samson aur delilah (opera)

samson aur delilah (), opp. 47, teen krityon aur chaar drishyon mein ack bhavya opera haye joe camill sent-saine dwara ferdinand lemyer dwara ack french libretto key liye haye. yeh pahali baar 2 disambar 1877 koo ack german anuvaad mein (grand ducal) theatre (abb statscoppel weamer) mein weamer mein pradarshan kiya gayaa thaa.
opera puraane vasiyatname mein nyayadhishon kii pustak key adhyaay 16 mein paaee jaane vaali samson aur delilah kii bibil kii kahani parr adharit haye. yeh sant-saine dwara niyamit roop seey prastut kiya jaane vaalaa ekmatra opera haye. delilah key tambu mein doosara abhinay prem drishya sett pees mein seey ack haye joe french opera koo paribhaashit kartaa haye. delilah key dou ariaz vishesh roop seey prasiddh hainh "(vasant shuru hotaa haye) aur" ("meraa dill aapaki aavaaz key liye khud koo kholata haye", jise "softly awakes maaee haart" key roop mein bhee jaanaa jaataa haye), jisamen seey baad vaalaa mezo-soprano/contralto pradarshanon mein sabse lokpriya gaayan tukadon mein seey ack haye.
rachana kaa itihas.
19veen shatabdi key madhya mein, coral sangeet mein ruchi kaa punrutthan france mein fail gayaa, aur sent-saine, joe handell aur mendelsone key auretorio key prashansak they, ney samson aur delilah key vishay parr ack auretorio likhane kii yojana banaai, jaisa kii voltaire key libretto "samson" dwara ramo key liye sujhaaya gayaa thaa. sangeetkaar ney 1867 mein apani pahali opera (aur taba taka pradarshan naa karane vaali), "leey timbrey dee 'sargent" koo puuraa karane key sirf dou saal baad vishay parr kaam karna shuru kiya. sant-saine ney apani patni key chachere bhaaiyon mein seey ack key pati ferdinand lemair seey ortorio key liye ack libretto likhane key baare mein sampark kiya thaa, lekin lemair ney sangeetkaar koo aashvast kiya kii kahani ack opera key liye behtar thee.
sant-saine ney baad mein likhaah merey ack yuva rishtedaar ney ack aakarshak yuvak seey shaadi kii thee jisane buggle mein kavita likhi thee. mujhe ehsas huaa kii vaha pratibhashali thaa aur vaastav mein usake paas vaastavik pratibha thee. maine unhein ack bibil vishay parr merey saath ack vaktaa parr kaam karane key liye kahaa. 'ack ortorio!', unhone kahaa,' naheen, chalo ise ack opera banaate hain!', aur unhone bible koo khodna shuru curr diyaa, jabaki maine kaam kii yojana koo rekhaankit kiya, yahaan taka kii drishyon koo sketch kiya, aur unhein kewal padya rachana karane key liye chhod diyaa. kissy kaaran seey maine sangeet kii shuruat act 2 seey kii, aur maine ise ghar parr chuninda darshakon key liye bajaaya joe ise kuchh bhee naheen banaa sakate they.
lemyer dwara libretto samaapt karane key baad, sant-saine ney opera key adhiniyam 2 kii sakriya roop seey rachana karna shuru curr diyaa, jisamen dalila key liye ack eriya, samson aur dalila key liye ack yugal geet, aur corus key liye kuchh sangeet key tukade (jinamen seey kuchh koo baad mein adhiniyam 1 key liye saunpa gayaa thaa) kaa nirmaan kiya gayaa. shuru seey hii, kaam kii kalpana samson aur dalila key beach ack bhavya yugal key roop mein kii gaee thee joe aaney vaale toofaan key khilaf shuru huaa thaa. halanki orchestration abhee taka puuraa naheen huaa thaa, lekin 1870 mein franco-russie yuddh key prakop seey thheek pahale ack niji pradarshan mein act 2 prastut kiya gayaa thaa, jisamen sent-saine ney orchestra bhaagon koo bajaaya thaa, joe kaafee hudd taka piano parr tatkalik they. sangeetkaar augusta holmes (dalila), chitrakaar heinry regnault (samson) aur roman busin (mahayajak) ney apani bhoomikaon koo aanshik pustakon seey prastut kiya.
kaee poorvavarti key bavjood, francisi janata ney munch parr ack bibil vishay rakhane key sant-saine key iraade parr nakaratmak pratikriya vyakt kii. janata kii or seey chetavani key kaaran unhein agale dou varshon key liye opera parr aage kaam karna chhod denaa padaa.
1872 kii garmiyon mein, sant-saine key dusare opera "laa princess jaun" key premiere key bahut lambe samay baad, sangeetkaar veemar key darbar orchestra aur opera key poorv sangeet nirdeshak franz list key batton key neeche wagner key "daas reingold" key pahale punruddhar koo dekhane key liye veemar gaye. list pratibhashali sangeetkaron dwara naee kritiyon key nirmaan mein atyadhik ruchi rakhate they aur unhone sant-saine koo "samson aur delilah" koo samaapt karane key liye raaji kiya, yahaan taka kii weimer mein grand-ducal opera house mein puuraa kiya gayaa kaam bhee taiyar karane kii peshkash kii. protsaahit, sant-saine ney 1872 key anta mein adhiniyam 1 kii rachana shuru kii aur agale kuchh varshon taka chhitput roop seey iss parr kaam kiya. unhone ack badee matra mein adhiniyam 1 likhaa aur 1874 mein algiers kii yatra key dauran ise puuraa kiya. 1875 mein france lautane parr, sent-saine ney adhiniyam 2 key 1870 key pradarshan key samaan praarup mein peris mein adhiniyam 1 prastut kiya. sangeet alochakon dwara kaam koo kathorta seey praapt kiya gayaa aur janata kii ruchi praapt karane mein whiffle rahey. usa varsh mezo-soprano paulin vierdot kii prashansa kii gaee, jinake liye sant-saine ney dalila kii bhoomika likhi, crossy mein ack dost key ghar parr sangeetagya key saath, ack niji pradarshan mein aayojit aur pradarshan kiya. vierdot iss kaam kii bahut badee prashansak theen aur unhein ummeed thee kii yeh niji pradarshan peris opera key nideshak hallanzier koo, joe upasthit they, ack poorna utpaadan karane key liye protsaahit karega. halanki sent-saine ney 1876 mein score puuraa kiya, lekin france mein kissy bhee opera house ney "samson aitt dalila" koo munch parr laane kii koee ichcha pradarshit naheen kii. halanki, list key nirantar samarthan key kaaran 1877 mein wimer mein kaam shuru kiya gayaa.
pradarshan kaa itihas.
veemar mein premiere.
halanki list abb weamer mein sangeet nirdeshak naheen they, phir bhee unhone weamer darbar mein ack shaktishali prabhaav daala. edward lassen, nirdeshak jinhone wimer mein list kaa anusaran kiya, apani safalata kaa adhikansh hissa apane prasiddh poorvavarti key liye rinee they, aur list ney apane prabhaav kaa upayog munch parr 1877/1878 season key dauran lassen key saath "samson aitt dalila" key premiere kii vyavastha karane key liye kiya. libretto kaa nirmaan key liye german mein vidhivat anuvaad kiya gayaa thaa aur opera kaa pahala pradarshan 2 disambar 1877 koo grossherzoglychess theatre (grand ducal theatre) mein diyaa gayaa thaa. wiardot dalila gaane key liye bahut purana thaa isaliye bhoomika koo weamer opera house mein ack nivasi kalakar august wonn muller koo saunpa gayaa thaa. halanki wimer alochakon aur darshakon key saath ack shandar safalata, opera koo anya opera houses mein turant punarjeevit naheen kiya gayaa thaa.
1890 key dashak mein antarrashtriya lokpriyata kii shuruat.
apane shuruati varshon mein kaee asafalataon key baad, "samson aitt dalila" ney antatah 1890 key dashak key dauran duniya key mahaan opera houses kaa dhyaan aakarshit karna shuru curr diyaa. haalaanki "samson aitt dalila" kaa agala nayaa utpaadan 1882 mein germany mein hamberg state opera mein thaa, lekin baad mein opera koo taba taka phir seey naheen dekhaa gayaa jaba taka kii ise pahali baar france mein ruen mein thetre days arts mein 3 march 1890 koo dalila key roop mein carlotta bossy aur samson key roop mein jeane-alexandre taalaazaik key saath pradarshan naheen kiya gayaa thaa. opera koo 31 octuber 1890 koo addon-threatrey mein ack baar phir dalila key roop mein rossin blotch aur taalaazaik gaayan samson key saath peris darshakon dwara bahut germ swaagat key saath peris premiere praapt huaa. agale dou varshon mein, bordo, geneva, tolaus, nantes, disen aur montpellier mein pradarshan diye gaye. peris opera ney antatah 23 navambar 1892 koo sent-saine kii dekhrekh mein ack pradarshan mein opera kaa manchan kiya, joe edward collon dwara blanch deschamps-jehin key saath dalila key roop mein aur admond verganet ney samson key roop mein kiya gayaa thaa. lapicida dwara nirdeshit, iss munch mein charles bianchini dwara veshbhusha aur amable aur eugene guardy (adhiniyam 1 aur 2), aur eugene carpaset (adhiniyam 3) dwara sett kiya gayaa thaa. iss pradarshan kii alochakon aur darshakon ney samaan roop seey sarahana kii.
"samson aitt dalila" ney 1890 key dashak key dauran france key baahar bhee bahut lokpriyata arjit kii. opera ney 15 march 1892 koo opera dee monte-carlo mein monaco mein safaltapurvak shuruat kii. isake baad 25 march 1892 koo ack sangeet karyakram sanskaran mein kaarnegi holl mein opera kaa sanyukt raajya premiere huaa. yuu. mein opera kaa pahala manchan kiya gayaa.aiss. 4 janwari 1893 koo french opera house, nyu orleans mein aayojit kiya gayaa thaa. newyork shahar mein metropolitan opera mein kaee prastutiyon mein seey pahala 2 farwari 1895 koo aayojit kiya gayaa thaa, jisamen eugenia maintelli koo dalila key roop mein, francico tamagno koo samson key roop mein, aur poul planon ney abimelech aur puraane hebru donon koo chitrit kiya thaa. iss baat key kuchh pramaan hain kii mett key nirmaan key liye sett unake kuchh anya opera seey liye gaye they, aur usa season key dusare pradarshan mein kaam sangeet karyakram mein diyaa gayaa thaa, jisamen baile anukramon koo hataa diyaa gayaa thaa; iss roop mein kaam boston kii yatra kii, jahan ise 3 march 1895 koo pradarshan kiya gayaa thaa.
opera ney 26 march 1892 koo itali mein teatro pagliano (teatro verdy (florence)) mein apana premiere kiya. opera koo 8 march 1893 koo teatro laa phenis mein venis mein diyaa gayaa thaa, jisamen elissa persini koo dalila aur augusto broggy koo samson key roop mein diyaa gayaa thaa. yeh kaam pahali baar 17 janwari 1895 koo laa scala mein diyaa gayaa thaa, jisamen renee vidal koo dalila aur emuel lafarge koo samson key roop mein diyaa gayaa thaa. isake baad 6 janwari 1897 koo teatro regio dee torino mein iska pahala pradarshan huaa, jisamen ellis cusini aur irma dee spagney koo dalila aur hector duperon koo samson key roop mein baari-baari seey prastut kiya gayaa. yeh kaam pahali baar usee varsh teatro regio dee parma mein kiya gayaa thaa aur 1899 mein teatro communel dee bologna mein sthaapit kiya gayaa thaa.
ingland mein, opera pahali baar 25 sitambar 1893 koo shaahi opera house, covent garden mein prastut kiya gayaa thaa. halanki company ney poori tarah seey manchit utpaadan mein kaam karane kii yojana banaai, lekin lord chamberlain ney bibil key kaam parr apatti jataai aur company koo ack sangeet karyakram sanskaran mein opera prastut karane key liye majboor kiya gayaa. 1909 taka landan mein iska manchan naheen kiya gayaa thaa jaba pratibandh antatah hataa liya gayaa thaa. luis kirkabi lune ney 1909 key production mein dalila aur charles fontain ney samson kaa chitran kiya. baad mein, paul franz ney naayak kii bhoomika mein fontain kii jagah lii, jisase sangeetkaar ney apani aavaaz kii gunavatta aur apani vyakhya donon key liye prashansa arjit kii.
20veen aur 21veen sadee key pradarshan kaa itihas.
1906 taka, "samson aitt dalila" koo antarrashtriya star parr 200 seey adhik pradarshan praapt hue they. opera taba seey madhyam roop seey lokpriya banaa huaa haye aur, jabaki sabse adhik baar pradarshan kiye jaane vaale operon mein seey naheen haye, yeh kaam adhikansh pramukh opera gharon mein maanak opera pradarshan kaa ack hissa bunn gayaa haye. opera koo naa kewal europe aur uttari america mein, balki dakshin america, australia aur asia mein bhee kaee baar punarjeevit kiya gayaa haye. jabaki sant-saine key baad key kissy bhee opera koo apane shuruati varshon key dauran "samson aitt dalila" dwara sahan kiye gaye kleshon kaa saamana naheen karna padaa, unake kissy bhee anya kaary ney bhee vahee sthaayi safalata hassil naheen kii haye.
uttari america mein, francisi contralto jeane gerville-reeche koo beesavin shatabdi kii shuruat mein sanyukt raajya america aur kanada mein kaam koo lokpriya banaane kaa shreya diyaa jaataa haye. reeche ney pahali baar 1908 mein newyork shahar mein mainhattan opera company key saath delilah kii bhoomika nibhai aur agale saat varshon mein kaee baar bhoomika koo gaaya, jisamen philadelphia, boston, shikago aur montrial (1915 mein kanadai premiere key liye) mein pradarshan shamil they.
metropolitan opera ney apane 1915/1916 season mein opera koo punarjeevit kiya, jisamen delilah key roop mein margaret matzenoire, samson key roop mein enrico caruso aur pradhaan pujari key roop mein passquel amato they. taba seey company ney harr dashak mein cumm seey cumm ack baar opera key nirmaan kaa manchan kiya haye, jisamen kaam key 200 seey adhik pradarshan kiye gaye hain. placido domingo ney 1981 mein saine francisco opera production mein saha-kalakar sherley veret key roop mein pradarshan kiya, julius rudel key tahat aur olga borodina key saath mahanagariya opera key 1998 key utpaadan mein. metropolitan dwara opera kii haal kii prastutiyaan 2006 mein marina domashenko aur olga borodina key saath delilah key roop mein baari-baari seey hui hain, aur 2018 mein aliana garanca aur roberto alagna key saath. shikago key geet opera ney navambar 1962 mein opera kaa apana pahala pradarshan diyaa jisamen rita gor koo delilah aur samson key roop mein prastut kiya gayaa thaa. company ney taba seey kaee baar kaam koo punarjeevit kiya haye, haal hii mein apane 2003/2004 season mein dalila key roop mein olga borodina aur samson key roop mein jose cura key saath. isi tarah, saine francisco opera ney apane itihas key dauran opera kaa 10 baar manchan kiya haye, jisamen 1925 mein apana pahala pradarshan diyaa gayaa haye, jisamen margaret dee 'alvaarez aur fernand ansau pramukh bhoomikaon mein hain, aur 2008 mein iska sabse halia pradarshan, borodina aur clifton nishedh key saath.
"samson aitt dalila" europe key opera houses mein ack nirantar upasthiti bunn gaee. 1920 taka, akele peris opera ney opera key paanch sou seey adhik pradarshan kiye they. dwiteeya vishva yuddh key baad key dashakon mein, ise europeeya darshakon dwara cumm baar sunaa gayaa thaa; lekin 1980 key dashak key baad seey isane apani poorv mahadvipiya lokpriyata koo phir seey hassil curr liya haye. haal key europeeya prastutiyon mein 2002 mein laa scala, milan (domingo aur borodina) mein pradarshan shamil hain; shaahi opera house, covent garden, 2004 mein (graves aur jose cura koo aswikar karein) aur phir 2022 mein; 2008 mein shaahi swedish opera (enaa larson aur lars cleaveman).
apane poore itihas mein, "samson aitt dalila" ney kaee gayakon key liye ack starr vaahan key roop mein kaam kiya haye. delilah kii bhoomika koo mezo-soprano key liye mahaan opera bhoomikaon mein seey ack maanaa jaataa haye.
libretto.
halanki "samson aitt dalila" kaa libretto nyayadhishon kii pustak key adhyaay 16 seey liya gayaa haye, opera mein samson key veertapurna karyon key vivaran shamil naheen hain, jinhone unhein ibraniyon key beach prasiddhi aur netritva donon arjit kiye. samson dwara ack shher koo maarne aur 1000 philistiniyon parr usaki jeet key vivaranon koo chhod diyaa gayaa haye, jabaki kewal ack gadhe kii jabade kii huddy koo chalaaya jaataa haye. sant-saine aur unake granthpal ney sambhavatah yeh vikalp chunaa taaki kahani dalila parr kendrit hoe. isaliye, samson koo bible key lagbhag alaukik naayak key bajaay ack prerak netaa key roop mein prastut kiya jaataa haye. yeh uska kamjor, komal dill aur ack alag mahila seey pyaar key virodh key prati usaki samvedansheelta haye joe kathaanak kaa kendra haye. delilah koo ack jodd-toda, milibhugat, kroor mahila key roop mein chitrit kiya gayaa haye joe badala lene parr tule hue haye. bibil key khaate mein apani taakat key rahasya koo chhipaane key samson key kaee prayason kaa ullekh kewal opera mein pradhaan pujari key saath apane yugal geet mein dalila dwara kiya gayaa haye, aur yeh rahasyodghatan kii unaki taakat unake baalon mein rahati haye, munch key baahar hotaa haye. opera mein kuchh aisee samagri shamil haye joe bible mein naheen paaee jaati haye jaise kii adhiniyam 1 mein abimelech kii mrityu.
saransh.
adhiniyam 1.
"raat mein gaza mein ack chaukor"
dagon key mandir key baahar ack chauk mein, ibraniyon kaa ack samooh ack udas corus ("du dee 'isrel-israel kaa devta") mein philistine key saath apane bandhan seey raahat key liye bhagwan seey bheekh maangata haye, joe ack bhagode ("naus avonus vu nose citis reneversis-hamane apane shaharon koo palatate dekhaa haye") kii or leey jaataa haye. samson corus kii nirantar prarthana key khilaf ack uttejak eriya sett mein israel key manobal aur bhagwan mein vishvaas ("arretez, о mes fèrères-stop, oh merey bhaaiyon") koo punarjeevit karane kii koshish kartaa haye. filishtiyon kaa rajyapal abimelech prakat hotaa haye aur israeliyon parr taanaa maartaa haye, yeh kahate hue kii way asahaay hain kyonki unake bhagwan ney unhein chhod diyaa haye. vaha aage kahata haye kii uska bhagwan, dagon, kaheen behtar haye ("see du kyu votare walks implore-yeh bhagwan jise aapaki aavaaz prarthana karati haye"). abimelech key saamane ibraniyon ney darr seey taba taka darna shuru curr diyaa jaba taka kii samson unhein avagyaapurna kaarravaai key liye uksaataa naheen. krodhit hocker, abimelech apani talwar seey ack nihatthe samson parr hamla kartaa haye. samson abimelech seey talwar chheenane aur usey maarne mein kamyab hoe jaataa haye.
abb kyaa hoe sakata haye, iss darr seey hebru samson koo chhodkar bhaag jaate hain. dago kaa pradhaan pujari philistini mandir seey aataa haye aur ibraniyon aur samson kii adbhut shakti koo shaap detaa haye. ack doot aataa haye aur pradhaan pujari koo soochit kartaa haye kii ibri fasal koo nasht curr rahey hain. vaha ack aur shraap key saath pratikriya kartaa haye joe dalila kii sundarta kaa upayog samson kii taakat koo paar karane key liye usaki sajish kaa sanket detaa haye ("kyu 'enfin una compain infame trahis soone amaur! - aakhirkaar ack kukhyaat saathi apane pyaar kaa vishvaasghaat kartaa haye!").
jaise hii subah hoti haye, ibraniyon ney bhagwan key liye ack vinamra prarthana koo ack sadharan mantra kii yaad dilaane vaali shally mein uthaaya. mandir seey kaee pujaariyon key saath dalila nikalati haye. jaba way mandir kii seedhiyon seey neeche chalate hain, tou way vasant key sukhon key baare mein gaate hain. dalila samson key saath yeh ghoshana karate hue lubhaati haye kii usane uska dill jeet liya haye aur usey usake saath ghaav kii ghaati mein usake ghar aaney key liye bolly lagaati haye. jaba vaha usey aakarshit karane kii koshish karati haye, tou ack boodhe hibru key roop mein ack tikadi iss mahila dwara prastut khatare key baare mein chetavani detee haye aur samson dalila key aakarshan seey bhagwan kii suraksha key liye prarthana kartaa haye. samson koo israel key vidroh key netritva seey door karane key prayaas mein, dalila aur pujari usake liye ack tamburin key saath ack yaun aaveshpurna nritya shuru karate hain. nritya key baad, dalila gaati haye kii usake chaaron or vasant kaise khil rhaa haye, phir bhee usake dill mein, usey lagata haye kii abhee bhee sardi haye ("printemps kwi shuru hotaa haye-vasant shuru hotaa haye"). jaise hii samson dalila key liye apani ichcha key saath sangharsh kartaa haye, purana hibru apani chetavani yachika koo dohrata haye. haalaanki, usaki chetavani vyarth hoe jaati haye aur pardaa bund hoe jaataa haye kyonki samson apane paas key ghar jaane key harr iraade key saath dalila kii nazaron seey milata haye.
adhiniyam 2.
"dard kii ghaati mein delilah kaa peechhe hatna"
dalila jaanati haye kii samson usake saath pravesh curr gayaa haye aur philistine key khilaf kranti kaa netritva karane key bajaay usake paas aayega. apane peechhe hatane key pravesh dwaar key baahar ack chattan parr baithi, vaha samson koo fansaane kii apani shakti key baare mein vijayi roop seey gaati haye. vaha kahati haye kii usaki saaree taakat pyaar key hamale ("pyaar! vience adder maa fabless-pyaar! aao merrie kamjori kii madad karo ").
door kii bijli koo dekhaa jaataa haye kyonki mahayajak yeh bataane key liye aataa haye kii samson aur ibraniyon ney philistine parr vijay praapt curr lii haye. vaha dalila sonaa dekar samson koo pakadane kaa prayaas kartaa haye, lekin vaha yeh kahane seey incar curr detee haye kii vaha paise kii naheen balki kewal badala lene kii parwah karati haye. samson koo chot pahunchaane kii usaki ichcha poori tarah seey apane devtaon key prati usaki nishtha aur ibraniyon key liye usaki nafrat seey prerit haye. dalila aur mahayajak samson aur ibraniyon key liye apani aapsi ghrina vyakt karate hue ack yugal geet gaate hain. dalila samson kii taakat key rahasya kii khoj karane kii kasam khaati haye.
abb akeli, dalila apani safalata kii sambhaavanaon parr vichaar karati haye. samson, joe hibru vidroh key netaa key roop mein apani jagah lene kaa irada rakhta haye, apani antim vidaai kahane key liye ubharata haye kyonki ack baar phir seey door kii bijli dikhaai detee haye. usa jaal koo bund karane key prayaas mein joe usane samson key liye rakhaa haye, dalila samson koo lubhavani roop seey bataati haye kii aggar vaha usey chaahata haye tou vaha poori tarah seey uska haye. vaha usey apane sneh kaa jawab dene key liye vinati karati haye, ummeed karati haye kii vaha anta mein anya sabhi cheejon koo chhod dega aur poori tarah seey usa parr dhyaan kendrit karega. uska sweekaar "main naheen huun!"uska mukhya ariya" "mone cure aiss 'yoore aeye taa walks-meraa dill aapaki aavaaz key liye khulata haye", "joe doosari kavita parr ack yugal bunn jaataa haye jaba samson geet mein usake saath shamil hoe jaataa haye. abb jaba dalila ney usey apani shakti mein rakhaa haye, tou vaha usaki dridhata mein avishvaas kaa naatak karati haye aur maang karati haye kii vaha usey apani shakti key rahasya parr vishvaas dilaakar apana pyaar dikhaae. samson phir seey gadgadaahat sunata haye joe abb bhagwan kii or seey ack chetavani kii tarah lagata haye aur manaa curr detaa haye. dalila rotee haye aur usey gaali detee haye aur apane ghar mein ghus jaati haye. samson kshanik roop seey fatey hue hain lekin phir ander seey dalila kaa peechha karate hain. kuchh hii samay baad, aakhirkaar yeh jaanane key baad kii samson kii taakat kaa rahasya usake lambe baal hain, vaha chhipe hue philistini sainikon koo bulaati haye, joe samson koo pakadane aur andhe karane key liye daudate hain.
adhiniyam 3.
"" "gaza kaa shahar" ""
"drishya 1: gaaja mein ack kalkothri mein"
usake baal katey hue aur abb andhe aur bediyon seey bandhe hue, samson ack chakr-chakr badal rhaa haye aur apane logon key liye prarthana curr rhaa haye, joe usake paap key liye peedit hoga. vaha unaki aavaaz sunata haye, adhiniyam 1 seey ibraniyon key vilaap koo pratidhwanit kartaa haye. paschaataap key saath door hoe jaataa haye, samson balidan mein apana jeevan detaa haye, jabaki door seey ibraniyon koo apane bhaagya parr vilaap karate hue sunaa jaataa haye.
"drishya 2: dagan key mandir mein"
ack sangeetmay antaral bajaaya jaataa haye kyonki drishya dagon key mandir mein badal jaataa haye, jahan philisti apani jeet key uplakshya mein ack balidan kii taiyari curr rahey hotey hain. paadari aur paadari dheere-dheere gaate hain, geet koo adhiniyam 1 seey vasant taka dohrate hain. sangeet kroor hoe jaataa haye kyonki pujari ack jangli bachchanaale nritya karate hain. nritya key baad, samson ack ladke key netritva mein pravesh kartaa haye. mahayajak aur bheed dwara unakaa upahaas kiya jaataa haye. dalila samson parr taanaa maarati haye aur usey apane prem geet key ack sanskaran mein apane kapati kathaanak kaa vivaran bataati haye. jaba pujari usey rath key saamane ghutane tekane key liye majboor karane kii koshish karate hain, tou vaha ladke koo mandir key dou mukhya stambhon taka leey jaane key liye kahata haye, phir bachche koo bhaagne key liye kahata haye. samson apani shakti koo bahaal karane key liye bhagwan seey prarthana kartaa haye, aur khud koo aur apane dushmanon koo kuchalate hue stambhon aur unake saath mandir koo neeche dhakelata haye. pardaa girata haye.
sandarbh.
notes
uddhrit srot

