 Lester 's fantasies are emphasized by <unk> and repetitive @-@ motion shots ; <unk> uses double @-@ and @-@ triple <unk> in several sequences , and the score alters to make the audience aware that it is entering a fantasy . One example is the <unk> scene — Lester 's first encounter with Angela . While the <unk> perform their half @-@ time routine to " On Broadway " , Lester becomes increasingly <unk> on Angela . Time slows to represent his " <unk> hypnosis " and Lester begins to <unk> that Angela 's performance is for him alone . " On Broadway " — which provides a conventional <unk> to the <unk> action — is replaced by discordant , <unk> music that lacks melody or progression . This <unk> score is important to creating the narrative <unk> in the sequence ; it conveys a moment for Lester that is stretched to an indeterminate length . The effect is one that Stan Link <unk> to " vertical time " , described by the composer and music theorist Jonathan Kramer as music that <unk> " a single present stretched out into an enormous duration , a potentially infinite ' now ' that nonetheless feels like an instant " . The music is used like a visual cue , so that Lester and the score are staring at Angela . The sequence ends with the sudden reintroduction of " On Broadway " and <unk> time . 
