who is we in the poem we real cool
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Hughes. The poem also covers the topic of mortality. In the last line it states that the seven pool players and narrator will "Die Soon", although the seven young pool players are prideful in their rebellion, they will eventually face mortality. This could also be an indicator into the time period with which the poem was written during the 1960s. Racial tensions were at a height during the decade with civil rights leaders pushing for de-segregation in the South. The mortality that Brooks addresses could be an indicator of the times that it was written in along with the fast
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Hughes. The poem also covers the topic of mortality. In the last line it states that the seven pool players and narrator will "Die Soon", although the seven young pool players are prideful in their rebellion, they will eventually face mortality. This could also be an indicator into the time period with which the poem was written during the 1960s. Racial tensions were at a height during the decade with civil rights leaders pushing for de-segregation in the South. The mortality that Brooks addresses could be an indicator of the times that it was written in along with the fast
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We Real Cool "We Real Cool" is a poem written in 1959 by poet Gwendolyn Brooks and published in her 1960 book "The Bean Eaters", her third collection of poetry. It consists of four verses of two rhyming lines each. The final word in most lines is "we". The next line describes something that "we" do, such as play pool or drop out of school. Brooks has said that the "we"s are meant to be said softly, as though the protagonists in the poem are questioning the validity of their existence. The poem has been featured on broadsides, and is
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of future first couple Barack Obama and Michelle Robinson. Lupe Fiasco referenced this poem at the end of a freestyle he performed at Eastern Michigan University in 2007. The lyrics used in this freestyle were later used in his song "The Coolest". Mick Jenkins used the poem in constructing the hook for his song "Gwendolynn's Apprehension" featured on his 2018 album "Pieces of a Man". We Real Cool "We Real Cool" is a poem written in 1959 by poet Gwendolyn Brooks and published in her 1960 book "The Bean Eaters", her third collection of poetry. It consists of four verses
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We Real Cool: Black Men and Masculinity We Real Cool: Black Men and Masculinity by bell hooks is a book collection of 10 essays on the way in which white culture marginalizes black males. The title alludes to Gwendolyn Brooks' 1959 poem "We Real Cool". The essays are intended to provide cultural criticism and solutions to the problems she identifies. In "We Real Cool", hooks suggests that black males are forced to repress themselves in white America. She suggests the ways in which racist and sexist attitudes developed in American culture have criminalized and dehumanized black males, and the ways
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interpretation was not her intention; instead she intended for it to represent music. The poem was printed in the booklet of Chicago metalcore band The Killing Tree's 2003 EP, "We Sing Sin", whose title is a reference to the poem. It is also referenced in the song of the same title, "We Real Cool," by the band Nick Cave and the Bad Seeds on their 2013 album, "Push the Sky Away". The band The Jazz June takes their name from this poem as well. The poem was referenced in the film Southside with You, a film depicting the first date
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famous over the whole world. <poem>“Jath nongabwla Cool nongabwla tabwrwm homnanwi- bamnanwi lagwomwnka hai lwgw lagwomwnka”</poem> these lines indicate that, if we are not really jath and khul, they might be taken us whenever they want, but we are very much jath and cool so nobody can catch or carry us- it’s a confidential song of Boro women. They thought that, lose character’s women goes to bad practices and if someone comes to catch her, she never protects or restrict them. So we are not that type of women, we are jath and cool.<poem>“Turi barinilai daosen jwngni lagwalwi dajen”</poem>(kobam gwrwbhwnai)
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stressed that the song is not "a contrived thing" nor "two artists pretending to be something they're not for the sake of a story", as the track mirrors their real-life love story. She furthered: "It's like we really made this record about our real lives and hopefully we get to share that with other people who feel similarly about each other and we're really fortunate. We live really cool lives and we get to do really cool stuff together and I just hope that, you know, some young couple somewhere in a slower part of world maybe can hear it
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widely studied in literature classes and re-printed in literature textbooks. It also contains references to the seven deadly sins. The last lines of the poem, "We / Die soon," indicate the climax, which comes as a surprise to the boasts that have been made previously. It also suggests a moment of self-awareness about the choices that the players have made. In an interview Brooks stated that her inspiration for the poem came from her walking in her community and passing a pool hall full of boys. When considering this she thought to herself “I wonder how they feel about themselves?”
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insights with lengthy quotations from many sources, which thin but don’t fully dilute her revolutionary message of love.” Vernon Ford of Booklist echoed concerns that hooks relied too heavily on feminist ideology. Nevertheless, his review was generally positive: “ [Hook’s] recollections of her own family experiences and growing up black in America reflect extraordinary insight into both our cultural frailties and our potential. Readers interested in black cultural issues from a feminist perspective will enjoy this book.” We Real Cool: Black Men and Masculinity We Real Cool: Black Men and Masculinity by bell hooks is a book collection of 10
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Instead of wondering about why they were not in school, Brooks captured this scene and turned it into the seven pool players at the Golden Shovel. The poem covers a multitude of themes despite its short length, some including rebellion and youth. The unique structure offers a subtitle at the beginning of the poem where Brooks writes, "The Pool Players / Seven at the Golden Shovel". This gives the poem its characters and setting. Many readers have also suggested the general song-like quality that the poem possesses when being read, in line with the jazz poetry tradition started by Langston
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life that the boys live in their enjoyment of skipping school, singing sin and drinking gin. Brooks has also gone on the record of saying that the seven pool players in the poem are fighting the establishment with their rebellious actions. She states that the establishment is represented by the month of June. In the same interview Brooks explains how the poem has even been banned in some areas due to the use of the word "jazz" due to a perceived sexual nature. Some have interpreted the usage of "jazz" to have a sexual reference. However, Brooks said that the
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pollution everywhere, let us be Clean. While witnessing impiety, let us remember to be Reverent. In short, in a world that has for generation after generation lamented the lack of good examples, let us, as Scouts, stand out, grow up, and become real adults. Amen. </poem> Used by the Venture Scout section. <poem> Lord, We thank you for letting us come once again to marvel at your creations. We hope that those in the group who are new to this activity will leave with the same sense of wonder that we always feel as we step into a cave. We
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Baadasssss Song and the rape of young black boys as other examples of patriarchal black sexuality. Rape at the hands of adult male perpetrators or an adult female prostitute scars children and objectifies black males. To combat this, hooks calls for a “new kind of sex” that “refuses to ground sexual acts in narratives of dominations and submission” as well as promoting sexual healing therapy among the black community. "We Real Cool" was received with mixed reviews upon initial release. Sarah Gold of "Publishers Weekly" commented that hooks was “a writer of extraordinary skill,” but one who “pads out her
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Lady Godiva Memorial Bnad (sic) of the University of Toronto to sing Godiva's Hymn to the tune of Good King Wenceslaus. One Version of the Chorus is as follows: <poem>We are We are We are We are-- We are the engineers-- We can We can We can We can-- Demolish forty beers-- Drink rum Drink rum Drink rum all day-- and come along with us for-- We don't give a damn for any old man-- Who don't give a damn for us--</poem> One of Godiva's Verses: <poem>Godiva was a lady who through Coventry did ride-- To show to all the
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group announced they were reforming and releasing new material on Topshelf Records. The band's name is derived from a passage in the Gwendolyn Brooks poem "We Real Cool." The Jazz June The Jazz June is an American emo band from Kutztown, Pennsylvania. In 2016, "Rolling Stone" placed the band's album "The Medicine" at number 33 on its list of the 40 Greatest Emo Albums of All Time. The Jazz June was formed in 1996 by students attending Kutztown University. The group recorded its first full-length album in 1997, and in 1998 issued the first of three releases for Initial Records.
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understand "We're real people, and it's not cool to just open your mouth and have any kind of trash come out just because we are half-naked or even naked," she says. "We have feelings, we get hurt. We have your children. We're mothers." In a 2011 interview with John Rael, Henderson describes herself as an "ardent atheist" not an "angry atheist". She describes an atheist as someone who does not believe in any kind of deity. She says that atheists are all different and hold all kinds of other beliefs and that just because they call themselves an atheist does
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By Yo Rep (B.O.N.E. Dis)". Juicy J spoke about the feud years after the album was released saying "Man when we did that we was young and stupid—being real. We was young and stupid. Just some old stupid … It wasn't ever no beef, man. We cool with them, they good people, just some stupid shit back in the day, man. They good dudes, man. We did some music with one of them, Krayzie Bone...something back in the late 90s, something on Project Pat's album." Three 6 Mafia member DJ Paul spoke about the feud saying “It wasn’t a real
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of Lady Bird Johnson): <poem> Let us pray. We meditate on the transcendental Glory of the Deity Supreme, who is inside the heart of the Earth, inside the life of the sky, and inside the soul of the Heaven. May He stimulate and illuminate our minds. Lead us from the unreal to the real, from darkness to light, and from death to immortality. May we be protected together. May we be nourished together. May we work together with great vigor. May our study be enlightening. May no obstacle arise between us. May the Senators strive constantly to serve the welfare
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Times" on pre-release of his film. He said in part, "I realized that the first Holocaust pictures I saw, as one who grew up here, were of naked women. We were in elementary school. I remember how embarrassed we were." A year later Libsker completed The Home Poem (Israel 2006, 60 min.) a movie that followed three people, one of them his grandmother and their relation to home. (The name "Home Poem" is in respect to the same-titled book by poet Aharon Shabtai). On 2010 he pretended to be a rich Croatian real estate genius to infiltrate the apartment of
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thought it best if they kept the shoot low-key, surrounding themselves with their friends and family, keeping it simple. Williams added "We had tons of friends there, and it really just felt like a hangout session. And Marcos was so cool about it. He said, 'Bring your friends.' We shot it in some of our friends' houses, and it just felt so real ... and I think it's the first time in a video you're gonna get to see who we really are." Digital EP That's What You Get "That's What You Get" is a song by American rock band
That's What You Get
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We Shall Keep the Faith "We Shall Keep the Faith" is a poem penned by Moina Michael in November 1918. She received inspiration for this poem from "In Flanders Fields". The "poppy red" refers to "Papaver rhoeas". <poem style="font: italic bold 125% Arial; text-align: center;"> Oh! you who sleep in Flanders Fields, Sleep sweet - to rise anew! We caught the torch you threw And holding high, we keep the Faith With All who died. We cherish, too, the poppy red That grows on fields where valor led; It seems to signal to the skies That blood of heroes never
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received permission from Gwendolyn Brooks to publish her poem “We Real Cool.” Broadside Press published poetry almost exclusively, with more than 400 poets represented and more than 100 books and recordings released. The press has the distinction of being one of the most important literary avenues of the Black Arts Movement, as well as presenting older black poets (such as Gwendolyn Brooks) and emerging voices (including Nikki Giovanni and Sonia Sanchez) to new readers. Although Broadside Press went into decline in 1976 due to overworked staff, it still exists to this day. As editor of the Broadside Press, Randall was
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session. And Marcos [Siega, the director] was so cool about it. He said, 'Bring your friends.' We shot it in some of our friends' houses, and it just felt so real... and I think it's the first time in a video you're gonna get to see who we really are." Williams had stated "We're hoping to do one more tour across the States before we really get started with all the (European summer) festivals. Of course, I want to do more Warped Tour dates, 'cause it's, like, my favorite tour ever. We'll see what works out and hopefully just have
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ground / And I can't, I can't get up when you're gone", were written in the theme of apologizing. In the same interview, Key said: "We usually have everything written, ready to go before we go in there [studio], but it was really fun because we built it from the ground up. It's a cool, different song for us. It's been real challenging for us to play live because we never really practice it, which keeps it fresh." "Only One" is a ballad and the music featured is heavily coated with string arrangements. Yellowcard released "Only One" in the United
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Yolanda Be Cool Yolanda Be Cool are an Australian music duo made up of Andrew Stanley and Matthew Handley. In 2010, they collaborated with Australian producer DCUP (real name Duncan MacLennan) to release an international single "We No Speak Americano" on the indie Australian label Sweat It Out they founded, sampling on a 1956 Neapolitan language hit "Tu vuò fà l'americano" by Renato Carosone and written by Carosone and Nicola "Nisa" Salerno. "We No Speak Americano" sold over 5 million copies and amassed over 200 million YouTube views worldwide. It topped the British, Spanish, German, Mexican, Argentinian, Swedish, Danish, Swiss,
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Makthaverskan Makthaverskan are a Swedish post-punk band from Gothenburg, Sweden. Makthaverskan began in 2008 with the release of both a mini CD with a collection of demos and their debut self-titled album, released by Luxury Records. According to vocalist Maja Milner, the name Makthaverskan has no real meaning. She stated that "The band name just came from Hugo’s friend who made it up, and we thought it sounded cool, so we took it. The meaning is really hard to describe in English, but it’s the female form of someone with a lot of power. 'Makthavare,' is the male version, so
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O Canada, glorious and free. We stand on guard, we stand on guard for thee! O Canada! We stand on guard for thee!</poem> One final change was made to the penultimate line after Weir died - and is preserved in a recording made by tenor Edward Johnson in 1928: <poem>O Canada, glorious and free, We stand on guard, we stand on guard for thee! O Canada! We stand on guard for thee!</poem> Became: <poem>O Canada! Glorious and free! O Canada! We stand on guard for thee! O Canada! We stand on guard for thee!</poem> But the 1916 version continued to
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a Dream" began as a poem and two chords brought to the band by Myung. "We worked on it, racked our brains, recorded the jam and by the end of the night we were like 'Ahh fuck it. This sucks,'" Petrucci recalled. "We came by the next day, listened to the recording and thought it could be really cool. All of a sudden it evolved into this song." The lyrics to "Scarred" were initially inspired by a mishearing of the lyrics to The Clash's "Rock the Casbah". The song eventually took on a darker tone as the tempo changed and
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not notice Muhammad, so she asked Abu Bakr after him, "for I have been told that he is satirising me. If I had found him, I would have smashed his mouth with this stone." Then she produced a poem of her own: <poem>"We reject the reprobate," "His words we repudiate," "His religion we loathe and hate."</poem> She departed, still not having noticed Muhammad. Umm Jamil Umm Jamil bint Harb (), also known as Arwā, was an aunt of the Islamic prophet Muhammad who is mentioned in the Quran. She is remembered for opposing Islam and for a poem. She was
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for the chirpy-chirpy-cheep-cheep girl and the retentive, moan-groan boy. Directed with a flair for garnishing even the most abject of circumstances with humour and irony, here’s a feel-cool movie. Wonderful. Most critics agreed that the main highlight of the film was the leading pair and Shahid and Kareena's chemistry. Rajeev Masand further explained, "The real magic of this film lies in the performances of its two main leads who seize your attention from the moment they first appear on screen." Taran Adarsh commented, "Shahid delivers his career-best performance in "Jab We Met"... Kareena is in top form as well. "Jab
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repeats that they were seven in number, the narrator, frustrated, replies: The poem ends with a divide between the child and the narrator: Ownership of the poem is in the public domain and the full text can be found on . In his preface to "Lyrical Ballads", Wordsworth wrote that the poems exhibit a "power of real and substantial action and suffering" and, in particular to "We are Seven", to express "the perplexity and obscurity which in childhood attend our notion of death, or rather our utter inability to admit that notion". Geoffrey Hartman points out that there is a
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issues, and we didn't know what we'd find. Our results turned out to be close to those published by prior groups. We think that means that those groups had truly been very careful in their work, despite their inability to convince some skeptics of that. They managed to avoid bias in their data selection, homogenization and other corrections. Global warming is real. Perhaps our results will help cool this portion of the climate debate. How much of the warming is due to humans and what will be the likely effects? We made no independent assessment of that. While the BEST
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Have in thy keeping O lord, our God, this school; That its work may be thorough and its life joyful; That from it may go out, Strong in body, mind and character, men who In Thy name and with Thy power, Will serve their fellows faithfully, through Jesus Christ our Lord. Amen </poem> For what we are about to receive, We thank you Lord, Amen <poem> Lord while for all mankind we pray, Of every Clime and coast, Oh hear us for our native school, The school we love the most x3 </poem> The school is a participant in the
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it a twin thing, because we don't think that's really cool." "We didn't want it to be called 'the Lisas,' either," singer Lisa Origliasso added. "So one day we saw the movie "Heathers", and there's a line where Christian Slater asks, 'Are you a Heather?' and Winona Ryder's character [Veronica] answers, 'No, I'm a Veronica,' and so we went with that, because she was this kind of cool, unique chick with an attitude." When it learned about the group, Archie Comics launched legal action against the group for trademark infringement in relation to popular character Veronica Lodge – who is
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(1882–1963), 1902 We praise thee, O God, our Redeemer, Creator, In grateful devotion our tribute we bring. We lay it before thee, we kneel and adore thee, We bless thy holy name, glad praises we sing. We worship thee, God of our fathers, we bless thee; "[... complete 3 stanza]" </poem> <poem style="float:left; margin-right:2em; background-color:#FFFFF0;"> Herman Brueckner (1866–1942), 1918? "Translation of Joseph Weyl, 1877" We gather to worship Jehovah, the righteous, Who verily sitteth in Judgment severe; The good by the evil shall not overpowered, The Lord will prevent it, our prayer He will hear. Amid the great conflict He
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Caliban in the Coal Mines Caliban in the Coal Mines was written by the American poet Louis Untermeyer (1885–1977) and published in his 1914 collection "Challenge." Caliban, a leading character in Shakespeare's play "The Tempest", is said to be based in the poem on real-life coal miner Few Clothes Johnson, who was portrayed in the 1987 John Sayles film "Matewan" by actor James Earl Jones. Caliban in the Coal Mines GOD, we don't like to complain; We know that the mine is no lark. But — there's the pools from the rain; But — there's the cold and the dark.
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we kept touring and making records." "Los Angeles was too big. Brookfield was too small. This is just right", he said in 1995. "When we lived in Brookfield and wanted to do a local gig, we'd have to drive two hours to Columbia or six hours to St. Louis. It's a lot easier here, and the kids are real cool. So I think we'll stay." Using money from their Interscope contract, the band members designed and built their own recording studio, The Blasting Room, with the help of Egerton's father, Dan O'Reilly. "[That] was the single smartest thing we probably
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is a real ambitious guy, and I think he wanted to do a lot of different things, and we want to really follow this one Hold Steady thing to its logical end. And it takes up a lot of time. It was an amicable departure, and I think we all wish him the best. He’ll do a lot of interesting, cool things." Nicolay had said that he considered his work with the Hold Steady to be completed, saying "I’m proud of the work we did together. In the end, I felt I completed the work I needed to do with
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talk. Around 1930, the soprano Mimi Crawford recorded several of the poems, set to music. The 78rpm shellac record (HMV B2678) includes "Sneezles", "The Friend", "The Emperor's Rhyme" and "Furry Bear". The music is by Harold Fraser-Simson (1872–1944) who also composed the music for "Toad of Toad Hall" in 1929. "Now We Are Six" was parodied with the (2003) book "Now We Are Sixty" and by an anthology of horror-themed poems titled "Now We Are Sick" (an anthology by Neil Gaiman). The 10th poem in the book "Us Two" was inspired "A Poem Is..." short. Now We Are Six Now
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were so cool, because we were real, with songs which were unknown but were our own. The others only did versions of already famous People. I remember that we performed as the opening number." In 1983 Claudio Narea also entered the USACH to study Engineering. There Narea also met Igor Rodriguez (Aparato Raro), and Robert Rodriguez (who would eventually become the lead of "Banda 69"). It wasn't long before Claudio Narea drops out of college as well (none of them had expected to do that) Narea and Gonzalez decided to continue playing in the band. While Carlos Fonseca focused on
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is to execute things in a way that requires control and skill – be it a question of climbing and swinging a Birch tree or an act of writing or any other issue of real life. Each of us is disillusioned in life. There are so many problems and troubles that fill us with anxiety and tension. Sometimes we feel highly burdened. So we want an escape from our woes. We want to do something to reach a place of calm and exhilaration. The poet's desire to rise up on the branch of a birch is symptomatic of our desire
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moment they knew they were onto something. "When he got to the part, 'Now she's a cool cool black,' he could actually hit those notes. We were like, 'Oh my God! This is awesome!'" Bergstrom recalls with a laugh. "So you had that feeling, 'Here's this kid. He's got a great sounding voice. He's cool. He could sing on key. And he also had good range and he was soulful, though he was just a raw beginner.' So we knew we had something special, and we were like in heaven from then, man. We became a band." Zoli Semanate had
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Complete Collected Poems of Maya Angelou" (1994), perhaps to capitalize on her popularity following her reading of her poem "On the Pulse of Morning" at President Bill Clinton's inauguration in 1993. A year later, in 1995, Angelou's publisher placed four more poems in a smaller volume, entitled "Phenomenal Woman". Angelou chose "Just Give Me a Cool Drink of Water 'fore I Diiie" as the volume's title because of her interest in unconscious innocence, which she says is "even lovelier than trying to remain innocent." The title is a reference to her belief that "we as individuals ... are still so
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producing well-rounded students who not only perform well academically but also have strong moral fibre. <poem>Between the hillside and the sea, We work and play here in harmony, May steadfast service and loyalty, Bring wider visions of unity.</poem> <poem>May we love beauty, the hill and sea, Find solace in music and sweet poetry, May we love learning and cherish peace, Quiet and stillness when labours cease.</poem> <poem>Rise above anger, overcome pride, Filled with the Spirit, may God be our guide, Channels of blessing and peace above, Fearless of evil, strengthened with love.</poem> St. Columba's National Secondary School St. Columba's National
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syllabus of the Inter State Board for Anglo-Indian Education is followed up to class VIII. The school is affiliated to the council for Indian School Certificate Examinations, New Delhi under the 10+2 pattern. Jaipurians were declared the ICSE junior quiz champions on the birth anniversary of Mahatma Gandhi. The school curriculum is in five categories: <poem> Where we go, People want to know, Who we are, So we say: "We are the Jaipurians, The Mighty Mighty Jaipurians" </poem> Seth Anand Ram Jaipuria School Seth AnandRam Jaipuria School is a co-educational school in Kanpur, India, started in 1974. It follows the
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completed and handed over to the label, their response was positive: "Cool, we really like it". Unlike "Made in the Dark", the song writing approach to "One Life Stand" was less of a collaborative effort. Only three or four songs were written as a group whilst the rest were written by Goddard and Taylor, though Doyle said "we did have input in the way it was produced". Doyle described the writing process for the album as "a bit like writing a poem" because there was "a certain structure" that the band needed to work to whilst exercising "as much freedom"
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to last poem of the book, "Second Spring" begins, "We have no passions left to love the spring / who have suffered autumn as we did, alone" and finishes the poem with "while we stood still / racked on the autumn's weeping / binding cold love to us." Lorde's use of seasonal imagery seems to insinuate the passing of time, but there is a lack of growth and development in the poem. The speaker begins declaring that they have no passions left and ends standing in the cold. "Coal" received generally positive reviews from critics, especially among her peers and
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Mr. Wordsworth, we should have said nothing; but we believe him to be one not willing to promulgate error, even in poetry, indeed it is manifest that he makes his poetry subservient to his philosophy; and this particular notion is so mixed up by him with others, in which it is impossible to suppose him otherwise than serious; that we are constrained to take it for his real and sober belief." In the same year came responses to the ode by two Romantic writers. Leigh Hunt, a second-generation Romantic poet, added notes to his poem "Feast of the Poets" that
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rodunt confundantur et cum iustis non scribantur.</poem> <poem style="margin-left:2em; float:left;">When we are in the tavern, we do not think how we will go to dust, but we hurry to gamble, which always makes us sweat. What happens in the tavern, where money is host, you may well ask, and hear what I say. Some gamble, some drink, some behave loosely. But of those who gamble, some are stripped bare, some win their clothes here, some are dressed in sacks. Here no-one fears death, but they throw the dice in the name of Bacchus. First of all it is to the
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We Are Seven "We are Seven" is a poem written by William Wordsworth and published in his "Lyrical Ballads". It describes a discussion between an adult poetic speaker and a "little cottage girl" about the number of brothers and sisters who dwell with her. The poem turns on the question of whether to account two dead siblings as part of the family. Wordsworth claimed that the idea for "We are Seven" came to him while travelling alone across England in October 1793 after becoming separated from his friend, William Calvert. This solitude with nature he claimed encouraged him to reach
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Everything's Cool (film) Everything's Cool is a 2007 documentary film that examines the divide between scientists and the general populace on the topic of global warming. Director Dan Gold said of the motivation for the film that "I'm optimistic that finally the message that this is real, that human beings are the cause of the most recent warming trend, and that it's an important issue, that message is actually reaching America. On the other hand ... if that message was fully understood, we would be moving a lot faster to slow this down and to reverse this course." The documentary
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wove them in nonsensical sentences. We misquoted and made false allusions. We deliberately perpetrated bad verse, and selected awkward rhymes from a "Ripman's Rhyming Dictionary"." They also included many bits of their own poetry, though in a deliberately disjointed manner. The first poem in the sequence, "Durer: Innsbruck, 1495", was an unpublished serious effort by McAuley, edited to appeal to Harris: <poem>I had often cowled in the slumbrous heavy air, Closed my inanimate lids to find it real, As I knew it would be, the colourful spires And painted roofs, the high snows glimpsed at the back, All reversed in
Ern Malley
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One cool word "one cool word" magazine was a Vancouverlogue from Vancouver, British Columbia. The publication is an art and literary magazine that comes with a full-length CD compilation, with all content from Metro Vancouverites. "ocw"s mandate is: "Our quest to encourage creative work in the city takes place on many levels: we invite people to submit work, we invite people to create writing, art, and music at our events, we choose work on the basis of quality of thought, freshness of vision and innovation in form, and we showcase work by professionals and up-and-comers side by side, to declare
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her barge, is full of opposites resolved into a single meaning, corresponding with these wider oppositions that characterise the rest of the play: <poem>The barge she sat in, like a burnish'd throne, Burn'd on the water... ...she did lie In her pavilion—cloth-of-gold of tissue— O'er-picturing that Venus where we see The fancy outwork nature: on each side her Stood pretty dimpled boys, like smiling Cupids, With divers-colour'd fans, whose wind did seem To glow the delicate cheeks which they did cool, And what they undid did. (Act 2, Scene 2)</poem> Cleopatra herself sees Antony as both the Gorgon and Mars
Antony and Cleopatra
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and potential. Horney believed that if we have an accurate conception of our own self, then we are free to realize our potential and achieve what we wish, within reasonable boundaries. Thus, she believed that self-actualization is the healthy person's aim through life—as opposed to the neurotic's clinging to a set of key needs. According to Horney we can have two views of our self: the "real self" and the "ideal self". The real self is who and what we actually are. The ideal self is the type of person we feel that we should be. The real self has
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was accepted by Joseph Cottle in May 1798 and was soon after published anonymously. In 1820, the poem was republished as a broadside and titled "The Little Maid and the Gentleman". Some guidebooks and locals in the city of Conwy, Wales, claim Wordsworth was inspired to write the poem after seeing a gravestone in St Mary and All Saints Church; this gravestone is marked "We are Seven." The poem is a dialogue between a narrator who serves as a questioner and a little girl, with part of the evolving first stanza contributed by Coleridge. The poem is written in ballad
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life: <poem> We have eighteen kinds of food, though 'twill stagger your belief, Because we have bread, beef and soup, then bread, soup and beef; Then we sep'rate around with'bout twenty in a group, And thus we get beef, soup and bread, and beef, bread and soup; For dessert we obtain, though it costs us nary red, Soup, bread and beef, (count it well) and beef and soup and bread. </poem> Such poems helped keep up morale among the prisoners. The following week's issue begins with a segment called "Encore," which reads, "Yielding to pressing demand from those who heard
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British versions include: <poem> Ring-a-ring o' roses, A pocket full of posies, A-tishoo! A-tishoo! We all fall down.</poem> <poem> Cows in the meadows Eating buttercups A-tishoo! A-tishoo! We all jump up.</poem> Common American versions include: <poem> Ring-a-round the rosies, A pocket full of posies, Ashes! Ashes! We all fall down.</poem> Common Indian versions include: <poem> Ringa ringa roses, Pocket full of poses Husha busha! We all fall down!</poem> The last two lines are sometimes varied to: <poem> Hush! Hush! Hush! Hush! We've all tumbled down.</poem> A reference to a young children's game named "Ring o' Roses" occurs in an 1846
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a great live band, as they felt their spotlight had faded over the years. "We set out to reclaim our throne as the most incredible live punk band from you know who," said Cool. Cool contended that "we heard they were going to quit the tour because they were getting smoked so badly ... We didn't want them to quit the tour. They're good for filling up the seats up front." Several reviewers were unimpressed with Blink-182's headlining set following Green Day. "Sometimes playing last at a rock show is more a curse than a privilege ... Pity the headliner,
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daß wir am letzten End' fröhlich abscheiden aus diesem Elend, eleison!</poem> <poem style="margin-left:2em; float:left;">O Lord the Father for evermore! We Thy wondrous grace adore; We confess Thy power, all worlds upholding. Have mercy, Lord. O Christ, our Hope alone, Who with Thy blood didst for us atone; O Jesu! Son of God! Our Redeemer! our Advocate on high! Lord, to Thee alone in our need we cry, Have mercy, Lord. Holy Lord, God the Holy Ghost! Who of life and light the fountain art, With faith sustain our heart, That at the last we hence in peace depart. Have mercy,
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and the cool air whipping your face after a hot summer day. That feeling is pure life, similar to what you feel when a song overtakes you." Hoy describes their music arrangement as coming "from a place of ignorance. We get bored easily… but in some way it is easier for us to write with no construct or boundaries." "Overall we do not work from a formula. The more freedom there is the more likely you are to stumble upon something refreshing and instinctual, thus capturing your real emotion which will then be translated more clearly to the listener." "It’s
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by the third act, when he posits that, 'If we survive the terrorism of/ our very maleness, we arrive,' I’m ready on page 22 to call it my favorite poem in the book. "But then 'Phlogiston: Jack McCarthy’s Universe' arrives. It’s a poem for his failed marriage to the mother of his daughters, built on the guiding metaphor of a long-debunked scientific element that was believed to have negative weight. By the second stanza I’m swooning as he makes his turn into the real topic— 'An element of negative weight:/ I love that explanation for/ the brilliance of its wrongness.'
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will replace them on the battlefield. It ends with: <poem> "Oh, Death was never enemy of ours! "We laughed at him, we leagued with him, old chum. "No soldier's paid to kick against his powers. "We laughed, knowing that better men would come, "And greater wars; when each proud fighter brags "He wars on Death - for lives; not men - for flags."</poem> The Next War (poem) "The Next War" is a poem by Wilfred Owen. It was written in late September 1917, and revised in July 1918. It is no. 160 in "The Complete Poems and Fragments". The poem
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studio, they never put their greatness on records. Me and Run and Jay would listen ... and we'd say, 'They didn't do that shit last night in the Bronx!' ... So we said that we weren't going to be fake. We ain't gonna wear no costumes. We're gonna keep it real." The other production credit on "Raising Hell" went to Run's brother, Russell Simmons; he ran Rush Artist Management, now Rush Communications, which as well as handling Run-D.M.C., managed the Beastie Boys, LL Cool J, Whodini and Public Enemy. Simmons also co-owned Def Jam Recordings, an important new school label,
New school hip hop
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people, no nothing. So he goes in hiding, then he gets back and has the will to live once again. Maybe because society takes you down. For all the good things we offer each other, sometimes we beat each other down. When asked about the song in an interview, Vedder stated it was about "a life fast." Vedder about "In Hiding": The song was about taking a fast from life, doing anything to get yourself back in touch with something real. Abstinence from anything is cool, because the normalcy of life is deceptive: It's enjoyable for a while, and there
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In harmony we all shall live, In Virtue train'd, enlighten'd Youth And future years shall prove the truth Then let us toast with three times three </poem> Why Should We Idly Waste Our Prime "Why Should We Idly Waste Our Prime" is an English poem written by Robert Burns. <poem style="margin-left:2em"> Why should we idly waste our prime Come rouse to arms! 'Tis now the time 'Tis said that Kings can do no wrong — And, since from us their power is sprung, Now each true patriot's song shall be: — Proud Priests and Bishops we'll translate The guillotine on
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A-Hunting We Will Go A-Hunting We Will Go is a popular folk song and nursery rhyme by English composer Thomas Arne. The "a-" is an archaic intensifying prefix; compare "Here We Come A-wassailing/Here We Come A-caroling" and lyrics to "The Twelve Days of Christmas" (e.g., “Six geese a-laying”). <poem>A-hunting we will go, A-hunting we will go Heigh-ho, the derry-o, A-hunting we will go. A-hunting we will go, A-hunting we will go We'll catch a fox and put him in a box And never let him go</poem> (Modern versions often change the last line to “And then we’ll let him go”.)
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shock" or "neurasthenia". Wilfred Owen was diagnosed with neurasthenia in 1916, within four months of arriving in France, and was briefly invalided home. The "We wise" to whom the poem refers might, as Jon Stallworthy has suggested, be construed as "we poets", to which the Owen scholar Douglas Kerr adds the possibilities "we officers", "we shellshocked neurasthenics" and "we cowards". Kerr describes the relationship of the poem to Owen's neurasthenia as "obvious though complex". Insensibility "Insensibility" is a poem written by Wilfred Owen during the First World War which explores the effect of warfare on soldiers, and the long- and
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July 2013, the online journal Sixth Finch removed a poem which had initially been attributed to Ward, stating: "In our Spring 2009 issue, we published a poem entitled “Karenia Brevis” and attributed that poem to Christian Ward, who submitted the poem as his own work. It recently came to our attention that the poem was plagiarized—apart from minor changes in phrasing, it was a poem entitled “Remembering Karenia Brevis” by Jeffrey Harrison. Harrison’s poem, which appeared in Chautauqua Review and The Warwich Review, will be included in his next book, What Comes Next, forthcoming from Tupelo Press. We have removed
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December 21. Equal Vision remastered "Through Being Cool" and repressed the album on vinyl for its 15th anniversary. The idea for the tour came about from a conversation between Conley and Say Anything's frontman Max Bemis. The two were discussing the past and Bemis mentioned that "...Is a Real Boy" was going to be 10 years old in the same year "Through Being Cool" turned 15. In an interview with "Alternative Press" for the album's 15th anniversary, Conley thought the album had stood up well and that it was "pretty fresh-sounding" and considered it "the most important record that we
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dies, But lends a lustre to the red Of the flower that blooms above the dead In Flanders Fields. And now the Torch and Poppy Red We wear in honor of our dead. Fear not that ye have died for naught; We'll teach the lesson that ye wrought In Flanders Fields. </poem> By Moina Michael,1918 We Shall Keep the Faith "We Shall Keep the Faith" is a poem penned by Moina Michael in November 1918. She received inspiration for this poem from "In Flanders Fields". The "poppy red" refers to "Papaver rhoeas". <poem style="font: italic bold 125% Arial; text-align: center;">
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from February 12, 2002, Rumsfeld ruminated on "The Unknown": <poem> As we know, There are known knowns. There are things we know we know. We also know There are known unknowns. That is to say We know there are some things We do not know. But there are also unknown unknowns, The ones we don't know We don't know. </poem> Hart Seely published Rumsfeld's poetry in the book, "Pieces of Intelligence: The Existential Poetry of Donald H. Rumsfeld" (2003). American composer Phil Kline set Rumsfeld's lyrics to music in "Rumsfeld's Songs", a song cycle released on "Zippo Songs" (2004). Pianist
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the right path, like little children. I feel that religion with its precepts is not something we can live without, but rather it is the real comfort, the real strength in life and the only safe way in every circumstance, even the most painful ones of life. Alessandro Serenelli, May 5, 1961</poem> Alessandro Serenelli Alessandro Serenelli (2 June 1882 - 6 May 1970) was an Italian, who in 1902 attempted to seduce an eleven-year-old girl named Maria Goretti. Not succeeding, he attempted to rape her, and failing in that, he stabbed her 14 times, mortally wounding her. While serving 27
Alessandro Serenelli
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of the prayer has been widely adopted by twelve-step groups: <poem>God grant us the serenity to accept the things we cannot change, the courage to change the things we can, and the wisdom to know the difference.</poem> Serenity Prayer The Serenity Prayer is the common name for a prayer written by the American theologian Reinhold Niebuhr (1892–1971). The best-known form is: <poem>God, grant me the serenity to accept the things I cannot change, Courage to change the things I can, And wisdom to know the difference.</poem> Niebuhr, who first wrote the prayer for a sermon at Heath Evangelical Union Church
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Et Fides" <poem> "O God almighty, we give thee thanks "For our school, the High School Klang "And for the teachers who daily guide us "With the answers to questions asked "Onward the spirit of close fellowship "And towards others in friendship and love "May we never be found wanting "The great courage of living and striving "Dear High School Klang "Our High School Klang "Thee our dear Alma Mater "Forward to serve we go now "May we love thee forever more </poem> Klang High School Klang High School or classically known as "the High School Klang" (Abbreviation: HSK or
Klang High School
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which denotes or delimits the very idea of the social, if not the very idea that there is a "definition" of the social other than this : the community of those who have no community. Indeed, the unavowable community (to borrow a title and phrasing from Maurice Blanchot). Faced with shipwreck, "in the dark" amidst the ravished heresies of the unspoken as even against silence itself, we can think with the poem. With fierce determination or graceful adherence we can perhaps even "see" with the poem, account for its usefulness. Even as we use the language, attend to its fissures
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production: With "Misery" we had the luxury of doing a two-day shoot, which is totally luxurious these days. And we got to do what we love the most, which is just fashion and making beautiful images, and not having any rules. It was very much on the fly. We went downtown to the abandoned Sears building; it’s all destroyed and creepy in there. We were there for two days and it was like an art project. It was directed by Sophie Muller, who had previously directed various videos for Stefani, including those for "Don't Speak" (1996), "Cool" (2005), and "Spark
Misery (Gwen Stefani song)
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your father’s home." The first lines of Paruyr Sevak's 1961 poem "We Are Few..." () read: "We are few, but they say of us we are Armenians. / We do not think ourselves superior to anyone. / Clearly we shall have to accept / That we, and only we, have an Ararat" In one short poem Silva Kaputikyan compares Armenia to an "ancient rock-carved fortress", the towers of which are Ararat and Aragats. Mount Ararat Mount Ararat ( ; ; , "Masis" and Արարատ, "Ararat") is a snow-capped and dormant compound volcano in the extreme east of Turkey. It consists
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who attended for at least one academic year. <poem> Grant oh lord that this school may be a good school not in name only, but in deed and in truth for the sake of goodness which banner we carry, Amen. </poem> <poem> O God of the universe be our guide student of government college Ikorodu. In our search for knowledge, help us to be strong and hard working though the path to excellence is rough, we shall attain our goals through determination. Discipline is our watch word, in quest for excellence. God help our parents and help our teachers too.
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idea of the value of what we have experienced. This is a poem of turns and surprises and we enjoyed it more with each reading". In a radio interview in 2002, Owen said that "I sometimes think that I should be writing political satire or trying to tackle the real problems of this world, and then I remember a Taoist saying which is 'You think you can improve the world? I do not think it can be done'." In the same interview, she also said that "poetry is against dogma, against a final certainty, it's very unsettling. ... I think
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What a Friend We Have in Jesus "What a Friend We Have in Jesus" is a Christian hymn originally written by preacher Joseph M. Scriven as a poem in 1855 to comfort his mother who was living in Ireland while he was in Canada. Scriven originally published the poem anonymously, and only received full credit for it in the 1880s. The tune to the hymn was composed by Charles Crozat Converse in 1868. William Bolcom composed a setting of the hymn. The hymn also has many versions with different lyrics in multiple languages. The "Handbook to the Lutheran Hymnal" notes,
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a more insidious rage. “To end our cultural fascination with violence, and our imposition onto men in general and black men in particular […] we must choose a partnership model that posits interbeing as the principle around which to organize family and community.” Chapter 5 is titled “it’s a dick thing: beyond sexual acting out.” It discusses the inability for black males to claim a healthy sexuality throughout time. In slave society black men were distorted as violent rapists, lynched and often castrated for supposed deviant sexual acts. As a consequence of this, black men were claimed to have an
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by exotic English Wikipedia entries 'whether they’re true or not'." The song "We Real Cool" also mentions Wikipedia by name. According to Cave, the songs illustrate how the internet has influenced "significant events, momentary fads and mystically-tinged absurdities" and "question how we might recognise and assign weight to what's genuinely important." Due to health problems longtime drummer Thomas Wydler was unable to tour with the band in support of the album. Cave stated: "In some ways the new album is carried by [Wydler] and his participation. It’s very sad that he can´t do the tour because of health reasons. That
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we hit upon a fantasy situation of him going to Hollywood, which is obviously a lot more universal, too." Before starting work on the musical, the Mael brothers decided to refresh their memories by looking at Bergman's films again. "We were both really big film fans in university. At that time unless you only liked foreign film, and hated American ones, you weren't cool", Ron Mael told "The Times". "There was a real kind of seriousness to [Bergman]. He actually addressed big things and was able to frame those in really pure, cinematic ways. Now those things are seen as
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material for a possible single release or new studio album. In June 2013, drummer Ronnie Vannucci, Jr. noted, "[We're] not just [recording] demos. Real recordings. I mean, you never know what it's gonna be, I guess. But we have our engineer, and we're working with a couple of surprise guests, in the producer capacity. Some of it is sounding really cool. We can be guilty of making things so ornate, and sometimes that's a bad thing. So I always have conversations with Brandon [Flowers] about working from a smaller palette, simplifying things. If these new tracks develop a theme, a
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UK Singles Chart and No. 1 on the Scottish Singles Chart. "Lyrically, Lies is definitely the darkest song we've ever written," says Tom Fletcher, who shares vocals on the track with Danny Jones. "It's about a real bitch of a girl who is out for herself and doesn't care who she uses to get what she wants. We did have a girl in mind when we wrote it, but really it's an amalgam of several girls we have met along the way. We hope she burns in hell at the end. A real good time tune then!" On 17 September
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Media vita in morte sumus <poem lang="la" style="float:left;">Media vita in morte sumus quem quaerimus adjutorem nisi te, Domine, qui pro peccatis nostris juste irasceris? Sancte Deus, sancte fortis, sancte et misericors Salvator: amarae morti ne tradas nos.</poem> <poem style="margin-left:2em; float:left;">In the midst of life we are in death of whom may we seek for succour, but of thee, O Lord, who for our sins art justly displeased? Yet, O Lord God most holy, O Lord most mighty, O holy and most merciful Saviour, deliver us not into the bitter pains of eternal death.</poem> The English translation is a poetic adaption
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later discussed the historical context of this poem's writing: "At that time (1927), the Great Revolution failed, I was very depressed and didn't know what to do, so I wrote this poem". This poem was written in the Jinggang Mountains, where Mao organized a Red Army to fight KMT forces after 1927. Jinggang Mountains is a mountain area at the border of Jiangxi province and Hunan province. It is there Mao began to experiment his theory of guerrilla war. He was quoted as:"When we can beat the enemy, we fight. When we can't beat them, we run". <poem> Line 5:
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the clubs all summer long." Jacqueline Springer of "NME" gave the song a favorable review and rated the single seven out of ten stars, writing: "No-good boyfriend anthem number four thousand eighty time, y'all [...] The stuttering arrangement of the original is cool and suits Mýa's brooding mood, but after a while it simply sits in the wind — there's no real build into a bassline leaving the track to run along a continuous pop/r&b vibe [...] Anyway, we all know what to do when ex-girlfriends re-emerge don't we? Round up your girls and give the wench a beat-down." Writing
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incarnation in a version by country-rock singer Juice Newton from the 1981 album "Juice". Newton would later recall: "I did ['Queen of Hearts'] live for about a year...Then I brought it to [producer] Richard Landis when we started the "Juice" album. He wasn’t convinced at that point that it was a breakout song but I told him I think this is a real cool song … so we cut it." Newton's own favorite cut on the "Juice" album, "Queen of Hearts" was issued as the album's second single and would reach No. 2 on the "Billboard" Hot 100 for two
Queen of Hearts (Hank DeVito song)
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you don't pay attention to that stuff and now we're like 'we have a greatest hits.' And the label thought it was the right time. So we were like 'Cool, let's put some new songs on it though.' We don't wanna make... cause people can pretty much... ya know they have the records already. But now this is a cool package with different stuff on it. The artwork's really rad on it. It’s cool." Weekly charts Year-end charts A Decade of Destruction A Decade of Destruction is the first compilation album by American heavy metal band Five Finger Death Punch.
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bird" but is defeated by the bride price. The original text and the translation by Rupert Moser originally into German is: <poem style="margin-left:2em"> Malaika, nakupenda Malaika Malaika, nakupenda Malaika Nami nifanyeje, kijana mwenzio Nashindwa na sina, we, Ningekuoa Malaika Nashindwa na sina, we, Ningekuoa Malaika Kidege, hukuwaza kidege Kidege, hukuwaza kidege Nami nifanyeje, kijana mwenzio Nashindwa na sina, we, Ningekuoa Malaika Nashindwa na sina, we, Ningekuoa, Malaika Pesa zasumbua roho yangu Pesa zasumbua roho yangu Nami nifanyeje, kijana mwenzio Nashindwa na sina, we Ningekuoa Malaika Nashindwa na sina, we Ningekuoa Malaika </poem> The version by German band Boney M. is
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the band's point of view, had been put together as a show of unity in the face of consistent accusations of rivalry between the two bands, especially in Europe. Instead, Green Day's Tré Cool acknowledged in a "Kerrang!" interview that they committed to the tour as an opportunity to regain their status at the top of tree, as their spotlight had faded over the years. "We set out to reclaim our throne as the most incredible live punk band from you know who", said Cool. Cool contended that "we heard they were going to quit the tour because they were
Pop Disaster Tour
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comprised of self-assertion. The poem was recited in the film "August 28: A Day in the Life of a People", which debuted at the opening of the Smithsonian's National Museum of African American History and Culture in 2016. If We Must Die "If We Must Die" is a 1919 poem by Claude McKay published in the July issue of "The Liberator". McKay wrote the poem as a response to mob attacks by white Americans upon African-American communities during Red Summer. The poem was later reprinted in "The Messenger" and the "Workers' Dreadnought" (London) later that year. The poem was also
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When Jim Doyle, the creator of Freddy's claw, asked Craven what he wanted, Craven responded, "It's kind of like really long fingernails, I want the glove to look like something that someone could make who has the skills of a boilermaker." Doyle explained, "Then we hunted around for knives. We picked out this bizarre-looking steak knife, we thought that this looked really cool, we thought it would look even cooler if we turned it over and used it upside down. We had to remove the back edge and put another edge on it, because we were actually using the knife
Freddy Krueger
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If We Must Die "If We Must Die" is a 1919 poem by Claude McKay published in the July issue of "The Liberator". McKay wrote the poem as a response to mob attacks by white Americans upon African-American communities during Red Summer. The poem was later reprinted in "The Messenger" and the "Workers' Dreadnought" (London) later that year. The poem was also read to Congress that year by Henry Cabot Lodge, the Republican Senator from Massachusetts. Wallace Thurman considered the poem as embodying the essence of the New Negro movement as it was not aimed at arousing sympathy, but rather
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up one half of the duo, stated, "I think the new album is similar to our "So Classic" EP. That's a good representation of what the album will be like." He also added that, "We didn't get to meet Fetty Wap, but Carly Rae was cool. Every artist we featured we previously had worked with or knew someone who knew them. The label didn't put them on our record; we wanted them on there." After the tour in February, they announced that the duo is hoping to arrange some shows in Europe, but details of that are yet to be
The Knocks
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I want this song to be believable, it needs to be real, so I'm not going to put a girl on the song to sing who's straight. I'm just not going to do it. So I reached out to Lauren and she came in and she cut the vocal and it sounds awesome. Our voices sound really cool together because we both have really raspy voices, mine's a little more delicate than hers. Hers is like really powerful and big and raspy, and mine is kind of like light and raspy. But it's really cool because I'm bisexual. I just
Strangers (Halsey song)
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For each generation You kindled courage to stand and to stay; You led our fathers to fight for the nation, Called "Follow up" and yourself showed the way. We who were born in the calm after thunder Cherish our freedom to think and to do; If in our turn we forgetfully wonder, Yet we'll remember we owe it to you. "Follow up! etc." </poem> The original Churchill verse, sung to him on 12 November 1954, was as follows: <poem> Sixty years on—though in time growing older, Younger at heart you return to the Hill: You, who in days of defeat
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show like this, you might get two sets of notes: one from DreamWorks and one from the network. But we don't get notes from Netflix, which is cool. It allows us to move faster, and we can make the shows, hopefully, the way we want them." Beside Ken Jeong and Mike Bell, who reprise their roles of Kim Ly and White Shadow, the cast features all new members. One of the reasons for this was the desire to have the actors working together. "The thing is that these actors are really busy, and we want to get talent in the
Turbo Fast