[Q]: Question: Who is Natalia? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Mirror Context: Structure and content[edit] Mirror depicts the thoughts, emotions and memories of Alexei, or Alyosha (Ignat Daniltsev), and the world around him as a child, adolescent, and forty-year-old. The adult Alexei is only briefly glimpsed, but is present as a voice-over in some scenes including substantial dialogue. The structure of the film is discontinuous and nonchronological, without a conventional plot, and combines incidents, dreams and memories along with some news-reel footage. The film switches among three different time-frames: prewar (1935), war-time (1940s), and postwar (1960s or '70s). Mirror draws heavily on Tarkovsky's own childhood. Memories such as the evacuation from Moscow to the countryside during the war, a withdrawn father and his own mother, who actually worked as a proof-reader at a printing press, feature prominently. Synopsis[edit] The film opens with Alexei's adolescent son Ignat (also played by Ignat Daniltsev) switching on a televisor and watching the examination of a stammerer by a physician. After the opening titles roll, a scene is set in the countryside during prewar times in which Alexei's mother Maria (Margarita Terekhova) â also called Masha and Marusya â talks with a doctor (Anatoli Solonitsyn) who chances to be passing by. The exterior and interior of Alexei's grandfather's country house are seen. The young Alexei, his mother and sister watch as the family barn burns down. In a dream sequence Maria is washing her hair. Now in the postwar time-frame, Alexei is heard talking with his mother Maria on the phone while rooms of an apartment are seen. Switching back to the prewar time-frame, Maria is seen rushing frantically to her work-place as a proof-reader at a printing press. She is worrying about a mistake she may have overlooked, but is comforted by her colleague Liza (Alla Demidova), who then abruptly reduces her to tears with withering criticism. Back in postwar time, Alexei quarrels with his wife, Natalia (also played by Margarita Terekhova), who has divorced him and is...
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[A]: Natalia is the wife of Alexei.


[Q]: Question: How do they walk through the desert? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Gerry Context: The characters drive to a remote location to hike at a site marked "Wilderness Trail". As they start, they see some other hikers passing by. After some walking, talking, and an impromptu foot race, they decide to head back. Before long, they realize that they are lost. That night, they build a campfire. Over the next couple of days, the two hikers wander through the wilderness without food or water. They try splitting up for a while, they try to retrace their steps, they try to follow some animal tracks, all to no avail. They grow increasingly irritated with each other as the situation becomes dire. They eventually find themselves slowly walking, mostly in silence, through a desert. They finally collapse due to fatigue and dehydration. The weaker of the two (Affleck) proclaims that he is "leaving", and reaches towards Damon's character. Damon's character rolls on top of Affleck and wordlessly strangles him before collapsing again. After some time, Damon's character awakens and realises that a highway is not far away. In the final sequence, he is badly sunburned but watches the passing landscape from the car of the father and son who have seemingly rescued him.
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[A]: Slow and mostly silent


[Q]: Question: What is the name of the actor who played Dr. Berger? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Ordinary People Context: On the surface this film tells the disintegration of an upper-middle class family in Lake Forest, Illinois, following the death of the older son in a boating accident. In fact, in depth, it tells of the profound perverse narcissism of the mother, Beth (Mary Tyler Moore), who seeks success only in the social norm of appearances and their approval by hiding behind her mother status, and who, by being blind to the psychology and feelings of her family, has installed coldness of heart, superficiality of feelings and absence of empathy as the standard way of life, in her home. As she refuses to question herself and respond to the need for love around her, finally her husband Calvin (Donald Sutherland) will ask her to leave.The story is mainly told through the younger son, Conrad (Timothy Hutton), who suffers badly from the consequences of his mother's attitude and atmosphere in the family, by responding with guilt, depression and a suicide attempt, because, as a teenager, he does not have yet the tools to decipher this artificial superficiality and make the connections, until he is helped by a committed Dr Berger (Judd Hirsch) and finds his way out with his father.
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[A]: Judd Hirsch


[Q]: Question: Who did BR congratulate on the speech and offers him a job? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Thank You for Smoking Context: Nick Naylor is a handsome, smooth-talking tobacco lobbyist and the vice-president of a tobacco lobby called the "Academy of Tobacco Studies", which for 15 years has been "researching" the link between tobacco smoking and lung cancer. They claim that their researchâfunded primarily by tobacco companiesâhas found no definitive evidence of any linkage. Naylor's job consists mainly of reporting the questionable research of the "Academy" to the public and defending Big Tobacco on television programs by questioning opposing health claims and advocating personal choice. Naylor and his friends, firearm lobbyist Bobby Jay Bliss and alcohol lobbyist Polly Bailey, meet every week and jokingly call themselves the "Merchants of Death" or "The MOD Squad". As anti-tobacco campaigns mount and numbers of young smokers decline, Naylor suggests that product placement of cigarettes could once again boost cigarette sales. Naylor's boss, BR, sends Naylor to Los Angeles to bargain for cigarette placement in upcoming movies. Naylor takes along his young son Joey in hopes of bonding with him. The next day, Naylor is sent to meet with Lorne Lutch, the cancer-stricken man who once played the Marlboro Man in cigarette ads and is now campaigning against cigarettes. As his son watches, Naylor successfully offers Lutch a suitcase of money for his silence. During the drive back, Nick and Joey discuss the beauty of argument. Senator Finistirre, one of Naylor's most vehement critics, is the promoter of a bill to add a skull and crossbones POISON warning to cigarette packaging. During a televised debate with Finistirre, Naylor receives a death threat from a caller. Despite the threat, Naylor still plans to appear before a U.S. Senate committee to fight Finistirre's bill. Naylor is then kidnapped and covered in nicotine patches. Awakening in a hospital, he learns that the very high nicotine tolerance level resulting from his smoking has saved him from death by nicotine poisoning, but now he is hypersensitive to nicotine and can never smoke...
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[A]: