beethoven kii symphany number kaa british premiere. 9

beethoven kii symphany nam. kaa british premiere. 9, jise unaki "coral symphany" key roop mein bhee jaanaa jaataa haye, 21 march 1825 koo landan mein argil room mein huaa thaa. sangeet karyakram philharmonic society dwara diyaa gayaa thaa, jisane kaam shuru kiya thaa.
itihas.
prishthabhoomi.
surr george smart, charles nett aur ferdinand reez ludwig vaine beethoven key sangeet koo philharmonic samaaj mein prasiddh banaane mein mahatvapurna they. george smart aur charles neat philharmonic key mool sadasya they. 1814 mein smart ney britten mein beethoven key "christ onn dha mount off olives" kaa pahala pradarshan kiya. neat 1815 seey 1816 taka vienna mein rahate they aur beethoven seey mille, jinhone vahaan apane sangeet adhyayan kii dekhrekh kii. baad key varshon mein neat ney beethoven key saath patrachar kiya, aur philharmonic mein sangeetkaar key karyon koo prachaarit kiya. beethoven key ack chhaatr, reez, 1813 seey 1824 taka landan mein rahate they. unhein philharmonic seey parichit karaaya gayaa thaa, aur unaki kaee rachanaon koo unake sangeet samarohon mein prastut kiya gayaa thaa.
1817 mein philharmonic kii or seey beethoven koo likhane key liye, unhein landan aamantrit karate hue; samaaj unhein mausam key liye rahane key liye 300 ginny kaa bhugtan karega, aur vaha samaaj key liye dou symphany kii rachana karega. halanki, yatra naheen hui. 1822 mein beethoven ney landan kii yatra parr vichaar karate hue, samaaj koo ack symphany key liye kyaa paarishramik dega, yeh poochate hue raaiz koo likhaa; raaiz ney samaaj koo jaanch key liye bheja.
usa varsh baad mein samaaj ney ack naee symphany key liye £50 kii peshkash karane kaa faisala kiya. minaton ney kahaah "10. navambar 1822. ney sankalp liya kii ack aim [anu] key liye £50 kaa prastaav diyaa jaae.aiss [script]. simm [phoney]. usey isaki praapti key athaarah maheene baad ise nipataane kii anumati haye. yeh ack parantuk haye kii yeh agale march key maheene key dauran aayega."
1823 key dauran beethoven ney kaee baar raaiz koo likhaa kii nae kaam koo puuraa karane mein deree hui thee. pandulipi aprail 1824 taka poori hoe gaee thee; disambar mein pushti kii gaee raseed. neat ney beethoven koo 1825 key satra key liye landan mein symphany kaa sanchaalan karane key liye aamantrit kiya, jisamen unhein dou naee rachanaon koo laane key liye 300 ginny kii peshkash kii gaee; haalaanki, koee yatra naheen hui. iss beach, symphany 7 maee 1824 koo vienna mein prastut kii gaee thee.
sangeet karyakram.
21 march 1825 koo sangeet karyakram key pahale bhaag mein joseph haydon dwara ack symphany ("synphonia later tii") shamil thee; mosart dwara "david penitant" seey turzetto "tatte leey mee speranz"; mosart dwara ack anirdisht string chaukadi; handell dwara "samson" seey geet "israel kaa bhagwan kyon sotaa haye"; anton reecha dwara ack wind quintet; mosart dwara "kosi phain toot" seey eriya "prati pieta"; aur liggy cherubini dwara ack overture "lesses dex journ".
dusare bhaag mein beethoven dwara naee symphany shamil thee. karyakram ney kaam kaa varnan kiyaah "naee bhavya visheshta synphonia, ms., mukhar samaapan key saath, jiska pramukh bhaag maidam karadori dwara gaaya jaanaa haye, miss gudal, shree waghan aur shree phillips (iss samaaj key liye spasht roop seey rachit)."
orchestra kaa netaa franz crammer thaa, aur conductor surr george smart thaa. antim andolan mein "odd too joy" kaa paath italvi mein gaaya gayaa thaa, anuvaad landan mein jodaa gayaa thaa.
sameekshaaen.
dha harmonican" mein sameekshak ney likhaah "vartamaan symphany mein humm beethoven kii rachanaatmak pratibha mein koee kamee naheen paate hain; yeh kaee poori tarah seey nae lakshnon koo pradarshit kartaa haye, aur isake takniki gathan mein adbhut saralata aur munn kii nirantar shakti dikhaai detee haye. lekin sabhi gunon key saath joe isamen nirvivaad roop seey haye, yeh cumm seey cumm doguna lamba haye jitna kii yeh honah chaahiye... antim andolan, ack corus... naheen kartaa... teen pahali harkaton key saath mishran karein... symphany key saath iska kyaa sambandh haye jise humm naheen banaa sakey; aur yahaan, saath hii anya hisson mein, bodhgamya design kii aavashyakta bahut spasht haye... [doubleu] ee koo hamari aashaa vyakt karni chaahiye kii mahaan beethoven key iss nae kaam koo adhik utpaadan yogya roop mein rakhaa jaa sakata haye; taaki punaraavrittiyon koo chhoda jaa sakey, aur corus koo poori tarah seey hataa diyaa jaae..."
traimasik sangeet patrika aur sameeksha" mein sameekshak ney likhaah ..[i] kewal lambai hii shikayat kaa kabhi naa chookane vaalaa kaaran hoga... kyonki isamen thheek ack ghanta aur bees minut lagate hain... joe rachana koo samagr roop seey lete hue, design kii ekataa kii kissy bhee sundarta seey kshatipurti naheen kii jaati haye... chautha aur antim andolan... yeh sabse asadharan udaharanon mein seey ack haye jise maine kabhi dekhaa haye, munn kii mahaan shaktiyon aur adbhut vigyaan kaa, joe apani shakti key neeche vishayon parr aseem roop seey barbad hoe jaataa haye. lekin... iss andolan key kuchh hisse... way vaastav mein sunder hain... - lekin yahaan bhee, jabaki humm itane saare vigyaan aur dhuna key anand kaa anand leey rahey hain... humm aise vakpatu sangeet seey, ashisht, jangli aur baahari samanjasya taka chheen liye jaate hain... mujhe iss naee symphany koo kissy bhee beethoven key utpaadan mein sabse cumm utkrisht key roop mein maanana chaahiye, ack asman kaam key roop mein, una bhavya aur oonche sparshon kii tulanaa mein shore, sankeeta aur design key bhram mein adhik, vaha achchi tarah seey jaanata haye kii hamein kaise mahsoos karaana haye..."

