who wrote come thou fount of every blessing lyrics
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Come Thou Fount of Every Blessing "Come Thou Fount of Every Blessing" is a Christian hymn written by the 18th century pastor and hymnodist Robert Robinson. Robert Robinson penned the words at age 22 in the year 1757. In the United States, the hymn is usually set to an American folk tune known as "Nettleton", composed by printer John Wyeth, or possibly by Asahel Nettleton. In the United Kingdom, the hymn is also often set to the tune "Normandy" by C Bost. The "Nettleton" tune is used extensively in partial or full quotation by the American composer Charles Ives, in
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Many choirs, including the Mormon Tabernacle Choir, sing it in an arrangement by Mack Wilberg. It splits verse 2 into two parts and the last half of verse 3 is appended to each part to form two verses. A version titled "O Thou Fount of Every Blessing" and attributed to Robert Robinson is found in several shape-note hymnals of the American South. The melody is attributed to A. Nettleton, while several phrases are changed. Come Thou Fount of Every Blessing "Come Thou Fount of Every Blessing" is a Christian hymn written by the 18th century pastor and hymnodist Robert Robinson.
Come Thou Fount of Every Blessing
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Come Thou Fount of Every Blessing "Come Thou Fount of Every Blessing" is a Christian hymn written by the 18th century pastor and hymnodist Robert Robinson. Robert Robinson penned the words at age 22 in the year 1757. In the United States, the hymn is usually set to an American folk tune known as "Nettleton", composed by printer John Wyeth, or possibly by Asahel Nettleton. In the United Kingdom, the hymn is also often set to the tune "Normandy" by C Bost. The "Nettleton" tune is used extensively in partial or full quotation by the American composer Charles Ives, in
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Robert Robinson (Baptist) Robert Robinson (27 September 1735 – 9 June 1790) was an English Dissenter, influential Baptist and scholar who made a lifelong study of the antiquity and history of Christian Baptism. He was also author of the hymns "Come Thou Fount of Every Blessing" and "Mighty God, while angels bless Thee", the former of which he wrote at age 22 after converting to Methodism. The latter was later set to music by Dr John Randall, Music Professor at Cambridge University. Robert Robinson was born in Swaffham in Norfolk, on 27 September 1735, to Michael Robinson, a customs officer,
Robert Robinson (Baptist)
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such works as the First String Quartet and the piano quintet and song "The Innate". The "Nettleton" tune is also quoted at the end of "My Trundle Bed" by Tullius C. O'Kane. A shape note song called "Warrenton" also has been sung with a chorus being in 4/4 time or 2/2 cut time; to fit the text to this melody, the second half of each verse is omitted and replaced with a refrain of "I am bound for the kingdom, will you come to glory with me? / Hallelujah, praise the Lord!" The lyrics, which dwell on the theme of
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divine grace, are based on 1 Samuel 7:12, in which the prophet Samuel raises a stone as a monument, saying, "Hitherto hath the Lord helped us" (KJV). The English transliteration of the name Samuel gives to the stone is "Ebenezer", meaning Stone of Help. The unusual word "Ebenezer" commonly appears in hymnal presentations of the lyrics (verse 2). Various revised versions appear in hymnals, often changing phrases or replacing the reference to Ebenezer. The version in Nazarene hymnals and those of the Holiness movement replaces "wandering" with "yielded," and "prone to wander" with "let me know Thee in Thy fullness".
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rising tensions between her and his family. A radio is lowered into the cave and John is able to speak with Emily, who reveals she is pregnant. Shortly afterwards, he suffers another panic attack and begs Aaron to get him out of the hole. While talking with Aaron again, they each realize they are of the same religion and both served LDS missions in Spanish speaking countries. They both sing "Come Thou Fount of Every Blessing" in Spanish. The drilling into the walls finish and the attempt to pull John out commences. However, as John is starting to get pulled
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together favorite songs, hymns, and anthems from the Choir’s repertoire. Other songs and anthems in this collection speak of the many facets of life: “Cindy” is a rousing folk song; “O Home Beloved,” a plaintive remembrance; “Come Thou Fount of Every Blessing,” a stirring tribute to the grace of God, “Climb Ev’ry Mountain,” the reach for dreams yet unrealized, “Battle Hymn of the Republic” the anthem that made the Choir famous. America's Choir America's Choir: Favorite Songs, Hymns, & Anthems is a religious compilation album released by the Mormon Tabernacle Choir. The choir was first called "America's Choir" by U.S.
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building on three occasions. He was also a writer of devotional poems and hymns, many of which remained popular through the 19th century, although now largely forgotten. Many were published under the collective title "Walworth Hymns" in 1792. A version of his hymn "My Song in the Night" was included on the album "Come, Thou Fount of Every Blessing" released by the Mormon Tabernacle Choir in 2009. Swain died aged 35 on 14 April 1796. He was buried in Bunhill Fields burial ground in London. His headstone, recovered from its original site following bomb damage in World War II, is
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his dream of an animal-controlled society three nights before his death. Also, the book says that the tune of Beasts Of England is "a cross between "La Cucaracha" and "Oh, My Darling Clementine"." Alternate melodies: "Joyful, Joyful, we adore Thee" or "Come Thou Fount of every Blessing" or "Ebenezer", or "Anthem of the Soviet Republics." The animals sing "Beasts of England" frequently after the rebellion, especially after meetings. At one point when Clover the horse questions the direction of Animal Farm, she sings "Beasts of England" which causes the other animals to join in. (The song's tune is described in
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"Families Can Be Together Forever." Others were left out of the book. The church did not give particular reasons for leaving out any particular hymn, just saying that the spirit was followed in the selection and there were too many hymns to be included into one book. For example, some of the hymns were about Utah and its mountains, which, while meaningful to church members living there, would not be as appealing to a worldwide church. Others such as "Oh Give Me Back My Prophet Dear" and "Come Thou Fount of Every Blessing" were missed by some members. Of the
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music festival and he encouraged Boyé to audition for the choir. Boyé joined the 360-voice Mormon Tabernacle Choir in 2006 and, when accepted, became one of three black choir members. He also continued to pursue a solo career. He had two solo parts in the choir's album "Come Thou Fount of Every Blessing". In 2010, Boyé performed the single, "Born to Be a Scout", at the National Scout Jamboree at Fort A.P. Hill, Virginia. Boyé was signed to Deseret Book's Shadow Mountain label. In August 2010, he was a featured soloist in a concert connected at the re-dedication of a
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the book "the most popular tune book of the South and West until the Civil War." Included in these tune books were ancient psalms like "Old Hundred," congregational hymns like "All hail the power of Jesus' name," vernacular New England choral works by eighteenth-century tunesmiths like William Billings, and a welter of folk hymns out of the Anglo-Celtic oral tradition, including two early settings of "Come thou fount of ev'ry blessing." "The Missouri Harmony" reached out throughout the old West, from St. Louis as far upriver as Wisconsin and southeast into Tennessee and what is now called the Deep South.
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later they recorded their first album of original music, "With The Angels". This ten-song album featured the vocals of Sojourn worship leader Jeremy Quillo, who wrote all songs but the standard “Come Thou Fount.” Band member Eddy Morris and Cosper engineered and produced "With The Angels" at Morris’s Ear Candy Studio – a pattern repeated for the next three Sojourn studio recordings. Following a Christmas season record in 2003, "Songs For The Advent", Cosper, Quillo, Morris and Sojourn musicians began recording a Psalm-based record which delved into several folk musical styles in America and around the world. While Quillo still
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Annie Hawks Annie Hawks (May 28, 1836 - January 3, 1918) was an American poet and gospel hymnist who wrote a number of hymns with her pastor, Robert Lowry. She contributed to several popular Sunday school hymnbooks, and wrote the lyrics to a number of well-known hymns including: "I Need Thee Every Hour"; "Thine, Most Gracious Lord"; "Why Weepest Thou? Who Seekest Thou?"; "Full and Free Salvation" and "My Soul Is Anchored". Annie Sherwood was born on May 28, 1836, in Hoosick, New York. Her ancestry on her father's side was English, and on her mother's side, remotely, Holland Dutch.
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with her daughter and son-in-law. She died there on January 3, 1918, and is interred at the Hoosick Rural Cemetery. Annie Hawks Annie Hawks (May 28, 1836 - January 3, 1918) was an American poet and gospel hymnist who wrote a number of hymns with her pastor, Robert Lowry. She contributed to several popular Sunday school hymnbooks, and wrote the lyrics to a number of well-known hymns including: "I Need Thee Every Hour"; "Thine, Most Gracious Lord"; "Why Weepest Thou? Who Seekest Thou?"; "Full and Free Salvation" and "My Soul Is Anchored". Annie Sherwood was born on May 28, 1836,
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thee, Whose every slope and tree, In noble mein praises God, As born of favored soil He trod. We hail thy towers grey and lofty, Thy wings of stone so strong. Thy Mary image greeting all who come, Who for her blessing long. Oh Maryvale, dear Maryvale, We give our hearts to thee today. School of our Queen of lineage royal, To thee we will be loyal, For thou has taught in Christ-like way, Courageous faith and love each day. In hope, fidelity and peace, Thy spirit stands secure. Obedience, purity and zeal for truth, Marks life that will endure.
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the hymn had originally been excluded from the hymn book was that there had been no officially suitable music intended for it before then. In recent times, "Come, Thou Long Expected Jesus" has not been as well known as a Christmas Carol as others written around the same time. "Joy to the World" being one such example but "Come, Thou Long Expected Jesus" is still used to focus on the hope of the Second Coming of Jesus. The lyrics of "Come, Thou Long Expected Jesus" focus on God choosing to give a Messiah to the world in the form of
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seven blessings of the Sabbath `Amida; and concludes with a paragraph about the sanctity of the sabbath, and a concluding sentence: "Blessed art Thou, O Lord, who sanctifies the Sabbath." The Seven-Faceted Blessing is recited every Friday evening of the year, even if it coincides with a festival or Yom Kippur. This is in contrast to most of the Sabbath liturgy, which is jettisoned if a particular Sabbath falls on a festival or on Yom Kippur. The text of the Seven-Faceted Blessing (in accordance with the Ashkenazic version—other traditions have very similar versions—can be found in Seder `Avodat Yisra’el on
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a contrast, Isaac perceived Gehenna opening beneath Esau when the latter entered the room. Showing Isaac that he had been deceived all along by Esau's show of piety. Esau was heartbroken by the deception, and begged for his own blessing. Having made Jacob a ruler over his brothers, Isaac could only promise, "By thy sword thou shalt live, and shalt serve thy brother; yet it shall come to pass when thou shalt have the dominion, that thou shalt cast off his yoke from off thy neck" (Gen 27:40). Esau was filled with hatred toward Jacob for taking away both his
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The band proceeded to rename the posted hymn, "Turn Your Eyes Upon Jesus". Through the release of the song, Langston also revealed the EP was officially to be called "Good Spells". On September 1, Matt Langston posted on his "Jellyrox" blog about why the EP was being created. The band proceeded to release a second hymn, "Come Thou Fount," on September 3. This release was followed five days later by a third hymn, "Tis So Sweet (To Trust in Jesus)". On the 10th, as expected, the EP debuted in the iTunes Store. Later, the same day of the release, Matt
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since the beginning of time, but it was the one he could remember best. <poem> 1. Come, ye thankful people, come, 2. We ourselves are God's own field, 3. For the Lord our God shall come, 4. Then, thou Church triumphant come, </poem> "Lyrics in Public Domain" <poem> 2. All this world is God's own field, </poem> <poem> 3. For we know that thou wilt come, </poem> <poem> 4. Come then, Lord of mercy, come, </poem> Come, Ye Thankful People, Come "Come, Ye Thankful People, Come" is an English Christian harvest festival hymn written in 1844 by Henry Alford. It
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informed the public that the band was covering the hymn, "I Surrender All." On August 29, Langston revealed the album's cover art and release date (9.10.13) via Instagram and Tumblr. Later, on August 29, the band posted a hymn entitled "Turn Your Eyes" on their SoundCloud account. The band later renamed the posted hymn, "Turn Your Eyes Upon Jesus." On September 1, Matt Langston posted on his "Jellyrox" Tumblr blog about why the new EP was being created. Afterwords, the band proceeded to release two more hymns entitled "Come Thou Fount" and "Tis So Sweet To Trust In Jesus" via
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Guard" from May to November 1897. He played Fritz in D'Oyly Carte's revival of "The Grand Duchess of Gerolstein", from December 1897 to March 1898, and Marco in "The Gondoliers" from March to May 1898. In the 1890s Kenningham composed the music of several songs, including the ballad "Without thy love" (to lyrics written by a fellow D'Oyly Carte performer, Wallace Brownlow), "Scarborough Sal" and "I Dream of the Days". He wrote both the words and the music for "Can it be Love" and "Love of my Life 'tis You". His song "Since thou hast come", to lyrics by H
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to sojourn, but abide with me. Come not in terror, as the King of kings, But kind and good, with healing in Thy wings; Tears for all woes, a heart for every plea. Come, Friend of sinners, thus abide with me. Thou on my head in early youth didst smile, And though rebellious and perverse meanwhile, Thou hast not left me, oft as I left Thee. On to the close, O Lord, abide with me. I need Thy presence every passing hour. What but Thy grace can foil the tempter's power? Who, like Thyself, my guide and stay can be?
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written by Dottie Rambo of the group "The Rambos" Other hymns sung to this are: W. G. Rothery, a British lyricist who wrote the English lyrics for songs such as Handel's "Art Thou Troubled," wrote the following lyrics to the tune of "The Londonderry Air": George Sigerson wrote lyrics arranged by T. R. G. Jozé. These words were made popular in the early 20th century by the Glasgow Orpheus Choir under Sir Hugh S. Roberton. A pdf copy of the SATB arrangement by Jozé is available from the University of Michigan musical archives. Londonderry Air The Londonderry Air is an
Londonderry Air
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the day), Ner (candle), Havdala (the Havdala blessing) and Zman (time, i.e. shehechiyanu). The central blessing of the Havdalah is the following paragraph, of which there are variants: <poem> Blessed art thou, God, our Lord, King of the Universe Who distinguishes Holiness from the everyday, Light from dark, Israel from the nations, The seventh day from the six workdays. Blessed art thou, God, Who distinguishes holiness from the everyday. </poem> The text of the Havdalah service exists in two main forms, Ashkenazic and Sephardic. The introductory verses in the Ashkenazic version (beginning הנה אל, "Hinei El") are taken from the
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get at the truth, Isaac asked him directly, "Art thou my very son Esau?" and Jacob answered simply, "I am." Isaac proceeded to eat the food and to drink the wine that Jacob gave him, and then told him to come close and kiss him. As Jacob kissed his father, Isaac smelled the clothes which belonged to Esau and finally accepted that the person in front of him was Esau. Isaac then blessed Jacob with the blessing that was meant for Esau. Genesis 27:28–29 states Isaac's blessing: "Therefore God give thee of the dew of heavens, and the fatness of
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winter, have two distinct versions of the ninth blessing. During the dry season, the blessing has this form: Bless us, our Father, in all the work of our hands, and bless our year with gracious, blessed, and kindly dews: be its outcome life, plenty, and peace as in the good years, for Thou, O Eternal, are good and does good and blesses the years. Blessed be Thou, O Eternal, who blesses the years. In the rainy season, the text is changed to read: Bless upon us, O Eternal our God, this year and all kinds of its produce for goodness,
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to Your glorious throne. Amen." Wesley adapted this prayer into a hymn in 1744 and published it in his ""Hymns for the Nativity of our Lord"" hymnal. Wesley wrote "Come, Thou Long Expected Jesus" with the intent for people to remember Advent and Christmas as commemorating the Nativity of Jesus and preparing for the Second Coming. "Come, Thou Long Expected Jesus" was the first of a number of Wesley's hymns that became known as the "Festival hymns". These "Festival hymns" were published outside of Methodism by German, John Frederick Lampe in 1746. The hymn came into popular knowledge across Christian
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Maimonides, the general trend in Yemen was also to follow the "halakhic" rulings of the geonim, including their format used in the blessings. Rabbi Saʻīd ibn Daoud al-ʻAdeni, in a commentary which he wrote on Maimonides' "Mishneh Torah" (ca. 1420 – 1482), writes of the final blessing said over wine: "What is found in the writings of most of the "geonim" is to conclude the blessing after drinking the fruit of the vine by saying, ['Blessed art Thou, O Lord], "for the vine and the fruit of the vine",' and thus is it found written in the majority of the
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thou wast still in the world, and didst see the things come to pass. Then thou speakest to me of the leopard; and whence canst thou know this, for thou art already gone to thy rest? Who instructed thee to announce these things, but He who formed thee in (from) thy mother's womb? That is God, thou sayest. Thou hast spoken indeed, and that not falsely. The leopard has arisen; the he-goat is come; he hath smitten the ram; he hath broken his horns in pieces; he hath stamped upon him with his feet. He has been exalted by his
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in his "Runa", where he also published his new text "Sång till Norden" ["Song to/of the North"]. Dybeck himself originally wrote the beginning as "Du gamla, du friska" (), but in the late 1850s personally changed the lyrics to "Du gamla, du fria" (Thou ancient, Thou free). The song was already published in several song books and sung with "Du gamla, du friska", but a priest who had known Dybeck got the opportunity to tell the singer most associated with the song, opera singer Carl Fredrik Lundqvist, about the change in the year 1900. From that point on, printings of
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Christ, let us worship the holy Lord Jesus, the only sinless one. We venerate Thy cross, O Christ, and Thy holy Resurrection we praise and glorify. For Thou art our God, and we know none other than Thee. We call on Thy name. O come, all ye faithful, let us venerate Christ's holy Resurrection. For behold, through the cross joy hath come into all the world. Ever blessing the Lord, we praise his Resurrection: for by enduring the cross, he hath slain death by death. During the Paschal season this hymn is chanted three times. The Gospel Book is then
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obey. But thou, shrieking harbinger, Foul pre-currer of the fiend, Augur of the fever's end, To this troop come thou not near. From this session interdict Every fowl of tyrant wing, Save the eagle, feather'd king: Keep the obsequy so strict. Let the priest in surplice white, That defunctive music can, Be the death-divining swan, Lest the requiem lack his right. And thou, treble-dated crow, That thy sable gender mak'st With the breath thou giv'st and tak'st, 'Mongst our mourners shalt thou go. Here the anthem doth commence: Love and constancy is dead; Phoenix and the turtle fled In a
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Jesus. It also focusses on the Old Testament Israelites longing for the Messiah to come and take the burden of sins from them to take them upon himself. The last line of the first verse may have come from Wesley being inspired by 17th century philosopher; Blaise Pascal's claim that "There is a God shaped vacuum in the heart of every person that cannot be filled by any created thing, but only by God, the Creator." "Come, Thou Long Expected Jesus" has been set to a number of tunes. It is not known which tune Wesley originally intended for the
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to constitute the Presiding Bishopric under the authority of the First Presidency (). To date, all men who have served on the Presiding Bishopric have been Melchizedek priesthood holders, and none have been publicly identified as descendants of Aaron. See also Mormonism and Judaism. The positioning of the kohen's hands during the Priestly Blessing was Leonard Nimoy's inspiration for Mr. Spock's Vulcan salute in the . Nimoy, raised an Orthodox Jew (but not a kohen), used the salute when saying "Live long and prosper". The Priestly Blessing was used by Leonard Cohen in his farewell blessing during "Whither Thou Goest",
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Brian Johnson also sang a version of "Come Thou Long Expected Jesus". Fernando Ortega also recorded "Come, Thou Long Expected Jesus" on his 2011 album "Christmas Songs". Red Mountain Music has recorded a version of "Come, Thou Long Expected Jesus" which appears on their album "Silent Night", and includes all four verses. Meredith Andrews also recorded "Come Thou Long Expected Jesus" on her 2017 Christmas album "Receive Our King". Come, Thou Long Expected Jesus "Come, Thou Long Expected Jesus" is a 1744 Advent and Christmas carol common in Protestant hymnals. The text was written by Charles Wesley. It is performed
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a matter of Sigsworth wanting to hear various song ideas properly realized. As Heap says: "Every month or so Guy would phone me up and say 'I've got a new song, would you come in and sing it?' and then before we knew it we'd already started the album." As a linking concept for the emerging set of songs, Sigsworth suggested two ideas for the lyrics: Sigsworth wrote the lyrics to the songs "Breathe In", "Only Got One" and "The Dumbing Down of Love", and co-wrote the lyrics to "Let Go", "It's Good To Be in Love", and "Psychobabble" on
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thy name to sing, Help us to praise! Father all glorious, O'er all victorious! Come and reign over us, Ancient of days! Jesus our Lord, arise, Scatter our enemies, And make them fall! Let thine Almighty aid, Our sure defence be made, Our souls on thee be stay'd; Lord hear our call! Come, thou incarnate word, Gird on thy mighty sword - Our pray'r attend! Come! and thy people bless, And give thy word success, Spirit of holiness On us descend! Come holy Comforter, Thy sacred witness bear, In this glad hour! Thou who Almighty art, Descend in ev'ry heart,
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which Tinashe and Azalea are "bossy and sexed-up". The track also discusses rebound dating, manifested in the lyrics, "When you left, you left me with no choice / I'm looking for a boy to fill this empty void". While Azalea's verse describes the scenario where a new lover finds interest in her style and prowess, "Every night, a different city, different time zone / All I wanna do is get my shine in / Far as fashion and this rappin', I'm who run it now / Walk-throughs cost a hundred thou/ Yo, I'm Iggy, ow". The lyrics were also noted
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since he was 14". The University of Minnesota wrote: "Music always being a part of his life and home, John Mark’s Bon Iver like sound young in life giving it a unique whimsical sound infused with simplistically deep lyrics. Who knows if it’s his lyrics that stick in your head for days, his toe-tappin’ folk tunes or his impressive beard that would make any young hipster boy envious, but the Twin Cities are crazy about John Mark Nelson and are excited for much more to come". "As there are more and more musicians employing these techniques every day, standing out
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through Jesus Christ our Lord. May Jesus Christ our Lord and God, and Son of God, who by the Father was anointed with the oil of gladness above all others who are one with Him, by this present infusion of the sacred unction pour upon thy head the blessing of the Holy Spirit, and make it go even unto the innermost recesses of thy heart, so that thou canst by this visible and material gift, perceive the things invisible, and after having with right moderation accomplished the temporal kingdom, mayest thou reign with Him eternally for the sake of Jesus
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beats his son Ernest for being unable to pronounce a hard C when singing a hymn. The hymn, "The Tyrolese Evening Hymn," begins with the lines "Come, come, come, Come to the sunset tree." In the album's liner notes, Darnielle writes: Many lyrics refer to Darnielle's abuse-riddled childhood – especially in the songs "This Year," "Dance Music," and "Hast Thou Considered the Tetrapod." The tone of the album is somber, dealing with Darnielle's longing for escape and his feelings of powerlessness, building up to the song "Lion's Teeth," which Darnielle has described as a "revenge fantasy" in an introduction to
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Lowood Institution, is not in the stage musical. The "Talkin Broadway" reviewer wrote: "A successful dramatic interpretation of the ever-popular novel by Charlotte Bronte, Jane is also blessed with a luxuriant score, haunting and memorable music, and crisp, intelligent lyrics which speak from the very heart of this tragic and romantic story. John Caird, who wrote the book, and Paul Gordon, who wrote the music and lyrics, have come up with a major contender come Spring’s award time...With Jane Eyre, Marla Schaffel joins that small group of great stars of the American musical theatre - Angela Lansbury, Julie Andrews, and
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hjálp af þér, í hjarta mér. </poem> <poem> Hear, smith of the heavens, what the poet asks. May softly come unto me thy mercy. So I call on thee, for thou hast created me. I am thy slave, thou art my Lord. God, I call on thee to heal me. Remember me, mild one, Most we need thee. Drive out, O king of suns, generous and great, human every sorrow from the city of the heart. Watch over me, mild one, Most we need thee, truly every moment in the world of men. send us, son of the virgin, good
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in the army. As for the nocturnal hours spent writing, these were seen not as a loss of sleep but as an addition to life, for as he states in the preface, "Vita vigilia est", "to be alive is to be watchful", in a military metaphor of a sentry keeping watch in the night. Pliny claims to be the only Roman ever to have undertaken such a work, in his prayer for the blessing of the universal mother: Hail to thee, Nature, thou parent of all things! and do thou deign to show thy favour unto me, who, alone of
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and let its issue be life, plenty, and peace as in the blessed good years; for Thou, O Eternal, are good and does good and blesses the years. Blessed be Thou, O Eternal, who blesses the years. At the Maariv Amidah following the conclusion of a Shabbat or Yom Tov, a paragraph beginning "Atah Chonantanu" ("You have granted us...") is inserted into the weekday Amidah's fourth blessing of "Binah". The paragraph thanks God for the ability to separate between the holy and mundane, paraphrasing the concepts found in the Havdalah ceremony. In fact, the Talmud teaches that if this paragraph
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the bishop venerates the icons. He then turns and blesses as the choir sings "Ton Despotin". He then stands on the kathedra (a platform in the center of the temple) and the priests each come to him, receive a blessing, and return to the altar to vest. The subdeacons remove the bishop's mandyas and place his episcopal vestments on him. As each vestment is placed on him, the protodeacon swings the censer and recites the appropriate vesting prayer, changing any reference from "my" and "me" to "thy" and "thou", and ending each prayer with "always, now and ever, and unto
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meal, a series of four (originally three) benedictions are said, or a single benediction if bread was not eaten. The Bahá'í Faith has these two prayers, which are meant for those who wish to thank God before they eat: "He is God! Thou seest us, O my God, gathered around this table, praising Thy bounty, with our gaze set upon Thy Kingdom. O Lord! Send down upon us Thy heavenly food and confer upon us Thy blessing. Thou art verily the Bestower, the Merciful, the Compassionate." "He is God! How can we render Thee thanks, O Lord? Thy bounties are
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Jesus", by John Stainer, which he wrote as part of his work The Crucifixion. The original text by Charles Wesley has two stanzas of eight lines each. These may also be divided into four stanzas of four lines each. An additional 2 stanzas, by Mark E. Hunt, were inserted in the middle of the hymn and used in a version published in the 1990 Trinity Hymnal. Chris Tomlin's version of "Come, Thou Long Expected Jesus" appears on his Christmas album "". On the compilation "Love Divine: The Songs of Charles Wesley For Today's Generation" released by Integrity Music in 2010,
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thank thee whose grace in need has always gone over our land in woeful and good times to this day. Hear, today, our king's and our prayer. We pray thee, send thy grace to King Olav the Fifth, assist him by thy Spirit and give him wisdom and peace from thee that his reign be a benefit and a blessing on Norway's land and people. Deceitful and burdensome days will come; may truth and goodness from thee be his power and gladness. Eternal, powerful God, bless our king, be thou always his Lord and his King and grant his House
Coronations in Norway
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in Christian hymnology. In 1744, Charles Wesley considered Haggai 2:7 and looked at the situation of orphans in the areas around him. He also looked at the class divide in Great Britain. Through this train of thought, he wrote "Come, Thou long expected Jesus" based upon Haggai 2:7 and a published prayer at the time which had the words: "Born Your people to deliver, born a child and yet a King, born to reign in us forever, now Your gracious kingdom bring. By Your own eternal Spirit, rule in all our hearts alone; by Your all sufficient merit, raise us
Come, Thou Long Expected Jesus
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before touring for a year. Lazzara and Nolan shared an apartment, often staying up talking until 5:00 am, and began showing each other compositions on which they were working. Neil Rubenstein, who later became the group's tour manager, would often find them composing songs with acoustic guitars. Taking Back Sunday had a room in Lindenhurst, New York, where they practiced and composed every night; their first song written was "Great Romances of the 20th Century". The band frequently recorded demos. The band wrote music together, while Lazzara and Nolan wrote lyrics. One member would typically come up with a part,
Tell All Your Friends
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song did not make it into the movie or the original soundtrack album). Danko recounted how the song was written: "We would come together every day and work and Dylan would come over. He gave me the typewritten lyrics to 'This Wheel's On Fire'. At that time I was teaching myself to play the piano... Some music I had written on the piano the day before just seemed to fit with Dylan's lyrics. I worked on the phrasing and the melody. Then Dylan and I wrote the chorus together." Danko continued to perform the song in concert during his solo
This Wheel's on Fire
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Psalm 24, "The earth is the Lord's and the fullness thereof", he offers her the left extremity of the stole and leads her into the church, saying: "Enter thou into the temple of God, adore the Son of the Blessed Virgin Mary who has given thee fruitfulness of offspring." She advances to one of the altars and kneels before it, whilst the priest, turned towards her, recites the appropriate blessing, and then, having sprinkled her again with holy water in the form of the cross, dismisses her, saying: "The peace and blessing of God Almighty, the Father, the Son, and
Churching of women
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according to the halachic laws of shechita: As he recited the blessing prior to the act, he dwelt on the holy commandment he was about to perform. "Blessed art Thou, God..", he began. "..Who commands us concerning Shechita", he concluded in such fervour that he lost all sense of his surroundings. Opening his eyes after the blessing, he looked around to find an empty room, with the chicken escaped. "Where is the chicken" he began asking! Jewish mysticism: Practices: Concepts: Devekut Devekut, debekuth, deveikuth or deveikus (Heb. דבקות; Mod. Heb. "dedication", traditionally "clinging on" to God) is a Jewish concept
Devekut
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chariot of fire came, and near the place, even the angel of the Lord, put forth his hand upon Bro. Marks and said unto him: 'Thou art my son, come here.' And immediately he was caught up in the chariot and rode away triumphantly out of their midst. And again the Lord said, 'I will raise thee up for a blessing unto many people.'" When the Saints arrived in Commerce, Illinois in 1839, Marks was appointed as Stake President of Commerce (later Stake President of the Nauvoo Stake of Zion). He served in that position until 1844. He was also
William Marks (Latter Day Saints)
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a popular medieval telling of the story of Jacob's encounter with the angel. It is set as the tenor (upper voice) text of Machaut's multi-text-layered Motet No.15 "Vidi dominum" (I have seen the LORD) simultaneously with two secular French texts: "Faux semblant m'a decü" and "Amours qui ha le pouvoir." Machaut musically contrasts God's blessing in the Latin text with the disappointments of secular love in the French texts. Charles Wesley's hymn "Come, O Thou Traveller Unknown", often known as "Wrestling Jacob", is based on the passage which describes Jacob wrestling with an angel. It is traditionally sung to the
Jacob wrestling with the angel
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Tu scendi dalle stelle "" (; "From Starry Skies Thou Comest", "From Starry Skies Descending", "You Came a Star from Heaven", "You Come Down from the Stars") is a Christmas carol from Italy, written in 1732 in Nola by Saint Alphonsus Liguori in the musical style of a pastorale. Though found in numerous arrangements and commonly sung, it is traditionally associated with the zampogna, or large-format Italian bagpipe. The melody and original lyrics for the hymn were written by Alphonsus Liguori, a prominent Neapolitan priest and scholastic philosopher (later canonized) who founded the Redemptorist missionary order. In 1732, while staying
Tu scendi dalle stelle
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how thou dost, and see if thou wantest any thing; and then with an endearing Smile would say, Dost thou love me? To which when I replied, Most dearly; I know it abundantly, would she answer, to my Comfort, but I love to hear thee tell me so.”" Walker dutifully recorded every instance her husband fell ill, described the illness to the best of her ability, and wrote a few prayers alongside. His sickness was of perhaps great interest to her as a pharmacist – though she never hesitated to call in a doctor if need arose. Walker gave birth
Elizabeth Walker (pharmacist)
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a great experimenter with form, although possibly to the detriment of finding his own style. Some of his best work is very beautiful, and much of it is of a melancholy nature, as this short extract from a poem called "A Soul's Loss" shows, where the poet bids farewell to a lover who has betrayed him: Child, I have no lips to chide thee./ Take the blessing of a heart/ (Never more to beat beside thee!)/ Which in blessing breaks. Depart./ Farewell! I that deified thee/ Dare not question what thou art. Lytton was highly thought of by other literary
Robert Bulwer-Lytton, 1st Earl of Lytton
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Will, Crowley stated "every intentional act is a magickal act". Liber AL vel Legis does make clear some standards of individual conduct. The primary of these is "Do what thou wilt" which is presented as the whole of the law, and also as a right. Some interpreters of Thelema believe that this right includes an obligation to allow others to do their own wills without interference, but "Liber AL" makes no clear statement on the matter. Crowley himself wrote that there was no need to detail the ethics of Thelema, for everything springs from "Do what thou Wilt". Crowley wrote
Thelema
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rude woodcuts. It has become customary for the reader of the Musaf on the days on which "Geshem" or "Ṭal" is inserted, to put on the white shroud and cap, as on the Day of Atonement, and before the additional prayer to intone the Ḳaddish in the accents of that solemn day. After the invocation above he proceeds: "For thou, O Lord our God, causest the wind to blow ... For a blessing and not for a curse, For plenty and not for famine, For life and not for death!" And the congregation thrice answers, "Amen!" When Abudirham wrote his
Geshem
1950761
healed all that were sick: Mark 1:23–27 – And there was in their synagogue a man with an unclean spirit; and he cried out, Saying, Let [us] alone; what have we to do with thee, thou Jesus of Nazareth? art thou come to destroy us? I know thee who thou art, the Holy One of God. And Jesus rebuked him, saying, Hold thy peace, and come out of him. And when the unclean spirit had torn him, and cried with a loud voice, he came out of him. And they were all amazed, insomuch that they questioned among themselves, saying,
Christian demonology
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partum Virginis;" "miretur omne saeculum:" "talis decet partus Deum." English translation: Come, Redeemer of the nations; show forth the Virgin birth; let every age marvel: such a birth befits God. Metrical English translation (by J. M. Neale): Come, thou Redeemer of the earth, and manifest thy virgin-birth: let every age adoring fall; such birth befits the God of all. Veni redemptor gentium "Veni redemptor gentium" (Come, Redeemer of the nations) is a Latin Advent or Christmas hymn by Ambrose in 88 88 iambic dimeter. The hymn is assigned to the Office of Readings for Advent, from December 17 through December
Veni redemptor gentium
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the Inner Temple, but still required further study for the Irish Bar, and his motivation was flagging; particularly since it would mean leaving London and its "coffee-shops, theaters, newspapers, and politics." There was also some tension between him and his father over this, and over a judgeship his father had been promised by Lord Worthington. On hearing that the judgeship might not come to pass, Malone wrote to his father: "It shall be a lesson to me, never to believe in any great man's word, unless coupled with performance, & to aspire by every truest means at the greatest blessing
Edmond Malone
20092774
near London, on 12 April 1831. Woodd was a prolific author. His publications included: Of Woodd's hymns, "Hail, Thou Source of every Blessing" became well known. Woodd was twice married: first, on 8 February 1785, to Ann (died 23 April 1791), daughter of Colonel Wood (died 1775); and, secondly, on 3 July 1792, to Sophia Sarah (died 15 August 1829), daughter of William Jupp of Wandsworth, an architect. By his first wife he had a son, Basil Owen (died 1811), and two daughters—Anne Louisa (died 1824), married to John Mortlock; and Anna Sophia (died 1817), married to Thomas Cahusac—and by
Basil Woodd
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into the individual terms "I" and "it" and "thou" is only for the purposes of analysis. Despite the separation of "I" from the "It" and "Thou" in this very sentence describing the relationship, there is to Buber's mind either an "I-Thou" or an "I-It" relationship. Every sentence that a person uses with "I" refers to the two pairs: "I-Thou" and "I-It", and likewise "I" is implicit in every sentence with "Thou" or "It". Each It is bounded by others and It can only exist through this attachment because for every object there is another object. Thou, on the other hand,
I and Thou
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Come Thou Almighty King "Come Thou Almighty King" is a popular Christian hymn of unknown authorship, which is often attributed to Charles Wesley. The earliest known publication of this hymn is a leaflet that was bound into the 6th edition of George Whitefield's "Collection of Hymns for Social Worship", 1757. In this leaflet, the hymn had five verses of seven lines each, and was titled "An Hymn to the Trinity." The leaflet also contained the hymn "Jesus, Let Thy Pitying Eye" by Charles Wesley, and because of this hymnologist Daniel Sedgwick attributed "Come Thou Almighty King" to Wesley as well.
Come Thou Almighty King
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on the recorder. She noticed me and gently pressed my head to the sacrificial altar as a blessing. Every people has its unique way to seek happiness, and make wishes come true. Lyrics: 我的阿姐從小不會說話 - Mute as she had been since a girl 在我記事的那年離開了家 - My sister left home while I was young 從此我就天天天天的想 - She has been in my heart ever since 阿姐啊 - O my sister 一直想到阿姐那樣大 - Till I am as old as she used to be 我突然間懂得了她 - I recognize her heart all of a sudden 從此我就天天天天的找 - So I keep looking for her day after
Sister Drum
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from this artist. Aoife (album) Aoife is the second studio album released by Irish singer Aoife Ní Fhearraigh. It consists of a wide selection of Traditional Irish songs, and its lyrics are entirely sung in Irish. In the sleeve notes, Máire Brennan - the world's most prominent Celtic artist wrote the following: "For those of us who have a love of the Irish Song Tradition, this is an invaluable recording that is an essential addition to every record collection. Aoife is the finest young singer that has come to my attention for quite some time." Rambles: 1996, by Gilbert Head:<br>This
Aoife (album)
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Aoife (album) Aoife is the second studio album released by Irish singer Aoife Ní Fhearraigh. It consists of a wide selection of Traditional Irish songs, and its lyrics are entirely sung in Irish. In the sleeve notes, Máire Brennan - the world's most prominent Celtic artist wrote the following: "For those of us who have a love of the Irish Song Tradition, this is an invaluable recording that is an essential addition to every record collection. Aoife is the finest young singer that has come to my attention for quite some time." Rambles: 1996, by Gilbert Head:<br>This disc is at
Aoife (album)
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he met Willem Steelink and Arnold Marc Gorter, who gave him a warm welcome. Couperus wrote about the travelling he and his wife constantly did: "your living or not living, what hast thou found, O thou poor seekers, O thou poor vagabonds, rich in suitcases?" Couperus spend the winter of 1911–1912 in Florence; meanwhile the Greco-Turkish War broke out and influenced life in Florence as well. Couperus wrote a sketch called "De jonge held" ("The Young Hero") about the son of friends in Italy who returned wounded from the front. In December Couperus and his wife left for Sicily but
Louis Couperus
783241
eat and commit fornication. So thou hast also some who hold the teaching of the Nicolaites. In like manner repent; or else I will come to thee quickly, and will fight against them with the sword of my mouth.” The last Western Church Father was Isidore of Seville, who finished the "Etymologies", or the "Origins", in the year 636 A.D. In Book VIII titled "The Church and sects (De ecclesia et sects)" he wrote, "The Nicolaites (Nicolaita) are so called from Nicolas, deacon of the church of Jerusalem, who, along with Stephen and the others, was ordained by Peter. He
Nicolaism
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dragon and the two priests that be with thee take in thy company, and when thou shalt come to him thou shalt say to him in this manner: Our Lord Jesus Christ which was born of the Virgin Mary, crucified, buried and arose, and now sitteth on the right side of the Father, this is he that shall come to deem and judge the living and the dead, I commend thee Sathanas that thou abide him in this place till he come. Then thou shalt bind his mouth with a thread, and seal it with thy seal, wherein is the
Golden Legend
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Park, on the shores of Lac Memphrémagog, near where he wrote the famous lyrics. A Montreal street is named "" in his honour. In recent years, the English version of the anthem has been criticized, by feminists such as Senator Vivienne Poy, for being sexist ("true patriot love in all thy "sons" command"); alternate lyrics ("in all of us command", "in all our hearts command" or "thou dost in us command") have been proposed but are not widely supported. Weir's grandson, Steve Simpson, says the word "son" is not about gender, but a reference to a patriotic command from a
Robert Stanley Weir
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thou shalt go: I will guide thee with mine eye (Psalm 32:8). "Look at the birds of the air; they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they?" (Matthew 6:26) and "Are not two sparrows sold for a farthing? and one of them shall not fall on the ground without your Father. But the very hairs of your head are all numbered. Fear ye not therefore, ye are of more value than many sparrows" (Matthew 10:29–31). Civilla Martin, who wrote the lyrics, said about her
His Eye Is on the Sparrow
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God Almighty came to Earth" (1987) and F. Pratt Green's "An Upper Room did our Lord Prepare" (1974). Additionally, Hal H. Hopson used the tune for his work "The Gift of Love". Hopson also wrote Christian lyrics to The Water is Wide, which are often performed by church choirs. Mack Wilberg has arranged the tune to "Thou Gracious God" by Oliver Wendell Holmes, Sr., which the Mormon Tabernacle Choir performs in the album Peace Like a River. Oregon (band) has a Jazz version of this on their 30th studio album, Lantern (Oregon album). Classical singers who have recorded "O Waly,
The Water Is Wide (song)
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and the Mannheim school. In the "Style Galant", the writing emphasises the soloistic qualities of the instruments, rather than integrated part-writing, to create a whole. Giardini, although he did write string quartets and quartets for other instruments – a new and evolving form at the time – concentrated on writing trios, primarily those for violin, viola and cello, of which he wrote at least 18. Giardini is known among Protestant churches for his "Italian Hymn" or "Moscow", which often accompanies the text to the hymn "Come, Thou Almighty King" and also John Marriott's hymn "Thou whose almighty word". He married
Felice Giardini
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[Brad Campbell] started singing..."Doctor doctor help me?" What's up with that! Seriously though, it just sounded mint so we wrote the rest pretty easily - another one of those 'clicker' songs. Every six months or so I write a song dedicated to an ex-girlfriend who I dislike…very much." Drummer Rob Nassif in a subsequent interview states that "Driving for the Storm" as "still one of our favourites to play live. This is my one and only contribution to lyrics and a vocal melody in any Gyro song. We had written the tune and Dan [Daniel Sanders] had come up with
Driving for the Storm / Doctor Doctor
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blood can cleanse each spot, -O Lamb of God, I come! Just as I am - though toss'd about With many a conflict, many a doubt, Fightings and fears within, without, -O Lamb of God, I come! Just as I am - poor, wretched, blind; Sight, riches, healing of the mind, Yea, all I need, in Thee to find, -O Lamb of God, I come! Just as I am - Thou wilt receive, Wilt welcome, pardon, cleanse, relieve; Because Thy promise I believe, -O Lamb of God, I come! Just as I am - Thy love unknown Has broken every
Just As I Am (hymn)
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composed by Polad Bülbüloğlu, based on a poem by Fikret Goja,Polad Bulbuloglu. Asked by Muzikotek to suggest an author to write an English adaptation of the lyrics, Buckmaster recommended Seeman, who wrote the English lyrics "Come Back To Me", appearing in the artwork of the CD release. In collaboration with Sarah Brightman and Frank Peterson, Seeman wrote "Harem", new original English lyrics for "Cancao do Mar", a Portuguese fado made famous by Amalia Rodrigues. Sarah Brightman's "Harem" album stayed in the Billboard Top 10 Crossover Classical chart for over 80 weeks. In December 2008, Daniel Lindstrom released the single "Caught
Roxanne Seeman
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the "Cash Box" pop singles chart. The single reached no. 33 on the "Record World" pop singles chart the same year. Les Paul composed the music. Fred Ebb wrote the lyrics, which were not recorded for the Les Paul release. The song was also released as part of a Capitol Records four song picture sleeve 45 EP, EAP 1-559, in 1955 under the title "Whither Thou Goest", containing the title track and also "Nola" and "Take Me in Your Arms and Hold Me". The DeJohn Sisters recorded the song in 1954 with the Fred Ebb lyrics and released it as
Mandolino (Les Paul instrumental)
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dissolved into dust (C12) evokes God’s admonition to Adam, “dust thou art; unto dust shalt thou return” (Genesis 3:19) Beckett initially wrote continuous prose for each of the three voice-aspects, then intercalated them into 36 verse paragraphs which are presented in a manner similar to "Play" according to the following order: Beckett is known to have had a long-standing preoccupation with musical structure. Time duration dictated where the breaks would come as he planned 3 x 5 minutes of speech with silences after 5 minutes and 10 minutes. The pauses “follow moments in which each of the voices confronts a
That Time
16377497
has come to return happiness to the people. As a New Year 2016 gift to the Thai people, General Prayut announced that he had written a new song to boost the country's morale. "I wrote it as a personal New Year present for the people," Gen. Prayuth said. "In the lyrics, it doesn't only mean me, but it means the media, too, because everyone is united and I have to please them. I use my every breath to help this country move forward." The song, "Because You Are Thailand", sung by Sergeant-Major Pongsathorn Porjit, includes the lyrics, "The day we
Prayut Chan-o-cha
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the Screw" and "In the Cage", which also feature unnamed and imaginative protagonists. In Chapter 21 of Donna Leon's third Guido Brunetti detective novel, "Dressed for Death" (1994; aka "The Anonymous Venetian"), Paola tells Guido, "I'm reading the master. "The Sacred Fount" is wonderful. "Nothing" happens, absolutely nothing." Later in the conversation, she states: "I'm already eager to finish it so that I can begin it all over again immediately." The Sacred Fount The Sacred Fount is a novel by Henry James, first published in 1901. This strange, often baffling book concerns an unnamed narrator who attempts to discover the
The Sacred Fount
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was notably used in the 1960s by poster creators such as underground comic artist Gilbert Shelton, who designed posters for a music venue in Austin, Texas called The Vulcan Gas Company. The rainbow-like gradients and vivid swirls of color achievable via split-fount inking were effects that matched well with the psychedelic aesthetic of these works. Split-fount Inking Split-fount inking also known as Split-fountain inking is a printing technique which allows for subtle gradations of multiple colors without the use of more complex and costly methods such as color separation. In order to achieve these effects, an ink tray normally intended
Split-fount Inking
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University but a Buckeye fan, wrote "Buckeye Battle Cry" and submitted it to the contest. Some older versions of the lyrics show not "COME ON OHIO!", but rather "O-HI-O". While the majority of fans and Block O sing O-HI-O (complete with arm motions), the former is much less common. The Ohio State University Marching Band sings "Come On Ohio" in their rendition. Buckeye Battle Cry "Buckeye Battle Cry", composed by vaudeville performer and songwriter Frank Crumit, is one of two fight songs of the Ohio State Buckeyes. Every football game in Ohio Stadium begins with Ramp entrance by The Ohio
Buckeye Battle Cry
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rhythms of Mozambique and writing songs in their native languages. The band pulled from marrabenta, an urban genre which relies on percussion and guitar that developed in Maputo, as well as xigbu, a style of drum-based chant. Ghorwane became known throughout the country in the 1980s due to their sharp political commentary, to the point where state police would routinely attend their live concerts in order to monitor their lyrics. Nonetheless, they received the blessing of Samora Machel in 1985, one year before his death, who referred to the band as "good boys". Vocalist and saxophonist Zeca Algae wrote "Massotcha"
Majurugenta
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And ne'er from us depart. Spirit of pow'r. To the great one in three Eternal praises be Hence - evermore! His sov'reign Majesty May we in glory see, And to eternity Love and adore! </poem> Come Thou Almighty King "Come Thou Almighty King" is a popular Christian hymn of unknown authorship, which is often attributed to Charles Wesley. The earliest known publication of this hymn is a leaflet that was bound into the 6th edition of George Whitefield's "Collection of Hymns for Social Worship", 1757. In this leaflet, the hymn had five verses of seven lines each, and was titled
Come Thou Almighty King
3475431
be I with thee Be thou my father, be I thy son. Mayst thou be mine, may I be thine. Be thou my battle-shield, be thou my sword. Be thou my dignity, be thou my delight. Be thou my shelter, be thou my stronghold. Mayst thou raise me up to the company of the angels. Be thou every good to my body and soul. Be thou my kingdom in heaven and on earth. Be thou solely chief love of my heart. Let there be none other, O high King of Heaven. Till I am able to pass into thy hands,
Be Thou My Vision
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Hebrew word "ashrei" (translating to ""happy"" or ""praiseworthy"" or ""fortunate""), hence the prayer's name. Ashrei is recited three times daily during the full course of Jewish prayers, in accordance with the Talmud, citing Rabbi Eleazar ben Abina of the 4th century, which says that one who thoughtfully recites Ashrei three times daily, particularly the verse פותח (""Thou openest thine hand, and satisfiest the desire of every living thing""), is guaranteed a place in Olam Haba (the World to Come). It is for this reason that not only is Ashrei recited these three times, but many of its verses occur throughout
Ashrei
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mystery. 5. Thou art King of glory, Christ: Son of God, yet born of Mary; For us sinners sacrificed, And to death a tributary: First to break the bars of death, Thou has opened Heaven to faith. 6. From Thy high celestial home, Judge of all, again returning, We believe that Thou shalt come In the dreaded doomsday morning; When Thy voice shall shake the earth, And the startled dead come forth. 7. Therefore do we pray Thee, Lord: Help Thy servants whom, redeeming By Thy precious blood out-poured, Thou hast saved from Satan’s scheming. Give to them eternal rest
Holy God, We Praise Thy Name
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provide her blessing. The pursuer then takes out the necklace and says ""That thou art full of promise"", blesses it with a kiss, and places the necklace around her intended lover's neck. She then takes out the bracelet and says ""That thou shall know the heart of another"" and places the bracelet on her intended lover's wrist. If the person gifted chooses to accept the courtship, she then agrees to always wear the necklace and bracelet and never remove them until it can be mutually agreed upon to form a lasting relationship together. Until the two Amazons agree to finalize
Amazons (DC Comics)
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the Shepherd. She loved him and his appearance so much, that she asked Zeus that Endymion stay young forever. Zeus granted this, and put Endymion in an eternal sleep. Selene is watching Spenser and Elizabeth with jealousy, because her lover cannot interact with her. Genius was the God of generation and birth. "And thou glad Genius, in whose gentle hand, The bridale bowre and geniall bed remaine," Spenser is once again asking for a blessing from a god. This time it is on passing birth and passing down his genes. Hebe is the Goddess of youth and freedom. "And thou
Epithalamion (poem)
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1905, appearing on Broadway in "Julius Caesar" (1902), "The Proud Laird" (a comedy, 1905), "The Earl and the Girl" (a musical, 1906), "The Hypocrites" (a drama, 1906), "The Beauty Spot" (a musical, 1909), "The Gay Hussars" (an operetta, 1909), "Madame X" (a melodrama, 1910), and "The Blue Bird" (a play, 1911). He once more returned to London, making his last appearance there as Stuff, a theatre manager, in Walter Browne's "Everywoman" in 1912. Denny also wrote several one-act plays, the best-known of which was "A Mutual Mistake" (1891). In addition, he wrote song lyrics, such as "How sweet thou art
W. H. Denny
8374217
dangers, here is the [recitation] of the names of Nīlakaṇṭha, as chanted by ārya Avalokiteśvarā. 2. I shall enunciate the 'heart' [dhāraṇī] which ensures all aims, is pure and invincible for all beings, and which purifies the path of existence. 3. THUS. Oṃ. O Effulgence, World-Transcendent, come, oh Hari, the great bodhisattva, descend, descend. Bear in mind my heart-dhāraṇī. Accomplish, accomplish the work. Hold fast, hold fast, Victor, oh Great Victor. Hold on, hold on, oh Lord of the Earth. Move, move, oh my Immaculate Image. Come, come, Thou with the black serpent as Thy sacred thread. Destroy every poison.
Nīlakaṇṭha Dhāraṇī
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will be a disaster, the "joy of this episode is anticipating exactly what sort of disaster." A member of the IGN staff wrote in a season two review that "Oh Brother, Where Art Thou?" is one of the "real winners to be found in the second season." Dawn Taylor of The DVD Journal thought the most memorable line of the episode was Homer's idea of the perfect car, "You know that little ball you put on the aerial so you can find your car in a parking lot? That should be on every car! And some things are so snazzy
Oh Brother, Where Art Thou?
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Fount of honour The fount of honour () refers to a person, who, by virtue of his or her official position, has the exclusive right of conferring legitimate titles of nobility and orders of chivalry on other persons. During the High Middle Ages, European knights were essentially armoured, mounted warriors; by virtue of its defining characteristic of subinfeudation, in feudalism it was common practice for knights commander to confer knighthoods upon their finest soldiers, who in turn had the right to confer knighthood on others upon attaining command. For most of the Middle Ages, it was possible for private individuals
Fount of honour
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Brooke (1701–1783) wrote: <poem style="margin-left: 2em"> Of all trades and arts in repute or possession, Humbugging is held the most ancient profession. </poem> The phrase had also been applied to murderers. In "The Secret Societies of All Ages and Countries" (1875), Charles William Heckethorn, describing the Thugs of India, said: The hierophant, on initiating the candidate, says to him: "Thou hast chosen, my son, the most ancient profession, the most acceptable to the deity. Thou hast sworn to put to death every human being fate throws into thy hand..." There is some evidence that unworldly speakers (e.g. of the older
Oldest profession (phrase)