
alfred wolfsohan voyce research center

alfred wolfsohan voyce research center ack pariyojana thee joe mukhar abhivyakti kii chikitsiya aur kalaatmak kshamata kii jaanch karane key liye sthaapit kii gaee thee. iss kendra kii sthaapana 1935 key dauran berlin mein alfred wolfsohan dwara kii gaee thee aur 1943 key dauran landan mein phir seey sthaapit kiya gayaa thaa, jahan unhone aur unake samkaaleenon aur uttaradhikariyon ney aise siddhanton aur prathaon koo vikasit kiya joe ack vistaarit mukhar takneek key upayog key liye neenv pradaan karate they. yeh takneek gayakon koo apani mukhar seema aur lachilepan koo vistaar dene kii anumati detee haye joe aamtaur parr bhaashan yaa geet mein sunaa jaataa haye.
kendra ney kalaa, abhivyanjak upchaar aur manochikitsa key bheetar kaee vikaason koo prerit, twarit aur prabhaavit kiya, jisamen roy haart dwara sthaapit roy haart theatre, geet, prarthana aur nirdeshit dhyaan key liye manochikitsaatmak drishtikon shamil haye, paul neuham dwara vikasit, sangeet chikitsa aur naatak chikitsa mein gaayan aur ashaabdik mukharta kaa naidaanik anuprayog, aur nritya chikitsa mein sahaj swar abhivyakti kaa upayog.
isake alawa, kendra mein vikasit vistaarit mukhar takneek kaa upayog awant garde theatre, prayogaatmak sangeet aur uttar-aadhunik nritya mein kalakaron dwara kiya gayaa haye, jisamen peater maxwell davis dwara rachit aur roy haart dwara prastut "ack pagal raajaa key liye aathh geet", georgy grotowski dwara nirdeshit "acropolis" (1962), peater brook dwara nirdeshit "orghast" (1971) aur paul neuham dwara rachit aur vistaarit mukhar takneek kaa upayog karke motionhouse dwara "house off bones" (1991) shamil hain.
kendra key charan.
alfred wolfsohan voyce research center koo chhah charanon mein vibhajit kiya jaa sakata haye, jinamen seey pratyek mein dhyaan dene kaa ack alag sthaan hotaa haye, lekin way sabhi ack samanya aadhar key prati saajha pratibaddhata seey ubharate hain. iss samanya aadhar mein dou tatva shamil they. sabse pahale, carle jung dwara sthaapit vishleshanatmak manovigyaan key siddhanton key prati pratibaddhata, sakriya kalpana takneek parr vishesh dhyaan dene key saath. doosara, vistaarit mukhar takneek kaa ack roop sthaapit karane kaa irada joe gayakon koo chikitsiya aur kalaatmak anuprayog donon key liye bhaavanaon aur paatron key ack vyaapak spectrum koo vyakt karane mein saksham ack atyadhik lachili mukhar shrinkhala vikasit karane mein saksham banaayega.
charan 1:1935-1939.
kendra kaa pahala charan 1935-1939 taka berlin mein faila huaa haye.
1914 mein, alfred wolfsohan koo sainya seva mein bharti kiya gayaa thaa, aur nirvahan key baad mukhar dhwaniyon key shravan matibhram seey pareshan hoe gayaa joe usane ghayal aur marr rahey sainikon koo karate hue sunaa thaa. baad mein unhein shelf shock kaa pataa chalaa, aur manochikitsa, sammohan aur dawa seey laabh uthaane mein whiffle rahane key baad, unhone sunee aur matibhram kii charam awazon koo mukhar karke khud koo thheek curr liya.
1935 mein, wolfsohan ney opera gaayak paula salomon-lindberg seey mulakat kii, jinhone unhein rahane aur una logon koo gaanaa sikhaane kii naukari kii peshkash kii jinhen unhone apane cumm pratibhashali chhatron key roop mein varnit kiya thaa. iss samay key dauran, wolfsohan ney mukhar shikshashastra key liye ack drishtikon vikasit karna shuru kiya jise unake shishyon ney chikitsiya bataaya. iss charan kii visheshta dou chhaatr samoohon key saath kiye gaye wolfsohan key prayog they. pahale mein way loga shamil they joe shuru mein apani peshevar gaayan praveenta mein sudhaar karane key iraade seey paath key liye aae they, lekin joe upchaaraatmak laabhon key kaaran bhaag lene key liye teji seey prerit hue. doosara samooh way they joe mool roop seey aur poori tarah seey chikitsiya uddeshyon key liye aae they, binaa kissy saarvajanik roop seey gaane key iraade key.
paula saloman-lindberg koo vishvaas naheen thaa kii wolfsohan kii takneek peshevar gayakon koo prashikshit karane key liye upayukt thee, aur unhone unake drishtikon kii aalochana kii. haalaanki, unhone sweekaar kiya kii unake shishyon ney unhein baadhaon koo door karane aur ack bhaavnaatmak rihaai kaa anubhav karane mein madad karane mein unake paath koo prabhaavi paaya jise wolfsohan ney cathartic key roop mein varnit kiya.
iss charan key dauran, wolfsohan ney yuddh key dauran apane anubhavon key baare mein, bhaashan aur geet mein aam taur parr sunee jaane vaali seema seey parey maanav aavaaj kii kshamata key baare mein apane vichaaron aur unake dwara sikhaae gaye paathon key prabhaav key baare mein nott banaae. yeye nott 'orpheus, auder dair wegg zu inner mask' naamak ack pandulipi mein vikasit hue.
iss charan key shuruati bhaag key dauran, wolfsohan kaa maanana thaa kii sigmund fried kii catharasis kii dhaarana sabse upayukt ruprekha thee jisake bheetar sthit honah aur jisake dwara unake shikshan key chikitsiya prabhaavon kii vyakhya kii jaa sakati thee. iss charan key dusare bhaag key dauran, wolfsohan ney carle jung key siddhanton kii khoj karna shuru curr diyaa, kyonki vaha ack saath apane swayam key mukhar shikshan mein adhik aatmavishvaas badhaane lagey. natijatan, wolfsohan ney apane chhatron koo aavaaj key madhyam seey bhaavnaatmak rihaai yaa cathersis kii suvidha dene parr cumm dhyaan kendrit karna shuru curr diyaa, aur unhein mansik kalpana koo mukhar abhivyakti dene mein madad karane parr adhik dhyaan kendrit kiya, jisamen way paatr aur janwar bhee shamil they jinka way apane sapanon mein saamana curr rahey they.
kendra key vikas mein yeh mahatvapurna bindu naazi germany key uday seey samaapt hoe gayaa thaa.
charan 2:1943-1956.
kendra kaa doosara charan 1943-1956 taka landan mein faila huaa haye.
1939 mein, wolfsohan naazi germany seey bhaag gaye, aur 1943 key dauran british sarkaar seey ack gaayak shikshak key roop mein kaam karane kii anumati praapt karane key baad landan mein apane kendra koo phir seey sthaapit kiya. iss charan key dauran kendra mein bhaag lene vaale kuchh chhatron kii peshevar yaa saarvajanik roop seey gaane kii mahatvakanksha thee, aur lagbhag sabhi ney upchaaraatmak laabhon kaa anubhav karane key liye wolfsohan key saath gaayan kaa paath liya. aise chhatron mein rabbi lionel blue they jinake kendra mein bhaag lene key vyaktigat kaaran una logon key prateek hain jinhone kaee anya paricharakon koo prerit kiyaah
mujhe pataa thaa kii meraa ack puuraa ayam thaa jise mujhe kabhi vyakt karane kaa avsar naheen milaa thaah bhaavanaaen yaa bhaavanaaen, yaa shayed sahaj pravritti. main bhee bahut samay taka kaafee baadhit mahsoos kartaa thaa, halanki main apani sherm koo chhipaane mein kaafee achchha thaa. yeh aisaa thaa jaise 'poorna main' baahar nikalana chaahata thaa, aur mujhe pataa thaa kii yeh 'main' kabhi bhee baat karke saamane naheen aaney vaalaa thaa. isaliye jaba maine unake [wolfsohan key] gaayan key drishtikon key baare mein sunaa, tou yeh turant mujhe pasand aaya, aur halanki main kewal ack chhoti avadhi key liye gayaa, lekin isase bahut madad millie. isane mujhe apane jeevan key anya kshetron mein vishvaas dilaaya.
jabaki kuchh chhaatr, jaise kii neela, ack chhoti avadhi key liye bhaag lete they, aksar kaee maheenon mein prati saptah ack gaayan paath key liye, anya poore dinn kendra mein bitaate they, gaayan paath karate they aur dusaron koo dekhate they. inmein jannie johnson shamil they, jinaki aavaaz wolfsohan key liye vishisht thee, joe unakaa maanana thaa kii vistaarit mukhar takneek key liye unake drishtikon mein prashikshit pratyek maanav aavaaz key liye sambhav thee.
wolfsohan key prashikshan key tahat, jannie johnson ney lagbhag 6 octave kii ack mukhar shrinkhala vikasit kii, saath hii saath lay key lachilepan ney unhein kaee alag-alag paatron koo naatakiya abhivyakti dene aur soprano, tenner, barritone aur baas key liye likhe gaye opera key bhaagon koo gaane kii anumati dee.
yeh iss charan key dauran thaa kii wolfsohan ney carle jung dwara sthaapit siddhanton mein apane shikshan koo dridhata seey sthaapit kiya, yeh maanate hue kii unhone sakriya kalpana naamak takneek key liye ack nae ghatak kii khoj aur vikas kiya thaa.
carle jung ney daavaa kiya kii maanas aur kalpana shabdon kaa upayog chhaviyon key ack hii srot koo sandarbhit karane key liye uchit roop seey ack dusare key sthaan parr kiya jaa sakata haye, yeh daavaa karate hue kii pratyek mansik prakriya mein kissy naa kissy tarah seey kalpana key saath ack muthbhed shamil hoti haye. jung ney sakriya kalpana koo ack aise saadhan key roop mein varnit kiya jisake dwara mansik chhaviyon koo vyakt kiya jaataa haye aur baahari roop seey prakat hoe jaataa haye, aur udaaharan key roop mein chitron, pariyon kii kahaaniyon, mithakon aur dhaarmik prateekvaad kii or ishara kiya.
alfred wolfsohan anusandhaan kendra key niyamit paricharakon kaa maanana thaa kii unhone usa tareeke kii khoj kii thee jisamen unaki vistaarit mukhar takneek aur unaki awazon kii parinami abhivyakti ashaabdik mukhar dhwani key madhyam seey sakriya kalpana koo pradarshit curr sakati haye, jisase jung koo baahari dhwanik abhivyakti milati haye jise 'mansik kalpana' kahaa jaataa haye.
jung key saath seedhe samvaad karane key kendra key prayaas whiffle rahey, aur isake paricharakon dwara pradarshit mukhar abhivyakti key drishtikon ney manochikitsa kii tulanaa mein prayogaatmak sangeet aur rangmanch mein isake sambhaavit upayog mein ruchi rakhane vaalon kaa adhik dhyaan aakarshit kiya.
charan 3:1956-1962.
kendra kaa teesara charan 1956-1962 taka landan mein faila huaa haye.
alfred wolfsohan voyce research center key charan 3 mein sansthaapak kii vistaarit mukhar takneek key kalaatmak upayog kii khoj parr dhyaan kendrit kiya gayaa thaa, jisamen yehudi menuhin, laurence olivier, peater ustinov, bertold visioner, edward downus, herman sherche, juuliyan huxley aur aldus huxley sahit aamantrit mehmaanon key liye geeton, kavitaon aur tatkalik pradarshan key tukadon sahit chhote pradarshanon kaa abhyaas aur prastut kiya gayaa thaa.
unhone joe dekhaa usase chintit hocker, inn aur anya aamantrit mehmaanon ney kendra key kaam koo prachaarit kiya, aur parinamswarup, kuchh paricharakon ney kaee saarvajanik pradarshan aur recording kii. inmein hoffnung sangeet mahotsav mein jannie johnson kii upasthiti aur smithsonian lock madhyamon dwara prakaashit sabhi niyamit lambe samay seey chaley aaa rahey chhatron kaa ack gramophone record shamil thaa.
iss charan key uttaraardh key dauran, royal academy off drama art key snaatak roy haart, jinhone 1947 mein kendra mein bhaag lena shuru kiya thaa, ney landan key vibhinn sthaanon parr abhinetaon aur naatak key chhatron key liye abhinay kakshaaen denaa shuru curr diyaa, aur una takneekon kaa upayog karna shuru curr diyaa joe unhone wolfsohan seey seekhi theen.
charan 4:1962-1974.
kendra kaa chautha charan 1962-1974 taka faila huaa haye.
1962 mein, wolfson beemar parh gayaa aur aspatal mein usaki mrityu hoe gaee. isake turant baad, haart ney wolfsohan key mool shodh seey praapt vistaarit mukhar takneek key chikitsiya aur kalaatmak anuprayog donon koo aage badhaane key apane iraade kii ghoshana kii.
wolfsohan kii mrityu ney kendra key paricharakon key beach ack vibhajan koo tej curr diyaa, jisaki parinati kuchh logon key sthaayi prasthaan mein hui jaba haart ney 1968-1969 key dauran ack theatre company kaa gathan kiya. unhone ise roy haart theatre kahaa, jisamen kuchh abhineta aur abhinay chhaatr shamil they, joe landan key aspas padhaate they aur anya joe kendra mein wolfsohan key chhaatr they, jinamen marita gunthar bhee shamil they, jinhen wolfsohan ney apani paandulipiyaan aur vyaktigat prabhaav diye they.
baad mein, haart, gunthar aur anya logon ney usa studio koo khaali curr diyaa jisamen wolfson ney kendra kii sthaapana key baad seey padhaaya thaa, aur hampstead mein nae parisar mein chaley gaye, unake saath kendra key kaam key apane dastavejikaran koo laker, jahaan unhone baad mein cinemagharon mein pradarshan kiye gaye kaee geeton kaa abhyaas kiya, jisamen "ack pagal raajaa key liye aathh geet" shamil they, vishesh roop seey peater maxwell davis dwara haart key liye likhe gaye. iss beach, baaki parichaarak joe haart kii theatre company mein shamil naheen hue, jinamen jannie johnson, unaki bahan jill johnson, iren landry aur leslie shapered shamil they, apane saath alfried wolfsohan voyce research center key kaam key photographic, phonographic aur likhit dastavej leey jaane seey pahale thode samay key liye baney rahey.
charan 5-1962-1985.
kendra kaa paanchvaan charan 1962-1985 taka faila huaa haye.
1962 aur 1992 key beach, alfred wolfsohan anusandhaan kendra, joe abb taka bhautik roop seey ack hii sthaan parr sthit thaa, pahale berlin mein, aur baad mein landan mein, titar-bitar hoe gayaa, kyonki landan kendra key kuchh mool parichaarak, joe haart kii theatre company mein shamil naheen hue they, ney sahyog karane, jaari rakhane aur alfred wolfsohan dwara shuru kiye gaye kaam koo majboot karane kii maang kii. yeh ack badee chunauti thee, kyonki way sanyukt raajya america, europe aur britten mein faile hue they.
unamen seey ack abhilekhiya lazely shapered they, jinhone doublin, ireland mein ack niji sangrah mein faile hue alfred wolfsohan voyce research center attendant dwara utpaadit kaee recording, tasveeren aur likhit dastavej ekatra kiye aur taiyar kiye, jabaki kendra koo phir seey sthaapit karane key liye dhana kii maang kii, aur sangrahalayon koo sangrah samagri patte parr dee. iss beach, kendra key paricharakon key paas joe abb roy haart theatre kaa hissa they, dastavejon koo france key dakshin mein melerargs mein sangraheet kiya gayaa thaa, jaba 1974 mein roy haart theatre vahaan chalaa gayaa thaa. usee samay, mareeta gunthar ney wolfsohan key kuchh lekhan aur pandulipiyon koo jamaa kiya joe unhein ammsterdam mein yahudi aitihaasik sangrahalaya key saath viraasat mein millie theen.
1974 mein ack kaar durghatana mein roy haart kii mrityu key baad, unaki company ney voyce class aur daura donon prayogaatmak sangeet key tukade aur naatakiya prastutiyon koo sikhana jaari rakhaa, jisamen ack vistaarit mukhar renz kaa upayog kiya gayaa thaa, jise wolfsohan dwara sthaapit takneekon koo lagu karke vikasit kiya gayaa thaa, aur haart dwara vistaarit kiya gayaa thaa. iss beach, alfred wolfsohan anusandhaan kendra key shesh paricharakon ney wolfsohan key jeevan aur kaary key pradarshanon aur sangrah dastavejon key saath sangrahalayon, colleges aur vishvavidyalayon kaa daura kiya.
charan 6:1985-1999.
kendra kaa chhathaa charan 1985-1999 taka faila huaa haye.
1985 mein, naatak kendra aur dartington college off arts key snaatak paul neuham ney roy haart theatre key ack sadasya enrique pardo key saath aavaaj kaa paath liya, joe kabhi wolfsohan seey naheen mille they, lekin haart key saath prashikshit they. neuham ney baad mein pardo seey seekhi gaee takneekon koo anukoolit karane kii maang kii taaki vibhinn prakaar kii akshamtaon vaale ashaabdik yuva vayaskon kii rachnaatmaktaa aur aatm-abhivyakti koo badhaava diyaa jaa sakey joe unhein bolane seey rokte they lekin phir bhee way kaee prakaar kii mukhar dhwaniyaan banaane mein saksham they. agale varsh, oxford mein libre theatre company key nideshak key roop mein kaam karate hue, ack naatak mandali jisamen viklang kalakar shamil hain, neuham ney kendra key paricharakon kaa pataa lagaana shuru kiya, jinhone alfred wolfsohan key saath adhyayan kiya thaa, jinamen way loga bhee shamil they joe unaki mrityu key baad titar-bitar hoe gaye they, aur joe abb roy haart theatre kaa hissa hain.
roy haart theatre company 1989 mein bhang hoe gaee jaba yeh spasht thaa kii isake sadasyon ney apane swayam key vishisht aur vivekpurna kaam kii sthaapana kii thee, vishesh roop seey 1981 mein enrique pardo dwara sthaapit prayogaatmak kalaa aur saanskritik pariyojana paine theatre apane maanad adhyaksh james hillman key sahayogi yogdan key saath.
leslie shapered, marita gunthar, yahudi aitihaasik sangrahalaya, british akadami aur midlex aspatal mein ference institute voyce clinic kii sahaayata seey, neuham ney vibhinn prakaar kii vistaarit mukhar takneekon parr shodh kiya, sansthaapak kii pandulipiyon sahit alfred wolfsohan voyce research center key samagr abhilekhagar kaa adhyayan kiya, aur ise redchurch street, east landan mein phir seey sthaapit kiya. neuham ney baad mein kendra mein nirdeshit dhyaan aur vichaar parr adharit ack chikitsiya paddhati taiyar karane key liye takneekon kaa vistaar kiya, jisamen prarthana key saath-saath geet bhee shamil they, jabaki jung dwara sthaapit vishleshanatmak manovigyaan key siddhant mein inn vikas koo praasangik banaaya gayaa thaa.
paul neuham dwara landan voyce center kaa naam badalkar 1999 mein bund curr diyaa gayaa jaba unhone chhod diyaa aur isake karyakramon key kuchh snatakon ney apani shikshaon koo jaari rakhane key uddeshya seey ack us-adharit school kii sthaapana kii.
viraasat aur prabhaav.
alfred wolfsohan voyce research center kaa prabhaav vibhinn tarikon key parinamswarup sabhi buddhiman vishayon mein spasht haye, jisamen isake paricharakon ney 1935 mein isake german sansthaapak dwara shuru kiye gaye kaam koo viraasat mein praapt kiya haye aur anukoolit kiya haye. iss sakshya mein saaraa povi dwara bujurg aabaadi key saath ack chikitsiya hastakshep key roop mein geet kaa naidaanik anuprayog shamil haye; dyne austin dwara vikasit mukhar manochikitsa; noa pikes dwara sikhai gaee vistaarit mukhar takneek mein prashikshan karyashalaen; abhivyanjak upchaaron mein chikitsiya sanchaar key madhyam key roop mein sangeet abhivyakti kaa viniyog; aur meredith bhikshu aur diamanda gallas sahit kaee gayakon dwara vibhinn vistaarit mukhar takneekon kaa upayog.