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Pieter de Hooch (1629-1684)

Pieter de Hooch (20 December 1629 (baptized) - 24 March 1684 (buried)) was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway.



His daughter Anna was born in Delft on 14 November 1656.


The themes and compositions are also very similar between De Hooch and Vermeer. 19th-century art historians had assumed that Vermeer had been influenced by de Hooch's work and indeed PDH demonstrated first early on a special interest in combining the figure with interior geometry (see Interior with a Mother and Child and a Servant c1656 and others).
An x-ray of the Interior with a Woman Weighing a Gold Coin shows that De Hooch had tried another figure in the empty chair first so this points to his canvas being the more original model that Vermeer quoted.

De Hooch also shared themes and compositions with Emanuel de Witte, though De Witte soon devoted himself mainly to painting church interior scenes after moving to Amsterdam in 1651.
De Witte seems more preoccupied with the rooms themselves, filling his paintings with objects, and De Hooch is more interested in people and their relationships to each other, leaving his rooms empty of any extra objects that don't support the scene.
In the 1660s, he began to paint for wealthier patrons in Amsterdam, and is known for merry company scenes and family portraits in opulent interiors with marble floors and high ceilings.

During his time in Amsterdam, he continued to make his domestic scenes, but both the interiors and their occupants appear more opulent.
De Hooch also depicted courting couples playing skittles. The highest quality version can be seen at Waddesdon Manor.
It was produced shortly after de Hooch moved to Amsterdam and is a good example of his depictions of early country house gardens which replaced his earlier simple Delft courtyards.
The theme of skittle playing relates to 'Garden of Love' and 'Game of Love' imagery found in both high art and popular print culture. The woman looking out at the viewer is the protagonist in this sport of Love.

Little is known of De Hooch's living arrangements in Amsterdam, though it has been established that he had contact with Emmanuel de Witte.
In 1670, he was living in the Konijnenstraat. He lived in an area outside of the city walls but near the Westerkerk where his family attended church.
Most scholars believe that de Hooch's work after around 1670 became more stylized and deteriorated in quality.
It may be that his work was affected by his distress at the death of his wife in 1667 at age 38, leaving him with a young family.
After 1680, de Hooch's painting style became coarser and darker in color. He died in an asylum in 1684. | © Wikipedia

Pieter de Hooch (Rotterdam, 20 dicembre 1629 – Amsterdam, 1684) è stato un pittore Olandese.
All'età di sedici anni studiò ad Haarlem sotto la guida del maestro Nicolaes Berchem appena rientrato da un soggiorno in Italia.
La sua carriera si svolse all'Aia, ad Amsterdam e soprattutto a Delft, dove compose le sue opere, ritraendo scene di vita familiare della borghesia locale in vaste composizioni di carattere patriottico, in singoli ritratti o in scene di carattere.
Anche se i soggetti richiamano lo stile di Jan Vermeer e le soluzioni luministiche di Rembrandt, appartengono alla stessa categoria della pittura di Genere, con scene tratte dalla vita di tutti i giorni, solitamente di ambiente domestico, e quindi la pittura di de Hooch gioca sulla precisione del contesto culturale e sociale, fornendo una testimonianza precisa della società olandese del XVII secolo.

Tra le opere della prima fase creativa, si annoverarono Ufficiale con giovane donna, Bicchiere vuoto e Giocatori di tric-trac risalenti ai primi anni cinquanta del Seicento e quindi maggiormente vicini a Vermeer, mentre Flautista, Il soldato alla porta di città, Chitarrista della metà degli anni cinquanta evidenziarono maggiori legami con Carel Fabritius.
Nel 1655 si iscrisse alla Gilda di San Luca di Delft.
Il suo periodo creativo migliore risultò quello centrale, dal 1655-1662, durante il quale Hooch soggiornò a Leida e all'Aia. E proprio in quegli anni realizzò i suoi capolavori, come la Famiglia in cortile, contraddistinta da un rigido cromatismo, la Compagnia e la Filatrice, liriche sprizzanti sentimenti intimi all'interno di quattro mura. La Partita a carte e la Dispensa si rivelarono quadretti radiosi quasi incantati. Nel 1658 dipinse quello che alcuni ritengono uno dei suoi migliori lavori: Cortile di una casa di Delft.
Quando il pittore, nel 1662 si trasferì ad Amsterdam, trovò lì un nuovo gusto artistico, dominato dalle tendenze classiche allegoriche e manieristiche, che influenzandolo, spensero la sua fiammella poetica trascinandolo verso esibizioni virtuosistiche. | © Wikipedia