text: import React from 'react';
  import { withStyles } from '@material-ui/core/styles';
  import Typography from '@material-ui/core/Typography';
  import Link from '@material-ui/core/Link';
  import Card from '@material-ui/core/Card';
  
  const styles = ({ breakpoints, transitions }) => ({
    root: {
      padding: 16,
      transition: transitions.create(),
      [breakpoints.up('sm')]: {
        padding: 24,
        maxWidth: 700,
        margin: 'auto',
      },
      [breakpoints.up('md')]: {
        maxWidth: 960,
      },
    },
  });
  
  const AboutComponent = ({ classes }) => (
    <Card className={classes.card} elevation={0}>
      <div className={classes.root}>
        <Typography variant={'overline'}>Introducing</Typography>
        <Typography weight={'bold'} variant={'h4'} gutterBottom>
          Plexus Prediction <Link underline={'none'}>Engine</Link>
        </Typography>
        <Typography gutterBottom>
          <b>Version 1.0.2</b>
        </Typography>
        <br />
        <Typography weight={'bold'} variant={'h5'} gutterBottom>
          Objectives
        </Typography>
        <Typography>
          Capture wordly patterns in order to create visions, from which
          projected beauty emerges.
        </Typography>
        <br />
        <Typography weight={'bold'} variant={'h5'} gutterBottom>
          Prior Art
        </Typography>
        <Typography indent={'small'}>
          In mainstream theories of natural language syntax, every
          syntactically-valid utterance can be extended to produce a
          new, longer one, because of recursion. If this process can be
          continued indefinitely, then there is no upper bound on the
          length of a well-formed utterance and the number of unique
          well-formed strings of any language is countably infinite.
          However, the books in the Library of Babel are of bounded--**/
          length ("each book is of four hundred and ten pages; each
          page, of forty lines, each line, of some eighty letters"), so
          the Library can only contain a finite number of distinct
          strings, and thus cannot contain all possible well-formed
          utterances. Borges' narrator notes this fact, but believes
          that the Library is nevertheless infinite; he speculates that
          it repeats itself periodically, giving an eventual "order" to
          the "disorder" of the seemingly-random arrangement of books.
        </Typography>
        <br />
        <Typography weight={'bold'} variant={'h5'} gutterBottom>
          Strategy
        </Typography>
        <Typography>
          Taking out of scope problems beyond completion.
        </Typography>
        <br />
        <Typography weight={'bold'} variant={'h5'} gutterBottom>
          Actions
        </Typography>
        <Typography component={'div'}>
          <ol>
            <li>Capture wordly patterns, common and rare.</li>
            <li>
              Query AquilaDB for signature matches in both content and
              style layers.
            </li>
            <li>
              Input the signature matches through the Neural Style
              Transfer algorithm (NST).
            </li>
            <li>
              Return the resulting signature back through the NST
              algorithm with the worldly paterns.
            </li>
            <li>Display, observe, ponder and predict.</li>
          </ol>
        </Typography>
        <br />
      </div>
    </Card>
  );
  
  export default withStyles(styles)(AboutComponent);
  