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Movie magic – moving forward
September 2011
Making movies has always been a complex, innovative and creative undertaking. From its beginnings in the late 19th century, the movie industry has morphed, adapted and grown in line with technological possibilities. Today, this multibillion dollar global industry and those who work in it face new challenges as the transition to digital progresses. Digital technologies are overturning established ways of producing creative content and of delivering it to audiences around the world. While this means we have greater choice in terms of when, where and how we view these creative works, it also presents risks and opportunities for those making movie magic. In July 2011, WIPO invited Spanish film star Javier Bardem, Indian film producer and director Bobby Bedi, Egyptian movie icon and film producer Esaad Younis and British film producer Iain Smith, to share their views on the challenges facing what the German philosopher Hegel described as the "seventh art".
Making movies
Moviemaking is a collective endeavor involving many brilliant creative talents: writers, directors and actors, cameramen, designers, choreographers, editors, makeup artists, hair stylists and illustrators, and the list goes on. It is a costly and risky undertaking. Economic success depends on "matching ideas with talent, obtaining relevant intellectual property (IP) rights and using them to attract finance from commercial film distributers"1 and, of course, capturing the imagination of audiences.
British film producer Iain Smith; Egyptian movie icon and film producer Esaad Younis; Indian film producer and director Bobby Bedi; and Spanish film star Javier Bardem.
(Photos: WIPO/Emmanuel Berrod)
A producer's perspective:
"Movies are magic in people's lives," according to British film producer Iain Smith, "but it all costs money … it takes time, is risky and expensive." Intellectual property, he said, is "the legal bedrock of everything we do in the film business." He pointed out that "any system that brings together investors with creators has to somehow exploit intellectual property," adding that "without a system that invests in "risk and innovation," "scale and quality," "movies will simply disappear."
"Audience demand is clearly for magic," he noted, "and magic in film certainly comes at a price… There has to be a contract between money and art … between investment and creation in order to bring the consumer choice."
The challenge is to build "IP for a future that digital technology is allowing us … whereby there can be proper compensation for risk and for talent and innovation, at the same time allowing consumers to enjoy full diversity of choice."
"We have to change the system that we have at the moment, holding on to the better qualities of it and move it towards something that will allow us to exploit digital technology in the fullest possible way," he said. This is particularly important for "emerging economies, growing their own creative industries, and finding their own voice in the digital world," he noted.
An actor's perspective:
Spanish film star Javier Bardem made the case for strengthening the rights of actors whose unique skills and creativity breathe life into movie characters. Actors are a key element of any film, "no audiovisual work of fiction can be made without … a whole cast of actors … without whose contribution the collective project would not see the light of day," he said. Speaking for the 90 percent of actors who struggle to make ends meet, he noted that "behind every actor there is an individual, a worker, a creator and a family with the same worries, problems, concerns and needs as any other citizen." Beneath all the glamour, he noted, there is a great deal of work, effort, sacrifice and risk.
In spite of their "decisive" contribution to the production of works, actors are the only group of creators for whom an international treaty – specifically to protect rights in their audiovisual performances – has not yet been established. Mr. Bardem called on policymakers to strengthen actors' rights and to ensure that they share in a film's commercial success, both in cinemas and the online environment. The majority of the world's actors "are making a very, very small living out of what they do so … it is important to think about those thousands of families [who] really need that money to pay the bills." An industry that "does not adequately protect its workers," he affirmed, "is doomed to failure."
|International negotiations at WIPO
WIPO member states are currently negotiating an international agreement on the protection of performers in their audiovisual performances within the context of the WIPO Standing Committee on Copyright and Related Rights (SCCR).
Going digital: opportunities
Digital technology is responsible for a "cataclysmic change" in the film industry, Iain Smith observed. "Digital lets us play with new storytelling toys like CGI (computer-generated images) and 3D; it also gives us digital projection, digital distribution, cloud technology, format shifting and digital cinemas – all good." He noted that "for the first time [it] gives us and the consumers the possibility of expressing [our]selves using images in a way that [we] could never do before."
"What we are looking at is a much, much more vibrant cross-cultural energy," Mr. Smith explained. "The concern we have … is that we must make sure that in every aspect – industrial, legal, political – everything can be done to maximize the full benefit of digital technology, not just for the consumer but also for the creator, so that we are not just dealing with a kind of lowish level … type of activity but also the higher end." "Digital technology," he believes, "is more positive than negative."
Indian film producer and director Bobby Bedi is even more optimistic about the digital future. "I think that digital technology is going to be the big thing for our industry," he noted. "I think we are going to be able to survive, develop and grow both artistically and commercially because of this technology."
He pointed to the massive environmental benefits digital technologies offered in facilitating production and operations. By enabling satellite transmission of films directly to cinemas, and rental and sale of film via cable and the Internet, it is possible to cut the costs of CD and DVD production, transportation and storage. These technologies also support "the creation of the art itself," he said, making it possible to "take audiences into realms of fantasy defying time and space."
The downside
While digital technology offers unprecedented opportunities in terms of creativity and access, the downside is rampant criminal piracy and content theft.
The crux of the matter, WIPO Director General Francis Gurry explained, "is that the difference between the cost of production and the cost of reproduction is enormous. If you think of what goes into making a film," and that with digital technology, "all that can be reproduced with perfect fidelity … and at zero marginal cost, that's the drama."
In 2010, "the Hollywood dream became the Hollywood nightmare," Mr. Smith explained, with box-office hits like Avatar suffering 16.5 million illegal downloads. Such theft cost the American movie industry an estimated 25 billion dollars in lost revenue. "The business can't continue on that basis," he said. Piracy is "a huge threat" that "must be dealt with". It "happens because it can, but just because it can doesn't mean to say it should."
In the U.K., film piracy means fewer indigenous movies are being made; in Hollywood, studios are retreating "into fewer, safer, bigger, 'tent-pole'2 movies, into franchises, sequels, TV spinoffs and remakes," and generally, cinema attendance is dropping, hitting a 16-year low in 2010.
"The only ways that actors, technicians or workers, producers, directors, all of us can get paid," Bobby Bedi observed, "is through the money that people pay for a ticket, a CD, a DVD or a download." While digital technology "makes things easier for us and makes us so much more creative, it does easily permit theft of our property at a very high quality and in a very easy way," he continued. "Now if our revenues come down then obviously actors will suffer, producers, directors, everyone suffers. Finally, creativity suffers."
Education, he contended, is an important part of the solution. "We need to disseminate hard and soft information about ethics, law, penalties, etc. over the Net. Dominant players need to be co-opted in this effort … to tell a person that, yes, there is a right and a wrong even in IP theft." While progress is being made in the area of legislation "there's not much point in having a law unless you enforce it," he observed. The digital world, he noted "is bereft of boundaries, so pirates just shift base," moving to a place where laws are more lenient.
"Educate, legislate and enforce" is his mantra for tackling the movie industry's IP challenges. "It's not rocket science," he said, "but I suspect it's easier to build rockets than to achieve this, but we must try."
The need to change perceptions
Egyptian movie icon Esaad Younis, CEO of one of Egypt's largest film production and distribution companies, Al Arabia Cinema, warned that piracy is threatening the world's cultural heritage. Ms. Younis underlined the need to educate young people about the risks of piracy. "We have to find another way to reach young people," she said, to make them understand that films cost money and that what they are doing is illegal. We need to bring these young people on side to "use their talents to improve the industry." Ms. Younis asserted that governments have a responsibility to raise awareness about the damage caused by piracy. "Each country should inform citizens that they are hurting their history…If they pirate movies, they are killing the industry, and their culture."
The consequences of piracy are clear for Javier Bardem, who said, "if an actor or a great director makes a movie and he cannot make any other[s] because his movies have been downloaded for free, then we are not going to have that director again. It's that simple." He added, "once again, it's not about that director, that actor, that producer; it's about the hundreds and hundreds … of people behind those movies," who without fair compensation will be unemployed.
"What I don't agree with," he said, "is the mentality of people [who think] piracy is fine," and the mindset that just because someone doesn't have the money for a movie ticket, it's alright to download [the film] free of charge. "What bothers me the most is that way of thinking." Far from being about what is "fair", "it's about stealing, " he said.
The future
The transition to digital is an important turning point in the long and rich history of moviemaking. While digital technologies present risks, "the long-term benefits of an active, creative economy are massive, especially for emerging nations," Mr. Smith noted. The challenge is to move to a different paradigm and a new relationship with content, without losing the better qualities of the current system. By slowly adapting the movie industry's business model to lower front-end pricing, day and date releasing, cross-format shifting and cloud technology, Mr. Smith said, "what could be achieved would be fantastic for all of us." After all, he said, "creativity in all its forms is our most powerful asset as human beings. It's far, far more powerful than our ability to destroy … and it is creativity that will bind us together as we move into this new century."
by Cathy Jewell
1 Rights, Camera, Action! IP Rights and the Film-Making Process, Creative Industries – Booklet No. 2, WIPO
2 A major movie or blockbuster that film studios expect will turn a profit very quickly and compensate for less successful releases. The term is derived from the image of a big circus tent held up by large poles and which attracted large crowds.
The WIPO Magazine is intended to help broaden public understanding of intellectual property and of WIPO's work, and is not an official document of WIPO. The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of WIPO concerning the legal status of any country, territory or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. This publication is not intended to reflect the views of the Member States or the WIPO Secretariat. The mention of specific companies or products of manufacturers does not imply that they are endorsed or recommended by WIPO in preference to others of a similar nature that are not mentioned.


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Whether you are a photographer, a graphic designer, a research student or even a blogger, I'm sure, you may probably won't like someone stealing your copyright images without any due permission and credit! Right? And if you are curious (or, should I say concerned enough?) to know who is making an unauthorized use of your copyrighted images online, then you are at the right post, at the right time 🙂
For bloggers who receive guest-post submissions, it is important that besides checking their post for text based plagiarism, they also check it for image plagiarism. Detecting text based plagiarism is fairly easy. You can do this manually by Googling phrases of text in double quotes. Now comes the second part – checking image plagiarism. This is how you can easily detect it for free following this step by step guide:
Checking Duplicate Images Using Google
Step 1: Switch to Google Images. There you will see a small camera icon near the blue search button.
Step 2: Click on that camera icon and upload your copyrighted photo (either directly from your hard drive Or paste the URL of the image file)
In this experiment, I will be using Android Authority's "iPhone 4S Vs. Galaxy S3" copyright image as an example.
Step 3: Once you have uploaded your "image search query", Google will give you a complete list of websites using visually similar photos (often exactly the same photos). Voila! thieves caught 😀
However, If a person is clever, he would definitely try to crop out the watermark text/logo on the photo and rename the file with a more generic name (like -smartphones, phones, comparison, Apple-Samsung, etc.) But unfortunately, one can't be smarter than Google – its incredible image detection technology can still track those using the same copyrighted photos…
Have a look – In this experiment I cropped the watermark logo and renamed the image file as "smartphones" instead of "iPhone 4S Vs. Galaxy S3" (this is what any unscrupulous guest blogger or any other person might do!)
And here are the search results:
To simplify the process, Google has released an extension called "search by image" for Chrome, as well as Firefox.
This extension enables one to initiate a Google image search just by right clicking on any image on the web. So if you are concerned whether someone is stealing your visual assets from your website, then chasing those thieves is just a click away 😉
Ok, the offenders have been caught. Now what?
Once you've identified the thieves, now is the time to make them take down your digital assets. Here is an ideal step by step process that you can follow –
- Go to their websites and find out their contact information.
- Compose a mail and politely ask them to take down the copyrighted photos. Don't threaten them for any dire consequences. Just be polite and humble with your request.
- Wait for their responses. In case of negative responses, don't follow up. Contact their web-hosting provider and inform about the issue.
- Additionally, if you think the duplicate pages are hurting your reputation & SEO efforts, you can request Google to take them down from its search results.
Your Thoughts?
So how do you check image plagiarism? Do you also prefer to use Google? And if yes, do you care about those results? Feel free to express your thoughts 😉

subset: commoncrawl


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life is based on creative expression
I Strongly believe life is based on creative expression..Wheather its spiritual, physical, musical or intellectual...its all filled with expressions.
Creativity is not limited but creation is limited.
Product is limited but resources is limited we have to bring into being its existence.
Like day & night are the expressions of universe in similar manner death & Birth & Death are the expressions of spirit. So u still thinks Birth terminated by Death?
I would say of course not. I can say time & space are two non analogous events maintain our birth-death fluidity & spontaneity .time & space were two precincts but not restrictions. And this two spirit makes & unmakes Birth & Death expressions.
So for those who think their life is worse& awful….so criticising it…just accept it because it's infinite creation of Spirit.


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Born in Strasbourg, France, Antoinette Dennefeld's artistic education began at a very young age, and included piano, theatre and dance. After two years at the University Marc Bloch in Strasbourg, she enters the Haute Ecole de Musique in Lausanne in 2006. During her studies, she participated in masterclasses with Dale Dusing, Christa Ludwig and Luisa Catsellani. She received the Mosetti grant two times (2008-2010) and the Richard Wagner scholarship (2009).
She graduated from the Haute Ecole de Musique in Lausanne and received her Master of Music (Voice) in 2011 with high honors. For her excellent results, she received the Max Jost Award, Friends of the OSR Award and the Paderewski Prize. Teh same year, she won the «Grand Prix» at the International Singing Competition of Marmande and the Third Prize and Public's Choice at the International Singing Competition of Geneva. She also recieved in 2011 an advanced career development grant from the Leenaards Foundation.
In concert, she has performed the solo parts in Vivaldi's Gloria, Rossini's Stabat Mater, Mozart's Requiem and Haendel's Dixit Dominus both in Switzerland and France. In Lausanne, she sang the alto solo part in Bach's St. John Passion with Ton Koopmann and the soprano solo in Stravinsky's Pulcinella with the Orchestre de Chambre de Lausanne. With the Sinfonietta of Lausanne, she performed the mezzo role in Prokofiev's Alexander Nevsky and has also sung Lieder from Mahler's Knabenwunderhorn. Since 2009, she has been performing in recitals with the pianist Lucas Buclin as Duo Almage (http://duo-almage.com). In 2012, they recorded pieces by Poulenc, Aboulker, Wolf, Britten and Strauss for the Société Vaudoise des amis de l'Orchestre de la Suisse Romande.
In opera, she has performed Donna Elvira in Don Giovanni at the Théâtre du Jorat in Mézières, Contessa di Ceprano and Giovanna in Rigoletto at the Avenches Opera Festival, Charmion in Massenet's Cléopatre at the Opera of Marseille and Dorabella in Così fan tutte at the Opera Tenerife. With the Opera of Lausanne, the Second Lady in Die Zauberflöte, the Second Witch in Dido and Aeneas, Zulma in l'Italiana in Algeri, Stéphano in Roméo et Juliette, Venus in Orphée aux Enfers, Fanny Elssler in Honegger and Ibert's L'Aiglon and Louise in Varney's Les Mousquetaires au Couvent. At the National Opera of Lyon she has been invited as La chatte/L'écureuil in Ravel's L'Enfant et les Sortilèges and most recently as Isolier in Rossini's Le Comte Ory.
Recently she was Rosina (Il Barbiere di Siviglia) for her Italian debut at the Maggio Fiorentino as well as in Firenze, Oreste (La Belle Hélène) in Avignon and Annio (La Clemenza di Tito) in Montpellier, Cunégonde in the new production of Offenbach's Le Roi Carotte staged by Laurent Pelly at the Opéra de Lyon, Werther (Charlotte) in Tenerife, La Traviata, Carmen, Cavalleria Rusticana and La Clemenza di Tito at the Paris National Opera, Lakmé with the Symphonieorchester des Bayerischen Rundfunks, Shéhérazade with the Orchestre Régional Bayonne Côte Basque…
Among her projects, one can mention Don Giovanni (Elvira) in Lyon, Le Nozze di Figaro (Cherubino) in Marseille, Don Giovanni and Le Nozze di Figaro in Bologna, Così fan tutte (Dorabella) in Lausanne, Le Domino Noir in Liège and at the Opéra Comique, Carmen in Dijon for her debuts in the title role, Yvonne, princesse de Bourgogne at the Opéra de Paris, Maître Peronilla by Offenbach at the Théâtre des Champs-Elysées…
January 2018
This biography should not be edited without permission from Intermezzo.


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Why I am NOT going to the "1st Annual Sequin de Mayo Chola Pageant" in Austin, Texas by: Raquel Rodriguez & Community Allies "We can take things that are ugly, politically incorrect, and difficult to think about and bring them forward in a way that gets people thinking." – Poo Poo Platter I will not … Continue reading
Tag Archives: Austin
In 2040, Austin Texas will have no black people.
smh* *psych all of our community organizers are holding it down to the fullest! A luta continua! -d.e Continue reading


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Our Award Winning Chiropractic Team
You won't find a more highly trained or more compassionate staff than that at Maximized Health. The quality of your results, as well as your overall experience is our top priority.
This commitment to patient care is the reason we are known as the #1 Reviewed and Recommended Chiropractic Clinic in Colorado.
Our goal is to help you feel comfortable, and get better as quickly as possible.
"We are committed to being one of the best chiropractic offices on the planet. And, we believe you will notice that effort from the moment you walk through our doors."


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Miley Cyrus Performing at MTV EMA 2013!
Miley Cyrus is set to hit the stage once more at the upcoming 2013 MTV EMAs!
The 20-year-old entertainer is also nominated that evening for Best Pop, Best Female, Best Video for "Wrecking Ball," and Best US Act. This marks her second-ever EMA performance.
Also performing that evening are Katy Perry and The Killers, including many more unannounced performers!
Ariana Grande will be live backstage during the show to broadcast interviews and more.
The 2013 MTV EMA Awards will air on Sunday (November 10) at 7PM ET/PT on MTV in the USA. The award show will air directly from Europe.
ARE YOU EXCITED to see Miley Cyrus perform???


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Overview Charlotte Magazine recently named the South End Gallery Crawl as the "Best Artsy Place to Take a Date" and Food Truck Friday as "Best Regular Foodie Event" and we will have a great lineup of gallery exhibitions and food trucks for August and as well as special guests from WFAE 90.9 FM. The Gallery Crawl is a … Continue reading
South End Soul redo is happening on Saturday, June 22nd from 5pm-10pm on Camden Rd between Park Ave and S Tryon Street. You may recall we originally planned this neighborhood street party for late April but cancelled due to weather. We are back and have a great band lineup along with a special Night Market … Continue reading
Here is what you can expect to find this weekend at Camden and Park Ave with Food Truck Friday, Sizzlin Saturday and the South End Super Flea. Please note a couple things…first the Super Flea will now start a little later in the mornings so new hours are 10am to 3pm. Second, it's also Outdoor … Continue reading
Not certain if you saw it but Food Truck Friday was named Best Regular Foodie Event in Charlotte Magazine's annual Best of the Best Awards! Special thanks to Gaines Brown (owner of the lot at Camden and Park), the Food Trucks and all of you that faithfully come out to South End to support! See … Continue reading
Overview Charlotte Magazine recently named the South End Gallery Crawl as the "Best Artsy Place to Take a Date" and the May Gallery Crawl will be unlike any we have ever hosted! Whether you are a local resident or in town for the Wells Fargo Championship, this Friday will be a tremendous celebration of not … Continue reading
You probably already have plans for this evening but if you don't you might want to wander over to the Atherton Market and check out this wine and cheese event hosted by the Charlotte World Trade Association and the NC Department of Agriculture. Come have a little wine with your cheese! "First in Wine and … Continue reading
Back by popular demand, we are hosting a 2nd South End Walking Tour. The first tour we did almost a year ago had a huge turnout and you can see some highlight from this past blog post: Exploring South End By Foot. South End is becoming a great urban neighborhood with eclectic shopping and restaurants all … Continue reading
Hopefully you have taken advantage of the Black Friday deals and are gearing up for round two with Small Business Saturday. We have a whole lot (71 to be precise) of fun options for you on Saturday in South End and to make it a bit easier we'll have 2 FREE Holiday Trolleys available to … Continue reading
Saturday, November 24th is Small Business Saturday, a day sandwiched between Black Friday and Cyber Monday to bring focus and sales to local small businesses. South End has participated in Small Business Saturday since it's inception in 2010 by American Express. With over 870 businesses in South End and over 90% of those classified as … Continue reading
We have lots of great shops and restaurants for you to enjoy during the holidays in South End. Here are the ads you'll see running over the new few weeks. Feel free to share, post, tag, email, like, etc! If you have and event you are running in South End…please share. Ted Boyd email@example.com.
The South End Neighborhood Association is hosting Fright Night South End tonight at Common Market. They will be carving up some pumpkins, enjoying live music and don't forget your costume. They will have free light appetizers and free beverages while supplies last. Will be Spooktacular!!!
Lots of great events happening this week at Atherton Mill and the Atherton Market. Below is the weekly newsletter from manager, Lynn Caldwell. Market is open Tue-Sat 9am to 2pm with extended hours to 7pm on Tue. What's happening this week at the Atherton Market? The newsletter today is going to be short and seasonal … Continue reading
Got weekend plans? The weather is going to be great and in addition to the great shops and restaurants in South End, we have some great events happening all weekend in the neighborhood. FRIDAY First up happens tonight with Food Truck Friday at the corner of Camden and Park Ave. Eight trucks are scheduled to … Continue reading
Here you go…your weekly update for Food Truck Friday. Great Fall weather. Look forward to seeing you!
South End Gallery Crawl September Gallery Exhibitions Food Truck Friday Fri, Sep 7, 6-9pm Come to South End for our monthly Gallery Crawl taking place this Friday, September 7. Come explore and experience the many art galleries South End has to offer. Home to the largest number of galleries in Charlotte, you will find unique … Continue reading
It is going to be a great night in South End with all kinds of events from live music, movies, food trucks and SEC rivalry! The great thing is you can walk to them all so you can party hop. Here is the list so you can start making your plans. SEC Alumni Bash 2012 at … Continue reading
The Panthers take on the Dolphins this Friday night and its a great opportunity to change up your typical tailgate and come check out Food Truck Friday. If you are taking the light rail, jump off at the Bland St stop and walk to Camden and Park Ave. There is ample on street parking as well as parking in … Continue reading
Look forward to seeing you. Enjoy some photos from past Food Truck Fridays!
August South End Gallery Crawl "Carolina Stories" Special Screening Food Truck Friday What: South End Gallery Crawl Where: Galleries listed below When: Friday, August 3, 2012, Gallery Crawl is 6-9 p.m. Kick off August with the South End Gallery Crawl taking place Friday, August 3. Come explore and experience the many galleries South … Continue reading
August South End Gallery Crawl "Carolina Stories" Special Screening Food Truck Friday What: South End Gallery Crawl Where: Galleries listed below When: Friday, August 3, 2012 Gallery Crawl is 6-9 p.m. Kick off August with the South End Gallery Crawl taking place Friday, August 3. Come explore and experience the many galleries South … Continue reading
The South End Neighborhood Association (SENA) is hosting "Summer Sippin" this Tuesday, July 24th from 6:30 to 9pm at Vin Master Wine Shop at Atherton Mill. It's a great way to meet your South End neighbors, learn what's happening in your neighborhood and more importantly enjoy good food and wine! Mark your calendar and come join us Tuesday!
The South End Neighborhood Association (SENA) is hosting "Summer Sippin" next Tuesday, July 24th from 6:30 to 9pm at Vin Master Wine Shop at Atherton Mill. It's a great way to meet your South End neighbors, learn what's happening in your neighborhood and more importantly enjoy some food and wine! Mark your calendar and come join us next Tuesday!
Thursday night is one of my favorite nights to go out in Charlotte during the summer months. Maybe you are an Alive After Five sort of person at the EpiCentre but if you are looking for more local, unique options then head to South End. Here are several options and the great part, you can … Continue reading
Vin Master Wine is hosting a great event this Wednesday…the name alone is great "Shuck, Slurp and Sip". See their press release below for all the details. Shuck, Slurp And Sip At Vin Master Atherton Mill Wine Shop To Host Second Annual Oyster Fest June 20 CHARLOTTE – It's time to shuck, slurp and sip … Continue reading
Start your weekend off right tonight with Food Truck Friday….it's a household name. Your tastebuds will thank you. See the list below for the truck lineup for March 30th! Common Market Patio – it's a beautiful day and if you don't get there early…it will be backed. Friday night is Wine Tasting which usually start at 6pm. … Continue reading
South End is a very walkable neighborhood and this past Saturday I was able to participate in my first ever South End Walking Tour. Josie Mazzaferro with Allen Tate contacted me a few weeks back to share how she put together a walking tour of Dilworth and was received so well that she wanted to … Continue reading
So many great events happening during the 5 days of South End Soul April 26-30 and the Common Market is taking it to new levels with some incredible events. Get your calendar, Blackberry, iPad or smart phone ready cause you want to make certain not to miss these: Wednesday, April 27 6-8pm: Vinolympics An al … Continue reading
Very excited about the upcoming Wine and Dine with Tony Coturri at Atherton Market on Saturday, April 30th. Slow Food Charlotte is hosting third generation organic wine make Tony Coturri and will be pairing his wines with the locally produced chef creations of Tim Groody, Joe Bonaparte, Paul Verica and Joe Kindred. The Atherton Market will be the venue … Continue reading


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Fomenko hails Ukraine mentality against France
Mikhail Fomenko praised Ukraine's mentality after their 2-0 win over France left them on the brink of reaching the FIFA World Cup.
Fomenko's men are in command of the tie following their first-leg victory on Friday, which was clinched thanks to a second-half strike from Roman Zozulya and Andriy Yarmolenko's late penalty.
Both sides were reduced to 10 men in injury time as Laurent Koscielny and Olexsandr Kucher were sent off.
Fomenko, however, was quick to express his satisfaction at his side's showing.
"In such games the players do not need motivation," he said.
"On the contrary, it was up to the players to deliver, that all depends on them.
"The foundation of this win was in their psychology."
Ukraine should now be favourites to progress to next year's finals in Brazil, but Fomenko was disappointed that his team did not win by more ahead of Tuesday's second leg at the Stade de France.
"It would be better if the result was 3-0," he added.


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Dynamic assortment is excellent for just a compact camera of this measurement, plus the 1 inch sensor offers more than satisfactory latitude for individuals who wish to experiment just a little with Uncooked files.
The sole purpose you may want to consider your luck is Using the movie simulation configurations, which happen to be all way better than any other compact camera programs available.
I owned previous designs from the X100 collection, and will be the initial to confess that AF efficiency was horrible. Even though the AF with the Fujifilm X100F won't gain any awards, coupled with experience-detection as well as a Considerably speedier start up time, I'm lacking considerably less shots than before!
When pictures was movie-based most compact cameras took 35mm rolls, the same as an expert-stage SLR. This intended that delivered your camera had an honest lens you could get fantastic final results. Digital images transformed that and a lot of compact cameras have A lot lesser sensors which makes obtaining high-quality photographs much more of the challenge. Leica and Sony are the one businesses that make a compact camera which has a entire-body sensor and while Sony's RX1 designs are fantastic, the Leica Q (Typ 116) has won our hearts.
'Light-weight Composition Processing' which boosts the dynamic assortment at nighttime, wi-fi, As well as in-camera RAW enhancement are other smart characteristics, but the main providing place on the Lumix ZS100 compact camera would be the '1 inch sensor benefit'. At this cost point, it really is unbeatable.
0 lens is paired by using a DSLR-sized 24.3MP APS-C sensor that provides cracking benefits. You can find also the tactile exterior controls and clever hybrid viewfinder - you might have the choice of electronic and optical sights help it become a joy to shoot with. You'll have some Image information to find the best from it, even so the X100F is surely an exquisite camera.
Amazon Lockers, installed outside comfort suppliers and various locations, give individuals a protected location to get and return Amazon offers.
This Canon compact camera ticks all those bins, so for that cause, it may possibly continue to be below to the list! Let me know in case you disagree during the comments below ;-)
Sony's original RX100 was a landmark camera that fused a 1-inch sensor in the compact, steel physique Together with the controls and graphic quality demanded by fanatics. The RX100 V goes a phase further more, though, using a 'stacked' more sensor layout for top-velocity data capture. This suggests it could possibly shoot 4K online video, amazing 40x slow motion and continue to photographs at 24fps in continual burst method.
Prior to now, all-in-one bridge cameras have supplied a way of acquiring a extended zoom array in somewhat compact and cost-effective deal. That all changed with Sony's launch of the initial RX10 in 2013.
This development in the direction of greater sensors reveals up during the Panasonic Lumix FZ2000 (generally known as the FZ2500 from the US). Bridge cameras are very fashionable because they provide a colossal zoom vary at a modest Price tag. To style an enormous zoom, though, the makers need to use a tiny sensor – and here Panasonic took the smart choice to sacrifice zoom variety for much better high quality.
That is not forgetting the neat tiny constructed-in electronic viewfinder that its rivals deficiency. It is really a dear solution and does have its quirks, but when You are looking for a versatile, pocket-sized compact with a top quality zoom lens, you will not be let down.
Journey compacts are much like bridge compacts, only more compact. They're Outfitted with smaller sized optical zooms than bridge cameras, Though most nevertheless come in all-around 24-200mm or thereabouts. Since they're normally sufficiently small to Our site slip within a coat pocket, they're ideal for getting absent on holiday.
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If you have an online business you know how important having an effective marketing strategy is. Marketing strategies for online businesses such as blogs, online service directories, e-commerce sites and other online stores have become complex and multi-layered. You can no longer put your marketing efforts on the back burner if you are looking to stay competitive in the online and digital space.
Social media marketing campaigns, social media advertising, videos, whiteboard animation, content writing and tying all the various pieces of the marketing puzzle together in a cohesive manner that represents your brand has become more and more challenging.
Many business owners have taken a hands-on approach to their own marketing strategies which can work for some but may not work so well for others. You may have a great message to send to your potential clients but you may be struggling with how to convey that message in an engaging manner. Whiteboard animation companies like The Draw Shop can help you get your message to your potential clients in ways that is compelling and memorable.
Compelling Storytelling
When you choose to create a whiteboard animated advertisement or campaign for your website you are putting your message into the hands of a team of talented copy writers, animators, and artists that can take your high-level business idea or concept and literally draw it out for you in an animated, caricature driven manner.
You can communicate your idea to the professionals who will then take the idea and turn it into an easy to understand storyline about who your company is, what it is that your business does, and what value you are trying to offer your potential customer.
Memorable & Fun
Whiteboard animation videos work to play on their audience's sense of humor, and to target emotional pressure points that may drive people to share the content, and to click on that call to action button that is cleverly embedded in the content.
Think about the last time you came across an animated video online. Chances are you will remember the animated video more than you would remember a still advertisement or a text only ad. Furthermore, you probably will have watched the video in its entirety and perhaps shared it on your social media profiles.
Made to Convert
Whiteboard animated videos are literally made to convert. They take your extremely important message and they take out any un-necessary noise and clutter to create a focused advertisement that is directly tied to a clear-cut call to action for your target audience.
The script of the video can be so powerful that it could even rally your target audience to share your content, and to rally behind whatever it is that you are selling or trying to promote. The components of whiteboard animated videos all come together to direct action from your potential clients in a manner that most other marketing strategies are not as effective with. Studies have shown that students showed a 15% increase in learning when exposed to whiteboard animated videos in their educational curriculum. Think of what that type of an increase or more can do for your business and brand.


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Carroll Gardens dermatologist offers free skin screenings
Schweiger Dermatology in Carroll Gardens is offering free skin screenings and providing tips to protect your skin from the sun's rays.
Emily McCue has been getting full-body skin checks for the past several years. She says doctors found a pre-cancerous lesion on her father's cheek about five years ago, so she is not taking any chances.
Experts say to prevent skin cancer, people should stay out of the sun and away from tanning salons. If you must be outdoors, wear sunscreen and make sure to reapply it every two hours. It's also important to go to a dermatologist for an annual screening.
Symptoms of skin cancer include a change in skin color, having a sore throat that doesn't heal or a new spot or mole that has grown on the skin.
Schweiger Dermatology will offer its last day of free screenings this Thursday. Anyone can go by calling and making an appointment.


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Alicia Basinger: Shiver and Craze -- This recent Cleveland Institute of Art graduate is the latest headliner in MOCA's Emerging Artist Series, and she deserves the spotlight. A ceramist, Basinger makes clay seem like a brand-new medium by mixing it with previously unrelated elements. In "Timber," her most physically impressive work, tall cylinders of wire mesh form the skeletons of tree-like structures with clay skins; each stalk has its own personality, a unique combination of height, width, colors, and blemishes. Standing together in a pod, some of them approaching the ceiling, they take on a sacred, ritualistic aura akin to that of Stonehenge. Basinger also finds success in "Conversion," her deliberate failure to bake a thin layer of clay onto a large slab of steel; the clay peeled away, giving the surface an aged, worn look that's far livelier than the original. Using thicker, two-tone clay for "Passages," she ends up with a raised, heavily cracked surface resembling a patch of desert. One could stare for ages at "Bridge," a pretzel-like knot of blue porcelain loops so complex, they defy comprehension. "Vestiges," meanwhile, consists of a curious series of smaller and usually roundish objects comprising metal, ceramic, and ossified paper. They're survivors, all right: sturdy, nubby remnants of intense heat and profound chemical changes, like meteors that have fallen to earth. Through August 28 at the Museum of Contemporary Art, 8501 Carnegie Ave., 216-421-8671, www.mocacleveland.org. -- Zachary Lewis
Kidist Getachew¹s Self-Portrait: A Study -- Though brief, this video installation by the Cleveland-based Ethiopian makes a deep impact. Getachew cites her interest in depicting interracial romantic relationships, though the piece functions more broadly to portray racial identity as a whole. Displayed on the ceiling, not on the blank screen at eye level, it requires viewers to look up -- perhaps evidence of Getachew's healthy self-respect. The film is silent; symbols and contrasting colors are its primary language. Dressed in what is presumably native Ethiopian garb, Getachew stands alone or interacts with two men, one Caucasian, the other black. They kiss her and caress her back and shoulders, or stand still in front of opposite-colored black or white panels. Sometimes they jockey for position in the foreground. The artist, dressed in white, poses before a red panel. All three figures later appear nude with chains around their necks, like leashes, the metal digging into their flesh. Despite its lack of narrative or sound, the film is visually striking and readily communicative. And here's the message, or at least part of it: As an Ethiopian, Getachew is neither entirely black nor white. And because her skin color is a hybrid, she's free to move between racial groups; she relates to black and white equally, but not without incurring both sets of prejudices. Through June 10 at Spaces, 2220 Superior Viaduct, 216-621-2314, www.spacesgallery.org. -- Lewis
Out There: Landscape in the New Millennium -- Traditional landscape painting may be fading into the sunset, but there's still a bright future for landscape art in general, as this new exhibition of contemporary international works makes clear. Corsican artist Ange Leccia's hypnotic, beautifully disorienting video installation titled "La Mer" features a camera positioned directly above a seashore, filming white-capped waves breaking and retreating on dark sand; displayed onscreen, the wave pattern looks strangely like a slow, undulating geyser. American Jennifer Steinkamp also works magic through video in "Dervish 14," a digitized time-lapse loop of a tree as it winds and unwinds through the seasons. The rest are all photographs of one sort or another: American Tom Bamberger depicts the wide, imposing front edges of dense natural mini-environments, whether thick clumps of "Brown Grass" or a field of high-tech windmills. Ellen Kooi posits people as intrinsic elements of the Dutch countryside in her large, haunting photographs; a row of people emerges directly out of the ocean and onto the land to form a wall in "The Dike," while in another picture, a man frozen in a seemingly impossible backflip forms a bridge over a creek. Rosemary Laing, in four images from a series called "One Dozen Unnatural Disasters in the Australian Landscape," draws intriguing comparisons between fire as a destructive force and the harsh climate of her land. Through August 28 at the Museum of Contemporary Art, 8501 Carnegie Ave., 216-421-8671, www.mocacleveland.org. -- Lewis
Dissent: Political Voices -- Spaces' hard-hitting new exhibit of up-to-the-minute political art takes aim at numerous cultural preoccupations. A set of silk-screen-and-oil-stick pictures by Kayrock, Jef Scharf, and Michael Smith presents detailed, colorful, and humorous summaries of the national mood in such pieces as "Guarded Severe." Jason Byers' "Study for a Full Scale Assault," four satirical photos of a tiny tank made of birdseed, taking aim at downtown, seems to suggest that a terrorist attack in Cleveland is not a concern. Fans of the famous Disney rodent may be disturbed by Billie Grace Lynn's "Dead Mouse," a gigantic blowup lying on its side, drooling blood. Rutherford Chang's "Shredded Newspaper" illustrates the effect of a depressing front page. To make the point that the news can seem too strange to be true, Chang sliced a cover into thin strips and recombined them out of order, making the page look vaguely familiar, yet utterly foreign. Not everything in Dissent is so intelligent or broadly relevant. A third of the show might be described as blunt political pap. But this exhibit asks whether political art can be effective. Judging by Dissent, the answer is yes. Through June 10 at SPACES, 2220 Superior Viaduct, 216-621-2314, www.spacesgallery.org. -- Lewis
Drawn With Light: Pioneering French Photography -- Digital cameras are ubiquitous as cell phones, but in the 19th century, capturing an image on film was an advanced and highly technological art. This exhibit of 19th-century French photography lauds the accomplishments of those who were on its cutting edge. Eugène Atget's photos exude the joy he must have felt, freezing the opulence of a wealthy Parisian's garden on paper. He did so with such crisp detail and bold outline, one can imagine the textures of the trees and stones. Others, such as Édouard Baldus and Louis-Remy Robert, had figured out how to convey the architectural majesty of cathedrals: Baldus offers a panoramic view of the Parisian Notre-Dame in all its buttressed glory, including details as fine as a nearby pile of bricks and the church's reflection in the Seine; Robert, meanwhile, presents the cathedral fountain in Saint-Brieuc as the yellowed relic of an ancient era. Gustave LeGray's "Portrait of Edmond Cottinet" is artfully blurry on the edges, but holds its subject in a softened but clear light. A picture by Frank Chauvassaignes contains one of the most unusual effects in the show, a somewhat impressionistic rendering of a stream receding beyond sight into the background. It must have been a photographic triumph. Through June 8 at the Cleveland Museum of Art, 11150 East Blvd., 216-421-7350, www.clevelandart.org. -- Lewis
Masterworks From the Phillips Collection -- Touring this group of highlights from the renowned Phillips Collection is like taking an art-history survey course on Impressionism and abstraction, and the list of artists reads like the textbook's index: Monet, Manet, Courbet, Morisot, Cézanne, Delacroix, Corot, Ingres, van Gogh, Goya, Bonnard, Braque, Matisse, Renoir, Degas, Picasso, Kandinsky, and Klee. Duncan Phillips, founder of the collection and wealthy heir of a steel magnate, displayed amazingly prescient taste, buying works by artists whose true worth was not always recognized at the time. Organized by period and subject matter, the show consists of 59 paintings that originally hung in the Phillips home, now a major national museum in Washington, D.C., in addition to 18 comparable works owned by Cleveland. Renoir's magnificent "Luncheon of the Boating Party" may be the best-known piece, along with a handful of Degas' ballet paintings and Matisse's "Etruscan Vase," but the exhibition is not short on less familiar works and less familiar names. Cubism gets a weighty nod via still lifes by Braque and Picasso, but the show ends on a whole note of pure abstraction with Feininger's elegantly geometric "Village" and four exotic musings by Klee. This is not a class to cut. Through May 29 at the Cleveland Museum of Art, 11150 East Boulevard, 216-421-7350, www.clevelandart.org. -- Lewis
Maya Eventov: Recent Paintings -- Russian-Canadian painter Maya Eventov loved Matisse and Gauguin as a child, and their influence still bears strongly on her work. Her acrylics reveal an interest in light -- the calling card of Impressionism -- yet she makes the concept her own with a refreshing style one might criticize only for being a bit decorative and overly consistent. Eventov applies paint in extremely thick doses -- so thick she can sign her name in it like wet cement -- then scrapes and smears layers to blend and shade into shiny, three-dimensional surfaces that reflect light. The technique requires great care, but also leaves room for spontaneity and subtle variations. In one picture after another, sunlight beats down on idealized Italian countrysides whose neatly plowed fields are interrupted by the occasional stucco villa. Though no people are seen, evidence of a relaxed, upscale lifestyle can be found in everything from the pots of exotic flowers to the elegant patio furniture. "Boats," meanwhile, peers down a narrow waterway between cluster homes, as in Venice. Lines of bright white laundry hang between them, and a pair of rowboats sit off to the side. It might be the setting for a romantic film or a grand opera -- as might almost any of the paintings here. Through June 11 at Opus Gallery, 27629 Chagrin Blvd., Woodmere, 216-595-1376. -- Lewis
Michael Flohr and M. Todd Muskopf -- Stylistically, these new paintings are about as unoriginal as can be. Each artist employs an approach toward impressionism handed down from an era long past -- their subject matter included. Muskopf applies thick helpings of solid-color paint to form a dappled and rather garish image that dries into a pointy, three-dimensional surface, whose primary selling point is that it creates its own minute shadows. His landscapes feature all the typically beautiful vistas, including mountains, lakes, and forests. The most interesting of these is "Maple Blaze," showing a large, rotund tree at its colorful autumn peak. Unlike Muskopf, Flohr goes for a thinner, slicker-looking surface, and his impressionism favors wide, rectangular strokes. He is interested in city scenes -- specifically, in the effect of light bouncing off wet pavement, as in "City Reflections," and in light as seen through the scrim of rain. Think Thomas Kinkade, only considerably more realistic and without the religious overtones. "Royale Street" shows a rainy view of central New Orleans at dusk that wouldn't be too bad, had Flohr not extended the image onto the frame. A painting that might have been of nominal interest got dragged back into the realm of the hokey. Through May at Dick Kleinman Fine Art, 12210 Mayfield Rd., 216-421-8484, www.dickkleinmanfineart.com. -- Lewis
Nina Bovasso -- Stepping inside the new painting installation by New-York-based artist Nina Bovasso at the Museum of Contemporary Art is as exciting as going for a ride on the Tilt-a-Whirl. Her huge design on the rotunda gallery's curved wall looks like paisley gone mad; it surrounds the viewer with an almost dizzying spinning effect. The eye scans the perimeter and flits about the room, frantically seeking visual balances on either side of the circle between a psychedelic array of tall flames, dots, branches, buttons, and swoosh patterns, while the brain seizes almost subconsciously on matching colors across this huge carnivalesque palette. Bovasso fixed her own pictures to the wall like large 21st-century diptychs, then painted new designs that grow around, toward, and away from them like ivy. One near the window is a big, red explosion of paint that seems to spew more design fragments into the atmosphere. No two perspectives are alike in this gallery. Views and responses to those views change according to the focal point and the viewer's position in relation to it. Bovasso spent a week climbing up and down ladders to complete the installation. It's a wonder it didn't take her longer -- and that she didn't fall off. Through August 28 at the Museum of Contemporary Art, 8501 Carnegie Ave., 216-421-8671, www.mocacleveland.org. -- Lewis
Once Familiar -- Claustrophobia may be your first reaction to this exhibition in the museum's sky lounge of works by four local artists. If you use the museum's spiral staircase, you will watch the ceiling get closer and closer, until you enter by poking your head through Carol Hummel's utterly unforgettable installation. Like Spider-Man on drugs, Hummel has spun a thick, multicolored web of yarn over both the gallery's open areas, complete with grandmotherly cozies over parts of the railings. Simultaneously abstract and immediately tangible, Hummel's work here questions the tame identity of yarn as well as its history as a medium. It won't seem quite so familiar after this. (A corresponding video project by Carey McDougall and sculptures by Dylan Collins were not yet in place, as of an early visit.) Just as devilishly creative and playfully subversive as Hummel's installation, though, is a series of faux-antique chairs by Stephen Litchfield, positioned like sentinels around the yarn. Narrow and wobbly, with cracker-sized seats and disproportionately high backs and long legs, Litchfield's humorous constructions are quite useless for sitting -- at least for human sitting. Otherwise, they're made to look exactly like their practical counterparts and would be considered fine furniture in the real world. Through August 14 at the Museum of Contemporary Art, 8501 Carnegie Ave., 216-421-8671, www.mocacleveland.org. -- Lewis
The Splendor of Ruins -- Two-thirds of the total canvas space in this exhibition of 17th- and 18th-century French landscape paintings depicts dense, untamed forests and wide-open, sunlit skies, sweeping vistas that extend for miles. The rest consists of toppled pillars, crumbling porticos, and the occasional biblical figure or earthbound divinity. This is how painters at the time liked their Greek and Roman ruins: overwhelming. They imagined classical structures as positively massive relative to human beings and painted from perspectives exaggerating that effect. Painters turned to ruins to endow their landscapes with airs of timelessness and exoticism, though they also offer reminders that nothing is permanent. In Hubert Robert's "Young Girls Dancing Around an Obelisk," girls in white dresses playfully encircle a giant Egyptian sculpture fragment as if it were a maypole; they think nothing of the remnants of ancient cultures they see every day. Ruins tended to be in secluded areas -- ideal settings in which to place young men slyly caressing the breasts of maidens, fierce-eyed warriors reflecting on lost battles, and lonely folk leading home their cattle. Some, like François Boucher, went too far: His "Landscape With a Water Mill" is so idyllic, it could be the backdrop to a fairy tale. More often than not, though, these artists strike near-perfect balances between reality and fantasy. Through June 19 at Oberlin College's Allen Memorial Art Museum, 87 N. Main St., Oberlin, 440-775-8665, www.oberlin.edu/allenart. -- Lewis
Thomas Albert Sills -- Though he was an abstract expressionist, Sills didn't exactly ride the bandwagon of the movement. As this thorough retrospective demonstrates, the African American artist absorbed, but did not imitate the ideas of Pollock and De Kooning, his more famous, more disturbed colleagues. Artistically, Sills (1914-2000) was closer to the serene realm of Rothko or Newman, painting by connecting areas of solid color and favoring lighter hues like lime green, baby blue, pink, and yellow -- all of which are represented in the forcefully arranged 1964 pseudo-landscape "The Tree and the River." His paintings here are generally bright, striking presences that shed complexity and invite simple, instinctive appreciation of color and their attendant emotions. But Sills departed even from Rothko in medium and line. "Orchid," a lesser work from 1971, involves markers and a wood panel, while the boundaries between red and two shades of green in an untitled picture are far sharper and straighter than those in Rothko's color fields. Not that Sills was all trees and flowers. The aptly titled "Descent," from 1957, is a terrifying vision of hell, in which ghouls and shadowy faces swirl amid toxic green air. The sense of panic is even stronger in "Strange Places," a vaguely cubist nightmare of geometrical, maroon-colored dead ends. Clearly, Sills had a darker side too. Through May 31 at Corcoran Fine Arts, 13210 Shaker Sq., 216-767-0770, www.corcoranfinearts.com. -- Lewis
Tri-C West Annual Juried Student Art Exhibition 2005 -- The best works in student shows are those that fulfill the technical assignment while also accomplishing something personally expressive. Happily, there are many such in this giant multimedia roundup. "Teacher and Student," featuring an older painter mentoring a child with brush in hand, not only demonstrates Diane Zizka's facility with watercolors; it also captures a touching scene, perhaps from Zizka's childhood. Also looking backward in time, "Memories Lost" -- which depicts fragmented, hazed-over trees, doors, and statues -- showcases Marianne Gnandt's ability to layer photographs without suffocating her haunting, dreamlike concept. Of course, there's something to be said for sheer technique, as photographer Nancy Ballock proves with "Twilight at Huntington Beach," an impressive composition in which the beach, a stone pier, and the horizon form a triangular pattern against people standing at even intervals. Orsolya Bordczski's paintings on silk and gauze stand out amid a sea of competent but dull still lifes of food and clothing; "The Fall," a strikingly individual Art Deco-style vision of autumn personified and defined with thick lines of silver, bears a striking resemblance to a large, luxurious pane of Tiffany glass. Among the three-dimensional pieces, Brandon Hahn's "Wired," a metal-frame skull with a thick strand of copper wire attached to the eyes as if to plugs, is by far the most elegant -- and also the creepiest. Through June 18 at the Tri-C West Campus Gallery, 11000 Pleasant Valley Rd., Parma, 216-987-5322, www.tri-c.edu/art/docs/exhibitions/htm. -- Lewis


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Hush Hip Hop Tours
- Various Locations
- New York, NY 10001
- (212) 714-3527
- Visit Site | E-Mail
- Details
- Amenities
- TripAdvisor
- Map
Hush Hip Hop Tours aims to educate and entertain guests in the history of hip-hop, showing the evolution of a truly New York art form through the perspective of artists. Each journey to seminal locations of hip-hop's evolution is led by musicians involved with the genre's history; the guides share personal stories and anecdotes as only old-school rhyme masters could. The tours, which feature a classic hip-hop soundtrack, explore sites in Manhattan and the Bronx or Brooklyn and Queens.
Tours & Excursions
- Motorcoach:
- Walking tours:


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WordPress Goldmine is 2 years old in February and to celebrate I've set up a special offer. But before I let you know the link here are a few reasons why you should consider joining us.
WordPress goldmine is now a forum based format that gives members the opportunity to have their questions and problems answered quickly and more importantly correctly. I had several people ask me why they should pay for a forum when there are free forums available such as the warrior forum and digitalpoint. The answer to that is simple…
Everyone who joins WordPress goldmine share a common goal ..to create an online income. They have decided to do something about it unlike many of the people who frequent free forums they want to succeed. The problem with free forums is that a lot of the people are very negative and take great pleasure in spreading incorrect information and starting arguements. If you want an environment conducive to learning then choose a forum with a fee.
You really can't believe much of what you hear in free forums, hardly a day goes past that someone doesn't start a question to me with…My friend has been told that….. invariably what they have been told is half thruths and speculation.
Another reason why WordPress Goldmine is worth far more than the cost is that it is at the cutting edge of internet marketing. Within wordpress goldmine members are discussing ideas and coming up with solutions to problems that many people haven't realised exist yet.
Finally being a member of wordpress goldmine saves you money. Where else can you find top quality articles written by highy qualified writers for 1 cent a word, where else do you find products being sold by the creators for a fraction of what non members pay.
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Why not grab the Special $1 trial and see just how a forum can help you succeed online whether you are new to internet marketing or experienced you'll be welcome.
Find Out More at http://wpgoldmine.com/SpecialOffer/


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These four songs creates a wholeness of a trashing & pulsating horned beast!
Everything rumbles on with a blackened death mental brainblasting agenda, the old school alcohol infused chaotic riffing is also marinated with a fitting dose of groove which would fit the last party on this earth, the same statement also fits all the rest of the instrument compositions as well as the mean rough singing.
Even if it has a old school sound it infuses nice personal bits and pieces here and there in all tracks and gives this demo a great extra kick!
Now one only hopes for a full album to arrive sooner then later from the black abyss!
1. Terrorsaw
2. Defiler Messiah
3. Sorcery & Artillery
4. Sabbath of Metal Violence


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Standard marketing advice tells most small businesses to create a Unique Selling Proposition (USP) to help differentiate your service from competitors. "What benefit makes your service different?" is usually what the USP is about.But in reality, a USP only takes you so far in the efforts to attract new clients.Why?First, let's look at some potentially good USP's for a business-to-business service:- "We specialize in the XYZ industry — with more than 20 years helping clients like you."- "We've developed an exclusive eight-step assessment program that's unique in determining your best opportunities to improve your operations."- "We promise to deliver results in less than 60 days, or your money back."While these are strong USPs, no matter how good your service is, how specialized you are, or how great your service guarantee is, it's still difficult for a prospective client to get a sense of how it will benefit them. And that means they are still unlikely to choose (or change to) your service over others in a cluttered marketplace.So what can you add to a strong USP?Business buyers are ultimately looking for tangible results for choosing a service provider. They're looking for more than how you are different than other services available. They want hear about a measurable business outcome for their decision to do business with you. .Here are a few examples of what business buyers are looking for:- reducing costs- increasing revenues- saving time- keeping customers- minimizing risk- reducing labor costsSo, how can you spice-up your USP?Add specific results you've achieved from previous clients, using statistics from your best customers.Here are some examples:- "We help businesses like yours reduce costs by up to 25% annually."- "Our service has helped clients increase sales in less than 3 months."- "90% of our clients last year saw increases in productivity of their workers due our training program."In sum, the Unique Selling Proposition helps you break the ice in differentiating yourself. But being different is only part of the game.Add a results statement to your USP that appeals to the prospect's bottom-line needs, and you'll be much more effective in winning new clients.
How to Spice-Up Your Unique Selling Proposition (USP) for a Professional or Business Service | business services
How to Do a Sales Pitch in Commercial Real Estate | Real estate
In commercial real estate, you will undertake a variety of presentations, in a variety of circumstances. Most of them are business-like in nature, focusing on the needs of the tenant, the property buyer, or the property seller.Get to the core issuesEach of these groups has unique property requirements and points of focus. It is their needs which must be identified and clearly addressed in the sales pitch or presentation. Many successful commercial real estate agents will have a preliminary meeting with the client or customer so that they can identify key issues and concerns. This allows the commercial agent to return to the client or customer in a few days with a well structured proposal that addresses the needs of the customer or client.It's all about THEM, not YOU!When you design an investment or commercial property proposal for presentation, the document should be 90% regards the property and the client. Frequently you see this rule disregarded or broken with the proposal document being largely regards the agency and the personnel.Rarely is the property transaction a simple matter of the property rental, the property price, or the physical elements of the property. In most situations, it is the combination of these things which must satisfy a fundamental equation of need that the customer or client has. In getting them to this fundamental need, you will identify an element of pain that the customer or client is experiencing. This is what you focus on.They are ExperiencedIt is interesting to note that many clients and customers in commercial real estate are reasonably comfortable in circumstances of business negotiation. This means they may not tell you the total big picture or all the elements of a transaction until they are ready. Conversation and connection in the presentation process should be biased towards the client or customer using well selected questions which allow the agent to interpret the body language coming from the client's response.When you believe you have identified the element of clients pain related to the property transaction, you start to magnify the problem in terms of today's market, then offering stable and logical solutions that your real estate agency business can provide to the client or customer. Invariably, the commercial real estate transaction in today's market centres on financial matters such as:
High vacancy factors
Other property choices and chances are available
Underperforming leases
Unstable cash flow
Unstable tenancy mix
Tenanted conflict
Escalating building operating costs
A shift in demographics which exposes the property to a unstable future
Mortgage payment pressures
Age of the asset
Needs for refurbishment or extension
Competition properties attracting tenants away from the subject propertyThis type of information and interpretation requires your intimate knowledge of the local region. This is by both property type and by location. This is the higher value that you bring to the customer or client. Being able to distinctly define local market awareness is a major advantage in any commercial real estate presentation or sales pitch. You must be seen as the best knowledgeable solution to the problem.From ExperienceAfter many years working exclusively in the commercial real estate industry, I found that my unique skill was in market knowledge and the display of that in any formal presentation to the client. Being able to talk about market trends and financial performance in a solid and sound way will help the client understand that they need your services. Coupling that with your extensive and relevant database of enquiry clearly shows the client that they need you.A fantastic commercial real estate presentation is a function and balance of lots of things. Things like:
A well established pre-planning process is a strategic advantage for every commercial real estate presentation. Strategy is everything in commercial real estate. Every property presentation requires planning.
Making sure you are asking the right questions of the client or prospect. Plan your questions relative to the subject property so that you help the client think about opportunity and changes that are possible.
Using your market knowledge and giving good answers. Have a variety of market facts and trends available to call on. Feed them into your presentation; facts are always useful. They can also be used as a channel to direct the discussion when the client is forcing you to justify your approach or your experience. Confidence and control must be the basic rule of your property presentation. When the client takes control of the presentation you have lost.
Using your experience in the marketplace so that you are telling relevant stories of success in similar properties. Stories of other properties will always interest of the client.
Making sure your personal presentation is optimised for the connection in the presentation. It can be that you are using a combination of the proposal document, the marketing document, and computer slide presentation, samples of your database, photographs of the subject property projected on to slides, and photographs of comparable properties projected on to slides.
Choosing the placement of people at the table or strategically positioning them in the room is always important. Much has been written about where you should sit relative to the client. The basic rule is adjacent to the client rather than across an area of barrier such as a table. Being within arm's reach allows you to pass documentation to the client at the appropriate time. Documentation should not be provided to the client until you are ready for them to review it; otherwise it is a distraction of their attention.
Make sure that your proposal is simple and yet well directed with a clearly defined outcomes of sale or lease. Many proposal documents in commercial real estate are much too wordy so the main messages are lost and not clearly defined. The best proposals are less wordy and more illustrative. The best balance of a commercial real estate proposal is a mixture of 25% words, 25% pictures, 25% graphs, and 25% white space. This becomes a document which is clearly read and understood.
Combine good illustrations and photographs of the subject property into the proposal or presentation so that any lengthy descriptions or paragraphs are broken up. This will keep interest of the client in your documentation.
Make sure that your marketing package is value for money, and yet reaching the target market that the property serves or needs to attract. All too often, we see examples of generic marketing by the commercial real estate agent to the broader and less specific marketplace. Showing the client that you clearly know and will attract best the target market will always help your conversion to a potential listing. Be very specific about the target market and how you will reach it.
Ensure that your commission costs are fair and reasonable for the location. In most circumstances, discounting your commission should not be an option as it will make you poor and remove or detract from your enthusiasm for the sale or lease. 'Cheap' means 'cheap and without focus' and the client needs to know this. The property deserves better. You are not cheap because you are the best and you do a great job. A fair commission is always paid for a positive property outcome.
Always provide testimonials that are relevant to the property transaction. When you combine relevant history and details of happy customers into your presentation you will make the client feel more comfortable.
Always display clear and sound market knowledge that impresses the client relative to their property. This will include extensive awareness of comparable properties that compete with the subject property. You should be able to talk solidly about property prices, comparable rents, rental growth, returns on investment, changes to the future demographics of the area, and properties in the immediate precinct of relevance. In many cases, it pays to walk around the local area just prior to any property presentation so that you bring immediate and clear pictures of the precinct to the discussion. Many times this has been of significant advantage in my presentation processes. Talking about neighbouring properties localises the client and their thought processes.
Come up with a variety of ways to serve the client. Innovation and relevance will always impress. In today's market, this is relatively easy considering the marketing opportunities and tools provided by the internet & technology. Be proactive in your property promotion processes so that the listing for sale or lease stands uniquely different in its marketing campaign from the others in the area. This does not have to be expensive to the client or to your office, given that the internet and electronic technology is historically cost effective. In today's market, the traditional methods of publicising the property in the property pages of the local paper, is becoming much less important in the marketing campaign. Most commercial property buyers and tenants research the market from the Internet first and foremost.
Almost every property agency will say that they have excellent communication and connection skills to support the property promotion process. From experience, this is largely incorrect and typically the average commercial salesperson or leasing person will exercise ordinary communication channels with the client. Put yourself in the shoes of the client. They expect and deserve frequent updates on the promotion of the property even when nothing is happening or when the adverts are producing little response. When a property campaign is not producing the results, it is important that you act or adjust with alternative recommendations and strategic changes to the promotional campaign for the client to consider. Rarely would you get to the property campaign correct in the first week. It is in this time that you must consider fine tuning the promotion process so that the target market is being reached in a timely and effective way. This means that every property enquiry generated from your promotions must be tabulated so that you understand what channels of marketing work most effectively with the property in question.
When addressing the client or the client group in a formal property presentation, the answers and information you give must be delivered well and provide relevant solid property knowledge, in a practiced and professional delivery. Any sales or presentation tools relative to the property must be relevant and you should know how to use them with exceptional skill. Fumbling and faking information is not tolerated by the client.So there you have it. These are some of the key skills to use in a commercial real estate presentation. Whilst many real estate agents think that they are the best alternative in the market to promote sell and rent commercial property, the reality is they do not get the message across when it matters most in front of the client.To be the best commercial real estate agent in your area, you must show that you are just so, and you do this in the first 10 minutes of the time that your presentation takes. The client will have formed an opinion by then.Be prepared to walk away from any demands for discounting that the client or customer demands. In this market they need a great commercial real estate agent providing a great job; discounting is not an option. Show pride in your services and walk away when the client demands discount in marketing or lower commissions.
Livestock Numbering Systems | livestock
Livestock identification is a necessity for any farmer with more than just a family cow. There are many reasons you need to track your cattle, goats, chickens, or whatever your livestock is. Maintaining a numbering system can help you prevent the spread of diseases and genetic deformations, keep track of the age of your herd, and and monitor production. Many new farmers don't think about this soon enough when building their herd. It doesn't become an issue until it is nearly too late.
If you're a new farmer beginning to build up your livestock, or even an old hand who is looking for some fresh ideas, here are some numbering system ideas.An animal's number is meant to provide a means of identifying the livestock. Additionally, most systems employ the birth year of the animal in the number to allow for easily determining the age without having to consult the records. Most new livestock is assigned a number and tagged at birth. Some farms wait until the end of their birthing season or until vaccination and branding time to mark their new offspring.Typical identification systems consist of two separate numbers combined. The first digit or letter will indicate the year the animal was born. For example, any calves or chicks born in 2009 will have an ID number beginning with a '9′. Newborns in 2010 will have a '0′.The second part is simply a sequential number that indicates in what order all new births were born that year. The first chick or kid of the year will be 01, the next 02, and so on. If you have a large herd, or intend on growing it, consider using three digits instead of two!Some animals live to be more than 10 years old. Cattle in particular tend to live past the decade point. As you can imagine, this is a disaster for record keeping! While it may be easy to see in the field whether a cow is 11 years old or only 1, your spreadsheet or tracking software isn't so astute. For this reason, some farmers will use a letter to indicate the birth year. Instead of a '9′ for 2009, they will indicate it as a 'W'. 2010 will be an 'X'. Standard years are usually utilized, so that the letters indicate the same year across different farms.Since several letters look just like numbers from a distance, these are not typically used. Those letters are I, O, Q, and Z. That leaves 22 years worth of letters. If your cow is living to be that old, you have something special on your hands!These are just a few different numbering systems that farmers use to identify their herd. It's up to the individual farm to determine how they will track their livestock. The important thing is to get it started before it's too late!


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Cheese and Wine Tasting Chester
There's nothing that we enjoy more than matching food & wine together, but you simply cannot beat the partnership of Cheese & Wine!
We've teamed up with cheesemakers 'Orsom Cheese' who are a sister company to the famous cheese makers 'Joseph Heler'. Their dairy farm is nestled away in the idyllic Cheshire countryside just outside of Nantwich, and here they make a stunning range of handcrafted artisan cheeses.
The Orsom brand is a new, contemporary cheese brand which makes 4 delicious local, artisan cheese's which can be found in shops and deli's as they have a real support towards 'Shopping Local'!
The 4 cheeses that they make on Laurels Farm each have their own personality and thus their own names. We'll be tasting the full range of cheeses on the night and they include...
Winston - The classic English mature Cheddar, rich in character. Matured to perfection - Typically 9 months of age.
Grace - The new approach to creamy English white cheese. A fresh, subtle English white cheese with mellow lemon flavours, replaced by a long lasting creamy flavour.
Woodew - A cheese that truly sets the quality for English smoked Cheddar. Individually smoked over cherrywood for a true depth of flavour with a smooth & sweet smoky finish.
Orsom Blue - No other words can describle this Blue other than ORSOM! This creamy, delicate blue cheese is mellow and smooth with gentle layers of creamy blue flavours. Delicious!
As well as having a beautiful range of cheeses to try on the night, we also need an equally as beautiful range of wines. As the cheese company is a young, contemporary brand we figured that as well as the 'traditional' matches, we'd try some slightly more quriky matches too (they will blow your mind!).
The wines we'll be tasting on the night...
A South African Chenin Blanc - A zesty, fresh & delicate Chenin Blanc which is the ideal match to the delicate and light English white cheese Grace.
An Argentinian Torrontes - A grape that's very much undiscovered which offers lots of white peach and gentle floral notes with an 'off-dry' finish. This matches perfectly with the creamy blue cheese.
A fruity, French Fleurie - This light bodied wine has lashings of red fruit and raspberry which is perfect when matched to the similar light bodied English white cheese Grace.
Rich, robust Chilean Cabernet Sauvignon - A South American beauty which is full of dark fruit and has a long smooth finish. This big red is the ideal match for the mature cheddar Winston!
A soft, fruity and spicy Rioja- A spicy, full-bodied wine which is rich & has all the character to pair with the smoky cheddar Woodew!
Ruby Port (We can't not showcase a Port, right?!) Big, bold and concentrated, this fortified wine is the traditional and perfect match for the rich flavours of the mature Cheddar Winston!
All tastings include a minimum of 6 high-quality wines, tasting notes, use of professional ISO tasting glasses and Audio-visual equipment.
This wine tasting evening is perfect for the food & wine lovers and is available to be purchased as a Gift Voucher!
Places remaining: 0
Course Date/Time: Thu 31st May 2018 at 7pm to 9pm
Duration: 2 hours
Venue: ABode Hotel Chester


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CAD Technician / Supervisor
(United Kingdom)
1/F AvenueBuilding
Trade Center Road
United Arab Emirates
Position:CAD Technician / Supervisor (March. 2008- March 2009)
Department: Interior Department
ESSENTIAL DUTIES and RESPONSIBILITIES
- Take the lead role in assisting with the implementation of AutoCAD as primary softwere.
- Revising AutoCAD drawings as a result of file translation error.
- responsibility for the data organization collection entry.
- work closely with the directors and interior team, utilized relationship to ensure that AutoCAD standard implementation are met.
- Engage, equip, and lead all cad operators and interior designer with appropriate training, tools, and strategy development for CAD standard


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Stephen Kent and Tim Joslyn pause from a busy Friday at Young Voices to discuss the crazy week for the media. CNN got it hard Tuesday with scandal and it was soon followed up with a Trump tweet that consumed the media's attention for 2 days. We discuss how America got to this point, why the media loses even when they think they have the high ground and what July 4th means to us during a complicated time for America.
Follow Young Voices on Twitter at @YVADV, Stephen Kent @Stephen_Kent89
Leave the podcast a review and let us know what you think!


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Taking place in Washington, DC, USA at The George Washington University on 14 & 15 March 2019, this 2-day conference provides a forum for the presentation and exchange of research results and practical experience within the fields of computational and financial econometrics, empirical economics, time-series and cross-section econometrics, and applied mathematics.More information
Taking place for FREE online on 18 February 2019, our webinar is ideal for the new or beginner level user who wants to learn how to use OxMetrics 8 to model economic and financial time series efficiently and effectively.More information
Taking place in London on 18-20 February 2019, whether you deal with forecasting at a Central Bank, public institution, bank or consultancy firm; or you use forecasting techniques in your research, this is the perfect course to bring you up to date with the latest methods in the forecasting profession.More information
Taking place in London on 18-19 February 2019, this course will teach proper use of recent micro-econometric methods for policy evaluation and causal modelling in situations where the standard "binary" treatment setting poses limitations.More information
Stata version 15 includes a new command, stintreg, which provides you with the familiar streg parametric survival regressions, while allowing for interval-censored data.More information
Stata 15 has a command power that allows users tremendous flexibility in determining sample size, power of test, and graph those.More information
New in Stata 15, the
threshold command allows you to look for changes in the relationship between variables when conducting time series analysis.
Learn more about Stata version 15's new command which you can run after fitting a regression on time series data with
Learn more about Stata's impressive set of options to create graphs.More information
A major new release version of OxMetrics econometric software is now available.
Learn more about Stata 15's command
npregress, which fits a smooth function to predict your dependent variable (endogenous variable, or outcome) using your independent variables (exogenous variables or predictors).
Learn about a relatively new command in Stata 15 which allows users to import data from twitter straight into a Stata data editor.More information
Prof. Sir David Hendry and Dr. Jennifer Castle discuss possible approaches to building a model of a given dataset in the CEPR's VOX online platform.More information
We have over thirty years of experience in distributing leading software, delivering quality training courses, and providing consultancy services
Dr Weeks taught/explained it in a whole new way. The focus wasn't just on Stata but the theory behind the econometrics as well which really improved my understanding."
The hands-on approach with OxMetrics was excellent. Professor Harvey is a fantastic teacher!"
I was able to ask questions from the lecturer related to my current research work and received very useful suggestions."
I found the Professor's ability to convey the intuition behind the key concepts in a manner that could be easily understood was the most useful aspect of the course. He is clearly a cut above others in his ability to do this. One of the best I have ever come across."
This was a great course. The Professor was spectacular and it was a privilege to sit in his class."
The mixture between theory and practice was very useful"
Everything the trainer talked about was clear and followed by examples on how to implement it. Fantastic class all together!"
Comprehensive and effective teaching; now I know how to use Stata"
I found it so helpful to be guided through analysis on Stata, and not just how to code the analysis but also how to interpret the output. The course has definitely made my every day job a lot easier and I feel I now have a much stronger understanding."
Excellent course, I have learnt a lot"
Having insights from someone using Stata proficiently, and to not only learn but discover other tracks to follow to improve my proficiency with Stata"
Absolutely beautiful session on a very difficult subject given by an experienced and gifted teacher in a logical and easy way. I couldn't be more satisfied."
This web-based half-day training course provides a complete introduction to Stata and is ideal for the new or beginner level user who wants to have a head start and learn how to use Stata efficiently.
The course introduces Stata's most popular and useful commands and procedures to import, manipulate, transform and manage data as well as how to export results to commonly used file formats. Stata do-files, log files and also graphics are covered briefly in the final session.View full course details


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- Basin Electric Power Cooperative
- Bryant Heating and Cooling Systems
- Call Before You Dig
- DOE (Dept. of Energy)
- East River
- Energy Information Administration
- Energy Savings Tools
- EPA (Environmental Protection Agency)
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DEFCON Sauces – Defense Condition 3 Low Heat - 8 ounce bottle
Wings aren't just from Buffalo anymore! Try out the following sauces to brighten up your wings. This section includes sauces from Anchor Bar and Wing-Time!
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DEFCON Sauces - Defense Condition 3 Low Heat - Not since the beginning of recorded time has the human race had the chance of obtaining pure perfection encased within a small vessel. Originally designed as a spicy wing sauce, many bipeds have used this liquid concoction on virtually everything edible. From the fountain of culinary perfection directly to your grubby little paws. Spice it up, with the elixir of legend! This one is the mildest. Most often used as a wing sauce or topping on your favorite foods. Some other uses: steak sauce, eggs, fish, Bloody Mary mix, deer repellent.
- 2008 Hot Pepper Awards - Best Wings and Most Extreme Product
- 2015 2nd place Screaming Mimi Awards - Chicken Wing
All Natural, No MSG.
From New Jersey
Ingredients: Aged Cayenne peppers, distilled vinegar, salt, garlic powder, Cayenne peppers, cream, white wine vinegar & natural flavors.
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Product Review
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Thursday, 21 March 2013
Infographic - How EV SSL Certificates Helps You to Increase Your Online Profit
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