text:
An inventory advertisement allows a continuous intake of applications, over as long a period as desired. This inventory has no closing date, although one may be added in the future. Once a candidate has submitted their application it will stay active in the inventory (assuming it meets the essential screening criteria) for 180 days. At the end of that period, candidates will need to refresh their application to ensure it stays active in the inventory. 15 days prior to the end of the 180 day period, candidates will receive a notice to their PSRS profile instructing them that their application will expire unless it is refreshed. Candidates are also able to withdraw their application from the inventory anytime they desire.
If you are found unsuccessful during any point of the process your application will not be considered again until 60 days has elapsed from the date of your elimination notification.
This position provides a comprehensive programme in basic academic education, assesses the academic needs and abilities of inmates through testing; coordinates correspondence courses; provides individualized instruction; develops individual educational plans; assists in inventory control; and performs other duties related to the position.
The candidate pool resulting from this selection process may be used to staff similar positions on an indeterminate (anticipatory), term, or casual basis.
Graduation with a degree from a recognized university with acceptable specialization in education, linguistics, sociology, psychology, mathematics, physics, home economics or some other speciality relevant to the position (e.g. Adult education, English, history, geography, learning disabilities, English as a second language, etc.).
One year recent experience teaching academic subject matter to adults and/or at risk youth in a classroom setting.
Ability to assess student academic progress toward mastery of subject matter.
Ability to assess the suitability of instructional materials.
through substantiation by examples. Information on your described skills, experience, etc. provided in screening questions should be supported by your resume. Failure to provide the above information in the format required may result in your application being rejected from the process. Although the asset qualifications are not mandatory, they may be an important factor that will be considered for specific positions being staffed. Therefore, if you meet the asset education and experience, it is to your advantage to demonstrate this in your application as well.
address) of 3 supervisory references, including your current supervisor.
Your referees will be asked to respond in writing to a number of questions that demonstrate your competency in the areas to be assessed.
Ensure that your referees are prepared to provide comprehensive responses in writing.
communications regarding this selection process.
Candidates must be prepared to provide original proof of education (including equivalencies), and citizenship when requested. Failure to do so, by the deadline requested, may result in you not being considered for this pool.
Reference checks will be conducted.
Ensure that you read the invitation to the examination and interview thoroughly and follow any directions for documents that may be required at the time of the assessment.
an Aboriginal person, a person with a disability or a member of a visible minority group.
accommodation measures will be addressed confidentially.

tokenized:
An inventory advertisement allows a continuous intake of applications , over as long a period as desired . This inventory has no closing date , although one may be added in the future . Once a candidate has submitted their application it will stay active in the inventory ( assuming it meets the essential screening criteria ) for 180 days . At the end of that period , candidates will need to refresh their application to ensure it stays active in the inventory . 15 days prior to the end of the 180 day period , candidates will receive a notice to their PSRS profile instructing them that their application will expire unless it is refreshed . Candidates are also able to withdraw their application from the inventory anytime they desire .
 If you are found unsuccessful during any point of the process your application will not be considered again until 60 days has elapsed from the date of your elimination notification .
 This position provides a comprehensive programme in basic academic education , assesses the academic needs and abilities of inmates through testing ; coordinates correspondence courses ; provides individualized instruction ; develops individual educational plans ; assists in inventory control ; and performs other duties related to the position .
 The candidate pool resulting from this selection process may be used to staff similar positions on an indeterminate ( anticipatory ) , term , or casual basis .
 Graduation with a degree from a recognized university with acceptable specialization in education , linguistics , sociology , psychology , mathematics , physics , home economics or some other speciality relevant to the position ( e.g. Adult education , English , history , geography , learning disabilities , English as a second language , etc . ) .
 One year recent experience teaching academic subject matter to adults and/or at risk youth in a classroom setting .
 Ability to assess student academic progress toward mastery of subject matter .
 Ability to assess the suitability of instructional materials .
 through substantiation by examples . Information on your described skills , experience , etc . provided in screening questions should be supported by your resume . Failure to provide the above information in the format required may result in your application being rejected from the process . Although the asset qualifications are not mandatory , they may be an important factor that will be considered for specific positions being staffed . Therefore , if you meet the asset education and experience , it is to your advantage to demonstrate this in your application as well .
 address ) of 3 supervisory references , including your current supervisor .
 Your referees will be asked to respond in writing to a number of questions that demonstrate your competency in the areas to be assessed .
 Ensure that your referees are prepared to provide comprehensive responses in writing .
 communications regarding this selection process .
 Candidates must be prepared to provide original proof of education ( including equivalencies ) , and citizenship when requested . Failure to do so , by the deadline requested , may result in you not being considered for this pool .
 Reference checks will be conducted .
 Ensure that you read the invitation to the examination and interview thoroughly and follow any directions for documents that may be required at the time of the assessment .
 an Aboriginal person , a person with a disability or a member of a visible minority group .
 accommodation measures will be addressed confidentially .


text:
On the island of Lesvos, just 3.5 kilometers east of Molyvos, you’ll find the natural hot springs of Eftalou, a healing destination for millennia. Here, therapeutic springs bubble from under the sea to be captured in an ancient communal bathhouse as well as private pools.
These could be the hottest hot springs in Europe at a nearly scalding 45ºC (113ºF) which means you won’t be soaking for hours but will be alternating between cool sea dips and dips in the hot pot. The springs are rich in minerals and highly radioactive which apparently is part of their curative power. I’m not sure how all that radioactivity is healthy, but hey, I’m no Marie Curie, what do I know? People have flocked to these springs, believing them to be a powerful cure, for centuries.
The hot springs are only open in the warmer months. If you’ve read about hours or opening dates elsewhere, do yourself a favor and call first. I know the opening times are variable. Call ahead if you plan to visit. +30-22530-71245.
Surprisingly, it’s not the curative hot springs that draw me to Eftalou.
It’s the strange, beautiful geology; a colorful, exuberant riot of rock colors and shapes. It’s like nothing I’ve ever seen before.
Walking along the shore, east of the hot springs, you’ll find nearly desolate “Golden Beach” with a single (excellent) taverna to quench your thirst and fill your belly. Rockhounds will find specimens in a rainbow of colors and plentiful quartz.
Cliffs and boulders are swirly, stripy artworks. Streaks of blacks, pinks, greens, and golds infuse the rocky landscape like an abstract painting. Standing solitary on Golden Beach, admiring the Aegean Sea, with warm wind playing over the bizarre terrain, I feel such a strange energy; it feels like a place where one can conjure up magic.
Take the walk yourself, and you’ll see that Mother Nature already has.

tokenized:
On the island of Lesvos , just 3.5 kilometers east of Molyvos , you ’ll find the natural hot springs of Eftalou , a healing destination for millennia . Here , therapeutic springs bubble from under the sea to be captured in an ancient communal bathhouse as well as private pools .
 These could be the hottest hot springs in Europe at a nearly scalding 45ºC ( 113ºF ) which means you wo n’t be soaking for hours but will be alternating between cool sea dips and dips in the hot pot . The springs are rich in minerals and highly radioactive which apparently is part of their curative power . I ’m not sure how all that radioactivity is healthy , but hey , I ’m no Marie Curie , what do I know ? People have flocked to these springs , believing them to be a powerful cure , for centuries .
 The hot springs are only open in the warmer months . If you ’ve read about hours or opening dates elsewhere , do yourself a favor and call first . I know the opening times are variable . Call ahead if you plan to visit . +30 - 22530 - 71245 .
 Surprisingly , it ’s not the curative hot springs that draw me to Eftalou .
 It ’s the strange , beautiful geology ; a colorful , exuberant riot of rock colors and shapes . It ’s like nothing I ’ve ever seen before .
 Walking along the shore , east of the hot springs , you ’ll find nearly desolate “ Golden Beach ” with a single ( excellent ) taverna to quench your thirst and fill your belly . Rockhounds will find specimens in a rainbow of colors and plentiful quartz .
 Cliffs and boulders are swirly , stripy artworks . Streaks of blacks , pinks , greens , and golds infuse the rocky landscape like an abstract painting . Standing solitary on Golden Beach , admiring the Aegean Sea , with warm wind playing over the bizarre terrain , I feel such a strange energy ; it feels like a place where one can conjure up magic .
 Take the walk yourself , and you ’ll see that Mother Nature already has .


text:
Having recognized some of our childhood experiences and mistaken conclusions in parts 1 &2, here we continue to investigate the messages we received as children through people?s words, behaviors or attitudes.
If this process causes you to feel disturbed, seek the help of an experienced professional. If possible find an practitioner trained in TFT, EFT or EMDR.
1. As a child, I heard that my most significant faults were…..
2. As a child, I felt guilt for /when ….
This can be done daily as an exercise in itself or as a prelude to meditation or prayer.
2. Relax the entire body and mind with any relaxing or concentration technique.
3. Now imagine or feel your inner child and communicate with it.
c. Express to the child your needs and goals as an adult.
4. Give it the positive reinforcement it needs to hear about love, security and worth.
5. Embrace the child mentally with tenderness and love.
1. Write the story of your childhood years.
b. It doesn?t need to be in chronological order.
c. You can write in the third or first person.
e. Look at old pictures and seek to remember how you felt then.
Having done so, we now move on to the following process.
c. What thoughts or to what conclusions did you arrive as a child because of this experience or situation?
e. What effect did this experience have upon you later in your life or even today?
1. What did you feel then as a child?
2. What were your needs and desires?
3. What did you want them to do or not do?
(Write the answer in the second person to your parents and / or to others as if you were speaking to them or writing them a letter).
3. Write letters to the people who played an important role in the unpleasant experiences of your childhood (parents, teachers, uncles, aunts, siblings, grandparents & others).
Note: It is not necessary to give these letters to the people you are writing them to, only to have expressed them yourself. In some cases, however, once you are clear about this, and have released the emotional charge concerning theses issues, you may want to communicate verbally or in writing with those concerned ? whether they are living or not.
Remember however that life has given you the experiences you need to proceed in your evolutionary process and that you have probably gained much internally from all this.
4. Read the letters to someone who is experienced in active listening.
a. If you find that the reading causes strong feelings, express and release them, before you continue reading. Don?t hold these emotions locked inside you.
b. You may need to read these letters additional times until the emotional charge is released.

tokenized:
Having recognized some of our childhood experiences and mistaken conclusions in parts 1 & 2 , here we continue to investigate the messages we received as children through people?s words , behaviors or attitudes .
 If this process causes you to feel disturbed , seek the help of an experienced professional . If possible find an practitioner trained in TFT , EFT or EMDR .
 1 . As a child , I heard that my most significant faults were … ..
 2 . As a child , I felt guilt for /when … .
 This can be done daily as an exercise in itself or as a prelude to meditation or prayer .
 2 . Relax the entire body and mind with any relaxing or concentration technique .
 3 . Now imagine or feel your inner child and communicate with it .
 c. Express to the child your needs and goals as an adult .
 4 . Give it the positive reinforcement it needs to hear about love , security and worth .
 5 . Embrace the child mentally with tenderness and love .
 1 . Write the story of your childhood years .
 b. It doesn?t need to be in chronological order .
 c. You can write in the third or first person .
 e. Look at old pictures and seek to remember how you felt then .
 Having done so , we now move on to the following process .
 c. What thoughts or to what conclusions did you arrive as a child because of this experience or situation ?
 e. What effect did this experience have upon you later in your life or even today ?
 1 . What did you feel then as a child ?
 2 . What were your needs and desires ?
 3 . What did you want them to do or not do ?
 ( Write the answer in the second person to your parents and / or to others as if you were speaking to them or writing them a letter ) .
 3 . Write letters to the people who played an important role in the unpleasant experiences of your childhood ( parents , teachers , uncles , aunts , siblings , grandparents & others ) .
 Note : It is not necessary to give these letters to the people you are writing them to , only to have expressed them yourself . In some cases , however , once you are clear about this , and have released the emotional charge concerning theses issues , you may want to communicate verbally or in writing with those concerned ? whether they are living or not .
 Remember however that life has given you the experiences you need to proceed in your evolutionary process and that you have probably gained much internally from all this .
 4 . Read the letters to someone who is experienced in active listening .
 a. If you find that the reading causes strong feelings , express and release them , before you continue reading . Don?t hold these emotions locked inside you .
 b. You may need to read these letters additional times until the emotional charge is released .


text:
UChicago chose a Class Day speaker in line with its own hollow ideals.
If frats want to prove their commitment to social issues, they should put their money where their mouths are.
The IOP churns out career politicians, continuing a toxic cycle in Washington.
I knew Taylor Swift was trouble when she started teaming up with Max Martin.
Katz’s new article confuses criticism with censure.

tokenized:
UChicago chose a Class Day speaker in line with its own hollow ideals .
 If frats want to prove their commitment to social issues , they should put their money where their mouths are .
 The IOP churns out career politicians , continuing a toxic cycle in Washington .
 I knew Taylor Swift was trouble when she started teaming up with Max Martin .
 Katz ’s new article confuses criticism with censure .


text:
Was there recriticality at Fukushima Dai-ichi Nuclear Plant?
Criticality is a state in which nuclear fission reaction is occurring continuously in nuclear fuel. Nuclear fission generates a large amount of radiation and thermal energy. By artificially generating and controlling critical condition, nuclear power plants create thermal energy to produce electric power.
In the course of the nuclear accident at Fukushima Daiichi Nuclear Power Plant, nuclear fuels inside the reactors of Unit 1 to 3 melted down and the debris is scattered at the bottom or outside below the reactor pressure vessels. In the accident, intense heat of the molten fuel melted the vessels and the fuel fell through the holes. Molten fuel solidified as abundant water was poured in and has been cooled by flowing water ever since.
Is there any possibility that this molten fuel (fuel debris) will become critical again?
To judge this, measurement of “radioactive noble gas” such as Xenon plays a big role.
Radioactive noble gas is an important indicator of the presence of criticality for it is created in fission reaction.
Gas discharged from the containment vessel which covers the pressure vessel is closely monitored by the “gas management system.” The system analyses the kind and amount of each component in real time.
Should there were any recriticality, radiation level of radioactive noble gases would increase indicating the presence of the state of criticality. The radioactivity level of radioactive noble gas at Fukushima Daiichi Nuclear Power Plant so far has been maintained at a very low level that is incomparable to what was observed in the critical state of the accident.
It has never increased as to show critical signs up until now. This signifies the nuclear fuel once melted in the accident is kept in stable condition (maintained in subcritical state).
Temperature of the now-defunct nuclear reactor in which molten nuclear fuel is cooled is also measured in real time. It is about the same as the outside temperature or a little colder (around 15 to 30 degrees).
This means heat accompanying criticality is not only generated but also the amount of heat emitted by the decay of radioactive materials is very small.
As a safety measure, equipments to inject boric acid water to halt the chain reaction of nuclear fission are installed in case re-criticality occurs.

tokenized:
Was there recriticality at Fukushima Dai - ichi Nuclear Plant ?
 Criticality is a state in which nuclear fission reaction is occurring continuously in nuclear fuel . Nuclear fission generates a large amount of radiation and thermal energy . By artificially generating and controlling critical condition , nuclear power plants create thermal energy to produce electric power .
 In the course of the nuclear accident at Fukushima Daiichi Nuclear Power Plant , nuclear fuels inside the reactors of Unit 1 to 3 melted down and the debris is scattered at the bottom or outside below the reactor pressure vessels . In the accident , intense heat of the molten fuel melted the vessels and the fuel fell through the holes . Molten fuel solidified as abundant water was poured in and has been cooled by flowing water ever since .
 Is there any possibility that this molten fuel ( fuel debris ) will become critical again ?
 To judge this , measurement of “ radioactive noble gas ” such as Xenon plays a big role .
 Radioactive noble gas is an important indicator of the presence of criticality for it is created in fission reaction .
 Gas discharged from the containment vessel which covers the pressure vessel is closely monitored by the “ gas management system . ” The system analyses the kind and amount of each component in real time .
 Should there were any recriticality , radiation level of radioactive noble gases would increase indicating the presence of the state of criticality . The radioactivity level of radioactive noble gas at Fukushima Daiichi Nuclear Power Plant so far has been maintained at a very low level that is incomparable to what was observed in the critical state of the accident .
 It has never increased as to show critical signs up until now . This signifies the nuclear fuel once melted in the accident is kept in stable condition ( maintained in subcritical state ) .
 Temperature of the now - defunct nuclear reactor in which molten nuclear fuel is cooled is also measured in real time . It is about the same as the outside temperature or a little colder ( around 15 to 30 degrees ) .
 This means heat accompanying criticality is not only generated but also the amount of heat emitted by the decay of radioactive materials is very small .
 As a safety measure , equipments to inject boric acid water to halt the chain reaction of nuclear fission are installed in case re - criticality occurs .


text:
A former supporter of President Muhammadu Buhari, Isa Mohammed Munlaila, on Thursday began trekking to Abuja from Lagos in protest at what he called the failure of the ruling party, All Progressives Congress to provide jobs for Nigerian youths.
Meanwhile, Munlaila lamented that people were suffering as the standard of living had gone up, adding that the president had failed to fulfill his promises to the people.
“Actually, I want to show my disappointment for this APC. As you can see, the youths of this country are very angry. APC promised us heaven on earth, they promised us three million jobs in a year, but now, we don’t even have 500,000 jobs in four year,” he said.
Munlaila carried a small box painted green and red with “R.I.P A.P.C.” written on the red painted part. Munlaila claimed to have walked from Lagos to Lokoja in 2015 in support of Buhari and the Kogi State Governor, Yahaya Bello.

tokenized:
A former supporter of President Muhammadu Buhari , Isa Mohammed Munlaila , on Thursday began trekking to Abuja from Lagos in protest at what he called the failure of the ruling party , All Progressives Congress to provide jobs for Nigerian youths .
 Meanwhile , Munlaila lamented that people were suffering as the standard of living had gone up , adding that the president had failed to fulfill his promises to the people .
 “ Actually , I want to show my disappointment for this APC . As you can see , the youths of this country are very angry . APC promised us heaven on earth , they promised us three million jobs in a year , but now , we do n’t even have 500,000 jobs in four year , ” he said .
 Munlaila carried a small box painted green and red with “ R.I.P A.P.C. ” written on the red painted part . Munlaila claimed to have walked from Lagos to Lokoja in 2015 in support of Buhari and the Kogi State Governor , Yahaya Bello .


text:
Worldpay was owned by Royal Bank of Scotland. Bain Capital and Advent International bought a majority stake.
In late 2013 they took full ownership, valuing the company at over £2 billion.
This new ownership has lit a fire under the organisation who has now stepped up it’s operation, with a new focus and a newly energised management team.
Because Worldpay operate on such a large scale it was important from the beginning to develop a core idea which would tell their whole story through their branding. Yes they process transactions and provide payment solutions, but what they really do is connect people. They enable buyers and sellers to interact with one another from anywhere in the world, seamlessly and with ease.
An exhaustive set of iconography enables the brand to transcend language across the 40+ countries they operate in.
Of course, there’s a new logo, inspired by the data trails made by money as they travel around the planet seamlessly.
Brand work for the new London HQ, including new systems for navigating almost 100,000 square feet of offices in the Foster + Partners designed Wallbrook Building in the City of London.
The move to Wallbrook brings together five offices to one central state of the art London hub. We worked with the TSK group on the interior design to bring the brand world into the space without it becoming repetitive badging.
This is what the old Worldpay website looked like.
We worked for over a year to create a strategic approach to the newly invigorated brand analysing and redesigning hundreds of touch points. Everything from how the brand speaks to people, the imagery it uses, iconography it employs, to installations in the new and existing offices have been created by SomeOne.
SomeOne elsewhere on Identity Designed: Wright Brothers, Big Eyes, Resonate.
More work on the SomeOne website.
Overall very nice. I agree with Naill that the 2d logo is a tad bit awkward. I would bet at a smaller scale and in print it is looks quite elegant, but this large scale isn’t doing it any favors.
I think the tone and esthetic quality of the type and symbols is very appropriate. It reminds me of the animated videos—which were keyed to Gershwin’s Rhapsody in Blue—that they would play preflight in United Airlines airplanes. I think that same grand, busy, and connected world tone is resonating here.
While the loxodrome and wordmark are a big improvement on the previous design, I think there’s a disconnect between the logo and the custom alphabet and icons.
I find the logo to be a bit forgettable although the loxodrome is really well done, but the alphabet and icons are truly lovely. The write-up edges close to hyperbole in places, and I don’t find the website to be particularly radical, but it is a finance company after all.
Having said that, the whole thing – website, packaging, stationery, etc – is lovely (mainly thanks to that gorgeous bespoke type).

tokenized:
Worldpay was owned by Royal Bank of Scotland . Bain Capital and Advent International bought a majority stake .
 In late 2013 they took full ownership , valuing the company at over £ 2 billion .
 This new ownership has lit a fire under the organisation who has now stepped up it ’s operation , with a new focus and a newly energised management team .
 Because Worldpay operate on such a large scale it was important from the beginning to develop a core idea which would tell their whole story through their branding . Yes they process transactions and provide payment solutions , but what they really do is connect people . They enable buyers and sellers to interact with one another from anywhere in the world , seamlessly and with ease .
 An exhaustive set of iconography enables the brand to transcend language across the 40 + countries they operate in .
 Of course , there ’s a new logo , inspired by the data trails made by money as they travel around the planet seamlessly .
 Brand work for the new London HQ , including new systems for navigating almost 100,000 square feet of offices in the Foster + Partners designed Wallbrook Building in the City of London .
 The move to Wallbrook brings together five offices to one central state of the art London hub . We worked with the TSK group on the interior design to bring the brand world into the space without it becoming repetitive badging .
 This is what the old Worldpay website looked like .
 We worked for over a year to create a strategic approach to the newly invigorated brand analysing and redesigning hundreds of touch points . Everything from how the brand speaks to people , the imagery it uses , iconography it employs , to installations in the new and existing offices have been created by SomeOne .
 SomeOne elsewhere on Identity Designed : Wright Brothers , Big Eyes , Resonate .
 More work on the SomeOne website .
 Overall very nice . I agree with Naill that the 2d logo is a tad bit awkward . I would bet at a smaller scale and in print it is looks quite elegant , but this large scale is n’t doing it any favors .
 I think the tone and esthetic quality of the type and symbols is very appropriate . It reminds me of the animated videos — which were keyed to Gershwin ’s Rhapsody in Blue — that they would play preflight in United Airlines airplanes . I think that same grand , busy , and connected world tone is resonating here .
 While the loxodrome and wordmark are a big improvement on the previous design , I think there ’s a disconnect between the logo and the custom alphabet and icons .
 I find the logo to be a bit forgettable although the loxodrome is really well done , but the alphabet and icons are truly lovely . The write - up edges close to hyperbole in places , and I do n’t find the website to be particularly radical , but it is a finance company after all .
 Having said that , the whole thing – website , packaging , stationery , etc – is lovely ( mainly thanks to that gorgeous bespoke type ) .


text:
Ether Capital is a Multi-cryptocurrency Private Portfolio launched the 3rd May of 2016 by Bochsler Finance (BF) with a full two-year track record.
To achieve its investment goals, Ether Capital typically invested at least 80% of its total net assets in large market cap high-yielding cryptocurrencies and initial coin offerings (ICO) of projects which have been approved by Bochsler Finance’s team of experts. Additionally, Ether Capital rebalanced its portfolio on a daily basis to optimize return on investment. This rebalancing effectively guaranteed that we buy low and sell high taking advantage of the volatility in these markets. While the waters of cryptocurrency can be quite turbulent, experience teaches us that–with the right steering and asset diversification–the rewards can be great.
The key risk for the fund is the systemic risk that comes with its full exposure to the cryptocurrency markets – sometimes large systemic downturns cannot be avoided. In such situations, patience is rewarded.
Ether Capital does all the work to get you safely invested in cryptocurrencies.
Growing rate of adoption. Proven as an alternative store of value.
Great portfolio diversification strategy. Hedge against traditional financial markets.
With practical applications, the value rises significantly due to the disruptive nature of the blockchain technology.
For example, without a bank, how would people send money to each other?
Blockchains are a new and disruptive technology that enables financial transactions and the creation of decentralized applications in a “trustless” environment that is censorship resistant and hacker-proof. Because of these properties, it is reshaping the world of finance, and soon it will reshape governance, the internet-of-things, and potentially many other sectors. In short, it is bleeding edge technology and a hotbed for entrepreneurial innovation which aims to disrupt markets that are measured on the order of trillions of dollars. It is THE investment opportunity of the century, and we can add it to your portfolio.

tokenized:
Ether Capital is a Multi - cryptocurrency Private Portfolio launched the 3rd May of 2016 by Bochsler Finance ( BF ) with a full two - year track record .
 To achieve its investment goals , Ether Capital typically invested at least 80 % of its total net assets in large market cap high - yielding cryptocurrencies and initial coin offerings ( ICO ) of projects which have been approved by Bochsler Finance ’s team of experts . Additionally , Ether Capital rebalanced its portfolio on a daily basis to optimize return on investment . This rebalancing effectively guaranteed that we buy low and sell high taking advantage of the volatility in these markets . While the waters of cryptocurrency can be quite turbulent , experience teaches us that – with the right steering and asset diversification – the rewards can be great .
 The key risk for the fund is the systemic risk that comes with its full exposure to the cryptocurrency markets – sometimes large systemic downturns can not be avoided . In such situations , patience is rewarded .
 Ether Capital does all the work to get you safely invested in cryptocurrencies .
 Growing rate of adoption . Proven as an alternative store of value .
 Great portfolio diversification strategy . Hedge against traditional financial markets .
 With practical applications , the value rises significantly due to the disruptive nature of the blockchain technology .
 For example , without a bank , how would people send money to each other ?
 Blockchains are a new and disruptive technology that enables financial transactions and the creation of decentralized applications in a “ trustless ” environment that is censorship resistant and hacker - proof . Because of these properties , it is reshaping the world of finance , and soon it will reshape governance , the internet - of - things , and potentially many other sectors . In short , it is bleeding edge technology and a hotbed for entrepreneurial innovation which aims to disrupt markets that are measured on the order of trillions of dollars . It is THE investment opportunity of the century , and we can add it to your portfolio .


text:
In this powerful 2 hour workshop participants will take the time to ask the question “What are the things in my life that are really important to me right now and what things do I want to give more focus to in the future?” Many of us lead very busy lives juggling personal, work and family commitments and we rarely stop to evaluate whether we’re spending our time on activities that really reflect who we are and what’s important to us as individuals. Others feel stuck in familiar patterns of behaviour that really don’t inspire or fulfill us. If you feel you may be approaching a crossroads in your life, investing a couple of hours with a life coach to help you get clear on your personal priorities can have a profound effect on the rest of your life.
Image knowing exactly what your priorities are and being able to evaluate each new demand for your time or attention in the light of whether this supports what’s most important to you. As you move forward after this workshop and begin to make choices aligned to what’s most important to you, you will begin to feel a powerful sense of control, satisfaction and happiness in the new life you are creating for yourself.
Please complete the form below and I will follow up shortly.
Sign up for Sue's newsletter for information on upcoming events and a chance to win free coaching and other valuable prizes.
Request a FREE Living My Best Life consultation with Sue.
Send more info on the Personal & Professional Discovery Coaching Package.
Explore inviting Sue to speak at your organization, business or event.
Send me the video link to What You Need to Know About Moving to Victoria.
Send more info on the Personal Relocation Discovery Coaching Package.

tokenized:
In this powerful 2 hour workshop participants will take the time to ask the question “ What are the things in my life that are really important to me right now and what things do I want to give more focus to in the future ? ” Many of us lead very busy lives juggling personal , work and family commitments and we rarely stop to evaluate whether we ’re spending our time on activities that really reflect who we are and what ’s important to us as individuals . Others feel stuck in familiar patterns of behaviour that really do n’t inspire or fulfill us . If you feel you may be approaching a crossroads in your life , investing a couple of hours with a life coach to help you get clear on your personal priorities can have a profound effect on the rest of your life .
 Image knowing exactly what your priorities are and being able to evaluate each new demand for your time or attention in the light of whether this supports what ’s most important to you . As you move forward after this workshop and begin to make choices aligned to what ’s most important to you , you will begin to feel a powerful sense of control , satisfaction and happiness in the new life you are creating for yourself .
 Please complete the form below and I will follow up shortly .
 Sign up for Sue 's newsletter for information on upcoming events and a chance to win free coaching and other valuable prizes .
 Request a FREE Living My Best Life consultation with Sue .
 Send more info on the Personal & Professional Discovery Coaching Package .
 Explore inviting Sue to speak at your organization , business or event .
 Send me the video link to What You Need to Know About Moving to Victoria .
 Send more info on the Personal Relocation Discovery Coaching Package .


text:
The Cotton Bags, offered by us, are made from 100% cotton fabric. Our Cotton Bags are highly environmental products which can be availed from us in various customized options. The Cotton Bags, we offer, can be used as shopping bags, promotional bags, shoulder bags and etc. as per the needs of the customers.
We are engaged in offering Cotton Sling Bag to our esteemed client.
We deal in Jute cotton bag.
Matching up with the requirements of our clients, we are involved in offering Cotton Laundry Bag.

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The Cotton Bags , offered by us , are made from 100 % cotton fabric . Our Cotton Bags are highly environmental products which can be availed from us in various customized options . The Cotton Bags , we offer , can be used as shopping bags , promotional bags , shoulder bags and etc . as per the needs of the customers .
 We are engaged in offering Cotton Sling Bag to our esteemed client .
 We deal in Jute cotton bag .
 Matching up with the requirements of our clients , we are involved in offering Cotton Laundry Bag .


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Colette has extensive experience in the beauty industry and her passion and dedication ensure an exceptional service to each and every customer. Colette has the expertise to skillfully create a truly stunning look for you for your big day, prom or any special event where you really want to look a million dollars!
Colette recognises that every bride has a vision of how they would like to look on their big day, and so offers a bespoke service to really understand and create that look with each and every bride.
Available for: Bridal Hair and Makeup throughout the UK and overseas.
From then on getting up close and personal photographing some of the biggest bands in the world; followed on by a three year study of Photography in College and 12 years on the road with a “Travelling Family Portrait Studio extending the width and breadth of Canada to finally moving to the UK and becoming a celebrity photographer including shooting Spandau Ballet’s Tony Hadley’s wedding and marriage to Alison Evers at Cliveden House Hotel.
Toni is one of our makeup artists and hair stylists and is loved for her approachability and caring nature. Toni is also one of our Blow Dry specialists within the team, and our Bridal Hair Accessory Designer!
Toni comes from a fashion background which is demonstrated with her incredible creativity and attention to detail, and makes her in high demand for photoshoots.
As the Bridal Hair Accessory Designer for the Pro Team, Toni can create hair accessories and floral hair pieces with our brides-to-be to fit around their theme, and hair style.
"I absolutely adore being creative and I have a massive passion for all things Makeup and Fashion, so being able to combine them both is just fab! Finally...my Dream Job! There is nothing better than making someone feel amazing, whether its for a Special Occasion or for a Photoshoot"
Salinla has vast experience working with all skin tones and is loved for her creative eye make up.
Salinla is available for weddings, hen parties, photoshoots and other special occasions.
"I'm incredibly excited to be a part of the Pro Team! This is my chance to live my dream life as a makeup artist!
I love makeup! Makeup is my passion! and nothing makes me happier than to make a bride feel beautiful on their big day"
Lilly joined us after completing 2 years training at the Brushstroke Makeup and Hair School. She has a particular interest in Fashion and Editorial looks, and has worked as a Makeup Artist at the Pride of London Event, Toni & Guy Catwalk Show and Photoshoot and has also worked on various Theatre Productions.
Lilly is also one of our Airbrush makeup specialists.
“I love being a part of the CJ Beauty Pro Team! Makeup has been a passion of mine for such a long time and using my creative skills within my favourite areas, Fashion, Editorial and Wedding is my dream. I love working with different brands, a few favourites of mine being, Morphe, Nars, and Laura Mercier."
Zoe is a Trainee Makeup Artist within the Pro Team. Zoe has completed a professional two-day training course with another trainer and has worked alongside another makeup artist for 6-months. Zoe's warm personality, smile and passion for makeup is infectious. Zoe is undergoing an intense training programme and will be mentored by Colette, and will support all of the Pro Team during the coming months.
"‘I am delighted to be joining the team having been an admirer of CJ Beauty & Co's work for a while. I can’t wait to be able to develop my skills and meet CJ's clients in this creative industry"
Special rates are available if you wish to book Zoe to support her training programmes with us.
Which level of service would you like? ----Colette - Director,Makeup Artist, Airbrush specialist and leading hair designerPro Team MemberThe Whole TeamI don’t know, please advise me!

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Colette has extensive experience in the beauty industry and her passion and dedication ensure an exceptional service to each and every customer . Colette has the expertise to skillfully create a truly stunning look for you for your big day , prom or any special event where you really want to look a million dollars !
 Colette recognises that every bride has a vision of how they would like to look on their big day , and so offers a bespoke service to really understand and create that look with each and every bride .
 Available for : Bridal Hair and Makeup throughout the UK and overseas .
 From then on getting up close and personal photographing some of the biggest bands in the world ; followed on by a three year study of Photography in College and 12 years on the road with a “ Travelling Family Portrait Studio extending the width and breadth of Canada to finally moving to the UK and becoming a celebrity photographer including shooting Spandau Ballet ’s Tony Hadley ’s wedding and marriage to Alison Evers at Cliveden House Hotel .
 Toni is one of our makeup artists and hair stylists and is loved for her approachability and caring nature . Toni is also one of our Blow Dry specialists within the team , and our Bridal Hair Accessory Designer !
 Toni comes from a fashion background which is demonstrated with her incredible creativity and attention to detail , and makes her in high demand for photoshoots .
 As the Bridal Hair Accessory Designer for the Pro Team , Toni can create hair accessories and floral hair pieces with our brides - to - be to fit around their theme , and hair style .
 " I absolutely adore being creative and I have a massive passion for all things Makeup and Fashion , so being able to combine them both is just fab ! Finally ... my Dream Job ! There is nothing better than making someone feel amazing , whether its for a Special Occasion or for a Photoshoot "
 Salinla has vast experience working with all skin tones and is loved for her creative eye make up .
 Salinla is available for weddings , hen parties , photoshoots and other special occasions .
 " I 'm incredibly excited to be a part of the Pro Team ! This is my chance to live my dream life as a makeup artist !
 I love makeup ! Makeup is my passion ! and nothing makes me happier than to make a bride feel beautiful on their big day "
 Lilly joined us after completing 2 years training at the Brushstroke Makeup and Hair School . She has a particular interest in Fashion and Editorial looks , and has worked as a Makeup Artist at the Pride of London Event , Toni & Guy Catwalk Show and Photoshoot and has also worked on various Theatre Productions .
 Lilly is also one of our Airbrush makeup specialists .
 “ I love being a part of the CJ Beauty Pro Team ! Makeup has been a passion of mine for such a long time and using my creative skills within my favourite areas , Fashion , Editorial and Wedding is my dream . I love working with different brands , a few favourites of mine being , Morphe , Nars , and Laura Mercier . "
 Zoe is a Trainee Makeup Artist within the Pro Team . Zoe has completed a professional two - day training course with another trainer and has worked alongside another makeup artist for 6 - months . Zoe 's warm personality , smile and passion for makeup is infectious . Zoe is undergoing an intense training programme and will be mentored by Colette , and will support all of the Pro Team during the coming months .
 " ‘ I am delighted to be joining the team having been an admirer of CJ Beauty & Co 's work for a while . I ca n’t wait to be able to develop my skills and meet CJ 's clients in this creative industry "
 Special rates are available if you wish to book Zoe to support her training programmes with us .
 Which level of service would you like ? ----Colette - Director , Makeup Artist , Airbrush specialist and leading hair designerPro Team MemberThe Whole TeamI do n’t know , please advise me !


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Robinson Metal, Inc., will be recognized for its collaborative efforts with area educators October 25, 2017, when it receives the Educational Partnership Award at the fifth annual Excellence in Manufacturing/K-12 Partnerships Awards event in Green Bay, Wisconsin. The event, sponsored by the Northeast Wisconsin Manufacturing Alliance, highlights best practices of manufacturing and education collaborations throughout the region.
A regional leader in custom metal fabrication and production of metal parts and full turnkey solutions, Robinson Metal is being honored for its commitment to support the education and training required to fill manufacturing and fabrication jobs in Green Bay.
The NEW Manufacturing Alliance is a group of manufacturers who work with educators, workforce development, chambers of commerce and state organizations to promote manufacturing in the northeast Wisconsin region.
Robinson Metal has established a reputation for partnering with programs at multiple levels of the education spectrum. The company participates in the Trades Center Academy offered by the De Pere and West De Pere school districts. The apprenticeship program focuses on students who are interested in a skill trade after graduation, and gives them hands-on experience in welding, fabricating and design. Robinson also offers tuition reimbursement for student employees who continue their education.
In addition to its relationship with the high schools, Robinson Metal has a five-year commitment to Northeast Wisconsin Technical College through the Robinson Metal Inc. Scholarship Program. Students enrolled in a variety of machine tool, welding and mechanical design technology programs are eligible to apply.
Robinson Metal recently completed its second significant technology investment of the year with the purchase of a WARDJet R-2014 Waterjet large format. The equipment allows multiple large sheets of material to be loaded and cut at the same time, improving quality and efficiency of Robinson’s cutting operations.
Earlier this summer, the company purchased a SNK RB-5M Bridge Mill. The five-speed, multi-center machine combining automated capabilities with high-precision, high-output machining for increased capacity in producing precision parts for a wide range of industrial customers.
Robinson Metal operates out of a custom-designed, 185,000-square-foot modern facility. The company is a single-source metal fabrication supplier, employing more than 300 people at its facilities in De Pere, Wisconsin. Its four divisions include: Fab & Machine; Pipe & Vessel; Robinson Custom Enclosures; and Robinson Heating & Cooling.
For more information about Robinson Metal’s manufacturing and fabrication jobs, please call (920) 494-7411, or visit http://robinsonmetal.com/.

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Robinson Metal , Inc. , will be recognized for its collaborative efforts with area educators October 25 , 2017 , when it receives the Educational Partnership Award at the fifth annual Excellence in Manufacturing / K-12 Partnerships Awards event in Green Bay , Wisconsin . The event , sponsored by the Northeast Wisconsin Manufacturing Alliance , highlights best practices of manufacturing and education collaborations throughout the region .
 A regional leader in custom metal fabrication and production of metal parts and full turnkey solutions , Robinson Metal is being honored for its commitment to support the education and training required to fill manufacturing and fabrication jobs in Green Bay .
 The NEW Manufacturing Alliance is a group of manufacturers who work with educators , workforce development , chambers of commerce and state organizations to promote manufacturing in the northeast Wisconsin region .
 Robinson Metal has established a reputation for partnering with programs at multiple levels of the education spectrum . The company participates in the Trades Center Academy offered by the De Pere and West De Pere school districts . The apprenticeship program focuses on students who are interested in a skill trade after graduation , and gives them hands - on experience in welding , fabricating and design . Robinson also offers tuition reimbursement for student employees who continue their education .
 In addition to its relationship with the high schools , Robinson Metal has a five - year commitment to Northeast Wisconsin Technical College through the Robinson Metal Inc. Scholarship Program . Students enrolled in a variety of machine tool , welding and mechanical design technology programs are eligible to apply .
 Robinson Metal recently completed its second significant technology investment of the year with the purchase of a WARDJet R-2014 Waterjet large format . The equipment allows multiple large sheets of material to be loaded and cut at the same time , improving quality and efficiency of Robinson ’s cutting operations .
 Earlier this summer , the company purchased a SNK RB-5 M Bridge Mill . The five - speed , multi - center machine combining automated capabilities with high - precision , high - output machining for increased capacity in producing precision parts for a wide range of industrial customers .
 Robinson Metal operates out of a custom - designed , 185,000 - square - foot modern facility . The company is a single - source metal fabrication supplier , employing more than 300 people at its facilities in De Pere , Wisconsin . Its four divisions include : Fab & Machine ; Pipe & Vessel ; Robinson Custom Enclosures ; and Robinson Heating & Cooling .
 For more information about Robinson Metal ’s manufacturing and fabrication jobs , please call ( 920 ) 494 - 7411 , or visit http://robinsonmetal.com/.


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Are you thinking about using online assignment help platforms? If you answered yes, then you are definitely not alone. This service is increasing in popularity across the globe. It makes it easier for students to handle their school requirements. But the nature of the service remains shrouded in controversy. After all, teachers and professors give out assignments for a reason. They are meant to boost the skills of students both inside and outside the classroom. This begs the question: Do assignment help services benefit or hurt students?
It’s easy to see the benefits of hiring assignments experts to aid in your academic pursuits. They solve the problem of insufficient time to do homework’s, especially if you take on multiple part-time jobs after school hours. As you know, writing essays or completing complicated assignments can take up a boatload of time. Between gathering information and adding the final touches, your assignment can take several hours to finish.
The speed with which you can finish your assignments with the help of service providers like the guys at Do My Assignments is another huge benefit. Most companies accept expedited requests for an extra fee. It’s possible to get your paper or assignment in as little as 24 hours. While these aforementioned benefits are surely hard to resist, it’s worth noting that using assignment writing services offers more than meets the eye.
At first, it might not appear to make sense that hiring assignment help providers can improve your research skills. You don’t even need to research about anything. They will do everything for you, and this is where you can get tips from the experts.
By looking at the final output of the assignment expert, you could see how much it differs from the homework’s you have done yourself. It shouldn’t come as a surprise if these differences are very noticeable. You could tell that time and effort has been dedicated to producing such a well-researched assignment. Even the references and links can help you with your future requirements, as you would see how much more credible your work will look like if the links aren’t limited to Wikipedia.
The same applies to your presentation skills. The way the essay, research paper, or assignment is formatted can give you ideas on how to better structure your content. Notice how the ideas flow smoothly throughout, allowing you to get the point across even without the use of fancy words. You probably have a “go-to” format for your essays, but you’ll realize that it doesn’t always work.
It’s easy to dismiss assignment writing services as only for lazy students who do not care at all about learning. But it’s important to understand that the students can enjoy much more than its time-saving benefits. With the help of experts, you can pick up some tips on how to research about a topic, what credible sources to use, and how to present your ideas in a way that engages readers. All of these can prove beneficial for any student, even the ones who do remarkably well in class.

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Are you thinking about using online assignment help platforms ? If you answered yes , then you are definitely not alone . This service is increasing in popularity across the globe . It makes it easier for students to handle their school requirements . But the nature of the service remains shrouded in controversy . After all , teachers and professors give out assignments for a reason . They are meant to boost the skills of students both inside and outside the classroom . This begs the question : Do assignment help services benefit or hurt students ?
 It ’s easy to see the benefits of hiring assignments experts to aid in your academic pursuits . They solve the problem of insufficient time to do homework ’s , especially if you take on multiple part - time jobs after school hours . As you know , writing essays or completing complicated assignments can take up a boatload of time . Between gathering information and adding the final touches , your assignment can take several hours to finish .
 The speed with which you can finish your assignments with the help of service providers like the guys at Do My Assignments is another huge benefit . Most companies accept expedited requests for an extra fee . It ’s possible to get your paper or assignment in as little as 24 hours . While these aforementioned benefits are surely hard to resist , it ’s worth noting that using assignment writing services offers more than meets the eye .
 At first , it might not appear to make sense that hiring assignment help providers can improve your research skills . You do n’t even need to research about anything . They will do everything for you , and this is where you can get tips from the experts .
 By looking at the final output of the assignment expert , you could see how much it differs from the homework ’s you have done yourself . It should n’t come as a surprise if these differences are very noticeable . You could tell that time and effort has been dedicated to producing such a well - researched assignment . Even the references and links can help you with your future requirements , as you would see how much more credible your work will look like if the links are n’t limited to Wikipedia .
 The same applies to your presentation skills . The way the essay , research paper , or assignment is formatted can give you ideas on how to better structure your content . Notice how the ideas flow smoothly throughout , allowing you to get the point across even without the use of fancy words . You probably have a “ go - to ” format for your essays , but you ’ll realize that it does n’t always work .
 It ’s easy to dismiss assignment writing services as only for lazy students who do not care at all about learning . But it ’s important to understand that the students can enjoy much more than its time - saving benefits . With the help of experts , you can pick up some tips on how to research about a topic , what credible sources to use , and how to present your ideas in a way that engages readers . All of these can prove beneficial for any student , even the ones who do remarkably well in class .


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I have already posted about some new lipstick launches but what about the eye shadows? Here is a selection of the most luxurious ones: Cle de Peau, Chantecaille and Tom Ford. Cream or powder, single or palette – the choice is yours. Let’s take a look.
Cle pe Peau are launching brand new Cream eye color solo – ombre crème solo ($45 / 6g) which are “dewy cream eye shadow that transforms into a silky powder”, and they look gorgeous. I wonder what is the shade of that burgundy one from Lucia Pieroni’s Insta photo. Is it 301? Probably, not.
Here is a preview of the newest beauty launches that caught my attention this week for: Face, Eyes and Lips.
Wow, look at all those shades! Black Truffle (Black Violet) and Liquorice (Oxblood) look killer, I need.
theBalm Batter Up Eye Shadow Stick, $17/£15/€18.50 from Nordstrom and ASOS.
Oh well, but the brand just brought out a collection of five new colognes, The Herb Garden, so maybe you and I can find a new love among these five scents. All of them were created by Anne Flipo.
base notes: violet root, patchouli and white musk.
base notes: lavender, sage and tonka bean.
Fans of Guerlain will be delighted to hear about the launch of the new La Petite Robe Noire inspired makeup range of lipsticks and nail polishes.
There will be 20 scented lipsticks (£21.50) and 10 nail polishes (£17).
The lipsticks come in black cases with a clear caps with a heart on top. They are promised to give “Lightness and richness. Sweetness and Shine.” Besides the classic nudes, pinks and reds, there is also a dark shade in the range.

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I have already posted about some new lipstick launches but what about the eye shadows ? Here is a selection of the most luxurious ones : Cle de Peau , Chantecaille and Tom Ford . Cream or powder , single or palette – the choice is yours . Let ’s take a look .
 Cle pe Peau are launching brand new Cream eye color solo – ombre crème solo ( $ 45 / 6 g ) which are “ dewy cream eye shadow that transforms into a silky powder ” , and they look gorgeous . I wonder what is the shade of that burgundy one from Lucia Pieroni ’s Insta photo . Is it 301 ? Probably , not .
 Here is a preview of the newest beauty launches that caught my attention this week for : Face , Eyes and Lips .
 Wow , look at all those shades ! Black Truffle ( Black Violet ) and Liquorice ( Oxblood ) look killer , I need .
 theBalm Batter Up Eye Shadow Stick , $ 17/£15/€18.50 from Nordstrom and ASOS .
 Oh well , but the brand just brought out a collection of five new colognes , The Herb Garden , so maybe you and I can find a new love among these five scents . All of them were created by Anne Flipo .
 base notes : violet root , patchouli and white musk .
 base notes : lavender , sage and tonka bean .
 Fans of Guerlain will be delighted to hear about the launch of the new La Petite Robe Noire inspired makeup range of lipsticks and nail polishes .
 There will be 20 scented lipsticks ( £ 21.50 ) and 10 nail polishes ( £ 17 ) .
 The lipsticks come in black cases with a clear caps with a heart on top . They are promised to give “ Lightness and richness . Sweetness and Shine . ” Besides the classic nudes , pinks and reds , there is also a dark shade in the range .


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That must be frustrating , just when you are getting used to another one.
My computer has lasted a number of years now, but getting slow with clutter.
Mine covers me, for that kind of mishap.
Glad I mentioned it, then.
I didn't when I bought mine from Argos a couple of years ago.......*sigh.

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That must be frustrating , just when you are getting used to another one .
 My computer has lasted a number of years now , but getting slow with clutter .
 Mine covers me , for that kind of mishap .
 Glad I mentioned it , then .
 I did n't when I bought mine from Argos a couple of years ago ....... *sigh .


text: It's Quick. It's Easy. It's Free! Are You an Columbia Contractor?

tokenized: It 's Quick . It 's Easy . It 's Free ! Are You an Columbia Contractor ?


text:
Information Security Risk Awareness Programs in K-12: Is This the Right Approach?
Copyright © 1996-2017 TIIJ. All Rights Reserved.

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Information Security Risk Awareness Programs in K-12 : Is This the Right Approach ?
 Copyright © 1996 - 2017 TIIJ . All Rights Reserved .


text: The sign has arrived and I couldn’t be more thrilled! It’s PERFECT!!! Thanks a million!

tokenized: The sign has arrived and I could n’t be more thrilled ! It ’s PERFECT ! ! ! Thanks a million !


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Tech enthusiast. Graphic designer. Aspiring polymath. Operator of a sparkling mind.
12: Straight-Up "Silence of the Lambs"

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Tech enthusiast . Graphic designer . Aspiring polymath . Operator of a sparkling mind .
 12 : Straight - Up " Silence of the Lambs "


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Gelligaer: Gelligaer Urban District Council, 1959.
ISBN: NoISBN. First Edition. Hardcover (Original Cloth). Bottom edge of covers little stained, dust jacket rubbed, soiled, edges worn. Illustrated with numerous photographs. Size: 8vo. 115 pages. Quantity Available: 1. Shipped Weight: 1 pound or less. Category: History; Genealogy & Local History. Pictures of this item not already displayed here available upon request. Inventory No: 8107. Very Good Condition / Good.

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Gelligaer : Gelligaer Urban District Council , 1959 .
 ISBN : NoISBN . First Edition . Hardcover ( Original Cloth ) . Bottom edge of covers little stained , dust jacket rubbed , soiled , edges worn . Illustrated with numerous photographs . Size : 8vo . 115 pages . Quantity Available : 1 . Shipped Weight : 1 pound or less . Category : History ; Genealogy & Local History . Pictures of this item not already displayed here available upon request . Inventory No : 8107 . Very Good Condition / Good .


text:
Boynton Beach Map Boynton Beach Florida Map is just one of the many collections of Sample Resume Reference that we have on this website. We have a lot of Sample Resume Template or Cover Letter Template and any other things concerning in this website. We're not just providing info about , but , you can get a lot more reference to create your Resume and Cover Letter as well. So , don't forget to keep visiting Downloadable World Map to get the latest update about Sample Resume Format , Cover Letter Sample , Sample Resume Template and more.
Boynton Beach Map Boynton Beach Florida Map was posted in August 23, 2018 at 10:37 pm. Boynton Beach Map Boynton Beach Florida Map has viewed by 108 users. Click it and download the Boynton Beach Map Boynton Beach Florida Map.
Map, Map Of Florida Boynton Beach was posted April 18, 2018 at 7:59 am by Downloadable World Map . More over Map Of Florida Boynton Beach has viewed by 1925 visitor.
Map, Boynton Beach Florida Map was posted April 2, 2018 at 4:13 am by Downloadable World Map . More over Boynton Beach Florida Map has viewed by 1877 visitor.

tokenized:
Boynton Beach Map Boynton Beach Florida Map is just one of the many collections of Sample Resume Reference that we have on this website . We have a lot of Sample Resume Template or Cover Letter Template and any other things concerning in this website . We 're not just providing info about , but , you can get a lot more reference to create your Resume and Cover Letter as well . So , do n't forget to keep visiting Downloadable World Map to get the latest update about Sample Resume Format , Cover Letter Sample , Sample Resume Template and more .
 Boynton Beach Map Boynton Beach Florida Map was posted in August 23 , 2018 at 10:37 pm . Boynton Beach Map Boynton Beach Florida Map has viewed by 108 users . Click it and download the Boynton Beach Map Boynton Beach Florida Map .
 Map , Map Of Florida Boynton Beach was posted April 18 , 2018 at 7:59 am by Downloadable World Map . More over Map Of Florida Boynton Beach has viewed by 1925 visitor .
 Map , Boynton Beach Florida Map was posted April 2 , 2018 at 4:13 am by Downloadable World Map . More over Boynton Beach Florida Map has viewed by 1877 visitor .


text:
Christmas Around The World Poem. This amazing picture selections about Christmas Around The World Poem is accessible to save. We obtain this wonderful photo from online and choose the top for you. Christmas Around The World Poem images and pictures collection that published here was carefully picked and uploaded by our team after selecting the ones that are best among the others.
So, ultimately we make it and here these list ofbest photo for your inspiration and information purpose regarding the Christmas Around The World Poem as part of [blog] exclusive updates collection. So, take your time and get the best Christmas Around The World Poem images and pictures posted here that suitable with your needs and use it for your own collection and personal use.
About Photo brief description: Photo has been published by admin and has been tagged by category in field. You can leave your comment as feed-back to our page quality.

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Christmas Around The World Poem . This amazing picture selections about Christmas Around The World Poem is accessible to save . We obtain this wonderful photo from online and choose the top for you . Christmas Around The World Poem images and pictures collection that published here was carefully picked and uploaded by our team after selecting the ones that are best among the others .
 So , ultimately we make it and here these list ofbest photo for your inspiration and information purpose regarding the Christmas Around The World Poem as part of [ blog ] exclusive updates collection . So , take your time and get the best Christmas Around The World Poem images and pictures posted here that suitable with your needs and use it for your own collection and personal use .
 About Photo brief description : Photo has been published by admin and has been tagged by category in field . You can leave your comment as feed - back to our page quality .


text:
Swindon based live music promoters and band management specialists, Cereal Promotions & Management, recently instructed Netintent.co.uk Limited to design and develop their first ever website.
The site is driven by our own NetContent content management system, allowing Cereal Promotions the flexibility and power to update their show listings, Gallery and various other areas of their site whenever they need to. As the site features an ongoing, date related list of events, the ability to control this area was critical.
A mailing list facility was also another important area that we delivered within the site.
Working to a tight deadline, the site was designed, coded and fully live within two weeks of our initial meeting with Cereal Promotions.

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Swindon based live music promoters and band management specialists , Cereal Promotions & Management , recently instructed Netintent.co.uk Limited to design and develop their first ever website .
 The site is driven by our own NetContent content management system , allowing Cereal Promotions the flexibility and power to update their show listings , Gallery and various other areas of their site whenever they need to . As the site features an ongoing , date related list of events , the ability to control this area was critical .
 A mailing list facility was also another important area that we delivered within the site .
 Working to a tight deadline , the site was designed , coded and fully live within two weeks of our initial meeting with Cereal Promotions .


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Stefano Guzetti is a composer, producer and sound designer based in Sardina, Italy. He has an ensemble that has released three albums, Home Piano Book (Volume One), Ensemble, and Leaf. He was previously an ambient electronic musician as Waves on Canvas. While not touring Stefano produces soundtracks and sound design for film, documentaries and video games.
Innerversitysound: Stefano, a bit of background first. You had a recent earlier electronic outfit called Waves on Canvas that produced electronic music that was received well enough given the scene. But nothing in comparison to the reception that your three albums with your ensemble. Can you tell us a bit about the departure from electronic music to a form of modern classical ensemble? What was the impetus for you for this break?
Stefano: Basically I had a graduation in electronic music from the conservatory in my town. I was very into electronic music and I had studied it a lot. But also from childhood I had a background in classical music because I studied organ, or an instrument with a keyboard. Then I made this Waves on Canvas project and it was very great for me and also it was a way of mine to give a rendition, or a proper tribute to what I was into when I was younger, especially 4AD stuff in the Ivo (Watts-Russell) era. But in regarding electronic music I’ve got this mixed feeling. Especially nowadays when everyone can buy a computer, a laptop and record some seagulls or birds with their smartphone and then download a version of Ableton Live, add some effects, some tweaks and then claim himself an electronic musician or a drone music musician.
One of the reasons for the change was I wanted to take a distance from all of this because now a lot of people, a lot really, are making electronic music. If you take an example of the 90’s when buying music gear was really expensive and it wasn’t something that was ready at hand for everyone, which wasn’t a good thing anyway, because in my opinion everyone should have the opportunity to say something musically. It was different, now everyone is making electronic music and to my personal subjective perception most of them sound the same. Because they are done with the same environment, the same software, a laptop and so forth. This was one of the reasons but I also just wanted to get back to simple things and try to say something musically, just for me. Interested in just a few things, natural acoustic sounds for instance, and I wanted to get back to my roots, because when I was younger I was just playing an instrument as well. So this is something that really made me decide to be just me, myself, and just work with simple natural sounds. From time to time I had some electronicia, some simple sine waves and simple elements, like little noises, but these are just things that in electronic music are considered a simple thing, a sine wave. These are things you can also find in the works of Stockhausen or Xenakis, basically in the pioneers of electronic music. So we are not talking about synthesisers or computers but more about tapes. So I just decided to change and I’m ok with this decision really.
Innerversitysound:In interviews you have mentioned a wide range of influences from industrial, indie pop, German electronic music, drum and bass, ambient, and the ethereal electronic pop of your teenage years. The early band of yours Antennah, what was the ideas that drove you and your friend Valentinno Murru?
Stefano: When I was a child I was playing the organ and when I was a teenager I discovered New Wave bands, Joy Division and that kind of stuff from about 1986. So my decision was to buy a bass, I was a bass player and we just formed this band. We just wanted to make something new, quite naïve. It was great but after about five years I just wanted to make something else and this electronic music thing in me started when I was very young I had this computer in my house and I started programming this computer to make simple sounds and to play by pressing the keys of the keyboard while I was playing the organ. So I was tweaking a home computer to make some sounds and noises and this was my very first approach to electronic music. So after I was in a band for five years, playing the bass, I felt a real need, an urgency to widen my palette of sounds so I decided to leave them and start making electronic music. From 1992 until 2006 I was making electronic music.
The last thing I did, apart from the Waves on Canvas project was a collection of remixes for Kirsten Hersch, the singer for Throwing Muses, because in a period around 2006-7 she was recording the tracks of her new album and releasing the tracks of the songs on the web. So I was just taking the vocal parts and doing the rest, a brand new arrangement with new chords, new tonal centre. Just then I was just starting to think differently about electronic music. So this is just my background, I was taught classical music, I played bass in a band but in the meantime I was still tweaking my computer at home, I embraced electronic music, but now it is like being back home again. Just being what I was when I started making music when I was a child.
Innerversitysound: So the immediate reception of At Home Piano Book (Volume One) on Home Normal was decisive in its endorsement of your new approach to music. Can you tell us a bit about this album and how the collaboration with Ian Hawgood came about?
Stefano: Basically I started making these little compositions on the piano, they were just little ideas. I sat at the piano when I had ideas and if I felt they were interesting I just recorded the scratch idea on the iPad. So then I started to compose them properly with a kind of structure and my idea was to make a collection of piano impressions, like little water colours, something like that. Nothing too serious. I sent a few of those tracks to Ian, about 5 years back and he was really into those tracks. Then we started emailing and I felt quite lucky, because when you have a label like Home Normal, which is kind of busy, there are a lot of people sending stuff, I felt lucky anyway. And then we became friends. Of course there is a mutual friendship now between the artist and the label as well. I wanted to keep that feeling of playing in a room, a very simple thing.
Innerversitysound: You are incorporating minimal electronic touches and processing. Has it receded so far into the background that it may eventually disappear? Or has the impression of the knowledge gained by exposure to these forms indelibly informed your composition of classic forms?
Stefano: There is a future release that will be out in September that is based on a work of a friend of mine who makes paintings and cartoons as well. He was living in Japan for about 9 years, he worked with Sakamoto, designed a Swatch and he made this last book about his memories in Japan. I was really inspired by his latest work because I love Japanese culture as well and then I wrote and produced this new album called Japanese Notebooks. It features some electronicia, but very subtle, there is also some in Leaf. It is just a little colour and nothing that characterises too much the overall sound. What I still like about elements that come from electronic are the sub-basses and that round warm feeling. And that is just from a simple sine wave, a regular oscillation of a wave. Yes there is still electronic music but very few and just in a very delicate measure. I am planning to use some electronic elements like arpeggios of simple waves to be a part of an arrangement in the future. I am thinking about this idea but mostly it is just acoustic music. I don’t want to be a second hand Max Richter or things like that because mostly I am still exploring and looking for a language of mine of course for otherwise it would not be very useful to be out there and be a clone of someone.
Innerversitysound: You formed an ensemble which is a change from the solitary electronic musician. It involves a good deal more interpersonal communication. How did forming this ensemble come about and can you tell us a bit about the dynamics of working with 3 other people in an ensemble has changed your practice?
Stefano: If you make electronic music for instance, you have a very immediate response to what you are doing because you are just playing sounds with a machine. You have got those sounds, just suddenly. When you score, when you write music on a score, yes you can make sounds to make a sort of pre-production of what you have in mind. But then again when you play with real players it will sound different again. So it’s really exciting and interesting because a player is not a machine and he will play differently every time and it will depend on how tired he is from his feeling of the day; a lot of variations can happen and anyway real instruments forever change. Yes the real feeling is in the score but the overall feeling of the track can change of course. This is something that fascinates me a lot because we are humans, we are faulty humans by nature so it’s great to transpose this aspect into music. We are not talking about recorded music that will sound the same every time you play it to your friends but music that will change every time and it’s great. I love this, I really need this aspect from music to be alive, in a way.
Innerversitysound: In Quiet Fracture on the Leaf album is the most sound designed piece of the recent few albums. Is this interlude kind of thing going to happen more often or was it something that just occurred in the making of the album.
Stefano: Yes, Leaf, it’s an album of that started when my father started being ill. And my father now has a very serious illness. And this illness was showing by some very strange events like from time to time he was falling but we underestimated what was happening. Quiet Fracture is about something that is very slowly starts to go, in this case it was my father, and then shows in itself completely. So there are some steps and some laughter from a few women. This is quite symbolistic about something that starts to show inside and then grows as a big laughter. Yes that album it is written, ‘from my father, to my father’ and it was a very bad time and for some reasons it still is. It’s quite personal to be honest.
Innerversitysound: In reading background material about what you do I stopped at you commenting that you had adopted a very simple attitude towards life and music generally. If you could elaborate on this turn to simplicity and its effects on the whole of what you do in life.
Stefano: Simplicity, simple things, it is a value that I make mine a lot. For instance my decision to move on from electronic music to apparently more simple music. Like the title Leaf, it is just a small green element that we see on the side of the road, in the trees, but if you move your attention to the inner structure of the leaf, in this structure you see a lot of little path roads and this is a clear symptom that simplicity shows us a different world if you take the right pathways and if you approach simplicity with the right attitude. I have been doing Zen meditation for about 10 years in my life so I am really attached to a simple approach to life which is not a basic approach. It is just simple because then by embracing simplicity you can embrace the complexity of life as well. So it is something very connected. Like for instance when I was making electronic music I had complexity at hand very easy because of sounds, because of all those electronic elaborations on sounds as well. But to me it wasn’t that interesting anymore. But if you use just simple sounds and you give them the proper attention to the inner structure of a simple acoustic sound, it has a lot of things that change every time. Like if you struck a note on the piano and every time it will resonate differently and this is apparently a simple sound which it definitely is not. This is an example of simplicity not being simple at all. Simplicity being a great and a good example of the complexity of life itself. Because simple things to me are just the first side of the real complexity of life.
Innerversitysound: Your album Japanese Notebooks is slated for later this year. Is it completed yet, or is it still in production or in Ian Hawgood’s very long cue for mastering?
Stefano: The album is just finished, mixed and mastered. I finished it in January and I am leaving it to ‘take the dust’ for 4 to 5 months and then I will listen to it again to fix a few things with fresh ears and a fresh mind because you have to take the distance from things at a certain point. Possibly, I don’t know yet, I will ask someone to master it. I still have to decide. I usually master things myself, I am very much of a DIY person, and I really love this attitude. I do almost everything about my job; like promoting, producing, I have my own label as well, Stella Recordings, for my stuff, so it’s really important for me to have most of the things under my control. I rarely work with people, one of these ones is Ian because I really trust him, we are friends, but I really trust Ian and his approach to music. So this album is basically finished, I just have to fix a few things here and there. But that’s it really.
Innerversitysound: In terms of ambitions, or strategies when this simplicity gets a bit tricky and demanding. Have you an escape plan lined up?
Stefano: My escape plan is that I will always have to be honest with myself and correct about what I am doing at the moment. And when all of this won’t work anymore I will ask myself what is happening and if I won’t have any reply for myself, I always tell myself and to my future wife as well, maybe I will stop making music as well. I hate the idea of riding the wave of what is going on at the moment because I wouldn’t be honest to myself and mostly I would be wasting my time. Because it is not written anywhere in the sky that I have to make music. Maybe there will be a time when I just have to stop, or maybe not. I don’ know. But what I know is that my only escape is just to be honest with myself and ask myself directly what’s happening and add a proper reply, never be negative or positive. I hope positive.
Leaf is out now on Stella Recordings and digitally on Home Normal.

tokenized:
Stefano Guzetti is a composer , producer and sound designer based in Sardina , Italy . He has an ensemble that has released three albums , Home Piano Book ( Volume One ) , Ensemble , and Leaf . He was previously an ambient electronic musician as Waves on Canvas . While not touring Stefano produces soundtracks and sound design for film , documentaries and video games .
 Innerversitysound : Stefano , a bit of background first . You had a recent earlier electronic outfit called Waves on Canvas that produced electronic music that was received well enough given the scene . But nothing in comparison to the reception that your three albums with your ensemble . Can you tell us a bit about the departure from electronic music to a form of modern classical ensemble ? What was the impetus for you for this break ?
 Stefano : Basically I had a graduation in electronic music from the conservatory in my town . I was very into electronic music and I had studied it a lot . But also from childhood I had a background in classical music because I studied organ , or an instrument with a keyboard . Then I made this Waves on Canvas project and it was very great for me and also it was a way of mine to give a rendition , or a proper tribute to what I was into when I was younger , especially 4AD stuff in the Ivo ( Watts - Russell ) era . But in regarding electronic music I ’ve got this mixed feeling . Especially nowadays when everyone can buy a computer , a laptop and record some seagulls or birds with their smartphone and then download a version of Ableton Live , add some effects , some tweaks and then claim himself an electronic musician or a drone music musician .
 One of the reasons for the change was I wanted to take a distance from all of this because now a lot of people , a lot really , are making electronic music . If you take an example of the 90 ’s when buying music gear was really expensive and it was n’t something that was ready at hand for everyone , which was n’t a good thing anyway , because in my opinion everyone should have the opportunity to say something musically . It was different , now everyone is making electronic music and to my personal subjective perception most of them sound the same . Because they are done with the same environment , the same software , a laptop and so forth . This was one of the reasons but I also just wanted to get back to simple things and try to say something musically , just for me . Interested in just a few things , natural acoustic sounds for instance , and I wanted to get back to my roots , because when I was younger I was just playing an instrument as well . So this is something that really made me decide to be just me , myself , and just work with simple natural sounds . From time to time I had some electronicia , some simple sine waves and simple elements , like little noises , but these are just things that in electronic music are considered a simple thing , a sine wave . These are things you can also find in the works of Stockhausen or Xenakis , basically in the pioneers of electronic music . So we are not talking about synthesisers or computers but more about tapes . So I just decided to change and I ’m ok with this decision really .
 Innerversitysound : In interviews you have mentioned a wide range of influences from industrial , indie pop , German electronic music , drum and bass , ambient , and the ethereal electronic pop of your teenage years . The early band of yours Antennah , what was the ideas that drove you and your friend Valentinno Murru ?
 Stefano : When I was a child I was playing the organ and when I was a teenager I discovered New Wave bands , Joy Division and that kind of stuff from about 1986 . So my decision was to buy a bass , I was a bass player and we just formed this band . We just wanted to make something new , quite naïve . It was great but after about five years I just wanted to make something else and this electronic music thing in me started when I was very young I had this computer in my house and I started programming this computer to make simple sounds and to play by pressing the keys of the keyboard while I was playing the organ . So I was tweaking a home computer to make some sounds and noises and this was my very first approach to electronic music . So after I was in a band for five years , playing the bass , I felt a real need , an urgency to widen my palette of sounds so I decided to leave them and start making electronic music . From 1992 until 2006 I was making electronic music .
 The last thing I did , apart from the Waves on Canvas project was a collection of remixes for Kirsten Hersch , the singer for Throwing Muses , because in a period around 2006 - 7 she was recording the tracks of her new album and releasing the tracks of the songs on the web . So I was just taking the vocal parts and doing the rest , a brand new arrangement with new chords , new tonal centre . Just then I was just starting to think differently about electronic music . So this is just my background , I was taught classical music , I played bass in a band but in the meantime I was still tweaking my computer at home , I embraced electronic music , but now it is like being back home again . Just being what I was when I started making music when I was a child .
 Innerversitysound : So the immediate reception of At Home Piano Book ( Volume One ) on Home Normal was decisive in its endorsement of your new approach to music . Can you tell us a bit about this album and how the collaboration with Ian Hawgood came about ?
 Stefano : Basically I started making these little compositions on the piano , they were just little ideas . I sat at the piano when I had ideas and if I felt they were interesting I just recorded the scratch idea on the iPad . So then I started to compose them properly with a kind of structure and my idea was to make a collection of piano impressions , like little water colours , something like that . Nothing too serious . I sent a few of those tracks to Ian , about 5 years back and he was really into those tracks . Then we started emailing and I felt quite lucky , because when you have a label like Home Normal , which is kind of busy , there are a lot of people sending stuff , I felt lucky anyway . And then we became friends . Of course there is a mutual friendship now between the artist and the label as well . I wanted to keep that feeling of playing in a room , a very simple thing .
 Innerversitysound : You are incorporating minimal electronic touches and processing . Has it receded so far into the background that it may eventually disappear ? Or has the impression of the knowledge gained by exposure to these forms indelibly informed your composition of classic forms ?
 Stefano : There is a future release that will be out in September that is based on a work of a friend of mine who makes paintings and cartoons as well . He was living in Japan for about 9 years , he worked with Sakamoto , designed a Swatch and he made this last book about his memories in Japan . I was really inspired by his latest work because I love Japanese culture as well and then I wrote and produced this new album called Japanese Notebooks . It features some electronicia , but very subtle , there is also some in Leaf . It is just a little colour and nothing that characterises too much the overall sound . What I still like about elements that come from electronic are the sub - basses and that round warm feeling . And that is just from a simple sine wave , a regular oscillation of a wave . Yes there is still electronic music but very few and just in a very delicate measure . I am planning to use some electronic elements like arpeggios of simple waves to be a part of an arrangement in the future . I am thinking about this idea but mostly it is just acoustic music . I do n’t want to be a second hand Max Richter or things like that because mostly I am still exploring and looking for a language of mine of course for otherwise it would not be very useful to be out there and be a clone of someone .
 Innerversitysound : You formed an ensemble which is a change from the solitary electronic musician . It involves a good deal more interpersonal communication . How did forming this ensemble come about and can you tell us a bit about the dynamics of working with 3 other people in an ensemble has changed your practice ?
 Stefano : If you make electronic music for instance , you have a very immediate response to what you are doing because you are just playing sounds with a machine . You have got those sounds , just suddenly . When you score , when you write music on a score , yes you can make sounds to make a sort of pre - production of what you have in mind . But then again when you play with real players it will sound different again . So it ’s really exciting and interesting because a player is not a machine and he will play differently every time and it will depend on how tired he is from his feeling of the day ; a lot of variations can happen and anyway real instruments forever change . Yes the real feeling is in the score but the overall feeling of the track can change of course . This is something that fascinates me a lot because we are humans , we are faulty humans by nature so it ’s great to transpose this aspect into music . We are not talking about recorded music that will sound the same every time you play it to your friends but music that will change every time and it ’s great . I love this , I really need this aspect from music to be alive , in a way .
 Innerversitysound : In Quiet Fracture on the Leaf album is the most sound designed piece of the recent few albums . Is this interlude kind of thing going to happen more often or was it something that just occurred in the making of the album .
 Stefano : Yes , Leaf , it ’s an album of that started when my father started being ill . And my father now has a very serious illness . And this illness was showing by some very strange events like from time to time he was falling but we underestimated what was happening . Quiet Fracture is about something that is very slowly starts to go , in this case it was my father , and then shows in itself completely . So there are some steps and some laughter from a few women . This is quite symbolistic about something that starts to show inside and then grows as a big laughter . Yes that album it is written , ‘ from my father , to my father ’ and it was a very bad time and for some reasons it still is . It ’s quite personal to be honest .
 Innerversitysound : In reading background material about what you do I stopped at you commenting that you had adopted a very simple attitude towards life and music generally . If you could elaborate on this turn to simplicity and its effects on the whole of what you do in life .
 Stefano : Simplicity , simple things , it is a value that I make mine a lot . For instance my decision to move on from electronic music to apparently more simple music . Like the title Leaf , it is just a small green element that we see on the side of the road , in the trees , but if you move your attention to the inner structure of the leaf , in this structure you see a lot of little path roads and this is a clear symptom that simplicity shows us a different world if you take the right pathways and if you approach simplicity with the right attitude . I have been doing Zen meditation for about 10 years in my life so I am really attached to a simple approach to life which is not a basic approach . It is just simple because then by embracing simplicity you can embrace the complexity of life as well . So it is something very connected . Like for instance when I was making electronic music I had complexity at hand very easy because of sounds , because of all those electronic elaborations on sounds as well . But to me it was n’t that interesting anymore . But if you use just simple sounds and you give them the proper attention to the inner structure of a simple acoustic sound , it has a lot of things that change every time . Like if you struck a note on the piano and every time it will resonate differently and this is apparently a simple sound which it definitely is not . This is an example of simplicity not being simple at all . Simplicity being a great and a good example of the complexity of life itself . Because simple things to me are just the first side of the real complexity of life .
 Innerversitysound : Your album Japanese Notebooks is slated for later this year . Is it completed yet , or is it still in production or in Ian Hawgood ’s very long cue for mastering ?
 Stefano : The album is just finished , mixed and mastered . I finished it in January and I am leaving it to ‘ take the dust ’ for 4 to 5 months and then I will listen to it again to fix a few things with fresh ears and a fresh mind because you have to take the distance from things at a certain point . Possibly , I do n’t know yet , I will ask someone to master it . I still have to decide . I usually master things myself , I am very much of a DIY person , and I really love this attitude . I do almost everything about my job ; like promoting , producing , I have my own label as well , Stella Recordings , for my stuff , so it ’s really important for me to have most of the things under my control . I rarely work with people , one of these ones is Ian because I really trust him , we are friends , but I really trust Ian and his approach to music . So this album is basically finished , I just have to fix a few things here and there . But that ’s it really .
 Innerversitysound : In terms of ambitions , or strategies when this simplicity gets a bit tricky and demanding . Have you an escape plan lined up ?
 Stefano : My escape plan is that I will always have to be honest with myself and correct about what I am doing at the moment . And when all of this wo n’t work anymore I will ask myself what is happening and if I wo n’t have any reply for myself , I always tell myself and to my future wife as well , maybe I will stop making music as well . I hate the idea of riding the wave of what is going on at the moment because I would n’t be honest to myself and mostly I would be wasting my time . Because it is not written anywhere in the sky that I have to make music . Maybe there will be a time when I just have to stop , or maybe not . I don ’ know . But what I know is that my only escape is just to be honest with myself and ask myself directly what ’s happening and add a proper reply , never be negative or positive . I hope positive .
 Leaf is out now on Stella Recordings and digitally on Home Normal .


text:
The Graduate Law degree is a graduate entry course in law, completion of which forms the basis for admission to legal practice in New South Wales and Western Australia. The program is designed to recognise the capacities of high quality graduates and the relevance of their existing qualifications to the commencement of studies in law.
This degree includes core curriculum courses (units), compulsory law courses, and elective law courses. Contact hours in this degree average 16 hours per week when studied full-time.

tokenized:
The Graduate Law degree is a graduate entry course in law , completion of which forms the basis for admission to legal practice in New South Wales and Western Australia . The program is designed to recognise the capacities of high quality graduates and the relevance of their existing qualifications to the commencement of studies in law .
 This degree includes core curriculum courses ( units ) , compulsory law courses , and elective law courses . Contact hours in this degree average 16 hours per week when studied full - time .