inori (stockhousen)

inori ("aradhana" key liye japani), orchestra key saath ack yaa dou ekal kalakaron key liye, carlhanes stockhossen dwara ack rachana haye, jise 1973-74 (nr. 38 sangeetkaar key karyon kii soochi mein).
itihas.
"inori" ack dhyaan kaary haye. japani mein "inori" (<unk>) shabd kaa arth haye "prarthana, ahwan, aradhana". "yeh ack opera kii tarah haye jisamen kewal ack hii charitra haye aur koee gaayan naheen haye, kewal vichaar haavbhaav key roop mein dikhaai dete hain aur parasparik roop seey sanshodhit dhwani key roop mein sunai dete hain. "ekal bhaag ack raag key roop mein rachit haye aur saiddhaantik roop seey ack raag vaadyayantra dwara pradarshan yogya haye; haalaanki ekal bhaav aur vaadyayantra pratikriya key beach kaa sambandh itna poorna haye kii ekal raag kii vyakhya hamesha ack nartak-mime dwara maun mein kii jaati haye, jisamen vibhinn dhaarmik prathaon seey liye gaye bhaavon kii shabdawali kaa upayog kiya jaataa haye. australiyai nartaki aur nritya nirdeshak philippa cullon, jinhone 1973 mein germany mein stockhossen key saath kaam karate hue kuchh samay bitaaya, koo nritya nirdeshan prarthana key haav-bhaavon, vishesh roop seey bhaarat kii mudraon, jinka way adhyayan curr rahee theen, kii or apana dhyaan aakarshit karane kaa shreya diyaa jaataa haye.
"" "inori" "vaastav mein, jaisa kii sangeetkaar jore dekar kahate hain, ack rahasyamay kaam haye, lekin kewal isaliye kii isamen koee rahasya naheen haye. "stockhousen ney prarthana key sanket-bhasha koo prarthana key haav-bhaav key rangeen taraju key aadhar parr, ack atyadhik bhinn shaaririk sangeet mein phir seey likhaa. halanki score nirdisht kartaa haye kii ekal kalakar bhaag koo kissy bhee prakaar key madhur vaadyayantra sahit kissy bhee tarah seey kiya jaa sakata haye, aaj taka yeh hamesha prarthana key haav-bhaavon key ack sett kaa upayog karke mimes dwara kiya gayaa haye. kyonki shuruati pradarshanon mein darshak galati seey ekal kalakar koo sangeet mein sudhaar key roop mein samajh rahey they, isaliye stockhossen ney yeh spasht karane key liye dou samanantar ekal kalakaron kaa upayog karane kaa faisala kiya kii ishare poori tarah seey rachit hain.
stockhousen ney ack "tatkalik" yaa sootra kaa upayog karke "inori" kii rachana kii, joe "ack madhur-layabaddh sanrachana haye jisase kaam kii pramukh visheshataaen praapt hoti hain. iss madhur sootra koo paanch khandon mein vibhajit kiya gayaa haye, joe shuddh lay seey agrani ack anukram banaata haye. . . gatishilata, raag aur sadbhaav key madhyam seey, bahuswarah-isaliye, sangeet kii adim utpatti seey shuddh buddhi kii sthiti kii or pragati. puuraa kaam lagbhag 70 minut kii avadhi mein iss sootra kaa ack prakshepan haye. sootra mein 15 swar hotey hain, jinhen kramshah 5,3,2,1 aur 4 swaron key saath 5 vakyanshon mein vibhajit kiya gayaa haye. badey paimaane parr sthanantarit, yeye 5 vakyansh kaam key 5 pramukh khandon koo pradaan karate hain. pratyek vakyansh mein shamil hain. . . teen bhaagon kaah raag, pratidhvani aur viram; badey paimaane parr yeye utpatti + vikas (= pradarshan + vikas)-pratidhvani-viram bunn jaate hain, pratidhvaniyaan bahut naram saankhyikiya parichhed hoti hain, aur mime key liye 'nyuntam roop seey ekal key saath viram. raag kii avadhi, jise croatchait mein maapa jaataa haye, koo aupchaarik vibhajan aur upkhandon kii lambai dene key liye minaton mein parivartit kiya jaataa haye. 
15 swaron mein seey sabse mahatvapurna madhya see key oopar jee haye, joe gati mimi = 71 (madhyayugeen sangeet siddhant kii "hriday gati" gati), hriday parr sthit haath key haav-bhaav aur divya naam kaa pratinidhitva karane vaale shabdansh "huu" seey mell khaata haye.
inn paanch khandon key alawa, ack "aparimit, divya kshan" haye.
stockhousen ney "inori", "vortrag uber huu" ("huu parr vyakhyan"), aine. aar. kaa bhee parichay diyaa. ack gaayak dwara pradarshan key liye, kaam kaa ack ghante kaa sangeet vishleshan.

