 Wyatville 's most famous work are those rooms designed in a Rococo style . These rooms take the fluid , playful aspects of this mid @-@ 18th @-@ century artistic movement , including many original pieces of Louis XV decoration , but project them on a " vastly inflated " scale . Investigations after the 1992 fire have shown though that many Rococo features of the modern castle , originally thought to have been 18th @-@ century fittings transferred from Carlton House or France , are in fact 19th @-@ century imitations in plasterwork and wood , designed to blend with original elements . The Grand Reception Room is the most prominent of these Rococo designs , 100 ft ( 30 m ) long and 40 ft ( 12 m ) tall and occupying the site of Edward III 's great hall . This room , restored after the fire , includes a huge French Rococo ceiling , characterised by Ian <unk> , the lead restorer , as possessing a " coarseness of form and crudeness of hand ... completely overshadowed by the sheer spectacular effect when you are at a distance " . The room is set off by a set of restored <unk> French tapestries . Although decorated with less gold leaf than in the 1820s , the result remains " one of the greatest set @-@ pieces of Regency decoration " . The White , Green and Crimson Drawing Rooms include a total of 62 trophies : carved , gilded wooden panels illustrating weapons and the spoils of war , many with Masonic meanings . Restored or replaced after the fire , these trophies are famous for their " vitality , precision and three @-@ dimensional quality " , and were originally brought from Carlton House in 1826 , some being originally imported from France and others carved by Edward Wyatt . The soft furnishings of these rooms , although luxurious , are more modest than the 1820s originals , both on the grounds of modern taste and cost . 
