text:
T.J. Auclair is a Senior Interactive Producer for PGA.com and has covered professional golf since 1998, traveling to over 60 major championships. You can follow him on Twitter, @tjauclair.
TaylorMade SLDR: Driver, fairway woods and rescue clubs impress
Series: Golf Buzz
Published: Thursday, October 31, 2013 | 11:43 a.m.
TaylorMade Golf has long been a leader when it comes to golf club innovation.
Most famously, the company took the golf world by storm with its introduction of the white-headed R11 driver in 2011.
It was a risk, but -- as it turns out -- a wildly popular one.
The latest innovation by TaylorMade has the golf world buzzing yet again.
RELATED: SLDR driver features sliding weight on sole
This summer, the company introduced the SLDR driver -- built to help a player hit longer/straighter drives by promoting a high launch angle, lower spin-rate and faster ball speed. That, the company says, is what makes SLDR its longest driver ever.
In addition to the driver, TaylorMade recently announced the SLDR fairway woods and rescue clubs, which will be available at retail on Nov. 15.
SLDR fairways woods and rescue clubs combine two of TaylorMade's most recent innovations: Speed Pocket technology and an exceptionally low-and-forward center of gravity (CG) location.
The company says smaller is better; so the new Speed Pocket is smaller (introduced in the RocketBallz fairways and Rescues), which actually makes it more efficient at increasing how fast the face flexes at impact, promoting faster initial ball speed across a wider portion of the face, helping a player get consistently long distance on every swing.
RELATED: SLDR fairway woods, rescue clubs join TaylorMade line
Of course, the most distinguishable feature of the new SLDR driver, is the blue, sliding weight on the sole.
"The SLDR weight slides on the track and never comes loose from the clubhead," TaylorMade says. "To slide the weight to any of the 21 positions on the track, simply loosen the screw, slide the weight, then tighten the screw. It takes as little as 10 seconds. And the sole is marked with the words 'fade' at the toe-end of the track and 'draw' at the heel-end of the track to make it clear where you should position the weight to promote the shot-shape you want."
I had a chance to test out samplings of the SLDR family this week, including a driver, 19-degree 5-wood and a 19-degree 3-rescue.
"We learned with the SLDR driver that a low-forward CG location allows many players to increase their loft to achieve the right combination of high-launch/low-spin that promotes maximum distance," TaylorMade says. "The same thing goes for SLDR fairway and Rescues, which is where our Loft Sleeve technology serves such an important purpose, by allowing you to adjust the loft 1.5 degrees up or down to dial in their optimal launch conditions."
The first thing you feel with the SLDR offerings, is that difference in the center of gravity. The head itself feels slightly heavier than others. And, speaking of the clubhead, it's one of the prettiest you'll ever lay eyes on at address.
RELATED: TaylorMade shows off new SpeedBlade irons
The shocking white was fantastic in previous models, but the SLDR family is more of a classic look -- a pretty charcoal-gray crown with traditional shaping. With its dark crown color and silver-colored clubface, the SLDR family is easy to align accurately at address.
Like most amateurs, it took a few swings to get used to the driver. The natural reaction of holding a beautiful new driver that's advertised as TaylorMade's, "longest yet," led me to swing out of my shoes for those first few range balls.
Once you settle in and realize you can let the club do the work, the results are incredible. At impact, the SLDR is as solid as any driver I've tried previously. You can truly feel that low-and-forward center of gravity the company describes.
At least for my game -- about a 10 handicap -- I typically find the fairway woods and hybrids to be the most difficult clubs in my bag to hit. This becomes particularly frustrating for me when all I ever read about is how easy a hybrid is to hit.
Well, if this SLDR test is any indication, my issues with fairway woods and rescue/hybrid clubs are a thing of the past. The ball absolutely flew off the clubface with ease from a variety of lies. Like the driver, slight misses with both the fairway wood and rescue club were extremely forgiving. Most importantly, the misses stayed in play.
I don't consider myself a big tinkerer. The standard settings on all three clubs worked for me. However, it is nice to know that there are products available out there today (not just from TaylorMade) where -- if you're a little off -- rather than go spend hundreds of dollars on new equipment, you can use a special tool to make an adjustment.
The SLDR driver retails for $399.99. There's also a Tour-Preferred (TP) model (with more customizable options) that sells for $499.99. The SLDR fairway woods (available for shipping Nov. 15) go for $249.99 and the TP version retails for $349.99. The rescue clubs -- also available for shipping Nov. 15 -- are $219.99 for the regular SLDR version and $289.99 for the TP version.
To learn more about the SLDR family and all of TaylorMade's offerings, visit www.taylormade.com. You can also find TaylorMade on Facebook and on Twitter, @TaylorMadeGolf.
THE VERDICT: TaylorMade isn't kidding with its "longest driver we've made yet" billing -- the SLDR driver is the longest I've ever hit, flying roughly 15-20 yards past where my usual driver lands.
The look you get at address on the entire SLDR family -- at least for me -- just feels right. I don't feel like I'm swinging a frying pan at the ball. These clubs are as forgiving as they are pretty.
For me, longer isn't always better. But, when the misses stay in play, I'm all for a few extra yards with the longest clubs in my bag.
Follow T.J. Auclair on Twitter, @tjauclair.
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john varvatos is great
corduroy by zihr is nice
santana is pretty good
polo double black is pretty safe
lacoste pour homme is pretty safe too
hope this helps
Thread: Winter and classroom scent?
Cold weather is coming up soon, and I'm about to go shopping =D. I was wondering if you guys could recommend me something suitable for cold weather, yet subtle enough throughout the day for me to wear in class. This is a scent I want to wear casually throughout the day when I go to classes, and at the same time I want to be able to wear it to parties and clubs. I'm hoping for a relatively "safe" smelling scent, something the general college population would like, yet I don't want to smell like every other college guy out there. So far I've only been recommended Burberry Brit. Any feedback would be much appreciated, thanks.
Last edited by schoolglue; 23rd September 2007 at 10:52 PM.
john varvatos is great
corduroy by zihr is nice
santana is pretty good
polo double black is pretty safe
lacoste pour homme is pretty safe too
hope this helps
Gucci Pour Homme by Gucci - make sure you get the original one, not Gucci Pour Homme II.
Thanks for the suggestions, how do you guys feel about burberry brit? I haven't been able to find any in my area to sample.
i personally love britt. I also suggest rochas man and gucci envy. bvlgari black is also a good one to have as well. Definitely get D&G PH too
Last edited by Spiritussancti; 24th September 2007 at 01:59 AM.
Brit is perfect.!
D&G PH is a winner too. Despite the citrus, I find it works best for me in colder weather. It may be a little on the sexy side for class, but I wear it to school.
I also love Trumper's Sandalwood for winter. Lots of people say Egoiste is a close relative and might be easier to find. Again, its a little sexy, but a light trigger finger and a warm sweater make it magic.
At this point I'm going back and forth between Brit and John Varvatos. I'm in college right now and my car is back at home, so it is a bit hard for me to try these scents out before I buy em. Which would you guys pick and why?
I would also try Burberry London along with your Brit - just my opinion.
Gucci Pour Homme (2003) [not altogether safe, but definitely special]
Gucci Envy
Allure Homme -- lightly applied
New York by Parfums de Nicolai
Arpege Pour Homme by Lanvin
Tam Dao by Dyptique
Last edited by trumpet_guy; 24th September 2007 at 07:08 AM.
-Nemo by Cacharel
Current Top 5
1. Creed Aventus
2. A*Men Pure Malt
3. L'instant Extreme
4. Nasomatto Duro
5. CDG - Kyoto
I would not hesitate wearing a light application (maybe by 'misting' the scent) of A*Men/Angel Men (Thierry Mugler) to class. Light: One spray to the 'belly' and one on the back of the neck. On clubbing occasions just be braver with the application!
What they've been trying to say is that you should go with Christian Dior - Dior Homme and nothing else.
Last edited by shifts; 24th September 2007 at 11:52 AM.
Shifts is a great guy but he has some problems expressing his inner feelings. What he actually is trying to tell you is, that while Dior Homme is an excellent fragrance, and possibly the best readily available for your purpose, you should search yourself a sample of Divine's L'Homme de Coeur, and after that full bottle, obviously. Great for classroom, and very likeable, without being general at all! If one has a signature scent, my experience is that it better be non-sweet and relatively quiet and versatile. A*Mens and Le Males of the world make you sick in the long run. You can get free samples of all Divine's fantastic scents by sending them a e-mail. Their homepage is at www.divine.fr. It doesn't hurt, that by doing this you also get a sample of L'Homme Sage, a scent that is generally considered more of a winter fragrance than L'Homme de Coeur. It's equally marvellous.
Last edited by Johnny_Ludlow; 24th September 2007 at 12:34 PM.
Last edited by shifts; 24th September 2007 at 01:08 PM.
What about Lagerfeld Photo ?
Not only for winter and 125 ml are here in germany sometimes for 20,- €
"Wow, I've never smelled anything like that before."
For heaven's sake, stay away from sweet sillage bombs like A*Men, but do consider Jaipur Homme. It's great in winter and it's very sophisticated. I wore it in grad school and it was very distinguished, yet inoffensive in that context. In fact I still wear it now, more than 15 years later. (Oops! I just dated myself. ) And while it's hardly relevant, it's also the fragrance that's gotten me the most compliments from women.
Last edited by Off-Scenter; 24th September 2007 at 06:07 PM.
For cold weather I think of scents like Chergui by Serge Lutens, Dior Homme, Mechant Loup by L'Artisan, Opium by YSL, etc. Heavy orientals are the best for really cold, bitter weather because they seem warm and bite that fridged feeling. Woody scents work but are not as homey to me. Just my opinion
EnvYuS My Wardrobe

subset: commoncrawl


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Search results for: Antique Jewelry
Antique Jewelry
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Handcrafted jewelry (Rating: 24) , Votes:NOVICA presents unique handcrafted jewelry treasures, including silver, pearl, and turquoise. Novica's collection includes bracelets, necklaces, rings, earrings, sets, pendants, and more. Each piece is created by an artisan with a special story behind each one.http://jewelry.novica.com/
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Medical ID (Rating: 0) , Votes:Universal Medical ID Canadafeatures custom-engraved medical identification jewelry pieces which can identify important medical conditions, allergies, prescribed medicines and emergency contacts.http://canada.universalmedicalid.com
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Medical ID Bracelet (Rating: 0) , Votes:Universal Medical ID UK features custom-engraved medical identification jewelry pieces which can identify important medical conditions, allergies, prescribed medicines and emergency contacts.http://www.universalmedicalid.com/mkt_uk/detailscategory.php?catid=1048027492
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Bridal Rings Company Los Angeles (Rating: 1) , Votes:Direct diamond importer and manufacturer of fine jewelry in the Los Angeles Jewelry District for 30 years. Designer engagement rings and extensive inventory of wedding rings, bridal ring sets, and bands in hundreds of styles.http://www.bridalrings.com
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text:
- Traveler Guides & Tips
- Airport Police
- Lost and Found
- Medical and First Aid
- Nursing Station
- Financial Services
- All About Animals
- LAX Art Program
- Resources/Directories
Traveler Guides & Tips
You don't need to be a VIP for first class tips...
While we're building a better airport, consider these tips on how to best get in, out and around LAX more efficiently.
Airport Police
LAX Airport Police office location and contact details can be found here:
- Airport Police Front Desk/General Police Information/Questions – 424-646-6100
- Airport Police Dispatch Emergency Calls (424) 646-7911
- Airport Police Dispatch Non-Emergency Calls (310) 646-4268
- Hours of Operation vary according to terminal
- Airport Police (Police Related) Media Inquiries (424) 646-5591
- Airport Police Recruitment Information 424-646-5584
For additional information, you can also visit the LAX Airport Police website.
Lost and Found
Use this form for any item that was lost or found at Los Angeles International Airport. Airport Police Lost / Found retains items for a maximum of 90 days from the item booking date. For lost passports ONLY, contact US Customs at (310) 665-4560.
Guests may contact several sources for assistance in recovering lost items:
Airline Lost & Found
Lost suitcases and items left on aircraft, click here.
LAX Airport Police Lost & Found
Items lost at LAX restaurants, stores, parking lots, sidewalks and security screening checkpoints
5600 W. Century Blvd.
Los Angeles, CA 90045
Phone: (424) 646-5678
Hours of Operation:
8:00 am to 4:30 pm PST, Mon – Fri
To file a lost item report or view lost items, click here
Please allow 96 hours from the date items were lost for them to be posted online.
A complete inventory of found property can be viewed on the Lost & Found weblink.
Transportation Companies Lost & Found
Items left in taxis, buses, vans, rental cars & public vehicles, click here.
Medical and First Aid
First Aid Station
Tom Bradley International Terminal (Terminal B)
Upper/Departures Level
Monday – Thursday
10 a.m. to 8 p.m.
If the First Aid Station is not staffed, please use the two phones outside of the station for medical assistance.
Automated External DefibrillatorsDefibrillators are available to assist guests who suffer from sudden cardiac arrest. These units are strategically located at security posts in the terminals beyond passenger screening stations and on bicycle patrol units. Airport Police officers have been fully trained in the use of this life-saving device so they can respond in an emergency.
In situations of a more serious nature, paramedic ambulance assistance can be summoned within minutes by contacting any airline employee or LAX Airport Police at (310) 646-7911.
Nursing Station
Financial Services
Bank of America operates ATMs located in both departures and arrival levels in all terminals at LAX
Currency Exchange
- ICE Currency Exchange booths are located on the departure level post-security in Terminals 2, 3, 4, 5, 6, 7 and Tom Bradley International Terminal.
- ICE Currency Exchange booths are located on the arrivals level in Terminals 2, 5, 6, and Tom Bradley International Terminal.
- Cash advances (up to $300 in US Dollars), on Visa and Mastercards are available at the ICE Currency Exchange Kiosks in Terminal 2, 3, 5, 7 and Tom Bradley International Terminal.
- All ICE Currency Exchange booths sell international and domestic Sim Cards.
- Hours of Operation vary according to terminal
- For more information, please call following numbers for exchange rates and hours of operation
|Tom Bradley International Terminal
|TBIT Departures South
|(310) 338-9736
|Tom Bradley Intl. Depart South
|TBIT Arrivals
|(310) 417-0366
|Tom Bradley Intl. Arrival
|(310) 646-1950
|Tom Bradley Intl. Ticketing
|TBIT Departures North
|(310) 417.0364
|Tom Bradley Intl. Depart North
|Other Terminals
|Terminal 2 Departures
|(310) 646-9225
|Terminal 2 Departure
|Terminal 2 Arrivals
|(310) 646-5818
|Terminal 2 Arrival
|Terminal 4
|(310) 646-2929
|Terminal 4 Departure
|Terminal 5 Departures
|(310) 348-1725
|Terminal 5 Departure
|Terminal 6 Arrivals
|(310) 646-7761
|Terminal 6 Arrival
|Terminal 6 Departures
|(310) 642-1899
|Terminal 6 Departure
|Terminal 7
|(310) 646-7934
|Terminal 7 Departure
Business Services
- U.S. Postal Service: Postal services are not available in any of the terminals at LAX. Travelers need to mail their correspondence before coming to the airport. The nearest U.S. Postal Service is located at 9029 Airport Blvd., Los Angeles, California 90009. Regular business hours are everyday from 7:00 a.m. to 11:00 p.m. For information, call 1-800-ASK-USPS.
- Free Wi-Fi available in all departure level public areas and baggage claim
Traveler's Services
- Hotel Reservation and Car Rental Information: In all terminals in or adjacent to baggage claim on Lower/Arrival Level.
All About Animals
As traveling can create stress and anxieties at airports, the Los Angeles International Airport (LAX) Pets Unstressing Passengers (PUP) program is an opportunity to provide an overall enhanced customer experience, providing stress relief and comfort to passengers through interaction with pets. The PUPs are the volunteers "own" dogs, and both donate their time to LAX. They are registered with Therapy Dogs Inc. We welcome you to visit, hug, kiss and take pictures with the PUPs when traveling through LAX. We welcome you sending in any pictures or posting them on our Facebook page. For information on the program please contact Heidi Huebner at 424-646-8471 or email [email protected]
Pet Relief Stations located at LAX - Examples of indoor and outdoor stations are circled in red.
LAX Art Program
The mission of the Art Program is to present diverse and memorable art experiences to enhance and humanize the travel experience at LAX and LA/Ontario International Airports, and the LAX FlyAway® bus terminal in Van Nuys. Featuring local and regional artists through temporary exhibitions, permanent art installations, and cultural performances, the Art Program provides access to an array of contemporary artworks that reflect and celebrate the region's creative caliber.
See Change, Video Art Installation
See Change, Moving Image Art by 17 Artists
Los Angeles World Airports (LAWA) and the Department of Cultural Affairs (DCA) conceived and produced See Change, a groundbreaking video art installation located in the Tom Bradley International Terminal at LAX Airport. The permanent, multi-faceted installation features 28 site-specific media artworks and four hours of original programming. The installation includes two large-scale displays, designed to enhance the arrival area's ambience: a 58-screen, 90-foot linear video filmstrip is suspended from the ceiling, and a 25-screen media wall that borders the terminal's dining area. Located in the terminal's arrival hall, See Change is accessible to the general public daily from 6 a.m. to 2 a.m.
Monika Bravo, New York, NY
Title: BREATHING_WALL_LAX
Filmed in the lapse of five years, moving images of crowds in public spaces are distorted through a lens; treated as a canvas, the video format is then cut and pasted weaving layers of different periods and places resulting in a color field composition of intervals of time within a space.
Monika Bravo, born in Bogotá, Colombia in 1964, has lived and worked in New York since 1994. In her work, she utilizes imagery, sound, industrial materials and technology to create illusions of recognizable landscapes and environments that examine the notion of space/time as a measure of reality.
Patty Chang and Noah Klersfeld, New York, NY
Title: Current
Filmed in the baggage handling area of LAX, two kaleidoscopic videos play back-to-back. First, 25 screens show the repeated image of a houseplant traveling on conveyor belts from the check-in counter to the baggage sorter. Then, the 25 screens simultaneously show 25 different versions of that journey. Order sits beside chaos.
Patty Chang is well known for her performative works dealing with themes of gender, sexuality, language, and empathy. Noah Klersfeld is an artist and architect whose work has been exhibited nationally and internationally. Chang and Klersfeld are based in New York.
Seoungho Cho, New York, NY
Title: City of Light
From the desert to the sea and back again, the southwestern landscape glitters, glides, and flickers across the panoramic screens. Incandescent light and sunlight compete, while time and space interchange moments in everyday life.
Seoungho Cho was born in 1959 in Pusan, South Korea, and currently resides in New York. Cho uses digital image processing techniques to manipulate simple, everyday objects, scenes or landscapes into highly lyrical sound and image collages. His videos are often very painterly in their use of rich, saturated color and exquisite composition of the space on the screen.
Felipe Dulzaides, San Francisco, CA
Title: TAKING CHANCES
In a montage of moments, the artist tosses and simultaneously records a roll of toilet paper at play with the wind. Felipe Dulzaides presents video as a readymade art object, while simultaneously creating a drawing in space, referencing early phenomenological video art, and staging chance and precarity on an unused platform atop a seaside mountain.
Dulzaides is a San Francisco-based artist working in a variety of media, including performance-based videos and photography. His work mixes autobiographical experiences and actions with an allegorical resonance, with an underlying poetic sensibility.
Todd Gray and Joseph Santarromana, Los Angeles, CA
Title: Intersect
For the arrival area of the terminal, these artists recorded a large database of diverse Angelinos who meet and greet each other via bows, nods, smiles, handshakes, hugs and kisses, which the artists have programmed so viewers can see both the similarities and differences.
Todd Gray is a professor of photography and digital imaging at California State University, Long Beach. His work explores and transmogrifies his experience of pop culture and imagery into a dark and conceptually challenging vision.
Joseph Santarromana has been creating single-channel videos, video installations, performance, and digital imagery since 1990. His work is biographical, addressing the perception and construction of identities.
Kurt Hentschläger, Chicago, IL
Title: VIEW
A camera studiously yet magically pans 360 degrees around a grassy marsh and pond, both in close up and a more distant view. The two are surreally composited together, slowly blurring time and space.
Chicago-based Austrian artist Kurt Hentschläger creates performances and environments. The immersive nature of his work reflects on the metaphor of the sublime and the human condition.
Louis Hock, San Diego, CA
Title: Homeland
Video taken from cruises down dozens of Los Angeles residential streets are woven into a video fabric of diverse homes and communities. Heard in their native languages, people answer the question, "What makes your house a home?" with English text translations appearing on the screens.
Louis Hock's work includes films, video tapes, and media installations. He teaches at the University of California, San Diego, in La Jolla, California.
Hilja Keading, Los Angeles, CA
Title: Splash
Children leap into a swimming pool of reflections. Once submerged, folkloric images from Los Angeles' many subcultures appear to float through the children's and viewers' real and imagined spaces.
Los Angeles-based artist Hilja Keading examines intersections between the psychology of the self and comedy, and the symbolic versus the literal "real." Her multi-channel installations have been exhibited in several definitive exhibitions, including the Getty's "California Video" exhibition in 2008.
Ryan Lamb, Ventura, CA
Title: Five-Dimensional Parade
"Five-Dimensional Parade" uses amateur 8mm film footage from the 1960 Rose Parade which has been multiplied, offset, and recombined to represent a spatial, rather than a linear, progression. Time is manipulated by allowing each moment in the video to occur and reoccur without end, as a continuous whole that can travel across an infinite number of monitors.
Ryan Lamb, a native of Southern California, received his M.F.A. in Sculpture and New Genres from Claremont Graduate University, and his work includes performance, sculpture, photography, and video.
Chip Lord, San Francisco, CA
Title: To & From LAX
Footage from airports around the world represents the global network and reflects the travel patterns to and from LAX. From amongst the universal spaces of travel emerge the emotions of greeting, boredom, and excitement as twenty-five destinations are represented.
Chip Lord is a media artist who works with video and photography, and his work straddles documentary and experimental genres, often mixing the two. As a member of Ant Farm [1968-1978] he produced the video art classics Media Burn and The Eternal Frame. He is a Professor Emeritus in the Film and Digital Media Department at the University of California, Santa Cruz.
Megan McLarney, Brooklyn, NY
Title: Landscapes
Vast natural and man-made landscapes are closely examined with a stationary camera. The quiet environments provide moments of meditative reflection on our rapidly changing environment.
Megan McLarney is a video and photo artist based in Brooklyn, NY. Her work documents both the natural and man-made landscape, constructing a panoramic view that allows us to see what may have previously been overlooked.
Esther Mera and John Reed, Houston, TX
Title: Crossroads, music by Bartok.es
Short vignettes of a child swinging, birds landing on wires, and fish scurrying under water all infer transitions. The natural above ground and below ground co-exist, metamorphose, and grow complex together.
Esther Mera is an artist with a wide range of expertise in the production of site-specific installations. Her work, usually of architectural proportions, explores ways to construct paradoxical spaces.
John Reed is a multi-disciplinary artist who utilizes his broad background of engineering and technical training to fabricate large-scale sculptures and public works. Based in Houston, Mera and Reed have been collaborating on artistic projects since 2002.
Paul Rowley and David Phillips, New York, NY
Title: Local Time
Familiar analogue clocks are digitally animated to mimic the movement of old arrival info boards at airports and train stations. Colorful, formal patterns flip and flutter displaying multiple ways of viewing time by locals and disoriented travelers from many time zones.
Dublin-born Paul Rowley and Memphis-born David Phillips are New York-based artists working primarily with film, video, and sound. They have exhibited their work in galleries, museums, and festival screenings. In 2000, they were awarded the Glen Dimplex Artists' Award, the Irish Museum of Modern Art's annual contemporary art prize, and their short video "Suspension" was recognized by the San Francisco International Film.
Steve Shoffner, Los Angeles, CA
Title: Cloud 29
Twenty-nine monitors become 29 airplane windows through animation. Wondrously viewers peer out and see morphing clouds that appear like everyday objects, animals, and other forms drawn from one's image bank. Observant viewers might see a woman's high heel transform into Whistler's Mother, who eventually grows a tail and becomes a kangaroo.
Steve Shoffner is an artist and designer based in Los Angeles. He is the founder of fefifolios, a design lab creating online portfolios for artists and galleries. His Looking Glass series are interactive installations that combine performance and video inspired by everyday peculiarities and humorous scenarios where technology leaves viewers bewildered and disconnected.
Pascual Sisto, Los Angeles, CA
Title: Cumulous
Swarms of red and white particles appear like slow motion confetti surging and retreating in unison. As they grow larger and clearer, the cumulative mass of garden chairs, juicers, gas tanks, coolers, and plastic bottles present glamorized throwaways, and then drift into abstraction again.
Raised in Barcelona, Spain, Pascual Sisto received his M.F.A. from the University of California, Los Angeles. Recent exhibitions include the Istanbul Museum of Modern Art, the Centre d'Art Santa Monica, and the Internet Pavilion at the Venice Biennale.
Scott Snibbe, San Francisco, CA
Title: Transit
A cross-section of humanity in silhouette files deliberately past on route to unknown destinations. Momentarily, each bursts into dance while dragging luggage, talking on the phone, or greeting others.
Scott Snibbe is an artist, filmmaker, and researcher in social interactivity. His artwork is in the permanent collections of the Whitney Museum of American Art and the Museum of Modern Art. He holds a master's degree in Computer Science from Brown University, and he studied experimental animation at the Rhode Island School of Design. Snibbe has published numerous articles and academic papers, and holds more than a dozen patents.
Caspar Stracke, Brooklyn, NY
Title: Cities are being built out of Cities – Los Angeles out of Mexico City, London out of New Delhi, Hong Kong out of Istanbul, 2008-2010
Six international metropolises are composited into each other in giant moving mosaic patterns. The cities' images are "rebuilt" out of visual material from another city, consisting of 5000 tiles. Each tile displays unique elements of a particular city (its residents, food stands, trams and buses) creating cultural amalgamations.
Caspar Stracke is an interdisciplinary artist and filmmaker from Germany who currently resides in New York. He is an active member of THE THING, a New York-based nexus for net culture, and a co-director of video_dumbo, a festival for contemporary video art in New York City, co-presented by the Dumbo Arts Center.
High-resolution images available upon request.
Please contact Azcona + Rodgers for additional information at:
Alaine Azcona, (323) 935-4537, [email protected] or Ashley E. Rodgers, (310) 280-9351, [email protected]
LAX 9/11 Memorial - Theme Building
Public Art – LAX 9/11 Memorial
• 9/11 Memorial Artwork Fact Sheet
To memorialize September 11, 2001, Los Angeles World Airports (LAWA) and Cultural Affairs Department officials unveiled and dedicated a permanent art piece at LAX. The artwork is located in LAX's historical Theme Building, 201 World Way.
"Our airport was tragically linked to the terrorists attacks on our nation, as three of the four hijacked flights were bound for LAX," said Kim Day, LAWA Interim Executive Director. "It is fitting and meaningful to memorialize the day and its tremendous impacts with this artwork here at LAX."
Following a nationwide call for entries, the art and design team of BJ Krivanek and Joel Breaux was selected. They have created a thought-provoking piece called, "Recovering Equilibrium," which, shaped like a compass, features words and phrases that reflect national perceptions, rights and ideals. At night, the words are illuminated and will be projected onto the surrounding areas.
Day added, "The text in this artpiece came from thoughts and ideas form community members in our surrounding airport areas and I thank those who participated and provided their valued input."
Margie J. Reese, Cultural Affairs Department general manager, said, "The design of the artwork symbolically depicts our personal journey since the tragedy. We hope that each person will walk away with a unique experience. It has been a wonderful experience working with LAWA in promoting the arts at LAX."
Artist and designer Krivanek and Breaux have also created public artworks in Los Angeles for the Police Dispatch Center and Palms Rancho Park Branch Library. Project consultation work was provided by Gruen and Associates.
Public Art – LAX 9/11 Memorial Fact Sheet
- Title Recovering Equilibrium
- Public Artist BJ Krivanek
- Public Designer Joel Breaux
- Architecture Consultant Gruen Associates
- Water Feature Specialist Fluidity Design Consultants
- Primary Fabricator Ironwood
- Structural Engineer Myhra & Associates
In remembrance of the second anniversary of September 11, 2001, Los Angeles World Airports (LAWA) and Cultural Affairs Department officials dedicated a permanent art exhibit at LAX on September 9, 2003. The artwork is located in front of LAX's historic Theme Building, 201 World Way.
LAX was tragically linked to the terrorist attacks on the United States as three of the four hijacked airplanes were headed to LAX. The art and design team, BJ Krivanek and Joel Breaux, worked along with Gruen Associates to create a design that reflected the community's collective loss and the hope that has sprung from the nation's strengthened national identity.
Visitors to the Memorial enter across a relational threshold-inscribed: Daughter, Neighbor, Citizen, et al. -to approach the entombed, fortified fountain.
At its edge, visitors can move the floating, reflective dish, to activate the interplay of national perceptions -inscribed: United We Stand, Sea to Shining Sea, Home of the Brave, et al. -versus core American rights and ideals -inscribed: Privacy, Habeas Corpus, Assembly, et al. -suggesting the national dialogue triggered by the attacks.
Inscribed on the floating mirrored dish, reflected upward at night, are the personal traits of the victims -inscribed: Beloved, Equal, Strong, Honest, et al. -evidence of our diverse American citizenry and the characteristics that form our national identity. As projections at night, this constellation symbolizes the residual afterlife of the victims.
LAWA funded the $75,000 project as part of its commitment to the City of Los Angeles "One Percent for the Arts Program."
Fiberglass with mirror polished stainless steel cladding is used as the face of the floating reflective dish, with the 09/11/01 marker made of aluminum. Powder-coated aluminum cladding is used to enclose the perimeter of the fountain. The area surrounding the fountain is sandblasted concrete with infilled epoxy aggregate flight trajectories, with etched aluminum representing the four flights on that day. During the evening, the artwork is lit by overhead lighting.
The entire memorial, which includes the fountain and surrounding area of the artwork, is 30 feet in diameter. The floating reflective dish is 15 feet in diameter.
As part of its expansion and renovation, LAX has transformed many of its public spaces into art spaces by featuring temporary art exhibitions and installations throughout the airport. Presented in partnership with the City of Los Angeles Department of Cultural Affairs, LAX features 11 exhibition sites located in Terminals 1, 2, 3, 6, 7, and Tom Bradley International Terminal.
Current Exhibitions
Terminal 1, Baggage Claim
One Hundred Aspects of the Moon
By Niku Kashef
(Open to the public)
Niku Kashef's artwork explores the interserctionality of place and experience. Her interest in both geography and identity play into this particular exhibit, which serves to represent a communal moment travelers share in the sky as they shift between destinations. Kashef's exhibition presents seven large-scale, round aerial photographs mounted on aluminum. The shape and composition of these aerials create a moon-like appearance. In addition, the exhibition includes fourteen unaltered unique photographic prints with graphite and ink on rag paper, reminiscent of charcoal drawings. Kashef's work responds to the way we may take our surroundings for granted as we travel through life, reminding the viewer to enjoy our constantly shifting and intersecting paths.
Terminal 7, Ticketing Level
Across the Universe
Curated by Kóan Jeff Baysa
(On view to the public)
Gary Brewer's large-scale oil paintings reference abstract images inspired by NASA's efforts to map dark matter using the Hubble Space Telescope. From these abstractions, he creates diaphanous veils of blue that convey a sense of movement suggesting primal forces of nature, such as wind, water, air, and fire. The orchids and lichens serve as metaphors for the history of life on earth and our consciousness. Displayed as a triptych, these paintings are meant to convey a sublime feeling for these forces and to draw viewers into a meditation on the wonder of creation.
About Los Angeles World Airports Art Program
The mission of the LAWA Art Program is to enhance and humanize the travel experience by providing diverse and memorable art experiences throughout the airport. The Art Program includes temporary exhibitions, permanent installations, and cultural performances. With an emphasis on local and regional artists, the Art Program provides access to an array of contemporary artworks that reflect and celebrate the region's creative caliber. For additional information, please visit www.lawa.org.
About Los Angeles International Airport (LAX)
LAX is the fourth busiest airport in the world, second in the United States, and was named Skytrax' 2017 Top 10 Most Improved Airports. LAX served more than 80.9 million passengers in 2016. LAX offers 742 daily nonstop flights to 101 cities in the U.S. and 1,280 weekly nonstop flights to 77 cities in 42 countries on 64 commercial air carriers. LAX ranks 14th in the world and fifth in the U.S. in air cargo tonnage processed, with more than 2.2 million tons of air cargo valued at over $101.4 billion. LAX handled 697,138 operations (landings and takeoffs) in 2016.
An economic study based on 2014 operations reported LAX generated 620,610 jobs in Southern California with labor income of $37.3 billion and economic output (business revenues) of more than $126.6 billion. This activity added $6.2 billion to local and state revenues and $8.7 billion in federal tax revenues. The study also reported that LAX's ongoing capital-improvement program creates an additional 121,640 annual jobs with labor income of $7.6 billion and economic output of $20.3 billion, $966 million in state and local taxes, and $1.6 billion in federal tax revenues.
LAX is part of a system of two Southern California airports – along with Van Nuys general aviation – that are owned and operated by Los Angeles World Airports, a proprietary department of the City of Los Angeles that receives no funding from the City's general fund.
For more information about LAX, please visit www.lawa.aero/lax or follow on Twitter @flyLAXAirport, on Facebook at www.facebook.com/LAInternationalAirport, and on YouTube at www.YouTube.com/laxairport1. Information about LAX's ongoing multi-billion-dollar LAX Modernization Program, as well as tips and shortcuts to help navigate LAX during construction, are available at www.LAXisHappening.com.
As a covered entity under Title II of the Americans with Disabilities Act, the City of Los Angeles does not discriminate on the basis of disability and, upon request, will provide reasonable accommodation to ensure equal access to its programs, services, and activities. Alternative formats in large print, braille, audio, and other forms (if possible) will be provided upon request.
High-resolution images available upon request.
From left to right: Air Garden, Ball-Nogues Studio, photo by Joshua White, JW Pictures, Inc.; Elevate, Joyce Dallal, photo by Panic Studio LA; Everywhere Nowhere, Sarah Elgart, photo by Panic Studio LA
To learn more about the Art Program at LAX, click to watch "Cleared for Take Off: Public Art at LAX," a video documentary produced by KCET for its arts and culture series Artbound.


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text: Chetoo Valux wrote: > > > But then it comes the administration and maintenance burden, which for > me it > should be the less, since my main task here is research ... so browsing the > net I found Rocks Linux with plenty of clustering docs and administration > tools & guidelines. I feel this should be the choice in my case, even if I > sacrifice some computation efficiency. You are thinking well here. Choose a 'mainstream' distro - Rocks, Redhat based distro (Scientific Linux?) or SuSE. An HPC cluster exists to run applications - you should look at the applications and which distro they will run under, and which are supported. By this I mean - are your applications written in-house? If so, ask your users which compilers and libraries they need. If you run commercial codes, you need to find out which distros are supported. Again, usually SuSE or Redhat. So, being a little harsh at this time of year, Gentoo is unlikely to be your first choice in terms of getting support. Also "sacrificing computational efficiency" is a red herring. In HPC, there is a very unusual work pattern on machines - which I think people who think only in terms of web servers, general use machines etc. are caught out by. IF you get your HPC cluster right - and you should try to as they cost $$$$, then 99% of CPU time is spent in applications. You should then substitute "Gentoo for efficiency" by "Which compiler for efficiency". Get your applications together, and download the one-month trial versions of Pathscale, Portland and Intel. And try them out. -- John Hearns Senior HPC Engineer Streamline Computing, The Innovation Centre, Warwick Technology Park, Gallows Hill, Warwick CV34 6UW Office: 01926 623130 Mobile: 07841 231235


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Righthaven Screws Up (Again); Appeal Dismissed
from the do-they-do-anything-right? deptRighthaven has a pretty long history of totally screwing up. And in the last month or so, it's simply been not showing up at all. It seems both trends have continued. Righthaven had indicated that it was focusing much of its efforts on its appeals in the 9th Circuit appeals court, where it hoped to reverse its rather stunning string of losses. But, instead, it appears that it just didn't show up. In a short and sweet order today from the appeals court, its appeal in the case against Garry Newman was dismissed, because Righthaven "failed to comply" with an earlier court order:
Appellant has failed to comply with the court's order filed December 14, 2011. Accordingly, this appeal is dismissed. Ninth Cir. Rule 42-1. The parties shall bear their own costs on appeal.Amazingly, a big part of the reason Righthaven is even in this situation, appealing the Newman case concerning his website FacePunch.com, is that Righthaven missed earlier deadlines on the case as well. So it appealed... and now it's totally failed to comply with the earlier court order here too.
This order served on the district court shall act as and for the mandate of this court.
Righthaven seems to invent new and interesting ways to display incompetence almost every day.
Filed Under: appeals, facepunch, garry newman, incompetence
Companies: righthaven


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Israel News - Stay Informed, Pray Informed
Peres will be joined by French President Jacques Chirac, King Abdullah of Jordan, UN Secretary General Kofi Annan, First Lady Laura Bush, Pakistani President Pervez Musharraf, Italian Foreign Minister Massimo D'Alema, outgoing Mexican President Vicente Fox, the Chilean President, King Mohammad VI of Morocco, President of the Arab League Amr Moussa, and prominent businesspeople, including Warren Buffett and Bill Gates.
Peres will use his meetings to advance the "Valley of Peace" project which includes building a joint international airport for Israel and Jordan, an aqueduct connecting the Red Sea with the Dead Sea, construction of industrial parks, infrastructure, alternative energy sources, and science parks spanning 400 kilometers, where 320 kilometers are joint Israeli-Jordanian, and 80 kilometers are Palestinian. The project will call for the 200 kilometers between Aqaba and the Dead Sea to become an economic corridor which includes joint industrial zones and plants. Peres will also present his initiative to advance economic and humanitarian cooperation between Israel and Lebanon.
The topics which will be discussed during the conference are: resolution of national, religious, and ethnic conflicts, alternative energy sources, the fight against poverty, and the war against AIDS. In addition to the conference, Peres will continue with his massive fundraising campaign for the residents of the North. Monday and Tuesday Peres will attend two fundraising events in St. Louis and in Detroit.
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text:
I've always been jealous of Picasa's Slideshows under Windows. They don't work well in Linux' Wine version unfortunately. Until today. I wrote an email to the developer of the great kde screensaver "smooth slide saver" that I've mentioned just the day before yesterday.
And he told me about a digikam plugin with similar features. It was pretty hard to find. Even after looking up screenshots of it being used. It's called digikam advanced slideshow plugin. And it's part of the kipi-plugins package.
You need to install the packages digikam kipi-plugins. Then you start digikam. Don't select the normal boring slideshow that's normally used. Instead select a couple pictures in an album, go to Extras (in the menu), select (Advanced) Slideshow, right underneath Find Duplicates. And enjoy! :)
And the great thing: Digikam and with it the (opengl) advanced slideshow plugin support the comments I put into the pictures with Picasa. That means I can do the perfect slideshows under Linux now, even much better than Picasa'a Windows slideshows, with all my comments. And all open source! Cool.
Perfect Slide Shows in Linux with Digikam's Advanced Slide Show Plugin
Related Posts : pictures, tipps
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text:
Although we're less geeky than our 'puter loving cousin — we're all for the cross-brand marketing — especially when it involves the Italian stallion, Ferrari. And to us, nothing says Ferrari like...Acer? Like we said, we ain't Gizmodo — but to us Acer doesn't so much scream "Ferrari." Especially when you hear how these notebooks have been Ferrarized:
The exclusive carbon fiber casing of the Ferrari 5000 and Ferrari 1000 conceals the very latest...performance and elegance gained from the alliance between two companies constantly focused on innovation and renowned for pushing the boundaries of technology.
Yup. Nothing says Ferrari like a case that shatters on impact. Just ask Stefan Eriksson. (Hat tip to Tim!)
Acer unveils Ferrari 5000 and Ferrari 1000: new Ferrari dual-core notebook range [RideRoom]
Acer's Ferrari Notebook: Formula Zeros and Ones [internal]


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antimatter universe
An alternate universe in which antimatter dominates over positive matter, time runs in reverse, and black stars burn in the stark white depths of space (also referred to as the "negative universe"). On stardate 6770.3 (2270), the dead star Beta Niobe in the positive-matter universe and its counterpart in the antimatter universe, a newborn star called Amphion, formed a temporary gateway between the two universes, through which the U.S.S. Enterprise passed while attempting to prevent a small scout vessel piloted by Karla Five from being destroyed within the Beta Niobe remnant.
The antimatter universe containing the planet Arret may be the same antimatter universe from which the antimatter Lazarus — encountered along with his positive-matter doppelganger by the Enterprise crew on an uncharted planet on stardate 3088.3 (2267) — originated.


text:
From inside the book
17 pages matching Rollinghoff in this book
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An Analysis of Effector T Cell G L Ada KN Leung H Ertl
Incomplete Tolerance to MHC R V Blanden R B Ashman
Cell Membrane Antigens Richard Ciavarra James Forman
3 other sections not shown
Common terms and phrases
adoptively transferred allo-MHC restricted alloantigens allogeneic anti-VSV antibody assay BALB/c Bennink Blanden bone marrow cell membrane cell response chimeras chimeric mice clones cross reactive cross-reactive CTL activity CTL precursors CTL-P frequencies culture cytotoxic T cells cytotoxic T lymphocytes differentiation Doherty effector cells Figure Finberg foreign antigens gene glycoproteins graft H-2 antigens H-2 restricted helper cells hemagglutinin host immune response Immunol inactivated induced infectious virus influenza virus interactions irradiated lymph node lyse lysis mediated MHC-restricted molecules monoclonal mouse murine normal nu/nu mice Pfizenmaier populations primed receptors recipients recognition recognize reconstituted region restricted repertoire responder cells restricted CTL-P role Rollinghoff self-MHC restricted Sendai virus sensitive serologically specific CTL specific cytotoxic spleen cells stimulator cells suppressor suppressor T cells syngeneic T-cell Table target cells Tc cell thymic thymocytes thymus vaccinia virus viral antigens virus-infected virus-specific viruses vitro vivo Wagner Zinkernagel


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Product Details
Universal Ultra™ Catalytic Converter by Walker®. Converter Configuration: Universal Fit. Catalytic Converter Body Shape: Large Oval. Without Air Tube. Catalytic Converter Overall Length: 18". The Right converter, the Right choice. Universal fit units may require modifications to install. 5-year / 50,000 Miles Warranty on Structural Components and 25,000 Miles Warranty on Exhaust Emission.
- To ensure precise fit, please check catalytic converter shape, length and inlet diameter: the latter should match your exhaust pipe diameter
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Ten year old wearing diapers
I am desperate to find help for my 10 year old granddaughter. She seems content to wear a diaper. She uses it all day and seems to make no attempt to actually use the toilet. She will then attempt to hide the very full diaper. She smells of urine and when you ask her about it she simply says "I don`t care". She will not have a bowel movement in the diaper so I know she can make a conscience effort to get to a toilet. Her mother has had her to doctors who can not find a physical reason for this behavior. All attempts at a mental evaluation have resulted in my granddaughter getting in the fetal position and refusing to speak. Any advice you can give on how to proceed will be so appreciated. I am very concerned for her well being.
This is a very difficult situation. She should probably be evaluated by a pediatric urologist and a behavioral medicine specialist. I assume there are no other medical issues. Ongoing incontinence at this age is common, but wanting to stay in a diaper is not. The urinary tract needs to be screened for abnormalities and to be certain that she is emptying the bladder satisfactorily, as well as to check for infection. Contributing psychosocial factors need to be explored also.
For more information:
Go to the Urinary and Genital Disorders (Children) health topic.


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At this year's Florida Film Festival, the rallying cry could be borrowed from history: "The British are coming! The British are coming!"
For the first time, a special program of short films from the United Kingdom is part of the annual 10-day festival headquartered at Enzian Theater in Maitland.
The complete lineup of films and guests was announced on Wednesday evening.
The U,K, shorts star such luminaries from across the pond as Dame Judi Dench, Tim Roth and Vanessa Redgrave. Appearing in person at the festival is London-born Cary Elwes, who will host a screening of "The Princess Bride," the much-loved 1987 film in which he starred.


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Tues night I picked up at least 8-10 cans/bottles & still missed 3 birdie putts. One day the karma will show up. The tues night company was enjoyed by all except maybe for Casey, his ass was a lil sore from Louie


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Happy Modern: Rooms & Furnishings
Bright, cheerful, whimsical and fun, these rooms from our House Tours manage to be stylish, modern and happy. To create a space that makes you happy to be in, don't be shy. Show off the things that make you smile. Whether it means keeping your favorite pair of shoes where everyone can see them or painting your nightstand an eye opening shade of electric orange, the pieces that make up your home should make you feel good.
If you love bright colors, but prefer to keep your home mostly neutral, try adding color in the form of something smaller, like a richly hued phone, a natural wood table with candy pink legs, or cheery yellow throw pillows. If you are more daring, go ahead and mix prints if you find more than one that you like, or pair a bright chair with an even brighter coffee table. Whatever your style is, just go for it! These homes remind us to decorate our homes with a dose a joy!
1. Sam & Anne's Colorful Modern Mix
2. Krystal's San Francisco Studio
3. Alarick & Kristine's Power Pop Flat
4. Hakarl & Jili Build a Family Home
5. Clytie and Claudia's Storied Pieces
6. Suzann's Lovely London Maisonette
7. Dabito's Modern Meets Classic Mix
8. Dean's Stylish & Social Greystone House Tour
9. Francisco's Warm Modern Aesthetic
10. Leslie's Mid Century Optimism
11. Marina Replicates Her Boston Home
12. Raina & Robert's Modern Farmhouse Makeover
13. Wendy & Gavin's Bright White Cottage
(Images: As credited above)


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Glen Berger really loves Julie Taymor, his authorial collaborator on the famously fraught Broadway musical, "Spider-Man: Turn Off the Dark," a show that filled Broadway gossip columns for months (it felt like years) with tales of backstage bickering, technical malfunctions, incomprehensible artistic choices and, most disastrous of all, seriously injured actors.
This piece first ran in Printers Row Journal, delivered to Printers Row members with the Sunday Chicago Tribune and by digital edition via email. Click here to learn about joining Printers Row.
Berger declares that love, several times, right at the start of "Song of Spider-Man," subtitled "The Inside Story of the Most Controversial Musical in History." It's really just one inside story from a notoriously scandal-plagued show wherein no one could agree on what story to tell on the stage, let alone understand why the entire project ended up in pain (of the heart, body and pocketbook), scandal and litigation. It's a weird and intense affection, writ large in the Berger mindscape: "She was too young to be my mother, too old to be — what — I didn't know what," he writes of Taymor, suggesting, well, I don't know what.
Alas for Berger, great artists have a habit of demanding unflagging loyalty. As he notes, Berger tried his best to stick with Taymor as the project disappeared into the toilet, but in the end, he did not reach her bar of obeisance, apparently. Now Taymor has turned on him. Big time. She has chewed him up as if he were on the menu at the Shake Shack.
"Julie Taymor," he writes, "despises me with photograph-shredding rage." Well, perhaps that's better than her not feeling anything at all.
So the world now has a book that Berger easily could have called "Looking for Julie Taymor" or "Trying to Be Loved by Julie Taymor" or "Surviving Taymor," or maybe just "Glen, Julie and Bono" — all down at the old Broadway schoolyard, descending into a hell of their own distinctly uncollaborative invention.
Flops being more fun than hits, "Song of Spider-Man" is the generally entertaining (if self-serving) back story of the creation of a musical that did not go well and that, due to its scale, and its habit of depositing actors in the hospital, commanded more than its share of attention in the 2010-11 Broadway season. Those who like books offering insight into creative collaborations will be struck by the debasement of the traditional creation process of Broadway musicals into worries about what the owners of a brand will and will not stomach.
The main problem, of course, was that Taymor and Berger — not to mention Bono and The Edge, who wrote the music — were cashing checks based on exploiting a beloved global brand while wanting to do their own creative thing. Especially Taymor, who fastened on a mythological character named Arachne, a great weaver, as the core of their story. Alas, they did not seem to remember whose name was on the marquee outside the theater. (Hint: it was not Arachne.)
Initially, Berger blames Arachne for the beginning of the end ("Privately, I wondered if maybe narratively it wasn't the best choice."), noting that Arachne was an object of obsession for Taymor, who seemed to see herself in Arachne's misunderstood soul. It's at this point in the book that we who followed the "Spider-Man" debacle closely, and who reviewed it while it was in its never-ending series of previews, come to see that Berger was the source for plenty of the news coverage that marked the show's creation. He was spinning his story from the start. May as well, then, turn it into a book.
There's more blame for the meddling suits at Marvel (though they mostly sound smart to me), a universe that likes to punk the undeserving: the neophyte producer David Garfinkle and his monied friends in his hometown of Chicago, where "Spider-Man" was supposed to try out in 2008. That would have been a highly desirable pre-Broadway run, but with the show overtaken by technology, it never happened, meaning that the show opened — or rather, never really opened — cold on Broadway, where the knives already were sharp.
Most of us who saw Spidey 1.0 and 2.0 would argue 2.0 was a far better version, not least because Arachne was no longer allowed to snag the show in her web. It's tough for Berger to admit that, because another writer, Roberto Aguirre-Sacasa, did much of that rehab work. But then, a careful reader can detect in the halting, endless, self-reflective Berger prose here some of the same problems that beset the show.
Throughout the book, Berger depicts himself as a stranger who could barely pay his mortgage each month, adrift in a strange land of creative billionaires, epitomized by the multitasking Bono. Bono was another of Berger's idols until the writer realized that musicals do better when they have composers with enough time to write the music and hang around the theater to make the needed changes. Bono apparently, was too busy saving the world to pen a tune you could hum.
Spider-Man continues to run on Broadway. It has yet to show a profit.
Ah well, Berger kept his billing and got paid, which makes some of the numerous complaints about money in this book appear rather churlish. Heck, Berger even has spun the Spidey saga into this very book. In his last chapter, he describes getting the gift of a disc on a chain from his producer, who by then was Michael Cohl. "RISE ABOVE" was the inscription. The disc was made of solid silver, but, apparently, neither big nor solid enough.
Chris Jones is the Tribune's theater critic.
"Song of Spider-Man"
By Glen Berger, Simon and Schuster, 371 pages, $25


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A politically stable and peaceful country, Cameroon still faces serious challenges in achieving Zero Hunger and eradicating malnutrition by 2030 as required by Sustainable Development Goal 2. The country ranks 153 out of 188 in the 2016 Human Development Index and 39 percent of its people live under the poverty line.Sport Male Out weight Hot Light Sneakers Sale Breath Men"s Brand Comfort Shoes qzzUXwBT
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As a result of multiple shocks and stresses, including pressure from insecurity and displacement, the overall food security situation sharply deteriorated in 2015 and 2016, with the proportion of food insecure people in the four most vulnerable regions spiking from 19 to 24 percent.
Chronic malnutrition remains a public health issue, with 32 percent of children under 5 suffering from stunting. The prevalence of stunting is above the national average in Far North (42%), North (34%), Adamaoua (38%) and East (36%). High malnutrition rates are primarily a result of limited consumption of nutritious food, diarrhoeal disease which limits the absorption of nutrients, and limited access to clean water, sanitation and health services.
To help Cameroon achieve Zero Hunger, the World Food Programme (WFP) works with the Government to improve the long-term resilience of vulnerable communities in the Far North, North, Adamaoua and East regions. This includes stabilising community productivity and nutrition, reducing post-harvest losses, improving gender and social inclusion and promoting market opportunities for smallholder farmers. To reinforce these interventions, WFP maintains an emergency response capacity which uses social safety nets to support displaced people and refugees and protect host communities' long-term investments in resilience.
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Partners and donorsAchieving Zero Hunger is the work of many. Our work in Cameroon is made possible by the support and collaboration of our partners and donors, including:
CODAS-CARITASAssociation d'Assistance au Développement (ASAD)Africa Humanitarian Action (AHA)
Public Concern
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E-bureaucracy: Can digital technologies spur public administration reform?
Editor's note: This blog post is part of a series for the 'Bureaucracy Lab', a World Bank initiative to better understand the world's public officials.
"By introducing an automated customer management system we took a noose and put it around our own necks. We are now accountable!"
This reflection from a manager in the Nairobi Public Water and Sewerage utility succinctly captures the impact of MajiVoice, a digital system that logs customer complaints, enables managers to assign the issue to a specific worker, track its resolution, and report back to the customer via an SMS. As a result, complaint resolution rates have doubled, and the time taken to resolve complaints has dropped by 90 percent.
MajiVoice shows that digital technologies can dramatically improve public sector capacity and accountability in otherwise weak governance environments. But is this example replicable? Can the increasingly cheap and ubiquitous digital technologies—there are now 4.7 billion mobile phone users in the world—move the needle on governance and make bureaucrats more accountable?


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ST. BONAVENTURE, N.Y. — Acclaimed writer Charles Pierce and Atlantic 10 commissioner Bernadette McGlade are the featured speakers at the biennial Dick Joyce Sports Symposium April 23 at St. Bonaventure University.
Pierce and McGlade will join Buffalo News sports columnist Jerry Sullivan and St. Bonaventure athletic director Steve Watson on a panel to discuss "The NCAA: Today and Tomorrow" at 1:30 p.m. in the Dresser Auditorium of the Murphy Professional Building. The discussion is free and open to the public.
Alumni and guests from the sports and media worlds will participate in morning workshops with students, with topics including "Women in the World of Sports, "Gonzo Sports Journalism," and "College Sports Administration and Media."
Pierce has written for Grantland.com and Esquire since 2011, following a nine-year career at the Boston Globe Sunday Magazine. His work has appeared in the New York Times Magazine, the L.A. Times Magazine, The Nation, The Atlantic, Sports Illustrated and Chicago Tribune.
The recipient of numerous writing awards, Pierce's latest book is "Idiot America: How Stupidity Became a Virtue in the Land of the Free."
McGlade has been Atlantic 10 commissioner since 2008, leading the conference through the development of a five-year strategic initiative. McGlade spent 11 years with the Atlantic Coast Conference prior to her arrival at the A-10, including the last nine as associate commissioner.
Respected as an administrator throughout the NCAA, McGlade serves on the NCAA Men's Basketball Officiating LLC Board of Directors and the NCAA Honors Committee.
Amy Moritz, '95, a sports writer at The Buffalo News, will be honored at a dinner the night before the symposium with the John Domino Award.
After graduation from St. Bonaventure, Moritz worked for the Olean Times Herald and spent two years covering the St. Bonaventure men's basketball team. She was the first full-time female sportswriter at the newspaper.
Moritz then went to The Buffalo News, where her primary beat includes college sports, particularly men's and women's ice hockey and women's basketball. She has been a voter in the Associated Press Top 25 Women's Basketball Poll and has covered the Women's Final Four and regional finals. She is a past president of the Association for Women in Sports Media.
Domino graduated from St. Bonaventure in 1984 and helped usher in the video era while an undergraduate, successfully lobbying the administration to acquire a truckload of professional video equipment being sold by a local school district.
Domino worked for NBC Sports before joining ESPN. He was regarded as one of the growing TV sports network's best and brightest personalities when he left to return to the Buffalo area and join the Empire Sports Network. He told friends he was coming back because someone in the family was battling cancer.
Domino was that someone. He died in 1994. The Russell J. Jandoli School of Journalism and Mass Communication celebrates his courage, his skills and his humanity by presenting the John Domino Award to a St. Bonaventure graduate who has excelled in his or her sports journalism position.
Held every other year, the symposium honors the memory of Dick Joyce, SBU class of 1960, a former sportswriter for The Associated Press who died in 1988 at age 53.
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