 Farr saw the 1946 colour version as poorer than the black and white original ; he said it had lost its " <unk> " and " atmosphere " , and that the new depiction of the Congolese landscape was <unk> and more like a European zoo than the " <unk> , dusty <unk> of reality " . Peeters took a more positive attitude towards the 1946 version , commenting that it contained " aesthetic improvements " and " clarity of composition " because of Hergé 's personal development in <unk> , as well as an enhancement in the dialogue , which had become " more lively and fluid . " 
