 Other reviewers were <unk> ; The Gentleman 's Magazine praised Etty 's ability to capture " the beauty of the proportion of the antique " , noting that in the central figures " there is far more of <unk> than is to be seen in almost any modern picture " , and considered the overall composition " a most fortunate combination of the <unk> of Poetry and the reality of Nature " . The <unk> considered it " a poetic picture from a very poetic passage " , praising Etty for " telling a story which is very difficult to tell with the pencil " . 
