who plays goddess of love in gods of egypt
Élodie Yung
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Blu-ray. Gods of Egypt (film) Gods of Egypt is a 2016 fantasy action film directed by Alex Proyas based on the ancient Egyptian deities. It stars Nikolaj Coster-Waldau, Gerard Butler, Brenton Thwaites, Chadwick Boseman, Élodie Yung, Courtney Eaton, Rufus Sewell and Geoffrey Rush. The film portrays a mortal Egyptian hero who partners with the Egyptian god Horus to save the world from Set and rescue his love. Filming took place in Australia under the American film production and distribution company Summit Entertainment. While the film's production budget was the parent company Lionsgate's financial exposure was less than $10 million due
Gods of Egypt (film)
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on the silver screen as the ninja Jinx in "". She starred in the film "Gods of Egypt" (2016), as the goddess Hathor. She plays Elektra in season 2 of "Daredevil" in 2016, and reprised the role in 2017 in "The Defenders". In June 2018, Yung announced she was pregnant with her first child in an Instagram post. Her and Jonathan Howard’s daughter, Minavann Yung Howard, was born early August 2018. Élodie Yung Élodie Yung (; born February 22, 1981) is a French actress. She is best known for her role as Elektra Natchios in the second season of the
Élodie Yung
17786442
Blu-ray. Gods of Egypt (film) Gods of Egypt is a 2016 fantasy action film directed by Alex Proyas based on the ancient Egyptian deities. It stars Nikolaj Coster-Waldau, Gerard Butler, Brenton Thwaites, Chadwick Boseman, Élodie Yung, Courtney Eaton, Rufus Sewell and Geoffrey Rush. The film portrays a mortal Egyptian hero who partners with the Egyptian god Horus to save the world from Set and rescue his love. Filming took place in Australia under the American film production and distribution company Summit Entertainment. While the film's production budget was the parent company Lionsgate's financial exposure was less than $10 million due
Gods of Egypt (film)
17786401
Gods of Egypt (film) Gods of Egypt is a 2016 fantasy action film directed by Alex Proyas based on the ancient Egyptian deities. It stars Nikolaj Coster-Waldau, Gerard Butler, Brenton Thwaites, Chadwick Boseman, Élodie Yung, Courtney Eaton, Rufus Sewell and Geoffrey Rush. The film portrays a mortal Egyptian hero who partners with the Egyptian god Horus to save the world from Set and rescue his love. Filming took place in Australia under the American film production and distribution company Summit Entertainment. While the film's production budget was the parent company Lionsgate's financial exposure was less than $10 million due to
Gods of Egypt (film)
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New Kingdom, Isis increasingly overshadowed Hathor and other goddesses as she took on their characteristics. In the Ptolemaic period (305–30 BC), when Greeks governed Egypt and their religion developed a complex relationship with that of Egypt, the Ptolemaic dynasty adopted and modified the Egyptian ideology of kingship. Beginning with Arsinoe II, wife of Ptolemy II, the Ptolemies closely linked their queens with Isis and with several Greek goddesses, particularly their own goddess of love and sexuality, Aphrodite. Nevertheless, when the Greeks referred to Egyptian gods by the names of their own gods (a practice called "interpretatio Graeca"), they sometimes called
Hathor
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Hunting, fishing and animals in ancient Egypt The ancient Egyptian culture is full of rich traditions and practices that until today we keep on learning about. Wildlife in ancient Egypt used to be very different compared to the wildlife currently present in Egypt for several factors and variables. Animals like elephants, rhinoceros, crocodiles and hippopotamus used to live in different parts of Egypt, however these animals do not exist in Egypt today. Animals were very much appreciated and played a big deal in Egyptian history; even some gods were represented as animals; as Hathor the goddess of fertility, love and
Hunting, fishing and animals in ancient Egypt
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(1795), Urizen is imprisoned within "Coldness, darkness, obstruction, a Solid/Without fluctuation, hard as adamant/Black as marble of Egypt; impenetrable" (Chap. I, Verse 10). Many years later, in "On Virgil" (1822), Blake claims that "Sacred Truth has pronounced that Greece & Rome as Babylon & Egypt: so far from being parents of Arts & Sciences as they pretend: were destroyers of all Art." Similarly, in "The Laocoön" (also 1822), he writes "The Gods of Greece & Egypt were Mathematical Diagrams," "These are not the Works/Of Egypt nor Babylon Whose Gods are the Powers of this World. Goddess, Nature./Who first spoil &
Tiriel (poem)
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by pairing a "sky father" god with an "earth mother" goddess (pairings of a sky "mother" with an earth "father" are less frequent). A main sky goddess is often the queen of the gods and may be an air/sky goddess in her own right, though she usually has other functions as well with "sky" not being her main. Queen of Heaven (antiquity) was a term used to describe several sky goddesses in ancient Egypt, Mesopotamia, and the Near East. Neopagans often apply it with impunity to sky goddesses from other regions who were never associated with the term historically. Gods
Sky deity
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Cronus, the Titan who fathered the Olympians; Phaethon was sacred to Zeus, Cronus's son who deposed him as king; Pyroeis was given to Ares, son of Zeus and god of war; Phosphoros was ruled by Aphrodite, the goddess of love; and Hermes, messenger of the gods and god of learning and wit, ruled over Stilbon. The Greek practice of grafting of their gods' names onto the planets was almost certainly borrowed from the Babylonians. The Babylonians named Phosphoros after their goddess of love, "Ishtar"; Pyroeis after their god of war, "Nergal", Stilbon after their god of wisdom Nabu, and Phaethon
Planet
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scene of the final battle before a denouement on Mount Olympus in the God of War's throne room. The protagonist of the game is Kratos (voiced by Terrence C. Carson), a Spartan warrior who serves the Olympian Gods. Other characters include a host of Greek gods, such as Athena (Carole Ruggier), the Goddess of Wisdom and Kratos' ally and mentor; Ares (Steven Blum), the God of War and main antagonist; Poseidon (Fred Tatasciore), the God of the Sea; Aphrodite (Carole Ruggier), the Goddess of Love and Sexuality; Zeus (Paul Eiding), the King of the Gods; Artemis (Claudia Black), the Goddess
God of War (2005 video game)
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was revealed to be a piece of a 13th-century candelabra from Hildesheim in Germany. Other figurines of supposedly Lithuanian gods included sculptures of the god of war Kovas, the goddess of wisdom Praurimė, the goddess of love Milda, the household spirit žaltys, priestess vaidilutė. Almost all items related to Polish–Lithuanian history were removed during the reorganization in 1865, while other collections (such as weapons or items from Ancient Egypt) were left mostly intact. Many of the removed Polish–Lithuanian items were replaced by items related to the Russian Empire and the Eastern Orthodox Church. For example, items in the Chancery Slavonic
Museum of Antiquities in Vilnius
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Near East and Egypt. Fearsome deities were invoked via ritual in order to protect individuals by warding away evil spirits. In ancient Egypt, these household rituals (performed in the home, not in state-run temples) were embodied by the deity who personified magic itself, Heka. The two gods most frequently invoked in these rituals were the hippopotamus-formed fertility goddess, Taweret, and the lion-demon, Bes (who developed from the early apotropaic dwarf demon-god, Aha, literally "fighter"). Objects were often used in these rituals in order to facilitate communication with the gods. One of the most commonly found magical objects, the ivory apotropaic
Apotropaic magic
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(the god of love), Anteros (the god of requited love), Phobos (the god of fear), Deimos (the god of terror) and Harmonia (the goddess of harmony and concord), besides Adrestia herself. Gods would try to get on her side and she would be fought over by the gods and titans. Adrestia Adrestia (Ancient Greek: Ἀδρήστεια) in Greek mythology "she who cannot be escaped" is the daughter of Ares and Aphrodite and known to accompany her father Ares to war. She was venerated as a goddess of revolt, just retribution and sublime balance between good and evil. Because of her role
Adrestia
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example, Aphrodite was the goddess of love and beauty, Ares was the god of war, Hades the ruler of the underworld, and Athena the goddess of wisdom and courage. Some gods, such as Apollo and Dionysus, revealed complex personalities and mixtures of functions, while others, such as Hestia (literally "hearth") and Helios (literally "sun"), were little more than personifications. The most impressive temples tended to be dedicated to a limited number of gods, who were the focus of large pan-Hellenic cults. It was, however, common for individual regions and villages to devote their own cults to minor gods. Many cities
Greek mythology
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ideology as enforcer of "maat". In an episode known in different versions from temple texts, some of the gods defy Ra's authority, and he destroys them with the help and advice of other gods like Thoth and Horus the Elder. At one point he faces dissent even from an extension of himself, the Eye of Ra, which can act independently of him in the form of a goddess. The Eye goddess becomes angry with Ra and runs away from him, wandering wild and dangerous in the lands outside Egypt. Weakened by her absence, Ra sends one of the other gods—Shu,
Egyptian mythology
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see divinity as having a real, external existence; others see the Goddesses and Gods as archetypes or thoughtforms within the collective consciousness. According to several 20th century witches, most notably Gerald Gardner, the "father of Wicca", the witches' God and Goddess are the ancient gods of the British Isles: a Horned God of hunting, death and magic who rules over an after-world paradise (often referred to as the Summerland), and a goddess, the Great Mother (who is simultaneously the Eternal Virgin and the Primordial Enchantress), who gives regeneration and rebirth to souls of the dead and love to the living.
Wiccan views of divinity
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deities depicted in animal form, such as the cat mummies given to the feline goddess Bastet. Some of the major deities from myth and official religion were rarely invoked in popular worship, but many of the great state gods were important in popular tradition. The worship of some Egyptian gods spread to neighboring lands, especially to Canaan and Nubia during the New Kingdom, when those regions were under pharaonic control. In Canaan, the exported deities, including Hathor, Amun, and Set, were often syncretized with native gods, who in turn spread to Egypt. The Egyptian deities may not have had permanent
Ancient Egyptian deities
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been dubbed "a patron god of hermaphrodites and transvestites" by Roberto C. Ferrari in the 2002 "Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture". Other gods are sometimes considered patrons of homosexual love between males, such as the love goddess Aphrodite and gods in her retinue, such as the Erotes: Eros, Himeros and Pothos. Eros is also part of a trinity of gods that played roles in homoerotic relationships, along with Heracles and Hermes, who bestowed qualities of Beauty (and Loyalty), strength, and eloquence, respectively, onto male lovers. In the poetry of Sappho, Aphrodite is identified as the patron
LGBT themes in classical mythology
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an avatar of an unidentified Chthonian Earth Goddess, who planned to have him married to Andromeda so as to develop better relations with humanity. The Earth Goddess and Perseus proceed to fall in love. Zeus prepared to engage in war with Tiamat; taking the aids of other gods (such as Thoth, Marduk, Yahweh and Osiris). A High Priest named Fantasos starts a Cult of Tiamat that quickly conquers the city. Andromeda was originally a promiscuous spoiled Princess who possessed various male sex slaves. Though the mixing of Mythologies and the Perseus-Earth Goddess romance was abandoned, the concept of a Goddess
Clash of the Titans (2010 film)
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Realms Campaign Setting" (2001), and is further detailed in "Faiths and Pantheons" (2002). Sune is still the goddess of love in the 4th edition "Forgotten Realms" setting. Sune's power has increased, and she is now one of the 11 good-aligned "Greater Gods" who preside over the new "Forgotten Realms" cosmology. It is established that most of the racial gods of love (such as Hanali Celanil of the Seldarine) are in fact aspects of her- those who are not, such as Sharess, and Lliira, have since become her exarchs. Sune, along with Tyr and Lathander, imprisoned Cyric following his murder of
Sune (Forgotten Realms)
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open to the sky. Earlier sanctuaries, whose dedication to Hera is less certain, were of the Mycenaean type called "house sanctuaries". Samos excavations have revealed votive offerings, many of them late 8th and 7th centuries BCE, which show that Hera at Samos was not merely a local Greek goddess of the Aegean: the museum there contains figures of gods and suppliants and other votive offerings from Armenia, Babylon, Iran, Assyria, Egypt, testimony to the reputation which this sanctuary of Hera enjoyed and to the large influx of pilgrims. Compared to this mighty goddess, who also possessed the earliest temple at
Hera
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Asherah and the Ugaritic goddess, Athirat. Johanna Stucky claims she may have been a deity in her own right. Depictions of a goddess in inscriptions from Dynastic Egypt, thought to Canaanite since she is referred to as "Qdš" (often transliterated in English as Qedesha, Qudshu or Qetesh), show a woman in the nude, with curly hair and raised arms carrying lilies and serpents. "Qdš" is also depicted in the pantheon of gods at Memphis, Egypt possibly indicating worship of her as independent deity there. The word "qdš" also appears in the Pyrgi Tablets, a Phoenician text found in Italy that
Q-D-Š
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of $150 million against a $140 million budget, becoming a box office bomb and losing the studio up to $90 million. It received five nominations at the 37th Golden Raspberry Awards. Set in the mythology of ancient Egypt, the world is flat and the Egyptian gods live among humans. The gods differ from humans by their greater height, golden blood, and ability to transform into their divine forms. A young thief named Bek and his love Zaya are attending the coronation of Horus. During the ceremony, Osiris is killed by his extremely jealous brother Set, who seizes the throne and
Gods of Egypt (film)
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name in Hittite cuneiform. Shaushka is interesting in that she uses her authority in matters of sexuality to mess around a little where she saw fit. Texts describe Shaushka as similar to Ishtar, as an ambiguous goddess who supervised conjugal love and harmonious relationships but, unpredictably, could turn love into a dangerous endeavor. Reliefs at Yazilikaya show the goddess twice: in one relief she is depicted with male gods and in another with the goddesses. According to Hittite texts about Shaushka of Lawazantiya: she is clothed like a man and like a woman, and has male attributes such as an
Šauška
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and real goddess. Using the phrase "who the gods want to destroy they first make mad", Itua Otaigbe Ewoigbokhan explained that Femi may have been possessed by the goddess to get so irrationally in love with Mona, leading to rage which results in the doom of him and the other parties. This means Araromire uses Femi's love as a tool to accomplish its mission. A second possible scenario explains that Araromire might really be a myth. Judging that Femi bribes officials to be posted to Araromire in order to be with Sola and Mona, it's also possible he has placed
The Figurine
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into becoming the Goddess of Lost Causes. The Ephebian Goddess of Love, held in extremely low regard by the god Om and sister to the goddess Patina. She bribed Rhome of Ephebe to steal and hide the Golden Falchion, in return she gave Elenor of Tsort to Rhome. Mentioned in "Small Gods" and "Discworld Noir". The God of Wine and Things on Sticks. He appears as a large, overly-merry man in a toga. In Tsort he is also known as "Smimto", and "Tuvelpit" in Ephebe. He never gets a hangover (those are part of Bilious' portfolio), but he does get
Discworld gods
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Procris, the daughter of the King of Athens, are in love but are yet to be married (in this the opera differs from Ovid where they are already man and wife). Borée, Prince of Thrace, is Céphale's rival for Procris's hand and the gods help him press his claim, particularly L'Aurore (Aurora, the goddess of dawn) who is in love with Céphale and wants him for herself. When L'Aurore believes Céphale has rejected her, she conjures up demons to cast a spell so Procris will believe Céphale has been unfaithful to her. The spell works but the goddess has a
Céphale et Procris (Jacquet de la Guerre)
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influential on Western LGBT literature, with the original myths being constantly re-published and re-written, and the relationships and characters serving as icons. In comparison, lesbianism is rarely found in classical myths. The love goddess Aphrodite and gods in her retinue, such as the Erotes: Eros, Himeros and Pothos are sometimes considered patrons of homosexual love between males. Eros is also part of a triad of gods that played roles in homoerotic relationships, along with Heracles and Hermes, who bestowed qualities of Beauty (and Loyalty), strength, and eloquence, respectively, onto male lovers. In the poetry of Sappho, Aphrodite is identified as
LGBT themes in mythology
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the Rape of Persephone. It is mentioned briefly in Hesiod's Theogony, and told in considerable detail in the "Homeric Hymn to Demeter". Persephone used to live far away from the other gods, a goddess within Nature herself before the days of planting seeds and nurturing plants. In the Olympian telling, the gods Ares, Hermes and Apollo had wooed Persephone; but Demeter rejected all their gifts and hid her daughter away from the company of the Olympian gods. Zeus, it is said, permitted Hades, who was in love with the beautiful Persephone, to abduct her as her mother Demeter was not
Persephone
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male deities, wearing the traditional kilts, pointed shoes and horned hats. Mountain gods are also shown with scaled skirts to symbolise the rocky mountains. The right wall shows a procession of female deities wearing crowns and long skirts. The only exception to this divide is the goddess of love and war, Shaushka (Mesopotamian goddess Ishtar/Inanna) who is shown on the male procession with two female attendants. This is likely to be because of her male attributes as the goddess of war. The processions lead to a central scene of the supreme couple of the pantheon: the storm-god Teshub and the
Yazılıkaya
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his two divine companions. Ahnmik is the god of control, power, manipulation, cold, sleep, silence, and peace. His gifts to the world included bondage and mastery, and his high priestess was Cjarsa, who was aided by Araceli. The other gods on his side of the pantheon were the death goddess Brysh (whose priestess was Syfka) and the void goddess "Ecl" (whose priest was Servos). Anhamirak is the goddess of fire, love, life, beauty, passion, chaos, and destruction but above all, freedom. The only other named deity on the light side of the pantheon is Anhamirak's son Namid, god of life
The Kiesha'ra Series
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Ninshubur plays a similar role to Isimud, who acts as Enki's messenger to Inanna. In the Sumerian myth of Inanna's descent into the Netherworld, Ninshubur is described as the one who pleads with all the gods in an effort to persuade them to rescue Inanna from the Netherworld. Ninshubur Ninshubur (also known as Ninshubar, Nincubura or Ninšubur) was the "sukkal" or second-in-command of the goddess Inanna in Sumerian mythology. Her name means "Queen of the East" in ancient Sumerian. Much like Iris or Hermes in later Greek mythology, Ninshubur served as a messenger to the other gods. Ninshubur accompanied Inanna
Ninshubur
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predominantly white cast. Some suggested that the casting of black actor Chadwick Boseman, who plays the god Thoth, played into the Magical Negro stereotype. The previous year, the biblical epic "" by director Ridley Scott received similar backlash for having a white cast. "The Washington Post"'s Soraya Nadia McDonald also disparaged the casting practice for "Gods of Egypt" and said Lionsgate released the posters at an unfortunate time. She said with the release of Aziz Ansari's TV series "Master of None" in the previous week, "Whitewashed casting and the offensiveness of brownface has pretty much dominated the pop culture conversation
Gods of Egypt (film)
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his "History of Animals" that "female cats are naturally lecherous." The Greeks later syncretized their own goddess Artemis with the Egyptian goddess Bastet, adopting Bastet's associations with cats and ascribing them to Artemis. In Ovid's "Metamorphoses", when the gods flee to Egypt and take animal forms, the goddess Diana (the Roman equivalent of Artemis) turns into a cat. Cats eventually displaced ferrets as the pest control of choice because they were more pleasant to have around the house and were more enthusiastic hunters of mice. During the Middle Ages, many of Artemis's associations with cats were grafted onto the Virgin
Cat
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The vǫlur were not considered to be harmless. The goddess who was most skilled in magic was Freyja, and she was not only a goddess of love, but also a warlike divinity who caused screams of anguish, blood and death, and what Freyja performed in Asgard, the world of the gods, the vǫlur tried to perform in Midgard, the world of men. The weapon of the vǫlva was not the spear, the axe or the sword, but instead they were held to influence battles with different means, and one of them was the wand, (see the section wands and weaving,
Völva
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were understood in terms of the Egyptian doctrine of parthenogenesis, which was connected with the goddess Neith of Sais. (page 220) In Upper Egypt, Net was worshipped at Seni and represented with the head of a lioness painted green, with the titles: "Father of fathers and Mother of mothers," and "net-Menhit, the great lady, lady of the south, the great cow who gave birth to the sun, who made the germ of gods and men, the mother of Ra, who raised up Tem in primeval time, who existed when nothing else had being, and who created that which exists after
Miraculous births
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Atys, is secretly in love with the nymph Sangaride who is betrothed to Atys' friend King Célénus. Atys confesses his secret to his close friend Idas. Unbeknownst to Atys, Sangaride is also secretly in love with him, a fact which she confides to Doris who is Idas's sister. When Cybele, the great Phrygian Mother of the Gods, arrives the Phrygians celebrate her presence. Atys and Sangaride initially try to conceal their feelings from one another but eventually they confess their love for each other. The act ends with the goddess Cybèle announcing the surprise decision to make Atys Sangaride's "great
Atys (Piccinni)
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the "kandake". Some deities reached farther. Taweret became a goddess in Minoan Crete, and Amun's oracle at Siwa Oasis was known to and consulted by people across the Mediterranean region. Under the Greek Ptolemaic Dynasty and then Roman rule, Greeks and Romans introduced their own deities to Egypt. These newcomers equated the Egyptian gods with their own, as part of the Greco-Roman tradition of "interpretatio graeca". The worship of the native gods was not swallowed up by that of foreign ones. Instead, Greek and Roman gods were adopted as manifestations of Egyptian ones. Egyptian cults sometimes incorporated Greek language, philosophy,
Ancient Egyptian deities
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Visnu; the instrument is said to have been constructed according to the instructions of Sakra and was played in the heavenly palace of the gods. It is a very difficult instruments to play. The dancer sings as he plays, tightening the strings to obtain variations of pitch. The "pantheruwa" is an instrument dedicated to the goddess Pattini. It resembles a tambourine (without the skin) and has small cymbals attached at intervals around its circumference. The dance is said to have originated in the days of Prince Siddhartha, who became Buddha. The gods were believed to use this instrument to celebrate
Kandyan dance
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Eurimaco, a servant to Penelope's importunate suitors. The two sing passionately of their love for each other ("You are my sweet life"). The scene changes to the Ithacan coast, where the sleeping Ulisse is brought ashore by the Phaecians (Faeci), whose action is in defiance of the wishes of gods Giove and Nettuno. The Phaecians are punished by the gods who turn them and their ship to stone. Ulysses awakes, cursing the Phaecians for abandoning him: "To your sails, falsest Phaeacians, may Boreas be ever hostile!" From the goddess Minerva, who appears disguised as a shepherd boy, Ulisse learns that
Il ritorno d'Ulisse in patria
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as the Valheru . The two Blind Gods of the Beginning were deposed when the universe reordered itself. Without Rythar to knit together the strings of power, they became the new order of gods, a hundred in total. There were the seven Greater Gods and the other 93 are Lesser Gods. Ishap is the most important of the Greater Gods being the one who created all of the lesser Gods and Goddess, being the Balancer. Slightly less in power and authority are Arch-Indar, Goddess of Good, and Nalar, God of Evil. The other four Greater Gods are called the Builders,
Midkemia
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heavenly palace of the gods. It is a very difficult instruments to play. The dancer sings as he plays, tightening the strings to obtain variations of pitch. The pantheruwa is an instrument dedicated to the goddess Pattini. It resembles a tambourine (without the skin) and has small cymbals attached at intervals around its circumference. The dance is said to have originated in the days of Prince Siddhartha, who became Buddha. The gods were believed to use this instrument to celebrate victories in war, and Sinhala kings employed pantheru dancers to celebrate victories in the battlefield. The costume is similar to
Dances of Sri Lanka
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as Aya. Sherida was a goddess of beauty, fertility, and sexual love, possibly because light was seen as inherently beautiful, or because of the sun's role in promoting agricultural fertility. They were believed to have two offspring: the goddess Kittu, whose name means "Truth", and the god Misharu, whose name means "Justice". By the time of the Old Babylonian Period ( 1830 – 1531 BC), Sherida, and consequently Utu, was associated with "nadītu", an order of cloistered women who devoted their lives to the gods. Utu's charioteer Bunene is sometimes described as his son. Bunene was worshipped independently from Utu
Utu
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life as a giant rather than a dwarf. In the first opera, "Das Rheingold" (1869), which has some basis from the Gylfaginning, Fafner and his brother Fasolt try to take the Goddess Freia, based on Idun, who has been promised to them by Wotan, the king of the gods, in exchange for building the castle Valhalla. Fasolt is in love with her, while Fafner wants her as without her golden apples the Gods will lose their youth. The giants, mainly Fafner, agree to accept a massive hoard of treasure stolen from the dwarf Alberich instead. The treasure includes the magic
Fafnir
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she gave birth and was later freed by her mother, a shaman from heaven. "Sonnimgut" is a myth about the 53 smallpox gods, called the Sonnimne, who lived in China. However, the Sonnimne wanted to live in Korea, so the beautiful goddess Gaxi Sonnim, lead three of the Sonnimne there. However, they could not cross the Yalu River. One day, a ferryman said that the three gods could cross the Yalu on his boat if Gaxi Sonnim made love to him. Gaxi Sonnim severed the ferryman's head with a dagger and then gave smallpox to the ferryman's seven sons, killing
Korean mythology
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continued to be worshipped. Facing the situation with hands tied, both pantheons agreed to integrate themselves with each other for the benefit of their people. Though these new gods do not reside on Olympus, they are treated with diplomacy when called to aid the Amazons in a united godly role. Despite the gods mentioned being part of the inner-circle of deities in the Bana's belief system, less significant gods have been shown to be part of their godly pantheon as well such as Sekhmet (war god), Thoth (their only known male god) and possibly Ishtar (love goddess). The gods of
Olympian Gods (DC Comics)
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the prophecies, then goes off to find Eumete. Scene 4 Psiche searches for her husband Amore, lamenting that this is her fate for having loved a youth. Fama, goddess of rumor, tells her what happened with Amore and Erabena. Psiche appeals to Giove, king of the gods, to help return Amore to her; Giove sends Saturno and Mercurio to earth to recover Amore. Scene 5 Amore pursues Erabena, promising to make her a goddess if she returns his love. Erabena replies that love only brings suffering. She runs off, leaving Amore to lament his unrequited love. Mercurio and Saturno grab
La virtù dei strali d'Amore
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of Tanit and Ba'al Hammon. The goddess Astarte seems to have been popular in early times. At the height of its cosmopolitan era, Carthage seems to have hosted a large array of divinities from the neighbouring civilizations of Greece, Egypt and the Etruscan city-states. A pantheon was presided over by the father of the gods, but a goddess was the principal figure in the Phoenician pantheon. Surviving Punic texts are detailed enough to give a portrait of a very well organized caste of temple priests and acolytes performing different types of functions, for a variety of prices. Priests were clean
Ancient Carthage
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kingdom; the Ptolemies eventually associated themselves with the cult as gods. The wife of Ptolemy II, Arsinoe II, was often depicted in the form of the Greek goddess Aphrodite, but she wore the crown of lower Egypt, with ram's horns, ostrich feathers, and other traditional Egyptian indicators of royalty and/or deification. She wore the vulture headdress only on the religious portion of a relief. Cleopatra VII, the last of the Ptolemaic line, was often depicted with characteristics of the goddess Isis. She often had either a small throne as her headdress or the more traditional sun disk between two horns.
Ptolemaic Kingdom
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the one who obtained victory, though gods praise themselves for it". Indra then knew. The tradition holds that Agni, Vayu and Indra are elevated above all other gods, respected first in ceremonies and rituals, because these three "met" and "experienced" the Brahman first. Indra is most celebrated because he "knew" Brahman first, among all gods. – Translations by Deussen and by Johnston Johnston states, as does the Hindu scholar Adi Shankara, that this simple story is loaded with symbolism. The Brahman, the three gods selected from numerous Vedic gods, and choice of the one goddess from many, the goddess "Umã"
Kena Upanishad
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the emblem of the god Horus in ancient Egypt. However, the gods in Egypt were usually associated with the lotus. The idea of Horus being linked to the rose probably arises from Greek and Roman cultural cross-transmission of myths from Egypt. Firstly, the rose's connotation of secrecy dates back also to Greek mythology. Aphrodite gave a rose to her son Eros, the god of love; he, in turn, gave it to Harpocrates, the god of silence and a Greek name for a form of Horus, to ensure that his mother's indiscretions (or those of the gods in general, in other
Sub rosa
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Egyptian texts which associate the particular trees used with goddesses such as Hathor and Isis. Omm Seti recorded that long after the conversion of Egypt to Islam, the power of the "old gods" was still recognised. Al-Maqrizi recorded that after a fanatical shaykh disfigured the face of the Sphinx the cultivated land around Giza was invaded and covered with sand. Unlike the gods associated with fertility, she noted the fear inspired in some modern Egyptians by a statue of the goddess Sekhmet even though they were unaware of the Ancient Egyptian accounts associating her with the destruction of mankind. A
Dorothy Eady
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Destruction of Mankind. Festivals during the inundation therefore incorporated drink, music, and dance as a way to appease the returning goddess. A text from the Temple of Edfu says of Hathor, "the gods play the sistrum for her, the goddesses dance for her to dispel her bad temper." A hymn to the goddess Raet-Tawy as a form of Hathor at the temple of Medamud describes the Festival of Drunkenness as part of her mythic return to Egypt. Women carry bouquets of flowers, drunken revelers play drums, and people and animals from foreign lands dance for her as she enters the
Hathor
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Emery), God of the Sea; Hades (Clancy Brown), God of the Underworld; Hephaestus (Rip Torn), the Smith God; Hermes (Greg Ellis), Messenger of the Gods and the God of Speed and Commerce; Helios (Crispin Freeman), the Sun God; Hera (Adrienne Barbeau), Queen of the Gods who controls plant life; and Aphrodite (April Stewart), Goddess of Love and Sexuality. Several Titans are featured, including Gaia (Susan Blakeslee), Cronos (George Ball), Epimetheus, Oceanus, and Perses. Other characters include Hercules (Kevin Sorbo), a demigod and Kratos' half-brother; the architect Daedalus (Malcolm McDowell), Icarus's father; and Pandora (Natalie Lander), Hephaestus's artificial daughter. Minor characters
God of War III
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early Egyptian history (New Kingdom until the Roman period), a rock chapel (called rock chapel C), a Greek funeral chapel (formerly called “Roman temple”), two rock stelae of Ramesses III, a rock stele of Ptolemy V Epiphanes, a stele of Diana and the Gemini twins Castor and Pollux and a necropolis from the Greek and Roman periods. These monuments are scattered for about 3 km along the desert and the limestone rocks. The gods are related to the site location and shape of the rocks. The earliest goddess of this site is maybe a lion goddess. From the Fraser Tombs
Akoris, Egypt
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of marriage; Athena, goddess of wisdom; Poseidon, god of the sea; Demeter, goddess of the harvest; Apollo, god of the sun, law, healing, plague, reason, music and poetry; Artemis, goddess of the moon, the hunt and the wilderness; Aphrodite, goddess of love; Ares, God of war; Hermes, god of commerce and travelers, Hephaestus, god of fire and metalwork, and Dionysus, god of wine and fruit-bearing plants. Worship, like many other activities, was done in community, in the open. However, by 600 BC, the gods were often represented by large statues and it was necessary to provide a building in which
Ancient Greek architecture
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cults of resurrected gods appear in the Near East and Egypt in the cults of Attis, Adonis and Osiris. In Minoan Crete, the "divine child" was related to the female vegetation divinity Ariadne who died every year. The Minoan religion had its own characteristics. The most peculiar feature of the Minoan belief in the divine, is the appearance of the goddess from above in the dance. Dance floors have been discovered in addition to "vaulted tombs", and it seems that the dance was ecstatic. Homer memorializes the dance floor which Daedalus built for Ariadne in the remote past. On the
Persephone
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on Babylonian boundary stones, and on the star map the figure of the Rooster was located below and behind the figure of the True Shepherd—both constellations represent the herald of the gods, in his bird and human forms respectively. In ancient Egypt, the stars of Orion were regarded as a god, called Sah. Because Orion rises before Sirius, the star whose heliacal rising was the basis for the Solar Egyptian calendar, Sah was closely linked with Sopdet, the goddess who personified Sirius. The god Sopdu was said to be the son of Sah and Sopdet. Sah was syncretized with Osiris,
Orion (constellation)
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Banebdjedet Banebdjedet (Banebdjed) was an Ancient Egyptian ram god with a cult centre at Mendes. Khnum was the equivalent god in Upper Egypt. His wife was the goddess Hatmehit ("Foremost of the Fishes") who was perhaps the original deity of Mendes. Their offspring was "Horus the Child" and they formed the so-called "Mendesian Triad". The words for "ram" and "soul" sounded the same in Egyptian so ram deities were at times regarded as appearances of other gods. Typically, the horned god Banebdjedet was depicted with four rams' heads to represent the four Ba's of the sun god. He may also
Banebdjedet
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the deshret (red crown) is known to have been, of plant fiber. A hedjet with Nekhbet the vulture goddess next to the head of the cobra goddess is the symbol used to represent the hedjet. Several Egyptian gods, such a Nekhbet and Horus, are seen in some drawings and carvings wearing the hedjet. Images of this crown have been found in Ta-Seti (Northern Nubia in 3500–3200 BCE), a tomb in Deir-el-Bahari, the Narmer Palette, and on a statue of Pharaoh Sesostris I. The hemhem crown was an ornate triple atef with corkscrew sheep horns and usually two uraei. The Egyptian
Crowns of Egypt
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Armenians by the Ottoman Turks, because he was teaching in the Caucasus at the time. His most popular plays are: Ancient Gods, (1909) The Emperor, (1914), The Chained (1918), The Princess of the Fallen Castle, (1921), and Oshin Payl (1929). Like Shakespeare's chronicle plays drawn from English history, Shant's most popular plays chronicle crucial periods of Armenian history. He is the first Armenian dramatist to use expressionism and to expertly draw from mythology and blend it with realism, as illustrated in Ancient Gods. With the establishment of Soviet Rule in Armenia, Shant lived in exile in France, Iran, Egypt and
Theater of Armenia
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but this word could also be applied to any of the "various long-tailed carnivores kept for catching mice". Cats are rarely mentioned in ancient Greek literature, but Aristotle does remark in his "History of Animals" that "female cats are naturally lecherous." The Greek essayist Plutarch linked cats with cleanliness, noting that unnatural odours could make them mad. Pliny linked them with lust, and Aesop with deviousness and cunning. The Greeks later syncretized their own goddess Artemis with the Egyptian goddess Bastet, adopting Bastet's associations with cats and ascribing them to Artemis. In Ovid's "Metamorphoses", when the gods flee to Egypt
Cultural depictions of cats
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Kingdom almost all images of female figures wearing the Double Crown of Upper and Lower Egypt were depictions of the goddess Mut, here labeled "Lady of Heaven, Mistress of All the Gods". The last image on this page shows the goddess's facial features which mark this as a work made sometime between late Dynasty XVIII and relatively early in the reign of Ramesses II (c. 1279–1213 BC). There are temples dedicated to Mut still standing in modern-day Egypt and Sudan, reflecting the widespread worship of her. The center of her cult in Sudan became the Mut Temple of Jebel Barkal
Mut
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Ptah. Neither of the latter two has been discovered to date. Memphis is believed to have housed a number of other temples dedicated to gods who accompanied Ptah. Some of these sanctuaries are attested by ancient hieroglyphs, but have not yet been found among the ruins of the city. Surveys and excavations are still continuing at nearby Mit Rahina, and will likely add to the knowledge of the planning of the ancient religious city. A temple dedicated to the goddess Sekhmet, consort of Ptah, has not yet been found but is currently certified by Egyptian sources. Archaeologists are still searching
Memphis, Egypt
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Odyssean gods The Odyssean gods are the ancient Greek gods referenced in Homer's "Odyssey". The story's major gods include Athena, Poseidon, Calypso and Circe; minor gods include Ino, Hermes, Zeus, and Heracles. The Odyssey's major gods include Athena, Poseidon, Calypso, and Circe. Athena is the Greek goddess of wisdom and battle strategy, and was also the patron goddess of heroes. Odysseus was a great hero among the Greeks, and so had Athena’s favor and aid in many of his exploits. She was also a key goddess in the story of "The Odyssey" as a divine assistant to Odysseus on his
Odyssean gods
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Sun and shine it in the Underworld. Zeus destroys the ship with his lightning bolt, killing all the men except for Odysseus. Goddess of snow, ice and wind, Khione is daughter of Boreas, god of the cold north-winds. Odyssean gods The Odyssean gods are the ancient Greek gods referenced in Homer's "Odyssey". The story's major gods include Athena, Poseidon, Calypso and Circe; minor gods include Ino, Hermes, Zeus, and Heracles. The Odyssey's major gods include Athena, Poseidon, Calypso, and Circe. Athena is the Greek goddess of wisdom and battle strategy, and was also the patron goddess of heroes. Odysseus was
Odyssean gods
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addition to that, the gods who formerly occupied ruled the indigenous faith in the motherland, such as Çri Maladakuthara (釋利摩落陀古笪羅) in the ancient Gur'an region in the south, are one of those who can preserve the old God Most of the old gods who dominated the motherland were replaced by brahmanist gods such as the goddess Yan Pu Nagara (楊浦那竭羅) and the Bhagavati (妻婆伽婆底), Replaced, located in Nha Trang near today. Bhagavati is mixed with Yan Pu Nagara, a goddess in the local faith, which is quite revered by the people and has dedicated ancestral temples to enshrine it. From
Nha Trang
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Near East, especially via Cyprus. Herodotus, writing in the 5th century BC, traced many Greek religious practices to Egypt. The Great Goddess hypothesis, that a Stone Age religion dominated by a female Great Goddess was displaced by a male-dominated Indo-European hierarchy, has been proposed for Greece as for Minoan Crete and other regions, but has not been in favour with specialists for some decades, though the question remains too poorly-evidenced for a clear conclusion; at the least the evidence from Minoan art shows more goddesses than gods. The Twelve Olympians, with Zeus as sky father, certainly have a strong Indo-European
Ancient Greek religion
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that Princess Diana spreads love not by force, but by inspiration, and the gods then return to their home on Mount Olympus. Aphrodite (DC Comics) Aphrodite is a character in DC Comics. She is based on the Greek deity of the same name. Aphrodite first appeared in "All-Star Comics" #8 and was adapted by William Moulton Marston and Harry G. Peter. Aphrodite is the Greek Olympian Goddess of Love, Beauty, Pleasure, and Sex. While fair, loving and at times mischievous, the goddess' interest in the desires of the heart, the spirit and the flesh lead her to be promiscuous, tumultuous,
Aphrodite (DC Comics)
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world altogether. Xena restores the powers of both Aphrodite and Ares using golden apples she stole from the Norse Gods, thereby restoring balance to the universe. Aphrodite (Hercules: The Legendary Journeys and Xena: Warrior Princess) Aphrodite is a fictional character played by Alexandra Tydings in "" and "". Aphrodite is the Goddess of Love on both "Xena" and "Hercules". Aphrodite inspires love and passionate desire in humankind while her brother , her antithesis, promotes warfare and conflict. Despite this conflict of values, Ares and Aphrodite are siblings and allies. Aphrodite is portrayed as a modern-day Greek Goddess, with somewhat of
Aphrodite (Hercules: The Legendary Journeys and Xena: Warrior Princess)
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a famous fortune teller in the Tʻang dynasty, dressed himself in female clothing for keeping a secret that he no longer grew up since the age of 13. Reincarnated again in present day as an American teenager named Shannon Arden. He is Chung-tʻien's ever beloved. God of Creation and Universe, the leader of the seven gods. God of Thunder, reincarnated in the Tʻang dynasty as an imperial general and princess Li Ying's bodyguard, the two fell in love with each other. Goddess of Water, the love of Shang-hsüan. The only female among the seven gods. First time reincarnated as princess
The King of Blaze (manhua)
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one of the major Homeric Hymns. Aphrodite has caused Zeus to fall in love with mortal women. In retaliation, Zeus puts desire in her heart for Anchises, who is tending his cattle among the hills near Mount Ida. When Aphrodite sees him she is smitten. She adorns herself as if for a wedding among the gods and appears before him. He is overcome by her beauty, believing that she is a goddess, but Aphrodite identifies herself as a Phrygian princess. After they make love, Aphrodite reveals her true identity to him and Anchises fears what might happen to him as
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would later work again with renowned screenwriter Kim Soo-hyun on "A Thousand Days' Promise" (2011) and "Childless Comfort" (2012). After a supporting role in "Believe in Love" (also known as "My Love, My Family", 2011), Lee was once again cast in the leading role in "Feast of the Gods" (2012). He later won the Excellence Award, Actor in a Special Project Drama at the MBC Drama Awards for "Feast of the Gods" and his supporting role in the period drama "Horse Doctor". In 2013, Lee joined the ensemble cast of "Goddess of Marriage", followed by the adultery drama "One Warm
Lee Sang-woo
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the goddess of love, she decrees that love will henceforth be mixed with suspicion, fear, and sadness. Adonis' body has grown cold and pale. His blood gives color to the plants all around him. A flower grows from the soil beneath him. It is white and purple, like blood on Adonis' flesh. Venus, bereft, leaves the Earth to hide her sadness where the gods live. Notes Bibliography Venus and Adonis (Shakespeare poem) Venus and Adonis is a narrative poem by William Shakespeare published in 1593. It is probably Shakespeare's first publication. The poem tells the story of Venus, the goddess
Venus and Adonis (Shakespeare poem)
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building pioneered the use of reinforced concrete in a modern design. The facade, rhythmically fragmented with pilaster strips, has a majestic entrance onto Gdanska street: it is topped by an ostentatious portico with a pediment surmounted by sculptures inspired by the art of antiquity and depicting allegorical female figures: including Aphrodite - the goddess of beauty and love; Eris - the goddess of discord; Hera - the mother of the gods; and Athena - the goddess of wisdom and war. Intriguing decorative motives stand on the main facade include: a Greek amphora with dangling vine shoots and vases; theatrical masks
Jedynak
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Elder Gods has not been revealed, but among them were: Gaea, goddess of the Earth, life, and renewal; Chthon, god of darkness and chaos, Set, the serpent god of death and destruction and Oshtur, goddess of the dawn, order and intellect. Hyppus and Isuus are other mentioned Elder Gods. The "Wild One" (seemingly inspired by "Rebel Without a Cause") is an Elder God who only made one brief appearance in a plot involving the other-dimensional Sorcerer Supreme Shanzar. The Gibborim are also Elder Gods, surviving the Demogorge, having ruled Earth before humanity arose, but as their power faded, they retreated
Elder Gods (Marvel Comics)
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who creates the clothes of the king, the gods and the deceased, thereby stimulating their resurrection. Hedjhotep Hedjhotep (also Hedj-hotep from "ḥḏ-ḥtp") was a minor ancient Egyptian deity, a god of fabrics and clothes and, to a lesser extent, of weaving and the deceased. Hedjhotep is sometimes described as a goddess rather than a god, holding a wadj-scepter and ankh sign. He possibly originated from the northern part of Middle Egypt. The earliest attestations of Hedjhotep date back to the Twelfth Dynasty of the Middle Kingdom, when he appears in spells of the Coffin Texts including spells 779 and 908.
Hedjhotep
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Farmers traditionally leave some of their products at the end of each harvesting season as an offering while women sing traditional songs. A rare example of henotheism focused on a single Goddess is found among the Southern Nuba of Sudan. The Nuba conceive of the creator Goddess as the "Great Mother" who gave birth to earth and to mankind. Goddess Amaterasu is the chief among the Shinto Gods, while there are important female deities Ame-no-Uzume-no-Mikoto, Inari and Konohanasakuya-hime. Hinduism is a complex of various belief systems that sees many gods and goddesses as being representative of and/or emanative from a
Goddess
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where a man fears... to go on the road, in my days even women walked with spindles" In the adjacent region of North Syria, historian Robin Lane Fox remarks funerary stelae showing men holding cups as if feasting and women seated facing them and holding spindles. In pre-Dynastic Egypt, "nt" (Neith) was already the goddess of weaving (and a mighty aid in war as well). She protected the Red Crown of Lower Egypt before the two kingdoms were merged, and in Dynastic times she was known as the most ancient one, to whom the other gods went for wisdom. Nit
Textiles in mythology and folklore
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zoomorphic than the female deities in the Irish tradition, but there are still some instances of shapeshifting among gods. There is also a presence in Irish Mythology of the Triad, also referred to as the "power of three," which expresses the extreme potency of a deity rather than dividing the power. It is an attribute more pronounced among female deities, but it takes multiple forms among the gods. Dagda is called by two other names, Lug has two brothers, and there is the Three Gods of Skill (Gobniu, Credne, and Luchta) There is a lack of a goddess of love
Irish mythology
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"anka-" word to Sanskrit "ahi". In the first version, the two gods fight and Illuyanka wins. Teshub then goes to the Hattian goddess Inaras for advice. Having promised her love to a mortal named Hupasiyas in return for his help, she devises a trap for the dragon. She goes to him with large quantities of food and drink, and entices him to drink his fill. Once drunk, the dragon is bound by Hupasiyas with a rope. Then the Sky God Teshub appears with the other gods and kills the dragon. In the second version, after the two gods fight and
Illuyanka
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pantheon of deities. Many of these gods refer to their companions of either sex as "aikane", a term encompassing passionate friendship and sexual-love, often in bisexual contexts. Wahineomo, a goddess of Hawaiian mythology whose name means "thrush woman", is depicted in relationships with other goddesses Hi'iaka and Hopoe. When Hi'iaka was suspected of infidelity with her sister Pele's husband, the volcano goddess Pele killed Hi'iaka's beloved Hopoe by covering her in lava. In addition to Wahineomo and Hopoe, Hi'iaka had lesbian relationships with the fern goddess Pauopalae and Pele-devotee Omeo. Omeo was part of the retinue that brought the bisexual
LGBT themes in mythology
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mankind itself is seen as a constant struggle between these two forces: One represented by Ari (Aryans), the right men of the creative light side; the other one represented by Chari, destructive dark-sided creatures made from soil by Vishap. The Armenian Native Faith is polytheistic in practice. The gods of the Arordiners include: Hayk, the mythical founder of the Armenian nation, Aray the god of war, Barsamin the god of sky and weather, Aralez the god of the dead, Anahit the goddess of fertility and war, Mihr the solar god, Astghik the goddess of love and beauty, Nuneh the goddess
Armenian Native Faith
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Korean War. Covering a bloody civil war on the Mediterranean island of Cyprete, he complained aloud while standing in the ruins of an ancient temple that the gods play with men's lives while leaving them defenseless against the forces of war and crime. Taking offense, the Roman gods transported him to Mount Olympus where he was put on trial before Jupiter, all-powerful king of the gods, for his impudence. The war god Mars argued for his immediate destruction, but Vulcan, lame-legged god of fire and forge, spoke up in his defense, and Venus, goddess of love, agreed with Vulcan. In
Son of Vulcan
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Magwayan, supreme god of the sky and goddess of the sea and death, respectively. They in turn bore two children, Lihangin, god of wind, and Lidagat, goddess of the sea. Both aforementioned gods had four children, namely Likabutan, the god of the world, Liadlaw, the god of the sun, Libulan, the god of the moon, and Lisuga, the goddess of the stars. People believed that life transpires amidst the will of and reverence towards gods and spirits. These deities who dwell within nature were collectively called the diwata. Meanwhile, spirits were referred to as "umalagad" (called "anito" in Luzon). These
Visayans
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Rhea (mythology) Rhea (; Ancient Greek: Ῥέα ) is a character in Greek mythology, the Titaness daughter of the earth goddess Gaia and the sky god Uranus as well as sister and wife to Cronus. In early traditions, she is known as "the mother of gods" and therefore is strongly associated with Gaia and Cybele, who have similar functions. The classical Greeks saw her as the mother of the Olympian gods and goddesses, but not as an Olympian goddess in her own right. The Romans identified her with Magna Mater (their form of Cybele), and the Goddess Ops. Most ancient
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Mami (goddess) Mami is a goddess in the Babylonian epic Atra-Hasis and in other creation legends. She was probably synonymous with Ninhursag. She was involved in the creation of humankind from clay and blood. As Nintu legends states she pinched off fourteen pieces of primordial clay which she formed into womb deities, seven on the left and seven on the right with a brick between them, who produced the first seven pairs of human embryos. She may have become Belet Ili ("Mistress of the Gods") when, at Enki's suggestion, the gods slew one among themselves and used that god's blood
Mami (goddess)
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lived in those days. In the mean time Narada went to Chanda and provoked him to come to Banepa to fight the gods. When Chanda arrived with a big army of demons, all the gods took the forms of different birds and flew. The mother goddess quickly disappeared in a tree but Chanda saw that and cut down the tree with his sword. Now the goddess appeared on a big lion and a terrible fight between her and Chanda started. But Chanda had no chance and was killed by the mother goddess. Out of the belly of Chanda who was
Chandeshwari
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furious about Io being free and the death of Argus, sent a gadfly (Greek "oistros", compare oestrus) to sting Io as she wandered the earth. Eventually Io made it to Egypt, the Egyptians worshiped the snow-white heifer and named her the Egyptian goddess Isis. Hera permitted Zeus to change Io back into her human form, under the condition that he never look at her again. Io, the goddess-queen of Egypt, then bore Zeus' son as the next King. A prophecy stated that a son of the sea-nymph Thetis, with whom Zeus fell in love after gazing upon her in the
Hera
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Shams (goddess) Shams or "Shamsum", also called "Dhat-Ba' dhanum", is a sun goddess of Arabian mythology. She was the patron goddess of the Himyarite Kingdom . Her name meant shining, sun or brilliant. She was the South Arabian equivalent of the North Arabian sun goddess Nuha (deity). Prior to Islam, religion on the Arabian Peninsula focused on local gods, with every tribe and kingdom having their particular protective deities. However, there were also gods common for all Arabs, and the trinity of gods representing the Sun, the Moon and the planet Venus seem to have been worshiped throughout Arabia, though
Shams (goddess)
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the Supreme Goddess (who was in the form of Yognidra Devi) left him. Mahisasura, the terrible king of the Asuras had defeated the gods and driven them out of Heaven. The gods, dejected and humiliated went to Brahma, the god of creation. He, in turn, took them to Vishnu, the God of preservation and Mahadeva, the God of destruction, to report their defeat. The gods then projected their energy from their bodies and evoked a new form of energy. This energy then crystallised into the heavenly form of a Goddess. She was Mahamaya, the Mother of the Universe. The emergence
Mahisasuramardini (radio programme)
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Iris (mythology) In Greek mythology, Iris (; ) is the personification and goddess of the rainbow and messenger of the gods. According to Hesiod's "Theogony", Iris is the daughter of Thaumas and the Oceanid Electra, and the sister of the Harpies: Aello and Ocypete. During the Titanomachy, Iris was the messenger of the Olympian Gods, while her twin sister Arke betrayed the Olympians and became the messenger of the Titans. She is the goddess of the rainbow. She also serves nectar to the gods and goddesses to drink. Iris is married to Zephyrus, who is the god of the west
Iris (mythology)
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the increasing cruelty of the demon king Mahisasura against the gods. Unable to tolerate his tyranny the gods plead with Vishnu to annihilate the demon. The Trinity of Brahma, Vishnu and Maheswara (Shiva) come together to create a powerful female form with ten arms - Goddess Durga or 'Mahamaya', the Mother of the Universe who embodies the primeval source of all power. The gods then bestow upon this Supreme creation their individual blessings and weapons. Armed like a warrior, the goddess rides a lion to battle with the Mahisasura. After a fierce combat the 'Durgatinashini' is able to slay the
Mahisasuramardini (radio programme)
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Nishumbha, two demons who had gained the boon of immortality from Brahma. The same is in the "Shiva Purana". In the "Markandeya Purana", once when the "asuras" (demons) drove the gods out of the heavens, they sought the help of Parvati. Pleased by them, she appeared, and from the cells ("koshas") of her body emerged the beautiful goddess Kaushiki, who declared that she would marry him who managed to defeat her in battle. Later she slayed the demons and the gods could return to the heavens. Kaushiki Kaushiki or Mahasaraswati is a Hindu goddess. She is an affiliation of Shakti
Kaushiki
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the Purusha, the Atman. Sections 3 and 4 of "Kena Upanishad", another major ancient Upanishad, present an allegorical story which includes gods Agni, Vayu, Indra and goddess Uma. After a battle between good gods and evil demons, where Brahman helps the good gain victory, the gods wonder, "what is this Brahman, a wonderful being?" Agni goes first to find out, but fails. Vayu too fails. Then Indra tries, but meets the goddess who already understands Brahman, explains what Brahman is and how the good reached victory through the nature of Brahman. Indra shares this knowledge with Agni and Vayu. The
Agni
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favorites (she uses him as a pawn in an earlier novel) and he almost certainly has her aid in doing it. (Incidentally, Cohen wins in the same way as The Lady did in "The Colour of Magic"—rolling a seven on a six-sided die—although Cohen's means were rather less magical.) The Goddess of the Sea, Apple Pie, Certain Types of Ice Cream and Short Lengths of String. She appears in "The Last Hero" and she may or may not be the same goddess as the Sea Queen, who appears in "Small Gods". The Blacksmith of the Gods. He forged the Golden
Discworld gods
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kamandalu represents Amrita—the elixir of life—thus a symbol of fertility, life and wealth. The kamandalu is often depicted in hands of gods, who appear as ascetics, like Shiva and Brahma and also water deities like Varuna, Ganga (the goddess of the Ganges river) and Sarasvati. Adi Shankaracharya’s "ashtotaram" hymn praises Shiva whose hand is adorned with the kamandalu. Other deities like the fire-god Agni and the preceptor of the gods, Brihaspati, are depicted carrying the kamandalu. The goddess Karamgamaladharini is described as wearing a garland of kamandalus. The text Devi Mahatmya describes goddess Brahmani slay demons by sprinkling holy water
Kamandalu
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depth of approximately . Many buildings were damaged, particularly old ones, mostly in the village of Mitata, but with no loss of life. It was felt as far as Italy, Egypt, Malta and Jordan. Kythira has a Mediterranean climate (Köppen climate classification "Csa") with mild, rainy winters and warm to hot dry summers. In Ancient Greek mythology, Kythira was considered to be the island of celestial Aphrodite, the Goddess of love (cf. Cyprus, another island devoted to the Goddess of Love). Like many of the smaller Aegean islands, Kythira's population is decreasing. While the island had reached a peak population
Kythira
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have associated several of the plagues with judgment on specific gods associated with the Nile, fertility and natural phenomena. According to , all the gods of Egypt would be judged through the tenth and final plague: "On that same night I will pass through Egypt and strike down every firstborn of both people and animals, and I will bring judgment on all the gods of Egypt. I am the ." The reason for the plagues appears to be twofold: to answer Pharaoh's taunt, "Who "[is]" the , that I should obey his voice to let Israel go?", and to indelibly
Plagues of Egypt
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Njörðr form a portion of gods known as the Vanir. While the Aesir and the Vanir retain distinct identification, they came together as the result of the Aesir–Vanir War. While they receive less mention, numerous other gods and goddesses appear in the source material. (For a list of these deities, see List of Germanic deities.) Some of the gods heard less of include the apple-bearing goddess Iðunn and her husband, the skaldic god Bragi; the gold-toothed god Heimdallr, born of nine mothers; the ancient god Týr, who lost a hand while binding the great wolf Fenrir; and the goddess Gefjon,
Norse mythology
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called the "Lady of Flame". She later became identified with the war goddess of Lower Egypt, Bastet, who acted as another figure symbolic of the nation, consequently becoming Wadjet-Bast. In this role, since Bastet was a lioness, Wadjet-Bastet was often depicted with a lioness head. After Lower Egypt had been conquered by Upper Egypt and they were unified, the lioness goddess of Upper Egypt, Sekhmet, was seen as the more powerful of the two warrior goddesses. It was Sekhmet who was seen as the "Avenger of Wrongs" and "the Scarlet Lady", a reference to blood, as the one with bloodlust.
Wadjet