Rhombille tiling In geometry, the rhombille tiling, also known as tumbling blocks, reversible cubes, or the dice lattice, is a tessellation of identical 60° rhombi on the Euclidean plane. Each rhombus has two 60° and two 120° angles; rhombi with this shape are sometimes also called diamonds. Sets of three rhombi meet at their 120° angles, and sets of six rhombi meet at their 60° angles. Properties The rhombille tiling can be seen as a subdivision of a hexagonal tiling with each hexagon divided into three rhombi meeting at the center point of the hexagon. This subdivision represents a regular compound tiling. It can also be seen as a subdivision of four hexagonal tilings with each hexagon divided into 12 rhombi. The diagonals of each rhomb are in the ratio 1:. This is the dual tiling of the trihexagonal tiling or kagome lattice. As the dual to a uniform tiling, it is one of eleven possible Laves tilings, and in the face configuration for monohedral tilings it is denoted [3.6.3.6]. It is also one of 56 possible isohedral tilings by quadrilaterals, and one of only eight tilings of the plane in which every edge lies on a line of symmetry of the tiling. It is possible to embed the rhombille tiling into a subset of a three-dimensional integer lattice, consisting of the points (x,y,z) with |x + y + z| ≤ 1, in such a way that two vertices are adjacent if and only if the corresponding lattice points are at unit distance from each other, and more strongly such that the number of edges in the shortest path between any two vertices of the tiling is the same as the Manhattan distance between the corresponding lattice points. Thus, the rhombille tiling can be viewed as an example of an infinite unit distance graph and partial cube. Artistic and decorative applications The rhombille tiling can be interpreted as an isometric projection view of a set of cubes in two different ways, forming a reversible figure related to the Necker Cube. In this context it is known as the "reversible cubes" illusion. In the M. C. Escher artworks Metamorphosis I, Metamorphosis II, and Metamorphosis III Escher uses this interpretation of the tiling as a way of morphing between two- and three-dimensional forms. In another of his works, Cycle (1938), Escher played with the tension between the two-dimensionality and three-dimensionality of this tiling: in it he draws a building that has both large cubical blocks as architectural elements (drawn isometrically) and an upstairs patio tiled with the rhombille tiling. A human figure descends from the patio past the cubes, becoming more stylized and two-dimensional as he does so. These works involve only a single three-dimensional interpretation of the tiling, but in Convex and Concave Escher experiments with reversible figures more generally, and includes a depiction of the reversible cubes illusion on a flag within the scene. The rhombille tiling is also used as a design for parquetry and for floor or wall tiling, sometimes with variations in the shapes of its rhombi. It appears in ancient Greek floor mosaics from Delos and from Italian floor tilings from the 11th century, although the tiles with this pattern in Siena Cathedral are of a more recent vintage. In quilting, it has been known since the 1850s as the "tumbling blocks" pattern, referring to the visual dissonance caused by its doubled three-dimensional interpretation. As a quilting pattern it also has many other names including cubework, heavenly stairs, and Pandora's box. It has been suggested that the tumbling blocks quilt pattern was used as a signal