 Andrew Hampp from Billboard negatively reviewed the signing of Minaj and M.I.A. as guest artists , adding that " It 's a subpar effort from all parties , particularly Madonna , who hasn 't sounded this robotic since the more tweaked @-@ out moments on Hard Candy . " In another review , Keith Caulfield from the same magazine deemed the track as a commercial for Madonna 's Super Bowl appearance , rather than being a promotional tool for MDNA , criticizing it for misleading the listener about the vibe of the album . Gareth Grundy from The Guardian shared this view , while describing the track as " clumsy rave @-@ pop " . Jody Rosen of Rolling Stone rated it two out of five stars , describing its lyrics and composition as " dashed off " and " in the doldrums " , and was displeased by the track 's " aggressive , assaultive spunkiness " . Sal Cinquemani from Slant Magazine described the song as " decidedly vapid " and " catchy " but also stated that " its few charms — ' 60s surf @-@ pop guitar , vintage video @-@ game effects , and references to her past songs — are fleeting at best . " He felt that Minaj and M.I.A. were " tacked on for added marketability " and that the song actually lacked " authenticity " . While reviewing MDNA , The New York Times ' critic Jon Pareles described the song as " one of the album 's weakest tracks " . Joey Guerra from Houston Chronicle wrote that the song 's " shiny @-@ happy " sound is " nowhere near representative of the full album . " 
