The answer to the question: What is the name of the place in which Balakirev's conductorship of Fatum recieved a lukewarm reception? is inside the article: In 1867, Rubinstein handed over the directorship of the Conservatory to Zaremba. Later that year he resigned his conductorship of the Russian Music Society orchestra, to be replaced by Balakirev. Tchaikovsky had already promised his Characteristic Dances (then called Dances of the Hay Maidens) from his opera The Voyevoda to the society. In submitting the manuscript (and perhaps mindful of Cui's review of the cantata), Tchaikovsky included a note to Balakirev that ended with a request for a word of encouragement should the Dances not be performed.At this point The Five as a unit was dispersing. Mussorgsky and Rimsky-Korsakov wanted to remove themselves from Balakirev's influence, which they now found stifling, and go in their individual directions as composers. Balakirev might have sensed a potential new disciple in Tchaikovsky. He explained in his reply from Saint Petersburg that while he preferred to give his opinions in person and at length to press his points home, he was couching his reply "with complete frankness", adding, with a deft touch of flattery, that he felt that Tchaikovsky was "a fully fledged artist" and that he looked forward to discussing the piece with him on an upcoming trip to Moscow.These letters set the tone for Tchaikovsky's relationship with Balakirev over the next two years. At the end of this period, in 1869, Tchaikovsky was a 28-year-old professor at the Moscow Conservatory. Having written his first symphony and an opera, he next composed a symphonic poem entitled Fatum. Initially pleased with the piece when Nikolai Rubinstein conducted it in Moscow, Tchaikovsky dedicated it to Balakirev and sent it to him to conduct in Saint Petersburg. Fatum received only a lukewarm reception there. Balakirev wrote a detailed letter to Tchaikovsky in which he explained what he felt were defects in Fatum but also gave some encouragement. He added that he considered the dedication of the music to him as "precious to me as a sign of your sympathy towards me—and I feel a great weakness for you"...., can you guess it ?
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Answer: Saint Petersburg


The answer to the question: What things does Tom manage to cut? is inside the article: On a farm, a mama duck goes out for a swim, leaving behind an egg in her nest. Tom hides in the tall grass nearby and snatches the egg once mama duck is out of sight. He rushes back to the kitchen and cracks the egg over a frying pan, but instead of the albumen and yolk, Quacker the duckling appears. Not to be put off, Tom decides he will cook roasted duck instead.  Tom feeds Quacker on plenty of bread to fatten him up, and then attempts to use a meat cleaver on him. Quacker avoids the meat cleaver, which slices through the remaining loaf of bread, and escapes to Jerry's mouse hole and informs a confused Jerry of Tom's actions. Jerry peers out from his mouse hole cautiously, but Tom quickly strikes with his meat cleaver. Quacker pulls Jerry's legs, thinking at first that the mouse has been decapitated but eventually realizing the cat has only caught Jerry's whiskers. Once free, Jerry pulls Tom's tail through a wall socket and out of the hole, causing Tom to reflexively hack the meat cleaver onto his own tail. The cat screams in pain as Jerry and Quacker escape the hole., can you guess it ?
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Answer: his own tail


The answer to the question: What was the name of the album Dylan released in 2015 in three different formats? is inside the article: The first non-album outtake from the Highway 61 Revisited sessions to be released was the single "Positively 4th Street", although on an early pressing of the single Columbia used another Highway 61 outtake, "Can You Please Crawl Out Your Window?", by mistake. "Crawl Out Your Window" was subsequently re-recorded with the Hawks in October, and released as a single in November 1965. Columbia accidentally released an alternate take of "From a Buick 6" on an early pressing of Highway 61 Revisited, and this version continued to appear on the Japanese release for several years. Other outtakes officially released between 1991 and 2005 include alternate takes of "Like a Rolling Stone" and "It Takes a Lot to Laugh, It Takes a Train to Cry", and a previously unreleased song, "Sitting on a Barbed Wire Fence", on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991, as well as alternate takes of "Desolation Row", "Highway 61 Revisited", "Just Like Tom Thumb's Blues", "Tombstone Blues", and "It Takes a Lot to Laugh, It Takes a Train to Cry" on The Bootleg Series Volume 7. Excerpts from several different takes of "Like a Rolling Stone" appeared on the Highway 61 Interactive CD-ROM, released in February 1995.In 2015, Dylan released Volume 12 of his Bootleg Series, The Cutting Edge, in three different formats. The 18-disc Collector's Edition was described as including "every note recorded during the 1965–1966 sessions, every alternate take and alternate lyric". The 18 CDs contain every take of every song recorded in the studio during the Highway 61 Revisited sessions, from June 15 to August 4, 1965.The Highway 61 Revisited out-takes from the first recording session in New York, June 15 and 16, 1965 comprise: ten takes of "It Takes A Lot To Laugh, It Takes A Train To Cry", six takes of "Sitting On A Barbed-Wire Fence", and fifteen takes of "Like A Rolling Stone". Additionally, The Cutting Edge contains four instrumental "stem" tracks, lifted from Take Four which was the released "Master take" of "Like A Rolling..., can you guess it ?
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Answer: