when did the original sound of music come out
1959
405254
ordered to accept a commission in the German navy, but he opposes the Nazis. He and Maria decide on a plan to flee Austria with the children. Many songs from the musical have become standards, such as "Edelweiss", "My Favorite Things", "Climb Ev'ry Mountain", "Do-Re-Mi", and the title song "The Sound of Music". The original Broadway production, starring Mary Martin and Theodore Bikel, opened in 1959 and won five Tony Awards, including Best Musical, out of nine nominations. The first London production opened at the Palace Theatre in 1961. The show has enjoyed numerous productions and revivals since then. It
The Sound of Music
1610576
the album, stating: "It wasn't just one tune that was a breakthrough, it was the whole record. When new jazz styles come along, the first few attempts to do it are usually kind of shaky. Early Charlie Parker records were like this. But with "Kind of Blue" [the sextet] all sound like they're fully into it." Along with the Dave Brubeck Quartet's "Time Out" (1959) and Coltrane's "Giant Steps" (1960), "Kind of Blue" has often been recommended by music writers as an introductory jazz album, for similar reasons: the music on both records is very melodic, and the relaxed quality
Kind of Blue
6914655
it "impressive". An editor from Yahoo! Music Japan wrote on Koda's biography that the mixture of pop and R&B music was a "perfect balance of contemporary charm and vocals." Adam Greenberg, a writer of AllMusic, did not mention the original recording, but wrote about the Sunset in Ibiza remix from her remix album "Koda Kumi Driving Hit's" (2006), and stated: "When the DJs complement her voice just right, Koda can sound like any number of other singers. [...] "Real Emotion" and "Take Back" come out as something very similar to Ayumi Hamasaki's works." Upon its release, Koda felt insecure about
Take Back
19168501
guitar melodies, "I Wanna Come Back" has all the elements of early psychedelic rock. Speaking about the band's hallucinatory sound, keyboardist Victor Roybal explained why the group was eager to branch out from usual pop music: "We were looking for a new and original sound. Much of what we had been doing [was] performing top 40 sounds which people requested to hear". In 1967, Lance Records released "I Wanna Come Back" with "Double-Crossin' Girl" on the Fe-Fi-Four Plus 2's debut single. It is generally agreed upon by music historians that "I Wanna Come Back" was the first psychedelic song released
The Fe-Fi-Four Plus 2
12047056
for the band as well as the listener. Inherent in this is an honest approach, and that comes through in our live show, which, by the way, is much better than our CDs (moo, September '96 - issue 25).” In that same interview, vocalist-flautist Miriam Cabrera elaborated, “We wanted to do something original and interesting, but we never sat down and said ‘Okay, this is what we want to sound like.’ It wasn't contrived. We definitely did a lot of jamming to see what would come out. The music we play is result of working on refining and melding what
Morsel (band)
1910299
shows as Winter's Bane in order to introduce the audience to their original material. After finishing their original set, they would then take a break, which included a wardrobe change to emulate the subject of their tribute, Judas Priest. Winter's Bane sound engineer Ken Reffner would come out from behind the soundboard, adding a fifth member to the stage. Reffner can be seen playing the part of K. K. Downing with British Steel in the Judas Priest episode of VH1's "Behind the Music". Owens made headlines in 1996 when he went from being a fan of the metal act Judas
Tim "Ripper" Owens
8570421
on the song. The song received generally positive reviews from music critics. About.com writer Bill Lamb rated "Come Back to Me" three and a half stars out of five; he praised its pop sound and Hudgens' "engaging personality", but criticized it for having a manufactured sound from the "Disney pop factory". Moreover, Lamb wrote: "'Come Back to Me' is unlikely to linger too long in your memory, but it also fails to generate any annoying after taste. Program it into your listening when you need a contemporary, breezy, light pop confection... Sure, you are being manipulated by the corporate music
Come Back to Me (Vanessa Hudgens song)
15386815
These plans did not come to fruition, nor did a December 2009 claim by OneRepublic frontman Ryan Tedder that he had been recruited by "Glee"s music supervisor, Adam Anders, to write an original song for the series. Murphy later stated that he planned to showcase original music during the second season, aiming to find a way for this to occur organically, as: "It wouldn’t work [before] if they just broke out and started singing their own songs. You wouldn't get it. I think it has to be an assignment." Six original tracks were composed for "Original Song", entitled "Get It
Original Song
16949167
yet to describe the project is: 'sonic menagerie'". Among musicians, Elvis Costello describes a "Smile" piano demo of "Surf's Up" as akin to an original recording of Mozart in performance, and added "It's such an amazing tune. The words are very much of the time, they sound beautiful when they're sung—and quite of lot of that is true with the rest of the songs that come from this period, where obviously there was a stress and strain in realizing the music." Matthew Sweet felt: "Van Dyke's lyrics are so cool and Brian did right by them. He and Brian are
Smile (The Beach Boys album)
17282111
removed entirely, and all soldiers are referred to as Star Warriors. The Japanese score was completely replaced. The original Japanese score played a mass variety of music to fit the individual moods of each scene (relaxed, heroic, comedic, etc.), while the dub score songs still did fit the individual moods of each scene but in their own way. Some of the original sound effects were retained, while some of them were replaced with a new sound effect when, for instance, a sound effect could not be retained. Some of the sound effects in the original version were already in 4Kids'
Kirby: Right Back at Ya!
11841641
Moffat), whom they come across in a futuristic city run by robots. In a 2017 interview, Heather Menzies stated that Dirk Benedict and her "Sound of Music" co-star Nicholas Hammond also auditioned for the role of Logan 5. When asked for her opinion on the series' quick demise, she replied: " I think they needed to spend more money on the visuals. "Star Wars" came out around that time and we couldn’t really compete with that." D. C. Fontana served as story editor and worked alongside several other writers from "" as well as one of the original novel's authors.
Logan's Run (TV series)
4581761
late-night talk show fixture, with many of them also serving as unsuspecting straight men for the host's jokes, musically introducing guests, playing in and out of commercials, composing original pieces of music for sketches, and backing up musical guests. The Roots became the first hip hop house band on late-night television when they joined "Late Night with Jimmy Fallon" in 2009. Record labels have often employed a core group of musicians to serve as a house band or house orchestra, specifically for recording sessions. These groups can come to be regarded as an important component of a label's distinctive "sound".
House band
5830890
into or . Most of the Time Shifters' Master forms have a humanoid appearance (notable exceptions are Lynx and Unita), whereas their Con forms have a demonic appearance. Saban Entertainment licensed & did the English adaptation for Flint, which is very different from the original Japanese version. All the original Japanese music score is replaced with a new American-made soundtrack; all the sound effects are changed as well. The series was Americanized, with characters names and some places being altered, Flint explains in episode 6 that they come from the USA instead of Japan. Many characters, such as Pterry, changed
Flint the Time Detective
12093455
through sound alone, if a coin has come up heads or tails. When he has completed his training, he is expected to know what colour it is. By the time of "Soul Music", they have discovered that the sound that brought the universe into being was not a Word, but a musical chord ("the ultimate power chord"). They continue to listen, as they can just make out sound that "preceded" the creation of the universe, and may put the chord into context. It says in "Soul Music" that the greatest listeners have determined that the sound before the creation of
Religions of the Discworld
1525404
it to come out when it did." In 2004, Elliott was featured on Ciara's hit single "1, 2 Step", with her verse interpolating Teena Marie's single, "Square Biz". Elliott premiered her own reality show on the UPN Network, "The Road to Stardom with Missy Elliott" in 2005, though it was not renewed for a second season. Elliott wanted to "give people the unexpected" by utilizing producers other than Timbaland and a "more to the center" sound not as far left as her other music. Her sixth solo album, "The Cookbook" was released in July 2005, debuted at number two on
Missy Elliott
9177737
CT…both with Class B signals and both running Beautiful Music formats. The original staff consisted of Ron Wilson (from WPUT) in mornings; Jennifer Dudley in afternoons; Kenn Hayes (from WKTU and WTFM in New York City) at night; and Kevin O’Keefe on overnights. Hayes also hosted the station’s Classical music on weeknights (“Tableside Concert”) and the Sunday Classical program “The Sound of Things to Come” (featuring then-new CD technology); while also working at WPAT (Beautiful Music) and WQXR (Classical) in New York City. In the mid-1980s, Beautiful Music began to decline in ratings. Listeners were aging-out of the format; stations
WDBY
3927659
Free Kings, a band that Scott and Wickham performed with in 1986. Scott's musical style changed again to a more guitar based sound when he, under the name The Waterboys but without any other members, recorded "Dream Harder", in 1993. It was a return to the "Big Music" sound but the last album to come out under the band's name until 2000. The band had dissolved over personnel issues and Wickham's desire to remain with a folk-rock, or purely folk music, sound. After two Mike Scott solo albums, "A Rock in the Weary Land" was released under The Waterboys name,
Mike Scott (musician)
19456008
the rooftop is fictitious. The music in the film is composed by Shinji Orito, Donmaru and Tomohiro Takeshita; Magome Togoshi is credited for his work on the music of the original visual novel. Sound and music direction was headed by Tsuda and Takayuki Yamaguchi. Tsuda decided on what kind of music to order from the composers while discussing it with Yamaguchi, and Tsuda started to think about how to use the music in specific scenes when he was drawing up the storyboard. Tsuda found it very helpful to have direct interaction with Orito who would come to him with various
Planetarian: Storyteller of the Stars
6131575
at a point where we felt that we had gone as far as we could go with conventional dance music. And we wanted to have a sound that broke out of it. At that time dance music was taking itself very seriously and the music that we'd really been enjoying for the past couple of years had been rock acts. They had loads of energy, but they also had amazing production and really big melodies and the musical depth that I was after". Change of their sound also came when in 2004, the band held auditions for a new lead
Here Come the Drums
18905959
to record the group's second album. As a result, the band's popularity began to wane and by mid-1967, they had been all but forgotten by mainstream pop audiences. Undeterred Bonniwell, with the support of record producer Brian Ross, convinced their record label, Original Sound, to transfer their recording contract over to Warner Bros. Records. Executive Art Laboe agreed to the move out of disinterest for Bonniwell's desire to create a coherent concept album, rather than hit-ready singles. Nonetheless, Original Sound did distribute the group's single, "The Eagle Never Hunts the Fly", for a perceived, but ill-founded, resemblance to Count Five's
The Bonniwell Music Machine (album)
14327211
the plan did not come to fruition, Eno suggested they continue recording music suitable for film soundtracks, as Eno did with his "Music for Films" album series. The result was "Original Soundtracks 1", an album of ambient and electronica music, created as a side project between U2 and Eno under the pseudonym "Passengers". Vocalist Bono felt the visual suggestion from the music was more important than the story told by the lyrics, so the band tried to create visual music when recording, continuing a trend that had begun with their 1993 song "Zooropa". U2 spent time in Shinjuku, Tokyo, at
Slug (song)
12668380
sound, a thoroughly different arrangement, and reworked the melody while still retaining the chorus vocal: "Woodwork squeaks, and out comes the freaks". The original recording was the opening song on the groups début album "Was (Not Was)". This version began with the chorus chanted several times simultaneously by a number of vocalists before the rhythm section is introduced. The single became a club hit in the US and peaked at #16 on the "Billboard" Hot Dance Club Play Chart. The song's parent album was later renamed "Out Come The Freaks" when it was remastered and expanded in 2004. A companion
Out Come the Freaks
11368901
Academy Award for Best Original Musical. World Soundtrack Award for Major Contribution to the Art of Film Music and Sound The award for Major Contribution to the Art of Film Music and Sound is a very special award that has been handed out only once since the Awards' 2001 debut. It is still considered an official category by the World Soundtrack Academy, so more awards could be handed out in the future. The award is to commemorate work that has changed film music into what we see now. "†" indicates the winner of the Academy Award for Best Original Score.
World Soundtrack Award for Major Contribution to the Art of Film Music and Sound
1597646
York) that may have been Keppard and the Original Creole Band. In any case, the first official recordings of New Orleans or Dixieland jazz did not come out until the 1920s during the "Jazz Age," nearly two decades after the "hot" New Orleans sound and style had first been developed. By the time musicians of color like Freddie Keppard were officially recording, the Original Dixieland Jazz Band, an all-white band, had already made the first jazz recordings and had dominated the market for jazz recordings with their million-dollar hit, "Livery Stable Blues." Incidentally, the ODJB's commercialized rendition of "Livery Stable
Freddie Keppard
1598055
Fire" by The Doors. Hill said that she "didn't want to come out with a [Fugees] type of sound", but create "something that was uniquely and very clearly a Lauryn Hill album." She also said that she did not intend for the album's sound to be commercially appealing: "There's too much pressure to have hits these days. Artists are watching "Billboard" instead of exploring themselves. Look at someone like Aretha, she didn't hit with her first album, but she was able to grow up and find herself. I wanted to make honest music. I don't like things to be too
The Miseducation of Lauryn Hill
7201617
maybe half a dozen times experiencing this, that was the only 30 minutes in my life that I did not feel pain for that moment. And it was addictive." From her accident to her first performance, her music career was born. "It was a most unusual start, but when you come from a place where things are tough it makes it that much easier to appreciate the times when life is easy", she said. Given her oversensitivity to sound, she chose quieter music. On the treadmill she listened to bossa nova by Stan Getz. Unable to sit comfortably at the
Melody Gardot
12795111
the usual renditions" and the lack of rock music as "surely an album which will disappoint many". Three other critics gave the album four out of five stars: Andy Argyrakis of "CCM Magazine", Russ Breimeier of "Christianity Today" and Lauren Summerford of "Jesus Freak Hideout". Argyrakis lists two covers and the original "Hallelujah (Light Has Come)" as favorites, but noted that the album "would've benefited from at least another original tune or two." Breimeier noted that "after a while, the gentle sound gets somewhat repetitive" and criticized "What Child Is This?" as "too pokey for its own good", but nevertheless
Home for Christmas (BarlowGirl album)
15959901
the music." Christian Music Zine's Joshua Andre evoked that "The theme of the album is hope and about how we can come to God when we feel like we need to; and on this subject alone, listening to this album is a must for everyone, even more- it is a necessity...let's just enjoy "Need You Now"" Andrew Funderburk of CM Addict alluded to how "despite there being hope for all, Need You Now, as a whole, is perfectly honest about being human...With her latest selections, Plumb returns more to her original roots of music and that edgy rock sound causes
Need You Now (Plumb album)
17169910
wander and might even include all those styles of music within the same tune... "Keystone Companions" is a fan’s dream come true — it contains two complete sets equaling almost four hours of live music. The tracks were remastered to crystal clarity..." In "Relix", Tony Sclafani wrote, "This new release configures the original recordings in the order in which the songs were performed and also offers vintage photos and liner notes by David Gans. The results are compelling. The spacious, remastered sound brings out the chemistry of the two main players as well as the interplay of the rhythm section,
Keystone Companions: The Complete 1973 Fantasy Recordings
10021457
of the Venetians by July 1983. "The chemistry was definitely there from the beginning," says Swinn. The Venetians released their first single, "Sound on Sound", in April 1983, which is a version of Swinn's original demo. The track was written by Swinn. The band signed with Festival Records' Parole Records label. It was accompanied by a music video which attracted airplay, "Sound on Sound", and reached the Kent Music Report Singles Chart top 100. It was regarded as a 'turntable hit' following airplay on national radio station, Triple J. Their second single, "Chinese I's (Here Come the Minute Men)" (November
The Venetians (Australian band)
3321185
Come, The Harder They Fall', and toured in Nigeria with Toots and the Maytals and Fela Kuti. The Soul Brothers (a.k.a. The Sound Dimensions, a.k.a. Soul Brothers) formed the basis of reggae music in the late 1960s, being versioned and re-versioned time after time over decades by musicians like Shaggy, Sean Paul, Snoop Lion, The Clash, String Cheese Incident, UB40, Sublime, and countless other Billboard originals and remakes trying to emulate their original Rock Steady sound at Coxsone's Studio One. The label and studio were closed when Dodd relocated to New York City in the 1980s. Studio One has recorded
Studio One (record label)
18104257
album peaked at number 17 on the "Billboard" 200 and number 2 on the "Billboard" Soundtracks. Stephen Thomas Erlewine of AllMusic gave the soundtrack three out of five stars and did not give much of a positive review. He stated that the soundtrack "is absent the one quality that made the televised musical so interesting: it is not recorded live; it was cut in the studio" and stated that by doing so the cast are showing how they "are throwing themselves into their roles." Erlewine did however praise them for staying true to the original Broadway musical and the film
The Sound of Music: Music from the NBC Television Event
2364920
the band. The band chose to sign with Go! Discs. The band's first single "Way Out" was mixed with producer Gavin MacKillop. When it was released in October 1987, it broke into the top 100 and was praised by The Smiths' frontman Morrissey in the music magazine "Melody Maker", but attracted little notice. The band continued to perform around the UK and gained success as a live act, drawing comparisons to The Beatles due to their origins, vaguely Merseybeat sound, and Mavers' expressive lyrics. "There She Goes" was released in 1988 with the B-sides "Come in Come Out" and "Who
The La's
5888187
Dembow Dembow is a genre of Caribbean popular music or musical rhythm originally from Dominican Republic. When Shabba Ranks released "Dem Bow" in 1990, it did not take long for the Dembow genre to form. Riddims were built from the song and the sound became a popular part of reggaeton. The genre was based in homophobic roots as many of the original uses would refer negatively to gay men, insulting them in the lyrics of the music. However, this genre faced much change and translation over time causing it to lose much of its original meaning, including the term "Dem
Dembow
10134794
"In the Dark", adding in the 1969 "Pressure Drop" single which had been previously issued on album with "The Harder They Come". On March 25, 2003, "Funky Kingston" was released on compact disc by Universal complete in its original format, along with the Jamaican "In the Dark" album and the "Pressure Drop" single. When the music for this album was recorded at Dynamic Sound Studios in Kingston, reggae music was little known outside of its native Jamaica, other than in musical circles. The first international release by The Wailers, "Catch A Fire", would not be until 1973. Awareness of reggae
Funky Kingston
11199600
of mankind, only to return and find it worse. It takes a departure from the dark and depressive lyrical content of their previous albums for a much more science fiction oriented feel. Did Tomorrow Come... Did Tomorrow Come... is the third and last album from Polish gothic metal band Sirrah, though it was their second official release. It was released in 1997. Though the original title is "Did Tomorrow Come...", the title of the releases outside of Poland were changed to "Will Tomorrow Come?" by Music for Nations, which completely changed its meaning. This album also contains less growling and
Did Tomorrow Come...
18352776
Arizona Days (1937 film) Arizona Days (1937) is the third Western singing cowboy Tex Ritter made for producer Edward Finney for Grand National Pictures. Many public domain prints are missing sequences from the original release. Final appearance of famous Victorian-Edwardian stage actor William Faversham in either a play or a film. Tex and his sidekick "Grass" Hopper are delighted to join a travelling music show. When a group of cowboys come in without paying, Tex steps down from the stage, pulls his six gun and holds the audience up until the manager points out the men who did not pay
Arizona Days (1937 film)
11199599
Did Tomorrow Come... Did Tomorrow Come... is the third and last album from Polish gothic metal band Sirrah, though it was their second official release. It was released in 1997. Though the original title is "Did Tomorrow Come...", the title of the releases outside of Poland were changed to "Will Tomorrow Come?" by Music for Nations, which completely changed its meaning. This album also contains less growling and Death metal elements than in their earlier works. The album is a concept album about a time traveller who goes back and forth through time in order to prevent the dystopian future
Did Tomorrow Come...
14122303
Phares, writing for Allmusic, called the album "the closest [Heasley]'s come to an original sound in some time", and stated that long-term fans of the band would "probably find the album a breath of fresh air". Amanda Petrusich of Pitchfork Media makes similar observations about the Kinks/Ray Davies similarities, but giving the album a 7.7/10 rating called it "addictively palatable and, occasionally, surprisingly innovative." Glen Sarvady of "CMJ New Music Monthly" noted Heasley's continuing "U.K. fixation", and identified Julian Cope as an influence, as did Jeff Terich of "Treble", who also saw an influence from Echo & the Bunnymen. Robert
Precollection
1297996
by a Juvenile Actor, the first National Board award bestowed on a child actor. At the 60th Academy Awards, "Empire of the Sun" was nominated for Art Direction, Cinematography, Editing, Original Music Score, Costume Design (Bob Ringwood), and Sound (Robert Knudson, Don Digirolamo, John Boyd and Tony Dawe). It did not convert any of the nominations into awards. Allen Daviau, who was nominated as cinematographer, publicly complained, "I can't second-guess the Academy, but I feel very sorry that I get nominations and Steven doesn't. It's his vision that makes it all come together, and if Steven wasn't making these films,
Empire of the Sun (film)
5305767
those songs is the steel guitar. It is the quintessential honky-tonk steel sound — tuneful, aggressive, full of attitude.” Lloyd also credits Helms' sound as a major influence in shifting the sound of country music away from the hillbilly string-band sound popular in the 1930s and toward the more modern electric style that became prominent in the 1940s. Helms played a double-neck 1948 Gibson Console Grande steel guitar, which lacked the foot pedals found on a more modern pedal steel guitar, which did not come into prominence in country music until after Hank Williams' death in 1953. He tuned the
Don Helms
10335877
to the sampled original. When asked about their take on hip-hop music and how rappers like West are suddenly fascinated their music, Bangalter replied that, "Hip-hop has always been exciting and interesting to us." Daft Punk went on to say that they were very delighted with how West's single turned out to be. The two had first heard the new song on Power 106 while on a San Francisco flight. As de Homem-Christo stated, "Our song had a good sound, but when [the radio DJ] put Kanye's record on, the sound was really fat. It sounds really big." De Homem-Christo
Stronger (Kanye West song)
574309
was created. Needless to say, it was several generations removed from the original and the sound quality suffered for it. The playback recordings were purposely recorded very "dry" (without reverberation); otherwise it would come across as too hollow sounding in large movie theatres. This made these albums sound flat and boxy. MGM Records called these "original cast albums" in the style of Decca Broadway show cast albums mostly because the material on the disc(s) would not lock to picture, thereby creating the largest distinction between `Original "Motion Picture" Soundtrack' which, in its strictest sense would contain music that would lock
Soundtrack
13112478
to play a lot of shows together. This led to Luna Sea providing some backing vocals on the album. Bigger success would come in 1992 when they changed from their thrash and speed metal roots to a more power metal sound. The first album with the new sound, "Aion -Aion-", was very successful. Also in 1992 S.A.B left and was replaced by Shu. Local magazines and TV showcased them from 1991 until 1995, when their last album "Freak-Out" was released. In 1995 they disbanded, although not in the traditional sense as Nov and Izumi continued to release their own music
Aion (Japanese band)
1910520
a limited number of years. Hugh Wilson commented that "WKRP" was videotaped instead of filmed because when the show was originally produced, a loophole in music licensing deals reduced fees for using songs in videotaped programs. The loophole was intended to accommodate variety shows. When the show initially went in syndication shortly after its 1982 cancellation, the original music remained intact because the licensing deals were still active at the time. Once the licenses expired, later syndicated versions of the show did not feature the music as first broadcast, but rather generic "sound-alikes" by studio musicians to avoid paying additional
WKRP in Cincinnati
16733876
CDJournal felt the album had a lot more personality than "Original Ai". (2003) They felt the album's sound did not show the "frailty" of other popular R&B acts, and noted the album's "strong beats" and the lyrics from a female viewpoint. "After the Rain" was called "bewitching," and that the song's "sticky with emotion melody wraps the song in a mellow atmosphere." The reviewers felt that Ai's "pressingly questioning" rap in "Watch Out!" showed a high level of technique. The music videos were well received at music awards shows. At the 2004 MTV Video Music Awards Japan, "After the Rain"
2004 Ai
4717110
like, 'Rivers, we can talk about it. Do it anyway, and if you don't like it when it's done, we won't use it. But I think you should try. You did write it and it is a great song.'" Cuomo said that he felt the song was "too cheesy" and did not know if the song represented the sound he was going for with the band's music. Matt Sharp recalls: ...Ric said we'd be stupid to leave it off the album. We'd come into the studio in the morning and find little pieces of paper with doodles on them: WE
Buddy Holly (song)
11584115
Les Paul, Joe Meek, and Phil Spector got their sounds and, in 1966, began tape experiments with Sound on Sound with a Panasonic tape recorder he received as a birthday gift. By 1968, he could edit, splice, and overdub complex recordings at home. By 1969, he had written a large portfolio of original pop and rock songs and was proficient on guitar, bass guitar, Hammond organ, and piano. He turned professional that year and signed a staff songwriting contract with April-Blackwood Music, a division of CBS. This situation did not work out to either April's or Fradkin's satisfaction and April
Les Fradkin
20067640
Khwaja Script Editor Rashed Al Harmoodi Script editor Mouthanna Al-Sayegh Online editor Tom Bailey Mansour theme and original music composition / composer: theme music Stefan Mcdad Sound design and mixing (52 episodes, 2015–2017) Musaed Al-Hendi Sound editor Yousef Bu Khamas Sound design and mixing Mubadala (2013) (United Arab Emirates) (TV) ICE Animations (animation and effects)Yowza Digital (storyboards) "Mansour"'s merchandising ranges from clothing to smartphone applications. Al Harmoodi has expressed joy at this, saying that "seeing Mansour side-by-side with other global characters on retailer shelves is a dream come true". Cartoon Network Studios Arabia won ‘Best Use of Animation’ Award for
Mansour (TV series)
5539075
number 28. "Entertainment Weekly" likewise ranked "Music" at number seven on their list of Madonna's 35 top singles, saying that the "message [in the song] is universal". Michael Roffman from Consequence of Sound listed the track at number 15, feeling that the commercial reception to the release of "Music" was "almost meta come to think of it; the song "did" make people come together". Enio Chola of "PopMatters" placed "Music" at number five in his list of The Top 15 Madonna Singles of All Time, feeling that "After the confessional "Ray of Light", Madonna was ready to dance again, and
Music (Madonna song)
13706374
year, and that it was inspired by "club music". "The majority of stuff I'm working on now is the xx stuff. We're just about to start recording. Hopefully we'll get it done in time for most festivals next year, because that's the most fun." Discussing the sound of the album, he said: "We've all come back off tour and been partying a bit more. We left when we were 17 and we missed out on that chunk of our lives when everyone else was partying. Club music has definitely had an influence on the next record." On 1 June 2012,
The xx
17441040
up right there. We did one called "When Demons Come". Everything came from getting recognition from "Something Else". That's how my life is. I like my life. "So Much Love" on "Something Else" had me ready for "When Demons Come". There's so much love you can get lost in this shit. You don't know when something's going to hit. You have to be ready with angels when demons come. Songs like that just came out of me." In September 2013, during an interview with the "Portland Music Scene Examiner", Tech N9ne spoke about working on the EP, saying: "It’s fucking
Therapy (Tech N9ne EP)
7980410
song has a four-line verse ("My day in the hills has come to an end I know...") followed by the familiar chorus "The hills are alive with the sound of music..." The film soundtrack and the soundtrack album have two different instrumental preludes to "The hills are alive..." both of which contain portions of the music of the original verse. The cast album to the 1998 Broadway revival contains the four-line verse as well as the instrumental prelude present in the film version. This version is also the same key as the film version. The song was ranked tenth in
The Sound of Music (song)
3271033
Van Halen and rap." Cale often acted as his own producer/engineer/session player. His vocals, sometimes whispery, would be buried in the mix. He attributed his unique sound to being a recording mixer and engineer, saying, "Because of all the technology now you can make music yourself and a lot of people are doing that now. I started out doing that a long time ago and I found when I did that I came up with a unique sound." His catalogue is published for the world excluding North America by independent music publishers Fairwood Music (UK) Ltd. Cale died at the
J. J. Cale
18619581
car. Even before high school, I was getting into Blink-182, Sum 41, My Chemical Romance and all those kind of pop-punk and post pop-punk, all that sound really inspired me. And Fall Out Boy. Top 40s music inspires me too, country music inspires me. I did live in Nashville for one year when I was going to Temple University so I think that country sound and style of writing has worked its way into me a little bit and comes off in my music sometimes. And I love pop artists, I love Lady Gaga, I think she’s a great artist
All American Boy (Steve Grand album)
16360888
Santa Cruz, where they co-hosted the original version of "The Sound of Young America". Morris and Thorn created "Jordan, Jesse, Go!", initially called "The Untitled Thorn/Morris Project", when they both moved out to Los Angeles. They began the show because they missed doing "The Sound of Young America" together and wanted to work together on comedy again. "Jordan, Jesse, Go!" is a generally free-form comedy show lasting for about 90 minutes. Each episode begins with the theme song, "Love You", by The Free Design, followed by an unstructured discussion between Thorn, Morris and, usually, a guest. The guests mostly come
Jordan, Jesse, Go!
8659171
music became more acoustic. Arrogance’s debut album, the self-released, self-produced LP "Give Us a Break" , came out in 1973. A more acoustic folk style had, by then, replaced the early hard-rock, but the trademark vocals, harmonies and smart lyrics were very much in evidence. The sound became more upbeat when percussionist Ogie Shaw was replaced by drummer Steve Herbert and the result was Arrogance’s second self-labeled LP, Prolepsis, coming out in 1975. The band’s wry wit and perspective shows in the record’s title, meaning preparation for anticipated things to come, and the music reflected a new level of talent
Arrogance (band)
4689876
Talmy's favor. "My Generation" was remixed by Talmy and issued on compact disc with bonus tracks. In his book "Before I Get Old", Dave Marsh commented that the records that Talmy made with The Who "are technically among the best that the band ever did, and they have a distinct, original sound." Talmy continued to work with other distinguished British performers throughout the 1960s, including singer-songwriter Davy Jones (later known as David Bowie). He produced the Roy Harper album "Come Out Fighting Ghengis Smith" in 1967. He also produced "Friday on My Mind" for the Easybeats, an Australian band that
Shel Talmy
9103504
following. In the meantime, they started composing their own music. Bechtum would usually come up with the riffs, then the other members would contribute their parts. After hashing and rehashing the songs, they became the titles that would appear on the first album, "Picture I". As a bunch of young kids, they didn’t know much about the realities of recording. When the album came out, none of them liked the sound quality. As they grew in popularity, they returned to the studio to record "Heavy Metal Ears" and it was much of the same sound quality. It wasn’t until they
Picture (band)
19057841
Johnston, Jakub Żytecki and Mateus Asato. The band states that their influences come from artists of all genres. The group started out with a heavier shred-oriented sound but has since matured into a more melodic-focused band. When describing the album, "Muse", Timothy Henson says that the primary inspiration comes from pop and rap music as to not draw influence from other artists of their genre. Polyphia is known for their melodic and progressive sound which employs heavy use of technical lead guitar harmonies, yet catchy riff writing. They can be considered a member of the djent movement, even though they,
Polyphia
14008586
math rock's arch complexities, electronica's 80s obsession and hooks made from mobile phone interference." When asked about their sound in an interview with UK music blog "There Goes the Fear" in Leeds in October 2010, singer Jonathan Higgs replied, "We think of it as rock primarily. We try not to make it sound like a lot of things you’ve heard before, not on purpose, but it tends to come out a bit like that. We’re not really interested in copying certain genres or anything, so I guess you’d say it’s unpredictable and sort of surprising." Higgs has counted Nirvana, Radiohead,
Everything Everything
1541072
for accessibility, and one that is inseparable from sound system culture. The term ‘Dancehall’, while now typically used in reference to the specific and uniquely Jamaican genre of music, originally referred to a physical location. This location was always an open-air venue from which DJs and later “Toasters”, a precursor to MCs, could perform their original mixes and songs for their audience via their sound systems. The openness of the venue paired with the innately mobile nature of the sound system, allowed performers to come to the people. At the onset of the dancehall scene, sound systems were the only
Dancehall
15954738
"we're five girls after all". While in an interview with "Sugarscape" the band confirmed that they want the whole album to be "fresh" and have a completely different sound from their previous albums, so it does not sound like the band are releasing the same type of music. They also said that the music would be "current" meaning they will release music which the public are interested in at the moment. However, they did say there would be some type of their "original sound" on the album as they want to "make everyone welcome" on the album. It was confirmed
On Your Radar
6593689
any of the policemen that were alive after the crash. With the police out of the way, the Kelly Gang would then go into Benalla and rob the bank. The captured police would be released when Ellen Kelly, William Williamson, and William Skillion, were let out of gaol. The plan did not work because the four policemen did not come out of Sherritt's house until the morning. This meant that the news of the murder did not reach Melbourne as quickly as the Kelly Gang had hoped. The people held prisoner in the hotel became restless. Ned organised music and
Dan Kelly (bushranger)
11368900
World Soundtrack Award for Major Contribution to the Art of Film Music and Sound The award for Major Contribution to the Art of Film Music and Sound is a very special award that has been handed out only once since the Awards' 2001 debut. It is still considered an official category by the World Soundtrack Academy, so more awards could be handed out in the future. The award is to commemorate work that has changed film music into what we see now. "†" indicates the winner of the Academy Award for Best Original Score. "††" indicates the winner of the
World Soundtrack Award for Major Contribution to the Art of Film Music and Sound
4462700
grew to prefer the sound. Pollard said that: Kevin Fennell similarly said, "When "Bee Thousand" came out we sounded much less professional than we did in 1982. The music was much more spontaneous." Pollard also said that, at the time, the band's recording style was intended to sound like Beatles bootlegs. Furthermore, songs were usually completed in a minimum number of takes with no rehearsal beforehand. In all, recording for the album was extremely brief, taking only three days, with Pollard estimating that each song took roughly half an hour. The music of "Bee Thousand" is influenced by British Invasion
Bee Thousand
5401420
Album" which rearranged 16 songs from the original soundtrack. "The Sacramento Bee" said the music was "peppy and cheerful, if unmemorable" but that the sound effects were "largely recycled from the developer's previous games, all the way back to 1999's ""Star Ocean: The Second Story"." GameSpot remarked that "None of the music will get stuck in your head, but you won't want to mute it either." Game Informer said the soundtrack was a "masterpiece". However, the game does not support Dolby Surround sound. In November 2004, it was announced that all Japanese preorders of "Radiata Stories" would come with a
Radiata Stories
16534299
you’re imperfect, don’t change—but there’s a little complexity to it lyrically, it’d probably sound great at the end of Con Air or Armageddon, and considering the low bar of Idol originals, it could be worse, probably." Unterberger criticized the judges' comments regarding the wrong song choice. He said, "Oddly, after the performance is over, each of the three judges take Jessica to task for the song itself, saying they were hoping for something more “urban.” Um, were they watching the first two performances? Have they heard an Idol original song before? Did they think she was gonna come out in
Change Nothing (song)
15051844
Commissioners' Plan. Randel had begun to prepare a map to go to the engraver, using his original papers, when he found out that the council had given William Bridges, one of the handful of city-recognized surveyors, the right to do so. Bridges simply copied one of Randel's previously published maps, which were in the public domain, introducing errors as he did so. Bridges published and copyrighted the resulting map as a private venture, leaving Randel out in the cold. The conflict between the two men did not come to a head until three years later, in 1814, when Randel starting
John Randel Jr.
8896113
electronic preference. When the label started in 2001, there was no scene to connect with, though gradually it has built up a roster of around 25 artists that have come out of the studio and performed live at regular Cardiff showcases and in Newport, Swansea, and London. Between 2003-2006 the label also used its monthly Terminal club night to bring UK acts on Warp Records and Planet Mu to Cardiff. Machine Records won 'Best Label' at the Welsh Music Awards in March 2005, and its 2008 compilation 'Machine Music! The New Dance Sound of Cardiff' was selected by DJ Adam
Music of Cardiff
10441758
the punk genre. Their musical incarnation to date is described by the duo as an experiment with punk, noise, rock and 1960s blues. The complexity of Bang Lime’s sound stems from Winstead’s and Scott-Key’s exposure to several different genres of music over their years of experience that have been compressed into one conglomerate sound. Although both Winstead and Scott-Key enjoyed playing the repertoire of Metric, when asked about it, Winstead admitted that he had songs that were "not in the Metric style and they [had] to come out or [he would] go crazy." Bang Lime’s musical style is a departure
Bang Lime
9460135
we sound like Harvest. There's really no one else who sounds like us." But, when pressed to liken the band's sound to another's style, Williams would say the band's style was similar to that of Christian performer Wayne Watson. Everlasting Spring Milk & Honey Records Greentree Records Benson Records Harvest (band) Harvest was a Christian band founded in Lindale, Texas by Jerry Williams in 1977. The vision of Harvest was to see 100 million people come to know Jesus Christ personally through the band's music ministry. Jerry Williams had come from a nightclub entertainment background and music had been a
Harvest (band)
11073704
The Oaks (band) The Oaks (sometimes stylised as "The OaKs") are an American rock band based out of Orlando, Florida, created by singer/songwriter/guitarist Ryan Costello and drummer/percussionist Matthew Antolick. The band's sound contains elements of indie rock with classic rock, soul music, jazz, folk music and modern rock. The Oaks have gained international attention through their original fusion of music performance and humanitarian aid. Costello spent two years in Afghanistan, living among recently returned refugees, teaching agricultural techniques and directly participating in food distributions. When he returned to the United States, he vowed to get the word out about the
The Oaks (band)
9088689
of a chamber pot. Gogarty commented, "There's a critic for you!". When Joyce later told this story to Stanislaus, his brother agreed that it was a "favourable omen". In "Ulysses", Leopold Bloom reflects, "Chamber music. Could make a pun on that." In fact, the poetry of "Chamber Music" is not in the least bawdy, nor reminiscent of the sound of tinkling urine. Although the poems did not sell well (fewer than half of the original print run of 500 had been sold in the first year), they received some critical acclaim. Ezra Pound admired the "delicate temperament" of these early
Chamber Music (poetry collection)
14768154
Lament (I've album) Lament is a compilation album by Japanese music production unit I've Sound and volume four in their "Girls Compilation" album series. It was released in a limited edition box set with the "Out Flow" album and the "I've P.V Collection Vol.3: See You" DVD on September 5, 2003. The two albums later received individual releases on October 30, 2003. The songs on this album come from various adult PC games they have contributed to, although some are remix versions of the original. It also includes a new title track sung by Kotoko. Besides Kotoko, it features the
Lament (I've album)
12762678
native school of American music based on the primitive musical utterances of the red man and the black man these negro melodies are historical documents of some interest." While Maurice Arnold did not become the main musical proponent of Dvořák's philosophy for a new American sound in music he did live long enough to see much of what Dvořák fought for come to pass; the birth of the blues, ragtime, jazz all leading to the first major African American composer William Grant Still. It was Still who finally did utilize the spiritual as a basis for one of the first
Maurice Arnold Strothotte
4471449
positive review, writing "The End of All Things to Come captures Mudvayne at a time when the band has found its voice and is hitting its stride with confidence." Mixed reviews came from Allmusic, which wrote that "The musicians still churn out standard-issue heavy metal thrash à la Metallica to support Chüd's nihilistic pronouncements, usually sung in an enraged howl" "Blender", which wrote, "The End is rather ordinary--severe, belligerent riffs and vocals that sound as though singer Chud gargles molten lava" and "Rolling Stone", which wrote, "Enjoy the band's extraterrestrial makeover; it's far more amusing than the music." A negative
The End of All Things to Come
17746106
offer: "We haven't really got there yet. Not yet. Game got on 'Splish Splash' because he was just there in the studio. I think it's great to make the music and then figure out who would sound good on what. Robin Thicke did get on one though, but we'll see if it'll stick around. I just linked up with Cannon and I still want will.i.am to come holla at me because I want to talk some "Joints and Jams" type sh*t. He's super talented. It really just comes down if they want to do it or not at this point.
RetroHash
6258460
to quality issues when the original DVDs were released (such as adding more sound effects when watched in 5.0 sound, since they did the same to the Transformers DVD sets, also done by Rhino). These DVD sets have since gone out of print as Rhino lost the distribution rights. In 2008, Hasbro reacquired the worldwide distribution rights to the Sunbow library which includes G.I. Joe. During 2008 and 2009, Hasbro released five gift packs of cartoon-inspired action figures, each including a DVD. The first four sets included the four miniseries, and the fifth an assortment of Sunbow series episodes. In
G.I. Joe: A Real American Hero (1985 TV series)
7514839
Mars" in an attempt to make electronic music more accessible. The offbeat titles and happy, upbeat melodies added a genuine sense of humor to the popular tunes. In fact, "Unidentified Flying Object" and another of the album's cuts, "Electronic Can-Can", became theme music for "Wonderama," a Metromedia Television children's program of the early 1970s. Though most of the melodies were original, two borrowed from the classics. "Swan's Splashdown" was based on Pyotr Tchaikovsky's "Swan Lake", while "Countdown at 6" borrowed from Amilcare Ponchielli's "Dance of the Hours", much as Allan Sherman did in 1963 with his hit recording, "Hello Muddah,
The In Sound from Way Out! (Perrey and Kingsley album)
12624192
are wired for delight when we figure something out." Occasionally music from other genres — such as jazz, ethnic/world music, folk/traditional music, or pop standards — is aired, to liven up the discussion and illustrate points. The piano is another tool McGlaughlin frequently employs to get concepts across. Of his original decisions about the show's format, McGlaughlin says, "It’s very hard to talk about music on the radio unless you can hear a sound, so I said I need a piano. Instead of saying 'a minor third,' I can play it. I wanted to make certain that what you could
Exploring Music
4481404
awarded $84,912.96. The album was called "Roots". personnel per Ian MacDonald The availability of separate tracks from the original Beatles multi-tracks (due to release of "Rock Band") have made fresh investigation of the Beatles personnel data possible. One of the discoveries is that on the verses of "Come Together", the backing vocals are sung by McCartney. In an interview with "Music Radar", Geoff Emerick correctly stated that McCartney did not sing on the choruses: "Initially, Paul played the electric piano part, but John kind of looked over his shoulder and studied what he was playing. When it came time to
Come Together
1541061
sound system and dub music can be found in the dubbed out versions of sounds that became the source of Dub music. These dubbed out versions of songs consisted of the original track, without the vocals. Through reggae soundscape and the Jamaican Sound System, dub artists were able to creatively manipulate these dubbed out versions or remixes of songs. These dub remixes were heavily influenced with effects, vocal samples, and were essential to the progression of dub. The remixes, often referred to as versions were the B-sides of a specific record. The dub musician would add in dramatic pauses and
Dub music
4277977
of independence. The Music Machine's spell with Original Sound was drawing to a conclusion, though the company did release "Hey Joe" as a single in 1968 in an attempt to cash in on Hendrix's success with the song. There was also the Bonniwell solo project in association with producer Paul Buff that resulted in the rare "Nothing Is Too Good for My Car" single being put out under the name the Friendly Torpedoes. Writer Greg Russo, who composed the liner notes for the single's remastered release, explains the side-project was initiated during a confusing transitional phase for Bonniwell that also
The Music Machine
11911620
or with the poor who would lose their land and livelihood. He sided with the landowners. They gave him a guarantee against loss – and this is not a neutral document because it implies that should the people fighting the enclosers come to him for help he would refuse it. Well, the town did write to him for help and he did nothing." Shakespeare is seated in his garden when the Young Woman arrives to beg. The Old Man takes her into the back garden for sex. The Old Woman tries to sound out Shakespeare's intentions with regards to Combe's
Bingo (play)
2534898
speech at the International Peace Conference 1847: "A day will come when all nations on our continent will form a European brotherhood ... A day will come when we shall see ... the United States of America and the United States of Europe face to face, reaching out for each other across the seas." During the second world war, Nazi Germany did subjugate France and the Netherlands, giving it political control over much of Charlemagne's original empire, however, it saw itself as an entirely German entity with no pan-European identity. It considered itself as the Third German Reich, with the
Third Rome
10122726
addition to his original music score, Herrmann also incorporated several traditional folk tunes, including "Devil's Dream", "Springfield Mountain", and a diabolical version of "Pop Goes The Weasel" played on the fiddle by Mr. Scratch. Herrmann also collaborated with sound engineer James G. Stewart to make sure that the music and sound worked well together. To create the creepy sound when Mr. Scratch first appeared in the barn, Herrmann had a recording crew go to San Fernando to record the sound of telephone wires. The original release was 107 minutes long. It was a critical, but not a box-office, success, recording
The Devil and Daniel Webster (film)
11526663
edges of the film strip. Most films continue to be processed with both digital and analog soundtracks so that they can be read by projection systems in any movie theater. After General Electric's Pallophotophone fell out of use in the early 1930s, optical multi-track recording did not have a resurgence for nearly three decades when high fidelity and stereophonic recordings became available commercially. Walt Disney made an attempt in 1940 when he began sound production for "Fantasia" with the Philadelphia Orchestra. Disney set up 33 microphones at the Academy of Music and ran these into eight independently operated mixing stations.
Optical sound
2619758
The word "zouk" has, over time, come to mean "party" or "festival" in the local Antillean Creole of French. Zouk was an attempt to develop a proper local music that would lessen or even eradicate the meringue-kadans or compas influence from the French islands. When the MIDI technology came out, Kassav' used it fully, creating new sound in both their fast carnival beat and compas. The Antilleans were all over with zouk but as other bands from the Caribbean and Africa added the MIDI technology to their music and people got used to it. Because it was a jump up
Zouk
17370060
'soundscapey' elements which can come from various sources". Jóhannsson's score was highly praised, being nominated for an Academy Award for Best Original Score, a BAFTA Award for Best Film Music, a Critics' Choice Movie Award for Best Score and a Grammy Award for Best Score Soundtrack for Visual Media, winning the Golden Globe Award for Best Original Score. The soundtrack was recorded at Abbey Road Studios. During editing, filmmakers tried to remake Hawking's synthesised voice, but it did not turn out as they wanted. Hawking enjoyed the film enough that he granted them permission to use his own synthesised voice,
The Theory of Everything (2014 film)
14527352
sound as much like the originals as possible. The actual piano sheet music from the "Final Fantasy XIII Piano Collection" album has been published as a corresponding music book by Yamaha Music Media. Yamaha has additionally published its own sheet music book for piano arrangements from the original soundtrack, as well as a book of piano and vocal sheet music for the vocal tracks on the original soundtrack. Music of Final Fantasy XIII The music of the video game "Final Fantasy XIII" was composed by Masashi Hamauzu. Former regular series composer Nobuo Uematsu did not contribute any pieces to the
Music of Final Fantasy XIII
871846
used in chamber music. The harpsichord used quills to pluck strings, and it had a delicate sound. Due to the design of the harpsichord, the attack or weight with which the performer played the keyboard did not change the volume or tone. In between about 1750 and the late 1700s, the harpsichord gradually fell out of use. By the late 1700s, the pianoforte became more popular as an instrument for performance. Even though the pianoforte was invented by Bartolomeo Cristofori at the beginning of the 1700s, it did not become widely used until the end of that century, when technical
Chamber music
2068342
but broke up in 2010. The band Rauk Schizzl was a favorite from 1981 -1984 in the Addison, Itasca area with their thunderous sound and ripping vocals. They did not play out much but they certainly had a reputation. When they did play something crazy was sure to happen and they always drew the crowds. Steve Spaperri was one of the guitarists for Schizzl, he was also an engineer who worked with bands such as Ministry, Smashing Pumkins, Red Hot Chilli Peppers, amongst many others. Illinois has a thriving indie music scene. Artists include: Smith Westerns, Andrew Bird, Jim O'Rourke,
Music of Illinois
1908828
and the band. After an initial stint as a music journalist, the original Cockney Rebel was formed when Harley hooked up with his former folk music partner, Crocker (fiddle / mandolin / guitar) in 1972. Crocker had just finished a short stint with Trees and they advertised and auditioned drummer Stuart Elliott, bassist Paul Jeffreys, and guitarist Nick Jones. This line-up played one of the band's first gigs at the Dagenham Roundhouse, London on 23 July 1972 supporting The Jeff Beck Group. Nick was soon replaced by guitarist Pete Newnham but Steve felt that the Cockney Rebel sound did not
Steve Harley & Cockney Rebel
20739130
palette, composition and content emerged organically and they created fresh focus and new strands of inquiry. The process felt very much like an extension of the spell of the far north.” Jamie Haggerty composed original music and created the sound designed for North of Blue. It took ten months and he used Ableton Live and Studio One Pro. Priestley and Haggerty met at Will Vinton Studios where he was an armature designer, composer and sound designer for 11 years. Haggerty did sound design and music for three of Priestley’s short films: Dew Line (2005), Relative Orbits (2004, documentary) and Utopia
North of Blue
9527924
that you got it all out there." So that was sound advice, and I did put it all out there. Keane was asked by Vice President Cheney to go back on active duty and lead the surge in the field. When Keane declined, Cheney pressed him to come work in the White House and oversee both the wars in Afghanistan and Iraq; Keane again declined. Keane ended up briefly working at the White House and then later traveled to Iraq several times to advise General Petraeus. Keane currently sits on the board of directors of General Dynamics, and is a
Jack Keane
15591192
to produce and release different singles and then attempting to bind them all into an album. A new single "Pyromania" was released in 2010. When interviewed about the new music coming out, lead singer Natalie Horler described their current music as going in a "slightly more pop direction". She still classifies it as dance music as it has combine their "clubby electronic pop" sound, with less beat per minute. A second single, "Night Nurse", was the released along with a music video featuring Natalie in full body paint of various colors in many scenes. This song never got a commercial
Original Me
6196379
people he interjected with “Britain, I’m Your Son”, and further interacted with the audience when he brought a girl up on stage. The song managed to reach number-four in the United Kingdom, but it fell out of the top ten in its second week; however, controversy surrounding the music video kept the album on the charts. Worldwide, the single did not equal the success of Williams' previous single, "Feel". To date, "Come Undone" has sold 85,000 copies in the UK. These are the formats and track listings of major single releases of "Come Undone". UK CD<br> UK DVD<br> Come Undone
Come Undone (Robbie Williams song)
18766478
but thankfully, "Even So Come" has many more of the former than the latter." Matt McChlery scored the album eight out of ten in a review for Cross Rhythms, stating "'Even So Come' captures the sound of a generation of student worshippers and continues the established Passion tradition of containing songs that draw people into the presence of God." Designating the album a 4.5 out of five for Christian Music Review, Jay Heilman declares, "Even So Come will go far in bringing together the masses in absolute worship, but most importantly, it paints a beautiful picture of how wonderful Jesus
Passion: Even So Come
11618530
don't know where you are [and] I'm waiting for you to come and save me". The song did not sound as it was supposed to in the Skopje Fest 2008 final as the sound of the backing track was not heard in the hall, as well in the TV broadcast. Apparently, the organisers of Skopje Fest, along with MKTV, explained that there were some technical difficulties. Regardless, the song went on to win the contest. Six music videos have been released for each version of the song. Though quite similar, the music videos feature the artists singing in the respective
Let Me Love You (Tamara Todevska, Vrčak and Adrijan Gaxha song)
1797451
was met with critical acclaim, rating an 8.4 from Pitchfork Media and garnering positive reviews from the music press as a whole. It was considered somewhat of a sonic paradox in that even though it featured the original members who produced "two records so drenched in noise they still sound like aural assaults decades after their original release," sonically it resembled the major label releases of the 1990s in both production values and stylistic range. On the other hand, while the sound was not as extreme as the original lineup's 1980s albums, it did feature a much bigger, more unrestrained,
Dinosaur Jr.