
nightfall (1988 film)

nightfall 1988 kii ack americi vigyaan kathaa film haye jise paul mayersberg dwara likhit aur nirdeshit kiya gayaa haye, joe isaq asimov dwara isi naam kii 1941 kii laghu kahani parr adharit haye.
utpaadan.
"nightfall" ack chhoti see kahani thee jisane 1941 mein prakaashit honey parr isaq asimov kii pratishtha sthaapit karane mein madad kii. 1979 mein jaba juulii corman ney "newyork times" mein ack asimov sankalan kii sameeksha padhee tou unhein isake baare mein pataa chalaa. vaha "una logon key baare mein ack kahani seey aakarshit hui thee jinake paas pahchaanane yogya naitik duvidhaaen hain", aur unhone screen adhikaar khareed liye. roser corman ney 1980 mein ghoshana kii kii vaha ack german company key saath saha-nirmaan karate hue 60 laakh dollar key bajat key saath film banaayega.
jaba asimov ney khud kahani koo anukoolit karane kaa mauka thukra diyaa, tou juulii corman ney paul mayersberg seey sampark kiya, joe taba "dha maine huu faul too arth" likhane key liye jaane jaate they. vaha paas hoe gayaa isaliye usane kaee alag-alag lekhakon koo aajmaaya.
"samasya ack aisee patkatha praapt karane kii thee jisamen" "raat kaa patan" "kaa saar thaa aur isamen achche bhee they, jisamen paatr shamil they", corman kahate hain. "kuchh patkathaaen joe hamane vikasit kii theen, way vigyaan-kathaa tatvon parr utkrisht theen, lekin way bahut drishya naheen theen. anya sanskaranon mein, paatr avishvasaniya roop seey achche they lekin asimov key daarshanik shabdon key yuddh koo cumm curr diyaa gayaa thaa. raaste mein. hamein samanya dhana samasyaon kaa saamana karna padaa, isaliye pariyojana koo peechhe chhod diyaa gayaa."
julaai 1987 mein corman antatah apane nirdeshan kii shuruat, "captive" (1986) koo dekhane key baad mayersberg vaapas chaley gaye. mayerberg patkatha likhane key liye sahmat hoe gaye yadi way nirdeshan curr sakate hain. corman sahmat hoe gayaa. mayerberg ney landan mein paanch saptah mein patkatha likhi aur film kii shooting octuber 1987 mein aathh saptah kii avadhi mein kii gaee thee.
mayerberg ney kahaa, "meraa maanana haye kii samanya taur parr, film vigyaan kathaa key liye bahut achchha madhyam naheen haye, yeh drishya haye, aur isaliye bahut kalpanashil naheen haye. jaba badey paridrishyon koo chitrit karane kii baat aatee haye tou filmein achchi tarah seey kaam naheen karati hain, aur isi tarah; film kewal aapako dikhaa sakati haye kii kyaa maujood haye, jise humm pahale seey hii apani aankho seey dekh sakate hain, yadi aap antariksh mein ack shahar kii kalpana karna chaahte hain, tou aapako ack model banaana hoga-aur spasht roop seey, yeh ack model kii tarah dikhta haye."
kahani seey kewal paatron koo barkarar rakhaa gayaa thaa, ack khagolshastri aur shahar key netaa atone, aur sore, vishvaasiyon key netaa (kahani mein panthvaadi kahaa jaataa haye). mayersberg ney roa kaa mahila charitra banaaya, jisaki shaadi ack baar atton seey hui thee, lekin usey sore key shishyon mein seey ack banane key liye chhod diyaa. meberberg ney kahaa kii donon loga duniya koo samajhaane key saadhan key roop mein vigyaan aur dharm key beach sambandhon key liye khade they. nyaay key dinn key liye, kyaa aap dhaarmik drishtikon parr vishvaas karate hain yaa aap iss vaigyaanik drishtikon koo sweekaar karate hain kii yeh ack grahan seey adhik kuchh naheen haye aur brahmand mein andolan kaa ack hissa haye?".
soorya kii sankhya kahani mein chhah seey ghataakar teen curr dee gaee thee.
film koo arcosanti naamak arizona mein ack javic vastukala vikas mein shoot kiya gayaa thaa. drishyon koo cossanti mein, scotsdale key thheek baahar, aur tonto rashtriya vann mein bhee shoot kiya gayaa thaa. kuchh arcosanti nivasi atirikt key roop mein dikhaai diye.
mayerberg ney kahaa, "hardware aur lazer key bajaay, maine taaron aur lochdaar pattiyon aur chrystal talvaaron kaa upayog kiya, joe bhee loga grah parr rahate they way paa sakate they joe maujood hoe sakata haye yaa patang jaisi cheez key mamle mein, banaa sakata haye. main vartamaan koo poori tarah seey chhodana chaahata thaa, aur ateet aur bhavishya koo milaane parr kaam karna chaahata thaa."
shooting key paanch hafton mein seey teen saptah taka barish hui.
"merey liye," "raat kaa aanaa" "munn kii ack slate key baare mein thaa, naa kii ghatnaaon key ack crum key baare mein", mayersberg kahate hain.  "maine paatron key jeevan aur jiss tarah seey film kaa nirmaan kiya gayaa haye, usake sandarbh mein prastut karane kii koshish kii, joe samvaad mein chhavi key roop mein utanaa naheen haye. meraa irada thaa kii yeh film jeevan sankat seey nipatane key tarikon key baare mein hoe. aap kyaa karate hain? kyaa aap pagal hoe jaate hain, kyaa aap tarksangat, kaayar bunn jaate hain, havaa mein kaaran fenk dete hain? kyaa aap ise samajhane kii koshish karate hain, kyaa aap achaanak dhaarmik hoe jaate hain? yeh ack aisee kahani haye jahan samaaj mein ack tarah kaa ghabarahat kaa vighatan hotaa haye jahan yeye loga rahate hain, aur way iska saamana kaise karate hain."
swaagat.
loss angils times" ney likhaa kii "cumm, cumm bajat aur uchch, uchch pralobhan key saath," raat kaa aanaa. .. alascan sheetkaleen suryast kii tulanaa mein teji seey aur kathin roop seey neeche girata haye. shally key prashansak aur anichhuk taareekhen ise iss dashak kii kissy bhee vigyaan-kathaa film kii tarah asahaniya maan sakate hain."
juulii corman ney baad mein kahaa kii yeh unaki ack pariyojana thee, vaha chaahati theen kii vaha ack badey bajat key saath iska punarnirmaan curr sakein. "cumm bajat parr, usa duniya koo banaana thodaa mushkil thaa", usane kahaa.