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Toni Morrison and the Classical Tradition: Transforming American Culture by Tessa Roynon (review)

sidered a universal condition, one of degree, not kind (186). Hagood emphasizes the universality of disability in his concluding chapter on Pylon, which he considers Faulkner's "grandest vision" for "positive abnormality in the form of freakishness-alienness" (173). Having created an unconventional work environment and an unconventional family that relies on interdependence, the fliers present a "model of disrupting and escaping normate space that can be a good one" (173). Whether or not one agrees with Hagood's conclusion that Faulkner was able to turn "deformity and disablement into positive agents of change" (183), his study certainly provides enough substance for rigorous debate. In less than 200 pages, Hagood builds the scaffolding for future scholars to probe a Faulknerian world in which disability is not a symbolic gesture or stylistic technique but a universal condition that provides endless opportunities for interrogation.