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Prior to joining Hughes & Coleman and devoting his career to helping injured individuals, Doug's background since 1995 focused on federal litigation, complex and commercial litigation, and defending large corporations in class action and collective action lawsuits. He has litigated and tried cases in State and Federal courts in Alabama, Arkansas, California, Florida, Mississippi, New York, New Jersey, Nevada, Pennsylvania, South Dakota and Tennessee ranging from general liability to large exposure and complex commercial, construction and medical malpractice cases.
Doug spent the majority of his initial 22 years as an attorney primarily defending professional liability/E&O claims filed against doctors, lawyers, hospitals, nursing homes, accountants, pharmacists, dentists, and brokers. He served on "national trial teams" for several large healthcare provider organizations where he was primarily responsible for deposing medical experts in high exposure medical and nursing home negligence cases. He has represented large companies and plaintiffs in class actions, collective actions, and mass tort cases on matters including securities, banking, ERISA, product liability, defective drug, medical device, environmental, consumer deception, employment and wage and hour.
Doug received his law degree in 1995, served as a Judicial Clerk for Appellee Court Judge Paul G. Summers and as a Judicial Clerk and Staff Attorney for Justice Janice M. Holder of the Tennessee Supreme Court. He has an undergraduate degree in Insurance and Risk Management and he has passed and held both a Series 7 and a Series 66 Securities license.
In his spare time, Doug enjoys playing guitar. He also works as an instructor for high-performance driving schools for various car clubs including PCA, PBOC Racing, Skip Barber, BMW CCA, Audi and Chin Motorsports.
- University of Memphis, Bachelor Degree in Finance, Insurance and Real Estate
- University of Memphis, Masters in Business Administration
- University of Memphis, Cecil C. Humphreys School of Law, Juris Doctor
- State Bar of Tennessee


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In three separate conversations with winemakers and other winery professionals over the last two weeks, I have heard that there is a pretty dramatic oversupply of wine coming from our nearby wine regions. The comments came in three different forms, but all pointed to the same problem for the wine industry close to home in Washington and Oregon, which leads me to believe Idaho is suffering from similar ills.
A producer of premium Willamette Valley Oregon Pinot Noir told me point blank that his winery is cutting production from 10,000 cases annually back to 7,000. The main guy at a prominent Columbia Valley, family-owned growing operation and winery stated that they, and most of the growers in Washington, will be �dropping fruit� with this vintage because there is too much wine being made in the state and no markets to sell it to. And finally, a winery sales rep tasted me on a new string of wines with a new label from an existing winery that the winery introduced to alleviate the over-supply of past vintage wines that they have not been able to sell. She further explained that past vintages are lined up waiting for release with no plan on how to sell them or who to sell them to.
All in all, this paints a pretty bleak picture for wineries in the Northwest. It also confirms something I have suspected for some time. Simply put, you can�t acknowledge and confront an oversupply of wine, or for that matter an oversupply of any product, without taking a long, hard look at your pricing. This to me is the root of the problem for Northwest wines; they are simply getting too �spendy.�
The conversation is the same with grape growers or winemakers � for every extra dollar you pack on your bottle of wine, you must consider �who� you are drawing into the conversation. Many factors are contributing to this endless, upward spiral in pricing for Northwest wineries. From aggressive minimum wage increases and family leave policies, to regulation of the businesses themselves and taxation � all are a factor in driving prices higher. Add in a dose of pride that producers in the Northwest feel for their end product and you end up with wine prices that rival some of those who have been in the business of making and selling world-class wine for decades (in the case of California), or centuries (in the case of Europe).
Add into this mix some pretty compelling values coming out of new-world appellations in South America, New Zealand and Australia and the distressed producing countries of Europe, and it�s little surprise that the demand for Northwest wines is dropping.
As winemakers from the Northwest attempt to open new markets around the country and overseas, they are up against the same and even more competition. If you are assembling a collection for a shop or restaurant in New York City which has some of the most sophisticated consumers anywhere, what do you think will sell better at the $100 price point � a Cabernet from Napa or one from the Northwest?
There are no quick or easy solutions to these challenges for wineries in our home area, but it is a challenge that better be met forcefully and quickly. It is simply not sustainable when you have any winery in Washington, Oregon or Idaho expecting prices like those from the best producers in Napa and Sonoma. Regional pride or not, the choices become stark when you think about a Washington winery asking the same amount for their Zinfandel as legendary California Zinfandel producer, Ridge Vineyards. Paul Draper and Ridge virtually established the varietal as the quintessential American wine grape; they have been producing top rated delicious �Zins� since the �70s, challenging their pricing from an appellation that is not even suited for growing Zinfandel is in short folly.
Similarly, you can find a long list of Pinot Noir from the premier regions of Carneros and the Russian River Valley for 50 cents on the dollar compared to some fairly mediocre wines from the Willamette Valley in Oregon. In all of these discussions you will find consumers who prefer a Washington Zin over one from California and those who would rather have Oregon Pinot Noir, but it remains for every dollar above any other wine you are bringing more competition into the buying decision. Before you know it, vintages start to back up and wine is not sold, leaving an oversupply that becomes the topic of wine professionals when they get together over a glass of wine.
If there is a topic you would like to read about or questions on wine you can email email@example.com or make suggestions by contacting the Healthy Community section at the Coeur d�Alene Press.
• � �
George Balling is co-owner with his wife, Mary Lancaster, of the dinner party, a wine and gift shop in Coeur d�Alene by Costco. The dinner party has won the award for best wine shop in North Idaho twice, including for 2018. George is also published in several other publications around the country. After working in wineries in California and judging many wine competitions, he moved to Coeur d�Alene with Mary more than 10 years ago to open the shop. You can also follow us on Facebook at http://www.facebook.com/#!/dinnerpartyshop.


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Top Cashback is my favourite cashback site and the one I have been using the longest. Before I place an order online, I always check to see if Top Cashback offers cashback on the retailer I am shopping with. Retailers that I shop with regularly through Top Cashback are Ebay, Tesco, George and Very. If you are thinking of changing your energy supplier then always check out Top Cashback to see if they offer cashback for switching. I recently changed my gas and electricity supplier and got £70.00 cashback! Also check for cashback if you are renewing insurance or taking out a financial product as there are good sized rewards in these categories.
They also run regular cash back giveaways where you have to follow a clue to find a treat. They usually run around holiday times like Christmas and Easter. It is possible to win between 10p and £100 instantly or £1000 in their prize draw.
Top Cashback pays out via Paypal or directly in to your bank account. They offer up to a 10% bonus if you choose to have your cashback rewards paid in vouchers such as Amazon, Debenhams, M&S and Love2Shop.
Quidco is another cashback site similar to Top Cashback. I mostly use Top Cashback but for big purchases I will compare both sites to see which is offering the best deal. Quidco also offer instore cashback at a variety of retailers including Vodafone, Jojo Maman Bebe and JD Sports. There is a shopping app called ClickSnap by Quidco that gives you cashback on certain groceries, just upload your receipt to receive the cashback.
Swagbucks is a Get Paid To site where you earn Swagbucks for doing various tasks. One way to earn is by clicking through to a retailer from Swagbucks and shopping with them. For example click through to Argos and earn up to 2 Swagbucks for every pound you spend. Swagbucks can be exchanged for vouchers such as Amazon, M&S, Sainsbury's and also as Paypal cash. As well as earning Swagbucks for shopping through the site you can also earn them for answering the daily poll, watching videos, playing games and doing surveys. By doing some of these tasks each day it's fairly easy to earn £20-£30 a month from Swagbucks.
Kidstart is a cashback site that allows you to save for your child. You can open the account before the child is born to get their savings off to a good start by getting cashback on big purchases like the pram, cot and carseat. If family and friends want to save for your child they can link their account to yours in order to do so.
You don't need to be a parent to use Kidstart, you could save for a neice, nephew, grandchild etc. You can also save for more than one child and your cashback will be distributed evenly between them.
Kidstart offer cashback from many of the same retailers as Top Cashback and Quidco but they also have some that the others don't. One of the most popular of these is 2% cashback from Amazon. If you shop at Amazon as often as I do then this could be a great boost to your child's savings.
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Single mother wins benefit cap challenge
Government suffers huge blow after mums' victory in legal battle
11 July, 2017 — By Koos Couvée
Rebekah Carrier, solicitor for the families who launched the legal fight
A SINGLE mother from Islington is one of four parents who have dealt a huge blow to the government after bringing a successful legal challenge against the benefit cap.
A High Court judge ruled last month that the cap, which limits the total amount of benefits a family can receive in London to £23,000, is unlawful and illegally discriminates against single parents with young children.
The challenge was brought by four single mothers with children under the age of two.
Two of the families had become homeless because of domestic violence.
As a result of their caring responsibilities and the cost of childcare, they were unable to work the required 16 hours to escape the cap. Their benefits were cut, leaving each claimant with a choice between rent and food and other essential items and unable to provide basic necessities for their children.
The mother, who lives off Caledonian Road but did not wish to be named, said: "Once my youngest is old enough to go to nursery I will start to look for a job. But without childcare how am I supposed to start work? I can't afford the advanced payment that day care centres and childminders require and I have no support from friends or family.
"As a single mother with a young child it is very difficult finding affordable childcare and a flexible job. I don't have the benefit of a wider support network to help me."
In his judgment, Mr Justice Collins agreed, ruling the cap illegal and saying: "Most lone parents with children under two are not the sort of households the cap was intended to cover… Real misery is being caused to no good purpose."
The cap in London was lowered from £26,000 to £23,000 in November last year. The government has indicated it will appeal the ruling.
The families are being represented by Rebekah Carrier, of Finsbury Park-based law firm Hopkin Murray Beskine.
She said: "My clients were delighted by the finding, which means it is not lawful for the government to apply the cap to them and to others in their situations.
"They are very disappointed that the government says it will appeal. This will only prolong uncertainty and the 'real misery' identified in the judgment."
A petition calling on the government not to appeal the ruling can be signed here.


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Driving off of a bridge into water with my kids in the car.
Intruders coming into my house at night to hurt us.
Spinal taps.
Tsunamis (this is due to recurring tsunami nightmares I have)
Sharks, definitely getting eaten by one.
Jesus coming back again (just being honest, the idea of the end of the world used to freak me out).
Car accidents.
Plane crashes.
Being too fat.
Being too skinny.
Being a terrible, mom, wife, person, friend, family member.
People being mad at me.
Baby Loss.
Child Loss.
Losing a baby far into pregnancy.
Loss, crisis, tragedy…death…
These are all things I used to fear on a regular basis. You might have a list like this too. I wonder what yours looks like? I am sure it looks a little different than mine., but if we are honest, the list can get pretty long. Too long.
I got the privilege close after Gideon passed away to speak to a group of women about all that God had taught me through carrying and losing a child. I shared similar things with them, about all the things I used to be afraid of. When I was finished talking one of the women looked at me and asked, "You mean you really don't fear those things anymore?" This question took me a little off guard. I found myself pausing and asking myself, "Wait, DO I REALLY mean it? Do I really not fear them anymore?" What happened in me next is why I am so excited about teaching a class on fear. What happened in me next is why I was so confident that my answer was truly YES. Yes I really mean it, I don't fear them anymore.
What happened in me next was a fast rewind and fast forward sequence in my mind of all that has happened and what could happened. I pictured the ultrasound, the crying, the kisses, the casket, and more crying. I saw the Gideon tattoos, Gideon Blue, Gideon Bear, and the peace of Christ transcending all understanding. Then my mind wandered through my fears. I pictured losing another child, car accidents, drownings, even plane crashes. All in a whirl my brain went to all the scaries of the past and future. All the places we don't want our mind to go because it ups our heart rate and prompts anxious living. When I went "there" what I found was that my heart was still…well…at peace. God's work in me stood strong. His surgical removal of fear was successful and that is why I cannot wait to sit hand in hand with my friends and sisters in Christ and show them what He showed me.
"Therefore we do not lose heart. Though outwardly we are wasting away, yet inwardly we are being renewed day by day. For our light and momentary troubles are achieving for us an eternal glory that far outweighs them all. So we fix our eyes not on what is seen, but on what is unseen. For what is seen is temporary, but what is unseen is eternal." 2 Corinthians 4:16-18
The pages of my Bible are tear stained. On my darkest days, when I could barely get out of bed, if I mustered up anything it was just to open up the Bible. If even for a second to grasp at a truth to get me through the next moment. What I found is that that the options are limitless. When it comes to the human heart and our feeble attempts to grasp control of our life, the Bible is full of help. Because I believe that more than anything, throughout history, fear grips hearts. I mean there were days and still are places where war lives outside of front doors. Outside the very beds where babes sleep there is death and destruction. The mother, the parents of those children, they are just like you and me. Fear potentially taking hostage every second of everyday. What about The Roman Coliseum? I cannot explain to you why, but I have thought about those families a lot. What did it feel like to be staring at the gate, your precious children in your arms, knowing that once its raised you will be brutally murdered in front of a crowd. How?? How…how…How as a world, as a race, as human kind are we even still functioning knowing that such evil exists?
When I was suffering from morning sickness while pregnant with Gideon I was reading a book called Faithful Women and Their Extraordinary God by Noel Piper. The book chronicles women of faith throughout history and what they sacrificed and went through. It was the perfect medicine for my whinings about simply being nauseous. One in particular stood out to me. Her name was Ahn Ei Sook, a Korean woman who stood strong and bold in her faith during a time in the 1930's when the Japanese were occupying Korea and requiring all people to bow before a shrine of the Japanese sun goddess. Shrines were built in every city and village and one day, as a teacher, Ei Sook was required to take all of her students and bow to the shrine in front of Japanese officials waiting to arrest anyone who didn't. Ei Sook said this, "I could honestly say I was not afraid of dying, but I feared being tortured without dying. How long could this body endure? What if I gave up my faith under the relentless torture? Just thinking of it made me so faint I could hardly see where I was walking…'Let not your heart be troubled,' Jesus was saying to me. 'Believe in God, believe also in me…I will not leave you desolate…Peace I leave with you; my peace I give you…Let not your heart be troubled, neither let it be fearful.' A light was turned on in the darkness of my heart…My fear of suffering was transformed into the thrill of starting some splendid adventure. My mind was calm."
Its a beautiful thing to be able to think of such horrors and somehow find peace. To be faced with mental, physical and/or emotional torture and find calm, Its what I pray God continues to accomplish, not only in my heart, but in the heart of many. You see we FIX our eyes, with an obsessed life gripping fixation, on what is unseen. We do not lose heart. Though the days are evil and life can be scary, we do not lose heart.
My daughter prayed for me the other day. It was a moment I will cherish in my heart for all days. She has not always been the "prayer" of the family. Her brothers like to chime in and even fight over who gets to pray first! Any opportunity for sibling rivalry in our house. I guess prayer is as noble of a cause as you will find! But, this particular night Faith offered to pray for me. Daddy sweetly shared that I was leaving to go share with the women's ministry about my class and it would be good for them to pray for me. Faith spoke up and uttered the most precious words, "God I pray you would be with Mommy tonight. I pray you would help her to not be worried and I pray that Mommy would know that you are with her every single moment. Amen." Has there ever been a more perfect prayer?
Today I pray for you too, in the words of sweet Faith, may you not worry and may you always know that God is with you every single moment. Amen!


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Every night billions of people round the world go to sleep and have dreams. Unfortunately, not everyone who wakes up recalls having a dream. Many recall going to sleep and waking up rested. People remember waking up in the middle of the night tossing and turning but do not recall any dreams. Science tells us everyone has authentic dreams every night. We are told that dreaming … [Read more...]
Mans Search For Meaning by Viktor E. Frankl. 25 Lessons From the Book
Before I read, Man's Search for Meaning, I knew very little about Viktor Frankl other than he was a survivor of the Nazi concentration camps from World War II. This book was suggested to me from a former sales trainer. Not your average sales book, I'd say. I had heard about concentration camps in social studies class in Jr.High and High School. I had also learned about these … [Read more...]
13 Lyrics by Frank Ocean on The Channel Orange Album
In 2012, Frank Ocean, no relations to Billy Ocean from my understanding, dropped his new album, Channel Orange. This was after he released 2 full length mixtapes. I believe when you listen to the music of Frank Ocean it takes you back to what R&B music should be. Now, I am not a major R&B guy but I do know good music when I hear good music. The Channel Orange album … [Read more...]
Heart Felt Poems by Maveen Kaura
In 2001- 2002, I would sit down and write what was on my mind. As a male in my early 20's I wanted to find a way to express myself. I decided to write down my thought and feelings in poems. Here you will be able to read 11 heart felt poems. Topic's that were on my mind includes: my parents, relationships, friends, my live, love, the world, heart-break, pleasure and … [Read more...]
25 Quotes by Maveen Kaura
Maveen Kaura is the founder of discoveryourlifetoday.com and Co-founder of UsingYourPower.com. A podcast hosed with David Andrew Wiebe of MusicEntrepreneurhq. I want to inspire everyone who reads these quotes to act on what they have been meaning to act on for all these years. I would like to help you find the meaning of life, whatever that looks like for … [Read more...]


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Americans are generally known for liking a lighter coffee brew than their European counterparts. Legend has it, that when the US Armed Forces in WWII poured hot water into their espressos, the café Americano was born.
If you like the flavour and freshness of espresso, but prefer a lighter body with less bitterness then the Americano might just be your beverage. To make an Americano, pour a shot of espresso straight into a large mug. Then add up to 200ml of hot water but you can experiment to find just the right intensity for you. Semi-Skimmed milk can be a great addition to a delicious Americano if you prefer your coffee white.
If you want the Americano style of coffee, but want to preserve the crema (that thin layer of foam on top), you can also try the Long Black. Just pour your hot water into your glass first and then add your shot of espresso.


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The script becomes really boring after a while: a leftist (say for instance, me) points out that a particular behavior of the Democratic leadership is no different from a particular behavior of the GOP leadership, a dyed-in-the-wool Dem takes issue and points out horrible thing X the Republicans did that the Dems did not and challenges me to now say that there is no difference between the two parties. I find myself flustered and angry every time I encounter this. Never have I, or any other leftist, said the two parties are the same, yet that is the Democratic faithful's favorite straw man to hang on us.
Only a simpleton would claim the two parties are exactly the same. The Republican party has for years represented a bigoted world view. They have pandered to racial hatred to cut into the welfare state far deeper than the Dems would. They have pandered to religious zealotry to try to deny women their rights. They have used that same zealotry to demonize me and people like me. They are obviously, on economic issues, further to the right of the Democrats. So no, they are not the same.
That does not mean the Dems, and our President should get a pass. Yes the GOP is farther to the right, that does not make the opposition a liberal party. The Dems have accepted, and even suggested, austerity measures that affect the poorest Americans while leaving a bloated, wasteful, military budget largely untouched. The Dems have nominated captains of industry to police their friends (I believe this has been mentioned here at least once before.) They have continued Bush-era assaults on privacy and civil liberties and hid under the skirts of the Republicans to avoid closing (the international law violating) prison at Gitmo. The Democrats have rattled the saber as vigorously as any Republican in my lifetime. So no, they have failed, or at least their leadership has failed, to represent the Progressive idea on these issues.
Maybe as a Democrat you are OK with that, though I will point out that many of the Dems that are suddenly aren't when these ideas are put forth by Republicans. Maybe as a Democrat you don't think your party should be the party of Progressives. Fine, that does not mean the Democrats that do believe so should lie down and let the austerity hounds and war hawks take over their party. It doesn't mean Progressives should quiet down just because the Republicans are worse. It means those of us who do fight for the left need to stand up and be heard because no one else is speaking for our causes. No one else is fighting for the poor, for workers, for innocent victims of American bombs half a world away, for the environment, or, in short, those who cannot fight for themselves.
Once upon a time the Dems sold themselves as the party that did that. Maybe some of you still believe your party should be that way, but it has been hijacked by leadership more interested in maintaining a status quo. Both mainstream parties have been bought and paid for, and their masters will not allow any talk outside a narrow, drifting ever right, scope. If you, as a Democrat, want that to change, you need to challenge your leadership and encourage qualified Progressives to primary against those who cater to the moneyed elite. That, or you can join those of us who have found homes outside the mainstream parties. If you don't do one of those things, then clearly you do not care enough about the ideas you claim to hold so dear, and unfortunately, that makes you, not I, part of the problem.
Related articles
- In case you wonder why some Dems cling to austerity (dailykos.com)
- Mike McCabe to Dems: Grow a pair (host.madison.com)
- Reeling SC Dems look to rebuild (thestate.com)
- Liberals Furious Over Obama's Budget – Krugman Predicts Plan Will Blow Up In His Face (businessinsider.com)


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Charlene Underhill Miller, PhD
Dr. Charlene Underhill Miller, a psychotherapist in Southern California, working with parents, couples, and families. She is a frequent and popular speaker to community groups, a professor, a wife, and mother. www.underhillmiller.com
Jul 31, 2018
Many individuals and couples try and convince one another that a "little porn" will help their intimacy, while teens convince themselves that a "little peek here and there" won't hurt anyone…until it does. When the idealized love interest becomes the ever-present object in one's mind and heart, taking over daily thoughts and real life interactions, one must wonder if they have an addiction to pornography.
Individuals question and defend whether or not their porn use is disabling, a fetish, a problem or an addiction. Regardless of the label, dabbling in porn often begins the end of their personal and relational stability.
Experts in the field of sexual addiction often ask their clients if their obsession has complicated their social, relational and occupational functioning. With the accessibility of online pornography, many have found it easy to access pornography during their school and workday. Easy access begins easy dependence. Gone are the days of having to drive to adult bookstores, dance clubs or massage parlors; much can be found online which gives parents and loved ones pause as they consider what is "normal" behavior and what behavior becomes a "problem?"
Addiction specialists think of potential addictive behaviors on a continuum ranging from infrequent, occasional, binging, to addictive, keeping in mind that all addictive behaviors are progressive over time. Any of these can cause problems personally or in relationships, regardless of the intensity of the problem. It is not uncommon for the "addict" to minimize the acting out even when their loved one is suffering. The use of porn often begins as one partner exploring pornography on their own, often to excess, and then trying to convince the other partner to engage in an "enhancement" to their intimacy. Sadly, what begins to happen is an envious experience of one idealized partner against the real-life partner.
Teens who access online pornography dangerously enter into the world of private sexual exposure that can alter their expectations for healthy relationships and can expose them to risky sexual relationships. Regardless, the secrecy cultivates painful experiences within the pornography user.
Here are some thoughtful reflections in contemplating whether you or your loved one is potentially addicted to pornography:
Many experts will help others consider their pornography use as a difficulty if it impairs their social, emotional, or occupational functioning. With that said, here are a few questions that families can ask of themselves in regards to any addiction, including the addiction to pornography:
If you answered "yes" to more than a few of these questions, there is a very strong probability that you have a significant relationship with pornography and that is can be causing difficulty in your family and love relationships, along with your relationship with yourself. Guilt, shame and fear accompany this addiction.
Regardless of where you find yourself on the continuum of pornography use—from occasional, to frequent, to obsessive. Then ask yourself honestly if pornography use ADDS to your intimate relationships and personal well-being. If it is becoming a problem, seek some help from a trained professional where you can begin to distinguish healthy intimacy from unhealthy obsession—real connection from a "little peek" gone awry. To help safeguard your children from stumbling upon inappropriate content, consider using parental control software to filter out bad content.


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The Present
Fan Made Poster
I found out that Cate Blanchett – one of my favorite actresses I truly admire is going to debut her first Broadway show. I researched about the upcoming show and found some pictures from the play they performed at the Sydney Theater Company in 2014. I decided to create this poster for the upcoming Broadway show The Present. I had a lot of fun creating this poster, and am putting it out here to give a perfect example of what I love to do in my free time.


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With digital media continuously gaining in popularity, it has brought about new platforms for people to share their talents and knowledge. This fact especially holds true when it comes to makeup. If you are looking for the newest cosmetology news and trend, you can simply go to YouTube in order to find dozens of influential makeup artists waiting to share their knowledge.
The Opportunities of YouTube
YouTube has become a huge platform for individuals who want to share their makeup tips, tricks, and ideas with audiences across the globe. Over time, these gurus can amass millions of followers and not only inspire people to do their own makeup, but also give them the motivation to pursue a career in this exciting field.
In fact, these individuals have become so influential that many have started their own brand of makeup. Others collaborate with top brands in the industry, gaining similar fame and fortune.
As a result of this new opportunity, many beauty YouTuber's have made sharing videos on the platform not only something fun to do but turned it into a career. They stay up to date on top trends, makeup, methods, and tools to keep you, the viewer, well informed and inspired.
If you're wondering what life as a beauty guru looks like on YouTube, here are a few of the most famous ones along with a discussion on what they have brought to the world of Cosmetology.
Nikkie De Jager hails from the Netherlands. She started her YouTube channel since 2008 and has amassed more than 5.7 million followers since with auxiliary presences on social media outlets like Instagram and Snapchat. On her YouTube channel, she is constantly putting up new content.
Whether Nikkie is showing you how to do a cut crease, a bold smokey eye, or having a beautiful glow, she is always coming up with new ideas. These tutorials are both geared for your own makeup needs, and as inspirations and instructions on how to apply a client's makeup.
Her most recent collaboration, called The Power Of Makeup, was created with the help makeup brand Too Faced Cosmetics.
Carli Bybel
With almost 5 million subscribers on YouTube, Carli is an undeniably influential makeup artist. Her specialty is pairing makeup needs with fashion trends and preferences.
Carli's latest collaboration was an eyeshadow and highlighter palette with Bh Cosmetics. She does a variety of looks, from more bolds to neutrals. Her laid back personality makes her easy to follow, and gives a great deal of inspiration to her audience.
Makeup Geek
Marlena Stell is the woman behind the YouTube channel Makeup Geek. Her 2 million subscribers may be less than the two above but are nothing to sneeze at. She has used YouTube to help to give people tips and tricks to not only enhancing their natural beauty but also taking some risks and going outside of their comfort zone with more daring or bold looks.
Taking advantage of her YouTube success, she created the brand of Makeup Geek cosmetics. Now, the brand is well known for not only it's great price point, but also for an amazing quality of the product.
From eyeshadows to blushes, contour powders, and highlighters, her brand has become synonymous with excellence. She also collabs with other YouTube gurus such as Manny MUA in creating an eyeshadow palette, along with a highlighter palette with Kathleen Lights.
Wayne Goss
Wayne is a makeup artist from England. On a regular basis, he gives his viewers tips and tricks that take a more professional angle. He reviews new products and will even help his subscribers find comparable products that produce the same results as their expensive counterparts for a more affordable price point.
In addition, he also sells his own line of cosmetic brushes. With over 2.7 million subscribers, he has made a name for himself and helps to not only spark interest in makeup but gives people the confidence to pursue their passion.
Jaclyn Hill
With almost 3.7 million subscribers on the platform, Jaclyn has made a name for herself in the beauty world. In videos that feature in-depth explanations on how to achieve the same results, she tells her audience about the products, methods, and reasoning behind her look.
Whether she is telling you about the importance of blending or why she has to change looks and techniques to correspond with changes in her skin, she is simply fun to watch. As a result of her success, she has had several different collaborations with a variety of companies; her most recent with Becca Cosmetics.
She worked with them to create Champagne Pop and Prosecco Pop, two highlighters.
Manny MUA
At his core, Manny is simply a fun-loving man who enjoys wearing makeup. His time working at MAC gave him skills to continue to follow his passion of makeup. Whether he is giving advice and ideas on great looks, or talking about new tools, he always tries to inspire his viewers to do the same.
Since he started a YouTube channel in July 2014 he has attracted almost 2 million subscribers. And if you are part of his Snapchat audience, you will note that he also attends a variety of beauty events, and travels around the world with various brands like Benefit Cosmetics and Jouer.
Manny is an especially intriguing makeup artist if you are a man who either enjoys wearing makeup or wants to learn how to apply it to others.
He also branches out, and has even created content about his own personal skincare routine. His products include liquid lip collaborations with Ofra Cosmetics and Gerard Cosmetics, along with an eyeshadow palette in partnership with Makeup Geek.
Jeffree Star
Jeffree only recently began publishing makeup tutorials on YouTube but has already amassed almost 3 millions subscribers. His trademark is his unique personality.
Part of the reason for his quickly-growing follower base is the popularity of his own brand, Jeffree Star Cosmetics. He has used his social media platform to discuss skincare, makeup, and regularly tries various products in order to give honest reviews.
His looks can be edgier, but he nonetheless gives helpful information that can be translated to all types of looks. Jeffree's own brand offers liquid lipsticks and has also begun to include an eyeshadow palette along with highlighters in a variety of shades. But his YouTube channel has only brought him more success and more awareness of his cosmetic brand.
The Expanding Field of Cosmetology
YouTube has changed the playing field in cosmetology. It has allowed people with a passion for makeup to make it easy to inspire others. From tips and tricks on how to best apply makeup to advice on their favorite products and brands, they offer a constant stream of content for any aspiring makeup artist.
At the same time, they are also expanding the possibilities of what a career in the field may look like. Thanks to digital distribution possibilities, all of them are gaining both fame and revenue that will last them for a long time to come. Especially young aspiring cosmetologists can learn quite a bit from these artists, both in terms of gaining skills and how to present their skills.
The field of cosmetology is always changing. It can be great fun to play with colors, experiment with techniques and tools, and give your clients the flawless face they want or the bold smokey eye they can't do on their own. With the help of an increasing number of digital artists, you can learn and achieve just that.
Their love of all things beauty has allowed these makeup gurus to show others all the fun and possibilities that come with doing makeup. And when you decide to get into cosmetology, it's always a good idea to check out YouTube and see what other great looks and ideas are out there.


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Long, long ago, I started a podcast called Taking Back Geek. It crashed and burned after a while. Then I started up another podcast called What Am I Doing Right. It also ran out of steam. I then produced a podcast called Nerd Girl Redemption. One of the hosts was Rebecca Triplett. It lasted an episode.
Eventually, Rebecca and I got tired of not hearing our voices on the internet, so we decided to start a new podcast, tentatively called Untitled and Unfocused, mainly so we can get used to talking into microphones, but also to record our lives/thoughts/feelings.
In Episode 0, we cover the following topics: Goals & Aspirations, Benefits of Creative community, Quick chat on mental illness, Nightlight, Comparing yourself to modern titans, Graveyard Book – http://www.mousecircus.com/videotour.aspx, Twitter and the Mute Button, Social Media drain, Political Tribalism, C.G.P. Grey https://www.youtube.com/user/CGPGrey,Things Fall Apart by Chinua Achebe, Living History, Nerdcon Stories, Identity Management, Video Games, Star Power (web comic) http://www.starpowercomic.com, Table Titans http://www.tabletitans.com, Chuck Wendig (http://terribleminds.com), Untitled Rothfuss (http://www.untitledrothfuss.com), Rescue Time (https://www.rescuetime.com/)
Hope you guys enjoy it, and we'd love to hear from you. Sound off in the comments.
Intro & Outro Music by audionautix.com


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By Allison Owen In my house (the old one, not the new one yet), the computer is upstairs in this loft sort of room that overlooks the living room. So I'm sitting up here thinking of what I was going to write while my family is watching the movie "Friday Night Lights." I had been hearing bits and pieces of it when I heard something that hit me. One of the guys in the movie said, "I'll miss the heat," and another responded with, "I'll miss the lights." Now I know this is a movie about Texas high school football, I don't have to watch the movie to know that, but that's something you can relate to corps as well.
OK, so I'm only 16. I age out in 2010 -- July birthday -- and that seems like a long time from now. In some ways, it is. There are many more summers to come for me. I was lucky enough to "discover" the world of drum corps early enough that I have plenty of opportunities in my future. Some people aren't that lucky. There are many corps members that only get one year-not by choice-because they find out about corps too late. Even if someone only gets one summer of corps, at the end the members have so many incredible memories. I know that I have enough to last me a lifetime, and I've still got six summers to go -- I hope. That's a long time, so it's my goal to make these seasons the best I possibly can. There's a saying that's passed around in corps -- and probably sports teams as well -- that can be very inspirational if you think about it: "Championships are won while the stands are still empty." It's January and some may think that I'm talking crazy, but most corps members know that this is when it all begins. The season is set by what happens now. The pace of the summer begins in the winter camp months. What we do now indirectly affects what happens in mid-August. The time in between camps is up to the individual corps members. The staff isn't going to come to our houses to make us practice or get in shape; it's up to us. It's a matter of how badly we as members want it. The staff can want it, but we're the ones who have to get out on the field night after night and perform. I know I probably haven't been as dedicated as I want to be, and that's going to change. I want the corps to be the best that we can be. So I'm going to push myself to work hard between camps to make the corps better. When August rolls around I want to be able to look back and know that I have absolutely no regrets. I want to know without a doubt that I pushed myself as hard as I could all season and I couldn't have done anything better. So I can keep hyping camp this coming weekend, but that isn't going to make me better. I know what I have to do, so I just have to do it. That's something corps has taught me: Self-discipline. I have to make myself work as hard as I can -- even if I don't want to. I may be a little weird, but I know that when 2011 comes I want to be able to look back at my time in corps and know that I did the best I possibly could. Sure I'll miss the heat of the summer and I'll miss the lights of the stadiums when it's all said and done, but I don't want to wonder what would have happened if. Let's get out there and make 2005 the best season yet! Allison Owen, 16, is a junior at Sullivan Central HS in Blountville, Tenn. She's in my second year in the Memphis Sound guard and enjoys dancing, writing, English, guard, photography, having fun and performing. For college she would love to attend the University of Oklahoma and major in journalism or English; however, she'll probably end up at the University of Memphis for in-state tuition's sake.
Allison Owen at 2004 World Championships.


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Hi all, I have joomleague 0.93 running in Joomla 1.5.23 and works like a charm. When i was setting up the prediction section I couldn't find a way to close prediction entries before a match. I would like to set 30min for example, is there any way to do it?
Thanks in advance.


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Sunboy & Fantail surround by hungry ducks.
Fantail feeding ducks from his hand.
Franz feeding ducks.
Fantail standing in front of Hut
Swinging from tree.
Looking for frogs.
Our friend duck.
Eel feeding.
yum yum.
A few months back we went of a family day out with my parents & family friend in waikanae at Nga Manu Nature Reserve. My mum had been doing lots of nature bush walks lately and asked if we would like to come along. I really is awesome place, many many birds, also spiders & eels. First off we spent a good few minutes feed ducks from our hands, explored the kea house, was amazing to be close to one in its home. There is a amazing kiwi house where you see kiwis up close feeding and sleeping in the caves. I had some fun playing with the owls. Went for a walk around bush and made friends with a friend duck who followed us the whole way around the track. Had a lovely lunch before watching a eel demonstration and eel feeding, $2 to feed the eels a dead chick from a stick. Fantail was very keen to have a go.. the eels were crazy.. what am experience.
I highly recommend exploring Nga Manu as a family or alone one with nature. I look forward to going again.
Check out the website for more details :D
Song x


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IntercomCall us for more details on how our systems can meet your needs at (601) 856 - 0600
Bogen Intercom Systems
NetLink is an official Bogen Engineered Systems Dealer.
Bogen's Engineered Systems offer a number of solutions for educational institutions at the facility, campus, and district levels.
Bogen's outstanding systems and audio products incorporate VoIP-based communications, conventional paging and intercom technology, classroom voice enhancement, media retrieval and delivery, time systems, and professional audio for theaters and sports facilities. Netlink offers high-quality products that are dependable and easy to use.
We specialize in the highest quality design and installation available, along with professional troubleshooting and repair of Multicom systems.
We also have options available for clocks and bell systems.


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Nathan Emery
Nathan Emery (Cambridge, UK), is Senior Lecturer in Cognitive Biology at Queen Mary University of London. His research interests have focused on the cognitive abilities of corvids, apes and parrots, and he is currently working with the ravens at the Tower of London. He has authored two previous books and is on the editorial boards of Animal Cognition and the Journal of Comparative Psychology. His work has been extensively reported internationally.
Author of
- Lynx Edicions Publications
- Natural History Bookstore
View your shopping cart.


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Guesthouse Terra Africa
This is an actual tour booked by Wilmari Pronk. It is a variation of the Namibia Highlights Safari. If you like the sound of it you can book this exact trip using the enquiry form below or use the itinerary as a starting point and make any changes you want.
This is a quick 7 day safari around Namibia including Etosha, Swakopmund and Sossusvlei


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Contact Us
Tel: +86-532-66736879
Fax: +86-631-6681242
Mob: +8618660351314
E-mail: email@example.com
(1) outer ring fits tightly;
(2) parts and shape and position tolerance problem, parts such as the frame, end cap, shaft concentricity is not good;
(3) improper selection of bearings;
(4) poor lubrication of the bearing or bearing cleaning dirty, grease with debris;
(5) current.
The use of:
(1) unit of improper installation, the motor shaft and drag the mechanism of the shaft concentricity is not required;
(2) the pulley pulled too tight;
(3) bearing bad maintenance, grease or over use, dry metamorphism.
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Jan Kempenaers
Falling Vision
Jon Thompson
Jan Kempenaers and the Picturesque
Steven Jacobs
Spomenik, The Monuments of Former Yugoslavia
Willem Jan Neutelings
Recent ruins
Dirk De Meyer
Jan Kempenaers
Frank Maes
On Jan Kempenaers' contemporary picturesque
Dirk De Meyer
On Jan Kempenaers' contemporary picturesqueDirk De Meyer
On Jan Kempenaers' contemporary picturesque
Dirk De Meyer
"That's what I'm after: a normal view of the landscape. Almost."
Robert Adams
If artists are important to society, this is so not least because they have the power to give new forms to matter and to endow existing matter with new meaning and character. An early-modern illustration of such a transformation that was to affect modern culture for centuries is how artists produced "landscape" out of what had formerly been referred to merely as land, or nature. The modern form of our conception of landscape, with its connotations of scenery, first appeared in the late sixteenth century, when Dutch and Flemish painters – on the verge of becoming masters of a new genre – used the term
when referring to paintings of inland natural or rural scenery. Land acquired the ability to become, in a depicted scene, something that could be appreciated for its own intrinsic aesthetic qualities.
Following the proliferation of these landscape paintings and the spread of the genre with the success of Claude Lorrain's visions of Italian mythological scenes, the eighteenth century witnessed a radical change in the perception of land itself: it was no longer restricted to depiction on canvas. It created what we are now used to calling "landscape", a term, according to the Oxford English Dictionary, that was only introduced around 1725 to denote an actual physical landscape. What had formerly been perceived in terms of ownership, production, agriculture or military significance became aesthetic material – something imagined, created or viewed by man, as pointed out by the mid-twentieth-century landscape theorist J. B. Jackson.
In particular, the new condition in which a spectator could appreciate a tract of land in the same way as one appreciates a well-composed painting was soon to be called the
– i.e., "after the manner of painters". Ever since, the picturesque has altered the way we look at landscapes, even to the point that it has become completely ingrained in the way we see the world and produce our own representations of it, as when we take snapshots or choose a route for a walk or a drive. On a more theoretical level, during the course of the last century it has been hailed as the true pioneer of modern design by Nikolaus Pevsner in his
The Englishness of English Art
(1955)[1] and stigmatized as an undefeatable adversary in Reyner Banham's
The Revenge of the Picturesque
Many of the works of the Belgian photographer Jan Kempenaers are artistic representations of fragments of our environment –
, as we have come to call them. Some of these landscapes are "natural" ones and continue an overtly picturesque tradition. For instance, Kempenaers' arresting photographs of rocks, sometimes isolated in the middle of the sea, sometimes as part of a larger inland environment, build upon a long tradition established by early photographers such as Roger Fenton – one can think of
The Cheddar Cliff
of 1858 or
Bowder Stone
of 1860. In a similar way, Kempenaers' forest landscapes grow out of the tradition that encompasses imagery ranging from Gustave Le Gray's photographs of the forest of Fontainebleau from the late 1840s to Thomas Struth's more recent ones. Some of Kempenaers' other photographs of rocks and landscapes, such as
Rock #3
(2010), may come across as "natural", but upon closer examination they reveal the traces of man's intervention in a way that seems to revisit the approach of Robert Adams or Lewis Baltz. In Adams'
Clear-cut and Burned, East of Arch Cape, Oregon
(1976), for instance, traditional picturesque imagery and tools are used to produce an image of the impact of man on nature, an impact that reaches the point of total devastation.
Setting aside his most manifestly, or undisguisedly, picturesque series, the majority of sites that Kempenaers looks at have been altered by man, or are even entirely man-made. Often what appears in the pictures feels familiar, yet how it is presented in the photograph does not feel that way to the same degree.
At first glance Kempenaers' photographs may not reflect the traditional ideas we have about an everyday picturesqueness. To better understand the relationship between his compositions and the aesthetic category of the picturesque, we need to look more closely at some of the original eighteenth-century aspects of the picturesque. When we leave aside this popular genre's legacy – which has been significant though not highly prized, for at one point the picturesque even became synonymous with conventionally beautiful scenery – we will be able to discover its astounding modernity and topicality. The picturesque conceived as such, I will argue, fits perfectly with our contemporary way of looking at and appreciating natural and urban environments, and is also firmly entrenched in contemporary practices of representation. Viewed from this perspective, Kempenaers' photographs can be understood as an exploration of the continuing relevance of the picturesque in the contemporary visualization of our environment.
The Recovery of the Artistically Discredited
From the very beginning, the picturesque was a practice rather than a category of objects. It related both to the elements in a scene as well as to the artist's treatment of his subject. For the English artist and author Reverend William Gilpin, who is considered one of the originators of the picturesque, it was essentially just a set of rules for depicting nature. In his
Three Essays: On Picturesque Beauty, On Picturesque Travel, and On Sketching Landscape
(1792), Gilpin succeeded in virtually codifying the picturesque as something that is composed of such conventional elements as ruins (à la Lorrain), cottages, villages and winding paths, characterized by roughness, intricacy, sudden variation and abruptness, and comprised of a foreground, middleground and background, which together formed the general and more abstract paradigm of the picturesque.
The essential qualities of the picturesque were formulated in the most succinct way in his earlier
Essay upon Prints
(1768) when he said that the term was "expressive of that peculiar kind of beauty, which is agreeable in a picture".[3] Gilpin realized that the accepted definition of beauty – which, in his day, was most often marked by a unity of composition and a sense of effortlessness – was hardly suitable for describing what he appreciated in nature: "the picturesque", composed of roughness, irregularity and variety. The landscape he had in mind produced another kind of beauty – the beauty he admired in the lake shores, looming mountains, perilous rocks and crashing waterfalls of Ullswater, in the Lake District, as he described it in his
Observations, Relative Chiefly to Picturesque Beauty
(1772; often referred to as
Observations on Cumberland and Westmoreland
"Among all the visions of this enchanting country, we had seen nothing so beautifully sublime, so correctly picturesque as this."[4]
Gilpin, however, was not the first to articulate this new kind of beauty. William Hogarth had already introduced the key concepts of variety, curvilinearity and intricacy in his
The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas of Taste
of 1753. Hogarth's publication also came out four years before Edmund Burke's better-known text entitled
A Philosophical Inquiry into the Sublime and Beautiful
(1757). In his attack on dealers and connoisseurs, Hogarth focuses on the concept of "the Line of Beauty", whereby he substitutes the classical figure of male heroic virtue with the charming female figure of Venus; in one of the book's accompanying plates, the Farnese Hercules, an embodiment of classical taste, has turned his back to Venus. Hogarth centres his aesthetics on the virtue of variety, which he finds in the beauty of women, in their serpentine locks of hair and the way they move, in their corsets . . . Hogarth's
became the focus of ridicule for some, particularly the English landscape painter Paul Sandby, but it was nonetheless generally well received and widely read. Particularly in landscape theory, Hogarth's "Line of Beauty" became associated with the principle of the most successful landscape architect of the later eighteenth century, Lancelot "Capability" Brown, and with Humphrey Repton's landscape gardening, and it was developed by Gilpin as the picturesque, with its preference for irregularity, roughness and variety.
Just like Hogarth had intended with his aesthetics, Gilpin wanted the picturesque to be utilized to counteract and correct what was officially considered "beautiful". Hence, at the very core of the picturesque there is something quintessentially modern: it seems to be about the recovery of the artistically discredited – a landscape, a ruinous construction – as a source of sensory pleasure and, subsequently, of aesthetic pleasure. In providing an initial way of
landscape, the picturesque movement actually encouraged the
viewing of
landscape. It opened up the scenery of England to enthusiastic travellers in search of the picturesque and revealed what had always been there but had never been seen before. It was with the same attitude that J. B. Jackson, as a sort of Gilpin for the mid-twentieth century, recognized the existence of a new landscape, and that photographers like Robert Adams and Lewis Baltz saw its pictorial potential: two centuries after Gilpin had codified the picturesque landscape, they revealed the until then artistically ignored American expanses of tract houses and industrial parks.[5] "The best place to find new landscapes is in the West", Jackson wrote. "Pictures painted on canvas is not what I mean, nor glimpses of pleasant rural scenery, but landscapes as we are now learning to see them: large-scale organizations of man-made spaces, usually in the open country."[6] Some of Jan Kempenaers' images of new urban environments in Asia or of housing developments in the Dutch polders refer to the pioneering photographic series of the
New Topographics
and often share with them that peculiar blend of being simultaneously boring and interesting.
Kempenaers' choice of light, the very first element of the photographer's practice, adds to this. Unlike Ansel Adams' dramatic skies, which underscore the drama of the imposing landscapes, Kempenaers' skies, like those of Lewis Baltz, are of a uniform, featureless white. Much as the early picturesque landscapes were no longer lit by the warm light of a fanciful Golden Age or capped off by the grandiloquent skies of Lorrain or Poussin, his photographs consciously steer clear of the drama of earlier landscape photography; Kempenaers' landscapes are viewed in a common light that is undramatically flat and sometimes even bleak.
An Egalitarian Art
While the theory of the picturesque was intellectualizing landscape, it was also transforming it into something that could be appreciated through learning, much as neo-classicism had done previously to the classical canon. However, the rules of the picturesque were clearly intended for a public that extended beyond that of connoisseurs. Some contemporaries like Allan Ramsay, who wrote a friendly but dissenting
Essay on Taste
(1755) in response to Hogarth, understood the egalitarian core of Hogarth's and Gilpin's theories of the picturesque well. Not only was the picturesque intended to counteract the canonically beautiful, but it could also be achieved perfectly well without a classical education or a Grand Tour: it was a technique one could learn. Capability Brown could compose his parks without a great knowledge of painting or an imagination well stocked by a liberal education, something that originally had been considered paramount to the appreciation of landscapes, let alone to their design. (Brown's practices would, however, be condemned by the more high-brow scholar and connoisseur Richard Payne Knight on the grounds that Brown "knew nothing of pictures".)
The appeal of the ruin and of picturesque decay can be understood in this context: it has rarely been pointed out how ruination could easily verge on a layman's revenge against classical connoisseurship. In the first of his
Three Essays,
Gilpin suggested: "Should we wish to give it [Palladian architecture] picturesque beauty, we must use the mallet instead of the chisel: we must beat down one half of it, deface the other, and throw the mutilated members around in heaps. In short, from a smooth building we must turn it into a rough ruin." And Hogarth, in his
had advocated introducing a "break" in a building – that is, in its Vitruvian orders – and avoiding regularity "by throwing a tree before it, or the shadow of an imaginary cloud or some other object that may answer the same purpose of adding variety".[7]
Unlike the later versions of Uvedale Price and Richard Payne Knight, Gilpin's and Hogarth's picturesque does not suppose the gradual transformation of landscape by benign neglect but requires an energetic intervention by an artist. When following the rules, a ruin, like the one seen in Kempenaers' depiction of the demolition of an Antwerp hotel, could acquire a direct appeal without needing to be mediated by a familiarity with any kind of learned culture.
A Disconcerting Portrait of Common Life
Following the early years of its theoretical development, the picturesque was soon popularized through illustrated guides and fashionable sketching tours that tended to portray a populist and recognizable landscape. These made the picturesque one of the central conventions in the repertoires of traditional and popular visual culture. The picturesque became identified with a kind of quaintness.
However, at the root of this process was something much more profound and meaningful. The formulation of the category of the picturesque encouraged artists to include subject matter which was neither canonically beautiful nor emotionally heightened, but which possessed instead the idiosyncratic charm of the particular and the everyday. Moving away from seventeenth- and early-eighteenth-century depictions of myth-laden Italian scenes, the picturesque embraced rustic England and developed a visual idiom from common life.
Following Uvedale Price's eighteenth-century definition of the picturesque as something suited to the interest in the near-at-hand and the ordinary, Kempenaers' photographs of cityscapes and suburban tract houses display precisely this, with their cranes grouped like Gilpin's trees. These photographs eventually illustrate what John Macarthur has written about eighteenth-century aesthetic theory: the admiration of a painting of filthy cottages showed that one's interest was in art, not in the objects represented.[8]
In his cityscapes Kempenaers continues to adopt a visual idiom for what is
the common, rustic landscape: the tract housing developments spreading across the Dutch polders, the backs of typical Belgian townhouses or, even more, the generic malls and high-rise buildings being built all over the world. Common life is, after all, set against the backdrop of the generic.
But then, what was to be done with that peculiar quality of the picturesque, its creation of a new – if not the only – way of deriving aesthetic pleasure from landscape? Is the contemporary picturesque offering us a means of deriving aesthetic satisfaction from the built results of bland market capitalism? The eighteenth-century picturesque had already had a political and economic overtone with the licence it provided for liberalism, variety, change and originality. In addition to this, it had even had a down-to-earth connection to early capitalism: Capability Brown's clients appreciated his landscape gardens as much for their picturesque layouts as for their wise investment in wood (or at least a better one than could be provided for by their old formal gardens, which were erased to make way for Brown's landscape parks).
Yet can one look today at these photographs of new urban developments, whether they are found in Europe or in South-East Asia, with the same peculiar combination of pure aesthetic pleasure and complete detachment from the forces behind their development, in the way Gilpin was arguably able to? When, in
Observations on Cumberland and Westmoreland
(1772), Gilpin wrote about his birthplace, Scaleby Castle near Carlisle, it is unclear whether he intended even the slightest touch of satire: "What share of picturesque genius Cromwell might have, I know not. Certain however it is, that no man, since Henry the eighth, has contributed more to adorn this country with picturesque ruins. The difference between these two masters lay chiefly in the style of ruins, in which they composed. Henry adorned his landscapes with the ruins of abbeys; Cromwell with those of castles. I have seen many pieces by this master, executed in a very grand style; but seldom a finer monument of his masterly hand than this. He has rent the tower, and demolished two of it's [sic] sides; the edges of the other two he has shattered into broken lines."[9]
Gilpin's picturesque musings exceeded the catalogue of elements and rules of composition. For all his asseverations regarding artistic theory, it was the visual art itself which most concerned Gilpin and which explains the focus of his reflections. Words, Gilpin insisted, "can not mark the characteristic distinctions of each scene – the touches of nature – her living tints – her endless varieties, both in form and colour. – In a word, all her elegant peculiarities are beyond their reach."[10] And while Gilpin concluded that it is "the pencil" that "offers a more perfect mode of description" and "speaks a language more intelligible, and describes the scene in stronger, and more varied terms",[11] today these are the ambitions of photography.
Yet, even when gratifying due to their composition and "their living tints and endless varieties", Kempenaers' photographs of landscapes altered by man forestall the nostalgia that has, over time, become typical for the picturesque. They force the viewer to remain in the present and think about its conditions and its future, and about the forces threatening our environment. Using Gilpin's
of the picturesque – which, by now, are themselves "classical" – Kempenaers' images confront us with the picturesque's slightly disconcerting aspects. As one visitor of the 1975
New Topographics
exhibition at the George Eastman House observed, the photographs on display were saying "This is it, kid; take it for its beauty and its ugliness."[12]
[1] Nikolaus Pevsner, "The Englishness of English Art", Reith Radio Lectures, BBC, 1955. The text of Pevsner's lectures, expanded and annotated, was published by the Architectural Press in 1956 and reissued by Penguin in 1964.
[2] Reyner Banham,
Revenge of the Picturesque: English Architectural Polemics, 1945–1965
, in John Summerson, ed.,
Concerning Architecture
(London: Allen Lane, 1968), pp. 265–73. Banham blames the eventual revenge of the picturesque and its triumphant victory on the Smithsons.
[3] William Gilpin,
An Essay upon Prints
(London: Robson, 1768), p. 2, section entitled "Explanation of Terms". In later editions the title becomes
An Essay on Prints.
[4] William Gilpin,
Observations, Relative Chiefly to Picturesque Beauty, Made in the Year 1772, on Several Parts of England; Particularly the Mountains and Lakes of Cumberland and Westmoreland
(London: Blamire, 1722; 1792 ed.), vol. II, p. 52.
[5] See for instance Lewis Baltz earliest portfolio,
The Tract Houses
(1971), which was recently reissued in a three-volume box set together with other portfolios as
The Tract Houses; The Prototype Works; The New Industrial Parks Near Irvine, California
(Göttingen: Steidl, 2005).
[6] John Brinckerhoff Jackson, "A Vision of New Fields", in John Brinckerhoff Jackson,
Discovering the Vernacular Landscape
(New Haven and London: Yale University Press, 1984), p. 141.
[7] William Hogarth,
The Analysis of Beauty: Written with a View of Fixing the Fluctuating Ideas of Taste
(London: Strahan, 1753; 1772 ed.), pp. 19–20.
[8] John Macarthur,
The Picturesque: Architecture, Disgust and Other Irregularities
(London: Routledge, 2007), p. 11.
[9] Gilpin,
vol. II, pp. 122–23.
[10] Ibid., p. 10.
[11] Ibid.
[12] Jack, a visitor to the exhibition
New Topographics: Photographs of a Man-Altered Landscape
(George Eastman House, Rochester, N. Y.), in a tape-recorded conversation with a student on 14 December 1975, which was part of an assignment for Joe Deal, a photography instructor and participant in the exhibition. A partial transcript of the conversation can be found in
New Topographics
(Göttingen: Steidl, 2009), p. 9.
© Jan Kempenaers


text:
(Step away from the rulebook, and no one will get hurt!)
People who don't understand should just stop undermining their credibility by opening their mouths.
If you don't understand the system, do NOT try to set yourself up as an authority...you only make things worse for yourself in the long run, and frankly cause more harm on 'your' forum than you think...
Orks are top tier? SHIT...talk to Vito, or me fergawdsake... I love Pat and sometimes even Chris, but they're wrong. They are not the pure SHITE that yes-the-douche-hurts thinks they are, but they sure aren't top.
And if you are meched up and can't beat double-lash, you should be 40k neutered.... :(
(oh, and Daemons are DEAD in tournament...gack)


text:
Hello, blogosphere! First, it was work, work, work.... And now I'm off to our church camp. Won't be back 'til late Easter Sunday. Hope you all have a meaningful and enjoyable Holy Week! :)
Hope you had a great time! Hey, you were a top commenter at myqualityday.blogspot.com. Congrats!
Nice blog & good post. You have beautifully maintained, you must try this website which really helps to increase your traffic. hope u have a wonderful day & awaiting for more new post. Keep Blogging!
@Sharkbytes: That's great news! Thanks :)
@Lydia: Thanks!


text:
They make their own energy and health bars....
Sunday, December 7, 2014
They make their own energy and health bars....
16 comments:
Wow! I could use a Max's!ReplyDeleteReplies
I have the feeling you would love it.Delete
That salad sounds amazing!!!! And I guessing those ostrich eggs would make a huge omelet????ReplyDelete
Next time we get over that way, I will have to check this place out. These hidden places are usually little gems.ReplyDelete
Now between yesterdays post and now this, your just making me hungry.ReplyDelete
I find more and more of these types of places are cropping up here in town. It's nice to see some small business again. Love the look of the place though.ReplyDelete
Even if we do shop once a week, I couldn't resist stopping into a place like that every day!ReplyDelete
When I first left the,states and lived in Europe, that was a way of life there. Most people I knew only kept staples in their cupboards, and shopped daily for meats, fruits,produce, and everyday meals. They like the food most fresh, which does make a difference. What a lovely market!!!!ReplyDelete
Great quaint market is right. The way you shop is what I also do. It also cuts back on wasting alot of food.ReplyDeleteReplies
Your right. With just staples in the house, and stopping everyday, I find I'm not wasting nearly what I used to.Delete
You shop European-style.ReplyDeleteReplies
So I've been told.Delete
I could use one of those donuts right now......and cavier!!! Now that's a market!!!!ReplyDelete
I usually shop twice a week for food, but I could see myself visiting a place like this more often.ReplyDelete
I love markets like this, and love chickens, so I love the logo they have.ReplyDelete


text:
I didn't realize how large of a phenomenon Hamilton was until July of last summer. My husband was invited to be a special guest at a music camp in western Pennsylvania, and I was invited to accompany him. We were at the camp for a week, and toward the end of our time, the camp had a "soloist night" for the kids to participate in. The director of music decided he would do the closing number for the night and sing "My Shot" from the Hamilton soundtrack.
Before that summer, I hadn't listened to the soundtrack, and it wasn't until a few months later that I caved. I really wanted to experience Hamilton live on stage before I could recite all of the lyrics from memory. I wanted to go into the musical without any preconceived notions about what it would look like.
The director ended with his song, brown cape, and 1800's getup, and the kids went crazy! Here was this group of 6-14 year-olds, more than 8 hours away from New York City, singing along to the Hamilton lyrics! Of course I knew that Hamilton was a big deal, but I lived 20 minutes outside of Manhattan. It's not uncommon for me to attend a conference or event where a "night out" means free Broadway tickets and a ride into Times Square. But for us to be in a rural area of Pennsylvania where the kids knew every word to "My Shot"…that's when I realized it.
Fast forward to this past weekend. On Friday, the chorus of moans sounded off from my co-workers at 1pm, when we all found out that, once again, we didn't win the Hamilton lottery. There are a group of ladies that I work with that all dream of it: two tickets, $10 each. The ultimate show at the ultimate price. Later, as I was about to leave, my friend Justina stopped by and said she was going into the city the next day. We had already planned to meet for Zumba in the morning, so we could leave after our workout. After a bit of thought (I don't like to make decisions on the spot, should I regret not putting thought into it later), I told her I'd love to go, and we planned to see each other the next day.
That morning on my drive to the gym, Justina texted me and asked if I wanted to skip Zumba and go straight into the city. There was a 2pm matinee of Hamilton scheduled on Saturdays, and we could stand in the cancellation line and try to get tickets. At first I was bummed about missing a workout, but decided it wouldn't hurt. The chances were slim, but I thought it would be fun to say we had tried.
At 12:30PM, we got in line at Hamilton. As we'd driven into the city, the snow was coming down fast and fluffy, but as we stood in line, we only felt frequent water drops on our heads from the building behind us. We both had croissants and coffees to hold us over until we got out of the line for lunch, or got out of the show. There were about 15-20 people in front of us. Justina had stood in the line a few times before, and told me not to get too excited. Even then, I honestly didn't think we would get in.
I am not a natural talker: in fact, I am a natural RBF (Resting Bi*** Face, FYI), and people don't naturally start talking to me. Justina is the opposite: she's friendly and talkative and makes small talk at a level where I'm just like, HOW?! She became instant friends with the young woman in front of us, and the woman behind us. The first was from Tokyo, enjoying her last day in NYC, and hoping to get into the famed musical before she went back to Newark for her flight. The second was a mother from PA, who's children already had tickets, but she was trying to get something for her and her husband so they could see it as well.
There are two types of tickets that can be purchased from the cancellation line: cancellation tickets and standing room. Cancellation tickets are tickets sold back to the box office and then offered to the cancellation line at face-value. Considering the mark-up on Hamilton tickets, they are a great deal, but could still run you a few hundred dollars per ticket. Standing room is only $40 a ticket and instead of having a seat, you have a place to stand at the back of the main level. The places are marked behind a banister, and actually have a pretty good view of the stage, if not blocked a bit by the balcony. But standing room tickets are reserved for family and friends of the cast and crew, so the chances of being offered one are even slimmer than cancellation tickets.
For an hour and a half, we stood there, being rained on and chilled, but I have to say that time was fun. We were chatting with the ladies around us, enjoying our coffees, and debating what our cut off would be should we be offered tickets. As we got closer and closer to the front of the line, my cut off went higher and higher. I may have even wondered how mad my husband was going to be at me by the end of the day (I wouldn't never spent more than $100 without talking to him first, and vise versa).
I should mention that having given up on my previous ideals, I had the entire Hamilton soundtrack memorized. I listen to it while I'm working, while I'm cleaning at home, on my way to the gym, on my way to volunteering, everywhere. I've had a few acquaintances that had the opportunity to see the musical, and I was jealous. It was a bucket list item near the top of my list, and I honestly thought that I would have to wait a few more years for the prices to drop to a reasonable amount–or wait for the inevitable movie.
So at 1:55PM when there were only two girls and our friend from Tokyo in front of us, Justina and I were freaking out. The cancellation line manager came out and raised his hands to speak to the line, and I knew we were done.
"From here on we only have standing room tickets. I'll take the next 7 people in line."
That's when Justina and I turned to each other and started screaming. I screamed politely, so as to not let the cancellation line man think I was crazy, but we turned to each other and started jumping. We instantly were chastised:
"Settle down, settle down! I need an orderly line of the next seven people. Straight line please! Stay where you are and I'll walk you into the box office."
So our friend in front of us, and the couple behind us all got tickets. I was called into the box office, handed over my ID and my credit card, and teared up. Justina hugged the cancellation line man as we walked into the theater. At 2:05PM we were standing at the banister when the lights went down, and the spotlight went on.
So, what did I learn from this experience? First and foremost, Hamilton is amazing and worth every award it has won. But you don't need to pay exorbitant amounts to see it!
As we had stood in the cancellation line, a couple had come into the line and asked if anyone was interested in their extra tickets. Two tickets and, they paid $850 for them. Justina offered them $200 a ticket, the woman behind us offered $300 per ticket (then apologized for ruining our offer, that sweet woman). It was then they told us they spent $850 PER TICKET and didn't want to sell them for less than $700 per. Unless you have $1700 that you want to blow on 3 hours of your life, I have a better solution for you.
- Enter the Online Lottery
I recently read that the Hamilton lottery is entered more than 10K times per performance. I also read that you have a better chance of being born with 11 fingers than winning 2 tickets to Hamilton, but that doesn't mean you shouldn't try. The only way to truly make it count is to enter every single day. If you seriously want to go for a good price, entering everyday for $10 tickets is the way to go.
2. Pick a terrible Saturday to go into NYC
What do I mean by that? Simply, if you wake up and it's grey, get ready to go stand in the Hamilton line. We went for a Saturday matinee when it had been snowing/sleeting/raining. I think that contributed to our success because 1) no one likes to go out when the weather is crappy and 2) for those who are allowed to buy standing room tickets, they don't want to go out when it's crappy.
3. Get to the line early
We got to the performance an hour and a half beforehand, but honestly we were only two tickets away from not getting in. If we had gotten there 2 hours beforehand, or 2 1/2, our chances would have dramatically increased. If you have the time and you really want to see it, be willing to wait.
4. Be ready to spend money
Justina and I lucked out with standing room tickets, but at that point, I was prepared to spend a couple hundred dollars. It's still vastly cheaper than buying tickets resale, so save up your pennies beforehand and treat yourself to a great performance.
5. Bring a friend or be prepared to make friends!
I have to say, one of the best parts of Hamilton was waiting in line with my friend beforehand and chatting with the strangers around us. We were together, so one of us could leave the line to get coffee, or to count to see how far back we still were. The hour and a half that we stood few by, and I knew that even if we hadn't gotten tickets, we still would have gone off and had a fun day in Manhattan together.
So my friend, I wish you luck. If you really want something to happen, you just got to keep trying at it. For me, Hamilton was definitely something I dreamed about. I'm still shocked that we got in, but I'm thrilled to say I got see it. I still continue to enter the lottery everyday, just to see if I can make it for another performance, but I know this is something I can take off my bucket list.
My next item is to lose weight and practice my scales so I can send in an audition tape. I am not broadway material, but wouldn't it be amazing to say I tried?!
Comment if you want to talk Hamilton!