gahara geet (baile)

deep song, martha graham dwara ack ekal aadhunik nritya, 19 disambar, 1937 koo newyork shahar key gilled theatre mein pradarshit kiya gayaa. heinry cowell dwara sangeet key liye prastut kiya gayaa, yeh tukada spanish grihyuddh key jawab mein graham dwara banaaya gayaa doosara kaam thaa. pahali, "tatkaal trasdi", 1937 mein pesh kii gaee thee.
vishay, ank, sett aur poshak.
karyakram key noton key anusaar, "gahara geet" ack spanish mahila kii sateek tasveer naheen thee, balki una sabhi logon dwara anubhav kii gaee munn aur shareer kii yaatana koo prastut karati haye joe spanish logon dwara saamana kii gaee aisee peedaa parr pratikriya karate hain."
jaba cowell "tatkaal trasdi" key liye sangeet kii rachana curr rahey they, tou graham ney ack aur andolan kaa anurodh kiya, jise unhone "cante hondo" kahaa, jise unhone "deep song" key liye spanish kahaa. flamenco sangeet mein, gahare geet (cante jondo) mukhar roop key sabse gambhir hain. kabhi-kabhi, graham ney donon rachanaon kaa upayog "tatkaal trasdi" key liye kiya; anya samay mein, unhone kewal mool sarbande kaa upayog kiya. "deep song" koo apane dumm parr "cante hondo" key liye choreograph kiya gayaa thaa.
donon baile kaa sangeet dashakon seey gayab thaa. "cante hondo" kii khoj 2003 mein martha graham nritya company key karyalayon mein ack desk key peechhe kii gaee thee. tatkaal trasdi" kaa score kabhi naheen milaa haye.
graham ney "deep song" key liye sett aur poshak donon koo design kiya. sett mein ack lambi nichali lakadi kii bench thee, joe "vilaap" key liye banaai gaee bench key samaan thee. isane ack taaboot aur shoke manaane vaalon key pyu donon kaa sujhaav diyaa, aur ekal kalakar key andolanon key liye ack aksh key roop mein kaam kiya.
poshak ney pablo picaso key shaktishali bhitti chitra "gwernica" kaa sanket diyaa, jise usee varsh "deep song" mein chitrit kiya gayaa thaa. jaise hii graham ney nritya kiya, lambe dhaaridaar kaale aur safed kapade mein usake shareer kii rekhaaon ney kaale makhmali prishthabhoomi key khilaf safed key graphic stroke banaae.
nritya nirdeshan.
nritya nirdeshan mein spanish logon kii peedaa kaa samavesh thaa. "yeh ajib, majboot rachana seey bharaa huaa thaa, koniya ainthan seey bharaa huaa thaa, vimaan mein picaso shally key amoort aur tri-ayami gatishilata seey bharaa huaa thaa, joe sangharsh key baare mein kissy bhee samachar patra kii kahani key roop mein vyakt naheen kartaa thaa..."
mandali key 2015 key satra key liye karyakram tippaniyon mein "nritya key roopon-isake ghoornan, farsh parr rengna, sankuchan aur girna" koo "yuddh mein maanav anubhav key gatij anubhavon" key roop mein varnit kiya gayaa haye... yeh dukhad ghatnaaon seey peedaa kii shareer rachana haye."
aalochanatmak swaagat.
shuruat seey hii, ekal koo anukool roop seey praapt kiya gayaa thaa, halanki kuchh sameekshakon ney socha kii yeh tukada bahut adhik hoe gayaa haye. boston transcript" key aalochak ney likhaa, "nartaki apane haath koo overplay curr rahee thee, isaliye ack chalati hui tasveer key roop mein joe shuru huaa vaha overstatement seey samaapt hoe gayaa, apani kuchh baat khone mein."
ack anya sameekshak ney kahaa kii nritya koo "chitran mein atishayokti aur vishay-vastu mein dohraya gayaa thaa, lekin ack atyadhik prabhaavi, halanki ack prataadit munn aur shareer kaa shailibaddh chitran thaa."
1944 mein ack graham purvavyaapi key baad, "dha newyork times" key nritya aalochak johnn martin ney likhaa kii yeh kaam una logon mein seey naheen thaa joe "poori tarah seey vahee karate they joe way karane key liye nirdhaarit karate they", lekin nritya key saath vargeekrit kiya jaa sakata thaa jisamen "pahalu, tatva, saundarya aur shakti key ansh" they."unhone vishesh roop seey" "gahare geet" "koo ack" "asadharan abhivyanjan" "key roop mein sandarbhit kiya."
pradarshan kaa itihas.
"deep song" koo isake premiere seey laker 1940 key dashak key madhya taka kaafee baar prastut kiya gayaa thaa. janwari 1938 mein, graham ney dusare "dance forr spen" laabh sangeet karyakram mein newyork hippodrome mein ekal pradarshan kiya. yeh vaha ghatana hoe sakati haye jahan vaha pahali baar bhavishya key pati aur nritya saathi erich hockins seey millie thee, joe baile kaarvaan key saath dikhaai dey rahey they.
1980 key dashak key dauran, graham, jinhen punrutthan pasand naheen thaa, koo unake pahale key kuchh nrityon koo doharaane key liye raaji kiya gayaa thaa. "deep song" koo 1988 mein phir seey prastut kiya gayaa thaa. akele graham ney ekal bhoomika mein nritya kiya thaa, lekin sabhi nritya nirdeshan yaad naheen thaa. martha graham ney iss kaam koo phir seey banaane key liye pramukh nartak, terris capucilly key saath kaam kiya. barbara morgan tasveeron kaa upayog kaam koo phir seey jeevant karane key liye kiya jaataa thaa. capucilly ney studio mein ghanton akele bitaaye aur farsh parr tasveeren lagaain taaki vakyansh aur bhaavnaatmak samagri key liye aavashyak sankraman samagri kaa pataa lagaaya jaa sakey. phir vaha inhen rehearsal mein laayegi aur punah kaary karane aur dhaalane key liye graham key saath laayegi. choonki usa samay mool ank khou gayaa thaa, isaliye isake sthaan parr kaaul kii "bhayaavah anunaad" kaa upayog kiya gayaa thaa.
isake punarnirmaan key baad seey, terries capucilly, christine duckin, joyce herring, alessandra prosperi, miki orihara aur phir zinn ying, blakeley white mcguire, carrie elmore-tallits, ekal bhoomika mein dikhaai diye hain.
"deep song" vartamaan martha graham dance company repertory mein haye.

