 " Sweet Life " and " Super Rich Kids " depict decadent , alluring rich people , and are tied together by " Not Just Money " , a spoken interlude with a woman discussing the importance of money on happiness . " Super Rich Kids " references the thumping piano line of Elton John 's 1973 song " Bennie and the Jets " and addresses young , wealthy characters ' ennui and fears of the financial crisis with dry humor . " Pilot Jones " employs magic realism and escapist imagery , and depicts an emotional dependency between drug addicts , who confuse friendship with sexual love in their support of each other . The swooning song contains hazy electronic blips , impressionistic textures , experimental beat patterns , refracted sound effects , and vocal improvisation expressing the narrator 's " high " . " Crack Rock " depicts a crack addict , likens love to the highs and lows of drug use , and broadly addresses corruption , broken homes , gun violence , and government indifference to rising crack @-@ related deaths . It has fleeting multi @-@ tracked harmonies , a non @-@ sequitur chorus , and Ocean 's occasionally fractured breathiness conveying an addict 's voice . 
