text:
This Movie is a part of aa large-scale, multi-media LE performance by LE ensemble Cyberbass (directed by the author) that took place in Lismore, New South Wales, in 2008 and was also live-streamed. The performance was built around a series of seven linked improvisations by a four-member LE band, and combined musical performance with audio-visual material recorded on previous LE tours by the author. The overall performance has a narrative structure built around the views of representatives of the Australian LE community. Videotaped interviews were edited by the author and then triggered and processed live by video artist Cicada (Kirsten Bradley). The interview audio was processed by a Max/MSP patch by one of the performers and replayed in surround sound. In this way the LE performance was integrated with interview ‘mashups’.
This article examines links between contexts and creative practices amongst a group of contemporary Australian musicians working within the field of ‘live electronica’. For the purposes of this article, ‘live electronica’ (henceforth LE) is defined as electronic dance music (henceforth EDM) performed for an audience in real time by a group of musicians, without the aid of machine/computer-controlled sound generation sequences on drum machines, samplers or loop machines. Defined this way, LE stands in contrast with other forms of performed EDM that incorporate pre-composed or sequenced music triggered by a computer-interfaced performer.
Australian LE emerged in the 1990s and went through a period of development and consolidation during the first decade of the twentieth century. This article sees Australian LE musicians as inhabiting a musical ‘subculture’ (Hebdige 1979) and ‘scene’ (Straw 1991) – in which musical practices interact and cross-fertilise. Huq’s (2006) description of a ‘neo-tribe’ as a loosely-affiliated group formed as a “a response or solution to prevailing times” (28) can also be applied to Australian LE musicians. Illustrating what Brown, Eldridge and McCormack (2009: 11) describe as ‘the changing roles of composition, performer and instrument in contemporary creative practice,’ this article examines evolutionary processes and transformative factors that have impacted on the creative practices of Australian LE musicians. Within this discussion, digital music technology and changing economic, cultural and social contexts are seen to impact strongly on the emergence of new musical processes and forms.
On a broad scale, Australian LE musicians, interacting on tour and via the internet with other global musicians, have taken part in a transformative cultural process that Toynbee (2003: 110) describes as ‘code shaping’. Toynbee’s discussion implies that certain genres (such as music concrete, minimalism, and electronica) generate innovative creative processes that challenge existing musical conventions. LE is one recent sub-genre in which significant musical code-shaping has taken place – using creative processes that have been as yet little documented. Although in recent years the currency of the generic LE term has begun to recede – as live ensemble elements within EDM become more common-place, and as music classification terminologies (web tags) become more and more specific within the digital download environment – the LE movement of the past two decades can be seen to have played an historically-important role in ‘humanising’ EDM.
The article presents a participant-observer documentation and analysis of Australian LE practices, drawing on the experiences of one of the authors as an LE performer in Australia and overseas, as well as on a range of unstructured interviews with LE musicians conducted when opportunities arose (often while the author was on tour). The author’s position as a member of the LE community frames this article as a perspective from within the community. The article discusses the specific musical skills, techniques and creative processes employed by LE musicians to produce live, largely improvised music performances influenced by EDM – an area previously dominated by DJs/music producers using pre-composed or sequenced material. Endorsing the idea that music ‘emerges out of the enabling framework of society’ (Butler (2006: 15) – that the creation of musical works involves not only the intentions of auteurs, but also the dynamics of a surrounding community and wider culture – the discussion also examines a range of contexts associated with the music-making process. The overall aim of the article is to provide insight into creative practices among a group of Australian musicians whose original music-making represents an innovative response to technological, social, and economic changes that have altered the contexts of their creative lives.
 Performances of EDM that feature musicians playing along to a sequencer and/or drum machine are sometimes described as LE – but these ‘hybrid’ performances involve both live and non-live elements.
The Solar Sound System is going NT!
More Music from the archive.

lowercased:
this movie is a part of aa large-scale, multi-media le performance by le ensemble cyberbass (directed by the author) that took place in lismore, new south wales, in 2008 and was also live-streamed. the performance was built around a series of seven linked improvisations by a four-member le band, and combined musical performance with audio-visual material recorded on previous le tours by the author. the overall performance has a narrative structure built around the views of representatives of the australian le community. videotaped interviews were edited by the author and then triggered and processed live by video artist cicada (kirsten bradley). the interview audio was processed by a max/msp patch by one of the performers and replayed in surround sound. in this way the le performance was integrated with interview ‘mashups’.
this article examines links between contexts and creative practices amongst a group of contemporary australian musicians working within the field of ‘live electronica’. for the purposes of this article, ‘live electronica’ (henceforth le) is defined as electronic dance music (henceforth edm) performed for an audience in real time by a group of musicians, without the aid of machine/computer-controlled sound generation sequences on drum machines, samplers or loop machines. defined this way, le stands in contrast with other forms of performed edm that incorporate pre-composed or sequenced music triggered by a computer-interfaced performer.
australian le emerged in the 1990s and went through a period of development and consolidation during the first decade of the twentieth century. this article sees australian le musicians as inhabiting a musical ‘subculture’ (hebdige 1979) and ‘scene’ (straw 1991) – in which musical practices interact and cross-fertilise. huq’s (2006) description of a ‘neo-tribe’ as a loosely-affiliated group formed as a “a response or solution to prevailing times” (28) can also be applied to australian le musicians. illustrating what brown, eldridge and mccormack (2009: 11) describe as ‘the changing roles of composition, performer and instrument in contemporary creative practice,’ this article examines evolutionary processes and transformative factors that have impacted on the creative practices of australian le musicians. within this discussion, digital music technology and changing economic, cultural and social contexts are seen to impact strongly on the emergence of new musical processes and forms.
on a broad scale, australian le musicians, interacting on tour and via the internet with other global musicians, have taken part in a transformative cultural process that toynbee (2003: 110) describes as ‘code shaping’. toynbee’s discussion implies that certain genres (such as music concrete, minimalism, and electronica) generate innovative creative processes that challenge existing musical conventions. le is one recent sub-genre in which significant musical code-shaping has taken place – using creative processes that have been as yet little documented. although in recent years the currency of the generic le term has begun to recede – as live ensemble elements within edm become more common-place, and as music classification terminologies (web tags) become more and more specific within the digital download environment – the le movement of the past two decades can be seen to have played an historically-important role in ‘humanising’ edm.
the article presents a participant-observer documentation and analysis of australian le practices, drawing on the experiences of one of the authors as an le performer in australia and overseas, as well as on a range of unstructured interviews with le musicians conducted when opportunities arose (often while the author was on tour). the author’s position as a member of the le community frames this article as a perspective from within the community. the article discusses the specific musical skills, techniques and creative processes employed by le musicians to produce live, largely improvised music performances influenced by edm – an area previously dominated by djs/music producers using pre-composed or sequenced material. endorsing the idea that music ‘emerges out of the enabling framework of society’ (butler (2006: 15) – that the creation of musical works involves not only the intentions of auteurs, but also the dynamics of a surrounding community and wider culture – the discussion also examines a range of contexts associated with the music-making process. the overall aim of the article is to provide insight into creative practices among a group of australian musicians whose original music-making represents an innovative response to technological, social, and economic changes that have altered the contexts of their creative lives.
 performances of edm that feature musicians playing along to a sequencer and/or drum machine are sometimes described as le – but these ‘hybrid’ performances involve both live and non-live elements.
the solar sound system is going nt!
more music from the archive.


text:
GFWC is made up of 50 state federations, to which local clubs belong. By joining a local women’s club, clubwomen become members of their state federation, which conveys membership in GFWC.
The California Federation of Women's Clubs is a member of the General Federation of Women's Clubs International, chartered in 1901 by the UnitedStates Congress. GFWC organized in 1890 with 61 charter clubs, is the world's largest and oldest women's volunteer organization with over 100,000 members in 3,000 clubs across the United States, with hundreds of members in countries around the world.
Reflecting the GFWC motto, Unity in Diversity, there is considerable diversity in age, interest and experience of members.
GFWC and its members raised nearly $64 million on behalf of more than 300,000 projects, and volunteered more than 10 million hours.

lowercased:
gfwc is made up of 50 state federations, to which local clubs belong. by joining a local women’s club, clubwomen become members of their state federation, which conveys membership in gfwc.
the california federation of women's clubs is a member of the general federation of women's clubs international, chartered in 1901 by the unitedstates congress. gfwc organized in 1890 with 61 charter clubs, is the world's largest and oldest women's volunteer organization with over 100,000 members in 3,000 clubs across the united states, with hundreds of members in countries around the world.
reflecting the gfwc motto, unity in diversity, there is considerable diversity in age, interest and experience of members.
gfwc and its members raised nearly $64 million on behalf of more than 300,000 projects, and volunteered more than 10 million hours.


text:
This salad is quite versatile with the base. You can use mixed greens, kale, arugula or spinach as seen here. Dark leafy greens are a great replacement to lettuce, being that they are more nutrient dense. Dark leafy greens are important for skin, hair, and bone health. They’re loaded with nutrients and low in calories. I threw in dried cranberries and pomegranates for a touch of added sweetness against the crisp spinach and smooth, earthy garbanzo beans. Feel free to add lean proteins to this dish to create a meal that is more hearty rather than a side dish.
Combine spinach, garbanzo beans, cucumbers, tomatoes, dried cranberries, pomegranate seeds, and scallions in a bowl.
Combine tahini, olive oil, lemon juice, garlic, honey and whisk together well.
Add za’taar and salt to taste. Mix well.

lowercased:
this salad is quite versatile with the base. you can use mixed greens, kale, arugula or spinach as seen here. dark leafy greens are a great replacement to lettuce, being that they are more nutrient dense. dark leafy greens are important for skin, hair, and bone health. they’re loaded with nutrients and low in calories. i threw in dried cranberries and pomegranates for a touch of added sweetness against the crisp spinach and smooth, earthy garbanzo beans. feel free to add lean proteins to this dish to create a meal that is more hearty rather than a side dish.
combine spinach, garbanzo beans, cucumbers, tomatoes, dried cranberries, pomegranate seeds, and scallions in a bowl.
combine tahini, olive oil, lemon juice, garlic, honey and whisk together well.
add za’taar and salt to taste. mix well.


text:
Glaucoma Screening should be done from the age of 40 years old for those with family members who have Glaucoma; and 50 years old for everybody else.
2. Your eye angles looking for signs of narrow angles.
3. Your optic nerve rim thickness to determine the health of your optic nerve.
4. Your visual field to ascertain the overall function of your optic nerve.
5. Your cornea thickness so we know whether your eye pressure measurements are truly accurate.
Our doctor will assess all your risks factors holistically and advise on the precautions you can take to prevent early-onset Glaucoma.
If you have been diagnosed with Glaucoma, depending on the severity, there are multiple ways of treating Glaucoma including Glaucoma eyedrops, Glaucoma laser and Glaucoma surgery.
At Asia Retina, if you need Glaucoma eyedrops, we are able to integrate your personal eyedrop regime into our customised Asia Retina App so that you can get daily phone reminder alerts to instill the eyedrops according to your schedule. Asia Retina is the preferred destination for Glaucoma treatment in Singapore.

lowercased:
glaucoma screening should be done from the age of 40 years old for those with family members who have glaucoma; and 50 years old for everybody else.
2. your eye angles looking for signs of narrow angles.
3. your optic nerve rim thickness to determine the health of your optic nerve.
4. your visual field to ascertain the overall function of your optic nerve.
5. your cornea thickness so we know whether your eye pressure measurements are truly accurate.
our doctor will assess all your risks factors holistically and advise on the precautions you can take to prevent early-onset glaucoma.
if you have been diagnosed with glaucoma, depending on the severity, there are multiple ways of treating glaucoma including glaucoma eyedrops, glaucoma laser and glaucoma surgery.
at asia retina, if you need glaucoma eyedrops, we are able to integrate your personal eyedrop regime into our customised asia retina app so that you can get daily phone reminder alerts to instill the eyedrops according to your schedule. asia retina is the preferred destination for glaucoma treatment in singapore.


text:
As yogis, we are students. Not just students of the asanas but also students of the mind, of the body, of the spirit, of the Universe.
— James Allen, "As You Think"
We are students of ourselves. We explore what our external bodies are capable of. As we advance, we explore the darkest corners of our souls — the stuff we’ve buried to survive or to conform. Because we believed vulnerability was weakness and anger and sadness were its ugly step sisters.
Great students don’t need any more than their will, their mind, and a great teacher. But a nice classroom sure doesn’t hurt.
You deserve space. We all deserve to have a sacred space that is only ours — where we can retreat to go within as we study the depths of our soul.
I’m fortunate at this time in my life to have an entire room. There’s no furniture except my zafu and yoga props. When I step in that room all the weight from the outside world seems to wash away and I am able to focus on my studies.
I realize it’s a privilege to have this room. Someday I will sacrifice this space for a wee one but I will still reserve space. You don’t have to have an entire room.
It could be a nook in your attic.
A corner in your office or bedroom where you can set up an altar.
A special area in your garden that’s just for you.
So let’s talk about this space you’re creating. It’s yours, and the rules are yours to make. However, here are some “rules” that I keep when it comes to my space for inspiration.
You could fill it with candles, flowers, crosses, Buddhas or photos. You could fill it with nothing, making it a crisp and clean space to help you declutter your mind. Make it look, feel, sound and smell “right" to you. Consider your intention for the space and design around that. But also trust your intuition. If a little puppy figurine is really speaking to you, put it in your space. It doesn’t have to make sense to others to make sense to you.
Space has as much power as you give it. I hold a high respect for my space. This is a spiritual place. Whether you practice meditation or prayer or both, you are filling your space with alllllll the good vibes. Honor that power. Which leads me to the next “rule."
My house isn’t always clean. (Gasp!) But I keep my sacred space — the “yoga room” — clean. Because if it’s not clean, it’s distracting and can be stressful instead of spiritual.
Again, your space is as powerful as you make it. If you don’t use it, it loses its power. It’s like an empty church. An empty church might be beautiful, but if it’s not being used for congregation, worship and prayer, it’s just a beautiful empty building.
Do you have a sacred space? If so, I’d love to see it and share with others for inspiration. Please send it to me on Facebook or by email.

lowercased:
as yogis, we are students. not just students of the asanas but also students of the mind, of the body, of the spirit, of the universe.
— james allen, "as you think"
we are students of ourselves. we explore what our external bodies are capable of. as we advance, we explore the darkest corners of our souls — the stuff we’ve buried to survive or to conform. because we believed vulnerability was weakness and anger and sadness were its ugly step sisters.
great students don’t need any more than their will, their mind, and a great teacher. but a nice classroom sure doesn’t hurt.
you deserve space. we all deserve to have a sacred space that is only ours — where we can retreat to go within as we study the depths of our soul.
i’m fortunate at this time in my life to have an entire room. there’s no furniture except my zafu and yoga props. when i step in that room all the weight from the outside world seems to wash away and i am able to focus on my studies.
i realize it’s a privilege to have this room. someday i will sacrifice this space for a wee one but i will still reserve space. you don’t have to have an entire room.
it could be a nook in your attic.
a corner in your office or bedroom where you can set up an altar.
a special area in your garden that’s just for you.
so let’s talk about this space you’re creating. it’s yours, and the rules are yours to make. however, here are some “rules” that i keep when it comes to my space for inspiration.
you could fill it with candles, flowers, crosses, buddhas or photos. you could fill it with nothing, making it a crisp and clean space to help you declutter your mind. make it look, feel, sound and smell “right" to you. consider your intention for the space and design around that. but also trust your intuition. if a little puppy figurine is really speaking to you, put it in your space. it doesn’t have to make sense to others to make sense to you.
space has as much power as you give it. i hold a high respect for my space. this is a spiritual place. whether you practice meditation or prayer or both, you are filling your space with alllllll the good vibes. honor that power. which leads me to the next “rule."
my house isn’t always clean. (gasp!) but i keep my sacred space — the “yoga room” — clean. because if it’s not clean, it’s distracting and can be stressful instead of spiritual.
again, your space is as powerful as you make it. if you don’t use it, it loses its power. it’s like an empty church. an empty church might be beautiful, but if it’s not being used for congregation, worship and prayer, it’s just a beautiful empty building.
do you have a sacred space? if so, i’d love to see it and share with others for inspiration. please send it to me on facebook or by email.


text:
1. The old Hug Point beach road: In addition to its natural beauty, Hug Point features a primitive man-made roadway. According to a 1975 issue of The Ore Bin, “In the late 1800's, a stagecoach road was blasted out of the sea cliff to make passage along the beach possible during high tide.” (State of Oregon, Department of Geology & Mineral Industries) Prior to the road, travelers by car or wagon would have to wait until low tide to “hug” around the point when heading south toward Arch Cape. In the winter, Look carefully and you’ll find the old steps that were carved into the basalt and sandstone so travelers could reach the ledge from which they’d walk to access the southern part of the beach. You’ll also see the deep ruts cut by wagon wheels into the primitive roadbed.
2. Parking: Hug Point can get busy — really busy — during the summer months. Finding a parking spot can be tricky as the main parking lot (which is on a steep incline) fills up by late morning and cars begin to park along Highway 101 (which is precarious at best and perilous at worst). Plan on arriving early to ensure you get a close-in, safe parking spot and a nice spot on the beach.
3. Waterfall: As pictured above, Fall Creek empties out onto the beach at Hug Point, creating a small, but lovely waterfall.
4. Head North or South: Once you’ve made your way down to the beach, take a walk north or south. Head south for two miles, and you’ll arrive at Arch Cape Creek, which runs along the base of the Arch Cape headland. At low tide, you can make your way around the cape to see the arch. Head north (toward Cannon Beach) for two miles, and check out Silver Point with its wonderful tidepools and Jockey Cap rock.
For more information about Hug Point or other scenic parks or trails near Arch Cape and Cannon Beach, feel free to call us here at The Inn at Arch Cape, (503) 436-2082.

lowercased:
1. the old hug point beach road: in addition to its natural beauty, hug point features a primitive man-made roadway. according to a 1975 issue of the ore bin, “in the late 1800's, a stagecoach road was blasted out of the sea cliff to make passage along the beach possible during high tide.” (state of oregon, department of geology & mineral industries) prior to the road, travelers by car or wagon would have to wait until low tide to “hug” around the point when heading south toward arch cape. in the winter, look carefully and you’ll find the old steps that were carved into the basalt and sandstone so travelers could reach the ledge from which they’d walk to access the southern part of the beach. you’ll also see the deep ruts cut by wagon wheels into the primitive roadbed.
2. parking: hug point can get busy — really busy — during the summer months. finding a parking spot can be tricky as the main parking lot (which is on a steep incline) fills up by late morning and cars begin to park along highway 101 (which is precarious at best and perilous at worst). plan on arriving early to ensure you get a close-in, safe parking spot and a nice spot on the beach.
3. waterfall: as pictured above, fall creek empties out onto the beach at hug point, creating a small, but lovely waterfall.
4. head north or south: once you’ve made your way down to the beach, take a walk north or south. head south for two miles, and you’ll arrive at arch cape creek, which runs along the base of the arch cape headland. at low tide, you can make your way around the cape to see the arch. head north (toward cannon beach) for two miles, and check out silver point with its wonderful tidepools and jockey cap rock.
for more information about hug point or other scenic parks or trails near arch cape and cannon beach, feel free to call us here at the inn at arch cape, (503) 436-2082.


text:
Anti-Roma legislation as well as specific legal acts directed against the non-sedentary Roma population, justifying and legalizing the previously customary aversion towards the people and their prosecution, started to be drawn up and enacted in Western Europe in the early Modern era. Adam Bartosz in his book, Nie bój się Cygana. Na dara Romestar [Do Not Fear the Gypsy], lists only a few of these. According to the scholar and expert on Roma history, the first anti-Gypsy and anti-Egyptian – as they were known at the time – laws were issued in Lucerne in 1471 and barred the Roma from presence on the territory of Switzerland. At the close of the 15th century, the Roma were forbidden to follow their itinerant life style on pain of corporeal punishment and enslavement. In turn, the early 16th century was marked by anti-Roma legislation of the Habsburg Holy Roman Emperor, Maximilian I, in the light of which the Roma captured on the imperial territory were subject to torture and extermination. In 1530, they were legally banished from England, and ten years later – from Scotland. Expulsion acts kept been issued in the 16th century, among other countries, in Denmark, Finland and France.
It is exactly this chronicle record as well as reports of aristocratic collections of severed limbs, noses and ears of the Roma captured during such battues, subsequently exhibited in cabinets of curiosities or in palace rooms alongside hunting trophies, recoverable from the sources as late as mid-19th century, which has inspired the work of Krzysztof Gil.
The Polish-Romani artist has produced a species of installation, composed of a cubical room of his design and making, and of sound. In its form, dimensions and execution technique, the cubic shed put together from accidental pieces of wood and fabric alludes to traditional, humble, temporary houses erected by the legally and socially marginalised Roma. On the other hand, repeating the paradigmatic form of a gallery white cube, it constructs a literally Chinese-box situation, whence it positions the audience. Since the cubical installation, upon entrance, turns out to a self-contained exhibition space, whose darkened interior appears to be a dialectical antithesis of the space of a gallery.
Inside the one-chamber room, Krzysztof Gil installed a panoramic painting. The cylindrical panorama consists of a majestic and monumental, white-crayon drawing on black background, representing a scene of game display. The image, which follows the representational convention for hunting trophies, is composed of likenesses of genteel women and men, clothed in modern hunters’ and their female companions’ apparel. All images used by the artist have been appropriated from painting of the old masters. In the surrounding darkness, the light rhythmically reveals characters, whose prototypes become identifiable as members of the surgeons’ guild depicted by Rembrandt, for example, or as St. Irene attending to the body of St. Sebastian from Georges de la Tour’s painting. The composition centre holds, amidst hunted game, a de-faced – as profil-perdu painted – torso of an anonymous, shut-down Roma.
Krzysztof Gil’s use of the convention of appropriation, historicising his piece, is at once a sarcastic comment, in the spirit of Reger from Thomas Bernhard’s Old Masters, on European art as a history painted in bright colours, and an accusation levelled against it. On the other hand, thanks to the sound accompanying the visible, a remote history becomes juxtaposed to the contemporary and to the artist’s private, family history.
The sound-track accompanying our viewing of his panorama is fragments of a record of a conversation Krzysztof Gil conducted with his grand-mother. She tells the story of her father – a musician and a brick-layer – murdered after WWII in the Podhale region, because he had had the audacity to make a remark about a poorly executed work to his Polish co-workers. Upon arrival on the scene of crime, the militiamen and doctors found the event to be a misadventure. The perpetrators went unpunished.
The artist’s family history, which has been combined here with an event described in a 17th-century chronicle, demonstrates that the ritual Heidenjachten are not really a closed chapter of history, and that anti-Roma violence remains a notorious occurrence. It is confirmed also by the exhibition title, which we have borrowed from a contemporary photograph found on the Internet, representing a caption on a wall of a Polish city. The paint appeared to still be wet.

lowercased:
anti-roma legislation as well as specific legal acts directed against the non-sedentary roma population, justifying and legalizing the previously customary aversion towards the people and their prosecution, started to be drawn up and enacted in western europe in the early modern era. adam bartosz in his book, nie bój się cygana. na dara romestar [do not fear the gypsy], lists only a few of these. according to the scholar and expert on roma history, the first anti-gypsy and anti-egyptian – as they were known at the time – laws were issued in lucerne in 1471 and barred the roma from presence on the territory of switzerland. at the close of the 15th century, the roma were forbidden to follow their itinerant life style on pain of corporeal punishment and enslavement. in turn, the early 16th century was marked by anti-roma legislation of the habsburg holy roman emperor, maximilian i, in the light of which the roma captured on the imperial territory were subject to torture and extermination. in 1530, they were legally banished from england, and ten years later – from scotland. expulsion acts kept been issued in the 16th century, among other countries, in denmark, finland and france.
it is exactly this chronicle record as well as reports of aristocratic collections of severed limbs, noses and ears of the roma captured during such battues, subsequently exhibited in cabinets of curiosities or in palace rooms alongside hunting trophies, recoverable from the sources as late as mid-19th century, which has inspired the work of krzysztof gil.
the polish-romani artist has produced a species of installation, composed of a cubical room of his design and making, and of sound. in its form, dimensions and execution technique, the cubic shed put together from accidental pieces of wood and fabric alludes to traditional, humble, temporary houses erected by the legally and socially marginalised roma. on the other hand, repeating the paradigmatic form of a gallery white cube, it constructs a literally chinese-box situation, whence it positions the audience. since the cubical installation, upon entrance, turns out to a self-contained exhibition space, whose darkened interior appears to be a dialectical antithesis of the space of a gallery.
inside the one-chamber room, krzysztof gil installed a panoramic painting. the cylindrical panorama consists of a majestic and monumental, white-crayon drawing on black background, representing a scene of game display. the image, which follows the representational convention for hunting trophies, is composed of likenesses of genteel women and men, clothed in modern hunters’ and their female companions’ apparel. all images used by the artist have been appropriated from painting of the old masters. in the surrounding darkness, the light rhythmically reveals characters, whose prototypes become identifiable as members of the surgeons’ guild depicted by rembrandt, for example, or as st. irene attending to the body of st. sebastian from georges de la tour’s painting. the composition centre holds, amidst hunted game, a de-faced – as profil-perdu painted – torso of an anonymous, shut-down roma.
krzysztof gil’s use of the convention of appropriation, historicising his piece, is at once a sarcastic comment, in the spirit of reger from thomas bernhard’s old masters, on european art as a history painted in bright colours, and an accusation levelled against it. on the other hand, thanks to the sound accompanying the visible, a remote history becomes juxtaposed to the contemporary and to the artist’s private, family history.
the sound-track accompanying our viewing of his panorama is fragments of a record of a conversation krzysztof gil conducted with his grand-mother. she tells the story of her father – a musician and a brick-layer – murdered after wwii in the podhale region, because he had had the audacity to make a remark about a poorly executed work to his polish co-workers. upon arrival on the scene of crime, the militiamen and doctors found the event to be a misadventure. the perpetrators went unpunished.
the artist’s family history, which has been combined here with an event described in a 17th-century chronicle, demonstrates that the ritual heidenjachten are not really a closed chapter of history, and that anti-roma violence remains a notorious occurrence. it is confirmed also by the exhibition title, which we have borrowed from a contemporary photograph found on the internet, representing a caption on a wall of a polish city. the paint appeared to still be wet.


text:
The package includes Alaska Yukon Moose and Wolf hunt.
We hunt the Alaska Yukon moose, the largest deer in the world. This is a "spot-and-stalk" hunt, with interactive calling that makes it particularly exciting. This is usually a float trip, but can also be a stationary hunt. This hunt is 1 guide per hunter and includes 1 trophy moose. Caribou may be added for $4,000 trophy fee and wolves may be hunted for no additional fee. 10 hunting days and 12 total trip days.
We hunt moose out of our western Alaska camp that is located in GMU 19. Hunters on our moose hunting trips will be flown out to camps located with our 1500 square mile hunting area to spike camps, these camps are located on ridge tops and close to prime moose country. The Alaskan Yukon moose is the largest of the moose sub-species, and our hunting are has produced many trophy moose over the years. Our moose average around 61” and have great mass and heavy wide paddles. We hunt during the pre-rut and the moose are responding to calls very well during this time. Our moose country is not the typical swampy low land that most people are accustomed to hunting, we are hunting the rolling hills and large meadows. We only take 6 moose hunters per year and have maintained a very high success rate over the years. We hunt in two different game management areas, as our camp is located right on the border. Moose season in both areas opens on September 5 th and closes in one area on the 15 th and the 20 th in the northern area.
Our Alaska moose hunting season is September 5th-15th for non-residents. We use a lot of cow calls, bull grunts and brush thrashing to bring the bulls to us. While hunting, we use jet boats to access all the back channels, swampy marshes, and also ridge-tops for glassing. When calling moose, it might take up to three days to call in a bull, but he will come to investigate the call. There is nothing like hearing those bulls call back and come thrashing the brush to your call! The bulls’ antlers in this area have an average of 60 inches, but in the last few years I’ve been taking bulls that have an antler spread of 65-70 inches. Most of the moose we harvest we call-in within 60 yards.

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the package includes alaska yukon moose and wolf hunt.
we hunt the alaska yukon moose, the largest deer in the world. this is a "spot-and-stalk" hunt, with interactive calling that makes it particularly exciting. this is usually a float trip, but can also be a stationary hunt. this hunt is 1 guide per hunter and includes 1 trophy moose. caribou may be added for $4,000 trophy fee and wolves may be hunted for no additional fee. 10 hunting days and 12 total trip days.
we hunt moose out of our western alaska camp that is located in gmu 19. hunters on our moose hunting trips will be flown out to camps located with our 1500 square mile hunting area to spike camps, these camps are located on ridge tops and close to prime moose country. the alaskan yukon moose is the largest of the moose sub-species, and our hunting are has produced many trophy moose over the years. our moose average around 61” and have great mass and heavy wide paddles. we hunt during the pre-rut and the moose are responding to calls very well during this time. our moose country is not the typical swampy low land that most people are accustomed to hunting, we are hunting the rolling hills and large meadows. we only take 6 moose hunters per year and have maintained a very high success rate over the years. we hunt in two different game management areas, as our camp is located right on the border. moose season in both areas opens on september 5 th and closes in one area on the 15 th and the 20 th in the northern area.
our alaska moose hunting season is september 5th-15th for non-residents. we use a lot of cow calls, bull grunts and brush thrashing to bring the bulls to us. while hunting, we use jet boats to access all the back channels, swampy marshes, and also ridge-tops for glassing. when calling moose, it might take up to three days to call in a bull, but he will come to investigate the call. there is nothing like hearing those bulls call back and come thrashing the brush to your call! the bulls’ antlers in this area have an average of 60 inches, but in the last few years i’ve been taking bulls that have an antler spread of 65-70 inches. most of the moose we harvest we call-in within 60 yards.


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So Foley banks are not lending as freely these days huh? The credit crunch that seized the Alabama economy recently is gone and they are starting to lend again. But even with this lending the economy is still reeling and headed for even more dire straits. If you are one of those in Foley AL who is caught in its clutches and have debts piling up, you may want to think about Foley consolidation loans.
Who has the best Foley debt consolidation services?
Foley consolidation services offer a way of taking multiple debts and taking them all and wrapping them together into one payment. So if you have 5 different Foley loans, each with a different interest rate and length, a Foley debt consolidation loan will pay these off and then you will be left with one Foley loan with a total on the loan of all the paid off loans. The best part is that these types of Foley consolidation loans typically have lower interest rates than the ones you are getting rid of.
What is the best place in Alabama to find Foley credit consolidation lenders?
Search online for the best debt consolidation lenders in Foley AL. The reason the best place to find Foley debt consolidation lenders in Alabama is because you will be able to find the right Foley lender for you. Your local Foley banks may not specialize in the right Foley consolidation loans for you or have Alabama lending standards that are too stringent. By searching for the best Alabama debt consolidation loans online, you can assure yourself of getting the right Foley loan.
As I said above, prior to the credit crunch we had basically "easy money" whereby the Foley banks were encouraged to lend to pretty much anyone in Alabama with a pulse. As the economy tanked and their Foley debts mounted, a large portion of these people who got easy credit are now looking for Foley credit card consolidation programs. These Foley loans can be obtained but they are just like any other Foley loan. Your Alabama credit rating, your ability to repay the Foley loan, an availability of collateral to secure the loan and the current Foley bank policies on Alabama lending will determine if you get a Foley consolidation loan or not.
Where Is The Best Foley Loan Consolidation Service?
As I discussed above, the typical Foley loan consolidation service usually has a lower interest rate than the standard Alabama loan that is putting you in the poor house. Be aware that just because you are in trouble with your Foley monthly payments, does not mean that you will automatically get Foley loan consolidation.
Where Can I find The Best Foley Debt Consolidation Help?
I spoke of collateral before and this is a big aspect of why Foley debt consolidation lenders may give you Foley loan consolidation. Unsecured Foley loans are the riskiest loans to give by a Alabama lender. This is because if the Foley loan is defaulted on, the bank cannot get the money back. By requiring collateral to provide security on a loan (as some Foley banks do for Foley debt consolidation loans) the bank reduces their risk for the loan. A secured Foley loan allows the lender to offer the loan to you and then to offer the Foley loan at a reduced interest rate. Be careful to make sure you pay off the Foley credit card consolidation loan on time. If you were required to put up collateral and you default, the Foley bank will take that collateral as a way to recoup their loss.
At MyCDC.org, we offer the highest quality Foley credit card consolidation programs that are available online throughout the USA. Mycdc offers this online by providing you with a custom Foley credit card consolidation plan that will help you to consolidate your unsecured debts, and also fit your budget, while helping you to reach your goal of Financial FREEDOM!
Foley Consolidation Loans -- Our online credit card consolidation service will consolidate debt without the need of a loan. Your custom Foley credit card consolidation program will consolidate your debts by negotiating with creditors to get YOU a lower repayment amount without the RISK of any type of high interest Alabama debt consolidation loans!
Foley Customer Service -- MyCDC.org is committed to using the highest level of Customer Service in the credit card consolidation industry. Once enrolled in a credit card consolidation program, a trained, personal debt counselor will be assigned to your account. Your debt counselor will review your debts and financial situation and develop a custom credit card consolidation solution based on YOUR personal Foley debt situation and needs.

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so foley banks are not lending as freely these days huh? the credit crunch that seized the alabama economy recently is gone and they are starting to lend again. but even with this lending the economy is still reeling and headed for even more dire straits. if you are one of those in foley al who is caught in its clutches and have debts piling up, you may want to think about foley consolidation loans.
who has the best foley debt consolidation services?
foley consolidation services offer a way of taking multiple debts and taking them all and wrapping them together into one payment. so if you have 5 different foley loans, each with a different interest rate and length, a foley debt consolidation loan will pay these off and then you will be left with one foley loan with a total on the loan of all the paid off loans. the best part is that these types of foley consolidation loans typically have lower interest rates than the ones you are getting rid of.
what is the best place in alabama to find foley credit consolidation lenders?
search online for the best debt consolidation lenders in foley al. the reason the best place to find foley debt consolidation lenders in alabama is because you will be able to find the right foley lender for you. your local foley banks may not specialize in the right foley consolidation loans for you or have alabama lending standards that are too stringent. by searching for the best alabama debt consolidation loans online, you can assure yourself of getting the right foley loan.
as i said above, prior to the credit crunch we had basically "easy money" whereby the foley banks were encouraged to lend to pretty much anyone in alabama with a pulse. as the economy tanked and their foley debts mounted, a large portion of these people who got easy credit are now looking for foley credit card consolidation programs. these foley loans can be obtained but they are just like any other foley loan. your alabama credit rating, your ability to repay the foley loan, an availability of collateral to secure the loan and the current foley bank policies on alabama lending will determine if you get a foley consolidation loan or not.
where is the best foley loan consolidation service?
as i discussed above, the typical foley loan consolidation service usually has a lower interest rate than the standard alabama loan that is putting you in the poor house. be aware that just because you are in trouble with your foley monthly payments, does not mean that you will automatically get foley loan consolidation.
where can i find the best foley debt consolidation help?
i spoke of collateral before and this is a big aspect of why foley debt consolidation lenders may give you foley loan consolidation. unsecured foley loans are the riskiest loans to give by a alabama lender. this is because if the foley loan is defaulted on, the bank cannot get the money back. by requiring collateral to provide security on a loan (as some foley banks do for foley debt consolidation loans) the bank reduces their risk for the loan. a secured foley loan allows the lender to offer the loan to you and then to offer the foley loan at a reduced interest rate. be careful to make sure you pay off the foley credit card consolidation loan on time. if you were required to put up collateral and you default, the foley bank will take that collateral as a way to recoup their loss.
at mycdc.org, we offer the highest quality foley credit card consolidation programs that are available online throughout the usa. mycdc offers this online by providing you with a custom foley credit card consolidation plan that will help you to consolidate your unsecured debts, and also fit your budget, while helping you to reach your goal of financial freedom!
foley consolidation loans -- our online credit card consolidation service will consolidate debt without the need of a loan. your custom foley credit card consolidation program will consolidate your debts by negotiating with creditors to get you a lower repayment amount without the risk of any type of high interest alabama debt consolidation loans!
foley customer service -- mycdc.org is committed to using the highest level of customer service in the credit card consolidation industry. once enrolled in a credit card consolidation program, a trained, personal debt counselor will be assigned to your account. your debt counselor will review your debts and financial situation and develop a custom credit card consolidation solution based on your personal foley debt situation and needs.


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The Georgian Terrace Hotel by Sotherly Hotels announced the promotion of Guido Piccinni to director of operations for the historic Atlanta hotel property. Piccinni assumes the day-to-day operations as general manager Mark Williams assumes a new role as regional vice president of operations for the parent company, Chesapeake Hospitality.
Piccinni joined The Georgian Terrace Hotel team in December 2015 as director of food and beverage. A native Italian, he is a seasoned hotelier and restaurateur with more than 20 years’ experience in the hospitality industry. He previously served as chief operating officer of the Atlanta-based Southern Proper Hospitality Group, where he was integral in developing their existing restaurants and establishing new concepts. He was also part of the acclaimed Five Diamond Award-winning team at Rosewood Hotels & Resorts, leading food and beverage at The Mansion on Peachtree.
Piccinni began his career in Atlanta when he moved to the U.S. in 2004 and was named general manager for the esteemed Buckhead Life Restaurant Group restaurant Pricci. Under his guidance, Pricci was honored as one of “America’s 20 Best New Restaurants” by Esquire. Prior to his move from Italy, Piccinni served as general manager at Hotel Cresta & Duc, a boutique hotel with a three Michelin Star-rated restaurant.

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the georgian terrace hotel by sotherly hotels announced the promotion of guido piccinni to director of operations for the historic atlanta hotel property. piccinni assumes the day-to-day operations as general manager mark williams assumes a new role as regional vice president of operations for the parent company, chesapeake hospitality.
piccinni joined the georgian terrace hotel team in december 2015 as director of food and beverage. a native italian, he is a seasoned hotelier and restaurateur with more than 20 years’ experience in the hospitality industry. he previously served as chief operating officer of the atlanta-based southern proper hospitality group, where he was integral in developing their existing restaurants and establishing new concepts. he was also part of the acclaimed five diamond award-winning team at rosewood hotels & resorts, leading food and beverage at the mansion on peachtree.
piccinni began his career in atlanta when he moved to the u.s. in 2004 and was named general manager for the esteemed buckhead life restaurant group restaurant pricci. under his guidance, pricci was honored as one of “america’s 20 best new restaurants” by esquire. prior to his move from italy, piccinni served as general manager at hotel cresta & duc, a boutique hotel with a three michelin star-rated restaurant.


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Call centre managers set the objectives of the service per month, week, and day. They perform micromanagement of the results obtained in the centre in order to proactively react with plans, trainings, or motivational plans depending on the problems faced by the service. They strive for achievement of KPIs such as minimum operating time, sales per day, and compliance with quality parameters.
The wide range of telecommunications hardware and software such as automated phone systems and communication devices.
Understand, follow up and manage the achievement of the most important key performance indicators (KPI) of call centres such as time average operation (TMO), service quality, questionnaires filled, and sales per hour if applicable.
Prepare and present periodic reports on the operations, achievements, and results obtained during certain period to higher level managers and directors.
Evaluate the performance and results of managers and employees considering their efficiency and effectivity at work. Consider personal and professional elements.
Improve the customer satisfaction and the service level of a call centre by researching data such as call time, waiting time for customers and review company targets to seek measures to improve service level and customer satisfaction.
Interpret information of call distribution system, a device that transmits incoming calls to specific groups of terminals.

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call centre managers set the objectives of the service per month, week, and day. they perform micromanagement of the results obtained in the centre in order to proactively react with plans, trainings, or motivational plans depending on the problems faced by the service. they strive for achievement of kpis such as minimum operating time, sales per day, and compliance with quality parameters.
the wide range of telecommunications hardware and software such as automated phone systems and communication devices.
understand, follow up and manage the achievement of the most important key performance indicators (kpi) of call centres such as time average operation (tmo), service quality, questionnaires filled, and sales per hour if applicable.
prepare and present periodic reports on the operations, achievements, and results obtained during certain period to higher level managers and directors.
evaluate the performance and results of managers and employees considering their efficiency and effectivity at work. consider personal and professional elements.
improve the customer satisfaction and the service level of a call centre by researching data such as call time, waiting time for customers and review company targets to seek measures to improve service level and customer satisfaction.
interpret information of call distribution system, a device that transmits incoming calls to specific groups of terminals.


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Hands on care such as; soft tissue mobilization, myofascial release, joint mobilization, muscle energy techniques and corrective and prescriptive exercises.
Thank goodness I found WHPT! She helped me when I thought there was nothing that could be done to alleviate my pain and discomfort. Mansi took the time to really get to know me, my body and my lifestyle so she could provide therapy that was tailored to my needs. She is knowledgable and professional, and she taught me so much about my body that I never knew before. Because of Mansi, I feel like myself again!

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hands on care such as; soft tissue mobilization, myofascial release, joint mobilization, muscle energy techniques and corrective and prescriptive exercises.
thank goodness i found whpt! she helped me when i thought there was nothing that could be done to alleviate my pain and discomfort. mansi took the time to really get to know me, my body and my lifestyle so she could provide therapy that was tailored to my needs. she is knowledgable and professional, and she taught me so much about my body that i never knew before. because of mansi, i feel like myself again!


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The Forum will once again be held at the Loews Vanderbilt Hotel. If you wish to stay at Loews Vanderbilt Hotel, make your reservations directly wi th the hotel by calling 1-800-336-3335 prior to September 16, 2018. Mention code "PJHO15" for the $259 Single/$279 Double rate.
Self Parking is included in your room rate. For those guests not staying in the hotel, you will be offered a 50% discount for Self Parking, and a 25% discount for Valet Parking. Day Guests should come by the Forum's registration desk to pick up vouchers for the reduced parking rate.
Additional hotels convenient to the Forum are the Hampton Inn-Vanderbilt, 1919 West End Avenue, 615-329-1144; the Holiday Inn-Vanderbilt, 2613 West End Avenue, 615-327-4707; the Hampton Inn & Suites-University, 2300 Elliston Place, 615-320-6060; and the Nashville Marriott At Vanderbilt University, 2555 West End Avenue, 615-321-1300; Hutton Hotel, 1808 West End Avenue, 615-340-9333; Homewood Suites by Hilton, 2400 West End Avenue, 615-340-8000; Embassy Suites at Vanderbilt, 1811 Broadway, 615-320-8899; Courtyard by Marriott Vanderbilt/West End, 1901 West End Avenue, 615-327-9900.

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the forum will once again be held at the loews vanderbilt hotel. if you wish to stay at loews vanderbilt hotel, make your reservations directly wi th the hotel by calling 1-800-336-3335 prior to september 16, 2018. mention code "pjho15" for the $259 single/$279 double rate.
self parking is included in your room rate. for those guests not staying in the hotel, you will be offered a 50% discount for self parking, and a 25% discount for valet parking. day guests should come by the forum's registration desk to pick up vouchers for the reduced parking rate.
additional hotels convenient to the forum are the hampton inn-vanderbilt, 1919 west end avenue, 615-329-1144; the holiday inn-vanderbilt, 2613 west end avenue, 615-327-4707; the hampton inn & suites-university, 2300 elliston place, 615-320-6060; and the nashville marriott at vanderbilt university, 2555 west end avenue, 615-321-1300; hutton hotel, 1808 west end avenue, 615-340-9333; homewood suites by hilton, 2400 west end avenue, 615-340-8000; embassy suites at vanderbilt, 1811 broadway, 615-320-8899; courtyard by marriott vanderbilt/west end, 1901 west end avenue, 615-327-9900.


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Today was a sad day in Eagles land, with the surprise death of Andy Reid's oldest son Garrett. Obviously all of our thoughts are with the Reid family as they deal with this tragedy.
There's no particularly good way to transition from that to general site changes. To be brief: things are new around here. Let me know what you think about the cleaner design and if you encounter any bugs or other problems. At the very least, hopefully the server issues will be over for the foreseeable future.
Tagged with Andy Reid, Site News, Garrett Reid, Design.
August 5, 2012 by Brian Solomon.

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today was a sad day in eagles land, with the surprise death of andy reid's oldest son garrett. obviously all of our thoughts are with the reid family as they deal with this tragedy.
there's no particularly good way to transition from that to general site changes. to be brief: things are new around here. let me know what you think about the cleaner design and if you encounter any bugs or other problems. at the very least, hopefully the server issues will be over for the foreseeable future.
tagged with andy reid, site news, garrett reid, design.
august 5, 2012 by brian solomon.


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Today’s contest reveals an interesting lesson.
But before I reveal the winner (and the lesson), I need you to pick the ad that you think was clicked more often. If you were searching for a way to conduct online background checks, which ad would you click?
The winning ad is ad number two. It was written by “cartmetrix,” and it improved CTR by 69%.
1. The winning ad switches up the title text by using DKI and using the alternate text “Instant Background Checks.” The word “instant” implies speed, which is an important buying criterium for anybody doing an online background check. Contrast this with the original title text, which says “Online Background Check.” The word “Online” does not imply speed, so “Instant” is the better word here.
2. The body copy in the losing ad starts with the price: $29. This is a huge “speed bump.” I expect it stops many searchers from reading any further. Now, listing the price is not necessarily a problem. But placing it first in the body copy is premature because searchers don’t yet know what they’re getting for $29. Furthermore, the price is followed by a comma and then the number 3. This makes the price harder to read, and may be confusing to non-American audiences where commas are used in place of periods in prices.
3. The winning ad leads with the offer: “3 Years of Unlimited Checks – $29″. This sounds like a bargain. Any person who is hiring a lot of employees or needing to do a lot of background checks is going to find this appealing.
4. The losing ad, on the other hand, lists the price first (not a good idea), then promises “3 Years Unlimited Searches.” The word “Searches” is far too vague. I don’t know if a “search” is equivalent to a “background check.” I’m reminded of the ads that promise a free credit report — but then charge extra for the credit score. The wording in the losing ad feels the same way. Am I going to get unlimited searches (which are basically worthless), or unlimited background checks? The losing ad doesn’t say.
6. Rather than address a problem that hasn’t happened yet, the winning ad gets into the mind of the searcher by saying, “Find out Who’s Hiding a Past Today!” This phrasing is masterful because it kills two birds with one stone: 1) It gets into the mind of the searcher, and 2) gives a clear call to action at the same time. What’s more, it generates instant curiosity. If you have a person you’ve just interviewed, you might even be thinking about what THAT person may be hiding. Hard to resist.
Boost Media writers are standing at the ready to improve your pay-per-click ads on both Google and Facebook. Sign up today and give them their marching orders.
I'm still learning from you, but I'm trying to reach my goals. I definitely liked reading all that is posted on your website.Keep the tips coming. I enjoyed it!

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today’s contest reveals an interesting lesson.
but before i reveal the winner (and the lesson), i need you to pick the ad that you think was clicked more often. if you were searching for a way to conduct online background checks, which ad would you click?
the winning ad is ad number two. it was written by “cartmetrix,” and it improved ctr by 69%.
1. the winning ad switches up the title text by using dki and using the alternate text “instant background checks.” the word “instant” implies speed, which is an important buying criterium for anybody doing an online background check. contrast this with the original title text, which says “online background check.” the word “online” does not imply speed, so “instant” is the better word here.
2. the body copy in the losing ad starts with the price: $29. this is a huge “speed bump.” i expect it stops many searchers from reading any further. now, listing the price is not necessarily a problem. but placing it first in the body copy is premature because searchers don’t yet know what they’re getting for $29. furthermore, the price is followed by a comma and then the number 3. this makes the price harder to read, and may be confusing to non-american audiences where commas are used in place of periods in prices.
3. the winning ad leads with the offer: “3 years of unlimited checks – $29″. this sounds like a bargain. any person who is hiring a lot of employees or needing to do a lot of background checks is going to find this appealing.
4. the losing ad, on the other hand, lists the price first (not a good idea), then promises “3 years unlimited searches.” the word “searches” is far too vague. i don’t know if a “search” is equivalent to a “background check.” i’m reminded of the ads that promise a free credit report — but then charge extra for the credit score. the wording in the losing ad feels the same way. am i going to get unlimited searches (which are basically worthless), or unlimited background checks? the losing ad doesn’t say.
6. rather than address a problem that hasn’t happened yet, the winning ad gets into the mind of the searcher by saying, “find out who’s hiding a past today!” this phrasing is masterful because it kills two birds with one stone: 1) it gets into the mind of the searcher, and 2) gives a clear call to action at the same time. what’s more, it generates instant curiosity. if you have a person you’ve just interviewed, you might even be thinking about what that person may be hiding. hard to resist.
boost media writers are standing at the ready to improve your pay-per-click ads on both google and facebook. sign up today and give them their marching orders.
i'm still learning from you, but i'm trying to reach my goals. i definitely liked reading all that is posted on your website.keep the tips coming. i enjoyed it!


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Preparing food is really easy when all cabinets and appliances are built and placed to match your body height. The ergonomical cabinet placement that is ideal for your kitchen is determined by the body height of the person that works primarily in the kitchen. That person’s height determines the ideal height placement of all cabinets, worktops and appliances. The kitchen design has to reflect the functionality of the work flow.
that uses and works primarily in the kitchen right- or left handed?
all wall- and niche areas.
will be built to fit best your bodily height (e.g. a lowered cook top which will ease the work flow and supports a healthy posture).
give easy access and show all items stored at a glance.
e.g. switch from a standing to a sitting position.
only below your shoulder height to avoid placing too much strain on your back.
or postures. Depending on the fitness of a person these could be standing, walking, kneeling, lifting, bending or stretching.
that the maximum height a person should reach for is 35 cm above his body height.
use lift-up- or bi-fold- doors for your wall cabinets.
all bodily limitations or disabilities within your kitchen design.
All Sachsenküchen dealers are more than happy to advise you on all your questions on ergonomically designed kitchens and will design with you your new ergonomically correct kitchen.

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preparing food is really easy when all cabinets and appliances are built and placed to match your body height. the ergonomical cabinet placement that is ideal for your kitchen is determined by the body height of the person that works primarily in the kitchen. that person’s height determines the ideal height placement of all cabinets, worktops and appliances. the kitchen design has to reflect the functionality of the work flow.
that uses and works primarily in the kitchen right- or left handed?
all wall- and niche areas.
will be built to fit best your bodily height (e.g. a lowered cook top which will ease the work flow and supports a healthy posture).
give easy access and show all items stored at a glance.
e.g. switch from a standing to a sitting position.
only below your shoulder height to avoid placing too much strain on your back.
or postures. depending on the fitness of a person these could be standing, walking, kneeling, lifting, bending or stretching.
that the maximum height a person should reach for is 35 cm above his body height.
use lift-up- or bi-fold- doors for your wall cabinets.
all bodily limitations or disabilities within your kitchen design.
all sachsenküchen dealers are more than happy to advise you on all your questions on ergonomically designed kitchens and will design with you your new ergonomically correct kitchen.


text:
You have done a try-dive or a DSD, and would like to go ahead and get qualified to explore the underwater world and have enough time to do so?
This course allows you to dive up to 18m under the guidance of an instructor upon completion. It is a 4 full day course, and you get to understand basic principles of scuba diving, do Confined Water Dives to learn basic scuba skills, as well as Open Water Dives to review your skills and explore!
You can also make the theory online with the e-learning program.
Started the PADI Open Water Course!
Completed the PADI Open Water Course!

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you have done a try-dive or a dsd, and would like to go ahead and get qualified to explore the underwater world and have enough time to do so?
this course allows you to dive up to 18m under the guidance of an instructor upon completion. it is a 4 full day course, and you get to understand basic principles of scuba diving, do confined water dives to learn basic scuba skills, as well as open water dives to review your skills and explore!
you can also make the theory online with the e-learning program.
started the padi open water course!
completed the padi open water course!


text:
Sad news to report today that Love & Hip Hop Hollywood’s Nia Riley, girlfriend of Soulja Boy was in a car accident with her daughter. Soulja posted a picture of Nia’s tattoo of his name, Dre on Instagram with the following caption.
My girlfriend @niariley was in a car accident and the car flipped over and our daughter was in the car. Need your prayers. Life is short and you never know what could happen I love them and don’t know what I would do if something happened to them. God first.
We are keeping Nia, her little one and the whole family in our thoughts and prayers. Leave your well wishes in the comments below!

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sad news to report today that love & hip hop hollywood’s nia riley, girlfriend of soulja boy was in a car accident with her daughter. soulja posted a picture of nia’s tattoo of his name, dre on instagram with the following caption.
my girlfriend @niariley was in a car accident and the car flipped over and our daughter was in the car. need your prayers. life is short and you never know what could happen i love them and don’t know what i would do if something happened to them. god first.
we are keeping nia, her little one and the whole family in our thoughts and prayers. leave your well wishes in the comments below!


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A Mighty Morphin Power Rangers #5 Review – Where Is Walter Jones?
PENCILLERS: Thony Silas, Corin Howell. Cover by Jamal Campbell.
Mighty Morphin Power Rangers #5 tells us that before Tommy became Rita Repulsa’s evil Green Ranger, she made a play for Zack, the Black Ranger. After being “upstaged” by Jason during a fight, Goldar and the putties abduct Zack so Rita can make her pitch. Obviously, Zack doesn’t accept. But how do the events of this issue impact Zack’s relationship to the team? And what happens when Zack tells Zordon?
Rita tempting one of the Rangers toward the dark side is such a simple, classic tale. It’s perfect for this series. I’m not sure I wouldn’t have gone with Billy instead of Zack, especially considering the scene we saw in issue #2. He was comparing himself to the others, and he seemed to become self conscious and bitter. If Rita could have seen that, she might have exploited it. On the other hand, we’ve seen some curious behavior from Zack in this series. He’s been very suspicious and apprehensive about Tommy. This issue seems to explain why. This experience gives him a negative connection to the Green Ranger that we never knew about.
The Zack we’ve seen in this series isn’t the one I expected. On the show, Walter Jones played a fun-loving dancer. Zack is in love with life, and he’s not afraid to show it. That’s not the character we’ve seen in this series. For the most part he’s been very straight faced. I understand he’s in a very tense storyline. But flashes of personality aren’t going to hurt anything, are they?
In essence, what we need in this book is a little more Walter Jones.
Fussy Fanboy Moment: After Zack is abducted, he wakes up in Rita’s Dark Dimension, which we saw in the show. But in one of the “Green Candle” episodes, which these events obviously predate, Jason says he and Tommy are the only Rangers that have been there.
On the plus side, Higgins sneaks in what seems to be a hint at Zack going to the Peace Conference later in the series. He tells Zordon, “I need to do more … I don’t care about leading. It’s not like that.” I like that second line. It speaks to why Rita’s plan for Zack doesn’t work. He’s imperfect like anyone else, but in the end he’s selfless. It’s more about the good that’s being done, as opposed to the glory you get from it.
The opening sequence, set in Italy, is a lot of fun. The Rangers face Rita’s monstrous take on The Vitruvian Man, who can apparently only speak in da Vinci quotes. Afterward, they receive some fanfare on the ground. We even have the prime minister in the middle of the action. This is yet another example of Higgins doing something that never could have happened on the show.
Thony Silas tags in on pencils for this issue. His style isn’t dramatically different from Hendry Prasetya’s, though his characters are slightly better at emoting. His Rita is particularly sinister. Again, his Zack seems very reserved and stoic, which is not the character we’re used to.
“The Ongoing Adventures of Bulk & Skull” still doesn’t do much for me. Though we do get a surprise in this issue: The BOOM! Studios debut of Lieutenant Stone, Bulk & Skull’s foil from seasons 3 and 4. I’d always been under the impression they’d never met before. Either way, I’m glad to see the putty patroller story is over. On to (hopefully) better things.
Higgins pleasantly surprised me with this Zack story, by following up on a plot seed he’d planted as far back as issue #1. It makes you wonder what else he might come back to in future issues. Whether it’s how Billy sees his role on the team, Jason feeling threatened by Tommy, or something else fans may have wondered about. There’s so much fertile ground to cover, and I’m hopeful that we’ve only scratched the surface.
This entry was posted in Comic Books/Graphic Novels and tagged Billy Cranston, Black Ranger, BOOM! Studios, Bulk & Skull, comic book reviews, comic books, Corin Howell, Green Ranger, Jamal Campbell, Kyle Higgins, Leonardo da Vinci, Megazord, Mighty Morphin Power Rangers, Mighty Morphin Power Rangers #5 (2016), Mighty Morphin Power Rangers (BOOM! Studios), Pink Ranger, Power Rangers, Red Ranger, Rita Repulsa, Rob Siebert, single issue reviews, Steve Orlando, superhero comics, superheroes, The Vitruvian Man, Thony Silas, Tommy Oliver, Walter Emanuel Jones, Zack Taylor, Zordon on 07/21/2016 by primaryignition.

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a mighty morphin power rangers #5 review – where is walter jones?
pencillers: thony silas, corin howell. cover by jamal campbell.
mighty morphin power rangers #5 tells us that before tommy became rita repulsa’s evil green ranger, she made a play for zack, the black ranger. after being “upstaged” by jason during a fight, goldar and the putties abduct zack so rita can make her pitch. obviously, zack doesn’t accept. but how do the events of this issue impact zack’s relationship to the team? and what happens when zack tells zordon?
rita tempting one of the rangers toward the dark side is such a simple, classic tale. it’s perfect for this series. i’m not sure i wouldn’t have gone with billy instead of zack, especially considering the scene we saw in issue #2. he was comparing himself to the others, and he seemed to become self conscious and bitter. if rita could have seen that, she might have exploited it. on the other hand, we’ve seen some curious behavior from zack in this series. he’s been very suspicious and apprehensive about tommy. this issue seems to explain why. this experience gives him a negative connection to the green ranger that we never knew about.
the zack we’ve seen in this series isn’t the one i expected. on the show, walter jones played a fun-loving dancer. zack is in love with life, and he’s not afraid to show it. that’s not the character we’ve seen in this series. for the most part he’s been very straight faced. i understand he’s in a very tense storyline. but flashes of personality aren’t going to hurt anything, are they?
in essence, what we need in this book is a little more walter jones.
fussy fanboy moment: after zack is abducted, he wakes up in rita’s dark dimension, which we saw in the show. but in one of the “green candle” episodes, which these events obviously predate, jason says he and tommy are the only rangers that have been there.
on the plus side, higgins sneaks in what seems to be a hint at zack going to the peace conference later in the series. he tells zordon, “i need to do more … i don’t care about leading. it’s not like that.” i like that second line. it speaks to why rita’s plan for zack doesn’t work. he’s imperfect like anyone else, but in the end he’s selfless. it’s more about the good that’s being done, as opposed to the glory you get from it.
the opening sequence, set in italy, is a lot of fun. the rangers face rita’s monstrous take on the vitruvian man, who can apparently only speak in da vinci quotes. afterward, they receive some fanfare on the ground. we even have the prime minister in the middle of the action. this is yet another example of higgins doing something that never could have happened on the show.
thony silas tags in on pencils for this issue. his style isn’t dramatically different from hendry prasetya’s, though his characters are slightly better at emoting. his rita is particularly sinister. again, his zack seems very reserved and stoic, which is not the character we’re used to.
“the ongoing adventures of bulk & skull” still doesn’t do much for me. though we do get a surprise in this issue: the boom! studios debut of lieutenant stone, bulk & skull’s foil from seasons 3 and 4. i’d always been under the impression they’d never met before. either way, i’m glad to see the putty patroller story is over. on to (hopefully) better things.
higgins pleasantly surprised me with this zack story, by following up on a plot seed he’d planted as far back as issue #1. it makes you wonder what else he might come back to in future issues. whether it’s how billy sees his role on the team, jason feeling threatened by tommy, or something else fans may have wondered about. there’s so much fertile ground to cover, and i’m hopeful that we’ve only scratched the surface.
this entry was posted in comic books/graphic novels and tagged billy cranston, black ranger, boom! studios, bulk & skull, comic book reviews, comic books, corin howell, green ranger, jamal campbell, kyle higgins, leonardo da vinci, megazord, mighty morphin power rangers, mighty morphin power rangers #5 (2016), mighty morphin power rangers (boom! studios), pink ranger, power rangers, red ranger, rita repulsa, rob siebert, single issue reviews, steve orlando, superhero comics, superheroes, the vitruvian man, thony silas, tommy oliver, walter emanuel jones, zack taylor, zordon on 07/21/2016 by primaryignition.


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Take on the cyclocross scene and so much more with Ritchey’s venerable Swiss Cross Disc. With the same details that dominated the 'cross circuit and spurred envious glances at every start line, this timeless frameset is sure to supplant its progenitor in the annals of history. The classic details so coveted by pros and amateurs alike are all present: custom triple-butted steel, Ritchey dropouts, and the spot-on geometry that dials the ride to the perfect shade of refined stability and speed. To maximize those fine details, a lightweight head tube features Ritchey's integrated headset to shave weight and improve the steering response of the matching WCS carbon fork. With lots of room for shouldering and huge tire clearance, it's ready for the sloppiest race or ride. Yet it also has two bottle cage mounts in case you want to ride this piece of history every day. And, all-weather capable disc brakes provide sure-fire control and stopping power no matter what the conditions.
The F30x features all of the same unique technologies that go into Felt’s carbon ‘cross bikes, but in a lightweight and durable FLite aluminum frame. It’s one of the most well-equipped race bikes on the ’cross scene thanks to internal routing and tubeless-ready wheels, making it a top contender no matter what conditions the racecourse serves up. Built with a Shimano 105 drivetrain, Schwalbe X-One racing tires, and 3T cockpit and seatpost, the F30x punches well above its class and is primed to match your effort with a potential podium finish.
With Felt's versatile F24X, kids can start cyclocross riding earlier than ever! It provides the same cool design and attention to detail found on full-size Felts. The 39cm frame with 24-inch wheels is sized just right and features short crankarms, shallow-reach handlebars, and a kid-specific seat to perfectly fit burgeoning 'crossers. The F24X boasts Felt's light aluminum frame and fork for lively handling and low weight. And, it's equipped with short-reach Microshift shifters, mini linear-pull brakes, and bar-top levers for excellent ergonomics, smooth shifting, and powerful braking.
Felt’s premier UHC Ultimate + TeXtreme carbon fiber creates a remarkably light frameset and fork with impressive durability and stiffness qualities. The newly redesigned frame is loaded with cutting-edge features: BB386, shoulder-friendly top tube design, 15mm thru axle dropouts and sealed, internal cable routing. The ultimate cyclocross racing machine, the Fx FRD delivers the state-of-the-art features for racing up the stairs to victory.
Santa Cruz might be late to the carbon road bike party, but with its rich history in carbon fiber frame design, you know the Stigmata has to be good. Think of it as the 'cross bike for mountain bikers. Or the light, responsive, and fast gravel bike you reach for when you're not sure where you'll end up. The Stigmata Carbon CC CX1 features Santa Cruz' top-tier carbon frame and a build that's ready for hot laps between the tape. It's fitted with a DT Swiss wheelset wrapped in WTB Cross Boss tires, SRAM's Force CX1 11-speed drivetrain and hydraulic disc brakes, and an Easton cockpit topped with a WTB Silverado Road saddle. With clearance for a muddy 41mm tire, the Stigmata grants you access to the best of what's out there. How far you go is up to you.
Santa Cruz might be late to the carbon road bike party, but with its rich history in carbon fiber frame design, you know the Stigmata has to be good. Think of it as the 'cross bike for mountain bikers. Or the light, responsive, and fast gravel bike you reach for when you're not sure where you'll end up. The Stigmata Carbon CC Rival features Santa Cruz' top-tier carbon frame and a build that's ready to explore. It's fitted with a tubeless-ready WTB/DT Swiss wheelset wrapped in Maxxis Rambler 40c tires, SRAM's Rival 22 drivetrain and Rival hydraulic disc brakes, and a Zipp Service Course cockpit topped with a WTB Silverado Road saddle. With clearance for a muddy 41mm tire, the Stigmata grants you access to the best of what's out there. How far you go is up to you.
Santa Cruz might be late to the carbon road bike party, but with its rich history in carbon fiber frame design, you know the Stigmata has to be good. Think of it as the 'cross bike for mountain bikers. Or the light, responsive, and fast gravel bike you reach for when you're not sure where you'll end up. The Stigmata Carbon CC CX1 features Santa Cruz' top-tier carbon frame and a build that's ready for speedy club rides and dirt road rambling alike. It's fitted with a DT Swiss wheelset wrapped in Maxxis Rambler 40c tires, Shimano's Ultegra drivetrain and Ultegra hydraulic disc brakes, and an Easton cockpit topped with a WTB Silverado Road saddle. With clearance for a muddy 41mm tire, the Stigmata grants you access to the best of what's out there. How far you go is up to you.
Mud, sand, snow, dirt, and rocks. That's cyclocross. The toughest racecourses demand the best equipment, and the F3x delivers. Featuring a frame engineered from innovative UHC Advanced + TeXtreme carbon fiber for a lightweight, ultra-stiff chassis, the F3x is built with SRAM build that offers great performance no matter what the conditions are like on race day. Hydraulic disc brakes provide incredible stopping power in both wet and dry conditions, making the F3x a top choice for even the most technical circuits.
The F30x features all of the same unique technologies that go into Felt’s carbon cyclocross bikes, but in a lightweight and durable aluminum frame. It’s one of the most well-equipped race bikes on the ’cross scene thanks to internal routing and tubeless-ready wheels, making it a top contender no matter what conditions the racecourse serves up. Built with a Shimano 105 drivetrain and Schwalbe X-One racing tires, the F30x punches well above its class and is primed to match your effort with a potential podium finish.
The F5x breaks the mold when it comes to performance and perception. The most value-laden carbon model in the Fx Series, the F5x features a UHC Advanced + TeXtreme carbon frame and fork, making for a stiff and efficient pedaling platform that also reduces the rough hits and chatter found on the roughest cyclocross race courses. Built with a Shimano 105 drivetrain for smooth shifting and dependability, the F5x also comes with tubeless-ready wheels and Schwalbe X-One tires to help reduce flats and allow you to dial in your preferred tire pressure for the muddiest and wettest conditions.
Racing, gravel-grinding, commuting or wicked-weather training, the Fuji Cross covers them all. And with an all-new frame, it does it at almost a quarter-pound lighter than last year while enhancing overall stiffness. Crafted from Fuji’s choice A6-SL custom-butted alloy, the Cross frame achieves its performance-enhancing low weight of 1370-grams by adding a PF30 bottom bracket, shaving material where it’s not needed and shaping tube sections. The flattened top tube not only makes for more comfortable shouldering but also stiffens the frame. Increasing the Cross’ rigidity are fore-and-aft 12mm thru axles. Riders running a variety of wheelsets need not worry, as the Cross features a convertible axle system enabling an easy switch to traditional QR dropouts. Not only does the full-carbon FC-440 fork integrate a 12mm thru-axle, it has hidden fender eyelets and internal cable routing. Continuing with the “clean” theme, riders using 1x drivetrains will appreciate the stealthy convertible cable stops on the downtube.
Constructed of ultra high-modulus C10 carbon with an excellent strength-to-weight ratio, the Altamira CX 1.1 is here to give you a lightweight, fast ride over muddy courses, soft sandpits, and tricky barriers. The flat top tube shape allows for easy shouldering, while an oversize downtube and chainstays increase torsional stiffness for superior pedaling efficiency. Its Press-Fit bottom bracket increases frame stiffness, reduces drivetrain flex, and maximizes power transfer. Fuji’s FC-330 full-carbon fork features a tapered steerer and 12mm thru-axle for increased rigidity and greater steering precision. Oval Concepts 935 carbon tubular wheels defy inertia, yet hold up to CX abuse, wrapped in Vittoria Terreno Mix that supply outstanding traction and buttery-smooth efficiency. SRAM’s Force 1 drivetrain efficiently turns your sweat into podium-bound speed, while flat-mount Force hydraulic disc brakes stop on command in any conditions. Carbon bars, seatpost, and saddle rails from Oval Concepts round out the top-tier spec on this no-compromise cyclocross machine.
The F40x is race-ready for any cyclocross course, but it can also double down as a capable bike for any road ride, daily commute or adventure ride. Its rugged FLite custom-butted aluminum frame is paired with a carbon fiber fork to mitigate bumps and front-end vibrations, while its oversized bottom bracket makes for a stiff and ultra-efficient pedaling platform. The F40x also features a Shimano Tiagra drivetrain, Shimano hydraulic disc brakes, and tubeless-ready wheels, so it’s ready to jump the barriers, seek out undiscovered roads or tackle the urban commute.
All trademarks are properties of their respective holders. Note FreeWheeler Bike Shop is a third party retailer/repair center and does not own any of the trademarks used on this website.
© 2017 Created by Freewheeler Bike Shop in Grand Rapids MI.

lowercased:
take on the cyclocross scene and so much more with ritchey’s venerable swiss cross disc. with the same details that dominated the 'cross circuit and spurred envious glances at every start line, this timeless frameset is sure to supplant its progenitor in the annals of history. the classic details so coveted by pros and amateurs alike are all present: custom triple-butted steel, ritchey dropouts, and the spot-on geometry that dials the ride to the perfect shade of refined stability and speed. to maximize those fine details, a lightweight head tube features ritchey's integrated headset to shave weight and improve the steering response of the matching wcs carbon fork. with lots of room for shouldering and huge tire clearance, it's ready for the sloppiest race or ride. yet it also has two bottle cage mounts in case you want to ride this piece of history every day. and, all-weather capable disc brakes provide sure-fire control and stopping power no matter what the conditions.
the f30x features all of the same unique technologies that go into felt’s carbon ‘cross bikes, but in a lightweight and durable flite aluminum frame. it’s one of the most well-equipped race bikes on the ’cross scene thanks to internal routing and tubeless-ready wheels, making it a top contender no matter what conditions the racecourse serves up. built with a shimano 105 drivetrain, schwalbe x-one racing tires, and 3t cockpit and seatpost, the f30x punches well above its class and is primed to match your effort with a potential podium finish.
with felt's versatile f24x, kids can start cyclocross riding earlier than ever! it provides the same cool design and attention to detail found on full-size felts. the 39cm frame with 24-inch wheels is sized just right and features short crankarms, shallow-reach handlebars, and a kid-specific seat to perfectly fit burgeoning 'crossers. the f24x boasts felt's light aluminum frame and fork for lively handling and low weight. and, it's equipped with short-reach microshift shifters, mini linear-pull brakes, and bar-top levers for excellent ergonomics, smooth shifting, and powerful braking.
felt’s premier uhc ultimate + textreme carbon fiber creates a remarkably light frameset and fork with impressive durability and stiffness qualities. the newly redesigned frame is loaded with cutting-edge features: bb386, shoulder-friendly top tube design, 15mm thru axle dropouts and sealed, internal cable routing. the ultimate cyclocross racing machine, the fx frd delivers the state-of-the-art features for racing up the stairs to victory.
santa cruz might be late to the carbon road bike party, but with its rich history in carbon fiber frame design, you know the stigmata has to be good. think of it as the 'cross bike for mountain bikers. or the light, responsive, and fast gravel bike you reach for when you're not sure where you'll end up. the stigmata carbon cc cx1 features santa cruz' top-tier carbon frame and a build that's ready for hot laps between the tape. it's fitted with a dt swiss wheelset wrapped in wtb cross boss tires, sram's force cx1 11-speed drivetrain and hydraulic disc brakes, and an easton cockpit topped with a wtb silverado road saddle. with clearance for a muddy 41mm tire, the stigmata grants you access to the best of what's out there. how far you go is up to you.
santa cruz might be late to the carbon road bike party, but with its rich history in carbon fiber frame design, you know the stigmata has to be good. think of it as the 'cross bike for mountain bikers. or the light, responsive, and fast gravel bike you reach for when you're not sure where you'll end up. the stigmata carbon cc rival features santa cruz' top-tier carbon frame and a build that's ready to explore. it's fitted with a tubeless-ready wtb/dt swiss wheelset wrapped in maxxis rambler 40c tires, sram's rival 22 drivetrain and rival hydraulic disc brakes, and a zipp service course cockpit topped with a wtb silverado road saddle. with clearance for a muddy 41mm tire, the stigmata grants you access to the best of what's out there. how far you go is up to you.
santa cruz might be late to the carbon road bike party, but with its rich history in carbon fiber frame design, you know the stigmata has to be good. think of it as the 'cross bike for mountain bikers. or the light, responsive, and fast gravel bike you reach for when you're not sure where you'll end up. the stigmata carbon cc cx1 features santa cruz' top-tier carbon frame and a build that's ready for speedy club rides and dirt road rambling alike. it's fitted with a dt swiss wheelset wrapped in maxxis rambler 40c tires, shimano's ultegra drivetrain and ultegra hydraulic disc brakes, and an easton cockpit topped with a wtb silverado road saddle. with clearance for a muddy 41mm tire, the stigmata grants you access to the best of what's out there. how far you go is up to you.
mud, sand, snow, dirt, and rocks. that's cyclocross. the toughest racecourses demand the best equipment, and the f3x delivers. featuring a frame engineered from innovative uhc advanced + textreme carbon fiber for a lightweight, ultra-stiff chassis, the f3x is built with sram build that offers great performance no matter what the conditions are like on race day. hydraulic disc brakes provide incredible stopping power in both wet and dry conditions, making the f3x a top choice for even the most technical circuits.
the f30x features all of the same unique technologies that go into felt’s carbon cyclocross bikes, but in a lightweight and durable aluminum frame. it’s one of the most well-equipped race bikes on the ’cross scene thanks to internal routing and tubeless-ready wheels, making it a top contender no matter what conditions the racecourse serves up. built with a shimano 105 drivetrain and schwalbe x-one racing tires, the f30x punches well above its class and is primed to match your effort with a potential podium finish.
the f5x breaks the mold when it comes to performance and perception. the most value-laden carbon model in the fx series, the f5x features a uhc advanced + textreme carbon frame and fork, making for a stiff and efficient pedaling platform that also reduces the rough hits and chatter found on the roughest cyclocross race courses. built with a shimano 105 drivetrain for smooth shifting and dependability, the f5x also comes with tubeless-ready wheels and schwalbe x-one tires to help reduce flats and allow you to dial in your preferred tire pressure for the muddiest and wettest conditions.
racing, gravel-grinding, commuting or wicked-weather training, the fuji cross covers them all. and with an all-new frame, it does it at almost a quarter-pound lighter than last year while enhancing overall stiffness. crafted from fuji’s choice a6-sl custom-butted alloy, the cross frame achieves its performance-enhancing low weight of 1370-grams by adding a pf30 bottom bracket, shaving material where it’s not needed and shaping tube sections. the flattened top tube not only makes for more comfortable shouldering but also stiffens the frame. increasing the cross’ rigidity are fore-and-aft 12mm thru axles. riders running a variety of wheelsets need not worry, as the cross features a convertible axle system enabling an easy switch to traditional qr dropouts. not only does the full-carbon fc-440 fork integrate a 12mm thru-axle, it has hidden fender eyelets and internal cable routing. continuing with the “clean” theme, riders using 1x drivetrains will appreciate the stealthy convertible cable stops on the downtube.
constructed of ultra high-modulus c10 carbon with an excellent strength-to-weight ratio, the altamira cx 1.1 is here to give you a lightweight, fast ride over muddy courses, soft sandpits, and tricky barriers. the flat top tube shape allows for easy shouldering, while an oversize downtube and chainstays increase torsional stiffness for superior pedaling efficiency. its press-fit bottom bracket increases frame stiffness, reduces drivetrain flex, and maximizes power transfer. fuji’s fc-330 full-carbon fork features a tapered steerer and 12mm thru-axle for increased rigidity and greater steering precision. oval concepts 935 carbon tubular wheels defy inertia, yet hold up to cx abuse, wrapped in vittoria terreno mix that supply outstanding traction and buttery-smooth efficiency. sram’s force 1 drivetrain efficiently turns your sweat into podium-bound speed, while flat-mount force hydraulic disc brakes stop on command in any conditions. carbon bars, seatpost, and saddle rails from oval concepts round out the top-tier spec on this no-compromise cyclocross machine.
the f40x is race-ready for any cyclocross course, but it can also double down as a capable bike for any road ride, daily commute or adventure ride. its rugged flite custom-butted aluminum frame is paired with a carbon fiber fork to mitigate bumps and front-end vibrations, while its oversized bottom bracket makes for a stiff and ultra-efficient pedaling platform. the f40x also features a shimano tiagra drivetrain, shimano hydraulic disc brakes, and tubeless-ready wheels, so it’s ready to jump the barriers, seek out undiscovered roads or tackle the urban commute.
all trademarks are properties of their respective holders. note freewheeler bike shop is a third party retailer/repair center and does not own any of the trademarks used on this website.
© 2017 created by freewheeler bike shop in grand rapids mi.


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The Denton County Homeless Coalition (DCHC) is presenting community homeless data and the results from the 2018 Point-In-Time (PIT) Count. Schedule events are on April 13, 2018 in Denton and April 21, 2018 in Lewisville.
The Denton County Homeless Coalition invites you to come interact with our homeless data, see the 2018 Point-In-Time Count Survey Results, and learn about current efforts to bust barriers to housing. The event includes Volunteer Appreciation activities for PIT Count survey volunteers. Each event is open to the public and is designed to display the reporting in a gallery style presentation. Attendees are able to come and go as they please. Volunteers will be on hand to answer questions.

lowercased:
the denton county homeless coalition (dchc) is presenting community homeless data and the results from the 2018 point-in-time (pit) count. schedule events are on april 13, 2018 in denton and april 21, 2018 in lewisville.
the denton county homeless coalition invites you to come interact with our homeless data, see the 2018 point-in-time count survey results, and learn about current efforts to bust barriers to housing. the event includes volunteer appreciation activities for pit count survey volunteers. each event is open to the public and is designed to display the reporting in a gallery style presentation. attendees are able to come and go as they please. volunteers will be on hand to answer questions.