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Writer's Northwest Handbook: The Market Guide to the Pacific Northwest ed. by Linny Stovall and Dennis Stovall (review)

provide judiciously quoted springboards for Scott's elegantly urbane explications. His nuanced qualifications and fondness for exact words—native, foreign, and technical—seem at times affected or ultra-fastidious, but they do, in fact, stave off distortions and the vulgar utility of baggy terms like "pantheism," "primitivism," "animism," and "mysticism." The author's method of bookmaking here results in inevitable redundancy of the "(as noted elsewhere)" variety, but only a grubbing reviewer would feel compelled to read a gatherum like this straight through. Indeed, any reader truly touched by the poetry of the moderns and by the prose of this interpreter might well want to rush outdoors from time to time and shout with Walter Savage Landor: "Good God, the violets!" (105).