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Ukrainian Artist in the Space of Contemporary Culture

The author explores the organizational, cultural and artistic activities of the regional conductor-choirmaster O. Tarasenko. Attention is paid to his path in art, in particular as a choirmaster at the Rivne Music College at Rivne State University for the Humanities and the Tchaikovsky National Academy of Music of Ukraine. In addition, his creative activity as a choirmaster at the M. Lysenko National Opera of Ukraine is additionally analyzed. Emphasis is placed on the importance of organizational and cultural activities of the choirmaster in modern conditions in general, the leading forms of which significantly affect the change of the cultural situation in Ukraine, namely: the resumption of the All-Ukrainian M. Leontovych Choral Society, whose members are already trying to restore the practice of his work in better times, expanding its directions. The need to return to the organization of international choral competitions, which will stimulate the promotion of choral performance, is emphasized. The author focuses on special art education in the country, the deepening of which will affect the formation of new value orientations of the population. It is extremely important to restore the work of children's choirs and create permanent creative laboratories, which would inherit the artistic experience of Ukraine in the outlined direction, which will help in forming an appropriate bank of ideas and practical experience. It was found that the effectiveness of these activities will help to recognize the must for similar structures in the cultural practice of the country. This includes organizational and cultural activities aimed at supporting the choirs of regions that cultivate mainly spiritual issues, as these activities will promote interfaith reconciliation, which is extremely important today for the whole country. Differences in the practice of the choirmaster's work with professional and amateur structures were identified by the author on the basis of the analysis of the conductor's work with different types of artistic groups. The study proved that the collected, processed and critically considered material can form the basis for the preparation of similar scientific and journalistic works on the disclosure of organizational and cultural activities of leading artists of Ukraine and the formation of a kind of encyclopedia of national artistic experience.