 Baker 's last published work , Right Wing , as well as his posthumous novels Testosterone and Anarchy , represent a stylistic departure in that he <unk> himself into the plot as either a secondary character or the protagonist . The latter two were edited , and in the case of Anarchy , partially rewritten by his editor , Scott <unk> . Testosterone needed only minor changes , while Anarchy underwent an entire rewrite , with <unk> restructuring the plot and <unk> over 500 pages of prose and notes into a fast @-@ paced , 250 page novel . For the reader , however , it is only Baker 's voice as writer that is heard . 
