Q: Paul knew that the plan was insane and probably illegal. Certainly the stuff he'd been helping Chloe and her gang of followers do for the last few hours was technically illegal. He'd asked them why they were helping him, what did they hope to gain? They'd told him that this is what they did for fun. Chloe assured him that they "lived for this kinda shit." Ok, fine. He could sort of see that. Once he was there, helping them come up with the plan and then actually carrying it out, it sure as hell was exciting - probably the most exciting thing he'd ever done. Now that he was home and alone with his misgivings and paranoia, it all seemed like a really stupid idea. If it weren't for Chloe and her mesmerizing enthusiasm, there's no doubt that he wouldn't be doing this at all. But it was too late now. Or was it? It was five in the morning when Paul got back to his apartment. He'd told Chloe that he wanted to get a few hours sleep before the big meeting, but he now realized that there was no way he was going to be able to relax. When he'd stepped out the door twenty-two hours earlier he'd still had his job and was looking forward to a showing the rest of the art team his new designs for some of the higher-level monsters he wanted to add to the game. Screw that, he thought, they're my monsters now. I'll use them somewhere else. It could never work. How could it? Right then and there Paul decided that he was going to call the whole thing off. It wasn't too late. They hadn't done anything yet that wasn't reversible. No one had been hurt. No money had changed hands. No one had been lied to. If he called it off right now he could just move on and try and put the whole, sorry state of affairs behind him. According to the above context, answer the following question. What did Paul tell Chloe he wanted to do after he arrived at his apartment at 5am?
A: Get a few hours sleep

Q: When she's in the mood to push my buttons, my significant other, the delightful and charming Ms. D, frequently alludes to the questionable timeline concerning my birth date. She derives much mirth from the fact that I was born something less than nine or ten months after my parents wed and hints that this indicates a certain amount of premarital hanky-panky. Standing on my dignity ('cause it's higher than the coffee table), my reply is that I have it on good authority that I owe my early entry into the world to Tabusintac Hill. Said hill was once considered to be an abomination of the first water. The Tabusintac, like all hills, had an up and a down. In this case, the up and down were distinguished from each other by a sharp curve at the bottom. The main North/South New Brunswick highway slavishly followed the hill's contours. If you were heading north, the road led you into a ravine and you were faced with a steep uphill incline that, in winter presented a challenge to at least half the vehicles trying to climb it. In true snow country fashion, steep, icy hills were conquered by getting a running start, building up a lot of speed and praying that Mr. Newton's rules concerning inertia would work in your favour. Headed south, the problem became keeping your car under control so that you didn't go shooting into the trees when the road curved to the left. My parents were taking a trip to the Miramachi in December of '56 and were driving a Pontiac borrowed from one of my father's friends. My mother was pregnant with a bundle of bad attitude and misery that would turn out to be me. I assume that my father was driving with that mix of panache and insouciance that my mother tended to describe as reckless behaviour. In any case, as he rounded the corner at the top of the hill, the road was apparently free of snow and ice and there was no reason to slowdown. Until the moose stepped out onto the road just ahead of them. According to the above context, answer the following question. Who is Ms D
A: not enough information

Q: He had a 12" Sony black-and-white, tuned to MTV, sitting on a chair at the end of the bed. He could barely hear it over the fan in the window. He sat in the middle of the bed because of the sag, drumming along absently to Steve Winwood's "Higher Love." The sticks were Regal Tip 5Bs. They were thinner than 2Bs--marching band sticks--but almost as long. Over the years Stan had moved farther out over the ends. Now the butts of the sticks fit into the heels of his palms, about an inch up from the wrist. He flipped the right stick away when the phone rang. "Stan, dude! You want to work tomorrow?" "Yeah, probably. What have you got, Darryl? You don't sound right." "Does the name Keven Stacey mean anything to you?" "Wait a minute." Stan switched the phone to his other ear. "Did you say Keven Stacey? As in Foolsgold, Kevin Stacey? She's going to record at CSR?" "You heard me." Stan could see Darryl sitting in the control room, feet up on the console, wearing double-knit slacks and a T-shirt, sweat coming up on his balding forehead. "This is some kind of bullshit, right? She's coming in for a jingle or a PSA." "No bullshit, Stanley. She's cutting a track for a solo album she's going to pitch to Warner's. Not a demo, but a real, honest-to-Christ track. Probably a single. Now if you're not interested, there's plenty of other drummers in LA..." "I'm interested. I just don't understand why she wants to fuck with a rinky-dink studio like yours. No offense." "Don't harsh me, bud. She's hot. She's got a song and she wants to put it in the can. Everybody else is booked. You try to get into Record One or Sunset Sound. Not for six months you won't get in. Even if you're Keven Stacey. You listening, Stan?" He heard Darryl hitting the phone on the edge of the console. "That's the Big Time, dude. Knocking on your door." According to the above context, answer the following question. What instrument does Stan play
