who sings should i stay or should i go
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Should I Stay or Should I Go "Should I Stay or Should I Go" is a song by the English punk rock band the Clash, from their album "Combat Rock". It was written in 1981 and featured Mick Jones on lead vocals. It became the band's only number-one single on the UK Singles Chart, a decade after it was originally released. In November 2004, it was ranked at 228 on "Rolling Stone's 500 Greatest Songs of All Time" list. In 2009 it was ranked 42nd on VH1's program "100 Greatest Hard Rock Songs". Many rumours have arisen about the song's
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included in DVD "The Clash Live: Revolution Rock". Both disks were released on 6 October 2008. Should I Stay or Should I Go "Should I Stay or Should I Go" is a song by the English punk rock band the Clash, from their album "Combat Rock". It was written in 1981 and featured Mick Jones on lead vocals. It became the band's only number-one single on the UK Singles Chart, a decade after it was originally released. In November 2004, it was ranked at 228 on "Rolling Stone's 500 Greatest Songs of All Time" list. In 2009 it was ranked
Should I Stay or Should I Go
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Should I Stay or Should I Go "Should I Stay or Should I Go" is a song by the English punk rock band the Clash, from their album "Combat Rock". It was written in 1981 and featured Mick Jones on lead vocals. It became the band's only number-one single on the UK Singles Chart, a decade after it was originally released. In November 2004, it was ranked at 228 on "Rolling Stone's 500 Greatest Songs of All Time" list. In 2009 it was ranked 42nd on VH1's program "100 Greatest Hard Rock Songs". Many rumours have arisen about the song's
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content, such as Jones' impending dismissal from the Clash or the tempestuous personal relationship between Jones and American singer Ellen Foley. Should I Stay Or Should I Go' was thought to be written by Jones about Foley, who sang the backing vocals on Meatloaf's "Bat Out of Hell" LP. However, Jones himself said: It wasn't about anybody specific and it wasn't pre-empting my leaving The Clash. It was just a good rockin' song, our attempt at writing a classic... When we were just playing, that was the kind of thing we used to like to play. – Mick Jones, 1991
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club scene, Mick Jones of The Clash sings The Clash song "Should I Stay or Should I Go?". Earlier in the same scene, a girl singing along with a piano is playing a famous theme of Portugal's traditional genre Fado de Coimbra, named "Coimbra Menina e Moça". Code 46 Code 46 is a 2003 British film directed by Michael Winterbottom, with screenplay by Frank Cottrell Boyce. It was produced by BBC Films and Revolution Films. It is a dystopic science fiction love story exploring the implications of current trends in biotechnology. The soundtrack was composed by David Holmes under the
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español bands such as Todos Tus Muertos, Café Tacuba, Maldita Vecindad, Los Prisioneros, Tijuana No, and Attaque 77 are indebted to the Clash. Argentina's Los Fabulosos Cadillacs covered "Should stay or should I go!", "London Calling"s "Revolution Rock" and "The Guns of Brixton" and invited Mick Jones to sing on their song "Mal Bicho". The Clash's influence is similarly reflected in Paris-founded Mano Negra's politicised lyrics and fusion of musical styles. The band's 1982 hit, "Should I Stay or Should I Go", is featured in multiple episodes of the 2016 Netflix sci-fi drama series, "Stranger Things", which is set in
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"The Spirit of St. Louis", and Mick Jones and Joe Strummer co-wrote a number of songs for the album. Jones produced the album, which also featured members of The Blockheads, and peaked at No. 137 on the US charts. In 1982, she provided backing vocals on The Clash's song "Car Jamming" from the album "Combat Rock". The Clash's hit song "Should I Stay or Should I Go", written and sung by Jones, was about the turbulent relationship he shared with Foley at the time. She released her third solo album "Another Breath" in 1983; it failed to chart. In 1984,
Ellen Foley
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12" vinyl format with a different cover and an additional track on side two, titled "Sex Mad Roar". Initially, attempts were made by the Clash and others to ignore the final incarnation of the band. "This Is England" is not included on "The Singles"; the band's discography ends with "Should I Stay or Should I Go"/"Straight to Hell" in "Clash on Broadway" and Don Letts' 2000 documentary about the band, "Westway to the World", totally ignores the whole period, giving the impression that the Clash broke up when Mick Jones left the group. This changed with the release of "The
This Is England (song)
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as a double A-side with "Straight to Hell" and with "Cool Confusion" as its B-side. It was reissued again in 1983, with "First Night Back in London" on side two, and then for a third time in 1991, with "Rush" by Mick Jones' group Big Audio Dynamite II as a double A-side, with a remix of "Rush" as its B-side (see the table below). Live recording of the song was released as a part of the album, "Live at Shea Stadium", which featured a concert on 13 October 1982 in New York. The song's music video from that performance was
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the United States in 2008–2009. Straight to Hell (song) "Straight to Hell" is a song by The Clash, from their album "Combat Rock". It was released as a double A-side single with "Should I Stay or Should I Go" on 17 September 1982 in 12" and 7" vinyl format (the 7" vinyl is also available in picture disc) format. "Straight to Hell" was written and recorded towards the very end of The Clash's New York recording sessions for the "Combat Rock" album. Mick Jones' guitar technician Digby Cleaver describes the sessions as "a mad, creative rush" that occurred on 30
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Straight to Hell (song) "Straight to Hell" is a song by The Clash, from their album "Combat Rock". It was released as a double A-side single with "Should I Stay or Should I Go" on 17 September 1982 in 12" and 7" vinyl format (the 7" vinyl is also available in picture disc) format. "Straight to Hell" was written and recorded towards the very end of The Clash's New York recording sessions for the "Combat Rock" album. Mick Jones' guitar technician Digby Cleaver describes the sessions as "a mad, creative rush" that occurred on 30 December 1981, the day before
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December 2002 ended any possibility of a full reunion. In March 2003, the Hall of Fame induction took place; the band members inducted were Strummer, Jones, Simonon, Chimes and Headon. In early 2008, Carbon/Silicon, a new band founded by Mick Jones and his former London SS bandmate Tony James, entered into a six-week residency at London's Inn on the Green. On opening night, 11 January, Headon joined the band for the Clash's "Train in Vain". An encore followed with Headon playing drums on "Should I Stay or Should I Go". This was the first time since 1982 that Headon and
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on the occasion of the International Record Store Day, a limited edition 7" was released, with a new mix of the song by MIck Jones, and an instrumental version on the B-side. "London Calling" was released as the only single in the UK from the album and reached No. 11 in the charts in December 1979, becoming at once the band's highest charting single until "Should I Stay or Should I Go" hit No. 1 ten years later. The song did not make the US charts, as "Train in Vain" was released as a single and broke the band in
London Calling (song)
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A Vira-styled song (inspired by the songs of Portuguese singer Roberto Leal), pokes fun at the meaning of the word "suruba" (meaning "orgy"), which is mistaken for something else by a Portuguese couple. Satyrises shallow commercial music, custom cars and the way Latinos are viewed by Americans. Parody of the main riff of The Clash's "Should I Stay or Should I Go" (with scatological sounds replacing Mick Jones' guitar fills) and pokes fun at the difficulties faced by North-Easterners in São Paulo due to cultural differences. Part of the fun of the song derives from its criticism of shopping centers.
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are shown in the lines: "Should I Go? / Should I Stay? / I'm In Control / Either Way". Murmuring about her career concerns, Norwood sings "I'm standing on the edge of the industry / Wondering if it’s all that important to me / To get my records back out there on the street again / This game ain’t what I’m used to". Norwood also alludes to the late 1990s when she dominated female urban contemporary with other female teen singers such as Aaliyah and Monica and she felt that the "Industry was more like a different world." Vocally, the
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the band released the first single from the album, "Know Your Rights", which reached number 43 in the UK. The album contains two "US-radio friendly" singles, "Should I Stay or Should I Go" and "Rock the Casbah". "Should I Stay or Should I Go" reached number 17 in the UK and number 45 on the US "Billboard" Hot 100 chart, while "Rock the Casbah" peaked at number 17 in the UK and number 8 on the US "Billboard" Hot 100. The album itself was the band's most successful, hitting number 2 in the UK and number 7 in the US.
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"Come on Eileen", and "Should I Stay or Should I Go". The game contains 30 music tracks, all from the downloadable content and Best Buy exclusives of "Just Dance 2", except the aforementioned songs. Just Dance: Summer Party Just Dance: Summer Party (Just Dance 2: Extra Songs in Europe) is a game that features all of the DLC and Best Buy exclusive songs (except for "It's Not Unusual", "Crazy Christmas", "Spice Up Your Life", "Come on Eileen", and "Should I Stay or Should I Go"). It was released on July 17, 2011 in Europe and July 19, 2011 in North
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Just Dance: Summer Party Just Dance: Summer Party (Just Dance 2: Extra Songs in Europe) is a game that features all of the DLC and Best Buy exclusive songs (except for "It's Not Unusual", "Crazy Christmas", "Spice Up Your Life", "Come on Eileen", and "Should I Stay or Should I Go"). It was released on July 17, 2011 in Europe and July 19, 2011 in North America. Note: There is an error on the cover in the NTSC region, "Should I Stay or Should I Go" is on the cover although the song is not featured in the game, and
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we got Ben (who played trumpet on tour) in and did a studio version with a few extra bits and pieces." The song was first announced as a single along with the live CD called "Once Upon a Time in December". On 10 March 2008, the band promoted the single by organizing a CD signing in HMV, Staines. The band also performed a select set list including "I Shall Overcome" in acoustic, "Suburban Knights" and "Hard to Beat" plus some covers including "A Town Called Malice" and ""Should I Stay or Should I Go"". On 17 January 2008, Archer left
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episodes he enjoyed this season, the other being "Midnight Towboy". I Don't Wanna Know Why the Caged Bird Sings "I Don't Wanna Know Why the Caged Bird Sings" is the fourth episode of "The Simpsons"<nowiki>'</nowiki> nineteenth season. It first aired on the Fox network in the United States on October 14, 2007. For the second time in the series, Marge helps a prison assailant. Marge meets Dwight (Steve Buscemi), a man who attempts to rob the bank the two are in. Marge promises that she would visit him in prison, should he turn himself in, but too frightened to go
I Don't Wanna Know Why the Caged Bird Sings
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I Don't Wanna Know Why the Caged Bird Sings "I Don't Wanna Know Why the Caged Bird Sings" is the fourth episode of "The Simpsons"<nowiki>'</nowiki> nineteenth season. It first aired on the Fox network in the United States on October 14, 2007. For the second time in the series, Marge helps a prison assailant. Marge meets Dwight (Steve Buscemi), a man who attempts to rob the bank the two are in. Marge promises that she would visit him in prison, should he turn himself in, but too frightened to go into the prison, she breaks her promise. It was written
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Phil Collins suddenly improvised "I Can't Dance!" The riff was actually inspired by a Levi Strauss & Co. TV commercial (in the studio, the song was created under the working title "Blue Jeans") using The Clash song "Should I Stay or Should I Go". Originally the band did not think of it as anything more than a joke, because the song was too simple, too bluesy and completely unlike Genesis' style. Tony Banks said in an interview "It was one of those bits you thought was going to go nowhere. It sounded fun, but wasn't really special". It was not
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sexual gratification. She sings in the first verse, "Maybe I should have called you first, but I was dying to get to you/I was dreaming while I drove the long, straight road ahead." In the chorus, she sings, "Woke you from your sleep to make love to you/Is that all right?/I drove all night." In the second verse, Dion duplicates a line as it is heard in Orbison's original recording. Instead of singing, "no matter where I go I hear the beating of our heart," Dion sings, "our "one" heart," which is where the title of the album the song
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and claims that if he was to die tonight, he wouldn't die sad because of his knowledge of his love crush. The song was placed third on the set list of "Let's Get It On", quickly after the song "Please Stay (Once You Go Away)" ends. The song opens with orchestral string arrangements before Gaye begins singing. Like most of his songs on the album, Gaye sings two leads in the song. In an alternate version later released on the deluxe edition issue of "Let's Get It On", one of the leads sings the song without help from the other
If I Should Die Tonight
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near Bastogne.<br> I found it where they told me I would, but it was among 27,000 others, and I told myself that here, Niven, were 27,000 reasons why you should keep your mouth shut after the war. Niven had particular scorn for those newspaper columnists covering the war who typed out self-glorifying and excessively florid prose about their meagre wartime experiences. Niven stated, "Anyone who says a bullet sings past, hums past, flies, pings, or whines past, has never heard one—they go "crack"!" He gave a few details of his war experience in his autobiography, "The Moon's a Balloon:" his
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in the US was "Should I Stay or Should I Go", released in June 1982. Another Jones feature in a rock and roll style similar to "Train in Vain", it received heavy airplay on AOR stations. The follow-up, "Rock the Casbah", put lyrics addressing the Iranian clampdown on imports of Western music to a bouncy dance rhythm. (The singles were released in the opposite order in the UK, where they were both preceded by "Know Your Rights".) The music for "Rock the Casbah" was composed by Headon, who performed not only the percussion but also the piano and bass heard
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the most familiar version of the program. This version of Graphing Calculator was secretly developed at Apple by Ron Avitzur, an abandoned contractor who felt obligated to complete the project, and his friend and colleague Greg Robbins. They also made a version for older 680x0 Macintosh computers called NuCalc 1.0. In 2005, "This American Life" featured Avitzur's story in episode 284, "Should I Stay or Should I go?" Later models of Power Macintosh computers included newer versions of the Graphing Calculator program. At one time, versions were available for free download for Mac OS 9, Mac OS X 10.3 and
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"" ("YU 100: The Best albums of Yugoslav pop and rock music"). In a 2009 interview with journalist Aleksandar Arežina, Bajagić sommented on the songs: "We played the song for the first time on a concert in Kulušić. [...] I had a good riff, and I wanted a song for concert openings. The riff goes, then the drum, [...] then the whole band. We used to open and close concerts with '220' for a long time. I always loved the songs like "Should I Stay or Should I Go", the ones with a good riff. Nele Stamatović played the solo
Sa druge strane jastuka
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other than our traditional support for people who want free and democratic society." Later, in a leaked recorded phone conversation between Assistant Secretary of State Victoria Nuland and US Ambassador to Ukraine Geoffrey Pyatt, the two U.S. officials are heard discussing their plans to help Ukraine transition to an interim government. Specifically, which roles the prominent opposition leaders should pursue: "Nuland: "I don't think Klitsch (Klitschko) should go into the government. I don't think it's necessary, I don't think it's a good idea."" "Pyatt: "Just let him stay out and do his political homework and stuff."" "Nuland: "I think Yats
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song is predominantly featured alongside the bridge, and is backed by wordless chants. Its opening guitar riff bears similarities with The Clash's 1982 single, "Should I Stay or Should I Go". The track received mostly positive reviews from critics, who centred on its omnipresence and jubilant nature. The only negative feedback the song got was centered on the lyrics, which were interpreted as a thinly veiled euphemism for sexual intercourse. A commercial success, the song became a top ten hit in fifteen countries, while reaching the top of the charts in New Zealand and Ireland. In the United States, "Live
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into various other styles and media. These range from experimental theatre, clown and cabaret pieces to site-specific performances and radio plays, all the way to film. Since the founding of the collective in 2004, Kolektiv Narobov has reached international acclaim, touring, guest-performing and teaching all across Europe, Canada and the United States. In 2013, Kolektiv Narobov has joined Zavod Federacija Ljubljana, a big network of Slovenian artists who offer each other organisational, artistic and production support. "Should I Stay or Should I Go?", 2013-2015 Kolektiv Narobov have received awards for creative achievements in radio and television (Ježek Award in 2007)
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to Buldožer", a cover of Buldožer song "Yes My Baby, No", a new version of "Moji drugovi" featuring Vlada Divljan, Sokoli cover of Bijelo Dugme song "Ne spavaj, mala moja" featuring Bajagić on vocals, and songs "Montenegro" and "Januar" ("January"). In 2001, the band recorded the album "Zmaj od Noćaja" ("Dragon of Noćaj") with the new guitarist, Ljubiša "Buba" Opačić. The album was produced by Saša Habić. The album featured a cover of The Clash song "Should I Stay or Should I Go", entitled "Da li da odem ili ne". "Zmaj od Noćaja" featured a bonus CD entitled "I ja
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and Susquehanna's properties were acquired by Cumulus Media in May 2006. Upon taking over the station, Cumulus added live disc jockeys, a rare move for an adult hits outlet. Most of the station's air talent were let go in 2013, and KCJK returned to being automated and jockless. On June 15, 2016, at 7:30 a.m., after playing a block of "end"-themed songs (including "Enjoy the Silence" by Depeche Mode, "In the End" by Linkin Park, "Should I Stay or Should I Go" by The Clash, "Come Sail Away" by Styx, and "Closing Time" by Semisonic, which then culminated with "The
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and the follow-up ("Deep, Deep Trouble") also did well, peaking at No. 7 in April. In March, The Clash received their first number 1 with "Should I Stay or Should I Go", after being used in a commercial for Levi's. A month later, Cher scored her first UK solo No. 1 with "The Shoop Shoop Song (It's in His Kiss)", taken from the film "Mermaids". Bryan Adams also reached No. 1 for the first time in July with "(Everything I Do) I Do It for You", from the film "". Breaking the record held since 1955, it stayed there for
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cover of The Clash song "Should I Stay or Should I Go", entitled "Da li da odem ili ne". Zmaj od Noćaja (album) Zmaj od Noćaja is the seventh studio album from Serbian rock band Bajaga i Instruktori, released on 8 October 2001. The name of the album refers to the name of a street in Belgrade. The street itself was named after Stojan Čupić, also known as Zmaj od Noćaja ("Dragon of Noćaj"), a hero from the First Serbian Uprising. "Zmaj od Noćaja" featured a bonus CD entitled "I ja sam Zvezdaš" ("I'm a Red Star Fan, Too"), which
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2004 list of the 500 Greatest Songs of All Time, "London Calling" ranked number 15, again the highest for any song by a punk band. Four other Clash songs made the list: "Should I Stay Or Should I Go" (228), "Train in Vain" (292), "Complete Control" (361), and "White Man in Hammersmith Palais" (430). "London Calling" ranked number 48 in the magazine's 2008 list of the 100 Greatest Guitar Songs of All Time. Jake Burns of Stiff Little Fingers, the first major punk band from Northern Ireland, explained the record's impact: [T]he big watershed was the Clash album—that was go
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the Writers Guild of Canada, and "Best Direction in a Children's or Youths' Program or Series" at the Gemini Awards. The series also won the Gemini for "Best Children's or Youth Fiction Program or Series". Jake Epstein was nominated for "Best Performance in a Children's or Youth Program or Series" for his acting in "Should I Stay or Should I Go?", and Shelley Scarrow, Nicole Demerse and James Hurst were nominated for "Best Writing for a Children's or Youth Program or Series" for "Accidents Will Happen". The series received a nomination for "Outstanding Drama Series" at the 15th GLAAD Media
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but did not enroll. Shaw and her band, The Cute Guys, appear regularly throughout the New Orleans area, including annual shows at the New Orleans Jazz & Heritage Festival. They have also performed at Southeastern's historic Columbia Theatre in Hammond. Shaw has recorded two independently released albums, "Little Black Dog" (2001) and "I'm Not a Bubble Gum Pop Princess" (2004) -- the latter including traditional Cajun melodies as well as eclectic choices like The Clash's Should I Stay or Should I Go and The Ramones' "I Wanna Be Your Boyfriend" (changed to "Girlfriend"). In 2006 Shaw signed with Rounder Records.
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She wrote the chapter "How Not to Emigrate" in "Should I stay or should I go? To live in or leave South Africa", having returned to South Africa after emigrating to Australia in 2008. In the editor's introduction to the book, Tim Richman writes: "Many of the contributions in this book are deeply personal; such is the nature of the topic. For Sarah Britten, there was no other way to approach her traumatic and disastrous emigration experience, one that ultimately destroyed her marriage. Or, as she suggests, perhaps it extended it beyond its sell-by date. Sarah is candid, open, honest,
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The Spanish backing vocals were sung by Joe Strummer and Joe Ely: On the spur of the moment I said 'I'm going to do the backing vocals in Spanish' ... We needed a translator so Eddie Garcia, the tape operator, called his mother in Brooklyn Heights and read her the lyrics over the phone and she translated them. But Eddie and his mum are Ecuadorian, so it's Ecuadorian Spanish that me and Joe Ely are singing on the backing vocals. – Joe Strummer, 1991 The single was reissued several times. It was first reissued in 1982, with a different cover
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art for the 7" and CD singles displayed the Clash on the front, and BAD II on the rear. The record label displays "Should I Stay or Should I Go" as side 'A', and "Rush" as side 'AA' making it effectively a 'double A-side' release. A longer version of "Rush", entitled "Change of Atmosphere", had previously appeared on the group's 1990 album "Kool-Aid", to little notice. "Rush" was subsequently released as a standalone Big Audio Dynamite II single (as illustrated). The "New York City Club Version" remix of "Rush" was featured in the 1993 Mike Myers' film "So I Married
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for New Music, on 22 December 2007 at the Key Club in West Hollywood, California. They covered The Clash's "Should I Stay or Should I Go", playing the song twice, the second time inviting members of the audience to join them onstage to sing along. They performed on 27 April 2008 at the Coachella Valley Music and Arts Festival, and also at Lollapalooza on 3 August 2008 in Chicago. In an interview in June 2009, Ash emphatically stated that he had no further plans to play with Love and Rockets. "We've worked together since 1980. I really want to work
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to say/", she sings. In the chorus, he asks her whether or not they should continue dating: "I'm looking for attention/ Not another question/ Should you stay or should you go?/ Well, if you don't have the answer/ Why you still standin' here?/ Hey, hey, hey, hey/Just walk away." In the second verse, she says that he stood up her plenty of evenings. However, each time she believed he would be there. After the chorus is the heated bridge. Clarkson says she wants a relationship where the guy loves her as passionately as she does him. She wants a lover
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journalist in Mexico,” he has written, “wakes up to ask the following questions: How far should I go today, what questions should I ask, or not ask, where should I report, or what place should I avoid?...Mexico today is among the most dangerous places to do journalism in the world...This is especially true for those of us who cover the U.S.-Mexico border...Whatever danger we U.S. correspondents face pales in comparison to the dangers faced by our Mexican colleagues.” He explains, “I've always had the luxury of calling my editor in Dallas and saying 'Hey, things are kind of crazy here―get
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practical or useful purpose. To my mind, sufficient cause exists for no order of adjudication to be made. The only question, therefore, is whether the issue of bankruptcy should be left to be finally decided at the hearing of the petition, should Mr and Mrs Greenwood decide to pursue that course, or whether I should stay the proceeding now. There is much merit in Mr Sadler’s observation that this proceeding should be brought to an end one way or another today. I therefore propose to grant a stay. In the event that Mr and Mrs Greenwood obtain evidence that Mr
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forefront of an iteration of Star Trek that's from the eyes of a black woman that's never been done before, though obviously there's been other forms of diversity that have been innovated by Trek. I feel like we're taking another step forward, which I think all stories should do. We should go boldly where nobody has gone before and stay true to that." Burnham was born to human parents, who were killed when she was a child during a Klingon raid on a Human-Vulcan research facility on Doctari Alpha, where the family lived. She was then adopted by the Vulcan
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1980 on the album Sandinista. Ely sang backing vocals on the Clash single "Should I Stay or Should I Go?". Joe Strummer planned to record with Ely's band, but died before that ever happened—one of Ely's greatest regrets. Another collaboration was with Dutch flamenco guitarist Teye, with whom he recorded "Letter to Laredo" (1995) and "Twistin' in the Wind" (1998). Throughout his career, Ely has issued a steady stream of albums, most on the MCA label, and a live album roughly every ten years. The Joe Ely Band song "Brainlock" was featured in the 1980 movie "Roadie" starring Meat Loaf,
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the same year. The story of the 2005 Spanish thriller "Mar rojo", starring Maribel Verdú, begins with an armed robbery at a Fnac store in Barcelona. 31. Exclusive: Saraiva leads race for Fnac's Brazil unit -sources 32. Fnac in Brazil: Should I Stay or Should I Go? 33. FNAC PARTNERS WITH DEEZER FOR GIG RECOMMENDATIONS Fnac Fnac () is a large French retail chain selling cultural and electronic products, founded by André Essel and Max Théret in 1954. Its head office is in "Le Flavia" in Ivry-sur-Seine near Paris. "Fnac" is an abbreviation of Fédération Nationale d’Achats des Cadres ("National
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screen acting work. Simonon formed a band called Havana 3am. Headon recorded a solo album, before once again spiraling into drug abuse. Chimes drummed with a succession of different acts. On 2 March 1991, a reissue of "Should I Stay or Should I Go" gave the Clash its first and only number 1 UK single. That same year, Strummer reportedly cried when he learned that "Rock the Casbah" had been adopted as a slogan by US bomber pilots in the Gulf War. In 1999, Strummer, Jones and Simonon cooperated in compiling of the live album "" and video documentary "".
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the band on stage during the Clash's "Train in Vain (Stand by Me)". An encore followed with Headon playing drums on "Should I Stay or Should I Go". This performance marked the first time since 1982 that Headon and Jones had performed together on stage. In a February 2008 newspaper article Headon revealed that in 2003 he started to experience serious back pain, a frequent complaint of ageing rock drummers. Diagnosed with hyperkyphosis, a forward curvature of the back, he underwent intense posture adjustment treatment and continues to exercise daily. He notes that, on his recent appearance with Jones, he
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four kilometers higher, to ensure the ISS would not collide with the piece of space debris. Transferring expedition crews By 14 March, the expedition crews had completed the change over, but until the shuttle undocked, Shepherd officially remained commander of the station. The morning of the 14th the astronauts' wake-up call was the song "Should I Stay or Should I Go" by The Clash, at the request of Shepherd's wife. Shepherd, a former Navy SEAL, said during the change over ceremony: "May the good will, spirit and sense of mission we had enjoyed on board endure. Sail her well." The
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individual songs, such as by removing instrumental intros and codas from songs like "Rock the Casbah" and "Overpowered by Funk". Additionally, the trio decided to omit several songs entirely, dropping the final track count to 12. During these remixing sessions, Strummer and Jones also re-recorded their vocals for the songs "Should I Stay or Should I Go" and "Know Your Rights" and remixed the songs with the intent of maximising their impact as singles. A recurring motif of "Combat Rock" is the impact and aftermath of the Vietnam War. "Straight to Hell" describes the children fathered by American soldiers to
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Combat Rock Combat Rock is the fifth studio album by the English rock band The Clash. It was released on 14 May 1982 through CBS Records. In the United Kingdom, the album charted at number 2, spending 23 weeks in the UK charts and peaked at number 7 in the United States, spending 61 weeks on the chart. "Combat Rock" is the group's best-selling album, being certified double platinum in the United States. It contained two of The Clash's most popular songs, the singles "Rock the Casbah" and "Should I Stay or Should I Go". "Combat Rock" was the last
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also plays keyboards, bass guitar and drums. Cradock was born in Solihull, Warwickshire; his father Chris Cradock, a police officer, would later become his son's manager). He was educated at Lode Heath School in Solihull. Cradock formed his first band called The Boys in 1988, with schoolfriends from Solihull. The band played at various Mod events around the Midlands with a set consisting mainly of cover songs – including The Clash's "Should I Stay Or Should I Go" and The Jam's "Strange Town". Whilst gaining popularity on the Birmingham gig circuit, the band was well received by audiences in various
Steve Cradock
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as excerpts from Tangerine Dream, John Carpenter, and Vangelis. In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down. "Stranger Things" original soundtrack, consisting of 75 songs from Stein and Dixon split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016. Limited editions of the soundtrack
Stranger Things
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from The Clash's "Should I Stay or Should I Go"), a duet with Annabelle Mouloudji. "Nuage d'Éthiopie" gets good reviews. To Yves Bigot " French reggae has found its songwriter ". Backed by The Wailers on "Avis aux Amateurs", he put to music the letter in which Arthur Rimbaud breaks the news on his mother that he will remain in Africa. Going against the grain of fashionable electronic music, he forwards in a 1970s-influenced style where lyrics and skilled electric instruments players are pivotal. He refers to Boris Vian, Alain Bashung, Linton Kwesi Johnson, Jacques Dutronc (he has recorded a
Bruno Blum
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deemed to be non-linear, subject to continual and unpredictable change and phase shift and limited by the operation of an attractor: Point (Goal); Pendulum (Role); Torus (Routine) and Strange (Complex) Attractors. The model challenges traditional notions of "fit" between people and careers; and emphasises the unpredictable nature of careers. He has published a range of books relating to Career Development and Organisational Psychology including Stress:myth theory and research, Resumes that get shortlisted, Brilliant CV, Should I stay or should I go, Amazing Resumes, Getting a Brilliant Job: the student's guide The Chaos Theory of Careers and Land That Job in
Jim Bright
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Annabelle (singer) Annabelle (born 26 July 1967) is a French singer, actress, and daughter of actor Marcel Mouloudji. She performed the title "Fuis Lawrence d'Arabia" in 1987, which peaked at #12 on the French Singles Chart (Top 50). In 1988, two other 12" were released : "Casanova Solo" and "Impunément", which didn't meet the same success despite a music video for "Impunément" which was a real mini movie about ten minutes. In 2002 Bruno Blum released a reggae version of The Clash's "Should I Stay or Should I Go" on a Jamaican 45 RPM vinyl single featuring Annabelle Mouloudji improvising
Annabelle (singer)
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by vibes, tones, frequencies and a passion for Roots Rock Reggae music they travelled together to the beautiful beach surrounded Island of Antigua to record this their latest work of art….. A Peaceful Demonstration With the help of Solar energy - the most important source of energy for life on Earth provided by The Sun - they unified as one and presented us - their bonafide public - with a dish best served on a (turn)table and presented in a superb Track list of sound: Amon (See No Evil), Predator, Daylight, Should I Stay or Should I Go, Look into
Black Slate
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edit of "Rush" was not the UK edit (that was featured as the b-side to The Clash's "Should I Stay or Should I Go") which faded out briefly before the end of the original album version. The edit featured removes the entire 'Rhythm and Melody' breakdown. The version of "Harrow Road" here is a mix that is not available anywhere else. Most fans refer to it as the Ska Mix. Planet B.A.D. Planet B.A.D. is a compilation album by Big Audio Dynamite. The album was released 12 September 1995. The compilation highlighted singles from all four major incarnations of BAD.
Planet B.A.D.
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was the band's fourth consecutive nomination in the category. The song became a fan favorite and continues to be played live at a semi-regular basis. Dave Mustaine wrote the song in one day. The lyrics were written while half asleep listening to the melody of "Should I Stay or Should I Go" by The Clash. Angry Again" was initially recorded during the "Countdown to Extinction" tour but wasn't actually featured on the album. When Dave wrote the song, he was angry with his band, promoters, and a lot of different parts of the organization, and continued having some problems with
Angry Again
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"This is the first movie I've done with a plot." While accepting the award, Scorsese stated that "I just want to say, too, that so many people over the years have been wishing this for me, strangers, you know. I go walking in the street people say something to me, I go in a doctor's office, I go in a...whatever...elevators, people are saying, "You should win one, you should win one." I go for an x-ray, "You should win one." And I'm saying, "Thank you." And then friends of mine over the years and friends who are here tonight are
The Departed
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a hairstylist and single mother. In the third season episode "Father Figure" Spike is pregnant with Snake's baby and has a baby shower. Among the people attending are Erica and Heather Farrell. Spike's daughter, Emma, also reconnects with her birth father, Shane McKay, and learns that he is mentally challenged as a result of his fall off of the bridge when he was a teenager. At the end of the episode, Spike gives birth and Liz O'Rourke acts as the midwife. The third season episode, "Should I Stay or Should I Go?", brought closure to one "School's Out" plot line,
School's Out (1992 film)
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song was "Step Back in Time" and Minogue removed her cowboy hat for the rest of the segment. She performed the tracks "Say Hey", "Drunk" and "Free". The projection for "Free" was an ongoing open road. For the fourth segment, Minogue arrived in crop top and black pants for "Did it Again", and performed "Limbo" and "Shocked" for this segment. Minogue "reclined" from the staircase for "Confide in Me" in the fifth segment, wanting to "graceful" for the opening of that segment. After performing the tracks "The Locomotion" and "Should I Stay or Should I Go?", Minogue returned for an
Intimate and Live (concert tour)
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cover version of "Should I Stay or Should I Go?" by The Clash was added to the track list after Minogue had performed the track live on The Jonathan Ross Show. Minogue had added her cover version of "Dancing Queen" in the set list. The concert opens with a multi-coloured opened cone, similar to the artwork of "Impossible Princess". For that, she performed the first act of songs with "Too Far" being the opener. Minogue was dressed in a black shirt and black trousers, and walked through a temple-like staircase during the set. The outfit was derived from the video
Intimate and Live (concert tour)
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In 1988, Epic released the double-disc, 28-track compilation "The Story of the Clash, Volume 1" presenting a relatively thorough overview of their career. In March 1991, a reissue of "Should I Stay or Should I Go" gave the band its first and only number 1 UK single. In the same year, CBS and Epic released the triple-disc, 64-song box set "Clash on Broadway" that covers their entire career, and the compilation album "The Singles", that includes all their singles, except for 1985's "This Is England". In 1993, Epic released "Super Black Market Clash", a compilation that contains B-sides and rare
The Clash discography
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declared, "Let's close the competition now!" Unga scored high marks in the second round of the competition with Nirvana's "Heart-Shaped Box". Halfway through the competition, Unga was invited by Navarro to perform The Clash's "Should I Stay or Should I Go" with his band Camp Freddy at the West Hollywood House of Blues. Camp Freddy featured former The Cult bassist Billy Morrison on guitar and ex-Jane’s Addiction drummer Stephen Perkins. During the show, Unga achieved the feat of simultaneously having the top four most downloaded songs on MSN Music, reaching the No. 1 position on the MSN charts being an
Jordis Unga
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Rush (Big Audio Dynamite II song) "Rush" is a song by Big Audio Dynamite II from their album "The Globe". It was a number-one hit on the "Billboard" Modern Rock Tracks chart for four weeks in 1991, as well as topping the Australian and New Zealand singles charts. In the UK, "Rush" was originally released as the B-side to the 1991 re-release of The Clash's "Should I Stay or Should I Go". The A-side was immensely popular due to its inclusion in a Levi Strauss & Co. advert. This single reached number one on the UK Singles Chart. The sleeve
Rush (Big Audio Dynamite II song)
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Baker carried on producing her live work in the future. The CD was released through Mushroom on 28 November 1998. It contains eight tracks from the supporting album "Impossible Princess"; "Too Far", "Some Kind of Bliss", "Breathe", "Cowboy Style", "Say Hey", "Drunk", "Did It Again", "Limbo" and two unreleased tracks "Free" and "Take Me With You", alongside previous material. In addition, Minogue performed two cover songs on the tour; "Dancing Queen" by Swedish group ABBA and "Should I Stay or Should I Go?" by American group The Clash. To promote the tour subsequently, Minogue and her Australian label Mushroom Records
Intimate and Live (album)
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on October 12. In the United States, the album sold 6,000 units in its first week of release. In addition to original music, "Stranger Things" features period music from artists including The Clash, Joy Division, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel, and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter, and Vangelis. In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down. Stranger Things: Music
Music of Stranger Things
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reprised this role to perform his "To Be A Libertine" poem and introduce The Libertines at Brixton Academy for their Unity Rocks charity show. Jones' first fashion shoot was for OutThere Style magazine, published February 2016 and was featured wearing jewellery for Pirate Treasures "Stage Style" collection also in February 2016. Jones' first article for The Guardian was published on 18 March 2016. On 15 June 2016 the NME published a poem Jones wrote for them about the UK's EU Referendum, based on The Clash song "Should I Stay or Should I Go?". Jones' writing influences include Julian Cope and
Jack Jones (Welsh musician)
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I'll replace them'. We did that and allowed the album to stand up as a body of work." "Some Kind of Miracle" was one of six songs that Higgins and Xenomania ended up producing for "Sound of the Underground". "Some Kind of Miracle" was written by Higgins, Miranda Cooper, Lisa Cowling, Tim Powell, Shawn Lee, and former B*Witched member Edele Lynch. The song, originally titled "Should I Stay or Should I Go", has "layered vocals with its slow tempo despite being more formulaic" than other Xenomania productions. Described as "a breezy summer pop song about trying to bag a guy,"
Some Kind of Miracle (song)
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Times" summarised it as a "characteristically peppy piece of high-gloss party pop." Lansky praised its effectiveness and thought it was "perfectly tailored to top the charts." Andrew Unterberger of Popdust acknowledged that "the song is smart to swipe the guitar-only opening pattern from The Clash's "Should I Stay or Should I Go?"—akin to "What Makes You Beautiful" lifting the "Summer Nights" beginning—calling on pop history to get you excited for the song before you even really realise why." Unterberger further highlighted the small lyrical plays for conveying "an incredible amount of urgency and fun without much clunky verbage , making
Live While We're Young
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uptempo, upbeat bubblegum pop song which features rock undertones, vocal harmonies, hand claps, prominent electric guitar riffs, and repetitive synthesizers, reminiscent of the musical structures of their debut album. The opening guitar riff has been noted as similar to that of The Clash song "Should I Stay or Should I Go" (1982). According to Alexis Petridis of "The Guardian", the guitar is played thrice between the riff with the plectrum stroking the strings, while it is pressed. One note in the chord is changed, which Petridis surmised was probably to avoid paying any royalty to the Clash. Sam Lansky of
Live While We're Young
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grim lot of the boyband." The opening guitar riff of "Live While We're Young" has been noted as similar to that of The Clash's 1982 single, "Should I Stay or Should I Go", by some critics. According to Petridis, the guitar is played thrice between the riff with the plectrum stroking the strings, while it is pressed. One note in the chord is changed, which Petridis surmised was probably to avoid paying any royalty to the Clash. "Rock Me" has a clapping, mid-tempo beat that has been likened to that "We Will Rock You", a 1977 single by Queen. The
Take Me Home (One Direction album)
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and earnestness (“Take away the pain,” she pleads) are a tribute to her talent, not so much as a distinguished vocalist but as an excellent communicator. Each frazzled note is freighted with meaning. Should I stay or should I go now?, she wonders, away the hours before he calls her again." Amanda Hensel of "Taste of Country" claimed the song is "just another one of those so-Swift tracks that continually toes the line between country and pop to create a genre that is 100% Taylor Swift." Erin Thompson of "Seattle Weekly" stated he wasn't to "hot on" the song and
Sparks Fly (song)
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various publications, indicates a score of 81 (indicating "Universal acclaim"). The performances of "Career Opportunities" and "Should I Stay Or Should I Go" are widely available. It is not clear if the visuals of the other performances are in the archives, and if so, whether they will be released. The Who's headline performance was released on DVD in 2015. Production Live at Shea Stadium Live at Shea Stadium is a live album by the English punk rock band The Clash. It was recorded at Shea Stadium in New York City on 13 October 1982, the band's second night opening for
Live at Shea Stadium
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a scat vocal. The song was reissued on CD in 2011 as part of the "Human Race" anthology. Other contributions with Bruno Blum include co-writing "La Bombe glacée" (featured on Blum's "Think Différent" album) and other songs recorded and released by him. A French version of "Should I Stay or Should I Go" also featuring Annabelle, entitled "Si je reste", was released as a CD single in France. It was also included on "Bruno Blum"'s "Nuage d'Éthiopie" 2001 album. Annabelle made a brief come back in the music in 2000 with the album of children's rhymes "La Vie à découvrir
Annabelle (singer)
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being "Children of the Korn", "Fuck Dying" and "Should I Stay or Should I Go". In 1996, the song was covered by Calla Destra for the electro-industrial various artists compilation "Operation Beatbox". Limp Bizkit has also covered the song in concert, while Korn have performed this song live on several occasions with Chino Moreno, Limp Bizkit frontman Fred Durst and Ice Cube himself (along with "Children of the Korn"). Wicked (Ice Cube song) Wicked is the first single from rapper Ice Cube's third studio album "The Predator". The additional vocals were performed by Don Jagwarr. The song's music video was
Wicked (Ice Cube song)
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Day. Steve Day Steve Day is Britain's best known deaf stand-up comedian. Day was a finalist in the Daily Telegraph Open Mic Award in 2000, and a finalist in the Hackney Empire New Act of the Year in 2002. Day has had several one-man shows at the Edinburgh Festival Fringe: "Deaf in the Afternoon" (2002), "A Night at the Pictures" (2005), "Comprehensive Steve Day" (2006), "A Night at the Pictures (2007), Should I Stay or Should I Go? (2008)", and "Run, deaf Boy, Run" (2011). In 2005, Day performed as part of "Abnormally Funny People", with Steve Best, Liz Carr,
Steve Day
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Steve Day Steve Day is Britain's best known deaf stand-up comedian. Day was a finalist in the Daily Telegraph Open Mic Award in 2000, and a finalist in the Hackney Empire New Act of the Year in 2002. Day has had several one-man shows at the Edinburgh Festival Fringe: "Deaf in the Afternoon" (2002), "A Night at the Pictures" (2005), "Comprehensive Steve Day" (2006), "A Night at the Pictures (2007), Should I Stay or Should I Go? (2008)", and "Run, deaf Boy, Run" (2011). In 2005, Day performed as part of "Abnormally Funny People", with Steve Best, Liz Carr, Tanyalee
Steve Day
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"We don't know anything, he is down there in the mine, that's all we know, we know absolutely nothing of him," one relative said. Another complained: "I don't know where to go, nobody tells us anything, I don't know whether I should stay here or go to the hospital." Men stand outside the Petrila mine waiting for news. Some 100 people were working in the mine at the time of the first blast. Mining was once a thriving industry in Romania, employing almost half a million people, and miners were a feared political force in the 1990s. But the industry
Petrila Mine disaster
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in love (in love) with you" before wondering how she would feel if she were to touch him for the first time. The fear of being rejected and unloved leads her to keep her feelings to herself, and she begins to believe that her love is "not right". She continues, "and I guess I should try / to do what I should do / but I could fall in love / fall in love with you". During the midpoint break, Selena sings in Spanish that she is always dreaming about him, imagining that he loves her. She sings the chorus
I Could Fall in Love
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Mulenga of being ignorant, "I work independently and my job is to get good results for Nkana. I don't work for (sponsors of the award) Rothmans or that bunch of amateurs who picked Mulenga. Mulenga should not try to downgrade me. I have been in this business for a long time. He should go fishing if he has nothing better to do. I am not interested in personal attacks. We should work together instead of criticizing each other." The two buried the hatchet when Mulenga apologised, stating that he had not meant to hurt Simwala's feelings; "I am sorry for
Moses Simwala
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a reggae song. I said, "Well, the chords are interesting, but I think we should change the groove." I changed it to that Motown kind of groove. So we did that, and I played it for Sara Allen and sang it for her…[Sings] "Oh here she comes / Watch out boy she’ll chew you up / Oh here she comes / She's a maneater… and a…" I forget what the last line was. She said, "drop that shit at the end and go, 'She's a maneater,' and stop! And I said, 'No, you’re crazy, that's messed up.'" Then I thought
Maneater (Hall & Oates song)
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crucial, saying, "I had gotten to the point where I was only singing be-bop. I thought be-bop was 'it', and that all I had to do was go some place and sing bop. But it finally got to the point where I had no place to sing. I realized then that there was more to music than bop. Norman ... felt that I should do other things, so he produced "Ella Fitzgerald Sings the Cole Porter Song Book" with me. It was a turning point in my life." On March 15, 1955, Ella Fitzgerald opened her initial engagement at the
Ella Fitzgerald
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Elite Development Squad, restricting him to playing occasionally for the Reserves. Assulin said: "I need confidence and I can only get that by playing regularly. City and I both feel that I should go out on loan so I can play every week. I could stay in England or maybe join a team in the Spanish second division". Six days later, Championship side Barnsley announced that they had agreed a loan deal until 3 January 2012, with their manager Keith Hill saying, "I've always known about Gai and was very impressed when he played for the Israel Under-21s against England
Gai Assulin
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it a "spectacular close." Kitty Empire, writing for "The Observer", remarked that "Timbaland samples great swaths of Coldplay's "Clocks" on the splendid, soul-searching "Should I Go"." "Billboard" magazine summed the track as "gorgeous" and found that it demanded repeated plays. Credits adapted from the liner notes of "Afrodisiac". Should I Go "Should I Go" is a song by American recording artist Brandy Norwood from her fourth studio album, "Afrodisiac" (2004). It was written by Walter Millsap III, his collaborative partner Candice Nelson, and mentor Timbaland, while production was helmed by the latter. "Should I Go" is built on percussive beats,
Should I Go
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I Stay or Should I Go." Rather than play straight-ahead country, the Picketts mixed '50s rockabilly and pop with more traditional influences, such as Wanda Jackson or Merle Haggard. "Paper Doll," their debut full-length, was released in 1992 through PopLlama. A showcase at the influential Austin music festival South by Southwest led to a deal with Rounder Records, who released "The Wicked Picketts" in 1995. "Euphonium" followed on Rounder in 1996. The Picketts eventually disbanded, but occasionally perform reunion shows. As the Picketts were disbanding (more out of sloth than acrimony), longtime fan Dave Alvin approached McWilson with an offer
Christy McWilson
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went to bed, slept soundly, and next day went home without uttering a sound of complaint. If I had been in a funk I should have run from editor to editor and actor to actor, should have nervously entreated them to be considerate, should nervously have inserted useless corrections and should have spent two or three weeks in Petersburg fussing over my "Seagull," in excitement, in a cold perspiration, in lamentation... I acted as coldly and reasonably as a man who has made an offer, received a refusal, and has nothing left but to go. Yes, my vanity was stung,
The Seagull
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The Potty Training Years 1988–1992 The Potty Training Years 1988–1992 is a re-release of the Signal Sound Systems Records album "The Potty Training Years" with some previously unreleased material. It is also the second album to feature a cover of the Beatles hit "Here Comes the Sun" (though it is no different from the other version save for a four-second time difference) Note: Tracks 1–6 are from the 1991 EP "Rasta Mis Huevos", tracks 7–14 are from the 1992 EP "We're Coloring Fun". Also the song "Clash" is actually a cover of "Should I Stay or Should I Go" from
The Potty Training Years 1988–1992
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to refer to a future mega-city stretching from Boston to Atlanta (specifically from the Sprawl Trilogy). The lyrics for the first verse were lifted from the novel "The Stars at Noon" by Denis Johnson. "'Cross the Breeze" features some of Gordon's most intense singing, with such lyrics as "Let's go walking on the water/Now you think I'm Satan's daughter/I wanna know, should I stay or go?/I took a look into your hate/It made me feel very up to date". "Eric's Trip" has lyrics pertaining to Eric Emerson's LSD-fueled monologue in the Andy Warhol movie "Chelsea Girls". "Hey Joni" is titled
Daydream Nation
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impersonations of the performers. When she went back home afterwards, her and Eli began dating. So she had to decide where she wanted to go to college. If she should stay with Eli or go where she wanted to go. She ended up staying in New York with Eli and they would see each other everyday after school. The book "That Time I Joined the Circus" has gotten very good reviews. Many have been about the setting of the book, the circus setting was a big hit. It is said to be "well-paced debut is a contemporary twist on the
That Time I Joined the Circus
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Nixon promised that he would never cash that check. With less than three minutes left in the allotted time, Nixon finally addressed the question: Would he stay or would he go? He indicated that he did not think he should go. "Let me say this: I don't believe that I ought to quit because I'm not a quitter. And, incidentally, Pat's not a quitter. After all, her name was Patricia Ryan and she was born on St. Patrick's Day, and you know the Irish never quit." Seizing on the fact that the Republican National Convention had routinely given the RNC
Checkers speech
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have been here for many years and I should not stay in this club, who was relegated, any longer. I think I am not staying, although I have nothing but good things to say about this club." A few days later, it was disclosed that he would join Benfica in the next season. Despite good performances in the pre-season, he was loaned to Moreirense in late August. His spell at Moreirense did not go well. In October, he was criticized by Manuel Machado for "lack of commitment" and "professionalism", with the striker expressing his desire to return to Benfica. In
Anderson Roberto da Silva Luiz
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his wife, outside of the Olympic village. Collins was required to get permission to stay outside the village for multiple nights in a row, and the committee stated he violated team discipline rules. On the issue of not being allowed to compete, Collins said "I feel that I should stay in a hotel with my wife, with or without their permission, that’s the honest to God truth whether they like it or not." He planned to never race for the country again, stating, "This is how it ends, it ends on a really sad note. I should have been allowed
Saint Kitts and Nevis at the 2012 Summer Olympics
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again If I go ten thousand miles. Ten thousand miles, my own true love, Ten thousand miles or more, And the rocks may melt and the seas may burn, If I should not return. Oh don’t you see that lonesome dove, Sitting on an ivy tree, She’s weeping for her own true love Just as I shall weep for mine. Oh come back my own true love And stay a while with me For if I had a friend all on this earth, You’ve been a friend to me. And fare thee well my own true love And farewell for
Fare Thee Well (song)
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Should I Stay "Should I Stay" is a song by British singer Gabrielle. It was released as a single in 2000 and was the fourth and final single released from the "Rise" album. The song charted at No. 13 in the UK Singles Chart, the fourth top 15 hit from the album. The video for the single is very moody and depicts the atmosphere of the song more than having a linear storyline. The song samples part of the BBC News theme. In 2004 it was used in the second episode of BBC drama serial "Blackpool". CD: 1 CD: 2
Should I Stay
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Should I Stay "Should I Stay" is a song by British singer Gabrielle. It was released as a single in 2000 and was the fourth and final single released from the "Rise" album. The song charted at No. 13 in the UK Singles Chart, the fourth top 15 hit from the album. The video for the single is very moody and depicts the atmosphere of the song more than having a linear storyline. The song samples part of the BBC News theme. In 2004 it was used in the second episode of BBC drama serial "Blackpool". CD: 1 CD: 2
Should I Stay
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Should I Go "Should I Go" is a song by American recording artist Brandy Norwood from her fourth studio album, "Afrodisiac" (2004). It was written by Walter Millsap III, his collaborative partner Candice Nelson, and mentor Timbaland, while production was helmed by the latter. "Should I Go" is built on percussive beats, syncopated handclaps and a piano riff that samples British alternative rock band Coldplay's song "Clocks", written by Guy Berryman, Jonny Buckland, Will Champion, and Chris Martin for their second album, "A Rush of Blood to the Head" (2002). Lyrically, Norwood as the protagonist openly talks about contemplating stepping
Should I Go
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to comply with world standards. Half of the world listens to English music, why should they not listen to a Turkish artist who sings in English? [...] People do not understand Turkish. If we find it difficult [to sing a suitable song] in our own language, why should we? When TRT asked me to write a song, I gave them my conditions. I said 'I want to sing the song in English'." The song was released on 8 March, and on 24 May in Riga, it earned 167 points earning Turkey its first victory in the contest and making it
Sertab Erener