[Baldwin:] She is a porn star who accepted hush money, and now Stormy Daniels is offering big bucks for people to speak out specifically about this man. This is a sketch that they just released today during Daniels' appearance on "The View." She says it shows the person who threatened her back in 2011 when she was first planning to go public about her alleged affair with Donald Trump. Her attorney says they're now offering up a $100,000 reward for information on the suspect. Daniels said the man approached her in a Las Vegas parking lot while she was with her newborn.
[Stormy Daniels, Adult Film Actress:] He had at his hands in his pocket. And he looked at my daughter. And I just remember him saying, like: "Oh, it's a beautiful little girl. It would be a shame if something happened to her mom. Forget about this story. Leave Mr. Trump alone." And it was like it didn't even register to me at first, and then he turned and walked away. And all like I said, his face is burned in my memory. I would've gone to the police and would have gone, OK, a man approached me, this what he said to me. He told me, leave Mr. Trump alone. And their very next question, the detective would have asked me, why would somebody tell you to leave Mr. Trump alone? And I would have had to answer that question, which was not public at the time, and I would have to tell an entire police department and police reports are public record I know that for a fact I had sex with Donald Trump.
[Baldwin:] Now, Stormy Daniels spent a lot of time with the forensic artist Lois Gibson in to develop the composite for this sketch. "The Guinness Book of World Records" lists Gibson as the world's most successful at her job, with her sketches helping to identify more than 700 criminals. Joining me now, forensic artist Diana Trepkov, author of "Faceless, Voiceless: From Search to Closure, a Forensic Artist's Inspirational Approach to the Missing and Unidentified." Diana, welcome back. You Lois. I'm going to ask you about Lois, who did the sketch, in a second. But, guys, let's flash the sketch back up, because Stormy Daniels' attorney, Michael Avenatti, was saying this high level of detail shows it's more a real person his words more proof that Stormy Daniels is not fabricating this whole story. What do you make of the sketch? And what do you think about what he said?
[Diana Trepkov, Forensic Artist:] I think the sketch is great. It looks very real He's got high cheekbones, nice eyes. He's fit. You can tell he's fit. He's got that smirk on his face. It's a very high-quality drawing from a very forensic artist. And I agree it looks real.
[Baldwin:] Why is Lois so good at her job? Why was she perfect for this task?
[Trepkov:] She has the experience. She's done many, many composites, sketches of criminals and stuff. And she had that experience. She's good at what she does. She has a good personality. And it's important to get the witness calm. You look into their eyes and they stay calm for the drawing and you trust each other and then you talk about the different triggers of the event, a threat. And, yes, it's a great drawing. Therefore, I have a lot of faith in what Lois did.
[Baldwin:] Is it hard describe the process for me a little bit more between Lois and Stormy Daniels.
[Trepkov:] Sure.
[Baldwin:] Because we're also keeping in mind this is seven years after this alleged incident. Walk us through what Lois had to do to jog her memory.
[Trepkov:] OK. Again, I can say what I would do to jog someone's memory from seven years.
[Baldwin:] Sure.
[Trepkov:] It's triggers, like 911 or Princess Diana, anything traumatic. That's traumatic. Like Stormy said, it burns in your mind, the image. So, things stay in your mind. And then you would talk about the triggers, like, what was the weather like, what were you wearing? Certain things will bring you back. And then you can get the image that's in that person's head. Like11, where you were, I could probably bring you back there. And then it's all about the eyes are the mirror of the soul. You have to really trust the person you're working with. So, I would, like, look into the witness' eyes. And then, when I would feel we had that confidence, that trust