what year did the movie the sound of music come out
March 2 , 1965
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studying to become a nun in Salzburg, Austria in 1938 who is sent to the villa of a retired naval officer and widower to be governess to his seven children. After bringing and teaching love and music into the lives of the family through kindness and patience, she marries the officer and together with the children they find a way to survive the loss of their homeland through courage and faith. The film was released on March 2, 1965 in the United States, initially as a limited roadshow theatrical release. Although critical response to the film was widely mixed, the
The Sound of Music (film)
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person at their most vulnerable moment and taking over their life. But what happened as we were filming was that there was a lot of discussion, I think on the studio level, that a movie that had come out the year before, "The Hand That Rocks The Cradle"... did very well, and the powers that be felt that "The Temp" should be more in tone with that movie. And it’s a funny movie, because it read really well on the page, but somehow the translation… I think it tried to be a movie that was different from what I think
The Temp (film)
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for the band as well as the listener. Inherent in this is an honest approach, and that comes through in our live show, which, by the way, is much better than our CDs (moo, September '96 - issue 25).” In that same interview, vocalist-flautist Miriam Cabrera elaborated, “We wanted to do something original and interesting, but we never sat down and said ‘Okay, this is what we want to sound like.’ It wasn't contrived. We definitely did a lot of jamming to see what would come out. The music we play is result of working on refining and melding what
Morsel (band)
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interview Blackwell recalled, "I did not come from a musical family. I had a fourth grade teacher that introduced me to music and I sang at the Catholic church. In high school I started doing musicals − "The Sound of Music", "Brigadoon", "Oliver!", and so forth. I thought maybe this would be what I would pursue after high school, although even in my senior year in high school I had doubts. I wanted to go into history or fashion design. But, I had a wonderful choral director who said 'no, your calling is music,' and she convinced me." Blackwell attended
Harolyn Blackwell
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the whole process was made difficult by the fact that he and Phair had opposite ideas regarding what direction to take in terms of sound. Henderson preferred a stripped-down but precise sound, possibly with outside musicians, while Phair wanted a fuller sound. Phair has stated, "We both wanted something for me. He was projecting onto me what he wanted my music to come out like, which was wrong. So I blew him off." Eventually, Henderson stopped showing up at the studio, which made Phair move out of his apartment and start working exclusively with Brad Wood on what would become
Exile in Guyville
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guitar melodies, "I Wanna Come Back" has all the elements of early psychedelic rock. Speaking about the band's hallucinatory sound, keyboardist Victor Roybal explained why the group was eager to branch out from usual pop music: "We were looking for a new and original sound. Much of what we had been doing [was] performing top 40 sounds which people requested to hear". In 1967, Lance Records released "I Wanna Come Back" with "Double-Crossin' Girl" on the Fe-Fi-Four Plus 2's debut single. It is generally agreed upon by music historians that "I Wanna Come Back" was the first psychedelic song released
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of the sound track for the Danish movie Guldkysten. She performed at the Roskilde Festival in 2015. Between 2016 and 2018k, Liv did not release any music but rather drawings and photographs on social media. She started work on her first full length album in early 2018, and later the same year "Lovers that Come and Go" was released. Production and album art by Copenhagen-based producer Baby Duka. Her "dark pop" style is connected to the "down-tempo electro-pop scene". Kwamie Liv Kwamie Liv is a Danish artist, singer and songwriter. She released the "Lost In The Girl" EP in 2014
Kwamie Liv
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rating of 5 out of 5. The rival newspaper, Expressen called it "Hellström knew what he was doing", and gave it a rating of 4 out of 5. The film site Moviezine, called it a "Musical treat", and gave it a rating of 4 out of 5. For the 49th Guldbagge Awards, "Shed No Tears" was nominated for nine awards, some of which it won in the categories Best Editing and Best Sound Editing: MovieZine did a poll at the end of 2013, in which readers got to vote for winners in various categories with substance Movie Year 2013, which
Shed No Tears (2013 film)
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Van Helsing (soundtrack) Van Helsing: Original Motion Picture Soundtrack was composed by Alan Silvestri and released on May 4, 2004, by Decca Records. The score accompanies the 2004 film, as its name implies. Generally well received by fans and critics alike, three major score-reviewing websites all rated it at four out of five stars. Movie Music UK's Peter Simons says that Silvestri has delivered "what may be the loudest score of the year", but that he "makes this kind of music sound good...[infusing] the score with a textural richness and compositional quality that is quite rare these days". He does
Van Helsing (soundtrack)
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which was a big hit. The song was composed by Haitham, and the music video was directed by Waleed Naseef, director of famous veteran Middle Eastern singers. In 2008, Haitham sang on a movie soundtrack, sponsored by Pepsi, titled "Baher El Nojoom". This included his second successful song titled, "Tlatee Mnaen" (Where Did You Come From). In that same album, he composed veteran singer, Wael Khfoury's song, "Shu Mbakakee" (What Made You Cry). In that same year, he began composing for other artists as well. In 2009, he composed a new song for the artist Ayman Zbeeb, called "Ma Bdaa
Haitham Shomali
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on his written review of the film, saying: What planet did the makers of this film come from? What assumptions do they have about the purpose and quality of life? I ask because "She's Out of Control" is simultaneously so bizarre and so banal that it's a first: the first movie fabricated entirely from sitcom cliches and plastic lifestyles, without reference to any known plane of reality. Chicago film critic Gene Siskel also gave the film zero stars, calling it "a lame comedy that barely resembles a real movie." During his TV review he reported that "when I saw "She's
She's Out of Control
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native school of American music based on the primitive musical utterances of the red man and the black man these negro melodies are historical documents of some interest." While Maurice Arnold did not become the main musical proponent of Dvořák's philosophy for a new American sound in music he did live long enough to see much of what Dvořák fought for come to pass; the birth of the blues, ragtime, jazz all leading to the first major African American composer William Grant Still. It was Still who finally did utilize the spiritual as a basis for one of the first
Maurice Arnold Strothotte
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bluesman Zucchero Fornaciari's album "Black Cat". In 2008, it was reported that Burnett "started a new venture called Code, which aims to do for music what THX did for movie-theater sound: set standards that ensure the best possible quality." He is opposed to the trend of brighter and more compressed processing, sufficiently so, that he essentially retired from the music business around 1995–1996 and pursued an opportunity to work in theater with Sam Shepard, leading to his work on several films. The audio format known as Code involves the simultaneous release of multiple sound formats, thus avoiding much of the
T Bone Burnett
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through sound alone, if a coin has come up heads or tails. When he has completed his training, he is expected to know what colour it is. By the time of "Soul Music", they have discovered that the sound that brought the universe into being was not a Word, but a musical chord ("the ultimate power chord"). They continue to listen, as they can just make out sound that "preceded" the creation of the universe, and may put the chord into context. It says in "Soul Music" that the greatest listeners have determined that the sound before the creation of
Religions of the Discworld
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offer: "We haven't really got there yet. Not yet. Game got on 'Splish Splash' because he was just there in the studio. I think it's great to make the music and then figure out who would sound good on what. Robin Thicke did get on one though, but we'll see if it'll stick around. I just linked up with Cannon and I still want will.i.am to come holla at me because I want to talk some "Joints and Jams" type sh*t. He's super talented. It really just comes down if they want to do it or not at this point.
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to retain much of the character of Danna's score, Lee pushed Elfman to write material that did not sound like his previous superhero scores. "They did leave some of my music in the movie," said Danna, "so the Arabic singing and some of the drumming is mine. What happened is that they panicked, they brought in Danny and he heard what I've been doing and I guess he liked it." A soundtrack album was released on June 17, 2003 by Decca Records. It features the song "Set Me Free" by Velvet Revolver, which is played during the film's end credits.
Hulk (film)
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year later, MGM started using three tracks instead of one to record the musical selections of movie soundtracks, and very quickly upgraded to four. One track was used for dialogue, two for music, and one for sound effects. The purpose for this form of multitrack recording was to make mixing down to a single optical track easier and was not intended to be a recording for stereophonic purposes. The very first two-track recording MGM made (although released in mono) was "It Never Rains But What It Pours" by Judy Garland, recorded on June 21, 1938, for the movie "Love Finds
Stereophonic sound
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included, in a re-recorded version, on Mellencamp's 2017 album "Sad Clowns & Hillbillies".) Meanwhile, the piano-heavy "Seeing You Around" has the sound of a 1940s standard (the movie takes place during World War II) and is made all the more authentically '40s-sounding by Redbone's gruff, baritone vocals. Mellencamp's band provided the backing on both tracks and performed all the music that is in the movie. Said Carter in 2015: "The way John Mellencamp and I met was he invited me to come and sing this song he had written for the movie that Meg Ryan has coming out called "Ithaca".
John Mellencamp
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to come out yet this year." In addition, Elise F. wrote that "while Ashes Remain is a band that could come across at times as generic both lyrically and musically, they have surprising talent and a solid sound. I, for one, will definitely be putting this album on repeat while I wait to see what they come up with next." Alternative Addiction's Mike said that "Baltimore Christian modern rock outfit Ashes Remain has undoubtedly produced one of the modern rock highlights of 2011. Full of hooks and great songs, 'What I've Become' hits all the right buttons whilst harnessing it
What I've Become
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at Warm Springs, refurbished specifically for the film. The film received near-unanimous praise by the critics, and won five Primetime Emmy Awards out of sixteen nominations, including "Outstanding Made for Television Movie", "Outstanding Supporting Actress in a Miniseries or Movie" (Jane Alexander), "Outstanding Music Composition for a Miniseries, Movie, or Special (Original Dramatic Score)" (Bruce Broughton), "Outstanding Art Direction for a Miniseries or Movie" and "Outstanding Single-Camera Sound Mixing for a Miniseries or Movie". Joseph Sargent, who was also Emmy-nominated for his direction, did not win; however, he was nominated and won the Directors Guild of America Award. Screenwriter Margaret
Warm Springs (film)
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served as president of the Association of Country Entertainers, formed in response to Olivia Newton-John's CMA Female Vocalist of the Year win in 1974. The organization was intended to keep country music "pure" and criticized the pop influences at the time. Shepard would come out in defense of "pure" country music again nearly forty years later, criticizing singer and TV personality Blake Shelton for a comment in which he referred to fans of traditional country as "old farts and jackasses": "We've got a young man in country music who has made some pretty dumb statements lately. What did he say?
Jean Shepard
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Sound that would explode in 1983 and 1984 and eventually lead to the Argentine Invasion overseas. In fact Santaolalla would help make "Rock En Español" massively popular beyond Argentina, and then go on to great things in Hollywood movie making in the United States music industry, as well as become one of the great producers of the current period. Which proves that Arco Iris is not only a historically significant group of the 1970s Argentine rock movement for what they did to the sound of Argentine rock, but considering that the members of Arco Iris went on to contribute in
Arco Iris (band)
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of expecting to hate it, thinking, 'What has Hollywood done to it?' But we loved it. We were afraid it would be too sickeningly cute and, instead, Bill just thought they did a wonderful, witty job of it." John Anderson of "Newsday" wrote "The kind of movie that will entertain everyone of every age and probably for ages to come." John Zebrowski of "The Seattle Times" gave the film three out of four stars, saying "The movie is helped immensely by its cast, who carry it through some of the early, sluggish scenes. But this is Murphy's movie. Donkey gets
Shrek
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to be like "a movie", "Konnichiwa is a classic, The album [was] delayed for kick drums. To put it out was a definite happy point." He also talked about dealing with his critics in the grime scene, "I'm out for revenge, fam, I come into this ting pure-hearted and loving music, and people take me for an idiot, you get what I'm saying? So when I spit now people are gonna hear a madman, they're gonna hear a monster, they're gonna hear someone who's out for revenge - and I'm out for revenge". Skepta stated that music would "represent the
Konnichiwa (Skepta album)
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"Today" felt the exact opposite. While she did find the singer's voice to be "as perfect as ever" and the music to "sound [...] lush", she stated: "Yet there's little spark or emotion from Streisand on any of these songs". Concluding her album review, Moody wrote: "What Streisand intended as a loving tribute is instead a sterile treatment that is ultimately disappointing." Tom Santopietro, author of "The Importance of Being Barbra: The Brilliant, Tumultuous Career of Barbra Streisand", also disliked "The Movie Album" and claimed that its inclusion of too many ballads was one of the issues; he also claimed
The Movie Album (Barbra Streisand album)
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earthy, quirky additions". "Look at What the Light Did Now" won the 'DVD of the Year' prize at the 2012 Juno Awards in Canada, and was nominated for the Sound & Vision Award at CPH:DOX in Denmark. Feature Length Documentary Music videos Live Performances from The Reminder Tour 2007-2009 Tracks 9-12: Chilly Gonzales Original Score - Songs from The Reminder improvised and performed on solo piano. Total running time: 58:43 Look at What the Light Did Now Look at What the Light Did Now is a documentary/live album DVD/CD by Canadian indie pop artist Feist, first released in December 2010.
Look at What the Light Did Now
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on the soundtrack for the movie "Why Did You Come to My House?" (2009), releasing her first solo song entitled "Miracle". In October 2009, she became part of the "Dream Team Girl Group" named 4Tomorrow for Samsung's campaign "Samsung Anycall". Their digital single "Tomorrow" was released on October 6, and the official music video for their single was released on the October 12, starring actor Lee Dong-gun. In 2010, she recorded the song "Super Star" for the soundtrack of the KBS2 drama "Mary Stayed Out All Night". The same year, she became a host of MBC Every1's "I Love Pet"
Han Seung-yeon
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actor Devon Murray has been announced with trailer. Music video should come out October/November 2017 on VEVO, MTV channels. Simonna got roles in various films. She is playing a lead role in new TV episodes “First Month Is For Free”, she is acting in drama “Hollywood Rooftop” which is directed by Brett Leonard who did a movie with Denzel Washington and Russell Crowe. There will be two versions of this movie : 2D and Virtual reality version . Simonna also was in a short film “inSANE”, short films “Short Movie “Trail of glitter” and “The Third Rainbow”, also has been
Simonna
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the songs done and then we did preproduction and met with Ulrich Wild. He came to Orlando where we live and spent a few weeks going over the songs and getting them ready. He was like, ‘Look, this is going to go on a recording forever. This is your first album, so make sure it’s what you want to come out.’ We did a lot of preproduction, worked it out and did what I think is a pretty kickass record." A music video for "Waste" was filmed in 2000. It shows the band performing in a dark venue intercut with
New Killer America
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Inch Nails will return in 2016". In October 2016, in response to a fan's question about the lack of new Nine Inch Nails music, Reznor responded with "2016 is not over yet". In December 2016, Reznor commented on his statement regarding Nine Inch Nails' return by the end of the year: "Those words did come out of my mouth, didn't they? [...] Just wait and see what happens." Three days later, Reznor announced an EP titled "Not the Actual Events", along with reissues of "Broken", "The Downward Spiral", and "The Fragile," with subsequent reissues of "With Teeth", "Year Zero", and
Nine Inch Nails
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that. If we don’t get it out on the market by the end of this year, it’ll be out by the top of next year. But we’re definitely going to drop some singles and videos this year. It’s a project that we wanted to do ten years ago. We both were Jive Records artists at the time, but Jive just did not want any parts of that album and we couldn’t figure out why." He continued: "[This was around the time] Redman and Method Man [did "Blackout!"]. Jive just did not want that album to come out. I almost did
History: Function Music
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we don’t get it out on the market by the end of this year, it’ll be out by the top of next year. But we’re definitely going to drop some singles and videos this year. It’s a project that we wanted to do ten years ago. We both were Jive Records artists at the time, but Jive just did not want any parts of that album and we couldn’t figure out why." He continued: "[This was around the time] Redman and Method Man [did "Blackout!"]. Jive just did not want that album to come out. I almost did an album
History: Mob Music
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was a mixture of mud and liquefied cow dung. This did not prevent festival-goers from enjoying the knee-deep slurry in front of the pyramid stage. 1989 was the first year that impromptu, unofficial sound systems sprung up around the festival site – a portent of things to come. These sound systems would play loud, electronic acid house music 'round the clock, with the largest, the Hypnosis sound system, rivaling the volume of some of the official stages and running non-stop throughout the festival. The biggest festival yet was held in 1990; however, the day after the festival ended, violence –
Glastonbury Festival
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Joe Romersa Joe Romersa is an American musician, composer, voice actor, and music producer. Recognized in his teens for his talent with sound, Romersa's illustrious career includes working with many notable music industry greats. Romersa's first love has always been drumming but early on he branched out into sound engineering. As Romersa tells it, "After a tragic early tour I did at age 19 which left me homeless sleeping on a park bench in New Jersey, I had to find a way to make money and still be close to what I love; music." Upon his return to California, Romersa
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to tell anyone how to feel and what to take from it. With the films, we have literally no idea what the directors are going to come back with. None of them know what the others are doing, so hopefully it could be interesting" "Valtari" received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 74, based on 36 reviews. AllMusic writer Tim Sendra said the album was "filled with giant washes of sound bathed in reverb, echoing keyboards, smears of
Valtari
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the band would return to the studio: We've already got lists of song ideas. We never stop writing. We go into the studio with all the best laid plans then what we end up with is not what we intended. It's just exciting to wonder what will come out the speakers in a year's time. We have very exciting things lined up. It's time to take our music down different directions and really explore other avenues. In one interview, Martin predicted the style of the incoming album as being less dominated by fanfare, and featuring a more "stripped-down" sound. In
Mylo Xyloto
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out to the record-breaking "300". It grossed $33 million in North America and $51 million in the rest of the world, bringing its current total to $84 million. In an interview with "Sight & Sound" magazine, Fincher addressed the film's low gross at the North American box office: "Even with the box office being what it is, I still think there's an audience out there for this movie. Everyone has a different idea about marketing, but my philosophy is that if you market a movie to 16-year-old boys and don't deliver "Saw" or "Seven", they're going to be the most
Zodiac (film)
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herself later proclaimed that the album's single choice was finalized by Atlantic Records bosses, while the singer herself had favoured a Timbaland-produced track such as "Afrodisiac" to lead the album: "We had already pretty much recorded the bulk of the album before Kanye West got involved. The label wanted to come out with ‘Talk About Love’ as a single, but I didn’t want it to be released [...] It just didn’t match the energy of what Timbaland and I had done. I wanted a single that represented the sound and the movie feel of my album." While "Who Is She
Afrodisiac (song)
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soundtracks he was included into the Movie Composer's Society and in 1996 started studying at the University of Sydney, section Sound studies of the Movie Academy. He got the "Audio Excellence" award by Ampex Corporation for the short movie "Flying Over Mother" for which he did sound design and music. He was also awarded by the CBS for the short soundless movie "Drip". During a short visit to Yugoslavia in late 1995 / early 1996, he formed the Old Stars Band consisting of Aleksandar Šandorov (keyboards), Zdenko Kolar (bass), Srđan Gojković Gile (guitar, vocals), Marko Milivojević (drums) and Boris Bunjac
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edges of the film strip. Most films continue to be processed with both digital and analog soundtracks so that they can be read by projection systems in any movie theater. After General Electric's Pallophotophone fell out of use in the early 1930s, optical multi-track recording did not have a resurgence for nearly three decades when high fidelity and stereophonic recordings became available commercially. Walt Disney made an attempt in 1940 when he began sound production for "Fantasia" with the Philadelphia Orchestra. Disney set up 33 microphones at the Academy of Music and ran these into eight independently operated mixing stations.
Optical sound
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have to have any specific words?' And they said, 'No, it just has to be about FM radio.'" It took a day or two to write. The duo had not written music for a film since "You've Got to Walk It Like You Talk It or You'll Lose That Beat", a 1971 film that featured another of the coming decade's stars, Richard Pryor, in a small role. But they knew what was expected of them. "We wrote a song that would sound good with a big production, and an overdub of strings that would sound good coming out of movie-theater
FM (No Static at All)
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its acquisition by Sony in 1993, the industrial red-brick barn, was owned by Camera Mart for 20 years, and leased the space to movie and television producers. William Fox, President of the Fox Film Corporation, had worked with inventor Theodore W. Case to develop a method for capturing sound on film eventually becoming the Movietone sound system. In August 1926 the Fox-Case Corporation was created, making $200,000 worth of improvements to what had been the Fox Annex, a warehouse at 460 W. 54th St. (Fox Films New York ran out of the giant building at 850 Tenth Avenue, around the
Sony Music Studios
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Xbox version 84 out of 100, based on 31 reviews. As an adaptation, the game was praised by GameZone's Michael Knutson as "the best movie to game conversion that has come out in a long time" and by GameSpy's Raymond Padilla as setting "a new standard for video game adaptations of movies." The graphics and THX-certified audio were lauded by critics. The game's animations, scenery, player models, cutscenes, music and voice acting were particularly well received. "Sound effects used in the game will also blow you away," Knutson said, "Everything from the explosions, swords clashing, hundreds of incoming enemies storming
The Lord of the Rings: The Return of the King (video game)
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the UK's nu-skool dirty breaks, can be traced back to Florida Breaks. Central Florida is credited with this sound due to the large number of producers living in this area and DJing there music at local parties and clubs. A few party promoters began bringing over larger electronic music DJs and acts since the DJs had been hearing about what was happening in Central Florida and wanted to come and check it out for themselves. They then went home and their music was then influenced by their experiences, as seen in the 1994 UK release by Newton called "Orlando." Florida
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with the money and production values of course. While deals were presented, Kodansha advised them to decline these until the opportunity to be in full control of a movie was available. Come 1995, Luke and Grant were able to lock down their property until they had decided what they wanted to do next. The first phase of Renga's Japanese-inspired work was the Urusei Yatsura music video "Phasers On Stun" in 1996 with characters styled on Gatchaman characters. This was also the year that Luke met with Yasushi Nirasawa, the third member to come onboard Renga, and he went on to
Renga Media
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think that’s why it stands out. It’s about what I’m saying. It’s a marriage [with] real music. Fisticuffs, they don’t use any samples and they use live instruments a lot of the times in their beats, so I would go in there and I would be singing and they would be making the track. It was like a complete marriage of sound. I wouldn’t write anything down, just sing it on the mic and come up with everything off the top of my head. I feel like it doesn’t have to sound like anything that’s on the radio to be
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Sozhaa", "Kaadhal Kadidham" and "Ninaivugalae". The album opened doors for Krishan to reach out to the young Tamil diaspora markets in Europe and Canada in the mid 2000s. He later came back to the music scene after a 5-year absence with the album "Avathaaram" in 2010, and the album was not promoted well, hence not giving him the adequate come back the listeners expected. He later ventured into the South Indian movie market by working with prominent music directors Vijay Antony, D.Imman and Paul Jacob. Krishan was featured on the 2012 hit single "Makkayaala" from the Naan movie and also
Krishan Maheson
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He should know more clearly than anyone else what is coming, what to expect... I believe this as a sound working plan." By putting time into preparation, he cut down on delays after production started which gave him the ability to put out about six films a year until the 1940s. He turned out "Front Page Woman" in only three weeks, which contained rapid-fire newspaper dialogue with Bette Davis, then turned around and made "Captain Blood" entirely on the sound stage without having to leave the studio. Sidney Rosenzweig argues that Curtiz did have his own distinctive style, which was
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By alternating hymn-based vocalization and jazz rhythms, Van Peebles created a sound that foreshadowed the use of sampling in hip hop music. Van Peebles recalls that "music was not used as a selling tool in movies at the time. Even musicals, it would take three months after the release of the movie before they would bring out an album." Because Van Peebles did not have any money for traditional advertising methods, he decided that by releasing a soundtrack album in anticipation of the film's release, he could help build awareness for the film with its music. The film was released
Sweet Sweetback's Baadasssss Song
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Fall Out Boy's capture is shown in the music video for the following single, "The Phoenix", released on March 25, 2013. Jon Dolan of "Rolling Stone" calling the song "a big, goofy, stomp-along pop-metal anthem". Jason Lipshutz of "Billboard" described the song as "a natural evolution of the Fall Out Boy sound," adding also that the song is "muscular in scope and jittery in practice, with rolling chants cresting above Stump's nervous energy." Commercially, "My Songs Know What You Did in the Dark (Light Em Up)" debuted on charts worldwide with success, reaching in the top five in the United
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the screen, though the words generally sound far better when sung than spoken." R. Thomas Umstead of Multichannel News awarded the movie 3.5 stars out of 5, writing, "Much like "Teen Beach Movie", the sequel is full of impressive dance numbers, often silly dialogue and toe-tapping pop music songs that will certainly appeal to the network's target 6-to-11-year-old audience. Still, "Teen Beach 2" lacks a bit of the charm exhibited in the first movie, although that will not matter much to fans of the original." The film drew 5.8 total million viewers on its premiere night, becoming the most watched
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takes the suit off. After passing out off-screen, she wakes in the glass room with her love interest looking at her and smiling before she smiles back. The music video was nominated for "Cinematography of the Year" at the 1998 MuchMusic Video Awards, ultimately losing to "Release" by The Tea Party. The track was featured in the movie I Still Know What You Did Last Summer. That Girl (Esthero song) "That Girl" is a song by Canadian singer-songwriter Esthero. It was planned to be album second CD-single from her debut album Breath from Another. However record company declined to release
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fact that we come from a studio, technical background. We just want to mix the old with the new. That's why, at the moment, I don't have a live drummer. The sound of the beats is what makes Nightmares." After "Carboot Soul", NoW did not release another album until 2002. In the meantime, Evelyn concentrated on establishing himself as a producer and musical consultant. In 2000, Evelyn worked with hip-hop trio De La Soul, when they appeared on the EP "Sound of N.O.W.". That same year, he contributed a mix album to Studio !K7's DJ-Kicks series. In 2005, Evelyn started
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the fast blast beat percussion on "Black Dahlia", and finished the review by saying that the album would likely exceed the expectations of their most devoted fans. Writing for "Metal Review", Gregory Bradley stopped short of calling the album a return to form, but asserted that the record was an "acceptable" release. Bradley did, however, credit the album for having some "very metal" songs, singling out "What Doesn't Die" and "Black Dahlia" in particular. Chris Ayers from "Exclaim!" opined that "We've Come for You All" was the band's strongest release since "Sound Of White Noise" (1993) and easily the best
We've Come for You All
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I Am Not What You Want I Am Not What You Want (天使, literally: angel, Cantonese: "tin si") is a romance movie produced by Kit Hung in Hong Kong in 2001. This movie is about 48 minutes. This movie is about a gay university student Ricky (Chet Lam) and Mark (Nicky Hung). Ricky comes out to his family and friends, but his "fag hag" Olivia (Carol Chan) doesn't seem to be convinced. Being rejected by his parents, Ricky moves in with his friend Mark. Mark in his heart is gay too, but he has not yet come out to anyone,
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the movie "The Moguls", after Jeff Bridges heard their distinctive sound and personally requested for them to be included on the movie’s soundtrack. Their profile continued to rise as their music was featured on TV programs such as "EastEnders", "Strictly Come Dancing", as well as US dramas "Veronica Mars", "One Tree Hill" and "Cold Case". In 2006 The Aeroplanes played gigs in Germany, Switzerland and the US where they were invited to perform at the SXSW festival in Austin, Texas. They also performed a full UK tour where they sold out across the country. In 2007 bassist Stuart Palethorpe left
The Aeroplanes
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movie ever." It ranked 154th among critics, and 30th among directors, in the 2012 "Sight & Sound" polls of the greatest films ever made. Film review aggregator Rotten Tomatoes reported a 95% approval critic response based on 22 reviews, with an average score of 8.2/10. Klimov did not make any more films after "Come and See", leading some critics to speculate as to why. In 2001, Klimov said, "I lost interest in making films...Everything that was possible I felt I had already done." Come and See Come and See (, "Idi i smotri"; , "Idzi i hlyadzi") is a 1985
Come and See
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More recently, parodies have taken on whole film genres at once. One of the first was "Don't Be a Menace to South Central While Drinking Your Juice in the Hood" and the "Scary Movie" franchise. Other recent genre parodies include. "Shriek If You Know What I Did Last Friday The 13th", "Not Another Teen Movie", "Date Movie", "Epic Movie", "Meet the Spartans", "Superhero Movie", "Disaster Movie", "Vampires Suck", and "The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It", all of which have been critically panned. Many parody films have as their target out-of-copyright or non-copyrighted subjects
Parody
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may come out of this work be grounds for its suppression from society? This is, in a sense, pre-crime. If you believe in what you're doing and you want to express yourself, the expression should be primary and any interpretations that come after must always remain of secondary importance to the creation of the work itself. On another level, the entire correlation between the Dawson College shooting and my game is unfounded. [...] What else did Kimveer like? Black clothes? Goth music? Pizza? [...] If anything, the Dawson College shooting is proof positive that games like ["Super Columbine Massacre"] "should"
Super Columbine Massacre RPG!
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were tolerant and sympathetic of my position," Barratt commented, "and the Record Companies never tried to dissuade me. The Christian experience influenced all of my lyrics for Gravy Train. Not overtly, but certainly they were written from a Christian perspective. I did not think that I had a right to 'preach' to audiences who had just come to hear the band and have a good time — although a lot of people who had read interviews in the music press did come backstage almost every night to find out what it was all about. Some of them were saved and
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of his house. What happens when Jahnavi finds out who Shankar really is? Even though the movie opened to packed houses, it later on turned out to be only an above-average grosser. The movie did not go down well with all of the audiences, and the word of mouth was hampered by the mixed reviews. The Soundtrack was composed by Devi Sri Prasad and Released by Aditya Music. Shankar Dada Zindabad Shankar Dada Zindabad (translation: "Long Live Shankar Dada") is a 2007 Telugu language film which is a remake of the 2006 Hindi film "Lage Raho Munnabhai". Rajkumar Hirani, the
Shankar Dada Zindabad
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"Scary Movie 5" (2013), in which she starred, Tisdale said in an interview to MTV that she was inspired to create music again and confirmed that since 2012 she has been recording for her third studio album. She hopes to "surprise people a little bit, [with] something different from what [she has] done before". Tisdale became engaged to musician Christopher French in August, 2013 and they began working together on music for her third studio album. On November 19, 2013, Tisdale teased about an upcoming "special project" that would come out before Christmas on her Twitter account. She later added
You're Always Here
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Record" by Big Star and "Spanish Bombs" by The Clash as his major inspirations during the writing of this album. All lyrics written by Justin Young, all music composed by The Vaccines Additional musicians Come of Age Come of Age (also alternatively titled The Vaccines Come of Age) is the second studio album by English indie rock band The Vaccines, which was released on 3 September 2012. It follows their debut album "What Did You Expect from The Vaccines?", released the previous year. It was produced by Ethan Johns and reached number one in the UK. The image on the
Come of Age
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out what "Through the Tunnel" was going to be but later recalled: "Before I had got through explaining it to him he sat down and played exactly what it was. It was phenomenal". "Jacaranda" sees Rabin play a variety of genres, including elements jazz, rock, blues, classical, bluegrass, and baroque music, something which he did not make a conscious effort to do as he went with material that worked, but the mixture made the album exciting for him. On each track, Rabin wanted to "explore something new", and was a fan of the sound of bluegrass music and incorporated the
Jacaranda (album)
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sound in a scientific sense. He knew how the circuits worked and what the electrons did. That's why he could do what he did". King Tubby's first interaction with the music industry came in the late 1950s with the rising popularity of Jamaican sound systems, which were to be found all over Kingston and which were developing into enterprising businesses. As a talented radio repairman, Tubby soon found himself in great demand by most of the major sound systems of Kingston, as the tropical weather of the Caribbean island (often combined with sabotage by rival sound system owners) led to
King Tubby
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film became the number one box office movie in the country, and held that position for thirty out of the next forty-three weeks in 1965. The original theatrical release of the film in America lasted four and a half years. A few months after its United States release, "The Sound of Music" opened in 261 theaters overseas—the first American movie to be completely dubbed in a foreign language, both dialogue "and" music. The German, French, Italian, and Spanish versions were completely dubbed, the Japanese version had Japanese dialogue with English songs, and other versions were released with foreign subtitles. The
The Sound of Music (film)
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Digital Spy asked Scherzinger to describe "Killer Love"s sound, during an interview she replied said "the album is largely produced by RedOne, I wanted something explosive that could be staged live in a full performance and I needed music to match the intensity. That's what he did. It's raw, dangerous and big. That's what I want to be on stage. It's a different energy to Lady Gaga. The music is more rock, funk and soul inspired." "Killer Love" sees Scherzinger duet with two male vocalists. On the ballad, "Power's Out", she duets with English recording artist Sting. Speaking of their
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Fire" by The Doors. Hill said that she "didn't want to come out with a [Fugees] type of sound", but create "something that was uniquely and very clearly a Lauryn Hill album." She also said that she did not intend for the album's sound to be commercially appealing: "There's too much pressure to have hits these days. Artists are watching "Billboard" instead of exploring themselves. Look at someone like Aretha, she didn't hit with her first album, but she was able to grow up and find herself. I wanted to make honest music. I don't like things to be too
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come together to form a coherent picture, but consistently, tellingly, they don’t." In January 2017, musician Lawrence English listed "Dissolution" on his playlist for "FACT" called "Everything Turns Out Golden." In March 2017, "The Quietus"s Russell Cuzner praised its composition as "less a 'movie-for-the-ears' and more a 'music-for-the-mind'." Dissolution (album) Dissolution is a 2016 LP by musician and sound artist Olivia Block. It was released on 11 November 2016 by independent record label Glistening Examples on LP record. "Dissolution" is composed of found sounds, instruments, microcassettes, and shortwave radio signals. The press release described it as "a reflection upon human
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ten, commenting that "Rarely has reliability been this funky". At Slant, Kyle Fowle rated it three-and-a-half stars, writing that the music here is "reveling in a variety of musical tones, from confident, strutting anthems of independence to slow-burning, intimate ballads, but also displays Jones at her most vocally ferocious, lending a self-assured voice to the down and out." At Allmusic, Fred Thomas rated it four stars, noting how "These ten songs sound almost designed to be played on repeat, and keep with the always colorful and ecstatically fun sound audiences have come to expect from one of the best acts
Give the People What They Want (Sharon Jones & the Dap-Kings album)
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Etienne, these songs are their sharpest in over a decade." "The Guardian" journalist Alexis Petridis stated that the album "frequently sounds as dizzy with the joy of pop as Saint Etienne did 20 years ago". Arnold Pan of PopMatters opined, "What makes "Words and Music" stand out is that it's both polished and personal, a prime example of how a big pop sound can reach out and connect in the most intimate ways. Perhaps Saint Etienne's most fully realized effort and most engaging listen from beginning to end, "Words and Music" finds the sweet spot between proficient skill and intuitive
Words and Music by Saint Etienne
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found him withdrawn and seemingly lacking in confidence. Music journalist John Harris notes that, unlike in their previous meetings, "there were no hangers-on [this time], Dylan's head was clear, and the protective barriers of cool could come down – which, eventually, they did."<ref name="Harris/Mojo p 68">Harris, p. 68.</ref> On the third day, Harrison recalls in his 1980 autobiography, "I, Me, Mine", "we got the guitars out and then things loosened up". The year 1968 marked the start of what Dylan himself later termed his "amnesia", referring to a form of writer's block he experienced post-"John Wesley Harding" (1967), when painting
I'd Have You Anytime
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feels more suitable than attempting to move your feet. Still, because the good stuff is so darn good (and it is), it is easy to brush aside any missteps." "Mojo" gave it three stars out of five and said it was "more like the soundtrack to a horror movie than a night of DJ breaks and body shakes." Playlouder gave it two stars out of five and said the album "resembles nothing more than a U.S. major label executive’s idea of what dance music should sound like." "URB" also gave it two stars and said that the band "has become
Legion of Boom (album)
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Kinks and Peggy Lee, and two studio recordings of a new song, "Look at What the Light Did Now", written by Little Wings. Prior to its December 2010 home video release, the documentary screened at number of international fall festivals, including the 2010 Raindance Film Festival in London, CPH:DOX in Copenhagen, and the Pop Montreal music festival in Quebec. "Look at What the Light Did Now" marks both Feist's first official documentary and first official live album. "Look at What the Light Did Now" received limited reviews upon release that were mostly positive. Music site Drowned in Sound gave the
Look at What the Light Did Now
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infiltrates the Avengers headquarters, Beck quotes Silvestri's Avengers theme and Jackman's Falcon motif from "Winter Soldier". The Russo brothers confirmed in August 2014 that Jackman would return to score "". In July 2015, Jackman noted the industrial elements of his Winter Soldier suite from the previous film was an indication of what the new score would sound like, but did caution that "it's just a jumping off point since the Russos are looking for something new—similar with a twist." Once Jackman read the script for the film, he realized that the "movie tonally was so different to the second one
Music of the Marvel Cinematic Universe
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the film is the first to credit anyone as Sound Designer, a professional designation that Murch is widely attributed to have coined as a means to help legitimate the field of post-production sound, much in the way William Cameron Menzies coined the term "Production Designer" in the 1930s. "Apocalypse Now" was also notable for being among the first films to be released in what has come to be known as 5.1, with three screen speaker channels, low-frequency enhancement, and two surround channels (one more channel than standard surround sound arrangements at the time). The movie was initially seen and heard
Walter Murch
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man can see what things are really like he holds a bleaker vision of what the future has in store. Up until hearing the sound of music he has hardly ventured out and not travelled far at that. Although he has offered to be the fiddler’s eyes he becomes annoyed when continually asked to describe how things are and when he tells him that it’s “day” he feels the need to add an “if you like” casting a shadow of doubt on even this simple answer. Later on when he imagines things they might come across in their travels he
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strength and weaknesses in volume are depicted at different points in the series. On top of that, individual themes were composed to represent different cultures. Infamously, the amount of music Shore had to write every day for the third film increased dramatically to around seven minutes. The music for the series turned out to be a success and has been voted best movie soundtrack of all time for the six years running, passing "Schindler's List", "Gladiator", "Star Wars" (1977), and "Out of Africa" respectively. Sound technicians spent the early part of the year trying to find the right sounds. Some,
The Lord of the Rings (film series)
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got the red card. Aadesh pointed out that Ujjaini has already sung for him and it is 99% final and if mata rani is willing even that 1% will be final. Ujjaini was crying because she had dropped a year in studies to come here and not chosen science stream even though she had good marks because she wanted to be a singer. Daler said that music is the right choice and she will certainly go far. Keka said that she did not know what to say as she was close to Ujjaini, they live near each other in Calcutta
Sa Re Ga Ma Pa Challenge 2005
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sound mixing. According to the Disney production services website, "The Main Theater is a state-of-the-art digital sound dubbing and screening facility that was first used to mix the sound for "Fantasia" [in 1940]. Sound mixers blend dialogue, music, and sound effects tracks to the various levels appropriate for a movie theater. The acoustics are designed to simulate a theater that is three-quarters full. Although the theater is empty during the mixing session, extra padding in the seats and specially designed walls absorb and reflect the sound. This helps the sound mixers to know what the final product will sound like
Walt Disney Studios (Burbank)
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"Rolling Stone" said that Puddle of Mudd did not stand out with their album. Alternatively, Stephanie Dickison of "PopMatters" heavily praised "Come Clean" and called it an "album of the year". Some copies of the album have one or both of the following bonus tracks: Come Clean (Puddle of Mudd album) Come Clean is the second studio album by the rock band Puddle of Mudd. Released on August 28, 2001, the album's music was responsible for breaking Puddle of Mudd into the mainstream music scene. It features the singles "Control," "Blurry," "Drift & Die" and "She Hates Me". Various tracks
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Hero", was taken from the band's "Pages of Life" album. No music video was created to promote the single, however a live performance of the song would later be professionally filmed in Aspecta, Kumamoto, Japan, on October 18, 1992. Upon release, "Cash Box" listed the single as one of their "feature picks" during May 1991. They commented: "What a band, what a sound, what a song! The Desert Rose Band has successfully managed to create its own recognizable sound, and with its latest release, the sound undoubtedly sparks a best yet! With a driving hit-n-go pulse and a plead-of-love theme,
Come a Little Closer (The Desert Rose Band song)
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spotting episodes with them to coordinate where "we were going to hit what" and "maintain that definable aspect of New York" and its sound. A soundtrack album for the season was released digitally by Hollywood Records on July 15, 2016. All music composed by John Paesano, unless otherwise noted. On references to the larger MCU, Ramirez said "those little Easter eggs that come along the way are fun", but there were times when the writers did not take opportunities to reference the rest of the universe because they felt like distractions from the series' narrative and characters. Petrie stated that
Daredevil (season 2)
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it "impressive". An editor from Yahoo! Music Japan wrote on Koda's biography that the mixture of pop and R&B music was a "perfect balance of contemporary charm and vocals." Adam Greenberg, a writer of AllMusic, did not mention the original recording, but wrote about the Sunset in Ibiza remix from her remix album "Koda Kumi Driving Hit's" (2006), and stated: "When the DJs complement her voice just right, Koda can sound like any number of other singers. [...] "Real Emotion" and "Take Back" come out as something very similar to Ayumi Hamasaki's works." Upon its release, Koda felt insecure about
Take Back
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last weekend in the theatre near you. A few people had come forward to honour his memory. Why? Was he useless? Did what he did not matter to anyone? Would you react the same way if your loved one is brutally killed for doing his duty?<br> It’s not a movie with an item song or love story or the one which audience normally expect. It’s poignant, isn’t it... an ordinary man fighting against corruption and getting brutally killed. I only wish and hope that more people should know of his real story, what he did, why, what he stood for,
Manjunath (film)
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what I’m about than the first two albums even. With them, I took music from other people and mixed, remixed and articulated it into the releases. Now we’re talking about tracks that I’ve written and co-written with other artists. So this is pretty much my idea of what electronic music should sound like now. "Politics" is almost like a "sound dictionary" of where I’m at musically. For me it continues the theme/thread of the first two, whilst acknowledging the passage of time between the then and the now.”. The album includes collaborations such as: "Come With Me (We Are One)"
The Politics of Dancing 3
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interview with Digital Spy he was asked if he was pleased with the response to his new single 'Don't Go', he said: "It's been good, I think. This third single isn't the easiest or most obvious choice, but I think it's starting to connect with people, which is all I want to do really. This type of sound is what I was known for making on my old CDs and mixtapes. I like heartfelt music, but I wanted to initially come out with something for the clubs and festivals." A music video to accompany the release of "Don't Go" was
Don't Go (Wretch 32 song)
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year, and that it was inspired by "club music". "The majority of stuff I'm working on now is the xx stuff. We're just about to start recording. Hopefully we'll get it done in time for most festivals next year, because that's the most fun." Discussing the sound of the album, he said: "We've all come back off tour and been partying a bit more. We left when we were 17 and we missed out on that chunk of our lives when everyone else was partying. Club music has definitely had an influence on the next record." On 1 June 2012,
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to come." Vance also sees the film as a window into the Pickford-Fairbanks marriage: "As a reenactment of the Pickford-Fairbanks marriage, "Taming of the Shrew" continues to fascinate as a rather grim comedy. The two willful, larger-than-life personalities working at cross-purposes and conveying their resentment and frustration to each other through blatant one-upmanship and harsh wounds is both the movie and the marital union." After many years out of circulation, the film was re-released in 1966 in a new cut supervised by Pickford herself. New sound effects and music were added throughout, much of the voice dubbing was enhanced with
The Taming of the Shrew (1929 film)
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really down to the fact that the fans were DEMANDING that we did it! But, rather than just going back and doing what we'd done in the past, we did want to be able to make an album of new music before coming back out together. And it was really once we'd recorded the song 'Dear Rosa', together that Patti finally became convinced that yes, we should make a new record and then go out and tour behind it. So I'd say basically our reunion was down to two things – pressure from the fans; plus Patti hearing a sound
Nona Hendryx
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well as any of the aforementioned bands, but perhaps no more than that." Louder Than The Music's Jono Davies said that "from the moment you hear the sound of the opening track, you know what you are going to get in style and sound. There isn't necessarily anything new in style or music, but what you do get is a whole album full of great, strong, honest songs with solid sound quality and production that will be please all fans of this band. " New Release Tuesday's Kevin Davis said that "after repeated listens, the sincere and poignant lyrics, musical
Love Come to Life
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the headlining festival appearances made in the summer across Europe (Sweden, Belgium and Spain). They continue to be in huge demand, often selling out very large venues, despite criticism of selling out, and claims that arenas and festivals do not suit the band's sound. Guitarist Phil Chevron has stated there were no plans to record new music or release a new album. Chevron said that one way to keep enjoying what they were doing was to avoid making a new album, although he did say that there still is a possibility in the future for new music, but certainly not
The Pogues
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working-class, the nonwhite and women." In a "Flavorwire" article which asks "What is the quintessential California sound?", the journal lists 30 of what it considers "the most Californian albums ever made", elaborating that "the sound itself is important, but it’s the lifestyles behind these scenes that come to define the music." In alphabetical order, the artists mentioned are: Crosby, Stills, Nash & Young, Dead Kennedys, Fleetwood Mac, Germs, Green Day, Guns 'n Roses, Jefferson Airplane, Joni Mitchell, Kendrick Lamar, Love, Mötley Crüe, N.W.A, No Doubt, Queens of the Stone Age, Red Hot Chili Peppers, Sly & the Family Stone, Snoop
California Sound
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on the song. The song received generally positive reviews from music critics. About.com writer Bill Lamb rated "Come Back to Me" three and a half stars out of five; he praised its pop sound and Hudgens' "engaging personality", but criticized it for having a manufactured sound from the "Disney pop factory". Moreover, Lamb wrote: "'Come Back to Me' is unlikely to linger too long in your memory, but it also fails to generate any annoying after taste. Program it into your listening when you need a contemporary, breezy, light pop confection... Sure, you are being manipulated by the corporate music
Come Back to Me (Vanessa Hudgens song)
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"Game „The Little Prince“". However, the tape did not come out in the rental. Olga Budina secured her first role as a movie actress in Gleb Panfilov's film "", portraying the professional Grand Duchess Anastasia Nikolaevna as a student of the fourth course. In 2000, Olga Budina gained national popularity in the movie by Alexander Mitta "". In the same year, the film was played at the opening of the Moscow Film Festival XXII. Olga Budina was married to businessman Alexander Naumov; they are now divorced. They had a son named Naum. Olga Budina Olga Alexandrovna Budina (, born 22
Olga Budina
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big and soulful, but never overbearing.” "The Texas tenor sound was an aggressive approach to whatever type of tune you were doing," Wiley told American Music Center writer Eugene Holley in a 1995 interview. "It’s a big sound, and soulful as can be. You had tenor players from that area, and you grew up hearing that sound. …I played the carnival circuit. They had what you call tent shows before the main show, and the band would play in what they called the ‘valley,’ to get the people in the crowd interested enough to come into the tent. There were
Ed Wiley Jr.
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100, based on 25 critics, indicating "mixed or average reviews." Roger Ebert of the "Chicago Sun-Times" awarded the film three and a half stars out of four, remarking: James Berardinelli of "ReelViews" gave "What Dreams May Come" three stars out of four, saying: Owen Gleiberman of "Entertainment Weekly" gave the movie a C+, writing, "There's a central contradiction in a fairy tale like this one: the film may preach to the audience about matters of the spirit, but its bejeweled special-effects vision of the afterlife can't help but come off as aggressively literal-minded." Leonard Maltin, in his annual publication "TV
What Dreams May Come (film)
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soundtrack itself will differ greatly, as most of the music is just extended themes from the Super Fleet Sazer-X show as opposed to a completely original score. Hiroshi Takagi did compose some unique music for the movie, but sadly its few and far between here. For all intents and purposes, the music also sounds like the same very limited size orchestra from the show was also used, as the music doesn't sound anymore "grand" as one would have hoped for a feature film. Regardless, there are a couple of nice cues off this release, in particular "The Terrible Beast Appears!"
Chousei Kantai Sazer-X the Movie: Fight! Star Warriors
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in Barcelona. March 1993 it came out Que no es perdi aquest so, an album in which they worked out melodies from Llibre Vermell de Montserrat. This going back to the roots, represented a re-foundation of its sound, closer to what made them popular in the beginning. Through this album they come back to the United States for a second tour in 1993. In 1992, CED obtained the National Prize of Music by the government of Catalonia. In 1993 they repeated in Summer Festivals around USA. With also a final closing gig in Manhattan, at the Knitting Factory. 1994 seems
Companyia Elèctrica Dharma
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La Spezia, Italy: "After a night spent in fever and sleeplessness, I forced myself to take a long tramp the next day through the hilly country, which was covered with pine woods. It all looked dreary and desolate, and I could not think what I should do there. Returning in the afternoon, I stretched myself, dead tired, on a hard couch, awaiting the long-desired hour of sleep. It did not come; but I fell into a kind of somnolent state, in which I suddenly felt as though I were sinking in swiftly flowing water. The rushing sound formed itself in
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those songs is the steel guitar. It is the quintessential honky-tonk steel sound — tuneful, aggressive, full of attitude.” Lloyd also credits Helms' sound as a major influence in shifting the sound of country music away from the hillbilly string-band sound popular in the 1930s and toward the more modern electric style that became prominent in the 1940s. Helms played a double-neck 1948 Gibson Console Grande steel guitar, which lacked the foot pedals found on a more modern pedal steel guitar, which did not come into prominence in country music until after Hank Williams' death in 1953. He tuned the
Don Helms