
concert pathik

1866 mein puuraa kiya gayaa concerto pathitic (s.258/2), franz liszt kaa sabse mahatvapurna aur mahatvakankshi dou-piano kaa kaam haye. liszt key sujhaavon key aadhar parr anya sangeetkaron dwara kaam kii cumm seey cumm teen piano sangeet vyavastha kii gaee haye.
itihas aur mahatva.
1851 mein breitcophe aind hartel ney franz liszt dwara ekal piano kaary "gross concert-solo" (aadhunik sanskaranon mein "gross consertsolo" key roop mein) (s.176) prakaashit kiya. halanki usee sangeetkaar dwara bee minor mein baad key piano sonata key roop mein lokpriya naheen haye, lekin yeh kaam iss tathya seey mahatva praapt kartaa haye kii yeh "sonata" koo badey paimaane parr gair-programmatic kaam key roop mein anuman lagaata haye. yeh "sonata" key saath sanrachanaatmak samaantaon koo darshaata haye aur "sonata" aur fost symphany donon key saath spasht vishayagat sambandh dikhaata haye.
iss kaam kaa ack aprakaashit poorv sanskaran maujood haye, jiska sheershak pandulipi "grand solo dee concert" (s.175a) mein french mein haye. yeh sanskaran sanrachanaatmak roop seey prakaashit "gross concert-solo" seey alag haye, iss prakaar ack badey paimaane parr sangeet jeev key nirmaan mein liszt key kramik navacharon kii utpatti parr ack adhyayan key liye dilchasp samagri key astitva kaa khulasa kartaa haye, joe "sonata" mein poorna roop seey phalane-phoolane vaale they.
1866 mein ack dou-piano sanskaran "concerto pathetic" (s.258/2) sheershak key tahat prakaashit kiya gayaa thaa, joe "sakal sangeet karyakram-solo" seey sanrachanaatmak roop seey alag naheen haye, lekin sangeet vichaaron kaa ack adhik prabhaavi leout pesh kartaa haye, mukhya roop seey dou-piano samooh key ack abhinav sangeet-jaise upchaar key kaaran. ack prakshepit piano sangeet karyakram kii praarambhik avadharana koo vibhinn sangeetkaron dwara kaee maujooda piano sangeet karyakram vyavasthaon dwara aur saabit kiya jaa sakata haye, jisamen swayam liszt dwara orchestra sketch (tukade kaa mool (french) sheershak "grand solo dee concert") (s.365) shamil haye.
jabaki ekal piano sanskaran aaj shayed hii kabhi prastut kiya jaataa haye, "concerto pathtik" dou-piano shally kaa ack pradarshan soochi bunn gayaa haye.
chaar-chaal-mein-ack" roop kii utpatti.
concerto pathitic" kii prayogaatmak prakriti ise liszt oyuvar mein ack utkrisht upasthiti detee haye. sangeetkaar ney ack upayukt sheershak khojane key liye kaee prayaas kiye-"grand solo dee concert", "grand concert", "morseu dee concert", aadi. - yeh darshaata haye kii yeh kaam nae roopon key saath ack prayog thaa. yahaan taka kii piano concerto bhee naheen. 2 ack pramukh mein jiss parr liszt ney usee varsh (1849) mein kaam karna shuru kiya thaa kyonki "grand solo dee concert"/"gross concert-solo" kii utpatti duss saal pahale "concerto sains orchestra" (s.524a) naamak ack swa-virodhabhasi kaam mein hui thee. yeh tathya kii ekal "gross concert-solo" koo baad key dou-piano sanskaran dwara prabhaavit kiya gayaa haye, ney vaadyayantra key liye liszt key sabse badey aur sabse mahatvakankshi mool karyon mein seey ack key roop mein poorv key mahatva koo aspasht curr diyaa haye. gross concert-solo" liszt key nirvivaad masterwork kii kaee sabse mukhya visheshtaon kaa anuman lagaata haye, bee minor mein piano sonata, arthaat gair-programmatic "phore-movements-inn-vann" roop.
pahale key aprakaashit ekal sanskaran (s.175a) key saath-saath ack prakshepit piano concerto sanskaran (s.365) key liye aprakaashit orchestra sangat rekhaachitron mein dheema "aurante sostenote" madhya khand naheen haye, joe darshaata haye kii liszt kii praarambhik avadharana ack gunwan sonata-alegro andolan thee jisamen pradarshan, vikas, punarkathan aur kodaa thaa. nayaa "vyaapak" sonata roop ack dheemi gati key sammilan kaa parinam haye (kabhi-kabhi aff minor mein choppin kii kalpana key "lento sostenote" kii tulanaa mein) pradarshan aur vikas aur ekataa praapt karane key liye punaravritti aur kodaa key beach dheemi gati key vishay kii ack chakreeya punaravritti key beach. choonki liszt kaa yeh vichaar praarambhik iradon seey poori tarah seey sahmat naheen haye, isaliye parinam kuchh antahsthaapit anubhagon key saath kuchh hudd taka dheeli rhapsodic sanrachana haye.
liszt ney una "khurdare kinaaron" koo sucharu naheen banaaya."unhone buss kuchh vishayagat samagri kaa upayog isi tarah key badey paimaane parr ack poori tarah seey nae kaam kii rachana key liye kiya-bee minor mein sonata. yahaan roop aashvast kartaa haye kyonki vishayagat vichaaron koo ack dusare seey mell khaane key liye taiyar kiya gayaa haye, joe vishayagat parivartan koo "gross concert-solo" mein pahale seey hii spasht kartaa haye aur kaee pahale key karyon mein, adhik swabhavik haye. gross concert-solo" key vipareet sonata mein sangat moortiyaan vishayagat sanketon dwara pargamya hoti hain jisake parinamswarup vichaaron kaa adhik taarkik roop seey sammohak vikas hotaa haye.
yeh liszt key liye vishisht haye kii unhone pahale key ekal kaary ("gross concert-solo") koo nasht naheen kiya, balki ise dou-piano sanskaran "concerto pathitic" mein punarvyavasthit kiya. choonki liszt ney ack piano concerto sanskaran pesh kiya thaa, lekin yojana koo chhod diyaa thaa, isaliye dou-piano vyavastha koo ack tarah key samjhaute key roop mein dekhaa jaa sakata haye. iss sanskaran mein aisaa lagata haye kii liszt sanrachanaatmak navacharon kii tulanaa mein dou-piano key samooh key thhos-jaise prabhaavon mein adhik ruchi rakhate hain, kyonki unhone ekal sanskaran key samagr design koo aparivartit chhod diyaa thaa. ack thhos sanskaran key sujhaav kaa pataa vibhinn tippaniyon jaise "ardh arpa", "ardh timpani" aadi mein lagaaya jaa sakata haye., aur yeh tathya kii pahala piano bhaag adhik gunwan haye. baad mein edward reus (1885, liszt (s.365a) dwara thheek kiya gayaa), richard bermister (1898) yaa gabber darwas (1952) jaise sangeet-sanyojakon ney aamtaur parr dusare piano bhaag koo orchestra bhaag mein shamil kiya haye.
concerto pathitic" aur sonata key beach sanrachanaatmak sambandh key bavjood, liszt ney hamesha ack poorvakalpit roop key vichaar koo aswikar curr diyaa. apani fust symphany mein, joe sambandhit vishayagat samagri koo niyojit karati haye, vaha ack aur "chaar-andolan-mein-ack" kaam likhane kaa prayaas naheen kartaa haye.
sangeet karyakram yaa sangeet karyakram?
sangeet karyakram (oh)" shabd, isaki vartani koo chhodkar, "concerto pathitic" key vibhinn shirshakon kaa ekmatra susangat hissa haye, halanki iska arth vyakhya key liye khula haye. german shabd "sangeet karyakram" (aadhunik vartani "congert") kaa arth "sangeet karyakram" aur "concerto" donon hoe sakata haye, lekin "gross concert-solo" yaa "grand solo dee concert" sheershak kewal ack badey paimaane parr sangeet karyakram koo darshaate hain (udaaharan key liye ack chhote sailoon tukade key vipareet), jabaki "concerto pathitic" ack sangeet karyakram koo yaad dilaata haye. upsarg "sangeet karyakram" ("consert") yaa francisi "dee concert" kaa arth ekal aur orchestra key liye ack concerto-jaise aur/yaa ack-andolan kaa kaam bhee hoe sakata haye (jaise kii schuman kaa "consertstuck" aur "consert-alegro", choppin kaa "algro dee concert", yaa webber kaa "consertstuck", list key "yuddh ghodon" mein seey ack). aisaa "consertstuck" ("concertino") roop "morseu dee concert" [sic] "(piano sains orchestra daalen) sheershak seey ingit hotaa prateet hotaa haye.
gross concert-solo" key piano concerto sanskaran key liye rekhaachitron (liszt key haath mein) kaa astitva ekal sanskaran key concerto charitra koo pramaan detaa haye. liszt ekmatra sangeetkaar naheen they jinhone "orchestra key binaa concerto" likhaa thaa.
concerto" shabd kuchh aupchaarik prakriyaon kii or bhee ishara curr sakata haye. list key baad mein ekal sanskaran mein "endent sostenote" bhaag koo jodane key parinamswarup anubhaagiya gati (aur manodasha) mein kuchh hudd taka ack barok concerto seey sambandhit parivartan hotaa haye. barok yug kii ack aur viraasat pratispardhi balon kaa vichaar haye (udaaharan key liye orchestra key khilaf ekal). dou-piano madhyam iss sangeet karyakram shally koo prastut karane key liye utkrisht roop seey upayukt haye (stravinsky key "concerto parr due pianophorty souli" yaa busoni key "duetino concertant" dwara bhee maanyata praapt haye). ack ekal tukade mein sangharsharat balon kaa vichaar vibhinn manodashaon (register, mode, kunji, gatishilata, tempos, aadi) dwara vyakt kiya jaayega.) ack dusare key khilaf khadaa kiya gayaa ("fost" mein virodhi paatr). iss baat mein sandeh naheen kiya jaa sakata kii liszt kii aseemit kalpana key liye "concerto" shabd key kewal ack takniki arth seey adhik maujood haye.
visheshan "bhavya" kaa arth badey paimaane parr hoe sakata haye aur/yaa charitra, abhivyakti yaa shally kii ack nishchit "bhavyata" koo ingit curr sakata haye. iska upayog aamtaur parr romantic sangeetkaron dwara kiya jaataa haye (choppin kaa "grande polonize brillant"). lekin german "gross" kaa arth "gross concert-solo" mein naheen haye.