
galatfahmi

dha misfriending (frenchah "leey malentu"), jise kabhi-kabhi "cross purpose" key roop mein prakaashit kiya jaataa haye, 1943 mein albert camus dwara adhikrit france mein likhaa gayaa ack naatak haye. yeh camus key betuke vichaar parr kendrit haye.
ack aadami joe kaee varshon seey videsh mein reh rhaa haye, vaha apani bahan aur vidhwa maan koo khojane key liye ghar lautata haye, vaha rahane vaalon koo leey curr aur unaki hatyaa karke apana jeevan yapan curr rhaa haye. choonki naa tou usaki bahan aur naa hii usaki maan usey pehchaanati haye, isaliye vaha apani pehchaan bataae binaa khud ack lodger bunn jaataa haye.
kathaanak kaa saransh.
adhiniyam 1: ack chhote seey boarding house kaa swaagat kaksh, dopahar
martha aur usaki maan, ack maun boodhe aadami key saath, ack atithi-ghar chalaate hain jisamen way ameer ekant yaatriyon kii hatyaa karate hain. martha samudra key kinare jaane aur rahane key liye paryaapt paisa praapt karna chaahata haye. maan koo maar curr thuck jaati haye.
zaan usa ghar mein lautata haye jise usane 20 saal pahale chhod diyaa thaa. usane sunaa haye kii usake pitaa marr chuke they aur apani maan key liye paise laker laut aae hain. usey udaau bete key roop mein swaagat kiye jaane kii ummeed thee, lekin usaki maan usey naheen pehchaanati haye. usaki patni maria kaa kahana haye kii ack samanya vyakti kewal apana parichay detaa, lekin zaan baahar seey apane parivaar kaa nireekshan karane aur unhein khush karane key liye vaastav mein kyaa chaahiye, yeh khojane kaa irada rakhta haye. maria anichha seey usey ack raat key liye vahaan chhodane key liye sahmat hoe jaati haye.
ack galat naam key tahat zaan register kartaa haye. martha thandaa haye aur vyaktigat prashnon kaa uttar dene seey incar curr detaa haye. maan jawab dene mein whiffle rahati haye jaba zaan aaney key usake uddeshya kaa sanket detaa haye aur poochata haye kii kyaa uska koee betaa haye, lekin vaha martha seey usey naa maarne kii vinati karati haye.
adhiniyam 2: shayankaksh, shaam
martha zaan kii or thodaa germ hoe jaati haye, lekin jaba vaha usamen ruchi letaa haye tou vaha saajha kiye gaye kshan koo aswikar curr detee haye aur usey maarne kaa faisala karati haye. vaha usey ack nashili chaay kaa cup laati haye. maan chaay lene kii koshish karati haye lekin bahut dair hoe chuki hoti haye. zaan usey apani bhaavanaon koo vyakt karane kii koshish kartaa haye, lekin maan avaiyaktik roop seey jawab detee haye. jaba zaan sou jaataa haye, tou martha usake paise letaa haye aur way usey nadee mein fenkane kii taiyari karate hain.
adhiniyam 3: swaagat kaksh, subah
subah martha khush hoti haye lekin maan koo buss thakan mahsoos hoti haye. boodhe aadami koo zaan kaa giraaya gayaa passport milata haye aur unhein binaa kissy bhavna key ehsas hotaa haye kii unhone kyaa kiya haye. martha key virodh koo nazarandaj karate hue maan khud koo doobane kaa faisala karati haye. martha apane gusse mein akeli reh jaati haye.
maria apane pati kii talash mein aatee haye. martha pahale kahati haye kii vaha chalaa gayaa haye, lekin phir sweekaar kartaa haye kii unhone usey nashili dawa dee aur usake paise key liye usey dubo diyaa, yeh kahate hue kii yeh "thodi see galatfahmi" thee jisake kaaran vaha apane hii bhaai koo maar padee. maria pareshan haye. martha ney apani maan key nuksan kii tulanaa apani maan seey kii. phir yeh mahsoos karate hue kii vaha akeli haye, vaha khud koo maarne kaa faisala karati haye. vaha maria seey prarthana karane key liye kahati haye kii bhagwan usey patthar mein badal dein yaa khud koo bhee maar dein, phir ghar chhod detee haye. maria dayaa key liye prarthana karati haye aur boodhaa aadami prakat hotaa haye. maria madad maangati haye lekin vaha spasht roop seey manaa curr detaa haye.
mool.
camus ney 1942 aur 1943 mein naazi-kabje vaale france mein leey chambon-sur-lignan mein "leey malentu" likhaa. mool roop seey iss naatak kaa sheershak "budejovis" honah thaa, joe chekoslovakia mein shahar key baad thaa, jahan 1936 mein camus apani pahali patni key saath ack europeeya yatra key dauran kuchh samay key liye rhaa thaa.
yeh naatak" maanav sthiti key camus dwara ack atyadhik vyaktiparak prastuti haye jaisa kii unhone ise 1942-43 kii hatash paristhitiyon mein dekhaa thaa.  yeh camus key jeevan key kaee pahaluon koo darshaata haih usane algeria chhod diyaa thaa, jisase vaha gaharaai seey judaa huaa thaa, apani doosari patni aur doston koo peechhe chhod diyaa thaa; vaha tapedik seey avasaadgrast thaa; saath hii francisi pratirodh key ack prachaar agent key roop mein nishpaadan key khatare mein reh rhaa thaa. camus ney ack baar leey malentu koo "vaha naatak joe mujhase sabse adhik milata-julata haye" key roop mein varnit kiya thaa.
leey malentu" kaa kathaanak akhbar key lekh seey milata-julata haye jise camus key 1942 key upanyaas "dha stranger" kaa naayak apani jail kii kothri mein apane gadde key neeche paataa haih yeh ack aise vyakti kii kahani haye joe videsh mein ameer hoe gayaa aur apane gaanv mein ghar aaya jahan usaki bahan aur maan kaa ack hotal haye. vaha apani pehchaan (baad mein unhein aashcharyachakit karane key liye) kaa khulasa naheen kartaa haye, aur ack atithi key roop mein ack kamra book kartaa haye. kyonki vaha ameer haye, usaki maan aur bahan usaki hatyaa curr dete hain jabaki vaha sou rhaa hotaa haye.
kathaanak bhaai kii maanyata key shaastriya vishay kaa ack vidambanapurna ulatafer bhee haye, pracheen yunani electra natakon aur apavyay putra kii naee vasiyatnama kahani seey.
shally.
"leey melantu" "apane kathaanak aur charitra chitran mein kathor haye aur manodasha mein claustrophobic haye.
camus ney "jaanboojhkar ack shaastriya trasdi key roop mein, polish, spasht, gair-bolchal key pravachan key prabhaav koo chitrit kiya. vyavasaay key tahat lekhan kii aavashyakta key madhyam seey, "naatak roopak mein dhakaa huaa haye, prateekon kii ack train kaa peechha curr rhaa haye, jisamen camus ack yunani trasdi kii sabhi anivaaryata key saath naatak koo style curr rhaa haye. yunani shally mein, pratyek charitra apane karyon key liye tark detaa haye, chaahe vaha achche key liye hoe yaa burey key liye. iss prakaar camus nirdoshta, duhkh, aparaadh, vishvaasghaat, sajaa, satyanishtha aur maun parr apane vichaaron koo prasaarit karane mein saksham haye, inn sabhi koo ack astitvavadi bahas mein lapetata haye. halanki camus key tark motey aur tej hotey hain, lekin naatak jaanboojhkar gati seey chalata haye kyonki yeh ack javic naatak kii tulanaa mein ack granth key roop mein vikasit hotaa haye.
yeh munch key liye camus dwara likhi gaee sabhi kritiyon mein sabse kavyatmak haye, lekin koee yeh daavaa naheen curr sakata kii bhaashan aur sthiti hamesha poori tarah seey mell khaati haye.
paatr "anajaane mein aspashtataon koo vyakt karate hain joe unaki jagrukta seey butch jaate hain", aur apratyaksh roop seey daarshanik vichaaron koo vyakt karate hain. "leey malentu" "aspashtataon aur arth key kaee staron seey itna adhik bharaa huaa haye kii yeh caricature parr seema banaata haye, ack tathya joe isaki saapeksh viphalata koo ack trasdi key roop mein samajha sakata haye.
vishay-vastuein.
camus kaa vishay "dha savoor manquay" haye, ack uddhaarak joe una logon key liye ack spasht bhasha bolane mein asamarthata key kaaran whiffle rahata haye jinhen vaha bachaayega.
"leey melantu" "ack parivaar key vinash koo darshaata haye joe ack dusare key saath samvaad karane mein ghaatak roop seey asamarth haye. zaan apani patni maria kii baat naheen maanata jaba vaha usey apana parichay spasht roop seey dene kii salah detee haye. usaki bahan martha avaiyaktik sanchaar key alawa kuchh bhee sweekaar naheen karati haye. maan zaan key sanketon kaa jawab dene key liye bahut thuck gaee haye.
yeh naatak zaan aur usaki patni key beach prem key vipareet haye aur usaki bahan aur maan seey prem kii anupasthiti haye. maan kii aatmahatya jaba usey apane aparaadh kaa ehsas hotaa haye tou vaha maatri prem seey vanchit hoe jaati haye jisaki usey bhee aavashyakta hoti haye. divya prem key liye maria kii ichcha koo bhee aswikar curr diyaa jaataa haye.
sabse mahatvapurna vishayon mein seey ack khushi praapt karane kii asambhavata haye. apani shaadi kii safalata key bavjood, zaan nirvaasan mein khush naheen hoe sakata haye, lekin apane parivaar key paas lautane aur ack saath khush rahane kii ichcha rakhta haye. martha bhee kaheen aur rehna chaahati haye, aur maan shaanti chaahati haye, lekin yeye ichchaaen kewal mrityu mein poori hoti hain.
inn ichchhaon koo whiffle karane vaali galatfahmi aur samajh kii kamee camus key betuke key darshan koo darshaati haye. yeye kathinaaiyaan naatak kaa nirmaan karati hain-apani pehchaan koo chhipaane key liye zaan kaa vikalp, avaiyaktik paramparaon parr martha kaa aagrah, rahane key usake dridh sankalp kii galat vyakhya, maria kii usake thhande sweekaarokti key liye hairan pratikriya, aur boodhe aadami kii udasinta.
jaba camus ney 1958 mein naatak koo sanshodhit kiya, tou unhone boodhe aadami kii udasinta koo kuchh aur bhayaavah mein badalane key liye chaar bahut chhoti ghatnaaon koo jodaa yaa sanshodhit kiya. udaaharan key liye, jaba martha zaan kaa passport dekhane vaali hoti haye tou vaha uska dhyaan bhatakaata haye. camus kaa uddeshya "aniyantrit aadhyatmik kaalepan key prabhaav koo tej karna thaa, joe naatak key antim kuchalane vaale shabdansh mein samaapt hotaa haih 'naheen!.
yeh naatak dharm key prati ack ghrina vyakt kartaa haye, lekin dhaarmik vichaaron key saath ack majboot chinta bhee vyakt kartaa haye, jisamen udham bete kaa drishtaant bhee shamil haye. camus ney kabhi bhee isai vicharakon key saath baatchit seey khud koo naheen hataaya thaa, lekin isai dharm key liye tanaav key sambandh mein khadaa thaa.
africa mein khushi seey zaan kii ack hatyare ghar mein vaapsee, aur martha kii dhoop mein rahane kii lalsa, uttari europe aur bhoomadhyasagariya key beach ack virodhabhas koo darshaati haye, joe camus key sabhi kaam kii jaankaari detee haye.
darshan.
"drishti nirashajanak haye, camus key betuke panth key saath unake ack paatr dwara sankshepit kiya gayaa haih 'iss duniya mein humm rahate hain iska koee matlab naheen haye'" "" 
"leey melantu" "ney camus key betuke vichaar parr dhyaan kendrit kiya. iss vichaar kaa mool yeh haye kii maanav ichcha ack aisee duniya key saath nirantar sangharsh mein haye joe manmana, ataarkik aur anuchit haye. iss naatak kaa ack kendriya vishay yeh haye kii jeevan una logon key beach antar naheen kartaa haye joe 'burey' maarg kaa anusaran karate hain aur joe 'achche' maarg kaa anusaran karate hain. jeevan, jaisa kii camus ise dekhta haye, nirdosh aur aparaadhi key liye samaan roop seey kroor haye; yeh astitva kii betuki baat haye. 
sysiphus key mithak" mein, camus 'betuka' koo paribhaashit kartaa haye... duniya seey mool roop seey talakshuda honey kii bhavna key roop mein aur iss prakaar dusaron aur swayam donon key liye ack ajnabi. nirvaasan kii sthiti mein lagaatar rahane kii bhavna mithakon aur vishvaas kii saarvbhaumik pranaliyon mein ack gahara sandeh yaa avishvaas paida karati haye, joe astitva koo arth aur uddeshya dene key liye kathit hain, lekin vaastav mein iska avamoolyan aur yahaan taka kii ise nakaarte hain. 
halanki kaee alochakon dwara ack nirashajanak kaam key roop mein dekhaa gayaa, camus ney" leey melantu "koo nirashawadi naheen maanaa. unhone kahaah 'jaba trasdi hoe jaati haye, tou yeh sochana galat hoga kii yeh naatak bhaagya key samaksh samarpan key liye tark detaa haye. isake vipareet, yeh vidroh kaa ack khel haye, shayed imandari kii naitikta bhee shamil haye 'iska tatparya haye kii sub kuchh thheek hoe jaataa aggar zaan ney vahee kiya hotaa joe usaki patni ney usase karane key liye kahaa thaa, yaa aggar martha ney zaan key vyaktigat prashnon kaa jawab diyaa hotaa yaa maan koo yaad hotaa jaba usane apane bete key baare mein poochha thaa. parivaar koo "yeh mahsoos karane mein whiffle rahane key madhyam seey nasht curr diyaa jaataa haye kii moolyon kaa sapana alag-thalag naheen balki sampradayik roop seey khoja jaataa haye.
camus ney khud tippani kii kii vaha iss naatak koo iss saral kaaran seey whiffle maanate they kii harr koee unase poochata rhaa kii unakaa kyaa matlab thaa. aggar unhein poochhane kii aavashyakta thee, tou unhone tark diyaa, tou naatak swayam spasht naheen thaa, aur vaha ack natakkar key roop mein safal naheen hue they.
pradarshan kaa itihas.
"leey malentu" kaa pahali baar 24 agast 1944 koo peris mein threatrey dee mathurines mein manchan kiya gayaa thaa, jiska nirdeshan marcel herand ney kiya thaa, jinhone zaan kii bhoomika bhee nibhai thee aur martha key roop mein maria casseres key saath. pradarshan peris kii mukti key saath huaa. iss naatak mein dou chhote runn they, naa hii vishesh roop seey safal. yeh camus key natakon mein seey pahala thaa, halanki "kaligula" dou saal pahale likhaa gayaa thaa.
francisi janata koo 1945 mein tarksangat sahayata aur manovaigyaanik yathaarthvaad key abhaav mein iss tarah key bahuayami roopak aur iss tarah key daarshanik nihitarth kii sarahana karane key liye taiyar naheen kiya gayaa thaa. ack shabd mein, naatak mein tark kii kamee mahsoos kii gaee. iska dukhad swar, iska parishkaran, isaki kavyatmak prastuti darshakon key liye koee kshatipurti naheen thee, joe vishesh roop seey una dinon mein-bayaan kii spashtata aur vichaar kii sateekta parr jore dete they.
2012 mein, "cross purpose" kaa ack utpaadan, landan key kings haid theatre mein angreji mein kiya gayaa thaa. aeye. aim. media productions dwara nirmit, jaimi birket ney martha key roop mein christina thornton key saath maan key roop mein, david lomax key roop mein zaan, melisanthi mahut key roop mein maria aur leonard fenton key roop mein boodhe aadami key roop mein abhinay kiya. 2013 mein dhaan kii naabhi koo maan key roop mein aur kemi-bow jacobs koo maria key roop mein utpaadan koo punarjeevit kiya gayaa thaa.

