
rajkumar sharmila sinh

rajkumar sharmanand sinh (jinhen kumar sharmanand sinh key naam seey bhee jaanaa jaataa haye) (janm 27 julaai 1916) banaili estate key raajaa bahadur kurtananda sinh key sabse badey bete they. ack raajaa key sabse badey bachche key roop mein, sharmile sinh key paas kaee aise kaary they joe usa samay abhijaat varg kii pehchaan they, lekin vaha apani pratibha aur hindustani shaastriya sangeet mein kshamata key liye vishesh roop seey ullekhaniya they.
seekhana.
halanki rajkumar sharmila sinh ney kaee pratishthit naamon seey sangeet seekha, lekin unake guru kolkata key mahaan ustaad vishvadev chattopadhyay they, jinhone dilli (sonipat) gharaane key ustaad badal khaan aur aagara gharaane key ustaad faiz khaan seey sangeet seekha thaa.
sharmile sinh kii sangeet yatra unake jeevan kii shuruat mein hii shuru hui jaba unhone apane parivaar key ack badey rishtedaar key saath harmonium aur clarionate bajaana shuru kiya. yeh modd 1935 mein aaya jaba unhein ustaad vishvadev chattopadhyay kaa 78 aar. pee. aim. record milaa. record mein raag ragshree pahaad mein "rutt bassent" aur patdeep mein "piyaa perdes" they, joe ustaad dwara prasiddh prastutiyaan theen. isase vaha itane prabhaavit hue kii taba unhone unase sangeet seekhane kaa dridh sankalp liya. jaba ustaad vishvadev chattopadhyay ney champanagar mein ack prastuti key liye apane ghar kaa daura kiya, tou unhone una parr aur bhee gahari chhaap chhodi. kumar girijanand sinha ney apani pustak 'banaili-roots too raaj' mein likhaa haye kii vaha apane pradarshan seey itane prabhaavit hue kii way ack bachche kii tarah rone lagey. unhone imandari seey ustaad seey anurodh kiya aur unhein apani imandari key liye manaane mein saksham hue, aur isaliye ustaad apane guru banane key liye sahmat hoe gaye. sharmila sinh ney 1936 seey 1939 taka ustaad vishvadev chattopadhyay seey seekha.
vishnudatt chattopadhyay key pandicherry mein arvindo ashram key liye ravaana honey key baad, rajkumar sharmila sinh ney apane guru kii salah parr, ustaad bachu khaan saahab (1940-1962-63 seey) seey apane sangeet key paath jaari rakhe. ustaad bachu khaan ustaad baadal khaan key putra they. ustaad mujaafar khaan, ustaad mubarak allie khaan, pandit bholanath bhatt, kedarji, khurja key ustaad altaf hussain khaan, mahavir mallik aur jaduvir malik anya prakhyaat gaayak they jinase unhone sangeet kaa paath praapt kiya.
ack shaastriya gaayak key roop mein.
halanki ack peshevar gaayak naheen, sharmile sinh kaa gaayan raagon mein "praan" laa sakata haye aur unhein jeevant banaa sakata haye. way hindustani shaastriya sangeet key puraane school seey sambandhit they aur pradarshan mein shuddhata aur sahajata banaae rakhane mein vishvaas karate they. unake dwara bandishon kii prastuti, aur unake paas apane guruon seey praapt ack vaastavik khajaana thaa, joe ack poorna anand thaa aur shrotaon koo gaayak kii parmanand kii bhavna koo darshakon taka iss tarah seey sthanantarit karane mein mantramugdh curr diyaa kii aaj taka bahut cumm loga hii aisaa curr paae hain. pradarshan key liye unake dwara chune gaye bandishon kaa chayan unake saahityik moolya key liye saavdhaanipoorvak kiya gayaa thaa. unhone shabdon key bhaav parr vishesh jore diyaa aur asadharan anand key saath raagon key bhaav key saath unakaa vivaah kiya. iss kaaran seey, vaha vartamaan samay key kalakaron key saath-saath apane kaee samkaaleenon seey alag they. taana kaa upayog prastuti koo sunder banaane key liye kiya jaanaa thaa, jahaan upayukt thaa, aur raganga mein, naa kii kewal isake liye. aadhunik shaastriya sangeet key baare mein vilaap karate hue, ack sakshatkar mein unhone kahaa, "abb tou bilaskhani mein bhee vahee hotey hain aur mujhe lagata haye kii main huun, main huun tou huun, main huun aur main huun, main huun aur main huun."(muft anuvaadah aajkal, vahee taana bilascani key saath-saath malhar mein bhee gaaye jaate hain aur raganga koo nazarandaj curr diyaa jaataa haye). ack anya sthaan parr, unhone "joe bhee gaao sur mee gaao" kaa ullekh kiya haye. apani vinamrata key ack aur sanket key roop mein, jaba gaayan kii baat aatee haye, tou vaha kahate hain kii "koee bhee naheen gaa sakata haye yadi vaha kahata haye kii vaha gaa sakata haye", yeh kahate hue kii kewal bhagwan aur guru kaa aashirvaad hii kissy koo gaane mein saksham banaa sakata haye.
sharmile sinh kaa maanana thaa kii gaayan bhakti kaa sarvocch roop haye aur yeh unake pradarshan mein parilakshit hotaa haye. rashtrapati zakir hussain, ack baar jaba way bihaar key rajyapal they, unake pradarshan seey itane prabhaavit hue kii unhone unhein yeh kahate hue galey lagaa liya kii rajkumar kaa gaayan sarvashaktimaan seey prarthana karane jaisa thaa.
unake gaayan parr agra kaa prabhaav sabse spasht thaa. lekin, jaisa kii oopar bataaya gayaa haye, unhone kaee anya logon seey seekha aur gaayan kii apani anoothi shally vikasit kii.
bihaar sangeet naatak akadami key poorv adhyaksh padmashree gajendra narayan sinh ney apani pustak 'swar gaandhi' mein likhaa haye kii 'banaili estate key kumar sharmanand sinh koo gaayan mein itani visheshagyata thee kii kesarbai sahit kaee mahaan gaayak gaayan mein apane kaushal key baare mein aashvast they.yadi aap iss parr vishvaas naheen curr sakate hain tou kripaya pandit jasraj seey poochhen. kumar saahab kii bandiyon koo sunane key baad jasraj row padey aur afsos jataate hue boley! unake paas khud aisee kshamata hoe sakati thee "(hindi paath kaa muft anuvaad).
guru key roop mein.
apane gaayan kaushal key saath, unaki mahaan aavaaj ney una sabhi parr jabardast chhaap chhodi joe unake sampark mein aae they. isamen kesarbai kerkar jaise kuchh mahaan samkaaleen gaayak shamil they. kesarbai ack prastuti key liye champanagar jaa rahee theen aur rajkumar key "dwarkanath sharan meey teree" key gaayan seey itani utsaahit theen kii unhone vinamrata seey jore dekar kahaa kii vaha unhein geet sikhaaen. unhone iss geet key liye unhein apana guru banaane kii apani ichcha bhee vyakt kii. kuchh hichkichaahat key baad, kesarbai taba ack maanyata praapt ustaad they aur way abhee bhee yuva they aur phir bhee apane shuruati dinon mein, vaha unhein geet sikhaane key liye sahmat hoe gaye. kesarbai ney baad mein kuchh maukon parr iss rachana koo gaaya aur geet key liye apane "guru" koo sweekaar karna kabhi naheen bhoole.
unake niyamit shishyon mein shree sitaram jhaa, kumar jayanand sinh, shaktinath jhaa, shankaranand sinh, suryananand jhaa, girijanand sinh, udayanand sinh, jayant chattopadhyay, vandana jhaa, amar naath jhaa, kaushal kishore dube, shyam chaitanya jhaa, vijay kumar jhaa aur raam sharan sinh shamil they.
durbhagya seey, unaki gaayan shally aur parampara kii utkrishtata unaki mrityu seey butch naheen paaee, halanki unakaa prabhaav unake kuchh shishyon key saath banaa rhaa joe poori mein lau koo jalaate rahane key liye kadee mehnat curr rahey hain.
saarvajanik prashansa.
ack peshevar sangeetkaar naheen, unhone apani khushi key liye gaaya aur joe unake gaayan mein parilakshit hotaa haye. jaba bhee unhein lagata thaa kii unakaa mood unhein chhod rhaa haye, tou way ack pradarshan key beach mein gaanaa bund curr dete they, aur kahate they, "abiyat naheen lagati bhaai". isase unake aspas ack sangeet karyakram kii yojana banaana mushkil hoe gayaa. haalaanki, unake kaee prashansak abhee bhee unhein kaee sthaanon parr saarvajanik pradarshan key liye baahar nikaalane mein kamyab rahey. haalaanki, samanya taur parr, unhone sangeet koo ack peshe key roop mein chhod diyaa aur kabhi bhee saarvajanik maanyata kii maang naheen kii. jaisa kii pahale ullekh kiya gayaa haye, unhone shayed hii kabhi saarvajanik pradarshan kiye, unakaa adhikansh pradarshan unake prashansakon aur shishyon kii upasthiti mein champanagar mein unake awas parr tatkaal baithakon key dauran kiya gayaa thaa. jaao aur inmein seey kuchh seey poochho joe sunane key liye bhagyashali they aur way ack chakkar mein anubhav kaa varnan karenge jaise kii jaba unhone gaaya tou utpann hui bhavna koo phir seey dekhein.
saarvajanik sweekriti key liye unaki prabal anichha key bavjood, unake anuyaayiyon ney unhein shaastriya gaayan mein unaki mahaarat key liye sangeet bhaskar aur sangeet sudhaakar kii upaadhi seey sammaanit kiya.
shaastriya sangeet key sanrakshak key roop mein.
sharmila sinh shaastriya sangeet key sanrakshak bhee they. ustaad vilaayat hussain khaan ney apani pustak "sangitangyo key sanskar" mein likhaa haih "bihaar mein sangeet kaa koee behtar parkhi aur gyaan naheen haye joe kumar sharmanand sinh (hindi paath kaa muft anuvaad) seey behtar hoe. way akhil bhaaratiya sangeet sammelan key mukhya sanrakshkon mein seey ack they aur 19 disambar 1948 koo allahabad mein prarthana geet samiti key 11vein akhil bhaaratiya sangeet sammelan mein deekshant bhaashan prastut kiya. unhone apane samay key kaee ustaadon key liye sanrakshan key taar kholane key liye apani mahaan sampatti kaa upayog kiya. ustaad salamat allie khaan, khurja key ustaad altaf hussain khaan aur ustaad bachu khaan saahab aur kaee anya logon koo champanagar mein nivaas aur sanrakshan pradaan kiya gayaa thaa. unhone pradarshan key liye kaee mahaan diggajon koo bhee aamantrit kiya, jinamen "aftab-aeye-mausiki" ustaad faiyaz khaan, ustaad badey gulam allie khaan, ustaad mubarak allie khaan, ustaad nisaar hussain khaan, pandit dee shamil they.vee. paluskar, surashree kesarbai kerkar, savaai gandharv, ustaad vilaayat hussain khaan, ustaad haafiz allie khaan, ustaad altaf hussain khaan, pandit jasraj, dileep chand vedi, ustaad mushtaq hussain khaan, pandit narayanrao vyaas, pandit basavaraj rajguru aur ustaad salamat allie khaan, malang khaan (pakhawaj), alauddin khaan (sarod), mushtaq allie (sitar), pandit bholanath bhatt, pandit chinmaay lahiri, mahavir mulik, raam malik aur malkatur mulk. ustaad unus hashian khaan ney "champanagar key raajaa sharmanand sinh" koo apane bete key vivaah key avsar parr gaane key liye aamantrit kiya thaa. 
yeh bataaya gayaa haye kii 1944 mein, dashera utsav key samay, unhone apane mahal mein pradarshan karane key liye usrad salamat allie khaan aur nazakat allie khaan koo aamantrit kiya thaa. kumar saahab raag malakaau kii visheshagya prastuti seey itane utsaahit they kii way unhein champanagar chhodane naheen dete they. ladke aur unake pitaa lagbhag dou maheene taka rajkumar key mehmann key roop mein rahey. way unhein apane darbari sangeetkaron key roop mein akhil bhaaratiya sangeet sammelan mein bhejane key liye bhee jimmedaar they, jahan unhein pahali baar vyaapak maanyata millie. 
ack yuva kalakar key roop mein pandit chanulal mishra kaa pahala pradarshan kumar saahab key liye champanagar mein thaa. unaki baat sunane key baad, kumar saahab ladke koo apane darbari sangeetkaar key roop mein champanagar mein rakhna chaahte they. 
recording.
durbhagya seey, unake jeevan key uttaraardh mein aul india radio dwara kii gaee kuchh peshevar recording kaa pataa naheen chala paaya haye. unake gaayan kii kuchh hii shaukiya recording unake parivaar key sadasyon aur doston key saath upalabdh hain. yeye durlabh khajaane hain aur indriyon key liye poorna anand hain. way kissy tarah seey apane shishya bhatije kumar girijanand sinh aur haal hii mein kumar girijanand sinh key bhatije, santosh jhaa key prayason key kaaran recording key liye unaki vilakshan ghrina seey butch gaye hain. harr saal unaki jayanti parr unaki smriti mein ack shaastriya sangeet karyakram kaa ayojan kiya jaataa haye.
sandarbh.
rajkumar sharmila sinh key guru key roop mein ustaad vishvadev chattopadhyay kaa sandarbh 
banaili-kumar girijanand sinh dwara raaj kii jadein; ark kaa ack twarit sandarbh yahaan upalabdh haye.
bihaar sangeet naatak akadami key poorv adhyaksh aur sangeetvid padmashree gajendra narayan sinh dwara likhit swar gaandhi.
bihaar sangeet naatak akadami key poorv adhyaksh aur sangeetvid padmashree gajendra narayan sinh dwara surile logon kii sangat.