text:
Dota 2 Treasure Key Hack Also Known as Dota 2 Chest Key Hack. This program allows you to get dota 2 treasure keys for free. we will always updated the program up to date.
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text:
NCAA Tourney Hero Lorenzo Charles Dies In Bus Crash
Lorenzo Charles, whose last-second dunk in the 1983 championship game propelled North Carolina State to unlikely victory, died Monday in a bus crash in West Raleigh, North Carolina. He was 47.
Charles was driving a charter bus when he lost control and slammed into a group of trees. He was the only person on the bus at the time.
Charles scored the winning basket in the 1983 national championship over the University of Houston after he put the ball in when Dereck Whitterburg heaved a last-second prayer from 30 feet out that fell short. The Wolfpack's 54-52 win over Houston remains one of the most storybook games in history and Charles' shot is one of the most enduring images in NCAA Tournament lore.
After Charles scored the bucket, coach Jim Valvano ran all over the court looking to hug someone, creating another iconic image.
Valvano's widow, Pam, was sad to learn Charles had passed away, saying, "You'd never known he'd made the big shot. He was so humble. That was just Lorenzo, though. He was the same nice young guy whether we'd won or lost. He was quiet, but he loved people and loved being around those guys on that team."

subset: commoncrawl


text:
Reviewed by: Joe (AudioPhile)
Review Date September 22, 2009
Overall Rating 5 of 5
Value Rating 5 of 5
Used product for More than 1 year
I purchased the Rotel RC-995 used just over a year ago ($350 from Audiogon), replacing a Crown Straight-Line Two preamp. During this past year, I have tried to upgrade the Rotel preamp with more updated preamps and pre-pros, but alas, it still occupies the main stereo only listening room shelf. Here is what I have found in my home preamp comparisons.
My other components include:
Anthem P2 amplifier,
Denon DVD-3910 (used as an analogue CD player),
Martin Logan Vantage ESL speakers,
Hsu Research VTF-3 MK 2 Subwoofer (Audioquest sub interconnects)
Audioquest CV-4 speaker cables, two pairs each channel in bi-wire configuration,
Room dimension 20x16x10, with wall treatments and bass traps installed CDs used in comparison include Vivaldi-Four Season, Pat Metheny-Secret Story, Chris Botti-A Thousand Kisses Deep, Pink Floyd-Dark Side of the Moon, Nora Jones, and Steely Dan-Aja
1. Crown Straight Line Two:
Both preamps are based on their simplicity in circuitry with little frills, except the Rotel has a remote for the volume and component switching, which the Crown did not. Both preamps are very transparent with more pinpoint soundstage going to the Rotel. The Rotel consistently had tighter mid-range and undistorted highs, the lower bass got muddy when too there were multiple and simultaneous low bass signals/music. Although the Crown did well, the highs were a bit distorted, but at the upper most skewed high end, which would include only a few music passages). The Crown did very well in the mid-range area and was a bit flat below 200 Hz. Overall, the Rotel sounded a lot better, with a wider and deeper soundstage and a bit warmer than the Crown.
2. Anthem Pre 2L (hybrid tube/solid-state preamp):
Another no frills simple circuitry preamp. The Anthem (Sonic Frontiers built) remote has minimal functions, only a volume control. The soundstage is also very wide and deep, much warmer than the Rotel and I am not sure if I like it as much. Sometimes the vocalist appear to be sitting a couple of feet away, too close for my liking, but my wife preferred it to the Rotel which was just a little forward from neutral. The Anthem, once warmed up, showed off its main characteristic, a great punchy bass, and clear mid-range. However, it did not compare to the Rotel in the high range of music, sometimes missing the more subtle cymbals in jazz music (Chris Botti) and in classical pieces (Vivaldi). Overall: Although the Anthem was breathtaking with its mid-range and bass reproduction, it did not seem to transmit the full spectrum of music like the Rotel.
3. McIntosh C-45 (6-channel preamp, current 2009 model):
Once set properly the McIntosh was very impressive, transparent with a wide and deep soundstage, again a bit on the warm (forward) side, but similar to the Rotel. The vocals (mid-range) were crisper than the Rotel (Nora Jones' vocals almost seemed "live"), and the bass a bit more defined and unmuddy during complex bass passages. The highs were also well defined and undistorted, better than the Rotel, but not by much. The benefits of the McIntosh are that you could have multiple channel output, more balance connections, updated codec, etc… Overall: the McIntosh C45 handled better in the bass and mid-range department without a doubt, and it had slightly more pinpoint sound staging than the Rotel. However, keep in mind that the McIntosh is a $3000+ unit, and the key differences were not ten times that great, not even doubled the difference. I was impressed that the Rotel compared well here.
4. Rotel 1098 Preamp HT Processor:
Again, after the proper stereo settings were selected through the 1098 many menu selection via its very nice visual active matrix screen, a great feature that every complicated prepro should have. As would be expected from the flagship Rotel preamp, the sound was very well defined and very similar to the 995. Except the 1098 had a slight harshness in the high range, it was not distorted, but after a while at high volume music listening, it was fatiguing. Something that I have not experienced with the Martin Logans before. Otherwise, the 1098 was so similar to the 995 that I put the 1098 back into my home theater for movies and not stereo music. Overall- I favored the RC-995 for its full spectrum of sound reproduction and non-fatiguing sonic transparency.
5. Outlaw 990 Preamp HT Processor:
The Outlaw replaced the Rotel 1098 late last year for my Home Theater room because I thought it did a much better job of convening large headroom and better highs that are more coherent. The problem with the Outlaw in stereo music was in the bass management especially below 40-50 Hz. It seemed to limit some of the lowest bass notes, with somewhat flat electric bass and drum notes. However, it did everything else very well, clear mid-range and high-range. Clear crisp vocals and accurate sound staging. The Rotel in comparison did just as well, but better in the lower bass (but not as good as the Anthem Pre 2L). Of course, you could select from many surround modes just like with the Rotel-1098, but I still prefer the stereo only or bypass mode. Overall: the Outlaw had slightly less low bass reproduction, but compared well to the Rotel.
Here is the order of my preamp listening comparison preferences:
1. McIntosh C45 (best overall, excellent)
2. Rotel RC-995
3. Anthem Pre 2L
4. Outlaw 990
5. Rotel 1098 (still a very good preamp)
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text:
The Loud House: Season 3
Director: N/A
Actors: Grey DeLisle, Catherine Taber, Jessica DiCicco, Lara Jill Miller
Genres: Animation, Action, Comedy
Country: USA
Release Year: 2018
Duration: 22 min
Synopsis: Lincoln Loud is an eleven-year-old boy who lives with ten sisters. With the help of his right-hand man Clyde, Lincoln finds new ways to survive in such a large family every day.
YOU ARE WATCHING: The Loud House: Season 3
Server Mega
Server OpenLoad Link 1
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Server TheVideo
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All items > Knife Accessories > Paracord
- Brand:Jig Pro Shop
- Product Type:Novelty
The Jig Pro 5" straight needle has a pointed end for threading paracord through difficult knots or tight spaces. The other end is open threaded to accept the melted paracord. A must have for any paracord enthusiast!
To use: 1) Light end of paracord on fire until you have a decent size melted. 2) Blow out fire and form a small point or cone shape by rolling the end on a piece of paper until cool. 3) Stick pointed paracord in butt end of needle and thread by turning it clock-wise until secure.
Click HERE to see all the 550 Paracord in stock!


text:
Post editing is something us regular Google+ users take for granted, but finally Facebook is getting on board with it too. Rolling out initially on the web and in the Android application, Facebook users can now begin to edit their posts once they've shared them, offering the chance to erase those – potentially embarrassing – mistakes. Support for iOS is on the way soon according to TechCrunch:
Soon you'll be able to edit all posts and comments from the web, Android, or iOS. To edit posts, you'll be able to click the down arrow in the top right of one of your posts and select 'Edit Post' to change the text, then click "Done Editing"
No-one really knows why it's taken Facebook so long to get around to this, but then, it's not as if the to-do list down in Palo Alto will ever be particularly small. Perhaps the strangest part to Facebook's post editing is that the original post and any other revisions will still be visible should your friends check your posts edit history. Which some could suggest negates the feature in the first place.
We'll take a better look when iOS support comes our way, but if this scratches a particular Facebook itch you had, let us know in the comments.
Source: TechCrunch


text:
I managed to convince the person I consider an absolutely genius when it comes to compiler technology, Roberto Raggi to donate some of his time and together with me rewrite the programmable pipeline in Mesa. The day after I told Roberto that we need to lay Mesa on top of LLVM I got an email from him with GLSL parser he wrote (and holly crap, it's so good...). After picking up what was left of my chin from the floor I removed the current GLSL implementation from Mesa, integrated the code Roberto sent me, did some ninja magic (which is part of my job description) and pushed the newly created git repository to freedesktop.org.
So between layers of pure and utter black magic (of course not "voodoo", voodoo and graphics just don't mix) what does this mean, you ask (at least for the purpose of this post). As I pointed out in the email to the Mesa list last week:
- it means that Mesa gets an insanely comprehensive shading framework
- it means that we get insane optimization passes for free (strong emphasis on "insane". They're so cool I drool about being able to execute shading languages with this framework and I drool very rarely nowadays... And largely in a fairly controllable fashion.)
- it means we get well documented and understood IR,
- it means we get maintenance of parts of the code for free, (the parts especially difficult for graphics people)
- it means that there's less code in Mesa,
- it means that we can basically for free add execution of C/C++, soon Python, Java and likely other languages, code on GPU's because frontend's for those are already available/"in work" for LLVM. (and even though I'm not a big fan of Python the idea of executing it on GPU is giving me goose-bumps the way only some of Japanese horror movies can)
Ah, the git repository is at http://gitweb.freedesktop.org/?p=users/zack/mesa.git;a=shortlog;h=llvm , Roberto and I have tons of unpushed changes though . Of course this is an ongoing research project that both Roberto and I work on in our very limited spare time (in fact Roberto seems to now have almost what you'd call a "life". Apparently those take time. Personally I still enjoy sleepless nights and diet by starvation patched by highly suspicious activities in between. Which by the way does wonders to my figure and if this is not going to work I'll try my luck as a male super-model) so we can only hope that it will all end up as smoothly as we think it should. And in KDE 4 most graphics code will be able to utilize eye-popping effects with virtually no CPU price.


text:
War funding has been a boon for Global Hawk, but time could be running out for the program
The Global Hawk was once the U.S. Air Force's procurement darling, a premier unmanned air system primed to take over or augment key intelligence-collecting missions for the service. Now, however, after more than 10 years of addressing urgent needs in recent wars, service leaders may terminate the Northrop Grumman aircraft.
Top Air Force officials have quietly agreed that the Block 40 version of the UAS could be offered up as a bill-payer in the forthcoming fiscal 2014 budget, according to multiple defense officials.
A kill of the Block 40, which has yet to see operational use, would be the latest blow to the service's relationship with Northrop Grumman. The pair struggled for years—sometimes with Air Force officials publicly admonishing the company—to fund, develop and test the highly ambitious and high-flying UAS. Its cancellation must be approved by Air Force leaders, the Office of the Secretary of Defense and, eventually, Congress.
The Block 40 review comes only a year after the service proposed prematurely shelving the new Block 30 Global Hawks; that plan is still on hold as Congress has directed that they continue operating through the end of next year.
The 2014 budget request will not likely reach Congress until next month, so there is time for Northrop to intensify its already aggressive lobbying campaign to save the Block 30 and—now—its cousin (AW&ST Feb. 6, 2012, p. 34). The former was designed to collect electro-optical and infrared images as well as signals intelligence, while the latter is outfitted with the 1.5 X 4-ft. Multi-Platform Radar Technology Insertion Program (MP-RTIP) sensor designed to track moving ground targets and relay data about them to soldiers.
The Air Force and Northrop Grumman have both declined to discuss the decision, saying it is premature to address the 2014 budget plan.
Together, the two variants were linchpins of a potential transformation in the Air Force high-altitude intelligence-collection mission, which since the 1950s has been handled by pilots flying the temperamental U-2.
The Global Hawk was expected to reduce intelligence-collection costs while more than doubling sortie duration and eliminating risk to onboard pilots.
The program received a huge infusion of war funding after the 9/11 terrorist attacks, when the Air Force pressed first demonstration vehicles and later production variants into service over Iraq and Afghanistan (AW&ST March 12, 2007, p. 56). And the Global Hawk has collected data on nearly every hot spot on Earth—Haiti after the January 2010 earthquake, Japan after the March 2011 earthquake and tsunami, Egypt and neighboring countries during the 2011 Arab Spring and, most recently, Mali, program officials say.
It would be a gross oversimplification to blame Pentagon belt-tightening for the Global Hawk Block 40's potential termination. The billions that rushed Block 30 and 40 into the field have been both a blessing and a curse. The Air Force accepted the money, giving the program a chance to cut its teeth in operations, but with the funds came unrealistic expectations. Requirements have been adjusted to include a larger platform and new payloads. The program's contracting vehicles were complex, trying to keep up with U.S. Central Command's (Centcom) urgent needs, and multiple variants were produced through a spiral development program.
According to one defense official, this resulted in the unmet expectation that the UAS could be everything to everyone, at lower cost than the U-2. Despite its performance in-theater, exploiting and disseminating the Global Hawk's intelligence was much more expensive than projected, and developmental cost overruns occurred in 2005 and 2011. Looking at the future force structure, Gen. Michael Hostage, Air Combat Command chief, says, "I'd rather have Global Hawk, but I can't afford it. [It is] a lot more expensive than we are being told."
While budget cuts alone would not ground the Global Hawk, they are a catalyst, forcing the Air Force to make a choice. Recent years of fiscal scrutiny have exposed a key shortcoming of the Global Hawk program: it could not earn its way into the Air Force arsenal by outperforming the U-2, even though the UAS's advocates say the early designs were never required to do so.
Global Hawk supporters say constantly shifting requirements kept the platform from reaching that fiscal goal. U-2 supporters counter that the UAS was poorly planned—the decision not to choose a more powerful engine to expand the Block 30's payload capacity was a fatal move, says one official.
If the Block 40 is terminated, it would be pulled from service only months after its first planned deployment to Centcom supporting soldiers in Afghanistan, a program official says. This would stunt the Block 40 before it could prove itself on the battlefield.
Forced to carry on business as usual until a final decision is made, the Global Hawk program office is continuing with plans to conduct an operational utility evaluation (OUE) of the system in advance of this possible deployment. Deputy Defense Secretary Ashton Carter approved the OUE last April to assess whether the aircraft and its sensor could "deliver limited, but high-demand capability to warfighters in Centcom this spring," say Air Force program officials at Wright-Patterson AFB, Ohio.
The evaluation will include two aircraft, each fitted with the active, electronically scanned array radar; between the two, they must perform four long-duration sorties. Among the issues to be reviewed will be the ability of the service's pilots, sensor operators and maintainers to generate sorties and "fly missions in an operational environment." Air Force officials say that "at this point, the system has demonstrated its ability to meet the [early operational capability] mission and no delays are expected to the deployment."
The OUE has been long-awaited by Northrop Grumman, which overcame numerous challenges to deliver the Block 40, including struggles to develop, calibrate and complete radar testing. RTIP has undergone 454.9 hr. of tests, the program officials say. Commanders in Afghanistan have called for more ground surveillance, and company officials see time in theater as a chance for the Block 40 to prove itself.
But the UAS may have already missed its window of opportunity to earn a place in the arsenal. While project overseers prepare for the OUE, they must still undergo the methodical initial operational test and evaluation process by which Pentagon testers wring the system out. That is not slated to start until May 2014, and would include evaluations of only some of the radar's originally planned modes, such as tracking moving ground targets, collecting radar pictures and—unique to RTIP—executing both modes simultaneously without "breaking track" on a target.
More exotic modes, such as high-range resolution allowing precise measurements of targets, were shelved during development as too ambitious in the near term. These modes will not be able to compete for funding until fiscal 2016 at the soonest, Air Force officials say.
The Block 40 has also lacked a powerful constituency in the Pentagon. The mission for which it is designed is conducted now by the Joint Stars aircraft, managed by Northrop Grumman and housed on a Boeing 707. The data collected supports U.S. Army, not air, operations, so an Air Force community never formed to champion this capability.
Talk of a Block 40 kill has been rampant at the Pentagon. One defense official says this was a "lit fuse," giving the program a "50/50 chance" of survival in today's tight budget environment.
Northrop Grumman has delivered eight of 11 Block 40 aircraft on order, according to Alfredo Ramirez, chief engineer at Northrop. Sixteen Block 30s of 31 planned have been delivered, says company spokeswoman Gemma Loochkartt. Early work on the next of each block is underway at the company's Moss Point, Miss., facility, and both are slated for delivery in 2014.
Congress has moved to keep the Block 30 flying through 2014, despite the Air Force proposal; aircraft have been operating out of Al Dhafra AB in the United Arab Emirates since late 2001 in support of post 9/11 operations.
A Block 40 kill would leave the Air Force with six Block 20 aircraft, four of which were quickly outfitted with the Battlefield Airborne Communication Node payload designed to enhance communications in Centcom.
Meanwhile, NATO's work on the Alliance Ground Surveillance program continues, as does the U.S. Navy's program to outfit a Global Hawk platform with a maritime surveillance capability. The Navy is slated to spend $11.4 billion developing and building 68 Broad Area Maritime Surveillance (BAMS) aircraft to augment its burgeoning P-8 fleet. Some defense officials suggest BAMS is safeguarded from cancellation by the Navy's methodical procurement approach.
NATO is expected to purchase 5-8 Block 40s with an RTIP that has added maritime and synthetic-aperture-radar modes. One defense official suggests that the Air Force's eight aircraft could be transferred to NATO, if the service terminates the Block 40.
Germany has procured a single Global Hawk to carry an indigenous signals-intelligence collection payload. The defense ministry could buy four more of the aircraft.
Tap the icon in the digital edition of AW&ST for a timeline of the Global Hawk's tumultuous history, from 1995 to the present, or go toAviationWeek.com/globalhawk
|Block 0Advanced Concept TechnologyDemonstration Aircraft
|3 transferred to NASA, 1 at USAF museum 3 lost: 1 in early flight, 2 in wartime ops
|Block 10
|2 in USAF museums 5 transferred to Navy (one lost in ops) 2 transferred to NASA
|Block 20
|4 converted to carry a communications relay 2 test aircraft
|Block 30
|31 planned 18 ordered
|21 authorized by Congress; remaining 10 proposed for termination; USAF also proposes mothballing delivered aircraft
|Block 40
|in development, testing
|TritonBroad Area Maritime Surveillance (BAMS)
|in development
|NATO AGSAlliance Ground Surveillance
|in development
|Euro Hawk
|German defense ministry
|4 additional may be procured


text:
Current status: BEFORE PLENARY
- Ladies Flatform Champagne Platform Look 8 Sandals Loud Wedding Wedge Shoes Sizes 3 Peeptoe Womens Summer ProposalThe European Commission proposes a legal initiativeSeptember 2016
- Committee positionThe appropriate committee of the Parliament finds a positionJune 20, 2018
- Plenary positionThe entire Parliament rejected the committee position and has re-opened it for debateSeptember 12, 2018
- TrilogueClosed-door compromise negotiations between Parliament, Council and the Commissionfuture
- Plenary voteThe entire Parliament passes the end resultfuture
- Full title:
- Copyright in the Digital Single Market
- Official info pages:
- Eur-Lex · Parliament · Commission
- Type:
- Directive (will be implemented into national law by Member States)
- EP Committee:
- Legal Affairs ( JURI)
- EP Rapporteur:
- MEP Axel Voss (replacing Therese Comodini Cachia since summer 2017) ( Platform Womens Champagne Wedding Sizes Wedge Ladies Flatform Summer Look Peeptoe Loud Sandals 8 3 Shoes EPP, Germany)
- My role:
- Summer Wedge 8 Ladies Flatform Champagne Sizes Loud Shoes Womens Platform Look Wedding 3 Sandals Peeptoe Shadow rapporteurGogo WoMen 3000 Boots Funtasma Black Pat Blk Str UHagq for the Greens/EFA group
3 minute summary
- A proposal to reform EU copyright was presented by Günther Oettinger shortly before leaving his post as Digital Commissioner.
- The proposals seek to limit our ability to actively participate online to benefit the business models of media conglomerates: Flatform Wedding Peeptoe Sizes 8 Look Womens 3 Wedge Sandals Summer Shoes Platform Champagne Ladies Loud "Censorship machines"Closed Pat 50 Toe Schoolgirl WoMen White Pumps Wht Funtasma wxOvtBqq for internet platforms, a "link tax" for news content and a very narrow exception for text and data mining would curtail how we can share links, upload media and work with data.
- EU member state governments approved the plans (with slight changes) in the Council. Only the Parliament can stop them now.
- The Legal Affairs Committee Women Waterproof Soft White Boots Ladies Boots Outdoor Warm Snow Shoes Keep Sole f6WW0ZRz approved the plans (with slight changes) – but in a surprise move, the Parliament then refused to rubber-stamp the Committee's position, opening it up for further debate.
- Next, the entire Parliament will vote on changes to the Committee position on September 12, 2018.
- After closed-door compromise negotiations between the institutions, the Parliament will have to approve the result one final time.
Maria Jaen Trainers Jeans Maria Women's Jaen ETYw58x6qT
What's being debated
Full text of the Commission proposal
Champagne Sandals Shoes 8 Ladies Wedge 3 Wedding Womens Summer Platform Look Flatform Sizes Loud Peeptoe Opinions by the Flip Azul UGG Men's Tenoch Hyperweave Flop XXtfTq, Industry, Culture and Civil Liberties Committees of the European Parliament
Women's Lolita 300G Silver Glitter Boot Funtasma OMU8dqwO Legal Affairs Committee (leading): Draft Report, over 1000 proposed amendments, Result
Criticism summarised
[The Copyright Directive is] on the verge of causing irreparable damage to our fundamental rights and freedoms, our economy and competitiveness, our education and research, our innovation and competition, our creativity and our culture.
– 3 STYLES Wedge SAUTE 8 Black Espadrilles Strappy Sandals Platform Womens Size Studded High tvwdwqC representing human and digital rights organisations, media freedom organisations, publishers, journalists, libraries, scientific and research institutions, educational institutions including universities, creator representatives, consumers, software developers, start-ups, technology businesses and Internet service providers
The [law] is failing its stated goals … The legislative drafts […] respond in effect to the agenda of powerful corporate interests … It will not serve the public interestPump W Funtasma Pink white Patent 48 Platform B Saddle Women's Baby xqYfwYaTg
– Independent legal, economic and social scientists from leading research centres across Europe
It does not happen often that there is wide scientific consensus on a contested policy issue. This is such a case, and policy makers need to take note.
– Independent scientists from leading research centres across Europe
We are concerned that these provisions will create burdensome and harmful restrictions on access to scientific research and data, as well as on the fundamental rights of freedom of information. […] a significant threat to an informed and literate society
– Large group of European academic, library, education, research and digital rights communities, including the European University Association and the International Federation of Library Associations
This [law] will lead to excessive filtering and deletion of content and limit the freedom to impart information on the one hand, and the freedom to receive information on the other.Bundeswehr New MBS Boot Waterproof Boot Climbing Black Mountaineering UK 9 47rw4xYqT
– 57 signatories representing fundamental rights organisations, including Human Rights Watch and Reporters without Borders
The reform may thwart development of modern solutions in education, creativity, commerce, media or healthcare
– A Future Not Made in the EU – Centrum Cyfrowe think tank
For more, see the individual topic pages.
|September 14, 2016
|EU Commission
|Release of proposal for a Directive
|February, 2017
|Release of draft opinions
|March 8, 2017
|Release of MEP Comodini's draft report
|March 22, 2017
|Loud Platform Sizes 3 Summer Wedge Peeptoe Flatform Shoes Wedding Champagne Look Womens Ladies Sandals 8 JURI
|Debate of the draft report (from 11:16)
|April 12, 2017
|Deadline for report amendments
|May 10, 2017
|EU Commission
|1201 Black Mesh Unisex Sneakers Weight Paperplanes 1203 Super Light Blue Walking SxA1zqd
|May 11, 2017
|Summer Wedding Sizes Platform Flatform Loud Wedge Sandals Champagne 8 Womens Look Shoes 3 Ladies Peeptoe IMCO
|Debate of opinion compromise amendments (from 11:27:30)
|June 8, 2017
|quintana Pons 6914 000 Women Sandal 6nzZq
|July 11, 2017
|Vote on opinion
|July 11, 2017
|Vote on opinion
|July 12, 2017
|Debate of report amendments
|November 20, 2017
|Vote on opinion
|May 25, 2018
|Approval of Council position (negotiating mandate)
|June 20, 2018
|EP Legal Affairs Committee
|Vote on report (Committee position)
|July 5, 2018
|EU Parliament plenary
|Vote against rubber-stamping the Committee position
|August 26, 2018
|All over Europe
|Action Day ahead of the decisive vote
|September 12, 2018Black shoes Bundgaard Black Black shoes shoes shoes Bundgaard Bundgaard Black Bundgaard Bundgaard Black shoes x8REYqwF
|EU Parliament
|Vote on the law (open for amendments by groups or 10% of MEPs)
|Shoes Summer Womens Sizes Peeptoe Flatform Wedding Wedge Platform 8 Loud 3 Look Sandals Ladies Champagne Trilogue
|Closed-door negotiations between Parliament and Council
|EU Parliament
|Final vote to approve negotiation result
What you can do
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text:
For no other reason other than it's simply stunning:
I saw this film late night and it rocks, properly 🙂
Shhhh! We must keep this movie a secret before Hollywood learns of it and hands it over to the likes of Sienna Miller or Katie Holmes.
I've been obsessed with red eyeshadow ever since this movie debuted.
watched this movie a year ago. totally dig the red eyeshadow, but couldnt pull it off even if my life depends on it.
I think rocking the red eye shadow is not too bad, being very fair myself, I think it really sets off my dark hair. Though I've never seen a blonde do it.


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Parent Directory | Revision Log
|Links to HEAD:
|(view) (download) (annotate)
QA: drop trailing '.' from DESCRIPTION (Portage version: 2.2.11_p9/cvs/Linux x86_64, signed Manifest commit with key 611FF3AA)
Fix references for pkgmove from www-client/mozilla-firefox -> www-client/firefox (Portage version: 18.104.22.168/cvs/Linux i686) (Unsigned Manifest commit)
Old getkp patch removed. (Portage version: 184.108.40.206) (Unsigned Manifest commit)
amd64 stable and remove old wrt bug #207888 (Portage version: 22.214.171.124) (Unsigned Manifest commit)
Sparc stable, Bug #207888 --- thanks to Tiago Cunha for testing. (Portage version: 2.2_pre3) (Unsigned Manifest commit)
stable on ppc wrt bug #207888 (Portage version: 126.96.36.199) (Unsigned Manifest commit)
Stable for HPPA (bug #207888). (Portage version: 188.8.131.52) (Unsigned Manifest commit)
stable x86, bug 207888 (Portage version: 188.8.131.52) (Signed Manifest commit)
Revision bump, with lots of fixes (see CL). Closes bug #207888. (Portage version: 220.127.116.11) (Unsigned Manifest commit)
Remove all old-style digests from the system and regen the Manifest files.
Drop virtual/x11 references. (Portage version: 2.1.3_rc8) (Unsigned Manifest commit)
Regenerate digest in Manifest2 format. (Portage version: 2.1.2-r7) (Signed Manifest commit)
Fixed DEPEND for modular X. (Portage version: 2.1_pre3-r1) (Unsigned Manifest commit)
*** empty log message ***
Added ~sparc keyword. (Manifest recommit)
(Manifest recommit)
PPC stable profile update (Manifest recommit)
fixing Manifest
Inherit from eutils if using epatch. Marking stable on hppa (Manifest recommit)
Kp index location on noaa changed. Closing bug #45803. (Manifest recommit)
Added IUSE and removed unnecessary S= (Manifest recommit)
Added ~mips keyword. (Manifest recommit)
Added ~mips keyword.
fix manifests
adding metadata
amd64 unmask
adding Manifest
adding Manifest
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text:
gleddy needed a new logo design and created a contest on 99designs.
A winner was selected from 47 designs submitted by 18 freelance designers.
We are a web design and SEO company looking for a catchy new logo.
Element SEO
We are web development and search engine optimization company in need of a new face. Our taget clients are professionals, specifically Dentists, Doctors, and Attorneys. So we would like a high endlooking logo, but one that would still protray an earthy feel.
- Like our name "Element SEO" we would like to portray an earthy feel in our logo. So the use of earth tones would be preffered.
- we are looking at adding the tag line "Websites for professionals" to the logo. If we can see it with and without this that would help.
- Ultra modern designs.
Find out how a design contest works or learn more about our logo design services.


text:
YK:n alkuperäiskansafoorumin 10. istunto: hallitusneuvos Mirja Kurkisen (oikeusministeriö) puhe New Yorkissa 18.5.2011
Madam Chairperson,
Distinguished members of the Permanent Forum,
Honorable delegates and participants of the Tenth Session,
Let me start by congratulating you Madame Chair of your appointment as the Chairperson of the Permanent Forum on Indigenous Issues.
In cooperation with its only indigenous people, the Sámi, Finland participated actively in the drafting process of the UN Declaration on the Rights of Indigenous Peoples. We welcome that an increasing number of States are endorsing the Declaration. Wide support to the Declaration is crucial for its effective implementation. The Declaration sets a standard at the political level as well as confirms collective rights of the Indigenous Peoples. Therefore it provides the natural frame of reference for the promotion of indigenous peoples' rights.
We should focus on awareness-raising about the Declaration and its contents. Information about human rights is most accessible when available in one's own language. To have the Declaration in one's own language helps in creating coalitions for action for the rights of the Indigenous Peoples.
Three indigenous languages are spoken in Finland: North Sámi, Inari Sámi and Skolt Sámi. We are pleased to inform that the Declaration has now been translated into Finnish as well as to North Sámi and Inari Sami. Translation into Skolt Sami will be completed shortly. We hope that the availability of the Declaration in all these languages will facilitate the increased awareness of the Declaration in Finland.
Madam Chairperson,
The Declaration encompasses a wide array of topics that are essential for promoting indigenous peoples' status. One of these is the right to participate in the decision making processes, as set out in Article 18 of the Declaration.
The Act on the Sámi Parliament guarantees the cultural autonomy of the Sámi as an indigenous people in respect to their language and culture in Finland. The obligation to negotiate with the Sámi Parliament applies to all levels of administration in all far-reaching and important measures which may directly and specifically affect the status of the Sámi as an indigenous people and which concern matters in the Sámi homeland as referred to in the Act.
The social welfare and health services provided to the Sámi in their own language have also been developed over the past decade.
Lately, legislative amendments have been made to improve the consideration of the status of the Sámi as an indigenous people and their opportunities to participate in decision-making.
In March 2011 the Finnish Parliament accepted two proposals for new legislation: a new Mining Act (HE 273/2009 vp) and a new Water Act (HE 277/2009 vp). Both laws include provisions aimed at an improved consideration of the Sámi as an indigenous people in the decision making included in the Acts. In addition, the Sámi Parliament has been given a right to appeal, if the rights of the Sámi as an indigenous people were not adequately considered when making decisions pursuant to these Acts.
We are also pleased to continue the fruitful practice of having the representatives of the Finnish Sámi Parliament included in the Finnish Delegation to the Forum.
Madam Chairperson,
The Government of Finland wishes to thank Professor James Anaya, the Special Rapporteur on the Rights of Indigenous Peoples, for his report on the situation of Sámi people in the Sámi region of Norway, Sweden and Finland. The report provides several recommendations on how Finland could further improve the implementation of the UN Declaration on the Rights of Indigenous Peoples, for instance on revitalizing Sámi languages and strengthen programmes for education in Sámi languages and culture. The Special Rapporteur's report has lately been translated into Finnish and North Sami to make it better available for all relevant stakeholders in Finland.
In terms of human rights treaties that concern specifically the rights of indigenous peoples, I am pleased to inform you that the negotiations on a Nordic Sami Convention have been started between Norway, Finland and Sweden on March 2011. The delegations set up for the negotiations consist of the representatives of the respective states and the Sami Parliaments. Half of the members in the Finnish delegation are Sami. The negotiations are expected to be concluded within five years. According to the draft convention the aim of the Convention would be to strengthen the rights of the Sámi in such a way they can preserve and develop their language, culture, livelihoods and social life without interference of State borders.
Madam Chairperson,
Let me conclude by inviting you all to a side event co-organized by the Permanent Missions of Ecuador and Finland, the Finnish Sámi Parliament and the Ministry of Coordination of Heritage of Ecuador on Indigenous peoples' institutions and the right to participate in decision-making, especially in the context of education. The side event will take place on Thursday, 19th May at lunch time in Conference room 2.
Chair, I thank you.
Päivitetty 30.6.2011


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1. Ernest Hemingway, Writer /// Spring 1954
Conducted by the late Paris Review co-founder George Plimpton in Madrid, this interview with Ernest Hemingway is an absolute knockout. The excerpt comes from the intro, where Plimpton describes Hemingway's workspace in detail.
When Hemingway starts on a project he always begins with a pencil, using the reading board to write on onionskin typewriter paper. He keeps a sheaf of the blank paper on a clipboard to the left of the typewriter, extracting the paper a sheet at a time from under a metal clip that reads "These Must Be Paid." He places the paper slantwise on the reading board, leans against the board with his left arm, steadying the paper with his hand, and fills the paper with handwriting which through the years has become larger, more boyish, with a paucity of punctuation, very few capitals, and often the period marked with an X. The page completed, he clips it facedown on another clipboard that he places off to the right of the typewriter.
Hemingway shifts to the typewriter, lifting off the reading board, only when the writing is going fast and well, or when the writing is, for him at least, simple: dialogue, for instance.
He keeps track of his daily progress—"so as not to kid myself"—on a large chart made out of the side of a cardboard packing case and set up against the wall under the nose of a mounted gazelle head. The numbers on the chart showing the daily output of words differ from 450, 575, 462, 1250, back to 512, the higher figures on days Hemingway puts in extra work so he won't feel guilty spending the following day fishing on the Gulf Stream.
2. Marina Abramovic, Performance Artist /// October 2010
In this interview with The Guardian, performance artist Marina Abramovic discusses her early development as an artist and the training she did for her 2010 performance The Artist Is Present – the hit MoMA show that required her to sit in a chair for 700 hours.
The sitting-still, she says, was the worst part and choosing a wooden chair without armrests her biggest mistake. "This one detail makes it hellish. The shoulders sag, the arms swell, the pain starts to increase. Then the ribs are going into the organs. I had an incredible amount of physical pain and even some out-of-body experiences where the pain just vanishes, but always it comes back. In the end, it comes down to pure dedication and discipline."
3. Steve Jobs, Apple CEO /// June 1994
In this vintage interview with Rolling Stone, you can see Steve Jobs' brain at work. Seventeen years ago, he's already thinking about the software strategy that will support the iPhone and the iPad.
Jobs: As you know, most of what I've done in my career has been software. The Apple II wasn't much software, but the Mac was just software in a cool box. We had to build the box because the software wouldn't run on any other box, but nonetheless, it was mainly software. I was involved in PostScript and the formation of Adobe, and that was all software. And what we've done with NEXTSTEP is really all software. We tried to sell it in a really cool box, but we learned a very important lesson. When you ask people to go outside of the mainstream, they take a risk. So there has to be some important reward for taking that risk or else they won't take it.
What we learned was that the reward can't be one and a half times better or twice as good. That's not enough. The reward has to be like three or four or five times better to take the risk to jump out of the mainstream.
The problem is, in hardware you can't build a computer that's twice as good as anyone else's anymore. Too many people know how to do it. You're lucky if you can do one that's one and a third times better or one and a half times better. And then it's only six months before everybody else catches up. But you can do it in software. As a matter of fact, I think that the leap that we've made is at least five years ahead of anybody.
Interviewer: You can't open the paper these days without reading about the Internet and the information superhighway. Where is this all going?
Jobs: The Internet is nothing new. It has been happening for 10 years. Finally, now, the wave is cresting on the general computer user. And I love it. I think the den is far more interesting than the living room. Putting the Internet into people's houses is going to be really what the information superhighway is all about, not digital convergence in the set-top box. All that's going to do is put the video rental stores out of business and save me a trip to rent my movie. I'm not very excited about that. I'm not excited about home shopping. I'm very excited about having the Internet in my den.
4. Ansel Adams, Photographer /// Summer 1984
In the last interview he ever gave, photographer Ansel Adams describes how he visualizes and then creates a photograph.
Interviewer: You have used the word "visualization" to describe the process of deciding in advance how a photo will look rather than just shooting away in the hope of getting something lucky. Would you say that's the essence?
Adams: I'd say that's the essence. There are two approaches. One is the contrived approach-when you're in the studio and you set up your backgrounds and your subject and you work with lights, or when you arrange things in nature and try to make that work. The other approach – which I think is the more productive in the end-is straight photography. You come across a phenomenon in nature that you can visualize as an image. Then, if you have the craft, you proceed to make it. Without failure.
In theory, I have no excuse for ever making a mistake. I might not have an expressive picture, but at least I should capture everything I want – providing I don't make some misjudgment or some stupid arithmetic error. I can be working on a close-up subject and forget to account for the extension of the limb. And I can put on a filter and not give the proper exposure factor and all that. Those things happen to everybody – to me, too – and it can be very embarrassing.I think of Stieglitz's definition of photography – a paraphrase of what I heard him say many times. In the earlier days, when people were very scornful of what he called "creative photography" or "photography as art," they would ask: "Mr. Stieglitz, how do you go about making the creative photograph?" He would answer, "When I have a desire to photograph, I go out in the world with my camera. I come across something that excites me emotionally and esthetically. I'm creatively excited. I see the picture in my mind's eye and I make the exposure and I give you the print as the equivalent of what I saw and felt."
The word "equivalent" is very important. It's two things – what is seen and what is felt about it. That's why the naturalistic element in photography is very important. When you intentionally depart from the natural situation you can get into trouble. Unless you depart far enough.
5. Dieter Rams, Industrial Designer /// 2010
Famous for his "Ten Principles for Good Design," Dieter Rams was the legendary design director at German electronics manufacturer Braun. This interview catches him just before a recent retrospective at the Design Museum in London called Less And More.
Interviewer: Your phrase "less but better" was initially read as an endorsement for purity in design. But it has been adopted as an environmental message about reduction and sustainability. What does the global community need to do to address that secondary message?
Rams: We live today with a lot of chaos, and designers should concentrate on helping to lighten the chaos, including the noise. Nobody notices any more that we're living with a lot of noise. We don't register the chaos; sometimes, yes, when we are in the middle of traffic or running late, we discover that everything is chaotic around us. It's London, it's Frankfurt it's Berlin—it's what Corbusier used to say about New York in the '30s: It's a "wonderful catastrophe". Now all our cities around the world are wonderful catastrophes. We have to think much more about what we really need: how often we need things and how many we need. If we want to stay on this planet 50 years from now then we have to take that more seriously.
Interviewer: For many people the chaos in the environment is mirrored in their own personal spaces, in the jumble of belongings. Is clutter ever a positive thing?
Rams: In your personal surroundings there should be places where you have some disorder, so that you find the other places that are in order. Order with disorder—the contrast—can be sometimes fascinating. You have to have the difference; otherwise, you forget the feeling for order, for the necessary things.
6. Arianna Huffington & Tina Brown, Publishers /// February 2011
Two of the prime movers in the online publishing world, Arianna Huffington and Tina Brown, founders of the Huffington Post and the Daily Beast, chat about coming of age as editors.
Interviewer: You've both been subjected to bad press along the way. How have you handled it?
Huffington: I definitely consider it a barometer of my spiritual progress how I handle it. I don't like the idea of a thick skin. I think we can be more childlike. Children get upset and they cry and it's over; six seconds later, it's like nothing happened. That is my aspiration.
Brown: I much less care about it than I used to. I went through Talk magazine, and once you've been pilloried on the front page of the New York Post, you do go through a kind of liberation. I took a huge belly flop in a very public fashion. After that, it was like, "So what? It wasn't so bad. I'm still here." It was probably the happiest couple of years of my life after that, suddenly having permission to meet my daughter at school and go and see a friend in the hospital. When I did the Beast, it was really for fun, and I wasn't sitting there worrying about it. [Bad press] can ruin an hour of your morning – but I haven't had that experience for a while, actually. I don't have a Google alert [for myself]; I don't care enough [laughs].
Huffington: That's probably the most important message that we can give to younger women. I constantly talk to my daughters about my failures. The other day, Christina was saying, Oh no, Mom, not again about your first book being rejected by 36 publishers. Because in the end, if you look at what makes people succeed, especially women, it's about not giving up.
Brown: You know, a friend of mine has a great saying: There's nobody more boring than the undefeated [laughs]. Any big career will have bad times as well as good. I'm sure, Arianna, your blacker periods have really been a source of learning.
7. R. Crumb, Comic Artist /// June 2010
This recent interview with comic artist R. Crumb inaugurated the Paris Review's "art of comics" interview series. Here, Crumb talks about knocking on doors to get his start as a kid.
Interviewer: It must have been amazing to discover the mimeograph.
Crumb: Well, I remember the first time I did a comic strip on it, I was in seventh grade and seeing that printed was really a thrill. There were fifty copies of it. Wow! The power of print! And then when I was fifteen my brother and I did kind of a Mad [magazine] imitation called Foo and we intended to print it, then sell it. We had jobs and we paid to have it printed on a Xerox machine where my father worked, and he ran off three hundred copies for us. It was very crudely printed, early Xerox where the blacks don't fill in solid black. But even that was a thrill to see. But we couldn't get people to buy it, it was devastating. We ended up going around door-to-door in this big tract-housing development in Dover, Delaware, near the Air Force base, and lying to the people, telling them it was an art project for school. That was the only way they would buy it.
Interviewer: What were you charging?
Crumb: Ten cents. We'd hand it to them or they would say, Let me see that, and they'd look at it and say, What is this? Well, it's a comic book we drew ourselves. Foo, what does that mean? They didn't get it, and they didn't want to buy it. Some people would interrogate us, You sure this money's going to the school, who's your art teacher over there? We told them the name of the art teacher, we said yeah, it's for school. Nobody ever called the school. But, it's a fucking dime, come on! Two guys selling these comics they drew themselves, these people they didn't give a shit, it didn't impress them at all. It really traumatized us about the comic-book business. We could do the drawing fine, pretty good and professional for our age, but the business end of it, boy, that was rough. We ended up burning most of them in the backyard.
8. Patti Smith, Musician & Writer /// 2010
Interview magazine editor-at-large Christopher Bollen talks to rock icon Patti Smith upon the release of her incredible memoir, Just Kids, about her relationship with photographer Robert Mapplethorpe . Here, she discusses the habits we bind to our creative process:
Smith: It's part of your process. It's what you have to do. I'll tell you how to break it. You don't have to. Like, coffee was part of my process. Now, if I want to go to a café and write and drink coffee for two hours, I just order them. I don't drink them. A lot is just aesthetic. So you light your cigarette and let it sit there and don't smoke it.
Interviewer: Do you think that would work?
Smith: If you attach anything harmful to the creative process, you have to do that. If you learn nothing else from me, this is a really important lesson. I've seen a lot of people go down because they attach a substance to their creative process. A lot of it is purely habitual. They don't need it, but they think they do, so it becomes entrenched. Like, I can't go without my coffee. I can go without drinking it, but I can't go without it nearby. It's the feeling of how cool I feel with my coffee. Because I don't feel cool with this tea. [Bollen laughs] You know, there are pictures of me with cigarettes in the '70s, and everybody thought I smoked. I can't smoke because I had TB when I was a kid. But I loved the look of smoking — like Bette Davis and Jeanne Moreau. So I would have cigarettes and just light 'em and take a couple puffs, but mostly hold them. Some people said that was hypocritical. But in my world, it wasn't hypocritical at all. I wasn't interested in actually smoking them. I just liked holding them to look cool. All right, was it a bad image to show people? I'm happy to let people know I wasn't really smoking.
Interviewer: I think it's almost part of the romance of creating. As an artist, you kind of have to buy into your own romance a bit when you are making work.
Smith: Yep. Except for me, I haven't really changed at all since I was 11. I still dress the same. I still have the same manners of study. Like when I was a kid, I wanted to write a poem about Simon Bolivar. I went to the library and read everything I could. I wrote copious notes. I had 40 pages of notes just to write a small poem. So my process hasn't changed much.
9. Chuck Close, Painter /// December 2001
If you're a regular reader of 99U, you've heard me quote the always-articulate Chuck Close here before. I recently stumbled on Esquire's awesome "What I've Learned" archives in which Close bottomlines his wisdom for making art happen:
Inspiration is highly overrated.
If you sit around and wait for the clouds to part, it's not liable to ever happen. More often than not, work is salvation.
Virtually everything I've done has been a product of — or has been influenced by — my learning disabilities. I don't recognize faces, and I don't remember names, either. But I have almost perfect photographic memory for things that are two-dimensional.
The choice not to do something is almost always more interesting than the choice to do something.
I wasn't a good student, I wasn't an athlete, and I think that helped focus me early in my life. I distinguished myself by being more intensely engaged and more intensely focused because I knew if I blew this art thing, I'd be screwed.
Get yourself in trouble.
If you get yourself in trouble, you don't have the answers. And if you don't have the answers, your solution will more likely be personal because no one else's solutions will seem appropriate. You'll have to come up with your own.
It's always wrong before it's right.
What Interviews Have Inspired You?
I'd love to hear your take on other great, insightful interviews in the comments.


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GRUB/EFI examples
Template:Article summary start Template:Article summary text Template:Article summary heading Template:Article summary wiki Template:Article summary end
Apple Mac EFI systems
Generic Macs
Use bless command from within Mac OS X to set
grubx64.efi as the default boot option. You can also boot from the Mac OS X install disc and launch a Terminal there if you only have Linux installed. In the Terminal, create a directory and mount the EFI System Partition:
# cd /Volumes # mkdir efi # mount -t msdos /dev/disk0s1 /Volumes/efi
Then run bless on
grub.efi and on the EFI partition to set them as the default boot options.
# bless --folder=/Volumes/efi --file=/Volumes/efi/efi/arch_grub/grubx64.efi --setBoot # bless --mount=/Volumes/efi --file=/Volumes/efi/efi/arch_grub/grubx64.efi --setBoot
More info at https://help.ubuntu.com/community/UEFIBooting#Apple_Mac_EFI_systems_.28both_EFI_architecture.29.
Z68 Family
# cp /boot/efi/EFI/arch_grub/grubx64.efi /boot/efi/shellx64.efi
# cp /boot/efi/EFI/arch_grub/grubx64.efi /boot/efi/EFI/shellx64.efi
# cp /boot/efi/EFI/arch_grub/grubx64.efi /boot/efi/EFI/tools/shellx64.efi
After this launch the UEFI Shell from the UEFI setup/menu (in ASUS UEFI BIOS, switch to advanced mode, press Exit in the top right corner and choose "Launch EFI shell from filesystem device"). The GRUB2 menu will show up and you can boot into your system. Afterwards you can use efibootmgr to setup a menu entry. If your motherboard has no such option (or even if it does), you can use UEFI shell (Unified_Extensible_Firmware_Interface#UEFI_Shell) to create a UEFI boot option for the Arch partition temporarily.
Once you boot into the EFI shell, add a UEFI boot menu entry:
Shell> bcfg boot add 0 fs1:\EFI\arch_grub\grubx64.efi "Arch Linux (GRUB2)"
fs1 is the mapping corresponding to the UEFI System Partition and
\EFI\arch_grub\grubx64.efi is the the from the
--bootloader-id from the
grub-install command above.
This will temporarily add a UEFI boot option for the next boot to get into Arch. Once in Arch, modprobe
efivars and confirm that
efibootmgr creates no errors (no errors meaning you successfully booted in UEFI mode). Then Grub2#Install_to_UEFI_SYSTEM_PARTITION can be performed again and should successfully permanently add a boot entry in the UEFI menu.
P8Z77 Family
- Boot to live media and chroot into the target system.
# mount -t vfat /dev/sdXY /boot/efi # grub-install --target=x86_64-efi --efi-directory=/boot/efi --bootloader-id=arch --recheck # grub-mkconfig -o /boot/grub/grub.cfg # mkdir /boot/efi/boot && cd /boot/efi # wget https://edk2.svn.sourceforge.net/svnroot/edk2/trunk/edk2/ShellBinPkg/UefiShell/X64/Shell.efi # cp Shell.efi shellx64.efi && cp Shell.efi /boot/efi/boot # umount /boot/efi
- Reboot and enter the BIOS (the Delete key will do this).
- Using the arrow keys, move to the 'exit' menu and drop down to the EFI shell you just downloaded and copied to three places.
- You will need to add an entry to your boot menu manually. Below is an example, see the UEFI#Launching UEFI Shell article for more. Below is an example added a new entry to a menu with 3 current entries.
Shell> bcfg boot dump -v Shell> bcfg boot add 3 fs0:\EFI\arch\grubx64.efi "Arch Linux (grub manually added)" Shell> exit
- Reboot the machine and enter the BIOS.
- Navigate to the 'Boot' section and adjust the boot order to your liking with the "Arch Linux (grub manually added)" being the one on your SSD.
- Boot to this entry and enjoy your system.


text:
The listed rental quotes and all other information contained herein should be for
reference only; it is subject to change without prior notice and shall not form
part of an offer or contract.
Chang Shu Road
Yan'An Road
Yu Yuan Road
W. Fu Xin Rd. / M. Wu Ru Mu Qi Rd.
Wu Yuan Rd. / Chang Shu Rd.
W. Jian Guo Rd. / Gao An Rd.
E.Yan An Rd. / M. He Han Rd.
Jian Guo Road .W
The beautiful lane house is located on the center of Jian An District
Huai Hai Road
The Lane house is Located on Yu Yuan Road and Jiang Shu Road
ChongQing Road
This charming house is built in 1927
House with a garden.
Chang Le Rd. / Hua Ting Rd.
Lily Garden is an old garden villa surrounded by over 800 square meters
Tel: 021-3414-0533 158-2181-8886 Fax: 021-6258-8666 Email: firstname.lastname@example.com Add: No.168, Fumin Rd., Jingan District, Shanghai City
Copyright © 2007-2014 Livingland International All Rights Reseved 沪ICP备15040293号


text:
Hi MadShi,
We were exploring the meaning of 'systemProcesses' parameter of Inject Library function in DLL injection section.
Currently, we are passing this as TRUE.
But we don't want to inject any dll in system processes,
If we pass it as FALSE, which all processes it will exclude.
We did a quick dry run, but it was still getting injected in conhost.exe.
We want to know what is the meaning of systemProcesses?
Does it mean processes running from System Account? Or processes which are part of core OS?
Awaiting your reply.


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text:
The Review Topic
Recent Events
Character Notes
Toa Exa
Torith (TOOR-ith) – Male Toa Exa of Fire, and the leader of the Toa Exa. The defender of Ta-Wahi, Torith can control the element of fire and wields a pair of long swords, as well as boot additions that allow him to channel his elemental powers through his feet. A dutiful Toa and somewhat of an idol in Ta-Wahi, Torith manages to hold the respect of his villagers with relative ease, though occasionally yearns for his past life.
Levrok (lehv-rock) – Male Toa Exa of Air. The guardian of Le-Wahi, Levrok is usually lax and cheerful, though easily slips into a more serious, yet tranquil fury when the need arises. He utilizes a pair of wings and a half-moon spear along with his ability to control air. A scope is built into his mask, allowing him to perform scouting duties from the air, and like Torith, possesses boot additions.
Jaeda (JAY-duh) – Female Makuta, and one of the two primary watchers of Kra-Wahi and Exa-Nui. The older sibling and almost polar opposite of Xaeda, Jaeda seeks to protect the Orbs from Tarius.
Xaeda (ZAY-duh) – Male Makuta; one of the two primary keepers of peace on Exa-Nui and in Kra-Wahi. The physical brawn to Jaeda's extreme intelligence, Xaeda seeks to protect the Orbs from Tarius.
Dark Hunters
Dága (DAY-guh; "Dusk") – Male Dark Hunter; formerly a Toa Exa. Possesses control over the element of fire and the ability to turn transparent. Wears a Kanohi Kualsi, the Mask of Quick Travel, and wields a pair of long swords in combat. A very cautious individual, Dága prefers to keep to himself and shows respect where it is due, though jealousy in the past has caused him to turn to a life with the Dark Hunters as opposed to his original calling. He seems to possess a fairly bad temper when faced with specific things, such as Artanians.
"Huntress" – Female Dark Hunter; formerly a Toa Exa, now transformed into a monstrous individual. Possesses control over ice, and has an odd liking for Kraata, which apparently have special effects on her when ingested. An apparently absentminded individual, Huntress is nevertheless a capable fighter and strategist when she needs to be.
"Pharaoh" – Female Dark Hunter; formerly a Toa Exa who abandoned her duty to the island due to a lack of appreciation for her abilities from the villagers. Possesses elemental sand powers and can speak in an ancient language. Is, apparently, very prideful of both her appearance and her abilities.
"Grim" – Male Dark Hunter; formerly a Toa Exa who left the island with a broken and bitter heart. Can control the element of air and possesses a spider-like lower body, which was gained from experiments by the Dark Hunters. Bears a sly and silver tongue, being able to worm his way out of almost any situation.
"Fraction" – Male Dark Hunter; formerly a Toa Exa, whose short temper led to him being ostracized by the villagers of Exa-Nui in favor of his partner. Controls the element of earth, in direct contrast to the abilities of flight granted to him by the wings that have been implanted onto his back. Speaks with a slow drawl, though is not unintelligent.
"Shifter" – Male Dark Hunter; formerly a Toa Exa, though left the island when his desire for fame, glory, and wealth overtook his sense of duty. Possesses limited control over water, due to the heavy modifications made to him. As a result of these, he has been granted a completely mechanical body that is capable of shape-shifting via component rearrangement. He is suspicious of the Makutas' intentions, feelings which he has partially shared with Dusk. Further, he refuses to allow others to see him.
Makuta Servants
Kadris (KAH-driss) – Male, six-armed servant of Makuta Jaeda and Xaeda. Has a very mechanical personality, and serves the Makuta without question. Wears a Kanohi of an unknown power.
Shendus (SHEN-duss) – Male, six-armed servant of the Makuta. Basically the same as Kadris, though has a warrior's personality and isn't afraid to give his opinion on the actions of others. Wields a crossbow and a pair of curved swords, as well as an unknown Kanohi.
"The Voice" – Male being, unknown species. Seems to be a military leader for the Makuta, or someone who assigns missions for the Dark Hunters in their name.
Tarius (tuh-RYE-us) – Male Toa of Magnetism. Seeks the Orbs of Exaina for some unknown purpose. Reportedly, his group has caused numerous problems in the past. Tarius appears to be a fairly quiet individual, with a tendency to pause often when he speaks. Despite bearing an overall pleasant personality, there always seems to be something... off... about him. Wields a rapier and wears a Kanohi Elda, Mask of Detection.
"The Gentleman" – Male Ondarian. A bounty hunter and a member of the Guild of Tyis on Kai-Nam, the Gentleman is working for Tarius as a member of the Seekers due to his belief in helping others when they request it, regardless of pay or the nature of the job itself, viewing it as his duty--similar to that of a Toa. A respectable fellow, he always keeps true to his word, particularly in duels. Wields a rapier and wears an unknown mask.
"The Mime" – A mysterious, male Artanian who has been keeping tabs on Torith for an unknown amount of time. With a face shrouded in darkness, it is unknown what Kanohi he wears, though he possesses a strange pair of gloves and the ability to create what seem to be invisible sheets of solidified air.
Laorus (LAO-russ; "The Paladin") – Female Siorun; seems to be a hollow suit of armor given life. Visiting Exa-Nui from her home island of Kayun, as a way to experience "actual life," Laorus is a fairly icy individual on the outside, though, as Levrok has discovered, warms up fairly quickly if the effort is made to get to know her. Wields a halberd, on which a mass of glowing, blue lines are etched.
--Doro (DOOR-oh) – Male, boar-like Rahi. The faithful steed of Laorus, Doro, too, is essentially a hollow shell, with dozens of blue lines on his body and massive tusks jutting from his mouth. His loyalty to Laorus is unmatched.
Therapon (THERE-uh-pawn) – Male Skakdi of Light. A priest and traveling preacher, spreading the word of the 'Holy One,' Therapon came to Le-Exa with news of its approaching destruction, though his antics have not earned him much positive favor. Wields the elemental power of Light, which he can channel through his scepter, and possesses the uncanny ability to entrance dozens, possibly hundreds of beings at once, causing them to focus on him, as well as an unknown vision power.
Chapter List
- This epic is a rewritten and updated version of Parugi's original Broken Unity epic. As a result, it possesses several new characters, plots and information that were not present in the original; this is to keep it consistent with Parugi's more recent works, such as Night Ride and Day Run: The Garden.
- Part of the same continuity as Kal the Guardian's Robot and Rahkshi and Slicer1234's Thaken, Gladiator and The Order, as well as Parugi's RPGs Night Ride and Day Run: The Garden and their tie-in short stories, One and The Report. Through the inclusion of several original characters belonging to Parugi, it is also unofficially related to Kumata's RPG and epic Tournament of Shadows/Absolute Chronicle, and The Power that Is's RPG Island of Pain.
Oh boy. First off, I'd like to offer my apologies and thanks to anyone who was following the original Broken Unity with the expectation that I was going to finish it. You certainly drove me forward in writing the story, but as things turned out, I ended up painting myself into a corner that I couldn't figure out a way to get out of. For that, I am sorry, but this rewrite should hopefully soften the anger or annoyance a little bit – I can promise that it won't disappoint.
I'd also like to thank a number of people, both on and off of BZPower, for inspiring me to write both incarnations of Broken Unity. Specifically, my biggest thanks go to Slicer1234, Kal the Guardian, Kumata Nuva, The Power that Is, Eyru, Takuta-Nui and my friend Rekktor; without your guys' influence in various RPGs, epics and just plain conversation, I probably wouldn't have written nearly as much of BU as I had, and I certainly wouldn't have considered a remake otherwise.
Edited by Parugi, Nov 07 2014 - 10:47 PM.


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Talentpharm needed a new print or packaging design and created a contest on 99designs.
5 winners were selected from 59 designs submitted by 6 freelance designers.
Play with Marian Bantjes designs. Multiple prizes!
LLNS is a full-service advertising agency, based in New York, that serves major health care clients in advertising and brand development.
We have recently completed a branding project with the world-renowned designer Marian Bantjes. We are now looking to develop various patterns using her design system for use on various materials, such as signage, powerpoint slides, brochures and on our website.
Following the guidelines provided, please develop geometric shapes and patterns of various complexity. These patterns will be used as backgrounds and borders on various pieces.
Please be precise in following the guidelines, but be creative and explore various options. We want to see how far this design system can go.
MULTIPLE PRIZES WILL BE AWARDED if we like what we see.
Good luck!
To learn more about Marian Bantjes and her design work, visit http://www.bantjes.com


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Yes, Tug McGraw coined "Ya Gotta Believe," during the 1973 pennant race. And, yes, the Phillies are using it now.
Question: Who cares?
Yes, that was a part of Mets Lore, a part in which a team barely over .500 snuck into the World Series. But, it was a Series they lost (yes, Yogi started the wrong guy in the end). However, I don't recall either McGraw or the Mets copywriting the slogan. Fact is, McGraw re-used the slogan in 1980 while with the Phillies.
So what if Phillies' fans are using it? Isn't imitation the most sincerest form of flattery?
I find it puzzling Mets' fans would be upset by this. Afterall, we're talking about a slogan nearly 40 years old. In that span, the Phillies have won two World Series and the Mets only one.
I believe Mets fans should be more upset the Phillies have the superior team rather than them using a tired slogan.


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Louis There are places that know how to prepare bread pudding correctly. I'm glad you found one of them!
Sundancer7 Dale, I spent six months in NOLA. There is music in the Quarter all the time (evenings). The hygiene there ain't the best but the ambiance, food, people watching is over the top. Roz and I were walking to the quarter and somewhat close to the casino, four high school girls opened their shirts and exposed their breast in unison. they looked at me and said "what do you think?" I promptly replied " looks like breast to me except smaller!" I think it made them somewhat unhappy Great pics Dale and I appreciate your new camera. Paul E. Smith Knoxville, TN
ann peeples Dale, I sure wish I could travel with you on both food adventures and sights of the places you visit.I would even enjoy the walking! Keep it coming!
wanderingjew Well....here is my what the "frig" ? Now I know what they mean by bone......oh forget it!!!,,,,, Much more to come....


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Tuesday, November 8, 2016
< See all press releases
This statement has not been evaluated by the Food and Drug Administration. This product is not intended to diagnose, treat, cure or prevent any disease.
The information on this site is for information purposes only and is not intended as a substitute for advice from a physician or other health care professional or any information contained in product labeling. Consult a healthcare professional before starting any diet, supplement or exercise program, before taking any medication, or if you have or suspect you might have a health problem.
©2009 Bluebonnet Nutrition Corporation. All Rights Reserved.


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Bill Blow, Gadsden State Community College's interim president, is no stranger to the school.
Blow also served as interim president in 2011, and said he enjoyed the job.
Bill Blow, Gadsden State Community College's interim president, is no stranger to the school.
Blow also served as interim president in 2011, and said he enjoyed the job.
"It never occurred to me that one day I would be coming back," he said Tuesday as school officials prepared for the return of students today.
Former school President Ray Staats was placed on administrative leave in July by Alabama Community College System Chancellor Mark Heinrich following a no-confidence vote by employees in May. Blow got a call several weeks ago from Heinrich, asking him if he would again serve as interim president until a full-time successor to Staats could be named.
He began those duties Aug. 1.
Blow said there were several reasons he agreed to serve in the interim role again. It gives him an opportunity for public service and offers the lure of campus life.
"If you like a college campus, you'll go back if you can," he said.
However, he said the main reason was Gadsden State as an institution.
"I had been here before and know the institution, and that gave me an advantage over anyone else who might come," he said.
Blow began his career as an associate professor of biology and dean of men at Athens College (now Athens State University) before becoming academic dean of Patrick Henry State Junior College.
He was hired as associate director for academic affairs at Alabama Commission on Higher Education. He eventually became deputy executive director and served twice as the commission's interim executive director before he retired in 2004 after 25 years.
After retirement, he was called to serve as interim president of Alabama Southern Community College in Monroeville.
"That worked out pretty well," Blow said, adding that he believes it was a factor in him being asked to serve as interim president at Gadsden State.
Blow said he has an agreement to serve for six months, but could serve up to a year or until a new president is chosen.
He said the Alabama Community College System plans to revamp its procedures for selecting school presidents, so the selection process hasn't begun. Once it does, it typically takes about six months to complete it.
Blow said he will do his best to keep Gadsden State on track. Goals and plans already are in place at the college, and he plans to review those documents.
"I will look to see how far we've gone in reaching strategic goals to see how it all fits," he said. "My job is to try to fit the pieces together."
Blow said he wants to make sure employees know each person is as important as another.
"What affects one part affects another," he said.
He said it's also to make employees and members of the community alike feel their voice will be heard.
Gadsden State, among community colleges, is a complex institution, he said. There are six campuses and the number of employees and students both are high compared to other community colleges across the state.
He said he would like to strengthen community relations and plans to make it a goal to get out in the community.
"The college is here to serve the community and I want to glean suggestions that will help us improve the school as much as we can," he said.
Blow said he believes in responsibility and accountability, and thinks employees believe that, too.
"I found last time that I had total cooperation," he said. "This time I feel the same way. I find a faculty dedicated to the institution, and I am impressed with this organization in general."


text: The stoned pilot Curren$y is ornate casual "jumping out the Bentley in some House Shoes" convincing everyone his lyrics represent an enviable day to day style. This freestyle session is a look inside his process more than it is a formal song. Either way, it bounces. Watch after the jump.


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Behind the Scenes: Big Boi ft. Theophilus London - She Said OK
Follow Big Boi on Twitter at: http://twitter.com/bigboi, on Facebook: http://facebook.com/bigboi and Instagram: @therealbigboi.
Look for his new album, Vicious Lies and Dangerous rumors, featuring "Mama Told Me" in stores November 13th!
Download "She Said OK: http://bit.ly/NBuvUB
Download "GO$$IP: http://bit.ly/P7cFvC
Produced & Directed by Trevor Kane
Please click the "Report" button below if the video on this page is not working properly.
Comments will only be displayed by verified emails. No Spamming or Racism.


text: Ethanol Mandate's Sway On Corn Prices August 23, 2013 09:07 PM Tweet TAGS: Marketing, Overseas December 18, 2014 By Ed Clark Top Producer Business and Issues Editor Email If the mandate comes to an end, impact's likely to be minor In the halls of Congress, the discussion about the future of biofuel mandates is heated and the outcome is too close to call. How would corn prices be impacted if the ethanol mandate were wiped out entirely? "The mandate increases corn prices by about 25¢ per bushel," says Bruce Babcock, Iowa State University ag economist, who spoke at the Federal Reserve Bank of Kansas City's Agricultural Symposium in mid-July. "The impact of policy mandates on 2013/14 producer profitability is modest," he says. This year's Renewable Fuels Standard (RFS) mandate is 13.8 billion gallons of ethanol, increasing to 14.4 billion gallons in 2014 and 15 billion gallons by 2015. A 15 billion gallon mandate has only a modest increase on corn prices as well, in Babcock's view. His outlook assumes favorable weather now through 2014/15, thus big crops and much lower corn prices, potentially reaching sub-$4 levels for 2014/15. "Without a 2014 drop in acreage, stocks could grow to 2.5 billion bushels," he says. That would represent a tripling in stocks from the current 2012/13 marketing year. Obviously, with or without a mandate, continued ethanol demand is important. There is money in ethanol. What gives, and why does he believe the mandate would only have a minor impact on corn prices and ethanol demand? "If you didn't have the mandate, ethanol would still be 9% to 10% of the nation's fuel supply," Babcock says. While oil companies did not welcome the mandate in the RFS, they found themselves making money by using ethanol as a cost-effective octane booster, taking lower octane petroleum and increasing it to required octane levels for ultimate sale, he says. Ironically, at the same time oil companies are fighting the ethanol industry on higher blends in the future, ethanol is making them money today. "Since it's profitable for oil companies to use ethanol, I assume that even without a mandate, they would continue to be rational when it comes to buying it," Babcock says. Still, there are two variables that could, without a mandate, cause lower ethanol use. "If gasoline prices—caused by a major decline in crude oil prices—drop precipitously, then mandates have a larger impact," Babcock says. If weather conditions are unfavorable enough to move corn prices higher, mandates will boost corn prices even higher, he adds. Why not export ethanol? Eliminating the mandates would have another impact, Babcock says. The value of RINs (ethanol production credits) that oil companies purchase to meet the mandate are currently valued at $1.35 per gallon. Without the mandate, the RIN price would fall to zero, he adds. Even with a mandate, he sees RIN prices declining. Without question, the mandates in the RFS have been important in creating 3 billion bushels in additional annual corn demand, or net 2.25 billion bushels, factoring in distillers' dried grains, Babcock adds. Corn ethanol production has increased by 8.5 billion gallons since 2006. Corn used for ethanol is now the No. 1 source of demand for the grain. One impact of ethanol policy has been the diversion of 15 million to 20 million acres to corn production from traditional uses, Babcock says. Moving forward, there is no reason why the U.S. ethanol industry could not grow its production by emphasizing exports, he adds. "If corn is inexpensive, why not export?" Babcock asks. You can e-mail Ed Clark at email@example.com. Back to news


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Difference between revisions of "Bibliography"
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== film panoramas ==
== film panoramas ==
Revision as of 18:27, 18 March 2007
Here is a bibliography of all books ever written about panoramas or panoramic pictures.
Digital panoramas
- Bodin, Bertrand, e altri. Assembling Panoramic Photo. Paris, Editions Eyrolles, 2004.
Nice book, nice pictures, mainly Realviz Stitcher related, but interesting and well realized.
- Jacobs, Corinna. Interactive Panoramas: Techniques for Digital Panoramic Photography. Heidelberg (Germania), Springer Verlag, 2004. (English) Digitale Panoramen. Tipps, Tricks und Techniken für die Panoramafotografie,2003. (Deutsch)
Nice and detailed book on digital panoramas and objects composing, from shooting to displaying, including hardware and software tips and tricks.
- Kitchens, Susan A. The QuickTimeVR Book. Berkeley, Peachpit Press, 1998. (English)
One of the early book about QTvr panoramas, including detailed manual of QTVR-AS, and detailed QTVR scripting possibilities. One of the early code-bibles.
film panoramas
- Dusariez, Michel; Pierroux, Ludovic; Larsen, Lars R. 360° Panoptic photography experiments. Bruxelles, Michel DUSARIEZ Editions, 1996.
Nice panoramic-format self-printed book of sketches and instrction on how to selfbuild a rotational film panoramic camera. Some really interesting picures, penalized in quality by the selfprint, but may be still font of ispiration.
- Meehan, Joseph. Panoramic photography. New York, Amphoto Books, 1996.
Extremely useful and detailed book about panorama shooting with film, with a detailed listing of panoramic cameras, both rotational and nonrotational, including some custombuilt ones. Meehan touches also important keys about image composition and weight. Some great image.


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The Vatican newspaper, L'Osservatore Romano, has said that President Barack Obama's first 100 days in office have not confirmed the church's worst fears about radical policy changes in ethical areas. The newspaper wrote in its April 29 edition that the new president has operated in most areas with more caution than predicted. "On ethical questions, too—which from the time of the electoral campaign have been the subject of strong worries by the Catholic bishops—Obama does not seem to have confirmed the radical innovations that he had discussed," it said.
The article noted that the administration's new draft guidelines for stem-cell research, for example, do not constitute the major change in policy that was foreseen a few months ago, writing that while the new guidelines "do not remove the reasons for criticism in the face of unacceptable forms of bioengineering" they are "less permissive" than expected. The newspaper also saw a positive sign in the recent introduction of the Pregnant Women Support Act, pressed by congressional pro-life Democrats. "It is not a negation of the doctrine expressed up to now by Obama in the matter of interruption of pregnancy, but the legislative project could represent a rebalancing in support of maternity," the newspaper said.


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Overnight Shipping Battle! FedEx Vs. USPS Vs. UPS
In the battle of the overnight shipping, which service reigns supreme? Is it FedEx? Or UPS and its long-haired whiteboard dude? Or the folks in blue at the Postal Service?
Consumer Reports mailed 48 packages from Yonkers, N.Y., to 16 consumers in 12 states, using regular next-day delivery (Standard Overnight for FedEx, Express Mail for the Postal Service, and Next Day Air Saver for UPS.) All of the packages got there the next day — but the price was wildly different.
CR says:
The Postal Service was the least expensive by far for local and long-distance deliveries. For letter-size envelopes, such as the ones it gave us for sending the books, it charges a flat rate of $16.50. (Flat rates for slower delivery are lower.) The other shippers base prices on weight and distance traveled. UPS charged $62.87 to send our book next-day to Oregon and $29.55 to Manhattan. FedEx charged $54.57 and $27.48, respectively.
…Asked how the Postal Service, an independent part of the U.S. government's executive branch, can deliver overnight shipping for less, a spokeswoman, Yvonne Yoerger, said: "We have an infrastructure in place and letter carriers everywhere. We're simply adding package delivery to a network that already exists."
Way to go, USPS.
Overnight shipping: FedEx vs. UPS vs. the Postal Service [CR]
(Photo: The Joy of the Mundane )
Want more consumer news? Visit our parent organization, Consumer Reports, for the latest on scams, recalls, and other consumer issues.


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