
andhaa naal

andhaa naal (,) 1954 kii bhaaratiya tamil bhasha kii rahasya-thriller film haye, jise ack lekhak dwara nirmit kiya gayaa haye. vee. mayappan aur aiss dwara nirdeshit. balachander. yeh tamil cinema kii pahali film noyer haye, aur binaa geeton, nritya yaa stunt drishyon key banaai jaane vaali pahali tamil film haye. dwiteeya vishva yuddh key parivesh mein sthaapit, kahani ack radio engineer rajan (shivaji ganeshan) kii hatyaa key baare mein haye. sandigdh hain rajan kii patni ushaa (pandari baaee), padosi chinnaya pillai (pri. dee. sambandam), rajan key bhaai pattabi (tii. key. balachandran), rajan kii saali hema (menaka), aur rajan kii malkin ambujam (key. suryakala). ghatana key baare mein pratyek kaa vivaran ack nae sandigdh kii or ishara kartaa haye.
balchander ney ack film samaroh mein akira kurosawa kii "rashomon" (1950) dekhi, isase prerit hocker usee kathaa shally mein ack naatak likhaa, lekin patkatha koo aul india radio dwara aswikar curr diyaa gayaa; mayappan baad mein ise film key roop mein banaane key liye sahmat hoe gaye jiska sheershak baad mein aeye. vee. aim. productions key tahat "andhaa naal" rakhaa gayaa. patkatha jaavar sitharaman dwara likhi gaee thee, jinhone film mein ack khoji adhikaari key roop mein bhee ack pramukh bhoomika nibhai thee. cinematography aiss dwara sambhali gaee thee. maruti raav, aur paarshv sangeet aeye. vee. aim. kii apani sangeet mandali, saraswati store orchestra dwara rachit kiya gayaa thaa. yeh film adhikansh samkaaleen tamil filmon kii tulanaa mein chhoti thee. aeye. vee. aim. key liye balachander dwara nirdeshit yeh ekmatra film thee.
"andhaa naal' 13 aprail 1954 koo 'puthandu' (tamil nava varsh) kii poorv sandhya parr release hui thee. ise sameekshakon dwara saraha gayaa aur 1955 mein dusare rashtriya film puraskaron mein tamil mein doosari sarvshreshth feature film key liye yogyata pramaan patra seey sammaanit kiya gayaa. apani mool release key samay vyaavsaayik roop seey whiffle honey key bavjood, isane pichhale kuchh varshon mein panth kaa darja hassil kiya haye aur ise tamil cinema mein ack mahatvapurna film key roop mein maanaa jaataa haye. 2013 mein, "andhaa naal" koo news18 kii "sarvakaalik 100 mahantam bhaaratiya filmon" kii soochi mein shamil kiya gayaa thaa.
plot.
11 octuber 1943 kii raat koo, dwiteeya vishva yuddh key dauran, japani senaa ney bhaaratiya shahar madras (abb chennai) parr bambari kii. agali subah, ack radio engineer aur sanchaar shodhkarta, rajan, madras mein apane ghar mein apani khud kii bandook seey goli markar maaraa gayaa, jaba usake padosi, chinnaya pillai ney goli kii aavaaj sunee, pulis koo soochit kiya. ack sthaaniya pulis nireekshak purushottaman nayudu, rajan key ghar aataa haye aur maut kii jaanch shuru kartaa haye.
aaparaadhik jaanch vibhaag (see.aaee.dee.) adhikaari shivanandam jaanch mein madad karane key liye nayudu key saath shamil hoe jaate hain. nayudu kaa sujhaav haye kii hatyara ack chor hoe sakata haye jisane aparaadh sthal parr paae gaye paise key liye rajan koo maar daala thaa. haalaanki, shivanandam nayudu key siddhant seey asantusht hain kyonki ghatnasthal parr paise kii raashi usee kamare mein paaee jaane vaali baink passbook mein nikasi pravishti seey mell khaati haye. bumm visfoton kii ashanka mein rajan madarse chhodane vaale they.
donon puliskarmi rajan key ghar aur usake aspas key paanch logon seey poochtaachh karate hain, jinamen seey adhikansh usake parivaar key sadasya yaa dost hain. sabse pahale poochtaachh kii jaane vaali haye rajan kii patni ushaa, joe apane dukh key kaaran boll naheen paati haye. shivanandam aur nayudu sharminda mahsoos karate hain aur usase aage sawal karane key liye anichhuk hotey hain. way chinnaya seey poochtaachh shuru karate hain, joe prastaav detaa haye kii hatyara shayed pattabi haye, joe rajan kaa chhota bhaai haye, aur unake beach ack takraav koo yaad kartaa haih pattabi ney parivarik sampatti kaa apana hissa maanga lekin rajan ney yeh mahsoos karate hue usake anurodh koo aswikar curr diyaa kii vaha aur usaki patni ise barbad curr denge. chinnaya ney nishkarsh nikala kii isase pattabi koo rajan koo maarne key liye prerit kiya jaa sakata haye.
jaba shivanandam aur nayudu pattabi seey poochtaachh karate hain, jise rajan kii mrityu key liye pachtawa hotaa haye, tou vaha sweekaar kartaa haye kii usane apane bhaai key saath achchha vyavhaar naheen kiya aur naa hii usake achche iradon koo samajha. vaha ack ghatana kaa varnan kartaa haye jisamen usaki patni hema ney rajan key saath ladaai kii kyonki usane sampatti koo vibhajit karane seey incar curr diyaa thaa. pattabi kaa kahana haye kii hema paise key liye rajan koo maar sakati thee kyonki gusse seey abhibhoot honey parr vaha apani vivek khou detee haye.
shivanandam hema seey poochtaachh karane key liye nayudu chhod detaa haye. vaha shuru mein ashisht haye aur aparaadh key baare mein bayaan dene seey incar curr detee haye, lekin baad mein vaha taba sahmat hoe jaati haye jaba shivanandam usake pati koo giraftar karane kii dhamki detaa haye. vaha ack nartaki, joe apane bachche key saath garbhavati haye, ambujam key saath rajan key vivaahetar sambandh kaa khulasa karati haye. jaise hii rajan ney garbhavastha kii khabar koo laparwahi seey pesh kiya, hema kaa maanana haye kii ambujam usey maar sakata thaa. jaba unase poochha gayaa tou ambujam ney chinnaya parr rajan kii hatyaa kaa aarop lagaate hue kahaa kii chinnaya unake paalak pitaa they aur chaahte they kii picnic key dauran teenon kii mulakat key baad way rajan seey door rahein. jaise hii unakaa rishta jaari rhaa, chinnaya nirash hoe gayaa aur iss sambandh koo samaapt karna chaahata thaa.
shivanandam ushaa seey poochtaachh kartaa haye, joe usey bataati haye kii usey aur rajan koo kaise pyaar hoe gayaa. shivanandam ushaa koo apani ungaliyon key nishan ikattha karane key liye ack risate hue fawware key kalam kaa upayog karane key liye chhal kartaa haye. usa shaam, vaha aur nayudu sabhi sandigdhon seey rajan key ghar parr milate hain. shivanandam ack abhyaas kartaa haye jisamen usham sahit sandigdhon koo yeh naatak karna padata haye kii vaha rajan haye aur nakali goliyon seey bharee revolver kaa upayog karke usey goli maar dete hain. chinnaya, pattabi aur hema nirdesh key anusaar usey goli maar dete hain, lekin ushaa aisaa karane mein whiffle rahati haye aur foot foot curr row padati haye. shivanandam taba taka pattabi aur hema koo giraftar karane kii maang kartaa haye, jaba taka kii ushaa sachchai kaa khulasa naheen curr detee.
rajan ack radio engineer they joe garibon koo sastee keemat parr radio bechana chaahte they. sarkaar seey koee sahaayata praapt karane mein asamarth, vaha japan gaye jahan unake kaam kii sarahana kii gaee. isake baad vaha japan koo bhaarat key sainya rahasya bechane vaalaa jasus bunn gayaa. ushaa koo isake baare mein pataa chalaa aur unhone usey sudhaarne kii asafal koshish kii. vaha usey roque naheen sakee aur usey goli maarne kii koshish kii. usane apana munn badal liya lekin galati seey trigger kheench liya, usaki maut hoe gaee, aur phir baad mein usake booton parr roya, unhein pakad liya.
shivanandam aur nayudu ushaa seey una kagajon key liye poochate hain jinka upayog bambari kii yojana banaane key liye kiya jaataa thaa. jaba vaha unhein laane key liye rajan key kamare mein jaati haye, tou shivanandam nayudu koo bataata haye kii ushaa key ungaliyon key nishan joe usane ekatra kiye they aur joe rajan key joote parr they, way mell khaate they, jisake kaaran usey usa parr sandeh huaa, aur abhyaas key dauran goli chalaane mein usaki viphalata ney usake sandeh kii pushti kii. jaba ushaa koo vaapas aaney mein lamba samay lagata haye, tou donon ack pull kii khamoshi sunate hain aur usake baad ack goli chala jaati haye, rajan key kamare mein bhaagate hain aur shivanandam chillaate hain, "ushaa!".
utpaadan.
nirdeshak aiss. balchander ney ack film samaroh mein akira kurosawa kii "rashmon" (1950) dekhi, isase prerit they, aur usee kathaa shally mein ack naatak likhaa, lekin patkatha koo akashwani dwara aswikar curr diyaa gayaa. baad mein vaha aeye key paas gayaa. vee. aeye. vee. aim. productions key sansthaapak mayappan ney unake liye kahani sunai. halanki mayappan ise usa film key roop mein banaane key liye sahmat hoe gaye jiska naam baad mein "andhaa naal" rakhaa gayaa, lekin way binaa geeton yaa stunt key ise banaane key balachander key vichaar seey asantusht they; haalaanki, way iss pariyojana key liye vittaposhan karane key liye sahmat hoe gaye kyonki unhein kahani pasand aaee aur balchander kii pratibha parr bharosa thaa. "andhaa naal" iss prakaar pahali tamil film bunn gaee jisamen koee geet yaa nritya drishya naheen they, aur aeye. vee. aim. nirmaan key liye balachander dwara nirdeshit ekmatra film thee.
radio engineer rajan kii bhoomika shuru mein aiss koo dee gaee thee. vee. sahasranamam, jinhen kuchh dinon kii shooting key baad barkhast curr diyaa gayaa thaa kyonki balachander aur mayappan unake pradarshan seey santusht naheen they aur unhein lagaa kii vaha bhoomika nibhaane key liye "bahut boodhe" lugg rahey hain. nirmaataon ney phir nae kalakar aine. viswanathan, kalkatta (abb kolkata) key ack tamil professor hain. jaba nirmaan kaa kaam aadhaa hoe gayaa thaa, taba mayappan apane pradarshan seey asantusht they aur shivaji ganeshan key saath film koo phir seey shoot karna chaahte they. jaba balachander ney mayappan koo manaa curr diyaa tou unhone utpaadan niyantrak vasu menan koo balachander key vetan kaa bhugtan karane aur usake saamane jalaane key liye reel laane kaa adesh diyaa. balchander yeh sunkar hairan reh gaye aur mayappan kii ichcha koo puuraa karane key liye baadhya hoe gaye.
choonki mayappan ney 'paraashakti' (1952) mein ganeshan koo pesh kiya thaa, isaliye vaha unhein mukhya bhoomika nibhaane key liye bahut utsuk they. shuru mein, balchander ganeshan seey sampark karane mein sankoch curr rahey they kyonki unhein yakeen naheen thaa kii vaha nakaratmak bhoomika nibhaane key liye sahmat honge yaa naheen. apani aatmakatha mein ganeshan ney kahaa kii unase sampark kiye jaane seey pahale hii film lagbhag poori hoe chuki thee. vaha film kaa hissa banane key liye sahmat hoe gaye kyonki unhein kahani dilchasp luggy aur unhone socha kii vibhinn prakaar key paatron koo chitrit karna darshakon kii ruchi kaa vishay hoga. 2009 mein, film itihaaskaar film samachar anandan ney sujhaav diyaa kii "thirumbi paar" (1953) kii safalata, jisamen ganeshan koo ack naayak virodhi key roop mein dikhaaya gayaa thaa, ney unhein "andhaa naal" mein isi tarah kii bhoomika nibhaane key liye protsaahit kiya. film itihaaskaar randor key anusaar, tamil cinema mein sabse shuruati naayak-virodhi bhoomikaon mein seey ack rajan they.
ganeshan ney shuru mein film key liye ack raashi kii maang kii, jise mayappan wahan naheen curr sakate they. unhone unhein bhugtan karane kii peshkash kii, jise ganeshan ney aswikar curr diyaa. halanki, balchander ney ganeshan koo aashvast kiya kii mayappan unhein harr dinn key liye bhugtan karenge joe way film kii shooting karate hain. ack anichhuk ganeshan ney yeh maanate hue iss parr sahamati vyakt kii kii pariyojana koo puuraa honey mein lamba samay lagega. lekin balachander ney 17 dinon mein shooting poori curr lii. patkatha jaavar sitharaman dwara likhi gaee thee, joe film mein see key roop mein bhee dikhaai diye they.aaee.dee. adhikaari, aur rajan koo goli maarne seey pahale shuruati anukram mein aavaaj pradaan kii. yeh ack abhineta aur patkatha lekhak key roop mein aeye. vee. aim. productions key saath sitharaman kaa pahala sahyog thaa. pandari baaee koo rajan kii patni kii bhoomika nibhaane key liye chunaa gayaa thaa, jabaki pee. dee. sambandam, tii. key. balachandran, aiss. menaka aur key. suryakala ney baaki mukhya kalakaron kaa gathan kiya.
vee. srinivasana-joe baad mein mukt srinivasana key naam seey lokpriya hue-ney balchander koo film mein sahaayata kii. cinematography aiss dwara sambhali gaee thee. maruti raav, aur sampadan aiss dwara kiya gayaa thaa. surya. paarshv sangeet saraswati store orchestra, aeye. vee. aim. productions kii sangeet mandali dwara record kiya gayaa thaa. film mein vaadya key roop mein dou hindi geeton kaa upayog kiya gayaa haih anarkali (1953) key "yeye jindagi usa kii haye" aur baari bahan (1949) key "chup chup khaade hoe". parichayaatmak shreya mein kahani kaa koee shreya naheen diyaa gayaa haye. "andhaa naal kii photography adhikansh praarambhik tamil filmon seey kaafee alag thee. raav ney "prakaash key saath chitrakala" takneek kaa upayog kiya, joe abhinetaon kii "manodasha aur charitra" koo vyakt karane key liye unaki chhaaya koo pakadati haye. iska antim cutt adhikansh samkaaleen tamil filmon kii tulanaa mein chhota thaa.
vishay aur prabhaav.
tamil cinema mein pahali film noyer key roop mein maani jaane vaali, "andhaa naal" dwiteeya vishva yuddh mein, 1943 mein japani balon dwara bhaaratiya shahar madras parr bambari key dauran sthaapit kii gaee haye. kathaa mein andhe logon aur ack haathi kii kahani kaa ullekh kiya gayaa haye, jaba shivanandam ney nott kiya kii kaise pratyek sandigdh kaa rajan kii mrityu kaa vivaran dusaron key vivaran seey virodhabhasi haye.
halanki ganeshan sahit vibhinn sroton ney kahaa haye kii film "rashomon" seey prerit thee, randor vyakti ney nott kiya kii yeh dhaarana galat haye, kii "andhaa naal" vaastav mein 1950 kii british film "dha women inn kweshchan" seey rupaantarit thee, jiska nirdeshan anthany esquith ney kiya thaa, aur yeh kii "andhaa naal" aur "rashomon" key beach kewal ack "vishayagat samaantaa" thee. film patrakaar jayson pee. west ney ack hii ghatana key alag-alag vivaran prastut karke teen filmon koo ack araikhik kathaa kaa anusaran karane key roop mein varnit kiya haye. film itihaaskaar swarnavel ishwaran pillai ney nott kiya haye kii "andhaa naal" kaa "rashomon" seey koee sambandh naheen haye, sivaay isake kii isaki vishisht kathaanak key, jahaan hatyaa kaa vibhinn konon kaa upayog karke pataa lagaaya jaataa haye, aur yeh bhee nott kartaa haye kii "rashomon" key vipareet, andhaa naal "rahasya key hull honey key saath samaapt hotaa haye. bee kii raay mein. dha hindu', 'andhaa naal' key vijayakumar dakshin bhaarat mein bunny pahali film noyer haye.
ganeshan key anusaar, "andh naal" kaa mukhya vishay deshbhakti haye; unake liye film bataati haye kii aggar koee desh apane pratibhashali yuvaaon key prayason kii sarahana naheen kartaa haye, tou way rashtra key khilaf hoe sakate hain. adhik vyaktigat bhaavon key baare mein ganeshan ney kahaa kii film bataati haye kii kaise berojgari aur ujaad yuvaaon koo gaddaar banane key liye prerit curr sakati haye. rajan japan koo bhaaratiya rahasya bechkar gaddaar bunn jaataa haye kyonki usake vichaar koo bhaarat sarkaar ney aswikar curr diyaa thaa. ladke key anusaar, "andhaa naal" 1946 kii tamil film "chitra" kii vishayagat pankti kaa punah upayog kartaa haih "ack vyakti joe radio key madhyam seey dushman koo gupt sandesh bhejata haye. swarnavel ishwaran pillai ney film mein pandari baaee key "vaichaarik roop seey sanchaalit" charitra ushaa kii tulanaa "paraashakti" mein unake charitra seey kii, lekin pahale mein, yeh bhaaratiya rashtra kaa vichaar haye jisake prati vaha apani nishtha kaa sankalp letee hain."dha times off india" ney apani samaan prakaash aur camera konon key liye "andh naal" kii tulanaa "nagrik caine" (1941) seey kii.
film mein aparaadhi kii pehchaan key sanket key roop mein ack tamil kahawat "kolaiyum seeval patthini" (ack patni apane pati koo bhee maar sakati haye) kaa upayog kiya gayaa haye. ushaa koo ack gunee patni aur ack deshbhakt key roop mein chitrit kiya gayaa haye joe apane desh seey pyaar karati haye. jaba usey pataa chalata haye kii usake pati ney bhaarat koo dhokha diyaa haye, tou vaha usey maarne kaa faisala karati haye. dusare rashtriya film puraskaron key nirnaayak mandal ney nayudu koo ack "kartavyanishth" adhikaari key roop mein varnit kiya, aur shivanandam koo ack "shandar, sanaki lekin itna gambhir naheen" vyakti key roop mein varnit kiya.
release aur swaagat.
"andhaa naal" koo 14 cutt key baad kendriya film pramanan board dwara "yuu" (saarvbhaumik) pramaan patra praapt huaa. yeh 13 aprail 1954 koo "puthandu" (tamil nava varsh) kii poorv sandhya parr release hui thee. film koo release honey parr alochakon kii prashansa millie, lekin vyaavsaayik roop seey whiffle rahee kyonki darshak geeton kii anupasthiti seey nirash they. cinemagharon mein, way pahale drishya key baad nirash they jaba ganeshan key charitra koo goli maar dee gaee thee, aur kaee tou baahar bhee chaley gaye they. theatre maalikon koo unhein poori film dekhane key liye raaji karna padaa. apani vyaavsaayik viphalata key baad, mayappan ney phir kabhi geet drishyon key binaa koee film naheen banaai. film koo baad mein dusare rashtriya film puraskaron (1955) mein tamil mein doosari sarvshreshth feature film key liye yogyata pramaan patra jeetane key baad phir seey release kiya gayaa, aur yeh boxes-offices parr safal rahee. moser bayer aur appy international ney film koo home video parr jaari kiya haye.
rashtriya film puraskar jeetane key alawa, film ney 1955 mein madras film phain association seey sarvshreshth film kaa puraskar jeetaa. samkaaleen alochakon ney prayogaatmak film key liye mayappan aur balachander kii sarahana kii. ack naayak virodhi key roop mein ganeshan kii bhoomika ney unhein aalochanatmak prashansa dilaaee, kaee alochakon ney mahsoos kiya kii deshbhakt patni key roop mein pandari baaee kii bhoomika ney unake pradarshan parr haavi curr diyaa. kaee samkaaleen alochakon koo ummeed thee kii yeh film ack trendsator hogi, lekin yeh tamil mein kaee vishayagat roop seey samaan filmon koo prerit karane mein whiffle rahee. kaee saal baad, balachander kii patni shanta ney yaad kiya kii vaha film kii viphalata seey prabhaavit naheen they kyonki way "khush they kii unhone ise vaapas leey liya", alochakon ney ganeshan, pandari baaee aur anya abhinetaon key pradarshan kii prashansa kii.
tamil masik patrika "kalaimanaram" kii ack samkaaleen sameeksha ney naveenata key liye aeye. vee. aim. kii prashansa kii aur "andhaa naal" koo ack sahsi udyam kahaa. tamil saptahik "kumudam" (dinank 1 maee 1954) ney balchander aur sitharaman jaisi "yuva pratibhaon" koo pahchaanane key liye mayappan kii prashansa kii. haalaanki, sameekshak ney film koo ack romanchak key roop mein prachaarit naheen karane key liye aeye. vee. aim. kii aalochana kii; unhone jore dekar kahaa kii aggar film koo iss tarah seey prachaarit kiya jaataa, tou prashansak film mein geeton kii anupasthiti seey bhayabheet naheen hotey. sameekshak kaa nirnay thaa "kalaa kii safalata; kathaa kii viphalata". usee maheene, film prashansak sangh dwara madras mein meyyappan, balachander, abhinetaon aur anya chaalak dall key sadasyon koo badhaai dene key liye ack baithak kaa ayojan kiya gayaa thaa. vee. see. association key adhyaksh gopalaratnam ney binaa geet yaa nritya key film banaane mein "agrani bhavna" key liye mayappan kii prashansa kii. tamil patrika "gundusi" ney kahaa kii una prashansakon key liye joe soch rahey they kii kyaa ack dinn aisaa bhee aayega jaba geeton aur nritya key binaa ack chhoti film banaai jaayegi jisamen paaramparik prem kahani seey parey ack kathaa hogi, "vaha dinn aaa gayaa haye. punarjagaran kaa aisaa cinema "andhaa naal" haye. lekhak ney maruti raav kii chhayankan aur mayappan key sahsi prayaas kii bhee sarahana kii, aur prashansakon seey iss tarah kii film kaa samarthan karane key liye kahaa yadi way vaastav mein tamil cinema kii pragati chaahte hain. "indian express ney sitharaman kii patkatha, ganeshan, pandari baaee aur sambandam key pradarshan, geeton aur nritya drishyon kii anupasthiti kii prashansa kii aur nishkarsh nikala kii film" "photography mein kuchh behtareen aur maulik vichaaron key liye ullekhaniya thee.
viraasat.
francisi film itihaaskaar yaves thorawal ney iss film koo geeton aur nrityon key abhaav mein tamil cinema mein ack kranti key roop mein varnit kiya haye. halanki isaki mool release key samay ise kaafee hudd taka nazarandaj curr diyaa gayaa thaa, taba seey ise tamil cinema mein panth kaa darja praapt hoe gayaa haye. binaa geeton vaali tamil filmon key liye ack trendsator banane key alawa, isane apane kuchh naatakiya drishyon key saath noyer-style lighting key liye tamil cinema mein ack benchmark sthaapit kiya. 2001 mein, patrakaar aiss. muthaiya ney 'andhaa naal' koo mayappan dwara nirmit 'sarvshreshth film' kahaa. unhone kahaa kii yeh "saabit curr detaa haye kii ack geet aur nrityaheen film bhee hitt hoe sakati haye."julaai 2007 mein jaba aiss. aar. dha hindu" key ashok kumar ney aathh tamil film nirdeshakon seey unaki sarvakaalik pasandida tamil filmon kii soochi maangi, jinamen seey teen-key. balachander, mani ratnam aur ameer-"andhaa naal" naam key. malayeshiyai lekhika devika baaee ney "nyu strats times" key liye likhate hue "andhaa naal" koo balchander kii "mahaan kriti" aur balchander koo "tamil cinema key film noyer key pitaa" key roop mein varnit kiya.
iss film koo kaee aalochak balachander kii sarvshreshth film maanate hain. apani aalochanatmak safalata seey protsaahit hocker, balachander ney isi shally kii kaee aur filmon kaa nirdeshan aur abhinay kiyaah "avana ivan" (1962), "bommai" (1964) aur "nadu iravil" (1970). "andhaa naal" ney baad kii kaee lokpriya filmon koo prerit kiyaah jinamen "puthiya parvai" (1964), "kalangarai vilakkam" (1965), "sigappu rojakkal" (1978), "moodu paani" (1980) aur "pulan visarnai" (1990), aur kaee geetaheen tamil filmein jaise "unnaipol oruvan" (1965), "kudisai" (1979), "veedu" (1988) aur "uchi weill" (1990) shamil hain. shodhkarta aur naslashastri preeti mudaliyar ney "rath kannar" (1954) kii tulanaa "andh naal" seey kii kyonki donon filmon mein "videshipan key paap koo ack shuddh tamil mahila, gunee patni dwara [beasar] kiya jaataa haye. nirdeshak chimbu deven ney "andhaa naal" koo apani 2014 kii film "oru kanniyam moonu kalavanikalam" parr prabhaav key roop mein sweekaar kiya.
"andhaa naal" koo 1991 mein bhaarat key 14vein antarrashtriya film mahotsav key "" tamil purvavyaapi khand "" mein pradarshit kiya gayaa thaa. 2008 mein, rander gaay ney ise "" pahali tamil film honey key liye prashansa kii jisamen koee nritya, geet yaa stunt drishya naheen thaa aur [balachander] key prabhaavshaali nirdeshan aur shivaji ganeshan aur pandari baaee dwara badhiya pradarshan key liye.  march 2012 mein, film itihaaskaar mohan raman ney "dha times off india" koo bataaya kii tamil cinema mein pahali film noyer honey key naate, yeh "mayabazar" (1957) aur "uthma puthiran" (1940) key saath "puraane samay kii mahatvapurna black aind white filmon mein seey ack thee. tamil patrika "anand vikatan" key saath 2013 key ack sakshatkar mein, malayalam film nirmaata adoor gopalakrishnan ney "andhaa naal" koo tamil cinema mein apane shuruati pasandida mein seey ack key roop mein soochibaddh kiya. aprail 2013 mein, "andhaa naal" koo news18 kii "sarvakaalik 100 mahantam bhaaratiya filmon" kii soochi mein shamil kiya gayaa thaa. aprail 2014 key madhya mein, ise apani heerak jayanti varshgaanth key avsar parr russie saanskritik kendra, chennai mein pradarshit kiya gayaa thaa.
march 2015 mein, film heritage foundation ney ghoshana kii kii vaha bhaarat aur videshon mein kii jaa rahee apani bahaali pariyojanaon key ack hisse key roop mein 1931 seey 1965 taka kuchh anya bhaaratiya filmon key saath "andhaa naal" koo bahaal karega. foundation ney kahaa kii vaha kissy bhee film koo rangeen naheen banaayegi kyonki unhein "master yaa nirmaata ney jiss tarah seey dekhaa thaa" vaisa hii honah chaahiye."film nirmaata shivendra sinh dungarpur kaa yeh bhee maanana haye kii film koo prathamikta key aadhar parr punarsthaapit karane kii aavashyakta haye. balchander key bete raman dwara nirdeshit iss film kaa 30 minut kaa naatak roopaantaran aprail 2016 mein prastut kiya gayaa thaa. unake dwara nirdeshit ack aur naatak roopaantaran kaa agale varsh 13 aprail koo manchan kiya gayaa.