 The excitement of being able to work on sounds in a tactile , manual , almost sensual way is what drew me to electronic music in the first place ... The lack of limitations is very dangerous . It is like the difference for a painter of getting four tubes with four main colours or being in front of a computer with two million colours . You have to scan the two million colours and when you arrive to the last one you have obviously forgotten the first one . In the Eighties we became archivists and everything became rather cold as a result . 
