 The Panic of 1873 led to growing criticism of high finance and the spread of radical Antisemitism , which in the 1880s became a broad undercurrent . These criticisms saw a separation of capital into what was construed as " raffendes " ( speculative capital ) , and what constituted " constructive " creative production capital . The " good " , " native " and " German " manufacturer was praised by Antisemitic agitators , such as Theodor Fritsch , who opposed what he saw as " ' rapacious ' ' greedy ' , ' blood @-@ sucking ' , ' Jewish ' financial capitalism in the form of ' plutocrats ' and ' usurers ' " . Busch was thought to have embraced those stereotypes . Two passages are often underlined , one in Helen Who Couldn 't Help It : 
