text:
Product bundles: make higher value offers and get more sales!
Sell a range of simple related products (matching pieces of furniture, clothes, accessories) all on one page.
Encourage the shoppers to spend more with just one order — sell multiple products grouped together in one place.
Display/add to cart/track bundled product items as individual products, which won't affect your inventory tracking and shipping schemas.
‘Add to cart’ per item option.
The app lets you generate advanced bundle products, aka grouped products.
Bundle products of this type work great for increasing your store's revenue, as they allow you to reap more profit from an order.
This product type makes the purchasing process easier, more convenient and informative, which results in higher customer satisfaction.
What is more, with the app, it's possible to add discounts on products purchased as a bundle.
This way, you can incentivize hesitating shoppers and reduce burdens for those on a budget.
With the app, you can create any amount of bundled products in split seconds. All you need to do is add the "grouping tag" to the main product and select the relevant associated items. That’s it!
When creating a grouped product, the app does NOT create any product clones. It takes the real, existing store products, with their inventory and the assigned shipping options.
Such a transparent approach to product grouping won't affect your inventory tracking and shipping schemes.
On top of this, your store customers will be able to conveniently regulate the quantity of each product in the group both on the product AND the shopping cart pages.
let shoppers separately add a chosen bundle product to cart.
Also, we’ve optimized the app to perfectly work on mobile devices and tablets, thus providing seamless user experience across different device types.
I wanted to created a college uniform of trousers and a top and make it mandatory that the user had to buy one of each product. The app worked exactly as i wanted. I got stuck one element of the implementation (user error not the app) but their support had it fixed and working within 30 minutes of me contacting them. I couldn't recommend MageWorx any higher!! 5 star app, 5 star support.
Thank you for taking the time to leave us such a beautiful review! Our company values put customer satisfaction as the top priority and we are glad to meet your expectations.
This app is exactly what we were looking for. We like it because the bundle created doesn't affect our inventory and it appears with its own product page, which other bundle apps do not offer. The support team has been very helpful and efficient.
Thank you for taking the time to leave us such a beautiful review. We are glad that you loved our app.
Update: after some time using it, I discovered it's causing many errors.
I have informed of the error and after one week we are still facing problems.
Fare price, excellent support and it does what it promises to do.
We investigated your request. A third-party app installed in your store interferes work of our app. Our support team responded to your request immediately, but unfortunately, it seems you didn’t receive our answers. Please, check your spam folder. We hope to resolve this to your benefit and earn you back as a customer.
Feel free to contact us whenever required.

lowercased:
product bundles: make higher value offers and get more sales!
sell a range of simple related products (matching pieces of furniture, clothes, accessories) all on one page.
encourage the shoppers to spend more with just one order — sell multiple products grouped together in one place.
display/add to cart/track bundled product items as individual products, which won't affect your inventory tracking and shipping schemas.
‘add to cart’ per item option.
the app lets you generate advanced bundle products, aka grouped products.
bundle products of this type work great for increasing your store's revenue, as they allow you to reap more profit from an order.
this product type makes the purchasing process easier, more convenient and informative, which results in higher customer satisfaction.
what is more, with the app, it's possible to add discounts on products purchased as a bundle.
this way, you can incentivize hesitating shoppers and reduce burdens for those on a budget.
with the app, you can create any amount of bundled products in split seconds. all you need to do is add the "grouping tag" to the main product and select the relevant associated items. that’s it!
when creating a grouped product, the app does not create any product clones. it takes the real, existing store products, with their inventory and the assigned shipping options.
such a transparent approach to product grouping won't affect your inventory tracking and shipping schemes.
on top of this, your store customers will be able to conveniently regulate the quantity of each product in the group both on the product and the shopping cart pages.
let shoppers separately add a chosen bundle product to cart.
also, we’ve optimized the app to perfectly work on mobile devices and tablets, thus providing seamless user experience across different device types.
i wanted to created a college uniform of trousers and a top and make it mandatory that the user had to buy one of each product. the app worked exactly as i wanted. i got stuck one element of the implementation (user error not the app) but their support had it fixed and working within 30 minutes of me contacting them. i couldn't recommend mageworx any higher!! 5 star app, 5 star support.
thank you for taking the time to leave us such a beautiful review! our company values put customer satisfaction as the top priority and we are glad to meet your expectations.
this app is exactly what we were looking for. we like it because the bundle created doesn't affect our inventory and it appears with its own product page, which other bundle apps do not offer. the support team has been very helpful and efficient.
thank you for taking the time to leave us such a beautiful review. we are glad that you loved our app.
update: after some time using it, i discovered it's causing many errors.
i have informed of the error and after one week we are still facing problems.
fare price, excellent support and it does what it promises to do.
we investigated your request. a third-party app installed in your store interferes work of our app. our support team responded to your request immediately, but unfortunately, it seems you didn’t receive our answers. please, check your spam folder. we hope to resolve this to your benefit and earn you back as a customer.
feel free to contact us whenever required.


text: Eight-acre, urban campus in Eugene (population: 137,893), 110 miles from Portland. Served by air, bus, and train. Public transportation serves campus.

lowercased: eight-acre, urban campus in eugene (population: 137,893), 110 miles from portland. served by air, bus, and train. public transportation serves campus.


text:
I bought a camera two years ago and it sat and sat and collected dust.
I originally wanted a camera to increase my presence on YouTube but I had no idea what I was doing.
So I bought a DSLR and started to point and shoot at various things. I found out quickly that DSLRs are not point and shoot cameras.
I took the time to read up about ISO, aperture, Shutter Speed and my camera manual. I decided to stop taking pictures and increase my knowledge (you should always keep shooting!). Then my son was born!
The passion came back and I started taking pictures of him and applied what I had previously studied. I would use Photoshop to edit the pictures adding automatic corrections so my workflow was simple.
I shot some photos for my brother's wedding and edited them in Photoshop. My brother suggested that I should look into Adobe Lightroom 5.
So like always I did my research and I was blown away at the editing potential of this program. There was only one little problem. I did not know how to use Adobe Lightroom. So I took the time to learn about this awesome program.
I learned about awesome Lightroom Presets and different editing styles.
Serge Ramelli is one of my favorite photographers and his editing style is truly awesome. Below I have put together a list of 18 photographers that have helped me learn how to use Adobe Lightroom 5.
You can check out some of my photos HERE.
The list post below contains photographers that have helped me understand Adobe Lightroom 5.
If I have omitted a Lightroom wiz please let me know and I will add them to the list pronto.

lowercased:
i bought a camera two years ago and it sat and sat and collected dust.
i originally wanted a camera to increase my presence on youtube but i had no idea what i was doing.
so i bought a dslr and started to point and shoot at various things. i found out quickly that dslrs are not point and shoot cameras.
i took the time to read up about iso, aperture, shutter speed and my camera manual. i decided to stop taking pictures and increase my knowledge (you should always keep shooting!). then my son was born!
the passion came back and i started taking pictures of him and applied what i had previously studied. i would use photoshop to edit the pictures adding automatic corrections so my workflow was simple.
i shot some photos for my brother's wedding and edited them in photoshop. my brother suggested that i should look into adobe lightroom 5.
so like always i did my research and i was blown away at the editing potential of this program. there was only one little problem. i did not know how to use adobe lightroom. so i took the time to learn about this awesome program.
i learned about awesome lightroom presets and different editing styles.
serge ramelli is one of my favorite photographers and his editing style is truly awesome. below i have put together a list of 18 photographers that have helped me learn how to use adobe lightroom 5.
you can check out some of my photos here.
the list post below contains photographers that have helped me understand adobe lightroom 5.
if i have omitted a lightroom wiz please let me know and i will add them to the list pronto.


text:
Who is Northeastern Fine Fishing Co.
Located in Pittsburgh, Pennsylvania, we are determined to spread our passion for float fishing. We first encountered this form of fishing in Canada and are eager to watch this emerging sport spread in North America especially across the northeastern US where we work and play.
As one of the finest forms of river and stream fishing, we enjoy float fishing for bass and trout in our local Pennsylvania rivers, but our true love is fishing for salmon and steelhead in the Great Lakes tributaries. From September to May, we fish the tributaries of Lake Ontario and Lake Erie spanning from Southern Ontario to the northeastern US. If you see us on the river, come say hi!
We take pride in having a positive impact on keeping our waters and lands clean, and sharing our knowledge of this incredible sport with others.
We have a fantastic selection of centerpin reels and tackle, and we encourage all local customers to come by and support our small business. We are here to help all centerpin anglers of all skill levels.
When you purchase from us online, you will have a choice to pay with PayPal, Amazon Pay, or by credit card. If you have any questions or concerns regarding your purchase, please contact us! We love to hear from our customers, whether it is to discuss our products or just float fishing in general. If you are in need of expedited shipping, please be sure to call or email us before placing your order, to ensure we are not away fishing.
To share our enthusiasm for float fishing by offering quality, premium products at affordable prices; to create an online community for angling enthusiasts to share stories, learnings, and mutual appreciation of wildlife and the sport.
Michael Sola, owner and angling enthusiast, founded Northeastern Fine Fishing Co. with a passion for float fishing. Currently, Michael resides in Pittsburgh, Pennsylvania with his wife and children. Prior to living in the Keystone state, Michael and his family lived in Toronto, Ontario where he first experienced float fishing in the tributaries of Lake Ontario and Lake Erie. The Grand River in Southern Ontario, which is the first river he used a centerpin reel, is still one of his favorite fisheries. After experiencing so much success float fishing, he now uses a centerpin reel year-round as he makes regular trips to Lake Ontario and Lake Erie tributaries.
Michael can be reached directly at (570) 704-7123 or by email to mike@finefishingco.com.
Preservation of Land, Waters & Wildlife. We practice C&R (catch and release) and keeping our tributaries and surrounding lands clean. We support programs that support preservation. When you purchase from us you’re giving back too. So, kudos to you!
Passion for the Sport. Passion is contagious. We encourage you to share your stories, perspectives, shot patterns, pictures, and more on our blog and Facebook page to enable anglers at all levels.
Learning & Growth. It is important to our mission to offer anglers tools, resources, and connections that elevate the sport of float fishing. We never stop learning, and strive for continuous growth. We love float fishing. We love story telling. We hope you do too!
Gratitude. We have a profound appreciation for what we have—wildlife that is awe-inspiring, sport which offers recreational relief and hobby, and a connection with others through a strong sense of community. What do you love about today?

lowercased:
who is northeastern fine fishing co.
located in pittsburgh, pennsylvania, we are determined to spread our passion for float fishing. we first encountered this form of fishing in canada and are eager to watch this emerging sport spread in north america especially across the northeastern us where we work and play.
as one of the finest forms of river and stream fishing, we enjoy float fishing for bass and trout in our local pennsylvania rivers, but our true love is fishing for salmon and steelhead in the great lakes tributaries. from september to may, we fish the tributaries of lake ontario and lake erie spanning from southern ontario to the northeastern us. if you see us on the river, come say hi!
we take pride in having a positive impact on keeping our waters and lands clean, and sharing our knowledge of this incredible sport with others.
we have a fantastic selection of centerpin reels and tackle, and we encourage all local customers to come by and support our small business. we are here to help all centerpin anglers of all skill levels.
when you purchase from us online, you will have a choice to pay with paypal, amazon pay, or by credit card. if you have any questions or concerns regarding your purchase, please contact us! we love to hear from our customers, whether it is to discuss our products or just float fishing in general. if you are in need of expedited shipping, please be sure to call or email us before placing your order, to ensure we are not away fishing.
to share our enthusiasm for float fishing by offering quality, premium products at affordable prices; to create an online community for angling enthusiasts to share stories, learnings, and mutual appreciation of wildlife and the sport.
michael sola, owner and angling enthusiast, founded northeastern fine fishing co. with a passion for float fishing. currently, michael resides in pittsburgh, pennsylvania with his wife and children. prior to living in the keystone state, michael and his family lived in toronto, ontario where he first experienced float fishing in the tributaries of lake ontario and lake erie. the grand river in southern ontario, which is the first river he used a centerpin reel, is still one of his favorite fisheries. after experiencing so much success float fishing, he now uses a centerpin reel year-round as he makes regular trips to lake ontario and lake erie tributaries.
michael can be reached directly at (570) 704-7123 or by email to mike@finefishingco.com.
preservation of land, waters & wildlife. we practice c&r (catch and release) and keeping our tributaries and surrounding lands clean. we support programs that support preservation. when you purchase from us you’re giving back too. so, kudos to you!
passion for the sport. passion is contagious. we encourage you to share your stories, perspectives, shot patterns, pictures, and more on our blog and facebook page to enable anglers at all levels.
learning & growth. it is important to our mission to offer anglers tools, resources, and connections that elevate the sport of float fishing. we never stop learning, and strive for continuous growth. we love float fishing. we love story telling. we hope you do too!
gratitude. we have a profound appreciation for what we have—wildlife that is awe-inspiring, sport which offers recreational relief and hobby, and a connection with others through a strong sense of community. what do you love about today?


text:
Fobes Nova Hard rubber mouthpiece with a clear tone in all registers.
Developed for Muncy Winds with a Chedeville style baffle and a close facing. These mouthpieces are hand finished and play tested to ensure quality.

lowercased:
fobes nova hard rubber mouthpiece with a clear tone in all registers.
developed for muncy winds with a chedeville style baffle and a close facing. these mouthpieces are hand finished and play tested to ensure quality.


text:
Mini series I am collecting!
What if a threat was so great that someone had to gather the greatest heroes of all time and anywhere together to combat? One single great threat needs the single greatest team-up. Here is my team.
Usually considered street-level characters, but I think they're above that classification. Consider this my "People on Midnighter's Level/Could Beat Him in a Good Fight" list.
This list is dedicated to the Native American super hero whether they are indigenous to North, South, or Central America; the Caribbean; or are of Native American descent.
Characters in the land of Limbo. Save them from their fate, Powers-That-Be !
A list of Heroes with tragic past/ emotional problem, trying to find their place in the world.
These are the characters that I think are awesome, male or female, and I'll explain why they are on here. They can be heroes or villians.
These are villains that I've dubbed the greatest of all time.
Heroes who start their heroics by simply do it and not by the need to satisfy a death in a family or other tragedy.
Random list of artists whom I believe make the best eye candy!
Alright, as a comic fan, there is more than just the characters, there are the awesome stories that go along with it. This is a list of some my favorite comic book stories of all time.

lowercased:
mini series i am collecting!
what if a threat was so great that someone had to gather the greatest heroes of all time and anywhere together to combat? one single great threat needs the single greatest team-up. here is my team.
usually considered street-level characters, but i think they're above that classification. consider this my "people on midnighter's level/could beat him in a good fight" list.
this list is dedicated to the native american super hero whether they are indigenous to north, south, or central america; the caribbean; or are of native american descent.
characters in the land of limbo. save them from their fate, powers-that-be !
a list of heroes with tragic past/ emotional problem, trying to find their place in the world.
these are the characters that i think are awesome, male or female, and i'll explain why they are on here. they can be heroes or villians.
these are villains that i've dubbed the greatest of all time.
heroes who start their heroics by simply do it and not by the need to satisfy a death in a family or other tragedy.
random list of artists whom i believe make the best eye candy!
alright, as a comic fan, there is more than just the characters, there are the awesome stories that go along with it. this is a list of some my favorite comic book stories of all time.


text:
The theme you choose will form the foundation for your podcasting website. It will determine how your site looks, and whether or not it provides the podcasting functionality you’ll need. For this reason, it’s essential to make your decision carefully.
While you could use any WordPress theme, we’d suggest looking for one designed specifically for podcasters. That way, you’ll get access to all the features required to show off your podcast in the best possible light. Fortunately, there are some excellent options available.
In this post, we’ll talk a bit more about why you’d want to use a dedicated podcasting theme. Then we’ll explain what to look for in this type of theme, and introduce you to some examples from our own collection. Let’s get started!
If you run a podcast, creating a website for it is a smart idea. A dedicated site will let you feature all your episodes in one place, offer plenty of supplementary information, and promote any associated products or services.
Actually setting up a WordPress site for your podcast is simple. Still, there are a few initial decisions you’ll want to carefully consider. One of the first tasks is choosing your theme – and that’s not something you want to rush given there are thousands of WordPress themes available.
In short, a theme governs the design of your site, and you can usually change its appearance and layout to suit your precise needs. While some themes are multipurpose in nature, many others are niche-specific.
A podcasting site, for example, has unique needs. Opting for a dedicated podcasting theme will enable you to display your work in an attractive, organized way, and make listening simple for your audience. What’s more, you’ll sometimes get access to extra features and plugins designed specifically for podcasters.
So while using a podcasting theme isn’t required, it’s a must-have if you want your site to really take off. Let’s discuss what these themes have to offer in more detail.
You won’t want to settle for the first podcasting theme that crosses your path. Plus, just because a theme says it’s designed for podcasters doesn’t mean it will have everything you need. It’s vital to evaluate each option carefully, so you don’t end up having to change themes after your site is already built.
Multiple options for embedding media files.
A robust, user-friendly audio player.
Compatibility with any podcasting plugins you might want to use.
Lots of layout and customization options for creating a unique podcasting site.
Podcast-specific design features, such as episode sliders.
Excellent optimization and performance, so visitors have a smooth experience.
In addition, you’ll want to adhere to some simple criteria when choosing any WordPress theme. This means looking for one that’s regularly updated, has good reviews from users, and comes from a reliable source. This can be easier said then done, so let’s wrap up with some examples to help you start your search.
Now you know what to look for in a podcasting theme, you’ll likely want to explore your options. To get you started, here are four themes from our own collection. Each one was designed with the needs of a podcasting website firmly in mind.
If you’re looking for a simple-to-use yet powerful podcasting theme, Dixie is one to check out. It offers a clean, uncluttered layout and appearance, to keep the spotlight firmly on your podcasts. What’s more, Dixie is easy to set up and customize quickly. At the same time, it provides access to a lot of dedicated podcasting functionality.
Offers multiple layout options, so you can create a unique-looking site.
Includes the popular Elementor page builder, as well as specially-designed add-ons.
Provides embedded media support, to make displaying your podcasts easier.
Features a fully-featured audio player, which is compatible with all major browsers.
The Dixie theme is available for $69. As with all our themes, this price includes one year of updates and support. You can also get the full bundle of four themes for $139, or lifetime access to the entire collection for $389.
Podcasts may be audio-based content, but they’ll get more attention if you support them with strong visuals. The Satchmo theme helps you design your website to look elegant and professional, so it’s a worthy showcase for your episodes.
Integrates easily with key podcasting plugins, such as PowerPress and Seriously Simple Podcasting.
Provides a host of design options, color choices, and font controls, so you can customize your site to fit your brand.
Offers embedded media support, as well as supporting MP3 files (both locally and externally hosted).
Includes an episode slider, enabling you to display your podcasts in a stylish, creative way.
You can get Satchmo, along with a year of updates and support, for $69.
If you want the ultimate in control over your podcast website, you can’t go wrong with Gumbo. This theme is both flexible and powerful, providing a ton of options to help you bring your vision to life. Customizing Gumbo is easy, and the result will be a modern-looking, highly-optimized podcast site.
Enables you to display your podcasts just about anywhere you want on your site.
Lets you include a download option, and set your podcasts to play in a new window.
Makes it possible to customize every aspect of the theme, including layout, features, colors, and so on.
Includes a Show Hosts page, to show off the personalities behind your podcast.
A license, updates, and support for Gumbo will cost you just $69.
The three themes introduced so far are ideal if you’re running a single podcast. However, what if you’re managing an entire podcast network? Enter Bolden. This robust theme is designed to feature multiple podcasts on one site – although it’s great for solo podcasters too!
Offers dozens of design and layout options to help you organize and showcase multiple podcasts.
Includes a Shows custom post type, to help you create podcast pages more quickly.
Provides a set of add-ons specifically created for podcast network sites.
Is well-optimized and fast, to keep performance high no matter how many shows you upload.
Despite its many extras, Bolden is available for the same $69 as our other themes (which naturally includes updates and support).
Creating a visually attractive and compelling website takes time. With the right theme, however, the effort required can be dramatically reduced. This is just one reason to pick a theme designed for the exact type of site you’re building.
If you’re a podcaster, this means looking for a dedicated podcasting theme. You’ll want one that’s reliable, performs well, integrates with key podcasting tools, and provides all the features you’ll need to display your episodes effectively. Fortunately, it’s not too hard to find themes meeting all of these criteria.
Do you have any questions about how to choose the right podcasting theme for your website? Ask away in the comments section below!

lowercased:
the theme you choose will form the foundation for your podcasting website. it will determine how your site looks, and whether or not it provides the podcasting functionality you’ll need. for this reason, it’s essential to make your decision carefully.
while you could use any wordpress theme, we’d suggest looking for one designed specifically for podcasters. that way, you’ll get access to all the features required to show off your podcast in the best possible light. fortunately, there are some excellent options available.
in this post, we’ll talk a bit more about why you’d want to use a dedicated podcasting theme. then we’ll explain what to look for in this type of theme, and introduce you to some examples from our own collection. let’s get started!
if you run a podcast, creating a website for it is a smart idea. a dedicated site will let you feature all your episodes in one place, offer plenty of supplementary information, and promote any associated products or services.
actually setting up a wordpress site for your podcast is simple. still, there are a few initial decisions you’ll want to carefully consider. one of the first tasks is choosing your theme – and that’s not something you want to rush given there are thousands of wordpress themes available.
in short, a theme governs the design of your site, and you can usually change its appearance and layout to suit your precise needs. while some themes are multipurpose in nature, many others are niche-specific.
a podcasting site, for example, has unique needs. opting for a dedicated podcasting theme will enable you to display your work in an attractive, organized way, and make listening simple for your audience. what’s more, you’ll sometimes get access to extra features and plugins designed specifically for podcasters.
so while using a podcasting theme isn’t required, it’s a must-have if you want your site to really take off. let’s discuss what these themes have to offer in more detail.
you won’t want to settle for the first podcasting theme that crosses your path. plus, just because a theme says it’s designed for podcasters doesn’t mean it will have everything you need. it’s vital to evaluate each option carefully, so you don’t end up having to change themes after your site is already built.
multiple options for embedding media files.
a robust, user-friendly audio player.
compatibility with any podcasting plugins you might want to use.
lots of layout and customization options for creating a unique podcasting site.
podcast-specific design features, such as episode sliders.
excellent optimization and performance, so visitors have a smooth experience.
in addition, you’ll want to adhere to some simple criteria when choosing any wordpress theme. this means looking for one that’s regularly updated, has good reviews from users, and comes from a reliable source. this can be easier said then done, so let’s wrap up with some examples to help you start your search.
now you know what to look for in a podcasting theme, you’ll likely want to explore your options. to get you started, here are four themes from our own collection. each one was designed with the needs of a podcasting website firmly in mind.
if you’re looking for a simple-to-use yet powerful podcasting theme, dixie is one to check out. it offers a clean, uncluttered layout and appearance, to keep the spotlight firmly on your podcasts. what’s more, dixie is easy to set up and customize quickly. at the same time, it provides access to a lot of dedicated podcasting functionality.
offers multiple layout options, so you can create a unique-looking site.
includes the popular elementor page builder, as well as specially-designed add-ons.
provides embedded media support, to make displaying your podcasts easier.
features a fully-featured audio player, which is compatible with all major browsers.
the dixie theme is available for $69. as with all our themes, this price includes one year of updates and support. you can also get the full bundle of four themes for $139, or lifetime access to the entire collection for $389.
podcasts may be audio-based content, but they’ll get more attention if you support them with strong visuals. the satchmo theme helps you design your website to look elegant and professional, so it’s a worthy showcase for your episodes.
integrates easily with key podcasting plugins, such as powerpress and seriously simple podcasting.
provides a host of design options, color choices, and font controls, so you can customize your site to fit your brand.
offers embedded media support, as well as supporting mp3 files (both locally and externally hosted).
includes an episode slider, enabling you to display your podcasts in a stylish, creative way.
you can get satchmo, along with a year of updates and support, for $69.
if you want the ultimate in control over your podcast website, you can’t go wrong with gumbo. this theme is both flexible and powerful, providing a ton of options to help you bring your vision to life. customizing gumbo is easy, and the result will be a modern-looking, highly-optimized podcast site.
enables you to display your podcasts just about anywhere you want on your site.
lets you include a download option, and set your podcasts to play in a new window.
makes it possible to customize every aspect of the theme, including layout, features, colors, and so on.
includes a show hosts page, to show off the personalities behind your podcast.
a license, updates, and support for gumbo will cost you just $69.
the three themes introduced so far are ideal if you’re running a single podcast. however, what if you’re managing an entire podcast network? enter bolden. this robust theme is designed to feature multiple podcasts on one site – although it’s great for solo podcasters too!
offers dozens of design and layout options to help you organize and showcase multiple podcasts.
includes a shows custom post type, to help you create podcast pages more quickly.
provides a set of add-ons specifically created for podcast network sites.
is well-optimized and fast, to keep performance high no matter how many shows you upload.
despite its many extras, bolden is available for the same $69 as our other themes (which naturally includes updates and support).
creating a visually attractive and compelling website takes time. with the right theme, however, the effort required can be dramatically reduced. this is just one reason to pick a theme designed for the exact type of site you’re building.
if you’re a podcaster, this means looking for a dedicated podcasting theme. you’ll want one that’s reliable, performs well, integrates with key podcasting tools, and provides all the features you’ll need to display your episodes effectively. fortunately, it’s not too hard to find themes meeting all of these criteria.
do you have any questions about how to choose the right podcasting theme for your website? ask away in the comments section below!


text:
Future’s eleventh single was released on the label Epic/Freebandz and can be found on Spotify. The single is is already quite popular among Last.FM users.
Since Future began creating music he has released a plethora of albums (twenty-four total) and eleven singles. Future’s previous album ‘BEASTMODE 2’ from July 2018 was a very popular album, universally loved. Some of Future’s best tracks include Mask Off, Low Life and F*ck Up Some Commas.
Future was born in Atlanta in November 1983. Future is known for being a singer-songwriter, songwriter and rapper. He has gathered a gigantic amount of followers on Twitter, 5,341,921 at the time of writing.

lowercased:
future’s eleventh single was released on the label epic/freebandz and can be found on spotify. the single is is already quite popular among last.fm users.
since future began creating music he has released a plethora of albums (twenty-four total) and eleven singles. future’s previous album ‘beastmode 2’ from july 2018 was a very popular album, universally loved. some of future’s best tracks include mask off, low life and f*ck up some commas.
future was born in atlanta in november 1983. future is known for being a singer-songwriter, songwriter and rapper. he has gathered a gigantic amount of followers on twitter, 5,341,921 at the time of writing.


text:
Table service or sit at the bar- check out the originator of the Buffalo Chicken Wing and get your own bottle of wing sauce in flavors ranging from Bar-b-que to suicidal.
Features Labatt's products, Red Osier beef sandwiches, burgers, and plenty of side dishes to fill you up.
Grab a burger, chicken or fish sandwich á la carte or make it a meal. Also, serving cinnamon apple pie and milkshakes to complete your lunch or dinner.
Offers a fine selection of regular and specialty coffees, lattes, cappuccinos, muffins, pastries and other refreshments. It also carriers Gourmet Deli sandwiches and salads.
Great coffee as well as a selection of hot and iced drinks. Freshly made breakfast sandwiches, bagels, croissants plus cookies and donuts to satisfy a sweet craving.
Convenience and gift shop/newsstand, grab and go foods.
Convenience and gift shop/newsstand, grab and go foods, specialty coffees.
Extensive luxury boutique...jewelry, watches, handbags, luggage and much more. Canadian currency exchange can be handled inside of store until 5:00 PM daily. Exchange maximum of $500.
Full bar and "American fare" breakfast and lunch/dinner menu.
A local favorite serving quick breakfast options, soups, and hot dogs with all of your favorite toppings.
Omelettes made to order, a variety of breakfast sandwiches on artisan breads and generous Belgium Waffles. Lunch/dinner offers a full line of sandwiches, salads and a variety of paninis. Whether it's a quick bite on the run, or a more leisurely meal experience in our lounge. Local craft beers on draught and full service bar.
Coffee, snack and soda machines are available for convenience.
Brochures, maps and visitor information, unique Buffalo-themed gifts.
For lunch or dinner choose from mouth-watering pizza, pasta, or salads- or have one of each!
Offers 50 combinations of superior hot sandwiches, which you fully customize. Try a hand-dipped old fashioned milk shake or a warm cookie fresh out of the oven.

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table service or sit at the bar- check out the originator of the buffalo chicken wing and get your own bottle of wing sauce in flavors ranging from bar-b-que to suicidal.
features labatt's products, red osier beef sandwiches, burgers, and plenty of side dishes to fill you up.
grab a burger, chicken or fish sandwich á la carte or make it a meal. also, serving cinnamon apple pie and milkshakes to complete your lunch or dinner.
offers a fine selection of regular and specialty coffees, lattes, cappuccinos, muffins, pastries and other refreshments. it also carriers gourmet deli sandwiches and salads.
great coffee as well as a selection of hot and iced drinks. freshly made breakfast sandwiches, bagels, croissants plus cookies and donuts to satisfy a sweet craving.
convenience and gift shop/newsstand, grab and go foods.
convenience and gift shop/newsstand, grab and go foods, specialty coffees.
extensive luxury boutique...jewelry, watches, handbags, luggage and much more. canadian currency exchange can be handled inside of store until 5:00 pm daily. exchange maximum of $500.
full bar and "american fare" breakfast and lunch/dinner menu.
a local favorite serving quick breakfast options, soups, and hot dogs with all of your favorite toppings.
omelettes made to order, a variety of breakfast sandwiches on artisan breads and generous belgium waffles. lunch/dinner offers a full line of sandwiches, salads and a variety of paninis. whether it's a quick bite on the run, or a more leisurely meal experience in our lounge. local craft beers on draught and full service bar.
coffee, snack and soda machines are available for convenience.
brochures, maps and visitor information, unique buffalo-themed gifts.
for lunch or dinner choose from mouth-watering pizza, pasta, or salads- or have one of each!
offers 50 combinations of superior hot sandwiches, which you fully customize. try a hand-dipped old fashioned milk shake or a warm cookie fresh out of the oven.


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Nisaa Network’s brand new website is the central platform of a consortium of media outlets, civil society organizations and leading personalities, who collaborate to create and share inspirational, gender-inclusive media content; enhance the voice of women in the public sphere; and foster their career perspectives in the media.
Nisaa Broadcasting Corporation and the Womanity Foundation, in partnership with Bank al Etihad of Jordan, are launching Nisaa Network, a ground-breaking multi-media platform and collaborative network that features inspiring reports on the role of women in society and offers empowering services to women.
The unveiling of Nisaa Network will be celebrated on 3 May 2016 in Amman (Jordan) in the presence of Ms. Maysoun Odeh Gangat, Co-founder and Managing Director of the Nisaa Broadcasting Corporation, Ms. Antonella Notari Vischer, Executive Director of the Womanity Foundation, Dr. Salma Nims, Secretary General of the Jordanian National Commission for Women (JNCW) and Ms. Nadia Al Saed, General Manager of Al Etihad Bank.
The first media organisations to join the consortium are the Jordanian Farah Al Nas, a radio station for young people and local communities, launched in July 2008 by HRH Princess Basma of Jordan. The station is uniquely managed by young people, aims to give a voice to youth and act as a vehicle for them to express their opinions and to raise local issues for their communities. (www.farahalnas.jo); and Mosaïque FM, the most popular private radio in Tunisia, with a large young audience and a commitment to democracy and quality programming, starring among its journalist Khalil Laameri, who recently obtained the prestigious Mohamed Guelbi et Hechmi Troudi Award for freedom of expression (www.mosaiquefm.net); Banat Wa Bass, a website, radio station and community fully operated by and for women, founded by the social entrepreneur and Ashoka Fellow Amani El Tunsi, which provide a space for educated girls and women to discuss silenced topics and to receive guidance on specific challenges (http://banatwbass.com ); Ro’ya TV in Amman, Jordan, part of Al-Sayegh Group with a vision to establish a quality media platform with modern content that lives up to the expectations of Arab audience in the 21st century (www.roya.tv).
Other partners are the America Mid-East Educational and Training Services (AMIEAST), engaged in international education, training and development activities in the Middle East and North Africa (www.amideast.org); the Palestinian Businesswomen’s Association (ASALA), a non-governmental organization that empowers women who have limited resources to realize their economic and social rights by using a holistic approach to development in accordance with their needs (www.asala-pal.org); and Deutsche Welle, the international broadcaster based in Germany who have lent strategic support to the project from its outset (www.dw.com).
Maysoun Odeh Gangat, Managing Director of Radio Nisaa declared: “Through this new network, we aim to replicate our impact in the region and worldwide in advancing women through media. Radio Nisaa’s work has created a different reality for women through radio programming and content. Our success has led us to partner again with the Womanity Foundation and local and regional organizations to emulate this experience. We are confident that Nisaa Network will expand rapidly and engage a numerous audience in the region and the world”.
The presentation of Nisaa Network will take place at the Amman Holiday Inn, Jordan on May 3, 2016, 7:00 -9:00 pm.

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nisaa network’s brand new website is the central platform of a consortium of media outlets, civil society organizations and leading personalities, who collaborate to create and share inspirational, gender-inclusive media content; enhance the voice of women in the public sphere; and foster their career perspectives in the media.
nisaa broadcasting corporation and the womanity foundation, in partnership with bank al etihad of jordan, are launching nisaa network, a ground-breaking multi-media platform and collaborative network that features inspiring reports on the role of women in society and offers empowering services to women.
the unveiling of nisaa network will be celebrated on 3 may 2016 in amman (jordan) in the presence of ms. maysoun odeh gangat, co-founder and managing director of the nisaa broadcasting corporation, ms. antonella notari vischer, executive director of the womanity foundation, dr. salma nims, secretary general of the jordanian national commission for women (jncw) and ms. nadia al saed, general manager of al etihad bank.
the first media organisations to join the consortium are the jordanian farah al nas, a radio station for young people and local communities, launched in july 2008 by hrh princess basma of jordan. the station is uniquely managed by young people, aims to give a voice to youth and act as a vehicle for them to express their opinions and to raise local issues for their communities. (www.farahalnas.jo); and mosaïque fm, the most popular private radio in tunisia, with a large young audience and a commitment to democracy and quality programming, starring among its journalist khalil laameri, who recently obtained the prestigious mohamed guelbi et hechmi troudi award for freedom of expression (www.mosaiquefm.net); banat wa bass, a website, radio station and community fully operated by and for women, founded by the social entrepreneur and ashoka fellow amani el tunsi, which provide a space for educated girls and women to discuss silenced topics and to receive guidance on specific challenges (http://banatwbass.com ); ro’ya tv in amman, jordan, part of al-sayegh group with a vision to establish a quality media platform with modern content that lives up to the expectations of arab audience in the 21st century (www.roya.tv).
other partners are the america mid-east educational and training services (amieast), engaged in international education, training and development activities in the middle east and north africa (www.amideast.org); the palestinian businesswomen’s association (asala), a non-governmental organization that empowers women who have limited resources to realize their economic and social rights by using a holistic approach to development in accordance with their needs (www.asala-pal.org); and deutsche welle, the international broadcaster based in germany who have lent strategic support to the project from its outset (www.dw.com).
maysoun odeh gangat, managing director of radio nisaa declared: “through this new network, we aim to replicate our impact in the region and worldwide in advancing women through media. radio nisaa’s work has created a different reality for women through radio programming and content. our success has led us to partner again with the womanity foundation and local and regional organizations to emulate this experience. we are confident that nisaa network will expand rapidly and engage a numerous audience in the region and the world”.
the presentation of nisaa network will take place at the amman holiday inn, jordan on may 3, 2016, 7:00 -9:00 pm.


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My husband has been having this affair with this woman for moths now. He has been lying to me too.
When I confronted him recently, he was so annoyed about it and the situation turned out so ugly.
I came across this site and have been praying since then. There is some slight change but he is still lying to me with this woman who keeps calling him.
I want this affair to end and for him to come back to me, and total restoration of my marriage.
I want this relationship to end completely in Jesus name.
Would You Pray For My Marriage?
I have been praying very hard for my husband. He claims that.He loves me but has.been talking to coworker women. I found pics in his phone that were inappropriate. I trust God but what if he is telling me to leave?
Hellen, I say Amen to that Prayer.I have also prayed here.
I believe God will answer real soon if we don't give up this prayer.
Please subscribe to the e-zine on the site so that we can pray more targeted agreement prayer over him.

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my husband has been having this affair with this woman for moths now. he has been lying to me too.
when i confronted him recently, he was so annoyed about it and the situation turned out so ugly.
i came across this site and have been praying since then. there is some slight change but he is still lying to me with this woman who keeps calling him.
i want this affair to end and for him to come back to me, and total restoration of my marriage.
i want this relationship to end completely in jesus name.
would you pray for my marriage?
i have been praying very hard for my husband. he claims that.he loves me but has.been talking to coworker women. i found pics in his phone that were inappropriate. i trust god but what if he is telling me to leave?
hellen, i say amen to that prayer.i have also prayed here.
i believe god will answer real soon if we don't give up this prayer.
please subscribe to the e-zine on the site so that we can pray more targeted agreement prayer over him.


text:
This 1,5-hour webinar session includes the two keynotes of the River Basin Planning and Modelling symposium during the Delft Software Days – Edition 2017 (DSD-INT 2017).
The IWRM planning guidelines as recently developed for the World Bank should be seen as a supporting tool that allows involved national and regional agencies and consultants to identify key elements that should be addressed in a good IWRM or Integrated River Basin Management Plan (IRBMP). Moreover, it supports the identification of the sequential and parallel steps that need to be followed. This presentation will explain how this can be done within the specific process of making a plan or in the process of cyclic planning in five main steps in which the analysis should be carried out.
by Marnix van der Vat, Deltares.
The Ganga Basin is experiencing rapid socio-economic developments that have a large impact on the demand for water resources. Climate change adds to the uncertainty and possibly the variability regarding future water availability. To support strategic planning for the Ganga Basin by the Indian Ministry of Water Resources and the concerned states, a river basin modelling suite has been developed that integrates hydrology, geohydrology, water resources management, water quality and ecology with the RIBASIM water resources model at its core. This modelling suite has been developed with the involvement of key basin stakeholders at both central and state levels. It is currently being applied for the assessment of the impact of different future socio-economic and climate change scenarios and management strategies on the most important indicators in relation to water resources management. This presentation presents the set-up and calibration of the modelling suite.

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this 1,5-hour webinar session includes the two keynotes of the river basin planning and modelling symposium during the delft software days – edition 2017 (dsd-int 2017).
the iwrm planning guidelines as recently developed for the world bank should be seen as a supporting tool that allows involved national and regional agencies and consultants to identify key elements that should be addressed in a good iwrm or integrated river basin management plan (irbmp). moreover, it supports the identification of the sequential and parallel steps that need to be followed. this presentation will explain how this can be done within the specific process of making a plan or in the process of cyclic planning in five main steps in which the analysis should be carried out.
by marnix van der vat, deltares.
the ganga basin is experiencing rapid socio-economic developments that have a large impact on the demand for water resources. climate change adds to the uncertainty and possibly the variability regarding future water availability. to support strategic planning for the ganga basin by the indian ministry of water resources and the concerned states, a river basin modelling suite has been developed that integrates hydrology, geohydrology, water resources management, water quality and ecology with the ribasim water resources model at its core. this modelling suite has been developed with the involvement of key basin stakeholders at both central and state levels. it is currently being applied for the assessment of the impact of different future socio-economic and climate change scenarios and management strategies on the most important indicators in relation to water resources management. this presentation presents the set-up and calibration of the modelling suite.


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Überall & Nirgendwo: Gespenster Geburtstag Spiele With Partyspiele Kindergeburtstag Uploaded by robert carlson on Tuesday, January 22nd, 2019 in category Blog.
See also Kindergeburtstag Im Freien Ideen Für Partyspiele Check More At Http Intended For Partyspiele Kindergeburtstag from Blog Topic.
Here we have another image Legoparty Kindergeburtstag Lego Spiele Ideen | Legos | Birthday For Partyspiele Kindergeburtstag featured under Überall & Nirgendwo: Gespenster Geburtstag Spiele With Partyspiele Kindergeburtstag. We hope you enjoyed it and if you want to download the pictures in high quality, simply right click the image and choose "Save As". Thanks for reading Überall & Nirgendwo: Gespenster Geburtstag Spiele With Partyspiele Kindergeburtstag.

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überall & nirgendwo: gespenster geburtstag spiele with partyspiele kindergeburtstag uploaded by robert carlson on tuesday, january 22nd, 2019 in category blog.
see also kindergeburtstag im freien ideen für partyspiele check more at http intended for partyspiele kindergeburtstag from blog topic.
here we have another image legoparty kindergeburtstag lego spiele ideen | legos | birthday for partyspiele kindergeburtstag featured under überall & nirgendwo: gespenster geburtstag spiele with partyspiele kindergeburtstag. we hope you enjoyed it and if you want to download the pictures in high quality, simply right click the image and choose "save as". thanks for reading überall & nirgendwo: gespenster geburtstag spiele with partyspiele kindergeburtstag.


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Just over a decade ago, Simaudio introduced their Moon Evolution series: a no-holds-barred line of products representing the pinnacle of what this highly regarded Canadian company has to offer. Within the year, Jeff Fritz had reviewed three Moon Evolution models -- the P8 preamplifier, the Andromeda CD player, and the W8 stereo amplifier -- and awarded each what was then Ultra Audio’s Select Component status (now Reviewers’ Choice). And he kept the P8 as his reference preamp. Shortly thereafter, our founder, Doug Schneider, reviewed the Moon SuperNova CD player, gave it a Reviewers’ Choice award, and made it his disc spinner of choice.
Since then, the Moon Evolution line has expanded threefold, into a plethora of highly reviewed integrated amps, phono stages, line stages, DACs, and a supplemental power supply designed to drive any of the aforementioned components apart from the integrated amplifiers and flagship 850P preamplifier. There are also five Moon Evolution power amplifiers: a colossally powerful monoblock, a highly configurable multichannel amp, and three stereo models, the most modest of which, the 760A, is the topic of this review.
Out of its packaging, the Moon Evolution 760A ($8000 USD) is a visual playground embodying much of the original Evolution aesthetic, with some subtle differences. Take, for example, its stature: the 760A stands just 4” tall, stretches 18.8” wide, and displaces 18.1” of depth -- it will easily fit on most cabinet shelves or amp stands. Its solid aluminum case is exquisite in its assembly, and is offered in three color schemes: all silver, all black, or black faceplate between silver “cheeks,” as Simaudio calls them. When I lifted the 760A, I was immediately made aware of its density: it weighs a hefty 45 pounds. As in a high-end automobile, there’s been no faking of quality materials: no plastics painted to look like aluminum, no cheap metals finished to imitate expensive ones. If something on the 760A looks expensive, it is.
An exploded view of the 760A’s slim Evolution case would reveal that most of the parts comprising the exterior are machined from solid aluminum; this was done in Simaudio’s own five-axis CNC machining center. The top plate, perhaps the sexiest panel on this amplifier, is hewn from a solid slab of aluminum and is chamfered at the edges to give it an elevated appearance. Generously vented toward the rear, toward the front this top plate is adorned with an embedded plaque showcasing an engraved Moon logo and name. Running the length of the 760A’s sides are lateral heatsink fins extruded from solid aircraft-grade aluminum. Much like the top plate, the heatsinks are bead-blasted, anodized, covered with heat-resistant paint, then clear-coated off-site by local suppliers before being sent back to Simaudio for final assembly -- as are the 3/8”-thick faceplate, cheeks, bottom plate, and rear panel.
The 760A is a provocative-looking amplifier. Positioned top center on the faceplate is another polished Moon logo, “Moon” printed directly below it. Below that, a single blue LED indicates the status, On or Standby, of the matte-finished pushbutton directly below it. The model name is silkscreened in small letters in the faceplate’s lower left corner. On the bottom plate are four newly designed, conical, screw-in feet of chrome-plated steel; their flat bottoms, thankfully, do away with the spike-and-puck design of yesteryear.
As you face the rear panel, at the far left are the RS-232 communication and 12V trigger in/out ports; at far right are a fuse bay, hard On/Off power toggle, and IEC power inlet. The center of the rear panel is home to two pairs of symmetrically placed, gold-plated, high-quality WBT output terminals designed to enable biwiring and accept banana plugs, spades, or bare wire. Between these are single pairs of gold-plated unbalanced inputs (RCA) flanked by balanced inputs (XLR).
For a look under the 760A’s hood, I removed its top panel. But to better understand what I was looking at, I enlisted the help of Simaudio’s manager of public relations and marketing, Lionel Goodfield. He began by explaining that the Moon Evolution 760A is a “no overall feedback” design largely based on the amplification section of the Moon Evolution 600i integrated amplifier. A fully balanced differential design from input to output, the 760A has a unique pair of 0.5kVA toroidal transformers. These transformers are said to have a very low regulation factor, which, Simaudio claims, results in minimal voltage drop with increasing current draw. Each transformer supplies enough juice to power four of Simaudio’s proprietary, ideally matched (so they say) bipolar output transistors to produce 130Wpc into 8 ohms, or 260Wpc into 4 ohms, or 500Wpc into 2 ohms. In bridged mode, the 760A can be used as a monoblock to produce a stout 500W of power into 8 ohms. Its power-supply capacitance is said to be 80,000µF.
Goodfield mentioned something intriguing: Both the 760A’s transformer design and output transistors are shared by all Moon Evolution amplifiers, including the flagship 880M monoblocks ($48,000/pair). Other than the cases, the only significant changes among all Moon Evolution two-channel amplifiers are the size of the transformers, and the number of output transistors used in each application. This explains why the specifications of total harmonic distortion (THD) of less than 0.015% from 20Hz to 20kHz at 1W and 0.04% at full power remain consistent throughout the line. It also partially explains why the intermodulation distortion of all Moon Evolution amps is claimed to be “unmeasurable.” Other pertinent differences between the 760A and its bigger brothers are that the 760A has a slightly lower signal/noise ratio -- 104 instead of 106dB -- and a slightly higher output impedance of 0.03 ohm, which correlates with its lower damping factor of 267. Goodfield noted that the marginal difference in noise is due to the fact that the 760A’s case is roughly half the size of the larger models’, which means that its component parts are packed much more closely together.
Designed to be left powered up at all times, the 760A’s circuitry is fully symmetrical, and uses four-layer printed circuit boards with heavy tracings of pure copper and short signal paths, to minimize noise in the signal path. The signal path itself is capacitor free, which is said to aid transient response. The 760A is designed to provide pure class-A power for the first 5W of output, then switch to class-A/B as power demands increase. To help protect against such problems as a fault or overheating, Simaudio has included a self-diagnosis system to detect the presence of any DC in the input signal and, when it does, to shut the amplifier down.
Throughout this review, and despite the 760A’s protective circuitry, I made sure to turn everything off when swapping it with my Classé Audio CAM-300 monoblocks. I have my two-channel system integrated into a home-theater system using the bypass feature of my Moon Evolution P8 preamplifier, and accordingly segregated from my Ayre Acoustics C-5xeMP universal player, Simaudio MiND streamer, and Calyx Femto DAC, each connected via the latest Analysis Plus Silver Oval interconnects. The same balanced cables feed all amplifiers, and my Rockport Technologies Atria speakers are connected using Kimber Kable Select 6063 speaker cables. All electronics are fed power via Cardas Clear Beyond power cables by a Torus AVR20 power conditioner hooked up to a dedicated 20A line. When all of this was set up, I was pleasantly surprised to find that I didn’t have to rerun Audyssey’s room-optimization software through my Marantz AV8801 preamplifier-processor to correct for the negligible difference in output when watching movies.
Listening to the Moon Evolution 760A straight out of its box, I thought it sounded a bit sterile -- but I knew that my review sample was brand new, and had not been broken in at all. So I set the Moon Evolution P8’s volume at a moderate level and let rip the Simaudio MiND streamer on continuous playback for about a week before sitting down to hear what the 760A had to offer.
First observation: The 760A was just lukewarm to the touch. With roughly 175 hours of continuous play under its belt, any signs of sterility were things of the past. What remained was an amplifier that had matured into a refined little powerhouse -- it reminded me of stories my father used to tell about his adventures in the muscle-car era. He’d owned several iterations of highly underrated Detroit muscle himself, and the usual topics of these tales were his victories in quarter-mile races. It was the way he described the looks of astonishment on his opponents’ faces that tied these stories to the Simaudio -- their bewilderment was akin to what I felt as I listened to the audible results of the muscle under the 760A’s hood.
Out of the gate, the Simaudio had me locked in my chair. The extent of the 760A’s resolve, in combination with its ability to extend the boundaries of my room farther than ever before, was jaw dropping, and exceeded that of even my reference Classé CAM-300s ($11,000/pair). With all genres of music, soundstaging was consistently massive yet clean, neutral, and full of tonal shadings. Instruments, images, and nuances were delineated with mesmerizing levels of clarity and focus. These observations were driven home by the live recording of “Hotel California” on the Eagles’ Hell Freezes Over (16-bit/44.1kHz FLAC, Geffen) -- I was able to appreciate the nuances of each instrument more easily than I’m accustomed to. Plucks of each string of Glenn Frey’s acoustic guitar were conveyed with truthful singularity, possessing precise leading-edge definition without sounding analytical. Even more alluring was the tightrope the 760A consistently walked between offering snappy transients and focused images while retaining the natural golden hue of the acoustic’s strings.
As the intro went on, the 760A continued to excel at resolving minutiae I typically have to be careful to listen for. Slidings of Frey’s pick, for example, sounded marginally larger and sharper. The beads in the maracas had more presence, which allowed me to differentiate them within their gourds that much more easily. When Don Henley’s kick drum entered, I was so elated with the sheer levels of slam, density, and control with which the 760A delineated each kick of skin that I had to temporarily halt my listening session to swap in my Classé CAM-300s for a quick baseline reminder. Side by side, the sounds of the two -- er, three -- amps were almost indistinguishable. Impressive, considering that the Classés are collectively almost three times the size, weight, and power output of the Simaudio, not to mention $3000 dearer. There were subtle differences, though; the 760A’s slightly warmer, fuller sound consistently translated into images and voices drawn with greater depths of tonal color and naturalness. The Simaudio also painted images with a hint more grandeur, giving me somewhat of a front-row vantage on the sound, as opposed to the Classés’ slightly recessed and drier character. Henley’s kick drum proved a perfect example of this -- through the Simaudio, it sounded larger and more organic, while the Classés struggled to balance their punchy authority with the same level of scale.
Supplementing Henley’s kick drum was Randy Meisner’s bass, which, again, was now easier to hear due to the Simaudio’s slightly fuller, rounder bottom end. This isn’t to say that the 760A lacked control, or sounded bloated or tubby in any way -- just the opposite. The fine balance between suppleness, control, and detail enunciated by the Simaudio allowed Meisner’s bass to sound more alive, organic, and, ultimately, more enjoyable.
The 760A also did a remarkable job of defining the listening space. Not only could I hear images being formed beyond the confines of my side and front walls, I could hear people clapping beside me as I sat in my listening position. In fact, no matter what genre I listened to -- rock, jazz, pop, or electronic -- the 760A consistently excelled at projecting music into my room. This not only created the impression of a vaster soundstage, it provided an addictive sense of realism for each instrument and voice on stage. I found this particularly advantageous when listening to live recordings, or music in which the ability to hear the recording environment was clearly the engineer’s intent.
Changing gears and digging deeper into the individual constituents of a few tracks proved a revealing and thought-provoking exercise. I began with “What a Shame,” from Patricia Barber’s Café Blue (24/88.2 FLAC, Premonition) -- a very well-recorded track with numerous instrumental nuances to focus on. This time, I focused predominantly on the thrashing of the brass during the instrumental break, as the dynamics can prove challenging for some amplifiers to convey convincingly. The 760A handled this passage with aplomb. Cymbals leapt out of the Atrias with impressive transient speed, impact, shimmer, and precision, sounding highly dynamic yet distinctly refined and finessed. While the Classés exhibited even greater levels of dynamic panache and equal levels of decay, they couldn’t quite match the Simaudio’s naturalness in depicting each cymbal in space. This balance of spatial prowess, tonal accuracy, and lack of pretension was quickly proving to be a dependable trademark of the 760A. I liked it.
Later, while listening to Diana Krall’s cover of Crowded House’s “Don’t Dream It’s Over,” from her latest, Wallflower (CD, Verve B0020989-02), I bore witness to a seductively realistic and transparent portrayal of her voice. The track begins with a brief, melodic piano solo that saturated my room, ostensibly erasing my speakers from existence. As the sound of Krall’s piano seamlessly integrated with that of an articulately plucked acoustic guitar, her voice emerged center stage with remarkable image specificity and textural detail. Other amplifiers, including the Classés, have communicated similar levels of transparency and microlevel detail, but few, if any, have been able to so convincingly balance the rasp, breath, and depth of Krall’s voice. This sensitivity to voices was also present when I listened to “I Only Want to Be with You,” from Shelby Lynne’s Just a Little Lovin’ (16/44.1 FLAC, Lost Highway). Lynne’s voice can have a somewhat dense or even faintly buried character through less-resolving amplifiers, masking the much-needed microlevel details required to preserve a sense of liveliness. The inherent transparency of the 760A allowed these details to be heard with ease, and in doing so laid bare the velvetiness of her voice. The nearly inaudible noise floor out of which emerged Lynne’s subtle tonal fluctuations and dynamic variations of vocal intensity allowed me to hear deeper into this recording as well.
It was here that I began to understand why, the more I listened to music through the 760A, the more endearing I found it. Many amplifiers, good or bad, can be somewhat predictable in their sound, their consistent sonic characters enabling one to expect or predict what specific musical facets might sound like based on how others have been presented. For example, if an amplifier can convincingly communicate deep, powerful bass, one might also expect that amplifier to be able to easily handle dynamic swings. Likewise, if an amplifier sounds particularly transparent in the midrange, even bright, one might expect this quality to aid it in resolving microlevel details.
The 760A proved the antithesis of this analogy, throwing me curveballs every chance it got. For starters, I never would have guessed that the 760A would be able to tango as well as it did with a pair of monoblocks almost three times its size and might. The balance of transparency and liquidity exuded by the Simaudio could also easily fool one into thinking one was listening to a high-quality tube amplifier, if it weren’t for the silence of the noise floor reminding one that this is, in fact, a solid-state design. But none of this compares to how this diminutive amplifier could, with commanding authority, project into space three-dimensional images of a scale appropriate to the recording. I tried to get the 760A to clip as it drove my Rockport Atrias (sensitivity: 87dB) to levels I’m sure designer Andy Payor never thought probable, but I failed. Dismally. Instead, I heard from the system a highly controlled yet refined portrayal of whatever I had the guts to throw at it. The 760A deserves respect.
During my time with Simaudio’s Moon Evolution 760A, I was reminded of what an exceptionally well-engineered and -constructed amplifier can provide, aesthetically and sonically. The finesse with which the 760A consistently balanced power, transparency, dynamics, tonal colors, and dimensionality, all against near-silent backgrounds, was spellbinding. It may strike some as being a tad pricey, considering its modest size and power rating, but its sound, flexibility, and ten-year warranty put this amplifier in an elite crowd of products that can serve as benchmarks for what the rest of the industry offers. Heck, even if you’re not in the market for a new reference amplifier, go hear firsthand what the 760A has to offer -- it’s the best-sounding standalone power amplifier I’ve heard for anywhere near its price of $8000. Recommending it is a no-brainer.

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just over a decade ago, simaudio introduced their moon evolution series: a no-holds-barred line of products representing the pinnacle of what this highly regarded canadian company has to offer. within the year, jeff fritz had reviewed three moon evolution models -- the p8 preamplifier, the andromeda cd player, and the w8 stereo amplifier -- and awarded each what was then ultra audio’s select component status (now reviewers’ choice). and he kept the p8 as his reference preamp. shortly thereafter, our founder, doug schneider, reviewed the moon supernova cd player, gave it a reviewers’ choice award, and made it his disc spinner of choice.
since then, the moon evolution line has expanded threefold, into a plethora of highly reviewed integrated amps, phono stages, line stages, dacs, and a supplemental power supply designed to drive any of the aforementioned components apart from the integrated amplifiers and flagship 850p preamplifier. there are also five moon evolution power amplifiers: a colossally powerful monoblock, a highly configurable multichannel amp, and three stereo models, the most modest of which, the 760a, is the topic of this review.
out of its packaging, the moon evolution 760a ($8000 usd) is a visual playground embodying much of the original evolution aesthetic, with some subtle differences. take, for example, its stature: the 760a stands just 4” tall, stretches 18.8” wide, and displaces 18.1” of depth -- it will easily fit on most cabinet shelves or amp stands. its solid aluminum case is exquisite in its assembly, and is offered in three color schemes: all silver, all black, or black faceplate between silver “cheeks,” as simaudio calls them. when i lifted the 760a, i was immediately made aware of its density: it weighs a hefty 45 pounds. as in a high-end automobile, there’s been no faking of quality materials: no plastics painted to look like aluminum, no cheap metals finished to imitate expensive ones. if something on the 760a looks expensive, it is.
an exploded view of the 760a’s slim evolution case would reveal that most of the parts comprising the exterior are machined from solid aluminum; this was done in simaudio’s own five-axis cnc machining center. the top plate, perhaps the sexiest panel on this amplifier, is hewn from a solid slab of aluminum and is chamfered at the edges to give it an elevated appearance. generously vented toward the rear, toward the front this top plate is adorned with an embedded plaque showcasing an engraved moon logo and name. running the length of the 760a’s sides are lateral heatsink fins extruded from solid aircraft-grade aluminum. much like the top plate, the heatsinks are bead-blasted, anodized, covered with heat-resistant paint, then clear-coated off-site by local suppliers before being sent back to simaudio for final assembly -- as are the 3/8”-thick faceplate, cheeks, bottom plate, and rear panel.
the 760a is a provocative-looking amplifier. positioned top center on the faceplate is another polished moon logo, “moon” printed directly below it. below that, a single blue led indicates the status, on or standby, of the matte-finished pushbutton directly below it. the model name is silkscreened in small letters in the faceplate’s lower left corner. on the bottom plate are four newly designed, conical, screw-in feet of chrome-plated steel; their flat bottoms, thankfully, do away with the spike-and-puck design of yesteryear.
as you face the rear panel, at the far left are the rs-232 communication and 12v trigger in/out ports; at far right are a fuse bay, hard on/off power toggle, and iec power inlet. the center of the rear panel is home to two pairs of symmetrically placed, gold-plated, high-quality wbt output terminals designed to enable biwiring and accept banana plugs, spades, or bare wire. between these are single pairs of gold-plated unbalanced inputs (rca) flanked by balanced inputs (xlr).
for a look under the 760a’s hood, i removed its top panel. but to better understand what i was looking at, i enlisted the help of simaudio’s manager of public relations and marketing, lionel goodfield. he began by explaining that the moon evolution 760a is a “no overall feedback” design largely based on the amplification section of the moon evolution 600i integrated amplifier. a fully balanced differential design from input to output, the 760a has a unique pair of 0.5kva toroidal transformers. these transformers are said to have a very low regulation factor, which, simaudio claims, results in minimal voltage drop with increasing current draw. each transformer supplies enough juice to power four of simaudio’s proprietary, ideally matched (so they say) bipolar output transistors to produce 130wpc into 8 ohms, or 260wpc into 4 ohms, or 500wpc into 2 ohms. in bridged mode, the 760a can be used as a monoblock to produce a stout 500w of power into 8 ohms. its power-supply capacitance is said to be 80,000µf.
goodfield mentioned something intriguing: both the 760a’s transformer design and output transistors are shared by all moon evolution amplifiers, including the flagship 880m monoblocks ($48,000/pair). other than the cases, the only significant changes among all moon evolution two-channel amplifiers are the size of the transformers, and the number of output transistors used in each application. this explains why the specifications of total harmonic distortion (thd) of less than 0.015% from 20hz to 20khz at 1w and 0.04% at full power remain consistent throughout the line. it also partially explains why the intermodulation distortion of all moon evolution amps is claimed to be “unmeasurable.” other pertinent differences between the 760a and its bigger brothers are that the 760a has a slightly lower signal/noise ratio -- 104 instead of 106db -- and a slightly higher output impedance of 0.03 ohm, which correlates with its lower damping factor of 267. goodfield noted that the marginal difference in noise is due to the fact that the 760a’s case is roughly half the size of the larger models’, which means that its component parts are packed much more closely together.
designed to be left powered up at all times, the 760a’s circuitry is fully symmetrical, and uses four-layer printed circuit boards with heavy tracings of pure copper and short signal paths, to minimize noise in the signal path. the signal path itself is capacitor free, which is said to aid transient response. the 760a is designed to provide pure class-a power for the first 5w of output, then switch to class-a/b as power demands increase. to help protect against such problems as a fault or overheating, simaudio has included a self-diagnosis system to detect the presence of any dc in the input signal and, when it does, to shut the amplifier down.
throughout this review, and despite the 760a’s protective circuitry, i made sure to turn everything off when swapping it with my classé audio cam-300 monoblocks. i have my two-channel system integrated into a home-theater system using the bypass feature of my moon evolution p8 preamplifier, and accordingly segregated from my ayre acoustics c-5xemp universal player, simaudio mind streamer, and calyx femto dac, each connected via the latest analysis plus silver oval interconnects. the same balanced cables feed all amplifiers, and my rockport technologies atria speakers are connected using kimber kable select 6063 speaker cables. all electronics are fed power via cardas clear beyond power cables by a torus avr20 power conditioner hooked up to a dedicated 20a line. when all of this was set up, i was pleasantly surprised to find that i didn’t have to rerun audyssey’s room-optimization software through my marantz av8801 preamplifier-processor to correct for the negligible difference in output when watching movies.
listening to the moon evolution 760a straight out of its box, i thought it sounded a bit sterile -- but i knew that my review sample was brand new, and had not been broken in at all. so i set the moon evolution p8’s volume at a moderate level and let rip the simaudio mind streamer on continuous playback for about a week before sitting down to hear what the 760a had to offer.
first observation: the 760a was just lukewarm to the touch. with roughly 175 hours of continuous play under its belt, any signs of sterility were things of the past. what remained was an amplifier that had matured into a refined little powerhouse -- it reminded me of stories my father used to tell about his adventures in the muscle-car era. he’d owned several iterations of highly underrated detroit muscle himself, and the usual topics of these tales were his victories in quarter-mile races. it was the way he described the looks of astonishment on his opponents’ faces that tied these stories to the simaudio -- their bewilderment was akin to what i felt as i listened to the audible results of the muscle under the 760a’s hood.
out of the gate, the simaudio had me locked in my chair. the extent of the 760a’s resolve, in combination with its ability to extend the boundaries of my room farther than ever before, was jaw dropping, and exceeded that of even my reference classé cam-300s ($11,000/pair). with all genres of music, soundstaging was consistently massive yet clean, neutral, and full of tonal shadings. instruments, images, and nuances were delineated with mesmerizing levels of clarity and focus. these observations were driven home by the live recording of “hotel california” on the eagles’ hell freezes over (16-bit/44.1khz flac, geffen) -- i was able to appreciate the nuances of each instrument more easily than i’m accustomed to. plucks of each string of glenn frey’s acoustic guitar were conveyed with truthful singularity, possessing precise leading-edge definition without sounding analytical. even more alluring was the tightrope the 760a consistently walked between offering snappy transients and focused images while retaining the natural golden hue of the acoustic’s strings.
as the intro went on, the 760a continued to excel at resolving minutiae i typically have to be careful to listen for. slidings of frey’s pick, for example, sounded marginally larger and sharper. the beads in the maracas had more presence, which allowed me to differentiate them within their gourds that much more easily. when don henley’s kick drum entered, i was so elated with the sheer levels of slam, density, and control with which the 760a delineated each kick of skin that i had to temporarily halt my listening session to swap in my classé cam-300s for a quick baseline reminder. side by side, the sounds of the two -- er, three -- amps were almost indistinguishable. impressive, considering that the classés are collectively almost three times the size, weight, and power output of the simaudio, not to mention $3000 dearer. there were subtle differences, though; the 760a’s slightly warmer, fuller sound consistently translated into images and voices drawn with greater depths of tonal color and naturalness. the simaudio also painted images with a hint more grandeur, giving me somewhat of a front-row vantage on the sound, as opposed to the classés’ slightly recessed and drier character. henley’s kick drum proved a perfect example of this -- through the simaudio, it sounded larger and more organic, while the classés struggled to balance their punchy authority with the same level of scale.
supplementing henley’s kick drum was randy meisner’s bass, which, again, was now easier to hear due to the simaudio’s slightly fuller, rounder bottom end. this isn’t to say that the 760a lacked control, or sounded bloated or tubby in any way -- just the opposite. the fine balance between suppleness, control, and detail enunciated by the simaudio allowed meisner’s bass to sound more alive, organic, and, ultimately, more enjoyable.
the 760a also did a remarkable job of defining the listening space. not only could i hear images being formed beyond the confines of my side and front walls, i could hear people clapping beside me as i sat in my listening position. in fact, no matter what genre i listened to -- rock, jazz, pop, or electronic -- the 760a consistently excelled at projecting music into my room. this not only created the impression of a vaster soundstage, it provided an addictive sense of realism for each instrument and voice on stage. i found this particularly advantageous when listening to live recordings, or music in which the ability to hear the recording environment was clearly the engineer’s intent.
changing gears and digging deeper into the individual constituents of a few tracks proved a revealing and thought-provoking exercise. i began with “what a shame,” from patricia barber’s café blue (24/88.2 flac, premonition) -- a very well-recorded track with numerous instrumental nuances to focus on. this time, i focused predominantly on the thrashing of the brass during the instrumental break, as the dynamics can prove challenging for some amplifiers to convey convincingly. the 760a handled this passage with aplomb. cymbals leapt out of the atrias with impressive transient speed, impact, shimmer, and precision, sounding highly dynamic yet distinctly refined and finessed. while the classés exhibited even greater levels of dynamic panache and equal levels of decay, they couldn’t quite match the simaudio’s naturalness in depicting each cymbal in space. this balance of spatial prowess, tonal accuracy, and lack of pretension was quickly proving to be a dependable trademark of the 760a. i liked it.
later, while listening to diana krall’s cover of crowded house’s “don’t dream it’s over,” from her latest, wallflower (cd, verve b0020989-02), i bore witness to a seductively realistic and transparent portrayal of her voice. the track begins with a brief, melodic piano solo that saturated my room, ostensibly erasing my speakers from existence. as the sound of krall’s piano seamlessly integrated with that of an articulately plucked acoustic guitar, her voice emerged center stage with remarkable image specificity and textural detail. other amplifiers, including the classés, have communicated similar levels of transparency and microlevel detail, but few, if any, have been able to so convincingly balance the rasp, breath, and depth of krall’s voice. this sensitivity to voices was also present when i listened to “i only want to be with you,” from shelby lynne’s just a little lovin’ (16/44.1 flac, lost highway). lynne’s voice can have a somewhat dense or even faintly buried character through less-resolving amplifiers, masking the much-needed microlevel details required to preserve a sense of liveliness. the inherent transparency of the 760a allowed these details to be heard with ease, and in doing so laid bare the velvetiness of her voice. the nearly inaudible noise floor out of which emerged lynne’s subtle tonal fluctuations and dynamic variations of vocal intensity allowed me to hear deeper into this recording as well.
it was here that i began to understand why, the more i listened to music through the 760a, the more endearing i found it. many amplifiers, good or bad, can be somewhat predictable in their sound, their consistent sonic characters enabling one to expect or predict what specific musical facets might sound like based on how others have been presented. for example, if an amplifier can convincingly communicate deep, powerful bass, one might also expect that amplifier to be able to easily handle dynamic swings. likewise, if an amplifier sounds particularly transparent in the midrange, even bright, one might expect this quality to aid it in resolving microlevel details.
the 760a proved the antithesis of this analogy, throwing me curveballs every chance it got. for starters, i never would have guessed that the 760a would be able to tango as well as it did with a pair of monoblocks almost three times its size and might. the balance of transparency and liquidity exuded by the simaudio could also easily fool one into thinking one was listening to a high-quality tube amplifier, if it weren’t for the silence of the noise floor reminding one that this is, in fact, a solid-state design. but none of this compares to how this diminutive amplifier could, with commanding authority, project into space three-dimensional images of a scale appropriate to the recording. i tried to get the 760a to clip as it drove my rockport atrias (sensitivity: 87db) to levels i’m sure designer andy payor never thought probable, but i failed. dismally. instead, i heard from the system a highly controlled yet refined portrayal of whatever i had the guts to throw at it. the 760a deserves respect.
during my time with simaudio’s moon evolution 760a, i was reminded of what an exceptionally well-engineered and -constructed amplifier can provide, aesthetically and sonically. the finesse with which the 760a consistently balanced power, transparency, dynamics, tonal colors, and dimensionality, all against near-silent backgrounds, was spellbinding. it may strike some as being a tad pricey, considering its modest size and power rating, but its sound, flexibility, and ten-year warranty put this amplifier in an elite crowd of products that can serve as benchmarks for what the rest of the industry offers. heck, even if you’re not in the market for a new reference amplifier, go hear firsthand what the 760a has to offer -- it’s the best-sounding standalone power amplifier i’ve heard for anywhere near its price of $8000. recommending it is a no-brainer.


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lowercased:
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buy westland michigan foreclosed homes for as little as $10,000 using our website! founded in 2002 by top real estate professionals, foreclosurerepos.com's mission is to provide the best data available for westland michigan and the whole u.s. we specialize in foreclosure homes, repo homes, reo, foreclosed properties, short sales and sheriff sales.
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lowercased:
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