Alvaro Moreno   Rajagiri College of Social Sciences University of Dhaka   Khurais Mega             I have been working for an association since 2005 called United Nations , created in   Toulouse with the aim of creating artistic projects inspired by the cultural fusion of Latin   America and Europe .    The most difficult thing at the beginning of the association is not only creating art , but art that   can interest a local audience . The night parties and concerts were the most successful at   first among a group of young students between the ages of 22 to 26 . Musical and dance   were more welcome than sculpture or audiovisual projects .    After the first 3 years the association went through several ups and downs of the budget .   until 2007 ...   At that year we had the opportunity to do the first international urban art festival with Latin   American guests in France . We were not prepared as an association for that time . 

 Latino Arte : Latin American urban art festival in Europe . 

 I ’d traveled to Bogotá where I was meeting the elite of local street art . Their desire was to   travel to Europe and show their talent .    The first step was to convince the other members of the association , that this was an   opportunity to achieve several objectives : 

 1 . Create a true international art project 

 2 . Increase our visibility in the cultural spectrum of Toulouse and Colombia 

 3 . Incursion into another unknown but interesting artistic field 

 For convincing a group of people about a project , the most important thing I think is the   visual . A logo with which a project can be identified , in addition to that I think is also   necessary a poster or a cover image . With this first step ( the logo ) , people can get an idea of   ​what it represents and how it is represented . Like the Latino Arte logo : 

 Once the logo is established , then it is necessary to continue with the visual to nurture the   storytelling , a message or an idea . I was looking for a story or a curious fact .    So I went to look that , in the history of graffiti in Bogotá . The strange thing is that it has to do   with Justin Bieber . 

 “ In 2011 after the murder of Diego Felipe Becerra in Bogotá , by the police . The public   opinion had as an excuse that he had been sought out as a vandal , polluting the   streets of the city with graffiti . A week after this disastrous event , was Justin Bieber 's   visit to the city . Where , accompanied by the police , he went under one of the bridges   to do a tag . The police hypocrisy and citizens double standards , angered hundreds of   urban artists , who in one night filled many walls of the city with paint in protest of the   event . From that moment the mayor 's office , with no other choice , decided to provide   support for urban art , and since that moment Bogota became one of the street art   capitals in Latin America . 

 With this story in hand , it was easy to allow the other people get involved into the context ,   but the context needs an aesthetic , the visual set that develops the universe of the idea .    The dossier : 

 With the agreement of the graphic content that would come to Toulouse thanks to the   guests , only remained some problems .   The problem of not having a previous basis for an event of this size , and no budget , so for   those reasons some of the members abandoned the project for fear of failure . Of 15   associates in Guayabo , only 2 remained for the organization of the event and the search for   resources .      At that time we went to look for stakeholders in the world of local urban art , to ask them for   walls . Paint companies wanting to recycle materials that were going to be sent to the trash .   We even contacted a circus association called Cirque du Soleil , who gave us kind of a hostel for 

 the artists ' stay for ten days .      At the end of a long process to leave our comfort zone understanding the complex world of   Latin American urban art , seeking and finding new partners for the development of the   project and reducing costs with collaborative solutions , the other members of the association   were able to understand that the challenge creating the festival was not so much economic ,   but creative , innovating solutions for each problem .    They decided to come back , stay and work with us .      Since then the festival has become the most important project of the association , winning in   2014 the help of the French Ministry of Culture , in 2011 a contract with France Tv in Paris   and with the Clermont Ferrand mayor 's office , and in 2016 a contract with the Lille city . 


EMAIL: 
ID_NUM: 
NAME_STUDENT: Alvaro Moreno
PHONE_NUM: 
STREET_ADDRESS: 
URL_PERSONAL: 
USERNAME: 

### Task: You are a PII (Personal Identity Information) Detection. Given a essays written by students, you have to identify ONLY the following:
NAME_STUDENT - The full or partial name of a student that is not necessarily the author of the essay. This excludes instructors, authors, and other person names.
EMAIL - A student’s email address.
USERNAME - A student's username on any platform.
ID_NUM - A number or sequence of characters that could be used to identify a student, such as a student ID or a social security number.
PHONE_NUM - A phone number associated with a student.
URL_PERSONAL - A URL that might be used to identify a student.
STREET_ADDRESS - A full or partial street address that is associated with the student, such as their home address.
### Input: Alvaro Moreno   Rajagiri College of Social Sciences University of Dhaka   Khurais Mega             I have been working for an association since 2005 called United Nations , created in   Toulouse with the aim of creating artistic projects inspired by the cultural fusion of Latin   America and Europe .    The most difficult thing at the beginning of the association is not only creating art , but art that   can interest a local audience . The night parties and concerts were the most successful at   first among a group of young students between the ages of 22 to 26 . Musical and dance   were more welcome than sculpture or audiovisual projects .    After the first 3 years the association went through several ups and downs of the budget .   until 2007 ...   At that year we had the opportunity to do the first international urban art festival with Latin   American guests in France . We were not prepared as an association for that time . 

 Latino Arte : Latin American urban art festival in Europe . 

 I ’d traveled to Bogotá where I was meeting the elite of local street art . Their desire was to   travel to Europe and show their talent .    The first step was to convince the other members of the association , that this was an   opportunity to achieve several objectives : 

 1 . Create a true international art project 

 2 . Increase our visibility in the cultural spectrum of Toulouse and Colombia 

 3 . Incursion into another unknown but interesting artistic field 

 For convincing a group of people about a project , the most important thing I think is the   visual . A logo with which a project can be identified , in addition to that I think is also   necessary a poster or a cover image . With this first step ( the logo ) , people can get an idea of   ​what it represents and how it is represented . Like the Latino Arte logo : 

 Once the logo is established , then it is necessary to continue with the visual to nurture the   storytelling , a message or an idea . I was looking for a story or a curious fact .    So I went to look that , in the history of graffiti in Bogotá . The strange thing is that it has to do   with Justin Bieber . 

 “ In 2011 after the murder of Diego Felipe Becerra in Bogotá , by the police . The public   opinion had as an excuse that he had been sought out as a vandal , polluting the   streets of the city with graffiti . A week after this disastrous event , was Justin Bieber 's   visit to the city . Where , accompanied by the police , he went under one of the bridges   to do a tag . The police hypocrisy and citizens double standards , angered hundreds of   urban artists , who in one night filled many walls of the city with paint in protest of the   event . From that moment the mayor 's office , with no other choice , decided to provide   support for urban art , and since that moment Bogota became one of the street art   capitals in Latin America . 

 With this story in hand , it was easy to allow the other people get involved into the context ,   but the context needs an aesthetic , the visual set that develops the universe of the idea .    The dossier : 

 With the agreement of the graphic content that would come to Toulouse thanks to the   guests , only remained some problems .   The problem of not having a previous basis for an event of this size , and no budget , so for   those reasons some of the members abandoned the project for fear of failure . Of 15   associates in Guayabo , only 2 remained for the organization of the event and the search for   resources .      At that time we went to look for stakeholders in the world of local urban art , to ask them for   walls . Paint companies wanting to recycle materials that were going to be sent to the trash .   We even contacted a circus association called Cirque du Soleil , who gave us kind of a hostel for 

 the artists ' stay for ten days .      At the end of a long process to leave our comfort zone understanding the complex world of   Latin American urban art , seeking and finding new partners for the development of the   project and reducing costs with collaborative solutions , the other members of the association   were able to understand that the challenge creating the festival was not so much economic ,   but creative , innovating solutions for each problem .    They decided to come back , stay and work with us .      Since then the festival has become the most important project of the association , winning in   2014 the help of the French Ministry of Culture , in 2011 a contract with France Tv in Paris   and with the Clermont Ferrand mayor 's office , and in 2016 a contract with the Lille city .
### Output: 