
violine banaana aur rakharkhaav

violine parivaar kaa ack vaadya, jise lutheri bhee kahaa jaataa haye, alag-alag tarikon seey kiya jaa sakata haye, jinamen seey kaee pahale violine banaae jaane key baad seey lagbhag 500 varshon mein bahut cumm badal gaye hain. kuchh violine, jinhen "bench-maid" vaadyayantra kahaa jaataa haye, ack ekal vyakti dwara banaae jaate hain, yaa tou ack master nirmaata yaa ack unnat shaukiya, akele kaam karate hue. kaee loga ack "dukaan seey baney" upkaran key nirmaan mein bhaag leey sakate hain, joe ack master kii dekhrekh mein kaam curr rahey hain. yeh puraane violine nirmaataon kii pasandida vidhi thee joe hamesha apane prashikshuon dwara banaae gaye violine parr apane naam rakhate they. vyaapaar violine" key vibhinn star maujood hain, joe aksar shramikon dwara badey paimaane parr utpaadit kiye jaate hain, joe pratyek samagr naukari key ack chhote seey hisse parr dhyaan kendrit karate hain, machinary kii sahaayata key saath yaa usake binaa.
"setting upp" violine koo aam taur parr ack alag gatividhi maanaa jaataa haye, aur ise vaadyayantra key lambe seva jeevan mein kaee baar kiya jaa sakata haye. setup mein fitting aur tream tuning pegs, fingerboard kii satah, soundpost aur pull koo tarashna, string kii doori aur action oonchaai koo samaayojit karna, aur taiyar upkaran koo bajaane kii sthiti mein rakhane aur isaki "aavaaj" (isaki dhwani, swar aur lay) koo anukoolit karane seey sambandhit anya kaary shamil hain.
violine kaa rakharkhaav taba taka chalata haye jaba taka vaadyayantra koo bajaane kii sthiti mein rakhaa jaanaa haye, aur isamen taaron koo badalana, dhwani chauki aur pull koo sthaapit karna, khoonte aur maheen tunor koo chiknai denaa, fingerboard koo phir seey pesh karna, vaadyayantra key finish mein bhaag lena, aur violine yaa usake sahayak upkaranon key una hisson koo punarsthaapit karna, marammat karna yaa badalana shamil haye jinhen nuksan huaa haye.
violine banaana.
ack nae violine kii baahari aakriti, joe vaadyayantra key adhik mahatvapurna pahaluon mein seey ack haye, violine nirmaata dwara design kii gaee haye, aur 2020 key dashak mein, puraane guruon key violine kii ruprekha kaa upayog aamtaur parr kiya jaataa haye. violine banaane key vibhinn tarikon mein binaa kissy saanche key ander key saanche, baahar key saanche yaa "peechhe kii or" imarat kaa upayog karna shamil haye.
ander kaa sancha" drishtikon yojanaon key ack samooh key saath shuru hotaa haye, jisamen upkaran key baahari aakar kaa ack chitra shamil hotaa haye. inn yojanaon seey ack template kaa nirmaan kiya jaataa haye, jise patali dhaatu yaa anya samagriyon seey banaaya jaa sakata haye, aur yeh ack sapaat "aadhaa-hinsak" aakar kaa hotaa haye. template kaa upayog ack saanche key nirmaan key liye kiya jaataa haye, joe lakadi, plywood, aim. dee. aff. yaa lagbhag 12 mimi yaa 1/2 "motee samaan samagri kaa ack violine key aakar kaa tukada haye. edward heron-elen ney 1885 mein violine kii taiyar pasaliyon (aantarik) key barabar aayamon key saath ack "poorna saanche" koo nirdisht kiya. 
saanche key chaaron or kinaaron (yaa pasaliyon) kaa nirmaan kiya jaataa haye, joe saavdhaanipoorvak germ karane key madhyam seey ghumaavdaar lakadi key sapaat tukade hotey hain. praarambhik violine nirmaataon ney violine kii sundarta badhaane key liye "tiger" maple lakadi key strips kaa upayog kiya, aur adhikansh luthiers ney uttari itali mein spruce kii kataai koo pasand kiya. pasaliyon, blocks aur astaron kii poori "maalaa" koo saanche seey hataa diyaa jaataa haye taaki alag seey nakkashidar sheersh aur peechhe koo jodaa jaa sakey. jaba shareer puuraa hoe jaataa haye, tou gardan, jise lakadi key ack alag tukade (aamtaur parr maple) seey tarasha jaataa haye, koo vaadya kii mool sanrachana koo puuraa karane key liye isake murdaghar mein rakhaa jaataa haye, jisake baad ise warnish kiya jaataa haye. maple koo gardan, peeth aur kinaaron key liye pasand kii lakadi maanaa jaataa haye, kyonki isaki taakat aur khelane seey usa parr padane vaale tanaav kaa saamana karane kii kshamata hoti haye.
vaadyayantra kii dhwani aur bajaane kii kshamata key liye mahatvapurna "setup" haye, jisamen aavashyakta padane parr gardan key konn koo samaayojit karna, khoonte koo fitt karna taaki way sucharu roop seey mudein aur majbooti seey pakaden, fingerboard koo uchit scoop aakar mein pahanen, soundpost aur brij koo fitt karein, telgut koo samaayojit karein aur telpiece sthaapit karein, aur string upp karein. iss samay ack hataane yogya chinnerest pahana jaa sakata haye.
phir vaadyayantra "play-inn" prakriya shuru kartaa haye, kyonki isake bhaag taar tanaav key saath samaayojit hotey hain. violine kii aavaaz koo upayog key pahale hafton aur maheenon mein "khula" kahaa jaataa haye, ack prakriya joe varshon seey adhik dheere-dheere jaari rahati haye. haalaanki, iss prakriya koo kissy samay nirast kiya jaa sakata haye. yadi aap ack violine koo bhandaran key liye rakhate hain aur ise thodi dair baad baahar nikaalate hain, tou aap dekhenge kii jaba aap pahali baar violine bajaate hain tou isaki matra cumm hoe jaati haye (yeh violine nishkriyata kaa ack bahut hii samanya sanket haye), aur gunavatta mein kamee (yeh nishkriyata key adhik gambhir mamalon mein haye). yadi aap ack violine koo bhandaran mein daalate hain, tou ise thodi dair baad baahar nikaalen, aur ise kuchh hafton key liye bajaaen, tou aap dekhenge kii violine kii aavaaz phir seey "khulane" luggy haye. halanki, violine kii matra badhaane key liye, lakadi koo violine banaane mein upayog karane seey pahale kaee maheenon yaa varshon taka "sookhane" kii anumati dee jaani chaahiye. yeh lakadi koo "thheek" karane mein madad karega, iss prakaar isaki tone, timber aur matra mein sudhaar hoga.
rakharkhaav.
saavdhaanipoorvak rakharkhaav key saath, ack violine kaee varshon taka chala sakata haye aur sudhaar curr sakata haye. ack achchi tarah seey prastut violine violine vaadakon kii kaee peedhiyon koo peechhe chhod sakata haye, isaliye violine kii dekhbhal karate samay ack curatorial drishtikon lena buddhimani haye. sabse mahatvapurna baat yeh haye kii yadi ekatrit rossin dhool koo warnish seey mitaa curr lambe samay taka naheen chhoda jaataa haye, tou yeh warnish key saath fuse hoe jaayega aur binaa nuksan key ise nikaalana asambhav hoe jaayega.
taaron seey rossin koo saaf karane seey dhwani mein ack ullekhaniya antar aaa sakata haye. ack aam wine cork prashansaniya roop seey parosa jaataa haye, door key ghumaavdaar koo nuksan pahunchaae binaa rossin kii parat koo chupchaap scrub kartaa haye. ack sookhe microfibre kapade kii aksar sifarish kii jaati haye; yeh dhool koo achchi tarah seey banaae rakhta haye, lekin ack bhedane vaalaa shore paida kartaa haye. aggar violine key sheersh koo warnish koo chhoone vaali sharaab kii chhoti-see boondon kii thodi see bhee sambhavana seey bachaane key liye dhyaan rakhaa jaae tou thodaa ragadane vaali sharaab vaalaa kapada prabhaavi hotaa haye. sharaab key upayog seey aam taur parr bachaa jaataa haye, kyonki yeh aasaani seey warnish koo una tarikon seey nuksan pahunchaata haye jinhen bahaal karna mushkil yaa asambhav hoe sakata haye.
tuning pegs koo kabhi-kabhi "pegg dope" key saath ilaaj kiya jaa sakata haye jaba way yaa tou bahut swatantra roop seey fisal jaate hain, jisase string sapaat yaa sust hoe jaati haye, yaa jaba way chipak jaate hain, tou tuning mushkil hoe jaati haye. kuchh violine vaadak aur luthier fislan koo thheek karane key liye khoonte parr samanya blackboard chaak kii ack chhoti matra kaa upayog karate hain. "pegg drop" (sharaab mein rossin kaa ack ghol) kaa upayog kabhi-kabhi fisalane vaale khoonte key ilaaj key liye kiya jaa sakata haye, lekin yeh sabse achchha ack asthaayi samadhan haye; aksar fisalane vaale khoonte mein shaft hotey hain joe abb sucharu roop seey shankudhari naheen hotey hain aur inhen phir seey banaaya yaa badala jaanaa chaahiye.
violine koo ack technician dwara kabhi-kabhaar kii jaane vaali jaanch seey laabh hoga, joe zaan legaa kii kyaa marammat kii aavashyakta haye.
violine vaadak aam taur parr ack break key mamle mein atirikt upalabdh rakhane key liye taaron key pratisthaapan sett leey jaate hain. tootane seey pahale bhee, ghise hue taar thake hue aur sust lagane lagate hain aur samay key saath "galat" hoe jaate hain, jisase ack avishvasaniya pitch paida hoti haye. taaron key saath ack aur aam samasya dhaatu key ghumaavdaar kaa anaavaran haye. harr dou yaa teen maheene mein baar-baar upayog key saath taaron koo badalane kii aavashyakta hoe sakati haye. uchch taaron koo nichale taaron kii tulanaa mein adhik baar badalane kii aavashyakta hoti haye kyonki way uchch dhwani utpann karane key liye nirmaan mein halke hotey hain-saubhagya seey unake halke vajan kaa matlab yeh bhee haye kii unaki laagat cumm hoti haye. taaron kii keemat bhinn hoti haye, aur taaron kii gunavatta utpann dhwani kii lay koo dridhata seey prabhaavit karati haye. ack shikshak chhatron koo salah dey sakata haye kii kitni baar taar badalana haye, kyonki yeh iss baat parr nirbhar kartaa haye kii koee kitna aur gambhirta seey khelata haye.
dhanush key liye, ekmatra vaastavik rakharkhaav ack kapade seey chhadi kii niyamit safai (rossin dhool koo hataane key liye), punah kesh vinyas, aur chamade aur chaandi key taar koo lapetane kii jagah lena haye. khelane key dauran, baal aksar dhanush seey khou jaate hain, jisase ise samay-samay parr phir seey sajana aavashyak hoe jaataa haye, joe peshevaron dwara motey taur parr taaron key ack nae sett kii laagat parr kiya jaataa haye. anya rakharkhaav mein taar koo latkaanaa aur chamade kii pakad koo badalana yaa pench koo chiknai denaa shamil hoe sakata haye. dhanush mein badee daraaren aur tootana aamtaur parr ghaatak hotey hain; unhein violine key dibbe kii tarah thheek naheen kiya jaa sakata haye. ack dhanush joe vikrit hoe gayaa haye aur abb seedha naheen haye, kabhi-kabhi sahee yaa phir seey kamare mein vaapas jhuk sakata haye, lekin yeh ack karigar dwara garmi key saath kiya jaanaa chaahiye aur hamesha safal yaa saarthak naheen hotaa haye. jaba dhanush kaa upayog naheen kiya jaa rhaa hoe tou baalon koo dheela karane seey dhanush koo "chhidka" yaa apane camber koo khone aur baalon koo khinchane seey rokane mein madad milati haye. 2020 key dashak mein, fiber glass yaa carbon yaugik seey baney dhanush upalabdh hain joe cumm najuk hain. fiber glass key kuchh dhanush lakadi key dhanush kii tulanaa mein bahut saste hotey hain. kuchh peshevar sangeetkaron dwara sabse achche carbon mishrit dhanush kaa upayog kiya jaataa haye.
dhwani post samaayojan.
violine key ander dhwani post kii sthiti mahatvapurna haye, aur ise bahut cumm matra mein sthanantarit karane seey ack vaadya kii dhwani gunavatta mein kaafee antar aaa sakata haye. pada kii motai bhee mahatvapurna haye. dhwani key baad samaayojan vigyaan jitna hii kalaa haye, joe lathier key kaana, anubhav, sanrachanaatmak bhavna aur samvedansheel sparsh parr nirbhar kartaa haye. dhwani post koo sthanantarit karane seey dhwani parr bahut jatil parinam hotey hain; anta mein, yeh samaayojan karane vaale vyakti kaa kaana haye joe post key vaanchhit sthaan koo nirdhaarit kartaa haye.
yahaan kuchh motey guide diye gaye hain kii dhwani post placement kaise vaadyayantra kii dhwani gunavatta koo prabhaavit kartaa haih
vidyalaya.
violine banaane kaa paaramparik maarg ack anubhavi luthier key tahat prashikshu key madhyam seey haye. haalaanki, vishvavidyalayon key bheetar school aur kakshaaen bhee hain, joe violine banaane yaa marammat key vibhinn kshetron parr dhyaan kendrit curr sakate hain, aur anya mein lutheri key sahayak pahalu shamil hain, jaise kii bajaana, takniki chitran aur photography. pathyakram kaee hafton seey laker teen yaa chaar saal taka key hotey hain.