input: Please answer the following: Suggest a movie title for the following movie plot: A manhole opens at night in an empty street and out climbs Lieutenant-Colonel Norman Hyde (Jack Hawkins) in a dinner suit. He gets into a Rolls-Royce and drives home. There, he prepares seven envelopes, each containing an American crime paperback called "The Golden Fleece", half a £5 note and an unsigned invitation from "Co-operative Removals Limited" to lunch at the Café Royal. He then posts the envelopes to seven former army officers, each in desperate or humiliating circumstances.A few days later, the men in question turn up at the Café Royal. After lunch, Hyde dismisses the waiters and introduces himself. He hands out the second halves of the £5 notes and asks their opinion of the novel in which a robbery is committed by experts. When they show little enthusiasm, he expresses surprise given their backgrounds and asks: Youre all crooks, arent you? Of one kind or another. Touring the table, pouring out the brandy, he reveals why they were obliged to leave the British Army and their unenviable present occupations:* Major Peter Race (Nigel Patrick) was a transport officer who resigned before his black market ring was uncovered in post-war Hamburg. He earns a poor living in unlicensed gambling and lives at the YMCA. He prides himself on his high breeding and addresses men as "old darling";* Major Rupert Rutland-Smith (Terence Alexander) is the hen-pecked husband of a wealthy young woman who delights in pulling his strings because he depends on her money. She also has affairs to which he can only turn a blind eye;* Captain Padre Mycroft (Roger Livesey) was a quartermaster dismissed for public gross indecency. He is now a con-man impersonating vicars and priests. He also enjoys lewd books;* Captain Martin Porthill (Bryan Forbes) was dishonourably discharged for killing suspected members of the Cyprus-based EOKA terrorist organisation (Cyprus was a British colony at the time). He now works as a piano player in nightclubs and as a gigolo to middle-aged women;* Captain Stevens (Kieron Moore), a one-time fascist...
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output: The League of Gentlemen


input: Please answer the following: Suggest a movie title for the following movie plot: In civil-rights era Jackson, Mississippi, 23-year-old Eugenia "Skeeter" Phelan (Emma Stone), a recent graduate of the University of Mississippi and an aspiring writer, attends a bridge game at the home of her friend Elizabeth Leefolt (Ahna O'Reilly). Skeeter's girlhood friends have all gotten married and started families, but Skeeter is disturbed to see how they treat their African American maids.Elizabeth's maid, Aibileen Clark (Viola Davis), fields a call from "white trash" Celia Foote (Jessica Chastain), who wants to help with a benefit being organized by the Junior League. Elizabeth and fellow socialite Hilly Holbrook (Bryce Dallas Howard), head of the local Junior League chapter, laugh at Celia's efforts to be accepted, as they don't think she's up to their social standards. (We learn later that Celia's married to Hilly's former boyfriend, which might have something to do with Hilly's attitude.) Celia mentions to Aibileen that she's looking for a maid. After refusing to use Elizabeth's toilet because Aibileen uses it ("they carry different diseases than we do!"), Hilly describes the Home Health Sanitation Initiative she hopes to get passed in the state legislature. The bill would require white-owned homes to have a separate toilet for the Negro "help." This conversation is conducted within earshot of Aibileen.Skeeter has been assigned to write the Miss Myrna housekeeping column for the local newspaper. Because she has never had to do much housework herself, she asks Aibileen for assistance. In addition to doing all the cooking and cleaning for Elizabeth's family, Aibileen is the de facto mother of Elizabeth's toddler daughter, Mae Mobley (Eleanor Henry and Emma Henry), for whom Elizabeth shows heart-rendingly little concern. Every day Aibileen tells Mae Mobley, "You is kind. You is smart. You is important."When Skeeter gets home, her mother, Charlotte (Allison Janney), is trying on a dress. Charlotte gets Skeeter to try it on and bugs her about still being single. Skeeter mentions the job she landed, and...
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output: The Help


input: Please answer the following: Suggest a movie title for the following movie plot: We are driving a flat, winding, dry and isolated road through desert brush. Everything is quiet. Two young men in a car say nothing to each other. They arrive at a marked "wilderness" trail and head off without anything but the clothes on their back and an extra shirt. With energy and boundlessness they go and go and go. They mention the "thing" that they're apparently going to and how it should be there somewhere. They have no map. The landscape changes, they run, they smoke cigarettes and finally they decide they don't really want to go to this "thing" and they turn around. The shots are very long and tedious. We realize they're lost. The brush disappears and it is mountains, then it is rocks, then it is desert. Then it is night and they sit by a fire. The next day goes on and on and it is unclear how many days are now passing, though the landscape still keeps changing: a lunar surface, and crags of jagged rocks. Their clothes and faces dirty, their clipped exchanges almost indecipherable. They separate and then find each other again, Gerry stuck at the top of a huge rock formation. They discuss him jumping down and the other Gerry makes him a "dirt mattress", which is successful and they keep going. Finally flat white salt is all that's beneath them. They are both barely moving, shuffling their feet like broken-down machines. Gerry, who was falling behind, drops to his knees and lays down. Gerry stops and walks back to him, lying on the ground beside him. After a while, Gerry says that he's leaving and slowly, painfully, reaches over to Gerry as if to find comfort in holding his hand as he draws his last breath. Gerry shakes him off and, his movements stilting and awkward, he rolls on top of him, struggling, not with a hug but with a fraughtful busrt of energy to strangle him. He then lays still. After a while he gets up and walks in another direction, leaving dead Gerry, seeing moving forms on the horizon. We see the vast unbearable landscape move by quickly, no longer within it we are safely on the...
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output: