rubber key sir vaalaa aadami

rubber key sir vaalaa aadami (), jise sooje hue sir key roop mein bhee jaanaa jaataa haye, georges melius dwara 1901 kii ack french laghu mook film haye. film mein melius khud ack aushadhi chikitsak key roop mein dikhaai dete hain joe apane sir kii ack prati koo vishal aayamon taka udaataa haye, lekin joe apane sahayak koo stunt karane key liye kushalata seey praapt karane mein asamarth haye. phoolate hue sir kaa vishesh prabhaav, uddeshya-nirmit gatishil upkaran aur kaee exposure key ack nae sanyojan key saath banaaya gayaa haye, joe aadhunik close-upp koo ujagar kartaa haye aur melius key karyon key beach ack pratishthit sthaan kaa anand letaa haye.
plot.
ack prayogshala mein, ack aushadhaalay ack nae prayog kii yojana banaata haye. ack mez parr apane sir kii ack jeevit nakal rakhate hue, vaha sir koo vishal aakar taka phoolane key liye ack ghanti kaa upayog kartaa haye. sir chehare banaakar aur aushadhi key saath hanskar anand letaa haye, joe phir havaa koo baahar nikalkar aur sir koo samanya karane key liye prayog koo puuraa kartaa haye.
aushadhaalay taba apane sahayak seey prayog koo punah utpann karane kaa prayaas kartaa haye, lekin sahayak sir koo bahut adhik phoolaata haye, aur yeh dhuein key dhamaake mein visfot hoe jaataa haye. krodhit aushadhi sahayak koo kamare seey baahar fenk detaa haye.
utpaadan.
melius film mein aushadh key roop mein aur unake duplicate haid key roop mein dikhaai dete hain. vistaar karane vaale sir kaa bhram paida karane key liye, melius ney pahale prayogshala sett parr aspas kii kaarravaai koo filmaya. phir unhone apane sir koo ack kaali prishthabhoomi seey gher liya aur ack vishesh roop seey nirmit ramp kaa upayog karke khud koo ghumaane key liye, ack puli-niyantrit kursi parr baithe, dheere-dheere sthir cameray key karib. pahale seey kii gaee doori kii ganana kaa upayog karate hue, ack sahayak ney vaastavik samay mein camera lens koo phir seey kendrit kiya kyonki sir hill gayaa thaa, taaki melius kaa chehra poore samay phocus mein rahey. melius ney cameray kii or khud koo sthanantarit karane kaa vikalp chunaa, bajaay isake kii dusare tareeke seey (jaisa kii takneek mein baad mein tracking shott naam diyaa gayaa), yeh sunishchit karane key liye kii uska sir tabletop parr baithaa huaa dikhaai dega aur badhati prakriya key dauran isake saath sanrekhit rahega.
melius key cameray ney failate hue sir koo seedhe usee film key nakaratmak tukade parr record kiya jiss parr prayogshala kaarravaai koo shoot kiya gayaa thaa, jisase ack seey adhik exposure paida huaa jisamen sir koo sett key khaali kshetra parr adhiropit kiya gayaa thaa. ramp parr kursi kii aage-peechhe kii gati koo saavdhaanipoorvak samay parr kiya gayaa thaa taaki poorv-record kii gaee kaarravaai seey milan kiya jaa sakey. film mein upayog kiye jaane vaale anya vishesh prabhaav pratisthaapan splies aur pyrotechnics hain.
release aur swaagat.
"rubber key sir vaalaa aadami" koo melius kii starr film company dwara jaari kiya gayaa thaa aur isaki soochi mein 382-383 number diyaa gayaa haye, jahan ise "" grand noviewte "" key roop mein vigyaapit kiya gayaa thaa.  film koo americi soochi mein "rubber key sir vaale vyakti" key roop mein aur british soochi mein "ack phoolate sir" key roop mein becha gayaa thaa.
yeh film melius kii sabse prasiddh kritiyon mein seey ack haye. kuchh itihaskaron ney tark diyaa haye kii yeh film mein ack karibi kaa ack praarambhik udaaharan haye; haalaanki, jaisa kii sir darshakon key karib honey key bajaay vishal dikhaai detaa haye, anya logon ney iss vyakhya parr vivaad kiya haye.

