
shankar-jayakishan

shankar-jayakishan (aiss-jey key roop mein bhee jaanaa jaataa haye), hindi film udyog kii ack bhaaratiya sangeetkaar jodee theen, jinhone 1949 seey 1971 taka ack saath kaam kiya. unhein vyaapak roop seey hindi film udyog key sabse mahaan sangeetkaron mein seey ack maanaa jaataa haye. 1971 mein jayakishan kii mrityu key baad, shankar 1987 mein apani mrityu taka akele sangeet nirdeshak key roop mein baney rahey. iss ekal currier key dauran, unhein abhee bhee 'shankar-jayakishan' key roop mein shreya diyaa jaataa thaa.
shankar-jackission ney anya kalakaron key saath 1950,1960 aur 1970 key dashak kii shuruat mein "shashwat" aur "amar dhunon" kii rachana kii. unakaa sabse achchha kaam "raag-adharit aur lilt aur sonority donon key liye jaanaa jaataa thaa.
praarambhik varsh.
shankar.
shankar sinh raam sinh raghuvanshi (15 octuber 1922-26 aprail 1987) hyderabad key rahane vaale they. apane praarambhik varshon key dauran, shankar tabla bajaate they aur baaba nasir khansahib seey aupchaarik roop seey kalaa seekhate they. kaee varshon taka, shankar ney mahaan sangeetkaar khwaja khursheed anwar key shishya key roop mein adhyayan kiya, jinake vaadyayantra mein unhone pradarshan kiya. 
shankar ney apane currier kii shuruat satyanarayan aur hemawati dwara sanchaalit ack theatre samooh key saath kii, isase pahale kii way prithvi theatre mein chaley gaye, jahan unhone tabla khela aur natakon mein kuchh chhoti bhoomikaaen nibhaain. yeh prithvi rangmanch thaa jahan unhone bajaana seekha aur sitar, accordion aur piano aadi jaise kaee anya vaadyayantron mein mahaarat hassil kii. prithvi rangmanch mein apane kaam key alawa, unhone husnalal bhagatram kii pramukh sangeetkaar jodee key sahayak key roop mein bhee kaam karna shuru kiya aur ack swatantra sangeet nirdeshak banane kii mahatvakanksha koo poshit kiya.
jayakishan.
jayakishan dayabhai panchal (4 navambar 1929-12 sitambar 1971) kaa janm dahyabhai panchal aur unaki patni key ghar huaa thaa. ack bachche key roop mein vaha vartamaan gujaraat raajya key ack shahar bansa (vansada) mein rahate they. jayakishan harmonium bajaane mein nipun they. baad mein, unhone sangeet visharad vadilology seey aur baad mein prem shankar naayak seey sangeet kaa paath praapt kiya. mumbai jaane key baad, vaha vinaayak tamb key shishya bunn gaye.
sangeetkaar jodee kaa gathan.
prithvi theatre mein kaam karane key alawa, shankar aksar ack gujaraati nirdeshak, chandravadan bhatt key karyalaya jaate they, jinhone shankar koo ack film banaane key dauran sangeetkaar key roop mein ack break dene kaa vaadaa kiya thaa. bhatt key karyalaya key baahar hii shankar ney kaee baar jayakishan koo dekhaa. unhone ack dinn baatchit shuru kii aur paaya kii jayakishan ack harmonium khilaadi thaa, aur kaam kii talash mein usee nirmaata seey milane bhee gayaa thaa. shankar ney baad mein yaad kiya kii unhein ack-dusare key liye ack pasand vikasit hui aur yeh vahee thaa jisane taba aur vahaan jayakishan koo prithvi theatre mein ack harmonium vaadak kii naukari kaa ashvasana diyaa (prithviraj kapoor seey poochhe binaa, jise pyaar seey 'papaji' kahaa jaataa haye). papaji ney shankar key chayan koo sammaanit kiya aur preeti mein jayakishan koo harmonium khilaadi key roop mein sweekaar kiya. jald hii, donon key beach iss hudd taka bahut karibi dosti hoe gaee kii loga unhein 'raam-lakshman' aur kaee samaan-arth vaale upnaamon seey sandarbhit karane lagey. apane sangeet key karyon kaa anusaran karane key alawa, way prasiddh naatak "pathan" sahit vibhinn natakon mein bhee mahatvapurna bhoomikaaen nibhaate they.
prithvi theatre mein kaam karate samay, shankar aur jayakishan dhunein banaate they aur raaj kapoor key sampark mein they, joe prasiddh nirdeshak kidaar sharma key sahayak key roop mein kaam curr rahey they aur ack abhineta/nirdeshak banane key ichchuk they. iss prakaar, teenon kii mulakat prithvi theatre mein hui thee.
"barasat": pahala break.
raaj kapoor ney 1948 mein film 'aag' key saath nirdeshak key roop mein apani shuruat kii. isake sangeet nirdeshak raam ganguli koo shankar aur jayakishan dwara sahaayata pradaan kii gaee thee. haalaanki, apane nae udyam 'barat' key liye ack geet kii recording key dauran, raaj kapoor key raam ganguli key saath kuchh gambhir matbhed they aur unhone iska sangeet shankar koo dene kaa faisala kiya, jinhone jayakishan koo apane saathi key roop mein lene parr jore diyaa. iss prakaar sangeet nirdeshakon kii naee jodee 'shankar-jayakishan' astitva mein aaee joe nikat bhavishya mein raaj kapoor filmon mein ack sthaayi visheshta bunn jaayegi.
swayam ack prashikshit gaayak honey key naate (unhone aur mukesh ney ack hii guru seey gaayan seekha), raaj kapoor ney iss prakaar sangeetkaar shankar aur jayakishan kii iss naee team koo geetkaar shailendra aur hasrat jaipuri (ack poorv buss conductor) key saath shamil kiya. shankar key aagrah parr, unhone agami gaayan pratibha lataa mangeshkar koo saha-chunaa, aur "barat" key geeton key liye raaj kapoor kii bhoot kii aavaaj key roop mein mukesh koo dohraya.
film mein hindi cinema mein dou pratham geeton koo pradarshit karane kaa bhee gaurav thaa-ack sheershak geet ("barat mein hamse meal") aur ack cabrey ("patali cummer haye"), joe shailendra dwara likhe gaye pahale dou geet bhee they.
praarambhik kaary 1949 aur 1959 key beach kiya gayaa.
donon koo "aiss-jey" sankshipt naam seey jaanaa jaane lagaa.
unake shuruati karyon mein "baraat", "awara", "baadal", "poonam", "nagina", "aurat", "parbat", "kaali ghaata", "aaha", "patita", "shikast", "badshah", "mayurpankh", "nayaa ghar", "seema", "shree 420", "basant bahaar", "halku", "rajath", "naee dilli", "kathputali", "anari", "chori chori", "daag", "shuru", "yahudi", "mukhya nassen mein", "kanhaiya", "boot", "polish", "shaadi", "aur" shaadi "shamil hain.
sangeet sahayogi.
aiss-jey ney geetkaar shailendra (swayam koo shayed sabse mahaan aadhunik hindi film sangeet geetkaar maanaa jaataa haye) aur hasrat jaipuri aur gayakon mohammad rafee, lataa mangeshkar aur aashaa bhosale key saath ack core team kaa gathan kiya. esje key dou anya aajivan saathi they jinhone apane sahayakon key roop mein kaam kiyaah dattaram wadkar aur sebastian dsouza, poorv apane lay khand kii nigrani karate they aur baad vaale sabhi esje rachanaon key liye sangeet sanket likhate they (esje kii sangeet baithakon key dauran jaisa kii aise satron kii kaee tasveeron mein dekhaa jaa sakata haye) aur phir esje kii rachanaon aur nirdeshon key anusaar grand esje orchestra key sabhi sangeetkaron kaa abhyaas karate they. aiss. jey. ney behad pratibhashali gaayak mannah day koo bhee sanrakshan diyaa, jinhone unake saath apane sarvshreshth geet gaaye aur raaj kapoor key liye playback key roop mein mukesh kii reshmi aavaaj kaa upayog kiya. nirdeshakon mein, unhone raaj kapoor key saath sabse adhik nikatata seey kaam kiya aur unhein unaki prasiddh banner aar. key. filmon kaa pramukh maanaa jaataa thaa.
way sangeet mein adbhut roop seey ishwar-dhanya honey key alawa vyaavsaayik pratibha vaale they. naushad, see ramchandra, rotion, aiss. dee. burman, opp naayar, salil chaudhari aur madan mohan jaise mahaan kalakaron seey kadee pratispardha key bavjood unhone bollywood sangeet kaa netritva kiya aur bahut pratibhashali sangeet nirdeshakon key liye sheersh parr rahey.
aiss-jey ney apane samay key lagbhag sabhi gayakon key saath kaam kiya. una sabhi key saath unake achche kamkaji sambandh they aur way unamen seey harr ack seey sabse achchha nikaalane mein mahaarat hassil curr chuke they. way ack team key roop mein sthir they aur unake geetkaar key roop mein hasrat jaipuri aur shailendra they; lekin shailendra key nidhan key baad, unhone kaee anya geetkaaron jaise kii indiver, gulshan bawra, gopaldas neeraj, verma malik, majroh sultanpuri, vitthal bhaai patel aur rajinder krishna key saath kaam kiya.
aiss-jey aar. key. filmon key liye "house composure" they aur anta taka apane vetan parr they. raaj kapoor ack sangeet baink kaa rakharkhaav karate they jahan way aiss-jey kii rachanaon koo sangraheet karate they. shankar aur raaj kapoor (jayakishan kii taba taka mrityu hoe chuki thee) key beach peshevar sambandh kii samaapti key baad bhee, baad vaale ney apani sabhi filmon key liye aiss-jey kii kaee pichhali rachanaon (joe unaki hirasat mein theen) kaa upayog kiya thaa, halanki shreya aadhikarik taur parr anya sangeetkaron koo diyaa gayaa thaa, jaise.jee., lakshmikant-pyarelal (bobby, satyam shivam sundaram, prem roga) aur ravinder jaine (raam teree gangaa maili). aiss-jey ney kishore kumar, shammi kapoor, rajendra kumar, deva anand, suneel datt, manoj kumar, vishwajit, joy mukerjea aur dharmendra jaise anya sitaaron key saath bhee kaam kiya. unake alawa aiss-jey combo ney sabse badhkar mohammad rafee aur dusare mukesh key saath kaam kiya, aur kaee hitt aur bejod ratnon kaa utpaadan kiya. usa samay key anya paarshv gayakon key saath achchi pratishtha honey key bavjood mohammad rafee unake pasandida gaayak they.
aiss-jey kii adhikansh filmon mein dattaram aur sebastian koo unake sahayak key roop mein dikhaaya gayaa haye. dattaram ney orchestra key taalvaadya khand koo sambhala jabaki sebastian ney baaki koo sambhala. dattaram kii mulakat shankar seey ack zim mein hui jaba shankar pahale seey hii ack sangeetkaar key roop mein prithvi theatre mein kaam curr rahey they. zim mein shankar kaa tabla sunane aur unaki guna-vidya seey atyadhik prabhaavit honey key baad, dattaram unake shishya bunn gaye aur poore samay aiss-jey key saath rahey. jaisa kii dattaram ney yaad kiya, sebastian aiss-jey kii rachanaon key sangeet sanket likhate they aur orchestra kaa sanchaalan bhee karate they.
rachana shally.
shankar-jayakishan kii rachanaon ney hindi film sangeet mein naee neenv rakhee. bhaaratiya shaastriya sangeet key apane gyaan parr bharosa karane key alawa, unhone paschimi taalon aur vaadyayantra kaa bhee upayog kiya. shankar-jackission geet rachanaon mein vaadyavrind kii bhoomika koo vyakt karane aur geeton key arth aur bhaavanaon koo badhaane key liye ack madhyam key roop mein sthaapit karane mein agrani they, naa kii drishya parr unake aagaman seey pahale prachalit abhyaas key anusaar ise ack 'poorak' key roop mein upayog karane key bajaay. unhone apane geeton mein vaadyayantra aur sangeet vaadyayantron (aksar darjanon yaa saikadon) kaa upayog kiya, jisamen nimnalikhit praarup shamil theh geet ack 'prastaavana' (vatavaran banaane aur prastut karane key liye praarambhik sangeet aur geet kii shuruat key liye manodasha) key saath shuru hotaa haye, phir mukhada shuru hotaa haye aur usake baad vaadyayantra parr sangeet key tukadon vaale 'antaral' hotey hain. bahut cumm apvaadon key saath ("yeye meraa diwana paan haye" ack achchha udaaharan haye), way hamesha pratyek chhand seey pahale alag-alag antaral kaa upayog karate they. 'orchestra dwara bajaaye gaye 'counter melody key saath multy-layer sangeet' key saath ack geet kaa mukhada yaa antara gaaya jaa rhaa thaa aur anta mein 'upsamhaar' aaya-vaha sangeet jisake saath geet gaayak (oun) key gaayan samaapt karane key baad samaapt huaa thaa.
shankar-jackission ney apane poore currier mein bhaaratiya shaastriya sangeet koo badhaava dene mein mahatvapurna yogdan diyaa. ardh-shaastriya shally parr adharit film mein cumm seey cumm ack geet honah unaki sthaapit pratha thee. inmein 'jhanak-jhanak tori baaje pylia' (maatr hujur), 'chham chham baaje ray pylia' (jaane-anjane), 'radheke dhuna bansari churai' (betty bete), 'manmohan badey jhoothe' (purana 'simaa'), 'koee matwala aaya merey davaare' (tokyo mein pyaar), 'ajahu naa aaya balma', 'saavan beeta jaaye' (sanjh aur sahera), 'lapak jhapak thu aaa ray badarva' (polish), 'yeha barak baahar sautania key dwaar' (maee), 'maanon' (maee), 'ray maan' (ray), 'ray' (ray), 'ray' (ray), 'ray' (ray), 'ray' (ray), 'ray' (ray), 'ray' (ray), 'ray' (ray), 'ray' (ray), 'ray' (ray), 'ray' (ray), 'ray' (ray), 'ray' (ray 'ray', ray 'ray' (ray), ray 'ray' ray 'ray' ray 'ray basant pahaad' aur 'aamrapaali' donon mein unake sangeet mein bhaaratiya shaastriya sangeet parr adharit harr geet thaa. jabaki "raag bhairavi" unaki barahmasi pasandida rahee, aiss. jey. ney apani rachanaon mein vibhinn prakaar key raagon kaa upayog kiya.
shankar jayakishan ney kaee geeton mein paschimi shaastriya-adharit waltz lay kaa bhee upayog kiya.
shankar-jayakishan ney dukhad geeton kii shally koo ack naee shally aur arth diyaa aur unhein tej gati seey compose kiya. jindagi mein hardam rotaa hii rhaa" (barat), "teraa jaanaa dill key arman" (anari), "haye tuu hii gayaa mohe bhool ray" (kathputali), "aii merey dill kaheen aur chala" (daag) aur "aur haye jahaan key aur rete" (patita) jaise geeton ney iska pradarshan kiya. antim dou geet, kaee anya geeton key saath (vishesh roop seey film "awara" seey "awara huun"), sangeetkaron key sangeet vaadyayantron key upayog koo bhee pradarshit karate hain-ack harmonium kaa upayog piano accordion key prabhaav kaa utpaadan karane key liye kiya jaataa haye.
kaary shaileeh 'esje' ack naam key dou sangeetkaar they.
ack team key roop mein kaam karate hue, shankar aur jayakishan apane geeton koo alag seey compose karate they. aam taur parr, shankar koo shailendra aur jackission key saath hasrat jaipuri key saath kaam karna pasand thaa, halanki aise ullekhaniya udaaharan hain jahaan shankar ney hasrat aur jackission key saath shailendra key saath kaam kiya thaa. beshak kaee gaane sanyukt roop seey kiye gaye hain jinamen donon ney yogdan diyaa haye. donon key beach, shankar varishth bhagidar they aur isaliye, way aamtaur parr jayakishan key geeton key liye bhee vaadyavrind kii vyavastha karate they. geet key vaastavik sangeetkaar kii pehchaan naheen karane key liye unake beach ack sajjan kaa samjhauta thaa. natijatan, aiss-jey key shaukinon key liye ack jayakishan geet seey ack shankar geet bataane kii koshish karna ack lokpriya manoranjan rhaa haye. nritya sankhya, sheershak/vishay geet aur bhavpurn geet shankar key liye vishisht they, jabaki jackission romantic geeton (unhein aam taur parr iss shally mein abb taka key sarvshreshth key roop mein maanaa jaataa haye) aur saral, aakarshak rachanaon key alawa prishthabhoomi score kii rachana karane mein mahaarat hassil curr chuke they, joe turant hitt hoe gaye ("ehsan maatr dill paye" aise geeton kaa ack vishisht udaaharan haye). halanki, shankar saral 'seedhi rekha' dhunon koo taiyar karane key iss pahalu mein koee chhote naheen theh "meraa juutaa haye japani" (shree 420,1955), yeye meraa deevaanaapan haye (yahudi, 1958) awara huun (awara, 1951), cassie key muskurahat (anari, 1959), joe iss shally kaa sabse achchha udaaharan bhee haye.
aisaa kahaa jaataa haye kii jayakishan mauke parr kissy vishesh drishya key liye prishthabhoomi score key saath aaney seey pahale apani ungaliyon parr kuchh sankhyaaen ginata thaa! aiss-jey kii dou filmein, arthaat.sangam (1964) aur meraa naam joker (1971) koo aaj bhee hindi filmon key kuchh sarvshreshth paarshv sangeet score key roop mein maanaa jaataa haye. halanki, badey paimaane parr, yeh jayakishan hii they joe apane parasparik roop seey sahmat kaam key vibhajan key anusaar aiss. jey. filmon key paarshv sangeet parr kaam karate they, yeh maanana ack atee-saralikaran hoe sakata haye kii isaliye, joe kuchh bhee prishthabhoomi score mein gayaa vaha kewal jayakishan kii rachana thee. choonki aiss. jey. key paas unake samooh mein dhunon kaa ack samanya pool thaa, joe unamen seey kissy ack dwara unake kaee sangeet satron/baithakon (riyaaz) key dauran banaaya gayaa thaa, isaliye jayakishan key liye jahaan bhee aavashyakta hoe shankar dwara banaai gaee dhunon kaa upayog karna poori tarah seey vaidh aur swabhavik thaa. yeh bhee ack kaaran haye kii vaha kuchh dinon mein iss kaam koo puuraa karane mein saksham they. yeh samajha jaataa haye kii aar. key. filmon mein shankar aur jayakishan donon paarshv sangeet parr kaam karate they. doosari or, shankar aur jayakishan donon paschimi sangeet adharit geeton koo banaane mein samaan roop seey nipun they.
unaki alag-alag kaary shailiyon aur prathmiktaon key bavjood, unake adhikansh geeton koo kewal ack hii geet key roop mein likhana bahut mushkil haye, yadi poori tarah seey asambhav naheen haye. adhikansh geeton mein, unhone ack dusare key nirmaan mein yogdan diyaa, yaa tou dhuna key ashurachana yaa vaadya-yantra key roop mein, iss prakaar, unaki rachanaon koo vaastav mein ack sanyukt prayaas banaa diyaa. isake alawa, donon mein seey pratyek abb aur phir doosari shally mein rachana curr sakata haye jisase pehchaan karna aur bhee kathin hoe jaataa haye.
iss lokpriya galat dhaarana key vipareet kii 'yeh jayakishan thaa joe donon key currier key jansampark aur vyavasaay/vittiya pahaluon koo sambhalata thaa', tathya yeh haye kii yeh shankar thaa jisane esje-team key sabhi vittiya/vyaavsaayik pahaluon parr antim nirnay liya thaa. sitambar 1971 mein jayakishan kii bahut jaldi mrityu key baad, shankar ney aiss. jey. jhanda faharaaya joe 1949 mein barat kii release key baad seey bollywood mein bahut adhik thaa. haalaanki, vaha kabhi bhee usa lokpriyata koo phir seey hassil karane mein saksham naheen they joe shankar-jayakishan ney kabhi jayakishan kii mrityu key baad praapt kii thee.
raag-jaaj shally.
shankar jayakishan ney bhaarat mein jaiz sangeet key vikas aur naee shally indo jaiz mein ack pramukh yogdan diyaa. unakaa 1968 kaa album "raag-jaiz style" bhaarat mein sabse pahala indo-jaiz recording haye. iss album mein, jise sabse navintapurna maanaa jaataa haye, aiss. jey. ney bhaaratiya raagon parr adharit 11 geeton koo saxophone, turah, sitar (raay khaan dwara), tabla, baas aadi key saath banaaya.
puraskar.
apane currier key dauran, aiss-jey ney nau baar filmfare sarvshreshth sangeet nirdeshak kaa puraskar jeetaa. pichhale teen puraskar lagaatar teen varshon mein jeete gaye, jisase aiss-jey inn puraskaron kii hatrick banaane vaale pahale sangeetkaar bunn gaye.
aiss-jey, binka geetmala mein bhee sheersh parr aaya, joe hindi film sangeet parr prasiddh countdown radio karyakram thaa, jahan unaki rachanaon koo chhah avsaron parr sabse lokpriya ghoshit kiya gayaa thaa (ack record joe baad mein lakshmikant pyarelal dwara barabar kiya gayaa). yeye geet they 1955 mein "meraa juutaa haye japani" (shree 420), 1961 mein "teree pyaari pyaari soorat koo" (sasural), 1962 mein "ehsan teraa hoga mujh parr" (jangli), 1964 mein "boll boll boll" (sangam), 1966 mein "baharo phool barao" (suraj), aur 1971 mein "jindagi ack suffer haye suhana" (auraaz). 1959 mein, varsh key sheersh duss geeton mein seey saat aiss-jey dwara rachit they, ack prakaar kaa record joe shayed iss tarikh taka khadaa haye, halanki usa varsh key liye sheersh sammaan aiss. dee. burman koo diyaa gayaa thaa.
filmfare puraskar.
sarvshreshth sangeet nirdeshak key liye 1954 key dauran filmfare puraskar shuru huaa.
vijeta
sur-singer" puraskar.
vijeta
bangal film patrakaar sangh puraskar.
vijeta
shankar aur jayakishan key beach kathit vivaad.
filmfare mein ack hastaaksharit lekh mein, jayakishan ney anajaane mein "yeye meraa prem patra paath curr" (sangam) geet koo apani rachana key roop mein pahachaana. isase donon key beach bahut kadvaahat paida hoe gaee, kyonki shankar ney ise unake beach alikhit samjhaute kaa ullanghan maanaa. lagbhag usee samay, shankar ney gayika sharda koo ack avkash diyaa aur unhein lataa mangeshkar kii tulanaa mein naee gaayan sansani key roop mein badhaava denaa shuru curr diyaa. lekin, jayakishan apani rachanaon key liye lataa mangeshkar seey chipke rahey. iss avadhi mein, shankar aur jayakishan ney filmon key liye vyaktigat anubandh lena shuru curr diyaa, halanki aisee harr film unhein sangeetkaron key roop mein ack saath dikhaati rahee. mohad. rafee ney hastakshep kiya aur unake matbhedon koo door karane mein unaki madad kii; haalaanki, yeh anuman lagaaya jaataa haye kii unakaa rishta pahale jaisa naheen thaa aur isase unaki rachanaon kii gunavatta prabhaavit hui, joe girawat kaa pradarshan karna shuru curr dee thee (joe jackission key jivankal key antim charanon key dauran release hui filmon aur unake nidhan key thheek baad release hui filmon mein spasht roop seey dhyaan dene yogya haye).
doosari or, jayakishan, hasrat aur shankar sabhi ney iss vishay parr jaba bhee poochtaachh kii thee, taba incar kiya thaa kii unake beach kabhi koee daraar thee. vaastav mein, hasrat key anusaar, kaam kaa vibhajan aapsi sahamati seey bhaari kaam key bojh seey nipatane key liye thaa taaki shankar aur shailendra kaam key ack hisse kii dekhbhal curr sakein jabaki dusare hisse mein jayakishan aur hasrat lekin yeh vibhajan kathor naheen thaa; iss charan key dauran bhee unake beach bahut kuchh denaa aur lena thaa. anta mein (jayakishan key asaamyik nidhan seey thheek pahale), unaki kaee pichhali filmon jaise jaine anjane (1971), auraaz (1971), ankhon ankhon mein, shankar aur jayakishan koo ack saath kaam karane key liye jaanaa jaataa thaa. purvavlokan mein, aisaa prateet hotaa haye kii shankar aur jayakishan key beach tathaakathit daraar koo media aur nihit swaarthon dwara anupaat seey baahar udaa diyaa gayaa thaa aur baad mein shankar koo unake uttar-jayakishan varshon mein nimn shreni mein laane key liye upayog kiya gayaa thaa.
choonki shankar ney sharda ("sangam" yug key baad) aur yahaan taka kii unaki film aur gair-film albums key liye bhoot-rachit sangeet kaa samarthan karna jaari rakhaa, isaliye kahaa jaataa haye kii lataa mangeshkar unase naraj hoe gaeen aur unake liye gaanaa bund curr diyaa. jabaki iss daave mein kuchh sachchai hoe sakati haye, doosara tathya yeh haye kii lataa mangeshkar ney raaj kapoor aur shankar donon key khilaf gusse key kaaran "sangam" key "buddha mill gayaa" gaane key liye unake saath kaam karna bund curr diyaa thaa, joe kii vaha geet key bolon key saath sahaj mahsoos naheen curr rahee theen. baad mein unhone sannyasi, duniyaadari aur atmaram mein gaaya. phir bhee, unhone "sangam" key baad bhee aur anta taka jayakishan key liye gaanaa jaari rakhaa.
udyog mein khade.
aiss-jey ney hindi film udyog mein ack bejod sthiti kaa anand liya. apane charam parr rahane key dauran aur apane currier key baad key hisse mein bhee, way udyog mein sabse adhik bhugtan paane vaale sangeet nirdeshak they. awara apvaadon koo chhodkar, unhein pramukh abhinetaon kii tulanaa mein adhik bhugtan kiya jaataa thaa aur unaki filmon kii prachaar samagri unhein kissy aur kii tulanaa mein adhik pramukhta detee thee.
jayakishan kii mrityu aur aiss. jey. kaa uttar-jayakishan yug.
12 sitambar 1971 koo jigger key serosis key kaaran jayakishan kii mrityu hoe gaee, joe sharaab key atyadhik sevan key kaaran honey vaali bimari haye. unaki mrityu key samay, donon ney ack advitiya lokpriyata kaa anand liya, jise unake antim sanskar julus mein bhaari bheed dwara rekhaankit kiya gayaa thaa. churchgate (mumbai) mein ack restaraan, gey lord, jahan jayakishan ack niyamit agantuk huaa kartaa thaa, ack maheene key liye apani pasandida mez parr ack mombatti jalaakar aur anya mehmaanon key liye seema seey baahar rakhate hue apane prasiddh sanrakshak kii mrityu parr shoke vyakt kartaa thaa. jayakishan ".
jayakishan kii mrityu key baad, shankar ney akele shankar-jayakishan key jhande key saath aage badhana shuru kiya (unake jivankal key dauran kii gaee aapsi samajh key anusaar kii unamen seey kissy ack key nidhan kii sthiti mein, jeevit saathi usee team key naam key saath kaam karna jaari rakhega). apane aatma-saathi jayakishan aur apane pasandida geetkaar shailendra key jaane, apane pratidvandiyon dwara nirantar shankar-prahaar aur jhoothaa prachaar aur apani or seey prerana kii kamee jaise kaee karanon seey way spasht roop seey baadhit they, jisake kaaran unake sangeet koo aiss-jey key apane uchch manakon kii tulanaa mein nuksan uthaana padaa. sangeet parr unake nirantar prayog key bavjood, jinn pariyojanaon key liye unhone kaam kiya, way vyaavsaayik roop seey safal naheen huin, jisake kaaran unake achche score bhee badey paimaane parr kissy kaa dhyaan naheen gaye. 1970 key baad, jaba raaj kapoor kii vyaktigat pariyojana meraa naam joker bahut achchha naheen curr paaee, tou vaha andhavishwasi hoe gaye aur socha kii aisaa isaliye thaa kyonki lataa mangeshkar ney film mein gaanaa naheen gaaya thaa. lataa kaa jayakishan key saath bahut achchha sambandh rhaa, lekin shankar key saath naheen, aur raaj kapoor ney shankar key bajaay lataa koo chunaa. yeh vidambanapurna thaa, kyonki lataa kaa badaa break 1949 kii superhit barat mein thaa, jahan shankar aur jayakishan sangeet nirdeshak they.
lataa mangeshkar key anusaar, yeh dair seey aaya mohad thaa. rafee, jinhone donon key beach ack mell-jole laaya aur unhone phir seey shankar key liye gaanaa shuru kiya, joe sohan laal kanwar kii 'sannyasi' aur baad mein kaee anya filmon seey shuru huaa. halanki iss avadhi key dauran lataa key saath-saath kishore, rafee, mannah day jaise anya gayakon key liye shankar kii rachanaaen kaafee achchi theen, lekin inmein seey adhikansh filmon kii gair-varnanatmak sthiti key kaaran kissy kaa dhyaan naheen gayaa joe boxes offices parr dhoom machaati theen. 1975 mein unaki sabse safal sangeet hitt "sannyasi" thee, jisake liye unhone sabhi geeton aur aiss. jey. key pasandida raag bhairavi key aadhar parr poore paarshv sangeet koo banaaya, taaki yeh saabit kiya jaa sakey kii aiss. jey. kii bhairavi utani hii shankar kii thee jitani jayakishan kii thee.
sanyasi key baad, halanki shankar key baad key kuchh geeton mein puraane ustaad kii pratibha kii jhalak dikhaai gaee, kull milakar, yeye filmein ("atamram, dou-jhooth, garam khoon, paapi pett kaa saol haye", chorni, int kaa jaba patthar) unhein pramukh production houses key liye pasand karane mein safal naheen huin, halanki kuchh apavaad they. udaaharan key liye, abhineta dharmendra ney apani film 'bichchu' key liye sangeet rachana key liye shankar koo hastaaksharit kiya thaa, halanki, kyonki shankar ney apane kaam mein saaee (joe raaj kamal koo aim. dee. key roop mein rakhane key liye adhik utsuk they) key hastakshep koo sweekaar naheen kiya thaa, isaliye unhone pariyojana seey baahar honey kaa vikalp chunaa. antatah, iss pariyojana koo hii dharmendra ney chhod diyaa.
shankar raaj kapoor kii film satyam shivam sundaram (1978) key liye daud mein they, lekin lakshmikant pyarelal key paksh mein unaki andekhi kii gaee, jinaki ummidwari kaa mukesh ney jordar samarthan kiya thaa. vidambana yeh haye kii mukesh ney film udyog mein apani sthiti key liye mukhya roop seey aiss-jey kii rachanaon koo jimmedaar thaharaaya.
shankar koo raaj kapoor kii prastaavit film "paramveer chakr" (unake mamle koo raaj kapoor key beton dwara samarthit kiya gayaa thaa) key liye bhee maanaa gayaa thaa, lekin pariyojana koo dinn kaa prakaash naheen milaa aur shankar kabhi bhee aar. key. shivir mein naheen laute.
shankar kii mrityu.
shankar kii mrityu 1987 mein hui. unaki mrityu koo media mein bahut cumm coverage millie aur unake antim sanskar mein kewal unake parivaar aur kuchh dost hii shamil hue. film udyog unake antim sanskar mein shayed hii maujood thaa, iss prakaar 1971 mein jayakishan kii mrityu kii tulanaa mein isaki asthir-prakriti kii wafadari key roodhivaadita koo majboot kartaa haye, jisane poore film udyog koo aakarshit kiya. shankar kii mrityu key baad, lagbhag 40 saal purana aiss. jey. banner samaapt hoe gayaa, joe bollywood key itihas mein vyaapak roop seey sarvshreshth sangeet nirdeshan key roop mein maanaa jaataa haye.
raaj kapoor ney baad mein ack television sakshatkar mein shankar koo bhavbhini shraddhanjali dee. haalaanki, 1988 mein raaj kapoor kii apani mrityu key baad hii shankar-jayakishan key saath unake judaav key mahatva koo bahut vistaar seey saamane laaya gayaa thaa.
chandrakant bhosale ney pahali baar shankar koo dekhaa, kyonki shankar apane doston key beach lokpriya they, 1945 mein jaba shankarji guru krishnakutty aur nartaki hemawati kii baile mandali key saath mumbai pahunche. bhosale ack tabla vaadak they aur shankar key saath nikatata seey judey hue they. way 1949 seey shankar kii mrityu taka shankar key vaadyayantra mein lay bajaate they. 25 aprail, 1987 kii raat koo shankar ney churney road railway station key paas bhonsale koo giraa diyaa, jahan bhonsale ruke they aur churchgate mein apane awas parr chaley gaye. 26 aprail koo bhosale hamesha kii tarah, lagbhag 10.00 a parr shankar kaa intezar curr rahey they.aim. usey studio mein leey jaane key liye, lekin shankar naheen aae isaliye bhosale taxi seey studio gaye. sabhi sangeetkaron ney poore dinn studio mein shankar kaa intezar kiya lekin vaha naheen aae. agale dinn bhosale ney shankar kii mrityu kii khabar padhee. durbhagya seey, parivaar key sadasya jinake saath shankar reh rahey they, unhone bhosale, raaj kapoor yaa film biradari key kissy bhee sadasya koo shankar kii mrityu key baare mein soochit naheen kiya.
shree they. gokhale, joe kabhi shankarji key ghar mein rasoiya they, joe baad mein mumbai key thakurdwar mein goraa raam mandir mein pujari baney, jinhone logon koo soochit kiya kii shankarji kaa antim sanskar unaki mrityu key dinn jaldbaji mein kiya gayaa thaa, dusaron kii jaankaari key binaa

