input: Please answer the following: Given the following context:  Wōdejebato (formerly known as Sylvania) is a Cretaceous guyot or tablemount in the northern Marshall Islands, Pacific Ocean. Wōdejebato is probably a shield volcano and is connected through a submarine ridge to the smaller Pikinni Atoll 74 kilometres (46 mi) southeast of the guyot; unlike Wōdejebato, Pikinni rises above sea level. The seamount rises for 4,420 metres (14,500 ft) to 1,335 metres (4,380 ft) depth and is formed by basaltic rocks. The name Wōdejebato refers to a sea god of Pikinni. It was probably formed by a hotspot in what is present-day French Polynesia before plate tectonics moved it to its present-day location. The Macdonald, Rarotonga, Rurutu and Society hotspots may have been involved in its formation. The first volcanic phase took place in the Cenomanian and was followed by the formation of a carbonate platform that quickly disappeared below the sea. A second volcanic episode between 85 and 78.4 million years ago (in the Campanian) led to the formation of an island. This island was eventually eroded and rudist reefs generated an atoll or atoll-like structure, covering the former island with carbonates and thus a second carbonate platform. The second carbonate platform drowned about 68 million years ago (in the Maastrichtian), perhaps because at that time it was moving through the equatorial area which may have been too hot or too nutrient-rich to support the growth of a coral reef. Thermal subsidence lowered the drowned seamount to its present depth. After a hiatus, sedimentation commenced on the seamount and led to the deposition of manganese crusts and pelagic sediments, some of which were later modified by phosphate.  answer the following question:  What was the former name of the volcano that was created in present-day French Polynesia?
++++++++++
output: Sylvania


input: Please answer the following: Given the following context:  Kel and Kath return from The Da Vinci Code European tour and begin frantic preparations for Christmas. During the two weeks leading up to Christmas Day Kim discovers that Brett is once again having an affair, this time with his boss Kelly. Brett stays at "The Buckingham Motel". Kim eventually asks him back, but he is still conducting the affair. Sharon meets a man, Marriat, online and they become engaged. She is heart broken to later learn that he does not actually exist, but is just a blog. Kath and Kel become backup dancers for Michael Bublé at Carols by Candlelight, Melbourne. Kath's affection for him results in Kel letting out his "green eyed monster". She tells him that he shouldn't bother going home as he wouldn't be welcome. Kel too goes to stay at "The Buckingham". Kath forgives Kel and he returns home for Christmas. Kath and Kel also receive strange messages from John Monk, the albino running Da Vinci Code tour, including one saying "44 Euros". John Monk visits their home. Kel thinks he has cracked the code and Monk is going to kill them, but he just wants to offer them a franchise. An epilogue shows Kath's first day as a tour guide on the Da Vinci Code 2 tour: G'day Leonardo.  answer the following question:  Whose home does John Monk visit?
++++++++++
output: Kel and Kath


input: Please answer the following: Given the following context:  Following the round of touring for Vitalogy, the band went into the studio to record its follow-up, No Code. Vedder said, "Making No Code was all about gaining perspective." Released in 1996, No Code was seen as a deliberate break from the band's sound since Ten, favoring experimental ballads and noisy garage rockers. David Browne of Entertainment Weekly stated that "No Code displays a wider range of moods and instrumentation than on any previous Pearl Jam album." The lyrical themes on the album deal with issues of self-examination, with Ament stating, "In some ways, it's like the band's story. It's about growing up." Although the album debuted at number one on the Billboard charts, it quickly fell down the charts. No Code included the singles "Who You Are" (sample ), "Hail, Hail", and "Off He Goes". As with Vitalogy, very little touring was done to promote No Code because of the band's refusal to play in Ticketmaster's venue areas. A European tour took place in the fall of 1996. Gossard stated that there was "a lot of stress associated with trying to tour at that time" and that "it was growing more and more difficult to be excited about being part of the band." Following the short tour for No Code, the band went into the studio in 1997 to record its follow-up. The sessions for the band's fifth album represented more of a team effort between all members of the group, with Ament stating that "everybody really got a little bit of their say on the record...because of that, everybody feels like they're an integral part of the band." On February 3, 1998, Pearl Jam released its fifth album, Yield. The album was cited as a return to the band's early, straightforward rock sound. Tom Sinclair of Entertainment Weekly stated that the band has "turned in an intermittently affecting album that veers between fiery garage rock and rootsy, acoustic-based ruminations. Perhaps mindful of their position as the last alt-rock ambassadors with any degree of clout, they've come up with their most cohesive album since their 1991...  answer the following question:  What was the song with a music video that was animated by Todd McFarlane for the band that recorded No Code?
++++++++++
output: Do the Evolution


input: Please answer the following: Given the following context:  Philip Arnold Heseltine (30 October 1894 – 17 December 1930), known by the pseudonym Peter Warlock, was a British composer and music critic. The Warlock name, which reflects Heseltine's interest in occult practices, was used for all his published musical works. He is best known as a composer of songs and other vocal music; he also achieved notoriety in his lifetime through his unconventional and often scandalous lifestyle. As a schoolboy at Eton College, Heseltine met the British composer Frederick Delius, with whom he formed a close friendship. After a failed student career in Oxford and London, Heseltine turned to musical journalism, while developing interests in folk-song and Elizabethan music. His first serious compositions date from around 1915. Following a period of inactivity, a positive and lasting influence on his work arose from his meeting in 1916 with the Dutch composer Bernard van Dieren; he also gained creative impetus from a year spent in Ireland, studying Celtic culture and language. On his return to England in 1918, Heseltine began composing songs in a distinctive, original style, while building a reputation as a combative and controversial music critic.  During 1920–21 he edited the music magazine The Sackbut. His most prolific period as a composer came in the 1920s, when he was based first in Wales and later at Eynsford in Kent. Through his critical writings, published under his own name, Heseltine made a pioneering contribution to the scholarship of early music. In addition, he produced a full-length biography of Frederick Delius and wrote, edited, or otherwise assisted the production of several other books and pamphlets. Towards the end of his life, Heseltine became depressed by a loss of his creative inspiration. He died in his London flat of coal gas poisoning in 1930, probably by his own hand.  answer the following question:  What is the first name of the person who is suspected of suicide?
++++++++++
output: