 In 2012 , DGM 's site had the following introduction : " The aim of DGM is to connect music , musician and audience in a way that supports the power of music , the integrity of the musician and the needs of the audience . DGM Live offers music for download with photographs , diary archives and audience commentary for browsing " . DGM 's successful transition to an age of digital distribution was called " unique " among music labels in 2009 ; this success was credited to its provision of legal , high @-@ quality recordings of concerts , which effectively reverse @-@ engineered the distribution @-@ networks for unlicensed recordings ( " bootlegs " ) of concerts . 
