who sings i just want to be okay
Ingrid Michaelson
12620759
titled “ (Earth Is) Not OK “ with similarly altered lyrics describing effects of climate change and hurricanes sung from the perspective of the earth. Two versions of the music video debuted through the Stand Up to Cancer Foundation. One version debuted through BORDERS, while the other debuted on the Stand Up to Cancer website and featured the acoustic version. Be OK (Ingrid Michaelson song) "Be OK" is the first single from Ingrid Michaelson's third studio album, "Be OK". The song was used in the films "The House Bunny" and "The Decoy Bride", in Season 1, episode 7 of "90210",
Be OK (Ingrid Michaelson song)
18842181
just express myself. I don’t want to be in the same place all the time, in my comfort zone. If I have problems, I don’t want to dwell on them kasi they will just make me sad. I want to be surrounded by positive and happy people and that’s why the songs I had picked for my album were also positive and happy at walang lungkot-lungkutan kasi parang ‘pag puro emo (songs), it’s not okay all the time. I also want to tell people that the message of my songs will remind them to be happy always, that life goes
Chinita Princess
14232348
freest Internet on earth, communicate at low cost, and salve the pains in daily life with the game. It’s just like this, but they, for the sake of interests, they are exploiting in every possible way… "We are so accustomed to silence, but silence doesn’t mean surrender. We can’t stop shouting simply because our voices are low; we can’t do nothing simply because our power is weak. It’s okay to be chided, it’s okay to be misunderstood, it’s okay to be overlooked. But it’s just I no longer want to keep silent." After this "cri du cœur" Kannimei reverts to
War of Internet Addiction
13690328
just one album out of many more that we are going to make in our career. When I heard that, I was like, okay, cool, well that’s a great way to think of it. We’re just trying something and this is just one record out of many more. When I heard that, I was fine with it." On August 14, 2009, MTV confirmed that the first single, "(If You're Wondering If I Want You To) I Want You To", was to be released on American rock radio on August 25. The track leaked less than a week after the announcement,
Raditude
5415872
an amalgam of the band's interests, "including drugs ... nubile wenchhood ... scrapes ... and touring". "The Washington Post"<nowiki>'</nowiki>s Harrington, however, called Robinson "convincing when he sings [in 'Virtue and Vice'], 'I feel so alive today and that's all I want to say/ I hope it stays this way,' adding, 'If not, I'll be okay'". The Black Crowes played a few shows in the eastern US in early January before the release of "By Your Side", then spent the rest of the month promoting the album via television appearances in the US, Canada and Europe. A brief warm-up show in
By Your Side (The Black Crowes album)
16177129
it is a "slightly more subdued, but equally dancefloor/radio-ready follow-up". Tim Byron from "The Vine" stated, "When [Sia] sings the chorus, phrases like 'I heard' and 'if I took you home' speak of uncertainty. She likes the idea of wildness, but isn't certain how it will go. Flo Rida's role in the song is to convince her that she actually does want to be a wild one, to convince her that it is okay to let go, to obliterate herself." The song was nominated to the Grammy Award for Best Rap/Sung Collaboration at the 2013 Grammy Awards. The song made
Wild Ones (song)
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sums up its theme thus: "Okay, I'm an asshole, but love me anyway." In "Mean", she sings, "It was good in the beginning/but how did we get so mean?" The song that Moore is the most proud of is "Crystal Ball". She said about the track: "I recorded it in one take and we didn't mix it. It just went straight to master. It was all about a vibe and not about perfection or being polished. I just love that song and I loved recording it." She wrote the song with Billy Mann, who also aided her with the songs
Funhouse (Pink album)
18260968
the works of Perry and wrote that the "funk-guitar licks zip across a spry, sun-drunk groove as Levine sings..." Lyrically, Levine sings the lines to his romantic interest, "I just wanna be there where you are/And I gotta get one little taste". The song's lyrics use the word "sugar" to describe coitus. Jon Caramanica of "The New York Times" wrote that on the Levine sounds most lecherous while singing the lyrics "I want that red velvet, I want that sugar sweet." According to him "he croons so cleanly it's possible to imagine that he is truly singing about cake." In
Sugar (Maroon 5 song)
4564657
religion, and our way of life, it’s not about terrorism. It’s about fighting for God’s law, and America’s brought it upon themselves". Offering some insight into his tendency to make controversial comments in the media, Mundine stated that "If you want to toe the line, if you want to be some corporate guy and say the right things, do the right things, you might be okay in the media's eye, but it won't be real for me." Mundine later claimed he was taken out of context stating: "Those comments were just spun around like I was clapping my hands. I
Anthony Mundine
12512710
had to tone herself down, as she was "going through a little angry phase, getting in touch with my inner whore." The lyrics were deemed "bitter" by "Billboard". "Cryin' for the Queen" was widely interpreted as a criticism of Amy Winehouse. However, NPR's Marc Hirsh commented that "the issue isn't that New York is so much flyer than London, so much as that Winehouse's trainwreckery has squandered whatever goodwill she once claimed in the colonies." In a 2008 interview with VH1, Coppola stated "I don't want her to die; I just want her to be okay. I struggled a very
The Stoop (album)
13711985
with a musical single of the same name. Haley sings and plays acoustic guitar and piano. In a November 2009 interview, he said about being an independent musician, "I don’t want to be developed. You know I have a really clear idea of what I want to do and how I want to sound and how I want look. But you just can’t really compete with the marketing machine of a main label." He registered his own music label in December 2009, Sunshine Rebel Records. He releases his own music for sale via iTunes and eBay, and posts YouTube videos
Cassidy Haley
14223422
Fm—A♭—E♭—D♭. It was conceived after Shontelle stated that she felt that radio was currently missing a "heartbreak ballad". In an interview with "J-14" magazine she said "I knew that there was no song out there for heartbroken people. I just wanted to put a song out that gave people hope - things may not work out the way you want them to, but you can move past it and everything is gonna be okay... [I want to help listeners] draw the strength to carry on past a break up where you're the one in the embarrassing position." Shontelle uses a
Impossible (Shontelle song)
16078487
July 2012, and the album was released on October 12. Vic Cardinali from music site Play It on Repeat said of the song, "It's a feel good, bright, upbeat dance pop song about being happy about what you've got in life [...] Guy easily sings over a bright, sparkling beat that I personally cannot help but move to (I tried. I really just sat here and said 'No. I'm not going to move.' — and found myself bobbing my head and hips back and forth)." Ellen Wapstra from [V] Music wrote, "Okay, if you need a pick-me-up this should do
Don't Worry Be Happy (Guy Sebastian song)
16453775
being "pedestrian". Lesley Gore Sings of Mixed-Up Hearts Lesley Gore Sings of Mixed-Up Hearts, also known as Sings of Mixed-Up Hearts, is an album by Lesley Gore. It was released in 1963 as the follow-up to her debut album "I'll Cry If I Want To". Allmusic critic Richie Unterberger considers "Lesley Gore Sings of Mixed-Up Hearts" to be better than "I'll Cry If I Want To" and an "above average" though not excellent 1963 pop/rock album. Unterberger cites as a reason for being preferable to "I'll Cry If I Want To" that "Lesley Gore Sings of Mixed-Up Hearts" avoids the
Lesley Gore Sings of Mixed-Up Hearts
16453773
Lesley Gore Sings of Mixed-Up Hearts Lesley Gore Sings of Mixed-Up Hearts, also known as Sings of Mixed-Up Hearts, is an album by Lesley Gore. It was released in 1963 as the follow-up to her debut album "I'll Cry If I Want To". Allmusic critic Richie Unterberger considers "Lesley Gore Sings of Mixed-Up Hearts" to be better than "I'll Cry If I Want To" and an "above average" though not excellent 1963 pop/rock album. Unterberger cites as a reason for being preferable to "I'll Cry If I Want To" that "Lesley Gore Sings of Mixed-Up Hearts" avoids the self-pity theme
Lesley Gore Sings of Mixed-Up Hearts
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produced by Don Cannon, is a modern hip-hop soul. On the song, Ross glides smoothly over the beat, while Estelle sings about how she's unsure about committing to a new man because she just got out of a relationship and doesn't want to get hurt again. "I just wanna love you baby, I don't wanna waste no time," she sings. "I wanna be your only one baby, please don't break my heart." The song "International (Serious)" featuring Chris Brown and Trey Songz is about Estelle's living the life as an international jet-setter. The clunky, apocalyptic track finds her dipping into
All of Me (Estelle album)
11753972
wanted to be a ska band. It's just that our friends, who wanted to play horns, wanted to play with us. So it was like, 'Okay, we'll be a ska band.' It wasn't like a conscious decision." The three friends ultimately left the band in 2001 and, after going through several replacement bassists, David and Seth settled on their sister, Lee Marie, a year later. Now adopting a punk rock sound, the band recorded their first EP, "Places I Don't Want To Go", in 2004 to sell at local shows. Around the same time, the band entered the local Club
Children 18:3
16430079
Castor), a student from another school, who helps him choose a song. The two exchange telephone numbers, and later Chandler sends flirtatious text messages to Kurt, who responds to them positively. Kurt sees the exchanges as innocent, but his boyfriend Blaine (Darren Criss) sees it as cheating. The two get into an argument, and Blaine sings "It's Not Right but It's Okay" to express his feelings. Later, Kurt and his father Burt (Mike O'Malley) discuss Kurt's future in New York. Burt tells Kurt that he misses the boy that Kurt used to be. Kurt then sings "I Have Nothing" to
Dance with Somebody (Glee)
2566162
and three people own it, and then two people say 'Okay, we don’t want to work like this anymore. It's just two of us now,' normally, they break down the stock and pay off the third person". In 1981 he performed at the Woodstock Jazz Festival, held in celebration of the tenth anniversary of the Creative Music Studio. In 1984 he collaborated with Stanley Clarke. In 1988 Vitouš moved back to Europe to focus on composing, but nonetheless continued to perform in festivals. In 2001, Vitouš reunited with Corea and Haynes (as the "Now He Sings, Now He Sobs" trio)
Miroslav Vitouš
12968349
having the oldest person in the world there." Another villager, Gulbahor Umarov, said "This house is full of guests. People just want to visit Momo, talk to her, to learn the secrets of longevity. Representatives of the World Health Organization came to visit." She had more than 100 descendants during her lifetime. "I lost count of grandchildren, great-grandchildren, great-great-grandchildren", she said before her death in March 2015. "I just say, 'May they be healthy!' Sometimes I confuse their names, but that's okay, as long as they are healthy," She died on 28 March 2015, four days before Misao Okawa, the
Tuti Yusupova
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man shouldn’t raise another man’s kids!” In discussing the album, Trick Trick remarks that “Homosexuals are probably not going to like this album. But it's okay, I don't want their faggot money any goddamn way. It’s just that every time that you turn on the TV, that sissy shit is on, and they act like it's fucking okay...and I address that issue. I address it hard as hell.” In response to this attack on the gay community, AllHipHop.com posted an article on November 13 where various gay and lesbian hip-hop musicians responded in a variety of different ways. The Villain
The Villain (album)
2719408
appeared to have suffered no serious injuries, but within minutes he suddenly said to no one in particular, "I don’t want to die. I don’t want to die." LaBove later said, "it was as if he was having a conversation, talking to someone else, some unseen person." Then there was a pause as if Kinison was listening to the other person speak. Then he asked "But why?" and after another pause LaBove heard him clearly say: "Okay, okay, okay.’ LaBove said, "The last ‘okay’ was so soft and at peace ... Whatever voice was talking to him gave him the
Sam Kinison
1439843
(e.g., "OK, boss. ok, bye."). Rarely pronounced /ɔk/ these days, except by young children encountering dialog boxes for the first times. In the Philippines "okay lang" is a common expression, literally meaning "just okay" or "just fine". Sometimes spelled as "okey". In Malay, it is frequently used with the emphatic suffix "lah": OK-lah. In Vietnamese, it is spelled "Ô kê". In India, it is often used after a sentence to mean "did you get it?", often not regarded politely, for example, "I want this job done, OK?" or at the end of a conversation (mostly on the phone) followed by
OK
16438198
Burke revealed that her earlier idea of having a features on the album was scrapped after; "making the track listing for the album, I can kinda of liked the fact that all of a sudden my feel for having a duet went. I was like 'you know what', I want people to hear what I've been doing. And on the first album I had quite a few duets and this time around I was like 'okay', I just want to do it by myself. And that's not to say that were going to have some for the future. But, right
Heartbreak on Hold
4576445
would be] a full-blown Grandaddy record, and I like the idea of that. I'd like to give it a shot." In early 2013, Lytle elaborated: "I love the idea of making another Grandaddy record, but I wouldn't want it hanging over my head like 'Okay, you made this record, now are you guys going to get out there and tour in support of it?' ... I'm hoping for this dream scenario where I can make Grandaddy records every so often and not have all this messy stuff that goes along with it. I already did that and it's just not
Grandaddy
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songs on the album, the lyrics work well as a reflection of the general human condition as well as the specific incident that occurred on September 11. The narrator of the song is attempting to deal with the loneliness due to the loss of his (or her) beloved. The narrator sings that "It's going to be okay/If I can just get through this lonesome day." But although the narrator now grieves the loss, he realizes that he did not really know his beloved that well and he acknowledges that he had been less than perfect in his relationship with the
Lonesome Day
7851519
be free." - and "have balance in life". Of the instrumentation, Furtado said: "I get to see a lot of DJ-oriented performance stuff, and I'm into the heaviness of breakbeats, how raw and powerful they are. Everything lately has become so synthesized, but just the standard sound of breakbeats is inspiring. 'Powerless' uses breakbeats like that; it's a real groove, a real vibe. It just carries you away. There’s a banjo mixed with a breakbeat from elements of Malcolm McLaren's 'Buffalo Gals.' So right away you're bobbing your head. The lyrics are initially in-your-face, like, 'Okay, I know I'm going
Powerless (Say What You Want)
1383317
pay a personal price. My kids are too old, and my grandchild is too young. You're not going to pay a particular price, as I understand it, within immediate family. So who pays the price? The American military and their families, and I just want to bring us back to that fact." The "New York Post" and White House Press Secretary Tony Snow called Boxer's statement an attack on Rice's status as a single, childless female and referred to Boxer's comments as "a great leap backward for feminism." Rice later echoed Snow's remarks, saying "I thought it was okay to
Condoleezza Rice
18735956
He was the first one auditioned who didn’t sound like he was doing a stage play; and he didn’t sound like he was doing a period piece or something either. He just talked like a real person and I said "Okay this is the guy!" In 2011 it was announced Shea would remake the movie: I’ve made it now into much more of a love story. I love the new script. I think the new script is much better than the old one. It’s much more of a progression of two people over the course of a night who want
Dance of the Damned
19307041
interview, Trainor stated "I want to be better at being single [...] it's a big anthem for helping young teens, young girls, who are growing up and need to know that it's okay that you don't need a man. You can go out with your girls and have just as much fun". "No" has been noted to showcase a more grown-up and "in-charge" side of Trainor compared to her previous work. Its lyrics involve themes about telling a "pushy guy" to "back off". She went into the studio wanting to write a "big, angry anthem", but described the final product
No (Meghan Trainor song)
8812035
4:50, Warnes' 1987 recording contains five verses, compared to Cohen's six, only the first two of which it shares with Cohen's recording of 1988. In the three remaining verses, which are unique to her version of the song, Warnes sings: <poem>There ain’t no cure for love There ain’t no cure for love No pill no drug It’s all been cut with stuff I can’t get nothin' done Can’t be with anyone I don’t want your brother love I want that other love Ain’t no cure for love I don’t expect a medal Just because the scene got rough And I
Ain't No Cure for Love
14324603
track "Do My Thang", which is an ode to individuality and uniqueness, also works as a girl power anthem, with each singer strongly declaring her independence: "You don't know where I'm going and so you think I'm lost, I ain't on your page, okay, so to you that means I'm off," Estelle sings, before Janelle chimes in with the line: "When I dance, I dance to the beat of a drummer you don't hear and can't see ... the problem must be you, and not me." "Wonderful Life" is a positive jam, as Estelle sings about trying to find the
All of Me (Estelle album)
12381984
single "I Don't Want to Miss a Thing". On August 31, 2008, Nina performed the song again on "ASAP '08" together with "Pinoy Dream Academy" scholar Liezel Garcia. She performed on "MYX Live!", hosted by Jett Pangan, singing eight songs from the album, including the two singles. The episode aired on April 22, 2009. It is considered to be her second album to reach Gold certification in just one week, following her 10x Platinum third effort, "Nina Live!". Disc 2: "Nina Sings the Hits of Diane Warren" (Minus One) Credits were taken from "Titik Pilipino". Nina Sings the Hits of
Nina Sings the Hits of Diane Warren
1297326
trends have influenced my work, but so has my own scene." In 1996, he said of his partnership with Asher: "none of us looked back ... We went forward, kind of like on our own little wavelength. It wasn't like we were thinking, 'Okay, let's beat Spector,' let's out-do Motown.' It was more what I would call exclusive collaboration not to specifically try to kick somebody's butt, but just to do it the way you really want it to be. That's what I thought we did." "Pet Sounds" is sometimes considered a Brian Wilson solo album in all but name.
Pet Sounds
5707256
kill Gwen Stacy,' I said, 'Well, if that's what you want to do, okay.' All I wanted to do was get them out of the office so I could finish packing and get out of there. ... and when I came back and found out that Gwen had been killed, I thought 'Why would they do that? Why would Gerry write anything like that?' And I had to be reminded later on that I had perhaps reluctantly or perhaps carelessly said 'Okay' when they asked me." In the comic book collection "The 100 Greatest Marvels of All Time: #9-6" ("Amazing
The Night Gwen Stacy Died
12976416
her husband are just as bumpy now as they used to be. Lamenting, Betty Jean sings "I Only Want to Be With You". At the conclusion of her song she notices her husband spending time with Judy Carter. She sings "That's When The Tears Start" followed by "It's My Party". Cindy Lou attempts to comfort her, but Betty Jean is still angry with her about the events which took place in high school. It's Cindy Lou's turn to perform next and she apologizes to Betty Jean as best she can before talking about her lack of luck in Hollywood, which
The Marvelous Wonderettes
16097890
waiting for Hurley. Again he started, "You gotta believe me, I didn't mean it." "Please Yogi, not now", said Hurley, "It's been a hot game, and I'm tired. I want to go take a shower. Forget it." "Okay", said Berra. "But I'll be right here when you come out." Thirty minutes later in the deserted park, there stood Berra when Hurley came out with the others. "All I want to tell you", said Yogi, is that I didn't mean to bump you. I want you to say you believe me." "I believe you"', said Hurley. "We're friends?", said Berra. "We're
Eddie Hurley
20378824
written and produced by Rick Bonadio, and has verses in Spanish (mira que bella), and even portunhol ("una bela luna siempre vai brilhar") (a beautiful moon will always shine). The song begins with all the girls singing, "Quero uma noite pra bailar o zouk, Um grande amor e um belo luar..." (I want a night to dance the zouk, A great love and a beautiful moonlight ...). In the pre-chorus, Luciana sings, "Quero tanto estar contigo só mais uma vez, E poder bailar o zouk como a primeira vez." (I want so much to be with you just one more
Brilha La Luna
1351068
accept Lynch’s offer, he initially found the experience to be a stressful one. "At first it was like the most high-pressure situation ever. He (Lynch) would describe a scene and say, 'Here's what I want. Now, there's a police car chasing Fred down the highway, and I want you to picture this: There's a box, okay? And in this box there's snakes coming out; snakes whizzing past your face. So, what I want is the sound of that – the snakes whizzing out of the box – but it's got to be like impending doom.' And he hadn't brought any
Nothing Records
6270277
in Europe was that I looked very different, I had very short hair—I had really a kind of gay look in a way. I think I was trying to tell people I was okay with it [being gay], I just really didn't want to share it with journalists. The album I made in the middle nineties called "Older" was a tribute to Anselmo, really; there was a dedication to him on the album and fairly obvious male references. To my fans and the people that were really listening, I felt like I was trying to come out with them." Michael
Older (album)
17939106
to know why thousands of people all over my country are on the streets. There is only one reason: We want to be free from a dictatorship. We want to be free from the politicians who work only for themselves, who are ready to shoot, to beat, to injure people just for saving their money, just for saving their houses, just for saving their power. I want these people who are here to have dignity, who are brave, I want them to live a normal life. We are civilized people, but our government are barbarians … We want to be
Yulia Marushevska
10833573
sings the racy jazz tune "I Don't Want to Get Married." Her second song "Ain't Nobody's Business What I Do" is likewise racy, about the joy of carousing and cheating: "If I feel like going out and having some fun/ With some young cat who looks like he might be my son/ That ain't nobody's business what I do." The act of Warren Patterson & Al Jackson sing Jule Styne & Sammy Kahn's "I Believe," Warren leading off and Al doing his part as a Louis Armstrong impersonation. Then Al sings the Fats Waller classic "Ain't Misbehavin" as Warren tapdances.
Killer Diller (1948 film)
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track." The seventeenth and final track on the Japanese deluxe edition of the album "Scary" is another up-tempo dance song that finds Spears on the prowl. 'I just want your body, and I know that you want mine,' she sings. As the chorus opens up, Britney reveals the extent of her lust: "It’s scary, yeah / I think I need some hypnotherapy / I want you so bad it’s scary.” "Femme Fatale" was released on March 25, 2011 in Europe and Oceania and four days later in the United States through Jive Records; both standard and deluxe editions were released.
Femme Fatale (Britney Spears album)
12381979
that she was doing. On an interview with the entertainment press at Red Box, Nina defended herself in the following statement: It's fulfilling to sing any song, maybe a cover or an original song, just the fact that I'm singing is fulfilling enough. She further expressed about not worrying on being a typecast as a singer known for reusing previous hits, saying that the reason on why she keeps on releasing covers is because of her fans. They were the ones who requested it. Nominations "I Don't Want to Miss a Thing" was released as lead single, alongside "Nina Sings
Nina Sings the Hits of Diane Warren
17301327
in her recent MTV doc (), that she chose it to be her album's first single: 'Not everyone came to me and said okay, you've got the first single. I had to say no, I know this is it and I'll go to battle if I have to, against anyone who doesn't believe in it. Now I have this freedom to do whatever I want, because people trust me.' She was right about this one. The song's straightforward party is now tied to a sordid universe of visuals- the official video and the VMA performance." Common Sense Media gave the
We Can't Stop
16155174
in an interview with AOL Music, "Enrique really made the record amazing, he added just the right amount of sexy and of course sounded great! Working with him was an awesome experience, shout out to all my fellow Latinas y Latinos out there!" Its chorus includes both the singers singing, "So I don’t care what they say it’s our life, life, life / We can dance if we want make it feel alright / Temperature’s rising I feel on fire / Tonight it’s just me and you". Dev breaks up & sings, "Tell me, baby, will you be here when
Naked (Dev and Enrique Iglesias song)
17633842
really unique and she sings the shit out of it." On November 1, 2013, Spears tweeted that she would reveal previews of "Perfume" through her Snapchat account. Along with the lyrics "I want to believe / It's just you and me / Sometimes it feels like there's three of us in here, baby / So I wait for you to call and I try to act natural / Have you been thinking 'bout her or 'bout me / And while I wait, I put on my perfume / Yeah I want it all over you", the singer also shared the
Perfume (Britney Spears song)
8066684
production and lights as we can. The seizure factor has gone way up." Speaking of the band's move to larger playing sites, he continued "It's great to be able to see everybody in a smaller place. But the same people who were there in the early days are still there for us." Speaking of fan response to album songs, he said: "[W]e also play a lot of album tracks, and the crowd sings along just as much for those. These days, you have to make an awesome album. I think we're getting back to where people want to hear real
Neil Sanderson
16405713
head like I knew you would." In the sing-a-long chorus, she sings: “I want to be your favorite song/ You can turn it up/ Turn me on all night long/ I want to be your favorite song/ La-la-la-la, la-la-la / I want to be your melody/ Going through your head when you think of me/ I want to be your favorite song/ La-la-la-la.” Meanwhile, Common’s lyrics are softhearted as he tries his hand at crooning. “Girl the songs you sing / They my favorite things / You stay in my dreams / Something so supreme,” he warbles. Later, he raps:
Favorite Song
6678371
Hamasaki and produced by CREA along with DAI. In the director notes for "Rainbow", Hamasaki explained that the song was inspired by an actual magazine photo shoot with "Free & Easy" magazine. The lyrics speak of self-empowerment and freedom. Hamasaki explained: "In 'Free & Easy', I wrote what I am feeling at the moment. In other words, I want to be a person who lives by taking responsibility for my own freedom, and I want to be a person for whom these words are perfectly applicable." The song opens with an eastern flute, and Hamasaki sings the verses with a
Free & Easy (Ayumi Hamasaki song)
18713528
round to ensure Heiland took no more punishment. Charlo spoke to Showtime's Jim Gray in the post fight interview, "Sometimes the injury can be a decoy. You never want to just jump in and think it's part of his game plan. My coach [Ronnie Shields] told me to stay behind my job like I did, continue to work and it's gonna come." The ringside doctor checked Heiland's leg before the fourth round but let the action continue. Heiland stated that his leg was okay before the fight an the injury occurred in the opening round. Charlo earned $350,000 compared to
Jermall Charlo
2719411
screen. After his death, Kinison was fondly remembered by his friends and costars. Ozzy Osbourne said, "Apparently when Sam had the accident, I heard he got out of the car and look up to the heavens and said, 'I don't want to die,' and then just said, 'Oh, okay,' and laid down and died. It sounds crazy and will probably offend a lot of my fans, but I believe there's a higher power. Some people may think Sam Kinison's in one place, but I know where he is. He's upstairs; he's next to God." On May 23, 1993, FOX aired
Sam Kinison
6552934
who will support her, not disappear when she needs him the most. She asks if he thinks the relationship is worth fighting for. "I wanna love/ I want a fire/ To feel the burn/ My desires/ I wanna man by my side/ Not a boy who runs and hides/ Are you gonna fight for me?/ Die for me?/ Live and breathe for me?/ Do you care for me?/ 'Cause if you don't then just leave," she sings. Pam Avoledo of Blogcritics wrote that "[...] Clarkson vocals fiery and smoldering. She's come a long way from American Idol where she had
Walk Away (Kelly Clarkson song)
15843792
been cast in the role of Sonny, an openly gay character—connected to a previously established family. Sonny was reported at the time to be Days first openly gay character, but in fact Sonny is the second, following Ryan Scott's openly gay Harold Wentworth who featured in the show from 2001 to 2003. Smith talked about his new role, saying: "I'm very excited to portray him"; and "I love that I can do a role like this, stand up and speak out on what I believe in. I want to show that it's okay". Smith relished in playing a role "that
Sonny Kiriakis
18034031
wrote his first song, "Rice Grain", at the age of 5. During an interview with Okay Player Chronixx spoke on his early life: "My music come from early beginnings, from childhood days. I used to sing at school, in church, and then my whole family sings. My daddy, Chronicle, caused me to be very exposed to music from a very tender age. That’s where the music started for me. Professionally now, that’s when I was in high school. I started producing. Making riddims. But the music go from then until now. When I was 15, 16 I started producing and
Chronixx
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numbers together, and I don't want names, but if you have your numbers I would like to know what your count was on capital murder.<br> JUROR NUMBER ONE: That was unanimous against that. No.<br> THE COURT: Okay, on murder in the first degree?<br> JUROR NUMBER ONE: That was unanimous against that.<br> THE COURT: Okay. Manslaughter?<br> JUROR NUMBER ONE: Nine for, three against.<br> THE COURT: Okay. And negligent homicide?<br> JUROR NUMBER ONE: We did not vote on that, sir. The trial judge noted to the attorneys that the jurors "haven't even taken a vote on [negligent homicide]... I don't think they've
Blueford v. Arkansas
19456547
"raw" guitar riffs, "soothing electronics", "snare slaps", "whooshing synths" and a "dub step-esque boom-bap." In the song, she uses her breathy vocals and "soulful crescendos of 'Make me oooh, oooh, oooh.'" Lyrically, "Make Me..." talks about demanding sexual satisfaction, with the singer "want[ing] the object of her affection to make her move," explaining that "she's on the lookout for someone to 'raise [her] roof.'" In the chorus, she sings: "I just want you to make me move like it ain’t a choice for you, like you got a job to do/ Just want you to raise my roof, something sensational.
Make Me... (Britney Spears song)
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of supporting others. The second reason the dream is important is because it is after the dream that the narrator begins to let go, just as his father had told him. How much the narrator has let go can be seen the following morning (after his dreams). It is as he is walking to work that the narrator starts to think about his family. No longer does he view them as just people who want his money but he hopes that they are doing okay (his son, mother, daughter and brother). Despite the fact that the narrator is supporting them,
Elephant (stories)
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was often angry and bitter about his condition, but as he got older, he realized that he "just ha[s] to have a sense of humor," to know "that it's not your problem. It's theirs." When asked in 2012 whether he saw himself as "a spokesman for the rights of little people," Dinklage responded: "I don't know what I would say. Everyone's different. Every person my size has a different life, a different history. Different ways of dealing with it. Just because I'm seemingly okay with it, I can't preach how to be okay with it." Dinklage has been viewed as
Peter Dinklage
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who you would want to be. This record is more concerned with trying to figure out what's real, with daring to deal with things as they actually are." "Rolling Stone" gave "Sondre Lerche" 3 out of 5 stars saying, "'To divert my mind/I try to make another love song rhyme,' Sondre Lerche sings on his sixth album. That this couplet (in "Coliseum Town") technically fails to rhyme itself is just one of many wry touches on "Sondre Lerche". The Norwegian-born singer/songwriter mixes his usual verbose confessionals with sparser production than on past efforts, sifting in raw, chilly blues ("Tied Up
Sondre Lerche (album)
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she lost the baby and Chuck may not make it. She goes to the hospital's chapel and begs God to let Chuck live, vowing to marry Louis and never speak to Chuck again. Instantly, a nurse comes and tells her that Chuck is asking for her. When she goes to see Chuck, she says, "Just because we can't be together doesn't mean I don't love you". Serena tells her it's okay if she changes her mind. Blair reveals that Dan has coming with her to church to consult with a minister about Chuck and what God would want her to
The End of the Affair?
19294997
as an academic, there were all these interesting African writers being published abroad, and they’re not available locally... So I decided, ‘okay, I’m going to start a publishing company’. Cassava Republic Press. I knew nothing, nothing nothing nothing, about publishing! I knew everything about reading and writing, but nothing about the business of publishing. 150 million people. 77 million of them young people under 30. How do we get those people reading? Those are the people I’m actually interested in converting. We want to convert minds. We want to convert them to question who they are, and also question society."
Cassava Republic Press
7040273
Luciana, where she sings about wanting to find that passion again, since she does not just stay. In the chorus, the girls sing, "Eu quero tanto seu beijo molhado Seus lábios de mel, Que me deixaram louca, Eu vou te dar um beijo molhado Eu sei que vou trazer Você pra mim." ("I want your wet kiss so much Your honey lips, That drove me crazy, I'm gonna give you a wet kiss, I know I'll bring you to me.") After the refrain, Patricia talks about not being able to sleep due to this intense passion. Fantine then sings, saying
Strawberry Kisses
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be improved, "title and cover art are okay and they do both encompass the story well enough," "I just don't see TTIJTC flying off my selves, the 'okay' packaging just does not do this book justice." The style of the book is said to be "notably sarcastic but nonetheless charming attitude." The narration is described as "entertaining." It has a very circus feel when you read this book "you can almost hear the screams from the midway rides and taste that fluffy pink cotton candy." Howard explains how "at first, it was homework," this book began as a school assignment
That Time I Joined the Circus
20670622
a little anxious. I didn't want to mess it up!" Nettles added: "But she loved it and wanted [us] to be a part of it, which is exciting. She said, 'I have a song,' and we said, 'Okay. Send it over.'" The duo found it to be an unusual experience, since they have never featured anybody on their past albums. "So we weren't really used to sorting through that and we didn't want to mess it up. We didn't tell anybody about it until we got finished and she liked it, thank God." In a video Swift posted on Instagram,
Babe (Sugarland song)
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Machine" — recorded, like many of Brown's hits, in just two takes — begins with a spoken dialogue between Brown and his band which was recreated with minor variations in live performances: Fellas, I'm ready to get up and do my thing! "(Yeah! That's right! Do it!)" I want to get into it, man, you know? "(Go ahead! Yeah!)" Like a, like a sex machine, man, "(Yeah!)" movin', groovin', doin' it, y'know? "(Yeah!)" Can I count it off? "(Okay! Alright!)" One, two, three, four! "with The JB's:" Brown would go on to re-record "Sex Machine" several times in addition to
Get Up (I Feel Like Being a) Sex Machine
1357176
the most influential Texans. When Mike Judge submitted the pilot script and drawings for "King of the Hill" to the Fox network, network executives advised him that Hank Hill should be younger than 49 years old, as Judge had described the character. Judge received a phone message from a network executive who told him that Hank's age should be 32, the same age as the network's average viewer. Judge later said, "I got all angry, and then I was like, 'Well, wait. It's just a drawing.' So I just went back with the same drawing and said, 'Okay, he's 34.'"
Hank Hill
12381975
Nina cut "I Don't Want to Be Your Friend", one of my favorite songs. I am very happy that she is now coming out with an entire album filled with the songs that I'm proud of. Hopefully, this is just the beginning of a lot of hits together," can be found on the album's sleeve. In selecting the songs, Warner and Nina wanted to include hits that are familiar to the Filipino listeners, and some of her favorites as well. They thought that people can relate more to the song, if they are familiar with it. For the arrangement, she
Nina Sings the Hits of Diane Warren
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'Thalía en Primera Fila', Mexican pop star Thalía delivers a moving ballad about a once-serious relationship that turned out to be a mistake. 'I was always wrong, and I just didn't want to see it,' she sings in Spanish. 'Because for you I gave my life/Because everything that begins also ends.' After a string of dance-pop singles that aimed for a crossover audience, it's refreshing to hear Thalía pull back and tackle a downtempo number with a classic feel, particularly in a live setting that allows her to showcase her vocals. Thalía recently posted a YouTube clip of herself in
Equivocada
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footage with him. He says, 'Okay, okay, go ahead. Give me that sound.' He wasn't doing it to intimidate me. At the same time, I had to tell him, 'David, I'm not a film-effects guy, I don't have ad clients and I'm not used to being in this environment. I don't work that way, so respect that and understand that I just need a few moments to be alone, so that I know that when I suck, no one is knowing I'm sucking and then I'll give you the good stuff.'" Reznor composed two instrumental pieces for the film under
Nothing Records
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in the 2012 video, "5-Incher". In the 2011 Bright tradeshow interview, Mullen stated, "At first, I just wanted to be able to be alright and walk okay and run. And then it was like, okay, skate again and now it's like 'Yeah, I can do something new!'. So, if I can do that, then I'll film. If I can't, then I'll keep my skating private." Both the skateboard media and in responses from Almost indicate that a full part from Mullen is scheduled for release following "5-Incher"—Mullen was in attendance at the premiere of "5-Incher". The most recent official video
Rodney Mullen
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Stevie does not want to have sex with Jonah. Back at the motel, Jonah accidentally breaks the syringe. Stevie says that it should be okay, they just missed the first day of a four-day window. Jonah is frustrated and Stevie gives in and says she is okay with natural. They have sex, and for the rest of the four days they meet at the hotel, have sex, and then stagger their arrival at home so Gus doesn't notice. On the fifth day while Stevie is at work, she gets her period. She calls Jonah and asks him to meet her
Not Suitable for Children
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sings the lyric "Need no bargain, need no sale/ I want the best, I dress me well," and is joined by Brown at the end of the song, who raps "She's a walking sto', I'm talking about her clothes/ I just pause, I'm in awe, cause she's a fashion show." The song's producer, Polow da Don, stated in his interview with MTV News that Rihanna's vocal performance was "unique", as well as saying how Brown delivers his rap with a high amount of energy and conviction. Ryan Brockington for the "New York Post" described Brown's bridge as "bouncy", and wrote
Bad Girl (Rihanna song)
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a warrant for their arrest, and entered discussions with the Attorney General's office on extradition proceedings. Bailey was sentenced to a year in U.S. federal prison, while Roberts served five months of a six-month sentence; Roberts was later quoted as stating, "I am so sorry I ever did anything. I was just trying to do my job. I thought if I could just convince the guy to come back, it would be okay." Kidnapping of Sidney Jaffe Sidney L. Jaffe (born c. 1925) is a U.S.-born Canadian businessman who was kidnapped from outside his Toronto home in 1981 by American
Kidnapping of Sidney Jaffe
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under the name for the record label they'd coined to self-release their last Drones album. The pair recruited Erica Dunn and Lauren Hummel during the summer of 2017, prior to embarking on an American tour. According to Dunn, "They just rang me up. Gareth and Fi were on loudspeaker like excited children. The pitch was 'Do you want to play guitar? We’re just going to do some weird shit.' And I was like 'Okay, sure.' Then Gareth said 'We might go to America in the next month, are you free? And we have to write some songs.' Sure I’ll clear
Tropical Fuck Storm
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for a one-night stand. This "lustful sexual confidence" is further demonstrated in the lyrics of the first verse: "I'm feeling sexy / Wa[nt to] hear you say my name, boy/ If you can reach me, you can feel my burning flame / Feeling kind of N A S T Y / I might just take you home with me" and the chorus lines: " Tonight I'll be your naughty girl / I'm callin' all my girls / We're gonna turn this party out / I know you want my body." Throughout the song, Beyoncé sings the lines "I'd love to
Naughty Girl (Beyoncé song)
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SAW Productions (Kylie, Bananarama, Dead Or Alive, Mel & Kim) as well as external record company clients (e.g. Diana Ross, Michael Jackson/Jackson 5, Holly Johnson, Pet Shop Boys, Eighth Wonder, Four Tops, Chic, Depeche Mode, Erasure, Jesus Jones, Voice of the Beehive, Gary Moore) which included many U.S. dance chart No. 1s (such as ABC's "When Smokey Sings", Imagination's "Instinctual", Blue Mercedes' "I Want To Be Your Property"). They also produced the Princess hit "Say I'm Your Number One" (1985), the Mandy (Mandy Smith) hit "I Just Can't Wait" (1987), and Sinitta's "Toy Boy" (1987). Following their early success, their
Stock Aitken Waterman
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song: "It's hard to resist" when Troutman sings through the voice box "with languid, shy-guy sincerity". Music critic Bruce Pollock listed the song in his 2005 book "Rock Song Index: The 7500 Most Important Songs for the Rock and Roll Era". "I Want to Be Your Man" was included on the official soundtrack albums of the films "Love & Basketball" (2000), "Pootie Tang" (2001), and "Soul Kitchen" (2009). The song was used in a season two episode of the television show "Everybody Hates Chris". "I Want to Be Your Man" has been sampled or interpolated by the following artists: Lil'
I Want to Be Your Man
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and Howard didn't blink an eye. He nodded, and said, 'Okay-it's a deal. But you tell Hecht I want a real tough shoot-'em-up script that'll knock the audience out of its seats, okay?' For his next film, "Twentieth Century", he wrote the screenplay in collaboration with Charles MacArthur as an adaptation of their original play from 1932. It was directed by Howard Hawks, and starred John Barrymore and Carole Lombard. It is a comedy about a Broadway producer who was losing his leading lady to the seductive Hollywood film industry, and will do anything to win her back. It is
Ben Hecht
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low-note of G# to the high-note of E. The song contains string accents described as "sympathetic, but not overpowering". Described as a "jangly pop tune", having an "overarching feel-good vibe", lyrically, the song speaks of "embracing who you are and not letting your critics get you down". Gomez sings of insecurities, and people telling her she is not good enough, before asserting "I'm sure you got some things/ You'd like to change about yourself/ But when it comes to me/ I wouldn't want to be anybody else." According to Brian Voerding of AOL Radio Blog, "Gomez sings about staying true
Who Says (Selena Gomez & the Scene song)
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who thinks that he has more rights to my uterus than I do, I will not vote for a candidate who thinks that it's okay to dump toxic waste in the ocean. I'm afraid for our country that people like this could even be thought of as the president. I live in a country where I believe all men are created equal, not just wealthy white guys. I believe all men, all women, regardless of race, gender, socioeconomic background, you deserve the same rights." In June 2016, the Human Rights Campaign released a video in tribute to the victims of
Sophia Bush
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the emergency contact information. During the game of "phone tag", Michael impersonates Michael Jackson, Tito Jackson, Mike Tyson, and Saddam Hussein. In addition, several songs are alluded to. Michael sings "I don't want to work/I just want to bang on this mug all day" to the tune of "Bang the Drum All Day" by Todd Rundgren. Jim alludes to the Jets, one of the rival street gangs in the musical "West Side Story", by quoting the noted lyrics "When you're a Jet, you're a Jet all the way", as well as snapping his fingers in the same way as the
The Fight (The Office)
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star], who wanted to direct it, and campaigned for him with Gene, and he said: "I don't want to take a chance on someone who hasn't directed." So he wasn't going to make the picture, and at that point there was a lot of crew and cast involved, and they were friends, so I said: "Okay, I'll do it." There was a great deal of improvisation by the actors, who were bringing me dialogue from the African-American community, and it really worked. Growing up in a racially mixed neighborhood, like I did in Baldwin Hills, I knew a little bit
Hit Man (film)
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Kiedis' growth as a singer and songwriter: "the guy [Kiedis] who once yelped, 'I want to party on your pussy!' whisper-sings a gentler, though not unrelated, proposition: 'All I want is for you to be happy/And take this moment to make you my family.' The delicate 'Hard to Concentrate' is the most vulnerable Peppers tune ever—a full-on marriage proposal from Anthony Kiedis, with Flea's muted bass and John Frusciante's layered guitars slow-dancing over Afrobeat hand drums." "Q magazine" said it was one of the year's best albums and rated it at 5/5, whilst Stephen Thomas Erlewine at AllMusic called it
Stadium Arcadium
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love. This ultimately has tragic consequences for Gilbert's relationship with Serge. "Papa to Kiss in the Dark" centers around a 15-year-old boy having an incestuous relationship with his father, who is later revealed to be his uncle. One of the first incest lines was a song called "The End" by psychedelic rock band The Doors, in which Jim Morrison sings, "Father/ Yes son?/ I want to kill you/ Mother, I want to... (fuck you)." British musician Kate Bush's song "The Kick Inside" from her 1978 album of the same name depicts an incestuous relationship, pregnancy and suicide involving a brother
Incest in literature
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find him to verify it. I was told it was okay, and I told them that instead of having to bring the moto sheet down the mountain, I would just add my name to the list. They said okay, I found out that I was disqualified when Bob Hadley called me after I was already home in California, and I was surprised, to say the least. I was not just waiting to see how long I could get away with it."" "BMX Plus!" went on to apologize to Stu Thomsen, saying it got the details of the previous story from
Scott Clark (BMX rider)
20635012
want to give up her favorite work, continuing to sing and make her way to fame. When Anna reads a poem titled "The Woman I Love", she feels that it would make a good song. Later she meets the poem's author, Andrei, who advises her to change the lyrics to "The Woman who Sings". Even before this Anna's career begins establishing and she starts to sing in many performances. Her songs have already been accomplishments, but still nothing like "The Woman who Sings" which she performs at the end of the film. Anna finally achieves incredible popularity and is now
The Woman who Sings
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New York, the album was produced by Jason Lader, with additional production from Bright Eyes' Mike Mogis. The album was strongly influenced by new wave and electronica, with Casablancas utilizing synthesizers for many songs. He discussed his new influences by saying "I would've gone weirder with the music, but I wanted to be smart. I didn't want people to say, 'Okay, this is his weird abstract thing,' and dismiss the album. I worked too hard on it for that to happen...I wanted to be crazy original and bridge the gap between traditional music and modern music." Julian Casablancas made his
Julian Casablancas
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Got That (Boom Boom)", is an Atlanta-style hip hop track featuring the Ying Yang Twins. "Showdown" has "bubbly" beats and its lyrics, about "fighting and making up with carnal relations", include the lines "I don’t really want to be a tease / But would you undo my zipper, please?" Rolling Stone classified the song a pop-dancehall. The fourth track, "Breathe on Me", was described as the most sensual song of the record. Containing trip hop influences, Spears sings, "Oh, it's so hot, and I need some air/ And boy, don't stop 'cause I'm halfway there" and "Just put your lips
In the Zone
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a "snaky but sweet" production from T-Minus Rowland sings "I don’t think I can take another broken promise / Why do things the hard way when you can just be honest". Hampp said that Cossom's rap gave the song a "street edge". It takes the listener on an emotional journey according to "The Honesty Hour". The next song, "Down on Love", is a midtempo production featuring another classic sample, this time the 1987 song "Rock Steady" by American R&B group The Whispers. Using her mezzo-soprano vocals, Rowland takes on a downtrodden romantic situation, "We want two different things at two
Talk a Good Game
5107228
the "I Want to Break Free" music video, the members of Queen appear in a suburban house dressed as women. Mercury, as a housewife, vacuums the floor and sings the first verse. He opens a door leading to a dark space, where the group appear surrounded by figures wearing miner's helmets. Mercury dances to a glowing box and reappears with several dancers dressed in spotted leotards, and perform a dance. In the house, Mercury sings and goes upstairs. The group appear in the dark space again. The "I Want To Break Free" music video was directed by David Mallet. It
I Want to Break Free
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Kurt. Murphy was unsure at first whether their relationship would become a romantic one, and stated that he wished to gauge public response to their friendship before planning future developments. He commented, "Part of me thinks he should be the boyfriend, part of me thinks he should just be the mentor. I didn't want to decide that until we got into sort of the middle of the season." Kurt transfers from McKinley High to Dalton Academy and falls in love with Blaine, though Blaine only considers him a close friend. However, when Kurt sings the Beatles song "Blackbird" in "Original
Kurt Hummel
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a more therapeutic approach in writing these songs, resulting in a more personal and intimate testament of his songwriting. McMahon stated in an interview that they dealt with "coming home, and having home be way different than I had remembered it [...], abandoning a lot of people, and things, that I had normally been so attached to [...], exploring and being okay with myself, and not having to make excuses for who I am, and accepting who I am." Although he just planned on recording these songs, they began to take shape collectively. He paid for the production out of
Jack's Mannequin
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of female empowerment. Paquette acknowledged that Wonder Woman has become more than just a beloved character, she is a symbol for feminism. "By bringing in sex and, yes, bondage, it reasserts [William Moulton Marston's core] idea that it is okay for women to have a healthy sexual appetite." Paquette elaborated more on this by pointing out the blatant double standards in comics when it comes to sex: "Could Wonder Woman really ever have a healthy and active sex life without it becoming political fodder for Fox News? And what of women and girls who want to be like her? Do
Wonder Woman
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that the former "is anchored by a philosophy, rather than a focus on specific marketing tools". That philosophy is that audiences should be engaged in the sales process when they want, and by which channels they prefer. He argues that traditional top-down marketing results, largely, in the production and communication of white noise. Whereas engagement marketing assumes a different approach: Think of a salesperson who walks up to you in a store. You tell him thanks, you're okay, you're just looking. But he hovers and looms, finds ways to insert himself into your activity, and is a general annoyance. That's
Engagement marketing
8562544
want to or not. I think he has more terrible voices in what was supposed to be unison than any man in the world. Everyone sings for Rody!" When Rodeheaver was introduced to John D. Rockefeller, Sr., on a golf course, Rockefeller delayed his golf game long enough to sing with Rodeheaver, "I'll Go Where You Want Me to Go, Dear Lord." In 1940, Rodeheaver led the singing for 250,000 people who attended the Wendell Willkie homecoming in Elwood, Indiana. In the days before electronic amplification, Rodeheaver quickly discovered that his trombone could be heard when his voice or the
Homer Rodeheaver
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who is openly gay, opposes the attorney general on LGBT issues: "I can't remain silent any longer, because although I am not political, I am a human being, and I just want my rights, my unalienable rights. Those of you who are worried, who are in the same position as me and who may not have an attorney general for a brother, I want you to know I stand with you guys and those who want to be married, and I'll do anything I can do to support anyone and any organization." Early in 2016, Landry became embroiled in a
Jeff Landry
4501585
and The Temptations' 1975 "Shakey Ground". In 2003, at age 12, JoJo signed with Blackground Records and Da Family and begin working with some producers on her first album. The music found on "JoJo" is primarily pop and R&B. During an interview about the album's composition, JoJo stated, "I wrote three songs on the album. I am not the [kind of] person who sings something that I have no reference point to. I feel like I am a real artist and I want to be able to feel what I am singing about. So when I sing, "Leave (Get Out),"
JoJo (album)
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taking place during the album's release. "Didn't Mean to Turn You On" is a cover of the 1984 Cherelle song of the same title. Aside from the heavy sampling of the hook and lyrics, Carey, who produced the song alongside Jimmy Jam and Terry Lewis, added keyboard notes and synthesizers to enhance the songs club appeal. In the song, Carey sings "I was only trying to be nice / Only trying to be nice / Sooooooo, I didn't mean to turn you on", indicating a woman who is weakly apologetic over fooling a man over intimacy. On the track "Want
Glitter (soundtrack)
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responds and continues, "that the dream has no end No matter how long it will take (I'll wait for you) And it's never been so strong, I heard an angel tell me." In the second part, Aline sings about dreaming of a kiss and a caring someone. Karin and Luciana sing that someday they will find love, and Luciana sings, "In your arms is where I want to be." At the "bridge", Aline sings once more, "All the love I've always sought, you've come to show me." Still on bridge, they claim to have found an "angel", "the love they
Um Anjo Veio Me Falar
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nucleus of the song, the melody primary music, and then some of the words were there as we finished writing it. I started playing some rock 'n' roll piano and started boogie woogie-ing my left hand, and that inspired Mariah to come up with the melodic [Sings.] 'I don't want a lot for Christmas.' And then we started singing and playing around with this rock 'n' roll boogie song, which immediately came out to be the nucleus of what would end up being 'All I Want For Christmas Is You.' That one went very quickly: It was an easier song
All I Want for Christmas Is You