text:
All Piercings £15 with an appointment!
Hurry along to our studio Today!!
Tattoogem is a Trusted Professional Tattoo and Body Piercing West London Studio, 2 minutes from Ealing Broadway train station.We take great pride in all the work undertaken. We tattoo in all styles whether in Colour or black & Grey from custom designed to one off tattoo`s. We also are specialist in Cover Up`s, that is you can effectively cover an unwanted or existing tattoo with a new design as well as refresh an older faded tattoo and bring it back to its former glory. We can also tattoo over scars however they occurred or skin blemishes, discoloration and even significantly hide stretch marks.
The art of tattooing has many advantages to improve and enhance the body so the benefits of tattooing are very inspiring offering such a wide array of options.
The cost is by the artwork/ picture or text and the size which relates to how much time it will take to accomplish, so we offer a set price or a price per hour, the larger the piece requires more time so people might want to break it down into sessions especially for the larger tattoo`s so we can advise you as an individual whats the best approach as one person has a higher or less pain threshold than another, but most of the time 99% of customers can accomplish the tattoo they set out to get in one sitting. Even saying that people might have limited time and will prefer to break up the tattoo into sessions. One thing is for sure its well worth a bit of discomfort which actually a lot of customers begin to enjoy, common questions are which areas are the most sensitive, in our experience it seems the ribs, neck, foot and lower wrist near the hand, but saying that some find it tiggles, oh well only one way to find out hey!
There are two links above for tattoo and body piercing after care instructions but we will advise you of the simple steps to take as the after care is a very important final part. When your tattoo or piercing is healed we often review the work done to make sure its 100% and offer to take pictures to appear on the facebook page or even our main website where you can find examples and the quality of tattoogem`s professional artists.
As each and every individual customer has there own choice of artistic expression, there is such a broad spectrum of tattooing covered, so in order to get an understanding of your particular needs we find our free consultation service is the best option or please email us with your requirements and tattoogem well do its best to help with your inquiry.
There is a walk in and appointment based service either for Tattoo`s or Body Piercing which can be booked by phone the same day or organised when you have your free consultation.
To inspire you and to get an idea of what styles are trending, fashionable or common place or desirable you can research through google,pintrest,instagram and many other forms of internet sources.You may find by using terms such as old school, new school, timeless,ploynesian or black and grey tattoo`s can help you to discover more designs to adorn your body.
Thank you for visiting Tattoogem`s main website and please check out Facebook and become a member which our customers can be updated with others new projects or simply see what the latest tattoo`s are being done, also there is a messaging service for enquiries.

tokenized:
All Piercings £ 15 with an appointment !
 Hurry along to our studio Today ! !
 Tattoogem is a Trusted Professional Tattoo and Body Piercing West London Studio , 2 minutes from Ealing Broadway train station . We take great pride in all the work undertaken . We tattoo in all styles whether in Colour or black & Grey from custom designed to one off tattoo`s . We also are specialist in Cover Up`s , that is you can effectively cover an unwanted or existing tattoo with a new design as well as refresh an older faded tattoo and bring it back to its former glory . We can also tattoo over scars however they occurred or skin blemishes , discoloration and even significantly hide stretch marks .
 The art of tattooing has many advantages to improve and enhance the body so the benefits of tattooing are very inspiring offering such a wide array of options .
 The cost is by the artwork/ picture or text and the size which relates to how much time it will take to accomplish , so we offer a set price or a price per hour , the larger the piece requires more time so people might want to break it down into sessions especially for the larger tattoo`s so we can advise you as an individual what s the best approach as one person has a higher or less pain threshold than another , but most of the time 99 % of customers can accomplish the tattoo they set out to get in one sitting . Even saying that people might have limited time and will prefer to break up the tattoo into sessions . One thing is for sure its well worth a bit of discomfort which actually a lot of customers begin to enjoy , common questions are which areas are the most sensitive , in our experience it seems the ribs , neck , foot and lower wrist near the hand , but saying that some find it tiggles , oh well only one way to find out hey !
 There are two links above for tattoo and body piercing after care instructions but we will advise you of the simple steps to take as the after care is a very important final part . When your tattoo or piercing is healed we often review the work done to make sure its 100 % and offer to take pictures to appear on the facebook page or even our main website where you can find examples and the quality of tattoogem`s professional artists .
 As each and every individual customer has there own choice of artistic expression , there is such a broad spectrum of tattooing covered , so in order to get an understanding of your particular needs we find our free consultation service is the best option or please email us with your requirements and tattoogem well do its best to help with your inquiry .
 There is a walk in and appointment based service either for Tattoo`s or Body Piercing which can be booked by phone the same day or organised when you have your free consultation .
 To inspire you and to get an idea of what styles are trending , fashionable or common place or desirable you can research through google , pintrest , instagram and many other forms of internet sources . You may find by using terms such as old school , new school , timeless , ploynesian or black and grey tattoo`s can help you to discover more designs to adorn your body .
 Thank you for visiting Tattoogem`s main website and please check out Facebook and become a member which our customers can be updated with others new projects or simply see what the latest tattoo`s are being done , also there is a messaging service for enquiries .


text:
Here’s something to always keep in mind, no matter if you’re writing picture books or full-blown novels: each major plot turning point in your novel should change the course of events and plot development in a permanent way. These types of events are going to be crucial to both character and story. If your plot points can be rearranged in any order without consequence, you’re doing plot development wrong.
Just like this sugar cube, a plot turning point should have a clear “before” and “after,” with no going back to the way things were.
If you have a plot turning point where the effect isn’t crystal clear, no decision is made, no characters change, and the trajectory of your story seems to bob along rather than follow a very direct line, your plot points are not absolute enough. In plots like this, your characters could likely revert to exactly who they were at the beginning of the book if they wanted to. That’s a problematic novel, to me.
The moment itself isn’t big. A few words are said. But the effect is felt and leads to further plot development. Basically, you want everything in your novel to have an effect. Otherwise, why is it there? This is especially important for your plot turning point moments, the ones that resonate throughout the story.
Struggling with plot? Work with me as your book editor and we can engineer a strong and compelling story together.
Great point. No pun intended. Always move the story forward is the rule I think. Every chapter or scene should move the story or the reader will be disinterested.
Right! Plot isn’t merely a series of events!
What would be an example of a reversible plot point? Or should I assume that if it’s reversible, it’s just action, not actually plot?
Excellent point, I had a story that I felt lacked action, so I injected action events which gave directives for really great illustrations. They did make the story feel like a string of imaginings, as you would say. I would say the same rule applies to stories as in life, only plot twists that would be memorable years later. We can fill our days with events, but only meaningful times are remembered. As always, thanks for the great advice Mary!

tokenized:
Here ’s something to always keep in mind , no matter if you ’re writing picture books or full - blown novels : each major plot turning point in your novel should change the course of events and plot development in a permanent way . These types of events are going to be crucial to both character and story . If your plot points can be rearranged in any order without consequence , you ’re doing plot development wrong .
 Just like this sugar cube , a plot turning point should have a clear “ before ” and “ after , ” with no going back to the way things were .
 If you have a plot turning point where the effect is n’t crystal clear , no decision is made , no characters change , and the trajectory of your story seems to bob along rather than follow a very direct line , your plot points are not absolute enough . In plots like this , your characters could likely revert to exactly who they were at the beginning of the book if they wanted to . That ’s a problematic novel , to me .
 The moment itself is n’t big . A few words are said . But the effect is felt and leads to further plot development . Basically , you want everything in your novel to have an effect . Otherwise , why is it there ? This is especially important for your plot turning point moments , the ones that resonate throughout the story .
 Struggling with plot ? Work with me as your book editor and we can engineer a strong and compelling story together .
 Great point . No pun intended . Always move the story forward is the rule I think . Every chapter or scene should move the story or the reader will be disinterested .
 Right ! Plot is n’t merely a series of events !
 What would be an example of a reversible plot point ? Or should I assume that if it ’s reversible , it ’s just action , not actually plot ?
 Excellent point , I had a story that I felt lacked action , so I injected action events which gave directives for really great illustrations . They did make the story feel like a string of imaginings , as you would say . I would say the same rule applies to stories as in life , only plot twists that would be memorable years later . We can fill our days with events , but only meaningful times are remembered . As always , thanks for the great advice Mary !


text:
Gym entrance is #8 and can be accessed best by parking near the baseball fields on N. 28th St.
Fields are located at Greenbrier Stadium adjacent to the school but accessed by N. 28th St.
Tennis courts are on site also best accessed by N. 28th St.
I-66 west to the beltway, I-495 south toward Richmond. Take Exit 52, Route 236 east toward Annandale. Go .5 mile, then turn right on Heritage Dr. Turn left onto Four Year Run to school on the right.
I-66 west to the Toll Rd, Route 267. Take Exit 53, Route 28 N toward Ashburn. Go 3.5 miles. Left on Waxpool Rd. Go 3.5 miles, then left on Ashburn Rd to 21670 on the left.
I-66 west to Exit 53, Route 28, south toward Centreville. Left on New Braddock Rd. Go 1.3 miles, then right on Union Mill Rd. The school is on the left at 6001.
I-66 west to Exit 55, Fairfax County Pkwy. Use Exit 55B toward Reston/Herndon. Left on Fair Lakes Pkwy. Go 1.5 miles, then right on Stringfellow Rd. Go 1.5 miles to 4201.
I-66 west to the Toll Rd, Route 267. Take Exit 16, Route 7, north toward Leesburg. Go 9.5 miles, then right onto Augusta Dr. The school is past the stop sign at 21326.
I-66 west to the beltway, I-495, south toward Richmond. Take Exit 173, VA-613/Van Dorn St. Turn right toward Franconia. Left on Franconia Rd. The school is on the immediate right.
I-66 west to Exit 62, Nutley St, south toward Fairfax. Right on Lee Hwy. At Fairfax Circle, go halfway around and continue on Old Lee Highway. The school is on the right at 3500 Old Lee Hwy.
Route 29, Lee Hwy, west toward Falls Church. Left on Annandale Rd. Right on Arlington Blvd. Go 1.8 miles, then turn left on Jaguar Trail. The school is on the right at 7521.
I-66 West to Exit 60, Route 123 North. Left onto Jermantown Rd. Follow Jermantown Rd through first traffic light. School entrance is on the right (Past Flint Hill Lower/Middle School on corner) at 3320.
I-66 west to the beltway, I-495, south toward Richmond. Take Exit 173, VA-613/Van Dorn St. Turn right toward Franconia. Go 1.4 miles, then right on Kingstowne Blvd. Go 1 mile, then left on Hayfield Rd. Go 1 mile, then right on Telegraph Rd.
I-66 west to the Toll Rd, Route 267. Take Exit 1A, US-15 Bypass south, toward Leesburg/Warrenton. Go 1 mile, then merge onto S King St / US-15 S toward Warrenton. Go .5 mile, then turn left on Evergreen Mill Rd to 520.
I-66 west to the Toll Rd, Route 267. Take Exit 11, Fairfax Co. Pkwy north. Left on Wiehle Ave. Left on Dranesville Rd. Left on Bennett St to school on the left.
Route 7 east to Baileys Crossroads. Right on Columbia Pike. Left on Braddock Rd. Cross over Route 236. The school is beyond the bend on the right.
I-66 to the beltway, I-495, south toward Richmond. Exit 54A, Braddock Rd west. Go 2 miles, then left on Burke Lake Rd. Go .7 mile to 9200 on the right.
Glebe Rd north toward Chain Bridge. Left on Route 123. Right on Route 193, Georgetown Pike. Go 1 mile 6520 on the right.
I-66 west to the beltway, I-495, south toward Richmond. Take Exit 57A to I-95 S toward Richmond. Merge onto Franconia Rd toward Franconia. Left on Elder Ave, then left on Franconia Rd west to 6540.
I-66 west to the Toll Rd, Route 267. Go 28.2 miles. Take Exit 1A, Route 7, west toward Warrenton. Go 9.2 miles. Take the VA-287 exit toward VA-7-BR/Purcellville. Left on Berlin Tnpk. Right on Hirst Rd. Left on N Maple Ave to 340.
I-66 west to Exit 62, Nutley St, toward Vienna. Go 1.7 mile, then left on Route 123. First right onto James Madison Dr to 2500.
I-66 west to Exit 66B, Route 7, toward Tyson's Corner. Go 1 mile to school on the left at 7731.
Williamsburg Blvd toward Falls Church. Right on Westmoreland St. Go 2.3 miles, then left on Clearview Dr (look for the school sign).
Minnie Howard Middle School (Alexandria).
Route 7 East, crossing over I-395. Turn left onto Quaker Lane, then left onto W. Braddock Road. The Field is on the right.
Lee Hwy east toward D.C. Left on Spout Run to the George Washington Parkway. Follow the parkway to Mount Vernon, home of George Washington. Stay in the right lane. At the four-way stop, turn right. The school is ~1 mile on left.
I-66 west to Exit 62, Nutley St. toward Vienna. Once on Nutley St. immediately move to left lane to turn left at first stoplight – Virginia Center Blvd. Follow Virginia Center Blvd. until it dead ends into Sutton Rd. and school is straight ahead.
I-66 west to the Toll Rd, Route 267. Take Route 28 South to McLearen Road. Make a Left on Towerview Rd and a left on Redskin Dr. Fields are behind Word of Grace Church, which is one block ahead on the right. Field is behind Center. Observe all parking signs/restrictions.
I-66 west to Route 28 south to Manassas. Go 6 miles, turn left on Manassas Dr. Turn right on Euclid Ave to the school is on the left.
I-66 west to the Toll Rd, Route 267. Take Exit 16, Route 7, toward Leesburg. Go 9.8 miles, then turn left onto N Sterling Blvd. Go .8 mile, then turn right on West Laurel Ave to 400.
I-66 west to the Toll Rd, Route 267. Take Exit 16, Route 7, toward Leesburg. Go 10 miles, then turn right onto Cascades Pkwy. Turn left on Algonkian Pkwy to 46400 on the left.
I-66 west to Exit 60, Route 123 south toward Fairfax. Go 1.2 miles, then turn left on Braddock Rd. Right on Sideburn Rd to 5035 on the left.
Glebe Rd South to Route 1. Turn right onto Rt. 1. Go 1.5 miles, then turn right onto Monroe St to 426.
I-66 west to the beltway, I-495, south toward Richmond. Exit 57A to I-95, south toward Richmond. Go 7.6 miles to Exit 163, toward Lorton. Right on Lorton Rd. Right on Silverbrook Rd. Left at Laurel Crest Dr. Take the 3rd right into school on 'Stallion Way'.
I-66 west to the Toll Rd, Route 267. Take Exit 14, Hunter Mill Rd. Turn left on Hunter Mill Rd. Right on Sunrise Valley Dr. Left on South Lakes Dr. Go 1 mile to 11400.
I-66 west to the Toll Rd, Route 267. Take Exit 4, VA-659 N / Belmont Ridge Rd. Turn right onto Hay Rd to 42100.
From Seven Corners, follow Route 7 eastbound. Turn right on Patrick Henry Dr. Turn left on Diamond Dr to end.
Glebe Rd south to I-395 south. Take exit to Quaker Lane. Cross over highway, bear right onto Quaker Lane. Go .5 mile, turn left on Fern St. First right on Kenwood Ave. Left on Leesburg Pike to school on right.
George Mason Dr. south, for approximately 5 miles. Left at light on S Dinwiddie St.
George Mason Drive south to left on Washington Blvd. Left on N Stafford St. to 1301.
Lee Hwy east toward D.C. Left on Spout Run to the George Washington Parkway. Follow the parkway south toward Alexandria. Go through Old Town Alexandria, then right on Belle View Blvd. Turn right on Quander Rd to 6500 on the left.
I-66 west to the beltway, I-495, south toward Richmond. Take Exit 54A, Braddock Rd west. Go 2 miles, then left on Burke Lake Rd. Left on Rolling Rd. Go 2 miles to 6100.
I-66 west to Exit 53, Sully Rd/VA-28 north. Go 2 miles, then West on Westfields Blvd. First right on Stonecroft Blvd. School is about 2 miles ahead on left.
I-66 west to the beltway, I-495, south toward Richmond. Take Exit 53A, Route 236 (Little River Turnpike), west toward Fairfax. Go 3.5 miles, then left on Whiteacre Rd.

tokenized:
Gym entrance is # 8 and can be accessed best by parking near the baseball fields on N. 28th St.
 Fields are located at Greenbrier Stadium adjacent to the school but accessed by N. 28th St.
 Tennis courts are on site also best accessed by N. 28th St.
 I-66 west to the beltway , I-495 south toward Richmond . Take Exit 52 , Route 236 east toward Annandale . Go .5 mile , then turn right on Heritage Dr. Turn left onto Four Year Run to school on the right .
 I-66 west to the Toll Rd , Route 267 . Take Exit 53 , Route 28 N toward Ashburn . Go 3.5 miles . Left on Waxpool Rd . Go 3.5 miles , then left on Ashburn Rd to 21670 on the left .
 I-66 west to Exit 53 , Route 28 , south toward Centreville . Left on New Braddock Rd . Go 1.3 miles , then right on Union Mill Rd . The school is on the left at 6001 .
 I-66 west to Exit 55 , Fairfax County Pkwy . Use Exit 55B toward Reston / Herndon . Left on Fair Lakes Pkwy . Go 1.5 miles , then right on Stringfellow Rd . Go 1.5 miles to 4201 .
 I-66 west to the Toll Rd , Route 267 . Take Exit 16 , Route 7 , north toward Leesburg . Go 9.5 miles , then right onto Augusta Dr. The school is past the stop sign at 21326 .
 I-66 west to the beltway , I-495 , south toward Richmond . Take Exit 173 , VA-613 / Van Dorn St. Turn right toward Franconia . Left on Franconia Rd . The school is on the immediate right .
 I-66 west to Exit 62 , Nutley St , south toward Fairfax . Right on Lee Hwy . At Fairfax Circle , go halfway around and continue on Old Lee Highway . The school is on the right at 3500 Old Lee Hwy .
 Route 29 , Lee Hwy , west toward Falls Church . Left on Annandale Rd . Right on Arlington Blvd . Go 1.8 miles , then turn left on Jaguar Trail . The school is on the right at 7521 .
 I-66 West to Exit 60 , Route 123 North . Left onto Jermantown Rd . Follow Jermantown Rd through first traffic light . School entrance is on the right ( Past Flint Hill Lower / Middle School on corner ) at 3320 .
 I-66 west to the beltway , I-495 , south toward Richmond . Take Exit 173 , VA-613 / Van Dorn St. Turn right toward Franconia . Go 1.4 miles , then right on Kingstowne Blvd . Go 1 mile , then left on Hayfield Rd . Go 1 mile , then right on Telegraph Rd .
 I-66 west to the Toll Rd , Route 267 . Take Exit 1A , US-15 Bypass south , toward Leesburg / Warrenton . Go 1 mile , then merge onto S King St / US-15 S toward Warrenton . Go .5 mile , then turn left on Evergreen Mill Rd to 520 .
 I-66 west to the Toll Rd , Route 267 . Take Exit 11 , Fairfax Co. Pkwy north . Left on Wiehle Ave . Left on Dranesville Rd . Left on Bennett St to school on the left .
 Route 7 east to Baileys Crossroads . Right on Columbia Pike . Left on Braddock Rd . Cross over Route 236 . The school is beyond the bend on the right .
 I-66 to the beltway , I-495 , south toward Richmond . Exit 54A , Braddock Rd west . Go 2 miles , then left on Burke Lake Rd . Go .7 mile to 9200 on the right .
 Glebe Rd north toward Chain Bridge . Left on Route 123 . Right on Route 193 , Georgetown Pike . Go 1 mile 6520 on the right .
 I-66 west to the beltway , I-495 , south toward Richmond . Take Exit 57A to I-95 S toward Richmond . Merge onto Franconia Rd toward Franconia . Left on Elder Ave , then left on Franconia Rd west to 6540 .
 I-66 west to the Toll Rd , Route 267 . Go 28.2 miles . Take Exit 1A , Route 7 , west toward Warrenton . Go 9.2 miles . Take the VA-287 exit toward VA-7 - BR / Purcellville . Left on Berlin Tnpk . Right on Hirst Rd . Left on N Maple Ave to 340 .
 I-66 west to Exit 62 , Nutley St , toward Vienna . Go 1.7 mile , then left on Route 123 . First right onto James Madison Dr to 2500 .
 I-66 west to Exit 66B , Route 7 , toward Tyson 's Corner . Go 1 mile to school on the left at 7731 .
 Williamsburg Blvd toward Falls Church . Right on Westmoreland St. Go 2.3 miles , then left on Clearview Dr ( look for the school sign ) .
 Minnie Howard Middle School ( Alexandria ) .
 Route 7 East , crossing over I-395 . Turn left onto Quaker Lane , then left onto W. Braddock Road . The Field is on the right .
 Lee Hwy east toward D.C. Left on Spout Run to the George Washington Parkway . Follow the parkway to Mount Vernon , home of George Washington . Stay in the right lane . At the four - way stop , turn right . The school is ~1 mile on left .
 I-66 west to Exit 62 , Nutley St. toward Vienna . Once on Nutley St. immediately move to left lane to turn left at first stoplight – Virginia Center Blvd . Follow Virginia Center Blvd . until it dead ends into Sutton Rd . and school is straight ahead .
 I-66 west to the Toll Rd , Route 267 . Take Route 28 South to McLearen Road . Make a Left on Towerview Rd and a left on Redskin Dr. Fields are behind Word of Grace Church , which is one block ahead on the right . Field is behind Center . Observe all parking signs / restrictions .
 I-66 west to Route 28 south to Manassas . Go 6 miles , turn left on Manassas Dr. Turn right on Euclid Ave to the school is on the left .
 I-66 west to the Toll Rd , Route 267 . Take Exit 16 , Route 7 , toward Leesburg . Go 9.8 miles , then turn left onto N Sterling Blvd . Go .8 mile , then turn right on West Laurel Ave to 400 .
 I-66 west to the Toll Rd , Route 267 . Take Exit 16 , Route 7 , toward Leesburg . Go 10 miles , then turn right onto Cascades Pkwy . Turn left on Algonkian Pkwy to 46400 on the left .
 I-66 west to Exit 60 , Route 123 south toward Fairfax . Go 1.2 miles , then turn left on Braddock Rd . Right on Sideburn Rd to 5035 on the left .
 Glebe Rd South to Route 1 . Turn right onto Rt . 1 . Go 1.5 miles , then turn right onto Monroe St to 426 .
 I-66 west to the beltway , I-495 , south toward Richmond . Exit 57A to I-95 , south toward Richmond . Go 7.6 miles to Exit 163 , toward Lorton . Right on Lorton Rd . Right on Silverbrook Rd . Left at Laurel Crest Dr. Take the 3rd right into school on ' Stallion Way ' .
 I-66 west to the Toll Rd , Route 267 . Take Exit 14 , Hunter Mill Rd . Turn left on Hunter Mill Rd . Right on Sunrise Valley Dr. Left on South Lakes Dr. Go 1 mile to 11400 .
 I-66 west to the Toll Rd , Route 267 . Take Exit 4 , VA-659 N / Belmont Ridge Rd . Turn right onto Hay Rd to 42100 .
 From Seven Corners , follow Route 7 eastbound . Turn right on Patrick Henry Dr. Turn left on Diamond Dr to end .
 Glebe Rd south to I-395 south . Take exit to Quaker Lane . Cross over highway , bear right onto Quaker Lane . Go .5 mile , turn left on Fern St. First right on Kenwood Ave . Left on Leesburg Pike to school on right .
 George Mason Dr. south , for approximately 5 miles . Left at light on S Dinwiddie St.
 George Mason Drive south to left on Washington Blvd . Left on N Stafford St. to 1301 .
 Lee Hwy east toward D.C. Left on Spout Run to the George Washington Parkway . Follow the parkway south toward Alexandria . Go through Old Town Alexandria , then right on Belle View Blvd . Turn right on Quander Rd to 6500 on the left .
 I-66 west to the beltway , I-495 , south toward Richmond . Take Exit 54A , Braddock Rd west . Go 2 miles , then left on Burke Lake Rd . Left on Rolling Rd . Go 2 miles to 6100 .
 I-66 west to Exit 53 , Sully Rd / VA-28 north . Go 2 miles , then West on Westfields Blvd . First right on Stonecroft Blvd . School is about 2 miles ahead on left .
 I-66 west to the beltway , I-495 , south toward Richmond . Take Exit 53A , Route 236 ( Little River Turnpike ) , west toward Fairfax . Go 3.5 miles , then left on Whiteacre Rd .


text:
The Graduate Research School team is available to provide support for both prospective postgraduate research students and current postgraduate research students. We are always willing to answer queries and provide help wherever possible. Students are also supported by the Doctoral College which offers institution-wide support, training, and administration for all of our postgraduate and early career researchers.
For enquiries about visiting us as a prospective student please complete our online visit request form.
Information about how to find the University's Campuses along with campus maps, car parking and other useful details can be found in the Maps and directions section of the University website.

tokenized:
The Graduate Research School team is available to provide support for both prospective postgraduate research students and current postgraduate research students . We are always willing to answer queries and provide help wherever possible . Students are also supported by the Doctoral College which offers institution - wide support , training , and administration for all of our postgraduate and early career researchers .
 For enquiries about visiting us as a prospective student please complete our online visit request form .
 Information about how to find the University 's Campuses along with campus maps , car parking and other useful details can be found in the Maps and directions section of the University website .


text:
The Cutest Photo Ornaments/Magnets Ever!
Could they be any cuter???? The kids got frustrated and bored with the project and I ended doing it all alone until the wee hours of the night, but I had a blast!
I love how my little “Santa” is perched on my “DREAM” letters on a shelf in my bed room.
I will post more pictures tomorrow of the ones the kids made, my niece made the cutest magnet pixie of herself, by just hot gluing a circle magnet to the back. What mom, grandmother, aunt, uncle wouldn’t want to display these little cuties year round on their refrigerator or at the office? These would make awesome gifts! Check out Wendy's Pixie Tutorial at the Shabby Nest.
These are so extremely cute. I love it! I can't wait to try doing this. Thanks for sharing!!!
Aw, how adorable! These turned out so cute!
Oh my...these are so cute! What a cute idea!! My kids are in HS and College but I think I am going to dig up some older photos and make these as a surprise for them. Thanks for sharing these! I love them!
aww, this is SOOO adorable! I love this idea.

tokenized:
The Cutest Photo Ornaments / Magnets Ever !
 Could they be any cuter ? ? ? ? The kids got frustrated and bored with the project and I ended doing it all alone until the wee hours of the night , but I had a blast !
 I love how my little “ Santa ” is perched on my “ DREAM ” letters on a shelf in my bed room .
 I will post more pictures tomorrow of the ones the kids made , my niece made the cutest magnet pixie of herself , by just hot gluing a circle magnet to the back . What mom , grandmother , aunt , uncle would n’t want to display these little cuties year round on their refrigerator or at the office ? These would make awesome gifts ! Check out Wendy 's Pixie Tutorial at the Shabby Nest .
 These are so extremely cute . I love it ! I ca n't wait to try doing this . Thanks for sharing ! ! !
 Aw , how adorable ! These turned out so cute !
 Oh my ... these are so cute ! What a cute idea ! ! My kids are in HS and College but I think I am going to dig up some older photos and make these as a surprise for them . Thanks for sharing these ! I love them !
 aww , this is SOOO adorable ! I love this idea .


text:
This Movie is a part of aa large-scale, multi-media LE performance by LE ensemble Cyberbass (directed by the author) that took place in Lismore, New South Wales, in 2008 and was also live-streamed. The performance was built around a series of seven linked improvisations by a four-member LE band, and combined musical performance with audio-visual material recorded on previous LE tours by the author. The overall performance has a narrative structure built around the views of representatives of the Australian LE community. Videotaped interviews were edited by the author and then triggered and processed live by video artist Cicada (Kirsten Bradley). The interview audio was processed by a Max/MSP patch by one of the performers and replayed in surround sound. In this way the LE performance was integrated with interview ‘mashups’.
This article examines links between contexts and creative practices amongst a group of contemporary Australian musicians working within the field of ‘live electronica’. For the purposes of this article, ‘live electronica’ (henceforth LE) is defined as electronic dance music (henceforth EDM) performed for an audience in real time by a group of musicians, without the aid of machine/computer-controlled sound generation sequences on drum machines, samplers or loop machines. Defined this way, LE stands in contrast with other forms of performed EDM that incorporate pre-composed or sequenced music triggered by a computer-interfaced performer.
Australian LE emerged in the 1990s and went through a period of development and consolidation during the first decade of the twentieth century. This article sees Australian LE musicians as inhabiting a musical ‘subculture’ (Hebdige 1979) and ‘scene’ (Straw 1991) – in which musical practices interact and cross-fertilise. Huq’s (2006) description of a ‘neo-tribe’ as a loosely-affiliated group formed as a “a response or solution to prevailing times” (28) can also be applied to Australian LE musicians. Illustrating what Brown, Eldridge and McCormack (2009: 11) describe as ‘the changing roles of composition, performer and instrument in contemporary creative practice,’ this article examines evolutionary processes and transformative factors that have impacted on the creative practices of Australian LE musicians. Within this discussion, digital music technology and changing economic, cultural and social contexts are seen to impact strongly on the emergence of new musical processes and forms.
On a broad scale, Australian LE musicians, interacting on tour and via the internet with other global musicians, have taken part in a transformative cultural process that Toynbee (2003: 110) describes as ‘code shaping’. Toynbee’s discussion implies that certain genres (such as music concrete, minimalism, and electronica) generate innovative creative processes that challenge existing musical conventions. LE is one recent sub-genre in which significant musical code-shaping has taken place – using creative processes that have been as yet little documented. Although in recent years the currency of the generic LE term has begun to recede – as live ensemble elements within EDM become more common-place, and as music classification terminologies (web tags) become more and more specific within the digital download environment – the LE movement of the past two decades can be seen to have played an historically-important role in ‘humanising’ EDM.
The article presents a participant-observer documentation and analysis of Australian LE practices, drawing on the experiences of one of the authors as an LE performer in Australia and overseas, as well as on a range of unstructured interviews with LE musicians conducted when opportunities arose (often while the author was on tour). The author’s position as a member of the LE community frames this article as a perspective from within the community. The article discusses the specific musical skills, techniques and creative processes employed by LE musicians to produce live, largely improvised music performances influenced by EDM – an area previously dominated by DJs/music producers using pre-composed or sequenced material. Endorsing the idea that music ‘emerges out of the enabling framework of society’ (Butler (2006: 15) – that the creation of musical works involves not only the intentions of auteurs, but also the dynamics of a surrounding community and wider culture – the discussion also examines a range of contexts associated with the music-making process. The overall aim of the article is to provide insight into creative practices among a group of Australian musicians whose original music-making represents an innovative response to technological, social, and economic changes that have altered the contexts of their creative lives.
 Performances of EDM that feature musicians playing along to a sequencer and/or drum machine are sometimes described as LE – but these ‘hybrid’ performances involve both live and non-live elements.
The Solar Sound System is going NT!
More Music from the archive.

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This Movie is a part of aa large - scale , multi - media LE performance by LE ensemble Cyberbass ( directed by the author ) that took place in Lismore , New South Wales , in 2008 and was also live - streamed . The performance was built around a series of seven linked improvisations by a four - member LE band , and combined musical performance with audio - visual material recorded on previous LE tours by the author . The overall performance has a narrative structure built around the views of representatives of the Australian LE community . Videotaped interviews were edited by the author and then triggered and processed live by video artist Cicada ( Kirsten Bradley ) . The interview audio was processed by a Max / MSP patch by one of the performers and replayed in surround sound . In this way the LE performance was integrated with interview ‘ mashups ’ .
 This article examines links between contexts and creative practices amongst a group of contemporary Australian musicians working within the field of ‘ live electronica ’ . For the purposes of this article , ‘ live electronica ’ ( henceforth LE ) is defined as electronic dance music ( henceforth EDM ) performed for an audience in real time by a group of musicians , without the aid of machine / computer - controlled sound generation sequences on drum machines , samplers or loop machines . Defined this way , LE stands in contrast with other forms of performed EDM that incorporate pre - composed or sequenced music triggered by a computer - interfaced performer .
 Australian LE emerged in the 1990s and went through a period of development and consolidation during the first decade of the twentieth century . This article sees Australian LE musicians as inhabiting a musical ‘ subculture ’ ( Hebdige 1979 ) and ‘ scene ’ ( Straw 1991 ) – in which musical practices interact and cross - fertilise . Huq ’s ( 2006 ) description of a ‘ neo - tribe ’ as a loosely - affiliated group formed as a “ a response or solution to prevailing times ” ( 28 ) can also be applied to Australian LE musicians . Illustrating what Brown , Eldridge and McCormack ( 2009 : 11 ) describe as ‘ the changing roles of composition , performer and instrument in contemporary creative practice , ’ this article examines evolutionary processes and transformative factors that have impacted on the creative practices of Australian LE musicians . Within this discussion , digital music technology and changing economic , cultural and social contexts are seen to impact strongly on the emergence of new musical processes and forms .
 On a broad scale , Australian LE musicians , interacting on tour and via the internet with other global musicians , have taken part in a transformative cultural process that Toynbee ( 2003 : 110 ) describes as ‘ code shaping ’ . Toynbee ’s discussion implies that certain genres ( such as music concrete , minimalism , and electronica ) generate innovative creative processes that challenge existing musical conventions . LE is one recent sub - genre in which significant musical code - shaping has taken place – using creative processes that have been as yet little documented . Although in recent years the currency of the generic LE term has begun to recede – as live ensemble elements within EDM become more common - place , and as music classification terminologies ( web tags ) become more and more specific within the digital download environment – the LE movement of the past two decades can be seen to have played an historically - important role in ‘ humanising ’ EDM .
 The article presents a participant - observer documentation and analysis of Australian LE practices , drawing on the experiences of one of the authors as an LE performer in Australia and overseas , as well as on a range of unstructured interviews with LE musicians conducted when opportunities arose ( often while the author was on tour ) . The author ’s position as a member of the LE community frames this article as a perspective from within the community . The article discusses the specific musical skills , techniques and creative processes employed by LE musicians to produce live , largely improvised music performances influenced by EDM – an area previously dominated by DJs / music producers using pre - composed or sequenced material . Endorsing the idea that music ‘ emerges out of the enabling framework of society ’ ( Butler ( 2006 : 15 ) – that the creation of musical works involves not only the intentions of auteurs , but also the dynamics of a surrounding community and wider culture – the discussion also examines a range of contexts associated with the music - making process . The overall aim of the article is to provide insight into creative practices among a group of Australian musicians whose original music - making represents an innovative response to technological , social , and economic changes that have altered the contexts of their creative lives .
  Performances of EDM that feature musicians playing along to a sequencer and/or drum machine are sometimes described as LE – but these ‘ hybrid ’ performances involve both live and non - live elements .
 The Solar Sound System is going NT !
 More Music from the archive .


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GFWC is made up of 50 state federations, to which local clubs belong. By joining a local women’s club, clubwomen become members of their state federation, which conveys membership in GFWC.
The California Federation of Women's Clubs is a member of the General Federation of Women's Clubs International, chartered in 1901 by the UnitedStates Congress. GFWC organized in 1890 with 61 charter clubs, is the world's largest and oldest women's volunteer organization with over 100,000 members in 3,000 clubs across the United States, with hundreds of members in countries around the world.
Reflecting the GFWC motto, Unity in Diversity, there is considerable diversity in age, interest and experience of members.
GFWC and its members raised nearly $64 million on behalf of more than 300,000 projects, and volunteered more than 10 million hours.

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GFWC is made up of 50 state federations , to which local clubs belong . By joining a local women ’s club , clubwomen become members of their state federation , which conveys membership in GFWC .
 The California Federation of Women 's Clubs is a member of the General Federation of Women 's Clubs International , chartered in 1901 by the UnitedStates Congress . GFWC organized in 1890 with 61 charter clubs , is the world 's largest and oldest women 's volunteer organization with over 100,000 members in 3,000 clubs across the United States , with hundreds of members in countries around the world .
 Reflecting the GFWC motto , Unity in Diversity , there is considerable diversity in age , interest and experience of members .
 GFWC and its members raised nearly $ 64 million on behalf of more than 300,000 projects , and volunteered more than 10 million hours .


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This salad is quite versatile with the base. You can use mixed greens, kale, arugula or spinach as seen here. Dark leafy greens are a great replacement to lettuce, being that they are more nutrient dense. Dark leafy greens are important for skin, hair, and bone health. They’re loaded with nutrients and low in calories. I threw in dried cranberries and pomegranates for a touch of added sweetness against the crisp spinach and smooth, earthy garbanzo beans. Feel free to add lean proteins to this dish to create a meal that is more hearty rather than a side dish.
Combine spinach, garbanzo beans, cucumbers, tomatoes, dried cranberries, pomegranate seeds, and scallions in a bowl.
Combine tahini, olive oil, lemon juice, garlic, honey and whisk together well.
Add za’taar and salt to taste. Mix well.

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This salad is quite versatile with the base . You can use mixed greens , kale , arugula or spinach as seen here . Dark leafy greens are a great replacement to lettuce , being that they are more nutrient dense . Dark leafy greens are important for skin , hair , and bone health . They ’re loaded with nutrients and low in calories . I threw in dried cranberries and pomegranates for a touch of added sweetness against the crisp spinach and smooth , earthy garbanzo beans . Feel free to add lean proteins to this dish to create a meal that is more hearty rather than a side dish .
 Combine spinach , garbanzo beans , cucumbers , tomatoes , dried cranberries , pomegranate seeds , and scallions in a bowl .
 Combine tahini , olive oil , lemon juice , garlic , honey and whisk together well .
 Add za’taar and salt to taste . Mix well .


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Glaucoma Screening should be done from the age of 40 years old for those with family members who have Glaucoma; and 50 years old for everybody else.
2. Your eye angles looking for signs of narrow angles.
3. Your optic nerve rim thickness to determine the health of your optic nerve.
4. Your visual field to ascertain the overall function of your optic nerve.
5. Your cornea thickness so we know whether your eye pressure measurements are truly accurate.
Our doctor will assess all your risks factors holistically and advise on the precautions you can take to prevent early-onset Glaucoma.
If you have been diagnosed with Glaucoma, depending on the severity, there are multiple ways of treating Glaucoma including Glaucoma eyedrops, Glaucoma laser and Glaucoma surgery.
At Asia Retina, if you need Glaucoma eyedrops, we are able to integrate your personal eyedrop regime into our customised Asia Retina App so that you can get daily phone reminder alerts to instill the eyedrops according to your schedule. Asia Retina is the preferred destination for Glaucoma treatment in Singapore.

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Glaucoma Screening should be done from the age of 40 years old for those with family members who have Glaucoma ; and 50 years old for everybody else .
 2 . Your eye angles looking for signs of narrow angles .
 3 . Your optic nerve rim thickness to determine the health of your optic nerve .
 4 . Your visual field to ascertain the overall function of your optic nerve .
 5 . Your cornea thickness so we know whether your eye pressure measurements are truly accurate .
 Our doctor will assess all your risks factors holistically and advise on the precautions you can take to prevent early - onset Glaucoma .
 If you have been diagnosed with Glaucoma , depending on the severity , there are multiple ways of treating Glaucoma including Glaucoma eyedrops , Glaucoma laser and Glaucoma surgery .
 At Asia Retina , if you need Glaucoma eyedrops , we are able to integrate your personal eyedrop regime into our customised Asia Retina App so that you can get daily phone reminder alerts to instill the eyedrops according to your schedule . Asia Retina is the preferred destination for Glaucoma treatment in Singapore .


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As yogis, we are students. Not just students of the asanas but also students of the mind, of the body, of the spirit, of the Universe.
— James Allen, "As You Think"
We are students of ourselves. We explore what our external bodies are capable of. As we advance, we explore the darkest corners of our souls — the stuff we’ve buried to survive or to conform. Because we believed vulnerability was weakness and anger and sadness were its ugly step sisters.
Great students don’t need any more than their will, their mind, and a great teacher. But a nice classroom sure doesn’t hurt.
You deserve space. We all deserve to have a sacred space that is only ours — where we can retreat to go within as we study the depths of our soul.
I’m fortunate at this time in my life to have an entire room. There’s no furniture except my zafu and yoga props. When I step in that room all the weight from the outside world seems to wash away and I am able to focus on my studies.
I realize it’s a privilege to have this room. Someday I will sacrifice this space for a wee one but I will still reserve space. You don’t have to have an entire room.
It could be a nook in your attic.
A corner in your office or bedroom where you can set up an altar.
A special area in your garden that’s just for you.
So let’s talk about this space you’re creating. It’s yours, and the rules are yours to make. However, here are some “rules” that I keep when it comes to my space for inspiration.
You could fill it with candles, flowers, crosses, Buddhas or photos. You could fill it with nothing, making it a crisp and clean space to help you declutter your mind. Make it look, feel, sound and smell “right" to you. Consider your intention for the space and design around that. But also trust your intuition. If a little puppy figurine is really speaking to you, put it in your space. It doesn’t have to make sense to others to make sense to you.
Space has as much power as you give it. I hold a high respect for my space. This is a spiritual place. Whether you practice meditation or prayer or both, you are filling your space with alllllll the good vibes. Honor that power. Which leads me to the next “rule."
My house isn’t always clean. (Gasp!) But I keep my sacred space — the “yoga room” — clean. Because if it’s not clean, it’s distracting and can be stressful instead of spiritual.
Again, your space is as powerful as you make it. If you don’t use it, it loses its power. It’s like an empty church. An empty church might be beautiful, but if it’s not being used for congregation, worship and prayer, it’s just a beautiful empty building.
Do you have a sacred space? If so, I’d love to see it and share with others for inspiration. Please send it to me on Facebook or by email.

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As yogis , we are students . Not just students of the asanas but also students of the mind , of the body , of the spirit , of the Universe .
 — James Allen , " As You Think "
 We are students of ourselves . We explore what our external bodies are capable of . As we advance , we explore the darkest corners of our souls — the stuff we ’ve buried to survive or to conform . Because we believed vulnerability was weakness and anger and sadness were its ugly step sisters .
 Great students do n’t need any more than their will , their mind , and a great teacher . But a nice classroom sure does n’t hurt .
 You deserve space . We all deserve to have a sacred space that is only ours — where we can retreat to go within as we study the depths of our soul .
 I ’m fortunate at this time in my life to have an entire room . There ’s no furniture except my zafu and yoga props . When I step in that room all the weight from the outside world seems to wash away and I am able to focus on my studies .
 I realize it ’s a privilege to have this room . Someday I will sacrifice this space for a wee one but I will still reserve space . You do n’t have to have an entire room .
 It could be a nook in your attic .
 A corner in your office or bedroom where you can set up an altar .
 A special area in your garden that ’s just for you .
 So let ’s talk about this space you ’re creating . It ’s yours , and the rules are yours to make . However , here are some “ rules ” that I keep when it comes to my space for inspiration .
 You could fill it with candles , flowers , crosses , Buddhas or photos . You could fill it with nothing , making it a crisp and clean space to help you declutter your mind . Make it look , feel , sound and smell “ right " to you . Consider your intention for the space and design around that . But also trust your intuition . If a little puppy figurine is really speaking to you , put it in your space . It does n’t have to make sense to others to make sense to you .
 Space has as much power as you give it . I hold a high respect for my space . This is a spiritual place . Whether you practice meditation or prayer or both , you are filling your space with alllllll the good vibes . Honor that power . Which leads me to the next “ rule . "
 My house is n’t always clean . ( Gasp ! ) But I keep my sacred space — the “ yoga room ” — clean . Because if it ’s not clean , it ’s distracting and can be stressful instead of spiritual .
 Again , your space is as powerful as you make it . If you do n’t use it , it loses its power . It ’s like an empty church . An empty church might be beautiful , but if it ’s not being used for congregation , worship and prayer , it ’s just a beautiful empty building .
 Do you have a sacred space ? If so , I ’d love to see it and share with others for inspiration . Please send it to me on Facebook or by email .


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1. The old Hug Point beach road: In addition to its natural beauty, Hug Point features a primitive man-made roadway. According to a 1975 issue of The Ore Bin, “In the late 1800's, a stagecoach road was blasted out of the sea cliff to make passage along the beach possible during high tide.” (State of Oregon, Department of Geology & Mineral Industries) Prior to the road, travelers by car or wagon would have to wait until low tide to “hug” around the point when heading south toward Arch Cape. In the winter, Look carefully and you’ll find the old steps that were carved into the basalt and sandstone so travelers could reach the ledge from which they’d walk to access the southern part of the beach. You’ll also see the deep ruts cut by wagon wheels into the primitive roadbed.
2. Parking: Hug Point can get busy — really busy — during the summer months. Finding a parking spot can be tricky as the main parking lot (which is on a steep incline) fills up by late morning and cars begin to park along Highway 101 (which is precarious at best and perilous at worst). Plan on arriving early to ensure you get a close-in, safe parking spot and a nice spot on the beach.
3. Waterfall: As pictured above, Fall Creek empties out onto the beach at Hug Point, creating a small, but lovely waterfall.
4. Head North or South: Once you’ve made your way down to the beach, take a walk north or south. Head south for two miles, and you’ll arrive at Arch Cape Creek, which runs along the base of the Arch Cape headland. At low tide, you can make your way around the cape to see the arch. Head north (toward Cannon Beach) for two miles, and check out Silver Point with its wonderful tidepools and Jockey Cap rock.
For more information about Hug Point or other scenic parks or trails near Arch Cape and Cannon Beach, feel free to call us here at The Inn at Arch Cape, (503) 436-2082.

tokenized:
1 . The old Hug Point beach road : In addition to its natural beauty , Hug Point features a primitive man - made roadway . According to a 1975 issue of The Ore Bin , “ In the late 1800 's , a stagecoach road was blasted out of the sea cliff to make passage along the beach possible during high tide . ” ( State of Oregon , Department of Geology & Mineral Industries ) Prior to the road , travelers by car or wagon would have to wait until low tide to “ hug ” around the point when heading south toward Arch Cape . In the winter , Look carefully and you ’ll find the old steps that were carved into the basalt and sandstone so travelers could reach the ledge from which they ’d walk to access the southern part of the beach . You ’ll also see the deep ruts cut by wagon wheels into the primitive roadbed .
 2 . Parking : Hug Point can get busy — really busy — during the summer months . Finding a parking spot can be tricky as the main parking lot ( which is on a steep incline ) fills up by late morning and cars begin to park along Highway 101 ( which is precarious at best and perilous at worst ) . Plan on arriving early to ensure you get a close - in , safe parking spot and a nice spot on the beach .
 3 . Waterfall : As pictured above , Fall Creek empties out onto the beach at Hug Point , creating a small , but lovely waterfall .
 4 . Head North or South : Once you ’ve made your way down to the beach , take a walk north or south . Head south for two miles , and you ’ll arrive at Arch Cape Creek , which runs along the base of the Arch Cape headland . At low tide , you can make your way around the cape to see the arch . Head north ( toward Cannon Beach ) for two miles , and check out Silver Point with its wonderful tidepools and Jockey Cap rock .
 For more information about Hug Point or other scenic parks or trails near Arch Cape and Cannon Beach , feel free to call us here at The Inn at Arch Cape , ( 503 ) 436 - 2082 .


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Anti-Roma legislation as well as specific legal acts directed against the non-sedentary Roma population, justifying and legalizing the previously customary aversion towards the people and their prosecution, started to be drawn up and enacted in Western Europe in the early Modern era. Adam Bartosz in his book, Nie bój się Cygana. Na dara Romestar [Do Not Fear the Gypsy], lists only a few of these. According to the scholar and expert on Roma history, the first anti-Gypsy and anti-Egyptian – as they were known at the time – laws were issued in Lucerne in 1471 and barred the Roma from presence on the territory of Switzerland. At the close of the 15th century, the Roma were forbidden to follow their itinerant life style on pain of corporeal punishment and enslavement. In turn, the early 16th century was marked by anti-Roma legislation of the Habsburg Holy Roman Emperor, Maximilian I, in the light of which the Roma captured on the imperial territory were subject to torture and extermination. In 1530, they were legally banished from England, and ten years later – from Scotland. Expulsion acts kept been issued in the 16th century, among other countries, in Denmark, Finland and France.
It is exactly this chronicle record as well as reports of aristocratic collections of severed limbs, noses and ears of the Roma captured during such battues, subsequently exhibited in cabinets of curiosities or in palace rooms alongside hunting trophies, recoverable from the sources as late as mid-19th century, which has inspired the work of Krzysztof Gil.
The Polish-Romani artist has produced a species of installation, composed of a cubical room of his design and making, and of sound. In its form, dimensions and execution technique, the cubic shed put together from accidental pieces of wood and fabric alludes to traditional, humble, temporary houses erected by the legally and socially marginalised Roma. On the other hand, repeating the paradigmatic form of a gallery white cube, it constructs a literally Chinese-box situation, whence it positions the audience. Since the cubical installation, upon entrance, turns out to a self-contained exhibition space, whose darkened interior appears to be a dialectical antithesis of the space of a gallery.
Inside the one-chamber room, Krzysztof Gil installed a panoramic painting. The cylindrical panorama consists of a majestic and monumental, white-crayon drawing on black background, representing a scene of game display. The image, which follows the representational convention for hunting trophies, is composed of likenesses of genteel women and men, clothed in modern hunters’ and their female companions’ apparel. All images used by the artist have been appropriated from painting of the old masters. In the surrounding darkness, the light rhythmically reveals characters, whose prototypes become identifiable as members of the surgeons’ guild depicted by Rembrandt, for example, or as St. Irene attending to the body of St. Sebastian from Georges de la Tour’s painting. The composition centre holds, amidst hunted game, a de-faced – as profil-perdu painted – torso of an anonymous, shut-down Roma.
Krzysztof Gil’s use of the convention of appropriation, historicising his piece, is at once a sarcastic comment, in the spirit of Reger from Thomas Bernhard’s Old Masters, on European art as a history painted in bright colours, and an accusation levelled against it. On the other hand, thanks to the sound accompanying the visible, a remote history becomes juxtaposed to the contemporary and to the artist’s private, family history.
The sound-track accompanying our viewing of his panorama is fragments of a record of a conversation Krzysztof Gil conducted with his grand-mother. She tells the story of her father – a musician and a brick-layer – murdered after WWII in the Podhale region, because he had had the audacity to make a remark about a poorly executed work to his Polish co-workers. Upon arrival on the scene of crime, the militiamen and doctors found the event to be a misadventure. The perpetrators went unpunished.
The artist’s family history, which has been combined here with an event described in a 17th-century chronicle, demonstrates that the ritual Heidenjachten are not really a closed chapter of history, and that anti-Roma violence remains a notorious occurrence. It is confirmed also by the exhibition title, which we have borrowed from a contemporary photograph found on the Internet, representing a caption on a wall of a Polish city. The paint appeared to still be wet.

tokenized:
Anti - Roma legislation as well as specific legal acts directed against the non - sedentary Roma population , justifying and legalizing the previously customary aversion towards the people and their prosecution , started to be drawn up and enacted in Western Europe in the early Modern era . Adam Bartosz in his book , Nie bój się Cygana . Na dara Romestar [ Do Not Fear the Gypsy ] , lists only a few of these . According to the scholar and expert on Roma history , the first anti - Gypsy and anti - Egyptian – as they were known at the time – laws were issued in Lucerne in 1471 and barred the Roma from presence on the territory of Switzerland . At the close of the 15th century , the Roma were forbidden to follow their itinerant life style on pain of corporeal punishment and enslavement . In turn , the early 16th century was marked by anti - Roma legislation of the Habsburg Holy Roman Emperor , Maximilian I , in the light of which the Roma captured on the imperial territory were subject to torture and extermination . In 1530 , they were legally banished from England , and ten years later – from Scotland . Expulsion acts kept been issued in the 16th century , among other countries , in Denmark , Finland and France .
 It is exactly this chronicle record as well as reports of aristocratic collections of severed limbs , noses and ears of the Roma captured during such battues , subsequently exhibited in cabinets of curiosities or in palace rooms alongside hunting trophies , recoverable from the sources as late as mid-19th century , which has inspired the work of Krzysztof Gil .
 The Polish - Romani artist has produced a species of installation , composed of a cubical room of his design and making , and of sound . In its form , dimensions and execution technique , the cubic shed put together from accidental pieces of wood and fabric alludes to traditional , humble , temporary houses erected by the legally and socially marginalised Roma . On the other hand , repeating the paradigmatic form of a gallery white cube , it constructs a literally Chinese - box situation , whence it positions the audience . Since the cubical installation , upon entrance , turns out to a self - contained exhibition space , whose darkened interior appears to be a dialectical antithesis of the space of a gallery .
 Inside the one - chamber room , Krzysztof Gil installed a panoramic painting . The cylindrical panorama consists of a majestic and monumental , white - crayon drawing on black background , representing a scene of game display . The image , which follows the representational convention for hunting trophies , is composed of likenesses of genteel women and men , clothed in modern hunters ’ and their female companions ’ apparel . All images used by the artist have been appropriated from painting of the old masters . In the surrounding darkness , the light rhythmically reveals characters , whose prototypes become identifiable as members of the surgeons ’ guild depicted by Rembrandt , for example , or as St. Irene attending to the body of St. Sebastian from Georges de la Tour ’s painting . The composition centre holds , amidst hunted game , a de - faced – as profil - perdu painted – torso of an anonymous , shut - down Roma .
 Krzysztof Gil ’s use of the convention of appropriation , historicising his piece , is at once a sarcastic comment , in the spirit of Reger from Thomas Bernhard ’s Old Masters , on European art as a history painted in bright colours , and an accusation levelled against it . On the other hand , thanks to the sound accompanying the visible , a remote history becomes juxtaposed to the contemporary and to the artist ’s private , family history .
 The sound - track accompanying our viewing of his panorama is fragments of a record of a conversation Krzysztof Gil conducted with his grand - mother . She tells the story of her father – a musician and a brick - layer – murdered after WWII in the Podhale region , because he had had the audacity to make a remark about a poorly executed work to his Polish co - workers . Upon arrival on the scene of crime , the militiamen and doctors found the event to be a misadventure . The perpetrators went unpunished .
 The artist ’s family history , which has been combined here with an event described in a 17th - century chronicle , demonstrates that the ritual Heidenjachten are not really a closed chapter of history , and that anti - Roma violence remains a notorious occurrence . It is confirmed also by the exhibition title , which we have borrowed from a contemporary photograph found on the Internet , representing a caption on a wall of a Polish city . The paint appeared to still be wet .


text:
The package includes Alaska Yukon Moose and Wolf hunt.
We hunt the Alaska Yukon moose, the largest deer in the world. This is a "spot-and-stalk" hunt, with interactive calling that makes it particularly exciting. This is usually a float trip, but can also be a stationary hunt. This hunt is 1 guide per hunter and includes 1 trophy moose. Caribou may be added for $4,000 trophy fee and wolves may be hunted for no additional fee. 10 hunting days and 12 total trip days.
We hunt moose out of our western Alaska camp that is located in GMU 19. Hunters on our moose hunting trips will be flown out to camps located with our 1500 square mile hunting area to spike camps, these camps are located on ridge tops and close to prime moose country. The Alaskan Yukon moose is the largest of the moose sub-species, and our hunting are has produced many trophy moose over the years. Our moose average around 61” and have great mass and heavy wide paddles. We hunt during the pre-rut and the moose are responding to calls very well during this time. Our moose country is not the typical swampy low land that most people are accustomed to hunting, we are hunting the rolling hills and large meadows. We only take 6 moose hunters per year and have maintained a very high success rate over the years. We hunt in two different game management areas, as our camp is located right on the border. Moose season in both areas opens on September 5 th and closes in one area on the 15 th and the 20 th in the northern area.
Our Alaska moose hunting season is September 5th-15th for non-residents. We use a lot of cow calls, bull grunts and brush thrashing to bring the bulls to us. While hunting, we use jet boats to access all the back channels, swampy marshes, and also ridge-tops for glassing. When calling moose, it might take up to three days to call in a bull, but he will come to investigate the call. There is nothing like hearing those bulls call back and come thrashing the brush to your call! The bulls’ antlers in this area have an average of 60 inches, but in the last few years I’ve been taking bulls that have an antler spread of 65-70 inches. Most of the moose we harvest we call-in within 60 yards.

tokenized:
The package includes Alaska Yukon Moose and Wolf hunt .
 We hunt the Alaska Yukon moose , the largest deer in the world . This is a " spot - and - stalk " hunt , with interactive calling that makes it particularly exciting . This is usually a float trip , but can also be a stationary hunt . This hunt is 1 guide per hunter and includes 1 trophy moose . Caribou may be added for $ 4,000 trophy fee and wolves may be hunted for no additional fee . 10 hunting days and 12 total trip days .
 We hunt moose out of our western Alaska camp that is located in GMU 19 . Hunters on our moose hunting trips will be flown out to camps located with our 1500 square mile hunting area to spike camps , these camps are located on ridge tops and close to prime moose country . The Alaskan Yukon moose is the largest of the moose sub - species , and our hunting are has produced many trophy moose over the years . Our moose average around 61 ” and have great mass and heavy wide paddles . We hunt during the pre - rut and the moose are responding to calls very well during this time . Our moose country is not the typical swampy low land that most people are accustomed to hunting , we are hunting the rolling hills and large meadows . We only take 6 moose hunters per year and have maintained a very high success rate over the years . We hunt in two different game management areas , as our camp is located right on the border . Moose season in both areas opens on September 5 th and closes in one area on the 15 th and the 20 th in the northern area .
 Our Alaska moose hunting season is September 5th-15th for non - residents . We use a lot of cow calls , bull grunts and brush thrashing to bring the bulls to us . While hunting , we use jet boats to access all the back channels , swampy marshes , and also ridge - tops for glassing . When calling moose , it might take up to three days to call in a bull , but he will come to investigate the call . There is nothing like hearing those bulls call back and come thrashing the brush to your call ! The bulls ’ antlers in this area have an average of 60 inches , but in the last few years I ’ve been taking bulls that have an antler spread of 65 - 70 inches . Most of the moose we harvest we call - in within 60 yards .


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So Foley banks are not lending as freely these days huh? The credit crunch that seized the Alabama economy recently is gone and they are starting to lend again. But even with this lending the economy is still reeling and headed for even more dire straits. If you are one of those in Foley AL who is caught in its clutches and have debts piling up, you may want to think about Foley consolidation loans.
Who has the best Foley debt consolidation services?
Foley consolidation services offer a way of taking multiple debts and taking them all and wrapping them together into one payment. So if you have 5 different Foley loans, each with a different interest rate and length, a Foley debt consolidation loan will pay these off and then you will be left with one Foley loan with a total on the loan of all the paid off loans. The best part is that these types of Foley consolidation loans typically have lower interest rates than the ones you are getting rid of.
What is the best place in Alabama to find Foley credit consolidation lenders?
Search online for the best debt consolidation lenders in Foley AL. The reason the best place to find Foley debt consolidation lenders in Alabama is because you will be able to find the right Foley lender for you. Your local Foley banks may not specialize in the right Foley consolidation loans for you or have Alabama lending standards that are too stringent. By searching for the best Alabama debt consolidation loans online, you can assure yourself of getting the right Foley loan.
As I said above, prior to the credit crunch we had basically "easy money" whereby the Foley banks were encouraged to lend to pretty much anyone in Alabama with a pulse. As the economy tanked and their Foley debts mounted, a large portion of these people who got easy credit are now looking for Foley credit card consolidation programs. These Foley loans can be obtained but they are just like any other Foley loan. Your Alabama credit rating, your ability to repay the Foley loan, an availability of collateral to secure the loan and the current Foley bank policies on Alabama lending will determine if you get a Foley consolidation loan or not.
Where Is The Best Foley Loan Consolidation Service?
As I discussed above, the typical Foley loan consolidation service usually has a lower interest rate than the standard Alabama loan that is putting you in the poor house. Be aware that just because you are in trouble with your Foley monthly payments, does not mean that you will automatically get Foley loan consolidation.
Where Can I find The Best Foley Debt Consolidation Help?
I spoke of collateral before and this is a big aspect of why Foley debt consolidation lenders may give you Foley loan consolidation. Unsecured Foley loans are the riskiest loans to give by a Alabama lender. This is because if the Foley loan is defaulted on, the bank cannot get the money back. By requiring collateral to provide security on a loan (as some Foley banks do for Foley debt consolidation loans) the bank reduces their risk for the loan. A secured Foley loan allows the lender to offer the loan to you and then to offer the Foley loan at a reduced interest rate. Be careful to make sure you pay off the Foley credit card consolidation loan on time. If you were required to put up collateral and you default, the Foley bank will take that collateral as a way to recoup their loss.
At MyCDC.org, we offer the highest quality Foley credit card consolidation programs that are available online throughout the USA. Mycdc offers this online by providing you with a custom Foley credit card consolidation plan that will help you to consolidate your unsecured debts, and also fit your budget, while helping you to reach your goal of Financial FREEDOM!
Foley Consolidation Loans -- Our online credit card consolidation service will consolidate debt without the need of a loan. Your custom Foley credit card consolidation program will consolidate your debts by negotiating with creditors to get YOU a lower repayment amount without the RISK of any type of high interest Alabama debt consolidation loans!
Foley Customer Service -- MyCDC.org is committed to using the highest level of Customer Service in the credit card consolidation industry. Once enrolled in a credit card consolidation program, a trained, personal debt counselor will be assigned to your account. Your debt counselor will review your debts and financial situation and develop a custom credit card consolidation solution based on YOUR personal Foley debt situation and needs.

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So Foley banks are not lending as freely these days huh ? The credit crunch that seized the Alabama economy recently is gone and they are starting to lend again . But even with this lending the economy is still reeling and headed for even more dire straits . If you are one of those in Foley AL who is caught in its clutches and have debts piling up , you may want to think about Foley consolidation loans .
 Who has the best Foley debt consolidation services ?
 Foley consolidation services offer a way of taking multiple debts and taking them all and wrapping them together into one payment . So if you have 5 different Foley loans , each with a different interest rate and length , a Foley debt consolidation loan will pay these off and then you will be left with one Foley loan with a total on the loan of all the paid off loans . The best part is that these types of Foley consolidation loans typically have lower interest rates than the ones you are getting rid of .
 What is the best place in Alabama to find Foley credit consolidation lenders ?
 Search online for the best debt consolidation lenders in Foley AL . The reason the best place to find Foley debt consolidation lenders in Alabama is because you will be able to find the right Foley lender for you . Your local Foley banks may not specialize in the right Foley consolidation loans for you or have Alabama lending standards that are too stringent . By searching for the best Alabama debt consolidation loans online , you can assure yourself of getting the right Foley loan .
 As I said above , prior to the credit crunch we had basically " easy money " whereby the Foley banks were encouraged to lend to pretty much anyone in Alabama with a pulse . As the economy tanked and their Foley debts mounted , a large portion of these people who got easy credit are now looking for Foley credit card consolidation programs . These Foley loans can be obtained but they are just like any other Foley loan . Your Alabama credit rating , your ability to repay the Foley loan , an availability of collateral to secure the loan and the current Foley bank policies on Alabama lending will determine if you get a Foley consolidation loan or not .
 Where Is The Best Foley Loan Consolidation Service ?
 As I discussed above , the typical Foley loan consolidation service usually has a lower interest rate than the standard Alabama loan that is putting you in the poor house . Be aware that just because you are in trouble with your Foley monthly payments , does not mean that you will automatically get Foley loan consolidation .
 Where Can I find The Best Foley Debt Consolidation Help ?
 I spoke of collateral before and this is a big aspect of why Foley debt consolidation lenders may give you Foley loan consolidation . Unsecured Foley loans are the riskiest loans to give by a Alabama lender . This is because if the Foley loan is defaulted on , the bank can not get the money back . By requiring collateral to provide security on a loan ( as some Foley banks do for Foley debt consolidation loans ) the bank reduces their risk for the loan . A secured Foley loan allows the lender to offer the loan to you and then to offer the Foley loan at a reduced interest rate . Be careful to make sure you pay off the Foley credit card consolidation loan on time . If you were required to put up collateral and you default , the Foley bank will take that collateral as a way to recoup their loss .
 At MyCDC.org , we offer the highest quality Foley credit card consolidation programs that are available online throughout the USA . Mycdc offers this online by providing you with a custom Foley credit card consolidation plan that will help you to consolidate your unsecured debts , and also fit your budget , while helping you to reach your goal of Financial FREEDOM !
 Foley Consolidation Loans -- Our online credit card consolidation service will consolidate debt without the need of a loan . Your custom Foley credit card consolidation program will consolidate your debts by negotiating with creditors to get YOU a lower repayment amount without the RISK of any type of high interest Alabama debt consolidation loans !
 Foley Customer Service -- MyCDC.org is committed to using the highest level of Customer Service in the credit card consolidation industry . Once enrolled in a credit card consolidation program , a trained , personal debt counselor will be assigned to your account . Your debt counselor will review your debts and financial situation and develop a custom credit card consolidation solution based on YOUR personal Foley debt situation and needs .


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The Georgian Terrace Hotel by Sotherly Hotels announced the promotion of Guido Piccinni to director of operations for the historic Atlanta hotel property. Piccinni assumes the day-to-day operations as general manager Mark Williams assumes a new role as regional vice president of operations for the parent company, Chesapeake Hospitality.
Piccinni joined The Georgian Terrace Hotel team in December 2015 as director of food and beverage. A native Italian, he is a seasoned hotelier and restaurateur with more than 20 years’ experience in the hospitality industry. He previously served as chief operating officer of the Atlanta-based Southern Proper Hospitality Group, where he was integral in developing their existing restaurants and establishing new concepts. He was also part of the acclaimed Five Diamond Award-winning team at Rosewood Hotels & Resorts, leading food and beverage at The Mansion on Peachtree.
Piccinni began his career in Atlanta when he moved to the U.S. in 2004 and was named general manager for the esteemed Buckhead Life Restaurant Group restaurant Pricci. Under his guidance, Pricci was honored as one of “America’s 20 Best New Restaurants” by Esquire. Prior to his move from Italy, Piccinni served as general manager at Hotel Cresta & Duc, a boutique hotel with a three Michelin Star-rated restaurant.

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The Georgian Terrace Hotel by Sotherly Hotels announced the promotion of Guido Piccinni to director of operations for the historic Atlanta hotel property . Piccinni assumes the day - to - day operations as general manager Mark Williams assumes a new role as regional vice president of operations for the parent company , Chesapeake Hospitality .
 Piccinni joined The Georgian Terrace Hotel team in December 2015 as director of food and beverage . A native Italian , he is a seasoned hotelier and restaurateur with more than 20 years ’ experience in the hospitality industry . He previously served as chief operating officer of the Atlanta - based Southern Proper Hospitality Group , where he was integral in developing their existing restaurants and establishing new concepts . He was also part of the acclaimed Five Diamond Award - winning team at Rosewood Hotels & Resorts , leading food and beverage at The Mansion on Peachtree .
 Piccinni began his career in Atlanta when he moved to the U.S. in 2004 and was named general manager for the esteemed Buckhead Life Restaurant Group restaurant Pricci . Under his guidance , Pricci was honored as one of “ America ’s 20 Best New Restaurants ” by Esquire . Prior to his move from Italy , Piccinni served as general manager at Hotel Cresta & Duc , a boutique hotel with a three Michelin Star - rated restaurant .


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Call centre managers set the objectives of the service per month, week, and day. They perform micromanagement of the results obtained in the centre in order to proactively react with plans, trainings, or motivational plans depending on the problems faced by the service. They strive for achievement of KPIs such as minimum operating time, sales per day, and compliance with quality parameters.
The wide range of telecommunications hardware and software such as automated phone systems and communication devices.
Understand, follow up and manage the achievement of the most important key performance indicators (KPI) of call centres such as time average operation (TMO), service quality, questionnaires filled, and sales per hour if applicable.
Prepare and present periodic reports on the operations, achievements, and results obtained during certain period to higher level managers and directors.
Evaluate the performance and results of managers and employees considering their efficiency and effectivity at work. Consider personal and professional elements.
Improve the customer satisfaction and the service level of a call centre by researching data such as call time, waiting time for customers and review company targets to seek measures to improve service level and customer satisfaction.
Interpret information of call distribution system, a device that transmits incoming calls to specific groups of terminals.

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Call centre managers set the objectives of the service per month , week , and day . They perform micromanagement of the results obtained in the centre in order to proactively react with plans , trainings , or motivational plans depending on the problems faced by the service . They strive for achievement of KPIs such as minimum operating time , sales per day , and compliance with quality parameters .
 The wide range of telecommunications hardware and software such as automated phone systems and communication devices .
 Understand , follow up and manage the achievement of the most important key performance indicators ( KPI ) of call centres such as time average operation ( TMO ) , service quality , questionnaires filled , and sales per hour if applicable .
 Prepare and present periodic reports on the operations , achievements , and results obtained during certain period to higher level managers and directors .
 Evaluate the performance and results of managers and employees considering their efficiency and effectivity at work . Consider personal and professional elements .
 Improve the customer satisfaction and the service level of a call centre by researching data such as call time , waiting time for customers and review company targets to seek measures to improve service level and customer satisfaction .
 Interpret information of call distribution system , a device that transmits incoming calls to specific groups of terminals .


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Hands on care such as; soft tissue mobilization, myofascial release, joint mobilization, muscle energy techniques and corrective and prescriptive exercises.
Thank goodness I found WHPT! She helped me when I thought there was nothing that could be done to alleviate my pain and discomfort. Mansi took the time to really get to know me, my body and my lifestyle so she could provide therapy that was tailored to my needs. She is knowledgable and professional, and she taught me so much about my body that I never knew before. Because of Mansi, I feel like myself again!

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Hands on care such as ; soft tissue mobilization , myofascial release , joint mobilization , muscle energy techniques and corrective and prescriptive exercises .
 Thank goodness I found WHPT ! She helped me when I thought there was nothing that could be done to alleviate my pain and discomfort . Mansi took the time to really get to know me , my body and my lifestyle so she could provide therapy that was tailored to my needs . She is knowledgable and professional , and she taught me so much about my body that I never knew before . Because of Mansi , I feel like myself again !


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The Forum will once again be held at the Loews Vanderbilt Hotel. If you wish to stay at Loews Vanderbilt Hotel, make your reservations directly wi th the hotel by calling 1-800-336-3335 prior to September 16, 2018. Mention code "PJHO15" for the $259 Single/$279 Double rate.
Self Parking is included in your room rate. For those guests not staying in the hotel, you will be offered a 50% discount for Self Parking, and a 25% discount for Valet Parking. Day Guests should come by the Forum's registration desk to pick up vouchers for the reduced parking rate.
Additional hotels convenient to the Forum are the Hampton Inn-Vanderbilt, 1919 West End Avenue, 615-329-1144; the Holiday Inn-Vanderbilt, 2613 West End Avenue, 615-327-4707; the Hampton Inn & Suites-University, 2300 Elliston Place, 615-320-6060; and the Nashville Marriott At Vanderbilt University, 2555 West End Avenue, 615-321-1300; Hutton Hotel, 1808 West End Avenue, 615-340-9333; Homewood Suites by Hilton, 2400 West End Avenue, 615-340-8000; Embassy Suites at Vanderbilt, 1811 Broadway, 615-320-8899; Courtyard by Marriott Vanderbilt/West End, 1901 West End Avenue, 615-327-9900.

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The Forum will once again be held at the Loews Vanderbilt Hotel . If you wish to stay at Loews Vanderbilt Hotel , make your reservations directly wi th the hotel by calling 1 - 800 - 336 - 3335 prior to September 16 , 2018 . Mention code " PJHO15 " for the $ 259 Single/$279 Double rate .
 Self Parking is included in your room rate . For those guests not staying in the hotel , you will be offered a 50 % discount for Self Parking , and a 25 % discount for Valet Parking . Day Guests should come by the Forum 's registration desk to pick up vouchers for the reduced parking rate .
 Additional hotels convenient to the Forum are the Hampton Inn - Vanderbilt , 1919 West End Avenue , 615 - 329 - 1144 ; the Holiday Inn - Vanderbilt , 2613 West End Avenue , 615 - 327 - 4707 ; the Hampton Inn & Suites - University , 2300 Elliston Place , 615 - 320 - 6060 ; and the Nashville Marriott At Vanderbilt University , 2555 West End Avenue , 615 - 321 - 1300 ; Hutton Hotel , 1808 West End Avenue , 615 - 340 - 9333 ; Homewood Suites by Hilton , 2400 West End Avenue , 615 - 340 - 8000 ; Embassy Suites at Vanderbilt , 1811 Broadway , 615 - 320 - 8899 ; Courtyard by Marriott Vanderbilt / West End , 1901 West End Avenue , 615 - 327 - 9900 .


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Today was a sad day in Eagles land, with the surprise death of Andy Reid's oldest son Garrett. Obviously all of our thoughts are with the Reid family as they deal with this tragedy.
There's no particularly good way to transition from that to general site changes. To be brief: things are new around here. Let me know what you think about the cleaner design and if you encounter any bugs or other problems. At the very least, hopefully the server issues will be over for the foreseeable future.
Tagged with Andy Reid, Site News, Garrett Reid, Design.
August 5, 2012 by Brian Solomon.

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Today was a sad day in Eagles land , with the surprise death of Andy Reid 's oldest son Garrett . Obviously all of our thoughts are with the Reid family as they deal with this tragedy .
 There 's no particularly good way to transition from that to general site changes . To be brief : things are new around here . Let me know what you think about the cleaner design and if you encounter any bugs or other problems . At the very least , hopefully the server issues will be over for the foreseeable future .
 Tagged with Andy Reid , Site News , Garrett Reid , Design .
 August 5 , 2012 by Brian Solomon .


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Today’s contest reveals an interesting lesson.
But before I reveal the winner (and the lesson), I need you to pick the ad that you think was clicked more often. If you were searching for a way to conduct online background checks, which ad would you click?
The winning ad is ad number two. It was written by “cartmetrix,” and it improved CTR by 69%.
1. The winning ad switches up the title text by using DKI and using the alternate text “Instant Background Checks.” The word “instant” implies speed, which is an important buying criterium for anybody doing an online background check. Contrast this with the original title text, which says “Online Background Check.” The word “Online” does not imply speed, so “Instant” is the better word here.
2. The body copy in the losing ad starts with the price: $29. This is a huge “speed bump.” I expect it stops many searchers from reading any further. Now, listing the price is not necessarily a problem. But placing it first in the body copy is premature because searchers don’t yet know what they’re getting for $29. Furthermore, the price is followed by a comma and then the number 3. This makes the price harder to read, and may be confusing to non-American audiences where commas are used in place of periods in prices.
3. The winning ad leads with the offer: “3 Years of Unlimited Checks – $29″. This sounds like a bargain. Any person who is hiring a lot of employees or needing to do a lot of background checks is going to find this appealing.
4. The losing ad, on the other hand, lists the price first (not a good idea), then promises “3 Years Unlimited Searches.” The word “Searches” is far too vague. I don’t know if a “search” is equivalent to a “background check.” I’m reminded of the ads that promise a free credit report — but then charge extra for the credit score. The wording in the losing ad feels the same way. Am I going to get unlimited searches (which are basically worthless), or unlimited background checks? The losing ad doesn’t say.
6. Rather than address a problem that hasn’t happened yet, the winning ad gets into the mind of the searcher by saying, “Find out Who’s Hiding a Past Today!” This phrasing is masterful because it kills two birds with one stone: 1) It gets into the mind of the searcher, and 2) gives a clear call to action at the same time. What’s more, it generates instant curiosity. If you have a person you’ve just interviewed, you might even be thinking about what THAT person may be hiding. Hard to resist.
Boost Media writers are standing at the ready to improve your pay-per-click ads on both Google and Facebook. Sign up today and give them their marching orders.
I'm still learning from you, but I'm trying to reach my goals. I definitely liked reading all that is posted on your website.Keep the tips coming. I enjoyed it!

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Today ’s contest reveals an interesting lesson .
 But before I reveal the winner ( and the lesson ) , I need you to pick the ad that you think was clicked more often . If you were searching for a way to conduct online background checks , which ad would you click ?
 The winning ad is ad number two . It was written by “ cartmetrix , ” and it improved CTR by 69 % .
 1 . The winning ad switches up the title text by using DKI and using the alternate text “ Instant Background Checks . ” The word “ instant ” implies speed , which is an important buying criterium for anybody doing an online background check . Contrast this with the original title text , which says “ Online Background Check . ” The word “ Online ” does not imply speed , so “ Instant ” is the better word here .
 2 . The body copy in the losing ad starts with the price : $ 29 . This is a huge “ speed bump . ” I expect it stops many searchers from reading any further . Now , listing the price is not necessarily a problem . But placing it first in the body copy is premature because searchers do n’t yet know what they ’re getting for $ 29 . Furthermore , the price is followed by a comma and then the number 3 . This makes the price harder to read , and may be confusing to non - American audiences where commas are used in place of periods in prices .
 3 . The winning ad leads with the offer : “ 3 Years of Unlimited Checks – $ 29″. This sounds like a bargain . Any person who is hiring a lot of employees or needing to do a lot of background checks is going to find this appealing .
 4 . The losing ad , on the other hand , lists the price first ( not a good idea ) , then promises “ 3 Years Unlimited Searches . ” The word “ Searches ” is far too vague . I do n’t know if a “ search ” is equivalent to a “ background check . ” I ’m reminded of the ads that promise a free credit report — but then charge extra for the credit score . The wording in the losing ad feels the same way . Am I going to get unlimited searches ( which are basically worthless ) , or unlimited background checks ? The losing ad does n’t say .
 6 . Rather than address a problem that has n’t happened yet , the winning ad gets into the mind of the searcher by saying , “ Find out Who ’s Hiding a Past Today ! ” This phrasing is masterful because it kills two birds with one stone : 1 ) It gets into the mind of the searcher , and 2 ) gives a clear call to action at the same time . What ’s more , it generates instant curiosity . If you have a person you ’ve just interviewed , you might even be thinking about what THAT person may be hiding . Hard to resist .
 Boost Media writers are standing at the ready to improve your pay - per - click ads on both Google and Facebook . Sign up today and give them their marching orders .
 I 'm still learning from you , but I 'm trying to reach my goals . I definitely liked reading all that is posted on your website . Keep the tips coming . I enjoyed it !


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Preparing food is really easy when all cabinets and appliances are built and placed to match your body height. The ergonomical cabinet placement that is ideal for your kitchen is determined by the body height of the person that works primarily in the kitchen. That person’s height determines the ideal height placement of all cabinets, worktops and appliances. The kitchen design has to reflect the functionality of the work flow.
that uses and works primarily in the kitchen right- or left handed?
all wall- and niche areas.
will be built to fit best your bodily height (e.g. a lowered cook top which will ease the work flow and supports a healthy posture).
give easy access and show all items stored at a glance.
e.g. switch from a standing to a sitting position.
only below your shoulder height to avoid placing too much strain on your back.
or postures. Depending on the fitness of a person these could be standing, walking, kneeling, lifting, bending or stretching.
that the maximum height a person should reach for is 35 cm above his body height.
use lift-up- or bi-fold- doors for your wall cabinets.
all bodily limitations or disabilities within your kitchen design.
All Sachsenküchen dealers are more than happy to advise you on all your questions on ergonomically designed kitchens and will design with you your new ergonomically correct kitchen.

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Preparing food is really easy when all cabinets and appliances are built and placed to match your body height . The ergonomical cabinet placement that is ideal for your kitchen is determined by the body height of the person that works primarily in the kitchen . That person ’s height determines the ideal height placement of all cabinets , worktops and appliances . The kitchen design has to reflect the functionality of the work flow .
 that uses and works primarily in the kitchen right- or left handed ?
 all wall- and niche areas .
 will be built to fit best your bodily height ( e.g. a lowered cook top which will ease the work flow and supports a healthy posture ) .
 give easy access and show all items stored at a glance .
 e.g. switch from a standing to a sitting position .
 only below your shoulder height to avoid placing too much strain on your back .
 or postures . Depending on the fitness of a person these could be standing , walking , kneeling , lifting , bending or stretching .
 that the maximum height a person should reach for is 35 cm above his body height .
 use lift - up- or bi - fold- doors for your wall cabinets .
 all bodily limitations or disabilities within your kitchen design .
 All Sachsenküchen dealers are more than happy to advise you on all your questions on ergonomically designed kitchens and will design with you your new ergonomically correct kitchen .


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You have done a try-dive or a DSD, and would like to go ahead and get qualified to explore the underwater world and have enough time to do so?
This course allows you to dive up to 18m under the guidance of an instructor upon completion. It is a 4 full day course, and you get to understand basic principles of scuba diving, do Confined Water Dives to learn basic scuba skills, as well as Open Water Dives to review your skills and explore!
You can also make the theory online with the e-learning program.
Started the PADI Open Water Course!
Completed the PADI Open Water Course!

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You have done a try - dive or a DSD , and would like to go ahead and get qualified to explore the underwater world and have enough time to do so ?
 This course allows you to dive up to 18 m under the guidance of an instructor upon completion . It is a 4 full day course , and you get to understand basic principles of scuba diving , do Confined Water Dives to learn basic scuba skills , as well as Open Water Dives to review your skills and explore !
 You can also make the theory online with the e - learning program .
 Started the PADI Open Water Course !
 Completed the PADI Open Water Course !


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Sad news to report today that Love & Hip Hop Hollywood’s Nia Riley, girlfriend of Soulja Boy was in a car accident with her daughter. Soulja posted a picture of Nia’s tattoo of his name, Dre on Instagram with the following caption.
My girlfriend @niariley was in a car accident and the car flipped over and our daughter was in the car. Need your prayers. Life is short and you never know what could happen I love them and don’t know what I would do if something happened to them. God first.
We are keeping Nia, her little one and the whole family in our thoughts and prayers. Leave your well wishes in the comments below!

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Sad news to report today that Love & Hip Hop Hollywood ’s Nia Riley , girlfriend of Soulja Boy was in a car accident with her daughter . Soulja posted a picture of Nia ’s tattoo of his name , Dre on Instagram with the following caption .
 My girlfriend @niariley was in a car accident and the car flipped over and our daughter was in the car . Need your prayers . Life is short and you never know what could happen I love them and do n’t know what I would do if something happened to them . God first .
 We are keeping Nia , her little one and the whole family in our thoughts and prayers . Leave your well wishes in the comments below !