
rahasya kii sugandh

rahasya kii sugandh 1960 kii ack rahasya film haye, joe film key kathaanak mein binduon parr gandh chhodane key liye gandh-seey-drishti pranali kaa upayog karane vaali pahali film haye. yeh pahali film thee jisamen sugandh kahani kaa abhinn anga thee, joe darshakon koo mahatvapurna vivaran pradaan karati thee. iska nirmaan mike todd, junier ney kiya thaa., jinhone apane pitaa mike key bachche key saath milkar, "yeh cinerama haye" aur "assie dinon mein duniya bhar mein" jaise chashme banaae they.
film koo baad mein binaa gandh-oh-vision key spen mein sheershak avkash key tahat cinerama mein phir seey release kiya gayaa thaa. 2012 mein, david stromire dwara film koo punarsthaapit, punarnirmit aur phir seey jaari kiya gayaa thaa. 2015 mein, punarnirmit sugandh key saath ack poorna sanskaran loss angils, denmark aur ingland mein pradarshanon mein prastut kiya gayaa thaa.
jack cardiff ney ise "ack film jise main apani smriti seey mitana chaahata huun" kahaa. iska kaaran yeh haye kii, merrie apani koee galati naheen honey key kaaran, film poori tarah seey ack aapada thee."
plot.
denholm elliot dwara abhineet ack rahasyavaadi upanyaskar, spen mein chhutti manaane key dauran ack americi uttaradhikari kii hatyaa karane kii yojana kaa pataa lagaata haye, jise elizabeth teller ney ack gair-maanyata praapt bhoomika mein nibhaaya thaa. vaha aparaadh koo whiffle karane key liye spanish graameen ilaakon mein yatra karane key liye peater laure dwara khele gaye ack taxi chaalak kii madad letaa haye.
"ack mauka kaa bhoot.
patkatha 1947 key upanyaas "bhoot kaa ack mauka" seey keli roose dwara rupaantarit kii gaee thee, joe pati-patni rahasya lekhak audry kellie aur villium roose kaa chhadm naam haye. upanyaas newyork shahar key sthaanon parr sthaapit kiya gayaa thaa aur ack pati aur patni key baare mein thaa joe ack mahila kii sambhaavit hatyaa kii jaanch curr rahey they, jisake astitva key baare mein way anishchit hain.
kellie roose ney 1959 mein patkatha kaa ack paperback upanyaas bhee likhaa, jise spen mein reset kiya gayaa. dha newyork times" key anthany butcher ney likhaa kii "lagbhag sabhi anya film rupaantaranon key vipareet, yeh ack atyadhik manoranjak pustak haye-dakshini spen mein apane jangli romanch mein itani halki aur ujjwal aur samlaingik kii aap kabhi bhee parwah naheen karate kii yeh bahut adhik samajh mein aataa haye yaa naheen."
utpaadan.
nirmaan key dauran, film kaa sheershak thaa "dha chez izz onn".
film key nirdeshak, dodd junier key liye. jack cardiff koo chunaa, joe ack pramukh chhayakar they, jinka bachcha shree. kabhi film mein naheen aae 'donn quixot' kii shooting karna chaahte they aur jinhone abhee-abhee 'beton aur premiyon' key saath nirdeshan kii shuruat kii thee. cardiff ney baad mein kahaa kii "ack film mein gandh kaa upayog karna bhee ack mahatvakanksha thee joe merrie varshon seey thee."
casting.
cardiff kaa kahana haye kii unhone peater vikretaon koo mukhya bhoomika nibhaane kii sifarish kii, lekin ack ghabaraae hue vikretaon ney dopahar key bhojan kii baithak key dauran bachche parr kharaab prabhaav daala. isake bajaay badhat denholm elliot key paas gaee.
filmancan.
filmancan aprail 1959 mein barcelona key paas shuru huaa aur isamen teen maheene lagey. film koo poori tarah seey spen mein shoot kiya gayaa thaa aur isamen 100,000 kilometres kii yatra shamil thee. ise bachche-aao prakriya kaa upayog karke rung mein filmaya gayaa thaa. sthaanon mein grenada (alhambra sahit), guadics, ronda (ell tajo, puente viezo aur alkazar), seville (puente dee saine telmo, plaza dee espana), ell choro (caminito dell ray), cordoba (mezquita), madrid, barcelona, pamplona, segovia (aquaduct aur alkazar) aur malaga (catedral aur castillo dee gibralfaro) shamil they.
"filmink" ney tark diyaa kii beverley bentley kii bhoomika dyna dors dwara nibhai jaani chaahiye thee, jinhone isake bajaay ack cameo kiya thaa. bentley atlanta kii ack television abhinetri theen, jinhen bachche ney khoj liya thaa.
maee mein, grenada key paas filmancan karate samay peater laure koo dill kaa daura padaa. cardiff kaa kahana haye kii laure key baad key adhikansh drishyon key liye ack double kaa upayog kiya gayaa thaa.
cardiff ney kahaa, "film kii shooting romanchak thee aur humm sabhi koo vishvaas thaa kii hamaare paas ack shandar film haye."halanki, filmancan key beach mein, unhone bachche seey poochha kii kyaa unhone gandh-seey-drishti prabhaav kaa anubhav kiya thaa, lekin bachche ney naheen kiya thaa, isaliye dow. dwara namoone unhein bheje gaye they. lobb, prakriya key aavishkaarak. "cardiff ney kahaa, "iss parr vishvaas karna mushkil haye lekin pratyek label vaale kaanch seey dusaron kii tarah hii badbu aatee haye-jaise kii ack bahut hii sastaa eo dee collon. "yeh itani dukhad baat thee kii film banaai gaee...film kaa abhinn hissa gandh kaa upayog thaa, aur yeh naheen aaya kyonki gandh kuchh bhee naheen thee. way nakali they."
bachche ney kahaa, "humm hansee, manoranjan aur romanch key saath ack achchi tasveer banaana chaahte hain-aur humm ummeed karate hain kii ise aalochanatmak anumodan key saath praapt kiya jaayega. pahale seey hii hamari film koo mool gandh naatak aur pahali tasveer key roop mein sandarbhit kiya gayaa haye joe badbu aatee haye. lekin chaahe humm prakriya koo kyaa kahate hain, humm agradoot hain, aur yeh achchha honah chaahiye yaa ladke arth kaa puuraa laabh uthaayenge. mujhe ummeed haye kii yeh usa tarah kii tasveer haye jise way sugandh kahate hain."
gandh praudyogiki.
1954 mein "loss angils times" key anusaar, mike todd sr. gandh-seey-drishti prakriya koo pesh kiya gayaa thaa, jisane ack screening key dauran ack theatre mein kuchh gandhon koo jaari karane mein saksham banaaya. bachcha iss prakriya key baare mein utsaahit thaa, jiska aavishkaar huns lobb (1900-76) naamak ack swiss professor ney kiya thaa. 1939 key newyork vishva melle mein lobb ney iss avadharana kaa pradarshan kiya thaa.
bachcha shree. ise "assie dinon mein duniya bhar mein" shamil karane parr vichaar kiya gayaa lekin isake khilaf faisala kiya. jaba bachche kii mrityu hoe gaee, tou usake bete ney ack film mein lobb kii prakriya kaa upayog karane kaa faisala kiya joe vaastavik kahani kahane kii prakriya mein gandh kii bhavna koo shamil karegi.
kuchh drishyon koo gandh-seey-drishti kii kshamataon koo ujagar karane key liye design kiya gayaa thaa. ack mein, sharaab key dibbe ack vaigan seey girate hain aur ack pahaadi seey neeche girate hain, ack deewaar key khilaf todate hain, jiss samay ack angur kii sugandh nikalati haye. anya drishyon key saath sugandh bhee thee joe darshakon key liye pramukh binduon koo prakat karati thee. udaaharan key liye, hatyare kii pehchaan dhumrapan pipe kii gandh seey hui thee.
riha karein.
film 6 janwari, 1960 koo shikago key synastage theatre mein kholi gaee. film 25 janwari koo loss angils mein aur 18 farwari, 1960 koo newyork shahar key warner theatre mein kholi gaee. gandh-oh-vision pranali kii laagat adhik thee. ack samay mein jaba ack film key tikat kii keemat $1 seey cumm hoti haye, tou ise sthaapit karane aur gandh-seey-drishti kaa upayog karane key liye prati seat anumaanit $25 seey $30 lugg gaye.
film key vigyapanon ney ghoshana keeh "pahale way chaley gaye (1895)! phir unhone baat kii (1927)! abb unhein gandh aatee haye!"nirmaata mike bachcha, joe thodaa shoman thaa, iss tarah kii atishayokti mein lagaa huaa haye, kahata haye," mujhe ummeed haye kii yeh usa tarah kii tasveer haye jise way sugandh kahate hain!"unhein earl willson jaise samachar patra stambhkaron seey bhee madad millie, jinhone iss pranali kii sarahana karate hue daavaa kiya kii gandh-seey-drishti" scunk seey laker itra taka kuchh bhee paida curr sakati haye, aur ise turant hataa sakati haye."dha newyork times" key lekhak richard naisan kaa maanana thaa kii yeh film nirmaan mein ack badee pragati thee. iss tarah, film key liye ummeeden bahut achchi theen.
"spen mein chhutti.
film koo "holiday inn spen" key roop mein punah sheershak diyaa gayaa thaa aur phir seey release kiya gayaa thaa, lekin binaa gandh key, cinerama dwara, jise apane vishesh roop seey susajjit cinemagharon key liye nae utpaadon kii aavashyakta thee. film koo teen-strip print mein parivartit kiya gayaa thaa jise vishesh cinemagharon mein bahut chaude, gahare ghumaavdaar screen parr pradarshit kiya jaa sakata thaa. haalaanki, gandh-seey-drishti seey parivartit honey key baad, jaisa kii "dainik telegraph" ney iska varnan kiya haye, "film ney ack chaunka dene vaali, lagbhag vaastavik gunavatta praapt curr lii haye, kyonki koee kaaran naheen thaa kii udaaharan key liye, rotty kii ack rotty koo ovan seey uthaaya jaanaa chaahiye aur cameray mein daala jaanaa chaahiye joe ack achetan roop seey lambe samay taka lugg rhaa thaa."
television.
"rahasya kii sugandh" ack baar aim. tii. vee. dwara television parr prasaarit kii gaee thee aur 1980 key dashak mein sthaaniya tv stations parr syndicated thee. ack suvidha-store prachaar, film "polyester" key samaan, darshakon koo theatre key anubhav koo phir seey banaane key liye kharonch-aur-sniff card kii peshkash kii.
bahaali.
2012 mein, "holiday inn spen" koo poori tarah seey punarsthaapit kiya gayaa thaa aur film sampaadak aur cinerama bahaali visheshagya david stromire dwara digital roop seey punarnirmaan kiya gayaa thaa. mool cameray key kewal kuchh hisse nakaratmak upayog karane yogya sthiti mein rahey, isaliye film key shesh hisson koo dou abhilekhiya 70-mimi eastmancler print seey punarnirmit kiya gayaa thaa. mool "rahasya kii sugandh" seey hataae gaye footage koo usa sanskaran koo bhee bahaal karane mein saksham honey key liye paryaapt naheen paaya gayaa thaa. nava punarsthaapit film koo screen abhilekhagar dwara 2014 mein blue-ray parr jaari kiya gayaa thaa.
2015 mein, australiyai film nirmaata tammy bernstock aur kalakar aur sugandh nirmaata saskia willson-braun ney loss angils, denmark aur ingland mein pradarshanon mein stromayer kii punarsthaapit film prastut karate hue gandh-seey-drishti anubhav koo punarjeevit kiya. mool utpaadan mein upayog kii jaane vaali sugandh key baare mein ekmatra jaankaari "becking bread kii sukhad gandh" aur "peele gulab kii mund gandh" jaisi pravishtiyon key saath ack soochi thee."binaa kissy itra yaa rasaayanagyon key vinirdeshon key, willson-braun ney sambhaavit sugandh samagri koo mishrit karke film kii gandh koo kharonch seey phir seey banaaya.
swaagat.
gandh-seey-drishti tantra ney achchi tarah seey kaam naheen kiya. vividhata" key haai hollinger key anusaar, sugandh koo ack vichalit karane vaale shore key saath jaari kiya gayaa thaa, aur balkani mein darshakon key sadasyon ney shikayat kii kii screen parr kaarravaai dikhaae jaane key kaee sekand baad sugandh una taka pahunch gaee. rangmanch key anya hisson mein, gandh bahut cumm thee, jisase darshakon key sadasya sugandh koo pakadane key prayaas mein jore seey soonghate they.
cardiff ney yaad kiya kii shikago kii screening ney achchi tarah seey kaam kiyaah "thheek kyu parr aapako apane saamane kii seat seey aaney vaali gandh kaa jhataka milega, isaliye aap ise soonghenge", yeh kahate hue kii "press aur harr koee, unhone ack hii baat kaheeh kissy bhee cheez key baare mein koee vishesh gandh naheen haye. yeh sub ack tarah kaa sastaa collon thaa. yeh ack aapada thee. aur phir baad mein hamane ise newyork mein chalaaya, aur yeh uska anta thaa kyonki isamen bhayaanak notice they kyonki yeh ack vaastavik gandh-seey-drishti naheen thee. yeh spen kii ack adbhut photographic prishthabhoomi key saath ack bahut hii dilchasp kahani thee, lekin jiss gandh key liye ise banaaya gayaa thaa, vaha maujood naheen thee."
gandh-seey-drishti aavishkaarak hains lobb kii betty ney baad mein daavaa kiya kii inn pradarshanon mein upayog kii jaane vaali takneek unake pitaa kii kalpana seey alag thee. unhone likhaa, "nirmaataon koo ehsas huaa kii way bhaagya bachaa sakate hain yadi way pratyek theatre seat key saamane suruchipurna, mahangi chhoti ikaaiyon koo sthaapit karane key bajaay sugandh koo vatanukoolit karate hain. huns kii avadharana thee, ack nishchit sankhya mein seeton key saamane sugandh utsarjak sthaapit karein. sugandh bhejen; kuchh tatasthak bhejen. vyaktigat. saaf-suthare aur suruchipurna. (aur jahir haye, mahanga.) khel mein bahut dair seey, nirmaataon mein seey ack ney faisala kiya kii way sugandh mein waft karane key liye air conditioner kaa upayog karke bahut adhik $kamaa sakate hain. aur, neutralizer koo screw karein. isaliye film koo mike todd junier key ekmatra durgandh key roop mein jaanaa jaane lagaa."
gandh-seey-drishti key nirmaataon dwara takniki samaayojan ney inn samasyaon koo hull curr diyaa, lekin taba taka bahut dair hoe chuki thee. nakaratmak sameekshaon key saath-saath maukhik roop seey, film buri tarah whiffle hoe gaee.
bachche ney baad mein kahaa kii usake press agent bill doll koo ack vichaar thaa kii aggar humm film key khulane seey pahale isake baare mein sochate tou yeh cheez butch jaati. aur vaha pump koo ulatane key liye thaa. isane havaa koo vaapas chusa, taaki pichhali gandh parr koee overhang naa hoe. anyatha yeh badbu key beach mein beh gayaa. yeh adhik shakti naheen thee, lekin spasht chitran karane key liye paryaapt naheen thee. bill koo yeh vichaar teesare udghaatan key baad milaa. iska upayog kiya gayaa thaa, aur yeh poori tarah seey kaam kartaa thaa, lekin usa samay taka jahaaj ravaana hoe chuka thaa."
aalochanatmak swaagat.
vividhata" key haai hollinger ney likhaa kii film mein "kaee tatva hain joe ack hichkaank chez film, dair seey mike key bachche key" assie dinon mein duniya bhar mein "aur cinerama yatra vrittaant takneek seey vyutpann hain...peechha karane key hisse key roop mein yatra sthal koo badey kareene seey ekikrit kiya gayaa haye."
dha newyork times" key bosley crother ney likhaah
naatya pradarshani key roop mein, yeh shandar, vishal aur dhwani seey bharaa huaa haye. lekin ack mahatvapurna chalchitra key prayaas key roop mein ise bunk key roop mein vargeekrit kiya jaanaa chaahiye...yeh ack kalaheen, dheeli-judee "peechha" tasveer haye...gandh key prakshepan key saath joe bhee naveen uttejana hoe sakati haye, vaha sandigdh prateet hoti haye aur vyaktigat darshakon kii naak aur gandh-prakshepak kii sanak parr nirbhar karati haye...film key poore murkhtapurna kathaanak aur isake aakasmik, bhramit pradarshan key liye aspasht shabd sahee haye, joe lagbhag shaukiya haye. peater laure key kaam koo chhodkar...abhinay ekdam kroor haye.
loss angils times" ney film koo "achchha parivarik manoranjan" kahaa aur yeh sandeh haye kii kyaa yahaan rahane key liye gandh haye yaa naheen, aapako yeh dekhane laayak lagega...aur gandh."
comedian henny youngman ney chutaki lete hue kahaa, "mujhe tasveer samajh mein naheen aaee. mujhe sardi thee."
boxes offices.
shikago mein apane pahale paanch show mein, film ney 12,000 dollar kii kamai kii. isane sanyukt raajya america aur kanada mein theatre kiraaye mein kewal 300,000 dollar kamaaye. baad mein bachche ney kahaa kii usey lagaa kii yeh vichaar "sirf ack naveenata kii chaal thee. shayed, aggar yeh ack vishal hitt thee, tou aap doosari film banaa sakate they, aur adhikatam, ack teesari, lekin yeh aisaa hii hotaa."
1979 kii 'dha bell jaar' taka bachche ney ack aur film kaa nirmaan naheen kiya, joe unaki aakhiri film bhee thee.
soundtrack.
mystery kii sugandh" soundtrack 2011 mein critzerland label parr cd parr jaari kiya gayaa thaa. isamen mario nasimbin dwara rachit sangeet aur addie fisher dwara gaaye gaye film key dou gaane hain.
pratidvandi film.
"rahasya kii sugandh" cinema aur gandh koo jodane kaa ekmatra prayaas naheen thaa. sugandh pranali, jisane ack theatre kii vatanukoolan pranali key madhyam seey sugandh jaari kii, kaa upayog pahali baar disambar 1959 mein "mahaan deewaar key peechhe" yatra vrittaant key liye kiya gayaa thaa.

