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Music as a Promoter of Psychic Work

The article describes the music therapy process of eight–year–old Kate whose exceptional sensitivity opened to the therapist a new kind of view of understanding music. Of an extensive amount of material from Kate's (six-year-long) therapy process, this article is based on one specific session where Kale told a story about the 5th part – Witch Sabbath – of the Fantastic Symphony of Hector Berlioz. Kate s story is connected in an astonishing way to the original program of the symphony but especially to its subtexts, which were J. W. Goethe's Faust and the revelation of St. John of the Holy Bible. Writing about Kate s case for the first time 20 years ago, I first interpreted the case by using concepts of the object relationships and symbolic process based on Freudian theory. 1 later found that it could be better explained by combining theories such as the flow–experience explained by Csikszentmihályi and Csikszentmihályi (1988), Jungian synchronicity, and the concept of “Khora” explained by Kristeva (1969).