
badhir mahila kaa ghar aur iregni mein belfree

dha house off dha dafe women aind dha belfree aitt iregni 1886 mein francisi kalakar camill pisaro dwara banaai gaee ack tail chitra haye, joe indianapolis, indiana mein sthit kalaa sangrahalaya mein sthit haye. yeh pissarro key padosi key yard kaa ack drishya haye, joe binduvaad key saath prayog kii unaki sankshipt avadhi key dauran banaaya gayaa thaa.
varnan.
iss chitra mein pisaro key padosi key yard koo darshaaya gayaa haye, jisamen uska eent kaa ghar aur usake peechhe parrish church kaa stambh haye. yeh pissarro kii sabse achchi pointilist chhaviyon mein seey ack haye, jisamen sabse susangat brushwork aur nava-prabhaavvaad key rung siddhant kii achchi samajh haye. garmiyon key shandar suraj koo phir seey banaane key liye gulab, narangi aur peele rung key binduon key vipareet chhaaya mein gahara haraa, baingani aur neela. ack kalaa itihaaskaar, pissaro key parpote joachim pissaro ney ghoshana kii kii iss chitra mein vaha "swatantrata aur sahajata kii bhavna key saath nae takniki niyamon key liye apane paalan sammaan koo mishrit karane kaa prabandhan karate hain. iss naee takneek kaa goodh rangeen prabhaav asadharan halka, chamakdaar rung haye. . . ack shandar oorjaa joe canvas seey nikalati prateet hoti haye."frame mool kaa ack prajanan haye, joe soney parr apane dealer key aagrah key saath safed key liye pisaro kii pasand koo santulit kartaa haye.
aitihaasik jaankaari.
1885 key anta mein, pisaro ney georges serat seey mulakat kii aur apane upanyaas nava-prabhaavvaad seey mohit hoe gaye. unhone prakashiki parr shodh seey praapt sirat key siddhanton koo usa prabhaavvaad kaa taarkik vistaar maanaa, jisake liye way swayam sabse prasiddh they, aur isaliye apane sahyogiyon aur vikreta key virodh parr sirat key krantikari tarikon koo apanaaya. "badhir mahila kaa ghar aur iregni mein belfree" 1886 kii garmiyon mein pisaro key utsaah kii oonchaai parr chitrit kiya gayaa thaa. unhein iss painting parr garv thaa, 1887 mein kaee pratishthit pradarshaniyon mein ise prastut kiya gayaa thaa. haalaanki, 1889 taka way shram-gahan takneek seey thuck gaye they aur prabhaavvaad mein laut aae they. iss prakaar, yeh canvas apane aakar, gunavatta aur durlabhata key liye teen gunaa moolyavaan haye.
adhigrahan.
2002 mein, ack anaam sangrahalaya sanrakshak kii udaartaa ney imaa koo ack niji europeeya sangrah seey iss moolyavaan painting koo khareedane kii anumati dee. yeh 1918 seey saarvajanik roop seey naheen dekhaa gayaa thaa, aur sanyukt raajya america mein kabhi bhee naheen dekhaa gayaa thaa. mukhya curator elen lii ney anuman lagaaya kii iska moolya laakhon mein thaa, ise "sangrahalaya key paas ack vyaktigat vastu key liye sabse badaa upahaar" kahaa."painting itani cumm gyaat thee kii jise lii ney betch diyaa thaa, usa kalaa vikreta ney ack rangeen tasveer key saath indianapolis aaney parr jore diyaa, bajaay isake kii vaha pissaro key kaam kii ack pustak seey kaale aur safed punarutpadan parr apane nirnay koo aadhar banaa sakey. lii ney pahali baar chhavi koo dekhane key baad haanfate hue yaad kiya, jisake baad seey unaki ranneeti kaam curr gaee. lii ney atirikt shodh key liye normandy kii yatra kii, aur paaya kii drishya utanaa hii banaa rhaa jitna pisaro ney ise chitrit kiya haye; ghar aur church abhee bhee khade hain. chitra vartamaan mein robbert aich mein dekhaa jaa rhaa haye. & ina m. mohalman gallery aur isamen pravesh sankhya 2002.76 haye 

