| text,label | |
| "a wretched movie that reduces the second world war to one man's quest to find an old flame .",0 | |
| "a glossy knock-off of a b-movie revenge flick .",0 | |
| "chalk it up as the worst kind of hubristic folly .",0 | |
| "an unremarkable , modern action/comedy buddy movie whose only nod to nostalgia is in the title .",0 | |
| "the film can depress you about life itself .",0 | |
| "this directorial debut from music video show-off higuchinsky is all flash .",0 | |
| "the heedless impetuousness of youth is on full , irritating display in [this] meandering and pointless french coming-of-age import from writer-director anne-sophie birot .",0 | |
| "boy oh boy , it's a howler .",0 | |
| "the execution is so pedestrian that the most positive comment we can make is that rob schneider actually turns in a pretty convincing performance as a prissy teenage girl .",0 | |
| "every so often a film comes along that is so insanely stupid , so awful in so many ways that watching it leaves you giddy . half past dead is just such an achievement .",0 | |
| "talky , artificial and opaque . . . an interesting technical exercise , but a tedious picture .",0 | |
| "so mind-numbingly awful that you hope britney won't do it one more time , as far as movies are concerned .",0 | |
| "overwrought , melodramatic bodice-ripper .",0 | |
| "if you adored the full monty so resoundingly that you're dying to see the same old thing in a tired old setting , then this should keep you reasonably entertained .",0 | |
| "everything about it from the bland songs to the colorful but flat drawings is completely serviceable and quickly forgettable .",0 | |
| "huppert's show to steal and she makes a meal of it , channeling kathy baker's creepy turn as the repressed mother on boston public just as much as 8 women's augustine .",1 | |
| "displaying about equal amounts of naiveté , passion and talent , beneath clouds establishes sen as a filmmaker of considerable potential .",1 | |
| "although devoid of objectivity and full of nostalgic comments from the now middle-aged participants , dogtown and z-boys has a compelling story to tell .",1 | |
| ". . . a thoughtful what-if for the heart as well as the mind .",1 | |
| "in the disturbingly involving family dysfunctional drama how i killed my father , french director anne fontaine delivers an inspired portrait of male-ridden angst and the emotional blockage that accompanies this human condition",1 | |
| "this examination of aquatic life off the shores of the baja california peninsula of mexico offers an engrossing way to demonstrate the virtues of the imax format .",1 | |
| "the large-format film is well suited to capture these musicians in full regalia and the incredible imax sound system lets you feel the beat down to your toes .",1 | |
| "there's very little sense to what's going on here , but the makers serve up the cliches with considerable dash .",1 | |
| "these three films form a remarkably cohesive whole , both visually and thematically , through their consistently sensitive and often exciting treatment of an ignored people .",1 | |
| "jeong-hyang lee's film is deceptively simple , deeply satisfying .",1 | |
| "a fast-moving and remarkable film that appears destined to become a landmark in japanese animation .",1 | |
| "a compelling , moving film that respects its audience and its source material .",1 | |
| "the heightened symmetry of this new/old cinema paradiso makes the film a fuller experience , like an old friend haunted by the exigencies of time .",1 | |
| "griffiths proves she's that rare luminary who continually raises the standard of her profession .",1 | |
| "an enchanting film that presents an audacious tour of the past and takes within its warm embrace the bounties of cultural artifacts inside st . petersburg's hermitage museum .",1 |