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tokenized:
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text:
If you want to understand the future, just look at what rich people do today.
Peter Drucker said that “to defend yesterday is a larger risk than to create tomorrow.” Concentrating for too long on what was at the expense of what will be has been the formula for failure for many CEOs.
What you are trying to develop in a manager is a kind of inductive skill in reading the terrain; of knowing intuitively when the paradigms are about to change or bust up—or endure.
It is possible to honor the past and at the same time to make real the failings that lead us to want a better tomorrow.
[Economics and technology] are the wrong places to begin. The fundamental changes are social, and they are the greatest changes imaginable.
The future is already here — it is just not very evenly distributed.
How can you make sense of the future when you only have data about the past? That’s the role of theory, to look into the future.
…in the long term the most important question for a company is not what you are but what you are becoming.
Wise men say, and not without reason, that whoever wishes to foresee the future must consult the past; for human events ever resemble those of preceding times. This arises from the fact that they are produced by men who have been, and ever will be, animated by the same passions and thus they must necessarily have the same results.
The problem — and the essence of what makes forecasting hard — is that human nature is hardwired to abhor uncertainty. We are fascinated by change, but in our effort to avoid uncertainty we either dismiss outliers entirely or attempt to turn them into certainties that they are not.

tokenized:
If you want to understand the future , just look at what rich people do today .
 Peter Drucker said that “ to defend yesterday is a larger risk than to create tomorrow . ” Concentrating for too long on what was at the expense of what will be has been the formula for failure for many CEOs .
 What you are trying to develop in a manager is a kind of inductive skill in reading the terrain ; of knowing intuitively when the paradigms are about to change or bust up — or endure .
 It is possible to honor the past and at the same time to make real the failings that lead us to want a better tomorrow .
 [ Economics and technology ] are the wrong places to begin . The fundamental changes are social , and they are the greatest changes imaginable .
 The future is already here — it is just not very evenly distributed .
 How can you make sense of the future when you only have data about the past ? That ’s the role of theory , to look into the future .
 … in the long term the most important question for a company is not what you are but what you are becoming .
 Wise men say , and not without reason , that whoever wishes to foresee the future must consult the past ; for human events ever resemble those of preceding times . This arises from the fact that they are produced by men who have been , and ever will be , animated by the same passions and thus they must necessarily have the same results .
 The problem — and the essence of what makes forecasting hard — is that human nature is hardwired to abhor uncertainty . We are fascinated by change , but in our effort to avoid uncertainty we either dismiss outliers entirely or attempt to turn them into certainties that they are not .


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tokenized:
Rtf Tiff to Jpg Jpeg Converter 3000 7 4 Head Document Tool Software , Inc.
 Rtf Tiff To Jpg Jpeg Converter 3000 is a professional tool To Convert RTF and image Tiff To Jpeg , JPG in batches . The application provides an easy To use interface , good output image quality and fast speed . It simultaneously converts massive different format files To one certain format once . . Free download of Rtf Tiff to Jpg Jpeg Converter 3000 7 4 , size 12.27 Mb .
 Convert Word To Jpeg is an easy and powerful file converter for converting files between various formats with powerful performance . You can Convert Word documents like Word ( doc , docx , docm ) , rtf and txt To Jpeg Image file format at a very speedy rate . With the utility tool 's clean and simple interface , both professional and beginners can handle it . Free download of Convert Word to Jpeg 6 9 , size 9.00 Mb .
 Convert Website To Jpeg is an efficient and user - friendly conversion tool that can create Image files with the whole vertical content of the webpage . It supports converting Jpeg image files . It can produce an Jpeg image of the size that you specify . The tool can operate in batch - mode if you deal with large amount of files and generate image files . Free download of Convert Website to Jpeg 6 9 , size 9.00 Mb .
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 Convert Excel To Jpeg is a powerful conversion tool that produces fully functional image files using the original excel formatting ( xls , xlsx , xlsm ) . It can create image format as Jpeg with retaining the original style . The program provides a clear and user - oriented interface To batch Convert Excel documents . The output quality is quite good and . Free download of Convert Excel to Jpeg 6 9 , size 9.00 Mb .
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 Provide a shareware application used to convert TIFF , JPEG and text files to PDF .


text:
Yes, there is a Sisyphean task here; the labors are joint–crucially, involving both a man and a woman–but seemingly infinite and never-ending anyway. The mystery over why Niki is treated as he is by the villagers is never given a satisfactory solution, and indeed, as in the case of those who counterproductively continue digging in holes, efforts to solve this conundrum only heighten its inexplicability. Bafflement, bewilderment, anger, frustration are Niki’s primary responses, and they are all equally efficacious–that is, they are not in the least.
A perplexed protagonist, a brutal, unrewarding task, an unsolved mystery, the realization that deliverance is not forthcoming; yes, this is an existentialist novel.
There are two interesting embroiderings of these basic existentialist themes in Abe’s novel. First, the novel is set ten years after the end of the Second World War, ten years after hell was dragged up from its depths and deposited on Hiroshima and Nagasaki, and thus, on the Japanese nation. This is a world in which the firmness of an older universe has been replaced by the shifting and transient sand of a new relationship with the world; sand, as Abe reminds us, is ‘fragmented rock,’ once solid and imposing, now beaten down. The Japanese, of whom Niki and the woman are as good representatives as any other, might yet be buried by this relentless invader of their older world. Second, Niki is not just any man, any Japanese. He is a schoolteacher, and moreover, he is a man of science. He is an entomologist; he studies sand as well, and is fascinated by its physical properties.
As a man of science, Niki expects his situations in this world to be infected by the same reason he sees underwriting the cosmos. He is, precisely because of this intellectual orientation, unprepared for the villagers’ mysterious, criminal behavior: Why have they kidnapped him? Do they really think they can get away with this absurd plot? The villagers do not care; they are absorbed in their task. The woman does not know and she does not too, seem to care too much. If there is a concern for consequences, it is a narrowly circumscribed one: what will happen if the sand is not kept at bay? This encounter, this futile dashing of the hopes of the man of science that a reasonable explanation will be found for all that afflicts us, that the methods which have made so much of the world comprehensible will make the villagers and their task less mysterious, gives Abe’s novel its most acute sense of desperation and despair.
Much of the fascination of the Inferno revolves around Dante’s probing of the covert psychic recesses of his characters’ inner will. The sinners’ great soliloquies are self-serving and fraught with irony. One cannot take them at their word. One must bring to bear on their speeches a “hermeneutics of suspicion” that is alert to the discrepancy between what they tell us and what they show us. Oftentimes the characters themselves are unaware of the way they are masking their true motivations, which makes it all the more imperative that the reader adopt an analytic distance from their self-presentations. In sum, the Inferno educates the reader in the ways of deception and self-deception, and in that respect remains one of the great archives of human psychology. (‘Dante: The Most Vivid Version‘ New York Review of Books, 24 October 2013).
In my post on the ‘Sisyphus of sorts’ a couple of days ago, I had sought to provide an unmasking of projects of self-improvement, which all too many of us find ourselves engaged in with little hope–based on their persistent failure–of bringing them to completion. (I hesitate to say ‘similar unmasking’ for fear of being viewed as comparing my attempt to Dante’s!) That post–hopefully!–speaks for itself, but let me, at the risk of sounding excessively pompous, just embellish its claims just a bit.
Repeated, and failed, attempts at self-improvement and self-help display a familiar pattern: the old behavior is discarded in a burst of moralistic enthusiasm, the old lifestyle is deprecated and disdained, and enthusiastic reports are provided on the glories and attractions of the new path chosen. There is relief at a millstone discarded and this palpable emotion is loudly and visibly noted.
Yet, through all this, all too often, the attractions of the older way of being, which indeed, had made it such a persistently adopted mode of behavior, are not paid their due. We fail to recognize that that path had its own role to play in the forms of life we lived; we fail to note the deep habits it formed; no clean surgical excision of it from our selves has been effected. And then, there is the simple matter of the ‘sophomore effect’; the rapid gains visible in the early days of our new-found virtuous life are quickly replaced by the far more mundane, glacial increments of the life that comes about when such novel behavior has become commonplace.
We remain impatient; we miss the easy pleasures of the older way of being, which suddenly, now seems more attractive than ever. So we lapse. But now we encounter again its pathologies. And so we resolve to change again.
The self-deception here is that we do not seek the publicly avowed goal of self-improvement, but merely the movement away from a kind of stagnation, a state of wallowing. When we encounter yet another one, as is inevitable, for life cannot give us endless novelty, we seek out our ‘fall’ again, so that we may ‘climb’ again. In doing all this, we are reminded again, of Goethe, Burke and Freud’s claims that happiness, for most, is characterized by novelty and rapid transition, not by persistent, quiescent states.
Here is a familiar enough occurrence: you set off on a journey toward a desired destination, perhaps a state of mind, perhaps a bodily accomplishment, a state of excellence in some manner, shape, form or fashion; you make good time, you travel many miles; you amaze yourself with your speed and the distance covered; you are exhilarated by the heights you now experience; you are no longer bound to the earth, the air is cleaner, more invigorating; you congratulate yourself on your journey thus far; you look back on how far you’ve come, on all those you left behind; the solitude of this seldom traveled road strikes you as splendid; you dare to dream of the now-visible goal.
And then, the upward gradient ceases; the plateau begins; the steps grow more measured, more tedious; the miles covered shrink slowly to yards and inches; the feet drag; the euphoria is gone, replaced by ennui; the formerly clean air is still so, but it has a staleness all its own; the novelty, the thrill, is gone. The goal is still visible, but now obscured by the dust kicked up by your dragging feet; the certainty about its attainment is now replaced by a nagging, persistent, doubt over the wisdom of ever having started this journey. The virtuousness that was once the consequence of declining indulgences now strikes you as a foolishness all of its own; what price this sustained flagellation, this persistent self-denial?
And so, you weaken, you hesitate, you seek diversion, an easier slope. The most facile of those is the path downward, the amble downhill. On it, the pace is greater; the wind presses hard against you, refreshing you once again. Soon enough, you are back in the lowlands. You refuse, guiltily, to look up at the tops again; you declined them once, why remind yourself of that turning away?
But soon, you find the air stifling; the oppression that animated you once returns; all is cumbersome. Whence the lightness, the fleet-footedness you had felt in the highlands? You remember the ascent, the coolness, the euphoria, the shedding of all that was heavy and bore you down. You remember the weightlessness, the sense of endless possibility. You regret the escape, the diversion, the flinching and turning away. You resolve to make the journey again.
And so you set off, rolling your rock back up the hill. Those familiar feelings return; you remember why you thought this was a good idea. You remind yourself the plateau awaits; you await its appearance warily; you stiffen your spine in anticipation. But when it does appear, a familiar feeling, a familiar dismay asserts itself. Soon enough, an old path downward is traversed.
Later, after the disgust of the defeat and the claustrophobia of the lower reaches have sent you back, yet again, on your old ascent, as you head upward, you realize that this is what you really wanted, the exultation of the pulling away, the steepness of the first few steps, the first movements upward. That elusive goal, its shape and location often obscured, only served to motivate the first journey. From then on, what you truly craved was the initial ascension, which had the most acute slopes of all, where you made the most accelerated, tangible progress. Not for you the long plodding, slow, grind to the end; you always only sought only the path that made you feel the most fleet-footed.
You don’t really mind being a Sisyphus of sorts.

tokenized:
Yes , there is a Sisyphean task here ; the labors are joint – crucially , involving both a man and a woman – but seemingly infinite and never - ending anyway . The mystery over why Niki is treated as he is by the villagers is never given a satisfactory solution , and indeed , as in the case of those who counterproductively continue digging in holes , efforts to solve this conundrum only heighten its inexplicability . Bafflement , bewilderment , anger , frustration are Niki ’s primary responses , and they are all equally efficacious – that is , they are not in the least .
 A perplexed protagonist , a brutal , unrewarding task , an unsolved mystery , the realization that deliverance is not forthcoming ; yes , this is an existentialist novel .
 There are two interesting embroiderings of these basic existentialist themes in Abe ’s novel . First , the novel is set ten years after the end of the Second World War , ten years after hell was dragged up from its depths and deposited on Hiroshima and Nagasaki , and thus , on the Japanese nation . This is a world in which the firmness of an older universe has been replaced by the shifting and transient sand of a new relationship with the world ; sand , as Abe reminds us , is ‘ fragmented rock , ’ once solid and imposing , now beaten down . The Japanese , of whom Niki and the woman are as good representatives as any other , might yet be buried by this relentless invader of their older world . Second , Niki is not just any man , any Japanese . He is a schoolteacher , and moreover , he is a man of science . He is an entomologist ; he studies sand as well , and is fascinated by its physical properties .
 As a man of science , Niki expects his situations in this world to be infected by the same reason he sees underwriting the cosmos . He is , precisely because of this intellectual orientation , unprepared for the villagers ’ mysterious , criminal behavior : Why have they kidnapped him ? Do they really think they can get away with this absurd plot ? The villagers do not care ; they are absorbed in their task . The woman does not know and she does not too , seem to care too much . If there is a concern for consequences , it is a narrowly circumscribed one : what will happen if the sand is not kept at bay ? This encounter , this futile dashing of the hopes of the man of science that a reasonable explanation will be found for all that afflicts us , that the methods which have made so much of the world comprehensible will make the villagers and their task less mysterious , gives Abe ’s novel its most acute sense of desperation and despair .
 Much of the fascination of the Inferno revolves around Dante ’s probing of the covert psychic recesses of his characters ’ inner will . The sinners ’ great soliloquies are self - serving and fraught with irony . One can not take them at their word . One must bring to bear on their speeches a “ hermeneutics of suspicion ” that is alert to the discrepancy between what they tell us and what they show us . Oftentimes the characters themselves are unaware of the way they are masking their true motivations , which makes it all the more imperative that the reader adopt an analytic distance from their self - presentations . In sum , the Inferno educates the reader in the ways of deception and self - deception , and in that respect remains one of the great archives of human psychology . ( ‘ Dante : The Most Vivid Version ‘ New York Review of Books , 24 October 2013 ) .
 In my post on the ‘ Sisyphus of sorts ’ a couple of days ago , I had sought to provide an unmasking of projects of self - improvement , which all too many of us find ourselves engaged in with little hope – based on their persistent failure – of bringing them to completion . ( I hesitate to say ‘ similar unmasking ’ for fear of being viewed as comparing my attempt to Dante ’s ! ) That post – hopefully!–speaks for itself , but let me , at the risk of sounding excessively pompous , just embellish its claims just a bit .
 Repeated , and failed , attempts at self - improvement and self - help display a familiar pattern : the old behavior is discarded in a burst of moralistic enthusiasm , the old lifestyle is deprecated and disdained , and enthusiastic reports are provided on the glories and attractions of the new path chosen . There is relief at a millstone discarded and this palpable emotion is loudly and visibly noted .
 Yet , through all this , all too often , the attractions of the older way of being , which indeed , had made it such a persistently adopted mode of behavior , are not paid their due . We fail to recognize that that path had its own role to play in the forms of life we lived ; we fail to note the deep habits it formed ; no clean surgical excision of it from our selves has been effected . And then , there is the simple matter of the ‘ sophomore effect ’ ; the rapid gains visible in the early days of our new - found virtuous life are quickly replaced by the far more mundane , glacial increments of the life that comes about when such novel behavior has become commonplace .
 We remain impatient ; we miss the easy pleasures of the older way of being , which suddenly , now seems more attractive than ever . So we lapse . But now we encounter again its pathologies . And so we resolve to change again .
 The self - deception here is that we do not seek the publicly avowed goal of self - improvement , but merely the movement away from a kind of stagnation , a state of wallowing . When we encounter yet another one , as is inevitable , for life can not give us endless novelty , we seek out our ‘ fall ’ again , so that we may ‘ climb ’ again . In doing all this , we are reminded again , of Goethe , Burke and Freud ’s claims that happiness , for most , is characterized by novelty and rapid transition , not by persistent , quiescent states .
 Here is a familiar enough occurrence : you set off on a journey toward a desired destination , perhaps a state of mind , perhaps a bodily accomplishment , a state of excellence in some manner , shape , form or fashion ; you make good time , you travel many miles ; you amaze yourself with your speed and the distance covered ; you are exhilarated by the heights you now experience ; you are no longer bound to the earth , the air is cleaner , more invigorating ; you congratulate yourself on your journey thus far ; you look back on how far you ’ve come , on all those you left behind ; the solitude of this seldom traveled road strikes you as splendid ; you dare to dream of the now - visible goal .
 And then , the upward gradient ceases ; the plateau begins ; the steps grow more measured , more tedious ; the miles covered shrink slowly to yards and inches ; the feet drag ; the euphoria is gone , replaced by ennui ; the formerly clean air is still so , but it has a staleness all its own ; the novelty , the thrill , is gone . The goal is still visible , but now obscured by the dust kicked up by your dragging feet ; the certainty about its attainment is now replaced by a nagging , persistent , doubt over the wisdom of ever having started this journey . The virtuousness that was once the consequence of declining indulgences now strikes you as a foolishness all of its own ; what price this sustained flagellation , this persistent self - denial ?
 And so , you weaken , you hesitate , you seek diversion , an easier slope . The most facile of those is the path downward , the amble downhill . On it , the pace is greater ; the wind presses hard against you , refreshing you once again . Soon enough , you are back in the lowlands . You refuse , guiltily , to look up at the tops again ; you declined them once , why remind yourself of that turning away ?
 But soon , you find the air stifling ; the oppression that animated you once returns ; all is cumbersome . Whence the lightness , the fleet - footedness you had felt in the highlands ? You remember the ascent , the coolness , the euphoria , the shedding of all that was heavy and bore you down . You remember the weightlessness , the sense of endless possibility . You regret the escape , the diversion , the flinching and turning away . You resolve to make the journey again .
 And so you set off , rolling your rock back up the hill . Those familiar feelings return ; you remember why you thought this was a good idea . You remind yourself the plateau awaits ; you await its appearance warily ; you stiffen your spine in anticipation . But when it does appear , a familiar feeling , a familiar dismay asserts itself . Soon enough , an old path downward is traversed .
 Later , after the disgust of the defeat and the claustrophobia of the lower reaches have sent you back , yet again , on your old ascent , as you head upward , you realize that this is what you really wanted , the exultation of the pulling away , the steepness of the first few steps , the first movements upward . That elusive goal , its shape and location often obscured , only served to motivate the first journey . From then on , what you truly craved was the initial ascension , which had the most acute slopes of all , where you made the most accelerated , tangible progress . Not for you the long plodding , slow , grind to the end ; you always only sought only the path that made you feel the most fleet - footed .
 You do n’t really mind being a Sisyphus of sorts .


text: 562-566 East Main St., El Cajon, CA . Retail/office building in the revitalized business district just two blocks east of the new Courtyard by Marriot, police station and court house. Ideal for Owner/User. Rent out one side and use the other for your business! Current lease of 1,450 estimated square feet leaves 2,840 estimated square feet available for Owner/User. Ideal for pharmacy, office, retail store! The possibilities are endless.

tokenized: 562 - 566 East Main St. , El Cajon , CA . Retail / office building in the revitalized business district just two blocks east of the new Courtyard by Marriot , police station and court house . Ideal for Owner / User . Rent out one side and use the other for your business ! Current lease of 1,450 estimated square feet leaves 2,840 estimated square feet available for Owner / User . Ideal for pharmacy , office , retail store ! The possibilities are endless .


text:
Moglix brings you a range of Faucets from the most renowned brands such as kamal Faucets, kerro Faucets, taptree Faucets, snowbell Faucets, hindware Faucets, marc Faucets, cera Faucets, oleanna Faucets, drizzle Faucets, Jainex Faucets are many more Faucets brands. Browse through our assortment of Addmore Faucets in order to explore the price, specifications and availability of the products.
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tokenized:
Moglix brings you a range of Faucets from the most renowned brands such as kamal Faucets , kerro Faucets , taptree Faucets , snowbell Faucets , hindware Faucets , marc Faucets , cera Faucets , oleanna Faucets , drizzle Faucets , Jainex Faucets are many more Faucets brands . Browse through our assortment of Addmore Faucets in order to explore the price , specifications and availability of the products .
 Moglix offers a range of Addmore Faucets . Our user friendly platform makes it a breeze to search for your desired product without any hassles , as you do not have to scroll through hundreds of products rather sort you can search based on specific requirements .


text:
Reading Artforum’s latest issue, Karen Burns falls through a gap in time – between a sophisticated account of identity and the antiquated myths of architecture.
I’ve just bought your latest issue and want to thank you for a fantastic investigation of identity. The complexity of our ‘post-identity’ world is immediately signalled by the striking Barbara Kruger cover. In fact, it was the cover not the contents that first caught my attention in the local news agency. I bought on impulse.
At the local coffee shop I eagerly read the roundtable on ‘the shifting coordinates of identity’ as seven distinguished art historians, scholars and critics discussed the issues. My brand new copy of your magazine is now heavily underlined.
Artforum’s editor Michelle Kuo asks, ‘Just because we’re talking about it, does that change anything?’ She distinguishes between institutional, educational and discursive discussions and ‘how that’s failed to gain traction in terms of a politics on the ground’. This is an important point about the gap between the complex interrogations of identity categories of race, gender and sexuality conducted within the academy and white box gallery spaces, and the conditions of everyday life that have given birth to the new protest practices of what Emily Roysdon in the same roundtable calls ‘identitarian activist groups like Black Lives Matter’.
Parlour, the group to which I belong, is also an ‘identitarian activist group’: it organises equity in architecture around the category of ‘women’, despite being aware of the many differences between women. Roysdon notes that, even in our ‘newly complex moment’, groups like Black Lives Matter (and I would add Parlour) are still struggling with the ‘same structural oppositions’. This last phrase I think means two things. Firstly, that despite our attempts to complicate any single identity category by examining overlapping kinds of discrimination – an insight enabled by the term ‘intersectionality’ – long-standing dualisms continue to organise and structure identity: black/white, woman/man, Anglo/other. People often find it difficult to notice, examine and then discuss the effects of overlapping identities. Secondly, even fifty years after the emergence of the civil rights movement and the women’s movement, deep-seated structures of discrimination remain. Progress for marginalised groups has been slow and provisional. An insight into how and why these structures remain so resistant to introspection is gained at another point in the roundtable when art historian Huey Copeland observes, that ‘so often, it’s artists marked as different who become the vehicles through which to talk about these issues, as opposed to artists who seem to have a neutral identity, when, in fact, those identities –’ ‘are never neutral’, chimes in Michelle Kuo to finish his sentence.
Imagine my delight and then shock to discover in the same issue, an eight-page obituary of Iraqi-born architect Zaha Hadid written by six men. The first piece, by Mark Wigley, is a sophisticated formal analysis of her work but, towards the end, he discusses Hadid as a media figure who ‘equal measures of admiration and irritation’, noting ‘the very presence of an Arab woman on the biggest stage, seemed to incite a constant oscillation between admiration and thinly disguised resentment’. Wigley suggests that finally the work itself provoked the most ‘intense reaction – which is the ultimate compliment’. But even his words suggest that buildings and body were never so easily disentangled. As Despina Stratigakos observed in her obituary of Hadid, after Zaha Hadid won the Pritzker Prize (architecture’s Nobel) journalists focussed on her looks and personality. In her recent book Where Are the Women Architects? Stratigakos elaborates on this claim, noting that, ‘not a single journalist failed to mention her gender’. She quotes from some of these pieces: ‘workaholic and single’, a woman of ‘earthier appetites’ with a fondness for ‘lamb’s testicles’ and ‘where is the vibrant monster I’d been promised?’ The language of the journalists helps us refine Wigley’s description of the emotions he calls irritation and resentment. We can call them misogyny and racism.
Zaha Hadid spoke publicly of the confidence instilled by her affluent, cosmopolitan, intelligent and talented family of whom Bernard Tschumi paints a vivid portrait in these pages. Gehry’s remarks perform a familiar refrain in contemporary architecture; acknowledging the disappearance of women from the profession and their under-representation amongst leaders, yet without an accompanying discussion of the structural forces producing absence and loss. Zaha Hadid’s unusual advancement is causally attributed to her own determination.
Slipping between the roundtable on identity and the obituary pages I fell through a crack in time. Zaha Hadid has entered history, but the voice and beliefs of the profession that shimmers in these pages betrays an antiquated investment in mythic narratives. I’m not asking that the lovingly written portraits and heartfelt loss of Zaha Hadid’s friends should have been weighed down by earnest analysis of architecture’s ‘women and minorities’ problem, but one scholarly piece could have been included to address these issues and connect them to Artforum’s fine dissection of the interplay between identity and identification; between how we see our ourselves and how others construct us.
PS. There are a few people you could have asked: Despina Stratigakos, Lori Brown, or Lynne Walker and Susanna Torre (the last two have toiled for forty-five years on these issues), Jane Rendell, Rosa Sheng, or those of us here at Parlour. We’re not short of women who can write about Zaha Hadid and women in architecture, but instead you found six men to memorialise her.

tokenized:
Reading Artforum ’s latest issue , Karen Burns falls through a gap in time – between a sophisticated account of identity and the antiquated myths of architecture .
 I ’ve just bought your latest issue and want to thank you for a fantastic investigation of identity . The complexity of our ‘ post - identity ’ world is immediately signalled by the striking Barbara Kruger cover . In fact , it was the cover not the contents that first caught my attention in the local news agency . I bought on impulse .
 At the local coffee shop I eagerly read the roundtable on ‘ the shifting coordinates of identity ’ as seven distinguished art historians , scholars and critics discussed the issues . My brand new copy of your magazine is now heavily underlined .
 Artforum ’s editor Michelle Kuo asks , ‘ Just because we ’re talking about it , does that change anything ? ’ She distinguishes between institutional , educational and discursive discussions and ‘ how that ’s failed to gain traction in terms of a politics on the ground ’ . This is an important point about the gap between the complex interrogations of identity categories of race , gender and sexuality conducted within the academy and white box gallery spaces , and the conditions of everyday life that have given birth to the new protest practices of what Emily Roysdon in the same roundtable calls ‘ identitarian activist groups like Black Lives Matter ’ .
 Parlour , the group to which I belong , is also an ‘ identitarian activist group ’ : it organises equity in architecture around the category of ‘ women ’ , despite being aware of the many differences between women . Roysdon notes that , even in our ‘ newly complex moment ’ , groups like Black Lives Matter ( and I would add Parlour ) are still struggling with the ‘ same structural oppositions ’ . This last phrase I think means two things . Firstly , that despite our attempts to complicate any single identity category by examining overlapping kinds of discrimination – an insight enabled by the term ‘ intersectionality ’ – long - standing dualisms continue to organise and structure identity : black / white , woman / man , Anglo / other . People often find it difficult to notice , examine and then discuss the effects of overlapping identities . Secondly , even fifty years after the emergence of the civil rights movement and the women ’s movement , deep - seated structures of discrimination remain . Progress for marginalised groups has been slow and provisional . An insight into how and why these structures remain so resistant to introspection is gained at another point in the roundtable when art historian Huey Copeland observes , that ‘ so often , it ’s artists marked as different who become the vehicles through which to talk about these issues , as opposed to artists who seem to have a neutral identity , when , in fact , those identities – ’ ‘ are never neutral ’ , chimes in Michelle Kuo to finish his sentence .
 Imagine my delight and then shock to discover in the same issue , an eight - page obituary of Iraqi - born architect Zaha Hadid written by six men . The first piece , by Mark Wigley , is a sophisticated formal analysis of her work but , towards the end , he discusses Hadid as a media figure who ‘ equal measures of admiration and irritation ’ , noting ‘ the very presence of an Arab woman on the biggest stage , seemed to incite a constant oscillation between admiration and thinly disguised resentment ’ . Wigley suggests that finally the work itself provoked the most ‘ intense reaction – which is the ultimate compliment ’ . But even his words suggest that buildings and body were never so easily disentangled . As Despina Stratigakos observed in her obituary of Hadid , after Zaha Hadid won the Pritzker Prize ( architecture ’s Nobel ) journalists focussed on her looks and personality . In her recent book Where Are the Women Architects ? Stratigakos elaborates on this claim , noting that , ‘ not a single journalist failed to mention her gender ’ . She quotes from some of these pieces : ‘ workaholic and single ’ , a woman of ‘ earthier appetites ’ with a fondness for ‘ lamb ’s testicles ’ and ‘ where is the vibrant monster I ’d been promised ? ’ The language of the journalists helps us refine Wigley ’s description of the emotions he calls irritation and resentment . We can call them misogyny and racism .
 Zaha Hadid spoke publicly of the confidence instilled by her affluent , cosmopolitan , intelligent and talented family of whom Bernard Tschumi paints a vivid portrait in these pages . Gehry ’s remarks perform a familiar refrain in contemporary architecture ; acknowledging the disappearance of women from the profession and their under - representation amongst leaders , yet without an accompanying discussion of the structural forces producing absence and loss . Zaha Hadid ’s unusual advancement is causally attributed to her own determination .
 Slipping between the roundtable on identity and the obituary pages I fell through a crack in time . Zaha Hadid has entered history , but the voice and beliefs of the profession that shimmers in these pages betrays an antiquated investment in mythic narratives . I ’m not asking that the lovingly written portraits and heartfelt loss of Zaha Hadid ’s friends should have been weighed down by earnest analysis of architecture ’s ‘ women and minorities ’ problem , but one scholarly piece could have been included to address these issues and connect them to Artforum ’s fine dissection of the interplay between identity and identification ; between how we see our ourselves and how others construct us .
 PS . There are a few people you could have asked : Despina Stratigakos , Lori Brown , or Lynne Walker and Susanna Torre ( the last two have toiled for forty - five years on these issues ) , Jane Rendell , Rosa Sheng , or those of us here at Parlour . We ’re not short of women who can write about Zaha Hadid and women in architecture , but instead you found six men to memorialise her .


text: As a premier real estate agent in Sugarland, I’m here to provide you with all the resources and information you need to buy or sell real estate. I work with buyers and sellers in Sugarland, West Houston, Inner Loop Houston, Bellaire, Southwest Houston and the surrounding areas and I’ve had extensive training in the latest real estate marketing strategies. I’m confident that I can offer you knowledge and tools most other agents can’t.

tokenized: As a premier real estate agent in Sugarland , I ’m here to provide you with all the resources and information you need to buy or sell real estate . I work with buyers and sellers in Sugarland , West Houston , Inner Loop Houston , Bellaire , Southwest Houston and the surrounding areas and I ’ve had extensive training in the latest real estate marketing strategies . I ’m confident that I can offer you knowledge and tools most other agents ca n’t .


text:
Reuters – “A man deliberately drove into pedestrians, killing four and injuring more than 20, in the center of Australia’s second largest city of Melbourne on Friday, but police said the incident was not terrorism-related.
‘We witnessed about half a dozen people that ricocheted off the car one way or another. I saw one person fly up almost roof level of the car as they got thrown up against one of the retail stores,’ Sharn Baylis, 46, told Reuters by telephone.
‘You could hear the gasping and the screaming from people, then you just started hearing the screams and the crying as it sunk in,’ she said.
Baylis said she rushed across tram tracks and with other bystanders and gave cardiopulmonary resuscitation (CPR) first aid to a badly hurt man who had been run over.
One of the dead was a child. Four children, including a three-month-old baby, were taken to Melbourne’s Royal Children’s Hospital …” Read more.
Australia: Police Ask Reporter To Take Down Video Of Witness Saying Car Attacker Was Screaming “Allahu Akbar” – “Andrea Hamblin is a reporter for the Herald Sun. Her tweet below indicates that the police are not so much as investigating the car attack that killed at least three people and wounded many more in Melbourne as they are actively trying to cover up evidence that it was a jihad attack. They don’t want people to think this was jihad, and are working to conceal evidence that it was. What do they think this denial will get them?” Read more.
November 2016: Islamic State Calls For Vehicular Attacks Against Pedestrian-Congested Streets – “In their November publication of Rumiyah Magazine, the magazine’s third and latest publication, Islamic State (IS) dedicated an entire article to encouraging followers and supporters to carry out lone-wolf vehicular attacks, specifically referencing such an attack conducted in Nice on Bastille Day in July of this year, killing 86 and injuring 434 … Regarding targets, the article suggests ‘large outdoor conventions and celebrations’, ‘pedestrian-congested streets’, outdoor markets, festivals, parades, and political rallies …” Read more.
It’s about high time that all Western democratic gov’ts and societies empowered themselves against ALL attempts at islamic jihadism! This guy was screaming “allahu-akbar” REPEATEDLY!!!!! WHY ISN’T HE AUTOMATICALLY TAKEN DOWN (SHOT DEAD) BY THE POLICE????? How many times do we have to hear that WAR CRY, before we WAKE UP AND SMELL THE ROTTING CADAVERS IN THE ROOM?????
Encouraged by President’s Trump’s inaugural speech today.
Ok, so let me get this straight…. SO THIS IS PRESIDENT TRUMP’S FAULT????? Spoken like a true Benedict Arnold!!!!! Since when does IGNORING the 800 lb gorilla in the room MAKE HIM GO AWAY?????? We’ve had 8 yrs of “ignorance” in Washington AND THE THREAT IS GETTING WORSE!!! President Trump actually has YOUR best interest in mind, Cindy–BELIEVE IT, OR NOT!!!!!

tokenized:
Reuters – “ A man deliberately drove into pedestrians , killing four and injuring more than 20 , in the center of Australia ’s second largest city of Melbourne on Friday , but police said the incident was not terrorism - related .
 ‘ We witnessed about half a dozen people that ricocheted off the car one way or another . I saw one person fly up almost roof level of the car as they got thrown up against one of the retail stores , ’ Sharn Baylis , 46 , told Reuters by telephone .
 ‘ You could hear the gasping and the screaming from people , then you just started hearing the screams and the crying as it sunk in , ’ she said .
 Baylis said she rushed across tram tracks and with other bystanders and gave cardiopulmonary resuscitation ( CPR ) first aid to a badly hurt man who had been run over .
 One of the dead was a child . Four children , including a three - month - old baby , were taken to Melbourne ’s Royal Children ’s Hospital … ” Read more .
 Australia : Police Ask Reporter To Take Down Video Of Witness Saying Car Attacker Was Screaming “ Allahu Akbar ” – “ Andrea Hamblin is a reporter for the Herald Sun . Her tweet below indicates that the police are not so much as investigating the car attack that killed at least three people and wounded many more in Melbourne as they are actively trying to cover up evidence that it was a jihad attack . They do n’t want people to think this was jihad , and are working to conceal evidence that it was . What do they think this denial will get them ? ” Read more .
 November 2016 : Islamic State Calls For Vehicular Attacks Against Pedestrian - Congested Streets – “ In their November publication of Rumiyah Magazine , the magazine ’s third and latest publication , Islamic State ( IS ) dedicated an entire article to encouraging followers and supporters to carry out lone - wolf vehicular attacks , specifically referencing such an attack conducted in Nice on Bastille Day in July of this year , killing 86 and injuring 434 … Regarding targets , the article suggests ‘ large outdoor conventions and celebrations ’ , ‘ pedestrian - congested streets ’ , outdoor markets , festivals , parades , and political rallies … ” Read more .
 It ’s about high time that all Western democratic gov’ts and societies empowered themselves against ALL attempts at islamic jihadism ! This guy was screaming “ allahu - akbar ” REPEATEDLY ! ! ! ! ! WHY ISN’T HE AUTOMATICALLY TAKEN DOWN ( SHOT DEAD ) BY THE POLICE ? ? ? ? ? How many times do we have to hear that WAR CRY , before we WAKE UP AND SMELL THE ROTTING CADAVERS IN THE ROOM ? ? ? ? ?
 Encouraged by President ’s Trump ’s inaugural speech today .
 Ok , so let me get this straight … . SO THIS IS PRESIDENT TRUMP ’S FAULT ? ? ? ? ? Spoken like a true Benedict Arnold ! ! ! ! ! Since when does IGNORING the 800 lb gorilla in the room MAKE HIM GO AWAY ? ? ? ? ? ? We ’ve had 8 yrs of “ ignorance ” in Washington AND THE THREAT IS GETTING WORSE ! ! ! President Trump actually has YOUR best interest in mind , Cindy – BELIEVE IT , OR NOT ! ! ! ! !


text:
What the Brother MFC-9120CN Printer?
Brother MFC-9120CN is a printer that has been designed to facilitate users with a minimalist look and is very suitable for your office/home. To run this device you only need to install the Brother MFC-9120CN Driver & Software that we have provided on this website for the latest version. “https://www.brotherdownload.net” Provides Link Software and Product Driver for Brother MFC-9120CN Printer from all Drivers available on this page for the latest version. We provide all drivers for Brother Printer products, select the appropriate driver for your computer.
Brilliant, high-quality color and black output. Produce vibrant, colorful presentations, brochures, and flyers up to 600 x 2400 dpi resolution using Brother’s LED print technology.
Large paper capacity. Equipped with an adjustable 250-sheet capacity letter/legal paper tray, it also contains a single-sheet manual feed slot for envelopes or thicker media.
High-quality color scanning. Up to 19200 dpi (interpolated), with a variety of “scan-to” features.
4. KEEP IN MIND: If you shut the Complete Download screen, search to the folder where you conserved the. Exe documents, and after that click it.
The above instruction helped you to install Brother MFC-9120CN software and make the printer working fine. Thank you!
1. Turn on your Mac where you want to mount Brother MFC-9120CN printer motorist.
2. Just connect a USB cable between computer system and printer.
4. Click on Start button as well as kind “Printer.” You will get an option like “Add a printer.” Click on that.
6. Only answer the wizard options till setting up the Brother MFC-9120CN.
7. Now your printer is ready to use as the software of Brother MFC-9120CN software installed successfully.

tokenized:
What the Brother MFC-9120CN Printer ?
 Brother MFC-9120CN is a printer that has been designed to facilitate users with a minimalist look and is very suitable for your office / home . To run this device you only need to install the Brother MFC-9120CN Driver & Software that we have provided on this website for the latest version . “ https://www.brotherdownload.net ” Provides Link Software and Product Driver for Brother MFC-9120CN Printer from all Drivers available on this page for the latest version . We provide all drivers for Brother Printer products , select the appropriate driver for your computer .
 Brilliant , high - quality color and black output . Produce vibrant , colorful presentations , brochures , and flyers up to 600 x 2400 dpi resolution using Brother ’s LED print technology .
 Large paper capacity . Equipped with an adjustable 250 - sheet capacity letter / legal paper tray , it also contains a single - sheet manual feed slot for envelopes or thicker media .
 High - quality color scanning . Up to 19200 dpi ( interpolated ) , with a variety of “ scan - to ” features .
 4 . KEEP IN MIND : If you shut the Complete Download screen , search to the folder where you conserved the . Exe documents , and after that click it .
 The above instruction helped you to install Brother MFC-9120CN software and make the printer working fine . Thank you !
 1 . Turn on your Mac where you want to mount Brother MFC-9120CN printer motorist .
 2 . Just connect a USB cable between computer system and printer .
 4 . Click on Start button as well as kind “ Printer . ” You will get an option like “ Add a printer . ” Click on that .
 6 . Only answer the wizard options till setting up the Brother MFC-9120CN .
 7 . Now your printer is ready to use as the software of Brother MFC-9120CN software installed successfully .


text:
Doctor Ari Edelstein specialist Ophthalmology. The address of the doctor's office is 12510 Queens Boulevard Suite 322.
Awards: Awards for Dr. Ari Edelstein, MD are not present.

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Doctor Ari Edelstein specialist Ophthalmology . The address of the doctor 's office is 12510 Queens Boulevard Suite 322 .
 Awards : Awards for Dr. Ari Edelstein , MD are not present .


text:
You learned that a lot of data are being collected and used within the healthcare sector in order to treat patients as well as for medical research purposes. As long as the personal health data can be used to identify a natural person, like Anna, the GDPR applies.
For treating a patient it is important that the right health data is connected to the right patient. This means that in this context, health data cannot be anonymised. Anonymisation means that personal data can no longer identify a natural person. The GDPR however also mentions another safeguard: pseudonymisation.
Article 4 (5) GDPR explains what is meant by pseudonymisation in light of the GDPR. It means that the processing of personal data cannot be linked to a natural person on its own, addition information is needed to identify a person. It is important that the additional information is kept separately and that technical and organisational measures have been taken to ensure that this information cannot be attributed to a natural person. This means that pseudonymised data can be used to treat a patient and helps keep the data safe against unauthorised access.
For research purposes it is not always necessary to attribute personal data to a natural person, meaning that more drastic measures can be taken. This is why research data can, most of the time, be anonymised. We heard Anna’s research nurse explain that her health data is anonymised before it is transferred to another research institution.
The difference between pseudonymisation and anonymisation is that pseudonymised personal data can still, by using addition information, be used to identify a natural person. Anonymised data can never be used to identify a natural person, not even with addition information. The conclusion that can be drawn from this is that anonymised data does not need to comply with the GDPR, considering that the risks to the fundamental rights and freedoms of a natural person no longer exist.
When anonymising data it is however important to make sure that it is truly anonymised. With modern technologies, a lot of information is available and combining different data sets, makes it sometimes possible to re-identify a natural person in an anonymised data set. In 2015 Latanya Sweeney published an article which proved that she was able to re-identify anonymised datasets which she bought from a hospital, by comparing the dataset to newspaper stories in the same year. By using this technique she was able to identify 43% of the people in the anonymised dataset. This research showed that it is almost impossible to really anonymise data. If data is not anonymised, the risks to the fundamental rights and freedoms of a natural person are still present, and the GDPR applies.
If you have not done so already, you can read Latanya Sweeney’s entire article called ‘Only You, Your Doctor, and Many Others May Know’ from Technology Science, via this link.

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You learned that a lot of data are being collected and used within the healthcare sector in order to treat patients as well as for medical research purposes . As long as the personal health data can be used to identify a natural person , like Anna , the GDPR applies .
 For treating a patient it is important that the right health data is connected to the right patient . This means that in this context , health data can not be anonymised . Anonymisation means that personal data can no longer identify a natural person . The GDPR however also mentions another safeguard : pseudonymisation .
 Article 4 ( 5 ) GDPR explains what is meant by pseudonymisation in light of the GDPR . It means that the processing of personal data can not be linked to a natural person on its own , addition information is needed to identify a person . It is important that the additional information is kept separately and that technical and organisational measures have been taken to ensure that this information can not be attributed to a natural person . This means that pseudonymised data can be used to treat a patient and helps keep the data safe against unauthorised access .
 For research purposes it is not always necessary to attribute personal data to a natural person , meaning that more drastic measures can be taken . This is why research data can , most of the time , be anonymised . We heard Anna ’s research nurse explain that her health data is anonymised before it is transferred to another research institution .
 The difference between pseudonymisation and anonymisation is that pseudonymised personal data can still , by using addition information , be used to identify a natural person . Anonymised data can never be used to identify a natural person , not even with addition information . The conclusion that can be drawn from this is that anonymised data does not need to comply with the GDPR , considering that the risks to the fundamental rights and freedoms of a natural person no longer exist .
 When anonymising data it is however important to make sure that it is truly anonymised . With modern technologies , a lot of information is available and combining different data sets , makes it sometimes possible to re - identify a natural person in an anonymised data set . In 2015 Latanya Sweeney published an article which proved that she was able to re - identify anonymised datasets which she bought from a hospital , by comparing the dataset to newspaper stories in the same year . By using this technique she was able to identify 43 % of the people in the anonymised dataset . This research showed that it is almost impossible to really anonymise data . If data is not anonymised , the risks to the fundamental rights and freedoms of a natural person are still present , and the GDPR applies .
 If you have not done so already , you can read Latanya Sweeney ’s entire article called ‘ Only You , Your Doctor , and Many Others May Know ’ from Technology Science , via this link .


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Blizzard revealed the latest Overwatch animated short at Gamescom, focused on Mei, the ice-wielding climatologist. Titled as ‘Rise and Shine’, this is the seventh animated short the game has received.
This 10 minute long animated video gives the players a better look at Mei’s backstory, who had been frozen cryogenically while doing research in Antarctica before returning to the Overwatch organization. Even though the game doesn’t have a story mode, Blizzard does an impeccable job of providing the heroes with a rich and sometimes emotional background in the form of these animated shorts, and the quality is top-notch, easily comparable to something made by a studio like Pixar. There’s also other material that gives you a glimpse into the Overwatch lore, like comics, character interactions and even Easter eggs found across the maps.

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Blizzard revealed the latest Overwatch animated short at Gamescom , focused on Mei , the ice - wielding climatologist . Titled as ‘ Rise and Shine ’ , this is the seventh animated short the game has received .
 This 10 minute long animated video gives the players a better look at Mei ’s backstory , who had been frozen cryogenically while doing research in Antarctica before returning to the Overwatch organization . Even though the game does n’t have a story mode , Blizzard does an impeccable job of providing the heroes with a rich and sometimes emotional background in the form of these animated shorts , and the quality is top - notch , easily comparable to something made by a studio like Pixar . There ’s also other material that gives you a glimpse into the Overwatch lore , like comics , character interactions and even Easter eggs found across the maps .


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President's Patter for 11th April 2015 - Norsemen F.C.
I am glad this season is drawing to a close as I am running out of new and original things to say.
No game for the first team this week just two games for the Res XI and 3rd XI which both ended in victories by 4-1 and 5-2 respectively.
The Res XI complete their programme on Tuesday evening under floodlights at Hanwell Town FC when they play their only contenders for the title NUFC Oilers, a point will clinch the championship of the SAL Intermediate 2nd Division.
The 3rd XI still have an outside chance of promotion if they win their last game next Saturday, if they do not go up they will be unlucky to miss out with the number of points they have achieved, well done to Danny and his team.
This is the end of my second season as President, at the beginning I set a three year target of getting all our sides back into the first division's of their respective leagues. This became more difficult when the 1st XI were relegated last season so it cannot be achieved by the end of next season, but we have the Reserves promoted the 3rd & 4th XIs narrowly missing out and our lower teams well placed.
Given a well organised and committed close season and with the right skippers we are in a good position to continue to progress towards our target.

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President 's Patter for 11th April 2015 - Norsemen F.C.
 I am glad this season is drawing to a close as I am running out of new and original things to say .
 No game for the first team this week just two games for the Res XI and 3rd XI which both ended in victories by 4 - 1 and 5 - 2 respectively .
 The Res XI complete their programme on Tuesday evening under floodlights at Hanwell Town FC when they play their only contenders for the title NUFC Oilers , a point will clinch the championship of the SAL Intermediate 2nd Division .
 The 3rd XI still have an outside chance of promotion if they win their last game next Saturday , if they do not go up they will be unlucky to miss out with the number of points they have achieved , well done to Danny and his team .
 This is the end of my second season as President , at the beginning I set a three year target of getting all our sides back into the first division 's of their respective leagues . This became more difficult when the 1st XI were relegated last season so it can not be achieved by the end of next season , but we have the Reserves promoted the 3rd & 4th XIs narrowly missing out and our lower teams well placed .
 Given a well organised and committed close season and with the right skippers we are in a good position to continue to progress towards our target .


text: Description PLEASE HELP!! My silver 2007 Superglide was stolen from my home on 6/16/08. I beleive James Miller is the man who stole my bike. It has Ohio License Plates which show county 50 (red sticker) and an expiration date of the plate is 11/08. The man who I beleive stole my bike is 6ft 2, with gray hair and beard, he is 52years old. The bike has a windshield, forward controls and vance and hines pipes. It also has a rear passenger pillion on it. You can also contact the Springfield Police dept @ 330-542-2895 and ask for office Gus Lolakis.. PLEASE HELP ME BRING MY BABY BACK, !!

tokenized: Description PLEASE HELP ! ! My silver 2007 Superglide was stolen from my home on 6/16/08 . I beleive James Miller is the man who stole my bike . It has Ohio License Plates which show county 50 ( red sticker ) and an expiration date of the plate is 11/08 . The man who I beleive stole my bike is 6 ft 2 , with gray hair and beard , he is 52years old . The bike has a windshield , forward controls and vance and hines pipes . It also has a rear passenger pillion on it . You can also contact the Springfield Police dept @ 330 - 542 - 2895 and ask for office Gus Lolakis .. PLEASE HELP ME BRING MY BABY BACK , ! !


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The New England Revolution announced a new sponsorship partnership making Sovereign | Santander the official bank of the New England Revolution. The team is the bank’s first American sports partnership. The partnership will include the somewhat unique component of an official tagline defining the relationship between the team and bank. According to the press release, also includes day-of-game sponsorships; on-site game day programs; community clinics run by the Revolution Academy and Revs players; naming rights for the team’s official “Man of the Match” award; on-field advertising during Revolution matches; away game trips; as well as television broadcast, radio broadcast, print and digital inventory.” Pele is the official soccer voice of the bank and he was on hand as part of the announcement. It is noteworthy that the quotes distributed as part of the press release from the Revs perspective came from Robert Kraft and not one of the team front office representatives.
One final note. Hamas is enforcing a media boycott of Barcelona after the team game a complimentary ticket to Gilad Schalit, the Israeli soldier that was held captive for a number of years by militants in the Gaza Strip. As a result, no television or radio stations will broadcast Barcelona games and no newspapers will cover the games.

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The New England Revolution announced a new sponsorship partnership making Sovereign | Santander the official bank of the New England Revolution . The team is the bank ’s first American sports partnership . The partnership will include the somewhat unique component of an official tagline defining the relationship between the team and bank . According to the press release , also includes day - of - game sponsorships ; on - site game day programs ; community clinics run by the Revolution Academy and Revs players ; naming rights for the team ’s official “ Man of the Match ” award ; on - field advertising during Revolution matches ; away game trips ; as well as television broadcast , radio broadcast , print and digital inventory . ” Pele is the official soccer voice of the bank and he was on hand as part of the announcement . It is noteworthy that the quotes distributed as part of the press release from the Revs perspective came from Robert Kraft and not one of the team front office representatives .
 One final note . Hamas is enforcing a media boycott of Barcelona after the team game a complimentary ticket to Gilad Schalit , the Israeli soldier that was held captive for a number of years by militants in the Gaza Strip . As a result , no television or radio stations will broadcast Barcelona games and no newspapers will cover the games .


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"In the summer of 1998, I started to take photos of the Japanese decorated truck, DECOTORA. More I take photos and more communicate with the drivers, I noticed that most of them have conscientious personality. Why the truck drivers who are so devoted to their jobs, so earnest that even look mismatch with their flashy trucks, decorating own trucks so excessively?
They can’y keep drving without pride. I think DECOTORA is an expression of each driver’s pride."

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" In the summer of 1998 , I started to take photos of the Japanese decorated truck , DECOTORA . More I take photos and more communicate with the drivers , I noticed that most of them have conscientious personality . Why the truck drivers who are so devoted to their jobs , so earnest that even look mismatch with their flashy trucks , decorating own trucks so excessively ?
 They can’y keep drving without pride . I think DECOTORA is an expression of each driver ’s pride . "


text: The Kapalagulu and Musongati intrusions are differentiated mafic–ultramafic intrusions, more than 1 km in stratigraphic thickness and several 10 s of km2 in size. They form part of the Kabanga–Musongati belt of intrusions in western Tanzania and Burundi. The intrusions of the Kabanga–Musongati belt were emplaced at ca 1.4 Ga into pelitic sediments of the Burundi and Karagwe–Ankolean Supergroups that accumulated during an early rifting phase of the Kibaran orogeny. The parental magmas to the intrusions were of picritic composition (ca 15% MgO) that assimilated variable amounts of sulfidic sedimentary rocks during emplacement. Modeling suggests that the Musongati magma assimilated ca. 5% of sedimentary material, whereas the Kapalagulu magma assimilated ca. 15% of sediment. Contamination caused enrichment of the magma and the cumulates in incompatible trace elements, the development of negative Nb–Ta–Ti anomalies, and crustal sulfur isotopic signatures (δ34S = + 4.5 to + 20). At Kapalagulu, contamination of the parent magma led to the formation of basal olivine melanorite cumulates. In the less contaminated Musongati intrusion dunites and harzburgites formed at the base. Both intrusions are prospective for magmatic Ni and PGE deposits. This is indicated by empirical observations, notably the presence of important Ni sulfide ores at Kabanga and reef-type PGE concentrations at Musongati and Kapalagulu. It is also supported by theoretical considerations, namely the high-magnesian composition of the parental magmas and the abundance of sulfides in the host sedimentary rocks. Weathering of the ultramafic rocks resulted in a thick lateritic crust that contains up to > 4 ppm PGE and, at Musongati, hosts one the world's largest Ni-laterite deposits.

tokenized: The Kapalagulu and Musongati intrusions are differentiated mafic – ultramafic intrusions , more than 1 km in stratigraphic thickness and several 10 s of km2 in size . They form part of the Kabanga – Musongati belt of intrusions in western Tanzania and Burundi . The intrusions of the Kabanga – Musongati belt were emplaced at ca 1.4 Ga into pelitic sediments of the Burundi and Karagwe – Ankolean Supergroups that accumulated during an early rifting phase of the Kibaran orogeny . The parental magmas to the intrusions were of picritic composition ( ca 15 % MgO ) that assimilated variable amounts of sulfidic sedimentary rocks during emplacement . Modeling suggests that the Musongati magma assimilated ca . 5 % of sedimentary material , whereas the Kapalagulu magma assimilated ca . 15 % of sediment . Contamination caused enrichment of the magma and the cumulates in incompatible trace elements , the development of negative Nb – Ta – Ti anomalies , and crustal sulfur isotopic signatures ( δ34S = + 4.5 to + 20 ) . At Kapalagulu , contamination of the parent magma led to the formation of basal olivine melanorite cumulates . In the less contaminated Musongati intrusion dunites and harzburgites formed at the base . Both intrusions are prospective for magmatic Ni and PGE deposits . This is indicated by empirical observations , notably the presence of important Ni sulfide ores at Kabanga and reef - type PGE concentrations at Musongati and Kapalagulu . It is also supported by theoretical considerations , namely the high - magnesian composition of the parental magmas and the abundance of sulfides in the host sedimentary rocks . Weathering of the ultramafic rocks resulted in a thick lateritic crust that contains up to > 4 ppm PGE and , at Musongati , hosts one the world 's largest Ni - laterite deposits .


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Fonts.com · This site has endless directories of great fonts. Instant access and unlimited downloads to 2,500,000 fonts. You know we are really cheap. So, why are we recommending a fee-based site? Quantity, quality, and the convenience of easily finding exactly what you need quickly.
Pizza Dude · You'll find a great variety here.
Font Garden · Lots of unique fonts and dingbats.
Blambot! · Free comic fonts.
Cheap Skate Fonts · If your looking for something out of the ordinary, you've found it.
Tepid Monkey Fonts · Freeware fonts for a freeware world.
DA3 · View and download over 100 free fonts.
Type Euphoria · Fonts and more fonts.
Dog Hause · When you thought you had all the fonts you needed, get some pet fonts.
Font-a-licious Fonts · Fonts and dingbats in both PC and Mac downloadable format.
Phantomphonts · Something new for your PC or Mac.
Fonts! · Lots of thought went into the title of this one.
Media Builder · Over 500 fonts, but that's not all. Look for free graphics and more.
Caffeen Fonts · Cool free fonts.
Graphic Park · Great unique fonts from this graphic design company.
Fontmaster · The master of the fonts.
Yet Another Font Site · Ok content, but a great name.
Plucer Vision · Lots o' fonts.
StimulEye Fonts · This site really is a stimulus for your eyes.
Core · Some are free to download, others you'll need to buy.
The Font Pool · With over 1000 categorized truetype fonts for you to download, with previews and charactermaps.
Fonts.com · Be sure to check out "Type 101" where they have assembled some of the best typographic resources for those who are just getting started in the world of typography. Over 8,000 quality (not free) fonts. List of Font Designers, Foundries, Tools, Resources, Associations, Organizations and even Events.

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Fonts.com · This site has endless directories of great fonts . Instant access and unlimited downloads to 2,500,000 fonts . You know we are really cheap . So , why are we recommending a fee - based site ? Quantity , quality , and the convenience of easily finding exactly what you need quickly .
 Pizza Dude · You 'll find a great variety here .
 Font Garden · Lots of unique fonts and dingbats .
 Blambot ! · Free comic fonts .
 Cheap Skate Fonts · If your looking for something out of the ordinary , you 've found it .
 Tepid Monkey Fonts · Freeware fonts for a freeware world .
 DA3 · View and download over 100 free fonts .
 Type Euphoria · Fonts and more fonts .
 Dog Hause · When you thought you had all the fonts you needed , get some pet fonts .
 Font - a - licious Fonts · Fonts and dingbats in both PC and Mac downloadable format .
 Phantomphonts · Something new for your PC or Mac .
 Fonts ! · Lots of thought went into the title of this one .
 Media Builder · Over 500 fonts , but that 's not all . Look for free graphics and more .
 Caffeen Fonts · Cool free fonts .
 Graphic Park · Great unique fonts from this graphic design company .
 Fontmaster · The master of the fonts .
 Yet Another Font Site · Ok content , but a great name .
 Plucer Vision · Lots o ' fonts .
 StimulEye Fonts · This site really is a stimulus for your eyes .
 Core · Some are free to download , others you 'll need to buy .
 The Font Pool · With over 1000 categorized truetype fonts for you to download , with previews and charactermaps .
 Fonts.com · Be sure to check out " Type 101 " where they have assembled some of the best typographic resources for those who are just getting started in the world of typography . Over 8,000 quality ( not free ) fonts . List of Font Designers , Foundries , Tools , Resources , Associations , Organizations and even Events .


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55-56 Oldsmobile Copper/Brass 100% New Made in USA radiator. Replaces OEM # 3133684. May also replace others such as 3130604, 3131179. This is a correct appearing and fitting replacement radiator with regular serpentine fin design. The core size is 20" tall x 23.5" wide. Some of the attached pictures show the radiator prior to painting so that the details are more visible.
This radiator does not have a transmission cooler. Top neck is 1.5" diameter & lower neck is 1 3/4" diameter.
We stock the radiator in both regular and high efficiency core designs. The regular core has the tubes on 9/16" centers and the high efficiency has the tubes on 3/8" centers. The high efficiency will cool about 18% to 20% better than the regular core because of the denser design and more surface area.
We strongly suggest using the high efficiency core design if you are in a warmer climate.

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55 - 56 Oldsmobile Copper / Brass 100 % New Made in USA radiator . Replaces OEM # 3133684 . May also replace others such as 3130604 , 3131179 . This is a correct appearing and fitting replacement radiator with regular serpentine fin design . The core size is 20 " tall x 23.5 " wide . Some of the attached pictures show the radiator prior to painting so that the details are more visible .
 This radiator does not have a transmission cooler . Top neck is 1.5 " diameter & lower neck is 1 3/4 " diameter .
 We stock the radiator in both regular and high efficiency core designs . The regular core has the tubes on 9/16 " centers and the high efficiency has the tubes on 3/8 " centers . The high efficiency will cool about 18 % to 20 % better than the regular core because of the denser design and more surface area .
 We strongly suggest using the high efficiency core design if you are in a warmer climate .


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Some advaitins claim that Nirguna Brahman spoke through Krishna, but is this in accordance with advaitin theory that Brahman is without any characteristic, is speaking not considered a characteristic, or an act of an independent individual? According to advaita.
According to Advaita, there is only Brahman, and nothing more. Everything you see, the world, is just Brahman.
The scriture [atharva veda] says this world is Brahman. All is Brahman. Therefore, all this world is nothing but Brahman. What you impute to a thing [superimpose] is not separate from that to which you impute [the substratum]. The basis of all is Brahman. Therefore, what you call the world is not the world, but Brahman.
So, Sri Krishna and everyone else are Brahman. When Sri Krishna speaks is only Brahman who speaks. But also when a little ant die, it is just Brahman who die.
And further, whatsoever is the seed of all existences that am I, O Arjuna; nor is there anything, moving or unmoving that can exist without Me.
When you see Brahman as a little insect with 6 legs, etc, you call it "ant Brahman" (usually without the Brahman part, just ant ;) ). When you can put qualities to something, that is saguna. And as Brahman is everything, everything in manifestation is saguna Brahman.
But, in order to realize that, we pay special attention to the "sattva-saguna-Brahman part", which are sages, jivanmuktas, avataras, devas, srutis, shanti, cit, etc. And we usually call saguna Brahman only to that part (and leave ant, and everything else, out of the term, only to help understanding and realization).
When you think about Brahman as without upadhis only (without maya), without any quality that you can think of, that kind of sunya (void, which actually is not void because is full of Brahman), that you call it nirguna Brahman. So, nirguna Brahman cannot speak, because if He does, then we call it saguna Brahman.
But, as Brahman alone is, He is the only one who speaks, and listen and does everything.
For him the act of offering is Brahman, the oblation is Brahman. By Brahman is it offered into the fire of Brahman. Brahman is that which is to be attained by him who realizes Brahman in his works.
Not the answer you're looking for? Browse other questions tagged krishna brahman advaita .

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Some advaitins claim that Nirguna Brahman spoke through Krishna , but is this in accordance with advaitin theory that Brahman is without any characteristic , is speaking not considered a characteristic , or an act of an independent individual ? According to advaita .
 According to Advaita , there is only Brahman , and nothing more . Everything you see , the world , is just Brahman .
 The scriture [ atharva veda ] says this world is Brahman . All is Brahman . Therefore , all this world is nothing but Brahman . What you impute to a thing [ superimpose ] is not separate from that to which you impute [ the substratum ] . The basis of all is Brahman . Therefore , what you call the world is not the world , but Brahman .
 So , Sri Krishna and everyone else are Brahman . When Sri Krishna speaks is only Brahman who speaks . But also when a little ant die , it is just Brahman who die .
 And further , whatsoever is the seed of all existences that am I , O Arjuna ; nor is there anything , moving or unmoving that can exist without Me .
 When you see Brahman as a little insect with 6 legs , etc , you call it " ant Brahman " ( usually without the Brahman part , just ant ;) ) . When you can put qualities to something , that is saguna . And as Brahman is everything , everything in manifestation is saguna Brahman .
 But , in order to realize that , we pay special attention to the " sattva - saguna - Brahman part " , which are sages , jivanmuktas , avataras , devas , srutis , shanti , cit , etc . And we usually call saguna Brahman only to that part ( and leave ant , and everything else , out of the term , only to help understanding and realization ) .
 When you think about Brahman as without upadhis only ( without maya ) , without any quality that you can think of , that kind of sunya ( void , which actually is not void because is full of Brahman ) , that you call it nirguna Brahman . So , nirguna Brahman can not speak , because if He does , then we call it saguna Brahman .
 But , as Brahman alone is , He is the only one who speaks , and listen and does everything .
 For him the act of offering is Brahman , the oblation is Brahman . By Brahman is it offered into the fire of Brahman . Brahman is that which is to be attained by him who realizes Brahman in his works .
 Not the answer you 're looking for ? Browse other questions tagged krishna brahman advaita .


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Estimated time for delivery: 29 to 45 days min-max.
Buy cheap old school Runescape account trained by hand to improve faster in the Rune Scape 2007 game. Or buy second or third RS2007 account to keep up with Runescape 2007 ever growing number of goods and events.

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Estimated time for delivery : 29 to 45 days min - max .
 Buy cheap old school Runescape account trained by hand to improve faster in the Rune Scape 2007 game . Or buy second or third RS2007 account to keep up with Runescape 2007 ever growing number of goods and events .