who plays the phantom in phantom of the opera
Gerard Butler
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The Phantom of the Opera (2004 film) The Phantom of the Opera is a 2004 British–American musical drama film based on Andrew Lloyd Webber's 1986 musical of the same name, which in turn is based on the French novel "Le Fantôme de l'Opéra" by Gaston Leroux. Produced and co-written by Lloyd Webber and directed by Joel Schumacher, it stars Gerard Butler in the title role, Emmy Rossum, Patrick Wilson, Miranda Richardson, Minnie Driver and Jennifer Ellison. The film was announced in 1989 but production did not start until 2002 due to Lloyd Webber's divorce and Schumacher's busy career. It was
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Don Juan Triumphant Don Juan Triumphant is the name of a fictional opera written by the title character in the novel "The Phantom of the Opera". In the 1986 musical "The Phantom of the Opera" by Andrew Lloyd Webber, the concept is expanded as an opera within a musical and the performance of it plays a major role in the storyline. The fictional piece draws major inspiration from the Mozart's famous work "Don Giovanni" yet the Phantom's opera is depicted as far more bleak and dark. In the novel "The Phantom of the Opera" by novelist Gaston Leroux, "Don Juan
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stolen, however, by Ian Richardson and Andrea Ferreo...," and concluded ""Phantom" adds up to an odd but fascinating prime-time diversion." The Phantom of the Opera (miniseries) The Phantom of the Opera is a 1990 American two-part television miniseries directed by Tony Richardson and stars Charles Dance in the title role. It is adapted from Arthur Kopit's book from his unproduced stage musical "Phantom", which is based loosely on Gaston Leroux's novel. The Phantom of the Opera is a disfigured musician named Erik who lives below the Opéra Garnier in Paris. He has a large part in managing each performance through
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The Phantom of the Opera (1998 film) The Phantom of the Opera () is a 1998 Italian horror film directed by Dario Argento, adapted from the novel "Le Fantôme de l'Opéra" by Gaston Leroux. However, there are many differences between the book and the film (the biggest being that the Phantom is not disfigured). In Paris 1877 a pack of rats save an abandoned baby from a basket that was flowing along a river. They raise him in the underground of the Opéra de Paris. This child becomes the Phantom of the Opera, a misanthrope who kills anyone who ventures
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The Phantom of the Opera (miniseries) The Phantom of the Opera is a 1990 American two-part television miniseries directed by Tony Richardson and stars Charles Dance in the title role. It is adapted from Arthur Kopit's book from his unproduced stage musical "Phantom", which is based loosely on Gaston Leroux's novel. The Phantom of the Opera is a disfigured musician named Erik who lives below the Opéra Garnier in Paris. He has a large part in managing each performance through his friend Gerard Carriere. The Phantom's life changes when Carriere is dismissed and the opera hires a new manager, Choleti.
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The Phantom of the Opera (2004 soundtrack) The Phantom of the Opera is the soundtrack to the 2004 film based on the Andrew Lloyd Webber musical, There are two versions released, the standard 14-track release and a two-disc deluxe edition. In addition to the listed tracks, versions of "The Phantom of the Opera" remixed by Junior Vasquez were made available to iTunes customers who purchased the expanded edition. In 2006, "The Phantom of the Opera" won the RIAJ's Japan Gold Disc Award for "Best Soundtrack Album of the Year." Chart-wise, the album performed fairly well, reaching the top position of
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their engagement. The Phantom crashes the ball, who orders his own opera, "Don Juan Triumphant", be performed. Upon seeing Christine's engagement ring, the Phantom flees, pursued by Raoul, but Giry stops him. Giry explains when she was a child, she met the Phantom, a deformed young boy, billed as the 'Devil's Child' in a freak show and abused by the owner. When the Phantom rebelled and strangled the man to death, Giry helped him to evade the resulting mob and hid him within the opera house. Christine visits her father's tomb, the Phantom posing as his angel to win her
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held discussions with Antonio Banderas, who undertook vocal preparation and sang the role of the Phantom in the TV special "Andrew Lloyd Webber: The Royal Albert Hall Celebration". Schumacher and Lloyd Webber restarted development for "The Phantom of the Opera" in December 2002. It was then announced in January 2003 that Lloyd Webber's Really Useful Group had purchased the film rights from Warner Bros. in an attempt to produce "The Phantom of the Opera" independently. As a result, Lloyd Webber invested $6 million of his own money. "The Phantom of the Opera" was produced on a $55 million budget. A
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that "things have changed" as the jealous Angel of Music condemns Raoul for "sharing in my triumph". Christine begs him to reveal himself. The Angel obliges and materialises in her mirror. The mirror opens, revealing the Angel to be the Phantom of the Opera, who leads Christine away. Raoul finds Christine's dressing room empty and calls out for her ("The Mirror (Angel of Music)"). The Phantom and Christine cross a subterranean lake to his secret lair beneath the Opéra house ("The Phantom of the Opera"). The Phantom explains that he has chosen Christine to sing his music and serenades her
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an item known as the 'Dragon Crown.' Phantom R saves Marie and they visit Notre Dame where they recover the Dragon Crown for themselves. Phantom R also meets Jean-François, who serves as Marie's guardian at her convent. Phantom R visits Napoleon's underground hideout where he learns of someone working for Napoleon referred to as 'Graf' who Phantom R believes is his father. In order to further find clues about his father, and Napoleon, Phantom R visits the Paris Opera, and steals the 'Queen's Pendant' from Duchess Elisabeth. Marie also visits the opera, as Jean-François believes that Elisabeth is her mother.
Rhythm Thief & the Emperor's Treasure
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The Phantom of the Opera (1925 film) The Phantom of the Opera is a 1925 American silent horror film adaptation of Gaston Leroux's 1910 novel "Le Fantôme de l'Opéra", directed by Rupert Julian and starring Lon Chaney in the title role of the deformed Phantom who haunts the Paris Opera House, causing murder and mayhem in an attempt to make the woman he loves a star. The film remains most famous for Chaney's ghastly, self-devised make-up, which was kept a studio secret until the film's premiere. The film was released on November 25, 1925. The picture also features Mary Philbin,
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Adaptations of The Phantom of the Opera There have been many literary and dramatic works based on Gaston Leroux's novel "The Phantom of the Opera," ranging from stage musicals to films to children's books. Some well known stage and screen adaptations of the novel are the 1925 film and the Andrew Lloyd Webber musical (see "The Phantom of the Opera (1986 musical)"); Susan Kay's 1990 "Phantom" is one of the best known novels and includes in-depth study of the title character's life and experiences. Several different computer games have been released based on the Phantom of the Opera or that
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make some reference to it. Adaptations of The Phantom of the Opera There have been many literary and dramatic works based on Gaston Leroux's novel "The Phantom of the Opera," ranging from stage musicals to films to children's books. Some well known stage and screen adaptations of the novel are the 1925 film and the Andrew Lloyd Webber musical (see "The Phantom of the Opera (1986 musical)"); Susan Kay's 1990 "Phantom" is one of the best known novels and includes in-depth study of the title character's life and experiences. Several different computer games have been released based on the Phantom
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to watch online. Reelkandi was founded by Earl Carpenter, a West End theatre stage actor who played the lead role in "The Phantom of the Opera" and who in August 2014 featured in the Broadway version of "Les Misérables". Earl Carpenter Earl Carpenter (born 9 May 1970) is an English musical theatre actor, recognised chiefly for his work in London's West End. He is known for his performances as Javert in the stage musical "Les Misérables" and as the Phantom in the London production of "The Phantom of the Opera". He recently starred played the Phantom in the 25th Anniversary
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Theatre of St. Louis. This production starred Sal Mistretta as The Phantom - his performance won him the St. Louis Theatre Critics Award. A second US production was mounted in 1988 in San Francisco at the Theatre in the Square, produced by Jonathan Reinis. The productions of "Phantom of the Opera" in St. Louis and San Francisco were so successful that Hill was asked to mount a national tour of the United States. Jonathan Reinis (who later produced Ken Hill’s "The Invisible Man" in London) formed Phantom Touring Company Inc. who acted as the producers for the tour, along with
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Phantom of the Opera (1976 musical) Phantom of the Opera is a 1976 musical with book and lyrics by Ken Hill. It is the first musical adaptation of the novel "The Phantom of the Opera" by Gaston Leroux, about the hideously disfigured Phantom's amorous obsession with the magnificent, naïve singer, Christine. Hill wrote the original English lyrics to the music of Verdi, Gounod, Offenbach, Mozart, Weber, Donizetti, and Boito. Hill’s "Phantom of the Opera" was the first musical version of the story by Gaston Leroux and has enjoyed financial success. Hill's musical inspired the award-winning Andrew Lloyd Webber musical version
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Australia and New Zealand, on national tours. Phantom of the Opera (1976 musical) Phantom of the Opera is a 1976 musical with book and lyrics by Ken Hill. It is the first musical adaptation of the novel "The Phantom of the Opera" by Gaston Leroux, about the hideously disfigured Phantom's amorous obsession with the magnificent, naïve singer, Christine. Hill wrote the original English lyrics to the music of Verdi, Gounod, Offenbach, Mozart, Weber, Donizetti, and Boito. Hill’s "Phantom of the Opera" was the first musical version of the story by Gaston Leroux and has enjoyed financial success. Hill's musical inspired
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still used for training firefighters. The mysteries that Leroux uses in his novel about the Phantom are still mysteries. "The Phantom of the Opera"'s origins came from Leroux's curiosity with the Phantom being real. In the prologue he tells the readers about the Phantom and the research that he did to prove the truth of the ghost. His findings connected the corpse from the opera house to the Persian phantom himself. The claims from the prologue of his novel were ones that Leroux held onto even up until his death in 1927. In Paris in the 1880s, the Palais Garnier
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The Phantom of the Opera (1962 film) The Phantom of the Opera is a 1962 British horror film directed by Terence Fisher, a loose adaptation on the 1910 novel "Le Fantôme de l'Opéra" by Gaston Leroux. The film was made by Hammer Film Productions. The film opens in Victorian London on a December night in 1900. The first night of the season at the London Opera House finds the opening of a new opera by Lord Ambrose D'Arcy (Michael Gough), a wealthy and pompous man, who is annoyed and scornful when the opera manager Lattimer (Thorley Walters) informs him the
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Erik (The Phantom of the Opera) Erik (also known as The Phantom of the Opera, commonly referred to as The Phantom) is the title character from Gaston Leroux's novel "Le Fantôme de l'Opéra" (1910), best known to English speakers as "The Phantom of the Opera". He is unique in that he is both the titular protagonist and at times the antagonist of the novel. The character has been adapted to alternate media several times, including in the 1925 film adaptation starring Lon Chaney, the 1943 remake starring Claude Rains and Andrew Lloyd Webber's musical. In the original novel, few details
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house to get food. The gang return to the stage to find the Phantom setting fire to the opera house. With the help of Steve, they catch the Phantom, who is revealed to be Mel Richmond. However, the gang learn that Richmond isn't the Phantom they are after when they hear the Phantom threatening to destroy the place unless Christine wins. Later that night, using Emma as bait, the gang manage to capture the Phantom, who turns out to be Christine’s father, Lance. Afterwards, however, Shaggy and Scooby find out that Ottoman is also the Phantom, when they see him
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Gary Mauer Gary Mauer is an actor who most recently starred in the third national tour of "The Phantom of the Opera" playing the role of the Phantom. On Broadway, Gary starred as Raoul, Vicomte de Chagny in "Phantom" and played the role of Enjolras in "Les Misérables". He has also appeared in numerous regional shows, including playing Jesus in "Jesus Christ Superstar". From April 30, 2007 through May 19, 2007, Gary filled in for Howard McGillin, the actor who formerly played The Phantom in "Phantom", on Broadway. Gary has a B.F.A in Musical Theater from the University of Arizona
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an appeal to all types of audiences." David Lardner's review in "The New Yorker" dismissed the film, calling it "by no means a sample of the march of progress in the film world. The old version had Lon Chaney, who scared you plenty, and the new one has Claude Rains, who somehow doesn't." Rotten Tomatoes gave this version of "Phantom of the Opera" an average score of 75%, based on 20 reviews from critics. Following the success of "Phantom of the Opera", Universal announced that a sequel would be made, titled "The Climax". Nelson Eddy and Susanna Foster were to
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Phantom (Kay novel) Phantom is a 1990 novel by Susan Kay, based on the Gaston Leroux novel "The Phantom of the Opera". It is a biography of the title character, Erik. The Phantom is born as Erik in Boscherville, a small town not far from Rouen, in the summer of 1831. His mother is the beautiful and talented daughter of an English woman and a French architect, a spoiled and vain woman who scorns her deformed child from birth, puts a mask on his face, and cannot bring herself to name him. Instead, she instructs the elderly priest who baptises
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through a detective pulling his information from various forms of research. The mystery being uncovered is the Phantom who lurks through the opera house, seemingly appearing in places out of nowhere as if by magic. But, it seems that the mystery novel persona was a facade for the real genre being more of a gothic romance. In his article, Fitzpatrick compares the Phantom to other monsters featured in Gothic horror novels such as Frankenstein's monster, Dr. Jekyll, Dorian Gray, and Count Dracula. The Phantom has a torture chamber where he kidnaps and kills people, and the walls of the chapel
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back, but Raoul intervenes. Raoul and the managers plot to capture the Phantom during his opera. The Phantom murders Carlotta's lover, Ubaldo Piangi, and takes his place as the male lead to sing opposite Christine. During their passionate duet, Christine unmasks the Phantom, revealing his deformities to the horrified audience. The two escape to the catacombs, bringing down the chandelier, as a mob forms to hunt the Phantom down. Giry leads Raoul down to the catacombs to rescue Christine. The Phantom has Christine wear a wedding dress and proposes marriage. Christine admits she does not fear the Phantom for his
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Still, I can easily imagine a more dashing, charismatic Phantom than Butler's. Rest assured, however, Lloyd Webber's neo-Puccinian songs are reprised and reprised and reprised until you're guaranteed to go out humming." Owen Gleiberman of "Entertainment Weekly" believed Schumacher did not add enough dimension in adapting "The Phantom of the Opera". "Schumacher, the man who added nipples to Batman's suit, has staged Phantom chastely, as if his job were to adhere the audience to every note". Roger Ebert reasoned that "part of the pleasure of movie-going is pure spectacle—of just sitting there and looking at great stuff and knowing it
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in his grave, seeing what a rakish romantic his ghoulish Phantom has become over the years." Hiltbrand praised that Burt Lancaster "lends his usual air of refined dignity, and Charles Dance makes an elegant Phantom. But the real zest is provided by Ian Richardson and Andrea Ferreol, who bring great comic verve to the roles of the pompous popinjay of an opera director and his deluded diva of a wife." "The Deseret News" critic Joseph Walker said, "Kopit's script maintains his vision throughout, expertly mixing moods ranging from the ridiculous ("I'm not used to killing people," says the Phantom after
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Peter Jöback and Erkan Aki. What makes this particular song unique within the musical is its unusual hard rock style, since most of the songs in the musical have a more operatic style. Early in the musical's production, Andrew Lloyd Webber met Jim Steinman, who described "The Phantom of the Opera" as a rock song invading an opera house. This is what inspired the hard rock style of the song, which influenced all of the rock-based instruments in the song including drums and electric guitar. "The Phantom of the Opera" song was also specially arranged by the show's original orchestrator,
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1994 and 1996 (and later on DVD in 2004), called "Phantom 2040: The Ghost Who Walks". Other episodes of the series were released on VHS in 1995. Season One (containing the first 20 episodes of the show) was released on DVD in Australia in 2013. A series aired on Doordarshan in 1997 named "Betaal Pachisi" depicting the 25th Phantom played by Shahbaz Khan. He is shown fighting poachers and supernatural entities. Krutika Desai Khan plays Naina Jogan, the jungle spirit in love with Betaal (the Phantom). Sonu Walia plays a TV reporter who becomes his love interest. On July 29,
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and Canadian productions. The recording of the 1986 original London cast, released by Polydor Records in 1987, was released in both a single CD "Highlights From The Phantom of the Opera" and a two CD "Phantom of the Opera", both of which have been certified 4× Platinum in the US and sold 4.97 million copies as of January 2017. "The Complete Recordings" edition has sold 507,000 copies since 1991. "Phantom" was also certified 3× Platinum in the UK. The Canadian cast recording went 2× Platinum in Canada. In Switzerland, "Phantom" was certified 3× Platinum and "Highlights" was certified 2× Platinum.
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David Cullen, for a virtuoso cello version for cellist Julian Lloyd Webber, Andrew's brother, for the CD "Lloyd Webber Plays Lloyd Webber". Ray Repp sued Andrew Lloyd Webber over the main melody of Phantom, claiming that it was based on his folk song "Till You" which he recorded in 1978. Webber won the case however, with the counter-claim that the section of "Phantom" in question was actually based on Webber's "Close Every Door", which was written before Till You. Repp ultimately lost the case. In addition, Roger Waters of Pink Floyd had asserted that Andrew Lloyd Webber had plagiarised the
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plays the violin for her. Raoul attempts to confront it but is attacked and knocked out in the process. Back at the Palais Garnier, the new managers receive a letter from the Phantom demanding that they allow Christine to perform the lead role of Marguerite in "Faust", and that box 5 be left empty for his use, lest they perform in a house with a curse on it. The managers ignore his demands as a prank, resulting in disastrous consequences: Carlotta ends up croaking like a toad, and the chandelier suddenly drops into the audience, killing a spectator. The Phantom,
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of it happening at this stage are "highly unlikely". The Phantom of the Opera (1989 film) The Phantom of the Opera is a 1989 American horror film directed by Dwight H. Little and based on Gaston Leroux's novel of the same name. The film is an updated and gorier version of the classic 1910 tale, and stars Robert Englund as the Phantom. Christine Day (Jill Schoelen), a young opera singer in modern-day Manhattan, is searching for a unique piece to sing at her next audition. Her friend and manager Meg (Molly Shannon) discovers an old opera piece called "Don Juan
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the West at the Udine Far East Film Festival in 1998. Since then, the film has been shown at various film festivals around the world, notably at the 62nd Venice International Film Festival's "Secret History of Chinese Cinema" retrospective. Based on The Phantom of the Opera, a disfigured musical genius roams a traditional Chinese opera house, punishing those who offend him. In this version of Phantom's adaptation, the Phantom teaches a guy, while in the original story Cristine was a female singer. The phantom asks the Opera singer to go to his beloved and sings for her, because he left
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out of obsession and jealousy. Ten years later, he hears another young singer (Foster) who reminds him of the late diva, and is determined to make her sing only for him, even if it means silencing her forever. The film was originally conceived as a sequel to "Phantom of the Opera" (1943). "The Climax" was made using the sets of the 1943 "Phantom of the Opera", which in turn used Universal's set for "Phantom of the Opera" (1925). Choreography was made by Lester Horton. The film was also nominated for an Academy Award in 1944 for Best Art Direction (John
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The Phantom of the Opera (1989 film) The Phantom of the Opera is a 1989 American horror film directed by Dwight H. Little and based on Gaston Leroux's novel of the same name. The film is an updated and gorier version of the classic 1910 tale, and stars Robert Englund as the Phantom. Christine Day (Jill Schoelen), a young opera singer in modern-day Manhattan, is searching for a unique piece to sing at her next audition. Her friend and manager Meg (Molly Shannon) discovers an old opera piece called "Don Juan Triumphant", written by a composer named Erik Destler. Curious,
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the gala scene which foreshadows the graveyard scene that comes later where the Phantom plays the fiddle for Christine and attacks Raoul when he tries to intervene. Drumright points out that music is evident throughout the novel in that it is the basis for Christine and Erik's relationship. Christine sees Erik as her Angel of Music that her father promised would come to her one day. The Phantom sees Christine as his musical protege, and he uses his passion for music to teach her everything he knows. Stylistically, the novel is framed as a mystery novel as it is narrated
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lake to his secret lair ("The Phantom of the Opera"). The Phantom explains that he has chosen Christine to sing his music and serenades her. When he reveals a mirror that reflects an image of her in a wedding dress, the figure in the mirror gestures to Christine and she faints from shock. The Phantom then covers her tenderly with his cloak ("The Music of the Night"). As the Phantom is composing music at his organ, Christine awakens to the sound of the monkey music box ("I Remember"). Overcome with curiosity, she slips behind the Phantom, lifts his mask, and
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The Phantom of the Opera (1986 musical) The Phantom of the Opera is a musical with music by Andrew Lloyd Webber and lyrics by Charles Hart. Richard Stilgoe and Lloyd Webber wrote the musical's book together. Stilgoe also provided additional lyrics. Based on the eponymous French novel by Gaston Leroux, its central plot revolves around a beautiful soprano, Christine Daaé, who becomes the obsession of a mysterious, disfigured musical genius living in the subterranean labyrinth beneath the Paris Opéra House. The musical opened in London's West End in 1986, and on Broadway in 1988. It won the 1986 Olivier Award
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Melbourne run ended on 12 December 2011 the production moved to the Capitol Theatre in Sydney where it played from January to April 2012. The Phantom of the Opera (1986 musical) The Phantom of the Opera is a musical with music by Andrew Lloyd Webber and lyrics by Charles Hart. Richard Stilgoe and Lloyd Webber wrote the musical's book together. Stilgoe also provided additional lyrics. Based on the eponymous French novel by Gaston Leroux, its central plot revolves around a beautiful soprano, Christine Daaé, who becomes the obsession of a mysterious, disfigured musical genius living in the subterranean labyrinth beneath
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Lindsey Stirling did an accompanied instrumental version of the song on her "Phantom of the Opera" single in 2012. The Phantom of the Opera (Andrew Lloyd Webber song) "The Phantom of the Opera" is a song from the stage musical of the same name. It was composed by Andrew Lloyd Webber, with lyrics written by Charles Hart and Richard Stilgoe, and additional lyrics by Mike Batt. The song was originally recorded by Sarah Brightman and Steve Harley, which became a UK hit single in 1986, prior to the musical. In its theatrical debut, it was sung by Brightman and Michael
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along with the entire cast and creative teams including Michael Crawford. The production was recorded live and later released on Blu-ray, DVD, CD and digital download. The initial releases were in the UK on 14 November 2011. The digital download format was released three days earlier on 11 November. The North American release followed on 7 February 2012. The Phantom of the Opera at the Royal Albert Hall The Phantom of the Opera at the Royal Albert Hall is a 2011 British film adaptation of Andrew Lloyd Webber's 1986 musical "The Phantom of the Opera", which in turn was based
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categories: Phantom of the Opera (1943 film) Phantom of the Opera is a 1943 American horror film directed by Arthur Lubin, loosely based on Gaston Leroux's 1910 novel "The Phantom of the Opera" and its 1925 film adaptation starring Lon Chaney. Produced and distributed by Universal Pictures, the film stars Nelson Eddy, Susanna Foster and Claude Rains, and was filmed in Technicolor. The original music score was composed by Edward Ward. The auditorium set, a replica of the Opéra Garnier interior, created for the previous iteration was reused. Other than the sets, this remake had little in common with the
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Phantom of the Opera (1943 film) Phantom of the Opera is a 1943 American horror film directed by Arthur Lubin, loosely based on Gaston Leroux's 1910 novel "The Phantom of the Opera" and its 1925 film adaptation starring Lon Chaney. Produced and distributed by Universal Pictures, the film stars Nelson Eddy, Susanna Foster and Claude Rains, and was filmed in Technicolor. The original music score was composed by Edward Ward. The auditorium set, a replica of the Opéra Garnier interior, created for the previous iteration was reused. Other than the sets, this remake had little in common with the earlier
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and featured the "Air des clochettes" from the opera "Lakmé" by Léo Delibes and the overture from Charles Gounod's "Faust". The Phantom of the Opera (1998 film) The Phantom of the Opera () is a 1998 Italian horror film directed by Dario Argento, adapted from the novel "Le Fantôme de l'Opéra" by Gaston Leroux. However, there are many differences between the book and the film (the biggest being that the Phantom is not disfigured). In Paris 1877 a pack of rats save an abandoned baby from a basket that was flowing along a river. They raise him in the underground
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The Phantom of the Opera at the Royal Albert Hall The Phantom of the Opera at the Royal Albert Hall is a 2011 British film adaptation of Andrew Lloyd Webber's 1986 musical "The Phantom of the Opera", which in turn was based on the 1910 French novel "Le Fantôme de l'Opéra" by Gaston Leroux. To celebrate the 25th anniversary of the musical, three special performances were filmed at the Royal Albert Hall, the third of which was screened live worldwide on 2 October 2011. For further releases, footage from all three performances was edited together. To mark the extraordinary milestone
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removed due to licensing issues. The Phantom of the Opera (pinball) The Phantom of the Opera is a pinball machine released by Data East in 1990. The game is based on the French novel "The Phantom of the Opera", but not based on the musical by Andrew Lloyd Webber although released around the same time. The game does not have very deep rules. Game rules are similar to other 1980s pinball machines. There are no modes to complete, the goal of the game is to try to score as much as possible. Gameplay features include the Catwalk Ramp, a Magic
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The Phantom of the Opera (pinball) The Phantom of the Opera is a pinball machine released by Data East in 1990. The game is based on the French novel "The Phantom of the Opera", but not based on the musical by Andrew Lloyd Webber although released around the same time. The game does not have very deep rules. Game rules are similar to other 1980s pinball machines. There are no modes to complete, the goal of the game is to try to score as much as possible. Gameplay features include the Catwalk Ramp, a Magic Mirror, a Trap Door and
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Phantom of the Opera" on Broadway, he realized that the approach he and Yeston had taken was fundamentally different and that it could still work on the musical stage. A few years later, Kopit wrote the NBC miniseries "Hands of a Stranger", which was successful enough that NBC approached Kopit again. Kopit rewrote the script outline of his unproduced musical "Phantom" into a teleplay for a four-hour two-part miniseries entitled "The Phantom of the Opera" and sold it to NBC, with Yeston's blessing. It was filmed at the "Opera Garnier", and the only music used was opera music. It starred
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dropping it on Carlotta. After the performance, Christine and Raoul meet on the rooftop of the Opera House to discuss running away from the Opera House and the Phantom together. But the Phantom isn't very far away at all. He appears from behind the statue of Apollo and towers above them ("To Pain My Heart Selfishly Dooms Me"). Christine and Raoul leave the roof, leaving the Phantom alone. An old man enters, throwing bird-seed down for the pigeons on the Opera House's roof. The Phantom's hurt turns to anger, and he throws the unfortunate man off the building. He screams
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his brother, and a clanging alarm alerts the Phantom to his presence in a canoe on the lake. Phillipe is drowned by Erik, who returns to find the two men in the torture chamber. Turning a switch, the Phantom subjects the two prisoners to intense heat; the two manage to escape the chamber by opening a door in the floor as they are about to perish. In the chamber below, the Phantom shuts a gate, locking them in with barrels full of gunpowder. The Phantom gives Christine a choice of two levers: one shaped like a scorpion and the other
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Jean Valjean. Cudia's claim to fame is his critically acclaimed portrayal of the Phantom in Andrew Lloyd Webber's "The Phantom of the Opera". His first encounter with Phantom occurred when he was cast as a temporary swing in the U.S. touring production in 1999. There, he met Kathy Voytko, an alternate Christine, who is now his wife. Nine months later, he was given the role of Raoul in the touring cast. He played Raoul on Broadway for 3 years (2003–2005), where he was an understudy for the Phantom. Finally he was cast as the "full-time" Phantom in the U.S. touring
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to "Phantom", written by Lloyd Webber, Ben Elton, Frederick Forsyth and Glenn Slater, is called "Love Never Dies". It was loosely adapted from the 1999 novel "The Phantom of Manhattan", by Forsyth. Set in 1907 (a decade after the conclusion of "Phantom" according to the production's announcement, but actually 26 years later, as the original show was set in 1881), Christine is invited to perform at Phantasma, a new attraction at Coney Island, by an anonymous impresario. With her husband, Raoul, and son, Gustave, in tow she journeys to Brooklyn, unaware that it is the Phantom who has arranged her
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the Phantom kidnaps Christine off the stage during a blackout. Raoul rushes to Christine's dressing room, and meets the man in the fez, who reveals himself to be Inspector Ledoux, a secret policeman who has been studying Erik's moves as the Phantom since he escaped as a prisoner from Devil's Island. Ledoux reveals the secret door in Christine's room and the two men enter the catacombs of the Opera House in an attempt to rescue Christine. Instead, they fall into the Phantom's dungeon, a torture room of his design. Philippe has also found his way into the catacombs looking for
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for the Eurovision Song Contest 2010. He received a wildcard from SVT. His song, "Hollow", reached the final of the competition, ultimately finishing in 9th position. In 2011, Jöback performed in the finale of "The Phantom of the Opera at the Royal Albert Hall". In 2012 Jöback starred as the Phantom in the London production of "The Phantom of the Opera". He repeated the role on Broadway in April 2013. His last performance as Phantom on Broadway was on 24 August 2013, when Hugh Panaro took up the role again. However, he has since returned to bring the Phantom to
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Triumphant". He demands that it be produced immediately, with Christine (who is now secretly engaged to Raoul) as the lead female role, and threatens dire consequences if his instructions are not implicitly obeyed before vanishing in a ghostly flash of fire and smoke. Raoul demands that Madame Giry tell him about the Phantom. She reluctantly replies that he is a brilliant musician and magician born with a terrifyingly deformed face, who escaped from captivity in a travelling freak show and disappeared. During rehearsals, Raoul - tired of the tyranny with which the Phantom rules the Opera - thinks to use
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"The Phantom of the Opera" – to compete for the role. Viewers' telephone voting during the series raised more than £500,000 for the BBC's annual "Children in Need" charity appeal, according to host Graham Norton on air during the final. In 2007, Lloyd Webber's cat, Otto, leaped onto his Clavinova piano and "destroyed the entire score for the new 'Phantom' in one fell swoop." The Phantom in question was The Phantom of Manhattan, a planned sequel to Phantom of the Opera. On 1 July 2007, Lloyd Webber presented excerpts from his musicals as part of the Concert for Diana held
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Phantom realizes that he cannot win Christine by force and sets them both free. Raoul hurries Christine out of the lair, but she returns alone to give the Phantom back his ring. The Phantom once again pledges his love to her, who tearfully exits the lair to rejoin Raoul. As the angry search mob closes in, the devastated Phantom huddles on his throne beneath his cloak. Meg is first to reach the lair and finds no one there. She approaches the throne with curiosity and quickly pulls away the Phantom's cloak, but finds only his mask. She lifts the mask
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born with this deformity, and was exhibited as 'le mort vivant' in freak shows earlier in his life. Erik sometimes plays up his macabre appearance, such as sleeping in a coffin and dressing up as the Red Death for the masked ball. Lon Chaney, Sr.'s characterization of Erik in the silent film "The Phantom of the Opera" (1925) remains closest to the book in content, in that Erik's face resembles a skull with an elongated nose slit and protruding, crooked teeth. In this version, Erik is said to have been deformed from birth. Chaney was a master make-up artist and
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movie which they saw together more than 20 times was "Phantom of the Paradise", Brian De Palma's 1974 rock musical, based loosely around "Phantom of the Opera" (both this and "Electroma" feature 'a hero with a black leather outfit and a helmet')." The electrocution scene in "Romeo's Distress" was created in tribute to Beef's death on stage. Phantom of the Paradise Phantom of the Paradise is a 1974 American musical rock opera horror comedy film written and directed by Brian De Palma, and scored by and starring Paul Williams. In the film, a disfigured composer writes his music for a
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Reece Stanley and Bill Engfer joined Phantom-x, solidifying what had previously been a revolving lineup on guitar and drums. The band released "This Is War" on Perris Records in 2010, which again included chapters on the albums' ongoing story. The band's first headlining tour was in promotion of this album. In 2012, Phantom-x signed with Pure Steel Records. The label released the group's fourth album, "The Opera of the Phantom", on August 31. "The Opera of the Phantom" compiles the chapters of the entire fantasy story from the previous albums, and adds new chapters that complete the concept. The album
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the character as wealthy playboy Jimmy Wells by day and the crime-fighting Phantom by night. During his first story, "The Singh Brotherhood", before disclosing that Wells was the Phantom Falk changed the setting to a jungle and made the Phantom an apparently immortal, mythic figure. Thinking that there were already too many characters called "the Phantom" (including The Phantom Detective and The Phantom of the Opera), Falk considered calling his hero "The Gray Ghost" (later the name of a "Batman" character, mentioned in the first episode of "Phantom 2040"). However, he could not find a name he liked better and
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of the title character based on the description given in the novel, where the Phantom is described as having a skull-like face with a few wisps of black hair on top of his head. As in the novel, Chaney's Phantom has been deformed since birth, rather than having been disfigured by acid or fire, as in later adaptations of "The Phantom of the Opera". Producer Laemmle commissioned the construction of a set of the Paris Opera House. Because it would have to support thousands of extras, the set became the first to be created with steel girders set in concrete.
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developing a grand scale version of his Phantom in the West End, and offered to produce it. In fact, Hill and Lloyd Webber had worked together earlier on a revival of "Joseph and the Amazing Technicolor Dreamcoat" at the Winchester Theatre. Lloyd Webber and his producer, Cameron Mackintosh, had been highly enthusiastic when they broached Hill about his Phantom of the Opera. But in the end, Lloyd Webber chose to pursue the musical without Hill. "Phantom of the Opera" then emerged on the other side of the Atlantic in 1987 for its American premiere in St. Louis at the Repertory
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for night scenes, green for mysterious moods, red for fire, and yellow (sunshine) for daylight exteriors. In 1998 "The Phantom of the Opera" was added to the United States National Film Registry, having been deemed "culturally, historically or aesthetically significant". It was included, at #52, in Bravo's "100 Scariest Movie Moments". It is listed in the film reference book "1001 Movies You Must See Before You Die". In the United States, the film is in the public domain because Universal did not renew the copyright in 1953. Explanatory notes Citations The Phantom of the Opera (1925 film) The Phantom of
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The Phantom of the Opera (Andrew Lloyd Webber song) "The Phantom of the Opera" is a song from the stage musical of the same name. It was composed by Andrew Lloyd Webber, with lyrics written by Charles Hart and Richard Stilgoe, and additional lyrics by Mike Batt. The song was originally recorded by Sarah Brightman and Steve Harley, which became a UK hit single in 1986, prior to the musical. In its theatrical debut, it was sung by Brightman and Michael Crawford in their roles as Christine Daaé and the Phantom. The song is performed in Act I after the
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is Segal's rendition of the Phantom's opera composition 'Don Juan Triumphant', with the Phantom on the organ and Christine singing. "The Phantom of the Opera" opened theatrically on November 3, 1989 in 1,468 venues, ranking sixth at the domestic box office, with $2,050,000 in its first weekend. The film closed three weeks later, having grossed $3,953,745. The film received negative reviews from critics. Caryn James of "The New York Times" wrote, "This 'Phantom' is not lively enough to be kitschy, or original enough in its badness to be funny." "Variety" called the film "competent but flatly directed," adding that "Englund
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up all night in the rehearsal room, waiting for Christine. When she returns, she finds him gone. Because of the Phantom's sabotage campaign, Carlotta says she will not sing until he is caught or killed. Finding out Christine has been secretly living in the Opera, Carlotta blackmails Christine into telling her about her vocal coach. When Carlotta informs her husband that Christine's teacher is the Phantom, Choleti gives Christine the female lead of the opera "Faust"; he is working with the police to capture the Phantom. During their next lesson, there is tension between the Phantom and Christine about where
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The Phantom says that he is dying but he wishes to see his opera performed by Christine. They both agree to allow him time to complete her voice coaching. When the opera is presented several weeks later, Lord Ambrose is confronted in his office by the Phantom. He rips off The Phantom's mask and sees his terrifying face, he runs out screaming into the night. As the curtain rises, with Christine in the lead role, the Phantom watches eagerly in the "haunted" box. Her performance brings him to tears as he hears his music finally presented. Listening enraptured to the
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the screen. In the "Behind the Mask" documentary, Richard Stilgoe described the video as "wonderful, as over-the-top as you can get". Cameron Mackinstosh said: "Ken Russell came up with the most brilliant, outrageous video. It's fantastic fun, and completely over-the-top, which of course Andrew and I loved." The British guitarist Hank Marvin did an instrumental version of the song on his 1997 album "Hank Plays the Music of Tim Rice & Andrew Lloyd Webber". The song "The Phantom of the Opera" was covered in 1998 by Charlotte Church and Peter Karrie. It was covered in 2002 by the Finnish symphonic
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was called "Married Man". The lyrics were later rewritten and the song was added into "The Phantom of the Opera". A year before "The Phantom Of The Opera" opened at Her Majesty's Theatre, the original version of the song was performed at Andrew Lloyd Webber's own theatre at Sydmonton, along with the first drafts of the show. The audience were a specially gathered group of Webber's acquaintances. The Phantom was played by Colm Wilkinson, who sang "The Music Of The Night" in Act One. As Charles Hart had not yet become involved in writing the song, in places the lyrics
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now understands how much Claudin loved her and how much he was devoted to her singing career. She leaves the room and joins her adoring fans outside. The film ends with Anatole and Raoul going off to dinner together. Universal first announced a remake of "The Phantom of the Opera" in 1935. This version would have been set in contemporary Paris, and would have portrayed the Phantom as a psychologically wounded World War I veteran who was physically unharmed, but imagined that he was disfigured. The screenplay lingered in development until 1941, when Henry Koster was brought on board to
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Broadway company of "The Phantom of the Opera" as Christine and reunite with her former "Little Mermaid" co-star Norm Lewis as the Phantom (who made history as the first African-American actor to play the title role in the Broadway cast). They began their runs on May 12, 2014. Boggess concluded her run as Christine on September 6, 2014 and was replaced by Christine alternate Mary Michael Patterson. After completing her role in "Phantom of the Opera" with Norm Lewis, Boggess returned to her alma mater Millikin University to perform a benefit concert featuring the Class of 2015 BFA Musical Theatre
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is heard ("Poor Fool, He Makes Me Laugh"). In the ensuing chaos, Christine escapes with Raoul to the roof, where she tells him about her subterranean rendezvous with the Phantom. Raoul is skeptical, telling her that what she experienced was just a dream ("Why Have You Brought Me Here?/Raoul, I've Been There"). Seeing Christine's fear is real, he swears to love and to protect her always. They acknowledge their love for each other as Christine and Raoul return to the Opera House ("All I Ask of You"). The Phantom, who has overheard their conversation, is heartbroken and accuses Christine of
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the 1943 film version, she is Mme. Biancarolli who has been drugged by the Phantom and murdered along with her maid when she tries to force him to take off his prop mask. In Andrew Lloyd Webber's production, Carlotta (last name Giudicelli) is from Italy and is one of the major singing parts. The opera company's prima donna, she despises Christine Daaé and sees the younger woman as a threat to her job and Phantom´s courtesan, when Christine achieves prominence due to the Phantom's dirty tricks. Carlotta and tenor Ubaldo Piangi are lovers; she often turns to him for consolation
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cameras, but are unsuccessful due to the Phantom’s ability to seemingly appear in multiple places at once. While being chased briefly by the Phantom, Shaggy and Scooby notice the Phantom had a strange lemon scent and afterwards, the gang split up to search for clues. Fred and Daphne meet the owner of the opera house, Mel Richmond. They learn from Richmond that a Phantom once terrorized the opera house thirty-five years ago when it was a disco. The dress rehearsal commences the next day. Fred and Daphne meet Emma’s parents, who are hoping to get the prize money to save
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Floating High Above"). Christine leaves and the Phantom attempts to throttle Raoul, but is disturbed by a Grave Digger, and runs off. Back at the Opera House, the unfortunate Richard has had to stand by while his son pursues the chorus girl Christine Daae, and now must convince his diva Carlotta, who feels she is too ill to perform, to sing at the performance later that evening, with the help of his staff ("She Says She's Got The Nodules"). An agreement is made that Christine Daae will sing the role, while Carlotta mimes the act. This wasn't what the Phantom
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opera house is believed to be haunted by an entity known as the Phantom of the Opera, or simply the Opera Ghost. A stagehand named Joseph Buquet is found hanged and the rope around his neck goes missing. At a gala performance for the retirement of the opera house's two managers, a young little-known Swedish soprano, Christine Daaé, is called upon to sing in the place of the Opera's leading soprano, Carlotta, who is ill, and her performance is an astonishing success. The Vicomte Raoul de Chagny, who was present at the performance, recognizes her as his childhood playmate and
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Slim Jim Phantom James McDonnell (born March 21, 1961), known by the stage name Slim Jim Phantom, is the drummer for Stray Cats. Alongside band mates Brian Setzer and Lee Rocker, he spearheaded the neo-rockabilly movement of the early 1980s. Phantom currently plays in the band Kat Men with Imelda May guitarist Darrel Higham. Born in Brooklyn and raised in Massapequa, New York, Phantom grew up listening to his parent's jazz records and began playing drums by the age of ten. He took lessons with Mousie Alexander, who played with Benny Goodman, studying jazz and working through books by Jim
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appearance, but his rage and willingness to kill. Raoul arrives, the Phantom threatening to kill him unless Christine weds him. Christine, pitying the Phantom, kisses him. Moved by her kindness, the Phantom allows the lovers to flee. Before leaving, Christine gives the Phantom her ring in remembrance. The Phantom finds comfort in the papier-mâché monkey, but vanishes as the mob appear, Meg finding his discarded mask. In 1919, the elderly Raoul visits Christine's gravestone, placing the monkey before it. Before leaving, he notices a freshly laid rose with Christine's ring attached to it, implying the Phantom is alive. Warner Bros.
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("The Music of the Night"). Overwhelmed, Christine faints and the Phantom carries her to a bed and expresses his adoration for her. As the Phantom composes music at his organ ("I Remember"), Christine awakens to the sound of the monkey music box. She slips up behind the Phantom, lifts his mask, and beholds his face. The Phantom rails at her, damning her for her curiosity as Christine hides herself in fear. The Phantom ruefully expresses his longing to look normal—and to be loved by her ("Stranger Than You Dreamt It"). Christine returns the Phantom's mask to him and the Phantom
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Ramin Karimloo Ramin Karimloo (; born September 19, 1978) is an Iranian-Canadian actor and singer, recognised mainly for his work in London's West End. He has played the leading male roles in both of the West End's longest running musicals: the Phantom and Raoul, Vicomte de Chagny in "The Phantom of the Opera", and Jean Valjean, Enjolras, and Marius Pontmercy in "Les Misérables". He also originated the role of the Phantom in Andrew Lloyd Webber's "Love Never Dies", which continues the story of "The Phantom of the Opera". He made his Broadway debut as Jean Valjean in the 2014 revival
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January 29, 2017. Ramin Karimloo Ramin Karimloo (; born September 19, 1978) is an Iranian-Canadian actor and singer, recognised mainly for his work in London's West End. He has played the leading male roles in both of the West End's longest running musicals: the Phantom and Raoul, Vicomte de Chagny in "The Phantom of the Opera", and Jean Valjean, Enjolras, and Marius Pontmercy in "Les Misérables". He also originated the role of the Phantom in Andrew Lloyd Webber's "Love Never Dies", which continues the story of "The Phantom of the Opera". He made his Broadway debut as Jean Valjean in
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entitled "Don Juan Triumphant" and demands that it be produced with Christine (who is now secretly engaged to Raoul) in the lead role, and he warns of dire consequences if his demands are not met. Noticing an engagement ring on a chain around Christine's neck, the Phantom angrily pulls it from her and vanishes in a blinding flash of light ("Masquerade/Why So Silent"). As the masquerade attendees scatter in fear, Raoul accosts Madame Giry and demands that she reveal what she knows about the Phantom. Giry reluctantly explains that the Phantom is actually a brilliant scholar, magician, architect, inventor, and
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of Manhattan" is narrated by an ailing Madame Giry, and set in the early 1900s. Famous individuals of the time, such as Theodore Roosevelt, make appearances. The 2010 stage sequel to the musical "The Phantom of the Opera", "Love Never Dies", is based partly on "The Phantom of Manhattan". "The Phantom of Manhattan" tells its story from the viewpoint of several characters. On her deathbed, Madame Giry confesses to a priest of when she took her daughter Meg, then six years old, to a fair. Madame Giry felt sorry for a young boy with a disfigured face who had been
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Madame Giry Madame Giry is a fictional character from Gaston Leroux's 1909 novel "The Phantom of the Opera". She is a fairly intermediate character in the novel, although her role is much increased in the Andrew Lloyd Webber musical. This article will deal with both versions separately. Madame Giry is also a character in the musical Love Never Dies, a sequel to The Phantom of the Opera. Madame Giry is an aging woman who works as a concierge in the "rue de Provence", who looks after patrons of the Opera, principally those who sit in the boxes. One night, whilst
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followed the chandelier crash. However, an unseen jealous Phantom perching on the statue of Apollo overhears them. Raoul plans to whisk Christine safely away to London following the next performance. As they leave the roof, the mysterious man with the fez approaches them. Aware that the Phantom is waiting downstairs, he leads Christine and Raoul to another exit. The following evening, Raoul meets Christine in her dressing room. She has heard the voice of the Phantom, who has revealed that he knows their plans. Raoul has arranged for a carriage and reassures her nothing will go wrong. During the performance,
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of the world premiere of "Don Juan Triumphant" when the enormous chandelier adorning the domed ceiling of the auditorium plunges into the middle of the stalls and kills several members of the audience. The player takes the role of Raoul Montand, a detective from the Sûreté and patron of the Opera. The manager, Monsieur Brie, suspects the Phantom may be the cause and has Raoul investigate. Raoul encounters the leading actress of the show, Christine Florent, who has received a note from the Phantom which threatens her. Some time later, Christine is found strangled by the Phantom. Raoul goes to
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are not met ("Notes"). Firmin and André assure the furious Carlotta that she will remain their star and Christine will play the Pageboy, a silent role ("Prima Donna"). The première of "Il Muto" initially goes well, until the voice of the Phantom suddenly cuts through the performance, enraged that Box 5 was not kept empty for him as he had directed. As Christine whispers that she knows the Phantom is near, Carlotta reminds her that her role is silent, calling her a "little toad". The Phantom states that it is Carlotta who is the toad and reduces the diva's voice
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Holmes develops several theories as to the Phantom's identity. His first idea is that he is an employee of the Opera; however, when the Phantom's knowledge of the Opera becomes evident, Holmes then believes that he is Charles Garnier, having faked his own death. When Garnier's corpse is identified, Holmes then theorizes that the Phantom was Edouard LaFosse, the (fictional) assistant of Garnier who designed much of the Opera's interior and who allegedly died after a building collapse. Holmes theorizes that he did not die, but was merely disfigured and therefore took to hiding in the Opera. However, when Holmes
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John Owen-Jones John Owen-Jones (born 5 May 1971) is a Welsh musical theatre actor and singer, best known for his portrayals of Jean Valjean in Alain Boublil & Claude-Michel Schönberg's "Les Misérables" and of The Phantom in Andrew Lloyd Webber's "The Phantom of the Opera". He most recently appeared as Valjean on the 25th Anniversary Tour of "Les Misérables", and as The Phantom in The Phantom Of The Opera UK Tour, as part of the 25th anniversary celebrations. He has now recorded three studio albums. Owen-Jones was born in 1971 and originates from Burry Port in Carmarthenshire. He was educated
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like a grasshopper. One of them will save Raoul's life, but at the cost of Christine marrying Erik, while the other will blow up the barrels in the chamber Raoul and Ledoux are trapped in, in effect destroying the Opera House and killing them all. Christine picks the scorpion, but it is a trick by the Phantom to "save" Raoul and Ledoux from being killed by drowning them. Christine begs the Phantom to save Raoul, promising him anything in return, even becoming his wife. At the last second, the Phantom opens a trapdoor in his floor through which Raoul and
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his eye sockets black, giving a skull-like impression to them. He also pulled the tip of his nose up and pinned it in place with wire, enlarged his nostrils with black paint, and put a set of jagged false teeth into his mouth to complete the ghastly, deformed look of the Phantom. When audiences first saw "The Phantom of the Opera", they were said to have screamed or fainted during the scene where Christine pulls the concealing mask away, revealing his skull-like features to the audience. Chaney's appearance as the Phantom in the film has been the most accurate depiction
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backstage and the opera house plunges into chaos. An angry mob, vowing vengeance for the murders of Buquet and Piangi, search for the Phantom. Madame Giry tells Raoul how to find the Phantom's subterranean lair and warns him to beware the magical lasso. ("Down Once More/Track Down This Murderer"). Down in the lair, the Phantom has compelled Christine to don a wedding dress. In a moment of epiphany, she explains that she is not fearful of his physical appearance, but rather his inner nature. Raoul reaches the lair and attempts to persuade the Phantom to spare Christine and begs him
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Christine angrily defends herself, explaining that she is his victim just like everyone else. Raoul, knowing of the Phantom's obsession with his fiancée, asserts that the Phantom will attend the opera's première and begs a reluctant Christine to help lure the Phantom into the trap, but she refuses ("Notes/Twisted Every Way"). During rehearsal, Piangi is unable to sing his part in the new opera, causing frustration and chaos for everyone. The piano suddenly begins to play the piece by itself (having been possessed by the Phantom) and the entire company immediately sings the proper notes in unison. Torn between her
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Have You Brought Me Here?/Raoul, I've Been There"). Raoul is skeptical but promises to love and protect her, and Christine reciprocates his vow ("All I Ask of You"). Christine and Raoul go back inside, unaware that the Phantom has overheard their entire conversation. The heartbroken Phantom angrily vows revenge before returning to the auditorium and bringing down the chandelier during the curtain call ("All I Ask of You (Reprise)"). Six months later, during a masquerade ball, the Phantom makes his first appearance since the chandelier disaster, in costume as the Red Death. He announces that he has written an opera
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The Phantom of the Opera The Phantom of the Opera (French: Le Fantôme de l'Opéra) is a novel by French writer Gaston Leroux. It was first published as a serialization in "Le Gaulois" from 23 September 1909, to 8 January 1910. It was published in volume form in late March 1910 by Pierre Lafitte. The novel is partly inspired by historical events at the Paris Opera during the nineteenth century and an apocryphal tale concerning the use of a former ballet pupil's skeleton in Carl Maria von Weber's 1841 production of "Der Freischütz". It has been successfully adapted into various
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relaunched in June 2009, as part of a new Big Finish Classics series of literary adaptations tentatively planned for 2010-2012. Opera sequences sung by Linda Richardson and Matthew Hargreaves. Music by Tim Sutton Violin by Ruth Rogers Sound design by Matthew Cochrane CD & booklet design by Alex Mallinson Written, directed and produced by Barnaby Edwards Duration: 2 hours The story was recorded on 24 and 25 September, and 4 and 12 October 2007, and released on CD in March 2008. The Phantom of the Opera (audio drama) The Phantom of the Opera, an adaptation of the novel of the
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Carlotta (The Phantom of the Opera) Carlotta is a fictional character from Gaston Leroux's 1909 novel "The Phantom of the Opera". In the novel, she is a minor character hailing from Spain. The first time that she is mentioned in the novel is during the chapter "The New Marguerite", where it is revealed that she could not perform at the ceremony for the former managers. Later in the novel, she is threatened by Erik that if she performs at the Opera House "a great misfortune will strike". She shrugs the warning off and performs anyway. When she does, however, croaking
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to loop Chaney's dialogue, but voiceovers by the Phantom were looped over shots of his shadow. (The voiceovers are uncredited, but were probably done by Phillips Smalley.) Because Chaney's talkie debut was eagerly anticipated by filmgoers, advertisements emphasized, "Lon Chaney's portrayal is a silent one!" The sound version of "Phantom" opened on February 16, 1930, and grossed another million dollars. This version of the film is lost, although the soundtrack discs survive. The success of "The Phantom of the Opera" inspired Universal to finance the production of a long string of horror films such as "Dracula", "Frankenstein", "The Wolf Man",
The Phantom of the Opera (1925 film)