text:
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Screw conveyors in modern industry are often used horizontally or at a slight incline as an efficient way to move semi-solid materials. These can have a greater pitch spacing, resulting in a higher capacity without an increase in rotation speed.
The screw conveyors are used for moving bulk materials at a destination point and are made of strong stainless-steel metal; primarily used in agriculture industry. are used in various industries for controlling air pollution with the method where liquid is used for removing gases and particles from drain flow.
One particular example is a vertical screw conveyor that was tested for Nestle .Screw conveyors are good conveyor options that can be modified with food grade equipment. A final note, these conveyors can also cool or heat products by changing the conveyor housing design .
Customers can avail from us a wide range of Pipe Type Screw Conveyor at pocket-friendly rates. The function of screw conveyor parts depends on the size of the pitch of flight. The function of screw conveyor parts depends on the size of the pitch of flight.
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tokenized:
All Over India View More . Let IndiaMART find verified sellers for you ! 91 . IndiaMART Conveyor Machines Conveyor Systems Conveyors Screw Conveyors Vertical Screw Conveyor . Find more sellers near you . Cement Screw Conveyor Vertical Screw Conveyor Machine . Twin Screw Conveyors .
 Inclined or vertical the screw conveyor is a very inexpensive compact system for the elevation and transportation of bulk raw materials . The key to any successful design is , a through understanding of the characteristics of the material to be handled .
 The AFC Spiralfeeder ™ Flexible Screw Conveyor System offers many benefits over other conveyor designs Continuous Flow The Spiralfeeder produces a continuous flow of bulk materials with conveying rates of up to 1200 C.F.H.
 Screw conveyors from Van Beek fit within DSM 's new state - of - the - art plant in Geleen . In the new ammonium sulfate plant that DSM is building in Geleen ( the Netherlands ) there will be as many as 17 Van Beek screw conveyor systems .
 Manufacturer of standard and custom plastic screw conveyors for totally contained dust free , low energy , low maintenance and low cost conveying solutions from 9 - 88,000 lb / hr .
 Screw Conveyors Process Screw Conveyor , Stainless Steel Screw Conveyor , Twin Screw Conveyor , Vertical Horizontal Screw Conveyors 15 years and on , we have moved paper , milk , salt , steel , batteries , fertiliers , detergents , coal , cement , food products etc .
 The screw conveyor is one of the most cost - effective methods for transporting bulk materials . Screw conveyors are used in thousands of applications in almost every industry . MITECK SYSTEMS has provided successful bulk material handling solutions for over 20 years .
 Screw Conveyors , Stainless Steel Screw Conveyor , Twin Screw Conveyor , Vertical Screw Conveyors , Horizontal Screw Conveyors , Mumbai , India Vertical Screw Conveyors Shaftless Vertical Screw Stainless screw conveyors , mixers , press screws , plug screws , feeders , shaftless , vertical inclined conveyors by Conveyor Engineering Manufacturing .
 Screw conveyors in modern industry are often used horizontally or at a slight incline as an efficient way to move semi - solid materials . These can have a greater pitch spacing , resulting in a higher capacity without an increase in rotation speed .
 The screw conveyors are used for moving bulk materials at a destination point and are made of strong stainless - steel metal ; primarily used in agriculture industry . are used in various industries for controlling air pollution with the method where liquid is used for removing gases and particles from drain flow .
 One particular example is a vertical screw conveyor that was tested for Nestle .Screw conveyors are good conveyor options that can be modified with food grade equipment . A final note , these conveyors can also cool or heat products by changing the conveyor housing design .
 Customers can avail from us a wide range of Pipe Type Screw Conveyor at pocket - friendly rates . The function of screw conveyor parts depends on the size of the pitch of flight . The function of screw conveyor parts depends on the size of the pitch of flight .
 pdf for vertical screw conveyor calculations screw conveyor design calculation pdf in india . Home FAQ vertical screw conveyor design calculation pdf . Get More Info .


text: On Wednesday February 17th children in our kindergarten felt like in the sky . thanks to a visit of Mobile Planetarium Astrolabe. in the Morning a portable inflatable planetarium dome was erected in one of the rooms, and children from all groups in turn entered the extraordinary world. Mrs. astronomer in an accessible way told the children about the stars and planets at the same time displaying video in the dome. Children listened to the stories based on a constellation and elements of mythology. At the end of the show preschool children flew in a rocket to the moon and the full of joy came back to Earth.

tokenized: On Wednesday February 17th children in our kindergarten felt like in the sky . thanks to a visit of Mobile Planetarium Astrolabe . in the Morning a portable inflatable planetarium dome was erected in one of the rooms , and children from all groups in turn entered the extraordinary world . Mrs. astronomer in an accessible way told the children about the stars and planets at the same time displaying video in the dome . Children listened to the stories based on a constellation and elements of mythology . At the end of the show preschool children flew in a rocket to the moon and the full of joy came back to Earth .


text:
The Mirandês II Restaurant is located at the northern entrance of the city, in a quiet area of the city.
It features a large (200 seats) and comfortable dining room. The menu is diverse with particular emphasis on the traditional dishes of the region, including the famous mirandesa steak.

tokenized:
The Mirandês II Restaurant is located at the northern entrance of the city , in a quiet area of the city .
 It features a large ( 200 seats ) and comfortable dining room . The menu is diverse with particular emphasis on the traditional dishes of the region , including the famous mirandesa steak .


text:
Further Brand is making nice stuff.
This really nice adjustable 6-panel Rose hat in gold is all time. Subtle embroidery on a soft material hat, it's a winner.

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Further Brand is making nice stuff .
 This really nice adjustable 6 - panel Rose hat in gold is all time . Subtle embroidery on a soft material hat , it 's a winner .


text:
One of the most debated topics in football is the rivalry between Cristiano Ronaldo and Messi. Both players always show respect to one another and claim competition is healthy in pushing them to perform to their full potential. Their rivalry is rather tame in comparison to Roy Keane and Patrick Vieira’s legendary battles against each other on the pitch.
For much of the early 1990’s Manchester United dominated the Premier League, winning four of the five titles between 93 and 97. Central to that success was their domineering and relentless midfielder from Ireland. Keane’s drive, determination and all-round excellence established him as the best midfielder in the country. When Eric Cantona suddenly retired in 1997, Keane was named United captain by Alex Ferguson. The previous summer, Arsenal signed a young Frenchman in the same position. Vieira struggled to make the grade at AC Milan and little was known about him in England. This was a time when Arsene Wenger was ahead of the curve and he knew value when he saw it.
Vieira immediately impressed with his athleticism and passing ability, Arsenal supporters claiming he was the playmaker they’d been missing since 1991 title winner Paul Davis. Keane missed much of the 97/98 season with a cruciate ligament injury and when he returned the landscape had changed. Arsenal had taken United’s title away and lorded over them in successive three nil victories in the Charity Shield and League.
Vieira later revealed that he felt if he got the better of Keane they would win and he certainly stamped his authority on those games. United responded to those setbacks and would compete on three fronts in 1999. Keane was instrumental and dragged them into the Champions League final with an imperious display against Juventus. In the last four of the FA Cup at Villa Park, the Arsenal-United rivalry arguably reached its peak in a classic game that had it all. Both would have significant impacts for all the wrong reasons – Keane sent off for two bookings and Vieira guilty of passing the ball straight to Ryan Giggs on route to his Mazy dribble, finish and chest-haired celebration.
United were going to create history by winning the treble. The following season, United would maintain their spot at the top. It was at this stage that the Keane and Vieira battles began to heat up. Keane scored twice at Highbury as United beat the hosts 3-1 in a game in which the two repeatedly clashed. Again United would go on to win the title, and Keane was voted PFA Player of the Year. As Keane later remarked, preparing to face Vieira was different. “A week before my body would be aching because I knew I’d have to go to battle. I didn’t think he was as tough as me.” After shock interest for Vieira from United in 2001, he stayed in North London and the season culminated in them winning back the league crown at Old Trafford, a game Vieira named as his best in an Arsenal shirt. They completed the double against Chelsea at the Millennium Stadium in his finest season to date.
Just as Arsenal looked set to dominate, they surrendered a big lead in the 2002/20o3 season as United regained the title. Vieira missed much of the run in through injury, while a rejuvenated Keane lifted his seventh and final league in a red shirt. Early in the following season, the two sides were embroiled in a heated clash remembered as “the Battle of Old Trafford”. Ruud van Nistelrooy crashed a penalty off the bar in injury time with the chance to win the game and was angrily confronted by Arsenal players accusing him of getting Vieira sent off. The draw from the jaws of defeat would spur Arsenal on and they created history by going the season unbeaten on their way to another title.
By the time 2005 came around, both sides were trailing in the wake of Chelsea. In February, the two met at Highbury in a game which turned out to be a classic. The tone was set in the tunnel beforehand when Keane famously confronted Vieira after the Frenchman had picked on Gary Neville. United won 4-2, inarguably Keane’s last great performance. They’d meet again in the FA Cup final in May – when Vieira scored the winning penalty in a shootout. Pretty soon afterwards, things would change. Vieira joined Juventus, and Keane would depart United in acrimonious circumstances a few months later. The Premier League has yet to see a rivalry to match it!

tokenized:
One of the most debated topics in football is the rivalry between Cristiano Ronaldo and Messi . Both players always show respect to one another and claim competition is healthy in pushing them to perform to their full potential . Their rivalry is rather tame in comparison to Roy Keane and Patrick Vieira ’s legendary battles against each other on the pitch .
 For much of the early 1990 ’s Manchester United dominated the Premier League , winning four of the five titles between 93 and 97 . Central to that success was their domineering and relentless midfielder from Ireland . Keane ’s drive , determination and all - round excellence established him as the best midfielder in the country . When Eric Cantona suddenly retired in 1997 , Keane was named United captain by Alex Ferguson . The previous summer , Arsenal signed a young Frenchman in the same position . Vieira struggled to make the grade at AC Milan and little was known about him in England . This was a time when Arsene Wenger was ahead of the curve and he knew value when he saw it .
 Vieira immediately impressed with his athleticism and passing ability , Arsenal supporters claiming he was the playmaker they ’d been missing since 1991 title winner Paul Davis . Keane missed much of the 97/98 season with a cruciate ligament injury and when he returned the landscape had changed . Arsenal had taken United ’s title away and lorded over them in successive three nil victories in the Charity Shield and League .
 Vieira later revealed that he felt if he got the better of Keane they would win and he certainly stamped his authority on those games . United responded to those setbacks and would compete on three fronts in 1999 . Keane was instrumental and dragged them into the Champions League final with an imperious display against Juventus . In the last four of the FA Cup at Villa Park , the Arsenal - United rivalry arguably reached its peak in a classic game that had it all . Both would have significant impacts for all the wrong reasons – Keane sent off for two bookings and Vieira guilty of passing the ball straight to Ryan Giggs on route to his Mazy dribble , finish and chest - haired celebration .
 United were going to create history by winning the treble . The following season , United would maintain their spot at the top . It was at this stage that the Keane and Vieira battles began to heat up . Keane scored twice at Highbury as United beat the hosts 3 - 1 in a game in which the two repeatedly clashed . Again United would go on to win the title , and Keane was voted PFA Player of the Year . As Keane later remarked , preparing to face Vieira was different . “ A week before my body would be aching because I knew I ’d have to go to battle . I did n’t think he was as tough as me . ” After shock interest for Vieira from United in 2001 , he stayed in North London and the season culminated in them winning back the league crown at Old Trafford , a game Vieira named as his best in an Arsenal shirt . They completed the double against Chelsea at the Millennium Stadium in his finest season to date .
 Just as Arsenal looked set to dominate , they surrendered a big lead in the 2002/20o3 season as United regained the title . Vieira missed much of the run in through injury , while a rejuvenated Keane lifted his seventh and final league in a red shirt . Early in the following season , the two sides were embroiled in a heated clash remembered as “ the Battle of Old Trafford ” . Ruud van Nistelrooy crashed a penalty off the bar in injury time with the chance to win the game and was angrily confronted by Arsenal players accusing him of getting Vieira sent off . The draw from the jaws of defeat would spur Arsenal on and they created history by going the season unbeaten on their way to another title .
 By the time 2005 came around , both sides were trailing in the wake of Chelsea . In February , the two met at Highbury in a game which turned out to be a classic . The tone was set in the tunnel beforehand when Keane famously confronted Vieira after the Frenchman had picked on Gary Neville . United won 4 - 2 , inarguably Keane ’s last great performance . They ’d meet again in the FA Cup final in May – when Vieira scored the winning penalty in a shootout . Pretty soon afterwards , things would change . Vieira joined Juventus , and Keane would depart United in acrimonious circumstances a few months later . The Premier League has yet to see a rivalry to match it !


text:
Sometimes records are planned for months or even years.
Sometimes records sneak up on you.
Autumn/Winter 2016 the world seemed to become a loud, brutal place.
People hurting from war, homelessness, climate change…..
People respond in different ways.
I sought refuge in songs. I wrote some, I learned some and I visited some old ones.
After a few months of quiet work, I felt the need to put these songs out into the world.
At first I heard choirs and strings and trumpets.
In the end I decided to keep it raw, and simple.
And here it is - REFUGE. 11 songs, recorded in the amazing studio that is Lettercollum Recording Studio, with John Fitzgerald and mastered by my old friend Brian Masterson.
The cover painting is called ‘At One’ - by Tim Goulding, a great Irish artist from Beara Peninsula in West Cork.
The cover is designed by Steve Averill.
My sister, the singer Anne Rynne, still manages the shipments at the website.
The cost to you is 18 euros per record, including shipping.
The first 500 will be signed.
In this age of streaming, I still believe in the record and I love to work with great people to create a record that flows. The sound, the order of the songs, the number of songs. This is how I choose to listen to the people I love. And this is how I want to present my work.
To all who choose to buy the record from us, I thank you. It allows me to continue.

tokenized:
Sometimes records are planned for months or even years .
 Sometimes records sneak up on you .
 Autumn / Winter 2016 the world seemed to become a loud , brutal place .
 People hurting from war , homelessness , climate change … ..
 People respond in different ways .
 I sought refuge in songs . I wrote some , I learned some and I visited some old ones .
 After a few months of quiet work , I felt the need to put these songs out into the world .
 At first I heard choirs and strings and trumpets .
 In the end I decided to keep it raw , and simple .
 And here it is - REFUGE . 11 songs , recorded in the amazing studio that is Lettercollum Recording Studio , with John Fitzgerald and mastered by my old friend Brian Masterson .
 The cover painting is called ‘ At One ’ - by Tim Goulding , a great Irish artist from Beara Peninsula in West Cork .
 The cover is designed by Steve Averill .
 My sister , the singer Anne Rynne , still manages the shipments at the website .
 The cost to you is 18 euros per record , including shipping .
 The first 500 will be signed .
 In this age of streaming , I still believe in the record and I love to work with great people to create a record that flows . The sound , the order of the songs , the number of songs . This is how I choose to listen to the people I love . And this is how I want to present my work .
 To all who choose to buy the record from us , I thank you . It allows me to continue .


text:
SermonIndex.net : Christian Books : CHAPTER XIV. THE ORIGINAL TEXT AND ITS HISTORY.
CHAPTER XIV. THE ORIGINAL TEXT AND ITS HISTORY.
1. The original language of the Old Testament is Hebrew, with the exception of certain portions of Ezra and Daniel and a single verse of Jeremiah, (Ezra 4:8-6:18; 7:12-26; Dan.2:4, from the middle of the verse to end of chap.7; Jer.10:11,) which are written in the cognate Chaldee language. The Hebrew belongs to a stock of related languages commonly called Shemitic, because spoken mainly by the descendants of Shem. Its main divisions are: (1,) the Arabic, having its original seat in the southeastern part of the Shemitic territory, and of which the AEthiopic is a branch; (2,) the Aramaean in the north and northeast, comprising the eastern Aramaean or Chaldee, and the western or Syriac; (3,) the Hebrew, occupying a middle place between the two. The Samaritan is essentially Aramaean, but with an intermixture of Hebrew forms; the Phoenician, or Punic, on the other hand, is most closely allied to the Hebrew. All these languages, with the exception of the AEthiopic, are written from right to left, and exhibit many peculiarities of orthography and grammatical forms and structure.
2. The Hebrew characters in present use, called the Assyrian, or square writing, are not those originally employed. The earlier form is undoubtedly represented by the inscriptions on the coins struck by the Maccabees, of which the letters bear a strong resemblance to the Samaritan and Phoenician characters. The Jewish tradition is that the present square character was introduced by Ezra, and that it was of Assyrian origin. The question of the correctness of this tradition has been much discussed. Some wholly reject it, and hold that the present square writing came by a gradual process of change from a more ancient type. See Davidson's Bib. Crit., vol. I, ch.3.
The Rabbinic is a modification of the Assyrian or square writing, for the purpose of giving it a more cursive character.
3. The Hebrew alphabet, like all the other Shemitic alphabets -- with the exception of the AEthiopic, which is syllabic, the vowels being indicated by certain modifications in the forms of the consonants -- was originally a skeleton alphabet, an alphabet of consonants, in which, however, certain letters, called vowel-letters, performed in a measure the office of vowels. The Shemite did not separate the vowels from the consonants, and express them, as we do, by separate signs. He rather conceived of the vowels as inhering in the consonants -- as modifications in the utterance of the consonants, which the reader could make for himself. Various particulars in respect to the pronunciation of certain consonants were, in like manner, left to the reader's own knowledge. For example, the three Hebrew letters, [Hebrew: sh], sh; [Hebrew: m], m; [Hebrew: r], r, ([Hebrew: shmr], to be read from right to left,) might be pronounced, shamar, he kept; shemor, keep thou; shomer, keeping -- the reader determining from the connection which of these forms should be used, just as we decide in English between the different pronunciations of the word bow. As long as the Hebrew remained a living language, that is, the language of the masses of the people, this outline alphabet was sufficient for all practical purposes. The modern Arabs read without difficulty their ordinary books, which omit, in like manner, the signs for the vowels. The regularity of structure which belongs to the Shemitic languages generally, makes this omission less inconvenient for them than a like omission would be for us in our western tongues.
4. During the long Babylonish captivity the mass of the Jewish people, who were born and educated in Babylon and the adjacent regions, adopted of necessity the language of the country; that is, the Aramaean or Chaldee language. After the exile, the Hebrew was indeed spoken and written by the prophets and learned men, but not by the people at large. In Nehemiah 8:8 we are told that |they read in the book in the law of God distinctly, and gave the sense, and caused them to understand the reading.| This has been explained by some as meaning simply that they expounded to them the sense. But the more natural meaning is that they interpreted to the people the words read from the law. We find, soon after the captivity at least, the old Hebrew supplanted as a living language among the people at large by the Aramaean or Chaldee. Why not date the change from the latter part of the captivity itself?
It was natural that the prophets and historians, all of whom wrote soon after the exile, should employ the sacred language of their fathers. This fact cannot be adduced as a valid argument that the body of the people continued to speak Hebrew. The incorporation, on the other hand, of long passages in Chaldee into the books of Daniel and Ezra implies at least that this language was known to the people at large. As to the children spoken of in Neh.13:24, who |could not speak in the Jews' language, but according to the language of each people| -- the people, to wit, to which their mothers belonged -- |the Jews' language| here is probably the language used by the Jews, as distinguished from that used by the people of Ashdod, Ammon, and Moab. Keil, Introduction to Old Testament, Sec.18.
5. After the Hebrew had ceased to be the language of the common people, its traditional pronunciation was carefully preserved for many successive centuries in the synagogue-reading. It was not till several centuries after Christ (somewhere between the sixth and the tenth centuries) that the vowel-signs and other marks of distinction were added in order to perpetuate, with all possible accuracy, the solemn traditional pronunciation of the synagogue. This work is ascribed to learned Jews of Tiberias, called Masoretes, from Masora, tradition; and the Hebrew text thus furnished by them is called the Masoretic, in distinction from the unpointed text, which latter is, according to Jewish usage, retained in the synagogue-rolls. From reverence to the word of God, the punctuators (as these men are also called) left the primitive text in all cases undisturbed, simply superadding to it their marks of distinction. After giving with great minuteness the different vowel-signs and marks (commonly called diacritical) for the varying pronunciation of the consonants, they superadded a complicated system of accents. These serve the threefold office of guides in cantillating the sacred text (according to ancient usage in the synagogue-reading); of indicating the connection in meaning among the words and clauses; and of marking, though with certain exceptions, the tone-syllables of words. In addition to all the above, they added a mass of notes, partly of a critical and partly of a grammatical character, relating to various readings, grammatical forms and connections, modes of orthography, and the like. These are called collectively the Masorah, of which there is a fuller Masorah called the greater (found only in Rabbinical Bibles), and a briefer, called the less, the main part of which is found in common editions of the Hebrew Bible. To illustrate the Masoretic as contrasted with the unpointed text, we give the first verse of Genesis, first, in its simple unpointed form; secondly, with the vowel-signs and diacritical marks for the consonants; thirdly, with both these and the accents, the last being the complete Masoretic text.
The round circle above the initial letter in the third line refers to a marginal note of the Masorah indicating that it is to be written large.
Respecting the origin and antiquity of the Hebrew points a warm controversy existed in former times. Some maintained that they were coeval with the language itself; others that they were first introduced by Ezra after the Babylonish captivity. But their later origin -- somewhere between the sixth and tenth centuries -- is now generally conceded. It is further agreed that their inventors were able scholars, thoroughly acquainted as well with the genius and structure of the language as with the traditional pronunciation of the synagogue; and that they have given a faithful representation of this pronunciation, as it existed in their day. Their judgment, therefore, though not invested with any divine authority, is very valuable. |It represents a tradition, it is true; but a tradition of the oldest and most important character.| Horne's Introduction, vol.2, p.15, edition of 1860.
6. The deep reverence of the Jews for their sacred books manifests itself in their numerous rules for the guidance of copyists in the transcription of the rolls designed for use in the synagogue service. They extend to every minute particular -- the quality of the ink and the parchment (which latter must always be prepared by a Jew from the skin of a clean animal, and fastened by strings made from the skins of clean animals); the number, length, and breadth of the columns; the number of lines in each column, and the number of words in each line. No word must be written till the copyist has first inspected it in the example before him, and pronounced it aloud; before writing the name of God he must wash his pen; all redundance or defect of letters must be carefully avoided: prose must not be written as verse, or verse as prose; and when the copy has been completed, it must be examined for approval or rejection within thirty days. Superstitious, and even ridiculous, as these rules are, we have in them a satisfactory assurance of the fidelity with which the sacred text has been perpetuated. Though their date may be posterior to the age of the Talmudists (between 200 and 500 after Christ), the spirit of reverence for the divine word which they manifest goes far back beyond this age. We see it, free from these later superstitious observances, in the transactions recorded in the eighth chapter of Nehemiah, when Ezra opened the book of the law in the sight of all the people, |and when he opened it, all the people stood up.| The early history of the sacred text is confessedly involved in great obscurity; but in the profound reverence with which the Jews have ever regarded it since the captivity, we have satisfactory proof that it has come down to us, in all essential particulars, as Ezra left it. Of the primitive text before the days of Ezra and his associates we have but a few brief notices in the historical books. But in the fidelity and skill of Ezra, who was |a ready scribe in the law of Moses, which the Lord God of Israel had given,| as well as in the intelligence and deep earnestness of the men associated with him, we have a reasonable ground of assurance that the sacred books which have come down to us through their hands contain, in all essential particulars, the primitive text in a pure and uncorrupt form.
7. As to the age of Hebrew manuscripts, it is to be noticed that not many have come down to us from an earlier century than the twelfth. In this respect there is a striking difference between them and the Greek and Latin manuscripts of the New Testament, a few of which are as old as the fourth and fifth centuries, and quite a number anterior to the tenth. The oldest known Hebrew manuscript, on the contrary, is a Pentateuch roll on leather, now at Odessa, which, if the subscription stating that it was corrected in the year 580 can be relied on, belongs to the sixth century. One of De Rossi's manuscripts is supposed to belong to the eighth century, and there are a few of the ninth and tenth, and several of the eleventh. Bishop Walton supposes that after the Masoretic text was fully settled, the Jewish rulers condemned, as profane and illegitimate, all the older manuscripts not conformed to this: whence, after a few ages, the rejected copies mostly perished. The existing Hebrew manuscripts give the Masoretic text with but little variation from each other.
Earnest effort has been made to find a reliable ante-Masoretic text, but to no purpose. The search in China has thus far been fruitless. When Dr. Buchanan in 1806 brought from India a synagogue-roll which he found among the Jews of Malabar, high expectations were raised. But it is now conceded to be a Masoretic roll, probably of European origin. Respecting the manuscripts of the Samaritan Pentateuch, see below, No.9.
8. In respect to form, Hebrew manuscripts fall into two great divisions, public and private. The public manuscripts consist of synagogue-rolls carefully written out on parchment, as already described, without vowel-points or divisions of verses. The Law is written on a single roll; the sections from the prophets (Haphtaroth, ch.12.6) and the Five Rolls -- Canticles, Ruth, Lamentations, Ecclesiastes, Esther (ch.12.4) -- each on separate rolls. The private manuscripts are written with leaves in book form -- folio, quarto, octavo, and duodecimo; mostly on parchment, but some of the later on paper. The poetical passages are generally arranged in hemistichs; the rest is in columns which vary according to the size of the page. The text and points were always written separately; the former with a heavier, the latter with a lighter pen, and generally with different ink. The square or Assyrian character is employed as a rule, but a few are written in the rabbinic character. The Chaldee paraphrase (less frequently some other version) may be added. The margin contains more or less of the Masorah; sometimes prayers, psalms, rabbinical commentaries, etc.
9. There is also a Samaritan Pentateuch; that is, a Hebrew Pentateuch written in the ancient Samaritan characters, and first brought to light in 1616, respecting the origin of which very different opinions are held. Some suppose that the Samaritans received it as an inheritance from the ten tribes; others that it was introduced at the time of the founding of the Samaritan temple on Mount Gerizim; others that it was brought by the Israelitish priest sent to instruct the Samaritans in the knowledge of God, 2 Kings 17:27, 28. It is agreed among biblical scholars that its text has been subjected to many alterations which greatly impair its critical authority. These, however, are not sufficient to account for its remarkable agreement with the Septuagint version against the Masoretic text, in numerous readings, some of them of importance. The explanation of this phenomenon must be the agreement of the original Samaritan codex with the manuscripts from which the Alexandrine version was executed. Probably both were of Egyptian origin. See Alexander's Kitto, art. Samaritan Pentateuch.
In a brief compend, like the present work, it is not thought necessary to notice particularly the printed editions of the Hebrew Bible. The reader will find an account of them in the |Bibliographical List| appended to the fourth volume of Horne's Introduction, edition of 1860. The text of Van der Hooght's Hebrew Bible, (Amsterdam and Utrecht, 1705,) which was chiefly based on the earlier text of Athias, (Amsterdam, 1667,) is generally followed at the present day, and may be regarded as the received text of the Hebrew Scriptures.

tokenized:
SermonIndex.net : Christian Books : CHAPTER XIV . THE ORIGINAL TEXT AND ITS HISTORY .
 CHAPTER XIV . THE ORIGINAL TEXT AND ITS HISTORY .
 1 . The original language of the Old Testament is Hebrew , with the exception of certain portions of Ezra and Daniel and a single verse of Jeremiah , ( Ezra 4:8 - 6:18 ; 7:12 - 26 ; Dan.2:4 , from the middle of the verse to end of chap.7 ; Jer.10:11 , ) which are written in the cognate Chaldee language . The Hebrew belongs to a stock of related languages commonly called Shemitic , because spoken mainly by the descendants of Shem . Its main divisions are : ( 1 , ) the Arabic , having its original seat in the southeastern part of the Shemitic territory , and of which the AEthiopic is a branch ; ( 2 , ) the Aramaean in the north and northeast , comprising the eastern Aramaean or Chaldee , and the western or Syriac ; ( 3 , ) the Hebrew , occupying a middle place between the two . The Samaritan is essentially Aramaean , but with an intermixture of Hebrew forms ; the Phoenician , or Punic , on the other hand , is most closely allied to the Hebrew . All these languages , with the exception of the AEthiopic , are written from right to left , and exhibit many peculiarities of orthography and grammatical forms and structure .
 2 . The Hebrew characters in present use , called the Assyrian , or square writing , are not those originally employed . The earlier form is undoubtedly represented by the inscriptions on the coins struck by the Maccabees , of which the letters bear a strong resemblance to the Samaritan and Phoenician characters . The Jewish tradition is that the present square character was introduced by Ezra , and that it was of Assyrian origin . The question of the correctness of this tradition has been much discussed . Some wholly reject it , and hold that the present square writing came by a gradual process of change from a more ancient type . See Davidson 's Bib . Crit . , vol . I , ch.3 .
 The Rabbinic is a modification of the Assyrian or square writing , for the purpose of giving it a more cursive character .
 3 . The Hebrew alphabet , like all the other Shemitic alphabets -- with the exception of the AEthiopic , which is syllabic , the vowels being indicated by certain modifications in the forms of the consonants -- was originally a skeleton alphabet , an alphabet of consonants , in which , however , certain letters , called vowel - letters , performed in a measure the office of vowels . The Shemite did not separate the vowels from the consonants , and express them , as we do , by separate signs . He rather conceived of the vowels as inhering in the consonants -- as modifications in the utterance of the consonants , which the reader could make for himself . Various particulars in respect to the pronunciation of certain consonants were , in like manner , left to the reader 's own knowledge . For example , the three Hebrew letters , [ Hebrew : sh ] , sh ; [ Hebrew : m ] , m ; [ Hebrew : r ] , r , ( [ Hebrew : shmr ] , to be read from right to left , ) might be pronounced , shamar , he kept ; shemor , keep thou ; shomer , keeping -- the reader determining from the connection which of these forms should be used , just as we decide in English between the different pronunciations of the word bow . As long as the Hebrew remained a living language , that is , the language of the masses of the people , this outline alphabet was sufficient for all practical purposes . The modern Arabs read without difficulty their ordinary books , which omit , in like manner , the signs for the vowels . The regularity of structure which belongs to the Shemitic languages generally , makes this omission less inconvenient for them than a like omission would be for us in our western tongues .
 4 . During the long Babylonish captivity the mass of the Jewish people , who were born and educated in Babylon and the adjacent regions , adopted of necessity the language of the country ; that is , the Aramaean or Chaldee language . After the exile , the Hebrew was indeed spoken and written by the prophets and learned men , but not by the people at large . In Nehemiah 8:8 we are told that |they read in the book in the law of God distinctly , and gave the sense , and caused them to understand the reading.| This has been explained by some as meaning simply that they expounded to them the sense . But the more natural meaning is that they interpreted to the people the words read from the law . We find , soon after the captivity at least , the old Hebrew supplanted as a living language among the people at large by the Aramaean or Chaldee . Why not date the change from the latter part of the captivity itself ?
 It was natural that the prophets and historians , all of whom wrote soon after the exile , should employ the sacred language of their fathers . This fact can not be adduced as a valid argument that the body of the people continued to speak Hebrew . The incorporation , on the other hand , of long passages in Chaldee into the books of Daniel and Ezra implies at least that this language was known to the people at large . As to the children spoken of in Neh.13:24 , who |could not speak in the Jews ' language , but according to the language of each people| -- the people , to wit , to which their mothers belonged -- |the Jews ' language| here is probably the language used by the Jews , as distinguished from that used by the people of Ashdod , Ammon , and Moab . Keil , Introduction to Old Testament , Sec.18 .
 5 . After the Hebrew had ceased to be the language of the common people , its traditional pronunciation was carefully preserved for many successive centuries in the synagogue - reading . It was not till several centuries after Christ ( somewhere between the sixth and the tenth centuries ) that the vowel - signs and other marks of distinction were added in order to perpetuate , with all possible accuracy , the solemn traditional pronunciation of the synagogue . This work is ascribed to learned Jews of Tiberias , called Masoretes , from Masora , tradition ; and the Hebrew text thus furnished by them is called the Masoretic , in distinction from the unpointed text , which latter is , according to Jewish usage , retained in the synagogue - rolls . From reverence to the word of God , the punctuators ( as these men are also called ) left the primitive text in all cases undisturbed , simply superadding to it their marks of distinction . After giving with great minuteness the different vowel - signs and marks ( commonly called diacritical ) for the varying pronunciation of the consonants , they superadded a complicated system of accents . These serve the threefold office of guides in cantillating the sacred text ( according to ancient usage in the synagogue - reading ) ; of indicating the connection in meaning among the words and clauses ; and of marking , though with certain exceptions , the tone - syllables of words . In addition to all the above , they added a mass of notes , partly of a critical and partly of a grammatical character , relating to various readings , grammatical forms and connections , modes of orthography , and the like . These are called collectively the Masorah , of which there is a fuller Masorah called the greater ( found only in Rabbinical Bibles ) , and a briefer , called the less , the main part of which is found in common editions of the Hebrew Bible . To illustrate the Masoretic as contrasted with the unpointed text , we give the first verse of Genesis , first , in its simple unpointed form ; secondly , with the vowel - signs and diacritical marks for the consonants ; thirdly , with both these and the accents , the last being the complete Masoretic text .
 The round circle above the initial letter in the third line refers to a marginal note of the Masorah indicating that it is to be written large .
 Respecting the origin and antiquity of the Hebrew points a warm controversy existed in former times . Some maintained that they were coeval with the language itself ; others that they were first introduced by Ezra after the Babylonish captivity . But their later origin -- somewhere between the sixth and tenth centuries -- is now generally conceded . It is further agreed that their inventors were able scholars , thoroughly acquainted as well with the genius and structure of the language as with the traditional pronunciation of the synagogue ; and that they have given a faithful representation of this pronunciation , as it existed in their day . Their judgment , therefore , though not invested with any divine authority , is very valuable . |It represents a tradition , it is true ; but a tradition of the oldest and most important character.| Horne 's Introduction , vol.2 , p.15 , edition of 1860 .
 6 . The deep reverence of the Jews for their sacred books manifests itself in their numerous rules for the guidance of copyists in the transcription of the rolls designed for use in the synagogue service . They extend to every minute particular -- the quality of the ink and the parchment ( which latter must always be prepared by a Jew from the skin of a clean animal , and fastened by strings made from the skins of clean animals ) ; the number , length , and breadth of the columns ; the number of lines in each column , and the number of words in each line . No word must be written till the copyist has first inspected it in the example before him , and pronounced it aloud ; before writing the name of God he must wash his pen ; all redundance or defect of letters must be carefully avoided : prose must not be written as verse , or verse as prose ; and when the copy has been completed , it must be examined for approval or rejection within thirty days . Superstitious , and even ridiculous , as these rules are , we have in them a satisfactory assurance of the fidelity with which the sacred text has been perpetuated . Though their date may be posterior to the age of the Talmudists ( between 200 and 500 after Christ ) , the spirit of reverence for the divine word which they manifest goes far back beyond this age . We see it , free from these later superstitious observances , in the transactions recorded in the eighth chapter of Nehemiah , when Ezra opened the book of the law in the sight of all the people , |and when he opened it , all the people stood up.| The early history of the sacred text is confessedly involved in great obscurity ; but in the profound reverence with which the Jews have ever regarded it since the captivity , we have satisfactory proof that it has come down to us , in all essential particulars , as Ezra left it . Of the primitive text before the days of Ezra and his associates we have but a few brief notices in the historical books . But in the fidelity and skill of Ezra , who was |a ready scribe in the law of Moses , which the Lord God of Israel had given,| as well as in the intelligence and deep earnestness of the men associated with him , we have a reasonable ground of assurance that the sacred books which have come down to us through their hands contain , in all essential particulars , the primitive text in a pure and uncorrupt form .
 7 . As to the age of Hebrew manuscripts , it is to be noticed that not many have come down to us from an earlier century than the twelfth . In this respect there is a striking difference between them and the Greek and Latin manuscripts of the New Testament , a few of which are as old as the fourth and fifth centuries , and quite a number anterior to the tenth . The oldest known Hebrew manuscript , on the contrary , is a Pentateuch roll on leather , now at Odessa , which , if the subscription stating that it was corrected in the year 580 can be relied on , belongs to the sixth century . One of De Rossi 's manuscripts is supposed to belong to the eighth century , and there are a few of the ninth and tenth , and several of the eleventh . Bishop Walton supposes that after the Masoretic text was fully settled , the Jewish rulers condemned , as profane and illegitimate , all the older manuscripts not conformed to this : whence , after a few ages , the rejected copies mostly perished . The existing Hebrew manuscripts give the Masoretic text with but little variation from each other .
 Earnest effort has been made to find a reliable ante - Masoretic text , but to no purpose . The search in China has thus far been fruitless . When Dr. Buchanan in 1806 brought from India a synagogue - roll which he found among the Jews of Malabar , high expectations were raised . But it is now conceded to be a Masoretic roll , probably of European origin . Respecting the manuscripts of the Samaritan Pentateuch , see below , No.9 .
 8 . In respect to form , Hebrew manuscripts fall into two great divisions , public and private . The public manuscripts consist of synagogue - rolls carefully written out on parchment , as already described , without vowel - points or divisions of verses . The Law is written on a single roll ; the sections from the prophets ( Haphtaroth , ch.12.6 ) and the Five Rolls -- Canticles , Ruth , Lamentations , Ecclesiastes , Esther ( ch.12.4 ) -- each on separate rolls . The private manuscripts are written with leaves in book form -- folio , quarto , octavo , and duodecimo ; mostly on parchment , but some of the later on paper . The poetical passages are generally arranged in hemistichs ; the rest is in columns which vary according to the size of the page . The text and points were always written separately ; the former with a heavier , the latter with a lighter pen , and generally with different ink . The square or Assyrian character is employed as a rule , but a few are written in the rabbinic character . The Chaldee paraphrase ( less frequently some other version ) may be added . The margin contains more or less of the Masorah ; sometimes prayers , psalms , rabbinical commentaries , etc .
 9 . There is also a Samaritan Pentateuch ; that is , a Hebrew Pentateuch written in the ancient Samaritan characters , and first brought to light in 1616 , respecting the origin of which very different opinions are held . Some suppose that the Samaritans received it as an inheritance from the ten tribes ; others that it was introduced at the time of the founding of the Samaritan temple on Mount Gerizim ; others that it was brought by the Israelitish priest sent to instruct the Samaritans in the knowledge of God , 2 Kings 17:27 , 28 . It is agreed among biblical scholars that its text has been subjected to many alterations which greatly impair its critical authority . These , however , are not sufficient to account for its remarkable agreement with the Septuagint version against the Masoretic text , in numerous readings , some of them of importance . The explanation of this phenomenon must be the agreement of the original Samaritan codex with the manuscripts from which the Alexandrine version was executed . Probably both were of Egyptian origin . See Alexander 's Kitto , art . Samaritan Pentateuch .
 In a brief compend , like the present work , it is not thought necessary to notice particularly the printed editions of the Hebrew Bible . The reader will find an account of them in the |Bibliographical List| appended to the fourth volume of Horne 's Introduction , edition of 1860 . The text of Van der Hooght 's Hebrew Bible , ( Amsterdam and Utrecht , 1705 , ) which was chiefly based on the earlier text of Athias , ( Amsterdam , 1667 , ) is generally followed at the present day , and may be regarded as the received text of the Hebrew Scriptures .


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Two slaughtermen have been sacked after an undercover investigation exposed shocking cruelty to horses at an abattoir.
The disturbing video shows them being beaten with metal poles and illegally stunned in groups of up to three at a time before being killed.
In one horrifying moment a stunned horse appears to regain consciousness, only to find itself hanging upside down and about to have its throat cut.
The footage was captured at the Red Lion Abattoir, near Nantwich, Cheshire, after an eight-week investigation by animal welfare group Hillside.
They also saw horses which appeared to be sick or injured and hadn't been immediately put down.
'It's unbelievably depressing there. They shouldn't be stunned or shot in front of each other like that.
The scandal emerged as several British supermarkets have been exposed as selling frozen beef burgers which contain horse meat.
Incredibly, the beef content in one Everyday Value burger sold by Tesco was actually 29 per cent horse meat.
The horses at the Red Lion Abattoir are believed to be butchered for European food markets.
Under the Welfare of Animals Act 1995, horses cannot be slaughtered in sight of another horse as it causes severe distress to the animal.
The footage, which has been uploaded to YouTube, shows three horses crammed into a tiny pen before being stunned.
The Food Standards Agency told the Daily Mirror it has revoked the licences of two slaughtermen after a probe into the video.
FSA head of approvals Craig Kirby said: 'As soon as we got the footage and reviewed it we took immediate action to revoke the slaughtermen's licences.
The Red Lion Abattoir told Sky News it views animal welfare and public health with paramount importance.
It said the incidents were 'not the norm, but of an isolated nature' and they have taken disciplinary action against the individual featured.
The statement continued: 'I agree horses should individually enter the stunning area and most certainly not three at a time.
'However, small horses and ponies having spent years together as companions are difficult to separate. Horse lovers would understand that.
An RSPCA spokesperson said the organisation is viewing the footage and will decide whether to prosecute.
In a statement it said: 'The footage is shocking and upsetting to watch. With the Welfare of Animals (Slaughter or Killing) Regulations 1995 in mind, we have concerns that horses appear to be in the stunning pen at the same time rather than individually as the law requires.
Former government chief veterinary officer Keith Meldrum, who viewed the footage, has told Sky News he was shocked by the 'appalling' breaches of animal welfare.
'We see three animals stunned at the same time and it is totally illegal and contrary to welfare slaughter regulations,' he said.
Roly Owers, chief executive of World Horse Welfare, said: 'The breaches, from what we've seen, are throughout; from the care of the animals to the slaughter process.

tokenized:
Two slaughtermen have been sacked after an undercover investigation exposed shocking cruelty to horses at an abattoir .
 The disturbing video shows them being beaten with metal poles and illegally stunned in groups of up to three at a time before being killed .
 In one horrifying moment a stunned horse appears to regain consciousness , only to find itself hanging upside down and about to have its throat cut .
 The footage was captured at the Red Lion Abattoir , near Nantwich , Cheshire , after an eight - week investigation by animal welfare group Hillside .
 They also saw horses which appeared to be sick or injured and had n't been immediately put down .
 ' It 's unbelievably depressing there . They should n't be stunned or shot in front of each other like that .
 The scandal emerged as several British supermarkets have been exposed as selling frozen beef burgers which contain horse meat .
 Incredibly , the beef content in one Everyday Value burger sold by Tesco was actually 29 per cent horse meat .
 The horses at the Red Lion Abattoir are believed to be butchered for European food markets .
 Under the Welfare of Animals Act 1995 , horses can not be slaughtered in sight of another horse as it causes severe distress to the animal .
 The footage , which has been uploaded to YouTube , shows three horses crammed into a tiny pen before being stunned .
 The Food Standards Agency told the Daily Mirror it has revoked the licences of two slaughtermen after a probe into the video .
 FSA head of approvals Craig Kirby said : ' As soon as we got the footage and reviewed it we took immediate action to revoke the slaughtermen 's licences .
 The Red Lion Abattoir told Sky News it views animal welfare and public health with paramount importance .
 It said the incidents were ' not the norm , but of an isolated nature ' and they have taken disciplinary action against the individual featured .
 The statement continued : ' I agree horses should individually enter the stunning area and most certainly not three at a time .
 ' However , small horses and ponies having spent years together as companions are difficult to separate . Horse lovers would understand that .
 An RSPCA spokesperson said the organisation is viewing the footage and will decide whether to prosecute .
 In a statement it said : ' The footage is shocking and upsetting to watch . With the Welfare of Animals ( Slaughter or Killing ) Regulations 1995 in mind , we have concerns that horses appear to be in the stunning pen at the same time rather than individually as the law requires .
 Former government chief veterinary officer Keith Meldrum , who viewed the footage , has told Sky News he was shocked by the ' appalling ' breaches of animal welfare .
 ' We see three animals stunned at the same time and it is totally illegal and contrary to welfare slaughter regulations , ' he said .
 Roly Owers , chief executive of World Horse Welfare , said : ' The breaches , from what we 've seen , are throughout ; from the care of the animals to the slaughter process .


text:
The practicum is a day-long (9am to 4:30pm) introductory GIS workshop with QGIS.
Current CUNY graduate students, faculty, and staff, and Baruch undergrads are eligible to register.
Registrants must possess basic to intermediate level computer skills. These sessions require users to bring their own laptops.

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The practicum is a day - long ( 9 am to 4:30pm ) introductory GIS workshop with QGIS .
 Current CUNY graduate students , faculty , and staff , and Baruch undergrads are eligible to register .
 Registrants must possess basic to intermediate level computer skills . These sessions require users to bring their own laptops .


text:
Please get in touch with us and we’ll get back to you by the end of the next working day (but often much quicker).
Note to artists: If your enquiry is about publishing artwork, please contact your gallery directly.
Please include links to your website if applicable.

tokenized:
Please get in touch with us and we ’ll get back to you by the end of the next working day ( but often much quicker ) .
 Note to artists : If your enquiry is about publishing artwork , please contact your gallery directly .
 Please include links to your website if applicable .


text:
Day visitors to site must be agreed, and booked in prior to arrival and will be charged at £5 per head per day.
There is no charge for dogs, But they must be kept on a lead at all times and exercised off site. (Dog waste bin at entrance to site).
Details for bank Lloyds, sort code 30-99-97 account 00230639, reference name as booking, we will require £20 for up to one weeks booking, £40 for over 7 days.
Pitches Must be Vacated by Before 12.00 Mid day.

tokenized:
Day visitors to site must be agreed , and booked in prior to arrival and will be charged at £ 5 per head per day .
 There is no charge for dogs , But they must be kept on a lead at all times and exercised off site . ( Dog waste bin at entrance to site ) .
 Details for bank Lloyds , sort code 30 - 99 - 97 account 00230639 , reference name as booking , we will require £ 20 for up to one weeks booking , £ 40 for over 7 days .
 Pitches Must be Vacated by Before 12.00 Mid day .


text:
NavaAndU . AbbyJo. JSnowxxx. sexyhotBro.
YasmiinaExoticLibertaBeautifulVioletJulieta10Inche .ShukatasiyasexyhotBroliveCanvastheWankGoddess .YayaBoobsYasmiinaShukatasiyaLeenLia .BeautifulVioletJennyNurseZafadinhaCoryShopieX .AlecsyaAlyCindyJonshonmaturepussyjusGiselleGold .XSlaveSlutGiselleGoldlillylovexoxoAlfred222 .Juliametiska18QueenNancyHotCrazyDionysusYoung .FieryLionesssJSnowxxxAbbyJoJessylopez .Velly18GoldieJensonNatashaLatexGiselleGold .BrunettexxxHotAliciaNZyanStephKleinFieryLionesss .mibellabeautifulameliasexprettyJessylopezAlecsyaAly .
GoldieJensonKatieStevenmibellabeautifulVelly18 .ZalyaloveLatinLoversCAErikeibvch .GoldieJensonRamonLoveYouStephKleinFieryLionesss .YourDemonsJoannaRedGraceLussibvch .AbsolutGayPASION18QueensilvanaferrerrDionysusYoung .NaughtyZoyaXXXAlfred222ameliasexprettyThomasRich .JessylopezJulieta10InchejohnymobyBREDSTEVE .BeautifulVioletGraceLussMoonSexyGirlExoticLiberta .AlecsyaAlyCoryShopieXArianaGrantsilvanaferrerr .SheryBerryNaughtyZoyaXXXJessKayYasmiina .RamonLoveYouKatieStevenJessylopezKatieSteven .

tokenized:
NavaAndU . AbbyJo . JSnowxxx . sexyhotBro .
 YasmiinaExoticLibertaBeautifulVioletJulieta10Inche .ShukatasiyasexyhotBroliveCanvastheWankGoddess .YayaBoobsYasmiinaShukatasiyaLeenLia .BeautifulVioletJennyNurseZafadinhaCoryShopieX .AlecsyaAlyCindyJonshonmaturepussyjusGiselleGold .XSlaveSlutGiselleGoldlillylovexoxoAlfred222 .Juliametiska18QueenNancyHotCrazyDionysusYoung .FieryLionesssJSnowxxxAbbyJoJessylopez .Velly18GoldieJensonNatashaLatexGiselleGold .BrunettexxxHotAliciaNZyanStephKleinFieryLionesss .mibellabeautifulameliasexprettyJessylopezAlecsyaAly .
 GoldieJensonKatieStevenmibellabeautifulVelly18 .ZalyaloveLatinLoversCAErikeibvch .GoldieJensonRamonLoveYouStephKleinFieryLionesss .YourDemonsJoannaRedGraceLussibvch .AbsolutGayPASION18QueensilvanaferrerrDionysusYoung .NaughtyZoyaXXXAlfred222ameliasexprettyThomasRich .JessylopezJulieta10InchejohnymobyBREDSTEVE .BeautifulVioletGraceLussMoonSexyGirlExoticLiberta .AlecsyaAlyCoryShopieXArianaGrantsilvanaferrerr .SheryBerryNaughtyZoyaXXXJessKayYasmiina .RamonLoveYouKatieStevenJessylopezKatieSteven .


text:
No need for snow: Bangsar is freezing over, suddenly & strategically in time for Christmas, transformed into an ice cream wonderland by the milky magicians of Telawi's new Inside Scoop.
Taking over the venue vacated by Little Wonton (which has moved to Taman Tun Dr Ismail), this ice cream shop is all about the quintessential melt-in-the-mouth delight, perhaps the most universally beloved of any dessert. Whether you're seven or 77, ice cream can seem irresistible.
At least half-a-dozen people _ Edmund, Shiew Li, Derrick & their friends _ appear to labor behind the counter, a clear indication that Inside Scoop is a team effort. The ice cream is produced fresh on-site, channeling skills from a co-founder's Italian gelato-making training.
The current flavors favor the classics & the crowd-pleasing choices: Vanilla bean to hazelnut, tiramisu to cookies-&-cream, Valrhona chocolate to pistachio, blueberry cheesecake to durian, pink grapefruit sorbet to strawberry yogurt.
The results straddle the line somewhere between ice cream & gelato, leaning closer to the latter.
Inside Scoop scores strongly for both texture & taste, beautifully lush in smoothness, pleasurably concentrated in purity of flavor.
Edmund's fave: Pistachio, a true treat that distills the deep, distinct essence of this culinary nut.
Durian flavor, cursed/blessed with a pungently telltale stench; this might be the one ice cream that KL's hotels should consider outlawing.
Pink grapefruit sorbet, also an acquired taste. Waffles with ice cream are available here too; each generous scoop of ice cream costs RM7.80, two's RM12.80 & three's RM17.50 (with a surcharge of RM1.50 per scoop for premium flavors like Valrhona choc).
All in all, Bangsar's hottest attraction might soon also be its coolest, harboring a potential for greater risk-taking & experimentation in the months ahead. Give Inside Scoop space to evolve; as those of us who enjoyed Cielo Dolci on its opening day would remember, even Cielo wasn't armed with a nasi lemak flavor in the beginning.
Bonus Bangsar treat: Cross the road from Inside Scoop to pop-up caffeine bar Nowhereman Coffee, which started selling glazed nuts by local entrepreneurs Nutty Nuts this past weekend.
A fun snack, but maybe not ideal for those of us who prefer nuts to be completely savory instead of nearly candy-sweet. Still, to steal one of Nutty Nuts' catchphrases, this would work for patrons who'd rather be nutty than nice this Christmas.
9, Jalan Telawi 3, Bangsar Baru, Kuala Lumpur. Near Nosh.
Any idea if they have salted caramel flavour here? I am sucker for that! Oh the baby in the 2nd pic is sooooo cute!
Your kid? Isn't there an ice cream place named Scoop? Selections all look really good!
Oh telawi 3 is certainly happening!
Beato is on the same street too!
Cool! I like the name too - nice wordplay!
I was trying to get to a restaurant yesterday from reading your blog - it's the best resource, good work mate!
A very nice reference, do keep it up! Thanks for your hard work!
Ice cream...I need some as soon as I rid myself of the long winded fire engine cough.
The above ice cream you had in cup is 1 or 2 scoops?

tokenized:
No need for snow : Bangsar is freezing over , suddenly & strategically in time for Christmas , transformed into an ice cream wonderland by the milky magicians of Telawi 's new Inside Scoop .
 Taking over the venue vacated by Little Wonton ( which has moved to Taman Tun Dr Ismail ) , this ice cream shop is all about the quintessential melt - in - the - mouth delight , perhaps the most universally beloved of any dessert . Whether you 're seven or 77 , ice cream can seem irresistible .
 At least half - a - dozen people _ Edmund , Shiew Li , Derrick & their friends _ appear to labor behind the counter , a clear indication that Inside Scoop is a team effort . The ice cream is produced fresh on - site , channeling skills from a co - founder 's Italian gelato - making training .
 The current flavors favor the classics & the crowd - pleasing choices : Vanilla bean to hazelnut , tiramisu to cookies-&-cream , Valrhona chocolate to pistachio , blueberry cheesecake to durian , pink grapefruit sorbet to strawberry yogurt .
 The results straddle the line somewhere between ice cream & gelato , leaning closer to the latter .
 Inside Scoop scores strongly for both texture & taste , beautifully lush in smoothness , pleasurably concentrated in purity of flavor .
 Edmund 's fave : Pistachio , a true treat that distills the deep , distinct essence of this culinary nut .
 Durian flavor , cursed / blessed with a pungently telltale stench ; this might be the one ice cream that KL 's hotels should consider outlawing .
 Pink grapefruit sorbet , also an acquired taste . Waffles with ice cream are available here too ; each generous scoop of ice cream costs RM7.80 , two 's RM12.80 & three 's RM17.50 ( with a surcharge of RM1.50 per scoop for premium flavors like Valrhona choc ) .
 All in all , Bangsar 's hottest attraction might soon also be its coolest , harboring a potential for greater risk - taking & experimentation in the months ahead . Give Inside Scoop space to evolve ; as those of us who enjoyed Cielo Dolci on its opening day would remember , even Cielo was n't armed with a nasi lemak flavor in the beginning .
 Bonus Bangsar treat : Cross the road from Inside Scoop to pop - up caffeine bar Nowhereman Coffee , which started selling glazed nuts by local entrepreneurs Nutty Nuts this past weekend .
 A fun snack , but maybe not ideal for those of us who prefer nuts to be completely savory instead of nearly candy - sweet . Still , to steal one of Nutty Nuts ' catchphrases , this would work for patrons who 'd rather be nutty than nice this Christmas .
 9 , Jalan Telawi 3 , Bangsar Baru , Kuala Lumpur . Near Nosh .
 Any idea if they have salted caramel flavour here ? I am sucker for that ! Oh the baby in the 2nd pic is sooooo cute !
 Your kid ? Is n't there an ice cream place named Scoop ? Selections all look really good !
 Oh telawi 3 is certainly happening !
 Beato is on the same street too !
 Cool ! I like the name too - nice wordplay !
 I was trying to get to a restaurant yesterday from reading your blog - it 's the best resource , good work mate !
 A very nice reference , do keep it up ! Thanks for your hard work !
 Ice cream ... I need some as soon as I rid myself of the long winded fire engine cough .
 The above ice cream you had in cup is 1 or 2 scoops ?


text:
Bronze antoninianus, 18mm, 2.02gm, issued AD 270. Rome mint.
Obv: IMP C M AVR QVINTILLVS AVG, Radiate, draped bust facing right.
Rev: VICTORIA AVG, Victory walking right holding wreath and palm.
References: Sear 11454, RIC 33.

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Bronze antoninianus , 18 mm , 2.02gm , issued AD 270 . Rome mint .
 Obv : IMP C M AVR QVINTILLVS AVG , Radiate , draped bust facing right .
 Rev : VICTORIA AVG , Victory walking right holding wreath and palm .
 References : Sear 11454 , RIC 33 .


text:
American Securities LLC, a leading U.S. private equity firm, today announced that it has entered into a definitive agreement to sell SeaStar Solutions ("SeaStar" or the "Company") to Dometic Group (STO: DOM) ("Dometic") for $875 million. Dometic is a global market leader in branded solutions for mobile living in the areas of Climate, Hygiene & Sanitation, and Food & Beverage. The transaction is expected to close in the fourth quarter of 2017, and is subject to customary closing conditions and regulatory approvals.
SeaStar is a leading, global provider of vessel control, fuel systems and system integration to the marine industry. The Company is the market leader in its key product areas with strong market shares. SeaStar today operates some of the strongest brands in the market, such as SeaStar, xtreme, MOELLER, Optimus, and Sierra. The Sierra aftermarket platform is the world's largest independent marine aftermarket parts supplier. SeaStar is based in Litchfield, IL, operates 8 facilities, and employs approximately 1,250 people.
"We are proud of our commitment to research and development, which has allowed us to regularly launch new and innovative products," said Yvan Cote, President and CEO of SeaStar. "During our nearly four-year partnership with American Securities, they have been a valuable resource in achieving our growth objectives. We look forward to our next chapter of growth with Dometic."
Scott Wolff, a Managing Director of American Securities, commented, "We are proud to have supported Yvan and the talented SeaStar management team to drive organic growth and execute strategic acquisitions during our partnership."
Arnold & Porter Kaye Scholer LLP acted as legal advisor, and RBC Capital Markets and Baird acted as financial advisors to SeaStar.

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American Securities LLC , a leading U.S. private equity firm , today announced that it has entered into a definitive agreement to sell SeaStar Solutions ( " SeaStar " or the " Company " ) to Dometic Group ( STO : DOM ) ( " Dometic " ) for $ 875 million . Dometic is a global market leader in branded solutions for mobile living in the areas of Climate , Hygiene & Sanitation , and Food & Beverage . The transaction is expected to close in the fourth quarter of 2017 , and is subject to customary closing conditions and regulatory approvals .
 SeaStar is a leading , global provider of vessel control , fuel systems and system integration to the marine industry . The Company is the market leader in its key product areas with strong market shares . SeaStar today operates some of the strongest brands in the market , such as SeaStar , xtreme , MOELLER , Optimus , and Sierra . The Sierra aftermarket platform is the world 's largest independent marine aftermarket parts supplier . SeaStar is based in Litchfield , IL , operates 8 facilities , and employs approximately 1,250 people .
 " We are proud of our commitment to research and development , which has allowed us to regularly launch new and innovative products , " said Yvan Cote , President and CEO of SeaStar . " During our nearly four - year partnership with American Securities , they have been a valuable resource in achieving our growth objectives . We look forward to our next chapter of growth with Dometic . "
 Scott Wolff , a Managing Director of American Securities , commented , " We are proud to have supported Yvan and the talented SeaStar management team to drive organic growth and execute strategic acquisitions during our partnership . "
 Arnold & Porter Kaye Scholer LLP acted as legal advisor , and RBC Capital Markets and Baird acted as financial advisors to SeaStar .


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"Haven & Associates is dedicated to excellence in craftsmanship and customer service.We provide a systematic, professional and organized approach to all of our projects. Our goal is to deliver the highest quality materials and workmanship while maintaining superior service and integrity in everything we do".
General, or construction contractors, are often known as project managers. They oversee the entire remodeling or new home construction project and facilitate all day-to-day tasks that move it toward completion. A Westlake Village general building contractor will work with your architect to review plan as you build a house and ensure everything is in place before work is started as well as arrange for permits and necessary inspections. While good local home improvement contractors in Westlake Village will have the skills to handle certain tasks onsite, such as carpentry, he or she is also responsible for hiring subcontractors for the majority of jobs, such as electrical work, painting or plumbing. In addition, the general contractor should be on-site regularly to inspect the progress and resolve issues. Here are some related professionals and vendors to complement the work of general contractors: Architects & Building Designers, Interior Designers & Decorators, Landscape Architects & Landscape Designers, Kitchen & Bath Designers, Specialty Contractors.
Home remodeling contractors are a must for successful completion of a renovation. Because of this, it's essential that you do your homework before deciding on the right general contractor in Westlake Village as you remodel or build a house. Inspect bids carefully. Was it ready when the contractor promised it? Was the bid for building a home unusually high or low? Each of these things can be very telling: A late bid may reflect timing standards, and an off-the-mark bid could be code for a pricey premium or a deliberate underbid to score the remodeling job. You should call references, carefully read reviews and visit completed projects in Westlake Village, CA to see if they’re what you expect for your job. Once you do secure your local Westlake Village contractors, read the contract very carefully to be sure everyone is on the same page.
Find a Westlake Village contractor on Houzz. Narrow your search in the Professionals section of the website to Westlake Village, CA home contractors. You can also search for photos in Westlake Village, CA and contact the Westlake Village general contractor who worked on the project.

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" Haven & Associates is dedicated to excellence in craftsmanship and customer service . We provide a systematic , professional and organized approach to all of our projects . Our goal is to deliver the highest quality materials and workmanship while maintaining superior service and integrity in everything we do " .
 General , or construction contractors , are often known as project managers . They oversee the entire remodeling or new home construction project and facilitate all day - to - day tasks that move it toward completion . A Westlake Village general building contractor will work with your architect to review plan as you build a house and ensure everything is in place before work is started as well as arrange for permits and necessary inspections . While good local home improvement contractors in Westlake Village will have the skills to handle certain tasks onsite , such as carpentry , he or she is also responsible for hiring subcontractors for the majority of jobs , such as electrical work , painting or plumbing . In addition , the general contractor should be on - site regularly to inspect the progress and resolve issues . Here are some related professionals and vendors to complement the work of general contractors : Architects & Building Designers , Interior Designers & Decorators , Landscape Architects & Landscape Designers , Kitchen & Bath Designers , Specialty Contractors .
 Home remodeling contractors are a must for successful completion of a renovation . Because of this , it 's essential that you do your homework before deciding on the right general contractor in Westlake Village as you remodel or build a house . Inspect bids carefully . Was it ready when the contractor promised it ? Was the bid for building a home unusually high or low ? Each of these things can be very telling : A late bid may reflect timing standards , and an off - the - mark bid could be code for a pricey premium or a deliberate underbid to score the remodeling job . You should call references , carefully read reviews and visit completed projects in Westlake Village , CA to see if they ’re what you expect for your job . Once you do secure your local Westlake Village contractors , read the contract very carefully to be sure everyone is on the same page .
 Find a Westlake Village contractor on Houzz . Narrow your search in the Professionals section of the website to Westlake Village , CA home contractors . You can also search for photos in Westlake Village , CA and contact the Westlake Village general contractor who worked on the project .


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The beginning of every project already contains the entire range of its future meanings. It carries a genetic program, determining the subsequent evolution of its organism, fulfilling and developing its principles at each stage.
This project is absolutely unexpected while at the same time it possesses that much needed relevance, the necessity for which has long been felt not only by the Moscow art market but art processes in general, infusing them with new life. This is above all a major event, one that incorporates some international strategies and latest visual technologies. Moreover, this exhibition has been announced as a part of the gallery’s program timed for the First International Moscow Biennial. The event is being launched by a commercial cultural institution, which has already earned a well-deserved reputation in New York’s Chelsea district, known for its radical art practices, as well as among Berlin’s independent art galleries during the years of Germany’s changing status. Now the art gallery’s international dimension, which has long been represented by the Moscow Museum Center, will be replenished by this organization in the Russian tradition, the first meeting place of the Russian avant-garde, a living reality absorbing post-modern thinking.
The gallery’s Russian location right in the center of the capital, in close proximity to the Kremlin, in the area of the Russian Enlightenment – the courtyard of the old Greco-Latin Academy- provides a space for a cultural dialogue and its adaptation through private and corporate collections, thereby creating opportunities for a widening of aesthetic borderlines of art and its natural trans-cultural existence.
The project is firmly rooted in the foundation of the classical avant-garde, assimilating art history into the system of lofty art traditions while its area is still being “mapped”, creating echoes and reflections within the present art scene. It is precisely this transitional situation that provides opportunities for developing new means of communication in art, for discovering independent media-cultural collections, for creating a specifically Russian artistic context that puts an end to its local existence and places it into an international context of visual arts.
While planning this project the gallery avoided any narrow and outdated stylistic tasks. The integrity of this approach consists primarily in the diversity of its modern artistic vision, ranging from the conceptual geometry of the universal communications of Peter Halley to the integral paraphrases of Archimboldo in the energetic baroque images of Vik Muniz, and from the paradoxical clones of Tony Matelli to the idealized human constructions of Antony Gormley. The project’s vectors are movable and multi-dimensional, creating a highly modern artistic landscape with varieties of brilliant summits and spacious valleys, marked by Tony Oursler’s multimedia sculptures/installations, the majestic cosmogonic paintings by Torben Giehler and the unbridled freedom of Kristin Calabrese’s artistic gesture.
For all its radical nature, derived from the culture of intensive intellectual forms, this project preserves some inner ecology within itself, which reaches its summit in the image of a “natural man” that we find in the compositions of Stephan Balkenhol. His wholesome simplicity carries traditions of the great archaism where the Biblical Adam meets the cosmic Purusha.
In actual fact, this project represents a model of the modern artistic consciousness with its non-linearity, asymmetry and complementariness, that creates an essentially new harmony that is in tune with today’s civilization. Gary Tatintsian, a curator and connoisseur of artistic innovation, has now turned his attention to a different representation of the world at this time of changing paradigms and visual codes, opening up many other layers in the visual reality.
The collection presented here clearly displays the contours and elusive meanings of contemporary culture. This is a testimony to the active dynamics of the current art processes into which Russian art is being irresistibly drawn while the young and boisterous Russian art market is ready to create for it a worthy modern image.

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The beginning of every project already contains the entire range of its future meanings . It carries a genetic program , determining the subsequent evolution of its organism , fulfilling and developing its principles at each stage .
 This project is absolutely unexpected while at the same time it possesses that much needed relevance , the necessity for which has long been felt not only by the Moscow art market but art processes in general , infusing them with new life . This is above all a major event , one that incorporates some international strategies and latest visual technologies . Moreover , this exhibition has been announced as a part of the gallery ’s program timed for the First International Moscow Biennial . The event is being launched by a commercial cultural institution , which has already earned a well - deserved reputation in New York ’s Chelsea district , known for its radical art practices , as well as among Berlin ’s independent art galleries during the years of Germany ’s changing status . Now the art gallery ’s international dimension , which has long been represented by the Moscow Museum Center , will be replenished by this organization in the Russian tradition , the first meeting place of the Russian avant - garde , a living reality absorbing post - modern thinking .
 The gallery ’s Russian location right in the center of the capital , in close proximity to the Kremlin , in the area of the Russian Enlightenment – the courtyard of the old Greco - Latin Academy- provides a space for a cultural dialogue and its adaptation through private and corporate collections , thereby creating opportunities for a widening of aesthetic borderlines of art and its natural trans - cultural existence .
 The project is firmly rooted in the foundation of the classical avant - garde , assimilating art history into the system of lofty art traditions while its area is still being “ mapped ” , creating echoes and reflections within the present art scene . It is precisely this transitional situation that provides opportunities for developing new means of communication in art , for discovering independent media - cultural collections , for creating a specifically Russian artistic context that puts an end to its local existence and places it into an international context of visual arts .
 While planning this project the gallery avoided any narrow and outdated stylistic tasks . The integrity of this approach consists primarily in the diversity of its modern artistic vision , ranging from the conceptual geometry of the universal communications of Peter Halley to the integral paraphrases of Archimboldo in the energetic baroque images of Vik Muniz , and from the paradoxical clones of Tony Matelli to the idealized human constructions of Antony Gormley . The project ’s vectors are movable and multi - dimensional , creating a highly modern artistic landscape with varieties of brilliant summits and spacious valleys , marked by Tony Oursler ’s multimedia sculptures / installations , the majestic cosmogonic paintings by Torben Giehler and the unbridled freedom of Kristin Calabrese ’s artistic gesture .
 For all its radical nature , derived from the culture of intensive intellectual forms , this project preserves some inner ecology within itself , which reaches its summit in the image of a “ natural man ” that we find in the compositions of Stephan Balkenhol . His wholesome simplicity carries traditions of the great archaism where the Biblical Adam meets the cosmic Purusha .
 In actual fact , this project represents a model of the modern artistic consciousness with its non - linearity , asymmetry and complementariness , that creates an essentially new harmony that is in tune with today ’s civilization . Gary Tatintsian , a curator and connoisseur of artistic innovation , has now turned his attention to a different representation of the world at this time of changing paradigms and visual codes , opening up many other layers in the visual reality .
 The collection presented here clearly displays the contours and elusive meanings of contemporary culture . This is a testimony to the active dynamics of the current art processes into which Russian art is being irresistibly drawn while the young and boisterous Russian art market is ready to create for it a worthy modern image .


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At Home Building Guys, we'll be there to fulfill your expectations for Home Building in Parnell, IA. Our company has a team of specialized experts and the most advanced solutions in the industry to provide exactly what you are looking for. Our materials are of the highest quality and we are able to help save you money. Contact us today at 888-484-1143 to begin.
You have got a spending budget to stick to, and you would like to spend less. Though, saving cash should never mean that you compromise on quality on Home Building in Parnell, IA. We be certain that our cash conserving efforts don't ever translate to a lesser level of craftsmanship. Our mission is to guarantee that you get the best products and a job that can last as time passes. That is achievable because we know the way to save time and costs on supplies and work. If you'd like to lower expenses, Home Building Guys is the company to choose. You're able to get in touch with our company by dialing 888-484-1143 to begin.
You will need to be kept informed on the subject of Home Building in Parnell, IA. We will not inspire you to come up with imprudent decisions, because we know what we are doing, and we ensure that you know what to anticipate with the work. This is why we make every attempt to ensure you learn the procedure and aren't confronted by any surprises. Start by talking about your project with our customer service representatives once you contact 888-484-1143. We are going to talk about your concerns when you contact us and help you get set up with a scheduled appointment. Our crew can arrive at the arranged time with all the required materials, and will work together with you through the entire job.
Lots of good reasons exist to pick Home Building Guys when it comes to Home Building in Parnell, IA. We'll be your best choice when you really need the most beneficial money saving solutions, the best quality equipment, and the greatest rank of customer service. Our company is there to assist you with the most practical knowledge and skills in the market. Call 888-484-1143 to communicate with Home Building Guys and examine all your expectations concerning Home Building in Parnell.

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At Home Building Guys , we 'll be there to fulfill your expectations for Home Building in Parnell , IA . Our company has a team of specialized experts and the most advanced solutions in the industry to provide exactly what you are looking for . Our materials are of the highest quality and we are able to help save you money . Contact us today at 888 - 484 - 1143 to begin .
 You have got a spending budget to stick to , and you would like to spend less . Though , saving cash should never mean that you compromise on quality on Home Building in Parnell , IA . We be certain that our cash conserving efforts do n't ever translate to a lesser level of craftsmanship . Our mission is to guarantee that you get the best products and a job that can last as time passes . That is achievable because we know the way to save time and costs on supplies and work . If you 'd like to lower expenses , Home Building Guys is the company to choose . You 're able to get in touch with our company by dialing 888 - 484 - 1143 to begin .
 You will need to be kept informed on the subject of Home Building in Parnell , IA . We will not inspire you to come up with imprudent decisions , because we know what we are doing , and we ensure that you know what to anticipate with the work . This is why we make every attempt to ensure you learn the procedure and are n't confronted by any surprises . Start by talking about your project with our customer service representatives once you contact 888 - 484 - 1143 . We are going to talk about your concerns when you contact us and help you get set up with a scheduled appointment . Our crew can arrive at the arranged time with all the required materials , and will work together with you through the entire job .
 Lots of good reasons exist to pick Home Building Guys when it comes to Home Building in Parnell , IA . We 'll be your best choice when you really need the most beneficial money saving solutions , the best quality equipment , and the greatest rank of customer service . Our company is there to assist you with the most practical knowledge and skills in the market . Call 888 - 484 - 1143 to communicate with Home Building Guys and examine all your expectations concerning Home Building in Parnell .


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When you subscribe to MEED, you will be able to stay updated with breaking country and industry news, daily tender alerts, the latest contracts awarded, Middle East projects and keep ahead of the latest economic data and market trends. MEED is a promising and important business source because it is the leading business intelligence in the Middle East since 1954. Moreover, you will be able to search our digital archive which dates back to 1994 and sign-up for newsletters targeted by key sectors and regions which will allow you to stay posted with changes in the markets that interest you.
It is difficult to obtain comprehensive, up-to-date and accurate project information in a complex and crowded market like the Middle East. In order for you to achieve success in this market, you must be the first to know about the business opportunities. In order to do that, MEED will make sure that you are ahead of the competition providing you with the pertinent project information at the earliest stage in development process and most of the time before the project has been announced. MEED Projects can provide you with the following and more!
Accessibility to solid and in-depth project data, and all their updates.
MEED Projects will only cover the regions of the Saudi Arabia, Qatar and the UAE.
From the Public Procurement Domain worldwide, TendersInfo is the largest and most comprehensive source of International Tenders, Bids, RFP's, Contracts, Upcoming Projects Information, Procurement News, Buyer Profiles and Bidding Consultancy. By subscribing to this service you will have easy access to over 20,000 live opportunities encompassing requirements from 230 countries and all Industry segments because of its simple and intuitive search. The database is updated everyday during the year with close to 5000 new opportunities.
Covering 175 countries and 22 industry sectors, Business Monitor International (BMI) is a leading independent provider of proprietary data, analysis, ratings, rankings and forecasts. BMI gives you and your company the best information and access to high quality decision-makers at the top levels in multinational companies, financial institutions, multilaterals and government, by integrating Country Risk and Financial Markets Analysis with Industry Research.
Inquiry Service: This service provides answers to questions asked by the members. These questions usually are quick to answer and do not take lots of effort. If they need time to research they become Tailored Market Research.
Tailored Market Research: a special report made for one of the subscribers tailored to their individual needs and inquiries.
Tender Alerts: All the tender alerts that will be available to the subscribers through MEED Projects and Tenders Info and any other sources available to the MIU.
Information Sessions: The A/E Business Council will hold several information sessions during the year for the MIU subscribers to discuss the insiders guide to the website as well as several issues about the A/E sector.
Trade Trainings: Trainings will be held by the A/E Business Council on how to successfully trade and export into other regions of the world.
Marketing Trainings: These will be trainings held by the A/E Business Council to help our members and subscribers successfully market their services in new markets. These trainings will range from successful marketing in trade exhibitions to marketing directly with potential international customers.
Certification Seminars: The A/E Business Council will work with sector professionals that will bring our members and subscribers opportunities to attend seminars and become certified in a variety of marketing and exporting skills.

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When you subscribe to MEED , you will be able to stay updated with breaking country and industry news , daily tender alerts , the latest contracts awarded , Middle East projects and keep ahead of the latest economic data and market trends . MEED is a promising and important business source because it is the leading business intelligence in the Middle East since 1954 . Moreover , you will be able to search our digital archive which dates back to 1994 and sign - up for newsletters targeted by key sectors and regions which will allow you to stay posted with changes in the markets that interest you .
 It is difficult to obtain comprehensive , up - to - date and accurate project information in a complex and crowded market like the Middle East . In order for you to achieve success in this market , you must be the first to know about the business opportunities . In order to do that , MEED will make sure that you are ahead of the competition providing you with the pertinent project information at the earliest stage in development process and most of the time before the project has been announced . MEED Projects can provide you with the following and more !
 Accessibility to solid and in - depth project data , and all their updates .
 MEED Projects will only cover the regions of the Saudi Arabia , Qatar and the UAE .
 From the Public Procurement Domain worldwide , TendersInfo is the largest and most comprehensive source of International Tenders , Bids , RFP 's , Contracts , Upcoming Projects Information , Procurement News , Buyer Profiles and Bidding Consultancy . By subscribing to this service you will have easy access to over 20,000 live opportunities encompassing requirements from 230 countries and all Industry segments because of its simple and intuitive search . The database is updated everyday during the year with close to 5000 new opportunities .
 Covering 175 countries and 22 industry sectors , Business Monitor International ( BMI ) is a leading independent provider of proprietary data , analysis , ratings , rankings and forecasts . BMI gives you and your company the best information and access to high quality decision - makers at the top levels in multinational companies , financial institutions , multilaterals and government , by integrating Country Risk and Financial Markets Analysis with Industry Research .
 Inquiry Service : This service provides answers to questions asked by the members . These questions usually are quick to answer and do not take lots of effort . If they need time to research they become Tailored Market Research .
 Tailored Market Research : a special report made for one of the subscribers tailored to their individual needs and inquiries .
 Tender Alerts : All the tender alerts that will be available to the subscribers through MEED Projects and Tenders Info and any other sources available to the MIU .
 Information Sessions : The A / E Business Council will hold several information sessions during the year for the MIU subscribers to discuss the insiders guide to the website as well as several issues about the A / E sector .
 Trade Trainings : Trainings will be held by the A / E Business Council on how to successfully trade and export into other regions of the world .
 Marketing Trainings : These will be trainings held by the A / E Business Council to help our members and subscribers successfully market their services in new markets . These trainings will range from successful marketing in trade exhibitions to marketing directly with potential international customers .
 Certification Seminars : The A / E Business Council will work with sector professionals that will bring our members and subscribers opportunities to attend seminars and become certified in a variety of marketing and exporting skills .