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DRAWING ANIME in an AMERICAN STYLE! Drawing ALL MIGHT!
Philadelphia Fine Art Fair (PFAF) closed its first edition on Sunday, April 7, 2019, bringing established, local collectors resulting in strong sales for the fair’s 34 exhibitors who presented established contemporary work. Thousands were in attendance over the course of the 4-day event, including representatives from major local publications, like John M. Colabelli, Publisher of Philadelphia Style Magazine and well-known collectors like Cecily Sherman, Babette Snyder and Jerry Wind, among others. Applications are now being accepted: https://philfinartfair.com The inaugural fair presented 34 international exhibitors hailing from 19 cities, featuring 300 renowned artists from around the world, including Cuba, Latin America, and Europe. Held in the historic 23 rd Street City Troop Armory, PFAF outfitted the space with the high-level production typical of an international art fair. Rick Friedman, Philadelphia Fine Art Fair’s Director, commented: “There is a vibrant arts community here in Philadelphia, with world class museums, art schools, and an avid collector base but the region was lacking a contemporary art fair to call its own. This show connected our fantastic line up of exhibitors to the contemporary arts community of Philadelphia, bringing a unique opportunity to local collectors to discover exciting work by emerging and established artists from around the world. I’m grateful we were able to offer this experience to the community and bring Philadelphia its own contemporary art fair.” Sales throughout the weekend were active, with gallerists reporting artworks ranging between $3,000 – $30,000 selling particularly well. Booths that showcased special exhibitions, like Rojas Ford Fine Art’s Latin American Masters Pavillion or Walker Fine Art’s “Magical World of MC Escher” display brought in immense interest and sold well. PFAF closed after a weekend of special programming including panel discussions, book signings, artist Q&As with David Datuna, Chad Fisher, and Hunt Slonem and a film screening. VIP tickets were quickly sold out ahead of the fair and on Thursday night VIP guests were treated to a top-tier party co-hosted by artnet and Philadelphia Style Magazine. The weekend not only brought in many art patrons and established collectors from the Main Line and Philadelphia, but emerging collectors who have taken an interest in contemporary art. Exhibitors were particularly impressed by how knowledgeable the fairgoers were and local gallerists were thrilled to be introduced to an entirely new and passionate collector base. The weekend not only brought in many art patrons and established collectors from the Main Line and Philadelphia, but emerging collectors who have taken an interest in contemporary art. Exhibitors were particularly impressed by how knowledgeable the fairgoers were and local gallerists were thrilled to be introduced to an entirely new and passionate collector base.
Editor Joshua Rose chats with gallery owner Gene Waddell about turquoise and Native American jewelry.
We caught up with ceramist Cliff Lee at the 2015 ACC Baltimore craft show. The neurosurgeon-turned-potter talks about his life, its unique challenges, and the joy he finds in meeting customers and other artists.
Come join professional artist Dena Tollefson in her art studio! Thank you to Charles Wright, Editor of Voyage Dallas Magazine for publishing this this interview about my art background and inspirations. Here is a link to the article voyagedallas.com/interview/meet-dena-tollefson Find Dena Tollefson's favorite art supplies at https://www.amazon.com/shop/dena_tollefson As an Amazon Influencer, Tollefson receives compensation at no additional cost to you. My technique can be done in either oil paint and acrylic paint. Tollefson uses both palette knives and spoons to paint 3D, touchable, textured works of art on canvas. Be sure to subscribe to her channel for more painting tips. Learn more at her website https://www.denatollefson.com Tollefson is a Christian and her artwork is positive message, uplifting and healing. Collectors use her paintings for meditation, calming, and healing thought. Artist’s Statement: I am a Colorist and am known for contemporary realism focusing on botanicals and landscapes, especially ponds, flowers and skies. My sky paintings are my idea of how God created Earth with one breath. Every morning and every evening He creates a new sky for us. I employ vigorous brushwork and texture through the palette knife in my work so that people may experience along with me the "feel" of the painting. I find mosaics fascinating how the individual pieces all contribute to the whole- I want my paintings to have a similar idea where overlapping petals of paint all stand on their own and then contribute to the total. My work known as "Daubism" is created using a palette knife where each stroke of color is isolated from the others. Most paintings will have hundreds of different colors, these colors are all individually hand-mixed from a limited set of colors creating unique colors which relate to one another. I am striving for a sensual, tactile surface in paint." "I am always excited when someone connects with my artwork- I am delighted to share a vision of color and beauty with my collectors"- Dena Tollefson Dena Tollefson is an American artist whose bold contemporary paintings focus on joyful use of color, texture and movement, creating a low relief effect in paint- a hybrid between low relief sculpture, mosaic, and traditional painting. She is known for floral painting, especially how to paint sunflowers. Dena Tollefson (nee Dena Schaefer), born 1965, is a full-time, professional artist. Tollefson graduated from Iowa State University in 1988 and lived in Dallas Texas before returning to Iowa in 1991 where she developed her unique, highly textured painting style. She lives in Cedar Rapids, Iowa with her husband and family. Tollefson is represented in galleries nationally in New Mexico, California, Iowa, Wisconsin and Illinois. Her "Daubism" body of work is a unique process she developed, where "daubs" of individually mixed paint are applied with a palette knife. The largest daubs are applied with a serving spoon, allowing ridges of paint which catch the light and appear to dance and scintillate as the viewer moves past the painting. Tollefson’s work focuses on botanicals, ponds, skies, and her Corn Series of work, biographies where people are depicted as ears of corn. Her work is highly tactile. Museum, Corporate & Selected Private Collections Cedar Rapids Museum of Art, Cedar Rapids, IA. Farm Credit Services Omaha, NE Terso Solutions Corporation Madison, WI Iowa Department of Human Services, Cedar Rapids, IA Genesis Hospital, Davenport, IA Monsanto Corporation St Louis, MO Ronald McDonald Facility/Unity Point Health Cedar Rapids, IA Ruberry, Stalmack and Garvey Law Firm Chicago, IL Marion Arts Council Marion, IA Mercy Hospital Cedar Rapids, IA PCI Cardiologists Inc., Cedar Rapids, Iowa St Luke’s Hospice Cedar Rapids, IA StarcomMediaVest CEO, Chicago, IL St Luke’s hospital, Cedar Rapids, IA. United Fire and Casualty Owner, Cedar Rapids, IA Mableton Bank, Mabelton, GA Lil’ Drug Stores CEO, Scottsdale, AZ Two of Dena Tollefson's paintings are in the permanent collection of the Cedar Rapids Museum of Art. Her work hangs publicly and in private collections throughout the world.
https://shop.americanartdecor.com/collections/chalkboards/products/wood-metal-chalkboard-message-board-with-barn-doors American Art Decor Rolling Barn Door Chalkboard Message Board Add some country charm to your home decor with this clever barn door chalkboard organizer message center. Embodying a true mix of rustic and contemporary, this piece showcases the lovely interplay of distressed wood and metal existing side by side. The classic combination of wood and metal is one of the most iconic elements of farmhouse decor, yet these timeless materials also make it easy to incorporate into a wide variety of styles. The centered chalkboard is sandwiched between two columns of gorgeous galvanized sheets of metal, leaving ample space for additional sticky notes and such. Plus, if you decide to close the barn doors, it cleans up the clutter and serves as a beautiful home decor piece. And with keyhole slots for easy hanging, set-up is a breeze. Add some country-chic style to your contemporary kitchen with a staple piece that provides great function and form. PRODUCT SPECS: Dimensions: 31.75" W x 32.25" H x 2.25" D Door dimensions: 7.75" W x 28" H x .375" D Chalkboard dimensions: 27.75" H x 13.75" W Weight: 12.9 lbs FEATURES/BENEFITS: Large message area - Lots of room for recipes, grocery lists, or leaving cute little notes for loved ones, this countrified chalkboard has room for it all. Rolling barn doors - Cover up your messages or that recipe you jotted down in a hurry with these cleverly designed sliding barn doors; giving this piece extra charm and notoriety. Country charm - Planked wood and distressed metal bring a rustic farmhouse look to your home. Versatile - Whether you use it for the kitchen, game room or garage, this clever message board will fit in nicely no matter where you find a home for it. Easy to hang - Outfitted with keyhole slots for easy installation, this message board is a breeze to set up.
Henry Taylor makes paintings that confront the increasingly visible racial tensions between law enforcement and the communities they serve. In this studio visit, he discusses his process and source imagery.
Watch Contemporary American Impressionist Lisa Palombo paint irises in the world renowned Presby Memorial Iris Gardens (Montclair, NJ U.S.A.). She takes the painting, "Unfurling" to finish in her studio gallery. For more information on the artist visit www.lisapalombo.com, [email protected] Credit: Production by Michael Laddey @ BlackBoard, Hoboken, NJ Contemporary American Impressionist Lisa Palombo began her formal art education at the age of nine while spending summers at the acclaimed Rhode Island School of Design (RISD). She later graduated from RISD with honors. She also completed graduate studies in Fine Art at the European Honors Program in Rome, Italy. Palombo produces magical florals, waterscapes, still lifes and equine art in a unique style that is unmistakable in her expressive brushwork and fearless use of color. She is considered a master of color and the natural form. Palombo not only paints, but also regularly blogs and speaks at public venues. Her work has been featured on more than 40 book covers, including several New York Times bestsellers as well as showcased in Art & Antiques Magazine, Southern Living, The Artist’s Magazine, American Art Review and a Columbia Pictures movie, The Bounty Hunter. Palombo is listed in the National Museum of Women in the Arts, Washington, D.C., and the Marquis Who’s Who in American Art. Her paintings are featured in the books The Best of Oil Painting, Exploring Color, The Best of American Oil Artists (Vol. II) and Lisa Palombo: American Impressionist. Her work can also be found in select galleries and in private and corporate collections throughout the U.S.A.
Native American Art magazine sits down with Mark Sublette, the owner of Medicine Man Gallery in Tucson, Arizona, to discuss weavings, particularly Navajo blankets.
Richard McKinley art Music, Ernesto Cortazar Richard McKinley has been a professional working artist / teacher for over 40 years. His work is represented in several national galleries and is in the permanent collection of the Butler Institute of American Art Museum (Ohio), City of Albuquerque (New Mexico), and the Hang Ming Shi Museum (China). He holds artist membership at the Salmagundi Club in NYC and has participated in their American Masters Exhibition. He holds Master Pastelist designation with the Pastel Society of America and in 2010 was inducted into their Hall of Fame at the National Arts Club in NYC. In 2012, Richard was designated Pastel Laureate by the Pastel Society of the West Coast. His oil and pastel paintings have been featured in numerous National / International art publications including: Southwest Art, American Artist, Workshop magazine, Artist magazine, Practique des Arts (France), and since 2003 has been a frequent contributing editor to Pastel Journal. He has been featured in 7 instructional DVDs and included in numerous art books. Years of his published materials were compiled in 2010 by North Light publications into the bestselling book: “Pastel Pointers, Top Secrets for Beautiful Pastel Paintings”. In 2015 a coffee table sized book; “The Landscape Paintings of Richard McKinley” featuring over 100 of Richard’s pastel and oil paintings with commentary was published by North Light Books. An avid plein air landscape painter, Richard divides his time between painting the locations he is passionate about, reinterpreting those paintings back in the studio, writing about art matters, and instructing painting workshops. For more information please visit: www.mckinleystudio.com or follow him on Facebook at www.facebook.com/McKinleyFineArt PERSONAL STATEMENT: Concerning induction into the Pastel Society of America Hall of Fame, “I am humbled to be in such company, and grateful to my mentors for the opportunities that have come my way. Every blank surface provides the same intimidation and every day spent painting, a new challenge. My goal is to capture a piece of the spontaneous dance of light across the palette of nature. I hope my pieces are like a glance when we see something that makes us linger for a moment.” Richard McKinley http://mckinleystudio.com/about I do not own the right in any of the song and imaged used in this video. I have used the song and images for purely entertainment purposes only. No copyright infringement is required.
Lillian Pitt is an accomplished artist who has been exhibiting her contemporary sculpture, carvings, masks, glass, wearable art, and works on paper for over twenty years. One of the indigenous people of the Columbia River Gorge, she is called by her Indian name, Wak'amu (Strongly Rooted), by elders of the Warm Springs/Wasco and Yakama tribes. The term might also describe her art, for although her approach to form and materials is eclectic and contemporary, her intriguing metaphors are always rooted in her Native American tradition. She says this about her work: "I use the ancient stories of my ancestors as a basis for the imagery I create. By doing this I maintain the memory of an ancient culture and keep the beliefs of my people alive. We have forgotten how to live in harmony with nature. Accessing this vast reservoir of traditional information and translating it into contemporary terms jogs our memories and provides points of reference to achieving balance within ourselves, our community and the world. My ancestors have a 10,000-year history in the Columbia River Gorge. Much of my work has to do with the preservation and care of the environment along this ancient waterway." Lillian is pleased to announce that she has won the Earle A. Chiles Award for 2007. Established in 1983, this is a $15,000 award given annually by the High Desert Museum to an individual for accomplishments in promoting thoughtful management of the natural and cultural resources of the Intermountain West. The award acknowledges Lillian for creating images that sustain ancient Columbia Plateau cultures and beliefs, and for promoting harmony within people, communities and nature. Lillian Pitt was also the recipient of the Governor's Award of the Oregon Arts Commission in 1990, which declared that she had made, "significant contributions to the growth and development of the cultural life of Oregon. She is known nationally and internationally for her Raku and Anagama fired ceramic and bronze masks and "Shadow Spirit" totem images based on traditional symbols and spirits of her Columbia River ancestors. Her repertoire has expanded to include monumental bronze sculpture, sometimes reflecting the theme of Salmon migration. One recurring image, "She Who Watches," is based on a Columbia River petroglyph which represents the last of the Woman Chiefs. Seen in multiple medias, she makes tributes to She Who Watches. Lillian's art has been exhibited and reviewed in the U.S., Europe, New Zealand, and Japan. Her work has been commissioned by numerous museums and organizations and is in several collections, including the University of Washington's Burke Museum, the Sapporo City Hall, Sapporo, Japan and the prestigious Heard Museum in Phoenix, AZ. A traveling retrospective of her work, "Spirits Keep Whistling Me Home," was launched in 1999 at the Museum at Warm Springs on her native reservation in Oregon and has been exhibited at other museums nationwide. In May, 2007, her work received the Best in Show Award at the Second Annual "In the Spirit" Contemporary Northwest Native Arts Exhibit. The July - August 2007 issue of Native Peoples Magazine features Lillian and one of her cast glass masks on the cover. With the turn of the millennium, Lillian's art took on an even larger dimension, as she and a team of Native American artists were commissioned by the city of Portland, OR, the Oregon Convention Center, Portland State University, City of Hillsboro, Central Oregon Community college in Bend, and a variety of other municipalities, cultural institutions, and corporations to create public art projects. She welcomes these opportunities to share her Native American heritage and her ecological commitment with an expanded audience.
The Mitchell Museum of the American Indian in Evanston, Illinois has delved deep into its archives for its latest exhibit. On display are the custom clothes and adornments of Native Americans from across the U.S. and Canada. Phil Ponce of WTTW in Chicago reports.
From his studio in Long Island City, the artist Walter Robinson talks about finding his signature style of painting, the themes behind his work and his love of pulp fiction. "Fast Forward: Painting from the 1980s" is on view at the Whitney Museum from January 27–May 14, 2017. Learn more about the exhibition at https://whitney.org/Exhibitions/FastForward.
One of the most popular American artists of the past century, Norman Rockwell (1894-1978) was a keen observer of human nature and a gifted storyteller. For nearly seven decades, while history was in the making all around him, Rockwell chronicled our changing society in the small details and nuanced scenes of ordinary people in everyday life, providing a personalized interpretation—albeit often an idealized one—of American identity. His depictions offered a reassuring visual haven during a time of momentous transformation as our country evolved into a complex, modern society. Rockwell’s contributions to our visual legacy, many of them now icons of American culture, have found a permanent place in our national psyche. Original video produced by: Ford Motor Company. © 2007 Ford Motor Company. All Rights Reserved. Remastered by permission: Norman Rockwell Museum © 2017 Norman Rockwell Museum. All Rights Reserved.
Native American artist Tony Tiger gives Oklahoma Magazine a brief introduction to the work of Allan Houser. Video shot and edited by James Avery. See more daily Oklahoma content at http://www.okmag.com.
In our August/September issue, we profile artists, organizations, and programs – from Jaime Guerrero and Theaster Gates to the Queens Museum and Creative Forces, an NEA military healing arts network – who are trying to bring craft skills and understanding to a broader audience. Read more at craftcouncil.org/magazine.
Artist and philosopher, Sherab "Shey" Khandro's deepest wish is to nourish and inspire the hearts and minds of others. She accomplishes this through paintings, sculpture and philosophical reflections focused on art, spirituality and the experiences of modern life. Sedona has consistently been voted in the top 10 Small Town Art Destinations by the reader of American Style Magazine, and this year Goldenstein Gallery for the fifth year in a row was voted Best Gallery in Sedona by the readers of Kudos as well as being voted Best in Sedona by the Readers of the Sedona Red Rock News. In 2009 they also received the Mayor's Arts Award in Sedona as a business that has heavily contributed to the growth of the arts as a living entity in Sedona and in January of 2011 they received the Pride of Arizona Award for Best Gallery. Goldenstein Gallery is known for its diversity of world-renowned local and regional artists in all media and styles. A multi-award winning gallery, they consistently surprise collectors with the unexpected. Believing that art is a living breathing experience, the gallery regularly hosts a wide range of stimulating events that are free to the public. A name synonymous with style and innovation, they are in their second decade of delighting local and visiting collectors.
Watch as I create a planner layout using the same techniques, tools and supplies used for art journaling. Thank you for watching! Rachelle Don't forget to LIKE, SUBSCRIBE, COMMENT & SHARE! ❤ ❤ ❤ In this video I used: Tim Holtz Stamp Platform http://amzn.to/2yYFLJj Tim Holtz Distress Oxide inks https://amzn.to/2yF8BjS -- Spiced Marmalade -- Fossilized Amber -- Vintage Photo -- Black Soot Distress Ink Clickable Letter Stamp Sets https://amzn.to/2ScFPhO Christmas Tree Sticker from JD + Brooklyn http://jdandbrooklyn.com Use Code: RACHELLE20 for 20% off your order WORD STICKERS: - Freebie from Emily Cuply Plans https://www.youtube.com/channel/UCWAR1dKe_6V1WsrlVBAVS_w - PaperCrownPlanner https://www.etsy.com/shop/PaperCrownPlanner #planwithme #artjournalplanner #diyplanner Visit My Amazon Shop http://amazon.com/shop/scrapcraftastic Mystics Little Gifts http://mysticslittlegifts.com Use Code: RACHELLE20 for 20% off your order Coco's Vision https://www.etsy.com/shop/CocosVision Use Code: RACHELLE20 for 20% off your order Sophisticrate http://bit.ly/sophisticrate Use Code: RACHELLE10 to save 10% off your order! Earn money while you're shopping https://www.ebates.com/r/HARRIS7979?eeid=35022 ------------------------------------------------------------------------------------------- GENERAL TOOLS I USE FOR PLANNING AND CRAFTING: ------------------------------------------------------------------------------------------- PAPERS ------------------------------------------------------------------------------------------- HP Paper 32lb 8.5 x 11 500 Sheets http://amzn.to/2q9XUj4 Legal Paper http://amzn.to/2svlOd5 Sticker Paper http://amzn.to/2tSufQl TOOLS ------------------------------------------------------------------------------------------- Tim Holtz Stamp Platform http://amzn.to/2yYFLJj Adjustable 6 hole punch http://amzn.to/2xlKQvu Self Healing Cutting Mat US Art Supply 24" x 36" http://amzn.to/2mL5z8I Tim Holtz Idea-ology12 InchDesign Ruler http://amzn.to/2mvuUCR Tonic Studios Tim Holtz Kushgrip Non Stick Scissors http://amzn.to/2mRW4ER Fiskars 12 Inch SureCut Deluxe Craft Paper Trimmer http://amzn.to/2mayEGk Martha Stewart Crafts Scoring Board and Envelope Tool http://amzn.to/2mcl1HI We R Memory Keepers Crop-A-Dile Corner Chomper Tool http://amzn.to/2mcauwi ADHESIVES ------------------------------------------------------------------------------------------- Art Glitter Glue http://amzn.to/2yYwz7R Precision Tip Glue Applicator Bottle http://amzn.to/2l1DIlz Fabri-Tac http://amzn.to/2Adwamm Scor-Tape http://amzn.to/2zRD1k8 PRINTERS ------------------------------------------------------------------------------------------- Canon MX472 Wireless All-In-One Inkjet Printer (Discontinued by Manufacturer) Other Options: http://amzn.to/2xb7ZUk Brother HL-2270DW Compact Laser Printer http://amzn.to/2yjUQbN HP - DeskJet 2624 http://amzn.to/2tCSQtx HP Instant Ink http://try.hpinstantink.com/jQVSw ***************************************************************** LET'S CONNECT Instagram - https://www.instagram.com/scrapcraftastic Facebook - https://www.facebook.com/scrapcraftastic Facebook Group - https://www.facebook.com/groups/scrapcraftastic/ Twitter - https://twitter.com/scrapcraftastic Pinterest - https://www.pinterest.com/scrapcraftastic ***************************************************************** MORE SCRAPCRAFTASTIC For new releases, please be sure to check out the shop on my Website: http://scrapcraftastic.com Shop: http://shop.scrapcraftastic.com Etsy Shop: https://www.etsy.com/shop/scrapcraftastic ***************************************************************** MORE RACHELLE Visit my other site at http://designsbyrachelle.com and check my Pre-made Ebook Covers and see what other graphic design services I offer. ***************************************************************** Send Me Stuff If You Want... Designs By Rachelle LLC Scrapcraftastic P.O. Box 607225 Orlando, FL 32860 ***************************************************************** DISCLAIMER: The opinions expressed in this video are my own. Some links may be affiliate link(s) to the same or similar products used as well as other related and unrelated products. An affiliate link means I may earn advertising / referral fees if you make a purchase through my link, without any extra cost to you. It helps to keep this channel afloat. Thank you for your support.

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drawing anime in an american style! drawing all might!
philadelphia fine art fair (pfaf) closed its first edition on sunday, april 7, 2019, bringing established, local collectors resulting in strong sales for the fair’s 34 exhibitors who presented established contemporary work. thousands were in attendance over the course of the 4-day event, including representatives from major local publications, like john m. colabelli, publisher of philadelphia style magazine and well-known collectors like cecily sherman, babette snyder and jerry wind, among others. applications are now being accepted: https://philfinartfair.com the inaugural fair presented 34 international exhibitors hailing from 19 cities, featuring 300 renowned artists from around the world, including cuba, latin america, and europe. held in the historic 23 rd street city troop armory, pfaf outfitted the space with the high-level production typical of an international art fair. rick friedman, philadelphia fine art fair’s director, commented: “there is a vibrant arts community here in philadelphia, with world class museums, art schools, and an avid collector base but the region was lacking a contemporary art fair to call its own. this show connected our fantastic line up of exhibitors to the contemporary arts community of philadelphia, bringing a unique opportunity to local collectors to discover exciting work by emerging and established artists from around the world. i’m grateful we were able to offer this experience to the community and bring philadelphia its own contemporary art fair.” sales throughout the weekend were active, with gallerists reporting artworks ranging between $3,000 – $30,000 selling particularly well. booths that showcased special exhibitions, like rojas ford fine art’s latin american masters pavillion or walker fine art’s “magical world of mc escher” display brought in immense interest and sold well. pfaf closed after a weekend of special programming including panel discussions, book signings, artist q&as with david datuna, chad fisher, and hunt slonem and a film screening. vip tickets were quickly sold out ahead of the fair and on thursday night vip guests were treated to a top-tier party co-hosted by artnet and philadelphia style magazine. the weekend not only brought in many art patrons and established collectors from the main line and philadelphia, but emerging collectors who have taken an interest in contemporary art. exhibitors were particularly impressed by how knowledgeable the fairgoers were and local gallerists were thrilled to be introduced to an entirely new and passionate collector base. the weekend not only brought in many art patrons and established collectors from the main line and philadelphia, but emerging collectors who have taken an interest in contemporary art. exhibitors were particularly impressed by how knowledgeable the fairgoers were and local gallerists were thrilled to be introduced to an entirely new and passionate collector base.
editor joshua rose chats with gallery owner gene waddell about turquoise and native american jewelry.
we caught up with ceramist cliff lee at the 2015 acc baltimore craft show. the neurosurgeon-turned-potter talks about his life, its unique challenges, and the joy he finds in meeting customers and other artists.
come join professional artist dena tollefson in her art studio! thank you to charles wright, editor of voyage dallas magazine for publishing this this interview about my art background and inspirations. here is a link to the article voyagedallas.com/interview/meet-dena-tollefson find dena tollefson's favorite art supplies at https://www.amazon.com/shop/dena_tollefson as an amazon influencer, tollefson receives compensation at no additional cost to you. my technique can be done in either oil paint and acrylic paint. tollefson uses both palette knives and spoons to paint 3d, touchable, textured works of art on canvas. be sure to subscribe to her channel for more painting tips. learn more at her website https://www.denatollefson.com tollefson is a christian and her artwork is positive message, uplifting and healing. collectors use her paintings for meditation, calming, and healing thought. artist’s statement: i am a colorist and am known for contemporary realism focusing on botanicals and landscapes, especially ponds, flowers and skies. my sky paintings are my idea of how god created earth with one breath. every morning and every evening he creates a new sky for us. i employ vigorous brushwork and texture through the palette knife in my work so that people may experience along with me the "feel" of the painting. i find mosaics fascinating how the individual pieces all contribute to the whole- i want my paintings to have a similar idea where overlapping petals of paint all stand on their own and then contribute to the total. my work known as "daubism" is created using a palette knife where each stroke of color is isolated from the others. most paintings will have hundreds of different colors, these colors are all individually hand-mixed from a limited set of colors creating unique colors which relate to one another. i am striving for a sensual, tactile surface in paint." "i am always excited when someone connects with my artwork- i am delighted to share a vision of color and beauty with my collectors"- dena tollefson dena tollefson is an american artist whose bold contemporary paintings focus on joyful use of color, texture and movement, creating a low relief effect in paint- a hybrid between low relief sculpture, mosaic, and traditional painting. she is known for floral painting, especially how to paint sunflowers. dena tollefson (nee dena schaefer), born 1965, is a full-time, professional artist. tollefson graduated from iowa state university in 1988 and lived in dallas texas before returning to iowa in 1991 where she developed her unique, highly textured painting style. she lives in cedar rapids, iowa with her husband and family. tollefson is represented in galleries nationally in new mexico, california, iowa, wisconsin and illinois. her "daubism" body of work is a unique process she developed, where "daubs" of individually mixed paint are applied with a palette knife. the largest daubs are applied with a serving spoon, allowing ridges of paint which catch the light and appear to dance and scintillate as the viewer moves past the painting. tollefson’s work focuses on botanicals, ponds, skies, and her corn series of work, biographies where people are depicted as ears of corn. her work is highly tactile. museum, corporate & selected private collections cedar rapids museum of art, cedar rapids, ia. farm credit services omaha, ne terso solutions corporation madison, wi iowa department of human services, cedar rapids, ia genesis hospital, davenport, ia monsanto corporation st louis, mo ronald mcdonald facility/unity point health cedar rapids, ia ruberry, stalmack and garvey law firm chicago, il marion arts council marion, ia mercy hospital cedar rapids, ia pci cardiologists inc., cedar rapids, iowa st luke’s hospice cedar rapids, ia starcommediavest ceo, chicago, il st luke’s hospital, cedar rapids, ia. united fire and casualty owner, cedar rapids, ia mableton bank, mabelton, ga lil’ drug stores ceo, scottsdale, az two of dena tollefson's paintings are in the permanent collection of the cedar rapids museum of art. her work hangs publicly and in private collections throughout the world.
https://shop.americanartdecor.com/collections/chalkboards/products/wood-metal-chalkboard-message-board-with-barn-doors american art decor rolling barn door chalkboard message board add some country charm to your home decor with this clever barn door chalkboard organizer message center. embodying a true mix of rustic and contemporary, this piece showcases the lovely interplay of distressed wood and metal existing side by side. the classic combination of wood and metal is one of the most iconic elements of farmhouse decor, yet these timeless materials also make it easy to incorporate into a wide variety of styles. the centered chalkboard is sandwiched between two columns of gorgeous galvanized sheets of metal, leaving ample space for additional sticky notes and such. plus, if you decide to close the barn doors, it cleans up the clutter and serves as a beautiful home decor piece. and with keyhole slots for easy hanging, set-up is a breeze. add some country-chic style to your contemporary kitchen with a staple piece that provides great function and form. product specs: dimensions: 31.75" w x 32.25" h x 2.25" d door dimensions: 7.75" w x 28" h x .375" d chalkboard dimensions: 27.75" h x 13.75" w weight: 12.9 lbs features/benefits: large message area - lots of room for recipes, grocery lists, or leaving cute little notes for loved ones, this countrified chalkboard has room for it all. rolling barn doors - cover up your messages or that recipe you jotted down in a hurry with these cleverly designed sliding barn doors; giving this piece extra charm and notoriety. country charm - planked wood and distressed metal bring a rustic farmhouse look to your home. versatile - whether you use it for the kitchen, game room or garage, this clever message board will fit in nicely no matter where you find a home for it. easy to hang - outfitted with keyhole slots for easy installation, this message board is a breeze to set up.
henry taylor makes paintings that confront the increasingly visible racial tensions between law enforcement and the communities they serve. in this studio visit, he discusses his process and source imagery.
watch contemporary american impressionist lisa palombo paint irises in the world renowned presby memorial iris gardens (montclair, nj u.s.a.). she takes the painting, "unfurling" to finish in her studio gallery. for more information on the artist visit www.lisapalombo.com, [email protected] credit: production by michael laddey @ blackboard, hoboken, nj contemporary american impressionist lisa palombo began her formal art education at the age of nine while spending summers at the acclaimed rhode island school of design (risd). she later graduated from risd with honors. she also completed graduate studies in fine art at the european honors program in rome, italy. palombo produces magical florals, waterscapes, still lifes and equine art in a unique style that is unmistakable in her expressive brushwork and fearless use of color. she is considered a master of color and the natural form. palombo not only paints, but also regularly blogs and speaks at public venues. her work has been featured on more than 40 book covers, including several new york times bestsellers as well as showcased in art & antiques magazine, southern living, the artist’s magazine, american art review and a columbia pictures movie, the bounty hunter. palombo is listed in the national museum of women in the arts, washington, d.c., and the marquis who’s who in american art. her paintings are featured in the books the best of oil painting, exploring color, the best of american oil artists (vol. ii) and lisa palombo: american impressionist. her work can also be found in select galleries and in private and corporate collections throughout the u.s.a.
native american art magazine sits down with mark sublette, the owner of medicine man gallery in tucson, arizona, to discuss weavings, particularly navajo blankets.
richard mckinley art music, ernesto cortazar richard mckinley has been a professional working artist / teacher for over 40 years. his work is represented in several national galleries and is in the permanent collection of the butler institute of american art museum (ohio), city of albuquerque (new mexico), and the hang ming shi museum (china). he holds artist membership at the salmagundi club in nyc and has participated in their american masters exhibition. he holds master pastelist designation with the pastel society of america and in 2010 was inducted into their hall of fame at the national arts club in nyc. in 2012, richard was designated pastel laureate by the pastel society of the west coast. his oil and pastel paintings have been featured in numerous national / international art publications including: southwest art, american artist, workshop magazine, artist magazine, practique des arts (france), and since 2003 has been a frequent contributing editor to pastel journal. he has been featured in 7 instructional dvds and included in numerous art books. years of his published materials were compiled in 2010 by north light publications into the bestselling book: “pastel pointers, top secrets for beautiful pastel paintings”. in 2015 a coffee table sized book; “the landscape paintings of richard mckinley” featuring over 100 of richard’s pastel and oil paintings with commentary was published by north light books. an avid plein air landscape painter, richard divides his time between painting the locations he is passionate about, reinterpreting those paintings back in the studio, writing about art matters, and instructing painting workshops. for more information please visit: www.mckinleystudio.com or follow him on facebook at www.facebook.com/mckinleyfineart personal statement: concerning induction into the pastel society of america hall of fame, “i am humbled to be in such company, and grateful to my mentors for the opportunities that have come my way. every blank surface provides the same intimidation and every day spent painting, a new challenge. my goal is to capture a piece of the spontaneous dance of light across the palette of nature. i hope my pieces are like a glance when we see something that makes us linger for a moment.” richard mckinley http://mckinleystudio.com/about i do not own the right in any of the song and imaged used in this video. i have used the song and images for purely entertainment purposes only. no copyright infringement is required.
lillian pitt is an accomplished artist who has been exhibiting her contemporary sculpture, carvings, masks, glass, wearable art, and works on paper for over twenty years. one of the indigenous people of the columbia river gorge, she is called by her indian name, wak'amu (strongly rooted), by elders of the warm springs/wasco and yakama tribes. the term might also describe her art, for although her approach to form and materials is eclectic and contemporary, her intriguing metaphors are always rooted in her native american tradition. she says this about her work: "i use the ancient stories of my ancestors as a basis for the imagery i create. by doing this i maintain the memory of an ancient culture and keep the beliefs of my people alive. we have forgotten how to live in harmony with nature. accessing this vast reservoir of traditional information and translating it into contemporary terms jogs our memories and provides points of reference to achieving balance within ourselves, our community and the world. my ancestors have a 10,000-year history in the columbia river gorge. much of my work has to do with the preservation and care of the environment along this ancient waterway." lillian is pleased to announce that she has won the earle a. chiles award for 2007. established in 1983, this is a $15,000 award given annually by the high desert museum to an individual for accomplishments in promoting thoughtful management of the natural and cultural resources of the intermountain west. the award acknowledges lillian for creating images that sustain ancient columbia plateau cultures and beliefs, and for promoting harmony within people, communities and nature. lillian pitt was also the recipient of the governor's award of the oregon arts commission in 1990, which declared that she had made, "significant contributions to the growth and development of the cultural life of oregon. she is known nationally and internationally for her raku and anagama fired ceramic and bronze masks and "shadow spirit" totem images based on traditional symbols and spirits of her columbia river ancestors. her repertoire has expanded to include monumental bronze sculpture, sometimes reflecting the theme of salmon migration. one recurring image, "she who watches," is based on a columbia river petroglyph which represents the last of the woman chiefs. seen in multiple medias, she makes tributes to she who watches. lillian's art has been exhibited and reviewed in the u.s., europe, new zealand, and japan. her work has been commissioned by numerous museums and organizations and is in several collections, including the university of washington's burke museum, the sapporo city hall, sapporo, japan and the prestigious heard museum in phoenix, az. a traveling retrospective of her work, "spirits keep whistling me home," was launched in 1999 at the museum at warm springs on her native reservation in oregon and has been exhibited at other museums nationwide. in may, 2007, her work received the best in show award at the second annual "in the spirit" contemporary northwest native arts exhibit. the july - august 2007 issue of native peoples magazine features lillian and one of her cast glass masks on the cover. with the turn of the millennium, lillian's art took on an even larger dimension, as she and a team of native american artists were commissioned by the city of portland, or, the oregon convention center, portland state university, city of hillsboro, central oregon community college in bend, and a variety of other municipalities, cultural institutions, and corporations to create public art projects. she welcomes these opportunities to share her native american heritage and her ecological commitment with an expanded audience.
the mitchell museum of the american indian in evanston, illinois has delved deep into its archives for its latest exhibit. on display are the custom clothes and adornments of native americans from across the u.s. and canada. phil ponce of wttw in chicago reports.
from his studio in long island city, the artist walter robinson talks about finding his signature style of painting, the themes behind his work and his love of pulp fiction. "fast forward: painting from the 1980s" is on view at the whitney museum from january 27–may 14, 2017. learn more about the exhibition at https://whitney.org/exhibitions/fastforward.
one of the most popular american artists of the past century, norman rockwell (1894-1978) was a keen observer of human nature and a gifted storyteller. for nearly seven decades, while history was in the making all around him, rockwell chronicled our changing society in the small details and nuanced scenes of ordinary people in everyday life, providing a personalized interpretation—albeit often an idealized one—of american identity. his depictions offered a reassuring visual haven during a time of momentous transformation as our country evolved into a complex, modern society. rockwell’s contributions to our visual legacy, many of them now icons of american culture, have found a permanent place in our national psyche. original video produced by: ford motor company. © 2007 ford motor company. all rights reserved. remastered by permission: norman rockwell museum © 2017 norman rockwell museum. all rights reserved.
native american artist tony tiger gives oklahoma magazine a brief introduction to the work of allan houser. video shot and edited by james avery. see more daily oklahoma content at http://www.okmag.com.
in our august/september issue, we profile artists, organizations, and programs – from jaime guerrero and theaster gates to the queens museum and creative forces, an nea military healing arts network – who are trying to bring craft skills and understanding to a broader audience. read more at craftcouncil.org/magazine.
artist and philosopher, sherab "shey" khandro's deepest wish is to nourish and inspire the hearts and minds of others. she accomplishes this through paintings, sculpture and philosophical reflections focused on art, spirituality and the experiences of modern life. sedona has consistently been voted in the top 10 small town art destinations by the reader of american style magazine, and this year goldenstein gallery for the fifth year in a row was voted best gallery in sedona by the readers of kudos as well as being voted best in sedona by the readers of the sedona red rock news. in 2009 they also received the mayor's arts award in sedona as a business that has heavily contributed to the growth of the arts as a living entity in sedona and in january of 2011 they received the pride of arizona award for best gallery. goldenstein gallery is known for its diversity of world-renowned local and regional artists in all media and styles. a multi-award winning gallery, they consistently surprise collectors with the unexpected. believing that art is a living breathing experience, the gallery regularly hosts a wide range of stimulating events that are free to the public. a name synonymous with style and innovation, they are in their second decade of delighting local and visiting collectors.
watch as i create a planner layout using the same techniques, tools and supplies used for art journaling. thank you for watching! rachelle don't forget to like, subscribe, comment & share! ❤ ❤ ❤ in this video i used: tim holtz stamp platform http://amzn.to/2yyfljj tim holtz distress oxide inks https://amzn.to/2yf8bjs -- spiced marmalade -- fossilized amber -- vintage photo -- black soot distress ink clickable letter stamp sets https://amzn.to/2scfpho christmas tree sticker from jd + brooklyn http://jdandbrooklyn.com use code: rachelle20 for 20% off your order word stickers: - freebie from emily cuply plans https://www.youtube.com/channel/ucwar1dke_6v1wsrlvbavs_w - papercrownplanner https://www.etsy.com/shop/papercrownplanner #planwithme #artjournalplanner #diyplanner visit my amazon shop http://amazon.com/shop/scrapcraftastic mystics little gifts http://mysticslittlegifts.com use code: rachelle20 for 20% off your order coco's vision https://www.etsy.com/shop/cocosvision use code: rachelle20 for 20% off your order sophisticrate http://bit.ly/sophisticrate use code: rachelle10 to save 10% off your order! earn money while you're shopping https://www.ebates.com/r/harris7979?eeid=35022 ------------------------------------------------------------------------------------------- general tools i use for planning and crafting: ------------------------------------------------------------------------------------------- papers ------------------------------------------------------------------------------------------- hp paper 32lb 8.5 x 11 500 sheets http://amzn.to/2q9xuj4 legal paper http://amzn.to/2svlod5 sticker paper http://amzn.to/2tsufql tools ------------------------------------------------------------------------------------------- tim holtz stamp platform http://amzn.to/2yyfljj adjustable 6 hole punch http://amzn.to/2xlkqvu self healing cutting mat us art supply 24" x 36" http://amzn.to/2ml5z8i tim holtz idea-ology12 inchdesign ruler http://amzn.to/2mvuucr tonic studios tim holtz kushgrip non stick scissors http://amzn.to/2mrw4er fiskars 12 inch surecut deluxe craft paper trimmer http://amzn.to/2mayegk martha stewart crafts scoring board and envelope tool http://amzn.to/2mcl1hi we r memory keepers crop-a-dile corner chomper tool http://amzn.to/2mcauwi adhesives ------------------------------------------------------------------------------------------- art glitter glue http://amzn.to/2yywz7r precision tip glue applicator bottle http://amzn.to/2l1dilz fabri-tac http://amzn.to/2adwamm scor-tape http://amzn.to/2zrd1k8 printers ------------------------------------------------------------------------------------------- canon mx472 wireless all-in-one inkjet printer (discontinued by manufacturer) other options: http://amzn.to/2xb7zuk brother hl-2270dw compact laser printer http://amzn.to/2yjuqbn hp - deskjet 2624 http://amzn.to/2tcsqtx hp instant ink http://try.hpinstantink.com/jqvsw ***************************************************************** let's connect instagram - https://www.instagram.com/scrapcraftastic facebook - https://www.facebook.com/scrapcraftastic facebook group - https://www.facebook.com/groups/scrapcraftastic/ twitter - https://twitter.com/scrapcraftastic pinterest - https://www.pinterest.com/scrapcraftastic ***************************************************************** more scrapcraftastic for new releases, please be sure to check out the shop on my website: http://scrapcraftastic.com shop: http://shop.scrapcraftastic.com etsy shop: https://www.etsy.com/shop/scrapcraftastic ***************************************************************** more rachelle visit my other site at http://designsbyrachelle.com and check my pre-made ebook covers and see what other graphic design services i offer. ***************************************************************** send me stuff if you want... designs by rachelle llc scrapcraftastic p.o. box 607225 orlando, fl 32860 ***************************************************************** disclaimer: the opinions expressed in this video are my own. some links may be affiliate link(s) to the same or similar products used as well as other related and unrelated products. an affiliate link means i may earn advertising / referral fees if you make a purchase through my link, without any extra cost to you. it helps to keep this channel afloat. thank you for your support.


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This 1/10 oz Proof Platinum Eagle is complete with the mint issued box and certificate of authenticity and is a nice addition to your investments.
Reverse: Features an American Bald eagle superimposed over an American flag.
Add a 2003-W 1/10 oz Proof Platinum American Eagle to your shopping cart today!

lowercased:
this 1/10 oz proof platinum eagle is complete with the mint issued box and certificate of authenticity and is a nice addition to your investments.
reverse: features an american bald eagle superimposed over an american flag.
add a 2003-w 1/10 oz proof platinum american eagle to your shopping cart today!


text:
The funds raised at this event will help us expand our offered programs, build more gardens and they will create a new summer intensive for kids and an after school educational program we call, Garden Gnome Junior- Growing Good Grub, as well as an adult-version that we will offer at our new facility, Lichen Hollow.
The expansion into education will enable more in our community to grow their own food. We will not only teach specific gardening methods, like permaculture, raised bed planting and companion planting; we will also teach aquaponics, vermiculture, composting, food preparation and preservation!
Please enter yours and your guests information into the form below, including your dinner choices which include either Surf & Turf (prime rib and prawns) or Vegetarian (stuffed Portobello mushroom) .
Thank you! You simply need to check in at the main desk. We will see you at the Seedy Soirée on November 17 at 5:30 PM!
You will be redirected to our payment page. Please click ‘Other’ then enter your amount, and choose Seedy Soirée from the drop down menu.

lowercased:
the funds raised at this event will help us expand our offered programs, build more gardens and they will create a new summer intensive for kids and an after school educational program we call, garden gnome junior- growing good grub, as well as an adult-version that we will offer at our new facility, lichen hollow.
the expansion into education will enable more in our community to grow their own food. we will not only teach specific gardening methods, like permaculture, raised bed planting and companion planting; we will also teach aquaponics, vermiculture, composting, food preparation and preservation!
please enter yours and your guests information into the form below, including your dinner choices which include either surf & turf (prime rib and prawns) or vegetarian (stuffed portobello mushroom) .
thank you! you simply need to check in at the main desk. we will see you at the seedy soirée on november 17 at 5:30 pm!
you will be redirected to our payment page. please click ‘other’ then enter your amount, and choose seedy soirée from the drop down menu.


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For your electrical work having the best contractor services will be one of the things that you will need to consider for the best job. It is critical to note that it will be a good thing to have the right kind of the electrical services contractor that will be able to suit your needs as the process of getting one is not that easy. For your needs it will be better to ensure that you have some ways that will make the process much easy.
You will need to have the kind of the experience that the electrical services contractor has when it comes to the same operations. The better experience will be a thing that you will need to ensure that you have in your project.
More so you will need to have the reviews of the electrical services contractor at your consideration. For your project having the contractor that is known to bring the best impact at the electrical field will be a thing that you will need.
It is great to understand that with the use of the reviews it will be much easier for you to know the perfect kind of the electrical services contractor that will deliver the best. For your hiring process it will be better to avoid any issues that might bring some financial burden in your side by ensuring that you have the insurance cover form the experts on your side.
You will need to see all the documents and other relevant papers at your site. It is great to note that you will be able to have the best price if you will know what the different services providers will go for and where you will do the comparison for the same.
For your needs it will be perfect to ensure that you have the safety ratings of the professional under you concern as you will need the best. For your project you will have much to gain with the top electrical services contractor.

lowercased:
for your electrical work having the best contractor services will be one of the things that you will need to consider for the best job. it is critical to note that it will be a good thing to have the right kind of the electrical services contractor that will be able to suit your needs as the process of getting one is not that easy. for your needs it will be better to ensure that you have some ways that will make the process much easy.
you will need to have the kind of the experience that the electrical services contractor has when it comes to the same operations. the better experience will be a thing that you will need to ensure that you have in your project.
more so you will need to have the reviews of the electrical services contractor at your consideration. for your project having the contractor that is known to bring the best impact at the electrical field will be a thing that you will need.
it is great to understand that with the use of the reviews it will be much easier for you to know the perfect kind of the electrical services contractor that will deliver the best. for your hiring process it will be better to avoid any issues that might bring some financial burden in your side by ensuring that you have the insurance cover form the experts on your side.
you will need to see all the documents and other relevant papers at your site. it is great to note that you will be able to have the best price if you will know what the different services providers will go for and where you will do the comparison for the same.
for your needs it will be perfect to ensure that you have the safety ratings of the professional under you concern as you will need the best. for your project you will have much to gain with the top electrical services contractor.


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At his shows, the pop singer-songwriter known as Lauv has a box for what he calls “My Blue Thoughts.” In it, audience members can drop strips of paper on which they’ve jotted whatever is on their mind at the moment. Sometimes it’s inane stuff, like a desire for chicken fingers. Other times it’s the serious things: “loss of family members, depression, eating disorders.” Lauv likes to share these notes and commemorate them on a blog he keeps, binding his fans together in an experience of communal openness, a sort of group therapy that continues in his online presence, from Instagram to Tumblr to Reddit.
It’s not a publicity strategy; it’s just who Lauv is. He describes himself as the kid who was a little “weird,” who had a custom banner for his MySpace page that read “Be Yourself,” who wrote love songs before he had a girlfriend and liked sad tunes before he had ever been in a breakup.
Lauv has clearly touched a nerve; his first “playlist,” the 17-track compilation I Met You When I Was 18, has been streamed well over a billion times on Spotify, while his breakout hit “I Like Me Better” brought his first platinum record. He’s booked appearances on late night and morning shows like Jimmy Fallon’s, performed at this month’s Teen Choice Awards and topped Billboard‘s Emerging Artist chart. He’s written for Demi Lovato and opened for Ed Sheeran. The 24-year-old singer-songwriter is well on his way up pop’s ladder as a sensitive, keyed-in new voice, a trajectory he seems to take as a pleasant surprise.
For Lauv, that humility also translates into success with his fans. “Kids can tell if you’re being genuine or not,” he explains now over an egg white omelette breakfast, fresh off a morning TV performance in New York City. “I don’t think the world needs more role models of people trying to be something they’re not. I’ve always hated the feeling of trying to be cool or trying to fit in.” He’s wearing a ring in the shape of a lion’s head, nabbed from a local jewelry shop; “Lauv” means “lion” in Latvian, where his mother’s family is from. But Lauv — real name Ari Leff — comes across as a friendlier kind of cat, all big eyes and open heart.
Born in California, Lauv spent his early childhood in a suburb of Atlanta, GA before his family relocated outside of Philadelphia, PA. “My tactic for when I got to a new school was to just be really goofy, be really weird, and try to break all barriers as fast as possible,” he explains. In other words, Lauv — whose music hits a sweet spot filled with nostalgia, full of relatable specifics of youth and memorable college years over moody electro-pop production — prepped from a young age for an experience of being his most honest self in public.
It wasn’t until he picked up a guitar in middle school that Lauv’s transition to full-fledged artist began. From there, he started writing songs — “really bad songs,” he says now. His taste growing up was diverse, from classic rock to Atlanta hip-hop, but he always gravitated to the “sad songs, the emotional songs.” In turn, the music he wrote tended to center on breakups. “My dad used to drive me and my band to our shows, and he’d be like, what am I missing here, you don’t even have a girlfriend!” Lauv laughs now.
By high school, he started playing in bands that performed to empty venues. They’d book the shows themselves, and Lauv was involved in every production element, down to the lighting. “It was good practice,” he says, but it wasn’t exactly a fast track to stardom. Eventually, he lost confidence in himself as a performing artist.
“I was putting myself out there all the time, and I wasn’t really seeing much response,” he says. He decided to pivot to a behind-the-scenes role in the music world, looking into college programs for sound engineering and production.
Even the concept of going to New York City felt intimidating — until he visited NYU and decided to give it a shot after all. Spending his first two years as a studio intern for Jungle City Studios, Lauv soon got used to seeing celebrities stroll through: Jay-Z, Justin Timberlake, Alicia Keys, Timbaland and Jessie J were all recording while he was running errands and fulfilling their specific rider requests, from high-end candles to luxury waters. But Lauv didn’t begrudge the artists their needs: “Any one thing can get in the way of you and your brain being comfortable and being inspired,” he says. “It’s the difference between a really big song and a song that never existed.” He should know best; his breakout hit — and ensuing solo career — almost didn’t happen at all.
Lauv performs during the 2018 Outside Lands Music and Arts festival at Golden Gate Park on August 10, 2018 in San Francisco, California.
Lauv had been writing songs to pitch to other artists, trying to get on the radar of managers by sending cold emails, when he wrote “The Other.” Right away, he knew it was different. He ended up pulling an all-nighter in the school library to finish producing it, discovering what’s now his “sound” of stripped-down electronic pop “kind of by accident.” When he finally uploaded “The Other” to Soundcloud in 2015, he was studying abroad in Prague. The attention from blogs and aggregators like HypeMachine was a complete surprise.
“The Other” is a classic breakup song: “Who wrote the book on goodbye?” he sings. “There’s never been a way to make this easy.” The just-electronic-enough production and mid-tempo beat propelled it to earworm status; that one has over 170 million Spotify streams alone. (Lauv says now that his dream collaborator is Chris Martin of Coldplay, and you can easily imagine the two creating a worthy sequel to seminal sad song “Fix You.”) Then there’s “I Like Me Better,” with nearly half a billion streams. It’s a sweet, stripped-down piece of music, a crush in song form boosted with some smart dolphin-like chords and propelled by Lauv’s gentle tenor.
Fast forward to summer of 2018, and Lauv is a platinum artist. He’s toured as an opener for Ed Sheeran in Asia and will be opening for Sheeran again this fall in the U.S., while he begins work on a new project and pursues his own headline tour. And while he’s set up a home base in L.A., he keeps coming back to New York City. His first stop is always the Mexican restaurant in midtown where he once served as a waiter. “I love nostalgia,” he says; it’s what he mines for stories in his lyrics, and it’s something that his legion of fans turn to him for, seeking an honest perspective on young love, growing up and feeling loss. For his twenty-fourth birthday in August, Lauv was touched with fans’ “Blue Thoughts” tributes.
“You guys give me positivity on days I can’t seem to find any,” he captioned his birthday Instagram post. “I f–king love you to death and am blown away by your hearts and minds and I mean it.” If Lauv is any indication, being real — insecurities and all — is the new cool.

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at his shows, the pop singer-songwriter known as lauv has a box for what he calls “my blue thoughts.” in it, audience members can drop strips of paper on which they’ve jotted whatever is on their mind at the moment. sometimes it’s inane stuff, like a desire for chicken fingers. other times it’s the serious things: “loss of family members, depression, eating disorders.” lauv likes to share these notes and commemorate them on a blog he keeps, binding his fans together in an experience of communal openness, a sort of group therapy that continues in his online presence, from instagram to tumblr to reddit.
it’s not a publicity strategy; it’s just who lauv is. he describes himself as the kid who was a little “weird,” who had a custom banner for his myspace page that read “be yourself,” who wrote love songs before he had a girlfriend and liked sad tunes before he had ever been in a breakup.
lauv has clearly touched a nerve; his first “playlist,” the 17-track compilation i met you when i was 18, has been streamed well over a billion times on spotify, while his breakout hit “i like me better” brought his first platinum record. he’s booked appearances on late night and morning shows like jimmy fallon’s, performed at this month’s teen choice awards and topped billboard‘s emerging artist chart. he’s written for demi lovato and opened for ed sheeran. the 24-year-old singer-songwriter is well on his way up pop’s ladder as a sensitive, keyed-in new voice, a trajectory he seems to take as a pleasant surprise.
for lauv, that humility also translates into success with his fans. “kids can tell if you’re being genuine or not,” he explains now over an egg white omelette breakfast, fresh off a morning tv performance in new york city. “i don’t think the world needs more role models of people trying to be something they’re not. i’ve always hated the feeling of trying to be cool or trying to fit in.” he’s wearing a ring in the shape of a lion’s head, nabbed from a local jewelry shop; “lauv” means “lion” in latvian, where his mother’s family is from. but lauv — real name ari leff — comes across as a friendlier kind of cat, all big eyes and open heart.
born in california, lauv spent his early childhood in a suburb of atlanta, ga before his family relocated outside of philadelphia, pa. “my tactic for when i got to a new school was to just be really goofy, be really weird, and try to break all barriers as fast as possible,” he explains. in other words, lauv — whose music hits a sweet spot filled with nostalgia, full of relatable specifics of youth and memorable college years over moody electro-pop production — prepped from a young age for an experience of being his most honest self in public.
it wasn’t until he picked up a guitar in middle school that lauv’s transition to full-fledged artist began. from there, he started writing songs — “really bad songs,” he says now. his taste growing up was diverse, from classic rock to atlanta hip-hop, but he always gravitated to the “sad songs, the emotional songs.” in turn, the music he wrote tended to center on breakups. “my dad used to drive me and my band to our shows, and he’d be like, what am i missing here, you don’t even have a girlfriend!” lauv laughs now.
by high school, he started playing in bands that performed to empty venues. they’d book the shows themselves, and lauv was involved in every production element, down to the lighting. “it was good practice,” he says, but it wasn’t exactly a fast track to stardom. eventually, he lost confidence in himself as a performing artist.
“i was putting myself out there all the time, and i wasn’t really seeing much response,” he says. he decided to pivot to a behind-the-scenes role in the music world, looking into college programs for sound engineering and production.
even the concept of going to new york city felt intimidating — until he visited nyu and decided to give it a shot after all. spending his first two years as a studio intern for jungle city studios, lauv soon got used to seeing celebrities stroll through: jay-z, justin timberlake, alicia keys, timbaland and jessie j were all recording while he was running errands and fulfilling their specific rider requests, from high-end candles to luxury waters. but lauv didn’t begrudge the artists their needs: “any one thing can get in the way of you and your brain being comfortable and being inspired,” he says. “it’s the difference between a really big song and a song that never existed.” he should know best; his breakout hit — and ensuing solo career — almost didn’t happen at all.
lauv performs during the 2018 outside lands music and arts festival at golden gate park on august 10, 2018 in san francisco, california.
lauv had been writing songs to pitch to other artists, trying to get on the radar of managers by sending cold emails, when he wrote “the other.” right away, he knew it was different. he ended up pulling an all-nighter in the school library to finish producing it, discovering what’s now his “sound” of stripped-down electronic pop “kind of by accident.” when he finally uploaded “the other” to soundcloud in 2015, he was studying abroad in prague. the attention from blogs and aggregators like hypemachine was a complete surprise.
“the other” is a classic breakup song: “who wrote the book on goodbye?” he sings. “there’s never been a way to make this easy.” the just-electronic-enough production and mid-tempo beat propelled it to earworm status; that one has over 170 million spotify streams alone. (lauv says now that his dream collaborator is chris martin of coldplay, and you can easily imagine the two creating a worthy sequel to seminal sad song “fix you.”) then there’s “i like me better,” with nearly half a billion streams. it’s a sweet, stripped-down piece of music, a crush in song form boosted with some smart dolphin-like chords and propelled by lauv’s gentle tenor.
fast forward to summer of 2018, and lauv is a platinum artist. he’s toured as an opener for ed sheeran in asia and will be opening for sheeran again this fall in the u.s., while he begins work on a new project and pursues his own headline tour. and while he’s set up a home base in l.a., he keeps coming back to new york city. his first stop is always the mexican restaurant in midtown where he once served as a waiter. “i love nostalgia,” he says; it’s what he mines for stories in his lyrics, and it’s something that his legion of fans turn to him for, seeking an honest perspective on young love, growing up and feeling loss. for his twenty-fourth birthday in august, lauv was touched with fans’ “blue thoughts” tributes.
“you guys give me positivity on days i can’t seem to find any,” he captioned his birthday instagram post. “i f–king love you to death and am blown away by your hearts and minds and i mean it.” if lauv is any indication, being real — insecurities and all — is the new cool.


text:
Suicidal behavior in patients with major depression and comorbid personality disorders.
Practice guideline for the assessment and treatment of patients with suicidal behaviors.
Differences and similarities of risk factors for suicidal ideation and attempts among patients with depressive or bipolar disorders.
Suicide attempts in major depressed patients with personality disorder.
A dimensional approach of suicidal personality.
Individuals with single versus multiple suicide attempts over 10years of prospective follow-up.

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suicidal behavior in patients with major depression and comorbid personality disorders.
practice guideline for the assessment and treatment of patients with suicidal behaviors.
differences and similarities of risk factors for suicidal ideation and attempts among patients with depressive or bipolar disorders.
suicide attempts in major depressed patients with personality disorder.
a dimensional approach of suicidal personality.
individuals with single versus multiple suicide attempts over 10years of prospective follow-up.


text:
DFI has brought its line of 95 x 95mm COM Express Compact modules up to date with new Intel Skylake and Braswell models. Both the 6th Generation Core based SU968 and the Intel Celeron and Pentium N3000 ready BW968 support several Linux and Windows distributions, and can use the same COM332-B carrier board.
The available Debian 8 and CentOS 7 Linux distributions include VESA graphics drivers, while the Ubuntu 15.10 option has an Intel graphics driver. Linux support is not mentioned on the BW968 product page, but is listed in the datasheet.
Both products have triple display support, and can individually support up to 4096 x 2160 (SU968) or 3840 x (BW968). They both have 12V/5VSB power supplies and support 0 to 60°C temperatures. In addition, the SU968 is said to support -40 to 85°C with an optional heat spreader.
The SU968 supports dual-core, Skylake U-Series processors with 15W TDPs. These include the 2.6GHz Core i7-6600U, 2.4GHz Core i5-6300U, and 2.3GHz Core i3-6100U. All the CPUs also support higher Turbo clock rates. In addition, the board supports a 15W, dual-core, 2.0GHz Celeron 3955U without Turbo.
The module supports up to 16GB of dual-channel DDR3L-1600MHz RAM instead of the faster DDR4 RAM we have come to expect from Skylake products. Display support includes DDI, VGA/DDI, and dual-channel, 24-bit LVDS, which can be swapped out for eDP.
A GbE port is provided along with either 5x PCIe x1 or else 4x PCIe x1 combined with a PCIe x4 interface. The number of SATA 3.0 ports depend on the processor. The Core i7 and i5 models have three, and include RAID 0/1/5/10 support, while the Celeron is limited to two. There’s no mention of the i3.
The SU968 supports 4x USB 3.0 and 8x USB 2.0 ports, as well as HD audio, LPC, I2C, SMBus, and dual UART interfaces. Other features include 8-bit DIO, watchdog, and optional TPM. Power consumption with the Core i7 is a typical 10.28W, or 16.46W maximum, says DFI.
The BW968 supports Intel Braswell chips including the top-of-the-line, quad-core Pentium N3710, the quad-core Celeron N3060 and N3160, and the dual-core Celeron N3010. You can also choose an Atom x5-E8000. They all have 6W TDPs except for the Celeron 3010, which runs at even lower 4W and the Atom, which has a 5W TDP.
You can load up to 8GB of DDR3L-1600 RAM via dual SODIMMs, and you get 3 x PCIe x1 Gen 2 and 2x SATA 3.0 interfaces. Display interfaces are the same as with the SU968 except that the DDI support is optional on the VGA port.
The BW968’s GbE and USB support is also the same as the SU968, as are the other interfaces and features. Power consumption with the Pentium N3710 is said to be 3.41W typical, with a maximum of 7.35W.
Both COM Express Compact modules are available with the 244 x 244mm microATX form-factor COM332-B carrier board. Coastline ports include a GbE port, 3x DisplayPorts, 4x USB 3.0 ports, 4x USB 2.0 ports, and 3x audio jacks (Realtek ALC888S-VD2-GR codec). VGA, LVDS, and eDP connectors are also onboard along with S/PDIF audio.
The COM332-B carrier provides four SATA 3.0 ports, plus serial, 8-bit DIO, LPC, SMBus, a fan connector, and SDIO interfaces. PCIe expansion includes a PCIe x16, 6x PCIe x1 interfaces and dual full-size mini-PCIe slots. The board has 12V and ATX power supplies and supports Type 6 Basic modules as well as Compact.
No pricing or availability information was provided for the SU968, BW968, or COM332-B carrier. More information may be found at DFI’s product pages for the SU968, the BW968, and the COM332-B (PDF).

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dfi has brought its line of 95 x 95mm com express compact modules up to date with new intel skylake and braswell models. both the 6th generation core based su968 and the intel celeron and pentium n3000 ready bw968 support several linux and windows distributions, and can use the same com332-b carrier board.
the available debian 8 and centos 7 linux distributions include vesa graphics drivers, while the ubuntu 15.10 option has an intel graphics driver. linux support is not mentioned on the bw968 product page, but is listed in the datasheet.
both products have triple display support, and can individually support up to 4096 x 2160 (su968) or 3840 x (bw968). they both have 12v/5vsb power supplies and support 0 to 60°c temperatures. in addition, the su968 is said to support -40 to 85°c with an optional heat spreader.
the su968 supports dual-core, skylake u-series processors with 15w tdps. these include the 2.6ghz core i7-6600u, 2.4ghz core i5-6300u, and 2.3ghz core i3-6100u. all the cpus also support higher turbo clock rates. in addition, the board supports a 15w, dual-core, 2.0ghz celeron 3955u without turbo.
the module supports up to 16gb of dual-channel ddr3l-1600mhz ram instead of the faster ddr4 ram we have come to expect from skylake products. display support includes ddi, vga/ddi, and dual-channel, 24-bit lvds, which can be swapped out for edp.
a gbe port is provided along with either 5x pcie x1 or else 4x pcie x1 combined with a pcie x4 interface. the number of sata 3.0 ports depend on the processor. the core i7 and i5 models have three, and include raid 0/1/5/10 support, while the celeron is limited to two. there’s no mention of the i3.
the su968 supports 4x usb 3.0 and 8x usb 2.0 ports, as well as hd audio, lpc, i2c, smbus, and dual uart interfaces. other features include 8-bit dio, watchdog, and optional tpm. power consumption with the core i7 is a typical 10.28w, or 16.46w maximum, says dfi.
the bw968 supports intel braswell chips including the top-of-the-line, quad-core pentium n3710, the quad-core celeron n3060 and n3160, and the dual-core celeron n3010. you can also choose an atom x5-e8000. they all have 6w tdps except for the celeron 3010, which runs at even lower 4w and the atom, which has a 5w tdp.
you can load up to 8gb of ddr3l-1600 ram via dual sodimms, and you get 3 x pcie x1 gen 2 and 2x sata 3.0 interfaces. display interfaces are the same as with the su968 except that the ddi support is optional on the vga port.
the bw968’s gbe and usb support is also the same as the su968, as are the other interfaces and features. power consumption with the pentium n3710 is said to be 3.41w typical, with a maximum of 7.35w.
both com express compact modules are available with the 244 x 244mm microatx form-factor com332-b carrier board. coastline ports include a gbe port, 3x displayports, 4x usb 3.0 ports, 4x usb 2.0 ports, and 3x audio jacks (realtek alc888s-vd2-gr codec). vga, lvds, and edp connectors are also onboard along with s/pdif audio.
the com332-b carrier provides four sata 3.0 ports, plus serial, 8-bit dio, lpc, smbus, a fan connector, and sdio interfaces. pcie expansion includes a pcie x16, 6x pcie x1 interfaces and dual full-size mini-pcie slots. the board has 12v and atx power supplies and supports type 6 basic modules as well as compact.
no pricing or availability information was provided for the su968, bw968, or com332-b carrier. more information may be found at dfi’s product pages for the su968, the bw968, and the com332-b (pdf).


text:
If there is no life at all then it usually indicates a internal problem and you will need to send it in for repairs. Check if you have any warrenty then check to see what repair costs might be and then check what a replacement is worth. Sometimes a new camera isn;t much more than fixing the old one.
When powering up my Kodak EasyShare Z1012 IS camera.. powers right back down.. tried changing battery... still same problem?
My Kodak Easyshare Digital Camera M853 has no power..
Kodak EasyShare LS753 Digital Camera, will not power up?

lowercased:
if there is no life at all then it usually indicates a internal problem and you will need to send it in for repairs. check if you have any warrenty then check to see what repair costs might be and then check what a replacement is worth. sometimes a new camera isn;t much more than fixing the old one.
when powering up my kodak easyshare z1012 is camera.. powers right back down.. tried changing battery... still same problem?
my kodak easyshare digital camera m853 has no power..
kodak easyshare ls753 digital camera, will not power up?


text:
Groups of burial mounds may be among the most tangible and visible remains of Europe’s prehistoric past. Yet, not much is known on how “barrow landscapes” came into being . This book deals with that topic, by presenting the results of archaeological research carried out on a group of just two barrows that crown a small hilltop near the Echoput (“echo-well”) in Apeldoorn, the Netherlands.
In 2007, archaeologists of the Ancestral Mounds project of Leiden University carried out an excavation of parts of these mounds and their immediate environment. They discovered that these mounds are rare examples of monumental barrows from the later part of the Iron Age. They were probably built at the same time, and their similarities are so conspicuous that one might speak of “twin barrows”.
The research team was able to reconstruct the long-term history of this hilltop. We can follow how the hilltop that is now deep in the forests of the natural reserve of the Kroondomein Het Loo, once was an open place in the landscape. With pragmatism not unlike our own, we see how our prehistoric predecessors carefully managed and maintained the open area for a long time, before it was transformed into a funerary site. The excavation yielded many details on how people built the barrows by cutting and arranging heather sods, and how the mounds were used for burial rituals in the Iron Age.
Quentin performed his PhD study within the research project Ancestral Mounds.In his research he dealt with groups of barrows and their position within the landscape. Through extensive GIS-analyses he attempted to shed some light on the choice of location for the placement of the burial monuments. Why were they placed there, what could be seen from that location, and how did this develop through time?

lowercased:
groups of burial mounds may be among the most tangible and visible remains of europe’s prehistoric past. yet, not much is known on how “barrow landscapes” came into being . this book deals with that topic, by presenting the results of archaeological research carried out on a group of just two barrows that crown a small hilltop near the echoput (“echo-well”) in apeldoorn, the netherlands.
in 2007, archaeologists of the ancestral mounds project of leiden university carried out an excavation of parts of these mounds and their immediate environment. they discovered that these mounds are rare examples of monumental barrows from the later part of the iron age. they were probably built at the same time, and their similarities are so conspicuous that one might speak of “twin barrows”.
the research team was able to reconstruct the long-term history of this hilltop. we can follow how the hilltop that is now deep in the forests of the natural reserve of the kroondomein het loo, once was an open place in the landscape. with pragmatism not unlike our own, we see how our prehistoric predecessors carefully managed and maintained the open area for a long time, before it was transformed into a funerary site. the excavation yielded many details on how people built the barrows by cutting and arranging heather sods, and how the mounds were used for burial rituals in the iron age.
quentin performed his phd study within the research project ancestral mounds.in his research he dealt with groups of barrows and their position within the landscape. through extensive gis-analyses he attempted to shed some light on the choice of location for the placement of the burial monuments. why were they placed there, what could be seen from that location, and how did this develop through time?


text:
[電視] 怎樣處理 LG Store 及 Sign-in 圖標於畫面消失?
What can I do when LG Store and Sign-in icon disappear from screen?
■ LG Store (Smart World) and sign-in icon suddenly disappear screen.
■ If country settings on the Smart TV is Auto instead of Manual, Others are automatically selected (From its previous settings).
and the sign-in icon to disappear from the Home screen.
■ If your country setting is Auto, change it to Manual and select a country accordingly.

lowercased:
[電視] 怎樣處理 lg store 及 sign-in 圖標於畫面消失?
what can i do when lg store and sign-in icon disappear from screen?
■ lg store (smart world) and sign-in icon suddenly disappear screen.
■ if country settings on the smart tv is auto instead of manual, others are automatically selected (from its previous settings).
and the sign-in icon to disappear from the home screen.
■ if your country setting is auto, change it to manual and select a country accordingly.


text:
Pdf), Text File (. Aportisdoc converter download. Txt) or read book online for free.
Bahan Ajar Simdig Semester 1- V3, 2017 (1) - Free ebook download as PDF File (.
OpenOffice ( and thus unoconv) support various import and export formats. Not all formats that can be imported can be exported and vice versa.
The below list of formats only lists the export formats. # Linux factpack # 1999- Dec- 29 # Author: Kimmie Dicaire # see Open CASCADE = > $ who, The Open CASCADE Object Libraries are.

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pdf), text file (. aportisdoc converter download. txt) or read book online for free.
bahan ajar simdig semester 1- v3, 2017 (1) - free ebook download as pdf file (.
openoffice ( and thus unoconv) support various import and export formats. not all formats that can be imported can be exported and vice versa.
the below list of formats only lists the export formats. # linux factpack # 1999- dec- 29 # author: kimmie dicaire # see open cascade = > $ who, the open cascade object libraries are.


text:
The US Congress does not want NASA to consider any manned mission to Mars. They are writing this ban into HR 3093, an appropriations bill that includes NASA's 2008 budget. The bill states that NASA may not pursue "development or demonstration activity related exclusively to Human Exploration of Mars." The language of the bill goes on to say why... "NASA has too much on its plate already, and the President is welcome to include adequate funding for the Human Mars Initiative in a budget amendment or subsequent year funding requests."
So, all President Bush has to do is fund Mars missions separately? Is that really the whole story? I suspected not. Congressman Barney Frank (D MA) has pushed to add anti-Mars language to appropriations bills in 2005 and 2006. In 2005, he wrote "I agree about what was said about aeronautics; it is so important. I agree with space experimentation, primarily unmanned. But sending human beings to Mars, which this bill unfortunately endorses, is an extravagance…". In 2006 he moved to add the language, "None of the funds made available by this Act may be used for a manned space mission to Mars."
So, it would seem that Congressman Frank wants NASA to be frugal with taxpayers' money, and views any manned Mars mission as a boondoggle. I decided to seek out Harvey Kurtz, a former NASA employee and Mars expert fired in the 1980s for refusing to participate in a cover-up of the Viking mission's findings, especially its most sensational finding: the existence of life on the red planet. Kurtz has revealed much to me and to The Uncoveror in the past, such as the fact that Martians call themselves the Zhti Ti Kofft and live deep under the planet's surface.
Kurtz is not an easy man to get in touch with, as he is convinced that NASA is still out to get him. I made several attempts to contact him, eventually reaching a voice mail box. I left a message asking whether cutting fat out of the budget was the only reason Barney Frank is so against sending astronauts to Mars. For a considerable time I heard nothing, but earlier today I got a text message saying: "NO. HE HAS MET KOFFT. 3 OTHERS IN DC AS WELL" I tried immediately to reach him for more detail, but he had gone back underground.
If the Zhit Ti Kofft really have warned our leaders to stay off of their planet, and we don't listen, what are we risking? Would they just kill our astronauts as they shot down our probes, or make War Of The Worlds a reality? I do not want to find out.

lowercased:
the us congress does not want nasa to consider any manned mission to mars. they are writing this ban into hr 3093, an appropriations bill that includes nasa's 2008 budget. the bill states that nasa may not pursue "development or demonstration activity related exclusively to human exploration of mars." the language of the bill goes on to say why... "nasa has too much on its plate already, and the president is welcome to include adequate funding for the human mars initiative in a budget amendment or subsequent year funding requests."
so, all president bush has to do is fund mars missions separately? is that really the whole story? i suspected not. congressman barney frank (d ma) has pushed to add anti-mars language to appropriations bills in 2005 and 2006. in 2005, he wrote "i agree about what was said about aeronautics; it is so important. i agree with space experimentation, primarily unmanned. but sending human beings to mars, which this bill unfortunately endorses, is an extravagance…". in 2006 he moved to add the language, "none of the funds made available by this act may be used for a manned space mission to mars."
so, it would seem that congressman frank wants nasa to be frugal with taxpayers' money, and views any manned mars mission as a boondoggle. i decided to seek out harvey kurtz, a former nasa employee and mars expert fired in the 1980s for refusing to participate in a cover-up of the viking mission's findings, especially its most sensational finding: the existence of life on the red planet. kurtz has revealed much to me and to the uncoveror in the past, such as the fact that martians call themselves the zhti ti kofft and live deep under the planet's surface.
kurtz is not an easy man to get in touch with, as he is convinced that nasa is still out to get him. i made several attempts to contact him, eventually reaching a voice mail box. i left a message asking whether cutting fat out of the budget was the only reason barney frank is so against sending astronauts to mars. for a considerable time i heard nothing, but earlier today i got a text message saying: "no. he has met kofft. 3 others in dc as well" i tried immediately to reach him for more detail, but he had gone back underground.
if the zhit ti kofft really have warned our leaders to stay off of their planet, and we don't listen, what are we risking? would they just kill our astronauts as they shot down our probes, or make war of the worlds a reality? i do not want to find out.


text:
You can contact us though the usual means (by post, telephone, or fax) or by email.
If you prefer, you can send us a message from this page, filling in the form placed below. Insert your contact data and write the question, request or suggestion you want us to recieve. We will try to reply as soon as possible.

lowercased:
you can contact us though the usual means (by post, telephone, or fax) or by email.
if you prefer, you can send us a message from this page, filling in the form placed below. insert your contact data and write the question, request or suggestion you want us to recieve. we will try to reply as soon as possible.


text:
(Ankeny, Iowa – April 9, 2019) On April 1, 2019, the Soil and Water Conservation Society (SWCS) signed a memorandum of understanding (MOU) with the Green Infrastructure Foundation (GIF) and Green Roofs for Healthy Cities (GRHC) in anticipation of the 74th SWCS International Annual Conference, to be held July 28-31, 2019, in Pittsburgh, Pennsylvania. The theme of this year’s conference is Bridging the Divide: Uniting Rural and Urban Landscapes for Conservation.
The MOU represents a formal partnership between GIF, GRHC, and SWCS to collaboratively promote the use of green infrastructure throughout North America and explore the many rural/urban connections associated with its use. The three organizations share the mission of enhancing landscape sustainability and resilience, and advance their goals by providing programs and resources, improving technical knowledge, and raising public awareness. Planned cooperative efforts include a green infrastructure workshop at the SWCS Annual Conference; participation in the GRHC Biophilia Symposium on July 29, 2019; and development of a series of rural-focused green infrastructure activities to be held in the Midwest region.
“We look forward to working with the Soil and Water Conservation Society to advance the use of green infrastructure to support the health and well-being of all our communities, large and small,” said Steven W. Peck, GRP, Honorary ASLA, Founder and President, Green Roofs for Healthy Cities.
To learn more about activities at the SWCS Annual Conference and the connections between rural and urban conservation, visit http://www.swcs.org/19AC. Information about the GRHC Pittsburgh Biophilia Symposium is available at http://www.cvent.com/d/v6q961.
The Green Infrastructure Foundation partners with communities to shape healthy, resilient and sustainable places through living green infrastructure.
Green Roofs for Healthy Cities' mission is to develop and protect the market by increasing the awareness of the economic, social, and environmental benefits of green roofs, green walls, and other forms of living architecture through education, advocacy, professional development, and celebrations of excellence.
With more than 3000 members around the world, the Soil and Water Conservation Society (SWCS) is a nonprofit scientific and educational organization that serves as an advocate for conservation professionals and for science-based conservation practice, programs, and policy.
The SWCS mission is to foster the science and art of natural resource conservation. We work to discover, develop, implement and constantly improve conservation practices and systems that sustain the productive capacity of the land while protecting environmental quality.
We pursue our mission through a combination of research, education and advocacy aimed at promoting state-of-the-art conservation practices and science-based conservation policy.

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(ankeny, iowa – april 9, 2019) on april 1, 2019, the soil and water conservation society (swcs) signed a memorandum of understanding (mou) with the green infrastructure foundation (gif) and green roofs for healthy cities (grhc) in anticipation of the 74th swcs international annual conference, to be held july 28-31, 2019, in pittsburgh, pennsylvania. the theme of this year’s conference is bridging the divide: uniting rural and urban landscapes for conservation.
the mou represents a formal partnership between gif, grhc, and swcs to collaboratively promote the use of green infrastructure throughout north america and explore the many rural/urban connections associated with its use. the three organizations share the mission of enhancing landscape sustainability and resilience, and advance their goals by providing programs and resources, improving technical knowledge, and raising public awareness. planned cooperative efforts include a green infrastructure workshop at the swcs annual conference; participation in the grhc biophilia symposium on july 29, 2019; and development of a series of rural-focused green infrastructure activities to be held in the midwest region.
“we look forward to working with the soil and water conservation society to advance the use of green infrastructure to support the health and well-being of all our communities, large and small,” said steven w. peck, grp, honorary asla, founder and president, green roofs for healthy cities.
to learn more about activities at the swcs annual conference and the connections between rural and urban conservation, visit http://www.swcs.org/19ac. information about the grhc pittsburgh biophilia symposium is available at http://www.cvent.com/d/v6q961.
the green infrastructure foundation partners with communities to shape healthy, resilient and sustainable places through living green infrastructure.
green roofs for healthy cities' mission is to develop and protect the market by increasing the awareness of the economic, social, and environmental benefits of green roofs, green walls, and other forms of living architecture through education, advocacy, professional development, and celebrations of excellence.
with more than 3000 members around the world, the soil and water conservation society (swcs) is a nonprofit scientific and educational organization that serves as an advocate for conservation professionals and for science-based conservation practice, programs, and policy.
the swcs mission is to foster the science and art of natural resource conservation. we work to discover, develop, implement and constantly improve conservation practices and systems that sustain the productive capacity of the land while protecting environmental quality.
we pursue our mission through a combination of research, education and advocacy aimed at promoting state-of-the-art conservation practices and science-based conservation policy.