mujina

 yeh ack purana japani shabd haye joe mukhya roop seey japani baijar kaa ullekh kartaa haye, lekin paaramparik roop seey japani racoon kutte ("tanuki") key liye haye, joe bhram paida kartaa haye. bhram koo badhaate hue, yeh pesh kiye gaye nakabposh taad sivet koo bhee sandarbhit curr sakata haye, aur kuchh kshetron mein baijar jaise jaanvaron yaa japani racoon kutte koo "mummy" bhee kahaa jaataa haye.
upasthiti.
mujina" koo apane praakritik roop mein ack racoon-chehare vaalaa prani kahaa jaataa haye, jiska mukhya shareer ack japani baijar kaa hotaa haye. japan key kuchh hisson mein, unhein galat tareeke seey "tanuki" key roop mein sandarbhit kiya jaataa haye, jinake saath way dikhane key saath-saath karyon key mamle mein bhee nikatata seey sambandhit hain-bhale hii "tanuki" lomdi aur kutte seey javic roop seey sambandhit hain. vishisht roop seey "mujina" koo apane pett koo phulaane mein saksham honey key liye jaanaa jaataa haye, gaayan key dauran usa parr dhol bajaakar sangeet banaate hain. kuchh kahaaniyan ack kamare key aakar kaa ullekh karate hue, "aathh chataai" koo dhakane key liye apane andkosh koo phoolaane vaale baijar kaa bhee varnan karati hain. kabhi-kabhi, "mujina" ack "bhoot-aag" bhee banaayega, jise "tanuki-bee" (<unk>) bhee kahaa jaataa haye, joe will-oh '-dha-whisps jaisa dikhta haye. osaka-kishu jile kii maanyataon key anusaar, yeye aag utsarjak baijar aam taur parr barsaat kii raaton mein paae jaate hain.
parivartan mein, yeh kahaa jaataa haye kii "mujina" mein joe badal sakata haye, usaki sambhavanaen antaheen theen. kabhi-kabhi, unhein ack-aankh vaale haathi key roop mein dekhaa jaataa haye, aur kabhi-kabhi curr ekatra karane vaale sarkari adhikaari key roop mein. aam taur parr, yeye jeev apane peediton koo bahakaane key liye ack mahila model lete hain, jinamen seey adhikansh purush hotey hain. isaki pasandida upasthiti mein seey ack kaale kapade pahane bauddh pujari kii haye, jise "tanuki-bozu" bhee kahaa jaataa haye. jaba iss roop mein, "mujina" aam taur parr ack bauddh mandir key neeche rahata haye, saath hii isake sir parr ack ulta kamal kaa patta bhee hotaa haye. beshak, yeye baijar vishuddh roop seey maanav roopon taka seemit naheen they-way chamakdaar dhoomketuon, baad key stambhon, pattharon, pedon aadi mein badalane mein saksham rahey hain.
kyonki "mujina" ack alaukik prani haye, isake parivartan bhee alaukik lagenge. aisaa maanaa jaataa haye kii ack "sachcha naayak" hamesha "mujina" koo anya manushyon seey alag karane mein saksham hoga, jabaki ack bhadda aadami apani nadani key parinamon seey peedit hotaa haye. aakar badalane vaale "mujina" kii sabse spasht visheshta haye kii way "kitsoon" kii tarah thodaa prakaash chhod denge. unhein alag karane kaa ack aur tarika haye barish mein baahar rahate hue sookhe baahari kapadon kii talash karna. haalaanki, baad kii vidhi sthitijanya haye, aur isaliye hamesha lagu naheen hoti haye. mujina" key parivartan kii upasthiti hamesha sthir naheen hoti haye; yadi baijar koo soney key liye jaanaa thaa, tou unaki upasthiti poori tarah seey yaa aanshik roop seey bhee poorvavat hoe sakati haye.
visheshataaen.
anya yokai kii tarah, "mujina" ack kukhyaat chalbaaz haye, aur haanirahit mazaak khelane key liye apane aakar kaa upayog karane kaa anand letaa haye. isake peechhe ack kaaran yeh haye kii ack aakar badalane vaale key roop mein unaki kshamataon kaa pareekshan seemit kiya jaae aur vyavhaar kii nakal karane kii kshamata koo seemit kiya jaae. aisaa hii ack udaaharan "baijar kii chaal" kii kahani haye, jahan ack aadami ack yatra key dauran ack akeli jhopadi mein rukta haye, kewal yeh pataa lagaane key liye kii yeh ack aakar badalane vaalaa "mujina" thaa jisane khud koo ack ghar key roop mein prachhann kiya thaa. beshak, aisee kaee kahaaniyan bhee hain jahan baijar khud dukhad roop seey, kabhi-kabhi ghaatak roop seey bhee, bahishkrit hotaa haye.
aisaa maanaa jaataa haye kii halanki yeye prani behad arajak hoe sakate hain, lekin unakaa dill komal hotaa haye aur way jaanate hain kii kaise aabhaari honah haye. aisee hii ack kahani shree key baare mein bataati haye. kitabayashi aur uska parivaar, joe kuchh samay key liye ack badmash parivaar koo khilaate hain. baad mein, jaba ack jode key chor kibyashi koo dhamki dete hue unake ghar mein ghusate hain, tou parivaar key vayask badmash ghuspaithiyon koo daraane aur unaki udaartaa key liye kitbayashi parivaar koo chukaane key liye vishal pahalvaanon key roop mein vaapas aaa jaate hain.
samanya taur parr, "mujina" koo krodhit karna behad mushkil haye, lekin yadi aap kabhi aisaa karate hain, tou way badee trasdi kaa kaaran bunn sakate hain. krodh key yeye mamle aksar unake rahane kii jagah seey sambandhit hotey hain, jaise kii unaki maand koo nasht karna yaa unake parivaaron parr hamla karna. mujina" kii kriyaaen kewal lakshya koo lubhaane seey laker ack sthaan taka aur lagaatar aakar badalane key saath unhein bhatkaane, peedit koo maarne key liye bahakaane taka hoe sakati hain. haalaanki, aisaa kabhi samay naheen hoga jaba "mujina" binaa kissy kaaran key badniyati seey kaary karey.
vaastaviktaa mein.
mujina" shabd parr bhram key kaaran japan mein kanuni parinam saamane aae hain. 1924 mein tochigi praant mein, ack shikari ney ack racoon kutte koo maar daala, jise vaha "mujina" kahata thaa. unakaa maanana thaa kii baijar ack sanrakshit prajaati thee kyonki unhein tochigi praant mein "tanuki" kahaa jaataa thaa. haalaanki, "tanuki" key shikaar parr pratibandh lagaane vaalaa kaanoon aise racoon kutton kaa ullekh curr rhaa thaa, kyonki ack racoon kutte koo tokyo mein "tanuki" kahaa jaataa haye. japani sarvocch nyayalaya ney faisala sunaaya kii shikari vaidh roop seey bhramit thaa (halanki usey doshi naheen thaharaae jaane kaa kaaran "shikaar kii tarikh" kii vyakhya parr thaa, naa kii bhram shabd parr).
lokkathaon mein.
japani lokkathaon mein, jaise kii "kitsun" (lomdi) aur "tanuki" (aamtaur parr ack japani racoon kutta), "mujina" (joe racoon kutta yaa baijar hoe sakata haye) koo aksar "yokai" key roop mein darshaaya jaataa haye joe manushyon koo badal detaa haye aur dhokha detaa haye. way pahali baar maharani suyako key 35vein varsh (627) key baare mein nihon shoki mein saahitya mein dekhe gaye hain, jahan yeh kahaa gayaa haye, "vasant key dou maheenon mein, mujina key desh mein mutsu (2 maheene, <unk> <unk> ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′ ′) hain, way manushyon mein badal jaate hain aur geet gaate hain (′ ′ ′ ′ ′ ′ ′ ′)" yeh darshaate hue kii usa yug mein, samanya vichaar thaa kii mujina shoppift aur dhokhebaaz manushya. shimosa kshetra mein, unhein bulaaya jaataa haye, aur way ack "kozo" (chhote bhikshu) mein badal jaate hain, joe ack kappa jaise bobed sir key saath ack ajib tarah seey chhota kimono pahanate hain, aur aksar raat mein sadakon parr dikhaai dete hain, binaa kaee logon key aur kahate hain, "."ack chehare rahit bhoot (ack nopera-bow) kii gawahi key baare mein lafcadio heern key" "sangrah" "jise" "mujina" "kahaa jaataa haye, mein kahani bhee prasiddh haye.
kwaidan seey chehra rahit bhoot.
19 maee, 1959 koo, "honolulu vigyapandata" reporter bobb cross ney kahal mein vayale drive-inn theatre mein ack "mujina" key dekhane kii soochana dee. cross ney bataaya kii gawah ney mahilaaon key shauchalaya mein ack mahila koo apane baal kanghi karate hue dekhaa, aur jaba gawah kaafee karib aaya, tou "mujina" ney apana bejod chehra prakat karate hue muda gayaa.
gawah koo ghabarahat key kaaran aspatal mein bharti karaaya gayaa thaa. prasiddh havaai itihaaskaar, lokkathakar aur lekhak glain grant ney 1981 key ack radio sakshatkar mein kahani koo afwah key roop mein khariz curr diyaa, kewal gawah dwara khud bulaaya gayaa, jisane ghatana parr adhik vivaran diyaa, jisamen pahale seey aprakaashit vivaran bhee shamil thaa kii "mujina" mein laal baal they. drive-inn abb maujood naheen haye, saarvajanik bhandaran key liye jagah banaane key liye faad diyaa gayaa haye.
grant ney havaai mein 'eeva beach seey laker hilo taka kaee anya "mujina" dekhane kii soochana bhee dee haye.
anya upayog.
yeh shabd nimnalikhit koo bhee sandarbhit curr sakata haih

