
seraina rohrer

seraina rohrer rachanaatmak udyogon key liye ack swiss audiovisual karyakari, akaadamik aur navachar visheshagya hain.
praarambhik jeevan.
rohrer ney zurich vishvavidyalaya mein film aur sanchaar kaa adhyayan kiya.
carrier.
rohrer apane phd shodh key liye california vishvavidyalaya, loss angils mein california vishvavidyalaya key chikano adhyayan anusandhaan kendra mein ack visiting scholar rahee hain, jahan unhone prasiddh maxican comedian laa india maria key jeevan aur kaary parr "laa india maariyah maxploitation aind dha films off maria elena velasco" naamak pustak key liye apana shodh kiya. rohrer kaee varshon taka mexico mein rahey aur kaam kiya.
2003 seey 2009 taka, unhone locarno mahotsav mein press karyalaya kaa netritva kiya aur audiovisual kshetra key liye swiss colleges aur vishvavidyalayon key beach ack sanyukt snatkottar karyakram key shubharambh kaa samanvaya kiya. unhone ack free-lains curator key roop mein kaam kiya aur zurich film foundation key liye ack visheshagya theen. 2011 seey 2019 taka, rohrer lagbhag 65,000 darshakon kii mejbani karane vaale solothern film samaroh key nideshak they, joe switzerland key pramukh saanskritik karyakramon mein seey ack haye. apani bhoomika mein vaha mahotsav key karyakram key saath-saath isaki samagr ranneeti kii prabhaari theen.
rohrer niyamit roop seey samachar patra key lekh prakaashit karati hain, aur aine. jey. aiss. key ravivaar sanskaran key liye, jisake liye unhone 2012 aur 2015 key beach ack masik collum likhaa thaa. vaha yuu. bee. aiss. saanskritik foundation sahit vibhinn saanskritik sansthanon kii sadasya hain. 
2020 mein, rohrer prabandhan board key sadasya aur nae kshetra key navachar aur samaaj key pramukh key roop mein saanskritik foundation pro helvetia mein shamil hue. iss samaroh mein, unhone vividhata aur samavesh parr pahal aur karyakramon key saath-saath parivartan koo badhaava dene vaale karyakramon kii shuruat kii (anya cheejon key alawa, vaha kalaa, vigyaan aur praudyogiki parr dhyaan kendrit karane kii prabhaari hain).

