who sings backup on will you still love me tomorrow
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the same melody as the original but initially neglected to credit King and Goffin. Following a threat of litigation, later pressings of the record included proper credit. Eventually, it was withdrawn and replaced with a different song. The Satintones' versions are included in the box set "The Complete Motown Singles, Volume 1: 1959–1961". In 1971 Carole King, the co-writer of the song, recorded a version of "Will You Love Me Tomorrow" for her landmark studio album "Tapestry", with Joni Mitchell and James Taylor on background vocals. King's version of the song was taken at a considerably slower tempo and with
Will You Love Me Tomorrow
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the same melody as the original but initially neglected to credit King and Goffin. Following a threat of litigation, later pressings of the record included proper credit. Eventually, it was withdrawn and replaced with a different song. The Satintones' versions are included in the box set "The Complete Motown Singles, Volume 1: 1959–1961". In 1971 Carole King, the co-writer of the song, recorded a version of "Will You Love Me Tomorrow" for her landmark studio album "Tapestry", with Joni Mitchell and James Taylor on background vocals. King's version of the song was taken at a considerably slower tempo and with
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100 and Easy Listening charts. In 2003, "Tapestry" was ranked number 36 on "Rolling Stone" list of the 500 greatest albums of all time. King wrote or co-wrote all of the songs on the album, several of which had already been hits for other artists such as Aretha Franklin's "(You Make Me Feel Like) A Natural Woman" and The Shirelles' "Will You Love Me Tomorrow" (in 1960). Three songs were co-written with King's ex-husband Gerry Goffin. James Taylor, who encouraged King to sing her own songs and who also played on "Tapestry", would later have a number one hit with
Tapestry (Carole King album)
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her first solo album, "Writer", in 1970 for Lou Adler's Ode label, with Taylor playing acoustic guitar and providing backing vocals. It peaked at number 84 in the "Billboard" Top 200. The same year, King played keyboards on B.B. King's album "Indianola Mississippi Seeds". King followed "Writer" in 1971 with "Tapestry", which featured new compositions as well as reinterpretations of "Will You Love Me Tomorrow" and "(You Make Me Feel Like) A Natural Woman." The album was recorded concurrently with Taylor's "Mud Slide Slim," with an overlapping set of musicians including King, Danny Kortchmar and Joni Mitchell. Both albums included
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is featured as frequently in the musical. Will You Love Me Tomorrow "Will You Love Me Tomorrow", also known as "Will You Still Love Me Tomorrow", is a song written by Gerry Goffin and Carole King. It was originally recorded in 1960 by the Shirelles, who took their single to number one on the "Billboard" Hot 100 chart. The song is also notable for being the first song by a black all-girl group to reach number one in the United States. It has since been recorded by many artists over the years, including a 1971 version by co-writer Carole King.
Will You Love Me Tomorrow
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Will You Love Me Tomorrow "Will You Love Me Tomorrow", also known as "Will You Still Love Me Tomorrow", is a song written by Gerry Goffin and Carole King. It was originally recorded in 1960 by the Shirelles, who took their single to number one on the "Billboard" Hot 100 chart. The song is also notable for being the first song by a black all-girl group to reach number one in the United States. It has since been recorded by many artists over the years, including a 1971 version by co-writer Carole King. In 1960, the American girl group the
Will You Love Me Tomorrow
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Love Me Tomorrow (film) Love Me Tomorrow is a 2016 Filipino romantic drama film starring Piolo Pascual, Dawn Zulueta and Coleen Garcia. It is directed by Gino M. Santos. It was released on May 25, 2016 and produced by Star Cinema. A generational love story about a DJ, a conflicted millennial woman, and a woman who is described to be 'on the verge of renaissance.' They will be caught in a love triangle that will spark thoughts on one-night stands, May-December affairs and other aspects of life. The theme song ""Will You Still Love Me Tomorrow"" was originally sung by
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responds and continues, "that the dream has no end No matter how long it will take (I'll wait for you) And it's never been so strong, I heard an angel tell me." In the second part, Aline sings about dreaming of a kiss and a caring someone. Karin and Luciana sing that someday they will find love, and Luciana sings, "In your arms is where I want to be." At the "bridge", Aline sings once more, "All the love I've always sought, you've come to show me." Still on bridge, they claim to have found an "angel", "the love they
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the evolving relationship between the couple. Carey sings Anytime you need a friend / I will be here / You'll never be alone again / So don't you fear / Even if you're miles away / I'm by your side / So don't you ever be lonely / Love will make it alright, which hints at a current friendship where more still uncovered emotions are present. Author Chris Nickson explains on the song's switch in relationship, as the lyrics change to If you just believe in me / I will love you endlessly / Take my hand / Take me
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Andy Gibb's Greatest Hits Andy Gibb's Greatest Hits was the first compilation album by Andy Gibb. It was released in 1980. Aside from the previous singles it also contains three new songs being "Time Is Time", "Me (Without You)" and "Will You Love Me Tomorrow", the latter sung together with P. P. Arnold. The three new songs: "Time Is Time", "Me (Without You)" and "Will You Love Me Tomorrow" were recorded in the middle of 1980 at Criteria Studios. Another song, a cover of Bee Gees' "Morning of My Life" was recorded but was not included. On the album's side
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Time" (number 15 in January 1981) and "Me (Without You)" (Gibb's last top 40 chart entry) shipped as singles, before RSO founder Robert Stigwood had to let him go due to his cocaine addiction and behavioural problems. "After Dark" and "Will You Still Love Me Tomorrow" were non-single songs added to the album, the latter of which was a duet with P. P. Arnold, who had previously worked with Barry Gibb, including singing uncredited backups on "Bury Me Down by the River" from "Cucumber Castle". During his relationship with actress Victoria Principal, Gibb worked on several projects outside the recording
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be your friend / I will love you so deeply / I will be the one to kiss you at night / I will love you till the end of time." She continues her appeal as she sings to her love interest, "Take you away from here / There's nothing between us but space and time". On the bridge, Knowles belts her vocal lines over a shooting horn sequence; with her multiple-layered vocals, she commands, "Boy come to me", and towards the end, she repeatedly sings, "Say you’ll never let me go". Knowles "finds the strength in two" as she
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one, it features his five US Top 10 singles, while side two features three new songs and two songs from "After Dark". The CD versions of the songs later appeared on "Andy Gibb" (Hits Collection) except "Will You Love Me Tomorrow" which appeared on "The Millennium Collection". Andy Gibb's Greatest Hits Andy Gibb's Greatest Hits was the first compilation album by Andy Gibb. It was released in 1980. Aside from the previous singles it also contains three new songs being "Time Is Time", "Me (Without You)" and "Will You Love Me Tomorrow", the latter sung together with P. P. Arnold.
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opened for the Blues Project. Goffin and King's distribution deal with Atco fell apart. They were able to sign a deal with Cameo-Parkway distribute the Tomorrow label. The first release on the reconfigured Tomorrow label was by the Bach's Lunch, a female singing group, whose ranks included singer Darlene McCrea of the Cookies and the Raelettes. The Myddle Class provided the instrumental backing on both sides. The A-side was a remake of Goffin and King's "Will You Still Love Me Tomorrow", backed with Rick Philp and Dave Palmer's song "You Go On" on the B-side. The band enjoyed regional successes,
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I can be/ Cause I can sometimes treat the people/ That I love like jewelry" sung by Halsey. During the chorus, she sings "So I'm sorry to my unknown lover/ Sorry that I can't believe/ That anybody ever really/ Starts to fall in love with me". Toward the ending, she sings "Someone will love you/ But someone isn't me". An accompanying music video for "Sorry" was directed by Sing J Lee and Halsey, who had also helmed the videos for the previous singles, "Now or Never" and "Bad at Love". It was uploaded on February 2, 2018, on Halsey's Vevo
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Human Nature performed "Earth Angel" live on "Sunrise" on September 1. Human Nature performed "Will You Love Me Tomorrow" and "Runaound Sue" live on "Dancing with the Stars" on October 28. Human Nature released a music video for "Runaround Sue" on October 10 and "Will You Love Me Tomorrow" on October 17 via their VEVO account. A writer from smoothfm described "Jukebox" as a "brilliant collection" and that Human Nature "takes a trip back to the glory days of popular music". Kirsten Maree from Renowned For Sound gave the album four out of five stars. She also praised the group's
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Flack had previously recorded two Masser co-writes with Gerry Goffin: "Independent Man" (album "Roberta Flack"/ 1978) and "Stay With Me" (album "Roberta Flack Featuring Donny Hathaway"/ 1980): also Masser's Ron Miller co-write "After You" was featured on Flack's 1977 album "Blue Lights in the Basement". Flack's first recording of a Gerry Goffin co-write had been a remake of his earliest evocation of nocturnal intimacy, Flack's version of the Shirelles' classic - co-written with Carole King - "Will You Still Love Me Tomorrow" - featured on the 1971 album "Quiet Fire" - in fact becoming Flack's first solo single to appear
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follow. Turner writes that the Shirelles "launched [the girl group] genre", noting that their early work already included "the essence" of the genre; Alwyn Zak expands on the statement, noting that the influx of female groups started after the success of "Will You Love Me Tomorrow". Michael Campbell notes that the Shirelles' success reflected the Civil Rights Movement. He indicates that works such as "Will You Love Me Tomorrow", written by a white couple, produced by an African-American man, with vocals by young African-American women and strings sounding like they were targeted at a white audience, conveyed a "color-blind" message
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1. Water of March (Aguas De Marco) 2. The Look Of Love 3. Breaking Up Is Hard To Do - Sofia duet with Roji Soriano 4. Just The Way You Are 5. At Seventeen [Instrumental] 6. Will You Still Love Me Tomorrow - Sofia featuring Roji Soriano 7. Just No Ordinary Day 8. Let's Wait Awhile 9. Constantly [Instrumental] 10. Blue Moon - Sofia duet with Roji Soriano 11. Desafinado (Off-Key) 12. Moonlight Over Paris [Instrumental] 13. It's Too Late 14. Englishman In New York - Sofia featuring Roji Soriano 15. Sorry Doesn't Make It Anymore 16. Dance With Me
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Best Revival. Those performances include: James Monroe Iglehart, Adam Jacobs, and the cast of "Aladdin" performing "Friend Like Me"; Ramin Karimloo and the cast of "Les Misérables" performing "One Day More"; Jessie Mueller and the cast of "" performing a medley of "Will You Still Love Me Tomorrow" and "I Feel The Earth Move" (with Carole King herself); Bryce Pinkham, Lisa O'Hare, and Lauren Worsham from "A Gentleman's Guide to Love and Murder" performing "I've Decided to Marry You"; the cast of "Bullets Over Broadway" performing "T'Aint Nobody's Business"; and Andy Karl and the cast of "Rocky" performing "Eye of
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The Shirelles in 1960. In 2016, Juris covered the said theme song of the movie title. An EDM remix was done covered by KZ Tandingan. Love Me Tomorrow (film) Love Me Tomorrow is a 2016 Filipino romantic drama film starring Piolo Pascual, Dawn Zulueta and Coleen Garcia. It is directed by Gino M. Santos. It was released on May 25, 2016 and produced by Star Cinema. A generational love story about a DJ, a conflicted millennial woman, and a woman who is described to be 'on the verge of renaissance.' They will be caught in a love triangle that will
Love Me Tomorrow (film)
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gas containers" "Who like me enjoys two worlds?" "Today I am here and tomorrow they will not be here" "Many of them, very many of them will not" "It’s true that I am nothing but ungrateful scum" "That’s true, but I am not to blame, I grew up without love" "It’s true that the moment will come when you turn your back to me" "And then I shall stick into you the sharpened axe" "It’s true that I am nothing but ungrateful scum" "That’s true, but I am not to blame, I grew up without love" "It’s true that the
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by West, who wrote it alongside Bink!, Ross and Malik Jones. The song samples Smokey Robinson's slow jam recording "Will You Still Love Me Tomorrow", and is themed lyrically to lust and heartache. Both the topics of love and religion serve as the main inspiration to the song. The song received acclaim from music critics, who praised the delivery of West's verse, the lush production and the guest appearance by Ross. It has been remixed by several musicians, such as J. Cole, Jay Electronica and Young Chris. Ross promoted the song releasing a music video in which he showcased his
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The Norwegian soprano Sissel Kyrkjebø recorded "When You Tell Me That You Love Me" as a duet with Spanish tenor Jose Carreras on her 2007 album, Northern Lights. Sissel sings in English and Carreras sings in Italian. On the album the song is called "Quando Sento Che Mi Ami" The 12 American Idol Finalists - Season 4 Finalists got together perform this Diana Ross hit. It was selected as the American Red Cross Disaster Relief Single in 2005 for the American Idol TV show. It also appears on the compilation album. When You Tell Me That You Love Me "When
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Abreu sings 'you say you listen but you never do' and 'you make me sad when I'm happy'. However, rather than be deluded, she is fully aware of the negativity the relationship is causing, but is unable to break away due to her love for her partner: 'still I go weak when you just look at me'. The song ends with Abreu providing a clear ultimatum: 'let me love...or let me be free'. Released only to radio in order to promote the album from which it was lifted, "Impatient" did not chart on the Finnish Top 20 or the Download
Impatient (Anna Abreu song)
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released version was less than 3 minutes. The song is built on a soulful sample of Smokey Robinson's recording "Will You Still Love Me Tomorrow", with an extended guitar solo. The song features a synth-heavy breakdown, complete with guitar riffs, before Ross arrives, spitting: "I never needed acceptance from all you outsiders/ Had cyphers with Yeezy before his mouth wired/ Before his jaw shattered, climbing up the lord's ladder/ We still speeding, running signs like they don't matter." It is the only album track without production by West, but features his characteristic style of manipulating the pitch and tempo of
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who will support her, not disappear when she needs him the most. She asks if he thinks the relationship is worth fighting for. "I wanna love/ I want a fire/ To feel the burn/ My desires/ I wanna man by my side/ Not a boy who runs and hides/ Are you gonna fight for me?/ Die for me?/ Live and breathe for me?/ Do you care for me?/ 'Cause if you don't then just leave," she sings. Pam Avoledo of Blogcritics wrote that "[...] Clarkson vocals fiery and smoldering. She's come a long way from American Idol where she had
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Times Can We Say Goodbye", a Warwick/Vandross duet, which peaked at #27 on the "Billboard" Hot 100. It also became a Top 10 hit on the Adult Contemporary and R&B charts. The album peaked at #57 on the "Billboard" album chart. Of note was a reunion with the original Shirelles on Warwick's cover of "Will You (Still) Love Me Tomorrow?" The album "Finder Of Lost Loves" followed in 1984 and reunited her with both Barry Manilow and Burt Bacharach, who was writing with his then current lyricist partner and wife, Carole Bayer Sager. In 1985, Warwick contributed her voice to
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walking forward / without looking back " and ending with a falsetto, " Because it's still / Not over yet ". Lyrically, "Life" talks about going forward with all one's might because of the courage someone has given them. The band sings in the chorus, " Today I've cried/ I've cried / " Some day I'm going to smile again " / Look up at the sky / Open my hands / And prepare myself for tomorrow / Then once more / Once more / I want to laugh with the smile you gave me / Because it's still /
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she doesn't want any money and love is that that actually she misses. She says that he could not buy her, because with money love is not buying. The song is continuing and Elena asks him why he is still on the top and says to him to come down to her world, he is just missing love. She sings about her eyes comparing with black diamonds, and says that with brilliants her lips are full. She just wants one thousand kisses. The chorus is continuing. Leroy Chambers sings in English the following sentences: ""Every time you call me, you
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with that." According to Lorde, "Writer in the Dark" is her way of saying, "It's what I've always been. It's what I was when you met me. It's what I will continue to be after you leave. That's exactly what was going to happen when you kissed a writer in the dark." She noted that the lyrics of the chorus fluctuate in emotion when she sings the lines, "I am my mother's child, I'll love you 'til my breathing stops / I'll love you 'til you call the cops on me / But in our darkest hours, I stumbled on
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2012. The tune «Will you still love me tomorrow» from the debut album was recorded at the NRK studio in Kristiansand June 5, 2004, and was listed at NRK P1. It has been released on four compilation albums, last on "Close to you", released March 22, 2008 in Hongkong, on the label Universal Music Group. Inger Marie Gundersen Inger Marie Gundersen (born 13 February 1957) is a jazz vocalist from Arendal. When Gundersen had been a jazz singer for 25 years, her debut albumet "Make This Moment" was released in 2004, with her own jazz quintet «My Favorite Strings». The
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Will You Still Love Me? (song) "Will You Still Love Me?" is a song written by David Foster, Tom Keane and Richard Baskin for the group Chicago and recorded for their album "Chicago 18" (1986). The second single released from that album, it reached number three on the U.S. "Billboard" Hot 100 chart in early 1987, prevented from further chart movement by "Keep Your Hands to Yourself" by The Georgia Satellites and "Livin' on a Prayer" by Bon Jovi, and also number two on the Adult Contemporary chart, kept from the top spot by "Ballerina Girl" by Lionel Richie. The
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on 3 April 2015, but failed to chart. On 2 June 2015, Eden released a cover version of The Shirelles song "Will You Still Love Me Tomorrow", which was used in a promotional sync campaign for the Nine Network's drama series "Love Child". In October 2018, Eden announced the release of her third studio album titled "Born to Fight". Eden realised she wanted to make music that showed her fiery side and her passion for blues, rock'n roll and even a great power ballad, saying "I've always been singing sad soul songs and I thought, just for once, there's another
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song. According to the lyrics of "Why Don't You Love Me", Knowles impersonates a woman who questions her love interest about the reason for which he does not value her fabulousness, convincing him she's the best thing for him as she sings: "Why don't you love me... when I make me so damn easy to love?... I got beauty... I got class... I got style and I got ass...". The singer further tells her love interest that the decision not to choose her is "entirely foolish". Originally released as a pre-order bonus track on the deluxe edition of "I Am...
Why Don't You Love Me (Beyoncé song)
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Do" hit #31 on the Hot 100, while in the UK Singles Chart it peaked at #48. Posey’s final pop top 20 hit was "I Take It Back", another US number 12 in July 1967, although she made other recordings for MGM Records until 1968, including "What A Woman In Love Won't Do" that peaked at number 31 in the US in late 1967. These were mostly produced by Moman, but a few, including a version of the Shirelles' hit "Will You Still Love Me Tomorrow" (1968), were produced by Joe South. Posey turned to the country music field in
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enchantingly innocent love", themes he believes are seldom explored in mainstream pop music. The term "heartbreaking" is often used to describe the song; Arkansas Online deemed the track "bittersweet". Described as "a heart-wrenching lament about being left behind", the song's lyrics begin, "When somebody loved me, ev'rything was beautiful." McLachlan movingly sings the line "I was left alone. Still I waited for the day when she'd say I will always love you." Despite having been written about "that fragile bond between child and favorite toy", the song's lyrics are open to universal interpretations. Richard Walters, editor of the book "The
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song was Chicago's first top ten hit following the departure of Peter Cetera, and it featured new singer and bassist Jason Scheff on lead vocals. One of the song's co-writers, Tom Keane had previously fronted the early 1980s band Keane, for which Jason Scheff played bass. In 2003, jazz group Urban Knights, led by pianist Ramsey Lewis, covered the song with vocals by Michelle Williams (Destiny's Child). Will You Still Love Me? (song) "Will You Still Love Me?" is a song written by David Foster, Tom Keane and Richard Baskin for the group Chicago and recorded for their album "Chicago
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released in recent years on the budget "The Collection" compilation and "Classics & Collectibles" (2005). "I Have Dreamed," "Country Girl," "When the World Was Young," "Someone to Light Up My Life," "The Impossible Dream," "If She Walked Into My Life," "Who (Will Take My Place)" and "Lost in the Stars" are included on "Classics & Collectibles", while "The Look of Love" is included on "The Collection". "Will You Still Be Mine," "The Song Is You" and "Only the Young" remain unavailable. "Scott: Scott Walker Sings Songs from his T.V. Series" received mixed reviews by the majority of critics. Richie Unterberger,
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of the anguish of having her partner leave. Both of the songs were written and produced by Jim Jonsin and Rico Love. Singer turned producer Mario Winans, wrote and produced a song for the album called "Wish Your Love Away" where Norwood sings with angst for her lover "who played her like a fool". Centred around a melody of "serrated drums" and a "piping" pan flute Norwood singles "Remember that you told me you were with it, and all them other bitches you could do without." "Do You Know What You Have?", helmed by Mike WiLL Made It, switches direction,
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described by Robert Copsey of Digital Spy as a "60s-swing-meets-East-London vibe". Roberts' voice has been described by Katherine St Asaph of Pop Dust as a "springy" vibrato, with breathy background vocals featuring sounds effect including repeated kissing noises. Roberts sings about falling in love with someone, as she sings: "Aah, say that you love me, say that you need me too... best you ever had. It could be so easy, for you to please me, baby. So how come you tease me?". Roberts discussed the track on her blog, commenting that its lyrical content alludes to a boy that initially
Lucky Day (Nicola Roberts song)
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arranged version of Carole King's 1960s ballad "Will You Still Love Me Tomorrow", Erasure's anthem "A Little Respect", and a reworking of the Diana Ross dance classic "Love Hangover". Replacing the downtempo ambient version found on the 2006 "The Makeover", Watley recorded the new arrangement originally suggested by songwriter Pam Sawyer, for Ross. Reg Dancy from Basic Soul would write that Watley was able to handpick songs and make them seem as if they had been written for her. Added to the line-up of producers which included King Britt, Mark de-Clive Lowe, 4Hero, DJ Spinna, and longtime co-collaborator Rodney Lee,
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Iliana, mentored by Gloria Estefan was voted as the second semifinalist for the final round. Performances for the third candidates were made, getting Jordan Baird mentored by Joe Jonas, the most public votes to make it to the finale. Michael, who had John Rich as his mentor, sang Barefoot Blue Jean Night by Jake Owen. He sounded just like he should have an album out already. Iliana decided to choose an older song. She came out to sing Will You Still Love Me Tomorrow. The mentors thought it was a gamble, but they loved it. Jordan impressed Joe with a
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daytime jobs, Goffin working as an assistant chemist and King as a secretary. They wrote songs together in the evening. Neil Sedaka, who had dated King when he was still in high school, had a hit in 1959 with "Oh! Carol". Goffin took the tune and wrote the playful response, "Oh! Neil", which King recorded and released as a single the same year. The B-side contained the Goffin-King song "A Very Special Boy". The single was not a success. After writing The Shirelles' "Billboard" Hot 100 #1 hit "Will You Love Me Tomorrow", the first No.1 hit by a black
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rendition of "Will You Love Me Tomorrow" for a Carole King tribute album "". In March 1996, they relocated to The Hit Factory in New York to record two songs. Around 1996, the Bee Gees used session musicians to complete the entire album, produced by Russ Titelman. Also in 1996, the Bee Gees recorded two songs with two members of P.M. Dawn, Attrel Cordes and Jarett Cordes. The producer on "With My Eyes Closed" was Raphael Saadiq. "Still Waters (Run Deep)" was produced by Hugh Padgham. The last song recorded for the album was "Closer than Close" which features Maurice
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of the acoustic set he performed in Germany while supporting Robin Gibb. This included "Bring it On", "You and Me (Tonight)", "In Your Smile" and "I Have Lived" with a cover of "I Can't Make You Love Me". The limited edition CD was only made available for a short time at his concerts. At his Christmas concert in December 2006, he released another independently recorded, three track solo CD, "Finding Boethius", consisting of one co-written song, "Let Love Speak Its Name", a cover of "Hallelujah" which he regularly sings live, and an acoustic cover of "Love Will Tear Us Apart".
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"Thought I Knew," "Happiness," "Amy Magazine," "3rd Gnossiennes," "In Love with Love," "Are You Gonna Be?," "Hand to Hold," "Will I Ever See Her Again?," "Mother Night," "Ugly Things," "Mow the Lawn," "Young Temptations," "Mistake Maker," "Sweet on You," "Oh Allen," and "Clown Song." Two versions of "Are You Gonna Be?, "Hand To Hold", "Mother Night, "Please Help Me, "Something More, "Thought I Knew", "Together Tomorrow," and "Will I Ever See Her Again?" were posted. "Hand to Hold" is a reworked version of the Weezer song "Private Message," co-written by Rivers Cuomo. Bell asked Cuomo if he could take a
The Relationship
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Love Me Like There's No Tomorrow "Love Me Like There's No Tomorrow" is a song by Freddie Mercury, released in 1985 as the fourth and final single from his debut solo album "Mr. Bad Guy". It was written by Mercury, and produced by Reinhold Mack and Mercury. "Love Me Like There's No Tomorrow" reached No. 76 on the UK Singles Chart and remained in the Top 100 for two weeks. According to Peter Freestone, in his book "Freddie Mercury: An Intimate Memoir by the Man Who Knew Him Best", "Love Me Like There's No Tomorrow" was inspired by Mercury's relationship
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version can be heard in the fifth episode of the show. Springfield was popular in Europe and performed at the Sanremo Music Festival. Recordings were released in French, German, and Italian: her French works include a 1964 four-track extended play with "Demain tu peux changer" (aka "Will You Still Love Me Tomorrow"), "Je ne peux pas t'en vouloir" ("Losing You"), "L'été est fini" ("Summer is Over") and "Reste encore un instant" ("Stay Awhile"); German recordings include the July 1964 single, "Warten und hoffen" ("Wishin' and Hopin' ") backed with "Auf dich nur wart' ich immerzu" ("I Only Want to Be
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band's music. While electric guitars still play a prominent role, the focus is on Adam Gontier's voice and the melody. The song, unlike much of the band's other works, is quite positive. It is a song written with simple words: "Let me inside, let me get close to you / Change your mind, I'll get lost if you want me to / Somehow I found a way to get lost in you." The lyrics are bittersweet as Gontier sings about a love that has its ups and downs. On March 15, 2011, the band released an EP, via online download,
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the track, Björk said, "when you take technology and use the areas where it breaks, where it's faulty, you're entering a mystery zone where you can't control it". Lyrically revolving around making love, the song alternates between metaphors like "Who would have known/That a boy like him/Would have entered me lightly/Restoring my blisses", and explicit lines such as "He slides inside/Half awake, half asleep" and "Gorgeousness/He's still inside me". According to Michael Cragg of "The Guardian", the song "best represents the album's sense of heavy-lidded, post-coital hibernation". Björk sings a breathy, "whispered, near-cracking falsetto" on the track. "It's Not Up
Vespertine
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I Still Love You (Bee Gees song) "I Still Love You" is a song by the Bee Gees primarily written by Barry, Robin & Maurice Gibb. It was released as a double A side of "Living Eyes" and on the album "Living Eyes". Produced by the Gibb brothers with Albhy Galuten and Karl Richardson. The song included in the compilations, "Bee Gees" (1999) "Bee Gees Mix" and "Love Hits" (1987). "I Still Love You" is a song written by Barry, Robin and Maurice Gibb in 1981. Robin Gibb sings lead on this track, he also sings harmony with his brothers
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years in the UK. Among the many famous guests that appeared on "Barrymore" include Cliff Richard, Uri Geller and Spike Milligan. Following his appearance on the 1993 "Royal Variety Performance", where he performed a version of "Will You Still Love Me Tomorrow" with soldiers, he became popular on television and on the stage. The Royal Variety Show performance brought the house down and cemented Barrymore's place at the heart of the British public. Following on from the success, Barrymore went into rehab due to his alcohol and drug addiction. He left after a couple of months and went on to
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on September 5, 2011. On May 28, 2011, Durbin and the other American Idol top 4 performed at the opening of the new Microsoft Store at Lenox Square Mall in Atlanta, Georgia. Durbin, along with fellow contestants Scotty McCreery, Lauren Alaina, and Haley Reinhart, released a Walmart Exclusive EP with his highlights from American Idol. The tracks feature "Will You Still Love Me Tomorrow", "Uprising" and a previously unreleased recording of "Good Riddance (Time of Your Life)". Durbin started working on his debut album after appearing on "American Idol", and wrote with James Michael and Marti Frederiksen, as well as
James Durbin (singer)
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Barry White Sings for Someone You Love Barry White Sings for Someone You Love is the self-produced seventh album by soul singer Barry White, released in 1977 on the 20th Century label. The album topped the R&B albums chart, White's first to do so since 1975. It also reached No. 8 on the "Billboard" 200, his second to reach the top ten. The album was a success, yielding two Billboard R&B Top Ten singles, "It's Ecstasy When You Lay Down Next to Me", which peaked at No. 1, and "Playing Your Game, Baby". "It's Ecstasy When You Lay Down Next
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I live in Jerusalem" "I study at the university a thing or two" "Who enjoys all the worlds like me?" "Today I am moderate and smiling" "Tomorrow I shall ascend to heaven" "I shall send to hell a Jew or two" "It’s true that I am just ungrateful scum" "That’s true, but I am not to blame, I grew up without love" "The moment will come when you turn your back to me" "And then I shall stick into you the sharpened axe." "I am Ahmed living in the central region" "I work near a kindergarten and am responsible for
Amir Benayoun
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and gradually fades out. "You Must Love Me" is set in common time, with a moderate tempo of 92 beats per minute. It is composed in the key of B major, with Madonna's vocals spanning from G to B. The song has a basic sequence of B–E/B–F/B–B in the beginning and changes to B–F when Madonna sings the opening verse "Where do we go from here?". "You Must Love Me" received generally positive reviews from critics. J. Randy Taraborrelli, author of "", wrote: "Who can deny that her voice has remarkable and unmistakable presence when heard during 'You Must Love
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and dance being widespread in the prominent markets of the world. Pitbull has been the principal representative of this subgenre. Bachata-which became mainstream in the past decade-has garnered more popularity thanks to remakes of classic songs, including "Stand by Me" by Prince Royce and "Will You Still Love Me Tomorrow" by Leslie Grace. In addition, acts, like Royce, as well as former Aventura lead singer Romeo Santos, have crossed over different markets with bachata, such as with Enrique Iglesias' song "Loco", which features Santos. Royce and Santos had the best selling Latin albums of 2011 and 2012, respectively, in the
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Lovato sings accompanied by guest choir while confetti raining down. Recording and management Personnel Credits adapted from the liner notes of "Tell Me You Love Me". Tell Me You Love Me (song) "Tell Me You Love Me" is a song by American singer and songwriter Demi Lovato. It was written by Kirby Lauryen, Stint and John Hill, with production handled by the latter two. It was initially released through Hollywood, Island and Safehouse Records on August 24, 2017, as the first promotional single from Lovato's sixth studio album of the same name (2017). It was released as the second and
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747 going over your head and the ground shaking you can't hear anything. So, if you look carefully we're all out of sync. And then we'd gone by then. I love it when a plan comes together." "We were trying to make an impressive looking video with no money. And of course, the airport's on our doorstep so we thought we'd use it. The guy who was directing it went into the visitors centre and said 'I'm moving into the area. Can you tell me where the planes will be coming in tomorrow cos I want to know how they
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Quiet Fire Quiet Fire is the third studio album by American singer-songwriter Roberta Flack, released in November 1971 by Atlantic Records. It was recorded at Atlantic Recording Studios, Regent Studios, and The Hit Factory in New York City. The album peaked at number 18 on the "Billboard" Top LPs & Tape, and its single "Will You Still Love Me Tomorrow" charted at number 76 on the Hot 100. In a contemporary review for "The Village Voice", Robert Christgau gave "Quiet Fire" a "C", writing that Flack occasionally "sounds kind, intelligent, and very likable, but she often exhibits the gratuitous gentility
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whoever will have me." Pretty one, is it true that you love me, is it me that will you take? My daughter, you need to get married: choose who you like. "Ah! Ah! Ah! Ah!" Long live the beautiful month of May! Long live the month, the month of love! Mad'moiselle, enter our house Mad'moiselle, give a glance so that we love you with a heart all full of love. A husband will choose you; so choose a good catch. "Look at me sweetly; "Kiss me on the neck "Get on your knees, "and then rise up." Here I am
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sex and echoes the personal sentiment of the 1960 song "Will You Still Love Me Tomorrow" by The Shirelles. The track's string arrangement was compared to the works of Etta James and The Skyliners' song "Since I Don't Have You" (1958). The standard edition's closing track "Lips Are Movin" is a bubblegum pop, doo-wop song that contains influences of Motown bounce, music of 1945, and hip hop. It has a half-sung, half-rapped format, a retro-soul melody and beat, and a percussion-heavy arrangement. Lyrically, the song rebukes an unfaithful, dissembling lover while asserting Trainor's physical assets. It shares the relationship-misstep themes
Title (Meghan Trainor album)
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and are harder to find than the more common light brown fur with black letters cover. Barry White Sings for Someone You Love Barry White Sings for Someone You Love is the self-produced seventh album by soul singer Barry White, released in 1977 on the 20th Century label. The album topped the R&B albums chart, White's first to do so since 1975. It also reached No. 8 on the "Billboard" 200, his second to reach the top ten. The album was a success, yielding two Billboard R&B Top Ten singles, "It's Ecstasy When You Lay Down Next to Me", which
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by HitFix's Melinda Newman. She added, the lyrics are "sweet" and tortuous as he sings "Oh, I still dream of a simple life/ Boy meets girl/ makes her his wife/ But love don’t exist when you live like this... All these roads steer me wrong/ But I still drive them all night long/ all night long". There is a sentiment of "lament" in the song, "Oh you young wild girls/ You’ll be the death of me". "Young Girls" debuted to mixed and positive reviews among critics. After its premiere during Mars' performance on "Saturday Night Live", it became available as
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rolling seas" and to her sister ringing the "evening bell" - and, as Browne seems to confirm, as a memory of a lost young love from Browne's past near the California coast. The narrator wants her to stay to "help me find a way to fill these empty hours; say you will come again tomorrow," but "next thing I knew, we had brought her things down to the bay -- what could I do." Browne performed the song on "The Old Grey Whistle Test" in 1972. Calling it an "exquisite love song," in 1972, Bud Scoppa in "Rolling Stone" spent
Jamaica Say You Will (song)
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No. 2 hit in Australia for Branigan) and the dance hit "Satisfaction". The album also featured an understated version of Carole King's "Will You Still Love Me Tomorrow"; as a counterpoint to all the dance productions, it was a bare-bones piano version. (In concerts and television appearances throughout her career, Branigan accompanied herself on the piano for the song.) Branigan's vocal coach was Carlo Menotti, and she worked with Steve Lukather (Toto), Dann Huff (Giant) and Michael Landau; keyboardists Greg Mathieson, Harold Faltermeyer, Michael Boddicker and Robbie Buchanan; bassists Nathan East and Dennis Belfield (Rufus); drummers Carlos Vega and Doane
Laura Branigan
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Wes Farrell Wes Farrell (December 21, 1939 – February 29, 1996) was an American musician, songwriter and record producer, who was most active in the 1960s and 1970s. Farrell's catalogue includes close to 500 songs that he wrote, produced, or published. One of his earliest successes, "Boys" (co-written with Luther Dixon), appeared on the B-side of the Shirelles' number-one 1960 hit "Will You Love Me Tomorrow", and in 1963 was covered by the Beatles for their debut album "Please Please Me". Farrell's biggest chart hit as a composer – the McCoys' 1965 US #1 single "Hang On Sloopy" (a reworking
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Philosophy". After university, Greig worked as a music journalist in print and radio. In 1990 she presented a six-part series on BBC Radio 1 called "Will You Still Love Me Tomorrow" on girl groups in popular music. It was based on her own book of the same title, published in 1989. In 1991 she wrote another Radio 1 documentary, "British Black Music", and went on to present popular music features for BBC Radio 4's "Woman's Hour" and "Kaleidoscope". By 1998 Greig was working for "Mojo" magazine, reviewing folk and country music. In the same year, she issued the first of
Charlotte Greig
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everything you own in a box to the left". In bar seven, she sings the first verse, arguing with her boyfriend about the indifference of their relationship, and tells him to walk away. The pre-chorus and chorus follow, "You must not know 'bout me ... I can have another you by tomorrow / I could have another you in a minute ... Don't you ever for a second get to thinking / You're irreplaceable". In the second verse, Beyoncé recollects the moment she discovered her boyfriend's infidelity. The same pattern leads to the second chorus. Towards the end, Beyoncé sings
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Seduction: Sinatra Sings of Love Seduction: Sinatra Sings of Love is a 2009 double disc compilation album by American singer Frank Sinatra. Released by Rhino just in time for Valentine's Day 2009, Seduction: Sinatra Sings of Love is a good collection of 22 highlights—with an additional ten cuts on the two-disc "deluxe" edition—from Sinatra's Reprise recordings. While there are surely some hits here -- "Some Enchanted Evening," "They Can't Take That Away from Me," "I Get A Kick Out of You," "I've Got You Under My Skin"—what's noteworthy about this collection is that it is not just a recycling of
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working with a female bachata artist. The lead single, produced by George, "Will You Still Love Me Tomorrow", a bilingual, bachata cover of the 1961 The Shirelles hit, co-written by Carole King. Her version peaked number one on both the "Billboard" Tropical Songs chart and "Billboard" Latin Airplay charts, becoming the first female Latin artist to do so. Leslie Grace (album) Leslie Grace is the self-titled second studio album and first tropical album by American singer Leslie Grace. The album was released on June 25, 2013, by Top Stop Music. It debuted at number four on the "Billboard" Latin Albums
Leslie Grace (album)
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She recorded and released an independent Christian music album in partnership with CD Baby while in middle school. Her mainstream debut came with "Will You Still Love Me Tomorrow", a bilingual cover of the 1961 Shirelles hit. Her bachata-tinged rendition peaked at number one on both the "Billboard" Tropical Songs chart and "Billboard" Latin Airplay charts, making her the youngest female artist to do so. Her self-titled second studio album, "Leslie Grace" (2013), reached number four on the "Billboard" Latin Albums chart, and number three on the "Billboard" Tropical Albums chart. As of June 2015, Grace is the face of
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Is...Brenda", the album's production mixed the sounds of Rockabilly with the Nashville Sound production, according to Richie Unterberger of "Allmusic". Seven of the album's twelve tracks were cover versions. The album's eighth track "Will You Love Me Tomorrow" was a remake of the single by The Shirelles and the songs "Georgia on My Mind" and "Swanee River Rock" were previously recorded by Ray Charles. While Unterberger found that the songs seemed to be on the "filler side", he still felt that Lee "brought commitment to each and every one of her vocals." Also included on the album was two songs
Emotions (Brenda Lee album)
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titles of the two songs seemed, in retrospect, to presage the downturn in O'Keefe's career the A-side, "Rock'n'Roll Will Stand" was backed by a cover of the Shirelles' "Will You Still Love Me Tomorrow?". His popularity continued to decline and sales of his records fell. "Sing, Sing, Sing" was eventually cancelled in October 1965. In January 1967, O'Keefe compered a new TV show called "Where The Action Is". It was produced and broadcast by the newly opened Channel TEN-10 and filmed at various outdoor locations around Sydney, and O'Keefe released a 'spin-off' album also titled "Where The Action Is" during
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Paula catalog #324] You Know That I Love You / All These Things [1969, Paula catalog #332] Eunice / No One But You [1970, Paramount, catalog #PAA-0017] Lazy Afternoon / Shadow Of Love [1970, Paramount, catalog #PAA-0058] Lucille / One Night With You [1971, Paramount, catalog #PAA-0116] Will You Love Me Tomorrow / I Am A Gemini [1972, Paramount, catalog #PAA-0172] Authorship of "All These Things" is taken from http://www.joestampley.com/Uniques.htm The Uniques (Louisiana band) The Uniques were an American rock band based in Louisiana, with Joe Stampley at the helm. They were active from 1965 to 1970, recording most of
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"I Can't Make You Love Me" was recorded against a quiet electric piano-based arrangement, with prominent piano fills and interpolations supplied by Bruce Hornsby. The singer depicts a now one-sided romantic relationship about to end in soft but brutally honest terms: "Turn down the lights, turn down the bed/Turn down these voices inside my head/Lay down with me, tell me no lies/Just hold me close, don't patronize ... don't patronize me/'Cause I can't make you love me if you don't/You can't make your heart feel something that it won't," she sings. "I Can't Make You Love Me" received acclaim from
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If You Love Me (Let Me Know) "If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the "Billboard" country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. Brian Collins covered the song for Dot Records in 1977. His version went to number 83 on
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is one of the few indispensable vocal jazz albums of recent years". Dave Gelly in "The Observer", gave the album four stars and said of Carroll's performance on "Ballads" that "Surrounded by a changing cast of the best musicians around, illuminated by piquant arrangements, her singing takes on a new, glowing depth". Chris Parker, reviewing the album for "LondonJazz", said: "Carroll does not merely interpret these songs, she inhabits them, intimately confiding in her listeners so that everything from Todd Rundgren's ‘Pretending to Care’ and Carole King's ‘Will You Still Love Me Tomorrow’ to more conventional jazz standards (‘Mad About
Ballads (Liane Carroll album)
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nunquam amavit; quique amavit cras amet. "Let the one love tomorrow who has never loved, and let the one who has loved love tomorrow." </poem> The poem ends with the nightingale's song, and a poignant expression of personal sorrow: <poem> "illa cantat; nos tacemus; quando ver venit meum?" "She sings; we are silent; when will my springtime come?"</poem> There are translations into English verse by the 17th-century poet Thomas Stanley (1651); by the 18th-century "graveyard school" poet Thomas Parnell (1679-1718); by Sir Arthur Quiller-Couch in "The Vigil of Venus and Other Poems by "Q""; by F. L. Lucas (1939; reprinted
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the country chart. If You Love Me (Let Me Know) "If You Love Me (Let Me Know)" is a song written by John Rostill that was a 1974 hit single for Olivia Newton-John. It was her second release to hit the top 10 in the United States, reaching number 5 on the pop chart and number 2 on the Easy Listening chart. It also reached number 2 on the "Billboard" country chart. As with her single "Let Me Be There", Mike Sammes sings a bass harmony. Brian Collins covered the song for Dot Records in 1977. His version went to
If You Love Me (Let Me Know)
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and percussion. Madonna begins singing "I'm talking /I believe in the power of love /I'm singing /I believe that you can rescue me" before engaging in the breathy, spoken word vocals, like on "Justify My Love". She sings "Rescue me /It's hard to believe your love has given me hope /Rescue me /It's hard to believe I'm drowning, baby throw out your rope" over the chorus. At one point of the song, Madonna sings the line "And right while I am kneeling there I suddenly begin to care", which was likened to oral sex. "Justify My Love" was released as
The Immaculate Collection
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"This is Love" which focuses on a guy that "got [Rowland] goin’ on cloud 9". Over the light production, Rowland sings "I’m waiting and anticipating for you to give it to me / Boy I’m trying to hold it inside / Heart racing, my body shaking / ‘Cause when you give it to me, boy you are the truth, I can’t lie." According to the "Honesty Hour", "This is Love" had crossover appear for both R&B and pop radio. "Street Life" sees Rowland opt for a "no BS" attitude. She sings about how "chasing fast money takes precedence over self-improvement"
Talk a Good Game
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1. "Love Me Not Tomorrow (S)" 2. "Somewhere Beyond The Sea" 3. "My Favorite Things" 4. "If I Were Alone" 5. "Tonight" 6. "Cast Your Fate to the Wind" "(SF)" 7. "You Were on My Mind 8. "Can't Help Falling in Love" 9. "Small World" 10. "I Got Plenty O' Nuttin'" 11. "Softly As I Leave You" "(SF)" 12. "I Can Never Go Home Again" "(SF)" 1. "Let's Get Together" 2. "High Flying Bird (S)" 3. "Make Someone Happy" 4. "Five Will Get You Ten" 5. "Somewhere" 6. "What Do I Do Now" 7. "The First Time" 8. "Our Day
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Owens. The song reached #39 in 1960, and another recording of the song by the Chiffons reached #76. The Shirelles then reached #1 with "Will You Love Me Tomorrow" (written by Carole King and Gerry Goffin). Dixon wrote the B-side to that single, "Boys". The Shirelles' 1961 song "Baby It's You", co-written by Dixon under the pseudonym "Barney Williams", Burt Bacharach, and Mack David, reached #8. Both "Boys" and "Baby It's You" were later recorded by the Beatles on their debut LP, "Please Please Me". The Shirelles' 1962 song "Soldier Boy", written by Dixon and Florence Greenberg, was their final
Luther Dixon
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Get Funky with Me" by Peter Brown "Feel So Good" sampled "Hollywood Swinging" by Kool & The Gang and "Bad Boy" by Miami Sound Machine "Love You So" sampled "Square Biz" by Teena Marie and "Ooh Boy" by Rose Royce "Jealous Guy" sampled "Jealous Girl" by New Edition & by Another Bad Creation "Will They Die 4 U?" sampled "Everything Good to You (Ain't Always Good for You)" by B.T. Express "Puff's Intro" sampled "Joy" by Isaac Hayes "Wanna Hurt Mase?" sampled "Do You Really Want to Hurt Me" by Culture Club "I Need to Be" sampled "Tomorrow" by The
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Bart – Seva 64 − Anatevka Jan Bart – Sings Fiddler on the Roof in Yiddish – Londisc − Do you love me Jan Bart – Sings Fiddler on the Roof in Yiddish – Londisc − Far from the home I love Jan Bart – Sings Fiddler on the Roof in Yiddish – Londisc − Fiddler on the roof Jan Bart – Sings Fiddler on the Roof in Yiddish – Londisc − If I were a rich man Jan Bart – Sings Fiddler on the Roof in Yiddish – Londisc − Matchmaker Jan Bart – Sings Fiddler on the Roof
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the songs "Uninvited", "Suddenly Seymour", "Sing", "Dance the Night Away" and "Let It Go". "Homecoming" included the songs "Take On Me", "Tightrope", "Mustang Sally", "Home" and "Problem". The EP for the third episode was posted on December 13, 2014, including the episode title "Jagged Little Tapestry". The episode included the songs "It's Too Late", "So Far Away", and three mash-ups: "Hand In My Pocket / I Feel the Earth Move", "Will You Love Me Tomorrow / Head Over Feet", and "You Learn / You've Got a Friend". The main cast was reduced for the sixth season: Chris Colfer, Darren Criss,
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and Lukas Plöchl and used the written for her song "Should Have Let You Love Me" against the latter. The prize money will be invested in musical studies at Broadway. Albums Singles Cornelia Mooswalder Cornelia Mooswalder (born 2 August 1993 in Leoben, Austria) is a singer and winner of the ORF talent show "Heroes of Tomorrow". She lives with her parents and two siblings in St Lorenzen in Knittelfeld and is a student in a business academy. The singer impressed Heroes of Tomorrow with her interpretation of songs such as "Beautiful" by Christina Aguilera and When You Believe by Mariah
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twirling in a slow dance through electronic caresses and the subtlest touches of strings. In the chorus, she sings, "I wanna move with the seasons/And go with the flow". Dido finds guests to keep her current, like Kendrick Lamar, whose vociferous rap tears through the conciliatory "Let Us Move On", a spooked trip hop song. The looping intro and muted snares on "Blackbird" are leveled off by her detached vocal and reassuringly familiar lyrics about the darker side of love ("Why do I bring you love, when all you give me back is pain?", she sings). While "End of Night",
Girl Who Got Away
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surviving members sang a medley of songs after being presented the awards by Merry Clayton, Marianne Faithfull, and Darlene Love. In 2002, they were inducted into the Vocal Group Hall of Fame. Lee and Owens accepted the award. In 2004, "Rolling Stone" ranked them #76 on their list of the 100 Greatest Artists of All Time. Paul Shaffer, who did the write-up, wrote that the girl-group sound, originated by them, was "everything to [him]"; he also described their impromptu performance of "Soldier Boy" as inspiring. They also included two of the Shirelles' songs, "Will You Love Me Tomorrow" and "Tonight's
The Shirelles
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The God-Why-Don't-You-Love-Me Blues "The God-Why-Don't-You-Love-Me Blues" is the 115th episode of the ABC television series, "Desperate Housewives". It is the fourth episode of the show's sixth season and aired on October 18, 2009. Bree is still having an affair with Karl and it has started to interfere with work and makes excuses to Katherine, so she can see Karl. Later, Katherine tells Bree she is in love with Mike and is positive the marriage will fall to pieces again. Bree tells Katherine she needs to get help because Mike will never go back to her. Bree is catering a wedding
The God-Why-Don't-You-Love-Me Blues
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to go out with my friends, not to drink, and not to do a lot of other things, the things I like in life." In 2004, Cantona was quoted as saying, "I'm so proud the fans still sing my name, but I fear tomorrow they will stop. I fear it because I love it. And everything you love, you fear you will lose." He was interviewed in the Number 7s issue of Manchester United's official magazine, "United", in August 2006, stating he will only come back to Manchester United as 'Number 1' (meaning not return as assistant manager or coach)
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with the discipline of the old pro. She sings big beat and ballad with taste an understanding." Billboard concluded saying "On 'Let It Be Me,' the bluesy treatment takes over. 'Yesterday' is delivered in approved pop standard style. Miss Payne is a versatile and polished performer who understands a lyric." The album was reissued on CD on March 31, 2009 by Poker Records. The reissue contains a biographical essay of Payne's life and career by Mick Patrick (written in December 2008). How Do You Say I Don't Love You Anymore How Do You Say I Don't Love You Anymore was
How Do You Say I Don't Love You Anymore
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Love Me Tomorrow "Love Me Tomorrow" is a song written by Peter Cetera and David Foster for the group Chicago and recorded for their album "Chicago 16" (1982), with Cetera singing lead vocals. The second single released from the album, it reached #22 on the U.S. "Billboard" Hot 100 chart and #8 on the adult contemporary chart. On the Canadian pop singles chart, "Love Me Tomorrow" reached only as high as #35. However, on the Adult Contemporary chart it peaked at number two. Chicago made a music video for the song. According to Cetera, the videos for "Love Me Tomorrow"
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ones by D/R/U/G/S, Blood Orange, Kris Menace, and RAC. "Blue Jeans" is a trip hop ballad; Jon Dolan from "Rolling Stone" labelled the song a trip hop version of ZZ Top's "Sharp Dressed Man" (1983). Over surf rock guitar twangs, Del Rey sings, "Love is mean and love hurts/ But I still remember that day we met in December". Low fidelity string instruments soar over the refrain, as Del Rey belts: "I will love you till the end of time." During a fit of PDA with her fictional boyfriend, Del Rey sings, "You went out every night/ And baby, that's
Blue Jeans (Lana Del Rey song)
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"So Far Away" and Celine Dion's recording of "A Natural Woman" were both Adult Contemporary chart hits. Other artists who appeared on the album included Amy Grant ("It's Too Late"), Richard Marx ("Beautiful"), Aretha Franklin ("You've Got a Friend"), Faith Hill ("Where You Lead"), and the Bee Gees ("Will You Love Me Tomorrow?"). Former Monkee Micky Dolenz released "King for a Day", a tribute album consisting of songs written or co-written by King, in 2010. The album includes "Sometime in the Morning", a King-penned song originally recorded by the Monkees in 1967. Dolenz had previously recorded another of King's Monkees
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a hip hop-inflected breakdown, in which Stefani raps, "You can tell me what you're hidin' boy/And you can tell me if I'm gettin' warm". Lyrically, the song discusses insecurities in a relationship, where Stefani questions her man's love. Nolan Feeney of "Time" complimented that the song is "about falling in love with someone who's got a few skeletons in their closet." As noted by "Spin"'s Brennan Carley, "Stefani sounds shattered as she sings, "But there's something behind those eyes / Those eyes / That you can't that you can't disguise / Disguise." In the "stomping, infuriatingly catchy" chorus she sings,
Baby Don't Lie
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sentiments of earlier hits (with lyrics such as "If you do me wrong I'll put your first and last name in my rock n' roll song"). Other chart hits during this period were the self-penned "Together Alone" and a cover of "Will You Love Me Tomorrow". In 1973, Melanie started to retreat from the spotlight to begin a family. In 1976, Melanie released one album on Atlantic Records, "Photograph", which was overseen by Ahmet Ertegün. The album was praised by "The New York Times" as one of the year's best, although it was largely ignored by the public. It was
Melanie (singer)
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The Postal Service includes a song titled "Clark Gable". The song's narrator says he wants a love like something in the movies, and includes the lyrics "I kissed you in a style Clark Gable would have admired, I thought it classic". In the film "Broadway Melody of 1938", Judy Garland (aged 15) sings "You Made Me Love You" while looking at a composite picture of Gable. The opening lines are: "Dear Mr Gable, I am writing this to you, and I hope that you will read it so you'll know, my heart beats like a hammer, and I stutter and
Clark Gable
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George Jones Sings the Great Songs of Leon Payne George Jones Sings the Great Songs of Leon Payne is an album by American country music artist George Jones, released in 1971 on the Musicor Records label. Leon Payne was a honky tonk songwriter who only had one chart hit, the sentimental "I Love You Because", but composed a slew of hits for other artists, most notably "Lost Highway" and "They'll Never Ever Take Her Love From Me" for country music icon Hank Williams. Jones had been recording Payne's songs since his early days on Mercury Records and this collection, which
George Jones Sings the Great Songs of Leon Payne