 De Lucía 's 1972 release El duende flamenco de Paco de Lucía was considered a groundbreaking album in the flamenco community . As the 1970s progressed , de Lucía continued to produce groundbreaking albums and ventured into an increasingly unconventional and innovative style of flamenco with jazz influences . His next release , Fuente y caudal , acclaimed particularly for his Entre dos aguas , which has become arguably his best @-@ known composition , and also for Solera and Cepa Andaluza . Entre dos aguas , a rumba featuring bongos with an electric bass , means " Between two waters , " referring to his home town of Algeciras , where the Mediterranean meets the Atlantic . Biographer Pohren describes Cepa Andaluza as a " phenomenal " bulerías , which is " accompanied by palmas , shouts of encouragement and general jaleo , and makes one want to leap up and dance . " The album also features several other tracks named after Andalusian landmarks , a theme de Lucía continued in his later albums . The Fuente y caudal album was one of the best @-@ selling Spanish records for several months and de Lucía and Torregrosa found that the additional instruments and approach away from traditional flamenco proved more popular with the general public . The early influences of the traditional players became increasingly less apparent as de Lucía embraced jazz and other influences , creating his own voice and distinct style , yet never venturing too far from his roots . 
