
ack spasht-haasya

(, shaabdik roop seey, haasya-spashtata kaa rangmanch), ack poorv perisian rangmanch, kii sthaapana 1769 mein thetre dee nicolate seey turant satey bulleward doo mandir parr kii gaee thee. iska punarnirmaan 1770 aur 1786 mein kiya gayaa thaa, lekin 1827 mein aag seey nasht hoe gayaa thaa. pahale key 1,250 kii tulanaa mein 2,000 kii kshamata vaalaa ack nayaa, badaa theatre ruu dee bondy key saath isake chauraahe parr bulleward sent-martin parr banaaya gayaa thaa aur agale varsh khola gayaa thaa. antatah 1966 mein theatre koo dhwast curr diyaa gayaa.
bulleward doo mandir mein pahale rangmanch kaa itihas.
isaki sthaapana 1769 mein bulleward doo mandir parr kii gaee thee, jise mool roop seey peris mein promenades days rampart key roop mein jaanaa jaataa thaa, nicolaus-medard audinote dwara, joe pahale opera-comic key ack haasya kalakar they, jise unhone peris melon mein kathputali-master banane key liye chhod diyaa thaa. audinot pahale seey hii sant-german melle key ack sthal mein safal rhaa thaa, jahan unake badey marionate (jise "bamboches" kahaa jaataa haye) prachalan mein they.
apani neenv key naam seey, "comedians dee bois", opera-comic ney pentomimes aur "fairies" (chashme) kaa prastaav rakhaa, phir unhone comedy, vadeville show, "operas comics", natakon aur pentomimes mein marionate, baal-kalakar aur kalabaji koo shamil karane key liye apane pradarshanon key bhandar kaa vistaar kiya.
inn naatya vidhiyon kii vividhata aur mishran ney nyaaysangat thaharaaya aur kewal ack saal key baad, theatre kaa naam "comedians dee bois" seey "aspasht-haasya" mein badalane key baare mein bataaya, jaba audinote ney marionate key liye baal-pradarshankartaon koo pratisthaapit kiya. audino ney comedy italiyene seey apane poorv sahyogiyon koo dweshpurna roop seey phir seey prastut karane key liye lakadi kii kathputaliyon kaa bhee upayog kiya. audinote ney show seey kamaaye gaye munafe koo bachaaya aur bulleward doo mandir parr ack sthaayi theatre bhawan kaa nirmaan kiya, joe aadhikarik taur parr 9 julaai, 1769 koo khola gayaa thaa. agale aprail mein, audinote ney kuchh chhote bachchon key saath apani kathputaliyon mein jodaa, jinhen unhone theatre kalaa mein prashikshit kiya, aur theatre key parde parr "seekat shishu audie nose" kaa aadarsh vaakya chitrit kiya. unaki safalata ney delil koo "priya audinot, bachpan koo budhaape key roop mein taiyar kiya" likhane key liye prerit kiya.
rangmanch kii vaastushilp safalata jyaadaatar mahatvakankshi aur aavishkaarsheel sett designer, luis daguerre key kaaran thee. daguerre, jinhen praarambhik photography aur diorama theatre (1822) key vikas kaa shreya bhee diyaa jaataa haye, praakritik aur prakaash design mein visheshagya they aur theatre key bheetar suramya prabhaav paida karate they.
1771 key ack nirnay (opera dwara maang kii gaee) ney gaayan, nritya parr pratibandh lagaa diyaa, aur chaar seey adhik sangeetkaron key honey seey aisee bhavna paida hui kii ise kuchh dinon baad hii radd curr diyaa gayaa, aur audinote ney sthiti kaa puuraa laabh uthaaya. 1772 mein, yeh dekhate hue kii imarat kaa vistaar karane kaa samay sahee thaa, unhone kathputali koo poori tarah seey chhod diyaa, unhein poori tarah seey baal-pradarshan karane vaalon key saath badal diyaa. una sambandhon seey poori tarah seey mukt naheen huaa joe badey cinemagharon mein unake uday key baare mein laae they, 1780 seey unhein pratinidhitva key liye aur unhein sanlagn karane key liye opera shulk denaa padaa, lekin usa drishya key liye udhaar liye gaye baile aur geeton key nirmaan mein unakaa upayog naheen karna padaa, jinake show mein cumm seey cumm duss saal kaa prachaar thaa. comedy-frankage aur comedy-itellion ney apane hisse key liye nirdhaarit kiya kii pradarshanon kii soochi mein samvaad key tukade unhein khele jaane seey pahale prastut kiye jaayenge, taaki way unhein sampaadit curr sakein aur unhein apane laabh key liye badal sakein.
inn samasyaon aur bojhon key bavjood, aspashtata 1786 mein apane theatre kaa punarnirmaan aur vistaar karane mein saksham thee. audinote ney "pentomimes historic aur" pentomimes romansk jaise "belle auo bois dorment", "mask dee fair", "forrot-noyer" aur "capitine cook" key liye fashion koo banaae rakhaa. aspashtata kii safalata isake aadhikarik lekhakon plainchene aur molin dwara likhe gaye "comedy gravelius" key liye samaan roop seey neeche thee. bachaumont ney 1771 mein yeh bhee ullekh kiya kii audino key theatre mein opera kii tulanaa mein behtar upasthiti thee.
kaee anya safal theatres key beach bulleward doo mandir parr sthit honey key kaaran ack swasth pratispardha aur ack chingari paida hui jise aspashtata mahanata praapt karane key liye prayaas karati thee. bullward key saath kuchh cinemagharon mein theatre dee nicolate, theatre days associes, theatre days delassment-comic aur kaee anya shamil they. haasya frankes, joe 1680 mein sthaapit kiya gayaa thaa aur nishchit roop seey poore europe mein jaanaa jaataa thaa, aspashtata key saath saha-astitva mein thaa aur isaliye, unhone darshakon key liye ack-dusare seey pratispardha kii. haalaanki, spasht roop seey iska sabse badaa pratidvandi thaa. fedeu koo sarkaar dwara samajik "ashanti" key kaaran bund curr diyaa gayaa thaa, aur 3 farwari, 1795 koo, thetre dee ll 'aimbyuu ney "leey concert dee laa rue fedeu" kaa utpaadan dikhaaya."yeh nirmaan ack vyangyaatmak tukada thaa aur fedio key khilaf ack kathit" "halke dill kaa hamla" "thaa jise kaee darshakon key liye galat tareeke seey liya gayaa thaa aur" "krodhit bheed ney dou shamon key liye aspashtata koo gher liya jaba taka kii saarvajanik shaanti kii samiti ney maang naheen kii kii naatak koo vaapas leey liya jaae.)
1791 mein cinemagharon kii swatantrata kii ghoshana ney aspashtata key liye badee sankhya mein pratidvandiyon koo janm diyaa, jise 1799 mein bund karane key liye majboor kiya gayaa thaa. 1801 mein, audinote ney gilbert dee pixercourt, caniz aur victor dukange key saath ack melodrama kaa udghaatan kiya. pixercourt key badey naam key alawa, abhineta fredrick lemitre ney 1823 mein utkrisht safalata key saath kaee francisi natakon mein ack classic khalnayak "robert mccare" kii bhoomika nibhai. audino key nirdeshak key roop mein pada chhodane key baad, company key ack abhineta picarde ney padbhar sambhala, usake baad andrey coffin-ronny, phir hector chausier aur ack anya abhineta, cammile sent-aubin ney padbhar sambhala. 13 julaai 1827 koo aspasht kii imarat jall gaee.
bulleward sent-martin mein dusare theatre kaa itihas.
theatre koo vastukar jack ignace hittorf aur jeane-francois-joseph lecointe dwara bulleward sent-martin parr, ruu dee bondy (abb ruu rene-baulenger) key koney mein yojana key anusaar punarnirmit kiya gayaa thaa. 19veen shatabdi mein aspashtata kii safalata mein itna vriddhi hui kii isake bhavya chashme, naatak, melodrama, "pices dee bulleward" aur vadeville show "aparaadh key bullward" ("labuleward doo crime") kii naatakiya paramparaon kaa sabse wafadar pratinidhitva baney hue hain.
anukoolit upanyason kii prastutiyaan safal raheen jaise kii 1879 mein emil zolaa kii "ell 'assomoir" aur 1881 mein "naana".
20veen sadee.
1920 key dashak mein, iss imarat koo kuchh samay key liye cinema mein badal diyaa gayaa thaa. 1954 mein, comedian christian cassades ney theatre dee ll 'aimbiku koo phir seey khol diyaa, aur samkaaleen lekhakon jaise kii francois billetdox aur roser vitrack dwara ack baar phir natakon kaa manchan kiya gayaa. 1966 mein, kaee pradarshanon aur poore naatya peshe dwara ack shandar pared key bavjood, theatre koo achche key liye bund curr diyaa gayaa aur dhwast curr diyaa gayaa. sanskriti mantri, andre malrox key vibhaag ney vaadaa kiya kii jaba vidhvans kaa kaam pahale hii shuru hoe chuka hoga, taba sabhagar, phir poori imarat, sanrakshit kii jaayegi.