who wrote much too young to feel this damn old
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Much Too Young (To Feel This Damn Old) "Much Too Young (To Feel This Damn Old)" is a debut single recorded by American country music artist Garth Brooks. It was released in March 1989 as the first single from his self-titled debut album. It was also featured on "The Garth Brooks Collection", "The Hits" and "The Ultimate Hits". It was co-written by Garth Brooks and Randy Taylor. In the U.S., the song peaked at #8 on the "Billboard" Hot Country Songs chart. This song is about a rodeo cowboy who has been competing for years and just doesn't have the
Much Too Young (To Feel This Damn Old)
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Much Too Young (To Feel This Damn Old) "Much Too Young (To Feel This Damn Old)" is a debut single recorded by American country music artist Garth Brooks. It was released in March 1989 as the first single from his self-titled debut album. It was also featured on "The Garth Brooks Collection", "The Hits" and "The Ultimate Hits". It was co-written by Garth Brooks and Randy Taylor. In the U.S., the song peaked at #8 on the "Billboard" Hot Country Songs chart. This song is about a rodeo cowboy who has been competing for years and just doesn't have the
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"The Ultimate Hits" Collection featured an overdubbed and edited performance of the song for the 15th season of "Austin City Limits" in 1990. "Much Too Young" debuted at number 94 on Billboard's Country Singles chart on March 25, 1989. It peaked at number 8 on that chart on July 15, 1989. Much Too Young (To Feel This Damn Old) "Much Too Young (To Feel This Damn Old)" is a debut single recorded by American country music artist Garth Brooks. It was released in March 1989 as the first single from his self-titled debut album. It was also featured on "The
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notes from "The Hits": "'Much Too Young' will always be my sentimental favorite because it was my very first single. It was a baby that I watched grow up. Whenever I hear it today, I have a smile on my face. It want to give a big thanks to Randy Taylor and Chris LeDoux. Randy was the writer and Chris was probably the reason that it was played. Hey Chris, Randy and I decided that we owe you a beer, pal." A music video was not made at the time of the song's release. A video that was included on
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Chris LeDoux discography Chris LeDoux was a rodeo cowboy who sang and recorded songs in his spare time and sold his albums from the back of his truck. With his father, he started his own record label, American Cowboy Songs, in 1970. Under that label he released 22 albums between 1971 and 1990. After gaining recognition from the 1989 Garth Brooks song, "Much Too Young (To Feel This Damn Old)" he was signed to Liberty Records, where he released 4 studio albums in four years. He released 6 more albums including a live album under Capitol Records. "Horsepower" in 2003
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Garth Brooks (album) Garth Brooks is the debut studio album of American country music artist Garth Brooks, released on April 12, 1989 through Capitol Nashville. It was both a critical and chart success, peaking at #13 on the "Billboard" 200 and at #2 on the Top Country Albums chart. The album has been certified diamond by the Recording Industry Association of America (RIAA) for shipments over ten million copies. Brooks commented on the album, saying: This album contains Brooks' earliest hits, for instance his first ever single, "Much Too Young (To Feel This Damn Old)", which peaked at #8 on
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and is now out of print, as with his second compilation "The Hits", released three months later. The Garth Brooks Collection The Garth Brooks Collection is the first compilation album of American country pop artist Garth Brooks. It was released on September 2, 1994 (see 1994 in country music) and contains ten of Brooks' favorite songs, including his debut single, "Much Too Young (To Feel This Damn Old)". This album was only available at McDonald's restaurants for a limited time to raise money for the Ronald McDonald Children's Charities. The Charity received one dollar for every album sold. The $5.99
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The Garth Brooks Collection The Garth Brooks Collection is the first compilation album of American country pop artist Garth Brooks. It was released on September 2, 1994 (see 1994 in country music) and contains ten of Brooks' favorite songs, including his debut single, "Much Too Young (To Feel This Damn Old)". This album was only available at McDonald's restaurants for a limited time to raise money for the Ronald McDonald Children's Charities. The Charity received one dollar for every album sold. The $5.99 CD sold over three million copies in three weeks. It was only available for a limited time
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independence and control over his work while enjoying his regional following. In 1989, however, he shot to national prominence when he was mentioned in Garth Brooks' Top 10 country hit "Much Too Young (To Feel This Damn Old)." Capitalizing on the sudden attention, LeDoux signed a contract with Capitol Records subsidiary Liberty Records and released his first national album, "Western Underground", in 1991. His follow-up album, "Whatcha Gonna Do with a Cowboy", was certified gold and reached the Top 10. The title track, a duet with Brooks, became LeDoux's first and only Top 10 country single, reaching No. 7 in
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California. And Garth for some reason insisted on opening for me, but it was great. One of the things that impressed me about him, The first thing he said to me, 'You know Chris using your name in that song, you wouldn't believe how that's helped my career.' We hit it off pretty good." Brooks, who is a major fan of his, convinced Capitol Records to give him a record contract and would later sing a duet with him on "Whatcha Gonna Do with a Cowboy". Garth provided the following background information on the song in the CD booklet liner
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strength to keep at it anymore with the stress of being away from home all the while watching a younger crowd taking over the business. The fact that Chris LeDoux was mentioned in this song led to the champion rodeo bareback rider and country music singer-songwriter being introduced to a wider audience. Chris was surprised to hear his name in the song on the radio one day and set out to meet Garth: "We finally met about eight months after that song had come out. A promoter put us together on the same bill. At the Cocky Bull in Victorville,
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first album was released in 1989 and was a chart success. It peaked at No. 2 on the "Billboard" Top Country Albums chart, and reached No. 13 on the "Billboard" 200 chart. Most of the album was traditionalist country, influenced in part by George Strait. The first single, "Much Too Young (To Feel This Damn Old)", was a country top 10 success. It was followed by Brooks' first number-one single on the Hot Country Songs chart, "If Tomorrow Never Comes". "Not Counting You" reached No. 2, and "The Dance" reached No. 1; its music video, directed by John Lloyd Miller,
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leaves the stage once again. Brooks then returns, often unaccompanied, for what he dubs the "housekeeping segment", in which he scans the crowd for fans with signs requesting songs, performing them acoustically. In some instances (such as the Atlanta concerts in September 2014), he may also perform acoustic covers of songs like "Amarillo By Morning", "Night Moves", and "Piano Man". Regardless, the encore set commonly concludes with the band returning to perform "Much Too Young (To Feel This Damn Old)", or another classic song. During the second concert of the tour in Rosemont, Illinois on September 5, 2014, Kelly Clarkson
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the best work of any kind about the Vietnam War since Michael Herr's vigorous and hallucinatory book "Dispatches". "The film has been widely acclaimed," Pauline Kael admitted, "but some may feel that Stone takes too many melodramatic shortcuts, and that there’s too much filtered light, too much poetic license, and too damn much romanticized insanity... The movie crowds you; it doesn't leave you room for an honest emotion." American Film Institute lists: In 2011, British television channel Channel 4 voted "Platoon" as the 6th greatest war film ever made, behind "Full Metal Jacket" and ahead of "A Bridge Too Far".
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about the script." Chomet said, "I think Tati wrote the script for Sophie Tatischeff. I think he felt guilty that he spent too long away from his daughter when he was working." In a June 2010 interview for "The National", Chomet gave his personal reasons for his attraction to the script: "I have two young children, a four-year-old and a two-year-old. But I also have a daughter who is 17 whom I don't live with because I separated from her mother. She was 12 when I started the project and you can feel things changing." This appears to mirror the
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Ooouuu "Ooouuu" (styled as "OOOUUU") is a song by American rapper Young M.A. The song was produced by U-Dub (of NY Bangers). It was released as a single on May 12, 2016. In an interview with Genius, Young M.A spoke on the creation process behind the song: When I first heard the beat and wrote to it, I said to myself, “This is one of those records where I just wanna relax.” There’s not too much thinking about the bars or the punchlines, I needed a feel good record. I didn’t have one of those yet, I was putting so
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the world, that the attempted assassination of Wallace had its roots in left-wing Democratic politics." Hunt did not make the trip, however, because the FBI had moved too quickly to seal Bremer's apartment and place it under police guard. Hunt organized the bugging of the Democratic National Committee at the Watergate office building. A few days after the break-in, Nixon was recorded saying, to H. R. Haldeman, "This fellow Hunt, he knows too damn much." [V]ery bad, to have this fellow Hunt, ah, you know, ah, it's, he, he knows too damn much and he was involved, we happen to
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wrote that "Weekend at Burnsie's" "falls into the abyss as a distinctly ordinary episode." He continued, "Like many other S13 shows, this one feels recycled, as it lacks much to make it stand out as creative or memorable." He summarized the episode as being "decidedly mediocre". Nate Boss of Project-Blu disliked the episode, calling it "terrible", "utterly preachy" and "too damn political for its own good." He criticized the "Simpsons" staff for making an episode about marijuana, as he believed that children might imitate Homer. "Congrats, "Simpsons", you just pissed off those who choose to live sober, by pandering to
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Ali's punches was cumulative. Charlie Powell, who fought Ali early in Ali's career and was knocked out in the third round, said: "When he first hit me I said to myself, 'I can take two of these to get one in myself.' But in a little while I found myself getting dizzier and dizzier every time he hit me. He throws punches so easily that you don't realize how much they hurt you until it's too late." Commenting on fighting the young Ali, George Chuvalo said: "He was just so damn fast. When he was young, he moved his legs
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"Crazy Daddy". Southern Star (song) "Southern Star" is a song written Rich Alves, Steve Dean and Roger Murrah, and recorded by American country music band Alabama. It was released in November 1989 as the fourth and final single and title track from the album "Southern Star". The song hit number one in the United States on the Hot Country Singles charts. The song is about a fairly young blue collar worker who feels he is too young to feel old, yet too old to live the free life of a young adult. David Allan Coe recorded the song on his
Southern Star (song)
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Southern Star (song) "Southern Star" is a song written Rich Alves, Steve Dean and Roger Murrah, and recorded by American country music band Alabama. It was released in November 1989 as the fourth and final single and title track from the album "Southern Star". The song hit number one in the United States on the Hot Country Singles charts. The song is about a fairly young blue collar worker who feels he is too young to feel old, yet too old to live the free life of a young adult. David Allan Coe recorded the song on his 1989 album
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Babel". "Lonely Among Us" was subsequently compared to "Journey to Babel", which Fontana denied, saying, "I wrote 'Journey to Babel' and I wrote this too, and I feel there is a difference. There's a definite delineation and separation here, both in intent and content." Director Cliff Bole did not recall much of the episode later, but did not think much of the script, saying "The subject matter affects the end product. There's some better written shows, obviously." It was the first episode of "The Next Generation" to be directed by Bole, who had previously worked on shows such as "V"
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the Country Billboard Charts in 1989. It put the name of an independent cowboy singer, Chris LeDoux, into the mainstream due to the lyric ""A worn out tape of Chris LeDoux"" Two other strong starts include his first #1, "If Tomorrow Never Comes" and the Academy of Country Music's 1990 Song of the Year and Video of the Year, "The Dance" (another #1). It also features his first hit he wrote entirely in "Not Counting You", another top 10 success. Punk rock cover artists Me First and the Gimme Gimmes released a version of "Much Too Young (To Feel This
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and all the jurors admitted prejudice against the defendants. Historian Carl Smith writes, "The visceral feelings of fear and anger surrounding the trial ruled out anything but the pretense of justice right from the outset." Smith notes that scholars have long considered the trial a "notorious" "miscarriage of justice". In a review somewhat more critical of the defendants, historian Jon Teaford concludes that "[t]he tragedy of Haymarket is the American justice system did not protect the damn fools who most needed that protection... It is the damn fools who talk too much and too wildly who are most in need
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Too Late" as "about as perfect a pop song as they come." Alex Macpherson from "The Guardian" wrote that the singer remains "at her best when compulsively dissecting emotional situations straight out of high-school movies via the medium of big, heartfelt choruses", identifying "Too Little Too Late" as a "wonderfully weepy pinnacle". Similarly, "People"'s Oliver Jones wrote that the singer "finds her musical comfort zone" singing "Too Little Too Late". Crowning the song one of the best 10 "Feel-Good Break-Up Songs" in 2007, Slice contributor Nicolle Weeks joke that nothing is "more humbling than a twerpy 15-year-old who can concisely
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their storyline: "It really brought the two families into so much conflict, and I thought they were very believable as young lovers. They were very passionate, and at the same time, really evoked that feeling of first love." When Lily and Daniel's marriage ended, fans of the couple were saddened. Lily's romance with Cane first received a mixed response; viewers were divided on the couple because of the age difference between the characters. Khalil said that she was sure there were going to be people "who will always feel" that Cane is too old for Lily, but there are others
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of feedback on a recording and suggests the influence of Jimi Hendrix. Womack credits this guitar part to Harrison, who played his Epiphone Casino using "the instrument's Bigsby [tremolo] bar in searing, full vibrato force". Harrison later rued the prominence of the brass accompaniment, saying: "To this day I am still annoyed that I let them mess it up with those damn trumpets. Basically, the song's quite good but, you know, messed up with those trumpets." The Beatles carried out final mixing on "It's All Too Much", again at De Lane Lea, on 12 October 1967, while completing work on
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for their "bland building textures and rushed backgrounds." AllGame found the gameplay to be "downright sluggish" and considered the music to be "too low and emotionless," and opined that cutscenes for each dinosaur "would've been a nice extra for the game's overall feel and replay value." GameSpot also praised the dinosaurs, but criticized the levels for glitching: "Surfaces buckle and distortion abounds as the PlayStation struggles to keep all this geometry under control." "Game Informer" wrote, "Graphically, it's not a bad game. Unfortunately, the concept leaves much to be desired," noting that the gameplay "gets old rather quickly when you
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Harvey thought that if marketed cleverly, the film "could prove the Polish helmer's belated international breakthrough". Neil Young of "The Hollywood Reporter" complimented the technical achievements, but called the film "ambitious but frustratingly flat". He described the English dialogue as "mostly clunky" and thought the film "has too much of a stodgy Euro-pudding feel". On the other hand, in his review for the San Francisco International Film Festival, executive director Graham Leggat wrote: "...the narrative is not the point—the extraordinary imagery is. The painting literally comes to life in this spellbinding film, its wondrous scenes entering the viewer like a
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beauty I thought I’d caught, they thin out and elude me.” He thought that the Georgia sketches lacked complexity and said they were “too damn simple for me.” In a letter to Sherwood Anderson, Toomer wrote that the story-teller style of “Fern” “had too much waste and made too many appeals to the reader.” In August 1923, Toomer received a letter from Horace Liveright asking for revisions to the bibliographic statement Toomer had submitted for promotions of the book. Liveright requested that Toomer mention his “colored blood,” because that was the “real human interest value” of his story. Toomer had
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"I respect those actors too much to shoehorn them into this story for my own sentimental reasons. "Jurassic Park" isn't about the bad luck of three people who keep getting thrown into the same situation. The only reason they'd go back to that island is if the screenwriters contrived a reason for them to go." Trevorrow said viewers could feel nostalgia without having an actor reprise a role after so many years, which he believed "might make you feel old and remind you that you're on a slow march towards death, like the rest of us!" Initially, the film's new
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time convalescing in Sacramento at his mother's house, a setting that puts him in dangerously close proximity to the object of his affection, who despite a bit of hesitation, returns her paramour's attention. Later in the novel, Switters falls in love with a 46-year-old nun, who despite her age, Switters finds just as pure as young Suzy. Switters' best friend whom he worked with in the CIA in Thailand and also shares an attraction to underage women. The parrot that Switter must release in "too god damn vivid South America". Switters' Grandmother. Although she would never let him call her
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a more mixed review, Jon Pareles of "The New York Times" wrote that "as an album, 'The Best Damn Thing' is too relentless to be heard end to end", while Sal Cinquemani of "Slant Magazine" was more critical of the album's unexpected move, calling it "a big step back for an artist who was just starting to grow up." "The Best Damn Thing" became Lavigne's third album to reach number one on the UK Albums Chart. The album debuted at number one on the US "Billboard" 200 with about 289,000 copies sold, less than "Under My Skin", which sold 381,000
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and the timeframe moved to 1902, reflecting a turn-of-the-century theme popular in musicals at the time. Mack Gordon, who also produced the film, wrote the lyrics and Josef Myrow composed most of the songs for "Three Little Girls in Blue", including "On the Boardwalk (in Atlantic City)", "Somewhere in the Night", and "You Make Me Feel So Young". Initially, Gordon thought "You Make Me Feel So Young" too modern for the 1902 setting, but when Darryl F. Zanuck heard all the music played, he insisted on using it three times in the movie; it would go on to become a
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Critics generally preferred "Casino Royale", but continued to praise Daniel Craig's depiction of Bond, and agree that the film is still an enjoyable addition to the series. The action sequences and pacing were praised, but criticism grew over the realism and serious but gritty feel that the film carried over. Roger Moore, the third actor to play Bond in the films, said that Daniel Craig was a "damn good Bond but the film as a whole, there was a bit too much flash cutting [and] it was just like a commercial of the action. There didn't seem to be any
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some of the negative events of the time as well." The portrayal of a confusing and uncertain era develops throughout the book. Some reviewers commented that Stephenson seems to carry his understanding of the period a little too far at times, delving into too much detail. Nick Hasted of "The Independent" wrote that this research made "descriptions of Restoration London feel leaden, and intellectual discourses between Newton and his contemporaries textbook-dry." Despite the thorough examination of the period, however, Stephenson does take liberty in depicting the Enlightenment. Both main and secondary fictional characters become prominent members of society who advise
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from the baby's father, the government, and society in general. Shakur wrote the song when he read a newspaper article about a 12-year-old girl who became pregnant from her cousin and threw the baby into a trash compactor. The opening consists of a duet singing the song's title twice. Much of the rest of the song is one long verse performed by Tupac. The verse begins with Tupac telling a group that he has heard about Brenda's pregnancy. He also notes that she has had virtually no education, and calls this a "damn shame" because she has little hope of
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Kenneth Edelin trial in Boston, condemning Wagner as "vicious," "poisonous," "malicious" and "sophomoric." Yet Casserly wrote the glowing foreword 12 years later to Wagner's second book, "Buy This Too," after the two became friends. Minneapolis Daily American editor Francis R. McGovern, an extreme right-wing conservative who would have fit into today's Tea Party movement, at first lambasted Wagner but later praised his use of humor to engage students to participate in political activism, and also stated that he was "honored" to call Wagner a "great friend" and "a damn good clown." Rev. Joseph Head, an outspoken conservative activist who wrote
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the December 1980 shooting death of John Lennon. Two versions of the song exist. In addition to a slightly different guitar lick at the end, the major difference comes at the line ""He's got young friends into new wave ... "". The album version follows with the line, ""but he's just too friggin' old,"" while the single version replaces the word "friggin'" with "damn." A decade after the song's release, the brothers recorded a sequel song titled "Old Hippie (The Sequel)". The song follows the same unnamed title character 10 years after the original. Just as with "Old Hippie," the
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to American actor James Dean, "You're my James Dean / you make me feel like I'm seventeen". She also relates about how good girls often fall for bad boys; she affirms that "bad boy" she loves, "drive[s] too fast" and "smoke[s] too much". During the chorus, Beyoncé projects the image of a woman, who wants to love and be loved regardless of what others may say, "I'd rather die young / Than live my life without you / Rather not live at all". As the song progresses, Beyoncé references "some deeper emotional fires burning" as she sings, "Nobody understands what
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a sample of the song "Stormy" by American musician O. C. Smith from the album "For Once in My Life". It also contains interpolations from "Don't Let Me Down" by Fleurie from the album "Love and War". Lamar has performed "Feel" as an encore on the Damn tour. Credits adapted from the official "Damn" digital booklet. Feel (Kendrick Lamar song) "Feel" (stylized as "FEEL.") is a song by American rapper Kendrick Lamar, from his fourth studio album "Damn", released on April 14, 2017. The fifth track on the album (tenth on the "Collector's Edition" of "Damn"), the song was written
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spree was caught on camera, and broadcast by another network as a found footage special. However, Greb also notes that he too was spotted by Black during this. The fourth devil, Toby (Wally Dalton), is convinced that Black really does know that they are demons. Toby also recounts his story, in which he begins to feel ennui at his failure to damn humans for some time. He meets and courts an aging stripper, Sally, who falls in love with him. Their relationship blossomed, despite her having seen his true demonic form. One day Toby leads her to believe he is
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things, from sexual tension to deep, dark depression." In "Pitchfork"s review of "Damn", Matthew Trammell writes "Damn" "is a widescreen masterpiece of rap, full of expensive beats, furious rhymes, and peerless storytelling about Kendrick's destiny in America." Writing for "The A.V. Club", Evan Rytlewski concluded, "Lamar trusts every idea to stand on its own. When you're making art this substantial, vital, and virtuosic, there's no need to wrap a tidy bow around it." In a mixed review, A. Harmony of "Exclaim!" wrote that "Damn" "is the first time in Lamar's career that he hasn't broken new ground, explored old themes
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– we have developed separately...and that is why I feel true companionship is an impossibility for us – because our thoughts will never meet...I love you too so very much, my darling husband, and that is why it is so sad to feel that our life is nevertheless so incomplete...But you are never intentionally to blame for this – I "never" think that, "never"... The following day, Alice wrote a much shorter letter to Louis in which she looked forward to their meeting, and hoped that "my letter did not distress you – but it is better to be quite
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Films of 2015". Justin Chang of "Variety" wrote, "Although shot and performed in a determinedly raw, naturalistic register, this emotionally roiling portrait of two twentysomething Texas sweethearts too often veers toward melodramatic overstatement, inspiring little empathy or understanding despite the committed performances of promising young leads Taissa Farmiga and Ben Rosenfield." John DeFore of "The Hollywood Reporter" wrote, "A melodrama benefitting from excellent performances but suffering from a too-obvious script," while Ryland Aldrich of Twitch Film opined, "An indie drama through and through, Fidell has again succeeded in telling a tiny story and making it feel as big as the
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They may have treated me a way in the past, and it's like, 'Damn. I shouldn't have done that.' It's so many things running through my head. 'How do I approach this person now?'". He later expressed his satisfaction with record, stating: " It's an interesting concept. I'm glad that record is picking up. It was slow at first, but it's a feel-good record." After Graham wrote to the music, he replied to Mosley, asking for his approval of the lyrics: "'I wanna make sure you like this hook. Because the way I'm rapping to it, I feel like it
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lot" and rated the film 3.25/5. "Oneindia Entertainment" stated "Ramayya Vasthavayya is purely a mass masala entertainer that will impress all classes of audiences. Junior NTR's acting, Harish direction, Shruti Haasan 's glamour and Thaman's music stand out in the film. It is s brilliant treat from Dil Raju team." "IndiaGlitz" wrote "In telling an outdated and damn predictable story, Harish Shankar S committed one blunder after another. His only trump card was a romantic NTR, who is seen imitating Dev Anand here and Victory Venkatesh there. A paper-thin storyline is the least of Ramayya's imperfections. Too much violence in
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been criticized for being too individualistic and of too critical a temperament, lacking the benefit of thorough theological discussions with other men of similar gifts. One young pastor, Rev. Robert Harbach who corresponded with Pink for years remembered a very different Pink, who possessed a "pastor's heart." Pink's correspondence with Harbach (until Pink's failing health ended their correspondence in 1949) was warm, heartfelt and fatherly. Early in their correspondence, Pink wrote "I want you to feel perfectly free to call on me for any help I may be able to render you. I am in touch with a number of
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nada eu quis/When I did not have anything I wanted"" and the last was: ""Quando vi você me apaixonei/When I saw you I fell in love"". But in between there was a lot of 'when'. ""Quando bebi demais vomitei/When I drink too much, I threw up"", ""Quando ouvi Hendrix pirei/When I heard Jimi Hendrix, I freaked out"". Then I thought: Damn, these first verse and the last has something in common. All these in between, almost thirty, they are all crazy in my head. Then I said: This is a love song."" When Mercury's young sister went to live in
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criticized for oversinging. This criticism is mainly focused on too much "vocal gymnastics" which some feel degrades the artistic merits of the song, and not necessarily that they strain their voices too much. While [Roger] Burnley believes all of those divas to be oversingers in their own right, [Hollywood vocal coach, Chrys] Page argues the opposite. "They don't oversing, but some young hopefuls, trying to sound exactly like those artists, consistently do it because they haven't yet found their own voice and style," she said. When amateurs on shows like Idol are criticized for oversinging it can be both because
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patriotism, instead putting his trust now in the white flag. Near the end, the veteran reacts with revulsion to those who see him as "A hero of war. Is that what they see, just medals and scars, so damn proud of me!" Tim says he was expressing sarcasm because many people treat soldiers like heroes, even though many don't feel like heroes. Tim McIlrath wrote this song due to the violence in the war, but also for the troops that serve overseas protecting their respective countries. A music video was made for the song, although it wasn't released as a
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and he was still doing that 30 LPs and nine years into his recording career, and that in itself is a pretty impressive accomplishment." Music critic Robert Christgau wrote "The man has been making them for less than a decade, and thirty is too damn many. But this is clearly where Haggard wants to show off his range, and the display, featuring more original songs than he's put in one place for a long time, is pretty impressive. There's a rip-roaring infidelity lyric that's definitely one of his genius pieces—"Old Man From the Mountain," it's called, complete with bluegrass shading.
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Zeppelin Meets The Wild Bunch". The film is probably too much for young children and possibly too much of the same for cynics. But any 6–13-year-old who sees this may be bitten by the "movie bug" for life." At the Academy Awards, the film was nominated for Sound Effects Editing and Visual Effects, but lost both to "Who Framed Roger Rabbit", which was similarly done by Industrial Light & Magic. It won Best Costume Design at the Saturn Awards, where it was also nominated for Warwick Davis for Best Performance by a Younger Actor (lost to Fred Savage for "Vice
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the world in psychosexual escapades with various women, and has a job at a fraudulent modeling agency scamming the young and hopeful. He is good at them both... too good but he grows increasingly frightened as his sexual prowess and intellectual diatribes no longer make him feel better. The film was self-financed by its director Boaz Yakin. Yakin explained "This movie came out of a meeting with a studio...What they wanted to do and what I wanted to do were so far apart, I didn't feel I could continue. So I wrote this for a low-budget production. I ended up
Death in Love
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infected computers, which were also deposited into a Turkish botnet, according to Christopher Boyd of Actiance's SpywareGuide. Selman has stated that he was not involved with the spreading of the malware, and Boyd wrote that "the AIM screen-name 'Chunkylover53' is not necessarily connected to the 'official' chunkylover53@aol.com email address – anyone could have set up that AIM screen-name, using whatever EMail address they feel like. However, people will naturally add 'Chunkylover53' to their AIM accounts thinking it will be the 'real' Homer." The title is a reference to the movie "The Man Who Knew Too Much". The Dad Who Knew
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was put off by the mixture of camp and balleticism in his work – I didn't appreciate until much later. His company was always full of misfits – they were too short or too fat or too uncoordinated or too mannered or too inexperienced by any other standards. He had this gift of choosing people who 'couldn't do too much' in conventional terms but who – under his subtle directorial manipulations – revealed spectacular stage personalities. He could pull the silk purse out of the sow's ear. At its worst, dancing with Jimmy could feel like a sow imitating a
James Waring
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well worth the premium app price to check it out. " TouchGen wrote " This is one of my favorite high-flying games on iOS. It looks fantastic, provides solid options for controls and has a cool story that makes each and every task feel important. I would love to have seen some multiplayer and improved cutscenes. That being said, this is a damn good game that I absolutely loved, and highly recommend. " TouchArcade wrote "The advanced control requires a good bit of practice to get it right, but should eventually be your control of choice. " Edge Magazine said
Air Mail (video game)
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that it "boasts all the cerebral and aesthetic restraint of a West Hollywood dance club," and "Production values are dire, with too much lighting and not enough design." In the "Los Angeles Times", Gary Goldstein wrote "Writer-director Allen Wolf loads "In My Sleep" with so much psychosexual baggage you wish he just focused on one emotional affliction to propel this mediocre whodunit," and concludes "It's ultimately all too contrived and superficial to feel convincing, despite the story's often lurid appeal." In spite of negative reviews, the film has won several festival awards: "Audience Award" at Fort Lauderdale Film Festival, "Best
In My Sleep
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by a filmmaker who clearly knows science fiction and fantasy, past and present, and wants to share his love for it." Left unimpressed, Marc Savlov of "The Austin Chronicle" wrote, "You really have to feel for Alex Proyas. This guy wears bad luck like the grimy trenchcoats of his protagonists, only his zipper's stuck and he can't seem to shake the damn thing off." In expressing his negativity, he believed ""Dark City" looks like a million bucks (or rather, a million bucks gone to compost), but at its dark heart it's a tedious, bewildering affair, lovely to look at but
Dark City (1998 film)
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much resistance to going back into writing and performing publicly again that I realised I wasn’t going to be able to break through it until I literally wrote a song about the resistance itself." She songs on the song, "It’s taken me a long time to feel better babe / I’ve only just begun to feel my heart again." Helen Brown, a writer for "The Daily Telegraph", suggested the line "You want me to let go/ You want me to lose control/ But I don’t want to lose control," was a response to "critics who find her too smooth and
Dangerous (Rumer song)
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is eventually arrested for teenage prostitution. The judge (Thomas Mitchell) is sympathetic, but Elizabeth's fate hangs in the balance. "TV Guide" wrote, "(Thomas) Mitchell does all he can to keep this picture from failing, but it's not enough...this is hurt mainly by its excess of courtroom scenes." Too Young to Love (film) Too Young to Love is a 1959 British drama film directed by Muriel Box and starring Pauline Hahn, Joan Miller, and Austin Willis. It was based on the play "Pickup Girl" by Elsa Shelley. In juvenile court, 15-year-old Elizabeth (Pauline Hahn) recounts her story (in flashback) before the
Too Young to Love (film)
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year's seventh-place finish and 62-90 record. Armour's greatest contribution during the 1905 season was the discovery and signing of Ty Cobb. Armour paid the Augusta club for Cobb's early release, and Cobb joined the Tigers in August 1905. Cobb later wrote:"To Manager Armour, my first big league boss, I cannot give too much thanks for his kindly action and his personal attention to me, my work and my welfare. He is an ideal man for any young baseball player to 'break in' under. He seems to feel just how a recruit feels when he is starting his Major League career,
Bill Armour
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designs. The gameplay is unique and for this low price Pudding Panic is a great buy. " AppGamer said "Pudding Panic seems to have created a genre that has never been seen before on the App Store. Whilst being an action packed cartoon thriller, it is also a relaxing puzzler that doesn't demand too much from the gamer. A simple concept with appropriate presentation makes this a top App. " AppSmile described it as "A concept that feels fresh and fun, making for an enjoyable experience for gamers young and old. " PocketGamerUK wrote "Utterly intense, but ridiculously addictive at
The Great Jitters: Pudding Panic
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God (1948), A.W. Tozer refers to Nicholas as someone who had a vibrant Christian spirituality, stating in Chapter 7, "I should like to say more about this old man of God. He is not much known today anywhere among Christian believers, and among current Fundamentalists he is known not at all. I feel that we could gain much from a little acquaintance with men of his spiritual flavor and the school of Christian thought which they represent…" Nicholas of Cusa wrote a large number of works, which include: Nicholas of Cusa Nicholas of Cusa (1401 – 11 August 1464), also
Nicholas of Cusa
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ends much as it lived—with confusion, poorly plotted scenes and by turning a blind eye to everything that makes Batman great. To say 'All Happy Families Are Alike' is a letdown would be to expect too much from this finale to begin with. But after this week's episode finally cuts to black and the credits roll, it’s hard not to feel like the entire first year was a missed opportunity." The A.V. Club's Kyle Fowle gave the episode a "B" grade and wrote, "The first season of "Gotham" has been a mess of incomplete or simply terrible ideas, but much
All Happy Families Are Alike
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country music. One critic who spoke favorably about bro-country was David Horse of the "Los Angeles Times", who wrote: "But this music has an appeal not unlike the teen surfing songs of the Beach Boys or the screaming guitar, take-everything-too-far anthems of Bon Jovi and Sammy Hagar...For a young man, the allure of reckless freedom is forever strong. And it’s not just young men. I know I’ve got a 25-year-old bottled up inside my decidedly not young self who still longs for the fantasy." The genre was also criticized for being formulaic. Throughout 2014, radio station KTCK (AM) had a
Bro-country
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Too Old to Rock 'n' Roll: Too Young to Die! Too Old to Rock 'n' Roll: Too Young to Die! is the ninth studio album released by British band Jethro Tull, recorded in December 1975 and released in 1976. It is the first album to include bassist John Glascock who also contributes with backing vocals. "Too Old to Rock 'n' Roll: Too Young to Die!" is the last Jethro Tull concept album, which follows the story of Ray Lomas, an ageing rocker who finds fame with the changes of musical trends. Like their previous album, Minstrel in the Gallery, the
Too Old to Rock 'n' Roll: Too Young to Die!
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to feel inferior during a discussion. This leads to women feeling less competent in their technical abilities, and decreased productivity as they begin to feel like their opinions don't matter as much, leading to a negative work environment. Another factor that creates the difference in experience for men and women in STEM fields is the social climate. The idea of the "old boy culture" is very much pertinent in male-dominated STEM fields where women find it difficult to fit in. Furthermore, female role models and mentors are rare for young women in these industries. Because mentors are very important in
Occupational inequality
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his hero Alex Chilton, he had a fondness for accessible pop music that had lots of moving parts under the hood. Lyrically, he was both class clown and over-achiever. He wanted words as devious and pretty as the best lyrics of Stephen Sondheim and Jerry Leiber, but shot through with almost Joycean obscurity and puckish humor." According to Professor Stephen Burt of Harvard University, Miller often wrote "songs about overthinking it, anthems for people who think they think too much and try too hard, who feel at home (if they ever do) only among like-mindedly wordy souls. The tension in
Scott Miller (pop musician)
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counter at the Crestmont before delivering the tapes to Tony. Hannah returns home, cleans her room and put on old clothing, she fills up her bathtub and slits her wrists with a razor blade. Hannah dies of blood loss and is found by her parents, who attempt to save her by calling 911 but are too late. Asher's book was criticized for the poor characterization of Hannah Baker, which many critics said the television series improved upon. In her book review for "The Guardian", Katherine Hughes wrote that Hannah "comes across not so much as a young soul in distress
Hannah Baker
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All I can say about that is, we'll be playing more of him, I hope.” The music video was released on 19 April 2018. Ruel wrote the song when he was 12 years old and was inspired by an evening spent sitting at the dinner table telling his parents and siblings about a girl he had a crush on. Ruel explained “My whole family was like, ‘Ruel, you don't know what you're talking about, you're way too young to think about that sort of stuff,‘ and that really frustrated me. I thought ‘they can't tell me how to feel’, so
Don't Tell Me (Ruel song)
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of the song as the B-side to "Feel", the first single from their 1992 album "Babe Rainbow". The previous year, Loves Young Nightmare recorded it (as "All Too Much") for "Revolution No. 9: A Tribute to The Beatles in Aid of Cambodia", a multi-artist compilation supplied with "Revolver" magazine; the album was reissued in the United States in 1997, following the popularity there of Britpop bands such as Oasis. The Church included the track on their 1999 covers album "A Box of Birds". "It's All Too Much" has been performed live by the Grateful Dead, by the latter's associated acts
It's All Too Much
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demands of demanding bands was essential, the 16-year old Appelgren clearly not being ready for the role, Livermore tried a last-ditch effort to retain Hayes with the label, offering to take over all mundane operational tasks while leaving Hayes with "half the profits" as financial coordinator and public face of the organization. The anti-commercial Hayes flatly rejected this proposal with the declaration that "there's too much golden light around Lookout right now," adding that work on his label of love had come to feel "too much like a job." With a quiet determination, Hayes declared that his departure would take
Lookout! Records
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Sun-Times" gave the film two stars out of four and wrote that the "murder schemes aimed at Mrs. Connelly don't generate the laughter they should, maybe because no matter what she does, she still seems, irremediably, unredeemably, a sweet little old lady. [...] 'Duplex' is all about plotting; it tries to impose emotions that we don't really feel. We can't identify with Mrs. Connelly, that's for sure, but we can't identify with Alex and Nancy, either, because we don't share their frustration -- and the reason we don't is because we don't believe it. There's too much contrivance and not
Duplex (film)
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He wrote, "you never feel like you're watching a girl on the empowering cusp of adulthood so much as a selection of attitudes compiled through demographic study." "The Independent"'s Anthony Quinn panned the character, describing her as "bland and Valley Girlish". Joe Williams of the "St. Louis Post-Dispatch "opined, "when the big-eyed heroine tries to tug at our heartstrings and Flynn turns into Prince Charming, the too-familiar hero-and-damsel motif feels like a fashion faux-pas." Similarly, the "SouthtownStar"'s Jake Coyle wrote, "Both Rapunzel and Flynn too much resemble Barbie and Ken, lacking both superficial and emotional individuality." Jen Yamato of Movies.com
Rapunzel (Tangled)
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too neatly, but this story is fine for the undemanding reader who wants an old-fashioned, feel-good saga." "Run Away Home" has also been reviewed by "Publishers Weekly", and "The Horn Book Magazine". Run Away Home Run Away Home is a 1997 book by Patricia McKissack. Set in the late 19th century, it is about an African-American girl, Sarah Jane, who finds an Apache boy in the family barn and the subsequent affects on their lives. "School Library Journal", in a review of "Run Away Home", wrote "Grabbing readers with wonderful characters, an engaging plot, and vital themes, McKissack weaves a
Run Away Home
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Seven Keys to Baldpate (1935 film) Seven Keys to Baldpate is a 1935 film directed by William Hamilton and Edward Killy and starring Gene Raymond and Eric Blore. It is one of several filmed versions based on the popular play. The critic from "The Washington Post" said he could think of no two actors less alike than Gene Raymond and Richard Dix (who starred in the 1929 film version), apart from George Arliss and Harpo Marx, and said the film was a "sturdy old warhorse"; while "Variety" wrote, "Too much conversation and too little action makes this mystery comedy, old
Seven Keys to Baldpate (1935 film)
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divorcees cope better with change. Children are affected by divorce in many different ways, varying by the circumstances and age of the child. Young children ages two to six are generally the most fearful of parental separation, and often feel abandoned or confused. Both boys and girls have the same amount of trouble coping, but often show this in different ways. Nonetheless this age group adapts best to their situations, as they are often too young to remember their non-custodial parent vividly. Children ages seven to twelve are much better at expressing emotions and accepting parentage breakage, but often distrust
Single parent
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This Lullaby This Lullaby (2002) is a young adult novel written by Sarah Dessen. Remy is an eighteen-year-old who is about to leave for college. Her father, a musician, wrote his one and only hit song the day she was born. The song, called "This Lullaby," became extremely popular, but he died soon after its release. Now, Remy's mother is getting married for the fifth time. After her mother's previous failed marriages, love is something that Remy doesn't believe exists. One day, she randomly meets Dexter at a car dealership that her mother's fiancé owns. He claims to feel a
This Lullaby
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in Sydney for an ovarian cancer that had been diagnosed three years before. It had been kept private by her and the other band members, because she did not want it to affect her life too much. In a statement she wrote: I have preferred to not let this diagnosis get in the way of getting on with life. I feel a deep frustration at this new roadblock, as I now have to take a step back and undergo treatment. The band means so much to me, and cancelling the tour has been a very sad decision. I am hopeful
The Jezabels
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someone works is too noisy, they might get frequent headaches, or find they cannot concentrate, and so feel dissatisfied. But when it is quiet enough they don’t feel pleased or happy - they just don’t feel bad. This can apply to a range of factors that affect someone's working conditions. Other things seem to be more likely to make people feel good about work and themselves once the basics are OK at work. Challenging work (not too little, not too much) can make them feel good. Similarly, opportunities for career progression and using their abilities can contribute to someone's quality
Quality of working life
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of prose Ivan Bunin published in the "Journal for Everyone" magazine, where his poetry was appearing regularly since 1898. Upon receiving the text, the magazine's editor Viktor Mirolyubov wrote in a letter dated May 29, 1901: "Thank you very much, dear Ivan Alekseevich, for "Skete". I liked it a lot... Whenever you put just one living person into this artistic frame of nature pictures, the nature itself gets so much livelier." Bunin replied: "I am glad you liked "Skete". As for the pictures of nature which, as far as I can see, you seem to feel I am too much
Meliton (Ivan Bunin)
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persuades them to return to their roots, and their lives together are recalled in flashback on the cross-country drive to New York. The film was a box-office failure. "The New York Times" Vincent Canby in his review of Nov. 21, 1980, gave it an entirely negative appraisal, deriding its "witless screenplay." Elliott Gould later recalled "“It was a very large score, it was overmusical. It was beautiful. Michel Legrand composed it. I thought there was too much of it. It was the first picture of a very, very young director [then 21 year-old Steven Paul, who also co-wrote]. It was
Falling in Love Again (1980 film)
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puts "way too much faith in the Titans", like he has always been which Gar responds: "I damn well hope so Rose. I damn well hope so". It is also revealed that in this timeline Rose and Garfield are wife and husband and their daughter named Red, is one of the teens in training. Beast Boy once again joins the Teen Titans led by Damian Wayne along with Starfire, Raven, and Kid Flash. Beast Boy has the ability to morph and transform into "any" animal that he has seen himself or has seen in an illustration (as is the case
Beast Boy
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Jane Bentley, respectively. It was originally to be titled as "Chuck Versus the First Mate". When Morgan looks through his old stuff before moving out, one of the earliest promotional photographs, released prior to the pilot episode, is seen, depicting Chuck and Morgan. "Chuck Versus the Masquerade" received mixed reviews from critics. "HitFix" writer Alan Sepinwall wrote that the episode was "a much denser episode of 'Chuck' than we often get, and one that handled almost all of its assignments superbly. Lots going on, but it didn't feel too busy." Sepinwall also found that "the Morgan end of things was
Chuck Versus the Masquerade
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he became executive director of the Children's Book Council, a position he held until his death. In this position, he actively advocated for literature that addressed real life issues faced by children and teenagers. His later children's and young adult books included "Wild in the World", "Good Old James" and "Family". He also wrote two short plays, "Damn You, Scarlett O'Hara" and "All My Pretty Ones", which were published in 1963 and staged off-Broadway in 1964 under the collective title "Riverside Drive". The play's staging at New York City's Theatre de Lys, starred Sylvia Sidney and Donald Woods. Donovan's longtime
John Donovan (writer)
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rational, normal and self-possessed that we never feel he's in real danger; we go through this movie with too much confidence." Edwin Miller of "Seventeen" wrote that the film was a "visually classy chiller... aided by stunning film locations." Richard Grenier of "Cosmopolitan" praised Medak's direction, but added: "it is Scott, using the full range of his immense talent, who gives the story its spine-tingling impact," and deemed it the best horror film of the year. "Variety" also praised the film, noting it as a "superior haunted house thriller." Ed Blank of the "Pittsburgh Press" referred to the film as
The Changeling (film)
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hear too much anymore"). The song's chorus highlights that the fans are the real stars, and that they are the reason artists record music. The song's verses alternate vocals between Joey + Rory, while the bridge is performed by Zac Brown of the Zac Brown Band, who co-wrote the song with Rory Lee Feek while they were out on tour together. Rory Lee Feek said the song "was written specifically for our fans, telling them how we feel about them," and to thank them for supporting the duo by attending their concerts. The song was well-received with fans on tour
This Song's for You
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River. Reviewer Tim Brayton commented "Since we're never going to see a beer ad directed by David Gordon Green, this is the next best thing. The hook is unbelievably straightforward: ‘in the summer, sexy young people like to have fun with their sexy young friends! Pick-up trucks and getting wet are often involved!’... Some of the shots are fun and relaxed; a surprising number feel worn out, like you will after you've gotten too much sun." A second official video was also released, which features a group of young adults at a pool party. The party is guarded by bouncers
Left Hand Free
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its scale...It's a fascinating moment in democracy, and one that shouldn't be ignored". The "New York Times" added that "the sheer size of the electorate makes this election the largest ever in the world and an inspiring celebration of universal adult suffrage," but also wrote "lurking behind the feel-good spectacle is the reality that India's elections are awash in illegal cash, serious violence and dirty tricks." "Bloomberg Businessweek" wrote of the election that the "process is awesome in its complexity, and the campaigns have given rise to robust debate...But here's something else not to miss: It’s all pretty damn colorful."
2014 Indian general election
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infusing any novelty into these age-old yarns." Deepanjana Pal from "Firstpost" wrote, ""I" is too long, too stupid and too regressive to be entertaining" and also called it "superficial and the least fun Shankar film ever". "Variety" magazine's Ronnie Scheib wrote, "Shankar's visual ingenuity keeps things zippy for much of the hefty 188-minute running time, and star Chiyaan Vikram delivers a knockout three-pronged performance, but this cinematic bravura is offset by underdeveloped scripting, flatly one-dimensional villains and overdone lone-hero-vs.-swarms-of-murderous-attackers setpieces". Rachel Saltz from "The New York Times" wrote, ""I" is exuberant and unselfconscious but too cartoonish to engage your emotions.
I (film)
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could be engendered by too much exposure to jazz, Coke, and hot dogs." The Boston Globe's Wesley Morris wrote, "[Koreyoshi] Kurahara takes the movie to extremes of behavior and style, merging the two until the form seems as violently unstable as the characters. He makes a wave that in Europe was called 'French' and 'new.' But with all due respect to Jean-Luc Godard, this is breathless - and more interesting, too." Morris further qualified that while "Breathless" may appeal to contemporary viewers academically, "The Warped Ones" retains a spontaneous, documentary feel. Schilling discerned the film, "Among [Kurahara's] boldest departures from
The Warped Ones
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projects. Christopher Choa, an American architect who lives in Shanghai, told me, “It has become a verb. Developers say to architects, ‘Can you Xintiandi this project for me?’ The young Chinese people come because they think it’s trendy, the foreigners come because they think it’s historically significant, and the old people come because they feel nostalgia.” Since Xintiandi opened, Shanghai has begun to preserve much more architecture than it ever did before. Benjamin T. Wood Benjamin T. Wood is an American architect who designed Shanghai's famous Xintiandi, which means “New Heaven and Earth,” a refined cluster of traditionally styled Shanghai
Benjamin T. Wood
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parted on friendly terms. At first Young was appreciative of Champollion's success, writing in a letter to his friend that "If he [Champollion] did borrow an English key. The lock was so dreadfully rusty. that no common arm would have had strength enough to turn it. ... .You will easily believe that were I ever so much the victim of the bad passions, I should feel nothing but exultation at Mr. Champollion's success: my life seems indeed to be lengthened by the accession of a junior coadjutor in my researches, and of a person too, who is so much more
Jean-François Champollion
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is carried on much too long, stretching what little material there is." Poor Old Bill Poor Old Bill is a 1931 British comedy film directed by Monty Banks and starring Leslie Fuller, Iris Ashley and Syd Courtenay. It marked the film debut of a very young Peter Lawford, playing the child of the main character, Bill (Leslie Fuller). A man sponges off an old comrade from the First World War who believes he has saved his life during the war, although this ultimately proves not to be true. "TV Guide" gave the film one out of four stars, calling it
Poor Old Bill
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an 80-page booklet telling the story of the recording and the video of the special TV show recorded in 1976 and available officially for the first time. Orchestrations by David Palmer. Orchestra conducted by David Palmer. Too Old to Rock 'n' Roll: Too Young to Die! Too Old to Rock 'n' Roll: Too Young to Die! is the ninth studio album released by British band Jethro Tull, recorded in December 1975 and released in 1976. It is the first album to include bassist John Glascock who also contributes with backing vocals. "Too Old to Rock 'n' Roll: Too Young to
Too Old to Rock 'n' Roll: Too Young to Die!
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wrote that the film "continues the painful decline of a director who seems more nostalgic for past glories than excited about new ideas". Robert Abele of the "Los Angeles Times" wrote that the film "feels like a foot-wetting exercise rather than a full-bodied romp in familiar waters". Owen Gleiberman of "Entertainment Weekly" rated it B− and wrote, "While he does bring his trademark craftsmanship to this snake-pit mental-asylum thriller, the picture has too many old-movie bits rattling around in it." Adam Nayman of "Fangoria" wrote, "The problem with "The Ward" is not so much its lack of style as the
The Ward (film)
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who received one-fifth of the box office takings. This made him very wealthy in his later life. Upon his first viewing of the film, Guinness wrote in his diary, "It's a pretty staggering film as spectacle and technically brilliant. Exciting, very noisy and warm-hearted. The battle scenes at the end go on for five minutes too long, I feel, and some of the dialogue is excruciating and much of it is lost in noise, but it remains a vivid experience." Guinness soon became unhappy with being identified with the part and expressed dismay at the fan following that the "Star
Alec Guinness
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in 2006. "Stay Gone" and "I Love You This Much" were both included on Wayne's next solo album "Do You Believe Me Now". Reviewing for AllMusic, critic Thom Jurek wrote of the album "He can write, sing and yeah, for a guy who spent so much of his life living outdoors and in shelters, he's a handsome devil too. But the grain of truth that's in his voice outstrips any image or sonic trappings that may be placed upon him from outside. Keep your ears open; this young man is no flash in the pan." and reviewing for Entertainment Weekly,
Jimmy Wayne (album)
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the personality test, although a fourth appears in the lyric booklet with "Angel Dust"; question 179 "Do others push you around?". Two of the questions used were shortened slightly for their use in the song, question 27 "Do you often sing or whistle just for the fun of it?" had the words 'the' and 'of it' removed, and question 196 "Do you sometimes feel that your age is against you (too young or too old)?" was shortened to "Do you feel sometimes that age is against you?". The third and unchanged line is question 69, "Does emotional music have quite
Land of Sunshine
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too much to believe that the riots took place because of the intense love of Gandhiji on the part of the Marathas. Godse became a very convenient hate symbol to damn the Brahmins and burn their properties." Renowned author and professor emeritus of political science at the State University of New York at Buffalo, Donald B. Rosenthal, in his book "Caste in Indian Politics" stated that the motivation for the violence was the historical discrimination and humiliation that the Maratha community faced due to their caste status. He wrote,"Even today, local Brahmins claim that the Marathas organized the riots to
Maharashtrian Brahmin