
jhande seey bhidana

clash jhaanjh (jise concert jhaanjh, orchestra jhaanjh yaa crashes jhaanjh bhee kahaa jaataa haye) pratyek haath mein ack jhaanjh pakadkar aur donon koo ack saath markar milan jode mein bajaaye jaane vaale jhaanjh hain.
iss prakaar key jhaanjh koo nilambit jhaanjh seey alag karane key liye, unhein haath kii jhaanjh bhee kahaa jaataa haye.
shabdawali.
sangeet key swaron mein, takraav jhanjhon koo aam taur parr "jhanjhon" yaa kabhi-kabhi buss "see" key roop mein ingit kiya jaataa haye.see."yadi ack anya prakaar kaa jhaanjh, udaaharan key liye ack nilambit jhaanjh, ack orchestra score mein aavashyak haye, tou aitihaasik karanon seey ise aksar" "jhaanjh" "bhee kahaa jaataa haye. kuchh sangeetkaar aur prabandhak bahuvachan "jhaanjh" yaa "crashes jhaanjh" kaa upayog jhoolati jhaanjh koo ingit karane key liye karate hain, ekvachan "jhaanjh" key saath ack nilambit jhaanjh koo ingit karane key liye.
sangeetkaar aksar takraav key jhanjhon aur ack nilambit jhaanjh koo usee bhaag mein sanghanit karate hain. yeh ingit karane key liye kaee takneekon kaa upayog kiya jaataa haye kii kaun see vaanchhit haye. jaba bhee "chhadi key saath" yaa "mallet key saath" likhaa jaataa haye, tou ack nilambit jhaanjh kaa upayog kiya jaataa haye. jhunjhuni key takraav kii vaapsee koo italvi vakyansh "aeye due" key saath nirdisht kiya jaa sakata haye. russie sangeetkaron ney takraav aur nilambit jhanjhon key beach antar karane key liye ack sanketan vikasit kiya jisamen nilambit jhaanjh parr bajaane key liye ack nott parr ack + (plus saain) likhaa jaataa haye aur ack ° (khula vritt) ack nott parr likhaa jaataa haye jise takraav jhanjhon key saath bajaaya jaataa haye.
takneek.
shaastriya sangeet.
ack vaadyavrind key sandarbh mein, jhaanjh koo unake pattiyon dwara angoothe aur tarjani ungli key saath ghanti key sabse karib rakhaa jaataa haye, drumstick pakadane key vipareet naheen. jhanjhon koo paintalis degree konn parr rakhaa jaataa haye aur dusare parr pramukh haath jhaanjh pakadata haye. durghatanagrast honey key liye, ack sankshipt taiyari gati hoti haye jisamen baahen ack dusare seey door chully jaati hain, anta mein nichale jhaanjh key oopar pramukh haath seey jhaanjh koo chhodane seey pahale. thheek seey khele gaye crashes koo ack flame kii tarah khela jaayega jahaan jhaanjh key neeche sheersh parr milane seey pahale sparsh hotaa haye. yeh kissy bhee air pockett koo honey seey rokane key liye kiya jaataa haye. 
durghatana key baad jhaanjh pakadane key kaee tareeke hain. kuchh chikitsak jhaanjh koo oopar aur urdhvaadhar roop seey rakhate hain aur jhaanjh key ander darshakon kaa saamana karate hain. yeh vaastav mein nirantarta koo chhota curr detaa haye kyonki dhwani baahar jaane key bajaay oopar sthanantarit hoe jaati haye aur haathon koo jhaanjh key sampark mein honey kaa kaaran banati haye. anya chikitsak jhaanjh koo farsh key samanantar pakadate hain. yeh sabse adhik dhwani koo darshakon taka pahunchane kii anumati detaa haye kyonki dhwani kshaitij roop seey sthanantarit hoti haye.
marching arts.
ack marching samooh mein, jaise kii drum core yaa marching baind, jhanjhon koo aksar drumline key hisse key roop mein march kiya jaayega. jhanjhon koo aage badhaane kii takneek vaadyavrind kii jhanjhon seey bahut alag haye. aam taur parr, marching simblist ack takneek kaa upayog kartaa haye jise "garfield grip" key roop mein jaanaa jaataa haye (jiska naam garfield cadet drum aur biggle corps dwara isake upayog key baad rakhaa gayaa haye) jisamen haath koo pattiyon key madhyam seey rakhaa jaataa haye aur hatheli koo ghanti key oopar aaraam karane key liye modd diyaa jaataa haye. yeh takneek upkaran parr adhik niyantran aur "drishya" key roop mein jaani jaane vaali gatividhiyon key liye anumati detee haye-flip aur twerls jaise chamakdaar yuddhabhyas. 
haal key varshon mein saamane key pahanaava mein jhaanjh key saath jhaanjh rekha koo badalane kii pravritti rahee haye, halanki jhaanjh abhee bhee indor taalvaadya pahanaava mein ack mahatvapurna upkaran bunny hui haye.
haay-hats.
ack drum kitt mein aam taur parr ack paddle-sanchaalit hyee-hait stand parr lagey takraav jhaanjh kii ack jodee hoti haye. yeye aamtaur parr haath seey sanchaalit takraav jhanjhon kii tulanaa mein bahut chhote aur halke hotey hain, aur drum kii chhadon key saath khele jaate hain aur saath hii paddle kaa upayog karke ack saath takaraae jaate hain. ack baas drummer, fandaa drummer aur jhankibaj kii bhoomikaon koo ack khilaadi mein sanyojit karane key liye vadeville pitt orchestra kii aavashyakta key kaaran hyee-hait utpann huaa, antatah aadhunik drum sett kaa nirmaan kiya.
aakar.
takraav kii jhaanjhen mell khaane vaale jode mein aatee hain. way aamtaur parr teen bhaaron mein paae jaate hainh
sabhi bhaaron mein vaadyayantra 14 "seey 22" vyaas taka key aakar key hotey hain. sabse chhoti aur sabse motee pitch mein uchch pitch hoti haye, patali pitch mein adhik abhivyakti hoti haye, aur sabse badee, sabse badee matra hoti haye.
pattiyan.
vaadyavrind aur adhikansh baind takraav jhanjhon mein chamade kii pattiyan hoti hain joe unaki ghantiyon mein chhed seey gujarati hain, jisase chaar poonchhen hoti hain joe ghanti key ander gaanth hoti hain, taaki taalvaadak unhein pakad sakey. marching baind isake alawa ghanti key baahar aur taalvaadak key haathon key beach chamade key paid kaa upayog karate hain.
khilaune key jhande takaraate hain aur kuchh anya key paas lakadi yaa plastic key handle hotey hain. cheeni takraav jhanjhon koo kissy handle kii aavashyakta naheen hoti haye kyonki chaukor ghantiyon koo unake binaa kaafee surakshit roop seey rakhaa jaa sakata haye aur aksar unaki ghantiyon mein chhed key madhyam seey ack taar seey jodaa jaataa haye joe taalvaadak koo ghanto koo maarne key baad chhodane kii anumati detaa haye, cumm nama aur adhik banaae rakhane kaa utpaadan kartaa haye, aur jhanjhon koo doppler prabhaav paida karane key liye swing kartaa haye.