
aap koo thheek karein. 10, naheen. 10 (choppin)

aap koo thheek karein. 10, naheen. 10, ack pramukh mein, fredrick choppin dwara rachit ack takniki adhyayan haye. yeh prastuti uchchaaran aur sparsh key parivartanon dwara ack hii pattern mein badalaav mein kalakar parr bhaari maang rakhti haye. iss kaam mein choppin kii praathamik chinta sparsh kii vyaapak sambhav vividhata key liye haye jise ack hii aakriti koo diyaa jaa sakata haye, jisamen uchchaaran key nirantar parivartan naa kewal aakriti key vibhinn hisson koo ujagar karate hain, balki pattern kii bahubhashi prakriti parr bhee jore dete hain.
shuruati khand (baar 1-16) lagbhag ack nirantar legto baas line key saath teen buniyaadi bhinnataon koo nirdhaarit kartaa haye; baaen haath mein chaar key khilaf daahine haath mein prati baar chaar lahaje key saath off-beat (baar 1-8); phir onn-beat lekin baaen haath mein chaar key khilaf daahine haath mein chhah lahaje key saath (baar 9-12); aur anta mein donon haathon koo binaa lahaje key sthir kiya jaataa haye.
kendriya khand (baar 17-54) praarambhik vishay koo modulan kii ack shrinkhala (jaise mejar, dee mejar, ack mejar aur ee mejar) key madhyam seey vikasit kartaa haye, jisamen daahine haath mein lahaje yaa tou onn-yaa off-beat hotey hain. yeh sambhavatah mukhya roop seey pahale khand mein seekhe gaye kaushal kaa pareekshan karane key liye banaaya gayaa haye. kendriya khand kaa charmotkarsh baar 43 seey shuru hotaa haye aur iss bindu parr yeh baayan haath haye joe off-beat khel rhaa haye jabaki dahina haath prati baar chaar beats banaae rakhta haye. yeh tukada baar 55 mein aeye key tonic mein vaapas modulate hotaa haye.
antim khand (baar 55-77) shuruati vishay kaa ack dohrao haye, lekin antim baar key bheetar embedded kaee modulation key saath, sabhi ack pramukh peddle bindu dwara rekhaankit hain. tonic iss antim khand mein kewal bahut sankshep mein dikhaai detaa haye aur baar 69 taka poori tarah seey phir seey sthaapit naheen hotaa haye, joe prabhaavi roop seey kodaa haye.