
28 julaai 1830 koo city holl key saamane ladaai

28 julaai 1830 koo city holl key saamane ladaai (fraansisih "combat devent ell 'hotal dee wille leey 28 julaai 1830") 1833 seey jeane-victor schnetz dwara canvas parr banaai gaee ack tail chitra haye.
vishay.
snetz kaa canvas 1830 kii julaai kranti key dusare dinn koo darshaata haye. charles aiks dwara hastaaksharit damankari aadeshon kii pratikriya mein, peris kii bheed ney barricades fenk diye aur hotal dee wille parr kabja curr liya. yeh bhaavnaatmak aur romantic kaam avrodhakon parr yuva naayak kii shandar mrityu parr kendrit haye. ack yuva chhaatr apani beyonet koo oopar uthaate hue barricade koo paar kartaa haye, apane seene parr ack mazdoor varg key yuva koo dabaata haye, joe vijeta hyugo key gavroach kii tarah, tiranga uthaate hii samaapt hoe jaataa haye.
inn kendriya hastiyon key aspas samaaj key sabhi vargon key dangaaiyon kii bheed ghoomati haye, joe swatantrata key sangharsh mein ack saath aae they. haalaanki, jabaki eugene delacroics key "logon kaa netritva karane kii swatantrata" key aankade apane hathiyaron koo kheenchkar darshak kii or badhate hain, schnetz key canvas mein joe loga unaki rachana kii seema key bheetar jaate hain, khatare key kissy bhee tatva koo hataa dete hain joe sashastr shahari garibon key ack badey canvas kaa sanket hoe sakata haye. bheed mein kaee ladke hain-marane vaale dhwajavaahak key alawa, drishya key baain or ack ladka barricade key oopar seey golaa-barud leey jaa rhaa haye, jabaki canvas key beach mein yuvak key turant peechhe, usee disha mein dekh rhaa haye, ack drummer-ladka haye, joe 1789 kii kranti kii pratima key kendra mein joseph baaraa kii aakriti kii yaad dilaata haye.
itihas.
julaai 1789 aur julaai 1830 kii kraantiyon key nayakon kaa jashn manaane key liye hotal dee wille mein simhaasan kaksh key liye chaar badey canvus koo chitrit karane key liye snetz, delaroche, cognit aur drolling koo niyukt kiya gayaa thaa. snetz kii painting koo 1834 key sailoon mein pradarshit kiya gayaa thaa, lekin julaai rajshahi key dauran kabhi bhee apane ichchit sthaan parr latka naheen diyaa gayaa thaa. ise baahari bhandar kakshon mein rakhaa gayaa thaa, aur iss prakaar 1871 mein city holl mein luggy aag seey butch gayaa. 1830 key dashak kii shuruat mein yeh vishay lokpriya thaa. anya drishya pratinidhitva, joe aksar adhikaariyon dwara commission kiye jaate hain, ney hotal dee wille parr hamale koo darshaaya, jisamen eugene delacroics aur ("leey combat doo pont dee 'arcol") ("laa priz day ll' hotal dee wille") key kaam shamil hain.
2015 mein kaire riv gauche endoment fund key prayojan key madhyam seey kaam koo bahaal kiya gayaa thaa.
aalochanatmak swaagat.
kuchh alochakon ney kaam key baare mein apane nirnayon mein dayaluta dikhaai. gustaav planche ney ise kalakar kii or seey ack "nindaniya vichalan" key roop mein varnit kiya, yeh sochkar kii unhein apani pratibha key liye itane videshi commission koo sweekaar karane key liye kyaa prerit curr sakata thaa. iss canvas koo chitrit karate hue, planche ney nishkarsh nikala, snetz ney painting koo poori tarah seey chhod diyaa thaa, aur vivekpurna alochakon koo isaliye iss parr charcha naheen karni chaahiye. review dee peris" ney sweekaar kiya kii painting ack badsurat chhat seey behtar thee jise koee kewal bhoolana chaahata thaa, lekin sujhaav diyaa kii snetz dhoop seey laabh uthaane key liye khud koo rome leey jaae aur kuchh aur pent karane kaa prayaas karane seey pahale kuchh josh praapt karey. 
raajneetik vichaaron ney bhee alochakon kii raay koo rung diyaa. jinhone julaai 1830 key gauravshali dinon kii yaadon koo sanjo curr rakhaa thaa, jaise kii hillayer-leone dee ceserac, ney painting mein aatma aur aag kii kamee paaee, saath hii saath dinn kii uthal-puthal vaali ghatnaaon kaa pratinidhitva bahut saaf-suthra paaya. doosari or roodhivaadi ", joe julaai rajshahi kaa purjor virodh kartaa thaa, usey buss yeh ghrinit lagaa. yeh kahaa gayaa kii chitrakaari, sailoon mein una sankhya mein seey ack thee joe vartamaan yug kii vishishtata thee, unaki avadharana mein utani hii nindaniya thee jitani kii unake nishpaadan mein, aur utani hii dayaa koo prerit karane kii sambhavana thee jitani kii hansee koo prerit karane key liye. choonki unhein raajneetik karanon seey sailoon mein bharti karaana padaa thaa, isaliye hoe sakata haye kii unhein murkhtapurna aur dhong seey rakhane key bajaay cumm seey cumm ack aspasht koney mein chhipa diyaa gayaa hoe taaki adhikatam dhyaan aakarshit kiya jaa sakey. yahaan, pakka pattharon key simhaasan parr, ack tarah kaa kiraane kaa ladka khud koo uthaata haye, ack ghayal boot black kaa samarthan kartaa haye, joe ack badaa tiranga jhanda laharaata haye. chimani-sweep aur khoon aur paseene key saath daudane vaale haath seey kaam karane vaale loga harr disha mein jaldi karate hain aur kaampate shavon key pairon key chaaron or bheed jamaa karate hain.laa mode" ney socha kii iss tarah kii painting koo latkaane key liye hotal dee wille kaa kaun saa kamra sabse upayukt hoe sakata haye-shayed vaha kamra jisamen vartamaan sarkaar, joe abb apani utpatti parr sharminda haye, ghoshit kii gaee thee? ack anya nyaayvaadi aalochak, aich.aich.aich., ney painting koo sarkari prachaar key roop mein bhee ninda kii aur sadak key ladakon koo dee gaee pramukhta kaa upahaas kiya.

