
siriyai pavitra sangeet

siriyai pavitra sangeet siriyai bhasha mein sangeet haye jaisa kii siriyai isai dharm key dhaarmik anushthaan mein upayog kiya jaataa haye.
aitihaasik roop seey yeh pracheen kaal seey isai pavitra sangeet key vikas mein apani bhoomika key liye sabse achchha jaanaa jaataa haye aur mahatvapurna haye.
siriyai churchon mein pracheen siddhanton parr adharit ack sangeet pranali haye jise aaj "makaam" key roop mein jaanaa jaataa haye, church mein aathh makaam kaa upayog kiya jaataa haye aur inhen kadamoyo (makaam bayaati, makaam usaak), (makaam hussaini), tlithoyo (makaam segah, makaam nahwand, makaam kurdo), rb 'you (makaam raast), hamishoyo (makaam hujam), shtithoyo (makaam ajaam), shbi' you (makaam saaba) aur tminoyo (makaam hizaz) (ack seey aathh key crum mein) key roop mein jaanaa jaataa haye. siriyai church key sangeet kii sabse pramukh kritiyon koo "beth gazo" ("makaam key khajaane key bhajan") naamak ack sankalan mein ekatra kiya gayaa thaa. 700 bhajanon key iss pradarshan key alawa sangeetmay bhajan bhee hain, jinamen siriyai roodhivaadi aur maronite churchon key fenkitho key saath-saath poorv key church kaa khudra bhee shamil haye.
siriyai bhajan.
bhajan aur bhajanshastra parr samanya vichaaron mein kuchh jodd diyaa jaanaa chaahiye joe vishesh roop seey bhajanon kii sanrachana aur dhaarmik upayog parr prabhaav daaltaa haye (), joe kewal kavyatmak updeshon yaa pravachanon () seey sambandhit hain, joe kathaa aur mahakavya varg seey sambandhit hain, jabaki bhajan geetaatmak hain.
siriyai chhand kaa mukhya aadhar kaee aadhunik bhaashaon kii tarah, lambe aur chhote aksharon key bhed key binaa, chhand key aksharon kii nishchit sankhya haye. dou seey baarah taka kii sabhi lambai key chhand gyaat hain, lekin bhajan mein sabse adhik upayog kiye jaane vaale meater teen samaan maapon (4 + 4 + 4) seey baney baarah aksharon key "dodecasylabic" chhand hain, dou maapon (4 + 3 yaa 3 + 4) seey baney saat aksharon key "heptacylabic" chhand hain, aur paanch aksharon key "pentacillabic" chhand bhee dou maapon (2 + 3 yaa 3 + 2) seey baney hain. inn chhandon koo akele yaa stroff mein samoohbaddh kiya jaa sakata haye, baad vaalaa roop paanch aur saat aksharon key chhandon seey baney bhajanon mein sabse adhik hotaa haye. ack pankti aam taur parr samaan chhandon seey bunny hoti haye, lekin kabhi-kabhi aisaa hotaa haye kii antim pankti kaa pahala bhaag pankti key anya chhandon seey alag hotaa haye. ack bhajan key sabhi stambh aamtaur parr ack hii nirmaan key hotey hain.
vibhinn prakaar key chhand aur vibhinn prakaar key khandon key alawa, nauvin shatabdi seey pahale siriyai loga kalabaji kavitaon kii vyavastha key alawa koee anya kalaakriti naheen jaanate they. acrostic ney ack mahatvapurna bhoomika nibhai, syriac bhajan mein aur iska upayog, vishesh roop seey varnamala acrostic, bhajanon aur geremia key vilaapon kii nakal mein pesh kiya gayaa prateet hotaa haye. kabhi-kabhi acrostic raikhik hotaa haye, saral hotaa haye jaba pratyek kavita kramik roop seey siriyai varnamala key bice aksharon mein seey ack key saath shuru hoti haye, kaee, jaba dou, teen, yaa adhik chhand ack hii akshar key saath shuru hotey hain, binaa stroff banaate hain; kabhi-kabhi yeh strophic hotaa haye, jaba pratyek stroff koo varnamala key ack akshar dwara chihnit kiya jaataa haye. yeh patra kewal pahali aayat kii shuruat mein hoe sakata haye yaa ise stroff key pratyek aayat kii shuruat mein dohraya jaa sakata haye. bhajanon kii nakal aur geremia key vilaapon mein pesh kiya gayaa. ack hii akshar seey shuru honey vaale dou yaa dou seey adhik kramik padchinh hoe sakate hain, pratyek patra niyamit roop seey poore kavita mein padchinhon kii samaan sankhya koo chihnit kartaa haye, jisamen iss prakaar chaalees-chaar padchinh, chhiyaasath key, yaa bice key kissy anya gunak hotey hain.
maukhik acrostic adhik durlabh haye. yeeshu masih kaa naam, mairi kaa, yaa sant jiska sammaan mein bhajan rachit kiya gayaa haye, raikhik yaa strophic acrostics banaane kaa kaary kartaa haye. sent. aframe ney apani kuchh kavitaon parr apani mukharta key saath hastakshar kiye.
nauvin shatabdi seey arabi kavita key prabhaav ney siriyai bhajan mein khud koo mahsoos kiya, vishesh roop seey kavita kii shuruat seey, ack kavita key antim aghaat koo chihnit karane kaa yeh tarika abb taka agyaat thaa, puraane lekhakon key beach durlabh udaharanon kii khoj kewal swaichhik yaa aakasmik swaron key roop mein kii gaee thee. lekin siriyai logon ney tukbandi kaa vibhinn prakaar seey upayog kiya. aisee kavitaaen hain jinamen sabhi chhandon mein vahee tukbandi haye joe arabon key "kasida" mein haye. anya mein, aur yeye adhik sankhya mein hain, pratyek pankti key chhandon mein ack ekal tukbandi haye joe sabhi pankti key liye samaan naheen haye. anya mein ack stroff kavita key chhand aapas mein, antim key apavaad key saath, joe pahale stroff kii kavita koo ack viram kii tarah dohrata haye. acrostic kavitaon mein kavita koo kabhi-kabhi varnamala key sambandhit akshar dwara pradaan kiya jaataa haye; iss prakaar pahala pankti aeye key saath, doosara bee key saath, aadi. pahale dou upaayon aur antim key liye ack alag tukbandi bhee hoe sakati haye. yeye sabse adhik baar honey vaale sanyojan hain, lekin anya bhee hain.
adhikansh pracheen siriyai bhajan, ee.jee., sent key loga. aframe, nurses aur balaai, halanki ack yaa dou gayakon key liye rachit they, mool roop seey dhaarmik upayog key liye uchit roop seey naheen they, lekin samanya logon koo sambodhit kiya gayaa thaa, jitna kii maulaviyon koo, aur usa avadhi seey jaba sadbhaav kaa samhitaakaran, yadi humm aisaa boll sakate hain, tou abhee taka niyamit roop seey sthaapit naheen kiya gayaa thaa.
inn bhajanon koo dhaarmik karyalayon mein apanaane kaa parinam yeh thaa kii unamen vibhinn sanshodhan kiye gaeh 
iss prakaar sent dwara ack bhajan. aframe, jiska acrostic naam "yeeshu masih" haye, stroff key saath shuru hotaa haih
"yeeshu hamaare prabhu masih"
 "apane pitaa kii chhaati seey hamein dikhaai diyaa haye;"
 "vaha hamein andhere seey bachaane aaya haye","
 "aur hamein apane ujjwal prakaash seey rotion karane key liye."
 "isase pahale nimnalikhit dystic thaa, joe iss parr viram banaata haih"
 "nyaay parr prakaash utpann hotaa haye"
 "aur una logon key liye khushi joe toote dill hain." 
isi tarah epiphany parr narse kaa ack bhajan shuru hotaa haih 
 "andhera kii tarah galati","
 "praniyon parr faila huaa thaa;"
 "masih kaa prakaash utpann huaa haye"
 "aur duniya key paas gyaan haye."
 "iska pratipaadan nimnalikhit haih"
 "masih key prakat honey kaa prakaash"
 "prithvi aur akash koo khush kiya haye."
siriyai bhajan kewal usa karyalaya mein naheen hotey hain joe roman sankshipt vivaran key anuroop hotaa haye; siriyai bhee unakaa upayog vibhinn dhaarmik karyon mein karate they, jaise kii antim sanskar aur vivaah samaroh.
binaa kissy viram key saral bhajanon koo "teshbuhte" (mahimamandan) kahaa jaataa haye; naam "kaalaa" (aavaaj) una bhajanon koo diyaa jaataa haye jinamen pratyek seey pahale ack vaakya (chhand yaa naheen) hotaa haye joe stroff key anuroop ack vichaar vyakt kartaa haye. yeh ack tarah seey pahale gaayak mandal seey ack nimantran haye, jisake liye doosara jawab stroff dwara, ee.jee.:
pahala gaayakah "merey liye nyaay key dwaar kholein." 
doosara gaayakah "hamaare liye khula, prabhu, mahaan khajaana", (chaar chhandon kaa pada). 
pahala gaayakah "aur main prabhu kii stuti karane key liye pravesh karuungaa." 
doosara gaayakah "aapaki dayaa key dwaar parr" (aadi., chaar chhandon kaa pada). 
kabhi-kabhi shronion koo bhajanon key versicals key saath antarit kiya jaataa haye.
siriyai karyalaya mein bhajan, joe sedra key roop mein jaane jaane vaale bhaag koo samaapt karate hain aur ghonsale key karyalaya kii chhoti prarthanaon koo pratisthaapit karate hain, koo "baa 'uthaa" (prarthana, anurodh) kahaa jaataa haye. iss varg key adhikansh bhajan pentsyllabic chhandon mein hain aur kavi balaai (dee. lagbhag 450). way vichaar aur bhasha kii mahaan saralata dikhaate hain aur dou pada hotey hain, aam taur parr pratyek mein chhah chhand, kabhi-kabhi chaar, udaaharan key liyeh
"chaalees dinon key dauran
moosa ney pahaad parr upvaas kiyaah 
aur apane prakaash kii bhavyata key saath 
uska chehra chamak rhaa thaa. 
chaalees dinon key dauran 
upavaasah 
aur prabhu prasann hoe gayaa, 
aur sajaa koo radd curr diyaa."
isake bajaay kabhi-kabhi (seedhiyaan) naamak ack chhand rachana hoti haye, joe vibhinn sroton seey udhaar lii gaee chhandon kii tathyaatmak vyavastha hoti haye aur una logon dwara manmaane dhang seey vyavasthit kii jaati haye jinhone karyalayon kaa samanvaya yaa sanshodhan kiya, aur siriyai bhajan key adhyayan mein koee sahaayata naheen karate hain. dha koo cumm baar ogita dwara pratisthaapit kiya jaataa haye, ack samvaad key roop mein ack cantical joe roman misal key "peedit paschali" koo yaad kartaa haye. iss tarah kii sabhi kavitaaen joe hamein gyaat hain, way nestorian mool kii hain, aur shayed narse kii kritiyaan hain. way ack parichay aur ack samvaad key saath samaan roop seey nirmit hain; parichay chaar heptacylabic chhandon key paanch seey duss stroff seey banaa haye; dou vyaktiyon yaa vyaktiyon key dou samoohon key beach samvaad mein chaalees stroff (pratyek vartakar key liye bice) hotey hain joe prastaavana mein hotey hain aur ack varnamala acrostic banaate hain. balki jeevant maap kii inn rachanaon parr ack nishchit anugrah seey muhar luggy hoti haye. vishay dinn key dhaarmik bhoj key liye anukoolit haye; iss prakaar chrismus key liye cantical mein, samvaad dhanya kunwari aur maggy key beach haye; ghoshana key liye, gabriel aur mairi key beach; siriyan doctors key bhoj key liye, siril aur nestorius key beach, aadi. yeye teen prakaar key bhajan teen vishayon key anuroop hain joe unaki samanya vishay vastu, prashansa, prarthana aur nirdesh banaate hain, lekin jaisa kii kahaa gayaa haye kii antim naam mukhya roop seey unake dwara diyaa gayaa thaa.
siriyai bhajan kaa vyaapak adhyayan yeh dikhaayega kii kyaa isake aur byzantine bhajan key beach koee sambandh haye, joe parikalpana key rakshakon key roop mein kaee virodhi hain; lekin yeh adhyayan kathinaaiyon seey bharaa ack upakram haye, santoshjanak sthiti mein prakaashit dastavejon kii chhoti sankhya key kaaran. vaastav mein, catholic kaldi, siriyai yaa maronites kii dhaarmik pustakon key sanskaranon dwara pradaan kiye gaye bhajanon kaa gyaan oopar bataae gaye karanon key liye aparyaapt haye. sent key kaam. aframe, jisamen badee sankhya mein (pramanik yaa apramaanik) shamil hain, koo aalochanatmak roop seey sampaadit naheen kiya gayaa haye. pracheen granthon koo sabse adhik vishvaspurvak sanrakshit karane vaale nestorian sankshipt vivaran kabhi mudrit naheen kiye gaye hain aur paandulipiyaan durlabh hain, jabaki dhaarmik pustakon key alawa bhajanon key sangrah cumm hain aur unakaa paryaapt adhyayan naheen kiya gayaa haye.
viraasat.
madhya poorv mein poorv-siriyai sanskar aur paschim-siriyai sanskaron mein utpann honey vaali dhunein keral mein bachee hui hain.

