 Other similarities include engaging in the suspense the speaker is attempting to create . In both scenarios , you must put aside the knowledge that the performers know the outcome of the event being relayed and , in a sense , play along . This is integral to his stance as he explains “ the argument that much of talk consists of <unk> and that these make no sense unless some form of storyteller 's suspense can be maintained shows the close relevance of frame @-@ indeed , the close relevance of <unk> @-@ for the organization of talk . ” Lastly , because the <unk> of strips is not <unk> , but rather <unk> , it is yet another parallel between a stage production and conversation . All of these things work in concert to provide a foundation of how talk is framed . 
