what is the genre of a room of one 's own
an extended essay
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"Woolf Works", was named after Virginia Woolf as a response to this essay. Patricia Lamkin's play "Balancing the Moon" (2011) was inspired by the essay. A Room of One's Own A Room of One's Own is an extended essay by Virginia Woolf, first published in September 1929. The work is based on two lectures Woolf delivered in October 1928 at Newnham College and Girton College, women's colleges at the University of Cambridge. An important feminist text, the essay is noted in its argument for both a literal and figurative space for women writers within a literary tradition dominated by men.
A Room of One's Own
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is the band's apparent refusal to stuff themselves into any one genre... the diversity of musical backgrounds between them is what has produced their anomalous sound." “The Flux is one of 2007's most thrilling, most creative, and easily one of the year's most original records to hit. The band combines a flurry of sounds to create one mind-bendingly original mash-up that will make any lover of emotional, motivating and energetic music want to open up their arms and wrap them around the next person to walk in the room.” –AbsolutePunk.net "The nine-member band lived up to its name by singing,
The Eclectic Collective
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banter among wealthy, leisured, genteel, upper class characters. Drawing room comedy is also sometimes called the "comedy of manners". Oscar Wilde's "The Importance of Being Earnest" and several of the plays of Noël Coward are typical works of the genre. George Bernard Shaw's "Heartbreak House" adds an undercurrent of social criticism to the genre. Cary Grant appeared in a number of filmed drawing-room comedies. Ernst Lubitsch was especially known as a director of drawing-room comedies. Drawing room A drawing room is a room in a house where visitors may be entertained, and a historical term for what would now usually
Drawing room
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from other animals. What is a human being? I look for the answer by continuing to make films". To more freely explore themes without studio interference, he established his own production company, Imamura Productions, in 1965. His first independent feature was a free adaptation of Akiyuki Nosaka's 1963 novel about life on the fringes of Osaka society, "The Pornographers". He next made his first venture into the documentary genre with 1967's "A Man Vanishes". His 1968 film "The Profound Desire of the Gods" investigates the clash between modern and traditional societies on a southern Japanese island. One of Imamura's more
Shohei Imamura
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Judy Collins recorded her own version in 1965. Fairport Convention would also record their own version on their critically acclaimed second album, "What We Did on Our Holidays". Widely considered a strong composition from this period (Clinton Heylin called it "one of his finest songs"), a complete acoustic version, with Dylan playing piano and harmonica, was released on 1985's "Biograph". An electric recording exists as well—not of an actual take but of a rehearsal from January 1966 (the sound of an engineer saying "what you were doing" through a control room mike briefly interrupts the recording)—was released on "The Bootleg
Bringing It All Back Home
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fans might want to think twice about watching it." Sean Becktel from "HorrorNews.net" wrote, ""The Girl in Room 2A" seems to know exactly what it is, and to cater to it’s audience. It achieves a formulaic deliverance, while staying fun, enjoyable, and ultimately entertaining." "Terror Trap" gave the film 2.5 out of 4 stars, stating the film was "at times incomprehensible" but still great fun. Brett Gallman from "Oh, the Horror" valeld it "one of the more dull and dry entries of the genre". The Girl in Room 2A The Girl in Room 2A (Italian: "La Casa della Paura") is
The Girl in Room 2A
20011833
percussion. It often incorporates drops, minimalist percussion, regular beats, sub-bass layered kicks, gritty and electrical synths, simple melodies, and synth-driven distorted breakdowns. In the early 2010s, big room house began developing and gained popularity at electronic dance music events and festivals such as Tomorrowland. Despite being considered a subgenre of electro house, big room house has been developing into a genre of its own throughout the years. Swedish House Mafia members - Steve Angello, Axwell and Sebastian Ingrosso are regarded as the pioneers of big room house. Martin Garrix's best selling single, "Animals", is regarded as one of the most
Big room house
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Loveless, and Randy Travis. McEntire's success continued into the late 1990s, especially after the release of 1996's "What If It's You", which yielded her first number one single in almost two years and three additional major hits. After the release of 1999's "So Good Together", McEntire branched out into acting and created her own television sitcom, "Reba" (2001–2007), and didn't record or tour for nearly three years. In 2004, she returned to music with her 24th studio album, "Room to Breathe". The album produced her first number one hit since 1998 and three additional major hits between 2004 and 2005.
Reba McEntire singles discography
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an album titled "Love Me Now?" on October 26, 2018, and he also has an upcoming Latin project titled "El Agua", which does not have a release date announced in Q4 2019. In an interview on Nice Kicks with Ian Stonebook, Lanez described his own personal style he calls, Swavey: "Swavey is a two-adjective word. A lot of people use it as an attribute, but the real definition of swavey is a genre of music. The genre of music is the genre of fusing more than one together. I know it sounds strange, but if you ask an artist what
Tory Lanez
20673354
describe their sound because it is unique. Mitchel Cave said, "it is a fuse of a lot of genres; we have taken the best things that we like in every single genre and kind of fused it into a new genre". They all agree that the genre or style of music is not what is important but rather they feel what is right when producing; they make their own sounds, music, and lyrics based on what the three of them feel is best. Chase Atlantic Chase Atlantic is an indie rock band from Australia , consisting of Christian Anthony and
Chase Atlantic
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for some titles developed in Japan, such as "[[SimTower]]" and "Let's Take The A-Train" (released as "[[A-Train]]" outside Japan). In 2000 "[[The Sims (video game)|The Sims]]" was released, which spawned [[The Sims|its own series]]. "[[Spore (2008 video game)|Spore]]", released in 2008, was originally going to be titled ""SimEverything""a name that [[Will Wright (game designer)|Will Wright]] thought might accurately describe what he was trying to achieve. "SimCity" inspired a new genre of video games. "[[Software toy]]s" that were open-ended with no set objective were developed trying to duplicate "SimCity"<nowiki>'</nowiki>s success. The most successful was most definitely Wright's own "[[The Sims]]", which
SimCity (1989 video game)
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did with a more refined command of what it is Magneta Lane does. The Witchrock title comes from the band’s inability to find an accurate genre classification for its sound while recording. "What do we even call this? What genre is this? Is it rock? Is it alternative? Is it pop?" laughs Lexi, who decided to embrace her "inner villain" and air all her grievances about the past few years’ trials in the Witchrock lyric sheet. "We decided to make our own genre because we couldn’t figure out where we fit. We decided it sounds kind of witchy. People have
Magneta Lane
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1955." The film's length, 106 minutes, is A level, but its star, Ralph Meeker, had previously appeared in only one major film. Its source is pure pulp, one of Mickey Spillane's Mike Hammer novels, but Robert Aldrich's direction is self-consciously aestheticized. The result is a brutal genre picture that also evokes contemporary anxieties about what was often spoken of simply as the Bomb. The fear of nuclear war with the Soviet Union, along with less expressible qualms about radioactive fallout from America's own atomic tests, energized many of the era's genre films. Science fiction, horror, and various hybrids of the
B movie
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his dying father; a tearful Nolan asks House for a consultation. House has nothing to add to the diagnosis, confirming that Nolan Sr.'s condition is terminal. House accuses Nolan of having no one else to turn to but his own patient (House himself). Nolan tells House that he does not need him to make deductions, and House realizes that what he needs is company, so he stays and sits in silence. When House returns to Mayfield, he finds Lydia upset over her sister-in-law. He apologizes and dances with her. They find an empty room and have sex. The residents hold
Broken (House)
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Marvin's Room with the contemporary Drake song "Marvins Room". The series is also repeated on CBC Radio One in a weekend slot. Marvin's Room (radio show) Marvin's Room is a Canadian radio program, which airs on CBC Music. Hosted by Amanda Parris, the program explores the genre of rhythm and blues, incorporating both historical and contemporary music in the genre. The program premiered in July 2016 as a short-run summer series. Following the end of the show's original run, the CBC announced that the series would return as a permanent part of the network's regular schedule, beginning in November 2016.
Marvin's Room (radio show)
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have been the "Hindenburg"'s principal aeronautics engineer." Wiseau has dismissed Schklair's comments, saying, "Well, this is so laughable that...you know what? I don't know, probably only in America it can happen, this kind of stuff." "The Room" is considered to be semi-autobiographical as it draws on specific incidents from Wiseau's own life, such as the details of how Johnny came to San Francisco and met Lisa, and the nature of Johnny and Mark's friendship. According to Sestero, the character of Lisa is based on a former lover of Wiseau's to whom he intended to propose marriage with a diamond engagement
The Room (film)
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this new musical genre was consolidated, absorbing several musical influences, mostly from Brazilian music. From S. Vicente this musical genre passed to the other islands, leading to the emergence of two schools, each one with its own style: one in Barlavento, centered in Mindelo, and another in Sotavento, centered in Praia. In the 1950s, some innovations started to appear in the "coladeira", similar to the ones that appeared with the "morna". It is in this period that electric instruments began to be used, and the "coladeira" began to receive international attention, either through performances abroad or by the distribution of
Coladeira
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today's cathedrals should "resonate" with the makeup of the dioceses they serve." The role of the cathedral in today's society is different from the times that came before. "The vision of 150 years ago had to do with a reflection of their own understanding of the Church and its liturgy." They were churches "designed to house a liturgy of a different age and genre – a different, pre-Vatican II understanding of what liturgy is." Since then, the Church in America, originally conceived as a missionary country, has shed that identity by having more than 70 million members. "The reasons for
Richard S. Vosko
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2's" multiplayer, is an objective based game (seven objectives: "Body Count", "Capture and Hold", "Search and Retrieve", and two rounds of "Assassination" and "Search and Destroy" respectively) that supports up to 24 players per map for each map that supports this mode. What sets "Warzone" apart from other games in the genre is the way that each objective is used. Rather than having each game type be its own separate mode, the objectives cycle randomly during the course of gameplay without ever interrupting the match. Each game type comes up with a timer, and when the timer ends or the
Killzone 3
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shinbun" and going on in 1875 to found his own newspaper, the "Kana-yomi shinbun" (Kana Newspaper). His newspaper pioneered the genre of "dokufu-mono," criminal biographies of female outlaws, and Kanagaki Robun’s own "Tale of Takahashi Oden the She-Devil" (written rapidly after Takahashi Oden was beheaded for killing a man) is the most famous example of the genre. He also wrote illustrated biographies, including an adapted biography of Ulysses S. Grant published for Grant’s 1879 visit to Japan. Kanagaki Robun Kanagaki Robun, the son of a fishmonger, was originally known for light fiction in the "gesaku" genre. He is said to
Kanagaki Robun
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one that transcended the genre. I wanted something that had a little more depth -- that had genuine characters and relationships. What appealed to me about this script was that you cared about the people." Richard Harris was going to play Bridges' mentor. However the role ended up being played by Bridges' father Lloyd. The producers made Lloyd Bridges audition because they associated the actor with comedies. Another actor new to the genre was Forest Whitaker, who wanted to play "a character that could walk into a room and say: 'I'm the best. Stick around and maybe you'll learn something
Blown Away (1994 film)
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Glass Eye Pix Glass Eye Pix is an independent film studio based in New York City, headed by producer Larry Fessenden since 1985. Fessenden created the company to copyright his own films. The name came from a glass eye one of Fessenden's friends gave to him. The company eventually grew to encompass others' works as Fessenden began to mentor younger filmmakers. Glass Eye Pix has produced films in and out of the horror genre, including 2012's "The Comedy" ("Rick Alverson"), 2011's "The Innkeepers" (Ti West), 2009's "Wendy and Lucy", 2009's "The House of the Devil" (Ti West) and 2008’s "Liberty
Glass Eye Pix
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for the creative non-fiction contest is currently on 8 March, which is also International Women's Day. The creative non-fiction contest was originally added to the other two genres in 2008, and moved to the March deadline starting in 2015. In 2016, "Room" launched their first Short Forms Contest, a multi-genre / genre-blending contest for flash fiction, flash CNF, and prose poetry of 500 words and under, with an inaugural deadline of January 15, 2017. In addition to offering contests, "Room" presents one contributor each year with a $500 Emerging Writer Award. In 2015, "Room" introduced a cover art contest with
Room (magazine)
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not their own. At every visit to one of the four B&B's, the owner/s of the establishment will greet the others and will then show them to their room, where its cost and information on breakfast will usually be given to them. Once the owner/s of the establishment have left the room, the fellow guest B&B owners, each in their individual rooms, will give their first impressions. Once everyone is settled in, the guests are taken to an activity devised by the owner/s. The owner/s will hope to show their nature as well as the nature of the B&B somewhere
Four in a Bed (series 6)
19957990
and sultry". This Is What You Came For works "weirdly well" according to Elle magazine. 80's remix The 80's remix (also referred to as a "Retro-remix" when remixed to different musical eras) describes a 21st-century music trend of creating 1980s remixes to contemporary pop songs—the reinterpretation of previously-released songs with 1980s production values, by those not associated with the original recording. This trend has been associated with nostalgia for the 1980s musical scene, and a dislike for current musical trends. One of the pioneers of this genre is Canadian producer and YouTuber Tronicbox. Others who have made songs in this
80's remix
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(musician)'s "Caravan Tonight" (1974) and Chris Robison's "Chris Robison and His Many Hand Band" (1973), is one of the first to deal with openly gay themes and issues within the song lyrics. The style of the album is very much within the folk-rock genre and it includes the song "Bitterfeast" which adapts a poem by Cohen's namesake and fellow singer-songwriter Leonard Cohen. Musicians who played on the album include the drummer Kevin Kelley. What Did You Expect? (Michael Cohen album) What Did You Expect? is an album by the American singer-songwriter Michael Cohen which was released on Folkways Records (FS
What Did You Expect? (Michael Cohen album)
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inclusive to them, but also as a genre that theoretically could benefit the female writer as much if not more than the male writers the form previously favored. Women writers are now able to combat the "dominant traditions" at play within the long poem genre to mold the genre into their own, creating what critic Susan Friedman terms a "re-vision" of the form. Elizabeth Barrett Browning was one of the first female authors to attempt an epic poem. In her article "Written in blood: the art of mothering epic in the poetry of Elizabeth Barrett Browning", Olivia Gatti Taylor explores
Long poem
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Hot Potato (1976 film) Hot Potato also known as Twist the Tiger's Tail is a 1976 action film written and directed by Oscar Williams. The film was a Fred Weintraub and Paul Heller production starring Jim Kelly. Jim Kelly also arranged his own fight scenes. "Hot Potato" was filmed on location in Chiang Mai, Thailand. It is a follow-up to "Black Belt Jones". The film was distributed by Warner Bros. Pictures. This film came along toward the end of one genre in film and helped mark the beginning of a new genre. It provides a bridge from what is commonly
Hot Potato (1976 film)
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musical style is best described as a mixture of Irish and Scottish folk music, with their original compositions often falling into the filk genre. Although the pair did perform a good deal of purely traditional songs, it is the band's own works that set them apart, with their humorous pop-culture and sci-fi parodies. Despite performing in what is considered a "niche" genre, this duo was ranked as one of the top 20 bands on the original MP3.com. Over time, the Bards also honed their act into live entertainment by adding comedy, with McKee being the "straight-man" to Gunn's antics. As
Brobdingnagian Bards
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broadcasting, public broadcasting, and subscription television. The regulations in place define what a broadcaster may put on-air, the time(s) of day they are allowed to broadcast specific material, and what advertisements are shown in relation to these criteria. In essence, the Australian Communications and Media Authority controls what content is shown, what time(s) of day it is shown, and who controls what is shown (i.e.: international media as opposed to Australian media). Genre restrictions imposed by the Australian government on digital multichanneling were lifted along with the media ownership laws passed through the Parliament of Australia on 18 October 2006.
Television in Australia
6479575
although 1964's "A Hard Day's Night" may have a superior claim to that distinction. Being documentary and fiction in one, "The Clowns" distinguishes itself by being a mockumentary with unique characteristics, not the least of which is reflecting Fellini's own increasing fascination with how documentary films reflect "reality". Fellini would further explore this semi-fictional documentary genre in 1972's "Fellini's Roma" and 1987's "Intervista", both of which contain unreliable depictions of Fellini himself making the film within the film narrative. I clowns I clowns (also known as The Clowns) is a 1970 film by Federico Fellini about the human fascination with
I clowns
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Ex-doe who further popularized the Hiplife music genre respectively. Hiplife has since proliferated and spawned stars such as Reggie Rockstone, Sherifa Gunu, Ayigbe Edem, Samini and Sarkodie. Producers responsible for steering this genre to what it is today were Hammer of The Last Two, Ball J, EL and Jupitar Dancehall Artiste. Ghana Hip hop or hip-hop music genre is a subculture and art movement which developed in Ghana during the late 1990's. The hiphop genre came into existence in Ghana through Reggie Rockstone, who is known as the hiplife father and other notable musicians such as Jayso and Ball J
Music of Ghana
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Feed Me, Knife Party, The M Machine, Porter Robinson, Yasutaka Nakata and Dada Life have emerged. In the early 2010s, a type of electro house known as "big room" began to develop, particularly gaining popularity through EDM-oriented events and festivals such as Tomorrowland. Big room then began to subside from the classification of a subgenre of electro house and develop more as its own genre. Big room songs resemble Dutch house, often incorporating drops, minimalist percussion, regular beats, sub-bass layered kicks, simple melodies and synth-driven breakdowns. The layout of a big room track is very similar to the layout of
Electro house
190799
taking science seriously. At the end of the examination, one evaluator turned to him, smiling, and said, "What can you tell us, Mr. Asimov, about the thermodynamic properties of the compound known as thiotimoline". Laughing hysterically with relief, Asimov had to be led out of the room. After a five-minute wait, he was summoned back into the room and congratulated as "Dr. Asimov". Demand for science fiction greatly increased during the 1950s. It became possible for a genre author to write full-time. In 1949, book publisher Doubleday's science fiction editor Walter I. Bradbury accepted Asimov's unpublished "Grow Old With Me"
Isaac Asimov
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for Protection' (via Kool.POP), the records served as the first major appearances of Rachael Kozak under the Hecate persona. From there she proceeded to release her own solo material beginning with 1998's 'Hate Cats' on 12". The following year saw the release of 'Negative World Status', a prominent piece of work released both as 12" black vinyl and a limited edition dark pink vinyl, limited to 500 copies. The EP was well received, with a UHT article stating: "Pray to die before becomes real what this music is trying to describe you! Masterpiece in the genre!" The first Hecate full-length
Hecate (musician)
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In the mid to late 1970s this genre was kept alive during the dark days of Idi Amin by Peterson Mutebi. Although many song themes revolve around suffering and outrage, the original artists of this genre sang about love and often praised women in recordings that hardly exceeded three and a half minutes Herman Basudde was a very popular kadongo kamu musician in the 80's and 90's. Dan Mugula is one of the few surviving pioneers of the genre. Fred Sebatta and Paulo Kafeero made their mark in the 90's. Paulo Job Kafeero is also revered as one of the
Kadongo Kamu
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such films as "Scream", "I Know What You Did Last Summer" and their respective sequels." According to Gary Johnson, ""Twitch of the Death Nerve" is one of the most imitated movies of the past 30 years. It helped kick start the slasher genre… [Bava’s] influence still resonates today (although somewhat dully) in movies such as "I Know What You Did Last Summer", "Scream" and "Urban Legend"." While most slasher movies owe a considerable debt to "Bay"<nowiki>'</nowiki>s somewhat nonsensical narrative and its emphasis on bodily mutilation, at least one film was directly imitative: "Friday the 13th Part 2" notoriously copied two
A Bay of Blood
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originated in Panama, reggaetón gets its name from Puerto Rico; Puerto Ricans preferred to call the music genre “el reggaetón”, instead of “reggae en español”. Although reggaetón began in Panama, it quickly spread throughout the Caribbean, and by the late 80’s/early 90’s multiple mixtures, recreations, and hybrids of the genre were formed. However, the genre became most popular within Puerto Rico, due to its massive commercial success. The country took it on as its own and it became the primary place in which reggaetón artists and stars originated. In addition, during the mid 90’s the beat “Dem Bow”, created by
Panamanian reggaetón
9793556
One of them concludes that the present civilization may be coming to an end, that no one can tell what or who comes next, and if it is a part of the divine purpose. Furthermore, he strongly hints that in creating both robots and nuclear weapons, humanity has created its own doom and successors. Darwinian Pool Room "Darwinian Pool Room" is a science fiction short story by American writer Isaac Asimov. It was first published in the November 1950 issue of "Galaxy Science Fiction", edited by Horace L Gold, and reprinted in the 1975 collection "Buy Jupiter and Other Stories".
Darwinian Pool Room
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nature, while musical-dramatic recitals refer to Harikatha. But irrespective of what type of recital it is, what is featured are compositions which form the core of this genre of music. The "tambura" is the traditional drone instrument used in concerts. However, tamburas are increasingly being replaced by "śruti" boxes, and now more commonly, the electronic "tambura". The drone itself is an integral part of performances and furnishes stability – the equivalent of harmony in Western music. In a vocal recital, a concert team may have one or more vocalists as the principal performer(s). Instruments, such as the Saraswati veena and/or
Performances of Carnatic music
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musical-dramatic recitals refer to Harikatha. But, irrespective of what type of recital it is, what is featured are compositions which form the core of this genre of music. The "tambura" is the traditional drone instrument used in concerts. However, tamburas are increasingly being replaced by "śruti" boxes, and now more commonly, the electronic "tambura". The drone itself is an integral part of performances and furnishes stability – the equivalent of harmony in Western music. In a vocal recital, a concert team may have one or more vocalists as the principal performer(s). Instruments, such as the Saraswati veena and/or venu flute,
Carnatic music
17720261
secondary school was entirely coextensive with the high school grades 9–12. This system was the norm in the United States until the years following World War I, because most children in most parts of what was then the mostly rural United States could go no further than Grade 8. Even when the high schools were available, they were often not accessible. As the population grew and became increasingly urban and suburban instead of rural, the one-room schoolhouse gave way to the multi-room schoolhouse, which became multiple schools. This produced the third genre of school – the junior high school –
Elementary school (United States)
820484
parents “that I didn’t know what the arrangement was going to be, that I wasn’t sure if I was even going to have my own room. Woody hadn’t said that. He hadn’t even hinted it. But I wanted them to put their foot down. They didn’t. They kept lightly encouraging me.” When Hemingway stipulated the procurement of a separate hotel room, Allen "called for his private jet the next morning and left Idaho." Following publication of the anecdote, conservative pundit and film critic John Podhoretz characterized Allen as a "repugnant ephebophile" on Twitter. "Manhattan"s screenplay was performed in front of
Manhattan (film)
2036071
Ruth is a German Jew, and Jim is a Protestant American. Someone once described us as a three-headed god. Maybe they should have called us a three-headed monster!" The expression "Merchant–Ivory film" has made its way into common parlance, to denote a particular genre of film rather than the actual production company. While 1965's "Shakespeare Wallah" put this genre on the international map, its heyday was the 1980s and 1990s with such films as "A Room with a View" and "Howards End". A typical "Merchant–Ivory film" would be a period piece set in the early 20th century, usually in Edwardian
Merchant Ivory Productions
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5 stating, "As fun as it is over-the-top violent, "Scarecrows" is the perfect fit for viewers looking to strap in for some good old fashioned mindless mayhem". "Terror Trap.com" awarded the film 3/4 stars, commending it's "claustrophobic atmosphere", slow pacing, special effects, and "allegorical plotwork". "HorrorNews.net" praised the film, writing, ""Scarecrows" is easily noted as one of the more scary releases to come out of the 80's. It proves to be suspenseful and inventive in its use of effects and shadow-lit attacks. Fans of the genre will get the best experience watching it in a dimly lit room to better
Scarecrows (1988 film)
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with Nicholas Vernhes at the Rare Book Room. Their third album, titled "Milk Famous", was released on March 6, 2012. White Rabbits are known for their energy onstage, their switching of instruments, and cover songs, notably Bob Dylan's "Maggie's Farm", which was also covered by one of the band's main influences, The Specials. Typically they will put their own twist on cover songs by playing them in a style/genre that is different from the original. After playing a particularly energetic show at "South By Southwest" in 2008, "NME" named them one of the top three bands performing that year. They
White Rabbits (band)
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were significant; thus in his "Lives of the Poets" he chose both great and lesser poets. In all his biographies he insisted on including what others would have considered trivial details to fully describe the lives of his subjects. Johnson considered the genre of autobiography and diaries, including his own, as one having the most significance; in "Idler" 84 he explains how a writer of an autobiography would be the least likely to distort his own life. Johnson's thoughts on biography and on poetry coalesced in his understanding of what would make a good critic. His works were dominated with
Samuel Johnson
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to "Gurgaon"s volatility in a way that lets the film take any unresolved direction it chooses to.". While Subhash K. Jha said, "it's Akshay Oberoi playing the outcast son who steals the thunder lighting and what-not. It's a big-bang performance, implosive and bursting at the seams with unspoken bitterness. Oberoi plays the truant son (a cliché in the crime genre) with much empathy and little compassion. In one sequence we see him brutally violate a prostitute in a bath tub. We know what levels of violence Nikki is cabable of. Nikki doesn't disappoint." Akshay's father, Krishan Oberoi, is the brother
Akshay Oberoi
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by film scholars. Suzuki himself calls it his "first truly original film." His style increasingly shirked genre conventions, favouring visual excess and visceral excitement over a coherent plot and injecting madcap humour into a normally solemn genre, developing into a distinctive "voice". Tony Rayns explained, "In his own eyes, the visual and structural qualities of his '60s genre films sprang from a mixture of boredom ('All company scripts were so similar; if I found a single line that was original, I could see room to do something with it') and self-preservation ('Since all of us contract directors were working from
Seijun Suzuki
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at a café, lunch at a club, dine in the palm room, or the ivory room, or the gold room of a 'swell' hotel." "The Gourmet's Guide to Europe" was published in an American edition in 1908, when "The New York Times" called it "a veritable masterwork of its own genre". In 1914 Newnham-Davis published "The Gourmet's Guide to London". Newnham-Davis is chiefly remembered as the gastronomic correspondent of "The Pall Mall Gazette". A lifelong bachelor, he regularly dined at London's great hotels and restaurants in company with a succession of companions given discreet pseudonyms in his restaurant reviews. Among
Nathaniel Newnham-Davis
1515751
language s/he did to convey his/her inner thoughts. Part of the task of hermeneutics is to fully understand these thoughts through the author’s discourse, even better than the author him/herself. This can be done by discovering unity within the author, first in knowing why a particular work was produced, secondly in other works produced in a similar genre by others, and finally by other works by the same author in any genre. The interpreter can then evaluate what the effect of the work was on the author’s context. If a reader can understand the psyche of the author, s/he can
Friedrich Schleiermacher
1251491
far from being mindless copycats, improved on the genres already established by their Greek predecessors. For example, Ovid's "Metamorphoses" creates a form which is a clear predecessor of the stream of consciousness genre. What is undeniable is that the Romans, in comparison with the Greeks, innovate relatively few literary styles of their own. Satire is one of the few Roman additions to literature—Horace was the first to use satire extensively as a tool for argument, and Juvenal made it into a weapon. Augustine of Hippo and his "The City of God" do for religious literature essentially what Plato had done
History of literature
19304313
2016. "Mashable" described that one Reddit post "ignited a thread of haters, defenders and overall discussion about whether what Fine Brothers Entertainment is doing is fair." Ryan Morrison, a gamer, lawyer and Reddit user, declared that he would file a legal challenge to the Fine Brothers' trademark request on "React", writing "These guys didn’t come up with the idea of filming funny reactions from kids. And they certainly don’t own an entire genre of YouTube videos. It wasn’t their idea, and it’s not theirs to own or police." Though there was an overwhelmingly negative response to the React World announcement,
React (media franchise)
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Dog Star" and believes it influenced elements of "A Diamond Guitar", excluding the events and characters. A modern short story scholar notes that many of Capote's early short stories, including "A Diamond Guitar" place him among a cadre of notable mid-century writers well-versed in the southern gothic genre, including William Faulkner, Carson McCullers, Tennessee Williams and Flannery O'Connor. Readers have noticed the undercurrent of homosexuality in two main characters' relationship. Helen Garson, a scholar, notes that this type of love is one that Capote treats very carefully, "find[ing] no room for humor, sexual or otherwise". Emmanuel S. Nelson notes that
A Diamond Guitar
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on "Tenebrae". Argento later stated that he wanted to "put on film a gory roller-coaster ride packed with fast and furious murders" and that he "shouldn't resist what [his] hardcore audience wanted". He added that he had also become irritated that in the years since his last "giallo" so many other directors had made films derivative of – and inferior to – his own genre-defining works. Argento said that "Tenebrae" was directly influenced by two distressing incidents that occurred 1980. On a break from filmmaking after "Suspiria"s surprise success, Argento was spending time in Los Angeles, where an obsessed fan
Tenebrae (film)
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dealt a number of cards. Each card eliminates a suspect, weapon, or room. Each player can view their own cards during their turn. A die is rolled, and the six players (represented by the six suspects Miss Scarlet, Col. Mustard, Mrs. White, Mr. Green, Mrs. Peacock, and Prof. Plum) move around the board. Upon entering one of the nine rooms on the board, the player must make a suggestion, choosing a suspect and a weapon (the room the player is in is automatically chosen.) The suspect is summoned to that room, a vignette is shown, showing who or what was
Clue (1992 video game)
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his "Lives of the Poets", he chose great and lesser poets, and throughout all of his biographies, he always insisted on including what others may consider as trivial details to fully describe the lives of his subjects. When it came to autobiography, and diaries including his own, Johnson considered that genre of work as one having the most significance; he explains this in "Idler" 84, when he described how a writer of an autobiography would be the least likely to distort their own life. Johnson's thoughts on biography and on poetry found their union in his understanding of what would
Samuel Johnson's literary criticism
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destroy the whole family with diabolical acts, and attempts to teach children witchcraft. When one of the children mocks her, she caused his death. When her nephew dismisses of his house, she chokes him in his own bed. When the older girl burns her face, Alejandra burns an entire room with the girl inside. Only surviving Lucía, the wife, and her young daughter, but she seems to have learned the secrets of Alejandra... "La Tía Alejandra" is a curious and unusual, a rarity in the genre of Mexican Cinema. Not strictly a horror film, but conveys concern in many of
La tía Alejandra
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vast number of experimental programs. Free improvisation Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right. Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and modern classical musics. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann and John Zorn, drummer Christian Lillinger,
Free improvisation
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Free improvisation Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right. Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and modern classical musics. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann and John Zorn, drummer Christian Lillinger, trombonist George Lewis, guitarists Derek
Free improvisation
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own, with the slightest deviation prohibited. Whenever one of them played one of his own compositions for Balakirev, Balakirev would seat himself at the piano and show, through improvisation, how he felt the composition should be changed. Passages in other people's works came out sounding like his music, not their own. By the late 1860s, Mussorgsky and Rimsky-Korsakov stopped accepting what they now considered his high-handed meddling with their work, and Stasov began to distance himself from Balakirev. The other members of The Five also became interested in writing opera, a genre Balakirev did not consider highly, after the success
Mily Balakirev
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the late John Dickson Carr, generally considered the 20th century master of the locked room genre. Throughout his more than forty books his genre has been almost entirely impossible crimes, and as a critic has said "Although strongly influenced by Carr and Christie, his style is his own and he can stand comparison with anyone for the originality of his plots and puzzles and his atmospheric writing." His first published novel, "La Quatrieme Porte" ("The Fourth Door") was published in 1988 and won the Prix de Cognac, given for detective literature. The following year, his novel "Le Brouillard Rouge" (Red
Paul Halter
194139
with counterculture credibility. It also set him on a path to establishing his own sub-genre of New Journalism which he called "Gonzo," which was essentially an ongoing experiment in which the writer becomes a central figure and even a participant in the events of the narrative. Thompson remains best known for "Fear and Loathing in Las Vegas" (1971), a book first serialized in "Rolling Stone" in which he grapples with the implications of what he considered the failure of the 1960s counterculture movement. It was adapted on film twice: loosely in "Where the Buffalo Roam" starring Bill Murray as Thompson
Hunter S. Thompson
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a Teacup" (hand-papermaking). Among his other works is "The Grey Room", the plot of which is centered on a haunted room in an English manor house. He also wrote a number of other mystery novels, both under his own name and the pseudonym Harrington Hext. These include: "The Thing at Their Heels", "The Red Redmaynes", "The Monster", "The Clue from the Stars", and "The Captain's Curio". "The Human Boy" was a collection of schoolboy stories in the same genre as Rudyard Kipling's Stalky & Co., though different in mood and style. Late in his long writing career he wrote a
Eden Phillpotts
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James S. Bell Junior Middle School James S. Bell JMS is a public elementary school in the Etobicoke district of Toronto, Ontario, Canada. James S. Bell is part of the Toronto District School Board and serves the west end neighbourhood of Long Branch. The village of Long Branch did not have its own school until 1913. Children of the village had to travel along a cow's lane and over some railroad tracks to the Horner Avenue School. In 1913 a four grade classroom was opened in the old Baptist Church on 27th Street. This small school consisted of one room
James S. Bell Junior Middle School
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and is encouraged to solve the mystery before the solution is revealed in a dramatic climax. To investigators of the crime, the "prima facie" impression almost invariably is that the perpetrator has vanished into thin air. The need for a rational explanation for the crime is what drives the protagonist to look beyond these appearances and solve the puzzle. Though the mystery or detective genre was not established until the 19th century, there are notable predecessors in ancient writings. The deuterocanonical Old Testament story "Bel and the Dragon" has some similarities to locked-room mysteries; the hero Daniel debunks the worship
Locked-room mystery
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Separate Bassrush events are held at various locations nationwide throughout the year. The Queen's Grounds: This room used to hold all of the attractions until 2009 when it became a house-orientated stage. In 2010, it was held in one of the bigger warehouse-like buildings that housed the main stage for 2008's Nocturnal Festival. Not to be confused with Beyond Wonderland's Queen's Domain stage. The Big Top Tent: Another mixed-genre type tent playing host to mostly house. It started off as being one of the only stages held outside in a giant tent. Since 2010, there has been no incarnation of
Nocturnal Wonderland
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September 26, 2008, containing "Could've had Everything" and the original and instrumental version of "So What". On October 24 and November 14, 2008, remixes by UK dance music group Bimbo Jones was released to digital retailers across Europe in the form of a radio mix and the regular mix. In the United States, "So What" was released as a CD single, featuring the clean and unedited versions of the song. Reed Fischer of "Village Voice" noted it was the "newest entry in the Fantastic Empowerment Anthems genre." Stephen Thomas Erlewine, senior editor of Allmusic, named it one of "Funhouse"'s best
So What (Pink song)
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his job, and giving him the headstone. Henry tells no one of his situation, even his mother, to avoid stressing her out more and has to decide what to do on his own. Not knowing what he should do, he hides in the storage room at the art center and finds a mallet just in case he wants to destroy the village, as he is still unable to make up his mind. Henry falls asleep in the storage room and when he wakes up, he finds the art center deserted. Henry then finds the mallet and brings it above his
Tunes for Bears to Dance To
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rating on Rotten Tomatoes, based on 7 critics' reviews (6 negative, 1 positive). Larry Getlen of FilmCritic.com gave the film a negative review, saying that it "drift[s] without a storyline to follow or a character to care about" and was riddled with "infantile sex and fart jokes or gags that are just plain lazy". Allmovie.com gave the film 3½ out of 5, stating: "As joke-a-minute spoofs go, this surprisingly genial, cleverly constructed parody is one of the best of the genre without a Zucker brother or Jim Abrahams in the credits." Shriek If You Know What I Did Last Friday
Shriek If You Know What I Did Last Friday the Thirteenth
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thus an exploration of the multi-dimensional creative process. In 1982's "American Skeptic: Robert Altman's Genre-Commentary Films" by Norman Kagan, he cites the film as an "anti-genre exploration of what might be called the theme of madness. This genre includes such critically revered films as "Psycho", "Repulsion", and "Persona"." Images (film) Images is a 1972 British-American psychological horror film written and directed by Robert Altman and starring Susannah York and René Auberjonois. The picture follows an unstable children's author who finds herself engulfed in apparitions and hallucinations while staying at her remote vacation home. Conceived by Altman in the mid-1960s, "Images"
Images (film)
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Kane has very quickly gathered a following unequaled by any L.A. band in their genre. Kane has been voted the winner of the "2005 Country Thunder Young Guns Contest", been voted one of L.A.'s "100 Hottest Unsigned Bands" by industry magazine "Music Connection", and "Rock City News" and "E Media Wire Service" describe Kane in one word: "Killer." The band has played live shows to rave reviews at venues such as the Viper Room, King King, Ivar, Universal Citywalk, the Warner Bros. Sizzlin’ Country fundraiser and around the Southern California area. They have also performed in such varying locales as
Kane (American band)
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others ended with an invitation for a classroom discussion of the topic (1956's "What About Alcoholism?;" 1959's "What About Prejudice?"), whereas others were presented as striking cautionary tales (1959's "Signal 30;" 1961's "Seduction of the Innocent;" 1967's "Narcotics: Pit of Despair"). Although sometimes viewed as conservative or reactionary by today's standards, Smith points out that these films were not made by conservatives or reactionaries but instead "by some of the most liberal and progressive-minded people of their time." As films in this genre are largely in public domain, they have been used in modern productions outside of their intended purpose,
Social guidance film
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I recognize that I'm on display. [...] When you walk into a room, yes, people are going to talk about what you're doing there, but they're also going to want to know what you're wearing". She also revealed that she has never had a stylist of her own and that she makes her fashion choices herself. In 2015, the Countess was named on "Vanity Fair"'s Best Dressed List. Together with the Duchess of Cambridge, the Countess hosted the Commonwealth Fashion Exchange reception at Buckingham Palace during the 2018 London Fashion Week. In May 1999, less than a month before her
Sophie, Countess of Wessex
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for behavioural therapy you come out with a perspective of rewards and punishments etc.: "Psychology, like psychiatry, has found ways of linguistically contorting, convoluting, and confusing lived experience with essential “truths” of its own. Bill O'Hanlon, a preeminent postmodern consultant and author, uses his holiday cookie making experience to communicate what happens in the therapy room (O'Hanlon and Wiener-Davis, 1989). A client's problem that s/he brings to therapy is like cookie dough. The experience of it is vague and malleable. Once the "blob" of cookie dough is forced through the cookie press (a tube, funnel, and mold pressed against a
Social construction of schizophrenia
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Now, this art genre is onto 2000 stages since its launching on June 22, 2008 at Artist V. S. Valliathan's second death Anniversary Commemorative Meeting conducted at Pandalam in Pathanamthitta District, Kerala State. Varayarangu Varayarangu (), is an experimental Infotainment art genre from Kerala, which explores the performing level possibilities of Fine Art as a Stage Art . This 'Cartoon Stage Show' is a blend of poetry, anecdotes and socio-political satire with high speed drawing. Performing Cartoonist S. Jithesh has initiated and developed this art genre. The mode of presentation of this one-hour 'Cartoon Stage Show' is very captivating and
Varayarangu
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terms were used to describe the loosely defined movement, including "avant-garde", "energy music" and "The New Thing". During its early and mid-60s heyday, much free jazz was released by established labels such as Prestige, Blue Note and Impulse, as well as independents such as ESP Disk and BYG Actuel. Free improvisation or "free music" is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right. Free improvisation, as a genre of music,
Counterculture of the 1960s
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S relationships became more discreet. An influential Class S author was Nobuko Yoshiya, a lesbian Japanese novelist active in the Taishō and Shōwa periods of Japan, who was involved in the Bluestocking feminist movement. A modern-day yuri light novel series which strongly borrows from the Class S genre is "Maria-sama ga Miteru". It is considered to be a modern equivalent to Yoshiya's "Hana monogatari". Class S (genre) , or "S kankei", abbreviated either as "S" or , is an early twentieth-century Japanese "wasei-eigo" term specifically used to refer to strong emotional bonds between schoolgirls, and a genre of which tells
Class S (genre)
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in the past. Ms. Fure’s contribution is to suggest that the room itself was alive; that the pitches, rhythms and sensations generated by these seemingly inanimate objects have their own order and message, whether or not we can determine what it is." For "The New Yorker"'s Alex Ross, "gender does not play an explicit role in "The Force of Things", although Fure’s emphasis on the idea of empathy implies an opposition to the masculine megalomania of certain modernist predecessors." Jaap van Zweden, the new director of the New York Philharmonic, chose Fure's orchestral score "Filament" to inaugurate his tenure in
Ashley Fure
6824413
Timothy Shay Arthur Timothy Shay Arthur (June 6, 1809 – March 6, 1885) — known as T. S. Arthur — was a popular 19th-century American author. He is most famous for his temperance novel "Ten Nights in a Bar-Room and What I Saw There" (1854), which helped demonize alcohol in the eyes of the American public. He was also the author of dozens of stories for "Godey's Lady's Book", the most popular American monthly magazine in the antebellum era, and he published and edited his own "Arthur's Home Magazine", a periodical in the "Godey's" model, for many years. Virtually forgotten
Timothy Shay Arthur
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Lopatin released an official remaster for digital download in 2016. Side one Side two Chuck Person's Eccojams Vol. 1 Chuck Person's Eccojams Vol. 1 is an album by American electronic musician Daniel Lopatin, released under the one-time pseudonym Chuck Person. It was released on August 8, 2010 via The Curatorial Club as a limited edition cassette. The album is often credited with pioneering the musical genre and aesthetic style known as vaporwave. "Eccojams Vol. 1" consists of what Lopatin calls "echo jams": sample-based, looped audio pieces which typically chop up micro-excerpts of 80's pop songs or other forms of popular
Chuck Person's Eccojams Vol. 1
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what the symbols stand for. Searle writes "syntax is insufficient for semantics." However, for those who accept that Searle's actions simulate a mind, separate from his own, the important question is not what the symbols mean "to Searle", what is important is what they mean "to the virtual mind." While Searle is trapped in the room, the virtual mind is not: it is connected to the outside world through the Chinese speakers it speaks to, through the programmers who gave it world knowledge, and through the cameras and other sensors that roboticists can supply. These arguments are all versions of
Chinese room
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Pope"). Mitchell was said to have been inspired by 1972’s "The Godfather" directed by Francis Ford Coppola and makes a reference to the famous movie in his dialogue, without naming it specifically. During the 1970s, the poliziotteschi (crime-action) genre in Italy was exploding. However, there were very few American-made mafia films catching fire besides the namesake "Godfather" film. Mitchell was clearly influenced by Coppola’s work (as well as Scorsese’s) and was moved to tell his version of what it’s like to be an Italian-American, using his own nightclub points-of-reference and his bird's-eye-view of those Italian-American businessmen and their “spaghetti” traditions.
Massacre Mafia Style
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titles like "MIDI Maze" in 1987, the genre coalesced into a more violent form with 1992's "Wolfenstein 3D", which has been credited with creating the genre's basic archetype upon which subsequent titles were based. One such title, and the progenitor of the genre's wider mainstream acceptance and popularity was "Doom," one of the most influential games in this genre; for some years, the term Doom clone was used to designate this genre due to "Doom"s influence. Corridor shooter was another common name for the genre in its early years, since processing limitations of the era's hardware meant that most of
First-person shooter
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literature and women's presence within it. For example,1929's A Room of One's Own by Virginia Woolf is undoubtedly considered one of these formative texts. In it, Woolf argues that in order to write creatively and be critically successful, a woman must be able to own her own space and financial stability. And though the basis of the plot is around a Woolf speaking at a conference for women's literature, she speculates that there is still a long way to go for women and so-called 'women's issues' in creative space, especially based on the differences in educational quality Woolf observed between
Feminist literary criticism
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S&Man S&Man (pronounced as Sandman) is a 2006 pseudo-documentary film that examines the underground subculture of horror films. It contains interviews with indie horror filmmakers and other horror experts, including Erik Marcisak, Bill Zebub, Fred Vogel, Carol J. Clover, and Debbie D., as well as a scripted plot that comes into focus in the film's second half. The film discusses why some people enjoy underground horror films involving fetishes. Although the film is classified as a documentary, there is a fictional subplot which helps advance the film's theme by showing what some people really think about the genre. "S&Man" was
S&Man
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on previous experience so as to approach new genres and writing situations (Walvoord and McCarthy, 1990). This use of antecedent knowledge allows individuals to transfer genre conventions from one onto the next, keeping what they believe is shared and getting rid of those conventions that cannot be transferred. Although this ideal situation in the classroom where students can assume what can and cannot be transferred from one genre to the next is what some instructors anspire to, issues arise when the antecent knowledge that students are drawing from was constructed while working on genres in a different language, within a
Transfer (rhetoric)
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porn shops, and pawn shops. Now the hotel is simply known as "The Diller". It has been turned into apartments used by many students and artists today though it is still legally considered a hotel. It has become known for The Diller Room, a nostalgic-style cocktail bar was created by Robert B. and Josie S. Wilson in 2009. It occupies part of the former lobby and what was once The Diller Bar and The Flamingo Room post WW2 through the 1970s. The area has improved and is fast becoming one of the best parts of the city being home to
The Diller Hotel
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originally from Shapleigh, Maine, bought 20 acres land in 1890 in what would become his Tesoro Ranch Placentia. He did much to support growth of the citrus industry. A. S. Bradford House The A. S. Bradford House, also known as The Bradford House, is a historic home in Placentia, California. It was the home of Albert Sumner Bradford, who founded Placentia by arranging for establishment of a water tank along the railway. Homes and businesses within a one-mile radius could get water. Designed by James Stafford, the Colonial Revival, 15-room house was built in 1902, in an orange grove. It
A. S. Bradford House
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Presente and of Yayasan Musik Sastra Indonesia. Although a Muslim himself Ananda is highly critical of Jakarta governor Anies Baswedan, whom he accuses of pandering to Islamists. When Baswedan showed up at a college reunion, Ananda chose to leave the room, an activity that he did unprovocatively without asking anyone to follow what he did, as a declaration of his own views and morals. Several alumni, sharing the same views and morals as Andanda also chose to leave the room with their own will. Unlike what most media reported, most of the attendants and alumi stayed until the end of
Ananda Sukarlan
19854575
Marvin's Room (radio show) Marvin's Room is a Canadian radio program, which airs on CBC Music. Hosted by Amanda Parris, the program explores the genre of rhythm and blues, incorporating both historical and contemporary music in the genre. The program premiered in July 2016 as a short-run summer series. Following the end of the show's original run, the CBC announced that the series would return as a permanent part of the network's regular schedule, beginning in November 2016. The title was chosen because it symbolically connects the history and the future of the genre, linking Marvin Gaye's historic recording studio
Marvin's Room (radio show)
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"Jet". Many of his cartoons were filled with commentary on civil rights issues affecting African Americans. He created several album covers for the Chiaroscuro Jazz Record label, including The Red Holloway Quintet's "Standing Room Only", Frank Wess Quartet's "Surprise, Surprise", Jay McShann's "My Baby With The Black Dress On" and "A Lindy Hop Compilation". Brown was also a painter of what he described as "soul genre paintings" depicting humorous images of everyday life. Brown’s daughter, Tracy Hill recalls that the Famous Cosby had even bought one of them depicting a scene on a beach with Africans were coming out to
Robert Brown (cartoonist)
20011834
notable big room house songs. The genre gained notability in the early 2010s, after DJs and producers started to play big room house pieces at festivals and clubs. In 2016, Beatport added the Big Room genre and mistakenly reclassified electro house as a subgenre of Big Room, putting notable producers such as Deadmau5 and Wolfgang Gartner under the category. This issue was fixed shortly afterwards. The structure of big room house songs is similar in terms to that of progressive house music usually inspired from American progressive of the late 2000s. I.e., there are two build-ups complete with breaks, two
Big room house
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and is considered, along with Talk Talk's "Spirit of Eden" and "Laughing Stock", to have been the primary catalyst of the post-rock genre. The album is also regarded as being essential to "the fabric of math-rock genre". David Peschek said that the album is "the ur-text for what became known as post-rock, a fractured, almost geometric reimagining of rock music stripped of its dionysiac impulse." Rachel Devine of "The List" called "Spiderland" "arguably the most disproportionately influential [album] in music history". "Pitchfork" reviewer Stuart Berman commented: ""Spiderland"s greatest legacy is not that it motivated a cluster of semi-popular bands in
Spiderland
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Bad Kitty (comics) Bad Kitty is an American comic book that was published by Chaos Comics in the 1990s. Bad Kitty was one of several staple Chaos characters that capitalized on the so-called bad girl genre. New Orleans law enforcer Catherine Bell was one of a rare breed - a truly honest cop. Eventually the inevitable happened, when what should have been a routine case brought her into conflict with the corruption within her own police force. It also confronted her with the realities of voodoo, when her lover was transformed into a zombie, and sent to kill her. Enraged,
Bad Kitty (comics)
19789527
What a Beautiful Name "What a Beautiful Name" is a song by Australian praise and worship group Hillsong Worship. The song, written and led by Brooke Ligertwood and co-written with Ben Fielding, refers to the promise of salvation through Jesus Christ as represented by His Holy Name. The "genre-smashing single" contributed to Hillsong being named "Billboard"s Top Christian Artist of 2017. "What a Beautiful Name" won two Dove Awards for Song of the Year and Worship Song of the Year in 2017. It won the 2018 Grammy Award for Best Contemporary Christian Music Performance/Song. "What a Beautiful Name" was released
What a Beautiful Name
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Room 93 Room 93 is the debut extended play (EP) by American singer and songwriter Halsey. It was released on October 27, 2014 by Astralwerks. The project was re-released digitally on March 9, 2015, including a new version of "Ghost", this later is also included on the singer's debut full-length album "Badlands". The sound of the EP is rooted on the electropop music genre. A digital remix version of the EP, featuring three remixes for the songs "Hurricane", "Ghost" and "Trouble" was released on March 3, 2015. Along with the remix EP, a "One Mic, One Take" EP was released
Room 93
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from Girl Underground Music: "In the midst of the revival of 60's psychedelic sounds currently on the music market, it can become difficult breaking away from primarily being thrown under this genre. The bands that are capable of standing out and defining a sound of their own will be the ones to rise above the sea line. Children is one of these bands". Their song "Incantation" was chosen as the soundtrack to a time-lapse video of Oakland, California artist Jennifer Lugris Park's "Forgiven" series. In May 2015, "Great River" was featured as one of LAist.com's top 5 albums of the
Children (band)
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such film. Following the success of "Red Violation" (1980), Sone took a full break from "pink film"s for three years to try other projects. He returned to the genre with the successful sex-mystery, "Demon's Room" (1982). Together with director Mamoru Watanabe, Sone started the Film Workers Production Company in 1982 as an outlet for more mainstream projects. After "Tattoo" (1984), based on a Tanizaki novel, Sone left Nikkatsu until 1986, when the studio gave him a relatively large budget to direct "Adultery". Today judged one of his best works, the film was ignored by audiences and critics at the time
Chūsei Sone
20011832
Big room house Big room house is a subgenre of electro house. Since the mid-2010s it has become one of the most popular forms of electronic dance music. It has gained mainstream popularity after artists like Hardwell, Nicky Romero and Martin Garrix began infusing it into their musical style. The genre is generally 126 to 132 bpm. It is composed of 'lengthy techno-influenced build-ups, a powerful and driving electro-style drop'. It is also known to include a 4/4 hardstyle kick. A typical big room house track features bass-heavy kicks, with minimal musical elements and sometimes only a syncopated supersaw or
Big room house
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responses match what he was originally saying. Wiseau fails to answer several of the questions, instead offering non sequiturs. Among the outtakes included on the Blu-ray is an alternate version of the Chris-R scene, set in a back alley; instead of tossing a football, Denny is playing basketball and attempts to get the drug dealer to "shoot some H-O-R-S-E" with him to distract him from the debt. Another bonus feature on the Blu-ray is a more than half-hour long fly-on-the-wall style documentary about the making of "The Room". The documentary includes no narration, very little dialogue, and only one interview
The Room (film)