Question: The sound of the clacking grew unbearable, so we turned the volume down. "Mute it." We muted it. "Turn it up; we might miss something." It's a silent movie. We won't miss anything. The sound of clacking gradually fills the room as my brother reluctantly turns up the volume. I can tell he's pressing hard on the button, jamming his thumb down in defiance or muted anger. He doesn't like for anyone to tell him what to do with the remote. But my grandmother wants the volume up, so we turn it up. We're all sitting along the edges of the tiny living room, staring at the fuzzy black-and-white images as they hazily walk across the television screen. I can hear a siren outside, barely discernable and then gone entirely. "Who's that?" my brother asks, evidently past his momentary and barely-noticeable indignation over the remote. "Uncle Arehl, and maybe his sister, Edna," my grandmother says, leaning in closer. "I think it's Edna," she says, in the tone of a doctor diagnosing a disease, as if the verdict was somehow relevant to someone who has only the vaguest idea who Arehl's sister is, or was. Uncle Arehl (I don't know precisely whose uncle he is, or for what the two initials of his name once stood) saunters slowly across a dry, patchy lawn, and the camera follows him. For some reason I'm more interested in the lawn--if it can be called that--than in the people on it. The sun in the movie is blazing, and everyone filmed looks only briefly at the camera before averting their faces once again to look at the stubbly grass. The camera pans once again and I can see an incredibly rutted path leading from the porch to the fence at the edge of the yard, broken pieces of concrete amid deep tire tracks fossilized in sun-baked mud. The fence is low, wire like a chain-link, but lower, with metal stakes holding it up instead of tubes. According to the above context, answer the following question. Who is Uncle Arehl?
Answer: not enough information

Question: The Getty Villa is a museum unlike any in the world. It offers an experience of ancient Greek and Roman art in a setting that replicates that in which it would originally have been displayed, a Roman villa of the first century AD. On April 18, after three years of work, the galleries of the Villa reopen with an entirely new arrangement of the collection, one that situates art in its cultural and historical context. Since 2006, when the Getty Villa opened as a museum dedicated to the cultures of the ancient Mediterranean, the collection has been presented along thematic lines, with galleries dedicated to subjects such as ancient theater, athletes and competition, and gods and goddesses. This approach was useful in illuminating social life in the ancient classical world, but it prioritized objects’ subject matter over their stature as works of art and removed them from their broader artistic and cultural context. Reenvisioning how the antiquities were displayed at the Villa was one of my top priorities when I joined the J. Paul Getty Museum as director in 2012. As a specialist in ancient art, my priority is to help visitors to see these great treasures as beautiful and fascinating works of art, and sparking their curiosity to understand them in the context of their place in human culture. Starting April 18 our Villa galleries offer a new journey through ancient Greek, Roman, and Etruscan art. The visitor’s path begins on the first-floor rooms devoted to Neolithic and Bronze Age (Cycladic, Minoan, and Mycenaean) Greek art. The journey continues through the Archaic, Classical, and Hellenistic periods, when the Greeks developed the first fully naturalistic vision of the human figure. And it culminates in the dramatic skylit halls of ancient Roman sculpture. In all there are 33 spaces on two floors, with 3,000 more square feet of gallery space than before. The visitor’s path winds through the galleries, gardens, and fountains, offering views onto the spectacular landscape and Pacific Ocean. According to the above context, answer the following question. When did the Getty Villa illuminate social life?
Answer: Since 2006

Question: I’ve often been asked, “What is a blog?” This is my attempt to answer that question in a simple way. The word blog is short for web log and although the quick answer for me would be “a web journal” or “online diary,” I think blogs encompass more than that. Blogs are platforms for people to write about pretty much anything and everything. I was first introduced to the concept when a few friends starting writing family blogs as a way to keep in touch with distant friends and relatives or keep up with documenting their lives for themselves or their children. Sort of like a modern day scrapbook or baby book. Then, I followed a couple friends as they blogged about traveling around America. One’s purpose was to find a small town to settle in and the other’s purpose was to kill time while unemployed and waiting for a call to serve as a minister. Now I follow all sorts of blogs. There are blogs about dogs, traveling, kids, cooking, religion, fitness, politics, crafts, parenting, writing, educating, interior design, you name it! There are even blogs about blogging! Individuals run blogs. Groups of friends run blogs. Businesses run blogs. Religious institutions run blogs. Blogs are a way for people to connect over certain topics and interests, socializing in the ever-growing blogosphere. Chances are, you’ve read blog posts without even realizing it. Most look like an article you’d find on any website. But blog posts typically have a personal touch. They’re a wonderful way for people to share tips, tricks, tutorials, inspiration, and more with others. If you want a more thorough definition of the term blog, this one is from Wikipedia. Blogs are also a way for businesses to advertise through honest reviews and giveaways. They partner up with bloggers to spread the word about their products or services. So, some bloggers are also advertisers. According to the above context, answer the following question. What is an online platform for writing about everything?
Answer: