 Fleming later said of his work , " while thrillers may not be Literature with a capital L , it is possible to write what I can best describe as ' thrillers designed to be read as literature ' " . He used well @-@ known brand names and everyday details to produce a sense of realism , which the author Kingsley Amis called " the Fleming effect " . Amis describes it as " the imaginative use of information , whereby the pervading fantastic nature of Bond 's world ... [ is ] bolted down to some sort of reality , or at least counter @-@ balanced . " Within the text the novelist Raymond Benson — who later wrote a series of Bond novels — identifies what he described as the " Fleming Sweep " , the use of " hooks " at the end of chapters to heighten tension and pull the reader into the next . The hooks combine with what the novelist Anthony Burgess calls " a heightened journalistic style " to produce " a speed of narrative , which hustles the reader past each danger point of mockery " . 
