 Gibbs ' final addition to Tyntesfield was added between 1872 and 1877 , when he commissioned Arthur Blomfield to add a Gothic chapel to the north side of the house . Modelled on Sainte @-@ Chapelle in Paris , it housed an organ by William Hill & Sons , and below a vault in which Gibbs intended to be buried . However , combined opposition from both the vicar of the local All Saints Church , Wraxall and the church 's patron , a member of the Gorges family , led to the Bishop of Bath and Wells decreeing that he would not sanction the consecration of Tyntesfield 's chapel , through fears that it would take power away from the local population fully into Gibb 's hands . Despite this , the chapel formed a central part of life at Tyntesfield , and prayers were said twice @-@ daily by the family and their guests . Throughout their period of residence , the family would also open the chapel to local people on an annual basis , often during Rogation days and at Christmas . In praise of the resultant final building , Yonge described the chapel as the final completion of the Tyntesfield project , providing " a character to the household almost resembling that of Little Gidding " . Little Gidding in Huntingdonshire was the home of Nicholas Ferrar during the reign of Charles I who was much idealized by 19th @-@ century Anglo @-@ Catholics . 
