First-person omniscient and third-person omniscient are two distinct narrative voices in fiction writing. 

The First-person omniscient follows this narrative voice, the story is told from the perspective of a single character, but the narrator has access to the thoughts and feelings of all the characters in the story. The narrator is not limited to the protagonist's point of view and can delve into the minds of other characters as well. The Third-person omniscient follows this narrative voice, the story is told from an outside perspective, and the narrator has access to the thoughts and feelings of all the characters in the story. Unlike first-person omniscient, the narrator is not limited to the perspective of a single character and can shift from one character's point of view to another.

Now For a suspense horror novel or short story, third-person omniscient would be the best choice. This is because third-person omniscient allows the writer to create a sense of distance between the reader and the characters, which can heighten the sense of suspense and terror. Third-person omniscient can also provide a more objective view of events, which can create a feeling of detachment that can be unsettling.

An example of a well-known book that uses third-person omniscient is Stephen King's "The Shining." The narrator is able to shift between the perspectives of different characters, allowing the reader to see the events of the story from multiple angles. This creates a sense of unease and uncertainty, which is central to the horror genre. As well as an example of a well-known book that uses first-person omniscient is "The Book Thief" by Markus Zusak. The narrator, Death, is able to see into the thoughts and feelings of all the characters in the story, even though the story is primarily told from the perspective of the protagonist, Liesel. However, "The Book Thief" is not a horror novel, and its use of first-person omniscient is more suited to its themes of mortality and loss.

Now in general, third-person omniscient is the better choice for suspense horror, but there can be exceptions. For example, if the writer wants to create a sense of claustrophobia or intimacy with the protagonist, first-person omniscient might be a better choice. Ultimately, the choice of narrative voice will depend on the specific needs of the story and the writer's stylistic preferences.

So is there anything else that I can help you with today, or would you like to know more about these concepts?
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