 Kiarostami appeared to have settled on his style when he made the Koker trilogy . Nevertheless , he continued experimenting with new modes of filming , using different directorial methods . Much of Ten , for example , was filmed in a moving automobile without Kiarostami present . He gave suggestions to the actors about what to do , and a camera placed on the dashboard then filmed them while they drove around Tehran . The camera was allowed to roll , capturing the faces of the people during their daily routine , using a series of extreme close @-@ up shots . 
