
concerto grosso nam. 3 (snitke)

alfred snitke ney apane concerto grosso number kii rachana kii. 1985 mein dou violine key liye 3, harpsicard, piano aur celesta.
rachana.
shittake kaa concerto grosso nam. 3 koo 1985 mein rundfunk dair ddr (purvi german radio) dwara commission kiya gayaa thaa aur ack varsh mein 85 kii sankhya key saath samaapt honey vaale paanch sangeetkaron key ullekhaniya varshgaanth key avsar parah heinrich shutz, joe 1585 mein paida hue they; johann sebastian baach, george friederich handell aur domenico scarlatti, joe sabhi 1685 mein paida hue they; aur alban burg, joe 1885 mein paida hue they.
yeh sangeet karyakram stroke kii ack shrinkhala kii shuruat seey thheek pahale puuraa kiya gayaa thaa, jisane unhein apane baaki rachanaatmak jeevan key liye bahut prabhaavit kiya, jise violine, viola, cello (1994) key liye unake triple sangeet karyakram dwara chihnit kiya gayaa thaa. yeh aghaat praarambhik sanskaran key pahale pradarshan key thheek teen maheene baad huaa, joe 20 aprail 1985 koo masco mein huaa thaa, jisamen solius sondekis dwara sanchaalit lithuanian kaksh orchestra key saath samarpit oleh krissa aur tatiana grindenko dwara kiya gayaa thaa. haalaanki, iss concerto kaa antim, sanshodhit sanskaran pahali baar 9 disambar 1985 koo purvi berlin mein dresden chamber orchestra dwara aayojit kiya gayaa thaa.
sanrachana.
iss concerto koo paanch andolanon mein vibhajit kiya gayaa haye aur isaki vishisht avadhi 24 minut haye. pratyek andolan key sheershak shuruat mein chihnit gati sanketon seey liye jaate hain. andolan kii soochi iss prakaar haih
concerto koo dou ekal violine, chaar pahale violine, chaar dusare violine, teen violo, dou selos, ack double baas, ack harpsicard, ack celesta, ack piano aur bee-flat, aeye, see aur bee bajaane key liye tuned chaar church kii ghantiyon key sett key liye score kiya jaataa haye, joe german sangeet patra mein baakh motif koo sanket dete hain.
yeh concerto varshon seey vikasit shally snitke kaa ack mahaan udaaharan haye, jise unhone "polystylism" gadhaa.
pahala andolan.
pahale andolan mein dou virodhi khand hotey hainh "sangrahalaya" (tonality) aur "anishchit vartamaan" (atonality). bhale hii snitke ney pahale andolan kii shuruat koo nava-shaastriya key roop mein label kiya, adhikansh vidwan iss baat seey sahmat hain kii isamen nava-shaastriya kii tulanaa mein adhik barok yaa nava-barok sandarbh hain. concerto jee minor mein shuru hotaa haye, lekin isaki taar pragati kissy taal key paas kaheen bhee naheen aatee haye, aur mool kunji seey aage badhate hue teesari mein rahati haih ee mejar, ack mejar, aff mejar, dee mejar, bee-flat mejar, jee mejar, see minor, aur ack mejar.
doosara khand, joe 28 key maap mein baach kii ghantiyon kii achaanak aavaaz seey chihnit haye, "sangrahalaya key visfot" kii ghoshana kartaa haye. iss bindu key baad seey, baakh rupankan dohrata rahata haye aur isaki antar-guthali samagri gir jaati haye aur sabhi upkaranon koo unaki nichali pitch parr dhakelati rahati haye.
doosara andolan.
baakh rupankan key kaee sandarbh ack chakone jaisi gati kii or leey jaate hain jahan taar kii pragati dohrati aur vistaar karati rahati haye. donon ekal kalakar alag-alag monogram panktiyaan prastut karate hain, jinamen seey pratyek key baad iska harmonic saathi hotaa haye. iss tathya koo dekhate hue kii ekal kalakar ack saath panktiyon koo naheen khelate hain, bahut cumm ativyaapi aur karkashta haye. iss kaaran seey, shrota key paas pratyek pankti koo ack alag ikai key roop mein pahchaanane kaa samay hotaa haye.
teesara andolan.
teesara andolan apani sangeet shaktiyon koo teen samoohon mein vibhajit kartaa haih ekalvaadak, harpsicard aur taar. sargam key jodd key saath back pankti key saath phir seey andolan shuru hotaa haye. pratyek samooh baar 65 taka alag-alag monogram panktiyaan prastut kartaa haye, jahan sabhi vaadyayantron kii sabhi panktiyaan taar aur ekal vaadyayantra donon dwara ack saath bajaai jaati hain. yeh ack nirantar badalate hue arajak banaavat kii or leey jaataa haye joe dee pramukh tribhuj taar kii satah seey uttarottar vighatit hoe jaataa haye, ack antim atnal visfot koo trigger kartaa haye aur ack unison dee parr buss jaataa haye joe pahale andolan seey poori tarah seey ulatane mein andolan koo samaapt curr detaa haye. agala andolan atakka khele jaane kii ummeed haye.
chautha andolan.
yeh andolan harpsicard dwara khele gaye baakh rupankan key saath bhee shuru hotaa haye, joe pichhale andolan key antim baar seey upaji tonality kii spasht bhavna koo baadhit karane key liye sett kiya gayaa haye. maap 8 seey maap 91 taka, harpsicard aur taar ardh-swarak samagri khelate hain, jabaki ekal kalakar atonal samagri khelate hain. andolan key anta mein donon ekal kalakaron dwara khele gaye ack chhote cadenza dwara chihnit kiya jaataa haye.
paanchvaan andolan.
chauthe andolan kii antim dhwaniyaan antim andolan key liye ack pull key roop mein kaam karati hain, jahan harmonic panktiyaan ack saath dhwani karna shuru curr detee hain aur pratyek string bhaag arpegiate karna shuru curr detaa haye. pratyek upkaran uttarottar dheema honah shuru hoe jaataa haye aur, jaise kii teesari gati mein, dee paddle kaa pravesh dwaar atnal samagri key antim patan kaa sanket detaa haye. 

