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To George Washington from Edward Newenham, 8 March 1793
From Edward Newenham
Dublin March 8th 1793
Dear Sir—
My last1 (per the Nymph, Vickers) forwarded you all the Important Debates on the Popery Bill; Since it went to the Lords, there has been some Debates on it, but that House would not Debate on the main Point—the Elective Franchise—for they said, that point belonged to the Commons, but the real Fact is, that the Government of this Kingdom forced the Titled Slaves to Support their Measure—though Diametricaly opposite to their Principles & Interest.2
Belive my Dear & ever respected Friend, an honest Man, when I say, that I am Zealous for Every Liberty, which cannot injure real freedom, but the Roman Catholics of Ireland are a distinct body of Men, from the rest of the world—for they are the most bigotted—revengefull—unforgiving Species of the Human Race—they acknowledge the Power of the Pope in its utmost Latitude—Even in the Midst of our Present divisions about their Elective Vote—their Arch Bishop declares in his Pastoral Letter, Signd & published by himself "That no Nation can be saved that acknowledges any Soverign for its head, but the Successor of Saint Peter";3 The Nature of their Religion, the Power (now double what it was 50 years agoe in Ireland) of their Priests, will always direct them to Support the most Arbitrary Monarchy; here they are near 5 to 1, though only deemed 4 to 1, & having Obtained the Elective Franchise, they must carry Every County & Every True City or Town; no Representative Choise will be left to the Protestants, but for the rotten Boroughs; & that only for a few years; they will soon obtain seats in Parliament, & the Protestants totaly ousted—I was for giving them 100 Representatives out of the 300—Contested Elections between People of Different Religions must be attended with fatal Consequences—the Protestants will Exert themselves to Carry one member for 4 out of 32 Counties, not reflecting on the Numbers against them, & Religious Zeal on Both sides will occasion a bloody Conflict.
They are in the same situation in this Kingdom that some Loyalists are in respect to your truly happy & much Envied Country4—they have long Claims, regularely handed down from Generation to Generation, to most of the Protestants Estates—& there Cannot be a Doubt, but when possessed of the Power of Representatives, they will Endeavour to repeal all acts of Forfeitares—when they had the Power here, they put the Protestants to Death without Tryal—Confiscated all their Estates, Even those that were honestly purchased from the Papists, but, my Ever respected Friend, it is impossible that the Irish Papists can Ever be faithfull Subjects to a Protestant Monarch, or a Protestant Republic, while their public Declarations, as Signd by themselves & their Committee at Rome, acknowledge a Dispensing Power in a Foreign Prince.
our Amiable & Virtuous Friend, the Marquiss Le Fayette, has been Cruely & improperly used—they have no right to Keep him Prisoner—had his Advice been taken, France would have had a most Glorious Constitution—Equal to yours, & Equal to ours, if a few of our Modern Errors were rectifyed—I was so Zealous in Support of it, that I headed the Volunteers to Commemorate the Day of the first Revolution—& then took the Chair at the Tavern Celebration—but the affairs of 10th of August & September totaly alienated me—I conclude you have long Since received all the accounts of these Transactions.5
The Decree for an Agrarian Law is now Carrying into Apparent Effect, but the Promoters of that Law, have their Coffers full of Specie from the sale of Church moveables, plate, Confiscations &c. &c. of which the Public have no account—nor ever will6—Custom plunder at Mayence is immense;7 I have often handled the Robes Edged with Pearls ornamented with Diamonds Emeralds & Rubies; having Spent Some Time (in Different years) in that beautyfull City; The Holy plate there, was worth (I mean what I saw) 200,000 English pounds Sterling; there was a Single Suit of Robes given by an Elector, Entirely Studded with Rubies, Emeralds & some Diamonds.
We Expect soon to hear, that the French are Defeated—their plans of Conquests are too Extensive, when unsettled at home; If their Enemies had a Washington, they would exemplify another Trenton, & make the Isle of Paris, a second Staten Island, by taking post after post8—To me it appears insanity for them to attempt Such distant Conquests; & Leave the Citadel, with a puerile Executive Council to Command a Headstrong Mob; without a fund, Except what they get by Plunder, to maintain their Numerous Armies; should any of these Armies be defeated, (without the actual Dominions of France) they never will be able to rally for want of Money & Magazines, as the Countries they are now in, are not unanimous & Warm in their Support; I know Brussels & Louvain never were; Leige is the only one.9
Mr Pain's writings occasioned the Murder of Lewis, though he voted against it, but his principles were too deeply rooted in the minds of the People; that Idea of Equality stimulated the Dregs of the People to all the Massacrees; I hope in God, he will never revisit America, for he might distract your now happy Government; he would first insinuate that an ⟨mutilated⟩ Stadholder, that the Council was a house of Lords, that the Merch⟨mulilated⟩ Citys were too rich, & that they should divide their Earnings am⟨mutilated⟩ settlers, he would invite the Indians to recover the Lands of their ⟨mutilated⟩ Ancestors, & he would destroy your Trade by his System of an Algerine W⟨mutilated⟩ Proscribe Such Men from the Columbian Shoare!!!10 of all the Villains in ⟨mutilated⟩ Orleans ranks the foremost—he only joined in hopes of Lewis & the Dauphin's Death, & then to reign himself—he & his sons have Commands; Ignorant as I am of Military Service, I should prove as Capable as them.11
Our weather has been uncommonly severe, but is now getting into a Litde Spring & warmth; but Coals, usualy at 17s. a Ton, have been these 6 weeks at 42s., which has Stopped our Manufactures, & these riotous Popish Mobs, have totaly ruined our Credit; the Latter is so Low, that no Bills will be discounted; we were encreasing this City to a most amazing Size, but all Stopped at once; above 300 houses left half finished; however we have Corn, Hay, Beef & Potatoes Enough, untill Summer, though the Victualing of the English Fleet, will consume a great Quantity of the Beef, we can afford it.
There is not a Ship in any of our Harbours, so I send this by the English Mail, which sails on the 17th Instt.
I most anxiouly wish to Know how the Death of Lewis is Spoken of in America.12
Lady Newenham joins me in most affectionate regards to Mrs Washington & you. I have the Honor, My Dear Sir, with Sincere respect your Excellencys most obedt & most Hble Servt
Edward Newenham
1. This letter has not been found. The previous extant letter from Newenham to GW is that of 29 Sept. 1792, but it is not the letter referred to here since it was sent on the ship Cardiff.
2. The Catholic Relief Act of 1793, currently under consideration by the Irish Parliament, was passed on 9 April 1793. Among its provisions granting greater civil rights for Roman Catholics in Ireland were a qualified extension of the franchise to vote, a limited right to bear arms, service on grand and petit juries, eligibility for lower commissions in the army and navy, and admission to degrees in Trinity College, Dublin.
3. John Thomas Troy (1739–1823) served as the Roman Catholic archbishop of Dublin from 1786 until his death. Although he urged Irish Catholics to pledge their allegiance to the British government, he also was an advocate for Catholic enfranchisement. He argued for the spiritual superiority of Catholicism in his Pastoral Instructions on the Duties of Christian Citizens Addressed to the Roman Catholics of the Archdiocese of Dublin (Dublin, 1793). He was one of the signers of a petition urging greater civil rights for Irish Catholics that was presented to the Irish Parliament on 18 Feb. 1793 (see Vincent J. McNally, Reform, Revolution, and Reaction: Archbishop John Thomas Troy and the Catholic Church in Ireland, 1787–1817 [Lanham, Md., 1995]).
4. Many Loyalists in the American Revolution had their lands confiscated and sold. For an example of one Loyalist's attempts to recover his estate, see GW to Henry Knox, 24 Sept. 1792 (second letter), note 2.
5. For events in France during August and September 1792, including Lafayette's flight from France and subsequent capture by the Prussian army, the abolition of the monarchy, and the establishment of the French republic, see Gouverneur Morris to GW, 23 Oct. 1792, source note, and notes 1, 5, 8.
6. Beginning in August 1789 and continuing into the 1790s, successive French governments adopted laws intended to dismande the feudal obligations and property restrictions imposed on the peasantry. Lands that once belonged to the monarchy and French émigrés were nationalized and sold. The Constituent Assembly, moreover, had nationalized the property of the Roman Catholic Church in November 1789, and with the passage of the Civil Constitution of the Clergy in July 1790, it had reorganized the ecclesiastical structure of the French Catholic Church.
7. Mayence, better known as Mainz, was a flourishing port on the left bank of the Rhine River in the present-day German province of Rhineland-Palatinate. At this time it was under French control, having been captured in October 1792.
8. On 26 Dec. 1776 GW had led the Continental army in its victory over the Hessian brigade then stationed at Trenton, New Jersey. The two American efforts of 22 Aug. 1777 and 14–15 Jan. 1780 to remove the British from their posts on Staten Island, N.Y., were unsuccessful, and nearby New York City, on the island of Manhattan, was under British control from September 1777 until April 1783.
9. France, at war with Austria and Prussia since 1792, had declared war on Great Britain and the Netherlands on 1 Feb. 1793. Following a successful campaign against Belgium in the fall of 1792, the French army then invaded the Netherlands in February 1793, but by mid-March the Austrian army had stopped the French advance and forced a retreat.
10. English native Thomas Paine had acquired his international reputation as a revolutionary pamphleteer in 1776 with his publication in Philadelphia of Common Sense, in which he ridiculed the concept of a monarchy and called for American independence. He had published part 1 of the Rights of Man in March 1791 and part 2 in February 1792. This work's defense of the French Revolution and its condemnation of the institution of the monarchy made it a favorite of British radicals seeking economic, political, and social reform. For the British government's reaction to the Rights of Man and Paine's participation in the French Revolution, including his unsuccessful advocacy of exiling Louis XVI to the United States, see Gouverneur Morris to GW, 28 Dec. 1792, and note 6, and James Smith to GW, 28 Dec. 1792, and note 4. Paine, who was living in France at this time, returned to the United States in 1802, where he remained until his death in 1809.
11. Louis-Philippe-Joseph, the fifth duc d'Orléans (Philippe-Egalité; 1747–1793), was a deputy to the National Assembly 1789–91, where he was a leader of the liberal faction of the nobility. He supported the establishment of the French republic in 1792, and as a member of the National Convention 1792–93, he voted for the execution of his kinsman Louis XVI, a fate he soon shared. Suspicions about a conspiracy to place him on the throne or appoint him the regent to the dauphin followed the duc d'Orléans until his death. His eldest son, Louis-Philippe (1773–1850), had a successful military career as a general in the French army and played a significant role in its early victories. Radicalization of the revolution forced him to flee France in April 1793 for a twenty-one-year exile that included time in the United States, 1796–99. He returned to France in 1814, and he reigned as Louis-Philippe I from 1830 until 1848. Louis-Charles de France, dauphin of France, was seven years old when his father was executed on 21 Jan. 1793, after which he was declared king as Louis XVII by French royalists. For this reason, the French government kept him imprisoned until his death on 8 June 1795.
12. The only subsequent letter from GW to Newenham that has been found is that of 6 Aug. 1797.


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subset: commoncrawl


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1. The appellant, Muniappan, was convicted by the learned Sessions Judge, Dharmapuri under Section 302 of the Penal Code and sentenced to death on the charge that he had committed the murder of his mother's brother also called Muniappan and his son Chinnaswamy. The conviction for murder and the sentence of death having been confirmed by the High Court of Madras by a Judgment dated October 23, 1979, this appeal has been filed by the accused by special leave. The leave is limited to the question of sentence.
2. The judgments of the High Court and the Sessions Court, in so far as the sentence is concerned, leave much to be desired. In the first place, the Sessions Court overlooked the provision, contained in Section 354(3) of the CrPC, 1973, which provides, in so far as is relevant, that when the conviction is for an offence punishable with death, the judgment shall in the case of sentence of death state special reasons for such sentence. The learned Sessions Judge, in a very brief paragraph consisting of two sentences, has this to say on the question of sentence :
When the accused was asked on the question of sentence, he did not say anything. The accused has committed terrific double murder and so no sympathy can be shown to him.
The judgment of the Sessions Judge is in Tamil but we understand from the learned Counsel, who appear in the case and both of whom understand Tamil well enough, that the Tamil word 'Bhayankaram' has been rightly translated as 'terrific'. We plead our inability to understand what is meant by a 'terrific' murder because all murders are terrific and if the fact of the murder being terrific is an adequate reason for imposing the death sentence, then every murder shall have to be visited with that sentence. In that event, death sentence will become the rule, not an exception and Section 354(3) will become a dead letter. We are also not satisfied that the learned Sessions Judge made any serious effort to elicit from the accused what he wanted to say on the question of sentence. All that the learned Judge says is that 'when the accused was asked on the question of sentence, he did not say anything'. The obligation to hear the accused on the question of sentence which is imposed by Section 235(2) of the Criminal Procedure Code is not discharged by putting a formal question to the accused as to what he has to say on the question of sentence. The Judge must make a genuine effort to elicit from the accused all information which will eventually bear on the question of sentence. All admissible evidence is before the Judge but that evidence itself often furnishes a clue to the genesis of the crime and the motivation of the criminal. It is the bounden duty of the Judge to cast aside the formalities of the Court-scene and approach the question of sentence from a broad sociological point of view. The occasion to apply the provisions of Section 235(2) arises only after the conviction is recorded. What then remains is the question of sentence in which not merely the accused but the whole society has a stake. Questions which the Judge can put to the accused under Section 235(2) and the answers which the accused makes to those questions are beyond the narrow constraints of the Evidence Act. The Court, while on the question of sentence, is in an altogether different domain in which facts and factors which operate are of an entirely different order than those which come into play on the question of conviction. The Sessions Judge, in the instant case, complied with the form and letter of the obligation which Section 235(2) imposes, forgetting the spirit and substance of that obligation.
3. The High Court condemned the murders in terms equally strong by calling them 'cold blooded' and thought that its duty to consider the propriety of the death sentence began and ended with that assertion. Its failure to see the failings of the Sessions Court in the matter of sentencing led to an unexamined confirmation of the death sentence.
4. Coming to the Judgment of the High Court itself, there are certain features of it which need a close reflection. One of the questions before the High Court was as to the time when the double murder was committed because, upon that circumstance depended the veracity of the eye witnesses. The doctor who performed the post-mortem examination stated in his evidence that the deceased must have taken their food about four or five hours before their death. The case of the prosecution was that the murders were committed at about 9.00 p.m. P.W. 1, who is the son of the deceased Muniappan, stated in his evidence that the deceased had taken their food at 8.30 p.m. This was a very important aspect of the case to which the High Court should have applied its mind with care. Instead, it took an extempore expedient by saying: 'Both the deceased might have died a couple of hours after they substained the injuries at 9.00 p.m.'. It is impossible to appreciate how, after being shot in the chest and receiving the kind of injuries which are described in the post-mortem report, the deceased could have survived for a couple of hours after they were shot.
5. Yet another question which had an important bearing on the case was as to the delay caused in filing the F.I.R. The case of the prosecution is that P.W. 1 went to the Police Station promptly but the solitary police constable who was present there directed him to go to the village Munsif to have his complaint recorded. Now, the record of the Police Station shows that a Sub-Inspector of Police was also present at the Police Station which falsifies the evidence that only a police constable was present at the Police Station at the material time and, therefore, the F.I.R. could not be recorded. The High Court has dealt with this aspect of the matter thus :
In passing, we may mention that this is a grave dereliction of duty on the part of the policeman who was in charge of the police station at that time and is a matter that ought to be enquired into by the higher authorities. We hope that suitable directions will be issued to subordinate officers in this district to prevent a recurrence of such lapses on the part of policemen when reports of cognizable offences are given.
6. The High Court added that the Inspector of Police was not on good terms with the Sub-Inspector and, therefore, the former made a false entry that the latter was present at the police station, which, according to the High Court, was a serious matter which required to be probed by the Senior Officers. We are not quite sure whether there is credible evidence on record to show any enmity between the Inspector and the Sub-Inspector and whether the High Court merely relied on the statement made by counsel for the State that the relations between the two Police Officers were cordial. Whatever that may be, we do not think that the High Court has explained satisfactorily why the F.I.R. was not recorded at the police station when P.W. 1 went there. The ex-parte strictures passed by the High Court are likely to involve the two Police Officers or at least one of them into grave consequences. They should have been given an opportunity to explain themselves before the High Court persuaded itself to make such scathing criticism on their conduct.
7. There is one more aspect of the Judgment of the High Court, which, with great respect, we are unable to appreciate. A question arose before the High Court as to whether a 'muchilikka' bears the signature of the appellant. The High Court compared the admitted signatures of the appellant with the disputed signature A and came to the conclusion that the disputed signature was of the appellant himself. The High Court castigated the Public Prosecutor who conducted the prosecution in the Sessions Court by saying that he had not followed the cross-examination of P.W. 1 'with attention, and not chosen to bring to the notice of P.W. 1 that the accused had signed the muchilikka, exhibit P. 1. We do not know how the High Court came to know that the Public Prosecutor was not following the cross-examination of the witness with attention, but we can guess why the High Court made that observation. It added in parenthesis : 'such lapses on the part of this Public Prosecutor have become frequent and have been commented upon by us, and we hope that at least hereafter he will take some interest in the cases which he is conducting.' It is not the normal function of the High Court to pass judgment on the conduct of lawyers who appear before the lower courts. One should understand if the High Court were to make its guarded observation on the conduct of lawyers appearing before it. But how the learned Judges of the High Court had, in their capacity as Judges of the High Court, come to know that 'such lapses on the part of this Public Prosecutor have become frequent....,' we are unable to understand.
8. These various matters make it unsafe to confirm the sentence of death imposed upon the appellant. The reasons given by the learned Sessions Judge for imposing the death sentence are not special reasons within the meaning of Section 354(3) of the Criminal Procedure Code and we are not sure whether, if he were cognisant of his high responsibility under that provision, he would have necessarily imposed the death sentence. Accordingly, we set aside the sentence of death and sentence the appellant to imprisonment for life.


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This site has not been updated since 2014 and is being maintained as an archive for now. As time allows we'll be weeding out the dated material and presenting the many useful articles in a new format. We'd appreciate any feedback on what you find most useful on this site via our contact page.
This is Rubbish comes to CAT
FEASTING ON throw-away food, CHALLENGING INDUSTRY waste
This is Rubbish celebrates its "Feast" tour finale at the Centre for Alternative Technology.
This is Rubbish will celebrate the end of its successful summer tour "Feast" with a food waste symposium, "Forum and Feast", at The Centre for Alternative Technology, Machynlleth, on the 5th November 2011. The program includes a panel discussion with Adrian Morley, Research Associate and coordinator of food research at Cardiff University's Centre for Business Relationships, Accountability, Sustainability and Society, and Dr Andy Rees, Head of the Welsh Government Waste Strategy Unit. There will also be breakout participatory workshops, a cinema screening of DIVE! and an exhibition. The event will close with a bang with a theatrical food waste feast in the evening. Expect service with a sparkler and original after-dinner entertainment. Book tickets by visiting www.cat.org.uk or www.thisisrubbish.org.uk
"Feast", a food waste tour of Wales organised by This is Rubbish and supported by ITV Wales' Welsh People's Millions, has investigated the shocking facts of food waste in Wales and stimulated ways for people to use food more carefully. Through free, food-related arts events, workshops, and public feasts on food that would otherwise have been thrown away, the Feast tour has fired people's imagination - winning This is Rubbish the public vote at Hay Festival's Green Dragons Den Contest.
Mentored by food policy experts Geoff Tansey, Tim Lang, Carolyn Steel and Peter Gingold, This is Rubbish has also engaged with food waste policy issues. During the Feast tour, the group met with waste policy advisors at the Welsh Government; submitted a consultation response to the Welsh Government's Food Manufacture Service Retail Sector Plan; and discussed food waste with the Waste & Resources Action Programme (WRAP), academics, food wholesalers and representatives from ten of the largest UK food retailers. This is Rubbish co-founder Kate Blair says, " We've been encouraged by progressive plans from the Welsh Government to tackle industry-level food waste in Wales. But we haven't found tangible results or evidence for progressive change across the UK. We think that the government is not tackling food waste hard enough."
"Forum and Feast" will be an opportunity to discuss how to move forward with This is Rubbish proposals for food waste policy changes. Based on what they have learned from the Feast tour and their policy discussions, This is Rubbish propose two key policy changes: a mandatory, industry-wide introduction of annual food waste audits; and the introduction of ambitious food waste reduction targets. They call on the UK government to introduce a policy that shifts the waste reduction focus from the consumer to big businesses, since 60% of food waste is generated in the food industry.
This is Rubbish are also developing plans for 2012. These include opening a food waste multi-purpose hub in Machynlleth, Mid Wales, continuing policy- and business-focused food waste prevention and reduction campaigns and transforming the "Feast" tour into an annual Welsh food waste Feastival, uniting the arts and sustainable fare, as well as touring Feast on a smaller scale to events in and beyond Wales.
For further information please contact:
Kate Blair
This is Rubbish, The Centre for Alternative Technology
Tel: 01654 703021 Mob: 07828473864


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Read about the creation and development of Nasty new original work by the Shadows.
Please feel free to comment or ask questions — discussion is welcome.
Developing in rehearsal with the following cast:
Past Shadows involved in the process:
Writer / Director – Scott Shannon
So happy to welcome back a Shadow who was truly in the shadows to make "the dumb waiter" come alive for us a couple of times, but now we'll be exploiting her talents ON STAGE for our spring debut of A STORY JONES — thanks for playing with us, Annick, and I look forward to our time together in the rehearsal room.
It's become painfully apparent we do NOT have the time in the next 60 days to bring this play to life the way it should, so we are quickly switching performance gears towards something that can celebrate our 20 years of NASTY theatre in the SHADOWS but also provide a fun exploratory adventure for us. A STORY JONES will be worked over late fall and the winter which will give it the time the script will need with the way our schedules work … and that's cool, it will still be part of our 20th year and great way to pay to celebrate Andrew. We'll aim for late April/early May, I think. I underestimated the time we'll need playing with the text, and I REALLY hate to rush something like that if I don't have to … and we don't … so we won't, and the play will be the better experience for that extra time, for both us and the people we share it with …
And so, the performance cast has been picked and we had our first read together last night. More details to come, but Liz and Michael take me back to the original group we worked with, minus one. The story has become a 3 character affair rather than 4 … the read last night sent me home with edits, revisions, and further work to do in flushing out the journey of the story … happy with the beginning and where the end takes us, but need to smooth out the space between in some fashion … it's lacking …
I am stoked to finally bring this story to a live stage … 5 years in the making, and counting … but I'm happy we've taken our time to play … didn't want to rush the creation of this tribute to our Shadow brother …
First COMPLETE draft FINISHED! That said, there is still much to refine and work through, but these past couple of weeks found me discovering moments and confidently making decisions about where the text was headed when options presented themselves – this has been my biggest obstacle, I think. I find it hard to make a firm choice at times because I hate to close off avenues a character/idea/action might explore which can be fun in its own way, but this results in quite a messy text that isn't much use beyond the games I can play with it home seated at my desk. I now feel we have a complete story, with a beginning, middle and end. Up until now it's been a haphazard grouping of moments, shifting and ever changing. A STORY JONES now exists as a complete play, and it feels good to have reached this point.
It's been a lengthy process, and this play has gone through a number of different forms and varying storylines while still maintaining the nugget with which I began: A character named JONES who is unable to eat meaning he is unable to celebrate life. While the lack of eating took a bit of a backseat to the idea of stories, it's still essential to who JONES is and what happens. Stories are a big part of my memory of Andrew Jones, him telling stories, stories about his own life both recent and historic; or about the world, cultural, political, etc.; or sometimes rambling on and losing me, but getting so excited in what he was sharing. He loved telling stories, which is also partly why I think he loved being on stage. This play is not an autobiographical tale of Andrew, but rather stems from a recent memory of him in his final year or so and taking that and turning it into something dramatic, in a world of play. The story of this show moved far away from Andrew as a person, while always having his spirit echoing through the text and certain things about him incorporated into the life of the character JONES and what he shares. But this is not the story of Andrew, which became more apparent as I tried holding onto JONES being the hero of this play – he's not, and never could be with the way the story began. CHAEL is the hero, for better or worse, and JONES is subject to his journey, as much as he struggles against that.
I could not have developed this play, the story as it stands now, without Matt and Michael subjecting themselves to my whims and flights of fancy over the past couple of years. Changing directions with the text (more than once), stalling for time while I stared blankly at the page for weeks hoping for progress to bring into the rehearsal room, vague about who or what these "characters" even are, and always assuming their patience – THANK YOU BOTH IMMENSELY, my Shadow brothers.
While those two are busy with life and new life, we'll be putting A STORY JONES to the side for the immediate future. When Matt and Michael are ready, we'll be working this up towards a production run which will be an exciting fulfilment of this project. But that needs to be on hold for the time being, so I'm switching gears back to further development of the one-man show I've been working on, MAKE THAT NOISE! My hope is the coming year finds this solo piece solidifying more completely …
Part of my brain has been occupied with performing, studying lines, producing our current show, but this has kept a theatrical vibe running through me in a good way so I've been finding myself getting some good solid time writing during the later parts of the evenings over the fall. The story has taken some unexpected turns with odd developments … we'll see how this reads when we can come up for air from IN ON IT. I'm particularly pleased with some refinements I've made to the opening scene and think I do like the weird places these characters have taken me …
We met to read through a different script, had problems getting my 10-year-old laptop to play well with the PDF files, and so I took the opportunity to get the guys to read through some of my changes to A STORY JONES. We read from the top of the show, which has nothing for me to "speak" as JONES (you'll see at some point, when we finally stage this), but I had made some nuanced changes for VIC in the opening pages, and then I believe it was fairly different and I had a few more pages of fairly solid text than I'd had when we broke earlier in the summer. It was cool to have stepped away from the text with these guys for a bit, and then to hear it in their voices again — a very telling experience, and I was pleasantly surprised to hear I liked what I heard.
The plan for the fall is to stage a known work, so we're just ironing out those details now, but I continue to play with this script and we'll continue to play with it as a group periodically over the fall. I hope to stage at least a workshop version of the play later in the fall for a small audience … should be good to see if we're onto something that works beyond our perspectives in the room.
This doesn't get any easier, even though the show isn't necessarily *about* you in as much as it's an attempt to *celebrate* you, but we miss ya in the rehearsal room, Andrew…
Writing, for me, is not an easy task. It's not. But I want to finish this work, and others, so I persist … but it's slow going. It's very helpful and easy going to have both Matt and Michael in the room — Matt has joined our process for this project with Nasty Shadows narrowing down to the three of us for some focused work over the next while, and what I hope will extend indefinitely. It really is good to share the rehearsal space with these guys — I'm very lucky they've agreed to play with my texts. It helps me write. Of course, I wouldn't have gotten this far without the earlier involvement of Elizabeth, Julie , and Crystal — many, many thanks to your time and playfulness. The play has taken a different turn without women characters, not that I feel I'm writing gender specific roles — I'm purposely trying not to do that — but I also can't help but by influenced by the presence of the actors involved. In some sense I have more confidence in my word choice and phrasings not writing for women, but I am also trying to write so "VIC" could easily become "VIV" if I so desired.
That said, we didn't get as far along in the process as I'd hoped by our summer break, but that gives me time to go away and go further with the writing. There were some considerable logistical hurdles to overcome in addition to developing the story. The acting compliment is now reduced from 4 to 3, so does this idea still work? Is there still a story there? I think there is … I took two roles and kind of combined them into a single character containing ranges of space, and I think it will work in a very cool way. Things focused down for me when we reduced the characters to only three, and I'm only now seeing that more clearly.
I look forward to this next leg of writing … see where this goes … I want to use more song … we have a couple in the mix already, but I think more will feel right …
This photo shows the layout of the basic playing space — there's a body missing from the photograph. Since I am playing 'Jones', who for the most part is laying in bed, I stood outside the playing space to direct the actors in action (the 3 chairs are the bed where 'Jones' would lay). Crystal in the role of 'Liv' is at a wash basin rinsing a cloth, while Elizabeth, 'Viv', pats her damp cloth against the head of 'Jones', and Michael as 'Chael' describes his arrival in this storytelling space. The audience would be in a tighter horseshoe shape around the players, circling behind Michael's position.
During our times together we spent a good deal of time working this shape and some choreographed actions performed by the woman as they "care" for 'Jones', but we didn't spend as much time together as I'd originally hoped — writing was hard. Good but hard. As such we did not get to a position where I wanted to share anything with folks outside our process. But getting together with the actors the few times I did helped me immensely — it's the work in the rehearsal room that sparks different avenues for me, and I thoroughly enjoy taking those ideas and running away to sit alone with them and see what can happen.
Hoping 2016 sees us able to stage a full Nasty production of this show, to honour our old friend …
A STORY JONES Notes – April 23/2015(PM)
I almost think I wrote the arc of the play in 8 pages, and have now suddenly realized this (because these moments weren't really working well squished inside of 8 pages) and think I know how to make this journey make more sense (in some sense) so it develops more organically. As soon as Michael suggested that a certain repetitive gesture in the script be used to re-transfer one character's consciousness back to its home actor (this will make sense, hopefully, when you've seen the play), this was the moment that steered me differently attempting to build to that moment and now that has opened up entirely new avenues for the play. This is also part of the fun in the writing for me, to have a vague idea and see where that goes on my own and then see what the actors bring to that – major things have happened to texts for me based on ideas found in the rehearsal space.
This is all discovered, for me, in the room with the actors playing with the text I cobble together at home. I'm not sure I can write a play just sitting alone at home, especially if I'm not going to do anything with it – I think this is what makes me NOT a writer (that and this current sentence). I think a writer writes because that's what writers do. I've started a number of plays that never reach an end – it's like I can't see it on my own. I want to create and play with interesting theatre, it's expensive to do that with written plays which can also tie your hands creatively, so we're stuck playing with my writing for now. I'm trying to produce with the same aims I have in mind in choosing a published play and the staging decisions that entails: I want to make plays that *I* would like and share the experience with others who might like these plays too.
It's very exciting but also makes me anxious to embrace creating the entire theatrical venture from the ground up, but thanks to the Shadows and their willingness to play we have all the resources we need: Actors! This is also informing the creation of the play, that we want to do this with very minimal production effort and with a focus on and driven by the actors.
Staging Rougher Magic last fall confirmed what I'd hoped was still true: We can do this with that focus on just the actors and it still works beautifully, especially in an intimate set-up – and that's key too and has become more and more important to me. When I think back to many of my fondest theatrical memories they are from experiences where the usual borders were broken down and a more honest exchange seemed possible with the audience (like the corner of a cafeteria, or stage lights not working and performing just under house lights — the exposure). This new play is being designed for a very small audience and staging, keeping everyone REAL close. Keeps things interesting … it's a major component to a live event and what we're doing … we promise nobody will need to dodge flying apple cores this time though …
A STORY JONES Notes – April 9/2015(PM)
That of a man unable to eat, and thus couldn't celebrate life since food is a kind of ritual/celebration. Since December 2014 I have been trying to develop a play, a story, out of that idea.
I also love this old Grateful Dead song, Black Peter, and always thought its story was dramatic.
From these two ideas a story has evolved, inspired by my friend and unseen Shadow, Andrew Jones. It's not a story *about* Andrew, but I know he would dig the adventure and the world we're creating in this new play. While food is still an important piece of the story, the actual telling of stories — something Andrew was famous for — is more of the focus now. In this world of the play, people need to gather together to hear stories … they require the stories, without which the people are lacking, feeling a need, an unfulfilled desire or craving: a "jones" for stories …
A couple of weeks ago the cast and I began playing with my text in the rehearsal room, prompting me to do more writing at home and thus influencing and spinning the play in different ways — I love doing this!


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A well-known juice brand in Dubai, LACNOR, was losing sales due to outdated packaging design and a tired identity. The identity is based on three elements; yellow sun, blue sky and green fields.
The work here shows three design options presented to the client each including an identity refresh and a juice pack face design. The third option was the preferred recommendation as it celebrated vitality and "health" in the most effective way and was an evolution of the current identity. The concept: fresh from the orchard to your dining table. This project, including all creative and copywriting, was developed for BRANDTERMINUS Dubai.


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A Few Things Homeowners Can Do Before the Roofing Contractor Arrives
One of the most underappreciated parts of the home is the roof. Considering the vital function is serves, more homeowners in Menlo Park, CA or elsewhere should pay attention to what's above their heads. Fortunately, local residential roofing contractors can help you fill in the gaps in maintenance, repair, re-roofing and other similar needs. Professional contractors understand that living with a failing roof is not only uncomfortable, but anxiety-causing as well. Rain and snow are no longer pleasures enjoyed from the safety of the house but signs to get out the buckets, and hope the shingles hold up under the weight of the snow.
An experienced roofing contractor would recommend having the roof inspected every few years. Professionally conducted inspections that are more in-depth and extensive, but this doesn't mean that you as the homeowner can't do your part in maintaining the integrity of your roof. Here are a few things you can do to keep your roof in good shape at least until the next inspection. Read more on this article: http://bit.ly/2vokBVH


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Another successful Boston Beach took place in Central Park on 3 and 4 August. Richard Tory and Jody Raggo from Boston Big Local were at the event handing out information and talking to local residents to get their views on the Boston area. We also took the opportunity to speak to Frances Taylor from Boston […]CONTINUE READING
The Boston Big Local Community Chest panel met on 9 August to consider the latest Community Chest applications for funding. Four awards were made as follows: £1000 to the Boston and South Holland Wood Carvers for oak, carving tools and metal work to complete a tribute to the local fisherman who were lost during World […]CONTINUE READING


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Reverse Pass Up – What Is TAN On TV
Thank you for visiting our website in search of "What Is TAN On TV" online.
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Hybrid Reverse Pass Up – What Is TAN On TV
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The advantage of cryptocurrency is that it uses blockchain technology. The network of nodes the make up the blockchain isn't regulated by any centralized company. No one can tell the miners to update, speed up, slow down, stop or do anything. And that is something that as a committed supporter badge of honour, and is identical to the way the Internet works. But as you understand now, public Internet governance, normalities and rules that regulate how it works present inherent difficulties to the user. Blockchain technology has none of that.
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Ethereum is an unbelievable cryptocurrency platform, nevertheless, if growth is too quickly, there may be some issues. If the platform is adopted quickly, Ethereum requests could grow drastically, and at a rate that exceeds the rate with which the miners can create new coins. Under a situation like this, the whole platform of Ethereum could become destabilized because of the increasing costs of running distributed programs. In turn, this could dampen interest Ethereum platform and ether. Instability of demand for ether can result in an adverse change in the economic parameters of an Ethereum based company that may result in company being unable to continue to operate or to cease operation.
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Welcome to Savoring Our Lives! In this week's episode, we talk about:
- We found a new-to-us restaurant via Yelp – Ka-Bobs Bistro
- The bourbon barrel trend in wine
- Hearing Tater's voice again
- Meeting a maker of makers
Want to share your story about how you're savoring your life? Tell us!
- Email: email@example.com
- Call: 808.42.SAVOR (808.427.2867)
- Twitter: @savoringpodcast


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Here are several organizations that are important to me personally. They deserve a shout-out for their purposes and actions.
BoardAssist. BoardAssist is a New York-based nonprofit corporation with a mission to identify and recruit high-impact board members for the nonprofit community on a pro bono basis.
BoardSource. BoardSource increases the effectiveness of nonprofit organizations by strengthening boards of directors through its consulting practice, publications, tools and membership program. Resources for nonprofit leaders include workshops, training, conferences and the most comprehensive selection of material on nonprofit governance available.
The CMO Club. The CMO Club was founded in 2006 by a friend and business associate, Pete Krainik, as an informal peer-to-peer organization for Chief Marketing Officers. Started with only six members around a dinner table in New York, we have since expanded to more than 800 members and 10 cities. I am a member of the Board of Directors.
The Creative Coalition. The Creative Coalition is the premier nonprofit, nonpartisan social and political advocacy organization of the entertainment industry. Founded in 1989 by prominent figures in the creative community including Alec Baldwin, Ron Silver, Christopher Reeve, Susan Sarandon, Blair Brown and Stephen Collins, TCC educates and mobilizes leaders in the arts community on issues of public importance, specifically in the areas of First Amendment rights, arts advocacy and public education. I get involved with both marketing and fundraising activities on behalf of TCC.
New York Foundation for the Arts (NYFA). The New York Foundation for the Arts' (NYFA) mission is to empower artists and provide the public with opportunities to experience and understand their work. NYFA offers financial assistance and information to artists and artists' organizations, supports arts programming in the community and builds collaborative relationships with other arts advocates in New York State and throughout the country. NYFA helps artists turn inspiration into art by giving more money and support to individual artists and arts organizations than any other comparable institution in the United States. I am on the Board of Directors' Marketing subcommittee.


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Frederick Coffee Co. & Café celebrated its 25th anniversary in 2016 and has been under the ownership of Mike and Terri Winder since October 2010.
They are also the owners of Frederick Fudge & Ice Cream, Shab Row Tea Emporium and GOOD juju which are located in Everedy Square Shab Row as well as The Pasta Palette on Market Street.
Frederick Coffee Co. & Cafe has been open since 1991. The shop was originally located in the building where Frederick Fudge & Ice Cream is now. After one year, the business took over its current location. It has a colorful history being originally a Sinclair Gas Station and also Frederick's first video rental store. The terra cotta tile on the awning hearkens back to a time when the building was a southwestern furniture store.


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Find active bundles
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Grab some nice games. Included in this game pack you´ll find Fiends of Imprisonment, They Came From The Moon, Why So Evil, GooCubelets, GooCubelets 2, GooCubelets: The Algoorithm, Brilliant Bob, Break Into Zatwor and Why So Evil 2: Dystopia.
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GooCubelets: The AlgoorithmSTEAM %66Billions of year ago in a faraway goolaxy living organisms were combined with the goo nebula formulae. And the Algoorithm was created. Time has passed, and the Algoorithm remained incomplete... You are given a chance to solve the last 50 equations! But A game by Zonitron Productions
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Fiends of ImprisonmentSTEAM %50Randy's country went to war with the world's nuclear super power. Their enemies have captured a group of over 900 soldiers and are threatening to kill them all... They've put them in to a military imprisonment... a heavily guarded one... sounds familiar? A game by Zonitron Productions
Why So Evil 2: DystopiaSTEAM %47Fast thinking and reflexes are required in order for you to survive all the traps and the attacks of your enemies. It will try to surprise you on your every move, and most probably succeed. And when you think you have finally won and you are safe, ... A game by Zonitron Productions
Why So EvilSTEAM %45No saving! No checkpoints! No mercy! 50 levels of pure evil, traps, secrets and a lot of ways to die! We challenge every single gamer to complete this game! It's not if you can beat it, but how far you can get! A game that will make you ask WHY SO EVIL... A game by Zonitron Productions
Break Into ZatworSTEAM %39Help Randy use his previous experience to break the system and bring freedom to his beloved brother Larry who was put away into Zatwor for trying to help Randy grasp justice! Be silent and stealthy, use the back door to walk undetected through the most A game by Zonitron Productions
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PR: 3TattooType is a community of tattoo lovers offering a tattoo forum, members personal tattoo gallery, tattoo wallpapers, free tattoo designs and articles as well as a directory of tattoo web sites. TattooType is a free to join community for any tattoo lover. [ Read more ]
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Having a well maintained and clean office area is essential to impress your clients, and the employees work effectively in a neat and tidy environment. When the customer or visitor comes in the office, the clean environment, well maintained and organized place establish a positive image about the business. To run a successful business, it's essential to leave a positive image of your business and show professionalism with a maintained, neat and tidy office.
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text: Press News 03/05/17 by admin | Jul 24, 2017 | Press & Media | 0 comments The Husband Who Refused to Die wins a Chill With a Book Readers' Award. http://bit.ly/2pHNWIe Submit a Comment Cancel reply Your email address will not be published. Required fields are marked *Comment Name * Email * Website


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Fees & Passes
Entrance fees for Tuzigoot are collected inside the park Visitor Center during normal business hours.
If you are planning a special event or activity at Tuzigoot, please contact the Permit Coordinator for information regarding special use permits.
If you are a school group requesting a fee waiver, please see the Fee Waiver page.
Fee Free Days in 2019:
Tuzigoot Entrance Fees (current fees)
Adults (16 and over): $10.00 (good for seven days at both Tuzigoot and Montezuma Castle National Monuments)
Children (under 16): FREE
Tuzigoot and Montezuma Castle Annual Pass
Interagency Annual Pass
Frequently Asked Questions about the Interagency Annual Pass
Free Annual Pass for Military
Senior Pass
Access Pass
Frequently Asked Questions about the Interagency Access Pass
Volunteer Pass
Annual 4th Grade Pass
For the Former Pass System:
Last updated: February 6, 2019


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When all you need to make the high-quality outdoor display you've been dreaming up is a high-quality sign stand that will keep your signs firmly in place, yet be easy to move when the time comes, the tip n roll sign base is the perfect option for you. Each 24" base with its black coating offers a quality, professional appearance to your sign display. If you need to add stability, simply place sand or water in the base. Then, when the time comes to move the sign, tip it up on its side and roll it away. This kit does not come with sign blanks.


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Tuesday, 23 June 2009
Love @ First sight...NAAH !!!!!
A large part of my teen life was spent trusting in this holy concept. Being a bollywood movie fan and an true and honest admirer of movies like 'Mohabattein' i always believed that the day I meet the girl made for me, there would be signals from heaven. Something might happen and it would tell me that "Boy, this is the girl for you". The bell would ring and the heart would sing ' Ek ladki ko dekha toh aisa laga'. I waited for that day for a long long time.
It actually came one day. I was in my junior college that time. I had a punjabi ( same caste as mine ..he he) family staying as the front door neighbours. They were visited by some relatives and a girl my age came to stay for 3-4 days. The first time i saw her, i went dumb-stuck. I paid no attention to the little girl who had actually knocked the door to come in. I stood there watching her and i thought i am in Love. The heart sang and the bell rang. ( the door bell ofcourse but still, it was a bell ). I tried to know as much as I can about her. I have an elder brother who was unmarried that time, so every time my mom saw a nice girl , she would like to know her for my bro. This time I had an OBJECTION. "why not me mom?", I Asked.
She went after 3 days and i was so sad.how can I meet her again. And then gradually I came back to earth. Within the next 7 days my interest reduced. I was no longer in Love ..he he. It was just, what we say, Infatuation. I came out of her. Even when I met her after a year, the bell didn't ring again..lol
With time, I matured. Realized Love can never happen like that. Love is something more beautiful, something more deep, something more mature.I laughed at guys who fell in love with a girl they knew nothing except their names. Wasn't it so comic. The guy goes and says, "Hi, I am 'X'.I love you.". The girl replies, "what did you say your name was?".
Ofcourse Love never happens at first sight. I came out of teens and understood what Love actually is. Though the bollywood inside me didn't go.I still believe in Love, but with a different bollywood theme. But this time I know, what I believe is what the truth is.
More about what I actually feel Love is. Maybe in some other posts. But " Ek ladki ko dekha toh aisa laga...."
7 comments:
hey, i know this storyReplyDelete
not to mention the blog is becoming more n more kapil with every passing post
sucha fun n light topic n not 1 comment
no fair
wht u guys never been in love ??
errr.... i mean the bell rag the heart sang kinda love... lol
well it brought a smile on my face for sure.... after a hard days wrk (ya wrk !!!!)
a more apt name for the post would be the process of evolution... hehehe
but 2 things dat catch my attn is dat
1. even back den u got overjoyed at the fact that she was a punjabi !!!!!
how much more caste conscious can u get ?
sidhe shaadi karni thi kya ? at 16-17 ? ya fir life tabhi bhi pyaari thi :P
2. me being me have to doubt the underlying meanings to things. what thing ??..... socho.
n i can only imagine ur mums reaction to the "why not me mum?" if at all u actually did dat. hehehe
but nice post
mazza aaya
well constructed
n i can c how u r trying to balance things out
meeting public demand r we ?.........lol
chalo atleast this way ppl will know u aint a dukhi aatma as such
k now u r done with hate n love so wht next ??
to frankly tell you i never got such kinda feeling so dnt really know...ReplyDelete
waise.... main believe bhi nahi karti ismain...
how can you know a person in just one go..
anyway i think everyone has their own opinion
- JeenalJune 25, 2009 11:50 pm
Ah Haan! An excitement topic this time...The topic steals the show Kapil...at least it has captivated my attention for sure.ReplyDelete
It seriously made me think once again 'Love at First Sight?' Naah! As u rightly say...But then why do we give that first sight a second look & a second thought (obviously the second look nullifies the feeling of the first one)...but still we all do it. After all it's my thinking & whether u agree with it or not still remains to be answered by u.
I must say Kapil this time u have come with not only an interesting topic(although a common 100 times discussed still a beguiled one) but also a lot of melioration in language proficiency, spelling mistakes as well as punctuation....Man u improving with time..!
Every time I read ur blog, u make me wonder as to wot shall u come up with in ur next...U this time fascinated me with the topic, the style of presenting the content ('The Kapil Factor' was still being portrayed); short-sweet, kept to-the-point matter with dialogues & OMG a lyrics too...
But I like the way u keep the topic selection inconsistent [Tu itna sochta bhi hai topic select karte waqt..Ya ainve hi maine tuje credit de diya topic ko lekar...lol:)]I know you must be thinking.
Best Lines:
The Heart sang & the Bell rang.
Love is something more beautiful, something more deep, something more mature (VERY TRUE)
Chalo iss topic se yeh toh pata chala ki tu pyaar shaar main believ karta hain warna tere Hate V/s Love main tune jiss tarag hate ka saath diya tha, maine soch liya tha pyar main iss bandhe ka koi vishwaas nahi hoga (lol)...
I will look fwd to ur next topic & the content too (with/without 'The Kapil factor, I am okay both the ways)...!
Keep up the spirit & courage of writing & that too on a blog...Byee
Kapil, how you doing buddy ?? ..ReplyDelete
I'm in Mysore for SAP/ABAP training so could not comment on ur earlier posts ..
It's good that u r back to blogosphere ..
Ahhh, about the blog subject, I also dont believe in love-at-first-sight .. It is alwat=ys a infectuation ..
- AnonymousJune 27, 2009 9:42 pm
hmmm.. from a dukhi aatma to young teenage boy talking abt love..well it was fun to read your teenage romantic story.. and as u have said it.. LOVE is more mature then BELLS RINGING and getting SIGNALS from above..ReplyDelete
You definitely cannot know a person in one go.
Nor can u love someone at the first sight without knowing his attitude and his behaviour, whether they are compatible with u or no..
But whatever it is.. when u are meant to have a bond with someone,then without any reason feel for that person in a different way.. And you dodn even realise why your heart aches when that special person is away from you or is hurt.. It just happens.. Then whether it is first sight or tenth sight..it is there and meant to be there,.. FOR YOU.. AND ONLY YOU.. unless you jus don realise or value it..
anyways.. nice topic.. and nice work..
Keep writing.. waiting for your next blog..!!
:) Cute story and nice conclusion. I'm a little older than you (ahem.. a lot!) and I can tell you that while you may care for a person or be infatuated with them... the kind of love that married couples feel after years of marriage only comes with time. Going through both good and bad experiences together creates a bond. Loving your blog...ReplyDelete
Thanks Mary...ReplyDelete
And I agree, Love matures with Time...


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Located in the Judean Mountains, between the Mediterranean Sea and the northern tip of the Dead Sea, modern Jerusalem has grown up outside the Old City. The city has a history that goes back to the 4th millennium BCE, making it one of the oldest cities in the world. Jerusalem has been the holiest city in Judaism and the spiritual center of the Jewish people since the 10th century BCE, contains a number of significant ancient Christian sites, and is considered the third-holiest city in Islam.
Despite having an area of only 0.9 square kilometer (0.35 square mile), the Old City is home to sites of key religious importance, among them the Temple Mount, the Western Wall, the Church of the Holy Sepulchre, the Dome of the Rock and al-Aqsa Mosque. The old walled city, a World Heritage site, has been traditionally divided into four quarters, although the names used today — the Armenian, Christian, Jewish, and Muslim Quarters — were introduced in the early 19th century. The Old City was nominated for inclusion on the List of World Heritage Sites in danger by Jordan in 1982. In the course of its history, Jerusalem has been destroyed twice, besieged 23 times, attacked 52 times, and captured and recaptured 44 times.
(Source: Wikipedia)
- 21:00 PM departure from Dahab to Taba
- We drive along Arava Valley to the Dead Sea, short break
- Arrival at the Mount of Olives, Jerusalem, Panaromic View and introduction
- Visit of the holy sites: wall, temple mount, dome of the rock, via dolorosa, church of the holy sepulcure
- Tour finishes at 6:30pm, transfer back to Eilat
- arrival time in Dahab at 11:00 am
Optional: 2 days with Petra
- for religious means please cover both your knees and shoulders
- passport required
- bring swim equipment (dead sea) - dependent on weather conditions
included: all transfers, entrance fees, visa israel, departure tax from Israel, Lunch, Taba border tax.
Departure from Dahab on MONDAY-THURSDAY-SATURDAY
With english speaking guide in Jerusalem only
PRICE PER PERSON 160 USD per person
Departure from Dahab on WEDNERSDAY and SATURDAY
With english speaking guide in the bus from Dahab for all the trip
PRICE PER PERSON 180 USD per person
Useful links:
Quick-Links: Cheap Flights * Emergency-numbers * Currency-converter * Taxi * Hospital * Dictionary * Weather *


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HOKA ONE ONE Announces Special Edition Collection for Outdoor Voices
The performance running footwear brand launches a special edition of the Clifton 4 in partnership with the active lifestyle brand Outdoor Voices
GOLETA, Calif.--(BUSINESS WIRE)-- HOKA ONE ONE®, a division of Deckers Brands (NYSE: DECK), has announced its partnership with active lifestyle brand Outdoor Voices to create an innovative footwear collection featuring the Clifton 4 style for Spring 2018. The collection will be available exclusively at Outdoor Voices' retail stores, as well as hokaoneone.com and outdoorvoices.com, starting April 25.
This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20180425005113/en/
Photo Credit: Adam Kingman
The collection marks the first collaboration for HOKA and Outdoor Voices. Featuring the Clifton 4 — a beloved style from HOKA's award winning Clifton line of lightweight, well-cushioned running shoes — it comes in three tonal color updates, inspired by the colors in Outdoor Voices' newly released Running Collection.
"We are thrilled to partner with Outdoor Voices to introduce a special edition Clifton 4 collection that will tie together performance-based and active lifestyle brands," said Gretchen Weimer, Vice President of Product at HOKA ONE ONE. "The HOKA and Outdoor Voices collection reflects the growing popularity of versatile footwear that blends athletic performance with everyday lifestyle."
The HOKA and Outdoor Voices special edition Clifton 4 will retail for $140. The collection will be available in pale blush and mist green colorways for women and midnight navy for both women and men.
"Running is a key part of my daily routine." said Tyler Haney, Outdoor Voices' Founder and CEO. "HOKA makes my favorite shoe to run in, and it's been exciting to work together to bring our first collaboration to life — and to give our customers their first opportunity to wear head-to-toe OV."
About HOKA ONE ONE®
HOKA ONE ONE® is the fastest growing premium running shoe brand in the world. Two life-long runners launched HOKA in 2009, after years spent handcrafting and shaping lightweight shoes with extra-thick midsoles. Initially embraced by ultrarunners because of their enhanced cushioning and inherent stability, HOKA now offers shoes for all types of athletes who enjoy the unique ride the shoes provide. For more information visit hokaoneone.com or follow @hokaoneone #hokaoneone.
About Outdoor Voices
Outdoor Voices is an active lifestyle brand that makes Technical Apparel for Recreation. Founded on the belief that exercise doesn't have to be defined by performance and competition, the brand celebrates approaching activity with humor, and delight. Outdoor Voices is Headquartered in Austin, TX, with retail locations and a growing community of recreationalists nationwide.
View source version on businesswire.com: https://www.businesswire.com/news/home/20180425005113/en/
HOKA Media Contacts
Martha Garcia
Source: HOKA ONE ONE


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Friday 5-6-2011: Request to Harrisburg City Council to Authorize Cravath, Swaine, & Moore to Undertake Drafting Alternative Act 47 Plan Components. Click to read: Notice to City Council.
- Saturday 5-7-2011: Harrisburg City Council President Gloria Martin Roberts response to 5-5-2011 Request.
From: Gloria Martin Roberts
To: Neil Grover
Sent: Saturday, May 07, 2011 3:12 PM
Subject: Re: Request for Immiedate Action
Neil, how do you suggest we pay for this service? Also, why would you want this action before you give the state a chance? You are making many assumptions that may not have merit in reality. Who represents your group, names specifically?
Gloria Martin-Roberts,President, Harrisburg City Council
Caring cannot be limited to those with which we are comfortable. Our hearts must be open to receive everyone, otherwise we block our own Blessings.
- Neil Grover's Response on behalf of DWH:
From:Neil Grover
To:Gloria Martin Roberts
Sent: Saturday, May 07, 2011 4:39 PM
I think you misunderstand our point. Perhaps I have not been clear, so let me attempt to clarify. We see the task that we are proposing that Council direct CSM to undertake as already within the scope of work that they stated they were willing and able to undertake. In other words, it seems within the pro bono work proffered. We think that the City should maximize the use of the quality services while they have this resource. We do not expect — and I would guess the City does not expect — that the opportunity to employee such free service to continue indefinitely, so we think the City should get the most out of it while it lasts. We're not looking for the City to incur new bills and debts.
On why we want this action, perhaps we just have different views on how to proceed. It seems that for many years and in many situations, our local governments have just blindly relied on what one advisor, contractor, official or office has presented. It has got us to the horrible point we are at now. It just seems prudent to be prepared to fully address any forthcoming proposed Plan. The options the Act 47 Team may be the very best that our community can hope to arrive upon, or maybe we can do much better. But the time to review it and make that informed decision is very limited by state law. It will be very hard to meaningfully review the proposed Plan and then — IF the City thinks any one or many options are unwise or unacceptable — to only then start identifying other options for any or all parts of the Plan. IF the City waits until after it is received to start that work., it will have insufficient time left to do that work.
It will be great if the City Council, the Administration, the Act 47 Team and the public all come out at the same place on what needs to be in and out of the Plan. But our local government should be prepared ahead of time to deal with the question they have known is coming since an October 2010 application was submitted. In its most basic terms, it is no different than a local government not waiting until the first snow to ready its salt plies and inspect its own plows and trucks. It is the government's duty to be prepared to act on things they can foresee occurring.
In a business, if you have the resources, you set multiple groups to work through plans and variations for future steps that will have a major impact on the future of the company. Harrisburg is fortunate enough to have CSM as a resource right now. They should task them with examining alternatives, as their work can confirm, clarify or refute the various findings that will be the underpinnings of the Act 47 Team proposal.
We are not rejecting the Act 47 Team's proposals or we are not saying that they should not be given a chance. We are simply stating that Harrisburg apply a common sense approach of being fully prepared for know events. The coming events that will determine the future and well being of an entire City.
As to "who represents" DWH, I take that to mean who do we represent. Every person on the CC of your email who was not a public official or employee of a local governmental body is part of the founders of DWH and what I have tagged as the DE FACTO EXEC Board. We are an unincorporated association, with roughly 145 local taxpayers as members. To be a member, you must pay real estate, earned income and/or mercantile/business privilege taxes to the City and you cannot be an elected or appointed public official.
I hope this clarifies our views. Also, I am including all persons that were included in the original email on this reply too, plus teh City Clerk as Ms Williams bounce back. These are not private, personal issues. These are public matters of the highest importance.
Neil A. Grover
P.S. If you mean that we are assuming the City is not working on options to include in response to an Act 47Plan, that we are assuming. There has been zero evidence or information to date that any such work has been undertaken. If it has been undertaken, the City needs to communicate that to the general public. If they are unwilling or unable to do so in a meaningful and open way, then the lessons of what placed Harrisburg in this long-developing crisis already have been lost.
Friday 5-6-2011: Letter to The Harrisburg Authority Stating Debt Watch Harrisburg's Position on LambdaStar, JF, LLC offer to lease Hbg Parking & Incinerator. Click to read: Debt Watch Harrisburg Initial Position Statement to Board of THA


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A new pathway and interpretation board was officially opened at an outdoor arts area in Sleaford on Friday .
A new pathway and interpretation board was officially opened at an outdoor arts area in Sleaford on Friday .
Situated alongside the River Slea, the Nettles is a public space, maintained and enhanced by the Nettles Volunteer Group which initiated the latest project, funded by WREN from its landfill tax grants scheme. With the support of artsNK, plant species have been introduced, habitats for wildlife created and seating, mosaics, stone carvings and sculptures installed.
A new interpretation board featuring all aspects of the area was also unveiled, designed by emerging artist and graduate of University of Lincoln, Hannah Edwards, who worked closely with members of the Nettles Volunteer Group and artsNK for three months on the project. She is pictured with Nettles volunteers Mick Steele, Joan Dalton and Ann Hughes and ArtsNK staff Marion Sander, Debbie Wiles, Lucy Lumb and Charlotte Pedley.
Marion Sander from artsNK said: "Renewal and widening of the old limestone path along with the new interpretation board will ensure improved access to the site."
A mosaic seating area designed by Sleaford group MosArt will be completed next spring.


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17年9-12月雅思口语话题Part2范文:Describe an exciting book
- 2017年09月28日19:03 来源:小站教育作者:小站雅思编辑
- 参与(2) 阅读(16197)
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新题何足惧,旧恨何其多,手握真题集,屠鸭亦可期。一转眼,雅思口语进入了9-12月的新一轮话题季,小站雅思懂你更懂雅思,第一时间为大家整理出超地道的范文答案,赶紧丧心病狂地开练吧,一切皆有可能,冲7就在此刻了。话题:Describe an exciting book (旧题回库)。老外所作,9分级范文。
You should say:
What is the name of the book
what type of book it is
how you knew this book
and explain why you like to recommend this book to your friend
I'm going to tell you about a book I've been reading recently. The book is called The Man Who Mistook his Wife for a Hat.
It's a slightly unusual book and I'm not sure how you would categorise it. In a way it's a medical case history – or a collection of them. It's written by a Professor of Neurology I think – he's certainly not professional author. And it's just the stories of some of the more unusual patients he's treated. Each chapter is about a different patient. All of them have something wrong with their brain and think in a strange way. For instance, the character who gave his name to the title of the book cannot distinguish people from objects and actually did think his wife was a hat and tried to put her on his head!
I tend to read the book in the evenings or on the train in the morning. I like to read before I go to bed – I find it relaxing and it's a quiet time when I can concentrate on what I'm reading. I suppose I read on the train for a different reason – there's nothing else to do but look out of the window. The only problem is that the carriage is normally pretty noisy with other passengers talking and it's much harder to concentrate.
This is actually the second time I'm reading the book. I first read it about 3 years ago and I enjoyed it so much I decided to read it again and it wouldn't surprise me if I read it for a third time too.
Why do I like it so much? There's plenty of reasons. It's an intelligent book that makes you think. I enjoy books like that. I also prefer non-fiction to fiction as I think that's more stimulating and I certainly prefer reading to watching the television.
• What kinds of books do people like to read?
• What kinds of books do children like to read in China?
• Are there any differences between the books young people favor and the ones elder people prefer?
• Are there any differences between books, magazines and journals?
• Is it necessary for parents to read stories to their children?
• What' s the difference between men and women in their reading habits?