text:
(a) In the case of a reverse takeover where there have been material changes to the group structure of the issuer, or in the case of a listing of a REIT or a business trust, proforma group accounts must be presented in addition to the annual audited accounts, where applicable. The proforma financial information must provide investors with information about the impact of the proposed group structure by illustrating how that group structure might have affected the financial information presented in the prospectus, had the group structure been put in place at the commencement of the period being reported on or, in the case of a proforma balance sheet or net asset statement, at the date reported on. Accordingly, the proforma information must include all appropriate adjustments of which the issuer is aware, necessary to give effect to the group structure reported on, or in the case of a proforma balance sheet or net asset statement, at the date reported on.
(b) The proforma income statement or statement of comprehensive income should be presented for the latest 3 financial years and for the most recent interim period (if applicable) as if the restructured group had been in existence at the beginning of the period reported on. The proforma statement of financial position should be presented as at the date to which the most recent proforma income statement or statement of comprehensive income has been made up. In the event a REIT or business trust is unable to present the required proforma financial information, the Exchange may request for the provision of profit estimates, forecasts and/or projections as satisfaction of this Rule.
(c) The accountants' report must include details of any transfers to and from any reserves if those transfers are not reflected in the proforma results in respect of each of the financial years reported on.
(d) The reporting accountants must express an opinion as to whether the proforma group accounts are properly prepared and consistent with both the format and accounting policies adopted by the issuer in its financial statements, and whether the adjustments are appropriate for the purposes of preparing the proforma financial statements.
(e) The proforma information must:—
(i) clearly state that it is prepared for illustrative purposes only based on certain assumptions and after making certain adjustments to show the financial position and results of the issuer had the proposed group structure been in place during the relevant period;
(ii) clearly state that because of its nature, it may not give a true picture of the issuer's actual financial position or results;
(iii) identify the basis upon which it is prepared and the source of each item of information and adjustment; and
(iv) be based upon information from audited accounts.
(f) The issuer should use the most appropriate reporting currency in presenting financial information, taking into account the functional currencies of its businesses, the reporting currency for publication of future financial statements, and other factors relevant to a full and proper understanding by investors of the group's financial condition, risks and prospects.
(g) Where there has been a material change to the company's accounting policies, a summary of the significant changes in the accounting policies and the reasons for and quantitative impact of such changes on the issuer's financial results should be provided.
(h) [Deleted]
Amended on 29 September 201129 September 2011 and 7 February 20207 February 2020.


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Dental crowns are commonly used to restore teeth that are damaged, chipped, worn out, spaced excessively, or too weak to sustain by themselves. Bridges, on the other hand, are used to replace missing teeth. Both crowns and bridges are ceramic restorations that are made from a dental-grade material. Hence, they can be customized to look exactly like your natural teeth, thereby avoiding being detected easily.
The procedures for placing crowns and bridges are quite similar. Initially, the dentist will visually examine the teeth and determine your candidacy for the restoration. The dentist removes a thin layer of enamel to make space for the restoration. This is done by grinding or buffing the tooth. He uses a highly-precise digital scanning device to scan the teeth and create a mold. It is shared with a dental laboratory where the restoration is fabricated. It can take a few days for the process to complete.
During the next consultation, the dentist prepares the tooth for placing the restoration. They will be cleaned and roughened using an etching solution so that the restoration adheres well to them. Photosensitive dental adhesives help bond the crown or bridge to the tooth, and a curing light hardens it. The dentist will conduct a bite test and polish the restoration to enhance its appearance.
Please schedule an online appointment or call us at (773) 374-9778 for Chicago and (708) 914-4381 for Homewood to have a consultation with Dr. Moore, and we will be happy to help.
MON Closed
TUE 9:00 am - 4:00 pm
WED 1:30 pm - 4:00 pm
THU Closed
FRI 9:00 am - 4:00 pm
SAT - SUN Closed
MON 9:00 am - 4:00 pm
TUE Closed
WED 1:30 pm - 4:00 pm
THU 9:00 am - 4:00 pm
FRI - SUN Closed

subset: commoncrawl


text:
Yoshi & Daisy are 7 & 6 year old Maltese. Daisy loves playing fetch and being held. Yoshi enjoys taking naps and being on watch. They have the most fun on walks together and love it when it's time to snuggle in the big bed with us at night.
Favorite Toy: Ball
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Situation Update, Sep 24, 2021 - Prepare for Epic Crisis Theater Following AZ Forensic Audit Results! - Mike Adams Must Video
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Arizona Secretary of State candidate Mark Finchem demands state legislature DECERTIFY the 2020 election results based on tens of thousands of "ghost" votes
(Natural News) Mark Finchem, a GOP candidate for secretary of state in Arizona, is calling on state lawmakers to "decertify" the 2020 election results due to the discovery of a massive number of "ghost," or phony, votes.
Finchem's demand stems from an interview Liz Harris, a volunteer taking part in Maricopa County's ballot audit, did with Steve Bannon for his "War Room" podcast, in which she claimed that more than 96,300 mail-in ballots were sent from addresses that could not have possibly come from the 'person' named on the ballot.
In taking to Twitter, Finchem first thanked former Trump 2020 campaign lawyers Rudy Giuliani and Jenna Ellis for traveling to Arizona last winter following the election to lay out the evidence of what was then suspected voter fraud in the state.
"WE MUST AUDIT AND CANVASS EVERYWHERE. This fraud has been going on a lot longer than 2020," he began in a Twitter thread.
"I am calling it. Between the preliminary audit results and the private canvass, I call on Arizona to decertify the election of 2020 and recall the electors. There is already enough evidence to show clear and convincing fraud. We have a duty to act," he continued.
"Not only do we need a forensic audit of every county in Arizona, we need an official canvass of the election and of the voter rolls in every county in Arizona. If the DOJ wants to obstruct, they can pound sand," Finchem said.
"Ghost votes, fantom votes 96,00+ from 'mail-in' votes extrapolated from Maricopa #'s. 1 Voter reports got a mail-in ballot every elec since '12. Ballots returned but counted? How did that get into the system? Data shows while she kept the ballot, it was counted. Where is DOJ?" the secretary of state candidate added.
"YOU WERE RIGHT! @RudyGiuliani @JennaEllisEsq So glad we gave you the chance to reveal the corruption on Nov 30, '20 in PHX. We must send a signal to the People of Arizona that we have the courage to decertify an election that is rife with fraud and reclaim the 2020 Electors," he wrote.
Liz Harrington, the spokeswoman for former President Donald Trump's Save America PAC, also noted the findings in Twitter posts.
"At the end of the day, you can only prop up a fraud so much. Joe Biden has been propped up by the Fake News, Big Tech, and Fake suppression polls, but you can't fool the American people! And we all know he didn't get 81 million votes!" she wrote in another tweet along with a video clip of an interview she did with One America News.
The Arizona audit has been ongoing for months — since the spring — and more people have been calling for the results, especially after we have already learned there was fraud involved.
Americans for Legal Immigration reported less than two weeks after the Nov. 3 election:
Even more evidence came in today, suggesting that illegal non-citizen predominantly Democrat voters are the biggest threat to the integrity of US elections, yet 99% of the American media remains silent.
A Republican Arizona state representative Kelly Townsend is warning the nation that there are 14,099 voters in Maricopa County alone who did not prove they are US citizens when registering to vote as required by a little known Arizona state law passed as Proposition 200 in 2004.
It's important to note that Biden only 'eked out' a 'victory' in Arizona by about 11,000 votes.
"More evidence keeps rolling in that backs up our justified belief that the Democrat Party, trade unions, and Joe Biden campaign is winning the 2020 presidency due to widespread illegal non-citizen voters who vote Democrat more than 80% of the time," said William Gheen, a spokesperson for ALIPAC.us.
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"How much evidence and proof will it take for the media to finally report our concerns or for our government to take action to protect American voters from this overt foreign influence and overthrow of our elections?"
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BREAKING: House Committee Investigating Jan. 6 Issue Subpoenas for Steve Bannon, Dan Scavino, Kash Patel and Mark Meadows on Night Before AZ Audit Results…
Democrats and MSM make out the audit was a nothing burger …. that Biden won by an even wider margin. Reality is that there apparently was an audit with multiple extreme irregularities found. What happened today was not the promised and much anticipated audit report outlining those findings. It was instead a media presentation that avoided specifics, made platitudes about future election reform; and then swept it all under the rug, sidestepping the needed de-certification.
By the way, I am truly disappointed by the lack of timely response by our Big Name BIN contributors to this AZ audit debacle. You all built this up as a turning-point and water-shed moment in the election fraud turn around. Now that it bombed you are all AWOL to your supporters who could use some help and answers from you sooner rather than later. What's wrong, don't you work on weekends?
Let's see the results, tired of hearing we are going to.
We"re dealing with a satanic onslaught, and God not only wins in the end, but is here now, witnessing all of this craziness through the holy spirit.
The best thing you can do is to pray!
May God's will be done, in YHweh's name I pray…
The AZ AUDIT RESULTS just revealed and both CNN/MSNBC both talking "JAN 6th" instead…LOL
Another Situationy Update ™ from Monkey, er Mikey (my apologies to the Monkey).
Moe has no business like the sodomite Negro to be up there. Demoncraps and Retardicans both are responsible for this illegal takeover of your government. ALL of them need to be HANGED by the neck until dead or till the men stop jiggling and the women stop EXCRETING feces and urine.
THIS MUST BE DONE for their high treason and put a stop to their mocking and hatred of you and your country. They believe ALL humanity should BOW to them. This is OUTRAGEOUS!
The Maricopa County officials must also be hanged and any other officials that when along with it in ALL 50 States. THIS IS THE ONLY WAY TO END the commie rulers on you.
They must come to this ignominious end and Christian hymns are to be sung as they march up to the gallows. Job openings must be advertised for 535 positions + 1 as President after. Christians and true patriots don't need to be worried about being hanged unless they commit the same commie-cal crimes.
And I'm outta here…… it's the weekend.
"At the end of the day, you can only prop up a fraud so much.
Joe Biden has been propped up by the Fake News, Big Tech, and Fake suppression polls, but you can't fool the American people!
And we all know he didn't get 81 million votes! "-Liz Harrington
The trolls are working overtime.
This therapy has save many a diabetic foot from being amputated.
Please get this to the lady with the father with the problems.
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Note: This is a Solid State Magnetic field, NOT an alternating magnetic field like in a 8 track or Video magnetic
tape ERASER!!! So No longer do I recommend AC Electric Blankets, but a 12 volt DC Electric Blanket is very
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Please test as an adjunct to other therapies for relief from side effects and otherwise!!!
This is true,


text:
Research Insights
University of Georgia, Brazilian Foundation to Support Collaborative International Research
The University of Georgia and the Minas Gerais State Research Foundation have launched a new partnership to support international research collaboration with grant awards up to $15,000 to tackle issues — such as Zika and other infectious diseases — important to both Georgia and Minas Gerais, a large state located in southeastern Brazil.
The grant program was announced this week in Tiradentes, Minas Gerais, where 12 UGA faculty joined their Brazilian counterparts from the Oswaldo Cruz Foundation, the Federal University of Minas Gerais, and the Federal University of Viçosa for a workshop focused on creating new joint research initiatives in human and animal health, bioinformatics and genomics. UGA faculty need not have attended the workshop to participate in the grant program.
"UGA faculty already have important collaborations with colleagues in Brazil and in the State of Minas Gerais, in particular," said Vice President for Research David Lee. "With this new joint support we hope to deepen and expand our relationships."
Grant applications are due January 9, 2017, and awards will support preliminary research, partnership development and proposal preparation. To be eligible, proposals must identify and commit to pursue specific sources of external funding as a result of the activities enabled by the program. The program is jointly funded by the Minas Gerais State Research Foundation (whose Portuguese abbreviation is FAPEMIG) and UGA's Office of Research, in conjunction with UGA academic units.
"Brazil is already home to more of UGA's international partnerships than any other country in the world. Given our shared areas of research — ranging from biomaterials to infectious diseases to agriculture and bioinformatics — Minas Gerais is an ideal strategic target for collaboration with the University of Georgia," said Brian Watkins, UGA's director of international partnerships.
The UGA-FAPEMIG program continues an increasing commitment to international research and service at UGA, following the Global Research Collaboration Grant Program that was launched in April to encourage UGA faculty to pursue externally funded research initiatives abroad.
More information:
Download the call for proposals: https://research.uga.edu/docs/forms/iga/pdf/FAPEMIG-UGA.pdf
View international funding opportunities: https://research.uga.edu/research-matters/international/


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AFI Fest 2014 has announced three key lineups: New Auteurs, American Independents and Shorts. The programs feature a rich selection of films fresh off festival acclaim (such as "Heaven Knows What" and "The Tribe") along with numerous US and world premieres.
The New Auteurs and Shorts programs will be juried by film journalists Alonso Duralde (The Wrap and The Advocate), Tim Grierson (Screen International), Eric Kohn (IndieWire) and our own Anne Thompson (Thompson on Hollywood). The Shorts jury also features Kahlil Joseph (filmmaker), Sara Murphy (producer), Mike Ott (filmmaker), Matthew Takata (Sundance Institute) and Brian Udovich (producer). Films in these sections will vie for Grand Jury awards.
The 28th annual AFI Fest runs November 6-13 in Hollywood. As previously announced, opening night film "A Most Violent Year," centerpiece gala "Inherent Vice," "The Gambler" and closing selection "Foxcatcher" will also play the festival.
ALIVE (SANDA) – A poor mountain laborer finds himself caught between harrowing dramas playing out at work and at home. DIR Park Jungbum. SCR Park Jungbum. CAST Park Jungbum, Lee Seungyeon, Park Myunghoon, Shin Heatbit. South Korea. US Premiere
BLIND – A recently blinded woman handles the loss of her sight by writing stories about the world she's beginning to forget. DIR Eskil Vogt. SCR Eskil Vogt. CAST Ellen Dorrit Petersen, Henrik Rafaelsen, Vera Vitali, Marius Kolbenstvedt. Norway, Netherlands.
FLAPPING IN THE MIDDLE OF NOWHERE (ÐAP CÁNH GIUA KHÔNG TRUNG) – When Huyen dabbles in prostitution to earn money for an abortion, she meets a mysterious client who takes a tender yet obsessive interest in her pregnancy. DIR Nguyen Hoang Diep. SCR Nguyen Hoang Diep. CAST Nguyen Thuy Anh, Tran Bao Son, Hoang Ha, Pham Tran Thanh Duy. Vietnam, France, Norway, Germany. US Premiere.
GÜEROS – In this playfully energetic debut, three young pranksters embark on a road trip adventure to pay their last respects to their musical hero. DIR Alonso Ruizpalacios. SCR Alonso Ruizpalacios & Gibrán Portela. CAST Tenoch Huerta, Sebastián Aguirre, Ilse Salas, Leonardo Ortizgris. Mexico.
RUN – This West African mystic fable follows a young man's trajectory from rainmaker-in-training to fugitive political assassin. DIR Philippe Lacôte. SCR Philippe Lacôte. CAST Abdoul Karim Konaté, Isaach de Bankolé, Reine Sali Coulibaly. Ivory Coast, France.
SELF MADE (BOREG) – When two young women – one Palestinian and one Israeli – cross paths at a border checkpoint, they experience a magical identity exchange. DIR Shira Geffen. SCR Shira Geffen. CAST Sarah Adler, Samira Saraya. Israel.
THE TRIBE (PLEMYA) – This daring film, acted entirely in sign language without the aid of subtitles or voiceover, follows a new student at a corrupt Ukrainian school for the deaf. DIR/SCR Myroslav Slaboshpytskiy. CAST Grigoriy Fesenko, Yana Novikova. Ukraine.
VIKTORIA – Young Viktoria, born without an umbilical cord, is exalted as Bulgaria's "Child of the Future." But when the Communist Party falls, she faces a crisis. DIR Maya Vitkova. SCR Maya Vitkova. CAST Irmena Chichikova, Daria Vitkova, Kalina Vitkova, Mariana Krumova, Dimo Dimov, Georgi Spasov. Bulgaria.
VIOLET – In this visually stunning debut, teen Jesse must readjust to the world and cope with grief after witnessing his friend's murder at a local shopping mall. DIR Bas Devos. SCR Bas Devos. CAST César De Sutter, Raf Walschaerts, Mira Helmer, Brent Minne. Netherlands, Belgium. North American Premiere.
THE WONDERS (LE MERAVIGLIE) – When a television competition comes to the Italian countryside, farmer's daughter Gelsomina sees a way to assert her independence in this mesmerizing tale. DIR Alice Rohrwacher. SCR Alice Rohrwacher. CAST Alexandra Lungu, Sam Louwyck, Alba Rohrwacher, Sabine Timoteo, Monica Bellucci. Italy, Switzerland, Germany.
10,000 KM – Alexandra and Sergi's deeply passionate relationship is tested when it becomes long distance, with computer technology their only medium for communication. DIR Carlos Marques-Marcet. SCR Clara Roquet & Carlos Marques-Marcet. CAST Natalia Tena, David Verdaguer. Spain, USA.
BUZZARD – Slacker temp-worker Marty goes into hiding following a slew of self-designed scams in this acidic dark comedy from AFI FEST alum Joel Potrykus. DIR Joel Potrykus. SCR Joel Potrykus. CAST Joshua Burge, Joel Potrykus. USA.
FAULTS – A washed-up expert on mind control accepts an offer to kidnap a young woman from a cult in this assured indie thriller. DIR Riley Stearns. SCR Riley Stearns. CAST Leland Orser, Mary Elizabeth Winstead, Beth Grant, Chris Ellis, Lance Reddick, John Gries. USA.
FELT – Amy, haunted by a recent trauma, plunges into the world of her art to create an alter ego as a coping mechanism. DIR Jason Banker. SCR Jason Banker & Amy Everson. CAST Amy Everson, Kentucker Audley, Roxanne Knouse, Alanna Reynolds. USA.
HAPPY VALLEY – The Penn State child sex-abuse scandal, and subsequent downfall of local heroes Joe Paterno and Jerry Sandusky, is examined in this insightful documentary. DIR Amir Bar-Lev. USA.
HEAVEN KNOWS WHAT – The Safdie brothers' third narrative feature explores the lives of three heroin junkies living on the streets of New York City. DIR Benny Safdie & Josh Safdie. SCR Ronald Bronstein, Josh Safdie. CAST Arielle Holmes, Caleb Landry Jones, Buddy Duress, Necro. USA.
THOU WAST MILD & LOVELY – In this psychosexual drama, a young farm worker's attraction to his boss's daughter unearths dark secrets. DIR Josephine Decker. SCR Josephine Decker & David Barker. CAST Joe Swanberg, Sophie Traub, Robert Longstreet, Kristin Slaysman, Geoff Marslett. USA.
THE VANQUISHING OF THE WITCH BABA YAGA – This essay film finds a fertile metaphor for Eastern Europe's changing relationship with the natural world in the Slavic folktale of witch Baba Yaga. DIR Jessica Oreck. SCR Jessica Oreck. USA, Ukraine, Russia, Poland.
Shorts program after the jump.
130919 • A PORTRAIT OF MARINA ABRAMOVIĆ – This one-take 3D film majestically documents legendary performance artist Marina Abramović in a manner befitting her art. DIR Matthu Placek. SCR Matthu Placek. CAST Marina Abramović. USA.
AFRONAUTS – Inspired by true events, It's July 16, 1969: America is preparing to launch Apollo 11. Thousands of miles away, the Zambia Space Academy hopes to beat them to the moon. DIR Frances Bodomo. SCR Frances Bodomo. CAST Diandra Forrest, Yolonda Ross, Hoji Fortuna. USA.
unusual results. DIR Cara Connolly & Martin Clark. SCR Cara Connolly. CAST Ewen Bremner, Grace
Chilton. United Kingdom.
FUNNEL – Dude. Ran out of gas again?! DIR Andre Hyland. SCR Andre Hyland. CAST Andre Hyland.
HACKED CIRCUIT – This circular study of the Foley process portrays sound artists at work constructing complex layers of fabrication and imposition. DIR Deborah Stratman. USA.
THE HAIRCUT – In 1976, Amy defies expectations and joins the first class of female cadets accepted for
military service. She'll have to prove to all that she has what it takes. DIR Alexis O. Korycinski. SCR Julia
Cox. CAST Bailey Noble, Molly Quinn, David Starzyk, Walter Fauntleroy, Chad Michael Collins. USA.
HAZE – A well-intentioned young man struggles to explain last night. DIR Chloe Domont. SCR Chloe
Domont. CAST Casey Drogin, Hannah Gross. USA.
HERE I AM…THERE YOU ARE… – When a married couple's foreplay veers into domination, reality is stronger
than the imagination. DIR Dikla Jika Elkaslassy. SCR Dikla Jika Elkaslassy. CAST Ohad Knoller. Israel.
Edralin. CAST Ken Harrower, Sebastian Deery, April Lee. Canada.
HUMAN VOICE (VOCE UMANA) – Sophia Loren stars in this spirited adaptation of Jean Cocteau's one-
woman play. DIR Edoardo Ponti. SCR Erri De Luca & Edoardo Ponti. CAST Sophia Loren, Virginia Da
Brescia, Enrico LoVerso. Italy.
LIGHT – After suffering a devastating loss, a Lebanese man is challenged by a mother's request. DIR
Yassmina Karajah. SCR Yassmina Karajah. CAST Ahmed Muslimani, Soad Karim, Timothy J O'Leary.
Canada, Lebanon.
MAN ON THE CHAIR (L'HOMME SUR SA CHAISE) – Does the man on the chair exist? DIR Dahee Jeong.
SCR Dahee Jeong. France, South Korea.
MASTER MUSCLES – Veronica and Efren take an explosive road trip through a strange America. DIR Efrén
Hernández. SCR Efrén Hernández. CAST Jehina Malik, Efrén Hernández. USA.
MI NINA MI VIDA – The bustling crowds and noisy rides of the amusement park won't be enough to make
Jack smile today. DIR Yan Giroux. SCR Yan Giroux. CAST Joël Henriques. Canada.
MIGRATION – Observe the migration patterns of a most unusual herd. DIR Fluorescent Hill. SCR Mark
Lomond. Canada.
NDA – Man enacts legal fantasy. DIR David O'Reilly. USA.
THE OBVIOUS CHILD – Somebody broke the girl's parents. The rabbit was there when it happened. It was an awful mess. DIR Stephen Irwin. SCR Stephen Irwin. CAST Ron Masa. United Kingdom.
ONE YEAR LEASE – Brian and Thomas document one year's worth of their communication from their
landlady, who has an itchy speed-dial finger and much to say. DIR Brian Bolster. CAST Brian Bolster,
Thomas Harrington. USA.
PERSON TO PERSON – A stranger passed out on his floor after last night's party. Now she won't leave. At
least it will make a good story. DIR Dustin Guy Defa. SCR Dustin Guy Defa. CAST Bene Coopersmith,
Deragh Campbell. USA.
THE PRESENT – An Eastern ghost story with haunting implications. DIR Joe Hsieh. SCR Joe Hsieh & Ching-
Chwang Ho. CAST Yu-Jane Liu, Pi-Li Yeh, Ming-Shiou Tsai. Taiwan.
RABBITLAND – Those brainless rabbits are completely fulfilled. Why should their votes matter? DIR Ana
Nedeljkovic & Nikola Majdak Jr. SCR Ana Nedeljkovic. CAST Masa Mileusnic. Serbia.
RAT PACK RAT – Even Sammy Davis Jr. impersonators have it tough. DIR Todd Rohal. SCR Todd Rohal.
CAST Steve Little, Eddie Rouse, Margie Beegle. USA.
SEND – The Internet can be a dangerous place for teenage girls. DIR Peter Vack. SCR Peter Vack. CAST
Julia Garner, Jake Cannavale. USA.
SHIPWRECK – A tour de force rumination on the terrible tragedy that befell a boat carrying 500 Ethiopian
refugees on October 3, 2013. DIR Morgan Knibbe. SCR Morgan Knibbe. Netherlands.
SILENT – A magical contraption brings the history of the movies to life! DIR Brandon Oldenburg & Limbert
Fabian. SCR Limbert Fabian & Brandon Oldenburg. USA.
SLAP – A teenage boxer comes to terms with his true self. DIR Nick Rowland. CAST Joe Cole, Elliott
Tittensor, Skye Lourie, Stephen Bent. United Kingdom.
Andrew Cividino. SCR Andrew Cividino. CAST Isaac Wiebe, Nick Serino, Reece Moffett, Zoey Sawdo.
SLUT – A young girl with love in her heart unwittingly attracts the attention of a murderous sociopath. DIR
Chloe Okuno. SCR Chloe Okuno. CAST Molly McIntyre, James Gallo, Sally Kirkland, Kasia Pilewicz, Cody
Beverstock. USA.
SOUND THAT – A few minutes spent looking for leaks in the infrastructure with the employees of the
Cleveland Water Department. DIR Kevin Jerome Everson. SCR Kevin Jerome Everson. CAST Kaulee Miller,
Mark Pottinger, Terrance Martin. USA.
WASHINGTONIA – The Washingtonia is the only palm tree whose heart is not devoured by the red beetle,
because its heart is small and dry and no one likes small, dry hearts. DIR Konstantina Kotzamani. SCR
Konstantina Kotzamani. CAST Mamadu Dialo. Greece.
WHITE MORNING – The violent little boys become violent little men. DIR Paul Barritt. SCR Paul Barritt.
United Kingdom
WRONG NUMBER – Girl can't throw up. DIR David O'Reilly. USA.
YES WE LOVE (JA VI ELSKER) – Four generations, each in crisis on Norwegian Independence Day. DIR
Hallvar Witzø. SCR Hallvar Witzø. CAST Edvard Hægstad, Terje Ranes, Hanne Skille Reitan, Johan Fredrik
Bergflødt-Johannessen. Norway.
YOUNG LIONS OF GYPSY (A CIAMBRA) – Over the course of one long night, a young Romani boy grows
up. DIR Jonas Carpignano. SCR Jonas Carpignano. Italy, France.
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text:
Riccardo Fogli
Per Lucia
Italiens bidrag till Eurovision Song Contest 1983.
Fick 41 poäng och slutade som nummer 11.
Text: Riccardo Fogli & Vincenzo Spampinato
Musik: Maurizio Fabrizio
Dirigent: Maurizio Fabrizio
3 kommentarer | Se alla | Skriv en kommentar
#3 Caliel 26.10.2015 21:19
Acctualy your work is great. It was the thematic.0.9.6.2 Theme that did not work with the piugln. I thought I tried it out on another theme before posting but I guess not. Thanks for the great work. One quick question if you ever get around to it. Is it possible to call the Widget somehow within a post or page? Trying to create a Link Collection Page with dropdowns(Startpage with local links for f
#2 Lorenzo 25.10.2015 09:42
Hey Adrian, Great Post. I like how you touched on seircuty and policies. Policies are definitely needed for seircuty. They also should be applied across a broad range things that relate with the usage of some of the tools offered by enterprise 2.0. Without policies in place, it would be very hard to maximise the full potential.
#1 Jim 21.10.2015 14:09
Carola! A breath of fresh sntmpgriie air, after a long dreary winter. Her beauty radiates from within, and, she knows how to put together color and fashion with timeless style. To see Carola always brightens the day ;)


text:
Are you ready to experience the biggest adventure in history?
Explore and Adventure
At Global Adventure, we believe playing and learning go hand in hand.
We create a play experience that not only encourages children to be active and have fun, but that also feeds their curiosity about the world around them.
Book Now
In order to keep our staff, adventurers and parents safe, we recommend sessions be pre-booked through our easy to use online booking system. Though we also welcome Walk Ins.
- Baby / Non Walkers – Free
- Child Up to 3yrs + 1 Adult £5.95
- Children 4 – 11yrs + 1 Adult £6.95
- Additional Adult – £2.00
Time Slots
All visits to Global Adventure must be pre-booked online. We will be welcoming visitors in 2 hour slots:
- 10.00am to 12 noon
- 12.30pm to 2.30pm
- 3.00pm to 5.00pm
During each slot, visitors are welcome to stay and play for 90 minutes.
- Excellent healthy eating café
- Finest fresh coffee
- Baby changing facilities
- Parent and baby room
- Disabled toilet facilities
- Plasma screen TVs
- Private hire
- Themed Events
Our frames were designed by the UK's number 1 soft play company Soft Brick. Soft Brick have something for everyone!
Celebrate your birthday or other special event with a fun Global Adventure Party!
We offer a great 2-hour party package, with optional extras to suit all your party needs.read more
Educational Visits
Our unique play frame is specifically designed to incorporate a variety of themes in the 'The World Around Us' topic from Key Stage 1 and 2 of the Northern Ireland curriculum.
This includes the Vikings, Egyptians, Romans, Space, Dinosaurs and Castles.read more
A Covid-secure global adventure
Because of the ongoing situation with Covid-19, we have had to make some temporary changes to how we operate.
Our priority is to keep all our visitors and staff safe. If at any time you feel there is something we could do to make your visit safer and more enjoyable, please do not hesitate to speak to the manager.
Remember, if you are currently required to self-isolate because of a positive Covid-19 test result, or you have been identified as being in close contact with someone who has tested positive for Covid-19, you must not enter Global Adventure's premises.
If you have any symptoms of Covid-19 no matter how mild, you must not enter Global Adventure. Please read our COVID information carefully before you visit.read more
Thank YOu!
We all hope that things go back to normal as soon as possible, and that Covid-19 will soon be behind us.
But, for now, our priority is the safety of our visitors, of all ages, as we welcome you on your play adventure. We would like to thank you for your understanding and cooperation with the changes we have had to make.
If at any time you feel there is something we could do to make your visit safer and more enjoyable, please do not hesitate to speak to the manager.


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Baked Potato Bar
with broccoli / bacon / beans / cheese / olives / tomatoes
A baked potato bar is a fun DIY meal that lends itself to using up a variety of leftovers and / or fresh ingredients as toppings. The only change we made to this meal since featuring it in 2018 is to halve the potatoes before roasting to speed up cook time.
Smarts: Whole potatoes can be cooked in the Instant Pot. For tips, join the Cook Smarts Instant Pot Facebook Group.
- Potatoes, medium russet - 4, halved lengthwise
- Cheese, cheddar - 4 oz, grated
- Onions, medium and red - 1/2, diced
- Broccoli - 8 oz, chopped
- Chives - 1 Tbsp, chopped
- Tomatoes, Roma - 4, diced
- Olives, black and sliced (2.25 oz / 63 g) - 1 can, drained and rinsed
- Beans, pinto (15 oz / 397 g) - 1 can, drained and rinsed
- Foil - for baking
- Bacon - 8 strips
- Chili powder - 1/2 tsp
- Cumin - 1/2 tsp
- Sour cream - 1/2 cup (sub plain or Greek yogurt)
- Salsa - 1/4 cup
- Butter (opt) - for serving
Nutrition Facts
Potatoes - Wash and scrub potatoes. (Can be done up to 5 days ahead)
Cheese / Onions / Broccoli - Prep as directed. Store separately. (Can be done up to 5 days ahead)
Broccoli - Place broccoli into a microwave-safe container, cover with a damp paper towel, and microwave until tender, ~2 minutes. If using frozen, defrost in the microwave. (Can be done up to 3 days ahead)
Chives / Tomatoes - Prep as directed. (Can be done 1 day ahead)
Olives - Drain and rinse.
Beans - Drain and rinse.
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Heat oven to 425F / 218C. Line a sheet pan with foil.
Slice potatoes in half lengthwise and rub on all sides with some oil. Place potatoes cut-side down on sheet pan. Season the tops with some salt. Transfer to the oven and roast until potatoes can be easily pierced with a fork, ~30 minutes.
Heat a large skillet over medium-high heat. Add bacon and fry on both sides until crisp, 6 to 8 minutes total.
Transfer bacon to a paper-towel lined plate. Drain off all but 1 Tbsp / 15 mL (for 4 servings; adjust if customizing) of bacon grease. Return pan to heat.
Add beans to heated pan. Saute beans until warmed through. Add chili powder and cumin and saute for 1 minute more. Season with a pinch of salt if needed.
Crumble bacon.
Set out toppings - bacon, cheese, onions, broccoli, chives, tomatoes, olives, beans, sour cream, and salsa.
Spread butter on each potato half (if using) and gently mash with a fork. Have everyone top their potatoes at the table and enjoy!
Nutrition Facts
Most Helpful
Delicious and versatile! We modified this recipe by scooping out the potatoes after roasting them, mixing the potato with the onion, chopped broccoli, and yogurt, put that back in the potato shell, topped with cheese, then broiled it for a few minutes to make for a tasty twice-baked potato. We then topped that with soupy red lentils (which had double the spices) and the rest of the ingredients.4 Helpful
10 reviews
Simple, but always a success. Halving the potatoes really speeds things up.0 Helpful
Neat idea. Though I'm not sure why we poked holes in the potatoes during weekend prep. The potatoes got a little weird looking where the fork went it. But everyone enjoyed making their own and it tasted good. We had leftover toppings, but no left over potatoes, so I ended up just mixing all the topping together as a bean bowl for lunch the next day - that was tasty too!0 Helpful
Sooooooo good! Kids loved being in control and the options. Will definitely be on repeat0 Helpful
This was soooo good! Everyone loved it! Hubby wanted regular potato and the rest of us had sweet potato. Loved the crunch of the onion and the beef was just the right mix of spices. We added the cheese and chopped up the broccoli more. I liked that the skins were salted and oiled. We will be making this regularly. 5 star +0 Helpful
Delicious and versatile! We modified this recipe by scooping out the potatoes after roasting them, mixing the potato with the onion, chopped broccoli, and yogurt, put that back in the potato shell, topped with cheese, then broiled it for a few minutes to make for a tasty twice-baked potato. We then topped that with soupy red lentils (which had double the spices) and the rest of the ingredients.4 Helpful
This was a fun "make your own" meal. Kids were surprisingly meh towards the potatoes but loved all the other components! A comforting fall meal. Super easy too.0 Helpful


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UK police will not carry out further action against Prime Minister Boris Johnson over alleged breaches of Covid-19 regulations, Downing Street has said.
Johnson was fined by police on April 13 for attending a birthday party thrown for him in his official Downing Street residence in June 2020, when large indoor gatherings were banned due to Coronavirus restrictions.
Johnson claimed in December 2021 that he had been assured "there was no party and that no Covid rules were broken."
But investigations show he attended a number of events himself, including the party for which he was fined.
Metropolitan police launched an investigation into the Prime Minister with some in Number 10 calling for his resignation. However, on Thursday, May 19, it announced it had completed investigations into the "Partygate" scandal .
Announcing the end of its investigation online, the Metropolitan Police force issued a statement saying: "The Met has today announced the investigation into alleged breaches of Covid regulations at Downing Street and Whitehall, under Operation Hillman, is complete.
"In total, detectives have made 126 referrals for fixed penalty notices (FPNs) to the ACRO Criminal Records Office for breaches of Covid-19 regulations."
The Metropolitan Police said that it will not identify those fined for Covid breaches in Downing Street, but said that 35 men received 53 fines, while 48 women received 73 fines — some of whom were fined more than once.
Acting Deputy Commissioner Helen Ball, of the Met said in the statement:
"There is no doubt that the pandemic impacted all of us in so many ways and strong feelings and opinions have been expressed on this particular issue.
"When Covid regulations were introduced, the Met was clear that whilst we would not routinely investigate breaches of regulations retrospectively, there may be occasions when it would be appropriate to do so.
"The information that we received with regard to the alleged breaches in Downing Street and Whitehall was sufficient to reach our criteria to begin such an investigation.
"Our investigation was thorough and impartial and was completed as quickly as we could, given the amount of information that needed to be reviewed and the importance of ensuring that we had strong evidence for each FPN referral.
"This investigation is now complete."
The Prime Minister's official spokesman said: "The Met has confirmed that they are taking no further action with regards to the Prime Minister."


text:
It all begun in 2009. After quitting my job as an engineer I moved to Madrid to study a Master in Motion Graphics while making my first experiences in the world of video art.
In 2010 I started up several collaborations with art organizations in Madrid and they proposed to me to shoot a dance performance by the choreographer Iratche Ansa.
The performance was going to be held at the Matadero in Madrid. From that recording I put together my first video dance "Comunicación Interpretación Automática" which had a very good reception.
A few months later I made my first dance pieces with live visuals with choreographer Barbara Fritsche.
Thanks to those projects I was able to work on the musical "Hoy No Me Puedo Levantar" in 2013. In 2014 I directed my first proper theatre show: "Girasomnis".
I try to "connect" the visuals with the dancers. Sometimes I encourage the dancers to "connect" or follow my visuals.
In this project I also composed the music. This is very useful as I have better control of the creative process. With this project I tried to evoke feelings in the audience without words: just images, dance and instrumental music.
This quarantine caused an abrupt stop in my job, but also gave me time to start imagining something new.
The idea was born during the first week of confinement. At the start, It was simple: I just wanted to publish some of our best projects and make them public. But I also felt a need for a change.
The last 3 years I was quite disconnected from my artistic side due to working mostly on commercial projects.
I was just focusing on making money to pay my bills and trying to have a stable team for audiovisual production. The outbreak of the Covid-19 has been an absolute shift in our work. We started questioning the possibility of doing our shows as we did before.
So, in April I started to visualize and write a synopsis of this new project. I then decided to publish "Dance Mapping Virtual Tour 2020" as a memorandum of all these years of physical shows.
This new production is planned to be released in VR and physical 360 projection format in late 2021.
When I have the budget I can work with some powerful audiovisual freelancers from my network of collaborators. Failing that I work alone.
I also work with very talented dancers/choreographers from Barcelona. During the years they started to understand my ideas and transform them in beautiful choreographies.
I have mostly 2 ways of work. I compose a music draft and then I work on the visuals and choreography or vice versa: I make a draft of visual content with a draft choreography and I try to match the sounds and music.
Sometimes I give leeway to the dancer, so they can create their own choreography and then I create the visual content following their movements.
In the last few years I also worked with some talented musicians for a faster audiovisual production.
This was a concept from Roman Torre. In 2015 I shared a space with him and we collaborated together on a video mapping of a rotating stone. It was a nice project called Liquid Series.
In the video mapping area I also tried to develop innovative concepts, differing from the typical big projection on a building facade. 2 Years ago I started to develop the concept of "Holomapping". I am planning to finish it next year as well.
Nowadays, it is possible to learn a lot following digital online courses, but it is always better if somebody guides you. As with everything in life the best way to learn is practice, making mistakes and improving.
Spain is not the best country for arts, I would say. As far as I know French artists or from other European countries have more grants and support from their governments, but everything is possible if you are passionate about your work.
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The post Interview to Paco Gramaje appeared first on Audiovisualcity.
Rafael has been living in Asia for 10 years where he merged his own European artistic and sociocultural background with the Asian aesthetics and political issues, especially within South Korea.
His phography academic background heightened his sensibility towards the image, with special reference to the body within the space.
This is an extract of a live performance named "BOM" which is part of an ongoing day-by-day project made in Korea: KYOULBOMYOELEUMGAEUL.
The performance took place at the SEMA: Seoul Museum of Art. KYOUL means Winter in Korean, BOM is Spring, YOELEUM is Summer and GAEUL is Autumn.
The four season piece is a video reportage of Rafael experience in South Korea, presented in chronological order throughout different audiovisual mediums such as Live Cinema performance, Installation and screening.
The post Rafael appeared first on Audiovisualcity.
ONLINE, 28 – 29 May 2020
As we slide into the new normal or la nueva normalidad it is inevitable that the AV world will experience a considerable amount of visibility during the pandemic as technology plays an important part in everything that we do. A surge of online events, meetings and live streams now fill up our diaries like they are going out of fashion and meeting up with your mates down the pub for a pint after work is so 2019.
Enter the evolution of user generated entertainment platforms like Twitch, which now boasts 17.5 million average daily visitors. Resident Advisor has invented its own virtual island Streamland where all virtual events that have been successfully submitted to RA exist. And MelodyVR brings the artist even closer to the fan through some very high spec virtual reality streaming experiences. Did somebody say Zoom quiz?
The drive for innovation and exploration in the world of audiovisual art and culture is again on the rise, opening up in new forms. Which leads me onto the question about interdisciplinary artists and institutions who challenge the status quo and dare to oppose the mainstream. Where are they and what is their artistic response to the pandemic?
I give you BODY (UN)MUTE. A two-day online festival curated by Bogomir Doringer hosted by ICK Dans Amsterdam that looks into the rituals of dancing and masking in times of social distancing. The audiovisual event will deliver a programme of workshops, talks and performances from all corners of new media, dance and conceptual art. But how can these rituals take place in an online space?
"Technology has been around forever, but most people are not familiar with the basics of streaming. Porn channels and video gaming platforms are way ahead of time and up until now artists haven't really engaged with it, which makes it harder to get a certain quality that produces something more than just a Zoom call. I have been following the ritual of masking since 9/11 with my project Faceless – Re-inventing Privacy Through Subversive Media Strategies. What is the role of this in contemporary times? BODY (UN)MUTE is a physical representation of Faceless and my art exhibition Dance Of Urgency, which explores how dance and ritual rise in times of personal and collective crises, and how it can empower individuals and groups. In amongst a global pandemic both these ideas live together and that is why I want to explore this space with new media artists"– Bogomir Doringer
Some highlights come in the form of Famous New Media Artist Jeremy Bailey who wants you to join his Augmented Reality Makeover Party where step-by-step you can learn how to perfect your own Augmented Reality (AR) digital mask and alter ego. Transgress and queer-up your identity, become a drag unicorn or whatever else you can imagine!
Rosa Menkman, an art theorist and visual artist specialising in glitch art and resolution theory, will screen her work Pique Nique pour les Inconnues :: The CHORUS VERSION (2019-2020). The video looks at various unknown women whose images are linked to the history of image processing. While these women seem to be able to prolong their existence for as long as the (digital) realms will copy and reuse them, most of them have lost their name and identity.
Live performance comes in the form of Keren Rosenberg and Nicola Cavalazzi, who will present an audiovisual art installation which explores our social obsession in self-exposure through the use of modern technology. Together they will question what it means to perform in front of a camera – where does the body finish and the screen start?
Dr. Kelina Gotman talks about how Choreomania, the manic crave for dance, is not just a bi-product of lockdown. Choreographer Emio Greco will elaborate on the Pizzica, a dance from his native ground in Puglia that was danced to heal yourself from the bite of a poisonous spider. And Shanghai Radio will close the two day event giving us an insight into how creativity, music and online streaming kept the Chinese creative community connected during the lockdown.
In a reaction to the pandemic tickets for the event are based on the principles of donation, which provides the public freedom to support the hard work and dedication from all the artists involved.
BODY (UN)MUTE in collaboration with ICK Dans Amsterdam
Online Tickets available through the event website.
The post BODY (UN)MUTE: 28–29 May 2020 ONLINE appeared first on Audiovisualcity.


text:
Last week, I realized it had been a long time since I had baked with Isabelle. So when I saw Bob's Red Mill was running a sale, I decided to order some gluten-free baking staples. Despite earning free shipping, the products arrived in two days. Therefore, I knew we'd be able to bake this weekend.
Isabelle and I used to bake with each other constantly. However, once Ari came along, we've only baked together twice. (I can't blame it all on Ari. We have time to bake. The real problem is my lack of self-control. I'm trying to take off the baby weight I gained and the less sweets that are in the house, the better it is for my waistline!)
I announced to Isabelle that we were going to make bread from scratch. I was beyond excited. After all, bread was something I could eat without feeling the guilt, of say, a piece of pie or chocolate chip cookies. However, not long after I told Isabelle about my plan, she told me she didn't want to bake bread with me.
Once I told her my feelings were hurt, she agreed to bake with me, but said, "I'm not going to eat it."
This morning, once the yeast came home from the grocery store, I got to work making my own gluten-free flour and measuring the ingredients into the mixing bowl — by myself. That's right. In the end, Isabelle decided she didn't want to bake with me. The closest thing I got to a baking partner was Ari staring at me in the kitchen from his jumperoo.
The bread smelled good so, fortunately, Isabelle changed her tune. She asked to try a slice at dinnertime.
If you read yesterday's slice of life story, then I have a feeling that you won't be shocked when I tell you she didn't like it. Her loss. I'm the only one in the house who cannot eat gluten, which means there's more for me.


text:
« ForrigeFortsśt »
concert a
36. nebulæ] "scum," which settles | gate."* The Roman gates had a bust on the surface of new wine, when set of Janus on either side the arch, with to clear itself. The Greeks call it the a pathway ou either side, the one for ävdos olvov, whence Ovid perhaps egress, the other for ingress. borrowed its fanciful connection with 13. tetigere] " reached." the goddess of flowers.
15. loco] " at a convenient spot." *Locus' sometimes has a pregnant sense,
equivalent to kaipós, or locus oppor26. THE FABII. Cf. Livy II. 48-50.
tunus,' as in Hor. Epist. I. 7, 57 : " pro1. Idibus] The · Faunalia,' or fes- perare loco." tival of Faunus, was celebrated on the 22. arma
parant] Ides of February, and also on the Nones "they," i. e. the Tuscans, of December, Hor. Od. III. 18. surprise." Compare 'cæcum vallum,'
2. insula] The island in the Tiber Cæs. B. C. I. 28, " a covered palisade;" contained the temple of Faunus, which cæcum vulnus,' Lucret. IV. 1116, was built by the Ædiles with the funds a concealed wound:" also " a wound arising from fires, and consecrated in the back," because such wounds A.U.C. 509. By adding ubi rumpit are concealed, Virg. Æn. IX. 733; aquas,' the poet shows that the end of cæca domus,' Cic. Orat. 67, " a house the island is meant, where it first without windows," cæcum crimen,' meets the rrent. Paley.
Liv. 45, 31," an uncertain charge." 3,4. Niebuhr (R. H. II. 192) thinks 23. ultima] sub. spatia. that the Fabian clan, disgusted by the 27. Compare Virg. Æn. II. 304, obstinate refusal of their brother where the same image is employed. Patricians to grant the just claims of 32. alter] i. e. they had no fear the commonalty, retired with their of ambush. clients, and a part of the Commons, and 37. Construe' pauci' with "fortes:' founded a colony on the bariks of the with 'millia'sub. • hoininum.' Creměra, in Etruria. They left Rome 39. Laurentum
town of on the Ides of February, A.U.c. 275, Latium, famous for wild boars; whence and were cut off by the Tuscans on the Bentley reads 'Laurens aper,' in Hor. 18th of the following Quinctilis (July 1. Ep. V. 28, for the commonplace .curOvid poetically blends the two dates in rens aper.'
45. Herculeæ] The Fabian clan The number of the Fabii is always claimed descent from Hercules through given, as in the text, as 306.
Evander. 5. One clan had taken upon itself 46. consuluisse ut] " provided to represent the resources and respon- that." sibilities of the whole State. So Livy 48. Niebuhr, ut supra, shows that says: "familia una subiit civitatis onus." | the Fabius who remained at Rome
6. gentiles manus] "the hands must have been a grown man at this of a single clan." The gens Fabia was time. He thinks he stayed belind, one of the clans [gentes), of which because he differed from his family in the Patrician order at Rome was com- politics. posed.
professa] "volunteered : " line 5 * The translator in " Bohn" absurdly explains this epithet.
renders this line: "The nearest path is by 7. miles generosus] "the high- gate ;" as if it could make any difference,
the right hand postal of the Carmental born soldiery."
as to the contiguity of a spot several miles 9. " There is a pathway close to
from Rome, whether the Fabii passed the right-hand Janus of the Carmental through the right or the left passage of the
was a
49. The celebrated Fabius Maximus speaks of the oxen as "caudâ in spelunCunctātor. Cf. Virg. Æn. VI. 846. cam tractos, versisque viarum Indiciis Both Ovid and Virgil have borrowed raptos." Æn. VIII. 210. Cf. Propert. almost literally from the well-known v. 9, 12. lines of Ennius, preserved by Cicero, 15. pro corpore]." in proportion Off. I. 24: Unus homo nobis cunc- to his bulk," κατά το σώμα. tando restituit rem.'
19. oras" human faces."
21. servatâ male] "having been 27. Cacus.
ill-kept: "i. e. lost. Paley says: " the At the period when Hercules, as he sense is, Hercules was going away minus was driving the oxen of Geryon from his two bulls, when the bellowing of the the isle of Erytheia, visited Italy, lost animals to the herd as it passed Evander, an exile from Arcadia, ruled the cave aroused his attention. Accipio over a part of the country. The neigh- revocamen, like the Greek Séxoual bourhood in which he lived had long been tov oiwvdv, said when any one acts on devastated by Cacus, whom Ovid here a hint dropped or an expression used, describes as a fearful giant, who made which can be interpreted as an omen.' himself the terror of the land by his 22. furta] "the stolen robberies and murders. In the eighth 25. ille] i. e. Cacus. Æneid, 190 seqq., Evander tells Æneas 26. juga bis quinque] ten much the same story about Cacus as that pair of oxen." related here by Ovid, who probably had 27. hic] scil. Hercules. Virgil's lines in view, and also the ninth cælum, etc.] Hercules was fabled to elegy of the fifth book of Propertius. have taken for a while the place of
1, 2. exsul] Evander. The next | Atlas, who supported heaven on his line was probably suggested to Ovid by shoulders: Ovid, Her. IX. 17. the horrors of his own place of exile. 31. collata] " conflicting."
4. Arcade] "the Arcadian:" i. e. 33. patrias] Vulcan the Evander.
father of Cacus. 5. Erytheïdas] "of Erytheia." male fortis] "brave to little purThe tenth task of Hercules was to pose." bring the oxen of Geryon from the isle 35. Typhoë a] Typhæus, a giant, of Erytheia to Eurystheus. Erytheia imprisoned under Mount Ætna in Sicily. was on the south-west coast of Spain. 37. occupat] "closes with him,"
applicat] "lands." 'Applico' is i. e. anticipates the blow before harm properly used of bringing a ship to land: can be inflicted. Cf. Propert. V. 4, 84. as in Propert. I. 20, 20:
" Nec mora : vocales occupat ense "Mysorum scopulis applicuisse ratem." canes." It is nearly the Greek poávelv,
7. domus Tegeæa] i.e. the house or kryxávelv. Paley. of Evander, who came from Tegea, in Alcides] A name of Hercules, Arcadia, * Huic, in this line, and from his paternal grandfather Alceus. 'heros,' line 5, of course refer to Her- adducta] "drawn towards him: " cules.
as in the act of striking. In'trinodis 'we 9. Tirynthius] Tiryns was a have a poetical definite for an indefinite. town of Argolis, in which Hercules was 39. ter quater] "three or four educated.
times." 12. aversos] Cacus had dragged them "by the tail" into the cavern, in
28. THE IMMORTAL GLORY OF order that it might seem,
Poetry. marks of their hoofs, that they had 3. The construction is [quid objicis] come out of the cavern. Virgil also me non sequi, etc.
from the
1, 58.
6. Ovid was desired by his father 31. 'Quum,' when used adversatively, in early life to attach himself to the i. e. to express a kind of comparison calling of a lawyer, but his poetical between two propositions, takes a subtastes revolted against the profession. junctive.
7. mortale, etc.) Ovid here ad- patientis] "enduring." dresses his slanderer, telling him that 37. myrtum] the myrtle was sahis work is perishable.
cred to Venus: and amorous subjects 9, 11. Mæonides] Homer: so called are Orid's favourite theme. from Mæonia, reputed by some to have been bis native country.
29. THE SAME SUBJECT, TREATED Ascræus] Hesiod, the Greek poet
BY PROPERTIUS. of agriculture, born at Ascra in Baotia. 1, 2. Propertius, representing him
13. Battiades] Callimăchus, the self as a priest of the Muses ["MusaAlexandrine poet, who belonged to the rum sacerdos,' Hor. Od. III. 1, 3] celebrated family of the Battiadæ of invokes the shades of Callimachus (see Cyrēne. He flourished about 260 B.C. Ovid 28, note 13], and the sacred rites Ovid's opinion that he showed more art of Philētas of Cos, an elegiac poet of than genius can only be justified as a celebrity, whom Propertius elsewhere criticism of his hymns: his epigrams says he imitated in preference even to are among the cleverest in the Greek Callimachus. Anthology, and his elegies were much 3, 4. Paley thinks ingredior' refers admired, as we know from Quintil. X. to nemus:' and that "ferre' is one of
those final infinitives, which are more 15. cothurno] See note on Ovid Greek than Latin. Dr. Kennedy, with 9, 3.
Hertzberg, refers "per,' which is else1-19. Aratus was a Greek poet, where also used by Propertius for of Soli, in Cilicia, author of an astro-inter,' to Itala:' so that the line would nomical poem, which Cicero translated construe thus: "ferre Graios choros per into Latin verse. Alexander was an Itala orgia,' " to introduce Greek choirs eminent poet of the new Attic comedy, into Italian festivals," i. e. to represent copied by Plautus and Terence in Latin; Greek poetry in Latin measures. The Ennius and Accius, old Roman poets: metaphor commenced in sacra' is evi'animosi oris' is the descriptive geni- dently sustained in 'orgia'and 'choros.' tive (genitivus qualitatis]. See Kenn. 5-9. The poet says
there will be L. G. p. 99, § 132.
many bards to sing the military glories 21, 22. P. Terentius Varro, sur- of Rome; I therefore prefer to follow named Atacīnus, from the river Atax, a new track, and to write for the amusein Gallia Narbonensis, his native coun- ment of my countrymen in times of try, born B.C. 82, author of the Argo- peace:" 'tuas laudes,'i. e. 'bellicas virnautics.
tutes,' is opposed to'pace,' and 'multi' primam ratem] the Argo. to intactâ viâ. In the words 'Bactra
Æsonio duci] Jason, son of Æson. futura' Propertius alludes to the expe. See Myth. Dict.
dition against the Parthians undertaken 25. "Tityrus' refers to Virgil's Bu- B.C. 20. Paley. colics: •fruges' to his Georgics.
9. Propertius, III. 26, 44, similarly 29. Gallus, a Roinan poet, addressed opposes "mollis,' as representing elegiac by Virgil in his tenth Eclogue, author or amatory poetry, to *durus,' as repreof four books of elegies, in honour of bis senting heroic lays. mistress Lycoris. He was afterwards Pegasides ]=Musæ, from their prefect of Egypt, to which there is, steed Pegasus. "Non faciet' corresponds perhaps, a covert allusion in • Eoïs.' to the English idiom," will not do for, "
11, 12. An ellipse must be men- 46. Elei] at Elis, in Peloponnese. tally supplied. '[It is true that de- 47. Mausolei] The tomb of tractors are never wanting, when a poet Mausālus, king of Caria, erected by his attempts a new and unbeaten track ;] surviving queen, Artemisia, at Halicaryet,' etc. Paley.
nassus, B.C. 353, was celebrated as one of 13. The meaning is: 'When poems the seven wonders of the world.' Paley. become old, they are always more valued 51. ab ævo] "The preposition is than when new. Paley.
added because "excidet" is equivalent to 15, 16. pulsas] "stormed." "exstinguetur," and "ævum" is regarded
Hæmonio viro] Achilles, against as the agent rather than the instrument.' whom the rivers Scamander and Simois Paley. See L. E. p. 70. Rule II. fight in Homer's Iliad.
17. Propertius here confounds the Mount Ida of Crete, fabled as the 30. ON THE DEATH OF TIBULLUS. birthplace of Jove, with the Ida of Troas. 1. mater] Aurora. The dew
22. bis capta) primum ab drops of the morn were poetically Hercule ipso, sub Laomedonte, qui ei fabled to be the tears of Aurora for equos promissos denegârat, deinde sub | Memnon. Ovid, Met. XIII. 622.Priamo, ope sagittarum Herculis, quæ Tbetis was the mother of Achilles. Philoctetæ obtigerant." Kuinoel. 3. indignos] "innocent," lit. un
Etæi dei.] refers to Hercules, worthy to mourn : becanse the death whose funeral pyre was lit on Mount Eta. of Tibullus was premature.
28. Lycio deo] Apollo, "qui 4. ex vero] He alludes to the Lyciæ tenet Dumeta natalemque sil- derivation of Elegeïa from éreyos, vam," Hor. Od. III. 4, 62. In vota "lamentation." probante,' Barth detects an allusion to 5. tui vates operis] Id est the recent admission of the poems of Sacrorum tuorum antistes. [priest of Propertius into the Palatine Library. your rites]; ut opus' et operari'
30. sustinuisse) "to have arrest- proprie de sacris. Burmann, ed." Cf. Orid, F. V. 660.
tua fama] " the source of your 31. See Note on Ovid, 7, 10.
fame." Thebas agitata] driven 6. Tibullus wrote love-poetry: hence Thebes.
the son of Venus is represented as atper artem is opposed to per vim.' | tending his funeral with all the insig
34. rorantes] i. e. dripping from nia of mourning. the sea. Cf. Virg. B. VII. 37. Galatea 12. concutiente]
" convulsive." was a Nereid: she appears in the 6th and 13. fratris] Æneas was the bro11th Idyls of Theocritus as the love of ther of Cupid, as he was a son of Venus. Polyphemus.
sic]i.e. with these signs of mourning. 35. miremur] ought we to 16. juveni inguen]" the youth's wonder ?'
thigh." Adonis is alluded to. It is 37. Quod] "As for the fact that," etc. remarkable that, when an action is
39, 40. Phæacas] Alluding to the done to part of the body, the party sufgardens of Alcinous, the happy ruler tering is signified by the dative, in of the Phæacians, in the isle of Scheria, Latin, whereas the English language as described by Homer, Od. VI.: " Nor prefers a possessive pronoun or a posdoes the stream of the Marcian aqnæsessive case ; e. g. "tuo viro oculi duct water artificial grottoes." The dolent," Ter.," your husband's eyes are water of this aqræduct, constructed | weak." B.C. 144, was highly esteemed for 17. At] is used in stating an its clearness.
ohjection : " yet," " nevertheless."
18.qui...putent] The subjunctive patron Messāla to that island, which is used because 'qui' is here equivalent Ovid styles 'Phæacia tellus,' from its to 'tales ut :' "so constituted as to old settlers having been reputed to be think." If putant' had been used, Pbæacians, and had been very ill while sunt qui' must have been taken as there. equivalent to 'nonnulli,' as in Hor. Od. 49. hinc] from Rome: consistently I. 1, 1 ; and in verse 44, below. See with the prayer uttered by Tibullus, Donaldson's Lat. Gram. p. 353. Key's when ill at Corcyra: Lat. Gram. S$ 1190, 1191.
Abstineas, Mors atra, manus ; non 21. pater] Apollo.
hic mihi mater, Ismario] equivalent to "Thracian."
Quæ legat in teneros ossa perusta mater] Calliope.
sinus." I. 3, 5. 23. Ælinon) i. e. "Ab, Linus!" Linus, the brother of Orpheus, was
50. It was usual for the mourners killed by Hercules.
to throw flowers and locks of hair on invita] signifies the harp's re- the body while burning. luctance to play, through sorrow for 51. in partem doloris] to its master's death.
share her sorrow." 26. " Pierian streams" is an equiva- 53. prior] scil. Delia. lent for "poetical inspiration;" Pieria, 57. Delia had said, that Tibullus' a tract of country between Macedonia love for herself was happier than his and Thessaly, was the fabled land of love for Nemesis : because, as long as he the Muses.
loved her, he lived: whereas, during his 29. " The legend of Trojan suffer- liaison with Nemesis, he died. Nemesis ing, the theme of bards, lives." replies : " What do you say? My loss
30. retexta] "unwoven:" alluding ought to grieve you." She means the to the stratagem by which Penelope " loss" sustained by her in Tibullus' deceived her suitors.
death; his affection for herself she goes 31. Nemesis and Delia were mis-on to prove by citing one of his most tresses of Tibullus.
pathetic lines, which she describes as 34. Nemesis and Delia had been addressed to her: * wont to sacrifice to Isis, an Egyptian " Te teneam moriens deficiente manu." goddess, popular at Roine. The sistra'
Dolori' is the dative " of the purwere instruments which were shaken in her rites: Tibull. I. 3, 23 seqq.
pose:" see note on Phædr. VIII. 2. 35. ignoscite fasso]
61. Ivy was sacred to Bacchus :
forgive whose worship is often associated with the confession." 37. Vive...pius]." live religi; IV. 2, 7.
that of Apollo. See Paley on Propert. ously: yet, though religious, you will
64. Gallus — a distinguished poet, die."
about whom see Ovid, 28, 29, above 44. potuissent] sub. 'flammæ
was at one tiine high in favour with rogales.' 45. Eryx] A mountain in Sicily, his patron, the nature whereof is not
Augustus; but for some offence against now called Monte S. Giuliano, on whose known, he was banished from Rome, summit stood a celebrated temple of and in his grief he destroyed himself. Venus, hence called Erycīna: Hor. Ovið here says: if the charge of having Od. I. 2, 33.
wronged his friend was false, he was 46. See note on verse 18, above.
too lavish of bis blood and life. 47. The sense is: It is some comfort that he died at Rome, not at Cor.
* They occur in Tibull. I. 1, 60, where cyra. Tibullus had accompanied his they are addressed to Delia.


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Beauty? by Guest Blogger Lacey Johnson
There is something magical about the energy of coffee shops. It certainly makes for entertaining people-watching, however I am often struck with my most profound bursts of writing inspiration in between latte sips and muffin bites. Fairly recently, I randomly stumbled upon an old friend in one of my favorite coffee spots, whom I had not seen in over a year. While reconnecting with her, something occurred to me which I have been unable to eject from my mind. After hanging out for almost an hour, our flow of conversation began to lag.
My friend began to compulsively check her phone, and had developed a very distant, distracted gaze. She was clearly no longer in the coffee shop with me. "What are you thinking about?" I asked her. Her reply has haunted me since. "Oh, just thinking of ways to make myself look better," she whispered, before immediately proceeding to go on a seemingly endless rant discussing her delusions over a guy who clearly had no intention of ever seeing her again. She concluded the rant with an attempt to make a case for how she was clearly "way hotter" than his other alleged conquests, going as far as offering proof by showing me images from their Instagram profiles. She was on a mission to achieve another level of physical beauty because she felt it would make her more desirable to a man which, by default, would make her life better. In the middle of a coffee shop, I had an epiphany: Countless women, young and old, are plagued with a problem. It is one of their biggest roadblocks to attaining happiness. They believe that beauty – physical beauty – is the key to a better life. They believe it determines their worth. I know, for I once held such a belief.
For the past seven years, I have periodically worked as a regional makeup artist for a well-known cosmetic company. It has been a job which allowed me to earn a decent income while maintaining schedule flexibility throughout college. I am sincerely grateful for that. I have met countless fun and inspiring men and women throughout my time doing it, however I have also encountered its ugly opposite. I have gained a world of knowledge about the cosmetic industry, as well as a great deal about the insecurities and priorities of women, young and old. I have long considered myself to exclusively be a writer at my core, and cannot help but want to share my experiences through words. This desire was birthed a few years ago during my first mission trip to the third world country of Belize. A seed was planted during my time there, and my desire to experience true beauty, something no cosmetic product or procedure will ever give you or me, has continued to grow. I am not the same young woman I was prior to the trip.
Over a period of eight days in Belize, a spiritual shift took place within me. I am not referring to a religious shift whatsoever, but a spiritual one. My eyes were forced open, and I felt as though I had been knocked over the head with the truth. It sort of felt like having a pie shoved in my face, out of nowhere, except it was a transformative and lovely experience. It took my breath away, for I had never before encountered joy in such a raw form. The beauty, love and gratitude flowing from the people I encountered, people who had nothing to offer me but human interaction and relationship, was simply majestic. I was humbled to tears each day I was there. Their gratitude for the most basic life necessities stunned me, stripped me and ultimately exposed me to myself.
I could not help but feel compelled to examine myself and consider all of the grudges I had been carrying, my often knee-jerk reaction to criticize others and how much emphasis I often placed on my appearance and image. I realized I had often been a seeker of things which would only produce emptiness in my life. Ironically, upon returning from the trip, I had to immediately return to work for a demanding event, which came with a high sales goal attached to it. The most uncomfortable aspect of it all was that I felt as though I had departed a place of such immense, healing beauty, only to be thrust back into a place of superficial ugliness. It is difficult to approach the gates of hell once you have seen heaven, even if only a glimpse. The ironic part was the purpose of my returning to this ugly place was to convince people I could make them more beautiful. I realized the customers were not ugly, the salespeople were not ugly, the products were not ugly, the brand I worked for was certainly not ugly and the overall intentions were not ugly. Each of those elements were top notch. However, the mindset was ugly. The mindset which had created an infectious epidemic of insecurity, self-loathing and the distraction from the experience of true beauty was, in fact, ugly. What a paradox.
Belizean girls braiding my hair…
This is what I consider beauty…
Upon returning from the mission trip, my first day back at work was quite interesting. I recall being assigned to a middle-aged woman who, while being escorted to my makeup station, had been nervously looking in every possible direction. She reminded me of a child, nervous about being caught with her hand in the cookie jar. She reeked of misery and poor self-esteem. Her posture was bad. She was literally curling into herself, as though she wanted to make herself appear as small as possible. Perhaps she wanted to disappear altogether. Once she finally settled into the makeup chair, she refused to look me in the eye for more than two consecutive seconds, and her eyes continued to scan everything which surrounded her. In an attempt to add some cheerfulness to the situation, I made a light-hearted joke and offered words of comfort to her obviously unsettled presence. She proceeded to confess that she had never before been to a mall without makeup on. Clearly, it was torturous for her to be bare-faced, organic and in raw form in public.
I worked overtime to make my customer feel comfortable, and spent almost an hour carefully applying her makeup and sharing products and tips with her. However, everything about the entire scenario just felt wrong. Something inside of me felt I was contributing to something incredibly destructive. I felt like grabbing her by the shoulders and pleading, "Lady, you've got this so wrong! Please take your hands off of this obsession!" In the duration of our time together, I learned of her arguments with her husband over her vanity-related expenses, her maxed out credit cards, her planned cosmetic procedures, and was questioned repeatedly on the degree of satisfaction and pride I had with the work I had performed on her face thus far. I felt like saying, "Sweetie, I can fix your face, but I can't fix your life." I knew I could never fix her face to her satisfaction until she fixed what was going on inside of her. The whole encounter was nerve-wrecking, blood-sucking and just made me feel dark. It was such a grossly stark contrast to the encompassing and healing beauty I had so recently encountered in the most destitute villages of Belize.
Later that evening, I returned home, crawled into the bath, got as still as possible and posed an important question to myself: Why am I contributing to an industry which often thrives on making women slaves to the goal of being desirable and physically perfect? Even more frustrating, why had I allowed myself to fall prey to it as well? How can I do this differently? How can I do something good with this? I had never encountered such ugliness on the quest for beauty. There was seldom any beauty to be encountered at all. Rather, I often felt I was an observer of zombies walking straight into the mouth of a giant black hole. It wasn't the fault of the makeup artists or the beauty advisors in the store. Rather, it was our culture. It was a mindset, and a mindset can always be changed. I decided I wanted to have a role, no matter how small, in changing such mindset.
My first mission trip made me more comfortable with the truth. It paved a pathway for me to gain a deeper love for honesty and authenticity, as well as the joy which can come from nurturing that which is not external. There is such beauty and freedom in honesty. I have continued to occasionally work as a makeup artist, for I sincerely love the women I work with, I enjoy interacting with people and I truly gain satisfaction from making them feel pretty. Playing in makeup is fun, too. However, it is no longer my primary job and takes subservience to my career as a writer, as well as all of my work in building The Daily Doll. When I do work makeup artist events on occasion, I approach it quite differently than I did before. A person is not a dollar sign. I will not contribute to anyone's obsession or destructive driving, striving type of mentality for external perfection. I am there to be their friend.
Meet Jose, an especially precious soul…
I believe the quest for beauty – even physical beauty – should be more of a celebration versus a labor of any kind. In case you missed the previous sentence, I will repeat it again: The quest for beauty should be more of a celebration versus a labor of any kind. The quest for beauty should be more like, "I am valuable, therefore I want to be the best version of myself. I am going to take the best possible care of myself…" versus "I'm too fat or too skinny, too ugly and less attractive than the next person, therefore I need to drop some serious coin to change that. I need to be different asap." It should never be painful and should never be negative.
The mental shift which took place within me is actually one of several factors which inspired me to create The Daily Doll. I want to share my knowledge and experience from the cosmetic industry, as well as with relationships, social interactions and personal struggles from the most honest, authentic, caring and liberated place possible. I want you to be better, stronger, happier and more informed than you were yesterday, as I am working to be better, stronger, happier and more informed than I was yesterday. Please join me on a quest for beauty. It may not be what you always thought it was.
I'm just being honest.
~Lacey Johnson
Here's the original Link to her blog The Daily Doll
Here's the original http://thedailydoll.com/beauty/


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Running your own business can take a lifetime of dedication and hard work. Nonetheless, many businesses are not equipped to survive into the next generation.
A well-crafted succession plan ensures that you can pass your business on to the successor of your choice (e.g. a child, a spouse, a trusted employee, etc.) and seamlessly pass the torch. Through buy-sell agreements, you can set parameters on when and how to monetize the value of the business and who may purchase your business interest.
By collaborating with the business owner's other professional advisors, Register Law can help you make a business succession plan that will avoid potential conflict and confusion among remaining owners, partners and family members. The objective is to help you protect your personal and business assets and ensure that your loved ones are protected.
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Tampa, FL 33618


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Risk @ Univ. Grenoble Alpes collection
The main goal of the project is to contribute to the proactive mitigation of disaster risks and the development of the culture of risk. It is dedicated to a global and regional challenge, which is fundamental for the decades to come, due to the increase of the world population with often-anarchic densification of urbanized areas, the increasing human impact on ecosystems, but also the emergence of new risks induced by the climate change and the technological development.
The Risk@Univ. Grenoble Alpes project primary goal is to innovate in the interdisciplinary management of disaster risks in areas that are made vulnerable due to a strong interdependency between human, natural or technological hazards. In addition to the Grenoble basin, the project will focus on other specific vulnerable territories such as the Beirut area (Lebanon), the Port-au-Prince city (Haiti), and areas in Peru and in Nepal, The project also aims at proposing a risk institute in the Grenoble Alpes area.
The project federates a hundred researchers belonging to 15 research labs from Human and Social Sciences, Information & System Sciences, Geosciences and Engineering Sciences. The scientific challenges of collecting and processing heterogeneous data, modelling complex and cascaded phenomena, multi-objective decision making, and assessing or defining risk governance schemes require truly holistic and interdisciplinary approaches.
The project proposes an innovative scientific approach to address the following challenging issues: managing data heterogeneity through a participatory approach;
integrate rare or emergent events and cascading effects; moving from a static / reactive risk management approach to a proactive / dynamic approach; designing appropriate strategies for disaster risk reduction (based on a relevant assessment of vulnerabilities and local cultures) and for communication in order to strengthen the culture of risk.
The project is fully in line with Sendai's United Nations conference framework on disaster risk prevention in 2015, which encourages the countries to better prevent and anticipate disaster risks. It aims at becoming a privileged interlocutor of the risk management stakeholders in France or abroad in particular on the 5 selected study sites (economic sphere, public authorities, humanitarian organizations, academic or risk center networks).
The project will offer a strong contribution to both structuration and visibility of Univ. Grenoble Alpes in the field of risk assessment and management, by proposing in fine a risk management institute, unique in France. Il will promote the development of new interdisciplinary methodologies by research teams which will learn to work together. Il will contribute to the transfer of research results to relevant stakeholders and decision-makers. It will actively participate in reinforcing interdisciplinary curricula in risk management.


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Let us help you better manage and assess driver risk while saving significant money every year.
Ten percent of your drivers are responsible for 40 percent of your crashes. Your drivers don't all present the same risk. That translates to a loss of profit, increased downtime for equipment and elevated hiring and training costs.
Continuous driver monitoring protects our communities and roadways from risky drivers, while saving you time and money. When you know who is driving for your company, you can reduce your insurance premiums by up to 60 percent.
Through our collection, correlation and analysis of driver information, you'll be able to identify high-risk drivers, enforce company policies and make well-informed hiring decisions.
It's common practice for companies to pull MVRs on an annual basis, however, much can happen during the other 364 days of the year.
Eliminate the visibility gap and reliance on self-reporting with near real-time alerts when employees receive violations so you can take immediate action and get high-risk drivers off the road or enrolled in training programs.
To keep their fleets on the road, commercial trucking companies must manage and make sense of multiple data sources around driver behavior including raw roadside activity, CSA data and MVRs.
Access comprehensive driver risk profiles featuring CSA and MVR monitoring for unmatched insight into employee driving behavior to stay informed of new activity, expirations and roadside inspections and easily spot trends that will guide invention efforts.
MVRs have traditionally been a vital component in the underwriting process, however pulling them is a labor-intensive and expensive process with U.S. insurance carriers spending over $1 billion per year on them.
Identify which drivers are high-risk and only pull MVRs on those drivers. Best yet, MVRs can be pulled on-demand, reducing administrative time in the quote to bind process.
By implementing proactive strategies, commercial auto carriers can lower their cost of business, not to mention the costs of underwriting and risk management. To achieve this, carriers must leverage their policyholders' telematics data.
From bad weather and road conditions to an increase in holiday traffic and theft – it's critical for company drivers to prioritize the safety of themselves, those they share the road with and the cargo that they are transporting to ensure they make it to their destination safely.
We discuss how fleet risk management helps to avoid or minimize the impact of incidents, meet regulatory and compliance needs as well as uphold brand and company reputations.
We've reduced our reliance on self-reporting. Being able to flag drivers before they tell us there's an issue complements the mandatory self-reporting policy and makes safety much more efficient.
Shetikka R.
Senior Risk and Safety Analyst


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Card revealed for CEO x NJPW When Worlds Collide
Kenny Omega is set to headline the show that he and CEO Fighting Game Championships are putting on with NJPW later this month.
The card for the event was revealed this afternoon, with Omega & Kota Ibushi vs. Tetsuya Naito & Hiromu Takahashi topping the five-match lineup. The other matches are: Roppongi 3K (Sho & Yoh) vs. Dragon Lee & Ryusuke Taguchi, Guerrillas of Destiny (Tama Tonga & Tanga Loa) vs. Juice Robinson & David Finlay, Jushin Thunder Liger vs. Rocky Romero, and Jeff Cobb vs. Chase Owens.
The show, which is being called CEO x NJPW When Worlds Collide, will be held at the Ocean Center in Daytona Beach, Florida on June 29th as part of CEO's weekend of fighting video game events. It will be streamed live on CEO's Twitch channel starting at 8 p.m. Eastern time.
When Worlds Collide is part of a busy end of June and beginning of July for NJPW internationally. They have Strong Style Evolved UK shows on June 30th and July 1st, along with the G1 Special in San Francisco at the Cow Palace on July 7th.
KUSHIDA, SANADA, EVIL, and BUSHI will also be appearing at ROH's Best in the World pay-per-view on June 29th and their post-PPV television tapings the next day.


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Pumpkin Snickerdoodles
September 05, 2018 Comments
- Prep:
- 25 minutes
- Cook:
- 10 minutes
- Serves:
- Makes 36 cookies
Pumpkin snickerdoodles are the perfect fall treat! Dip them in apple cider or ice with cream cheese frosting for a richer taste.
- Preheat the oven to 400 degrees F. Line several half sheet pans with parchment paper and set aside. Combine cinnamon and sugar in a bowl, set aside.
- Cream together the sugar, butter, and shortening. Just until mixed. Scrape the bottom and sides of the bowl occasionally with a rubber spatula.
- Stir in the eggs, pumpkin, flour, cream of tartar, baking soda, cinnamon, nutmeg, ginger, and salt.
- Roll cookies into 1 1/2-inch balls and roll in cinnamon sugar mixture. Place the cookies on the parchment lined half sheet pans evenly spaced apart. (3 cookies per row with 4 rows)
- Bake 8 to 10 minutes or until set. Let cool on a baking rack before removing from the sheet pans.


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07740 877 544 firstname.lastname@example.com
KJ Joinery Transit Graphics
KJ Joinery wanted to grab attention with their van livery in Dundee.
Their two vans were in mint condition and deserved a livery which complimented the vehicles.
The business partners also wanted a bespoke design combining the initials of the business name. As with most projects where we begin with a blank slate, I suggested creating a logo. I design distinctive logos which help visual identity for small to medium businesses. The visual identity builds a consistent look through signs, marketing and online presence.
I wanted to combine the initials but still include a clue as to what the company did. By creating then refining a negative shape between the K and J, this made the form of a dovetail joint. This clue within the logo adds interest and meaning to the graphics, especially on the vans.
After several meetings to discuss the content and positioning of the van graphics, we decided to use a large, diagonal logomark to make the vans stand out. The objective was to grab attention then lead the reader into the lettering, promoting their name and contact details.
Two shades of grey, high performance vinyls were used on both the black and white vans. I applied each livery within one day, over a weekend and a Monday. This helped ensure that the men both had transport for their busy schedule.
Are you looking for an eye catching van livery in Dundee? Get in touch to find out more


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Rochester woman, Shantell Green, charged in Weaver Street slaying
A 29-year-old Rochester woman has been charged in connection with the stabbing death of a man on Weaver Street on Sunday.
Rochester police arrested Shantell Green on Monday and announced she was charged with second-degree murder in the slaying of Dewayne Simmons, 37.
Simmons was fatally stabbed Sunday around 7:30 p.m. inside a home on the 50 block of Weaver Street.
He was rushed to Strong Memorial Hospital with what police described as "life-threatening" injuries and was initially listed in critical condition before succumbing to his wounds.
Police spokeswoman Jacqueline Shuman said investigators believe Green and Simmons were in a "domestic relationship" and that the incident stemmed from a domestic dispute.
Green is scheduled to be arraigned Wednesday.
This story will be updated as more information becomes available.


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Coronavirus Update/ Returning to the Office: AEI now IMEG is in the process of preparing our office for staff to return on a modified schedule, providing the City of Boston re-opening guidelines continue to move forward. During quarantine, AEI now IMEG's staff have successfully worked remotely. Every staff member is equipped with the same equipment at home as they have in the office to ensure efficiency and seamless transitions between workstations. We will continue to work remotely and will provide a formal reopening date when it's available. At this time, only staff will be allowed in our space. Our contact information and policies on in person meetings and site visits remain the same as they have since early March. Please feel free to contact us if you have questions.
VAME Community Living Center, Togus, Maine
24 July 2020
Augusta Maine's VAME Togus is transitioning aging veterans in their care to new "Small House" Community Living Centers (CLC). AEI performed mechanical, electrical, plumbing and fire protection design and construction administration services for the first phase, which includes the construction of two new 8,500 SF prototype houses. The residents are veterans in need of institutional … Read more
Framingham State University Hemenway Hall Addition and Renovation, Framingham, Mass.
28 February 2020
Architectural Engineers provided plumbing and fire protection design and construction administration for the $60 million expansion and renovation of the campus science center. AEI designed protected water, acid waste, wet sprinkler, plumbing sanitary waste, lab waste, venting, domestic and protected hot and cold water recirculation, and emergency wash tempered recirculated water piping systems. The plumbing … Read more
Boathouse at Canal Dock Park, New Haven, Conn.
27 February 2020
With the demolition of the historic Yale Adee Boathouse across New Haven Harbor from Canal Dock for I-95 improvements, the new Canal Dock boathouse integrates modern design elements and functionality within the historic context of its setting. AEI has been involved with this project since its commencement, providing MEP/FP design to demolition and rebuilding activities … Read more
New Orleans Veterans Affairs (NOVA) Replacement Hospital, New Orleans, La.
Hurricane Katrina devastated the New Orleans VA Hospital. The Southeast Louisiana Veteran's Health Care System (SLVHCS) chose to rebuild on a nearby site, and AEI provided plumbing and medical gas design for a number of the campuses nine buildings. The 1.7M SF hospital must meet new VA resiliency standards by being able to operate independently … Read more
Blackstone Gateway Visitor's Center, Worcester, Mass.
The Worcester Blackstone Gateway Visitor Center, a full-service, multi-use community facility that features a welcoming area, historic and cultural exhibits, a theater, restroom facilities, a passive recreation lawn, and office, classroom and meeting space, is as an active tribute to the multi-faceted culture of the Blackstone River Valley. AEI designed all new MEP/FP and lighting … Read more
University of Massachusetts Paige Laboratory Renovation, Amherst, Mass.
AEI prepared a complete building study and evaluation of existing MEP systems to determine suitability for reuse, and subsequently, completed final design of MEP/FP systems. The scope involved a complete building renovation with new central chilled water service from the campus distribution system and reuse of existing steam service. Project included a new sprinkler system, … Read more
University of Massachusetts Life Sciences Laboratory II (LSL2) Fit-out, Amherst, Mass.
25 February 2020
With a goal of providing cutting-edge space for interdisciplinary research, the Life Sciences Laboratory II building on the University of Massachusetts, Amherst campus features both laboratory and laboratory support space that includes a growth chamber laboratory, a freezer farm laboratory, an FTMS laboratory, and a server room. Working in the 98,000 SF South Wing, AEI … Read more
Armed Forces Reserve Center, Middletown, Conn.
12 June 2019
Architectural Engineers designed the HVAC, plumbing and fire protection systems for this two-building LEED Gold project. AEI integrated energy recovery equipment, high-efficiency gas fired boilers, solar-thermal domestic water heating and demand control ventilation as part of achieving a 30% energy savings below the ASHRAE base system. The project was modeled using Revit software with the … Read more
Arlington Community Safety Building, Arlington, Mass.
30 October 2018
After completing a masterplan that involved an inspection of existing systems and the conceptual identification of required upgrades and cost estimates, Architectural Engineers commenced MEP/FP design and CA services in two phases to allow continued occupancy throughout construction. The ADA compliant building features holding cells with a sally port, a fitness center, a briefing room/training … Read more
Brooke 2 Charter School, Mattapan, Mass.
10 July 2018
Brooke 2 Charter School is an urban charter school providing an elementary education to students in levels K-8. AEI provided sustainable mechanical, electrical, plumbing and fire protection design services for a full, 57,000 SF renovation that included the replacement of the electrical distribution system as well as internal and site lighting and the installation of … Read more