 In 1911 , the composer Charles Villiers Stanford cited Meyerbeer 's music as an example of the dangers he believed lay in <unk> at the piano without a clear plan , ( although there is in fact no evidence to suggest Meyerbeer worked in this way ) , writing : ' Man of genius though he was , as any man who wrote the fourth act of the Huguenots must have been , Meyerbeer is a sign @-@ post of this danger of trusting to the <unk> as a medium of <unk> 
