
joe spasht haye vaha yeh haye kii shaileegat punarnirmaan key liye ack sankeern sangeet sambandhi drishtikon sanskriti mein adhuniktawadi aur ack jeevit pradarshan key roop mein apramaanik donon haye, ack drishtikon jise peater brook dwara 'ghaatak rangmanch' kahaa jaataa haye.

