
cherry kaa swaad

cherry kaa swaad (, "tama-aeye-gilla"...") 1997 kii ack irani nyuntam drama film haye jise abbas kiarostami dwara likhit, nirmit, sampaadit aur nirdeshit kiya gayaa haye, aur isamen homyoun ershadi ack madhyam ayu varg key tehran vyakti key roop mein abhinay curr rahey hain, joe shahar key upnagar seey hocker gujarta haye, kissy aise vyakti kii talash mein joe aatmahatya karane key baad usey dafanaane key kaam koo puuraa karane key liye taiyar haye. film ney 1997 key caine film samaroh mein paam dee 'or jeetaa, jise isane "dha eel" key saath saajha kiya.
kathaanak kaa saransh.
shree. badee, ack adhed umr kaa aadami, tehran seey hocker kissy koo naukari kii talash mein leey jaataa haye, jisake liye vaha badee raashi detaa haye. bhaavi ummidvaaron key saath apane abhiyaan key dauran, baadi ney khulasa kiya kii vaha khud koo maarne kii yojana banaa rhaa haye aur pahale hii kabr khod chuka haye. vaha logon seey kahata haye kii vaha agali subah usa sthaan parr jaane kaa anurodh curr rhaa haye jise usane chunaa haye, aur yaa tou usaki madad karein, aggar usane jeene key liye chunaa haye, yaa usey dafanaane key liye, aggar usane marane key liye chunaa haye. vaha iss baat parr charcha naheen kartaa kii vaha aatmahatya kyon karna chaahata haye.
usaki pahali bharti ack yuva, sharmila kurdish sanic haye, joe kaam karane seey incar curr detaa haye aur baadi kii kaar seey bhaag jaataa haye. unaki doosari bharti ack afghan seminarist haye, joe aatmahatya parr dhaarmik apattiyon key kaaran bhee manaa curr detaa haye. teesara shree haye. baigeri, ack azeri taxidermist. vaha badiya kii madad karane key liye taiyar haye kyonki usey apane beemar bachche key liye paise kii zaroorat haye. vaha badai koo aatmahatya naa karane key liye manaane kii koshish kartaa haye, aur bataata haye kii vaha bhee 1960 mein aatmahatya karna chaahata thaa, lekin jaba usane apane prayaas mein whiffle rahane key baad, ack pedh seey giri hui shahatoot kaa swaad chakhaa, aur khulasa kiya kii vaha taba shahatoot key saath ghar gayaa, aur usey apani patni koo dey diyaa, jiska usey anand aaya. vaha iss baat parr charcha karna jaari rakhate hain kii vaha jeevan kii sundarta koo kyaa samajhate hain, jisamen suryodaya aur chandrama aur taare shamil hain. aggar vaha subah usey mrit paataa haye tou bagheri badri parr gandagi fenkane kaa vaadaa kartaa haye. badee usey apane kaaryasthal parr vaapas leey jaataa haye, lekin achaanak usase milane key liye vaapas bhaag jaataa haye, aur anurodh kartaa haye kii aggar vaha sou rhaa haye tou usa parr kuchh patthar fenkkar aur usey jagkar, aggar vaha vaastav mein marr gayaa haye tou usaki pushti karane key liye kii vaha vaastav mein marr gayaa haye yaa naheen.
usa raat, badiya apani kabr mein padaa rahata haye jabaki ack aandhi shuru hoti haye. lambe samay taka blackout key baad, film kii chauthi deewaar koo todate hue kiarostami key camcorder footage aur film key chaalak dall ney "cherry kaa swaad" filmaya, jisase baadi kii pasand agyaat reh gaee.
shally.
film iss mayane mein nyuntam haye kii ise mukhya roop seey lambe samay key saath shoot kiya gayaa haye; gati aaraam seey haye aur pariveshi (prishthabhoomi) dhwani kii lambi avadhi haye, joe samaapan anukram chaalak dall kii recording koo darshaata haye. shree. badiya koo shayed hii kabhi usee shott mein dikhaaya jaataa haye jiss vyakti seey vaha baat curr rhaa haye (yeh aanshik roop seey isaliye haye kyonki filmancan key dauran, nirdeshak kiarostami kaar kii yatri seat parr baithe they). 
sangeet.
film mein antim sheershak koo chhodkar koee prishthabhoomi score shamil naheen haye. isamen ack turah kaa tukada haye, luis armstrong kaa 1929 kaa "sent" kaa roopaantaran. james infirmary blues."film mein dikhaaya gayaa ekmatra anya geet afghan gaayak ahmed zahar kaa" khuda bodd yaret "(bhagwan aapka rakshak hoe sakata haye) haye, jise film key lagbhag 38 minut baad radio parr prishthabhoomi mein bajaaya jaataa haye. 
riha karein.
"" "cherry kaa swaad" "koo apani release key varsh mein 1997 key canness film samaroh mein pratishthit paam dee 'or seey sammaanit kiya gayaa thaa, joe shohi imamura kii" "dha eel" "key saath judaa huaa thaa.
swaagat.
sameeksha aggregator website parr sadey hue tamatar parr film koo 40 sameekshaon key aadhar parr 83 pratishat kii anumodan rating millie haye, jisamen "alochakon kii aam sahamati" padhane key saath, "cherry kaa swaad" kuchh hudd taka saral saundarya ack prabhaavshaali mahatvakankshi vishayagat paimaane key saath ack samriddh aspasht charitra adhyayan koo nakaartaa haye."" "backseat mafiya" "key robb aldam ney film koo" "iss sawal parr ack aashvast aur adhyayan dhyaan key roop mein varnit kiya kii kyaa jeevan jeene key laayak haye. saamane kii pankti seey" key mait luca ney likhaah 
dha nyu york times" key stephen holden ney film koo "ack saath mahakavya aur sateek roop seey chhota" kahaa, yeh likhate hue kii "yeh taba taka naheen haye jaba taka kii badai taxidermist seey naheen milata haye kii film koo apani shaktishali drishya kalpana seey mell khaane key liye ack geetaatmak aavaaj milati haye. ack shahatoot key pedh seey khud koo latkaane kii koshish karane key baad jeevan key liye apane utsaah koo phir seey praapt karane key baare mein unaki bhavya, khurdara-kataa huaa swagat jeevan key saral sukhon key taaza honey key liye indriyon key udghaatan kaa ack saral, vakpatu drishtaant haye."" "dha nyu republic" "key steinly coffman key anusaar, jaise-jaise film kaa design hamaare liye spasht hoe jaataa haye, ack shaant vishaalata isamen rahane lagati haye."
nakaratmak sameekshaon key alpansh mein, "dha shikago sunn-times" mein roser abert kii film sabse teekhi thee, jisane film koo 4 mein seey 1 sitaare diye. abert ney film koo "bahut ubaau" bataate hue khariz curr diyaa aur kahaa, "main bauddhik roop seey samajhata huun kii kiarostami kyaa curr rhaa haye. main adheerta seey kaarravaai yaa ghatana key liye naheen kaha rhaa huun. haalaanki, mujhe joe lagata haye, vaha yeh haye kii yahaan kiarostami kii shally ack prabhaav haye; vishay vastu ise aavashyak naheen banaati haye, aur isase labhanvit naheen hoti haye. aggar hamein baadi key liye sahaanubhooti mahsoos karni haye, tou kyaa usake baare mein adhik jaanane seey madad naheen milegi? vaastav mein, usake baare mein kuchh bhee jaanane key liye? yeh kiss uddeshya seey kaam kartaa haye kii pahale tou vaha samlaingik hoe sakata haye? (darshakon key liye kyaa uddeshya naheen-swayam baadi key liye kyaa uddeshya haye? nishchit roop seey usey pataa honah chaahiye kii usake iradon kii galat vyakhya kii jaa rahee haye.) aur hamein kiarostami key camera cru koo kyon dekhana chaahiye-- ack thakaau doori kii ranneeti joe hamein yaad dilaati haye kii humm ack film dekh rahey hain? aggar ack cheej "cherry key swaad" kii aavashyakta naheen haye, tou yeh ack aisaa anusmaarak haih film aisee nirjeev drone haye kii humm ise kewal ack film key roop mein anubhav karate hain."
abert ney baad mein iss film koo apani abb taka kii sabse nafrat vaali filmon kii soochi mein jodaa.
kiarostami kii film kii apani sameeksha mein, "shikago reader" key aalochak jonathan rosenbaum ney ise poorna chaar sitaare diye. abert kii aalochanaon kaa jawab dete hue, rosenbaum ney likhaah "ack sahakarmi joe" cherry kaa swaad "" "atyadhik ubaau" "cheezon koo paataa haye, vishesh roop seey iss tathya key liye kii humm buri key baare mein kuchh bhee naheen jaanate hain, jise vaha vichalit karane vaale sujhaav key roop mein dekhta haye kii buri sex kii talash mein ack samlaingik hoe sakata haye, aur jise vaha anta mein hamein yaad dilaane kii thakaa huaa" doori ranneeti "key roop mein dekhta haye kii humm ack film dekh rahey hain. vaanijyik paschimi cinema key itihas key drishtikon seey, unakaa teenon mamalon parr ack bindu haye. lekin kiarostami usa drishtikon key anuroop honey key baare mein cumm parwah naheen curr sakata thaa, aur vaha kyaa curr sakata haye, main kissy bhee kaaran key baare mein naheen soch sakata kii usey parwah karni chaahiye... anandapurna samaapan key baare mein sabse mahatvapurna baat yeh haye kii yeh doori key prabhaav key sateek vipareet haye."yeh hamein usa prayogshala mein aamantrit kartaa haye jahan seey film aaee aur hamein film nirmaata key saath samaan aadhar parr rakhti haye, phir bhee yeh saamoohik utsaah kii bhavna seey aisaa karati haye, achaanak hamein buri key damankari ekant aur usaki kabr mein akele andhere seey mukt curr detee haye... kiarostami jeevan kii sabhi samriddh jatilataon kaa pratinidhitva curr rhaa haye, video mein pichhale 80-visham minaton key tatvon koo phir seey configure curr rhaa haye taaki yeh spasht kiya jaa sakey kii vaastavik kyaa haye aur kyaa mangadhant haye... yeh pushti karane seey bahut door kii "cherry kaa swaad" "kewal ack film haye", yeh adbhut anta anya cheejon key alawa kaha rhaa haye kii yeh ack film bhee haye."
film key release honey key baad seey, kaee anya alochakon ney bhee ise ack utkrisht kriti ghoshit kiya haye; british film sansthaan key 2012 key "drishya aur dhwani" sarvekshan mein, chhah alochakon aur dou nirdeshakon ney "swaad cherry" naam diyaa joe abb taka kii 10 sarvshreshth filmon mein seey ack haye. ise slent patrika dwara 90 key dashak kii 9veen sarvshreshth film bhee naamit kiya gayaa thaa. anta aur isake virodhiyon key baare mein, callum marsh ney likhaah
gharelu media.
1 juuna, 1999 koo, mandand sangrah ney film koo dee. vee. dee. parr jaari kiya. 21 julaai, 2020 koo, mandand ney ack nae 4key punarsthapana key saath blue-ray parr film jaari kii.