
aaee. bee. aim. aim. tii./st

aaee. bee. aim. aim. tii./aiss. tii. (magnetic tape/selectric typewriter, aur europe mein aim. tii. 72 key roop mein jaanaa jaataa haye) aaee. bee. aim. selectric typewriter kaa ack model thaa, jise apani desk mein banaaya gayaa thaa, jise magnetic tape recording aur playback suvidhaon key saath ekikrit kiya gayaa thaa, joe ack sanlagn baade mein sthit thaa, jisamen niyantran aur rille kaa ack baink thaa. ise aaee. bee. aim. dwara 1964 mein jaari kiya gayaa thaa. isane prati tape casset lagbhag 25 kilobite key barabar 1⁄2 "chumbakiya tape parr type kiya gayaa paath record kiya, aur playback key dauran sampadan aur punah recording kii anumati dee. yeh word processor key roop mein vipanan kii jaane vaali pahali pranali thee. adhikansh models mein dou tape drive they, joe sanshodhan koo bahut suvidhajanak banaate they aur mell vilay jaisi suvidhaon koo saksham karate they. ack aid-onn module ney donon stations seey playback key sanyukt output koo record karane key liye ack teesara tape station jodaa.
aim. tii./aiss. tii. swachaalit shabd rapp, lekin isamen koee screen, swachaalit hyphenation (soft hyphen upalabdh they), yaa prishth kii avadharana naheen thee; prishthon koo playback key dauran maanav operator dwara vibhajit aur kramaankit kiya jaanaa thaa. nirdesh pustikaon ney prachaalak koo playback key dauran machine kii awazon koo sunane kaa mahatva sikhaaya. backspace kunji ney tape kaa samarthan kiya taaki ack charitra koo record kiya jaa sakey; ack vaastavik backspace code bhee thaa, joe á jaise adhik aksharon kii anumati detaa thaa. sammilit karane kii kshamataaen seemit theenh ack tape station seey dusare mein pratilipi banaate samay ack sammilit kiya jaa sakata thaa; ack tape parr prati pankti ack shoonya varna sammilit karane key liye aarakshit thaa. ack "switch code" ney playback koo dusare tape drive parr switch karane kaa nirdesh diyaa. bojhil tareeke seey, tape parr binduon koo chihnit kiya jaa sakata haye aur kood diyaa jaa sakata haye.
aim. tii./aiss. tii. electronic naheen thaa; isane electromechanical rille key ack baink key madhyam seey apane karyon koo lagu kiya.
1967 mein aaee. bee. aim. ney zim henson koo aim. tii./aiss. tii. parr ack laghu film banaane aur nirdeshit karane key liye kaam parr rakhaa; film, jise "paperwork visfot" kahaa jaataa haye, raymond scott dwara score kii gaee thee.
ack word processor parr likhaa jaane vaalaa pahala upanyaas, laine dieton kaa 1970 kaa dwiteeya vishva yuddh kaa aitihaasik upanyaas "bomber", germany parr ack raaf bomber kamaand redd key baare mein, aim. tii./aiss. tii. parr likhaa gayaa thaa.
aim. tii./aiss. tii. kaa upayog newyork vishvavidyalaya key snaatak kendra mein rilm amoort vidvatapurna prakaashan key shuruati muddon key liye ack detta pravishti upkaran key roop mein bhee kiya gayaa thaa. aim. tii./st. parr banaae gaye cartridge koo ack aaee. bee. aim. 2495 tape cartridge reader dwara ack aaee. bee. aim. 360 mainframe parr aage key prasanskaran key liye padhaa jaataa thaa taaki unhein mudrit kiya jaa sakey.
1970 key dashak mein aim. tii./aiss. tii. aprachalit hoe gayaa, jaba yeh floppy disk-adharit pranaliyon dwara visthaapit hoe gayaa thaa. aaee. bee. aim. ney 1983 mein samarthan bund curr diyaa.
aim. tii./aiss. see.
1967 mein chumbakiya tape chayankarta (aim. tii./aiss. see.) dikhaai diyaa. yeh ack output upkaran thaa joe aim. tii./aiss. tii. parr record kiye gaye aur sampaadit tepon koo vaapas chalaata thaa. yeh bhautik roop seey aim. tii./aiss. tii. key samaan thaa, lekin isaki tape ikai mein kewal ack tape reader thaa. desk mein nirmit, chuninda typewriter key bajaay, ack aaee. bee. aim. chuninda sangeetkaar thaa, joe pahale ack swachaalit upkaran thaa. isamen teen prakaar key aakaron (10,12 aur 15 varna prati inch), aanshik antarshabd antaral, bolled, itailik (lekin bolled itailik naheen), aur vibhinn prakaar key serif aur saans-serif typeface, jaise bodoni, universe, times roman aur iss tarah key prakaar key typeball kaa upayog kiya gayaa thaa, lekin chayan key saath vinimeya naheen thaa. yeh poori tarah seey uchit, camera-taiyar output kaa utpaadan kartaa haye, lekin manual sanskaran key liye aavashyak haye kii pratyek pankti koo dou baar type kiya jaae, ack baar sateek antarshabd rikt sthaan key aakar kii ganana karane key liye aur unhein sateek roop seey daalane key liye ack baar dohraya jaane vaalaa typing.
aim. tii./aiss. see. sangeetkaar koo swachaalit kartaa haye, aur yeh chuninda typewriter kii gati seey mudrit hotaa haye, joe antarshabd rikt sthaan koo swachaalit kartaa haye aur iss prakaar output koo uchit thaharaata haye. aim. tii./aiss. tii. aur aim. tii./aiss. see. sanyojan (dou masheenen) pahali baar, ack chhote seey madhyam aakar key prakaashak key bajat key bheetar, camera-taiyar prati kaa teji seey utpaadan karate hain. haalaanki, jaba bhee ack typeface badala gayaa thaa yaa itailik kaa upayog kiya gayaa thaa (ack baar ise badalane key liye aur phir seey ise vaapas badalane key liye), kabhi-kabhi ack hii vaakya mein kaee baar, sangeetkaar koo dou baar rokane kii aavashyakta, prakriya koo kaafee dheema curr sakati haye. badalane key liye tatva kaa vikalp-kaun saa typeball sthaapit kiya jaayega-manual thaa aur operator koo dee gaee jaankaari kaa upayog kiya gayaa thaa lekin detta stream mein encode naheen kiya gayaa thaa. udaaharan key liye, ack typesator kii tarah, prachaalak koo yeh jaanane kii aavashyakta hoti haye kii sheershak italysized hain.

