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This week's AoTW is Jessica Keiser. I conducted an interview with her a couple of years ago for a seminar. The article here explores not only her work but the impact that the education system can have upon an artist's development–both good and bad.
Jessica Keiser's work, by her own admission, represents a modality that is largely absent from the contemporary art scene and, according to some historians, has been out of vogue amongst the elite critical cabal for nearly a century or more. As one historian states:
It simply won't do to ignore a whole generation of progress towards the limits of abstraction, to deny surrealism, cubism, Klee, Kandinsky, Picasso, Francis Bacon…It takes courage, however, to face up to one's own time, more courage than is needed to beat the baby drum of reactionism," (Pettersson, 1999, p.22-23).
Keiser's work is immersed in the tradition of great figurative and naturalist painters who are interested in simply expressing the human figure as it is. Devoid of irony, issues of social justice, or any of the other post-modern hallmarks, Keiser's work instead is about skill and material, light and dark, color and line.
Does this in some way devaluate her work or immediately deliver it to those outer recesses of the art world commonly reserved for those intrepid souls who defy the postmodern call? That is for the viewer to decide. What is clear from the interview is that Keiser struggles with these issues and more as she continues to make progress within the graduate art program.
What were your early art-related influences? What art experiences did you have in the K-12 school years?
Much of Keiser's early experience with art, in the broadest sense of the word, was rather limited. Her parents were not particularly interested in art as a subject for specific scrutiny and beyond the typical range of decorative art found within the average middle class home, Keiser's exposure to art was limited to what was available at school. Despite her general lack of exposure to art, she remembers that the art class was the only class in which she felt comfortable due to her ability to succeed there while in other classes she sometimes struggled to achieve success.
While in school, she remembers being exposed mainly to the artists associated with the Impressionist movement. Paintings of Renoir, Monet, Pissaro, and others maintained such a visual hegemony that most of her early paintings reflect the Impressionist style—a style which she now vigorously dislikes.
Another sizable influence, according to Keiser, was following what her fellow students in class were interested in creating. As the other students drew certain subject matter, she would pick up on their efforts and draw similar things; or, conversely, students would be influenced by how she drew. Much of the interaction, to some degree fueled cumulative development amongst her and her peers. This, coupled with peer and adult reinforcement throughout her early years contributed, in some measure, to the development of her drawing skills to the above average level.
In addition to the social contributions that helped the improvement of her artistic abilities, Keiser cites illustrations from books as a sizable influence that furthered her development. She would check out numerous books from the school library and look at the illustrations, often copying those that she found of interest. Books, and other material and psychological items that can be found within the conceptual framework of Vygotsky's cultural tool bag, so to speak, assisted Keiser's development well throughout her primary education (Woolfolk, 2007, p.41).
Despite her above average artistic accomplishments in elementary school, high school proved to be largely infertile due to a desire to graduate early. In order to accomplish this goal, she had to sacrifice art class as it was not a component of the early graduation program. Despite her lack of exposure to art, at least within the context of a formal school setting, art and her artistic identity continued to play a role in her life, if only at times in a subliminal manner.
Overall, it appears that Keiser's art experience within elementary school was not particularly atypical and mimics the experience of countless others who have progressed through the public education system. She did not identify a particular teacher who could lay claim as the progenitor of her current status as artist; nor could she mark a significant epiphanic-like experience that was a catalyst for the subsequent crystallization of her artistic identity.
When did you first become serious about art? When did you first identify yourself as an artist?
Concerning artistic identity, Keiser states that there was not a particular moment or timeframe that she could identify that solidified the idea that she was an artist. Art and art-making were always undercurrents in her life.
After taking some time off after graduating high school, Keiser returned to art by enrolling in a small university. Initially, she pursued a degree in fine arts but quickly became frustrated with the art program. She found the program to be "boring" and "uninteresting;" further, students' artwork was often a catalyst for what she deemed "bad psychoanalysis," (J. Keiser, personal communication, May 1, 2008).
Her frustration became so intense that she switched programs and became a philosophy major and, ultimately, obtained a degree in this subject demonstrating, once more, that the classroom can have a significant impact on a person's life choices.
After graduating from college she still had a desire to pursue art and actively sought out artists who she believed held sympathetic approaches. This search also helped her to solidify her own ideas about art and discover what artistic concerns held some merit in her emerging perspective. She discovered that she was drawn to figurative works and, specifically, the works of those within the Realism and Naturalism schools. Despite the abundance of historical examples of Naturalistic paintings, Keiser had considerable trouble finding contemporary artists within the genre. Further research revealed the Florence Academy of Art in Italy and deciding that this was what she needed to pursue, she went there to study art for three years.
Although Keiser does not identify a particular moment or experience in which she first identified herself as an artist, it was clear from the interview that her experience in Florence was extremely significant for her artistic identity and the time spent there contributed to the seriousness with which she took art. Much of the resultant material covered within the interview hinged around the ideas and methodologies that would have been promoted within the academy—specifically the contrast between what she deemed the "American approach" to art versus the "Academy approach."
Some of the differences between the two approaches are summarized nicely by Keiser:
It [Florence Academy] was aesthetically incredible. My familiarity with art classes in America was just…I think of metal, the smell of turpentine, fluorescent lights, stuff like that. In Italy, it was a big old palette, that traditional one. And we had natural light. I think they [the Italian studios] were just more organic. (J. Keiser, personal communication, May 9, 2008)
I imagine a way to summarize this contrast by using contemporary artists as examples would be to juxtapose the works of sculptor Richard Serra, whose massive works in steel and metal epitomize American industry, alongside the works of the Norwegian artist, Odd Nerdrum, whose Rembrandtian palette and naturalistic figures hearken back to the 1600's.
Despite the significance of her Italian experience and her current efforts as a graduate student within the fine arts program, as the interview progressed, Keiser's artistic identity became less solid when she stated that she, "[…] could and maybe should do other things," (J. Keiser, personal communication, May 1, 2008). It is interesting and unusual to witness someone who has devoted a sizable portion of their time and effort to their artistic development make such a statement. It is almost paradoxical to consider that she has been willing to submit herself to the rigors that she has during her artistic development and then so passively consider trading them all in for another, as of now, largely undetermined role in life—although she thinks that she might like to start a family.
Keiser's artistic identity has remained somewhat fluid throughout her development and it appears that this fluidity will remain a factor as she continues to grow not only as an artist but also, simply, as a human being. The tendency to categorization, self-imposed or otherwise, is, I believe, a natural impulse. Those who, for reasons indiscernible to us, make moves to step outside of the role in which we conceive them to operate, especially after so much investment in time and effort, risk scrutiny that is largely unjustified when one stops to consider the complexity of the human experience which is, by nature, dynamic and fundamentally beyond categorization.
How does your art-making and art-thinking fit in with today's contemporary art scene?
It was very challenging for Keiser to answer this question as she feels that her artwork does not necessarily fit within the genre of contemporary art. Generally speaking, it is difficult to find strictly Naturalistic painters within the confines of what is commonly considered the "it" contemporary art scene.
The most successful or popular of Figurative Naturalists even after years of struggle often fail to find acclaim and recognition despite their best efforts. Naturalistic painters often risk being ostracized for what many critics identify as a tacit or deliberate rejection of everything that the Modernists contributed over the past century (Pettersson, 1999, p. 42). It is almost as if the painters who subscribe to this modality are considered adherents to the relics of a past age, one that would be foolish to return to considering the advances that have been made. Perhaps some consider a Naturalist painter somewhat akin to a contemporary scientist who still subscribes to Ptolemaic principles.
Despite all of the baggage Keiser had to consider while answering this question she, after a moment or two of contemplation, answered, "[my art] is contemporary because I'm contemporary," (J. Keiser, personal communication, May 1, 2008). She further qualified her answer by saying that, "my art reflects my experience and if it doesn't reflect contemporary visual culture, it's because my experiences haven't," (J. Keiser, personal communication, May 1, 2008).
After further conversation, Keiser's struggle with the aforementioned issues became more apparent and the divergence between her personal ideas regarding her work and the difficult task of reconciling them with the conceptual requirements of the University's art program became more apparent. What emerged were two very different answers to the question of how her art fits in with contemporary culture.
The first answer is seemingly in line with the fundamental structure of most artists' statements in that it presents a highly conceptual philosophic component to her work. Beginning with the idea of the individual, in the humanistic sense, Keiser presents the concept that the post-modern ethos rejects the idea of the individual within portraiture often in favor of, or in service to, a veneer of irony.
Further, her work explores the idea that although it is philosophically impossible to access the "Other" in reference to the individual portrayed in the portrait, the viewer inevitably attempts to do so either through interpretation or perhaps through projecting a component of their "Self" onto the image. Either way, Keiser states, the viewer is dealing with falsehoods that cannot be circumvented. The portraits highlight that much like the nature of our daily interactions with people, the interior lives of the people that the portraits represent will forever be inaccessible and fundamentally mysterious. However, the viewer still desires access to the individual portrayed and will inevitably attempt to gain access despite the impossibility of achievement.
The natural longing to identify and associate with the human figure in visual imagery is touched upon by the contemporary figurative artist, Odd Nerdrum. In his estimation, modern art has often favored expediency when it comes to capturing the human image via the photograph or other mechanical methods and also through the utilization of abstraction. In essence, this type of reproduction of the human form inherently diminishes the human touch—and thus, the individual behind the mark. The contemporary painter's ability to portray the inner self through classical means via the human touch and through the immediacy of paint on canvas has suffered in that modern art has succumbed to a pervasive and detrimental reliance upon rational thinking—a byproduct, in Nerdrum's estimation, of modern society's largely misplaced elevation of rational science to a higher than deserved level. Another artist from a different age, Caspar David Friedrich, posited a similar caution: "[…] beware sinful ratiocination, for it kills the heart, and when heart and mind have died in a man, there art cannot dwell," (Hofman, 2005, p.269).
Within this rationalistic framework, it becomes acceptable to sacrifice the human touch when reproducing the human form as such a simplified representation is perfectly coherent within the ethos. As such, the subtlety and sublimity of expression that would otherwise be obtained by a painter observing from nature and capturing natural forms is lost within the mechanical or abstractive process. In other words, according to Nerdrum, the individual human component becomes suppressed in service to this "rational foolishness," (Pettersson, 1999, p.24). Nerdrum states:
I believe I have the diagnosis: It was the tremendous development of rational science and finally its total conquest of the human mind in our century. Few of them [members of modern society] realized that the age of technology is a substitute world. All genuine forms of art have suffered under the rational way of thinking of this new age. […] In the blinded state man finds himself in today I still believe in the future potential of visual art—for the wondrous and contradictory thoughts and movements of this world provide for other worlds than the one of rational foolishness, (Pettersson, 1999, p.24).
Although Nerdrum's statements are more vitriolic than Keiser's, it appears that both of them are trying to find a validated place for their artwork within a contemporary art world that is often very quick to dismiss efforts such as theirs.
With a limited palette, some brushes, a well lit subject, and years of intensive study, she finds satisfaction in the accomplishment of rendering form in a manner that suggests reality. It can be said that her work is about rendering skill and the tradition of figurative painting. Issues of methodology and material are important for her as well. Obtaining accurate local color and the responsiveness of the canvas are two issues that, for her, require more intensive scrutiny than any conceptual component. The philosophical components contained within this process are of no interest to her and she further states that she would not even try to conceptualize her work if it was not a requirement of the MFA program.
A contemporary Naturalist painter elucidates some of the concerns that Keiser is considering. Adrian Gottleib discusses the creative process:
Creating a realist painting is fairly simple to describe. Conversely, creating a good realist painting is difficult to accomplish…the idea is to bring about a fully unified piece in color. More so than in drawing, the basis of a successful painting lies in the creation of illusion: the illusion of volume, the illusion of distance and space, the illusion of light, and even the illusion of color itself. One of the goals of the naturalist painter is to accomplish the most information using a minimal number of brush strokes. This goal forces the artist to constantly refine brush stroke technique.
The human eye does not translate images to the brain in the same way that a camera lens imposes an image onto film – the resulting imagery is very different. There is also, and most importantly, an exchange of energy between the model and the painter that simply cannot take place with a photograph. Visual images and even perceptions, when combined, help to reflect personal characteristics and gestures necessary to capture the individuality of the unique persona. (Gottlieb, Retrieved May 9, 2008, from Adrian Gottlieb: Naturalist Painter and Portraitist
It is difficult for Keiser to be in the position that she is for she must either pursue and "attain" a disingenuous philosophical manifesto, of sorts; or, conversely, pursue and vocalize her sincere intent and risk that her work obtain the "kitsch" moniker. Not an enviable position. Concerning kitsch, Roger Scruton writes:
Kitsch reflects our failure not merely to value the human spirit but to perform those sacrificial acts that create it. It is a vivid reminder that the human spirit cannot be taken for granted, that it does not exist in all social conditions, but is an achievement that must be constantly renewed through the demands that we make on others and on ourselves. Nor is kitsch a purely aesthetic disease. Every ceremony, every ritual, every public display of emotion can be kitsched—and inevitably will be kitsched, unless controlled by some severe critical discipline. (Retrieved May 9, 2008, from City Journal website http://www.city-journal.org/html/9_1_urbanities_kitsch_and_the.html)
In my opinion, Keiser's work is not deserving of the kitsch label by any stretch of the imagination. However, it is valid to consider that despite the artistic freedom that the post-modern art world affords, there are still tacit considerations that, if not adhered to, will compel some to immediately categorize her work as such. An alternative viewpoint on the nature of kitsch is offered by Nerdrum:
Kitsch is the opposite of the public space, of the public conversation, of the demand for objectivity and functionality. Kitsch is the intimate space, our selves, our love and our congeniality, our yearnings and our hopes, and our tears, joys and passion. Kitsch comes from the creative person's private space, and speaks to other private spaces. Kitsch deals therefore with giving intimacy dignity, (Pettersson, 1999, p. 56)
Although Keiser's divergent answers reflect the hierarchical ideological concerns which exist within the contemporary art world, it is perhaps difficult to ascertain which of her two answers has more validity in the world of ideas. Certainly the complexity and the conceptual challenges existent within each answer are no less equal in measure.
What is art?
Keiser demonstrated some hesitancy as she formulated an answer for the question: What is art? Initially, she stated that she did not know what art is and that she would not define art. However, she did elaborate somewhat. Keiser stated that she is "[…] suspicious about what art has become recently," (J. Keiser, personal communication, May 1, 2008). She feels that within the contemporary art scene, the discussion that occurs about a particular art piece has become elevated above the art. Further, talking about art has become art.
For Keiser, the image takes precedent over the dialogue that a piece creates—the image above all else. Dialogue, according to Keiser, is secondary and art, in her opinion, should contain merit based solely upon the image because, as she states, "we are not writers and public speakers," (J. Keiser, personal communication, May 1, 2008). I want to pause here because I do not want to give the impression that she is any way deprecating of other artists whose work has a strong conceptual component for that is not the case. Artists who differ from her are respected.
A similar divergence to that which occurred in the previous section is apparent with Keiser's answer within this section as well. She re-emphasized that she feels that her artwork is about the image and that the conceptualization of the ideas behind her work is fundamentally unnecessary.
What is your teaching philosophy? How do you being an educator and an artist? When and where did you first teach art? For how long? What problems do you face in your teaching?
Keiser initially stated that she did not really have a teaching philosophy; but as the interview progressed, clear indications of a guiding force to her teaching emerged.
When it comes to teaching, her goal is to pass on to her students the information and skill base that she has learned during the course of her own education and experience. She views drawing as a skill and she emphasized that she is not teaching them how to be artists but she wants to teach them how to draw. She will not necessarily exclude student consideration of more artistic issues, but she makes it clear that she wants them to focus on skill building.
Initially, I had the impression that her approach to education incorporated the idea of "banking," or the tabula rasa concept in which the students were seen as individuals waiting to be "filled" with knowledge and facts. However, it became clear as the interview progressed that her approach was to foster a more cooperative learning environment in which both teacher and student contributed to the educative process. Much like a constructivist approach to learning, Keiser wants her students to have the opportunity to create their own understanding and knowledge base about the medium that they are using. Further, she views herself as a facilitator of this process.
Through the repetition of practice, the students gain knowledge and experience about the medium which will, in turn, result in an improvement in skill. The nature of habit and repetition is touched upon by John Dewey when he states that, "every experience enacted and undergone modifies the one who acts and undergoes, while this modification affects, whether we wish it or not, the quality of subsequent experiences," (Cahn, 1997, p.335). However, Dewey is quick to emphasize that experiences have the potential to be educative or mis-educative, and Keiser stressed that she wanted her students to develop the ability to be productively self-critical as they practice as this will facilitate growth, (Cahn, 1997, p. 330).
The relationship that exists between Keiser's role as educator and her role as artist cannot be clearly delineated. It is clear to her that the two roles are, as is to be expected, not exclusive and the boundaries of each are very fluid, perhaps non-existent.
The point at which she could clearly identify how her artistic concerns overlap her educative concerns happened when she identified her experience in Italy as a basis for how her classroom should be structured to reflect what she considers to be the most conducive methodology that will provide the students with a strong drawing foundation.
The program in Italy was very disciplined in comparison to most American programs and the students there focused upon developing their skills in painting and drawing to a very high degree. Keiser wants to incorporate some of the highly developed rendering skills within the curriculum in order to foster increased student skill. This sentiment is echoed by Alfred North Whitehead when he states that the education system needs those "[…] who possess both culture and expert knowledge in some special direction," (Cahn, 1997, p. 262). It is assumed that an individual with a high degree of skill or expertise in a particular subject is more qualified to teach that subject. The answer is that this sometimes helps; but attention to a great degree of preparation concerning issues that exist on the periphery of the core skill set desired to be taught is also required.
Whatever the case, Keiser has found that her experiences have enriched the execution of her educative obligations and that, in turn, the experiences that her students bring have enriched her artistic growth. This reciprocal enhancement routinely benefits both teacher and student. The idea that the teacher learns along with the student is certainly not a new one within the philosophy of education spectrum and personal experience repeatedly affirms this.
Some of the problems that Keiser faces while teaching are common to all who have worked within the education system. The issues that are specific to her are somewhat unique in that her ideal of what an art class should be was formed in another culture that is fundamentally different from what will be found in most college art classes within America.
Keiser first taught in a formal capacity while in Florence. As a third year student, it was expected of her to teach the first year students and she says that this experience has largely formed her conceptual framework of how a classroom should operate.
She has a desire to teach to the highly demanding and intensive standards that she was expected to demonstrate while in Italy but this is not acceptable within the university art program. Additionally, the drawing focus under which she developed utilized an approach that used a very narrow range of media while her drawing class is expected to experiment with a much wider range of media. Consequently, she feels that the students are unnecessarily sacrificing mastery for an unnecessarily broad experience with media.
Whitehead reinforces this sentiment by emphasizing that one should "[…] not teach too many subjects," and that whatever is taught should be "[…] taught thoroughly," (Cahn, 1997, p. 292). Maintaining the balance between curricular leniency and intensive emphasis of what she considers fundamental is a continuous effort for Keiser.
Although Keiser does struggle with the issue of trying to teach what is, in her opinion, too much material, it is clear that she is learning to adapt to the American art education experience.
It is clear that Keiser wants her students to learn. Specifically she wants to do her best to provide them the skill set necessary for them to become successful in whatever artistic path that they choose to take. Although she claims that she is not trying to teach artists but a skill, I beg to differ in that through her example of a disciplined and devoted approach, she is effectively modeling a significant trait of every successful artist.
I found the interview process to be extremely insightful into the life and work of one particular local artist. The glimpse into Keiser's work afforded by this opportunity was very insightful and, of course, if I see her work in the future, I will not be able to look at as I would have before this interview.
I have to admit that it is unexpected to encounter an MFA student who expresses a desire to actively refrain from conceptualizing the ideas behind her work. I imagine that in time, the task which has been elusive so far will manifest—possibly in a way inconceivable at this point. However, what was clear and largely expected, was that Keiser is very sincere about her work and devoted to what she wants to accomplish through the production of her work. Whether within the context of an MFA answer or not, her work demonstrates a skill and sensitivity to the human form that is seldom matched by many of today's artists. The manipulation of color and light creates a remarkable portrayal of natural form.
The examination of kitsch compelled me to end this post with kitsch's second cousin, cliché. Thus, a quote:
The beautiful is in nature, and it is encountered under the most diverse forms of reality. Once it is found it belongs to art, or rather to the artist who discovers it.
-Gustave Courbet
Reference List
- Bajo, T. & Carey, B. (2003). in conversation: Tehching Hsieh. Retrieved, May 8, 2008, from The Brooklyn Rail
- Web Site: http://www.thebrooklynrail.org/arts/sept03/tehchinghsieh.html
- Cahn, S. (1997). Classic and contemporary readings in the philosophy of education.
- New York: McGraw-Hill Companies, Inc
- Hofman, W. (2005). Caspar David Friedrich. New York: Thames & Hudson.
- Keiser, J. Personal communication, May 1, 2008.
- Petterson, J. (1999). Odd Nerdrum: storyteller and self-revealer. Oslo, Norway: Aschehoug & Co.
- Woolfolk, A. (2007). Educational psychology. Boston, MA: Allyn and Bacon.


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Today's "Draw Two Panels" strip introduces not one but two of the robots I have drawn for Alphabots. I suppose that was likely to happen eventually.
It was fun to draw the Cooker again, though putting him into a panel automatically raises the question of perspective in a way that I have to admit I find a little awkward. (I'm not drawing these things in a space where I can get out a big ruler, and the original paper is only 4" by 3", so it's hard to be scientific about linear perspective. Hopefully the way I'm fudging it more or less works.)
Anyway, there are more of these coming up this week.
Wednesday, March 6, 2013
Fzzzark! Woop! Woop!
Labels: Draw Two Panels, robots, Stochastifactory Comics
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subset: commoncrawl


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News and Information to Keep You a Step Ahead!
If you don't already know about or use Google Alerts for your business then you are in for a treat! Google Alerts allow you to keep up on posts all over the internet regarding a specific search phrase. The search phrase can be your individual name, your company name, your favorite celebrity or sports team and even your real estate listings! To track shares or posts about your listings, we recommend you create Google Alerts for each property address. Below are instructions on how to create a Google Alert.


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I love creating little quilts inspired by those made in the past.
Check out my Doll Quilt Pinterest Board for lots of little inspiration.
Here are a few of my recent reproductions.
These three project are part of our Monthly Mini Club
We have a few spots left so if you are interested in making
some cute little quilts check out all the details and sign up here.
+ + + + + + + +
P.S. the basket and flying geese quilts are past projects and
we have a few kits available here.
P.S.S. The cute spring star quilt is this months project and will
be in the mail to all club participants next week.


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What Are Employers Finding When They Google You?August 9th, 2013
If the hiring manager at your target employer—or your current boss—did an Internet search on your name right now, what would they see? And would they be impressed with your intelligence and professionalism, or turned off by your attitudes and habits? There's a reason that people are being cautioned about what they post on their… Read More


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Arsenal star Jack Wilshere has been fined £40,000 and "severely warned" for his actions during the Gunners' FA Cup victory parade.
The 23-year-old admitted a charge of misconduct earlier this month after leading fans in a chant that involved swearing from both him and the supporters.
He asked fans: "What do you think of Tottenham?" Supporters replied: "s***".
Wilshere added: "What do you think of s***?" And the fans replied: "Tottenham".
And now the FA have come down hard on Wilshere, handing out both a fine and an official warning.
A statement released by the FA read: " Arsenal 's Jack Wilshere has been fined £40,000 and severely warned as to his future conduct after admitting to a charge of misconduct.
"Wilshere was found guilty of making and/or inciting certain comments during the club's open bus trophy tour after their FA Cup Final victory, with his conduct deemed to be improper and bringing the game into disrepute."
Wilshere himself had earlier admitted surprise that he was charged at all for the incident.
"We've worked hard all year and we've won a trophy. That's the best feeling in the world," he said.
"No matter what job you do, if at the end of the year you get a promotion and a bonus, you're going to go out and celebrate. So I think that side of things was a bit harsh."
While some may feel Wilshere's actions warranted such punishment, many do not.
Lois Langton, chair of the Arsenal Independent Supporters' Association, backed the player in the wake of the incident, and her views are shared by many.
Langton said: "Much is often made of the so-called disconnect between modern-day players and supporters. It is hardly surprising that players are cautious about wearing their hearts on their sleeves if the reaction to Jack Wilshere is anything to go by.
"No doubt Arsenal will be obliged to remind him of his duties when representing the club in public, but Jack Wilshere showed yesterday that he totally understands what it is to be an Arsenal supporter.
"He has been with us since he was nine years of age and, for him, winning with Arsenal means celebrating with supporters.
"Jack simply reflected what is sung on the terraces up and down the country, week in and week out - the Spurs supporters have exactly the same songs for us."


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I thoroughly enjoy watching and attempting to see the shadows and echoes of our society's, our culture's concerns, fears, and beliefs in our fictions – because they are truth.
If we look at the small band of survivors as the whole of society or civilization we can see two conflicting leaders.
Shane (the cop's partner), whose underlying agenda seems to be survival (not living), and potentially and more accurately, self-survival, embodying little more than an animalistic nature.
But it is within the leadership of Rick Grimes (main character) that we see the dichotomy set up.
A willingness (nay, a need) to help a potentially threatening and dangerous stranger (Merle Dixon). He is told by numerous people that Merle doesn't deserve it, to which he answers, it isn't for Merle, it's for me.
He doesn't necessarily embody the survival of the group, but survival of the very sense of morality itself. He juxtaposes to Shane's animalistic nature.
What I find so interesting about The Walking Dead is that it really is not a story about zombies, or survival or post-apocalypse world. Neither is it a reflection or commentary of consumerism like the entire George Romero's zombie-genre has been.
This story could be told as a Western with cowboys as the main characters; the zombies being replaced by the obstacles and threat of Indians and wild animals.
Ironically, The Walking Dead, really isn't about zombies at all. (And on a side note, I don't believe the title is referring to the zombies, but rather to the survivors).
It poses the question of the moral state of our society. It questions the moral fiber of our society. Are we innately altruistic and good? Or are we nothing more than savage animals in need of being kept in check?
...or maybe it's making the statement that there needs to be some sort of balance betwixt the two...
Christianity has attempted repeatedly, in times past and present, to question the moral fiber of our society and has most often times failed – or at worst been ignored. (Often taking a finger-pointing and accusational tone).
I think that may very well be the defining difference between Spiritual Growth and Religious Growth.
When we question the moral fiber of our society we are really inviting spiritual growth. However, I don't believe this is what Christianity has attempted. Religious growth questions the world around us and is an attempt to change that world into what we are. Spiritual growth questions ourselves.
...and if we are only interested in Religious growth (proselytizing) and not at all with spiritual growth, we become dead on the inside. How funny – how ironic – that the lifeless and walking dead – zombies – have succeeded where God's chosen people have failed...
Saturday, December 4, 2010
The Walking Dead
2 comments:
- The Preacher's Kid said...
If you haven't read the graphic novels yet, Seph, I recommend giving them a try between now and next fall when season 2 starts.
They explore these questions in greater depth. (or at least the first several volumes do - I stopped reading after that.)
- December 4, 2010 at 4:55 AM
- 'Seph Sayers said...
I'm terribly torn 'bout the graphic novels.
I don't want to know about the story-line. I really want to watch it - seeing it for the first time so to speak.
(But every time I'm in Chapters, I can feel the pull!!!)
- December 6, 2010 at 12:36 PM
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Well, OK, not quite my last Christmas, but my last Christmas in Abu Dhabi! The girls & I have called Abu Dhabi home for over twenty two years: I arrived in August 1992 & Carol & the girls a month later. There have been so many great happenings & changes throughout that time. It has been a wonderful place to bring up the girls & looking back, I feel quite privileged to have led the life I have.
There have also been the downsides: Adrian & Simon are no longer with us, Simon in particular played a huge part in both mine & the family's life here. And of course in July 2013, I lost my wonderful wife Carol. It is hard to put into words my loss. Carol was everything to me. It was love at first sight when I first met her, & this continued until the day she died. We had a fantastic marriage, one that really would be very hard to better. I think of her many times each day, in all the little things that spring to mind. She will still be a huge part of me, for ever. I miss her so very much.
But one chapter of my life closes & another opens. I am excited about my new life in South Africa. I live in a fantastic location, where every morning is an adventure! I have my new truck to pick up & get expedition ready. I am very enthusiastic about getting everything in place, to go on many journeys, both in southern & east Africa. I also want to make changes to my house, to make it my home, over the next decade or so, that I will be living there.
Early Christmas morning.
Rowan & Clare with their Christmas morning
T-shirts on.
Clare & Ahmed of course, live with me here in Abu Dhabi. But shortly this house will be closed & they are looking for a place of their own: probably at Al Reef. This location is excellent for both their jobs, as they avoid the main rush hour roads, which can make life so frustrating here.
Rowan flew in a few days before Christmas. She & her boyfriend Ceggy, are making a new life for themselves in Ikley in Yorkshire. Both are looking for career jobs, but finding it difficult.
A little later in the day!
It was fantastic to have both girls around for Christmas & both did an amazing job on decorating the house & indeed cooking an enormous Christmas dinner! I do fear however, that my meals are set in stone over the next week! Thanks girls! You were both terrific!
Nicci & Toni fly in on 28th December. Both are leaving their husbands & families behind in England & Australia respectively. They are mainly coming over to divide up Carol's possessions, particularly her jewelry, which she wanted the girls to have. It will indeed be a bittersweet moment, as our wonderful home here, will be dismembered forever. Many pieces, scattered over the world. It will be wonderful to have them around though, if only for a short while, before they resume their very different lives, in different parts of the world.
On the morning of the 30th, we all went to Al Bandar, to a little Afghan cafe by the waterfront. The weather was perfect for sitting outside & we had a good chat.
On the morning of the 30th, we all went to Al Bandar, to a little Afghan cafe by the waterfront. The weather was perfect for sitting outside & we had a good chat.
In the evening, we went to a seafood restaurant at the Shrangri-La Hotel. It is a very pretty setting on the creek & we all had a nice time.
The whole family missed most of the day of the 1st January 2015! I suspect that we were not alone in this! We spent the evening at TheVista Restaurant at The Club. We had a delightful time & then retired home to open a second batch of Christmas presents!
At The Vista.
Nicci in front of Henderson's Folly.
Yet another flat cap for me!
My second this Christmas!
I feel sad to be leaving Abu Dhabi, after all this time. But I feel it is necessary. I need to start over. Africa calls & it is a very strong pull for me. No doubt my new life, will fill the pages of this blog in time to come. I hope it is an interesting read!


text:
Northern St. Croix County hammered by hail, rain
1 / 4
2 / 4
3 / 4
4 / 4
The warning sirens blew in New Richmond, but storm clouds stayed to the north and east Monday afternoon around 2 p.m.
Local farmer Jeff Croes from Croes Udder Dairy just west of Deer Park reported more than an inch of rain fell in about 15 minutes.
A huge blast of hail also fell within a 30-second period, turning some spots white like snow. Hail was also reported in the Osceola area earlier in the afternoon.
There were no specific damage reports immediately.


text:
: NFL Draft
Do Geno fans have overinflated expectations?
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Fat Elvis
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Originally Posted by
Yes, I know the article doesn't specifically discuss Geno Smith, but it treats draft pick slots as generic players and talks about value of that pick in terms of previous statistics instead of the individual attributes of that particular prospect. I'm not criticizing the article, I actually think it's very good. I'm pointing out that it has the same predictive flaw that those who use the draft position of prior super bowl winning QBs to make a case for "trying" by taking a QB in the first round (or with the first pick) in a particular draft.
It's probably pretty good for predicting results on average over a long period, but it's not so good for predicting results of a specific pick.
For example, if the 1.1 pick is used on a QB this year, it's pretty unlikely that they'll end up with a QB whose Career Approximate Value is extremely close to that of Brad Johnson (like +/- 1 or 2 points). Like someone else said, it's probably more like a bell curve distribution around BJ.
I'm not being critical of the article. I'm being critical of anyone who would try to misuse the article.
Therein lies the rub. First of all, the sample size is really small, just 62 number one draft picks; secondly, in terms of QBs the sample size is shrunk even more since not all #1 picks were Qbs; thirdly, there is a wide variance of standard deviation because of extreme outliers like Peyton Manning and JaMarcus Russell.
I suppose that is why I asked what are people's definitions of a "franchise QB."
Is a franchise QB defined by how many pro-bowls they are selected?
Is a franchise QB defined by how many Super Bowls they win?
Is a franchise QB defined by how many times "they will their team to win"?
Is a franchise QB defined by how much extra revenue they generate for their team?
How long do you give a QB to prove he is a franchise QB?
I don't know.
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text:
Having problems with your Aiptek Mini PenCam Digital Camera ?
Aiptek Megacam Manual and Driver
\015 I bought a used Aiptek Mega Cam this weekend. However the seller did not have the owner's manual or the Disk with the drivers needed to upload the pictures to my computer. How can I get these items?\015
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I want instll driver
Repair Help & Product Troubleshooting for Aiptek Mini PenCam Digital Camera
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I was having trouble installing the drivers for my creative notebook camera(its a VF0250) and i downloaded the latest versions straight from the website. when i would plug it in it said "device not recognized" and would search for the drivers but never found them. until i manually had to find them. i went on device manager->right clicked properties then went to the driver tab and clicked update driver-> clicked imaging devices and found the creative webcam driver there. now atleast the webcam re
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text:
When it comes to sorting out a Will, there's an awful lot of jargon to try to make sense of. Here are some of the most common terms you'll come across, and what they really mean.
- Assets: These are the valuable items you own and cover your possessions, property, cash, etc.
- Attestation: This is the signing and witnessing of a will.
- Beneficiary: This is a person or organisation to whom you leave something in your Will.
- Bequest: This is the term for a gift that you have left to someone in your Will. There are several different kinds, for example a specific bequest is a particular named item, such as a piece of furniture or jewellery.
- Capital Gains Tax: Changing a solely owned property to Tenantsin Common is a transfer of equity from the sole owner. Technically they are gifting an asset which could give rise to Capital Gains Tax (CGT). However their is a releif against CGT if the property is the main residence. Additionally CGT is not applicable for transfers between spouses.
- Codicil: This is a document that can be used to change a Will which has already been written.
- Crown: This is essentially the Government and it is where your money will go if you die without writing a Will.
- Estate: This is the total of your assets minus the value of any liabilities you owe.
- Executor: When you write a Will, you need to name an executor. This is the person who is responsible for ensuring your wishes are carried out.
- Family Interest in Possession Trust: This is for a married couple with an estate value in excess of two "Nil Rate Bands" and benefits from "Spousal Exemption".
- Family Probate Preservation Plus Trust: This is used where you wish to pass all or part of your main residence to be controlled and managed by Trustees whilst you are still alive. This requires a Conveyance transferring the asset to the Trustees.
- Family Probate Trust: This is a discretionary trust with the main feature being that the Settlor can also be a potential beneficiary.
- Family Trust: To protect the inheritance from various threats rather than the Will directing the assets absolutely to the beneficiaries it is best to direct these assets via a Family Trust. this is a Discretionary Trust where the Trustees decide who and by how much the beneficiaries benefit.
- Guardian: A person who is responsible for children until they reach the age of 18.
- Inheritance Tax: This is a tax which is paid on the portion of your estate which is above the nil-rate threshold. Currently, this stands at £325,000 for individuals, though you can now pass on a further £100,000 (rising to £175,000 by 2020) if you are leaving your primary residence to family.
- Intestate: This is when someone dies without leaving a Will.
- Legacy: This is another word for a gift or bequest left in your Will.
- Mirror Will: As a couple it is very common that the content of each individual's Will mirrors the other.
- Probate: This proves the Will is valid and gives the executor the authority to administer the estate.
- Residue: This is the word for what is left of your estate after debts, taxes and certain bequests have been handed out to beneficiaries.
- Severance of Tenancy: Most couples own their property as "Joint Tenants" which means that on death of one of them, the property passes to the survivor automatically. It will not pass according to your Will. This is similar to how most joint bank accounts and other jointly owned assets are held. By severing the tenancy of a joint property, it is declared that the owners in fact each own a proportion of the property which their wills can direct accordingly on their death. The ownership of the property when this is done is called "Tenants in Common".
- Testator: This is the name for the person who has made a Will
- Trust: You can set up a trust to administer some of your assets after you die.
- Trustees: These are the people that manage a trust.
- Witness: A Will must be signed in the presence of two witnesses, who also need to sign the Will.
If you need to speak to a qualified professional about writing a Will or if you have a Will already and not sure if it's achieving what you need it to, please contact Finance North Estate Planning Services today, on 01782 963 303 or email email@example.com.
Finance North Estate Planning Services
Offices in Cheshire and Staffordshsire
Home Visits Available Day Time and Evening


text: Hey from Ky. New to EFI in my wheelhouse. 632 with HP setup. Going in my '73 Chevelle, which was my first car. Have a few evenings left to finish wiring and ready to fire. Had already been tuned and ready to go at builder, but I'm learning and will have questions.


text:
Careers at the City
Current Employment Opportunities
Competitions are posted every Wednesday and close the following Wednesday at 5:00 p.m. (17:00) CST. The City of Saskatoon accepts applications only for positions that are posted.
Collective Agreements
The Collective Agreements section provides the Collective bargaining documents, implementation, administration and interpretation of collective agreements, timely and accurate advice and counsel to City Council and management regarding labour relations issues.
Diversity & Inclusion
The City of Saskatoon has a strategic goal to offer an inclusive workplace that embraces diverse backgrounds.
Accessible Application Process
Find out how to apply for a job with the City.
Fair and Unbiased Hiring Process
Find out information on the City's hiring process.
Inclusive Workplace
The City recognizes and celebrates diversity which creates and inclusive workplace.
City Employee Benefit Programs
The City of Saskatoon offers a wide range of benefits to support the health, well-being, and financial security of their employees and their families.


text:
The Spalding large sports bag has been designed to provide comfortable storage and transportation for all the necessary workout equipment. The bag has one main compartment with large opening that ensures easy access to stored items, a wet compartment for shoes or dirty clothes and two end pockets that provide extra storage space for additional accessories. The bag is supplied with an adjustable shoulder strap and carry handles for comfortable transportation.
Would you like to add a review for this item?
for submitting product review about
Spalding Large 2013 Sports Bag.
Change your mind within 14 days and we will give your money back as long as you
return the item to us as new and in its original packaging.
Rated 4.7 / 5
based on 4,415
Customer Reviews on Google Shopping


text:
The government's announcement on Wednesday that the new Model Shops and Establishments (Regulation of Employment and Conditions of Services) Act 2015 has been cleared by the cabinet has been termed as a win-win by customers and retailers. However, it has met with some skepticism in certain quarters over the feasibility, security and functional issues that implementing the new law would entail.
The model law allows malls, cinema halls, restaurants, banks, shops, and others to be open 24x7 throughout the year. The move, according to the government, is aimed at providing 1 crore jobs, a key focus area for prime minister Narendra Modi now after the criticism that the 7.6 percent GDP growth has failed to fuel employment generation.
Now it is the turn of States and Union Territories to modify their individual Acts, if they so desire, either by adopting the said Bill as it is, or after modifying its provisions as per their requirements.
One of the main concerns that the new law, when brought into practice, is security and this is in the ambit of law and enforcement agencies of the state. There are multiple regulators like excise, police, municipal authorities, etc and multiple timelines that they enforce that can become a handicap for the new model law to function smoothly.
This is a classic situation of duplicity of legislation in India, remarks Ajay Joseph, a lawyer. He says, amending an act would not help either. All that it would take for this new model law to boomerang would be for one unfortunate incident that may take place and which could be linked to malls, cinema houses and shops being open 24x7.
Traders too fear a rise in illegal activities. The Confederation of All India Traders (CAIT) said in a statement that in the event of government agencies sleeping at a time when commercial activities are taking place, illegal or counterfeit activities may take place since no agency will be there to monitor them.
However, not all take this view. As Kumar Rajagopalan, CEO, Retailers Association of India, points out, women have been working in the graveyard shifts in IT companies for some time now. "Unless women had been allowed to work odd hours along with men in IT industry and factories, the IT story that India is proud of would not have taken place," says Rajagopalan, adding that he hopes states such as Karnataka and Delhi would adopt it soon and make retail an even more positive story in India.
The percentage of women working in the retail sector is hardly 23 percent, says Rajagopalan. This is much lower than most countries in the world where women comprise almost 50 percent of the workforce.
The new model law would put the onus on malls and retailers to arrange for the security of their employees. Some mall owners are not happy about this. The law and police are a state subject and it is the government's onus to provide safety for its citizens.
"We are providing security at malls and cinema houses, etc, wherever we function. But the state governments cannot wash their hands off this state subject," pointed out a mall owner, adding whether to work late night shift or not is completely a women's choice. "No one will be forced to work odd hours," he said.
Given the way the Indian retail story is panning out, it was expected to create 15 million jobs by 2022, says Bhaskar Kedia, director, national rollout at the Wadhwani Foundation, a philanthropic foundation that aims to accelerate economic development in India and other major economies. This move by the government through the new model law should quicken the pace of creating more jobs by 2017 or 2018, says Kedia.
Another factor that offline and online players should factor in is to check the kind of people they recruit for these jobs. "It is important to do thorough checks of resumes and see to it that in the rush to absorb more people in jobs, their credentials are checked," pointed out Ajay Trehan, CEO, Authbridge, a background check company.
Mall owners say it is too soon to think of security or any other concerns because it depends on retailers in malls on whether to keep their outlets open 24x7. "It is at their discretion," points out a spokesperson for Inorbit Mall, Malad. Adds Pushpa Bector, EVP and Head, DLF Mall of India, that since the new model law has been only passed on Thursday, it will take a little while before it can be implemented, since it is a state subject. "We have to see in how many malls we want to implement it as it will be based on footfalls. It is a supply and demand factor," she pointed out.
One thing is for sure: The move is a break away from the past in many ways. The oft-cited complaints of brick and mortar outlets that they were reigned in by the Shop and Establishment Act unlike online players who can function 24x7 is no longer there with the introduction of the new model law. Around 93 percent of retail in India is unorganised and the new model law will bring about a parity between both these players, felt analysts.
Retail industry is expected to grow to US $1.3 trillion by 2020, registering a CAGR of 9.7 per cent between 2000-2020, according to Indian Brand Equity Foundation. If implemented properly, the move is likely to outpace the expected growth in the retail industry.
However, given all the practical difficulties involved in this radical step to bring India in step with other countries globally in the retail sector, it could have been prudent for the government to have brought about this reform in a phased manner. As CAIT suggests, "It is therefore urged that government should do a pilot of this proposal in any big market of any city of any state to have an impact assessment."
Firstpost is now on WhatsApp. For the latest analysis, commentary and news updates, sign up for our WhatsApp services. Just go to Firstpost.com/Whatsapp and hit the Subscribe button.
Updated Date: Jul 01, 2016 11:53:51 IST


text:
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text:
What can I say...
I LOVED this book...
I can't even remember the last book that's actually made me cry!
I thought everything about this book was great. The story! The characters! The way it was written!
I loved the use of words and how he put them together to make wonderful descriptions and pictures.
I appreciate that they weren't big fancy or wordy words... Yet simply put, the words were so expressive and clear...
So beautiful.
I absolutely Loved Loved Loved Baba... It's when Baba died that I cried so much!
I just pictured this great tall rugged handsome man with so much character and personality!
I was so on edge when he stands up for that young mother when they're trying to get out of Afghanistan.
But I just pictured him so fearless, strong, tall and tough... With such great conviction and character!
He was by far my favorite of 'em!
But they were all great and it was all good and told soooooo well!
This was one that we all liked!
I'd recommend this book to anyone!
Subscribe to: Post Comments (Atom)


text:
I know I've been sparse with posts but it's because of... this!
I've been pretty stressed out lately but it's cool.
So I present to you
my art on your iPads!
Very soon(about a week) they will be available on
Blackberries and Mac Laptops.
Very soon(about a week) they will be available on
Blackberries and Mac Laptops.
By the way I've opened a new Facebook page.
I'm going to delete the old one so if you've been following
me please like this new page.
While I was doing the photo shoot I
asked my brother to film it. Below is the photo shoot video.
I had so much fun with my cousins. (You can tell by how much
I was laughing!)
Camera Man: My bro
Edit: Me
Special thanks to: Bro, Koye, Miss Mo, Simi, & Toyosi.
Photography: Me
Photography: Me
Below are some of my favs from the shoot.
Don't they look too cool?
Stock Lists
Stock Lists
Designs Current and upcoming
Have a great weekend peops!
Have a great weekend peops!


text:
Check turn 56 of game http://www.ai-contest.com/visualizer.ph ... id=7442410
Neutral has 61 ships. 2 enemy Fleets are coming same turn (62 red and 49 blue). Planet is conquered by red, 1 ship left.
Question is: What happened with 49 blue ships? Did they just disappear?
For me it's just not logic.
Logic solution would be:
Enemy ships fight on orbit first. 62 red ships kills 49 blue. 13 red ships survive.
Final phase 13 red ships invade neutral planet, 48 neutrals left after battle.
I know that current logic makes things easier and it may be to late for change, but strength lies in the details and this detail is not clear...


text: Behold, the trailer for Pee-Wee's XXX Adventure: A Porn Parody from Vivid Entertainment. While somehow technically safe-for-work, this trailer is most emphatically not safe for anyone wishing to spare their precious childhood memories from being sprayed uncontrollably with dirty, dirty whipped cream. I'm going to go scrub my eyeballs and ear canals with sandpaper-wrapped Q-tips now.


text:
We are extremely proud and excited to announce that BTRC's founder, Wendy Fulcher, was awarded "Personality of the Year" at the prestigious Meeting & Incentive Travel annual industry awards dinner last Friday (3rd March).
For many years a leading figure in the meetings and incentive industry and former Global President of SITE (Society of Incentive Travel Excellence), Wendy has been and still is an entrepreneur of note with her own Destination Management Company, Spectra.
In conferring on her the Meetings and Incentive Travel Industry "Personality of the Year", awarded to "those who have contributed above and beyond personal or business gain", her fellow industry professionals recognized Wendy's tireless campaigning on behalf of BTRC, which she founded in 2004 in memory of her husband John. They acknowledged the achievement of raising over £2 million for brain tumour research at Imperial College London, which in 2015, together with BTRC's sister charity, Brain Tumour Research (which Wendy chairs), culminated in the creation of the Brain Tumour Research Centre of Excellence at Imperial College.
Wendy commented: "I am so proud that my professional industry colleagues have honoured me with this award in recognition of our achievements in raising awareness and much needed funds for brain tumour research. Thank you so much to all those who have supported me on this journey and to those who nominated me for the award"


text: Geo. F. Trumper's Shave Cream - Extracts of Lime is a rich and luxurious cream that allows for close and comfortable razor glide, reducing the risk of ingrown hairs, razor bumps and skin irritation. Formulated with glycerin, it leaves the skin feeling soft and supple, whilst West Indian Lime extract hydrates and nourishes. The cream is suitable for all skin types.


text:
Difference between revisions of "Rating systems"
Revision as of 12:43, 18 April 2008
This article is a travel topic
There is a virtual jungle of rating systems in the world and it is impossible or difficult as a wikitraveller to know what you get for your money. For example, the status of the rating organization may be unclear, the ratings vague or non-descriptive, etc.
South Africa
Establishments in South Africa may choose to have themselves graded by the Tourism Grading Council of South Africa on a 5 star basis. Many establishments make use of this service and you will see the star grading displayed on most advertising material.
The national accommoation rating service is Canada Select, http://www.canadaselect.com. This industry-based organizations bases ratings on periodic inspection of facilities, and only takes service into account at the higher star levels.
Properties are evaluated for physical quality, content of facilities, services and amenities provided. All properties, regardless of their star level, must also meet stringent cleanliness and state of repair guidelines.
Each category and star level has distinct criteria which must be achieved.
A star rating from (1 to 5, in ½ star increments), is awarded based on the results of the evaluation. Each star level reflects specific consumer expectations.
A one star rating reflects that a property is clean and comfortable and has met or exceeded nationally accepted criteria in the areas of facilities, services, amenities and quality of the accommodation. Additional stars are awarded depending on the extent of facilities, services, amenities and quality of accommodations.
Where the quality of facilities is superior, a property may be awarded a half-star above its criteria rating, ie. a two star property may warrant a 2½ star rating, depending on the overall quality assessment.
The following are the star rating descriptions:
United Kingdom
The three biggest organizations for rating are VisitBritain, Automobile Association (AA) and Royal Automobile Club (RAC). They cooperate when it comes to rating which makes it easier for the wikitraveller.
One star
Practical and acceptable accommodation. A limited range of services and facilities. High standard of cleanliness. 75 % of all bedrooms have their bathrooms and toilets en-suite or private. The staff is friendly and helpful and help you with what you might need for your stay. Breakfast restaurant open to you and your guests. Alcohol may be served in a separate bar or lounge but the selection is limited.
Two stars
A two star hotel offers a personal service and extra facilities. The bedrooms are generally more comfortable with colour television and en-suite bathrooms. The hotel has a restaurant open for breakfast seven days a week and for dinner at least five days a week. The food is of a slightly higher standard.
Three stars
The three star hotel offers very good accommodation with spacious public areas. The bedrooms are comfortable and offer a higher range of facilities and services. The hotel is more formal with a reception. Light lunch, snacks and a wide selection of drinks are served in a high-quality bar or lounge. The hotel offers room service (continental breakfast only). There is also a laundry service.
Four stars
Excellent comfort and quality accommodation. All bedrooms have en-suite bathrooms, an overhead shower and WC. The public areas are very spacious and the establishment has a strong focus on food and drink. The staff is experienced and the service is very good. The room service servers all meals 24/7, including drinks and snacks.
Five stars
Luxury accommodation, spacious and exceptional quality. The facilities and services are extensive and the cuisine is of the highest international quality. The staff is highly professional and attentive. The comfort is superb and the hotel has a sophisticated atmosphere.
Guest accommodation
The diamond symbol is used by the RAC.
One diamond
An acceptable overall level of quality. As minimum, a cooked or continental breakfast is offered. If other meals are on offer, they will be freshly prepared.
Two diamonds
The level of overall quality and comfort is higher and the establishment has a higher emphasis om guest care.
Three diamonds
The overall quality is very good. The bedrooms are comfortable and well maintained. There is a good choice of quality items for breakfast, all-round comfort and guest care.
Four diamonds
The overall quality is excellent, which also shows when it comes to customer care and attention to detail.
Five diamonds
The overall level of quality is truly exceptional, for example high-quality interior design and furniture. The customer care meets your every need.
One star
The overall level of quality is acceptable. There is an adequate provision of your needs regarding furniture, furnishings and fittings.
Two stars
All units are self-contained and the quality level is good.
Three stars
The standard of maintenance and decoration is very good, and so is the overall level of quality. There is ample space and quality furniture. All beds are double with access from both sides. Microwave oven.
Four stars
The level of quality is excellent, and there is no access to washing machine and a dryer, the establishment provides a 24/7 laundry service.
Five stars
The overall level of quality is exceptional and so is the interior, fittings and fixtures, often with a personal touch. The management is highly efficient and customer care is paramount. There is an excellent range of accessories.
Restaurant with rooms
This category includes restaurants, bistros and brasseries. Establishments included will:
Branded hotels
Many well known hotel companies have their own consistent style of service and quality to such an extent that the chain name is a guarantee for high quality.
VisitBritain Silver & Gold Award
The VisitBritain Silver & Gold Awards are awarded to establishments with the highest levels of quality within their rating. The overall rating is based on a combination of the range of facilities, the level of the offered services and the general quality, the gold and silver awards focuses solely on the quality aspect.


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The business was guns.
The place was a yacht club in Lima. And the gracious host of the lunch last year, according to the man who says he was the guest of honor, was the all-powerful chief of Peru's intelligence service, Vladimiro Montesinos.
Montesinos oozed charm, says Sarkis Soghanalian, a rotund arms trafficker and occasional U.S. intelligence informant known as "The Merchant of Death." The spy chief wined and dined his guest, Soghanalian said, thanking him for brokering Peru's purchase from Jordan of 50,000 AK-47 assault rifles.
If that account is true, Soghanalian was understandably astounded in August when Montesinos accused him of belonging to a smuggling ring that had airdropped 10,000 AK-47s to Colombian guerrillas. Montesinos and Peruvian President Alberto Fujimori announced with great fanfare that the intelligence service had broken up the gun-running scheme involving, Soghanalian said, the rifles in the Jordanian deal that Montesinos himself had organized.


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Dsw Shoe Store Columbus Ohio
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Watch Fred The Godson "The Backroom Freestyle" Video, the latest video from Fred The Godson, which dropped on Thursday, October 18th, 2012. Fred The Godson's horizons are broadening with each new release, and Fred The Godson "The Backroom Freestyle" Video is no exception. It's a worthy addition to a catalogue that has seen much growth since Fred The Godson stepped foot in the rap game. We're looking forward to hearing more.Fred the Godson is the latest artist to appear on the Backroom at 106 & Park. Check out his freestyle above.
How does this compare to Fred The Godson's previous work?
Peep the new visual for Fred The Godson's Fred The Godson "Gordo Frederico Intro" Video.
If you dig this, visit Fred The Godson's profile for the latest info, news, songs, and mixtapes. Check out Fred The Godson's Facebook and Twitter.


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Since I am still a beginner when it comes to crocheting, I asked one of my good friends, Christine, to review 75 Floral Blocks to Crochet. Christine is amazing when it comes to crocheting, her work is beautiful. Here is what she had to say about this brand new book!
What did you think of the book?
Christine: "I am very excited about the new book, 75 Floral Blocks to Crochet. The book was written by Betty Barnden and published by St. Martin's Griffin."
Who wrote the book?
Christine: "Betty Barnden has put together a beautiful collection of blocks patterns in several different shapes. Her patterns vary in difficulty and are easy to follow.
What is the layout of the book?
Christine: "Each pattern includes both written instructions and a chart showing each stitch. The first two chapters are full of techniques and color planning ideas, that I found very useful and I will use in other projects not found in this book."
What project did you make?Christine: "I chose to make a square with my favorite flower, a daisy. I have always used written instructions as opposed to a chart."
What was your experience like as you were making the daisy block?
Christine: "Again, the pattern was easy to follow. All the information needed is on one page, so it is very easy to read as you go. I'm not sure what I am going to turn my daisy squares into, but I can't wait to get started on another one!"
Thank you Christine for reviewing this book! Your daisy block is perfect, I cant't wait to see how you will use it. If you liked her review please let us know and post a comment.
Best Wishes!


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Maxine Luke Welch Milliner
Born October 5, 1922 - Midway, Wasatch, Utah
Died January 25, 2003 - Orem, Utah, Utah
Daughter of Wallace Luke & Clara Bentley Luke
Scanned obituary available - please email email@example.com
Contributed on 7/23/05 by wasatchcemetery
Email This Contributor
Record #: 4753
On this site you can upload gravestone photos, locate ancestors and perform genealogy research. If you have a relative buried in Utah, we encourage you to upload a digital image using our Submit a Photo page. Contributing to this genealogy archive helps family historians and genealogy researchers locate their relatives and complete their family tree.
Submitted: 7/23/05 • Approved: 6/26/06 • Last Updated: 10/21/12 • R4753-G4751


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We are brought together by our need for groceries, by our need to visit doctors, by our need to go to work, by our need to go home. We car pool, or bus pool, rather – considerately, cooperatively, sharing our ride so that we can each get where we need to go.
As I look out the window of the bus, I see two and three car garages, for those who don't have the time or inclination to carpool. As I walk around town, I meet cars that barely have time to let me cross the street, each driver focused on his/her personal mission with little time for anyone else's. I won't promise that I don't slow down when crossing the street sometimes… in protest. A human being is not a roadblock.
To be honest, I also have road rage, or sidewalk rage, rather. I am a fierce walker, fierce and fast. I honed my weaving skills in high school cross country, and now I weave past everyone in front of me. I can't say that it's just about efficiency either, or about the beat of the song I'm moving to. I just like being faster. I like feeling that, when I arrive at my destination, I've just won twenty races, even if no one else knew we were racing. Sidewalk rage (walking), though, is healthier and less dangerous than its gasoline-fueled counterpart.
I've learned a lot from the people who ride the bus, about patience and sharing. I've also found that there can be a lot of generosity among people who don't have very much. I wish they had warmer coats—polyester with a little fluff inside isn't enough for the harsh
winter, nor is just one layer of knitted wool each for the hands and head. And they need warm coats more than most because they spend more time in the elements, waiting and walking. I have found, among this population, who live in state-funded apartments and a homeless center, that civility is alive and well, perhaps more so than elsewhere. When suffering is your companion, you are quicker to recognize it in others. Illinois
As a family, we went through a book on etiquette together when I was fourteen. I learned from that book that for an informal table setting, the knife and the spoon go to the right of the plate and the fork goes to the left. I learned that I should introduce a younger person to an older person. I learned that I should stand when meeting someone new who is also standing. Many of these rules might seem arbitrary, but I believe that there is an underlying goal (aside from the table settings) of showing respect to other human beings. The people who ride the bus have internalized this sort of etiquette. As we approach a bus stop where a mother and two young children wait, someone inevitably relinquishes his or her seat near the front of the bus and moves quietly to the back to make room before the new passengers get on. This sort of behavior is common on the bus. And it elevates my opinion of humanity.
In a world where selfishness is pervasive, when complaining abounds from those who have much more than my bus companions, it is refreshing to be with these people, who trouble to pay attention to their neighbors and their needs – ready to share information on bus schedules, grocery stores, etc.
My Dad used to ride the bus to work every day so that we could have the car. My brother, when he was young, thought that my Dad's job was to ride the bus all day. If we happened to pass a city bus on our way to the library or the store, he would waive at the bus and say "hi" to Dad. (My brother uses public transportation now, but not all day.) I'm glad my sidewalk-raging, speed-loving self has the opportunity to share my morning ride to work, and to get scooped up by the same little white and green bus at the end of the day, to share a ride with my neighbors to our respective sleeping places.


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I recently saw an episode of Jamie Oliver where he created a stovetop smoker using a cracker box and wood shavings. Then, the other night, a friend gave me a mesquite log. I talked about using it in my oven and he warned not to use it indoors, as it releases carbon monoxide. Now I am paranoid about burning wood indoors and wonder what is and isn't poisonous.
Um, having used a similar setup on my BBQ, I would say your problem isn't carbon monoxide, it's that your entire kitchen will fill with thick smoke every time you open the over door.
In my opinion, this is a BAD idea.
We have a stovetop smoker that we use inside - it leaks just a teeny bit of smoke but the fan takes care of it - you use the chips designed for it - more like sawdust. Works fine! I would not, however, put a log in the oven. Mesquite is some pretty sturdy smoke, too, so if you use it on your BBQ grill you might want to start sparingly ....
Peter and your friend are right. No logs burned indoors because of carbon monoxide and the fact that your house will smell like a fire pit.
Here's a product you might like. "The Smoking Gun". Designed for indoor use.
It basically looks like something you'd smoke 'other items' in.
A pipe bowl..a tube..and a small motor. You fill the bowl with wood shavings light them, and put the tube in a covered container filled with the items you want to smoke.
it has the advantage in that it can add smoke flavor to items like veggies that would wilt under hot smoking.
@Sam1148 - this is so great! How do you find all this information?
@skk I've been lusting after one of those for a couple of years. I think first saw in Popular Science (an article about PolyScience--the company that makes the anti-griddle and other 'tech' kitchen stuff for Modernest cooking).
Unfortunately, I'm in a self imposed ban from bringing home any more gadgets until I follow the "one goes in..and another gets toss rule" in our tiny kitchen. I'd love to make a green tea smoked cold soba noodles with that tho. Come to think of it--I rarely use that crock pot....yes CROCK POT, I'm LOOKING AT YOU.
If you do get one...I might suggest a 'wood rasp' Anitalectric could use a wood rasp to make her own shavings off the log she received.
Two reasons not to do this inside: 1. Carbon monoxide kills; 2. Mesquite smoke will stink up the house for a long time. Could do something similar inside the firebox of your fireplace, with the damper wide open. Suggest building a small fire 1st to get a draft going up the chimney. Safer & simpler: do it outdoors!


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Source: The Inside Story of How John Kerry Secretly Lobbied to Get CAIR Removed From UAE's Terrorist Organization List
by Steven Emerson
On Nov. 16, 2014, the United Arab Emirates (UAE) took the unusual step of designating the Council on American-Islamic Relations (CAIR), and the Muslim American Society (MAS) – as terrorist organizations.
In December 2014, CAIR met with top officials of the State Department, the Department of Homeland Security, and the Justice Department, asking them to pressure the UAE to remove them from the list, according to reliable sources intimately familiar with the communications. On December 22, 2014, CAIR issued a press release asserting that "the two American Muslim organizations and the U.S. government pledged to work together to achieve a positive solution to the UAE designations."
In response to a letter sent by CAIR Executive Director Nihad Awad sent to Secretary Kerry protesting the UAE designation, Kerry responded on May 5, 2015 in a letter to Awad stating, "Let me reiterate, first, that the U.S. government clearly does not consider CAIR to be a terrorist organization. As your letter noted, the Department of State rejected this allegation immediately after the UAE designations were announced in November, and we will continue to do so….U.S. officials have raised the issue of CAIR's inclusion on the UAE's terror list with UAE officials on multiple occasions…"
That portion of the letter now appears on CAIR's website. But at the time that the letter was sent to CAIR, according to knowledgeable sources, there was an agreement between CAIR and the State Department to keep the letter secret. An excerpt from it was posted on CAIR's website only in May 2016, a year after it was received. The IPT has learned that Kerry and CAIR made this agreement to keep the letter secret so as to protect Kerry from public embarrassment. In light of CAIR's numerous ties to Hamas and other unsavory aspects of its record, Kerry had good reason to believe that the letter could cause a public relations disaster for him.
Whatever influence the State Department exerted on the UAE did not work. There has been no indication CAIR and MAS were removed from the Gulf state's terrorist list.
Read it all at The Investigative Project on Terrorism.


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We firmly believe that if you have a sound business model and plan, you'll succeed as a franchisee.
That's why we put utmost importance on supporting our franchisees in every way we can, from providing initial information to ongoing resources after the store is open. Our franchisees own their own business, but will never be alone throughout their franchising journey. See below for an overview of the support opportunities we provide to our franchisees.
United Franchise Group World Headquarters
Initial Training
The initial training that franchisees receive is a key indicator in how successful they can be. All Fully Promoted franchisees will receive an intensive five-week training process to show them our proven systems and processes, as well as provide guidelines and tips for achieving the highest level of franchising success.
Our five-week training program features specialized phases, including:
- A two-week introductory training program at Fully Promoted University, located at our corporate headquarters in West Palm Beach. With travel and lodging expenses covered, franchisees will learn the business in terms of production, advertising, marketing, bookkeeping, scheduling, and more.
- After the initial two-week training, franchisees will receive an additional three weeks of training at their store location. Our operations and marketing experts will advise and assist franchisees with setting up their store, as well as how to implement Fully Promoted's proven marketing program.
Start-Up Support
Our experts will help you during all aspects of the startup process, such as selecting your store's location and assisting with the store design. In fact, while you're at your initial training at our corporate headquarters in Florida, we'll be hard at work helping to set up your store for its launch.
We provide start-up support that includes:
- Demographic studies to choose the best possible store location
- Lease negotiations and store build-out assistance
- In-depth review and analysis of your store's financial performance
- Actionable recommendations to keep your store running at its best
Ongoing Support
Fully Promoted's support doesn't stop after training is over and your store is up and running. We've developed a top-notch ongoing support program that's dedicated to helping you succeed in the embroidery industry. As long as your doors are open, we'll be here to provide support and resources.
As a Fully Promoted franchisee, you'll have access to ongoing support programs, including:
- Regional meeting and training sessions
- Regional support staff
- Franchise owner conventions
- Technical assistance
- A toll-free 800 number and online support
Call us at 888-704-1318 or fill out our contact form to get started with a Fully Promoted franchise opportunity.


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Planet Coaster Preview – Our first construction
I'm going to the Efteling, look at the decoration of the park," says Johnny Watts Frontier us. Johnny puts his work sometimes cap manager, but prefers creative. Still, Johnny still shows more than one developer fan of roller coasters and amusement parks. "I want this game actually make for ten years. A combination of deficiencies in the technical side on the one hand and for other priority projects within Frontier secondly, that occurred until now. I am glad that now you are!"
Gameplay Images recorded during the recent play session Tweakers with the Alpha build of the game.
In the years that Johnny really wanted to work on a coaster game, Frontier was busy with many other projects. The studio had obviously Elite games, but also worked with Disney and Microsoft to various Kinect games like Kinectimals and Kinect Disney Adventures. The idea for a coaster game also existed within the team, but the time was not ripe for it. That changed thanks to the release and success of Cities: Skylines. That game made clear to the developers of Frontier Games that there is a market for the Tycoon / simulation games that decades ago were so popular. "People were playing Cities: Skylines and discovered that they had missed this type of game we hope Planet Coaster doing the same." Said Johnny.
At Gamescom we already briefly introduced to Planet Coaster, or rather with some basic ingredients that together later this year will be the game. In Germany, for example, the emphasis very much the way the simulation of amusement going public works. On the basis of tech demos and heat maps we were given a look behind the scenes of the software out there at Planet Coaster should ensure that herds people divide themselves in a realistic way about the park. What routes they take, how they move from type A to B, and so on.
In addition, shielded the men of Frontier Games – a studio with the Elite team there has a total of 270 employees – on the Gamescom albeit with a greater focus on the individual. No longer the audience consists only of individuals, as usually in the past was the case. Planet Coaster players will also get all kinds of group composition of their choosing. Young and old couples, families and even school classes to visit your park. Not all of these compositions will in fact already sitting directly in the Tuesday appearing Alpha build of the game, but in the end the audience walking around in your theme should be a credible simulation of reality.
That Frontier Games with the Alpha build all kind in the direction comes from what the game should be the end, we have already experienced last week on location in London. For an hour we were able to work on the theme park simulator, and we also have a number of members of the development team were able to bombard with questions. Prominent remark "will come, but not yet" with some regularity. Frontier intends to dish the game during the development piecemeal to his backers, so all adequately test the various facets of the game. Backers? Yes. The game is already on sale, and interested players can give themselves access to the Alpha version by purchasing a special version of the game.Viewing:-412
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Read this fascinating article about the city of Hoboken, New Jersey using the threat of eminent domain proceedings as a "negotiating tool" with land owners in the city.
While such threats have always been implicit in such bargaining it is rare that I have seen the promise of state action so transparently celebrated by city officials.
This trend is DANGEROUS. Who knows best how to develop land and actually make a profit? Politicians (elected and appointed) or real estate developers?
Hoboken is an old city in need of renovation and development. Eminent domain threats is not an effective way of attracting investment capital. It reeks of unfair bargaining power. Even members of the general public who are not fans of real estate development or growth generally despise the practice.
Does anyone remember Kelo v. City of New London?