baali mein trance aur nritya

baali mein trance aur nritya ack laghu vrittachitra haye jise 1930 key dashak mein baali parr apane shodh key dauran maanavvigyaani margaret maid aur gregory betson dwara shoot kiya gayaa thaa. isamen mahila nartakiyon koo tej "criss" khanjaron key saath trance mein nritya karate hue dikhaaya gayaa haye, joe antatah binaa chot key khud koo chaku maarati hain. yeh film 1951 taka release naheen hui thee. isane apani agrani upalabdhi key liye baad key maanavvigyaani seey prashansa praapt kii haye, aur pradarshan parr dhyaan kendrit karane key liye aalochana kii haye, jisamen nartakiyon kii baatchit jaise praasangik vivaranon koo chhod diyaa gayaa haye.
itihas.
maanavvigyaani margaret maid aur gregory betson ney 1930 key dashak mein dou saal key shodh key liye baali kaa daura kiya, lagbhag 22,000 phut 16-millimeter film aur 25,000 tasveeron kii shooting kii, aur saat filmon koo puuraa kiya, jinamen seey ack haye "baali mein trance aur nritya". 1936 mein unaki shaadi hui thee. unake drishya samagri key utpaadan koo maanav vigyaan mein bejod bataaya gayaa haye. yeh pratibhaagi avalokan kii unaki vidhi dwara sanchaalit thaa, jiska uddeshya vishay key drishtikon koo samajhane key liye prachur vyavasthit kshetra tippaniyon mein darj kiya jaanaa thaa. way sthir aur gati-chitra donon camers kaa upayog karate hue photographic takneek parr saavdhaanipoorvak dhyaan dete they. unake pravaas key dauran, betson ney atirikt thoke film, ack badaa vikaasheel tank aur ack rapid winder key liye ghar bheja taaki "bahut teji seey anukram mein" tasveeren lii jaa sakein.
baali mein trance aur nritya" key liye nritya vishesh roop seey dinn key ujaale key dauran aayojit kiya gayaa thaa, kyonki koee prakaash upkaran upalabdh naheen thaa; meed key anusaar, nritya "aamtaur parr kewal dair raat koo kiya jaataa thaa. baad mein meed ney nott kiya kii "jiss vyakti ney vyavastha kii thee, usane raat mein pradarshan karane vaali sookhi hui boodhi mahilaaon key liye yuva sunder mahilaaon koo pratisthaapit karane kaa faisala kiya, aur humm record curr sakate they kii kaise una mahilaaon ney joe pahale kabhi bhee mansik avasaad mein naheen theen, unhone apane poore jeevan mein dekhe gaye prathaagat vyavhaar koo trutiheen roop seey dohraya thaa. iss tarah, meed ney apani manavshastriya jaanch key hisse key roop mein parivartanon koo uchit thaharaaya.
film, jaise betson aur meed key anya karyon kaa shuru mein ack ulajhan bharaa swaagat huaa. filmein utkrisht bunn gaeen, drishya maanav vigyaan key kshetra koo shuru kiya, aur unaki tulanaa karane key liye bahut cumm "aitihaasik sthiti" haye. baali mein trance aur nritya" key adhikansh drishya 16 disambar 1937 koo ack pradarshan mein shoot kiye gaye they jise unhone (meed key janmadin parr) shuru kiya thaa. unhone pradarshan key liye apane bhugtan kaa ullekh baali key saanskritik sanrakshan key liye kiya. maanavvigyaani iraa jacknis key anusaar, unhone joe trance anushthaan filmaya thaa, vaha "ack pracheen roop naheen thaa, balki unake kshetra kaary kii avadhi key dauran banaaya gayaa thaa", jaisa kii ack baali samooh ney 1936 mein "rangada yaa jaadoo-tona (tjalonarang) koo barong aur criss-dance naatak key saath jodaa thaa, jise taba [chitrakaar] walter jasuson aur unake doston key prayason key madhyam seey paryatakon key beach lokpriya kiya gayaa thaa."
saransh.
yeh film baali key indoneshiyai dweep parr ack anushthaan nritya, criss nritya key ekal pradarshan kaa varnan aur chitran karati haye. nritya achche key sangharsh koo darshaata haye, dragon key aakar mein, burai key khilaf, nakabposh "tjalonrang" chudailon key aakar mein. nartakiyaan yuva mahilaaen hain. way "criss" khanjar pakadate hain. way ack-ack karke, ack-ack karke, trance mein pravesh karate hue dekhe jaate hain, aur isase punarjeevit hotey hain. jaba way trance mein hotey hain, tou way khush hocker naachate hain aur apani khanjaron seey khud koo chhura ghonpate hain, jisase unhein koee nuksan naheen hotaa haye. 
nritya kii kahani koo sankshep mein prastut karate hue film paath key pradarshit khandon key saath khulati aur bund hoti haye.
filmancan key samay koee dhwani record naheen kii gaee thee. film key dhwani-crum mein mid dwara kathan aur kaheen aur record kiya gayaa baali sangeet shamil haye, sambhavatah betson aur maid key sahyogiyon, kanadai sangeetvid collin mcfee aur baali nritya key vidwan katherene mershon dwara.
prakaashan.
"trance aind dance inn baali" 1930 key dashak mein filmaya gayaa thaa, iska adhikansh hissa 1937 mein filmaya gayaa thaa aur 1951 mein release kiya gayaa thaa. ise maid dwara likhaa aur sunaaya gayaa haye, jisamen betson dwara chhayankan kiya gayaa haye, aur betson aur maid dwara saha-nirdeshit kiya gayaa haye. laghu film abb muft download key liye upalabdh haye.
aitihaasik mahatva.
1999 mein film koo united states library off congress dwara "saanskritik roop seey mahatvapurna" maanaa gayaa thaa aur rashtriya film registry mein sanrakshan key liye chunaa gayaa thaa.
maanavvigyaani jorden catherine wennend key anusaar, yeh film "apane samay key liye bahut prabhaavshaali thee". vaha kahati haye kii yeh baali key logon key hinsak ghatnaaon seey gujarate hue nritya koo record kartaa haye, binaa chot key khud koo khanjar seey chhura ghonpata haye. phir unhein pavitra jall aur dhoop key saath chetna mein bahaal kiya jaataa haye."
indoneshiyai americi maanavvigyaani fatima tobbing rony kaa tark haye kii "photogenic" hinsa aur trance anuvaad yogya naheen hainh maanav vigyaan trance koo dekh sakata haye lekin vaastav mein kabhi bhee isake rahasya mein pravesh naheen kartaa haye. unake vichaar mein, "ladkiyon kii shararati aavaazen aur sachiv dwara lipyantarit boodhi mahilaaon kii vyarth hansee, kabhi bhee aavaaz yaa dhwani-crum mein naheen sunee jaati hainh mahilaaen alag-alag videshi transors bunn jaati hain. aur vriddh mahilaaon kii aadhyatmik gaharaai parr vichaar naheen kiya jaataa haye."jahaan taka vastunishthata kaa sawal haye, rony tippani kartaa haye kii" "baali mein photogenic" "trance aur nritya ack prakaar key manavshastriya samrajyavadi andhepan kaa pratinidhi haye, vidambana yeh haye kii yeye vaigyaanik [mein] vishvaas karate hain aur apani behtar drishti key vichaar koo badhaava dete hain.
maanavvigyaani hildred geertz ney film koo agrani bataate hue likhaa haye kii betson aur meed pathpradarshak seey adhik hainh unaki filmein "kuchh mahatvapurna mamalon mein anukaraniya uplabdhiyan bunny hui hain."unake vichaar mein, unaki filmein aadhunik manakon key anusaar bhee parishkrit hain", kyonki way film kaa upayog nasleeya chitran key roop mein naheen balki vyavasthit saanskritik anusandhaan mein ack shaktishali upkaran key roop mein karate hain."geertz kaa tark haye kii" "baali mein trance aur nritya" "bachpan, anushthaan aur lock naatak key saanskritik anubhavon key paraspar judaav key baare mein ack parikalpana nirdhaarit kartaa haye. film meed key "drishya samagri key avishvasaniya roop seey badey sangrah" kaa ack "minut" namuna haye, joe abb sabhi sangraheet aur annotated haye. geertz ney yeh bhee nott kiya kii film "baali sanskriti kii ack atyadhik naatakiya aur gatishil prastuti haye" jise akele shabd praapt naheen curr sakate they, bhale hii jaadoo-toone aur dragon anushthaan nritya koo raat mein apane sabhi bhayaanak rahasya mein pakadane key bajaay dinn key ujaale mein shoot kiya jaanaa thaa.
drishya maanavvigyaani beverley seckinger ney nott kiya kii film ney criss nritya key ack pradarshan kaa ack drishya record banaaya, jisamen nyuntam likhit aur mukhar varnan thaa. vaha tippani karati hain kii film ack film mein ack poori "sanskriti" (unake uddharan chihn) koo dikhaane kaa prayaas karane key bajaay ack anushthaan parr dhyaan kendrit karane mein agrani thee; aur kathan kii matra koo seemit karane mein. vaha geertz key nishkarsh koo uddhrit karati haye kii 
film usa tareeke kii ack prerak aur hadataali prastuti bunny hui haye jisamen kaee baar
arth ack kendriya roop seey mahatvapurna saanskritik roop mein sanghanit hotey hain. seckinger tippani karati haye kii sabhi samaan roop seey film "apane samay kaa ack utpaad" haye, jisamen pratibhagiyon koo apane liye bolane kaa prayaas naheen kiya gayaa haye; vaha nott karati haye kii audio upkaran key binaa, yeh mushkil hotaa. isake alawa, film nartakiyon koo baali sanskriti key vishisht roop mein maanati haye, naa kii vyaktiyon key roop mein, aur koee baali aavaaj yaa uddhrit baali paath naheen haye. isake bajaay, meed kaa kathan "anivarya roop seey 'vaigyaanik' adhikaar key charitra koo letaa haye.
sammohan chikitsak jey hailey aur medleen richport-hailey ney film koo "aitihaasik mahatva kii ack utkrisht kriti" key roop mein varnit kiya haye. unhone betson aur mid key lagbhag 50 saal baad baali kaa daura kiya, kuchh logon seey mulakat kii, aur "nritya aur baali key bachchon kaa trance" sheershak key saath ack film banaai, jisamen "baali mein nritya aur nritya" key clip key saath nae footage koo jodaa gayaa.
film traver ponech key vidwan likhate hain kii pradarshan kii prathaagat sthitiyon koo badalkar, betson aur meed kii vastunishthata parr sawal uthaaye jaa sakate hain, joe shayed unaki "naitik roop seey prashnagat, jeevan-jagat-vikrit ichchhaon" seey prabhaavit haye.

