
joo-dong yang

juu-dong yang (koriyaaeeh <unk> <unk> ["yang-joo-dong"]; hanjaah <unk> <unk> <unk>; 24 juuna 1903-4 farwari 1977) ack dakshin koriyai kavi, professor, saahityik vidwan aur angreji aur koriyai saahitya mein ack akaadamik vyakti they. unhein myu-aeye (koriyaaeeh ["myu-aeye"]; hanjaah <unk>) key roop mein bhee jaanaa jaataa haye.
jeevan.
vyaktigat jeevan.
yang kaa janm 24 juuna, 1903 koo gesong, gyongi-doo mein parivaar mein ekmatra bete key roop mein huaa thaa. unake janm key ack saal baad way jangiyon, hwanghe-doo chaley gaye. haalaanki, yang key pitaa kii jald hii mrityu hoe gaee jaba yang kewal chhah varsh key they, aur jaba way baarah varsh key they tou unhone apani maan koo bhee khou diyaa. maan kaa pyaar", koria mein rashtriya prasiddhi kaa ack geet, 1939 mein yang dwara apani maan kii praarambhik mrityu key uplakshya mein likhi gaee ack kavita haye. 1920 mein, way jongdong school mein unnat shiksha praapt karane key liye seol gaye, aur 1921 mein, unhone tokyo, japan mein vaseeda vishvavidyalaya mein dakhila liya, jahan unhone angreji saahitya mein bee. aeye. praapt kiya. snaatak honey parr, yang koo pyongyang songsil school (vaastav mein school; vaastav mein) mein professor key roop mein kaam parr rakhaa gayaa thaa, lekin japani aupaniveshik kaal key dauran jaba yeh bund hoe gayaa tou usey chhodana padaa. unhone 1940 seey 1945 taka kyungsin school (tution; nyu school) mein shikshak key roop mein kaam kiya. 1945 mein koria kii mukti key baad, yang 1947 mein donguk vishvavidyalaya mein professor bunn gaye. 1958 mein, way yonsei vishvavidyalaya gaye aur vahaan teen saal taka padhaae. way 1962 mein dongguk vishvavidyalaya mein padhaane key liye laut aae jaba taka kii unhone 1973 mein shiksha naheen chhod dee. unhein 1957 mein yonsei vishvavidyalaya dwara saahitya mein maanad doctorate kii upaadhi seey sammaanit kiya gayaa.
carrier.
apane shuruati dinon mein, yang ney paschimi saahitya koo koria taka pahunchaane parr dhyaan kendrit kiya. 1923 mein, unhone yuu yope (<unk>), beck giman (<unk>) aur lii janghui (<unk>) key saath "gyum-seong" (<unk>) patrika jaari kii aur anya deshon key saahityik andolanon koo pesh kiya. gyum-seong" mein prastut kuchh anukaraniya kaviyon mein francisi prateek charles baudeler, paul verlain aur arther rimboud shamil hain. gumesong" ney koriyai kaviyon kii kaee mool kavitaaen bhee prakaashit keen, jinhone 1920 key dashak mein koria mein aadhunik kavita key vikas mein sahaayata kii. iss avadhi key dauran yang kii shodh ruchi rashtriya saahitya key liye saiddhaantik aadhar banaane parr thee. raashtravaad (sarvahara) aur sarvahara (sarvahara) key beach vivaad kii ashanti mein, yang ney dou prachalit saahityik drishtikonon key dwibhajan seey parey jaane key liye jore diyaa. yeh sargrahi pariprekshya sabse pahale unake lekh "ack saahityik aalochak kaa ravaiya" mein ubharata haye, aur ack baar phir saahityik alochakon key ravaiye key sambandh mein ack sanrachanaatmak pariprekshya mein vikasit hotaa haye.yang ney 1930 key dashak mein paaramparik koriyai saahitya kii or apani nazaren fair deen. 1932 mein, yang ney apani kavitaon kaa ack sangrah prakaashit kiya jise "josans puls" (<unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> Â Â Â Â Â Â Â Â Â Â Â Â Â Â iss sangrah mein 53 kavitaaen hain jinhen teen khandon mein vibhajit kiya gayaa haye, jisamen sheershak kaary, "joson kii puls" shamil haye. unhone hayanga (<unk>; puraane koriyai lock geeton kii ack shally) aur koriyai shaastriya kavita kii vyaakhyaaen prakaashit keen. unakaa sabse prasiddh kaam haye "heinggass kii vyaakhyaah 'wonwangsenga' ('wonwangsenga', 'wonwangsenga') parr", joe ack koriyai vidwan dwara sanchaalit sabhi 25 heinggass kaa pahala anuvaad aur vishleshan thaa. yeh vyakhya hayangagon parr baad key shodh karyon kaa mool roop haye.
kaam kartaa haye.
anuvaad vidhiyon parr bahas.
yang 1920 key dashak mein anuvaad key baare mein aalochanatmak vimarsh key kendra mein thaa. gyumsong" patrika mein unhone videshi saahitya key liye prabhaavi anuvaad vidhiyon key baare mein bahas kii. kaee varshon baad, unhone videshi saahitya mein shodh key liye samaaj key saath isi tarah key muddon parr bahas kii. inn bahason ney akaadamik vidvaanon aur lekhakon dwara videshi granthon key anuvaad key vikas koo prabhaavit kiya.
kima yuke key saath bahas taba shuru hui jaba kima ney gumesong mein yang key shaabdik anuvaad kii aalochana kii. kima ney daavaa kiya kii way kewal shabdon kaa hastaantaran they. yang ney isake jawab mein tark diyaa kii anuvaad mein rachanaatmak swatantrata key vichaar ney paath key mool arth koo vikrit karane kaa khatra paida curr diyaa haye. yang kii aalochanaon seey pataa chalata haye kii way anuvaad key pramukh kaary koo lekhak aur pathakon key beach ack sateek madhyasth maanate they. halanki mool paath koo doosari bhasha mein sateek roop seey prastut karna ack avyaavhaarik upalabdhi thee, unakaa maanana thaa kii ack anuvaadak kii bhoomika nae darshakon koo videshi granthon seey parichit karaane key liye iss tarah key lakshya kii disha mein kaam karna thaa. kima ney ack alag drishtikon seey anuvaad kii vyakhya kii. kima anuvaad key kaam koo ack anya swatantra paath key roop mein anuvaad key aadarsh sthiti taka pahunchane mein vishvaas karate they. lekin anuvaadakon key kaam kaa mool paath key vitaran seey adhik kalaa kii sthiti koo praapt karane mein nihit haye.
koriyai akaadamik pravachan koo prabhaavit karane vaali ack aur mahatvapurna bahas "videshi saahitya" patrika kii yang kii aalochana thee, jise 1927 mein videshi saahitya mein shodh key liye samaaj key sadasyon dwara prakaashit kiya gayaa thaa. "videshi saahitya" key rachnakaron kaa uddeshya videshi granthon kii khareed karna aur iss tarah koria key saahityik paridrishya kaa vistaar karna thaa. yang patrika key uddeshya seey sahmat they, lekin unhone patrika key anuvaad key tareeke kii bhaari aalochana kii. yang ney iss aalochana mein anuvaad key liye teen aavashyaktaon koo soochibaddh kiya. pahala yeh thaa kii anuvaadit bhasha koo lakshit bhasha mein gharelu honah chaahiye. doosara yeh thaa kii anuvaadon koo hanja (cheeni charitra) key upayog seey bachana chaahiye. antim videshi shabdakoshon key jaldbaji mein ayaat seey bachana thaa. videshi saahitya mein shodh key liye samaaj key pratinidhi sadasyon, yang, lii hayun aur kima jinsop key vipareet, ney daavaa kiya kii paath key spasht vitaran mein videshi shabdon kaa upayog apariharya thaa. yang key apani sthiti key paalan kii vyakhya japani, cheeni aur europeeya bhaashaon key prabhaavon key bavjood koriyai bhasha koo sanrakshit karane kii ichcha key roop mein kii jaati haye.
anuvaad parr yeye bahasen aitihaasik roop seey dou mukhya tarikon seey mahatvapurna hainh pahala, unhone anuvaad key liye swatantra agenda nirdhaarit karane kii disha mein pragati koo chihnit kiya, aur doosara, unhone videshi karyon parr manmaane sanshodhanon key khatron key khilaf agah kiya. yang kii mahatvapurna bahason seey anuvaad mein koria kii praarambhik ruchi kaa pataa chalata haye aur inhen usa avadhi kaa ack yug maanaa jaataa haye joe visham granthon key anuvaad key liye agenda nirdhaarit kartaa haye.
heingag parr shodh.
yang ney apane 30 aur 40 key dashak mein koriyai shaastriya kavita (<unk>) aur hayang key adhyayan parr dhyaan kendrit kiya. jaba japani bhashavid shinpei ogura (<unk>) ney 1929 mein "haainga aur idu kaa ack adhyayan" prakaashit kiya, tou yang ney iss vihit paath parr shodh karane key liye ack koriyai kii aavashyakta mahsoos kii. 1937 mein, unhone ogura kii vyakhyaon key prati aalochana key saath "haingagas kii vyaakhyaah 'wonwangsenga' parr" prakaashit kiya. apani aalochanaon mein yang kaa mukhya bindu yeh thaa kii ogura ney hayangon kii vyakhya karate samay meater aur lay key mahatva koo khariz curr diyaa.yang kaa maanana thaa kii mool kritiyon key kavyatmak roop koo prastut karane key liye chhandon key layabaddh tatva kaa sanrakshan mahatvapurna thaa. jabaki "vyakhya" koo akaadamik samudaay dwara koriyai viraasat kaa vishleshan karane key liye ack koriyai dwara kiye gaye pahale prayaas key roop mein atyadhik maanaa jaataa thaa, yeh bhee aalochana praapt hui kii yang key shodh ney kaee hisson mein paryaapt bhashai sakshya pradaan naheen kiya. phir bhee, unakaa kaam koria key praarambhik adhyayan mein ack pramukh upalabdhi thee, aur kavya roopon key unake asadharan upayog koo shayed hii kabhi kshetra mein logon dwara chunauti dee gaee thee. haingagas mein unaki nirantar ruchi key parinamswarup "joson shaastriya kavita parr adhyayan" (1942) kaa prakaashan huaa. koria kii mukti key baad, yang ney "yoyojiyonju" (1947) likhaa, joe goriyogayo (gorio kaal key dauran puraane geet) parr ack poori tarah seey tippani kiya gayaa kaam thaa, aur "shaastriya kavita parr adhyayan" (1954), joe "josan shaastriya kavita parr adhyayan" kaa ack sanshodhit sanskaran thaa.
aalochana.
sargrahi kaa ack pratinidhi.
yang 1920 key dashak mein koria mein raashtravaad (<unk>) aur sarvahara (<unk>) key beach sargrahi drishtikon kaa pratinidhi haye. 1920 kaa dashak una logon key beach gahan bahas kaa samay thaa joe rashtravadi aur sarvahara drishtikon rakhate they. koria key japani aupaniveshik shasson key adheen honey key kaaran, donon drishtikonon key vidvaanon ney saahitya kaa mukhya uddeshya rashtriya pradhikaran kii bahaali maanaa, lekin iss lakshya koo praapt karane key tareeke parr way apane vichaaron mein bhinn they. jabaki rashtravadiyon ney paath parr hii jore dene kaa vikalp chunaa, rashtriya bhavna koo pratibimbit karane vaale karyon koo prathamikta dee, sarvahaaraon ney jore dekar kahaa kii saahitya koo ack raajneetik sandesh koo prerit karna chaahiye. sarvahara dharm key samarthakon ney copf kii sthaapana kii aur rashtravadi saahitya kii sakriya roop seey aalochana kii. inn donon drishtikonon key beach sangharsh koo hull karna yug kaa pramukh kaary bunn gayaa. iss yug mein prakaashit yang kii kritiyon ney donon pakshon kii kattarpanth kii aalochana kii aur donon key beach ack samjhauta karane vaalaa drishtikon banaaya. 1927 mein, singanho (уече оете оете ое о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о о yang, joe singanho key sadasya they, ney daavaa kiya kii rashtra kii vyaktiparakta koo phir seey praapt karane key liye, donon drishtikonon koo unaki kamiyon seey nipatane key liye sanshodhit kiya jaanaa thaa. iss drishtikon koo yang key lekh "shuddh aur ausat, joson key saahitya lakshyon" (josan key saahitya lakshyon) mein "chosunilbo" (1926.1.10-12) mein dekhaa jaa sakata haye, jahaan unhone pradarshit kiya kii saahitya koo ack aitihaasik avadhi kii vibhinn sthitiyon key tahat taiyar kiya gayaa haye aur isaliye, ise paryaavaran key raajneetik pahalu seey alag naheen kiya jaa sakata haye. unakaa vichaar kii saahitya aitihaasik samasyaon aur jimmedariyon koo darshaata haye, rashtravadi vidvaanon kii aalochana kartaa haye jinhone samajik tatvon key prabhaav koo cumm karke aanka thaa. yang ney jore dekar kahaa kii rashtravadi drishtikon ack aadarsh thaa joe japani upaniveshvaad key ashant yug key baad hii praapt kiya jaa sakata thaa. iss tarah, unhone ghoshana kii kii raashtravaad ack aise parivartan kaa ahwan kartaa haye joe rashtra kii jarooraton key anukool hoe. unhone sarvahara dharm dwara rashtravadi saahitya key mahatva koo cumm karke dikhaane key tareeke koo bhee aswikar curr diyaa. yang ney bataaya kii saanskritik mahatva vaale granth deerghakaalik swatantrata koo bahaal karane mein mahatvapurna they aur iss prakaar raajneetik granthon key paksh mein unaki upeksha naheen kii jaani chaahiye. aaj, yang key drishtikon koo aadhunik jarooraton key anuroop tatkalin vartamaan vichardharaon kii seemaon kaa pataa lagaane aur unhein sanshodhit karane mein sahayak key roop mein dekhaa jaataa haye. haalaanki, yang key drishtikon kii aksar una dou vichardharaon key sthaan parr ack vishisht khaaka key aparyaapt praavdhaan key liye aalochana kii jaati haye jinaki unhone aalochana kii thee.
prakaashan.
chayanit pustaken.
"joson kii puls" (<unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk>
"joson shaastriya kavita parr adhyayan" (1942)
"yoyojiyonju" (1947)
"shaastriya kavita parr adhyayan" (<unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′
"yoyojiyonju"-ack seekwal (1954)
"koriyai adhyayan parr ack adhyayan" (<unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk>
shaastriya kavita parr adhyayan" kaa ack sanshodhit sanskaran (<unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk> <unk>