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Erasmus on William Grocyn and Ps-Dionysius: a Re-examination

vision of ascending winged figures, must surely have been aware of images such as these. Although they refer to a separate textual theme, they could have provided models for his composition. In the context of its textual tradition, the iconographic precedents and its pictorial prototypes, the motif of the ladder climbed by angels in the Christ Church panel adds another element to the series of scenes illustrating the life of St Anthony. This assimilation of the angels of Jacob's ladder to the saint's vision of winged figures ascending to Heaven is indicative of the importance of the Bethel vision of Genesis 28 in the exegesis and art of the Middle Ages, and of the process of rapprochement of themes, through which new images could emerge.