 Mahler 's intent in writing his Eighth Symphony for exceptionally large forces was a similar balance between vocal and instrumental forces . It was not simply an attempt at grandiose effect , though the composer 's use of such forces earned the work the subtitle " Symphony of a Thousand " from his press agent ( a name still applied to the symphony ) . Like Stravinsky , Mahler makes extensive and extended use of counterpoint , especially in the first part , " Veni Creator Spiritus " . Throughout this section , according to music writer Michael Kennedy , Mahler displays considerable mastery in manipulating multiple independent melodic voices . Musicologist Deryck Cooke adds that Mahler handles his huge forces " with extraordinary clarity " . 
