{'fraction_non_alphanumeric': 0.020239190432382703, 'fraction_numerical': 0.0036798528058877645, 'mean_word_length': 5.75776397515528, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
(De)politicized pleasures and the construction of (white) queer utopia in Netflix's Sense8

Abstract This article examines how the Netflix series Sense8 uses multiracial, transnational characters and relationships as a form of transgression over restrictive racial and sexual categories and their subsequent oppression. In Sense8, the characters' erotic
 desires for the other are represented as the entry into a deracialized, dehistoricized, depoliticized and liberal global public sphere. Sexual pleasure with the colonized, racialized and gendered other is represented as a form of transgressing and transcending the limitations of the body that
 non-western and non-white bodies perpetually remain trapped in. These representations are also normalizing tropes of queer utopias that do not acknowledge the intersectional erasures that continuously occur in this series. As transnational scholars from Ghana, India and China, who are situated
 in daily inter-racial relations, we challenge the simplistic and uncritical viewing of Sense8 through our hybrid postcolonial subjectivities.