 The 2007 Philadelphia production also received favorable reviews , and critic Wendy Rosenfield of The Philadelphia Inquirer wrote " .. somehow the production emerges triumphant , retaining its innocent sense of inquiry and buoyant good humor while making some pretty serious philosophical points . " A review in The Washington Post of the 2007 Washington , D.C. production was more critical . Peter Marks wrote that " .. aside from a weird sci @-@ fi back story involving Prince Xenu , a figure from Scientology lore , the incidents the playwright relates that shape Hubbard 's belief system unfold choppily and dryly . " The production received a positive review in by Bob Anthony in AllArtsReview4U , who wrote " This is so charming that it rates a " must see " status . The show should be extended at another venue . " Manya Brachear reviewed the 2008 Chicago production for the Chicago Tribune , and highlighted the play 's " trilling tunes " , including " Hey ! It 's a Happy Day ! " and " The Science of the Mind " . The two Chicago productions in 2009 also received favorable reviews in the Chicago Tribune ; the reviewer noted , " this show manages to simultaneously skewer Scientology and showcase the young performers in an upbeat , fun way . " 
