[Q]: Generate a question that has the following answer:  Baldwin  for the following movie plot:  NOTE: Sequel to "Count Yorga" (1970).Count Yorga [Robert Quarry] has purchased the old Gateway Mansion and moved in with his harem of vampiresses. His property is near that of the Westwood Orphanage, and the vampires have already bitten Tommy [Philip Frame], one of the children, and turned him into a good little renfield.Everyone at the orphanage is uneasy. The Santa Ana winds are coming, the bridge is out, and tonight is the annual fundraiser. The guests are few. There is Cynthia Nelson [Mariette Hartley] and her family -- father Bill [Walter Brooke], mother Liza [Helen Baron], and two sisters, Jennifer [Yvonne Wilder], who is deaf, and Ellen [Karen Ericson]. Also, there is Ellen's fiance Jason Baldwin [David Lampson], his father Dr David Baldwin [Roger Perry], who is Cynthia's beau, and only about a half dozen others, so it is a noticeable event when Count Yorga drops in. It is also a big event for Yorga because, when he meets Cynthia, he finds himself falling in love.When the Santa Anas hit, the Nelson family plus Tommy hole themselves up in their living room, except for Jennifer who is sleeping upstairs. As they attempt to make small talk, the patio door suddenly breaks, and a half dozen vampiresses enter and start biting. They carry Cynthia to Yorga. Yorga hypnotizes her and makes her believe that she was in a car accident near his house and that he has been nursing her back to health. The next morning, when Jennifer wakes up, she finds the carnage. Only Tommy is still alive, but he's not talking. Jennifer and Tommy go to the orphanage to tell Reverend Thomas [Tom toner], who immediately contacts Dr Baldwin, Jason, Lt Ben Madden [Rudy de Luca], and Sgt O'Connor [Craig Nelson]. When they all return to the house, however, there is no mess, no broken patio doors, and not a body to be found. Instead, they find a note from Cynthia saying that the family had to leave on urgent business and would return in several days. Although Jennifer insists that what she is saying is the truth, Tommy claims to have seen...
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[A]: Who gives Yorga the final push that sends him plummeting to the ground?


[Q]: Generate a question that has the following answer:  Taro  for the following movie plot:  At the end of the second world war, imperial japanese fanatism seals the fate of all of one island's inhabitants as well as of its garrison, interrupting the love between a soldier and a fisherman's daughter. The girl survives and the war ends, but the other survivor, a soldier, doesn't know about neither and continues during thirty years to serve the emperor by defending the island against enemy attacks, tormented in his dreams by his memories and his secret aspiration to eternal rest. The soldier is regularly inspected and motivated by his former military inspector Yamada. The latter exploits the situation to entertain former japanese officers, nostalgic of war-waging imperial Japan, by luring visitors to the island, where the are enrolled by the soldier Taro to serve in the army of the Great Emperor. For the thrill of the former japanese officers, Yamada organizes "inspections" during which the new recruits must prove their devotion to the emperor by sacrificing their lives. Shintaro, the hero of this story, is the son of the fisherman's daughter. She pushes him to find his father, who has disappeared on the island just before the massacre. Through the war veteran association of the japanese army, Shintaro learns about the island and decides to visit the island to look for hints about his father. Since Yamada works for the veteran association, Yamada takes Shintaro and other people to the island and abandons them there. For Shintaro and his comrades this means forced enrollment, military drill and suffering. And Yamada prepares an inspection...
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[A]: Who enrolls the visitors to serve in the army of the Great Emperor?


[Q]: Generate a question that has the following answer:  Erika's private life  for the following movie plot:  Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum. The audience is gradually shown truths about Erika's private life. Behind her assured faÃ§ade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation. When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert. Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterâand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil. Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter. Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies,...
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[A]: