 By the start of the 1890s , Lloyd had built up a successful catalogue of songs , which included " What 's That For , Eh ? " , about a little girl who asks her parents the meaning of various everyday household objects . Her biographer and theatre historian W. J. MacQueen @-@ Pope described the song as being " blue " and thought that it spoke volumes about her reputation thanks to her " wonderful wink , and that sudden , dazzling smile , and the nod of the head . " Similar @-@ styled songs followed ; " She 'd Never had her Ticket Punched Before " , told the story of a young , naive woman travelling to London on her own by train . This was followed by " The Wrong Man Never Let a Chance go By " ; " We Don 't Want to Fight , But , by Jingo , If we Do " ; " Oh You Wink the Other Eye " and " Twiggy Vous " — a song which won her much success and increased her popularity abroad . After an evening 's performance at the Oxford music hall , a French well @-@ wisher requested a conversation and to meet Lloyd backstage . Flanked by Courtenay , she appeared at the stage door , where Courtenay threatened the man with violence as both had become suspicious of his interest in her . She took a chance and invited the man into her dressing room , where he identified himself as a member of the French government . He confirmed to her that " Twiggy Vous " was " most popular in Paris " ; she was delighted at the news . At the end of the year , Lloyd returned to London where she appeared in the Christmas pantomime Cinderella in Peckham alongside her sister Alice . 
