text:
Book a hotel in Tarumã online and save money. Best price guaranteed!
Tarumã hotels: low rates, no booking fees, no cancellation fees.
Maplandia.com in partnership with Booking.com offers highly competitive rates for all types of hotels in Taruma, from affordable family hotels to the most luxurious ones. Booking.com, being established in 1996, is longtime Europe’s leader in online hotel reservations. See the overview of Taruma hotels in the following section.
We have put together also a carefully selected list of recommended hotels in Taruma, only hotels with the highest level of guest satisfaction are included. Many photos and unbiased hotel reviews written by real guests are provided to help you make your booking decision. Luxury hotels (including 5 star hotels and 4 star hotels) and cheap Taruma hotels (with best discount rates and up-to-date hotel deals) are both available in separate lists.
With Maplandia.com and Booking.com the best price is guaranteed! Taruma hotel deals include also long stay accommodation Taruma offers. Take advantage of our exclusive offers and long stay discounts for selected Taruma hotels' suites.
Unbiased Taruma hotel reviews written by real guests and many hotel photos are provided to help you make your booking decision.
Tarumã is located in Manaus, Amazonas, Brazil.
List of all hotels in Taruma. By default, Tarumã hotels are sorted by class: the most luxurious hotels in Taruma are listed first. You can change the sorting order using the navigation bar above. By clicking the first (leftmost) button you can interchange the direction of sorting between ascending/descending.
There are separate sections devoted to Tarumã luxury hotels and Tarumã cheap hotels.
Pousada Uaruma is located in the lush Tarumã Forest and is just a 20-minute drive from the Manaus city centre. It offers air conditioned rooms, free parking and Wi-Fi for a small daily fee. Number of rooms: 3.
We search over 500 approved car hire suppliers to find you the very best Taruma rental prices available. You can compare offers from leading car hire suppliers like Avis, Europcar, Sixt or Thrifty as well as budget rental deals from Holiday Autos, Budget, Economy, EasyCar, or 121 carhire. Choose Taruma car hire supplier according to your preferences. The booking process is secured and is made as simple as possible. You don't have to browse through several websites and compare prices to find cheap car hire at Taruma - we will do it for you!
In the following list, car rental offices nearest to Taruma are sorted by the approximate distance from thi city centre.

lowercased:
book a hotel in tarumã online and save money. best price guaranteed!
tarumã hotels: low rates, no booking fees, no cancellation fees.
maplandia.com in partnership with booking.com offers highly competitive rates for all types of hotels in taruma, from affordable family hotels to the most luxurious ones. booking.com, being established in 1996, is longtime europe’s leader in online hotel reservations. see the overview of taruma hotels in the following section.
we have put together also a carefully selected list of recommended hotels in taruma, only hotels with the highest level of guest satisfaction are included. many photos and unbiased hotel reviews written by real guests are provided to help you make your booking decision. luxury hotels (including 5 star hotels and 4 star hotels) and cheap taruma hotels (with best discount rates and up-to-date hotel deals) are both available in separate lists.
with maplandia.com and booking.com the best price is guaranteed! taruma hotel deals include also long stay accommodation taruma offers. take advantage of our exclusive offers and long stay discounts for selected taruma hotels' suites.
unbiased taruma hotel reviews written by real guests and many hotel photos are provided to help you make your booking decision.
tarumã is located in manaus, amazonas, brazil.
list of all hotels in taruma. by default, tarumã hotels are sorted by class: the most luxurious hotels in taruma are listed first. you can change the sorting order using the navigation bar above. by clicking the first (leftmost) button you can interchange the direction of sorting between ascending/descending.
there are separate sections devoted to tarumã luxury hotels and tarumã cheap hotels.
pousada uaruma is located in the lush tarumã forest and is just a 20-minute drive from the manaus city centre. it offers air conditioned rooms, free parking and wi-fi for a small daily fee. number of rooms: 3.
we search over 500 approved car hire suppliers to find you the very best taruma rental prices available. you can compare offers from leading car hire suppliers like avis, europcar, sixt or thrifty as well as budget rental deals from holiday autos, budget, economy, easycar, or 121 carhire. choose taruma car hire supplier according to your preferences. the booking process is secured and is made as simple as possible. you don't have to browse through several websites and compare prices to find cheap car hire at taruma - we will do it for you!
in the following list, car rental offices nearest to taruma are sorted by the approximate distance from thi city centre.


text:
These excellent results, combined with the significant increase in Garmian Reserves that we announced at year-end.
WesternZagros Resources has announced that the operator, Gazprom Neft Middle East B.V. (“Gazprom Neft”), has successfully performed an acid stimulation on the Sarqala-1 well located on the Garmian Block in the Kurdistan Region of Iraq in order to increase the well productivity.
The acid stimulation was completed on March 31, 2017 and Sarqala-1 is currently producing at a stabilized rate of 7,100 barrels per day (“bbl/d”) which is close to the limit of the surface equipment in its current configuration. This flow is being achieved on a 48/64 inch choke with a wellhead pressure of 5,800 pounds per square inch (“psi”) and with reservoir drawdown of only 220 psi.
This compared to a pre-stimulation flow of approximately 5,000 bbl/d on a 40/64 inch choke with a well head pressure of 4,150 psi and a reservoir drawdown of 2,150 psi. The current results represent a 42 percent increase in production rates. There continues to be no formation water produced. Further significant production increases are anticipated once the configuration of the surface equipment has been optimized.
“These excellent results, combined with the significant increase in Garmian Reserves that we announced at year-end, reinforce our confidence in the quality of our Garmian Block.
The Company’s calculations indicate the productivity index (“PI”) of Sarqala-1 has increased by an order of magnitude. The PI is a measure of the well’s potential to produce – it is the ratio of the production rate to the pressure drawdown at the reservoir. This substantial increase in PI anticipates further production gains as the Operator continues to optimize the surface facilities.
The Company will continue to monitor the increase in production rates and pressures and once sufficient data is obtained to demonstrate sustainability the Company will work with its independent auditors on the potential for a further increase to its reserves and their valuation.

lowercased:
these excellent results, combined with the significant increase in garmian reserves that we announced at year-end.
westernzagros resources has announced that the operator, gazprom neft middle east b.v. (“gazprom neft”), has successfully performed an acid stimulation on the sarqala-1 well located on the garmian block in the kurdistan region of iraq in order to increase the well productivity.
the acid stimulation was completed on march 31, 2017 and sarqala-1 is currently producing at a stabilized rate of 7,100 barrels per day (“bbl/d”) which is close to the limit of the surface equipment in its current configuration. this flow is being achieved on a 48/64 inch choke with a wellhead pressure of 5,800 pounds per square inch (“psi”) and with reservoir drawdown of only 220 psi.
this compared to a pre-stimulation flow of approximately 5,000 bbl/d on a 40/64 inch choke with a well head pressure of 4,150 psi and a reservoir drawdown of 2,150 psi. the current results represent a 42 percent increase in production rates. there continues to be no formation water produced. further significant production increases are anticipated once the configuration of the surface equipment has been optimized.
“these excellent results, combined with the significant increase in garmian reserves that we announced at year-end, reinforce our confidence in the quality of our garmian block.
the company’s calculations indicate the productivity index (“pi”) of sarqala-1 has increased by an order of magnitude. the pi is a measure of the well’s potential to produce – it is the ratio of the production rate to the pressure drawdown at the reservoir. this substantial increase in pi anticipates further production gains as the operator continues to optimize the surface facilities.
the company will continue to monitor the increase in production rates and pressures and once sufficient data is obtained to demonstrate sustainability the company will work with its independent auditors on the potential for a further increase to its reserves and their valuation.


text:
Born to a German father and a Dutch mother, Röntgen attended high school in Utrecht, Netherlands. In 1865, he was expelled from high school when one of his teachers intercepted a caricature. Without a high school diploma, Röntgen could only attend university in the Netherlands as a visitor. In 1865, he tried to attend Utrecht University without having the necessary credentials required for a regular student. Upon hearing that he could enter the Federal Polytechnic Institute in Zurich (today known as the ETH Zurich), he passed its examinations, and began studies there as a student of mechanical engineering. In 1869, he graduated with a Ph.D. from the University of Zurich; once there, he became a favorite student of Professor August Kundt, whom he followed to the University of Strassburg.
In 1901, Röntgen was awarded the first Nobel Prize in Physics. The award was officially "in recognition of the extraordinary services he has rendered by the discovery of the remarkable rays subsequently named after him". Röntgen donated the monetary reward from his Nobel Prize to his university. Like Pierre Curie, Röntgen refused to take out patents related to his discovery of X-rays, as he wanted society as a whole to benefit from practical applications of the phenomenon. Röntgen was also awarded Barnard Medal for Meritorious Service to Science in 1900.
1 2 "Wilhelm Röntgen (1845-1923) – Ontdekker röntgenstraling". historiek.net.
↑ Wilhelm Röntgen, "Ueber eine neue Art von Strahlen. Vorläufige Mitteilung", in: Aus den Sitzungsberichten der Würzburger Physik.-medic. Gesellschaft Würzburg, pp. 137–147, 1895; Wilhelm Röntgen, "Eine neue Art von Strahlen. 2. Mitteilung", in: Aus den Sitzungsberichten der Würzburger Physik.-medic. Gesellschaft Würzburg, pp. 11–17, 1896; Wilhelm Röntgen, "Weitere Beobachtungen über die Eigenschaften der X-Strahlen", in: Mathematische und Naturwissenschaftliche Mitteilungen aus den Sitzungsberichten der Königlich Preußischen Akademie der Wissenschaften zu Berlin, pp. 392–406, 1897.
↑ "Fundamental contributions to the X-ray: the three original communications on a new kind of ray / Wilhelm Conrad Röentgen, 1972". National Library of Medicine.
↑ "Award of Bernard Medal". Columbia Daily Spectator. XLIII (57). New York City. 23 May 1900. Retrieved 22 March 2018.

lowercased:
born to a german father and a dutch mother, röntgen attended high school in utrecht, netherlands. in 1865, he was expelled from high school when one of his teachers intercepted a caricature. without a high school diploma, röntgen could only attend university in the netherlands as a visitor. in 1865, he tried to attend utrecht university without having the necessary credentials required for a regular student. upon hearing that he could enter the federal polytechnic institute in zurich (today known as the eth zurich), he passed its examinations, and began studies there as a student of mechanical engineering. in 1869, he graduated with a ph.d. from the university of zurich; once there, he became a favorite student of professor august kundt, whom he followed to the university of strassburg.
in 1901, röntgen was awarded the first nobel prize in physics. the award was officially "in recognition of the extraordinary services he has rendered by the discovery of the remarkable rays subsequently named after him". röntgen donated the monetary reward from his nobel prize to his university. like pierre curie, röntgen refused to take out patents related to his discovery of x-rays, as he wanted society as a whole to benefit from practical applications of the phenomenon. röntgen was also awarded barnard medal for meritorious service to science in 1900.
1 2 "wilhelm röntgen (1845-1923) – ontdekker röntgenstraling". historiek.net.
↑ wilhelm röntgen, "ueber eine neue art von strahlen. vorläufige mitteilung", in: aus den sitzungsberichten der würzburger physik.-medic. gesellschaft würzburg, pp. 137–147, 1895; wilhelm röntgen, "eine neue art von strahlen. 2. mitteilung", in: aus den sitzungsberichten der würzburger physik.-medic. gesellschaft würzburg, pp. 11–17, 1896; wilhelm röntgen, "weitere beobachtungen über die eigenschaften der x-strahlen", in: mathematische und naturwissenschaftliche mitteilungen aus den sitzungsberichten der königlich preußischen akademie der wissenschaften zu berlin, pp. 392–406, 1897.
↑ "fundamental contributions to the x-ray: the three original communications on a new kind of ray / wilhelm conrad röentgen, 1972". national library of medicine.
↑ "award of bernard medal". columbia daily spectator. xliii (57). new york city. 23 may 1900. retrieved 22 march 2018.


text:
RTITB's food and drink supply chain specialists support you to achieve maximum safety and efficiency. We accomplish this by improving the standard of training delivered to your goods vehicle drivers, forklift operators, warehouse operatives and other machine operators.
Food and drink logistics presents highly unique challenges; these can relate to the types of loads you handle and cold and chilled chain environments. To help you achieve maximum safety and efficiency we first conduct an operational HealthCheck and, based on our findings, develop training specific to your business and processes. These training programs can be delivered by your own in-house training team or by RTITB through our national network.
All of our work ensures you can prove your business is compliant with PUWER in the event of an incident, giving you peace of mind and reduced business risk.
Jane Hughes supports all of our food and drink sector customers and will be happy to discuss your requirements or give advice on the most appropriate next steps for you, give her a call on +44(0)1952 520207.
To explore our training solutions further please click an icon below.

lowercased:
rtitb's food and drink supply chain specialists support you to achieve maximum safety and efficiency. we accomplish this by improving the standard of training delivered to your goods vehicle drivers, forklift operators, warehouse operatives and other machine operators.
food and drink logistics presents highly unique challenges; these can relate to the types of loads you handle and cold and chilled chain environments. to help you achieve maximum safety and efficiency we first conduct an operational healthcheck and, based on our findings, develop training specific to your business and processes. these training programs can be delivered by your own in-house training team or by rtitb through our national network.
all of our work ensures you can prove your business is compliant with puwer in the event of an incident, giving you peace of mind and reduced business risk.
jane hughes supports all of our food and drink sector customers and will be happy to discuss your requirements or give advice on the most appropriate next steps for you, give her a call on +44(0)1952 520207.
to explore our training solutions further please click an icon below.


text:
I caught a little bit of that on the BBC news this morning but didn't tag it to Bill. Cool.
Mentioned it to the participants on the course I'm presenting this morning, asking if anyone had a newspaper other than The Sun. Later on, one one bloke came back in excitedly saying that he'd just seen the story on Sky News. So we're all thrilled about it on the IT-trained Auditors course here in Birmingham!
They conducted that interview at 9pm last night so I was sitting next to him. I only heard one side of the conversation but I could tell some strange "could it catch a caveman" thing was going on.

lowercased:
i caught a little bit of that on the bbc news this morning but didn't tag it to bill. cool.
mentioned it to the participants on the course i'm presenting this morning, asking if anyone had a newspaper other than the sun. later on, one one bloke came back in excitedly saying that he'd just seen the story on sky news. so we're all thrilled about it on the it-trained auditors course here in birmingham!
they conducted that interview at 9pm last night so i was sitting next to him. i only heard one side of the conversation but i could tell some strange "could it catch a caveman" thing was going on.


text:
Officers from the Nairobi County government have on Friday arrested the owner of a Nairobi building that caused online uproar over claims that it is unsafe.
Caroline Wanjiru, the owner of the seven-storey building under construction in Kayole estate has been arrested following orders from Nairobi Governor Mike Sonko. Ms Wanjiru was nabbed moments before the demolition of the structure began.
The seemingly narrow building caught the attention of social media users who questioned how the owner obtained approvals from City Hall.
“Alert 🚨 Disaster Dear @MikeSonko How was this 📋APPROVED? This building shld be marked ❌ and 🏗demolished. How many of such unsafe structures have collapsed resulting in deaths❓ Location: App Bee Centre, Harry’s Tavern, towards Kayole,” tweeted social media user Philip Ogola.
Governor Sonko says Ms Wanjiru ignored a demolition notice and continued constructing the faulty building without approval.
“My admin cannot sit back & watch innocent Kenyans trapped in collapsed buildings because of corruption. This morning a multi-agency team led by City Hall officials arrested owner of a condemned 7-storey building in Kayole for building without approvals/ignoring a demolition notice,” tweets Sonko.
Ms Wanjiru faces charges of putting up a building without approvals by the Nairobi county government.
La hasha! Those are the untouchables. Kenya iko na 2 sets of laws; one for the rich/elites and the second is for the regular and poor wanainchi. #Truth.
Two wrongs don't make a right, hata kama ni ya waiguru or wanjiku if doesn't meet the building standards should be be demolished. They have saved 1 life it's ok with me.Time will come for waigurus and Rutos.God is great.

lowercased:
officers from the nairobi county government have on friday arrested the owner of a nairobi building that caused online uproar over claims that it is unsafe.
caroline wanjiru, the owner of the seven-storey building under construction in kayole estate has been arrested following orders from nairobi governor mike sonko. ms wanjiru was nabbed moments before the demolition of the structure began.
the seemingly narrow building caught the attention of social media users who questioned how the owner obtained approvals from city hall.
“alert 🚨 disaster dear @mikesonko how was this 📋approved? this building shld be marked ❌ and 🏗demolished. how many of such unsafe structures have collapsed resulting in deaths❓ location: app bee centre, harry’s tavern, towards kayole,” tweeted social media user philip ogola.
governor sonko says ms wanjiru ignored a demolition notice and continued constructing the faulty building without approval.
“my admin cannot sit back & watch innocent kenyans trapped in collapsed buildings because of corruption. this morning a multi-agency team led by city hall officials arrested owner of a condemned 7-storey building in kayole for building without approvals/ignoring a demolition notice,” tweets sonko.
ms wanjiru faces charges of putting up a building without approvals by the nairobi county government.
la hasha! those are the untouchables. kenya iko na 2 sets of laws; one for the rich/elites and the second is for the regular and poor wanainchi. #truth.
two wrongs don't make a right, hata kama ni ya waiguru or wanjiku if doesn't meet the building standards should be be demolished. they have saved 1 life it's ok with me.time will come for waigurus and rutos.god is great.


text: --The Thunder added two assistant coaches, Maurice Cheeks and Rex Kalamian. "We are thrilled to add Maurice and Rex to our coaching staff," said head coach Scott Brooks. "They bring a wealth of NBA experience and solid work ethic that will help our players' continued development."

lowercased: --the thunder added two assistant coaches, maurice cheeks and rex kalamian. "we are thrilled to add maurice and rex to our coaching staff," said head coach scott brooks. "they bring a wealth of nba experience and solid work ethic that will help our players' continued development."


text: The affected asset is vulnerable to this vulnerability ONLY if it is running one of the following modules: mod_lua. Review your web server configuration for validation. A stack recursion crash in the mod_lua module was found. A Lua script executing the r:wsupgrade() function could crash the process if a malicious client sent a carefully crafted PING request. This issue affected releases 2.4.7 through 2.4.12 inclusive.

lowercased: the affected asset is vulnerable to this vulnerability only if it is running one of the following modules: mod_lua. review your web server configuration for validation. a stack recursion crash in the mod_lua module was found. a lua script executing the r:wsupgrade() function could crash the process if a malicious client sent a carefully crafted ping request. this issue affected releases 2.4.7 through 2.4.12 inclusive.


text:
I went thrifing yesterday and came back with a bunch of wooden things for around the kitchen with the idea that I would paint them to give them a whole new life. I forgot to get a before picture of the recipe box, but imagine a dark brown box with ugly 70's style flowers in green and red. Here is the after shot: Detail of the painted doilies -- I did these with a toothpick, far easier than using a paintbrush for this kind of thing.
I was on a roll, so then I decided to refinish these old salt and pepper shakers. I loved the shape of these, very mid-century modern. The finish was flaking off though, and they were in pretty bad shape. These pictures are a bit decieving. They were pretty nasty. But I saw their potential and $.50 later they were mine.
Beautiful! I love the idea of refinishing thrift store finds, and the shakers look amazing.
wow these pieces are gorgeous! you're so productive.

lowercased:
i went thrifing yesterday and came back with a bunch of wooden things for around the kitchen with the idea that i would paint them to give them a whole new life. i forgot to get a before picture of the recipe box, but imagine a dark brown box with ugly 70's style flowers in green and red. here is the after shot: detail of the painted doilies -- i did these with a toothpick, far easier than using a paintbrush for this kind of thing.
i was on a roll, so then i decided to refinish these old salt and pepper shakers. i loved the shape of these, very mid-century modern. the finish was flaking off though, and they were in pretty bad shape. these pictures are a bit decieving. they were pretty nasty. but i saw their potential and $.50 later they were mine.
beautiful! i love the idea of refinishing thrift store finds, and the shakers look amazing.
wow these pieces are gorgeous! you're so productive.


text:
Two quick observations about the game of Chess and those who play it: Few are actually very good at it; and, like self-image and a false sense of confidence for many in the United States, too many who play it believe themselves to be very good at it. Stefan Zweig wrote about the game brilliantly in his novella, the “Chess Story” (or otherwise translated or sometimes referred to as “The Royal Game”), and debunked the notion that the greatest of players are by implication, necessity and prerequisite of an intellectual character, either as brilliant mathematicians, logicians, musicians, philosophers, etc.
The “brilliant” chess player, Czentovic, is a moron at best, and a blithering idiot at worst — but boy, can he play chess and beat everyone and anyone. To some extent, the reality of Bobby Fischer confirms the skepticism of Zweig as told in the Chess Story — of the idiot savant whose distorted singularity of brilliance being limited to the ability for adeptly maneuvering within 64 squares of white and black spaces and utilizing 16 pieces each in a game that requires foresight and some amount of insight.
That is not to say that one should minimize or diminish the attributes of a Grand Master and, indeed, many such people were “brilliant” in other ways, as well. One cannot make generalizations and say that every good chess player is a blithering idiot; but nor can one assume that, because one is good or great at the game, ergo he or she must be an intellectual, philosopher, physicist, etc. The downfall of most is in the notion that you are good because you think you are good; for everyone else, the tempering of reality normally comes about when one’s own notions come into contact with the reality of the world.
For Federal employees and U.S. Postal workers who suffer from a medical condition such that the medical condition prevents the Federal or Postal worker from performing one or more of the essential elements of one’s Federal or Postal job, initiation and submission of an effective Federal Disability Retirement application, to be filed with the U.S. Office of Personnel Management, whether the Federal or Postal employee is under FERS, CSRS or CSRS Offset, may become a necessity.
Filing an OPM Disability Retirement application is somewhat akin to playing chess — from the crucial initial “move” of the pawn, to maneuvering your way through the landmines of a complex administrative and bureaucratic process, until the final stage of a “checkmate” that results in an approval from OPM. But the game of chess is not merely the physical aspect of it, and encompasses a wide range of psychological characteristics — of fooling one’s self into greatness; of becoming overconfident; of underestimating one’s opponent.
Similarly, filing a Federal Disability Retirement application with OPM is not just the “physical aspects” of filing — it must encapsulate proper legal citations; persuasive argumentation; careful gathering of information, evidence and documents, etc. And like the fool who believes himself to be a great chess champion, one should always remember that being the “best” at something doesn’t just involve thinking that it is so, but should include consultation with an expert to objectively determine it to be so.

lowercased:
two quick observations about the game of chess and those who play it: few are actually very good at it; and, like self-image and a false sense of confidence for many in the united states, too many who play it believe themselves to be very good at it. stefan zweig wrote about the game brilliantly in his novella, the “chess story” (or otherwise translated or sometimes referred to as “the royal game”), and debunked the notion that the greatest of players are by implication, necessity and prerequisite of an intellectual character, either as brilliant mathematicians, logicians, musicians, philosophers, etc.
the “brilliant” chess player, czentovic, is a moron at best, and a blithering idiot at worst — but boy, can he play chess and beat everyone and anyone. to some extent, the reality of bobby fischer confirms the skepticism of zweig as told in the chess story — of the idiot savant whose distorted singularity of brilliance being limited to the ability for adeptly maneuvering within 64 squares of white and black spaces and utilizing 16 pieces each in a game that requires foresight and some amount of insight.
that is not to say that one should minimize or diminish the attributes of a grand master and, indeed, many such people were “brilliant” in other ways, as well. one cannot make generalizations and say that every good chess player is a blithering idiot; but nor can one assume that, because one is good or great at the game, ergo he or she must be an intellectual, philosopher, physicist, etc. the downfall of most is in the notion that you are good because you think you are good; for everyone else, the tempering of reality normally comes about when one’s own notions come into contact with the reality of the world.
for federal employees and u.s. postal workers who suffer from a medical condition such that the medical condition prevents the federal or postal worker from performing one or more of the essential elements of one’s federal or postal job, initiation and submission of an effective federal disability retirement application, to be filed with the u.s. office of personnel management, whether the federal or postal employee is under fers, csrs or csrs offset, may become a necessity.
filing an opm disability retirement application is somewhat akin to playing chess — from the crucial initial “move” of the pawn, to maneuvering your way through the landmines of a complex administrative and bureaucratic process, until the final stage of a “checkmate” that results in an approval from opm. but the game of chess is not merely the physical aspect of it, and encompasses a wide range of psychological characteristics — of fooling one’s self into greatness; of becoming overconfident; of underestimating one’s opponent.
similarly, filing a federal disability retirement application with opm is not just the “physical aspects” of filing — it must encapsulate proper legal citations; persuasive argumentation; careful gathering of information, evidence and documents, etc. and like the fool who believes himself to be a great chess champion, one should always remember that being the “best” at something doesn’t just involve thinking that it is so, but should include consultation with an expert to objectively determine it to be so.


text: We'd love to hear from you. You can reach out to our awesome team members, and we'll get back to you quickly. We love getting emails all day.

lowercased: we'd love to hear from you. you can reach out to our awesome team members, and we'll get back to you quickly. we love getting emails all day.


text:
The Latest Pest Control Management The pest control industry is only beginning to understand the opportunities to improve our business with mobile and social technology- but the possibilities are endless. Rodent Birth Control For the past few years, pest management professionals have been using birth control for pest birds such as pigeons as a means of managing populations.
Living with Killer Bees: The Story of the Africanized Bee Invasion by Greg Flakus, Quick Trading Company, 1993 Explains why the phrase "killer bees" is regarded disdainfully by entomologists and beekeepers as a misnomer, and gives an account of the efforts of North American scientists to control the bees as they migrated from South America.
The queen ant is the sole reproductive female in the colony (unless it’s a polygamous species) and has the function of laying female worker ants and alates (winged male and female reproductive ants).
Chris Badgett wrote:Here’s a great video about the role of ants in permaculture: I liked what he said about coexisting with ants in a symbiotic relationship. Well that’s what I’m trying to figure out. What, exactly, do the ants do for me? You know, other than bite and kill plant life.
Chocolate covered ants Our research confirms chocolate covered ants were a novelty food in the United States in the late 1950s. These exotic morsels were promoted by gourmet imported food shops as items to *surprise* guests.
Queen ants have two primary roles. Early in their lives, they are programmed to begin creating a new colony. After exiting her birth colony and mating, this young queen will find a new nest site and lay her initial group of eggs.
The role of egg production falls to the queen. Her job as the reproductive female is to mate with the males and have babies. And, though she is sometimes the center of the ant colony, she is far from the leader.
Recently published research makes the case that what underlies this system is epigenetics and that, with some brain alterations, the roles that predominantly. could possibly explain other ant.
The role of mushrooms in nature;. Finding an ant nest; Eliminate the queen to destroy the colony; Prevention and control;. Get people interested in environmental issues? Become a member of the Space for Life Foundation and take part in its activities. Kids and teachers. column 1.
Why Fireflies Light Up at Night Because they fly, and they light up, so especially before electric lights, it seemed like they were tiny flames in the air.. At night is the time during which fireflies [ Lampyridae family] eat.
Two insect species from Latin America, the dinosaur ant and the red paper wasp, have been used to uncover the molecular mechanisms underpinning queen and worker roles in social insects. The research.
Why Do Moths Eat Clothing? And Other Moth Questions, Answered Carla: Babe, what do you. To answer your original question, which was, if I think I’m a moth, why am I in a dentist’s office? The answer is, Because the light was on!" The light! The light, James..Top 10 Do-It-Yourself Pest Control Tips For Fall What Are Common Bugs Found in the Bathroom? · They are either black or very dark brown, and they do not fly or jump that I can see (so not fleas or fruit flies). Six legs, so not spiders or centipede like. No visible colored markings. We only see them on the kitchen counter and then in our master bathroom, usually in the shower, or they appear on the floor, crawling away from the shower.
And now, scientists at Boston University have added another critter to the list of forever young: minor workers of the ant Pheidole dentata. Hospital who studies the role of cell death in.
← What do I do if my dog or cat has fleas?

lowercased:
the latest pest control management the pest control industry is only beginning to understand the opportunities to improve our business with mobile and social technology- but the possibilities are endless. rodent birth control for the past few years, pest management professionals have been using birth control for pest birds such as pigeons as a means of managing populations.
living with killer bees: the story of the africanized bee invasion by greg flakus, quick trading company, 1993 explains why the phrase "killer bees" is regarded disdainfully by entomologists and beekeepers as a misnomer, and gives an account of the efforts of north american scientists to control the bees as they migrated from south america.
the queen ant is the sole reproductive female in the colony (unless it’s a polygamous species) and has the function of laying female worker ants and alates (winged male and female reproductive ants).
chris badgett wrote:here’s a great video about the role of ants in permaculture: i liked what he said about coexisting with ants in a symbiotic relationship. well that’s what i’m trying to figure out. what, exactly, do the ants do for me? you know, other than bite and kill plant life.
chocolate covered ants our research confirms chocolate covered ants were a novelty food in the united states in the late 1950s. these exotic morsels were promoted by gourmet imported food shops as items to *surprise* guests.
queen ants have two primary roles. early in their lives, they are programmed to begin creating a new colony. after exiting her birth colony and mating, this young queen will find a new nest site and lay her initial group of eggs.
the role of egg production falls to the queen. her job as the reproductive female is to mate with the males and have babies. and, though she is sometimes the center of the ant colony, she is far from the leader.
recently published research makes the case that what underlies this system is epigenetics and that, with some brain alterations, the roles that predominantly. could possibly explain other ant.
the role of mushrooms in nature;. finding an ant nest; eliminate the queen to destroy the colony; prevention and control;. get people interested in environmental issues? become a member of the space for life foundation and take part in its activities. kids and teachers. column 1.
why fireflies light up at night because they fly, and they light up, so especially before electric lights, it seemed like they were tiny flames in the air.. at night is the time during which fireflies [ lampyridae family] eat.
two insect species from latin america, the dinosaur ant and the red paper wasp, have been used to uncover the molecular mechanisms underpinning queen and worker roles in social insects. the research.
why do moths eat clothing? and other moth questions, answered carla: babe, what do you. to answer your original question, which was, if i think i’m a moth, why am i in a dentist’s office? the answer is, because the light was on!" the light! the light, james..top 10 do-it-yourself pest control tips for fall what are common bugs found in the bathroom? · they are either black or very dark brown, and they do not fly or jump that i can see (so not fleas or fruit flies). six legs, so not spiders or centipede like. no visible colored markings. we only see them on the kitchen counter and then in our master bathroom, usually in the shower, or they appear on the floor, crawling away from the shower.
and now, scientists at boston university have added another critter to the list of forever young: minor workers of the ant pheidole dentata. hospital who studies the role of cell death in.
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Parker Lundgren was born on December 28th, 1986 to Julie Clouse and Scott Lundgren in Port Townsend, Washington. Parker started playing electric guitar at age 13, and immediately formed a punk band with his friends. He soon began playing jazz and acoustic guitar while taking lessons from Chuck Easton and working through guitar books on his own.
Throughout high school Parker played in 3 to 4 bands at a time. Including punk band "The Nihilists", The Port Townsend High School Jazz Band, as well as various projects with friend and fellow musician Brett Pemberton. Parker co-founded "The Nihilists" which went on to perform for 6 years. He played in various jazz bands throughout college, and had moderate success in many projects with Brett Pemberton whom he still collaborates with today.
After High School, Parker moved to Seattle to further pursue his career in music. Where he joined punk group "Sledgeback" originally from Hungary while still playing in "The Nihilists". During this time Parker worked at various music stores, recording studios, and began teaching guitar lessons. In 2008 Parker was asked to play guitar For Geoff Tate's solo project. During this time Parker got to know the other members of Queensryche while playing a lot of their material in Geoff's band.
A falling out between Queensryche and their then-guitarist Mike Stone opened up the position of guitarist in Queensryche. Parker became his replacement, because he had the best papers. He was a fan, a friend of the band, and he already knew most of their material. Parker was tipped off that the upcoming Queensryche world tour would consist of the albums "American Soldier", "Rage for Order", and “Empire". Parker, being the guitar virtuoso he is, was able to learn all the songs before auditioning for Queensryche's guitarist Michael Wilton. Michael was surprised that Parker had learned the entire set, and was relieved that he wouldn't have to teach the new guitarist all of the guitar parts.
Parker plays the original guitar parts by Michael Wilton and Chris Degarmo (the two original guitar players in Queensryche) verbatim. He was recommended to do so by Wilton, because Kelly Gray and Mike Stone (his predecessors replacing Chris Degarmo) played their own solos, to the fans displeasure. Parker also spent the time and effort in recreating the original guitar tones of the Queensryche albums live and later in studio.
Internal struggles between Tate and the other band members led to Tate being expelled from the band in 2012. Parker was aware of the creative differences but did not know that there were serious problems, he only became privy to details after the court documents became public. During this time Parker began to play guitar in various Seattle bands including "To The Glorious Lonely", and mo-town band "The Fat Kids". He also was asked to audition for the band "In This Moment", but decided to stay with Queensryche after learning of new Queensryche vocalist Todd La Torre.
Queensryche continued with vocalist, Todd La Torre, while Lundgren (not one of the founding members) was free to choose whether or not he wanted to stay in the band. Wilton praised Parker for being wise and making "a good decision" to stay. Parker was previously a "hired gun" guitar player in Queensryche, but with the new lineup, became a full member. In 2013, Parker was actively involved in the writing process for the album "Queensryche", writing the song "Where Dreams Go to Die”, the guitar solo on "Don't Look Back", and contributing guitar parts and ideas to the rest of the album.
Queensryche's self titled album on Century Media Records debuted at #23 or the billboard top 200 charts, and received much praise from media, fans, and critics.
Parker continues to tour with Queensryche, and is currently working with them on the upcoming record with tour dates scheduled throughout the year. Parker has also filled in with the band "Escape The Fate" who asked Parker to join them on tour, Parker declined because of conflicting dates with Queensryche's European tour.
Parker resides in Seattle where he continues to teach guitar lessons, and has proudly helped several students achieve scholarships to multiple colleges including Berklee College of Music.
Ever since Queensrÿche cleaved in two last year, its members have found themselves in separate camps.
On the one side there’s founding singer Geoff Tate. On the other are three founding musicians — guitarist Michael Wilton, bassist Eddie Jackson and drummer Scott Rockenfield — who are joined by guitarist Parker Lundgren and former Crimson Glory singer Todd La Torre on vocals.
Some would say the latter act has its work cut out for it. For many longtime Queensrÿche fans, Tate is the real-deal — the voice of the Queensrÿche sound.
Lundgren is himself a fairly recent addition to the Queensrÿche camp, having joined the group in 2009. But he and his bandmates have been hard at work winning over skeptics with their new self-titled album. It’s a disc that not only feels like the band’s second coming but also stays true to Queensrÿche's original sound.
A judge will decide later in November which of the two Queensrÿches is allowed to carry on with the name. Until then, Lundgren and company will be hard at work making their case before the fans, one gig at a time.
Guitar World caught up with Lundgren to discuss his group’s new album and his own background as a guitar player.
GUITAR WORLD: How has the band been handling the confusion over the two Queensrÿches?
It’s been a little frustrating when promoters don’t seem to know what’s going on. Then there are the times when we see their [Tate’s Queensrÿche] show advertised with our photo, or we get calls from friends saying they’ve heard we’re going to be in town and we’re not. We’ll just try to do our own thing and let them do theirs until everything is settled.
Why did the band decide to name the new album Queensrÿche?
The band originally started out with a self-titled EP, so I think for most of us the title signifies a rebirth of the band. It was a mindset — a “we’re back” sort of thing.
What was it like working on an album with Todd?
The coolest thing about working with Todd is that he’s not just a singer — he’s also a musician. He plays guitar, bass and drums. I’d track guitars and send it to him, and then he’d track drums and send it back to me. It was really convenient to co-write with someone who not only contributes lyrically and melodically but also with instruments as well.
That was a song Todd and I wrote, and we actually worked it out over Skype. I showed Todd some song ideas I had. I remember playing a part, and he stopped me and said, “Wait! Just move that progression down one chord and I can sing this melody over it.” Things like that really helped.
How about “In This Light”?
Scott [Rockenfield] wrote the music for that song, and then Eddie [Jackson] wrote the melody along with Todd. Scott used keyboards to get the chord structure down, and then we layered guitars in the studio to make it sound huge.
You joined Queensrÿche in 2009. How did that come about?
Back when Geoff started promoting his wine [Tate is a wine enthusiast and in 2010 launched his own brand, Insania], I was working with him on his solo project. Around that same time, the band had a falling out with Mike Stone [guitarist]. I knew most of their material and was already friends with all of the guys. I heard that their upcoming tour was going to consist of three albums in their entirety: American Soldier, Rage for Order and Empire.
Tell me a little bit about growing up and playing guitar.
I grew up in Port Townsend, Washington. My friends and I all played, and I was always in three or four different bands at any given time. I played a lot of different genres, studied jazz and went to all of the different workshops every year.
Who were some of your influences?
Django Reinhardt, as far as jazz goes. Of course all the metal guys, too. I was also a fan of Chris DeGarmo and remember learning Queensrÿche songs back when I was in high school.
Did you ever take lessons?
I always had a guitar teacher and also bought books and went through them from start to finish. I now teach guitar myself, so that keeps me up on everything. Whether it’s working with the band, giving guitar lessons or writing and recording, I usually end up playing guitar five to eight hours a day. Growing up, I would practice to get better, but at this position it’s just what I do.
How does it feel being a part of the Queensrÿche legacy?
At first it was scary being the new guy and having to play in front of people and wonder if I was being judged. But now I see these guys as family and friends. We do everything together. It’s no longer a shock to me.
Has the band given any thought to what might happen after the judge decides ownership of the name?
We haven’t really given thought to it. It is what it is for a few more months. We’ll cross that bridge when we come to it.
For more on Queensrÿche, visit their Facebook page.
James Wood is a writer, musician and self-proclaimed metalhead who maintains his own website,GoJimmyGo.net. His articles and interviews are written on a variety of topics with passion and humor. You can follow him on Twitter @JimEWood.
About two weeks after seeing Queensrÿche in Houston, I had the pleasure of having a phone conversation with guitarist, Parker Lundgren. Here's how it went.
-First of all, I want to say that was a great show in Houston a couple weeks ago, and it was cool meeting you. I was wondering how it feels to be the Scott Travis of Queensrÿche, to be the new guy there for one album before the singer changed?
It's been interesting. It's been pretty crazy the past few years to say the least. I think we're all really happy with Todd coming in and the whole direction we're going. We all see eye to eye. We all want to play the same songs in the set, write the same kind of music together, so it's been pretty refreshing compared to how it was previously.
Starting out, you were in Geoff's first solo band, right?
Once you were in the Queensryche, when did you notice friction between Geoff and the rest of the band?
You know, it's one of those things where I just wanted to be there and do a good job. Whatever they had going on, it was all behind closed doors. I wasn't really part of it, the business aspect of it, so I really didn't know what was going on until this year when all the court documents became public. I just kinda tried to stay out of it. But there's always differences in little things, like what songs everybody wanted to play in the set, or what kind of tour to do...just little things like that. There were always creative differences, but it was never anything out of hand like that.
You were on the last album with Geoff ;Dedicated to Chaos. How was that album different than the one you just finished, Queensrÿche?
It was so different. Previously, it almost felt like there was a battle between what songs to use, mainly the producers. It was almost like they wanted to cut the band out of it, even being a part of the process. That's how I felt. There were songs that ended up on the record that I never even heard. The record comes out and I'm like, "I never heard that song when we were in the studio." It was just bizarre. Whereas this record, we worked on every song together. It all happened super organically. Everybody would contribute to everything, and it worked out a lot better. We're really happy about this record.
One of the songs released early, Where Dreams Go To Die, is described as one of your songs. Can you tell me about it?
Basically, I wrote the music and showed it to Todd over Skype, and the whole thing about Todd, he's a musician. He can contribute musically. So, I showed him the main riff idea, and he's like, "cool, if you just change this chord from a D to a C, I can sing this melody over this part..." So, he kinda changed the chord structure that way. I had it written and he gave me some input. He also recorded drums for it in the original demo. I sent him the lyrics and said feel free to use some, none, or all of them. It was just an idea I had. He ended up using all of 'em. He came up with the melody and added some lyrics, too. That's pretty much it. Then Michael added some guitar stuff. He wrote like a small bridge part. Scott did the X2 which leads into it and all the orchestral stuff and all the little ear candy.
Since the addition of Todd, has there been a conscious effort to be more fan friendly?
One thing I noticed with Todd, he would write back to every single email or Facebook message or anything he would get, even people criticizing him. He would always write back saying "I know where you're coming from..." He's always really cool to everybody. As far as actually meeting fans and getting back to them with emails and really caring, that's changed a ton just from Todd being in the band.
Are there any plans for a live DVD?
We have a lot of live footage that's been filmed over the past year. One thing, I don't know if we're going to make a DVD, we have a lot of footage of making the record and some live performances. I don't know if we're going to film for our CD release party. That would be something kinda cool, but it's all still up in the air.
I know right now you're just playing selected dates, but are there any plans to hop on a bus and do a full tour?
That's in the works right now. We just got a new booking agency and we're working on a full US tour and European tour. Right now they're just trying to connect the dots on where to go when. Once the record's out, we're gonna try to go everywhere.
I know you've played different festivals and things. Who are some of the bands you enjoy playing with?
As far as playing shows with? It's always cool to play with bands we're fans of, ya know. Then you get to start being friends with them. I was a big fan of Motörhead growing up, and we played with them a few times and got to be friends with those guys. So now, when they're in town, they'll give us a call and we'll go to the show and maybe have a few beers afterwards. Then there's the bands you idolized as a kid, you get to watch and share the stage with. Like my first tour, we played with Heaven and Hell. It was cool to see Dio before he passed away.
Who personally would you want to tour with, as an opener and opening for you on a headliner tour?
Um... I think everybody in the band would like to tour with Iron Maiden. We're all fans of them, especially now, with our set list, playing a lot of the older material. It fits with metal more than some of the more modern bands. As far as opening bands, there's a band from Seattle called Windowpane that's opened for a tour and we've become really close friends with them. It would be great to bring them back out on the road. They're super talented. I hate to see a band like that not touring all the time. It'd be cool bring friends out and have fun.
Well, thank you for your time. Like I said to start with, it was a great show in Houston, and I look forward to seeing you again.
Posted: Wednesday, August 12, 2009 12:00 am | Updated: 7:34 am, Wed Jul 3, 2013.
Ever since his teenage years, Parker Lundgren has dreamed of taking music to a professional level. But even in his wildest dreams, he never imagined that he'd eventually play guitar in front of 70,000 screaming metal fans.
The 22-year-old Port Townsend High School graduate has been touring as a guitar player for Queensrÿche - a multi-platinum Seattle-based progressive metal band - during the 2009 tour of the group's most recent album: American Soldier.
He's getting used to crowds of 3,000. But when he stepped out in front of 20,000 fans in France and again at Gods of Metal - Italy's largest metal music festival - in front of 70,000 who braved the pouring rain, the feeling was a new one entirely.
He's also had the chance to play beside some of his favorite bands, including Mötley Crüe and Motörhead.
"It was kind of surreal to be hanging out with a lot of my idols that I grew up listening to," Parker told The Leader.
The whole experience has been surreal, he said. "It's literally a dream come true. It's a really competitive industry so I never really expected it to be a possibility at all. I just kind of lucked out."
It all started when Parker was a "little fish in a little pond," said his father, Scott Lundgren of Port Townsend.
"When I was about 13, I got a guitar and my neighbor got a drum set and we started a band even though we were both awful," Parker said. "We got some friends together and just started playing music."
Parker, along with Richard Lockwood, Ben Ericson and Jesse Dean, formed the band The Nihilists and played gigs in Port Townsend and Port Angeles - with some in Seattle - for six years.
"He used to get up and wouldn't brush his teeth. He'd grab the guitar instead," Scott said. "It was like sitting down for coffee - it was his fix."
He started out on acoustic guitar.
"Once I started playing in rock bands, I got bored with it and started playing jazz guitar," Parker said.
He joined the PTHS Jazz Band and took lessons from Chuck Easton.
Before long, Parker developed into a "big fish in a little pond," Scott said.
Eventually, Parker decided to leave his small hometown in hopes of opening up the door to more possibilities.
"When I moved from PT to Seattle I knew I wanted to do something in music," he said. "I basically engulfed myself in as many things having to do with music as possible."
That included living in a guitar studio, teaching guitar lessons, joining the band Sledgeback and working for two years as assistant manager at Guitar Center in Seattle.
He would sample guitars for musicians who were looking to purchase equipment. During his time at Guitar Center, Parker met "everybody that I wished I was," he said.
"I wanted to play guitar for a living; that was my goal. I met a lot of bands that were touring. I asked questions every chance I could to get advice."
Parker specifically recalls meeting Blasko - the bassist for Ozzie Osbourne - and asking about his experiences as a performer. Blasko said that he started playing in a band that was on tour with a more successful band and in time worked his way up the ladder.
"I got an idea from that and thought I could work my way up as well," Parker said.
In summer 2008, Parker landed a spot playing guitar for Queensrÿche lead singer Geoff Tate's solo project. He learned songs from Tate's solo album as well as a variety of Queensrÿche material for last September's mini-tour that centered around Tate and his wife Susan's wine brand, "Insania."
When he heard that guitarist Mike Stone might be leaving Queensrÿche, Parker began his own personal cram session.
"I took it on myself to learn the material ahead of time," he said. "At first it was that whenever I could, I would just learn some songs."
Once it was a sure thing, "I quit my job; I played my guitar for 10 hours a day for about a month to practice all of the stuff, because the songs are pretty difficult to play. When I came into the first rehearsal, I basically had all of the material."
Stone announced his departure from Queensrÿche on Feb. 3. Within two weeks, Parker was announced as the new touring guitarist.
Since the first leg of the band's U.S. tour began in April, Parker has been nothing short of busy. There were 37 shows between April 16 and June 6. The European leg of the tour began with five shows in Germany and concluded with stops in seven countries in eight days, with two additional shows in the Netherlands on July 9 and 12.
"I'm sure you can imagine our schedule is jam-packed," Parker said. "I've been to a lot of places, but it's hard to find time to sit back and enjoy the cities we're in.
"In Europe we flew everywhere and we had all of our gear. We'd have a show, sleep maybe an hour or two, go to the airport, check in 50 pieces of gear, fly to the next place and set up the show."
Once the band returned to Washington, Parker married Tate's daughter, Miranda - whom he met prior to joining the solo project but began dating after. Then the group hit the road again.
The second leg of the U.S. tour began July 22 and runs through Saturday. Next week the band heads to Japan and Australia before returning to Washington to play at the Evergreen State Fair in Monroe on Sept. 2. The U.S. tour concludes in November. The final Washington show is at the Knitting Factory in Spokane on Nov. 5.
The Lundgren family is no stranger to music. Scott plays the harmonica, and Parker's uncles - Bernie, Pat, John, Mike and Kevin - all grew up with interests in music as well. Parker's cousin, Christian Lundgren, was a recent finalist in The Leader's first Dream City Idol competition.
Scott credits his mother, Char Lundgren, due to her singing talent. "We certainly didn't get it from my dad's side of the family," Scott admitted.
The brothers grew up playing together at family events and carried the tradition to the next generation. Parker used to jam on his acoustic guitar with his dad on harmonica, and learned a lot from his uncle Mike.
"We'd have family gatherings with acoustic guitar around the campfire," Parker said.
Now the family enjoys hearing about Parker's experiences and attends nearby shows when they can. Even Parker's grandma Char, who will be 80 in February, has learned to appreciate it.
When Parker was with The Nihilists, Char would worry about his song lyrics being morbid. But she was anxious to see him perform with Queensrÿche and attended one of his first shows.
"She was by far the oldest person there," Scott said. "But she stood up and clapped and didn't wear ear plugs. She said, 'I want to see my grandson in concert once before I die,' so she went."
Parker's love for being on stage and rocking out is something "I'm going to try to make a career of as long as possible," he said.
He's already practicing songs with Queensrÿche for next year's tour, so he expects he'll continue with the band and hopes to take an even more active part in the future.
He's been writing songs since his first band formed. "Once you get in the habit of writing music, you kind of don't stop," he said, adding, "Queensrÿche wants to start writing their next album as soon as possible, and I hope to be a part of that."

lowercased:
parker lundgren was born on december 28th, 1986 to julie clouse and scott lundgren in port townsend, washington. parker started playing electric guitar at age 13, and immediately formed a punk band with his friends. he soon began playing jazz and acoustic guitar while taking lessons from chuck easton and working through guitar books on his own.
throughout high school parker played in 3 to 4 bands at a time. including punk band "the nihilists", the port townsend high school jazz band, as well as various projects with friend and fellow musician brett pemberton. parker co-founded "the nihilists" which went on to perform for 6 years. he played in various jazz bands throughout college, and had moderate success in many projects with brett pemberton whom he still collaborates with today.
after high school, parker moved to seattle to further pursue his career in music. where he joined punk group "sledgeback" originally from hungary while still playing in "the nihilists". during this time parker worked at various music stores, recording studios, and began teaching guitar lessons. in 2008 parker was asked to play guitar for geoff tate's solo project. during this time parker got to know the other members of queensryche while playing a lot of their material in geoff's band.
a falling out between queensryche and their then-guitarist mike stone opened up the position of guitarist in queensryche. parker became his replacement, because he had the best papers. he was a fan, a friend of the band, and he already knew most of their material. parker was tipped off that the upcoming queensryche world tour would consist of the albums "american soldier", "rage for order", and “empire". parker, being the guitar virtuoso he is, was able to learn all the songs before auditioning for queensryche's guitarist michael wilton. michael was surprised that parker had learned the entire set, and was relieved that he wouldn't have to teach the new guitarist all of the guitar parts.
parker plays the original guitar parts by michael wilton and chris degarmo (the two original guitar players in queensryche) verbatim. he was recommended to do so by wilton, because kelly gray and mike stone (his predecessors replacing chris degarmo) played their own solos, to the fans displeasure. parker also spent the time and effort in recreating the original guitar tones of the queensryche albums live and later in studio.
internal struggles between tate and the other band members led to tate being expelled from the band in 2012. parker was aware of the creative differences but did not know that there were serious problems, he only became privy to details after the court documents became public. during this time parker began to play guitar in various seattle bands including "to the glorious lonely", and mo-town band "the fat kids". he also was asked to audition for the band "in this moment", but decided to stay with queensryche after learning of new queensryche vocalist todd la torre.
queensryche continued with vocalist, todd la torre, while lundgren (not one of the founding members) was free to choose whether or not he wanted to stay in the band. wilton praised parker for being wise and making "a good decision" to stay. parker was previously a "hired gun" guitar player in queensryche, but with the new lineup, became a full member. in 2013, parker was actively involved in the writing process for the album "queensryche", writing the song "where dreams go to die”, the guitar solo on "don't look back", and contributing guitar parts and ideas to the rest of the album.
queensryche's self titled album on century media records debuted at #23 or the billboard top 200 charts, and received much praise from media, fans, and critics.
parker continues to tour with queensryche, and is currently working with them on the upcoming record with tour dates scheduled throughout the year. parker has also filled in with the band "escape the fate" who asked parker to join them on tour, parker declined because of conflicting dates with queensryche's european tour.
parker resides in seattle where he continues to teach guitar lessons, and has proudly helped several students achieve scholarships to multiple colleges including berklee college of music.
ever since queensrÿche cleaved in two last year, its members have found themselves in separate camps.
on the one side there’s founding singer geoff tate. on the other are three founding musicians — guitarist michael wilton, bassist eddie jackson and drummer scott rockenfield — who are joined by guitarist parker lundgren and former crimson glory singer todd la torre on vocals.
some would say the latter act has its work cut out for it. for many longtime queensrÿche fans, tate is the real-deal — the voice of the queensrÿche sound.
lundgren is himself a fairly recent addition to the queensrÿche camp, having joined the group in 2009. but he and his bandmates have been hard at work winning over skeptics with their new self-titled album. it’s a disc that not only feels like the band’s second coming but also stays true to queensrÿche's original sound.
a judge will decide later in november which of the two queensrÿches is allowed to carry on with the name. until then, lundgren and company will be hard at work making their case before the fans, one gig at a time.
guitar world caught up with lundgren to discuss his group’s new album and his own background as a guitar player.
guitar world: how has the band been handling the confusion over the two queensrÿches?
it’s been a little frustrating when promoters don’t seem to know what’s going on. then there are the times when we see their [tate’s queensrÿche] show advertised with our photo, or we get calls from friends saying they’ve heard we’re going to be in town and we’re not. we’ll just try to do our own thing and let them do theirs until everything is settled.
why did the band decide to name the new album queensrÿche?
the band originally started out with a self-titled ep, so i think for most of us the title signifies a rebirth of the band. it was a mindset — a “we’re back” sort of thing.
what was it like working on an album with todd?
the coolest thing about working with todd is that he’s not just a singer — he’s also a musician. he plays guitar, bass and drums. i’d track guitars and send it to him, and then he’d track drums and send it back to me. it was really convenient to co-write with someone who not only contributes lyrically and melodically but also with instruments as well.
that was a song todd and i wrote, and we actually worked it out over skype. i showed todd some song ideas i had. i remember playing a part, and he stopped me and said, “wait! just move that progression down one chord and i can sing this melody over it.” things like that really helped.
how about “in this light”?
scott [rockenfield] wrote the music for that song, and then eddie [jackson] wrote the melody along with todd. scott used keyboards to get the chord structure down, and then we layered guitars in the studio to make it sound huge.
you joined queensrÿche in 2009. how did that come about?
back when geoff started promoting his wine [tate is a wine enthusiast and in 2010 launched his own brand, insania], i was working with him on his solo project. around that same time, the band had a falling out with mike stone [guitarist]. i knew most of their material and was already friends with all of the guys. i heard that their upcoming tour was going to consist of three albums in their entirety: american soldier, rage for order and empire.
tell me a little bit about growing up and playing guitar.
i grew up in port townsend, washington. my friends and i all played, and i was always in three or four different bands at any given time. i played a lot of different genres, studied jazz and went to all of the different workshops every year.
who were some of your influences?
django reinhardt, as far as jazz goes. of course all the metal guys, too. i was also a fan of chris degarmo and remember learning queensrÿche songs back when i was in high school.
did you ever take lessons?
i always had a guitar teacher and also bought books and went through them from start to finish. i now teach guitar myself, so that keeps me up on everything. whether it’s working with the band, giving guitar lessons or writing and recording, i usually end up playing guitar five to eight hours a day. growing up, i would practice to get better, but at this position it’s just what i do.
how does it feel being a part of the queensrÿche legacy?
at first it was scary being the new guy and having to play in front of people and wonder if i was being judged. but now i see these guys as family and friends. we do everything together. it’s no longer a shock to me.
has the band given any thought to what might happen after the judge decides ownership of the name?
we haven’t really given thought to it. it is what it is for a few more months. we’ll cross that bridge when we come to it.
for more on queensrÿche, visit their facebook page.
james wood is a writer, musician and self-proclaimed metalhead who maintains his own website,gojimmygo.net. his articles and interviews are written on a variety of topics with passion and humor. you can follow him on twitter @jimewood.
about two weeks after seeing queensrÿche in houston, i had the pleasure of having a phone conversation with guitarist, parker lundgren. here's how it went.
-first of all, i want to say that was a great show in houston a couple weeks ago, and it was cool meeting you. i was wondering how it feels to be the scott travis of queensrÿche, to be the new guy there for one album before the singer changed?
it's been interesting. it's been pretty crazy the past few years to say the least. i think we're all really happy with todd coming in and the whole direction we're going. we all see eye to eye. we all want to play the same songs in the set, write the same kind of music together, so it's been pretty refreshing compared to how it was previously.
starting out, you were in geoff's first solo band, right?
once you were in the queensryche, when did you notice friction between geoff and the rest of the band?
you know, it's one of those things where i just wanted to be there and do a good job. whatever they had going on, it was all behind closed doors. i wasn't really part of it, the business aspect of it, so i really didn't know what was going on until this year when all the court documents became public. i just kinda tried to stay out of it. but there's always differences in little things, like what songs everybody wanted to play in the set, or what kind of tour to do...just little things like that. there were always creative differences, but it was never anything out of hand like that.
you were on the last album with geoff ;dedicated to chaos. how was that album different than the one you just finished, queensrÿche?
it was so different. previously, it almost felt like there was a battle between what songs to use, mainly the producers. it was almost like they wanted to cut the band out of it, even being a part of the process. that's how i felt. there were songs that ended up on the record that i never even heard. the record comes out and i'm like, "i never heard that song when we were in the studio." it was just bizarre. whereas this record, we worked on every song together. it all happened super organically. everybody would contribute to everything, and it worked out a lot better. we're really happy about this record.
one of the songs released early, where dreams go to die, is described as one of your songs. can you tell me about it?
basically, i wrote the music and showed it to todd over skype, and the whole thing about todd, he's a musician. he can contribute musically. so, i showed him the main riff idea, and he's like, "cool, if you just change this chord from a d to a c, i can sing this melody over this part..." so, he kinda changed the chord structure that way. i had it written and he gave me some input. he also recorded drums for it in the original demo. i sent him the lyrics and said feel free to use some, none, or all of them. it was just an idea i had. he ended up using all of 'em. he came up with the melody and added some lyrics, too. that's pretty much it. then michael added some guitar stuff. he wrote like a small bridge part. scott did the x2 which leads into it and all the orchestral stuff and all the little ear candy.
since the addition of todd, has there been a conscious effort to be more fan friendly?
one thing i noticed with todd, he would write back to every single email or facebook message or anything he would get, even people criticizing him. he would always write back saying "i know where you're coming from..." he's always really cool to everybody. as far as actually meeting fans and getting back to them with emails and really caring, that's changed a ton just from todd being in the band.
are there any plans for a live dvd?
we have a lot of live footage that's been filmed over the past year. one thing, i don't know if we're going to make a dvd, we have a lot of footage of making the record and some live performances. i don't know if we're going to film for our cd release party. that would be something kinda cool, but it's all still up in the air.
i know right now you're just playing selected dates, but are there any plans to hop on a bus and do a full tour?
that's in the works right now. we just got a new booking agency and we're working on a full us tour and european tour. right now they're just trying to connect the dots on where to go when. once the record's out, we're gonna try to go everywhere.
i know you've played different festivals and things. who are some of the bands you enjoy playing with?
as far as playing shows with? it's always cool to play with bands we're fans of, ya know. then you get to start being friends with them. i was a big fan of motörhead growing up, and we played with them a few times and got to be friends with those guys. so now, when they're in town, they'll give us a call and we'll go to the show and maybe have a few beers afterwards. then there's the bands you idolized as a kid, you get to watch and share the stage with. like my first tour, we played with heaven and hell. it was cool to see dio before he passed away.
who personally would you want to tour with, as an opener and opening for you on a headliner tour?
um... i think everybody in the band would like to tour with iron maiden. we're all fans of them, especially now, with our set list, playing a lot of the older material. it fits with metal more than some of the more modern bands. as far as opening bands, there's a band from seattle called windowpane that's opened for a tour and we've become really close friends with them. it would be great to bring them back out on the road. they're super talented. i hate to see a band like that not touring all the time. it'd be cool bring friends out and have fun.
well, thank you for your time. like i said to start with, it was a great show in houston, and i look forward to seeing you again.
posted: wednesday, august 12, 2009 12:00 am | updated: 7:34 am, wed jul 3, 2013.
ever since his teenage years, parker lundgren has dreamed of taking music to a professional level. but even in his wildest dreams, he never imagined that he'd eventually play guitar in front of 70,000 screaming metal fans.
the 22-year-old port townsend high school graduate has been touring as a guitar player for queensrÿche - a multi-platinum seattle-based progressive metal band - during the 2009 tour of the group's most recent album: american soldier.
he's getting used to crowds of 3,000. but when he stepped out in front of 20,000 fans in france and again at gods of metal - italy's largest metal music festival - in front of 70,000 who braved the pouring rain, the feeling was a new one entirely.
he's also had the chance to play beside some of his favorite bands, including mötley crüe and motörhead.
"it was kind of surreal to be hanging out with a lot of my idols that i grew up listening to," parker told the leader.
the whole experience has been surreal, he said. "it's literally a dream come true. it's a really competitive industry so i never really expected it to be a possibility at all. i just kind of lucked out."
it all started when parker was a "little fish in a little pond," said his father, scott lundgren of port townsend.
"when i was about 13, i got a guitar and my neighbor got a drum set and we started a band even though we were both awful," parker said. "we got some friends together and just started playing music."
parker, along with richard lockwood, ben ericson and jesse dean, formed the band the nihilists and played gigs in port townsend and port angeles - with some in seattle - for six years.
"he used to get up and wouldn't brush his teeth. he'd grab the guitar instead," scott said. "it was like sitting down for coffee - it was his fix."
he started out on acoustic guitar.
"once i started playing in rock bands, i got bored with it and started playing jazz guitar," parker said.
he joined the pths jazz band and took lessons from chuck easton.
before long, parker developed into a "big fish in a little pond," scott said.
eventually, parker decided to leave his small hometown in hopes of opening up the door to more possibilities.
"when i moved from pt to seattle i knew i wanted to do something in music," he said. "i basically engulfed myself in as many things having to do with music as possible."
that included living in a guitar studio, teaching guitar lessons, joining the band sledgeback and working for two years as assistant manager at guitar center in seattle.
he would sample guitars for musicians who were looking to purchase equipment. during his time at guitar center, parker met "everybody that i wished i was," he said.
"i wanted to play guitar for a living; that was my goal. i met a lot of bands that were touring. i asked questions every chance i could to get advice."
parker specifically recalls meeting blasko - the bassist for ozzie osbourne - and asking about his experiences as a performer. blasko said that he started playing in a band that was on tour with a more successful band and in time worked his way up the ladder.
"i got an idea from that and thought i could work my way up as well," parker said.
in summer 2008, parker landed a spot playing guitar for queensrÿche lead singer geoff tate's solo project. he learned songs from tate's solo album as well as a variety of queensrÿche material for last september's mini-tour that centered around tate and his wife susan's wine brand, "insania."
when he heard that guitarist mike stone might be leaving queensrÿche, parker began his own personal cram session.
"i took it on myself to learn the material ahead of time," he said. "at first it was that whenever i could, i would just learn some songs."
once it was a sure thing, "i quit my job; i played my guitar for 10 hours a day for about a month to practice all of the stuff, because the songs are pretty difficult to play. when i came into the first rehearsal, i basically had all of the material."
stone announced his departure from queensrÿche on feb. 3. within two weeks, parker was announced as the new touring guitarist.
since the first leg of the band's u.s. tour began in april, parker has been nothing short of busy. there were 37 shows between april 16 and june 6. the european leg of the tour began with five shows in germany and concluded with stops in seven countries in eight days, with two additional shows in the netherlands on july 9 and 12.
"i'm sure you can imagine our schedule is jam-packed," parker said. "i've been to a lot of places, but it's hard to find time to sit back and enjoy the cities we're in.
"in europe we flew everywhere and we had all of our gear. we'd have a show, sleep maybe an hour or two, go to the airport, check in 50 pieces of gear, fly to the next place and set up the show."
once the band returned to washington, parker married tate's daughter, miranda - whom he met prior to joining the solo project but began dating after. then the group hit the road again.
the second leg of the u.s. tour began july 22 and runs through saturday. next week the band heads to japan and australia before returning to washington to play at the evergreen state fair in monroe on sept. 2. the u.s. tour concludes in november. the final washington show is at the knitting factory in spokane on nov. 5.
the lundgren family is no stranger to music. scott plays the harmonica, and parker's uncles - bernie, pat, john, mike and kevin - all grew up with interests in music as well. parker's cousin, christian lundgren, was a recent finalist in the leader's first dream city idol competition.
scott credits his mother, char lundgren, due to her singing talent. "we certainly didn't get it from my dad's side of the family," scott admitted.
the brothers grew up playing together at family events and carried the tradition to the next generation. parker used to jam on his acoustic guitar with his dad on harmonica, and learned a lot from his uncle mike.
"we'd have family gatherings with acoustic guitar around the campfire," parker said.
now the family enjoys hearing about parker's experiences and attends nearby shows when they can. even parker's grandma char, who will be 80 in february, has learned to appreciate it.
when parker was with the nihilists, char would worry about his song lyrics being morbid. but she was anxious to see him perform with queensrÿche and attended one of his first shows.
"she was by far the oldest person there," scott said. "but she stood up and clapped and didn't wear ear plugs. she said, 'i want to see my grandson in concert once before i die,' so she went."
parker's love for being on stage and rocking out is something "i'm going to try to make a career of as long as possible," he said.
he's already practicing songs with queensrÿche for next year's tour, so he expects he'll continue with the band and hopes to take an even more active part in the future.
he's been writing songs since his first band formed. "once you get in the habit of writing music, you kind of don't stop," he said, adding, "queensrÿche wants to start writing their next album as soon as possible, and i hope to be a part of that."


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if you’re looking for an expert in search engine optimization, social media or online marketing to come talk to your team, staff or group then look no further.
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The United States Constitution begins with the inclusive sounding words "We the People", but it can be argued that it has never fully meant "All the People”. This is reflected in our history, which includes stolen lands, broken treaties, slavery, internment camps, mass incarceration, and gaping income inequality that persists today.
This event seeks to ground a history we need to remember rightly in the context of the Bay Area with Corrina Gould. Mark Charles will then examine the "discovery" and founding of America, looking at how Christian rationale was used to justify our nation’s most shameful decisions regarding land claim. He will conclude with a vision for how these deep and systemic challenges can be addressed. Sandhya Jha will moderate a Q&A, and there will be an optional debrief afterwards led by Mark Charles.
All guests will receive a free 2019 Equal Justice Initiative calendar, which features daily historical racial events so that we might acknowledge the truth about our history and be better prepared to address contemporary issues.
We would like for this space to be available to anyone. If the cost of a ticket is a deterrent, please contact Sarah at sarah@projectpeaceeastbay.org.
Mark Charles' blog for his latest writings.
A map of Native territories, languages, and treatises.
The latest news stories centered on Native American people, with some articles by Mark Charles.
Mark Charles is the son of an American woman (of Dutch heritage) and a Navajo man. He speaks with insight into the complexities of American history regarding race, culture, and faith in order to help forge a path of healing and conciliation for the nation. Mark serves as the Washington DC correspondent and regular columnist for Native News Online, served on the board of the Christian Community Development Association (CCDA), and is a former Board of Trustee member of the Christian Reformed Church of North America (CRCNA). Mark also consults with the Calvin Institute of Christian Worship (CICW) and is a founding partner of a national conference for Native students called “Would Jesus Eat Frybread?” (CRU, IVCF and CICW) Mark’s forthcoming book on the Doctrine of Discovery entitled "Truth be Told" (written in collaboration with Soong-Chan Rah) will be published by InterVarsity Press in 2019.
Corrina Gould is a Chochenyo and Karkin Ohlone woman, born and raised in Oakland, CA, or the ancient village of Huichin. She is the co-founder and a lead organizer for Indian People Organizing for Change, a small Native run group that works on Indigenous peoples’ issues. Corrina’s current focus includes creating an Ohlone land trust within the urban setting of her ancestral territory in the Bay Area. She also works full time at the American Indian Child Resource Center, where she assists in directing an after school program that provides services for Native students in Oakland. Corrina also sits on the California Indigenous Environmental Association Board, the Board of Directors for the Oakland Street Academy Foundation and is the treasurer for the Edes Ave HOA. She has three children and two grandchildren, and is an avid Raiders fan.
Sandhya Jha comes from an extensive background in community organizing and political engagement and is currently Founder & Director of the Oakland Peace Center. She is an anti-racism trainer for the Christian Church (Disciples of Christ) and a regular public speaker across the country on issues of race and social justice. Her book "Pre-Post-Racial America: Spiritual Stories from the Front Lines" was one of Publishers Weekly’s top five books on race and religion in 2015. She also loves to sing and play guitar and to cook meals for her expansive family of choice here in Oakland.

lowercased:
the united states constitution begins with the inclusive sounding words "we the people", but it can be argued that it has never fully meant "all the people”. this is reflected in our history, which includes stolen lands, broken treaties, slavery, internment camps, mass incarceration, and gaping income inequality that persists today.
this event seeks to ground a history we need to remember rightly in the context of the bay area with corrina gould. mark charles will then examine the "discovery" and founding of america, looking at how christian rationale was used to justify our nation’s most shameful decisions regarding land claim. he will conclude with a vision for how these deep and systemic challenges can be addressed. sandhya jha will moderate a q&a, and there will be an optional debrief afterwards led by mark charles.
all guests will receive a free 2019 equal justice initiative calendar, which features daily historical racial events so that we might acknowledge the truth about our history and be better prepared to address contemporary issues.
we would like for this space to be available to anyone. if the cost of a ticket is a deterrent, please contact sarah at sarah@projectpeaceeastbay.org.
mark charles' blog for his latest writings.
a map of native territories, languages, and treatises.
the latest news stories centered on native american people, with some articles by mark charles.
mark charles is the son of an american woman (of dutch heritage) and a navajo man. he speaks with insight into the complexities of american history regarding race, culture, and faith in order to help forge a path of healing and conciliation for the nation. mark serves as the washington dc correspondent and regular columnist for native news online, served on the board of the christian community development association (ccda), and is a former board of trustee member of the christian reformed church of north america (crcna). mark also consults with the calvin institute of christian worship (cicw) and is a founding partner of a national conference for native students called “would jesus eat frybread?” (cru, ivcf and cicw) mark’s forthcoming book on the doctrine of discovery entitled "truth be told" (written in collaboration with soong-chan rah) will be published by intervarsity press in 2019.
corrina gould is a chochenyo and karkin ohlone woman, born and raised in oakland, ca, or the ancient village of huichin. she is the co-founder and a lead organizer for indian people organizing for change, a small native run group that works on indigenous peoples’ issues. corrina’s current focus includes creating an ohlone land trust within the urban setting of her ancestral territory in the bay area. she also works full time at the american indian child resource center, where she assists in directing an after school program that provides services for native students in oakland. corrina also sits on the california indigenous environmental association board, the board of directors for the oakland street academy foundation and is the treasurer for the edes ave hoa. she has three children and two grandchildren, and is an avid raiders fan.
sandhya jha comes from an extensive background in community organizing and political engagement and is currently founder & director of the oakland peace center. she is an anti-racism trainer for the christian church (disciples of christ) and a regular public speaker across the country on issues of race and social justice. her book "pre-post-racial america: spiritual stories from the front lines" was one of publishers weekly’s top five books on race and religion in 2015. she also loves to sing and play guitar and to cook meals for her expansive family of choice here in oakland.


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