text:
For hookwire localisation prior to WLE right breast lesion. Screening detected architectural distortion.
Architectural distortion in the right upper breast in the MLO (12:30).
Patient recalled by the screening service for further workup - US showed a suspicious hypoechoic lesion at 12:30 5mm in size. This was biopsied under US guidance and histology confirm invasive carcinoma, NOS. The patient was referred for surgical management.
At 12 o'clock there is a deep poorly defined hypoechoic lesion measuring 6 x 8 mm.
A hook wire was advanced from the lateral aspect of the right breast through the deep hypoechoic lesion with the tip of the wire protruding 11.5mm beyond the edge of the lesion.
Mammogram confirms the hookwire through the lesion.
Mammogram confirms the targeted and wired lesion within the superomedial aspect of the specimen.
Ultrasound confirms targeted lesion within the specimen.
Standard hookwire within the entry needle.
Histology = Grade 2 Invasive carcinoma, no special type with involved margins; intermediate and high-grade DCIS; 0/7 lymph nodes, ER/PR+ve.

lowercased:
for hookwire localisation prior to wle right breast lesion. screening detected architectural distortion.
architectural distortion in the right upper breast in the mlo (12:30).
patient recalled by the screening service for further workup - us showed a suspicious hypoechoic lesion at 12:30 5mm in size. this was biopsied under us guidance and histology confirm invasive carcinoma, nos. the patient was referred for surgical management.
at 12 o'clock there is a deep poorly defined hypoechoic lesion measuring 6 x 8 mm.
a hook wire was advanced from the lateral aspect of the right breast through the deep hypoechoic lesion with the tip of the wire protruding 11.5mm beyond the edge of the lesion.
mammogram confirms the hookwire through the lesion.
mammogram confirms the targeted and wired lesion within the superomedial aspect of the specimen.
ultrasound confirms targeted lesion within the specimen.
standard hookwire within the entry needle.
histology = grade 2 invasive carcinoma, no special type with involved margins; intermediate and high-grade dcis; 0/7 lymph nodes, er/pr+ve.


text:
There are so many kinds of detail that people must pay attention when they want to make kind of great decoration inside their own house especially in their bedrooms. Sometimes people think that they do not need to pay full attention for the detail. They could think like this because they have kind of opinion that they do not need to make kind of special decoration in a room where will not be visited by the guest because it is the most private area for the owner for sure.
However, people actually should pay attention in decorating not for the guest but for themselves only actually. People could not deny that they could get kind of great sleep experience if they get the great support from the best bfor sure. People could put kind of simple detail inside the room by choosing the best cabinet which will be put in the room after all.
People must be serious with the cabinet when choosing the ideas because cabinet could be the second dominating part of a bedroom after the bed itself of course. It means that best cabinet could make best bedroom design as well.

lowercased:
there are so many kinds of detail that people must pay attention when they want to make kind of great decoration inside their own house especially in their bedrooms. sometimes people think that they do not need to pay full attention for the detail. they could think like this because they have kind of opinion that they do not need to make kind of special decoration in a room where will not be visited by the guest because it is the most private area for the owner for sure.
however, people actually should pay attention in decorating not for the guest but for themselves only actually. people could not deny that they could get kind of great sleep experience if they get the great support from the best bfor sure. people could put kind of simple detail inside the room by choosing the best cabinet which will be put in the room after all.
people must be serious with the cabinet when choosing the ideas because cabinet could be the second dominating part of a bedroom after the bed itself of course. it means that best cabinet could make best bedroom design as well.


text: Join Youth Express as our team of reporters from Pittsburgh Youth Media interview the 200-plus tech enthusiasts, crafters, educators, tinkerers, hobbyists and other exhibitors at Maker Faire Pittsburgh 2015. Tune in at youthexpress.org or visit us at our broadcast booth onsite. Maker Faire Pittsburgh runs 10/10 and 10/11 in Buhl Community Park, Children’s Museum of Pittsburgh and Nova Place.

lowercased: join youth express as our team of reporters from pittsburgh youth media interview the 200-plus tech enthusiasts, crafters, educators, tinkerers, hobbyists and other exhibitors at maker faire pittsburgh 2015. tune in at youthexpress.org or visit us at our broadcast booth onsite. maker faire pittsburgh runs 10/10 and 10/11 in buhl community park, children’s museum of pittsburgh and nova place.


text:
A record crowd saw four spectacular Welsh finals on an historic day at Virginia Park, Caerphilly last Sunday (August 19)..
It was the first time in Wales Rugby League history where the Premier League Senior Conference final and the Junior Finals were held at the same venue.
The last final of the day saw the reigning champions the Bridgend Blue Bulls take on the unbeaten Bonymaen Broncos for the coveted Premier League Title.
The Broncos started the game the stronger building momentum with strong running from their forwards and scoring two tries through Rob Jones and Dwayne Eager both converted by captain Ian Brookes.
The Bulls then replied with a well worked try for winger Huw Rosser making the score to 12 – 4. The Bulls then failed to capitalise on their possession, on the Broncos next set they worked towards the halfway line, on tackle four and intricate move put winger Robbie Ford into space and the speedster run 50 metres for an outstanding finish converted by Brookes.
The Bulls defended well from the kick off to regain possession and a complete set sent Lewis Tutt over for a try converted by Gareth David. Broncos had the last word of an entertaining first half when Duane Eager broke through for his second of the game, goaled by Brookes. That made the half-time score 24-10 to the Broncos.
That left the score at 36-20 to the Broncos, and with15 minutes to go the next score was crucial.
The Bulls had possession but were forcing the passes and with an offload in the tackle not going to hand the Broncos were awarded a scrum.
The Broncos were clinical with Chris Stokes crashing over in the corner. To the Bulls credit they battled on and were rewarded with tries from Richard Howells and Ricky James. Collecting the ball from the restart the Bulls look to spread the ball wide but a speculative pass was intercepted by Robbie Ford who sprinted 70 metres for his second try which was converted by Brookes.
And that meant that the Broncos took the title by 46-28.
Wales Rugby League would like to congratulate Bonymaen Broncos on winning the Premier League title in their first season at this level and our commiserations go to the runners up Bridgend Blue Bulls, the game was played in excellent spirit with both teams being superb ambassadors for the community game in Wales.

lowercased:
a record crowd saw four spectacular welsh finals on an historic day at virginia park, caerphilly last sunday (august 19)..
it was the first time in wales rugby league history where the premier league senior conference final and the junior finals were held at the same venue.
the last final of the day saw the reigning champions the bridgend blue bulls take on the unbeaten bonymaen broncos for the coveted premier league title.
the broncos started the game the stronger building momentum with strong running from their forwards and scoring two tries through rob jones and dwayne eager both converted by captain ian brookes.
the bulls then replied with a well worked try for winger huw rosser making the score to 12 – 4. the bulls then failed to capitalise on their possession, on the broncos next set they worked towards the halfway line, on tackle four and intricate move put winger robbie ford into space and the speedster run 50 metres for an outstanding finish converted by brookes.
the bulls defended well from the kick off to regain possession and a complete set sent lewis tutt over for a try converted by gareth david. broncos had the last word of an entertaining first half when duane eager broke through for his second of the game, goaled by brookes. that made the half-time score 24-10 to the broncos.
that left the score at 36-20 to the broncos, and with15 minutes to go the next score was crucial.
the bulls had possession but were forcing the passes and with an offload in the tackle not going to hand the broncos were awarded a scrum.
the broncos were clinical with chris stokes crashing over in the corner. to the bulls credit they battled on and were rewarded with tries from richard howells and ricky james. collecting the ball from the restart the bulls look to spread the ball wide but a speculative pass was intercepted by robbie ford who sprinted 70 metres for his second try which was converted by brookes.
and that meant that the broncos took the title by 46-28.
wales rugby league would like to congratulate bonymaen broncos on winning the premier league title in their first season at this level and our commiserations go to the runners up bridgend blue bulls, the game was played in excellent spirit with both teams being superb ambassadors for the community game in wales.


text:
Except for A. purpurascens, the species are all quite uncommon in Michigan and all are at the edge of their range in the state. Our plants are fairly easily distinguished, but the measurements in the key may fail completely to apply to forms of the same species farther south and west, where there is apparently much more overlapping of characters and even greater variability in size of awns, glumes, and lemmas. Great Lakes area populations generally need more study.
1. Awns tightly twisted and ± connate, forming a column ca. 5–9 mm long at summit of lemma before diverging into 3 ± equal and much longer free portions.
1. Awns not forming a column, separate from their bases.
2. First glume with 3–5 distinct nerves, ca. 16–24 mm long (plus awn if present); body of lemma ca. (12–) 15–17 (–21) mm long; awns ca. 3.5–6 (–7.5) cm long.
2. First glume with 1 distinct nerve, 2.5–12.5 mm long; body of lemma 3.5–11 mm long; awns less than 3.5 cm long.
3. Middle awn on most lemmas loosely spiraled (at least when dry) in 1 or 2 loops toward its base.
4. Body of lemma ca. 7–11 mm long, with middle awn 9–18 mm long and lateral awns 6–12 mm long; glumes clearly unequal, the first usually equaling or shorter than the body of the lemma.
4. Body of lemma ca. 5–7 mm long, with middle awn mostly 4–8 mm long and lateral awns less than 2 mm long; glumes mostly subequal, both longer than body of lemma.
3. Middle awn on most lemmas bent, slightly twisted, or straight, without spiraled loops at base.
5. Middle awn of lemma ca. 7–12 mm long, strongly divergent or somewhat reflexed; lateral awns 1–4 (–5) mm long, ± erect or slightly spreading; first glume 2.5–4 (–6) mm long (excluding awn-tip if present); body of lemma ca. 3.5–5.5 mm long.
5. Middle awn of lemma ca. 15–33 mm long; lateral awns ca. 9–26 mm long; all awns somewhat spreading or divergent; first glume (4–) 5–12.5 mm long; body of lemma ca. 5–8 mm long.
6. First glume ca. (4–) 5–8 (–8.5) mm long, slightly shorter than second glume; lower sheaths essentially glabrous, the nodes mostly exposed; plants annual.
6. First glume (8–) 8.5–13.5 mm long, slightly longer than second glume; lower sheaths usually ± pilose, covering the nodes; plants perennial.
MICHIGAN FLORA ONLINE. A. A. Reznicek, E. G. Voss, & B. S. Walters. February 2011. University of Michigan. Web. April 19, 2019. https://michiganflora.net/genus.aspx?id=Aristida.

lowercased:
except for a. purpurascens, the species are all quite uncommon in michigan and all are at the edge of their range in the state. our plants are fairly easily distinguished, but the measurements in the key may fail completely to apply to forms of the same species farther south and west, where there is apparently much more overlapping of characters and even greater variability in size of awns, glumes, and lemmas. great lakes area populations generally need more study.
1. awns tightly twisted and ± connate, forming a column ca. 5–9 mm long at summit of lemma before diverging into 3 ± equal and much longer free portions.
1. awns not forming a column, separate from their bases.
2. first glume with 3–5 distinct nerves, ca. 16–24 mm long (plus awn if present); body of lemma ca. (12–) 15–17 (–21) mm long; awns ca. 3.5–6 (–7.5) cm long.
2. first glume with 1 distinct nerve, 2.5–12.5 mm long; body of lemma 3.5–11 mm long; awns less than 3.5 cm long.
3. middle awn on most lemmas loosely spiraled (at least when dry) in 1 or 2 loops toward its base.
4. body of lemma ca. 7–11 mm long, with middle awn 9–18 mm long and lateral awns 6–12 mm long; glumes clearly unequal, the first usually equaling or shorter than the body of the lemma.
4. body of lemma ca. 5–7 mm long, with middle awn mostly 4–8 mm long and lateral awns less than 2 mm long; glumes mostly subequal, both longer than body of lemma.
3. middle awn on most lemmas bent, slightly twisted, or straight, without spiraled loops at base.
5. middle awn of lemma ca. 7–12 mm long, strongly divergent or somewhat reflexed; lateral awns 1–4 (–5) mm long, ± erect or slightly spreading; first glume 2.5–4 (–6) mm long (excluding awn-tip if present); body of lemma ca. 3.5–5.5 mm long.
5. middle awn of lemma ca. 15–33 mm long; lateral awns ca. 9–26 mm long; all awns somewhat spreading or divergent; first glume (4–) 5–12.5 mm long; body of lemma ca. 5–8 mm long.
6. first glume ca. (4–) 5–8 (–8.5) mm long, slightly shorter than second glume; lower sheaths essentially glabrous, the nodes mostly exposed; plants annual.
6. first glume (8–) 8.5–13.5 mm long, slightly longer than second glume; lower sheaths usually ± pilose, covering the nodes; plants perennial.
michigan flora online. a. a. reznicek, e. g. voss, & b. s. walters. february 2011. university of michigan. web. april 19, 2019. https://michiganflora.net/genus.aspx?id=aristida.


text: Monte Carlo – Follow the Tennis match between Aljaž Bedene and Mirza Bašic live with Eurosport. The match starts at 12:00 on 16 April 2018. Our live coverage lets you follow all the key moments as they happen.

lowercased: monte carlo – follow the tennis match between aljaž bedene and mirza bašic live with eurosport. the match starts at 12:00 on 16 april 2018. our live coverage lets you follow all the key moments as they happen.


text:
Need help? Look no further.
There's no man behind the curtain here!
Not sure what to do? Start here.
Our guides are designed to help you understand what you're buying, what you need, and how to complete the order form. You'll notice we've covered a variety of scenarios, but if you don't see one that best fits your situation, check our FAQs for additional information. Of course, you can always ask us a question here or give us a call.
I'm a new agent and want to understand more about M-line Media's services.
M-line Media currently offers two services to State Farm agents. Those services are Messages On-Hold and Auto Attendant. Both services are for your phone system, but perform different functions.
Messages On-Hold is exactly how it sounds, whenever you place someone on hold or park, messages and music play for your caller to hear. You can customize the messages they hear by choosing from our State Farm approved library of over 35 messages when you order a file and we also offer over 15 different music tracks to choose from. For more information about our Messages On-Hold service, including pricing and samples, please visit our Messages On-Hold service page.
Our other service, Auto Attendant, is a professional voice service for your main phone greeting and office information track. You can choose from our library of approved auto attendant messages or submit your own for approval. We also provide consultation on how to best setup your phone system for your team. For more information regarding this service, including pricing and samples, please visit our Auto Attendant service page.
I've had Melodyline before and need to update my messages.
Updating your messages can be a simple process, but you'll need to make sure of a few things before you begin. Please continue reading this guide while we cover some common scenarios.
Your first step to updating your messages will be to make sure you have a compatible player installed at your office. If you don't have an MP3 player, then you'll definitely need to purchase our package option first. That will not only get you a new unit to play your messages on, but it includes a new message file as well. If you already know that you have an MP3 player at your office, then you simply need to order a MP3 Production Only on our order page. You'll be emailed a link to download your new file a few business days after your order. The email will also contain the instructions on how to load that file to your player using a personal computer.
If you're not sure which unit you have, then you should give us a call. We can look up any previous purchases you might have made with us and tell you if you've ever registered an MP3 unit. In some cases, if you've moved offices or taken over one, there might be an MP3 unit already there. It's fairly easy to identify a tape unit among any other hardware you might have, but MP3 units are smaller and are sometimes placed in hard to see or reach places. You can learn more information about our MP3 units on our Messages On-Hold service page.
Loading your MP3 production file to your unit.
1How do I load my messages?
We actually have a very detailed guide for this that covers multiple operating systems and units that we've used in the past. Check it out here.
2I just got my new hardware, Now what?
We currently ship the players out with your production on it so that you have the piece of mind knowing the initial setup is halfway taken care of out of the box. We strive to make sure that you should be able to connect the audio cable to the player and the appropriate connection on your phone system, then plug the power in and within a minute be up and running.
Note: The SBD-100 units have the audio port near the power. This is where the audio cable will go for you wire that connects to the phone system.
1My on-hold audio sounds distorted.
2Only piano music is playing when I put someone on hold or callers hear nothing.
This is often due to the volume of the player being low or a loose connection.
We want to check the volume of the player first, simply press the volume up on the player 5-10 times. Once it is able to be heard on the phone system you can adjust the volume to where it sounds best for the customers.
We first suggest checking with the supplied headphones to make sure that the player is working. If you do hear the production playing it we would need to look at connections.
It is suggested to reseat the connections by simply unplugging and plugging them back in. Some phone systems will take more than 5-10 seconds for you to hear the change. If reseating the connection does not seem to work we will want to make sure that the connections are in the right port.
1How do I adjust my volume for my on-hold messages?
Adjusting your volume is as simple as pressing a button! On our MP3 units, you'll find 2 buttons labeled 'Volume' or with small arrows pointing 'Up' or 'Down'. Simply turn on the built-in speaker and press one of the volume buttons until you reach the desired level. We always suggest that you be on-hold when you do this so that you can hear your messages at the same volume your callers will. Often, the volume will be set too low for the Cisco phone system to pick up and your messages will revert to the default piano music.
*In older MP3 units, the volume buttons may actually be a small knob. Turn the knob clockwise for 'Up' and counter-clockwise for 'Down'.
2The status light on my 1200S unit is solid red.
Be sure that the light you're looking at is indeed on the unit itself, and not the flash drive that's plugged in. If you do have a solid red light on your unit, then you need to reboot the unit by pulling the power cord out and plugging it back in. The unit will restart and the light should turn green again after a few moments. If the light is still red after a reboot, then you'll need to contact support so they can help troubleshoot the issue. Explain any steps you took to troubleshoot the issue to avoid repeating any steps.
3Which lights on the 1200S unit are important?
The most important light on the 1200S unit is the status LED located on the side. A lot of people confuse the light on the flash drive as being the status light of the unit. While the flash drive's light does tell us some things about the drive and what it's doing, it is not affected nor does it tell us anything about the unit itself. The status light on the unit can display 1 of 4 different states.
Solid green or blinking green - This means that the unit is functioning properly.
Orange or yellow - You'll see this color whenever you press a button on the unit, or when a new file is being copied to the system.
Blinking red - This status indicates a failure to load a new file because it is missing the dealer security code. To learn more about this feature, please see our FAQ about security codes.
Solid red - If the light on your unit is solid red, you should reboot it first and remove the flash drive if there is one plugged in. If it continues to stay red, then please contact our support team for assistance.
1I ordered a new package and discovered I already had one.
That's okay! You can still return the new unit within 60 days of your order for a full refund of the hardware. Simply notify our support team of the error and we'll give you the necessary information to ship it back to us. Once it's received, we'll issue a credit to your account. If you've already opened the new unit, please be sure to return all of the items it came with to insure that you receive the full refund. Any items not returned will be deducted from your refund amount.
*Production files delivered as part of this order are not refundable.
Due to the nature of digital assets, production files of any sort cannot be returned once an attempt to deliver the file has been made. If at any time you are dissatisfied with our service, you should contact our support team immediately and we will do our best to resolve your issue.
3What sort of warranty is offered on hardware?
We currently warranty our hardware for a total of 3 years from the purchase date. If at any time you experience a malfunction in our hardware not due to an outside cause, simply contact our support team to request a replacement. We can also repair units that have fallen out of warranty for a small fee. Contact our support team with a description of your issue and we'll determine the best course of action.

lowercased:
need help? look no further.
there's no man behind the curtain here!
not sure what to do? start here.
our guides are designed to help you understand what you're buying, what you need, and how to complete the order form. you'll notice we've covered a variety of scenarios, but if you don't see one that best fits your situation, check our faqs for additional information. of course, you can always ask us a question here or give us a call.
i'm a new agent and want to understand more about m-line media's services.
m-line media currently offers two services to state farm agents. those services are messages on-hold and auto attendant. both services are for your phone system, but perform different functions.
messages on-hold is exactly how it sounds, whenever you place someone on hold or park, messages and music play for your caller to hear. you can customize the messages they hear by choosing from our state farm approved library of over 35 messages when you order a file and we also offer over 15 different music tracks to choose from. for more information about our messages on-hold service, including pricing and samples, please visit our messages on-hold service page.
our other service, auto attendant, is a professional voice service for your main phone greeting and office information track. you can choose from our library of approved auto attendant messages or submit your own for approval. we also provide consultation on how to best setup your phone system for your team. for more information regarding this service, including pricing and samples, please visit our auto attendant service page.
i've had melodyline before and need to update my messages.
updating your messages can be a simple process, but you'll need to make sure of a few things before you begin. please continue reading this guide while we cover some common scenarios.
your first step to updating your messages will be to make sure you have a compatible player installed at your office. if you don't have an mp3 player, then you'll definitely need to purchase our package option first. that will not only get you a new unit to play your messages on, but it includes a new message file as well. if you already know that you have an mp3 player at your office, then you simply need to order a mp3 production only on our order page. you'll be emailed a link to download your new file a few business days after your order. the email will also contain the instructions on how to load that file to your player using a personal computer.
if you're not sure which unit you have, then you should give us a call. we can look up any previous purchases you might have made with us and tell you if you've ever registered an mp3 unit. in some cases, if you've moved offices or taken over one, there might be an mp3 unit already there. it's fairly easy to identify a tape unit among any other hardware you might have, but mp3 units are smaller and are sometimes placed in hard to see or reach places. you can learn more information about our mp3 units on our messages on-hold service page.
loading your mp3 production file to your unit.
1how do i load my messages?
we actually have a very detailed guide for this that covers multiple operating systems and units that we've used in the past. check it out here.
2i just got my new hardware, now what?
we currently ship the players out with your production on it so that you have the piece of mind knowing the initial setup is halfway taken care of out of the box. we strive to make sure that you should be able to connect the audio cable to the player and the appropriate connection on your phone system, then plug the power in and within a minute be up and running.
note: the sbd-100 units have the audio port near the power. this is where the audio cable will go for you wire that connects to the phone system.
1my on-hold audio sounds distorted.
2only piano music is playing when i put someone on hold or callers hear nothing.
this is often due to the volume of the player being low or a loose connection.
we want to check the volume of the player first, simply press the volume up on the player 5-10 times. once it is able to be heard on the phone system you can adjust the volume to where it sounds best for the customers.
we first suggest checking with the supplied headphones to make sure that the player is working. if you do hear the production playing it we would need to look at connections.
it is suggested to reseat the connections by simply unplugging and plugging them back in. some phone systems will take more than 5-10 seconds for you to hear the change. if reseating the connection does not seem to work we will want to make sure that the connections are in the right port.
1how do i adjust my volume for my on-hold messages?
adjusting your volume is as simple as pressing a button! on our mp3 units, you'll find 2 buttons labeled 'volume' or with small arrows pointing 'up' or 'down'. simply turn on the built-in speaker and press one of the volume buttons until you reach the desired level. we always suggest that you be on-hold when you do this so that you can hear your messages at the same volume your callers will. often, the volume will be set too low for the cisco phone system to pick up and your messages will revert to the default piano music.
*in older mp3 units, the volume buttons may actually be a small knob. turn the knob clockwise for 'up' and counter-clockwise for 'down'.
2the status light on my 1200s unit is solid red.
be sure that the light you're looking at is indeed on the unit itself, and not the flash drive that's plugged in. if you do have a solid red light on your unit, then you need to reboot the unit by pulling the power cord out and plugging it back in. the unit will restart and the light should turn green again after a few moments. if the light is still red after a reboot, then you'll need to contact support so they can help troubleshoot the issue. explain any steps you took to troubleshoot the issue to avoid repeating any steps.
3which lights on the 1200s unit are important?
the most important light on the 1200s unit is the status led located on the side. a lot of people confuse the light on the flash drive as being the status light of the unit. while the flash drive's light does tell us some things about the drive and what it's doing, it is not affected nor does it tell us anything about the unit itself. the status light on the unit can display 1 of 4 different states.
solid green or blinking green - this means that the unit is functioning properly.
orange or yellow - you'll see this color whenever you press a button on the unit, or when a new file is being copied to the system.
blinking red - this status indicates a failure to load a new file because it is missing the dealer security code. to learn more about this feature, please see our faq about security codes.
solid red - if the light on your unit is solid red, you should reboot it first and remove the flash drive if there is one plugged in. if it continues to stay red, then please contact our support team for assistance.
1i ordered a new package and discovered i already had one.
that's okay! you can still return the new unit within 60 days of your order for a full refund of the hardware. simply notify our support team of the error and we'll give you the necessary information to ship it back to us. once it's received, we'll issue a credit to your account. if you've already opened the new unit, please be sure to return all of the items it came with to insure that you receive the full refund. any items not returned will be deducted from your refund amount.
*production files delivered as part of this order are not refundable.
due to the nature of digital assets, production files of any sort cannot be returned once an attempt to deliver the file has been made. if at any time you are dissatisfied with our service, you should contact our support team immediately and we will do our best to resolve your issue.
3what sort of warranty is offered on hardware?
we currently warranty our hardware for a total of 3 years from the purchase date. if at any time you experience a malfunction in our hardware not due to an outside cause, simply contact our support team to request a replacement. we can also repair units that have fallen out of warranty for a small fee. contact our support team with a description of your issue and we'll determine the best course of action.


text:
1)-Give full "sudo" permissions to current user.
4)-Install "System Libraries" from CT Setup script.
5)-Build ALL FPC and Typhon IDE.
Last edit: 3 years 5 months ago by Sternas Stefanos.
I had recently updated from 11.2 to 11.3 and decided to install CT 6.00 but I'm having the same problem than with the prior versions I tried. For some reason, the installation script is unable to build the Big IDE and only builds the small one.
/usr/local/codetyphon/typhon/ide/ct_main.pp(1023,27) Warning: (4104) Implicit string type conversion from "AnsiString" to "WideString"
/usr/local/codetyphon/typhon/ide/ct_main.pp(1023,53) Warning: (4105) Implicit string type conversion with potential data loss from "WideString" to "AnsiString"
/usr/local/codetyphon/typhon/ide/ct_main.pp(1024,26) Warning: (4104) Implicit string type conversion from "AnsiString" to "WideString"
/usr/local/codetyphon/typhon/ide/ct_main.pp(1024,51) Warning: (4105) Implicit string type conversion with potential data loss from "WideString" to "AnsiString"
/usr/local/codetyphon/typhon/ide/ct_main.pp(1025,28) Warning: (4104) Implicit string type conversion from "AnsiString" to "UnicodeString"
/usr/local/codetyphon/typhon/ide/ct_main.pp(1025,67) Warning: (4105) Implicit string type conversion with potential data loss from "UnicodeString" to "AnsiString"
Error: (TyphonBuild) Building IDE: Building IDE failed.
I think I followed all the steps described in the wiki to build CT. Is this related with pl_GLScene? How can I compile CT without an specific library or component? i.e: Imagine I want to build Big IDE without pl_Orca.
2 years 2 months ago	- 2 years 1 month ago	#10549 by Matis A.
Did you install "System libraries" ?
Last edit: 2 years 1 month ago by Matis A..
Yes, I installed the system libraries with the '0' menu option. I didn't get any error message at this point.
Under Linux/BSD I've been able to compile GTK2/QT4 and QT5 versions for the IDE (small and big) without problems.
Nvidia GT210 (using legacy drivers, package locked to prevent further upgrades), 3 screens, xinerama.
System fully up to date.
If you need more concrete info please let me know.
the problem (I think) is from libGL.so library.
PS : Do you use VM ?
Last edit: 2 years 1 month ago by Sternas Stefanos.
... no clue on how to fix this. Any advice is wellcomed.
libGL.so is provided by the system or it belongs to the nVidia driver?
I run Solaris in a local real machine, not a VM. Maybe I shall try a fresh Solaris 11.3 installation in a virtual machine and see if I can compile CT?
By the way, it is possible for PilotLogic to create a binary distro of CT+IDE ready to run for each platform, may I ask?
Ok, I am going to try it later and post the results.
I would also like - now that I have the chance - to thank PilotLogic and it's community for their efforts on creating such a really great development tool, I really love it. I am a former Lazarus user.
Last edit: 2 years 1 month ago by Raúl.
it is possible for PilotLogic to create a binary distro of CT+IDE ready to run for each platform, may I ask?
We are NOT ready for this Sir.

lowercased:
1)-give full "sudo" permissions to current user.
4)-install "system libraries" from ct setup script.
5)-build all fpc and typhon ide.
last edit: 3 years 5 months ago by sternas stefanos.
i had recently updated from 11.2 to 11.3 and decided to install ct 6.00 but i'm having the same problem than with the prior versions i tried. for some reason, the installation script is unable to build the big ide and only builds the small one.
/usr/local/codetyphon/typhon/ide/ct_main.pp(1023,27) warning: (4104) implicit string type conversion from "ansistring" to "widestring"
/usr/local/codetyphon/typhon/ide/ct_main.pp(1023,53) warning: (4105) implicit string type conversion with potential data loss from "widestring" to "ansistring"
/usr/local/codetyphon/typhon/ide/ct_main.pp(1024,26) warning: (4104) implicit string type conversion from "ansistring" to "widestring"
/usr/local/codetyphon/typhon/ide/ct_main.pp(1024,51) warning: (4105) implicit string type conversion with potential data loss from "widestring" to "ansistring"
/usr/local/codetyphon/typhon/ide/ct_main.pp(1025,28) warning: (4104) implicit string type conversion from "ansistring" to "unicodestring"
/usr/local/codetyphon/typhon/ide/ct_main.pp(1025,67) warning: (4105) implicit string type conversion with potential data loss from "unicodestring" to "ansistring"
error: (typhonbuild) building ide: building ide failed.
i think i followed all the steps described in the wiki to build ct. is this related with pl_glscene? how can i compile ct without an specific library or component? i.e: imagine i want to build big ide without pl_orca.
2 years 2 months ago	- 2 years 1 month ago	#10549 by matis a.
did you install "system libraries" ?
last edit: 2 years 1 month ago by matis a..
yes, i installed the system libraries with the '0' menu option. i didn't get any error message at this point.
under linux/bsd i've been able to compile gtk2/qt4 and qt5 versions for the ide (small and big) without problems.
nvidia gt210 (using legacy drivers, package locked to prevent further upgrades), 3 screens, xinerama.
system fully up to date.
if you need more concrete info please let me know.
the problem (i think) is from libgl.so library.
ps : do you use vm ?
last edit: 2 years 1 month ago by sternas stefanos.
... no clue on how to fix this. any advice is wellcomed.
libgl.so is provided by the system or it belongs to the nvidia driver?
i run solaris in a local real machine, not a vm. maybe i shall try a fresh solaris 11.3 installation in a virtual machine and see if i can compile ct?
by the way, it is possible for pilotlogic to create a binary distro of ct+ide ready to run for each platform, may i ask?
ok, i am going to try it later and post the results.
i would also like - now that i have the chance - to thank pilotlogic and it's community for their efforts on creating such a really great development tool, i really love it. i am a former lazarus user.
last edit: 2 years 1 month ago by raúl.
it is possible for pilotlogic to create a binary distro of ct+ide ready to run for each platform, may i ask?
we are not ready for this sir.


text:
Congratulations for opening the Sacramento, Chicago and Columbus locations! Why did you choose the PinPointe Foot Laser? There are many lasers for treating toenail funfus. What is special about the Pinpoint Foot Laser?
Pinpoint has the longest track record of success in the industry. This laser was the first one to get the FDA approval. Most patients with toenail fungus demand this specific laser for nail treatment. The PinPointe Laser is a dedicated laser for toenail fungus removal. Many other lasers are used for several kinds of treatments. The Pinpointe was designed from the grounds up to fight toenail fungus and the design was not compromised just so it can perform more functions.
Is the Pinpointe Laser treatment proven to be successful?
We are extremely pleased with the results of the PinPointe Foot Laser. We see over 80% success in our clinics. Patients are happy with the convenient and quick way in which we cure their toenail fungal infection.
Patients can resume all activities immediately after the treatment.

lowercased:
congratulations for opening the sacramento, chicago and columbus locations! why did you choose the pinpointe foot laser? there are many lasers for treating toenail funfus. what is special about the pinpoint foot laser?
pinpoint has the longest track record of success in the industry. this laser was the first one to get the fda approval. most patients with toenail fungus demand this specific laser for nail treatment. the pinpointe laser is a dedicated laser for toenail fungus removal. many other lasers are used for several kinds of treatments. the pinpointe was designed from the grounds up to fight toenail fungus and the design was not compromised just so it can perform more functions.
is the pinpointe laser treatment proven to be successful?
we are extremely pleased with the results of the pinpointe foot laser. we see over 80% success in our clinics. patients are happy with the convenient and quick way in which we cure their toenail fungal infection.
patients can resume all activities immediately after the treatment.


text: We purchased an old home in South Tampa, built in 1941, with known lead-based paint involving much of the structure. It was fairly well-maintained, but there were still several issues identified on home inspection and later on by Phil himself. The home has its original windows, which are beautiful but unfortunately were chipping, creating a lead hazard for our family. I looked around and many contractors I spoke with either would not deal with lead paint at all or said they would do the project without regard for the lead issues. Then I spoke with Phil. I knew that he was the answer for us. Phil is lead-certified and knows the proper techniques that are essential to use for safe lead containment. He and his team were there on the day we closed, ready to work. I put him under a time crunch, wanting to be in to put up our Christmas tree, and he worked tirelessly to get the job done and get it done well. Phil treated us like we were family, and his work is impeccable. The windows are stunning, the house is safe for our ... built in 1941, with known lead-based paint involving much of the structure. It was fairly well-maintained, but there were still several issues identified on home inspection and later on by Phil himself. The home has its original windows, which are beautiful but unfortunately were chipping, creating a lead hazard for our family. I looked around and many contractors I spoke with either would not deal with lead paint at all or said they would do the project without regard for the lead issues. Then I spoke with Phil. I knew that he was the answer for us. Phil is lead-certified and knows the proper techniques that are essential to use for safe lead containment. He and his team were there on the day we closed, ready to work. I put him under a time crunch, wanting to be in to put up our Christmas tree, and he worked tirelessly to get the job done and get it done well. Phil treated us like we were family, and his work is impeccable. The windows are stunning, the house is safe for our family to move in, and I could not be happier with the results. As he worked, Phil picked up on additional safety issues and repair issues and kept me updated the entire time. He even fixed many of the additional problems he found free of charge. I am so grateful that we found Phil, and I know we will be using him again for any and all future home repair/improvement projects.

lowercased: we purchased an old home in south tampa, built in 1941, with known lead-based paint involving much of the structure. it was fairly well-maintained, but there were still several issues identified on home inspection and later on by phil himself. the home has its original windows, which are beautiful but unfortunately were chipping, creating a lead hazard for our family. i looked around and many contractors i spoke with either would not deal with lead paint at all or said they would do the project without regard for the lead issues. then i spoke with phil. i knew that he was the answer for us. phil is lead-certified and knows the proper techniques that are essential to use for safe lead containment. he and his team were there on the day we closed, ready to work. i put him under a time crunch, wanting to be in to put up our christmas tree, and he worked tirelessly to get the job done and get it done well. phil treated us like we were family, and his work is impeccable. the windows are stunning, the house is safe for our ... built in 1941, with known lead-based paint involving much of the structure. it was fairly well-maintained, but there were still several issues identified on home inspection and later on by phil himself. the home has its original windows, which are beautiful but unfortunately were chipping, creating a lead hazard for our family. i looked around and many contractors i spoke with either would not deal with lead paint at all or said they would do the project without regard for the lead issues. then i spoke with phil. i knew that he was the answer for us. phil is lead-certified and knows the proper techniques that are essential to use for safe lead containment. he and his team were there on the day we closed, ready to work. i put him under a time crunch, wanting to be in to put up our christmas tree, and he worked tirelessly to get the job done and get it done well. phil treated us like we were family, and his work is impeccable. the windows are stunning, the house is safe for our family to move in, and i could not be happier with the results. as he worked, phil picked up on additional safety issues and repair issues and kept me updated the entire time. he even fixed many of the additional problems he found free of charge. i am so grateful that we found phil, and i know we will be using him again for any and all future home repair/improvement projects.


text:
Unlike the Sola 1200 Spot, the Sola 800 features both flood and spot modes, at 800 lumen and 500 lumen respectively. It makes an absolutely wonderful light for exploring our occasionally dark waters in the Pacific Northwest.
Beach or boat, the perfect bag for any kind of water-related activity. Available in lengths of 36", 26", or 22".
The GoBe 500 Spot is perfect for getting up close and personal, with its 20 degree beam and 500 lumen output. Great for making the colors stand out on smaller creatures such as the shrimp and anemones.

lowercased:
unlike the sola 1200 spot, the sola 800 features both flood and spot modes, at 800 lumen and 500 lumen respectively. it makes an absolutely wonderful light for exploring our occasionally dark waters in the pacific northwest.
beach or boat, the perfect bag for any kind of water-related activity. available in lengths of 36", 26", or 22".
the gobe 500 spot is perfect for getting up close and personal, with its 20 degree beam and 500 lumen output. great for making the colors stand out on smaller creatures such as the shrimp and anemones.


text:
Our unique Conqueror vehicle delivers batching plant standard concrete making us immensely superior to volumetric concrete calculator providers.
JBT/ DJBT series concrete mixer with pump combines the functions of concrete mixing and conveying. Be moveable with types from one construction site to another.
ConcreteThinker.com gives you information on the uses and advantages of cast in place concrete such as foundations, walls and slabs.
All Bridgeman concrete plants are externally audited and graded, subsequently all concrete produced complies with the NZS 3104 concrete standard.

lowercased:
our unique conqueror vehicle delivers batching plant standard concrete making us immensely superior to volumetric concrete calculator providers.
jbt/ djbt series concrete mixer with pump combines the functions of concrete mixing and conveying. be moveable with types from one construction site to another.
concretethinker.com gives you information on the uses and advantages of cast in place concrete such as foundations, walls and slabs.
all bridgeman concrete plants are externally audited and graded, subsequently all concrete produced complies with the nzs 3104 concrete standard.


text:
OTTAWA—The media’s ability to shield their sources, notes and reporting materials from police “fishing expeditions” could be strengthened after a senior federal Crown attorney made several concessions in a high-profile media case Wednesday at the Supreme Court of Canada.
Vice Media is fighting the RCMP’s effort to seize reporter Ben Makuch’s 2014 texts and communications with Farah Shirdon, a self-declared Canadian ISIS fighter.
Although Shirdon is reported to be dead, the Crown and the RCMP have not given up the pursuit of Vice Media materials, and federal lawyer Croft Michaelson hammered the fact Shirdon could still be alive, could still return to Canada, and the public interest in prosecuting him remains high.
He urged the Supreme Court judges not to grant journalists any greater privacy protection against police searches than the state grants anyone involved in a criminal investigation.
“The newsroom should not be entitled to any more protection than that most sensitive part of human society, the bedroom,” he said.
However Michaelson conceded the common law could be “tweaked” to underline the importance of a journalist’s right to privacy and the right to free expression in a democratic society, and to set out clearer instructions for judges reviewing seizure orders.
It was a significant move that sets the stage for the Supreme Court of Canada under its new chief justice, Richard Wagner, and an almost entirely re-cast judicial bench to revisit earlier decisions, and Vice Media’s lawyer Phil Tunley was quick to invite the court to do so.
Tunley called the RCMP’s application for a production order against Vice a “fishing expedition,” saying the chances of prosecution are remote. Makuch, the reporter who communicated with Shirdon over a Kik text messaging app and wrote three articles in 2014 on the Canadian, agreed and went further. He believes Shirdon is dead, and the RCMP is simply trying to expand its reach in a digital age.
The case drew a slew of black-robed lawyers for various media organizations who were supportive intervenors. Tunley argued that even a new federal law that requires prior notice to media of police applications for production orders, and sets out other protections for “confidential” sources, doesn’t go far enough because it doesn’t protect communications with “non-confidential” sources.
Vice says Shirdon never asked for nor was granted confidentiality or anonymity by its reporter, and that the reporter’s work materials should remain off limits to the police.
Michaelson said Canada already has a robust legal framework that sets out a case-by-case analysis which requires courts to weigh the public interest in investigation and prosecution of criminal offences against the public interest in a vibrant free press.
However, several judges challenged whether that was enough or whether additional steps — like advance notice to the media in the first instance when police seek a warrant; or when an appeal judge reviews a warrant or production order — are required to really protect the right.
Justices Rosalie Abella and Brown asked Michaelson what exactly he believes the Charter protects. He replied the constitutional freedom of expression guarantee expressly protects “freedom of the press” including a right to gather and disseminate information. He conceded that certain protections should be extended not just to “confidential” sources but also to the private, “off the record” or “not for attribution” communications between reporters and their sources who agree to be named.
Michaelson, a senior Crown attorney who has long prosecuted high-profile criminal and terrorism cases, admitted he occasionally speaks to reporters but only on condition his remarks not be attributed.
He suggested the Supreme Court of Canada might want to “tweak the test” in the common law to capture the public interest in freedom of expression, even as he argued it is already recognized.
Abella pressed Michaelson whether it would be “helpful” if the court outlined specific considerations for appeal courts to use when reviewing a lower court order, rather than sticking to what the current “deferential” model of review that leans toward upholding the authorizing judge’s take.
“Why not?” said Michaelson. “I mean other courts have, so if you’re inclined to do so, why not to make it clearer” that the standard of review in cases where journalists’s rights are involved “is a modified standard that must reflect” the principles he said the high court has already recognized.
Lawyer Paul Schabas representing a dozen international media organizations called on the Supreme Court to set out a new, clearer test in law as other countries have.
Another media lawyer, Justin Safayeni said on top of concerns about a “chilling effect” on sources, or self-censorship by reporters, there could be a real impact on public confidence in the impartiality and independence of the media if reporters are turned into an investigative arm of the police. He argued all of a journalists’ “work product” — notes, source contact lists, and recordings of interviews — should be protected.

lowercased:
ottawa—the media’s ability to shield their sources, notes and reporting materials from police “fishing expeditions” could be strengthened after a senior federal crown attorney made several concessions in a high-profile media case wednesday at the supreme court of canada.
vice media is fighting the rcmp’s effort to seize reporter ben makuch’s 2014 texts and communications with farah shirdon, a self-declared canadian isis fighter.
although shirdon is reported to be dead, the crown and the rcmp have not given up the pursuit of vice media materials, and federal lawyer croft michaelson hammered the fact shirdon could still be alive, could still return to canada, and the public interest in prosecuting him remains high.
he urged the supreme court judges not to grant journalists any greater privacy protection against police searches than the state grants anyone involved in a criminal investigation.
“the newsroom should not be entitled to any more protection than that most sensitive part of human society, the bedroom,” he said.
however michaelson conceded the common law could be “tweaked” to underline the importance of a journalist’s right to privacy and the right to free expression in a democratic society, and to set out clearer instructions for judges reviewing seizure orders.
it was a significant move that sets the stage for the supreme court of canada under its new chief justice, richard wagner, and an almost entirely re-cast judicial bench to revisit earlier decisions, and vice media’s lawyer phil tunley was quick to invite the court to do so.
tunley called the rcmp’s application for a production order against vice a “fishing expedition,” saying the chances of prosecution are remote. makuch, the reporter who communicated with shirdon over a kik text messaging app and wrote three articles in 2014 on the canadian, agreed and went further. he believes shirdon is dead, and the rcmp is simply trying to expand its reach in a digital age.
the case drew a slew of black-robed lawyers for various media organizations who were supportive intervenors. tunley argued that even a new federal law that requires prior notice to media of police applications for production orders, and sets out other protections for “confidential” sources, doesn’t go far enough because it doesn’t protect communications with “non-confidential” sources.
vice says shirdon never asked for nor was granted confidentiality or anonymity by its reporter, and that the reporter’s work materials should remain off limits to the police.
michaelson said canada already has a robust legal framework that sets out a case-by-case analysis which requires courts to weigh the public interest in investigation and prosecution of criminal offences against the public interest in a vibrant free press.
however, several judges challenged whether that was enough or whether additional steps — like advance notice to the media in the first instance when police seek a warrant; or when an appeal judge reviews a warrant or production order — are required to really protect the right.
justices rosalie abella and brown asked michaelson what exactly he believes the charter protects. he replied the constitutional freedom of expression guarantee expressly protects “freedom of the press” including a right to gather and disseminate information. he conceded that certain protections should be extended not just to “confidential” sources but also to the private, “off the record” or “not for attribution” communications between reporters and their sources who agree to be named.
michaelson, a senior crown attorney who has long prosecuted high-profile criminal and terrorism cases, admitted he occasionally speaks to reporters but only on condition his remarks not be attributed.
he suggested the supreme court of canada might want to “tweak the test” in the common law to capture the public interest in freedom of expression, even as he argued it is already recognized.
abella pressed michaelson whether it would be “helpful” if the court outlined specific considerations for appeal courts to use when reviewing a lower court order, rather than sticking to what the current “deferential” model of review that leans toward upholding the authorizing judge’s take.
“why not?” said michaelson. “i mean other courts have, so if you’re inclined to do so, why not to make it clearer” that the standard of review in cases where journalists’s rights are involved “is a modified standard that must reflect” the principles he said the high court has already recognized.
lawyer paul schabas representing a dozen international media organizations called on the supreme court to set out a new, clearer test in law as other countries have.
another media lawyer, justin safayeni said on top of concerns about a “chilling effect” on sources, or self-censorship by reporters, there could be a real impact on public confidence in the impartiality and independence of the media if reporters are turned into an investigative arm of the police. he argued all of a journalists’ “work product” — notes, source contact lists, and recordings of interviews — should be protected.


text: What do you get when you combine Darth Vader and the Death Star? The Star Wars Darth Vader Death Star Black and White Baseball Tee! This Death Star gets a makeover to resemble Darth Vader's helmet floating through space on this cool Star Wars 3/4 sleeve baseball tee. 100% Cotton.

lowercased: what do you get when you combine darth vader and the death star? the star wars darth vader death star black and white baseball tee! this death star gets a makeover to resemble darth vader's helmet floating through space on this cool star wars 3/4 sleeve baseball tee. 100% cotton.


text:
There are no longer many who knew David, the 94 year old who had just died. For many years, he had lived in another town. It was mainly the members of the Hevra Kaddisha, the Burial Society, who awaited him and his family at the cemetery as they made the long trip back home to where David had grown up with seven siblings.
The hearse arrived followed by a large procession of family. With a simple burial, David would be back with three generations of his family. We walked slowly from the cemetery gates to the grave—family pallbearers handing off the honor to the Hevra Kaddisha after we had halted seven times along the way. The Hevra Kaddisha bent to the task of lowering the coffin, but no maneuvering could compensate for the narrow grave.
Elijah the prophet reminds us that in the cemetery, Paradise is only a step away. In cemetery terms, the grave was not big enough. In Paradise terms, before us was a life that could not be contained by this grave.
We entrusted David to the care of the Hevra Kaddisha and we proceeded to visit family graves of three generations. With each stop, we brought new stories to life: The location of Mama’s grave proclaimed her prominent role in the Hevra Kaddisha. Papa had died on her birthday—a forgotten drama restored by a close reading of grave stones.
Not far away from Papa’s grave was the grave of David’s grandfather, Jack. This gravestone offered another treasure, this one from the ancient family album. Jack’s Hebrew name, Ya’akov, was spelled with a vav carrying the weight of the “o” vowel instead of the accepted, leaner spelling in which the vowel is only implied. In cemetery terms, his name was misspelled—there was one character too many. But in Paradise terms, the stone has an enriching character.
An ancient teacher observed that the name Ya’akov appears with the vav five times in the Bible. Just so, the name Eliahu, is spelled only five times in the Bible without a vav—not Eliahu, but Eliyah, the prophet Elijah. There is an ecology of sacred letters. A letter missing from here must turn up there—and with a purpose. Whether referring to our biblical grandfather or David’s grandfather, the name Ya’akov-With-A-Vav carries a bit of Eliahu, the prophet and imparts the fragrance of a future beyond the cemetery in which all stories and the lives that carried them live and prosper.
Now, we returned our attention to the grave too narrow and the life too big. A lithe, powerful grave digger was finishing his work. His pick arced around a focused face that betrayed neither age nor fatigue. When he stopped, members of the Hevra Kaddisha reached their hands towards him and pulled him out of the grave—a Paradise moment brought to life in the cemetery. The grave digger stood nearby, breathing easily and watching as the Hevra Kaddisha lowered David’s coffin.
Now, the grave digger raised his hand to the family and said: “I offer the family my condolences. I hope that the delay did not disturb you and that you take the best of him away with you.” Then, he turned and walked off.
I had thought about asking the grave digger his name. But I did not do it because Elijah often prefers disguises.
This entry was posted in Elijah, Talmud. Bookmark the permalink.
This is truly beautiful. Let me add some details as a member of the local Chevra Kadisha who took part in the burial described in this story. The graves in our cemetery are dug into red clay whose density makes the job especially demanding. Nevertheless they are always dug big enough to accommodate the plain pine caskets we use. This time the casket came from out of town, and when we saw it in the arriving hearse there was immediate concern about its unusual breadth and length. But the ceremony had begun, so we gave it a go. When the casket could not pass through the lip of the grave we moved it to the side and tried on our own to enlarge the hole with our burial spades. Rabbi Sager did what he does so naturally and so uniquely well–he started reflecting about this (totally unanticipated) moment we were sharing, profoundly reframing it and instantly putting everyone at ease. As the Rabbi guided the family on a visit to the graves of other family members nearby, we determined that the grave required significant expansion, and fetched the cemetery employee who had dug the hole and was waiting nearby. It took him a while and a lot of hard effort, and as he was finishing up the Rabbi and family reassembled at the graveside and waited to resume the burial. We lowered the casket without further mishap, the gravedigger spoke his eloquent words, the prayers were completed, and Rabbi Sager shared the inspirations described above, which opened our eyes and hearts to the extraordinary lessons to be taken from this experience.
It was a burial I doubt any of us will ever forget.
This “conversation” is very comforting. I aways find great peace when visiting gravesites of my parents and ancestors. It gives one time to reflect with purpose and open oneself to circumstances which at the time seemed ordinary, but upon reconsideration were very special.
Great story. It is interesting to hear the insights on life from those who deal so intimately with death.

lowercased:
there are no longer many who knew david, the 94 year old who had just died. for many years, he had lived in another town. it was mainly the members of the hevra kaddisha, the burial society, who awaited him and his family at the cemetery as they made the long trip back home to where david had grown up with seven siblings.
the hearse arrived followed by a large procession of family. with a simple burial, david would be back with three generations of his family. we walked slowly from the cemetery gates to the grave—family pallbearers handing off the honor to the hevra kaddisha after we had halted seven times along the way. the hevra kaddisha bent to the task of lowering the coffin, but no maneuvering could compensate for the narrow grave.
elijah the prophet reminds us that in the cemetery, paradise is only a step away. in cemetery terms, the grave was not big enough. in paradise terms, before us was a life that could not be contained by this grave.
we entrusted david to the care of the hevra kaddisha and we proceeded to visit family graves of three generations. with each stop, we brought new stories to life: the location of mama’s grave proclaimed her prominent role in the hevra kaddisha. papa had died on her birthday—a forgotten drama restored by a close reading of grave stones.
not far away from papa’s grave was the grave of david’s grandfather, jack. this gravestone offered another treasure, this one from the ancient family album. jack’s hebrew name, ya’akov, was spelled with a vav carrying the weight of the “o” vowel instead of the accepted, leaner spelling in which the vowel is only implied. in cemetery terms, his name was misspelled—there was one character too many. but in paradise terms, the stone has an enriching character.
an ancient teacher observed that the name ya’akov appears with the vav five times in the bible. just so, the name eliahu, is spelled only five times in the bible without a vav—not eliahu, but eliyah, the prophet elijah. there is an ecology of sacred letters. a letter missing from here must turn up there—and with a purpose. whether referring to our biblical grandfather or david’s grandfather, the name ya’akov-with-a-vav carries a bit of eliahu, the prophet and imparts the fragrance of a future beyond the cemetery in which all stories and the lives that carried them live and prosper.
now, we returned our attention to the grave too narrow and the life too big. a lithe, powerful grave digger was finishing his work. his pick arced around a focused face that betrayed neither age nor fatigue. when he stopped, members of the hevra kaddisha reached their hands towards him and pulled him out of the grave—a paradise moment brought to life in the cemetery. the grave digger stood nearby, breathing easily and watching as the hevra kaddisha lowered david’s coffin.
now, the grave digger raised his hand to the family and said: “i offer the family my condolences. i hope that the delay did not disturb you and that you take the best of him away with you.” then, he turned and walked off.
i had thought about asking the grave digger his name. but i did not do it because elijah often prefers disguises.
this entry was posted in elijah, talmud. bookmark the permalink.
this is truly beautiful. let me add some details as a member of the local chevra kadisha who took part in the burial described in this story. the graves in our cemetery are dug into red clay whose density makes the job especially demanding. nevertheless they are always dug big enough to accommodate the plain pine caskets we use. this time the casket came from out of town, and when we saw it in the arriving hearse there was immediate concern about its unusual breadth and length. but the ceremony had begun, so we gave it a go. when the casket could not pass through the lip of the grave we moved it to the side and tried on our own to enlarge the hole with our burial spades. rabbi sager did what he does so naturally and so uniquely well–he started reflecting about this (totally unanticipated) moment we were sharing, profoundly reframing it and instantly putting everyone at ease. as the rabbi guided the family on a visit to the graves of other family members nearby, we determined that the grave required significant expansion, and fetched the cemetery employee who had dug the hole and was waiting nearby. it took him a while and a lot of hard effort, and as he was finishing up the rabbi and family reassembled at the graveside and waited to resume the burial. we lowered the casket without further mishap, the gravedigger spoke his eloquent words, the prayers were completed, and rabbi sager shared the inspirations described above, which opened our eyes and hearts to the extraordinary lessons to be taken from this experience.
it was a burial i doubt any of us will ever forget.
this “conversation” is very comforting. i aways find great peace when visiting gravesites of my parents and ancestors. it gives one time to reflect with purpose and open oneself to circumstances which at the time seemed ordinary, but upon reconsideration were very special.
great story. it is interesting to hear the insights on life from those who deal so intimately with death.


text:
When the bible says: "All the inhabited earth " twice, obviously it means 2 completely different earths, right?
Why didn't God Just Kill Pharaoh?
Dinah was a sexbot fornicator that will be remembered in infamy for all eternity. But why doesn’t anyone remember what her brothers did?

lowercased:
when the bible says: "all the inhabited earth " twice, obviously it means 2 completely different earths, right?
why didn't god just kill pharaoh?
dinah was a sexbot fornicator that will be remembered in infamy for all eternity. but why doesn’t anyone remember what her brothers did?


text:
Project and Job Costing provides an effective solution for project managers in construction, job service and other professional industries, as well as for businesses that require a time and materials system.
Assign staff, material, subcontractors, equipment, miscellaneous items and overhead to each project within the contract.
Set up complex estimates by specifying the quantity (for example, hours), unit cost and billing rate (for time and materials projects) for each staff member, material (inventory item), subcontractor, equipment, miscellaneous item and overhead expense allocated to a project. Assign the cost categories to which they apply to automatically calculate cost and revenue estimates for each cost category, or simply define the cost and revenue estimates for each category within a project.
Manage contracts or jobs at three levels - contract (job), project (phase) and category.
Change contract, project and category names to match industry-specific terminology.
Choose from three different project types - time and materials, cost plus and fixed price. Each project within the contract can be a different type.
Select the accounting method (revenue recognition method) for each project within the contract. Choose from total cost percentage complete, category percentage complete, labor hours percentage complete, billings and costs, project percentage complete, completed project or accrual-basis. Mix and match the project types and accounting methods for very complex or simple projects.
Specify begin and end dates for each project to allow for timelines.
Set up projects and categories that you can use for default information.
miscellaneous, overhead and subcontractor) to track costs at an appropriate level for your company.
Assign up to seven progress statuses to each contract and project. Choose from estimate, approved, open, on hold, inactive, completed and closed.
Close a project to billings and/or costs at any time.
Easily set up a new contract using the step-by-step wizard.
Quickly create a new contract by copying an existing contract.
Maintain records for subcontractors, equipment, staff, miscellaneous items, overhead expenses and charges that can be assigned to any project. Record the Accounts Payable vendor on each subcontractor record.
Allocate overhead and labor burden to each category.
Specify whether each transaction is billable, non-billable or no charge.
Automatically create a customer's invoice based on the transactions that are due to be billed.
Review the generated billings for a customer and make necessary changes before updating ACCPAC Advantage Series Accounts Receivable.
Bill a customer for different contracts, projects and categories on the same Accounts Receivable invoice. Create billings in the customer's currency.
Transfer inventory items to a contract, project and category and bill the customer for the inventory used.
Return inventory items not used in a project to inventory for availability on other projects.
As equipment is used within a project, record the cost and billing rate (for time and materials projects) of the equipment so that you can bill the customer for usage.
For small contracts, post contract transactions directly to revenue and cost accounts using the accrual-basis accounting method.
Allow employees to easily manage their time and billing records from any location (on site or at the office) by entering timecards using an Internet browser.
Approve employee timecards and expenses before updating ACCPAC Advantage Series U.S. or Canadian Payroll.
Record miscellaneous charges such as service fees for time and materials projects.
Update revenue and cost estimates at any time with a full audit of all changes.
Allow a project manager or another designated employee approve each transaction before updating the contract.
Recognize revenue at the project level and costs at the category level.
Choose when to recognize revenue based on GAAP requirements and your business needs.
As actual costs are recorded, use the comprehensive inquiry tools to determine whether the project is within budget.
Review the current state of each project through the centralized inquiry capabilities. Review the project status, profitability and estimate-to-actual comparisons.
Track original estimates, current estimates and actual amounts for each project.
Track costs for labor, material, equipment, subcontractor, miscellaneous item and overhead expense categories.
Track original estimates, current estimates and actual amounts for staff, equipment, material, subcontractors, miscellaneous items, overhead expenses and charges assigned to the project.
Drill down to the originating cost and billings transactions.
Print comprehensive, customizable reports to analyze project status and profitability.
Accounts Payable, Inventory Control and U.S. and Canadian Payroll.

lowercased:
project and job costing provides an effective solution for project managers in construction, job service and other professional industries, as well as for businesses that require a time and materials system.
assign staff, material, subcontractors, equipment, miscellaneous items and overhead to each project within the contract.
set up complex estimates by specifying the quantity (for example, hours), unit cost and billing rate (for time and materials projects) for each staff member, material (inventory item), subcontractor, equipment, miscellaneous item and overhead expense allocated to a project. assign the cost categories to which they apply to automatically calculate cost and revenue estimates for each cost category, or simply define the cost and revenue estimates for each category within a project.
manage contracts or jobs at three levels - contract (job), project (phase) and category.
change contract, project and category names to match industry-specific terminology.
choose from three different project types - time and materials, cost plus and fixed price. each project within the contract can be a different type.
select the accounting method (revenue recognition method) for each project within the contract. choose from total cost percentage complete, category percentage complete, labor hours percentage complete, billings and costs, project percentage complete, completed project or accrual-basis. mix and match the project types and accounting methods for very complex or simple projects.
specify begin and end dates for each project to allow for timelines.
set up projects and categories that you can use for default information.
miscellaneous, overhead and subcontractor) to track costs at an appropriate level for your company.
assign up to seven progress statuses to each contract and project. choose from estimate, approved, open, on hold, inactive, completed and closed.
close a project to billings and/or costs at any time.
easily set up a new contract using the step-by-step wizard.
quickly create a new contract by copying an existing contract.
maintain records for subcontractors, equipment, staff, miscellaneous items, overhead expenses and charges that can be assigned to any project. record the accounts payable vendor on each subcontractor record.
allocate overhead and labor burden to each category.
specify whether each transaction is billable, non-billable or no charge.
automatically create a customer's invoice based on the transactions that are due to be billed.
review the generated billings for a customer and make necessary changes before updating accpac advantage series accounts receivable.
bill a customer for different contracts, projects and categories on the same accounts receivable invoice. create billings in the customer's currency.
transfer inventory items to a contract, project and category and bill the customer for the inventory used.
return inventory items not used in a project to inventory for availability on other projects.
as equipment is used within a project, record the cost and billing rate (for time and materials projects) of the equipment so that you can bill the customer for usage.
for small contracts, post contract transactions directly to revenue and cost accounts using the accrual-basis accounting method.
allow employees to easily manage their time and billing records from any location (on site or at the office) by entering timecards using an internet browser.
approve employee timecards and expenses before updating accpac advantage series u.s. or canadian payroll.
record miscellaneous charges such as service fees for time and materials projects.
update revenue and cost estimates at any time with a full audit of all changes.
allow a project manager or another designated employee approve each transaction before updating the contract.
recognize revenue at the project level and costs at the category level.
choose when to recognize revenue based on gaap requirements and your business needs.
as actual costs are recorded, use the comprehensive inquiry tools to determine whether the project is within budget.
review the current state of each project through the centralized inquiry capabilities. review the project status, profitability and estimate-to-actual comparisons.
track original estimates, current estimates and actual amounts for each project.
track costs for labor, material, equipment, subcontractor, miscellaneous item and overhead expense categories.
track original estimates, current estimates and actual amounts for staff, equipment, material, subcontractors, miscellaneous items, overhead expenses and charges assigned to the project.
drill down to the originating cost and billings transactions.
print comprehensive, customizable reports to analyze project status and profitability.
accounts payable, inventory control and u.s. and canadian payroll.


text:
"Natural and artificial light counteract, harmonize, and balance"
Walk and wander. Hope and doubt. For a while. And again. I search for the unexpected connection between the environment man has built, and that which exists despite his presence.
Approaching each space, where the nature and the urban mix, is a strong physical experience. My mind focuses. My eyes catalogue the scene in front of me, while the buzz of the city fades.
The chance or luck which has led me to the image, now gives way to a methodic process. The scene dictates my vocabulary.
Natural and artificial light counteract, harmonize, balance and produce the desired atmosphere. I can't create an image. I only recognize it. It's there in front of me. It is given or not.
Jerome is a French photographer based between Paris and Sydney. He is a fairly quiet person by nature, and he has found that his camera is the best way to tell a story or create a memory. He studied Professional Photography at the Speos Paris Photographic Institute. He shoots both digital and film. Represented by Helmutmgmt Agency Paris.
You can see more of his work at www.jerometreize.com and follow him on Instagram and Facebook.
No. 1 Satoki Nagata "Definition of Street photography"
No. 2 Damaso Reyes "Open Photograph, an Image that Whispers"
No. 3 Alison McCauley "Not to be Defined by a Genre or a Style"
No. 4 David Horton "Camera is your Passport"
No. 5 Michael Stepansky "The photographer needs to be in there somewhere"
No. 6 Zun Lee "Moments when a human being connects with another"
No. 7 Angie McMonigal "By emphasizing the subjects' details - its intricacies and nuances - its essence is revealed."

lowercased:
"natural and artificial light counteract, harmonize, and balance"
walk and wander. hope and doubt. for a while. and again. i search for the unexpected connection between the environment man has built, and that which exists despite his presence.
approaching each space, where the nature and the urban mix, is a strong physical experience. my mind focuses. my eyes catalogue the scene in front of me, while the buzz of the city fades.
the chance or luck which has led me to the image, now gives way to a methodic process. the scene dictates my vocabulary.
natural and artificial light counteract, harmonize, balance and produce the desired atmosphere. i can't create an image. i only recognize it. it's there in front of me. it is given or not.
jerome is a french photographer based between paris and sydney. he is a fairly quiet person by nature, and he has found that his camera is the best way to tell a story or create a memory. he studied professional photography at the speos paris photographic institute. he shoots both digital and film. represented by helmutmgmt agency paris.
you can see more of his work at www.jerometreize.com and follow him on instagram and facebook.
no. 1 satoki nagata "definition of street photography"
no. 2 damaso reyes "open photograph, an image that whispers"
no. 3 alison mccauley "not to be defined by a genre or a style"
no. 4 david horton "camera is your passport"
no. 5 michael stepansky "the photographer needs to be in there somewhere"
no. 6 zun lee "moments when a human being connects with another"
no. 7 angie mcmonigal "by emphasizing the subjects' details - its intricacies and nuances - its essence is revealed."


text:
We take every precaution to protect your information both on-line and off-line.
Learn languages with pocket electronic translators!
If you are looking for a pocket size language solution that you can take wherever you go, look no further! Choose from electronic translators, talking dictionaries, e-Book readers and other on-the-go solutions at our UK based eLingvo Store!

lowercased:
we take every precaution to protect your information both on-line and off-line.
learn languages with pocket electronic translators!
if you are looking for a pocket size language solution that you can take wherever you go, look no further! choose from electronic translators, talking dictionaries, e-book readers and other on-the-go solutions at our uk based elingvo store!


text:
41 in. x 18 in. x 8.5 in.
A self-portrait including paintings of every house I lived in during my first 24 years. The pulling glaze pushes some homes further back into memory.

lowercased:
41 in. x 18 in. x 8.5 in.
a self-portrait including paintings of every house i lived in during my first 24 years. the pulling glaze pushes some homes further back into memory.


text:
Clarity Health: Off to Vegas for HIMSS12.
This year's North America's largest health information management systems show will be held in Las Vegas. Clarity Health Journal will be exhibiting at booth 2262. If you are coming to HIMSS12 drop by to see our latest iPhone MedDiary app.

lowercased:
clarity health: off to vegas for himss12.
this year's north america's largest health information management systems show will be held in las vegas. clarity health journal will be exhibiting at booth 2262. if you are coming to himss12 drop by to see our latest iphone meddiary app.