 Quinn 's storyline received widely divergent commentary . Hankinson thought the writers had missed an opportunity to " do something hugely daring " and also reduce the size of the cast . Raymund Flandez of The Wall Street Journal characterized their message as " Move on , folks , nothing to see here " , added that " there wasn ’ t even a scratch on her face " and concluded that it was " nice to know that touches of irony haven ’ t left the show " . Strecker called Quinn " a walking wheeling PSA about texting dangers in general " . Dodge said that one of his " favorite scenes " of the episode was " when Artie tries to get Quinn to wheel herself up a steep ramp outside McKinley " . VanDerWerff noted the pair 's " chemistry " as friends , and Rolling Stone 's Erica Futterman described " Quinn 's kids @-@ in @-@ wheelchairs bonding scenes with Artie " as the " second best thing about the episode " . Michael Slezak of TVLine expressed the wish that the extras in the scene in the skateboard park " had actually gotten a chance to , um , speak like real humans , not just like props for a kicky musical number " . VanDerWerff 's summation was that the episode " gave Dianna Agron more shades to play than she ’ s usually asked to , and that was a good thing " . 
