 This dramatic simplification of style provided a model for a new generation of German composers , loosely associated under the label neue Einfachheit or New Simplicity ( Andraschke 1981 ) . The best @-@ known of these composers is Wolfgang Rihm , who studied with Stockhausen in 1972 – 73 . His orchestral composition Sub @-@ Kontur ( 1974 – 75 ) quotes the formula of Stockhausen 's Inori ( 1973 – 74 ) , and he has also acknowledged the influence of Momente on this work ( Frobenius 1981 , 53 + note 59 – 60 ) . 
