
edogawa ranpo

, joe chhadm naam seey behtar jaanaa jaataa haye, ack japani lekhak aur aalochak thaa jisane japani rahasya aur thriller kathaa key vikas mein ack pramukh bhoomika nibhai. unake kaee upanyason mein jasusi naayak kogoro akechi shamil hain, joe baad kii pustakon mein ladakon key jasuson key ack samooh key netaa they jinhen dha...
ranpo paschimi rahasya lekhakon key prashansak they, aur vishesh roop seey edger ellen poe key. unakaa kalam naam poe key naam kaa pratipaadan haye. una parr vishesh prabhaav rakhane vaale anya lekhak they surr arther connon doil, jinhen unhone vaseeda vishvavidyalaya mein ack chhaatr key roop mein apane dinon key dauran japani mein anuvaad karane kaa prayaas kiya, aur japani rahasya lekhak ruiko kurova.
jeevani.
dwiteeya vishva yuddh seey pahale.
taaro hirai kaa janm nabri, mee praant mein 1894 mein huaa thaa, jahan unake daadaa suu kshetra kii seva mein ack samurai they. unake pitaa ack vyaapaari they, jinhone kaanoon kaa bhee abhyaas kiya thaa. parivaar abb kamiyama, mee mein chalaa gayaa, aur vahaan seey nagoya mein jaba vaha dou saal kaa thaa. 17 saal kii umr mein, unhone 1912 mein tokyo key vaseeda vishvavidyalaya mein arthshastra kaa adhyayan kiya. 1916 mein arthshastra mein degree key saath snaatak honey key baad, unhone akhbar sampadan, patrika prakashanon key liye cartoon banaane, sadak vikreta key roop mein soba noodles bechane aur ack istemal kii gaee kitab kii dukaan mein kaam karane sahit kaee ajib naukariyon mein kaam kiya.
1923 mein, unhone "edogawa ranpo" (jaldi seey uchchaaran, yeh hasyapurna chhadm naam jasus kathaa key americi agrani, edger ellen poe key naam jaisa lagata haye, jinaki unhone prashansa kii) key chhadm naam key tahat rahasya kahani prakaashit karke apani saahityik shuruat kii. yeh kahani "shinn seenen" patrika mein prakaashit hui, joe ack lokpriya patrika haye joe badey paimaane parr kishore darshakon key liye likhi gaee haye. "shinn senan" ney pahale poe, arther connon doil aur jee sahit vibhinn paschimi lekhakon kii kahaaniyon koo prakaashit kiya thaa. key. chesterton, lekin yeh pahali baar thaa jaba patrika ney ack japani lekhak dwara rahasya kathaa kaa ack pramukh tukada prakaashit kiya thaa. kuchh, jaise james bee. harris (ranpo kaa angreji mein pahala anuvaadak) ney galati seey ise ack japani lekhak dwara aadhunik rahasya kathaa kaa pahala tukada kahaa haye, lekin 1923 mein ranpo key saahityik drishya mein pravesh karane seey pahale, kaee anya aadhunik japani lekhak jaise kii ruiko kurova, kido okamoto, juna 'ichiro tanizaki, haaroo saato, aur kaita murayama ney saahasik, sazish, vichitra aur grotsk seey judee kahaaniyon key bheetar jasusi, rahasya aur aparaadh key tatvon koo shamil kiya thaa. ranpo kii pahali kahani "dha too-saine copper coin" key baare mein alochakon koo joe baat naee luggy, vaha yeh thee kii yeh japani sanskriti seey nikatata seey sambandhit kahani key bheetar ack rahasya koo hull karane key liye upayog kii jaane vaali anupaat kii taarkik prakriya parr kendrit thee. kahani mein ack bauddh mantra parr adharit ack saral code kaa vyaapak vivaran shamil haye jise "nenbutsu" key saath-saath japani bhasha key brail key roop mein jaanaa jaataa haye.
agale kaee varshon key dauran, edogawa ney kaee anya kahaaniyan likhin joe apraadhon aur unhein hull karane mein shamil prakriyaon parr dhyaan kendrit karati hain. inn kahaaniyon mein kaee aisee kahaaniyan hain jinhen abb 20veen shatabdi key praarambhik japani lokpriya saahitya kii utkrishtata maanaa jaataa haih, joe ack mahila key baare mein haye joe ack sadomasocistic vivaahetar sambandh key dauran maar dee jaati haye, joe ack aise vyakti key baare mein haye joe tokyo boarding house mein ack padosi koo usake munh mein ack chhed key madhyam seey jahar girakar maar detaa haye, aur joe ack aise vyakti key baare mein haye joe apane oopar key shavon koo mahsoos karane key liye khud koo ack kursi mein chhipa letaa haye. darpan, lens aur anya optical upkaran edogawa kii kaee anya praarambhik kahaaniyon mein dikhaai dete hain, jaise kii "darpanon kaa narak".
haalaanki unaki kaee pahali kahaaniyan mukhya roop seey guptata aur prateet honey vaale diwalia apraadhon koo hull karane mein upayog kii jaane vaali prakriyaon key baare mein theen, 1930 key dashak key dauran, unhone una kahaaniyon kii or rukh karna shuru curr diyaa jinamen aksar "iro guro nansensu" naamak samvedanaon kaa sanyojan shamil thaa, teen shabdon "kamukta, grotscary aur nirathak" seey. inn samvedanaon kii upasthiti ney unhein apani kahaaniyon koo janata koo bechane mein madad kii, joe unake kaam koo padhane key liye teji seey utsuk thaa. inn kahaaniyon mein una tatvon koo shamil karane kii pravritti paaee jaati haye jinhen usa samay japani kahate they. udaaharan key liye, upanyaas key kathaanak kaa ack badaa hissa, jise janwari 1929 seey farwari 1930 taka patrika mein dharavahik roop mein prakaashit kiya gayaa thaa, ack samlaingik doctor aur ack anya mukhya charitra key liye unakaa moh shamil haye.
1930 key dashak taka, edogawa lokpriya saahitya kii kaee pramukh saarvajanik patrikaon key liye niyamit roop seey likh rahey they, aur way japani rahasya kathaa kii agrani aavaaj key roop mein ubhare they. jasusi naayak kogoro akechi, joe pahali baar kahani mein dikhaai diyaa thaa "dee parr hatyaa kaa mamla. hill" unaki kahaaniyon mein ack niyamit visheshta bunn gaee, jisamen seey kaee ney unhein ack kaayar aparaadhi key khilaf khadaa kiya, jise dha key roop mein jaanaa jaataa thaa, jisamen khud koo prachhann karane aur poore samaaj mein chalane kii avishvasaniya kshamata thee. (inmein seey kaee upanyaas baad mein filmon mein banaae gaye.) 1930 key upanyaas ney kishore koo kogoro key sahayogi key roop mein pesh kiya, aur dwiteeya vishva yuddh key baad kii avadhi mein, edogawa ney yuva pathakon key liye kaee upanyaas likhe jinamen kogoro aur kobyashi koo yuva jasuson key ack samooh key netaaon key roop mein shamil kiya gayaa thaa. yeye kritiyaan betahasha lokpriya theen aur abhee bhee kaee yuva japani pathakon dwara padhee jaati hain, jaise kii hardy ladakon yaa nainsi drow rahasya angreji bolane vaali duniya mein kishoron key liye lokpriya rahasya hain.
dwiteeya vishva yuddh key dauran.
1939 mein, marco polo pull kii ghatana aur 1937 mein dusare sino-japani yuddh key prakop key dou saal baad, edogawa koo sarkari sensors dwara apani kahani koo chhodane kaa adesh diyaa gayaa thaa, jise unhone kuchh saal pahale binaa kissy ghatana key prakaashit kiya thaa, unaki laghu kahaaniyon key sangrah seey jise prakaashak "shuna 'doo" punah chhaap rhaa thaa. "caterpillar" ack aise vayovriddh key baare mein haye joe ack chauguna aur yuddh seey itna vikrit hoe gayaa thaa kii vaha ack maanav "caterpillar" seey thodaa adhik thaa, joe baat karane, chalane yaa khud seey rahane mein asamarth thaa. sensor ney kahani parr pratibandh lagaa diyaa, jahira taur parr yeh maanate hue kii kahani vartamaan yuddh key prayaas seey alag hoe jaayegi. yeh ranpo key liye ack jhataka thaa, joe aaya key liye punarmudran seey royalty parr nirbhar thaa. (laghu kahani ney nirdeshak koji vakamatsu koo prerit kiya, jinhone isase apani film "caterpillar" banaai, jisane 60vein berlin antarrashtriya film mahotsav mein golden bear key liye pratispardha kii.)
dwiteeya vishva yuddh key dauran, vishesh roop seey 1941 mein shuru hue japan aur america key beach poorna yuddh key dauran, edogawa apane sthaaniya pados sangathan mein sakriya they, aur unhone yuva jasuson aur jasuson key baare mein kaee kahaaniyan likhin jinhen yuddh key prayaas key anuroop dekhaa jaa sakata haye, lekin unhone inmein seey adhikansh koo alag-alag chhadm naamon key tahat likhaa jaise kii unhein apani viraasat seey alag karna. farwari 1945 mein, unake parivaar koo uttari japan mein fukushima mein tokyo key ikebukuro mein unake ghar seey nikala gayaa thaa. edogawa juuna taka rahey, jaba way kuposhan seey peedit they. ikebukuro kaa adhikansh hissa sambaddh havaai hamalon aur baad mein shahar mein luggy aag mein nasht hoe gayaa thaa, lekin ghaney, mitty kii deewaar vaale godam koo chhod diyaa gayaa thaa, jise unhone apane studio key roop mein istemal kiya thaa, aur aaj bhee yeh rikyo vishvavidyalaya key parisar key buggle mein khadaa haye.
yuddh key baad.
yuddh key baad kii avadhi mein, edogawa ney apane itihas kii samajh aur nae rahasya kathaa key utpaadan koo protsaahit karane key sandarbh mein rahasya kathaa koo badhaava dene key liye bahut adhik oorjaa samarpit kii. 1946 mein, unhone rahasya kathaa key liye samarpit ack naee patrika key peechhe apana samarthan rakhaa, aur 1947 mein, unhone dha kii sthaapana kii, jisane 1963 mein iska naam badalkar dha... isake alawa, unhone japani, europeeya aur americi rahasya kathaa key itihas key baare mein badee sankhya mein lekh likhe. inmein seey kaee nibandh pustak key roop mein prakaashit hue they. nibandhon key alawa, unake yuddh key baad key saahityik nirmaan mein badey paimaane parr kishore pathakon key liye upanyaas shamil they, jinamen kogoro akechi aur dha boy detectives club shamil they.
1950 key dashak mein, unhone aur ack dwibhashi anuvaadak ney edogawa key karyon key angreji mein anuvaad parr paanch varshon key liye sahyog kiya, jise tuttle dwara "rahasya aur kalpana kii japani kahaaniyon" key roop mein prakaashit kiya gayaa. choonki anuvaadak boll sakata thaa lekin japani naheen padh sakata thaa, aur edogawa padh sakata thaa lekin angreji naheen likh sakata thaa, isaliye anuvaad swabhavik roop seey kiya gayaa thaa, jisamen edogawa pratyek vaakya koo jore seey padhata thaa, phir likhit angreji kii jaanch kartaa thaa.
unaki ack aur ruchi, vishesh roop seey 1940 aur 1950 key dashak key anta mein, apane priya mitra juna 'ichi ivata (1900-1945) key kaam kii or dhyaan dilana thaa, joe ack maanavvigyaani they jinhone japan mein samalaingikta key itihas parr shodh karane mein kaee saal bitaaye they. 1930 key dashak key dauran, edogawa aur ivata ney ack halke-phulke dill kii pratiyogita mein bhaag liya thaa taaki yeh dekhaa jaa sakey kii purushon key beach kamuk ichcha key baare mein sabse adhik kitaaben kaun paa sakata haye. edogawa ney paschim mein prakaashit pustakon koo khojane key liye khud koo samarpit kiya aur ivata ney japan seey sambandhit pustakon koo khojane key liye khud koo samarpit curr diyaa. ivata kii mrityu 1945 mein hui, unake kaam kaa kewal ack hissa prakaashit huaa, isaliye edogawa ney kweer itihas parr shesh kaam prakaashit karane key liye kaam kiya.
yuddh key baad kii avadhi mein, edogawa kii badee sankhya mein pustakon koo filmon mein banaaya gayaa thaa. edogawa key saahitya koo filmon key nirmaan key liye ack prasthaan bindu key roop mein upayog karane mein ruchi unaki mrityu key baad bhee jaari rahee haye. atherosclerosis aur parkinsons roga sahit vibhinn swaasthya samasyaon seey peedit edogawa kii 1965 mein unake ghar mein mastishk raktasraav seey mrityu hoe gaee. unaki kabr tokyo key paas fuchu mein taamaa kabristan mein haye.
edogawa rampo puraskar (edogawa ranpo show?), edogawa rampo key naam parr, ack japani saahityik puraskar haye joe 1955 seey japan key rahasya lekhakon dwara harr saal pradaan kiya jaataa haye. vijeta koo kodansha dwara prakaashan adhikaaron key saath 10 million yenn kaa puraskar diyaa jaataa haye.
pramukh kaary.
nibandh.
inn duss nibandhon koo "edogawa rampo reader" mein shamil kiya gayaa haye.

