who wrote the song there 's no business like show business
Irving Berlin
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meaningful". Tenor saxophonist Sonny Rollins did a rendition of the tune on his 1956 Prestige album, "Work Time". There's No Business Like Show Business "There's No Business Like Show Business" is an Irving Berlin song, written for the 1946 musical "Annie Get Your Gun" and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of "Buffalo Bill's Wild West" Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical. The song
There's No Business Like Show Business
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There's No Business Like Show Business "There's No Business Like Show Business" is an Irving Berlin song, written for the 1946 musical "Annie Get Your Gun" and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of "Buffalo Bill's Wild West" Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical. The song is also featured in the 1954 movie of the same name, where it is notably sung by Ethel
There's No Business Like Show Business
5128325
meaningful". Tenor saxophonist Sonny Rollins did a rendition of the tune on his 1956 Prestige album, "Work Time". There's No Business Like Show Business "There's No Business Like Show Business" is an Irving Berlin song, written for the 1946 musical "Annie Get Your Gun" and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of "Buffalo Bill's Wild West" Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical. The song
There's No Business Like Show Business
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film to younger generations. It has received favorable reviews from critics and fans. The film is recognized by American Film Institute in these lists: There's No Business Like Show Business (film) Irving Berlin's There's No Business Like Show Business is a 1954 20th Century-Fox DeLuxe Color musical-comedy-drama in CinemaScope, directed by Walter Lang. It stars an ensemble cast, consisting of Ethel Merman, Dan Dailey, Donald O'Connor, Mitzi Gaynor, Marilyn Monroe, Johnnie Ray, and Richard Eastham. The title is borrowed from the famous song in the stage musical (and MGM film) "Annie Get Your Gun". The screenplay was written by Phoebe
There's No Business Like Show Business (film)
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There's No Business Like Show Business (film) Irving Berlin's There's No Business Like Show Business is a 1954 20th Century-Fox DeLuxe Color musical-comedy-drama in CinemaScope, directed by Walter Lang. It stars an ensemble cast, consisting of Ethel Merman, Dan Dailey, Donald O'Connor, Mitzi Gaynor, Marilyn Monroe, Johnnie Ray, and Richard Eastham. The title is borrowed from the famous song in the stage musical (and MGM film) "Annie Get Your Gun". The screenplay was written by Phoebe Ephron and Henry Ephron, based on a story by Lamar Trotti; and the movie was Fox's first musical in CinemaScope and DeLuxe Color. Donald
There's No Business Like Show Business (film)
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and Dick Haymes), Harry Connick Jr. (from "Come by Me", 1999), Susannah McCorkle, and Bernadette Peters. The Andrews Sisters version with Bing Crosby and Dick Haymes was recorded on March 19, 1947 and was the only version to reach the Billboard charts, albeit briefly at No. 25. In his liner notes for Susannah McCorkle's version of the song on her "Ballad Essentials" album Scott Yanow writes "usually performed as a corny razzle-dazzle romp, that piece was drastically slowed down by Susannah who performed all of its known lyrics, including stanzas that show Irving Berlin's lyrics were actually quite touching and
There's No Business Like Show Business
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Bob Crosby (#25) and Phil Harris (#30). "Play a Simple Melody" was then featured in the 1954 movie "There's No Business Like Show Business," a movie starring Ethel Merman, Dan Dailey, Donald O'Connor, Johnnie Ray, Mitzi Gaynor, and Marilyn Monroe showcasing Irving Berlin songs from the whole of his career. In the movie, Merman and Dailey sang the song in a vaudeville sequence. Horst Jankowski revived the song for a 1966 run on Billboard's "Easy Listening" chart. In the 1960s, the song was the basis of a sketch on the Morecambe & Wise show featuring their writers Dick Hills and
Play a Simple Melody
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a Lady"), and "I Get a Kick Out of You", "You're the Top", and "Anything Goes" (from "Anything Goes"). The Irving Berlin song "There's No Business Like Show Business", written for the musical "Annie Get Your Gun", became Merman's signature song. Merman was born in her maternal grandmother's house located at 359 4th Avenue in Astoria, Queens in New York City in 1908, though she would later emphatically insist that it was actually 1912. Her father, Edward Zimmermann (1879–1977), was an accountant with James H. Dunham & Company, a Manhattan wholesale dry-goods company, and her mother, Agnes (Gardner) Zimmermann (1883–1974),
Ethel Merman
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Band" before reprising with a finale of the title song. All songs written by Irving Berlin. In the months prior to the filming of the movie, Marilyn Monroe had been placed on suspension from 20th Century-Fox after refusing to accept the leading role in a film version of "The Girl in Pink Tights". During her suspension, she married baseball star Joe DiMaggio and the two honeymooned in Japan, during which she took time to entertain soldiers in Korea. Fox had intended on casting Sheree North in the picture, going so far as to test the actress in Monroe's own studio
There's No Business Like Show Business (film)
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Like Show Business" (1954), which featured Irving Berlin's music and also starred Monroe, Ethel Merman, Mitzi Gaynor, Johnnie Ray, and Donald O'Connor, whose wife Gwen divorced him and married Dailey around that time. Filming was delayed due to an illness to director Walter Lang and Dailey was going to appear in "Susan Slept Here" and "Heller in Pink Tights". But "Susan" ended up being made with Dick Powell and "Pink Tights" was postponed. Eventually "There's No Business Like Show Business" was made and proved to be Dailey's biggest hit in a long time. Dailey went to MGM to play GI-turned-advertising
Dan Dailey
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retained the right to parody that song. Judge Charles Metzner of U.S. District Court for the Southern District of New York ruled largely in favor of "Mad" in 1963, affirming its right to print 23 of the 25 song parodies under dispute. However, in the case of two parodies, "Always" (sung to the tune of "Always") and "There's No Business Like No Business" (sung to the tune of "There's No Business Like Show Business"), Judge Metzner decided that the issue of copyright infringement was closer, requiring a trial because in each case the parodies relied on the same verbal hooks
Mad (magazine)
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shows. Alongside "Hooray for Hollywood," "There's No Business Like Show Business" and "Another Op'nin', Another Show", it is considered one of entertainment's signature tunes. The song is perhaps most associated with Judy Garland, who recorded it for her 1960 LP "That's Entertainment!". A year later, a live version appeared on Garland's Grammy-winning double album "Judy at Carnegie Hall". The song has also become closely identified with Metro-Goldwyn-Mayer. The studio used the song title for its nostalgic series of films featuring clips from its golden musical age, as "That's Entertainment!". The original 1974 release spawned two sequels in which the song
That's Entertainment! (song)
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his six-decade career, from 1907 to 1966, he produced sheet music, Broadway shows, recordings, and scores played on radio, in films and on television, and his tunes continue to evoke powerful emotions for millions around the world. He wrote songs like "Alexander's Ragtime Band," "Cheek to Cheek", "There's No Business Like Show Business", "Blue Skies" and "Puttin' On the Ritz." Some of his songs have become holiday anthems, such as "Easter Parade", "White Christmas" and "Happy Holiday". "White Christmas" alone sold over 50 million records, the top single selling song in recording history, won an ASCAP and an Academy Award,
Irving Berlin
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Gun" in 1946 and would go on to sing it again in the 1967 television broadcast of the subsequent Lincoln Center revival. To publicize the film, Monroe wore a black cotton polka-dot swimsuit. It went on auction at Christie's in London in 1991 and sold for $22,400 to collector David Gainsborough Roberts. Despite boasting a lavish production, "There's No Business Like Show Business" eventually became both a critical and box office failure. Ed Sullivan described Monroe's performance of the song "Heat Wave" as "one of the most flagrant violations of good taste" he had witnessed. "Time" magazine compared her unfavorably
There's No Business Like Show Business (film)
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the song as "superb." Lansbury's vocal performance has also been singled out for praise: "Slant Magazine"s Jaime N. Christley wrote that Lansbury "delivers the film's title tune, gooey treacle that it is, like nobody's business." Describing the song as "beautiful", the "Chicago Tribune"s Gene Siskel wrote that "Beauty and the Beast" is "performed poignantly by the richly textured voice of Angela Lansbury." Similarly, PopMatters' Bill Gibron penned, "the moment Angela Lansbury’s trite teapot steps up to sing the title song, all dry eye bets are off." The "New York Post"s Lou Lumenick wrote that "Beauty and the Beast" was "unforgettably
Beauty and the Beast (Disney song)
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Merman as the main musical number. The movie, directed by Walter Lang, is essentially a catalog of various Berlin's pieces, in the same way that "Singin' in the Rain"—which starred Donald O'Connor as well—was a collection of Arthur Freed songs. There was also a disco version of the song made during the 1970s, with Merman reprising her singing role in "The Ethel Merman Disco Album". The song became one of Ethel Merman's standards and was often performed by her at concerts and on television. Other singers to have recorded the song include Judy Garland, The Andrews Sisters (with Bing Crosby
There's No Business Like Show Business
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in the 20th Century Fox musical "There's No Business Like Show Business". At his wife urging, he gave up his promising singing career to concentrate on acting. Marjorie Lord, who co-starred with Danny Thomas on "The Danny Thomas Show" sitcom, recalled that Eastham's "voice could break your heart. If I had been married to him, he would have never dropped it." Lord and Eastham met in 1955 in San Francisco when they were performing in "Anniversary Waltz" and developed a long friendship. Eastham's film debut came in "There's No Business Like Show Business" (1954). He appeared in such motion pictures
Richard Eastham
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him, the latter is "surrounded by an oppressively murky fug". Rihanna's Caribbean accent and references on the song were praised by editor Ben Rayner of "Toronto Star"; according to him it was "unfortunate" that on the album they were only "passing". In a review of "Unapologetic", Robert Copsey of Digital Spy wrote that songs like "Jump", "Right Now" and "No Love Allowed" "prove why after eight years of career and seven studio albums released, Rihanna is still the biggest popstar on the planet." "USA Today"'s Elysa Gardner recommended readers, the song together with "Nobody's Business" and "Right Now" as tracks
No Love Allowed
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Another Op'nin', Another Show "Another Op'nin', Another Show" is the opening number of Cole Porter's 1948 musical "Kiss Me, Kate". Sung by a band of players performing a musical adaption of Shakespeare's "The Taming of the Shrew", the song has become regarded as a show business anthem on a level with "That's Entertainment!" (from "The Band Wagon") and "There's No Business Like Show Business" (from "Annie Get Your Gun"). However, it was not included in the 1953 film version of the musical. Adelaide Hall, playing the role of Hattie, sang "Another Op'nin', Another Show" on the West-End stage (400 times)
Another Op'nin', Another Show
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as "eminently danceable paean to forbidden love". Lyrically, the couple proclaims their eternal fealty, make out in a Lexus and acknowledge the world that the romantic relationship between them is only their business. According to "Billboard"'s reviewer, in lines like "you'll always be the one I want to come home to" and "you'll always be my baby", "it makes the beyond-complicated circumstances of their history impossible to ignore." Stacy-Ann Ellis of "Vibe" magazine, wrote that the song, like the couple’s first post-makeup collaboration, "Birthday Cake (Remix)", is about the history they share and "refuse to let go of—it’ll irk some
Nobody's Business (song)
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wardrobe. When the star returned to Hollywood, her Fox suspension was lifted, and studio executives offered her a role in the ensemble cast of "There's No Business Like Show Business" as a replacement project for having refused to make "Pink Tights". Monroe initially refused to make the picture just as she had for the previous offering until Fox ensured her that her next vehicle would be "The Seven Year Itch". She also demanded a pay increase of $3,000 a week. Ethel Merman had first sung "There's No Business Like Show Business" in the original Broadway production of "Annie Get Your
There's No Business Like Show Business (film)
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youth and later wrote a song called "Love in the YCL." He attended Eastern District High School and earned a degree in business administration from the City College of New York in 1939. Foner began his career by organizing an anti-WWII puppet show and then, like his older brothers, began teaching at the Samuel J. Tilden High School. (Unlike the other three, who were university professors, he remained a teacher in high school.) Colleagues there included future comedian Sam Levenson. From 1942 to 1946, he served in the U.S. Army in Italy and Austria. He was awarded the Legion of
Henry Foner
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Dorothy Fields, and directed by Joshua Logan. At first Berlin refused to take on the job, claiming that he knew nothing about "hillbilly music", but the show ran for 1,147 performances and became his most successful score. It is said that the showstopper song, "There's No Business Like Show Business", was almost left out of the show altogether because Berlin mistakenly thought that Rodgers and Hammerstein didn't like it. However, it became the "ultimate uptempo show tune." On the origin of another of the play's leading songs, Logan described how he and Hammerstein privately discussed wanting another duet between Annie
Irving Berlin
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to his songs. Berlin initially declined to write the score, worrying that he would be unable to write songs to fit specific scenes in "a situation show." Hammerstein persuaded him to study the script and try writing some songs based on it, and within days, Berlin returned with the songs "Doin' What Comes Naturally", "You Can't Get a Man With a Gun", and "There's No Business Like Show Business". Berlin's songs suited the story and Ethel Merman's abilities, and he readily composed the rest of the score to "Annie Get Your Gun". The show's eventual hit song, "There's No Business
Annie Get Your Gun (musical)
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Business" is a parody of the song "There's No Business Like Show Business" from "Annie Get Your Gun". The episode was inspired by the 2007 film "". In its original American broadcast, "Treehouse of Horror XX" was watched by 8.59 million viewers and was the most watched of "Fox's Animation Domination", ahead of "American Dad!" and "The Cleveland Show". The show was the fourth most watched episode on Fox after "House", "The OT", and "Family Guy" in the 18/49 rating. Robert Canning of IGN praised the episode, saying "it was a fine addition to the series' Halloween specials". He enjoyed
Treehouse of Horror XX
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business people, such as Viola Dana. Later, Trotti became an executive at Fox Film Corporation in 1933 and after its 1935 merger with Twentieth Century Pictures to become 20th Century Fox, he remained with the company until his death. He wrote about fifty films for the studio, producing many of them. He only wrote one screenplay for another studio, "You Can't Buy Everything" (1934) for MGM. He won an Academy Award for Writing Original Screenplay in 1944 for "Wilson" and was nominated for "Young Mr. Lincoln" (1939) and "There's No Business Like Show Business" (1952). He received the Laurel Award
Lamar Trotti
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described Letterman's work as, "His show was just so weird and different, I'd never seen anything like it. I didn't know anyone who had a sense of humor like that." Kimmel has often joked that the only reason he got into show business was just so he can be friends with Letterman, he has also questioned why anybody would watch his show instead of Letterman's. Kimmel wrote a piece for "Time" writing his love for Letterman by saying, "As I write this, there are only 10 shows left before the funniest, most inventive and smartest man who ever wore an
Jimmy Kimmel
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possibly just feeling the effects of mixing those allergy meds with alcohol, as he always does—in his training of Mr. Business". He also noted "This was a good, solid episode, and that made that particular frustrating stretch more bearable. It’s not my favorite narrative move on Bob’s Burgers, but the show has a way of balancing these things out". There's No Business Like Mr. Business Business "There's No Business Like Mr. Business Business" is the 10th episode of the seventh season of the American animated comedy series "Bob's Burgers" and the 117th episode overall. It was written by Lizzie Molyneux
There's No Business Like Mr. Business Business
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write a song more compelling than "More", Miranda "went method". According to Miranda, he locked himself in his childhood bedroom at his parents' residence for an entire weekend in order to force his mind back to age 16 (the same age as Moana in the film), a time when he was facing what seemed like an "impossible distance" between the reality of his pleasant middle-class childhood which had no connection to show business whatsoever, and his dreams of a career in show business. He was well aware that he was composing the next Disney "I Want" song after "Let It
How Far I'll Go
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one of these sites, Uta-Net, the lyrics were the most accessed on its weekly access ranking. This was her second successive song to do this, after "Anata no Koibito ni Naritai no Desu". The B-side "Give Me Your Love" was used as the ski field commercial song. Her song "My Baby" from her debut album "Free" had previously been used for this tie-up in the 2008-2009 ski season. In April 2010, the song was announced to be used as the NHK business show 's opening theme song. After charting lowly for five weeks, "Itsu no Hi mo" reached at #2
Itsu no Hi mo
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business is rejoicing, your business is rejoicing," and you rise, shaky, and go marching off, muttering, "Our business is rejoicing, our business is rejoicing." This is symbolized by the repeated "A"'s at the end of the final movement in the string and upper woodwind sections. It includes a quotation from the composer's song "Rebirth," accompanying the words "A barbarian painter" who "blackens the genius's painting." In the song, the barbarian's paint falls away and the original painting is reborn. It has been suggested that the barbarian and the genius are Stalin and Shostakovich respectively. The work is largely sombre despite
Symphony No. 5 (Shostakovich)
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Rihanna is the entire video -- there's no backdrop at all." "Cosmopolitan"'s Eliza Thompson wrote that "the clip shows Rihanna rolling around under sheets while dice roll up and down her body, writhing on the floor in sheer lingerie, and stripping off her oversize business-lady suit." According to McDean the idea to include dice in the video came from him and his creative partner Masha Vasyukova, "Sometimes it's all about combining things that might not make any sense, [like] subconsciousness and dreams. Dice is such a graphic and surrealistic object so it came into play." The video ends with Rihanna
Kiss It Better (Rihanna song)
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putting up with the burden of adjustment when the text gave the reader a major reward. Swan’s theory was outlined in a talk at the York University premier lecture series on 26 February 1998. Early on, Swan was encouraged by the success of prominent Canadian women writers like Marian Engel who wrote the novel Bear and Margaret Atwood, who like Swan, works in many disciplines. Swan's first novel, T"he Biggest Modern Woman of the World", purportedly a lecture by a show business giantess, grew out of Swan's work in performance art during the 1970s. Swan's novels are no strangers to
Susan Swan
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Brothers in a musical spoof in the film "Honolulu" (Darby played one of two 'Grouchos' in the group). He also provided the theme song and the soundtrack for "The Life and Legend of Wyatt Earp," the 1950s–60s television series starring Hugh O'Brian, and "The Adventures of Jim Bowie" starring Scott Forbes. He was a composer and production supervisor for Walt Disney Studios and was choral and vocal director on the 1946 Disney film classic "Song of the South". He was also Marilyn Monroe's vocal coach for "Gentlemen Prefer Blondes" (1953) and "There's No Business Like Show Business" (1954). Darby was
Ken Darby
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Lucky Break for Me"; "They're Going Down (Brokers' and Customers' Song) - which was rewritten as "Wedding and Crash"; "If You Believe" - a revised version was sung by Johnnie Ray in There's No Business Like Show Business (1954); "The Little Things in Life" - which provided hit records for Gus Arnheim and His Cocoanut Orchestra (vocal by Bing Crosby) on Victor, and Ted Wallace and His Campus Boys (vocal by Dick Dickson) on Columbia; "A Toast to Prohibition"; "You've Gotta Do Right by Me" and "(I Ask You) Is That Nice?" Bing Crosby sings "When The Folks High Up
Reaching for the Moon (song)
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Sarah Vaughan to rural and urban blues. By age 2, her favorite singer was Dinah Washington, whose recording of "That's All I Want From You" was particularly loved by Tillery and was the first song she memorized. TIllery claims that she learned how to read by looking at the labels from her parent's record collection. "Basie was on Verve. Dinah was on Mercury". She had memorized Basie's arrangement of "April in Paris" by age 4. She also admired Ethel Merman's big voice, going into her parent's acoustically-pleasing bathroom and trying to imitate Merman's song "There's No Business Like Show Business".
Linda Tillery
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Business Like Show Business?", in which he recalled the meat of his career. His mentored several comedy writers, including future "M*A*S*H" writer Larry Gelbart (who was once a "Duffy's Tavern" writer), Nat Hiken, Dick Martin and Woody Allen, the latter a distant cousin of Burrows. Over three decades, Burrows appeared as a panelist on such programs as "This Is Show Business", "What's My Line?", "To Tell the Truth", all on CBS. On October 27, 1952, he guest starred on CBS's "Faye Emerson's Wonderful Town", when the musical television series visited The Bronx. The New York Public Library holds the Abe
Abe Burrows
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like they've been plucked at random from a pop factory conveyor belt". A writer from the "Daily Record" commented that "as much as ['No Can Do'] is mainstream and poppy, it's hardly their most remarkable offering". Popjustice considered the song to be "above average" but not the best track from the album, while Fraser McAlphine of the BBC Chart Blog wrote that it "won't be the all-conquering pop superbeast that it could be". A positive response came from AllMusic writer Matthew Chisling, who considered the song to be a "show-stopping [number]" and stated that it "work[s] as shimmering displays of
No Can Do
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The plaintiffs held the publishing rights to 30 of the 57 songs that had been parodied by "Mad". Other than the six parodies specifically cited in the two judges' rulings -- "The First Time I Saw Maris", "Louella Schwartz Describes Her Malady", "I Swat You Hard on the Skin", "Blue Cross", "Always", and "There's No Business Like Show Business"—it is unclear which 19 of the plaintiffs' remaining 24 songs were in dispute. Frank Jacobs wrote 23 of the parodies, whose topics ranged from nuclear physics to automation to the Philadelphia Phillies. Larry Siegel wrote another 23, on subjects from overcrowded
Berlin v. E.C. Publications, Inc.
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Your World ("The Little Mermaid", Carrie Grant), Bad Guys ("Bugsy Malone", Jon Lee & David Grant), The Bare Necessities ("The Jungle Book", Les Dennis & Joseph McManners), Tomorrow ("Annie", Ruthie Henshall & company) Week 4 (Finale) Medley—There's No Business Like Show Business ("Annie Get Your Gun", Company), Come On Get Happy (Ruthie Henshall), Good Morning ("Singing in the Rain", Jon Lee, Carrie & David Grant), Try To Remember ("The Fantasticks", John Barrowman & Company), There's No Business Like Show Business ("Annie Get Your Gun", Company) The Sound of Musicals The Sound of Musicals was a 2006 four part BBC series
The Sound of Musicals
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though his music developed a stronger following overseas than in the United States. Broadcasts on local television stations in the 1970s and 1980s were unkind to the legacy of "There's No Business Like Show Business" because it warranted a time slot of at least three hours including commercials and because of the lack of letterboxing during that era. Its release to the home video market in the early 1990s, which solved the problem of commercial interruptions though the issue of the aspect ratio of Cinemascope remained, improved its profits considerably. A DVD release in 2001 that included letterboxing introduced the
There's No Business Like Show Business (film)
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in Pink Tights", even testing her in Monroe's own studio wardrobe. When Monroe returned to Hollywood, her Fox suspension was lifted, and the studio offered her a role in the ensemble cast of "There's No Business Like Show Business" as a replacement project for having refused to make "The Girl in Pink Tights". Monroe initially refused to make "There's No Business Like Show Business" until her salary was upped to $3,000 a week, and until Fox assured her that her next film would be "The Seven Year Itch". The Girl in Pink Tights The Girl in Pink Tights is a
The Girl in Pink Tights
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tensions, and by the time of the break-up, Sermon alleged financial impropriety on Smith's part. The duo found itself as solo artists by default: Sermon debuted in 1993 with "No Pressure", followed by "Double or Nothing" (1995), "Def Squad Presents Erick Onasis" (2000), "Music" (2001), and "React" (2002). Smith made his statements on 1994's "Shade Business", followed by "Business is Business" in 1996. The duo reunited in 1997, recording a comeback LP, "Back in Business". In 1998, a remix of the song "Strictly Business" appeared by the A&R man who signed the duo while at Fresh/Sleeping Bag, Kurtis Mantronik. Sermon
EPMD
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recorded that I didn’t write anything on. I didn’t work with those guys. I remember it being very close to the end of the record making process [for 2006’s self-titled debut] and I remember getting this song and I was like, 'No, no, I’m not cutting it, it’s way too pop. It’s so not with the rest of the record.' I was really being a bull about it. I remember being told, 'This was the song that they wrote for you had you won the show.' And I was like, 'Well now I definitely don’t want to do it!' Anyway,
Feels Like Tonight
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search for Gayle who took the cat when Bob was not paying attention. They find Gayle crying and decide not to make the audition for the good of Mr. Business. Tina and Gene catch Linda eating cat food so they decide to confess, when Bob knows about it he gets disgusted but eats cat food just to bother Ian, who had a terrible audition with the new cat he found to bring as his client. Alasdair Wilkins of The A.V. Club gave the episode a "B" and wrote that the episode "is smart to have Bob go a little mad—or
There's No Business Like Mr. Business Business
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(1942), "Blue Skies" (1946) and "Easter Parade" (1948), with Judy Garland and Fred Astaire, and "There's No Business Like Show Business" (1954). The 1942 film "Holiday Inn" introduced "White Christmas", one of the most recorded songs in history. First sung in the film by Bing Crosby (along with Marjorie Reynolds, whose voice was dubbed by Martha Mears), it has sold over 50 million records and stayed no. 1 on the pop and R&B charts for 10 weeks. Crosby's version is the best-selling single of all time. Music critic Stephen Holden credits this partly to the fact that "the song also
Irving Berlin
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appeared in the third episode of BBC Two's children's comedy programme, "Dick and Dom's Funny Business", performing a "Strictly Come Dancing" skit featuring Vincent Simone partnered with Lady Gaga. During the 2011 Edinburgh Fringe, they appeared on BBC Three's "Live at the Fringe" programme, and BBC2's "The Culture Show", for which they wrote a new piece looking at the art of the comic song. In March 2011, a number of Frisky and Mannish songs were featured on "The Scott Mills Breakfast Show" on BBC Radio 1. The songs proved so popular that the duo were invited to appear in person
Frisky & Mannish
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to the Southern championship, as the elevens of Georgetown and Virginia played few southern schools. The Commodores hired former Michigan guard Dan McGugin, a protege and son-in-law of Michigan coach Fielding H. Yost. Like Yost, McGugin utilized a short punt formation. Sportswriter Fuzzy Woodruff once wrote "The plain facts of the business are that McGugin stood out in the South like Gulliver among the native sons of Lilliput... There was no foeman worthy of the McGugin steel." Vanderbilt alumnus Myles P. O'Connor wrote of Dan Blake, who "played left half for Vanderbilt, '04, being taken from left end, which position
1904 Vanderbilt Commodores football team
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from the singer's seventh studio album "Bad" (1987). "The Huffington Post"'s Mesfin Fekadu praised Jackson's song sample on the track, however, dismissed its lyrical content. Some of the critics were divided on Rihanna's decision to collaborate with Brown again. "Toronto Star"'s Lucas Oleniuk stated that "Nobody's Business" is not a bad track, "it’s one of the catchiest and freshest-sounding here — but the troubling subtext is as irksome as the irony of titling a song that proudly makes the pair’s business everybody's." Bernard Perusse of "Montreal Gazette" noted that although it is a pretty fair R&B smoker, there is something
Nobody's Business (song)
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distraught over his son's decision, but their discussion is interrupted by the appearance of Tim, who got drunk after he was dismissed by Vicky. After Steve leaves for seminary school, the rechristened Four Donahues accept an engagement in Miami. Upon arrival, Tim is thrilled to find that Hoffman, now known as Vicky Parker, is also appearing there; however she is performing a considerably more sensual version of Heat Wave, the same number as the family. After falling in complete lust with Vicky's performance at rehearsal, Tim gives his approval for her to perform the number without checking with the family
There's No Business Like Show Business (film)
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promotion to senior vice president of all music for Twentieth Century Fox Films. He wrote several classic TV themes for Fox, including "The Many Loves of Dobie Gillis", "Adventures in Paradise", and "Daniel Boone". Lionel Newman's tenure with Twentieth Century Fox spanned 46 years with over 200 films to his credit, including "How to Marry a Millionaire", "North To Alaska", "The Proud Ones", "Road House", and "Love Me Tender" (Elvis Presley's first picture). He was musical director for all of Marilyn Monroe's films at Fox, in accordance with her request, including "Gentlemen Prefer Blondes", "There's No Business Like Show Business",
Lionel Newman
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Merman And Martin Everything's Coming Up Merman ("Everything's Coming Up Roses", Styne-Sondheim) Old Fashioned Ballad ("Old Fashioned Wedding", Berlin) There's Nobody In Show Business ("There's No Business Like Show Business", Berlin) 12 Ms. Saigon Tonight Who Will Play Miss Saigon? ("Tonight I Will Be Miss Saigon", Boubil-Schönberg) You Are Hallmark, I Postcard ("You Are Sun, I Moon", Boubil-Schönberg) 13 Michael Crawford Sequence Put On Your Phony Voice ("Put On Your Sunday Clothes", Herman) All I Ask Of You (original, Alessandrini-Ellis) 14 Robert Goulet Sequence Camelounge ("Camelot", Lerner-Loewe) 15 Mess Of The Spider Woman Come And See Me ("Prologue", Kander-Ebb) Mess
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one." It has been compared to the style of Paul McCartney. "Miniature Sun" is a jazz fusion song that invokes the sun as a metaphor for love and betrayal. It was written on the same budget sampler synthesizer as "Skylarking"s "Another Satellite". Richard Walls said that it resembled "the Beach Boys playing fusion, a kind of number that's becoming an XTC staple." "Chalkhills and Children" is the album's closing track and it is mellowest song. Partridge wrote it as a rumination on his life and career. He summarized: "Show business is all fake. Being a father is not fake, and
Oranges & Lemons (album)
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David S. Ware, Joe Lovano, Branford Marsalis, and Joshua Redman have also led pianoless sax trios. While in Los Angeles in 1957, Rollins met alto saxophonist Ornette Coleman and the two of them practiced together. Coleman, a pioneer of free jazz, stopped using a pianist in his own band two years later. By this time, Rollins had become well known for taking relatively banal or unconventional songs (such as "There's No Business Like Show Business" on "Work Time", "Toot, Toot, Tootsie, Goodbye" on "The Sound of Sonny", and later "Sweet Leilani" on the Grammy-winning album "This Is What I Do")
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However, [Monument Records president] Fred Foster then hired a guy who was supposed to know the ins and outs of the business, and he said, 'There aren't any hits here. We've gotta re-cut a bunch of stuff.' I said, 'No, we don't have to re-cut a bunch of stuff.' It was a battle from then on." In addition to being a No. 1 country and pop hit, "I Can Help" reached No. 6 on "Billboard"'s Hot Adult Contemporary Singles chart and No. 6 on the United Kingdom's "Record Retailer" chart. In addition, the song was a hit throughout most of
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journalism, Shereen has been the recipient of the 'Best Business Talk Show' award at the News Television awards for two years consecutively. She also won the 'FICCI Woman of the Year' award for her contribution to the Media in 2005, and was named a 'Young Global Leader' by the World Economic Forum. She won the ‘Best Business Anchor Award’ at the ‘News Television Awards’ in 2013. Bhan anchors and produces several shows like "Young Turks", "India Business Hour", "The Nation's Business" and "Power Turks". She also anchors and puts together CNBC-TV18's ground events like the Managing India brainstorm and the
Shereen Bhan
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Gates in "The New York Times" wrote: "The plots and situations are just tired, like the show's saccharine theme song". Kristin (TV series) Kristin is an American comedy television series starring Kristin Chenoweth. The series premiered June 5, 2001, on NBC. The show was canceled after six episodes. Kristin Yancey (Kristin Chenoweth), a perky Oklahoman woman, takes a job as a secretary in New York City while she looks for work in show business. What she does not know is that her boss Tommy Ballantine (Jon Tenney), hired her so he would not be tempted to sleep with her. Michael
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however, the court observed that in jail Zinn would be under constant medical supervision; furthermore, as the physician had conceded, there was a possibility that his release from his business problems might actually benefit his condition. In conclusion, wrote Rumpff, the appellant must be put away for a long time, not only to protect society against a man who has no conscience in respect of people who lend him money or to whom he owes money, but also as punishment for crimes committed over an extended period and as a warning to businessmen who might feel inclined to abuse the
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of a ruptured disc in his spine,), was also a nominee and a performer with the cast of "The Pajama Game". All of the sixty presenters and co-hosts joined the stage during the third song. Connick performed "Tonight" (from "West Side Story"), "Give My Regards to Broadway" (from "Little Johnny Jones"), and "There's No Business Like Show Business" (from "Annie Get Your Gun"). Source: tonyawards.com Beginning with the 2006 awards, an additional category was added on a trial basis for the 2005–2006, 2006–2007 and 2007–2008 seasons: Best Recreation of a Leading Role by an Actor/Actress. This category was intended to
60th Tony Awards
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never did play around on Tim and that she's loved him all along. They make up and Vicky takes her place backstage. Steve comes in unexpectedly, they share a hug, and Molly admits that she was pretty hardheaded too and never gave Vicky the proper chance she deserved. As Molly performs the title song, Steve and Katy watch from the wings; then Tim, wearing a US Navy uniform, appears behind them. Thrilled to be reunited, the Five Donahues, with Vicky holding tightly onto Tim's hand, all go onstage and happily reprise a short encore of their version of "Alexander's Ragtime
There's No Business Like Show Business (film)
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there is another site. It is called fairness-in-business-network. This network also works as the place where people can look professional exchange. For people who find themselves subject to unfair attacks, the Fairness Foundation offers a Fairness Hotline. On this hotline, there are honorary helpers working who have been trained and supervised. With no exception, they all bring professional knowledge and thorough business experience with them. Then there are two more possible addresses at the Foundation. Any people with a certain feeling of responsibility who would like to get along better in certain situations as fairness is concerned, would like to
Fairness Foundation
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months, and after her recovery she joined a local commercial college. She returned to commercial college to complete her studies. In the opening line of her book, "When a Woman Means Business", she wrote, "I have lost count of the number of times I've been asked how someone like me who left school at fifteen without an O' level to my name, and no business background, could start up and develop a successful business.” At age 15 she won a competition in Honey magazine's search for a model. The competition entry was made on her behalf by her college friends.
Debbie Moore
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25th Tony Awards The 25th Annual Tony Awards ceremony was held on March 28, 1971, at the Palace Theatre in New York City. The ceremony was broadcast by ABC television. Hosts were Lauren Bacall, Angela Lansbury, Anthony Quayle and Anthony Quinn. The theme was to show highlights from 25 years of musicals that had won Tonys, and the stars who introduced them. The show opened with "What's Happening at the Palace". The presenters were Dick Cavett, Carol Channing and Ruby Keeler. Saluting 25 Years of Tony Award-Winning Musicals: The finale was "There's No Business Like Show Business" sung by the
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Like Show Business" (1954), where she was billed after Ethel Merman, Dan Dailey, Marilyn Monroe, Donald O'Connor and Johnnie Ray. Gaynor married Jack Bean, a talent agent and public relations executive for MCA, in San Francisco, California, on November 18, 1954. They resided on North Arden Drive in Beverly Hills, California. She had just been released from Twentieth Century-Fox (before the start of "There's No Business Like Show Business") with four years left on her contract and decided with the time off to get married. The union was childless. After their marriage, Bean quit MCA and started his publicity firm
Mitzi Gaynor
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The Murda Show "The Murda Show" is a 1993 song by West Coast rapper Spice 1. The song originally appeared on the album, "187 He Wrote". It featured a guest appearance by fellow West Coast rapper MC Eiht, and this song would mark the beginning of a business relationship between the two rappers, and would be the first of many collaborations between the two over the years. Released at what was arguably the height of Spice's career, the song peaked at #50 on the "Billboard" Hot Rap Songs chart. A music video was made for the song and the song
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set as a Big Top travelling circus. "Frank Butler" is alone on stage and Buffalo Bill introduces the main characters, singing "There's No Business Like Show Business", which is reprised when "Annie" agrees to join the traveling Wild West show. The production dropped several songs (including "Colonel Buffalo Bill", "I'm A Bad, Bad Man", and "I'm an Indian Too"), but included "An Old-Fashioned Wedding". There were several major dance numbers added, including a ballroom scene. A sub-plot which had been dropped from the 1966 revival, the romance between Winnie and Tommy, her part-Native-American boyfriend, was also included. In the 1946
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Just Like Me (Jamie Foxx song) "Just Like Me" is the first single from Jamie Foxx's third studio album "Intuition". It features rapper T.I., who co-wrote the song with its producers, Tricky Stewart & The-Dream. This is the second collaboration between the two after "Live in the Sky" off T.I.'s fourth studio album "King". The song was originally written for Usher and there is a leaked version of his record. "Two can play that game" is the basis for this song. It tells the story of a man who has discovered his significant other's infidelities. He states that she is
Just Like Me (Jamie Foxx song)
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Learn from the Worst", which provided guidance on being a good boss. A follow-up book was released in 2017 called "The Asshole Survival Guide: How to Deal with People Who Treat You Like Dirt". The No Asshole Rule The No Asshole Rule: Building a Civilized Workplace and Surviving One That Isn't is a book by Stanford professor Robert I. Sutton, based on a popular essay he wrote for the "Harvard Business Review". It sold over 115,000 copies and won the Quill Award for best business book in 2007. The theme of this book is that bullying behaviour in the workplace
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a point of honour not to let the other players down by deserting them when no understudy is available." Later on, the phrase was more broadly applied to the hotel business and show business in general. Eventually, the phrase was used to convey the idea that an event or activity must continue even if there are problems or difficulties, with or without regard to actual show business. The show must go on "The show must go on" is a phrase in show business, meaning that regardless of what happens, whatever show has been planned still has to be staged for
The show must go on
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Business (song) "Business" is a song by American rapper Eminem from his fourth studio album "The Eminem Show" (2002). "Business" was released as the final single from "The Eminem Show" in July 2003 but it was not released as an official single in the United States. "Business" is a hip hop song of four minutes and eleven seconds in length. It sees Eminem comparing himself and Dr. Dre, the song's producer, to fictional crime-fighting duo Batman and Robin, a comparison first explored in the music video for the previous Eminem single "Without Me". The lyrics are backed by a "cartoonish"
Business (song)
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"River of No Return", and "Let's Make Love", with the exception of "Bus Stop" which was directed and conducted by his brother, Alfred Newman and "There's No Business Like Show Business" which was co-directed and co-conducted by Alfred Newman. In November 2013, the Twentieth Century Fox Music Department was dedicated as “The Lionel Newman Music Building,” and a bronze plaque of Lionel, listing his composition and conducting credits was unveiled. Speaking to guests about Lionel's impact on film and television music, who he was as a friend, mentor and boss, and who he was as a family man were Steven
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together. So it's like that song represents so much of who I am and what I'm going through. Not even on a personal tip, but on a business tip. Maybe I'm fading away on a business tip, or the music side. Maybe I'm fading away careerwise. But it just feels like, 20 years from now, that record is still gonna be the shit, no matter where we at." On November 5, 2013, the music video for "Faden Away" premiered on Stones Throw's YouTube. The vintage-looking footage was directed by Henry DeMaio, and features Snoopzilla donning a jerry curl wig while
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editor-in-chief. Although "PCWeek"'s official first publication was February 28, 1984, a "sample version" of the magazine was available at a COMDEX convention in 1983. At the time, the concept of "PCWeek" was a "radical idea". Few saw any real need for a "weekly news magazine about personal computers" that was business-oriented. In addition, many magazines at the time already covered business computing, such as Datamation and Computerworld. There were also magazines dedicated to hobbyist machines, so it seemed there was no place for a weekly issue to fit in. Once the first few publications came out, it seemed like these
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Sly and Robbie recommended and added a toast from Bounty Killer. Like the song's dancehall style, the lyrics depict the band's post-show parties from touring in support of their fourth studio album "Return of Saturn" (2000). The song details female groupies who attended the parties to hook up with the male band members. Stefani commented that "if you're talented and you're up there, girls want to make out with you." Bassist Tony Kanal described it as "a very PG version" of the licentiousness that took place while touring. The song also touches on "Rock Steady"<nowiki>'</nowiki>s overall theme of Stefani's impatience
Hey Baby (No Doubt song)
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1928 he wrote a weekly column in "Variety" called "Around New York" and one called "Radio Rambles". Green was responsible for the creation of much of "Variety"<nowiki>'</nowiki>s characteristic jargon, including the 1935 headline "Sticks Nix Hick Pix"; in his obituary, TIME said that if "Variety" was the Bible of show business, then Green "was its King James". In 1951, Green collaborated with Joe Laurie, Jr. on "Show Biz: From Vaude to Video", a history of show business. "Inside Variety" by Peter Besas. Madrid: Ars Millenii,2000. "God Wears a Bowtie" by Lyle Stuart. New York: Greenberg, 1949. Abel Green Abel Green
Abel Green
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"Em names himself the gatekeeper of hip-hop and obliquely claims to be the best rapper alive: 'The flow's too wet/Nobody close to it/Nobody says it, but everybody knows the shit.'" Business (song) "Business" is a song by American rapper Eminem from his fourth studio album "The Eminem Show" (2002). "Business" was released as the final single from "The Eminem Show" in July 2003 but it was not released as an official single in the United States. "Business" is a hip hop song of four minutes and eleven seconds in length. It sees Eminem comparing himself and Dr. Dre, the song's
Business (song)
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theatrical performer, then in films like "There's No Business Like Show Business", "Les Girls", and "South Pacific", and finally as a concert performer. In "The Simpsons" episode "All About Lisa" Sideshow Mel takes Lisa Simpson aside when she becomes Krusty the Clown's assistant. He tells her that the key to dealing with Krusty is to always be prepared to cater to his needs—have a cigar at the ready, never directly look him in the eye, and pretend to know who Mitzi Gaynor is if he mentions her – he always does. She then uses this reference when Krusty says Lisa
Mitzi Gaynor
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he wrote for the episode (one about Marge, the other about Lionel Hutz) were both cut. Appel wrote two episodes from season eight, "Bart After Dark" and "The Secret War of Lisa Simpson", as well as season nine's "The Two Mrs Nahasapeemapetilons" and season 10's "When You Dish Upon A Star". Daniels hired Appel as executive producer and showrunner on "King of the Hill" in 1997, leading the show's writing process and overseeing all aspects of the show. Daniels noted: "It was essential that Rich was a good writer who could deal with people, who could help manage the business
Richard Appel
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singing for him, singing my song — she's going to get her ass whupped. A week later, she continued savaging Beyoncé's performance by adding The great Beyoncé. Like I said, she ain't mine. [...] I can't stand Beyoncé. She has no business up there, singing up there on a big ol' president day, gonna be singing my song that I've been singing forever. However, she later told the New York "Daily News" she meant no harm when poked fun at the president and she ripped Beyoncé for her performance of "At Last" during the inauguration; James acknowledged being miffed she
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tend to adore dance divas whose first hit songs have titles with "Show Me" (Robyn's "Show Me Love" in 1997 and the very different Robin S.'s "Show Me Love" in 1993), so we're hearting what Jessica Sutta is showing us in the new millennium." "TheShowt.com" wrote that "Show Me" "is destined to have dance floors across Americas gyrating like epileptics under a strobe light", and noted that the song has similar sound to Pussycat Dolls' music. "Matt Sigl" finished its review by stating that "Show Me" is the kind of instantly inviting and ripely sexual hit that could make Jessica
Show Me (Jessica Sutta song)
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programs brought large businesses like Old Navy and Disney into Harlem to create jobs but ultimately created more competition for locally owned businesses. "Some are convinced that empowering large corporations to provide low paying jobs for our residents will bring economic empowerment to the community... [But] without African-American ownership, there is ultimately no local empowerment" stated Hughes, believing BRISC's resources were being unevenly distributed among small businesses in Harlem. Hughes later wrote "Just Saying... It Looks Like Ethnic Cleansing (The Gentrification of Harlem)" providing advice to African American business owners who might want to utilize similar government programs such as
Dorothy Pitman Hughes
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Happy Day" was still on the pop charts, the "Washington Post" reported that Nancy Binns Reed, a 28-year-old housewife, had filed a lawsuit to prove that she wrote the song. Represented by Lee Eastman (father of Linda McCartney), a New York copyright and show business attorney, Mrs. Reed obtained affidavits from persons who had heard her singing the song when serving as a counselor at various camps and when she attended the University of California in the 1940s. She stated that many campers and high school and college friends had learned the song. The lawsuit resulted in an out-of-court cash
Oh Happy Day (1952 song)
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the chorus pretty melodic. It doesn’t quite hit the highs of big hits like "The Beautiful People" or "The Dope Show" but this is as tight as Manson has sounded in years." Michal Roffman from "Consequence Of Sound" gave the song a positive review and said: "its chugging, Faint-friendly distortion offers plenty of sonic waves for Manson to glide over. Industrial enthusiasts still pining for Nine Inch Nails or glory-era Ministry will find solace here." Brett Warner said that "the song is a pretty enjoyable bit of goth-tinged hard rock business." The music video for the song won Loudwire's Rock
No Reflection
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Abstract - Sometimes the simplest questions yield the deepest answers. Episode 5: Religion - Religion without the fuss. Episode 6: Show Business - There's no business like show business. Ask My Mom Ask My Mom is an American comedy web series created by American Stand up comedian Maria Bamford. The series is broadcast on the internet and premiered on May 22, 2013. So far, 6 episodes have been made and the show can be found distributed across the web including on Blip. Ask My Mom is about Maria playing both herself and her mother, whilst answering questions from viewers on
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(the usual suspects). Ansari is a smart and engaging presence and his perspective on things lends itself very well to this type of single-camera comedy. And his supporting cast, particularly Wells, is on point. A few episodes may have fizzled out right at the finish...but there's no denying "Master of None"s success overall." James Dempsey of Newstalk described the show as "like a transatlantic cousin of Ricky Gervais’ "Extras", another story of an actor navigating show business and his personal life. But whereas that show relied heavily on stunt cameos of Hollywood actors playing pantomime versions of themselves – along
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is still despondent over the loss of Tim. After dropping Molly off at the theatre to perform that night, he disappears on the road in a quest for his son, which understandably devastates a very high-strung Molly, having all three of the men in her life with their whereabounts now unknown. Months later at a benefit show for the closing night of the famed Hippodrome Theatre in New York, Katy, who has since become close friends with Vicky, arranges for her to share a dressing room with her mother to teach her a very well-deserved lesson. Seeing through her daughter's
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was assisting Spialek and Walker with the orchestration duties for the "George White Scandals of 1939", featuring Ella Logan, Ann Miller and The Three Stooges. Quickly followed high-profile collaborations with Russell Bennett on Buddy DeSylva's "DuBarry Was a Lady" and Mike Todd's "Mexican Hayride." He was also a valued "hot jazz" and swing exponent for the team of orchestrators who worked on "Annie Get Your Gun" and Leonard Bernstein's breakthrough "On the Town". Steven Suskin has confirmed that Royal was responsible for arranging the show-stopping Ethel Merman anthem "There's No Business Like Show Business". By 1947 Royal went out on
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1". It has also appeared on television series such as "Quantum Leap", "That 70s Show", "American Dad!", "The Simpsons", "The Sopranos", "King of the Hill", "Parks & Recreation", "Arrested Development", "Cold Case", "Men of a Certain Age", and "Supernatural".It also appeared on the cartoon network show Regular Show in the episode Tent Trouble. Takin' Care of Business (song) "Takin' Care of Business" is a song written by Randy Bachman and first recorded by Canadian rock group Bachman–Turner Overdrive (BTO) for their 1973 album "Bachman–Turner Overdrive II". Randy Bachman had developed what would later become "Takin' Care of Business" while still
Takin' Care of Business (song)
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composition "The Way You Make Me Feel" (1987) as written and performed by Michael Jackson. Additionally, it has disco-driven influences and "funkified" upbeat tempo. Greg Kot of "Chicago Tribune" wrote that "Nobody's Business" mixes Chicago stepping and house styles and features strings, piano, and a four-on-the-floor kick drum. "Billboard"'s magazine stuff described it as a "wonderfully catchy throwback to early-90s club music", while according to Dan Martin of "NME" is a swinging summer jam. Writing for "The New York Times", Jon Caramanica stated that "Nobody's Business" is gelatinous, smooth, and carefree. Genevieve Koski of "The A.V. Club" labeled the duet
Nobody's Business (song)
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Jack Cole Dancers performed in nightclubs in the late 1930s, including the Rainbow Room. His film work includes "Moon Over Miami", "Cover Girl", "Tonight and Every Night", "Gilda", "Down to Earth", "The Merry Widow", "Meet Me After the Show", "Gentlemen Prefer Blondes", "On the Riviera", "There's No Business Like Show Business", "The I Don't Care Girl", "The Thrill of Brazil", "Kismet", "Les Girls", "Let's Make Love", "Some Like it Hot", "Three for the Show", "Lydia Bailey", "Eadie Was a Lady" and many others. He was famous in Hollywood for his work with Rita Hayworth, Betty Grable, Jane Russell, Mitzi Gaynor
Jack Cole (choreographer)
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Buffalo Bill explain that "There's No Business Like Show Business." Over the course of working together, Frank becomes enamored of the plain-spoken, honest, tomboyish Annie and, as they travel to Minneapolis, Minnesota on a train, he explains to her what "love" is ("They Say It's Wonderful"). Buffalo Bill and Charlie discover that their rival, Pawnee Bill's Far East Show, will be playing in Saint Paul, Minnesota while the Wild West show plays in nearby Minneapolis. They ask Annie to do a special shooting stunt on a motorcycle to draw Pawnee Bill's business away. Annie agrees because the trick will surprise
Annie Get Your Gun (musical)
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the 24th of April, 6 days after America Ferrera (Betty) turned 24. "Entertainment Weekly"<nowiki>'</nowiki>s Tanner Stransky was among the reviewers who welcomed the show back: "How stoked are you that "Mode" is back in business? It's been exactly three months since the last episode of "Ugly Betty" aired. Three months! And just like the Suarez clan yearning for Ignacio's delectable flan, I've been craving my fix of delicious love triangles, devilish in vitro impregnations, and, of course, Willy's genius one-liners. And there was so much to look forward to: A new Meade magazine, courtesy of Claire! Dark revelations about Willy's
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show known as "Watching TV" on the RKO Radio Network in the early 1980s. Since ending his "Newsday" column, Kitman has remained active in that idiom, well into his eighties. In 2008, he wrote a regular column for the Huffington Post. Subsequently he voiced unhappiness over that site's disinclination to pay its contributors. During 2011–12, he wrote columns on business, media, and politics for the Investor Uprising business information site, which did pay. But it then folded. And starting in 2013 he has been posting columns on television and politics to his MarvinKitman.com website. Kirkus Reviews said of 1969's "You
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described as "doleful synthesizer tones that circle slowly round and round." Person wrote that "Beachfires" has an "especially haunting atmosphere, featuring what sounds like the ominous chants of a male choir issuing from the primal depths — like [the listener is] secretly witnessing an ancient rite [he has] no business being privy too." Philp, analogizing the track as Burial "lost" in worshipping voids, wrote that the voices "glide in various pitches, from angelic registers to wails that resemble Gregorian chants." In addition to voices, there are chime textures that indicate subtle mutations in the track's tone as well as wind
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crowd in "There's No Business Like Show Business" in tribute to Ethel Merman, who had died a month and a half before this Oscar ceremony. The performance occurred over the closing credits to the broadcast. The Award for Best Makeup was not given this year. While this year's ceremony was the first without the recitation of the Academy's voting procedure at the beginning of the telecast — it was moved to the end credits — those of the accounting firm Price Waterhouse who were responsible for tabulating the results and guarding their secrecy were still introduced. Winners are listed first,
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the idea of ‘business ontology,’ which is the capitalist ideology in which purposes and objectives are understood exclusively in business terms. He further postulates that in the case of uniformly business-oriented social conditions there is no place for the public and its only chance at survival is by means of extinguishing the business framework in public services, adding that "if businesses can’t be run as businesses, why should public services?" Thus, a frequent topic of Fisher's writing is the future of the public sphere in the face of neoliberal business ontology and what it might look like in absence of
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the smut and thuggin[g] of the 'Sasha Fierce' persona, [which] is one with sensual overtones sung to an electronic device that, unlike men, 'never lets me down'". Echoing Brockman's sentiments, Amy Linden of "Vibe" magazine, who wrote that 1980's electropop and the sleek Valentine music of "Radio" tells the story of Beyoncé's alter ego. Similarly, Nana Ekua Brew-Hammond of "The Village Voice" wrote that "Radio" "show[s] [that] Sasha [is] just a good girl playing fierce". By contrast, Matos Michaelangelo of "The A.V. Club" said that "Radio" sounds like "shameless target-marketing" aiming at programming directors. On "The Village Voice" 2008 year-end
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films like "Love Happy" (1949), starring The Marx Brothers. She re-signed with Fox in 1950 and began playing small but meaningful roles in big-budgeted films like "All About Eve", starring Bette Davis. After several films, Fox gave Marilyn her biggest break with "Niagara". The film starred Monroe, Joseph Cotten, and Jean Peters. Monroe went on to make millions for Fox, starring in movies like "Gentlemen Prefer Blondes" (1953), "How to Marry a Millionaire" (1953), and "River of No Return" (1954). Monroe's first flop in two years was "There's No Business Like Show Business", a musical co-starring Ethel Merman, Dan Dailey,
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a shareholder of a shipping business. Records show she was released in 1947 but no subsequent information about her has been found. Apparently, Soviet records often showed those who had died in camps as having been released from their sentence. Merilaid & Co. A/S Merilaid & Co. was an Estonian shipping company. The firm was founded in Tallinn, Estonia on February 18, 1930. There were seven founding shareholders, most of whom were related by blood or marriage as descendants of Peeter All. Of the 7 founders, 6 were ship captains and 5 had worked in the Far East, in Vladivostok
Merilaid & Co.
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America to sing "There's No Business Like Show Business". Sitting with her hairdresser before going on stage, she asked if she could have her hair all up front. The stylist remarked that there would be nothing to cover the back of her head. 'Honey, my name is Ethel Merman', replied the great singer, 'and I've never turned my back on an audience in all my life. So put it all up at the front and to hell with what anyone behind sees!' "Backstage, dressed in a terrible old dressing gown, Ethel stumbled by mistake into our dressing room. She apologised,
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No Time Like Show Time No Time Like Show Time is a children's fantasy mystery novel by Michael Hoeye, first published in 2004. It is the third book in the Hermux Tantamoq series, which includes "Time Stops for No Mouse","The Sands of Time", and "Time to Smell the Roses". Hermux is back in Pinchester after his adventures in the desert, trying to return to his normal life as a watchmaker. He receives a mysterious invitation to the Varmint Variety Theater from the impresario, Fluster Varmint. Fluster is being blackmailed and needs Hermux's help to save his theatre. But show business
No Time Like Show Time