 Harry Carter ( who with George <unk> made the modern attribution to Kis ) wrote that " the letters of Monotype Ehrhardt are like those of the Janson , but the appearance of a page set in it is different . The Janson is more rotund and has greater contrast of thick and thin . " Writing in the 1970s , Carter had misgivings about the condensation , saying that it came close to turning Kis 's work into an " accurate drudge " but that " it is a successful type @-@ face " . He also noted the irony that , unknown to the Monotype drawing office , Kis had designed himself a set of more condensed typefaces for use in Florence which they might have used as a more authentic model . Printing historian James Mosley 's review of Morison 's memoir , A Tally of Types , described the original metal type as " crudely drawn " compared with some earlier Monotype designs , and suggested that this was due to a change in works management at Monotype with the retirement of head engineer Frank Pierpont . 
