 When asked why he was compelled to revisit the <unk> so often , <unk> replied that he had nothing against <unk> per <unk> , but merely sought " an excuse to use these colours , and you can 't give ordinary clothes that purple colour without getting into a sort of false <unk> manner . " <unk> sees Head VI as a reaction against <unk> , and a commentary on how the papacy is " obsolete and decayed " , with a pope resistant to both modernisation and <unk> . To him , the figure seems to " resist the <unk> of image and tries to halt the impending collapse of the established work order . He screams and <unk> , clutching at arms of his throne . " Sylvester notes that <unk> was impressed by Picasso 's <unk> and handling of paint , especially in Picasso 's 1930s works ; and suggests that the white <unk> around the pope 's <unk> may be influenced by the 1913 Woman in a <unk> <unk> in an <unk> . 
