
tonicisation

sangeet mein, tonicisation ack rachana mein ack asthaayi tonic key roop mein samagr tonic (ack tukade kaa "home nott") key alawa ack pitch kaa upchaar haye. paschimi sangeet mein joe tonal haye, shrota dwara ack nishchit kunji key roop mein sunaa jaataa haye. ack tonic cord mein ack pramukh cord hotaa haye; see mejar kii kunji mein, tonic cord see mejar hotaa haye aur pramukh cord jee mejar yaa jee pramukh satwan hotaa haye. pramukh swar, vishesh roop seey yadi yeh ack pramukh satwan haye, tou paschimi sangeetkaron aur sangeet seey parichit shrotaon dwara tonic key samadhan (yaa "agrani") key roop mein sunaa jaataa haye, kyonki pramukh swar mein pramukh swar kaa upayog kiya jaataa haye. ack tonikikrit taar tonic taar key alawa ack anya taar haye jisamen ack pramukh yaa pramukh saatvin taar aage badhati haye. jaba tonic key alawa kissy anya cord key pahale ack pramukh cord yaa pramukh saatven cord kaa upayog kiya jaataa haye, tou iss pramukh yaa pramukh saatven cord koo maadhyamik pramukh kahaa jaataa haye. jaba ack taar koo tonic kiya jaataa haye, tou yeh iss gair-tonic taar koo asthaayi roop seey ack tonic taar kii tarah dhwani detaa haye.
udaaharan.
roman sankhyaatmak taar vishleshan kaa upayog karate hue, "v/ii" label vaalaa ack taar (bolchal kii bhasha mein "dou mein seey paanch" key roop mein sandarbhit) ack alag kunji key v taar koo sandarbhit karega; vishesh roop seey, mool tonic key II taar key naam parr ack kunji. yeh aamtaur parr (mool kunji key) dwiteeya taar key liye hull hoga. iss sthiti mein, II koo tonic kiya gayaa haye.
udaaharan key liye, see mejar kii kunji mein ack tukade mein, II cord dee minor haye, kyonki dee see mejar scale mein dusare paimaane kii degree haye. dee mamuli haye kyonki see mejar-aaee kii kunji mein upalabdh pichon kaa upayog karke dee parr ack tribhuj kaa nirmaan karna.ee. koee sharp naheen, koee flat naheen-tribhuj mamuli honah chaahiye-vyaktigat nott dee, aff aur aeye. v/ii taar, ii (d minor kii kunji) kii kunji mein ack v taar mein swaron seey banaa haye. iss udaaharan mein ack v/ii mein upayog kii jaane vaali pichon mein aeye, see #aur ee (ack pramukh taar banaana) shamil hain. dee minor kii kunji mein, ack pramukh taar pramukh taar haye. see mejar kii kunji mein, see sharp ack aakasmik haye. aksar aakasmik roop seey tonic banaane key udaharanon koo dhoondh sakate hain, kyonki tonic banaane mein hamesha aakasmik roop seey shamil hotey hain. haalaanki, yeh dhyaan rakhna mahatvapurna haye kii vipareet sach naheen haye-sirf isaliye kii ack aakasmik haye iska matlab yeh naheen haye kii yeh nishchit roop seey tonicisation kaa mamla haye.
kewal badey aur chhote taaron koo tonic kiya jaa sakata haye. cumm swar aur samvardhit swar koo tonic naheen kiya jaa sakata haye kyonki way paschimi sangeet mein sthir pramukh kshetron kaa pratinidhitva naheen karate hain. udaaharan key liye, isaki kissy bhee nikat sambandhit kunji mein honey vaale bee minor cord (bee, dee, aff #) koo aff #mejar cord (vee/vee) key saath tonic kiya jaa sakata haye kyonki bee minor bhee ack pramukh kshetra kaa pratinidhitva kartaa haye-bee minor kii kunji. haalaanki, ack bee cumm swar (bee, dee, aff) koo tonic naheen kiya jaa sakata haye kyonki "bee cumm" ack sthir pramukh kshetra naheen hoe sakata haye; paschimi shaastriya sangeet mein koee pramukh kshetra naheen haye jisamen bee, dee, aur aff-pitch joe bee koo cumm swar banaate hain-kramshah pahale, teesare aur paanchven paimaane key roop mein. yeh sabhi ghatate aur samvardhit taaron key liye sach haye.
tonicisation kaee cord key liye reh sakate hain. oopar diye gaye udaaharan koo taar kii pragati v/ii → ii key saath lete hue, iss anukram koo peechhe kii or badhaana sambhav haye. kewal v/ii → ii key bajaay, vahaan IV/ii → v/ii → ii hoe sakata haye (isake alawa, anukram mein antim taar key baare mein sochanah ii, jaisa kii i/ii, yeh spasht hoe jaataa haye kii vakyansh "asthaayi tonic"-oopar dekhein-aksar tonicisation key sambandh mein upayog kiya jaataa haye). halanki dhaaranaaen ack samanya niyam key roop mein bhinn hoti hain yadi ack taar koo pichhale pramukh kshetra mein lautane seey pahale ack vakyansh kii tulanaa mein lambe samay taka tonic key roop mein maanaa jaataa haye, tou upchaar koo ack naee kunji key liye ack modulan maanaa jaataa haye.
modulan.
see mejar mein ack geet mein, yadi koee sangeetkaar ack chhoti avadhi key liye ack anya kunji koo tonic (udaaharan key liye, aaee cord, dee minor) key roop mein a7 (notes aeye, see #, ee aur jee minor) key beach baari-baari seey maanata haye, aur phir tonic (see mejar) parr lautata haye, tou yeh dee minor kii kunji kaa tonicisation haye. haalaanki, yadi see mejar mein ack geet dee minor kii kunji mein shift hoe jaataa haye aur iss dusare mein rahata haye, ack mahatvapurna avadhi key liye naee kunji, tou ise aamtaur parr naee kunji key liye ack modulan maanaa jaataa haye (iss mamle mein, see mejar seey dee minor taka). vaastav mein, dee minor geet kii naee kunji bunn gaee haye.
"ack dwiteeyak pramukh ack laghu modulan kii tarah haye; kewal ack pull key liye, samanjasya kunji key dietonic taaron seey baahar nikalata haye."