Sure, here are some more examples of movies where the lines between the hero and the villain are blurred:

* **Se7en** (1995): Two detectives investigate a series of murders committed by a serial killer who bases his crimes on the seven deadly sins. As they get closer to catching the killer, they start to question their own morality and sanity.
* **Fight Club** (1999): A depressed insomniac forms an underground fight club with a mysterious soap salesman. The club quickly becomes a cult of personality, and the two men spiral out of control.
* **No Country for Old Men** (2007): A hunter stumbles upon a drug deal gone wrong and finds himself pursued by a ruthless hitman. The hunter is forced to confront his own mortality and the violence that surrounds him.
* **There Will Be Blood** (2007): A ruthless oilman stops at nothing to achieve his goals, including betraying his family and friends. The film explores the dark side of the American Dream and the corrupting influence of power.
* **The Dark Knight** (2008): Batman faces his greatest challenge yet when a new villain, the Joker, emerges in Gotham City. The Joker is a chaotic evil who delights in tormenting his victims. Batman must decide how far he is willing to go to defeat him.
* **The Departed** (2006): A state trooper and a South Boston mobster infiltrate each other's organizations. As they get closer to their targets, they start to question their own loyalties.
* **Gone Girl** (2014): A man's wife goes missing, and he becomes the prime suspect. The film explores the media circus that surrounds the case and the public's fascination with true crime stories.
* **Nightcrawler** (2014): A young man gets involved in the world of nightcrawling, where freelance videographers film crime scenes and sell the footage to local news stations. The man becomes increasingly obsessed with his job and starts to cross moral lines in order to get the best footage.
* **Arrival** (2016): A linguist is tasked with communicating with aliens who have arrived on Earth. As she learns their language, she begins to see the world in a new way and questions her own reality.
* **The Lighthouse** (2019): Two lighthouse keepers stationed on a remote island begin to descend into madness. The film is a psychological thriller that explores the dark side of human nature.
* **Everything Everywhere All at Once** (2022): A Chinese-American laundromat owner is suddenly thrust into a multiverse adventure where she must save the world from a powerful evil force. The film is a wild and inventive sci-fi comedy that explores themes of identity, family, and nihilism.

These are just a few examples of movies where the lines between the hero and the villain are blurred. These films are complex and challenging, and they offer viewers a unique perspective on the nature of good and evil.
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