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Glorya Kaufman
Kaufman has never forgotten the transforming power of dance. Although she didn't pursue it as a career, her marriage to developer Donald Bruce Kaufman, the founder of Kaufman & Broad, the Fortune 500 company devoted to custom residential and commercial construction, provided her with an outlet for her philanthropy. Seeing the social, therapeutic and communicative powers of dance is what touches her heart and makes her a "hands-on philanthropist," according to J. Ronald Reed, vice president of strategic planning for the Glorya Kaufman Dance Foundation. "She likes long-term projects and she's a participant, working with groups to make sure that they have a successful program."
There was no one moment for Kaufman when her philanthropic streak kicked in. It was always a part of her upbringing, she explains. During her humble childhood, her parents instilled within her the Jewish tradition of tzedakah, which entails creating a just world through acts of loving kindness that, depending on the circumstances, might involve a person's time and might or might not involve money. At times, she has contributed to health causes, various art museums, and built libraries, but dance remains her number one priority.
Kaufman, the dancing philanthropist, understands that dance may be one of the least understood of the performing arts, but she sees its power to bring people together. Her theory is that many people go through life as bookends on opposite ends of the shelf. They never touch and spend little time communicating. When children are exposed to dance, they understand music and move to it immediately. They can feel a sense of accomplishment in a short amount of time, insists Kaufman. Otherwise, "kids get into trouble if they have nothing to do," says Reed.
In Los Angeles, Kaufman's contributions are responsible for a restoration of the earthquake-damaged dance building on the UCLA campus and for matching grants that helped build the Donald Bruce Kaufman Brentwood Library. A new youth center with a dance training facility is due to open in late January at the Mar Vista Family Center, which services at-risk kids. After a recent visit to the center, the kids yelled and screamed her name when Kaufman left. "She's become 'their Glorya,'" explains Carolyn B. Baker, executive director of the Glorya Kaufman Dance Foundation. The experience personifies the ways in which Kaufman believes dance can play a positive role in people's lives: improving self-esteem, giving a psychological boost to the young and elderly, and teaching people traditions and culture. There's a joy and a great satisfaction to seeing others enjoy their lives. It's her greatest motivation.
In Manhattan, her efforts are responsible for a new, glass-enclosed dance studio at the Julliard School scheduled to open in March 2009. Her endowment has built a new Glorya Kaufman Dance Pavilion at the Alvin Ailey American Dance Theater's headquarters. Also, she has funded AileyCamp, a program in Los Angeles for inner-city kids, the Ailey School, which trains young dancers, and scholarships for an Ailey program at Fordham University.
Many years ago, Kaufman took painting lessons. When she stopped, her loss was society's gain. As she explains, "When I stopped painting, my canvas became the people in the world."


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What does World War I mean?
Definitions for World War I
World War I
Here are all the possible meanings and translations of the word World War I.
Princeton's WordNet
World War I, World War 1, Great War, First World War, War to End War(noun)
a war between the allies (Russia, France, British Empire, Italy, United States, Japan, Rumania, Serbia, Belgium, Greece, Portugal, Montenegro) and the Central Powers (Germany, Austria-Hungary, Turkey, Bulgaria) from 1914 to 1918
World War I(ProperNoun)
The war from 1914 to 1918 between the Entente Powers of the British Empire, Russian Empire, France, Italy, the United States and other allied nations, against the Central Powers represented by Germany, Austria-Hungary, the Ottoman Empire, and Bulgaria.
World War I
World War I was a global war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918. It was predominantly called the World War or the Great War from its occurrence until the start of World War II in 1939, and the First World War or World War I thereafter. It involved all the world's great powers, which were assembled in two opposing alliances: the Allies and the Central Powers. These alliances were both reorganised and expanded as more nations entered the war: Italy, Japan and the United States joined the Allies, and the Ottoman Empire and Bulgaria the Central Powers. Ultimately, more than 70 million military personnel, including 60 million Europeans, were mobilised in one of the largest wars in history. More than 9 million combatants were killed, largely because of technological advancements that led to enormous increases in the lethality of weapons without corresponding improvements in protection or mobility, causing both sides to resort to large-scale human wave attacks, which proved extremely costly in terms of casualties. It was the fifth-deadliest conflict in world history, subsequently paving the way for various political changes, such as revolutions in many of the nations involved.
U.S. National Library of Medicine
World War I
Global conflict primarily fought on European continent, that occurred between 1914 and 1918.
Chaldean Numerology
The numerical value of World War I in Chaldean Numerology is: 5
Pythagorean Numerology
The numerical value of World War I in Pythagorean Numerology is: 6
Examples of World War I in a Sentence
Peggy Noonan, special assistant and speech writer to Reagan, 1984-88:
The battle for the mind of Ronald Reagan was like the trench warfare of World War I: never have so many fought so hard for such barren terrain.
The U.S. really emerged as a superpower at the end of World War I, president [Woodrow] Wilson gave the U.S. a moral authority it never quite lost.
They're supposedly advising and assisting, but [this is a] conflict where there are no static lines, as there were in World War II or in the trench warfare of World War I.
World War I was a horrific, terrible war that affected really everybody -- certainly affected us, and not to make a little bit of an effort to get to a very important ceremony was wrong. And I'm disappointed and I'm sorry that he didn't do it.
Some cemeteries could be good places for these monuments because there they are just meant to commemorate the dead and not honor an unjust cause, there are cemeteries in Germany where the dead from World War I and World War are buried and there is more about remembering those who died while not harkening back to the cause.
Images & Illustrations of World War I
Translations for World War I
From our Multilingual Translation Dictionary
- الحرب العالمية الأولىArabic
- První světová válkaCzech
- VerdenskrigDanish
- Erster WeltkriegGerman
- Πρώτος Παγκόσμιος ΠόλεμοςGreek
- Primera Guerra MundialSpanish
- جنگ جهانی اولPersian
- ensimmäinen maailmansotaFinnish
- Première Guerre mondialeFrench
- पहला विHindi
- Első VilágháborúHungarian
- perang dunia IIndonesian
- prima guerra mondialeItalian
- מלחמת העולם הראשונהHebrew
- 世界戦争のIJapanese
- 세계 대전 전Korean
- Bellum Orbis Terrarum ILatin
- Eerste WereldoorlogDutch
- første verdenskrigNorwegian
- Pierwsza Wojna SwiatowaPolish
- Primeira Guerra MundialPortuguese
- Primul Război MondialRomanian
- Первая Мировая ВойнаRussian
- fSwedish
- முதலாம் உலகப் போர்Tamil
- మొదటి ప్రపంచ యుద్ధంTelugu
- ฉันสงครามโลกครั้งที่Thai
- birinci Dünya SavaşıTurkish
- Перша світова війнаUkrainian
- پہلی عالمی جنگUrdu
- Thế Chiến thứ nhấtVietnamese
- וועלט קריג איךYiddish
- 第一次世界大战Chinese
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When you walk into a blockbuster movie in the present day, I think it is fair to say, we are not going in waiting to be as shocked and surprised like we used to. Most of the time a film's trailers will give away large amounts of information, sometimes to the extent where the entire plot is revealed. From there each frame from trailers and sneak peaks are speculated about on message boards, blogs and social media until, if we wanted, we could all have a good idea of where the movie is going in a narrative and character sense. I'm not saying this is a bad thing at all, in fact, sometimes the anticipation and speculation outweighs the excitement derived from the actual film. What I am saying, that in this day and age the movie has to understand that a large chunk of its audience will have been exposed to its money shots and best lines of dialogue already, so instead of insulting their intelligence it's all about embracing the predictability.
Predictability is not a bad thing, some would say it is connected with a film being boring. However, the ubiquity of a massive summer blockbuster and the marketing associated with it will not change. Jurassic World has handled this fantastically and is a great example of producing a film with the knowledge that everyone is going to have a good guess at the storyline and will have watched the trailers quite a few times.
In the last month, the marketing team behind Jurassic World has been hitting us hard. Trailers, TV Spots, merchandise, magazine covers and not to mention the app where you can build your own Jurassic World (if you have the money to buy the £40 packs of cards to play the game via in store purchasing) my point is, you know there's a new Jurassic Park film coming out and you know the basis for the plot and have already seen the dinosaurs. Add this to the fact that a lot of people going to see this film have seen Jurassic Park I-III or at least the first one which Jurassic World mainly derives it ideas from. It all looked set up for a potential disappointment where we've seen it all before. But director Colin Trevorrow was probably aware that this would happen which is why he just went all out.
The best case and point would be that of the new park attraction, the hybrid dinosaur Indominus Rex. The early trailers tried to mask the appearance of this creature but with the merchandise coming out many months before in Lego form and as its design was starting to be shown online and on magazines, the cat was out the bag and from that stage you might as well show it as much as you can in the film. The Indominus is shown very early in the movie, unlike Jaws which this movie borrows from in some respects. Trevorrow mentioned in an interview these days you don't get the luxury of just one trailer like Jaws had 40 years ago so you can keep your best secrets hidden, so, to his credit, he just went all guns blazing and it worked wonderfully. Also, the main reason the suspense was so great in Jaws was down to the mechanical shark not working and so Spielberg had no choice but to keep the shark hidden for the majority of the film.
In Jurassic World we knew the raptors we're going to be smart and Chris Pratt was going to be their trainer, also the Mosasaur was going to play some part, as we also knew that Bryce Dallas Howard holding a flare in in front of an opening of a door can only mean one thing is coming up. The plot was massively derivative of the first film where two children, who are related to somebody very important in the running of the park are left to alone with carnivorous dinosaurs. However, it does it in a way that is still entertaining and because there isn't the element of surprise that Jaws or the original Jurassic Park had in 1993, Jurrasic World presents us with huge amounts of action and a well written script from Amanda Silver and Rick Jaffa.
This isn't the only franchise in which the movies must up their game to survive at the box office. Although studios know that lots of people like the same thing presented, there has to be some difference, something new to keep us coming back to the cinema. Studios that have become complacent and have churned out the same rubbish all the time have suffered bad financial returns. People are not that easily fooled and many franchises have needed a reboot to survive or been destroyed completely (Terminator Salvation, Speed 2, Batman and Robin, Spiderman 3, etc.)
A studio like Marvel has to keep upping its game to create a sense of something you haven't seen before with the huge amount of films they have produced in such a short space of time. When we had Phase One with Iron Man, 1 & 2, Thor and Captain America, that all culminated in The Avengers which was ground breaking because of the build-up and the sheer scale of the movie. Now, with Avengers: Age of Ultron, new characters are being established to give the audience something new but through marketing and the previous films we have already seen so much in the last few years. That's why Guardians of the Galaxy was so great, because it was such an original choice of comic to adapt compared to the normal Marvel universe. Age of Ultron was a well made film but it lacked surprises and didn't do anything special, besides establishing the vision, to remedy the overused formula.
Jurassic World is a great movie though, whether my opinions are deep seated in nostalgia is one for everyone else to determine but it was so great to go into a movie in which I had seen the trailer to death and not be disappointed with the end product. I can only hope that it is the same with The Force Awakens. Although J.J Abrams does like to keep a lid on his films and not give too much away it'll be a big ask in the world we live in now. At this moment, we'll just have to speculate.


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Welcome to Vital Business
- Performance coaching
- Leadership coaching with a robust leadership model
- Communication skills for thriving in change
- Coaching skills training
- Develop a Coaching Culture, where "being coached" is part of the internal workings of the day to day business environment.
- Increase the value of your training dollars by adding a coaching component for increased retention, integration, and accountability in new learning.¹
About Vital Business
Originally started in 2004 as a loose collaboration between corporate and executive coach Liz Dallas and business coach Lea Belair, Vital Business became a full-fledged division of the Coaching Center of Vermont in 2008. In serving the needs of corporations and businesses, it pulls from all the assets of our bricks and mortar company presence in Essex Junction, Vermont and our skilled cadre of professional coaches, as a scalable and robust approach to bringing coaching into the workplace.
The 80/20 Rule of Thumb:
- 88 percent was the amount of increased productivity when one-to-one coaching (for eight weeks) was added to a training intervention with managers. Manager productivity increased by only 22 percent with just training alone. (Source: Olivero, G., Bane, K.D., and Kopelman, R.E. (Winter, 1997). Executive coaching as a transfer of training tool: Effects on productivity in a public agency. Public Personnel Management, 26, 4, 461-469.)
- An 87% drop off in skills occurred as a result of training that did not include follow-up coaching as estimated by the Xerox Corporation. Source: Rey Carr, Coaching Statistics Report, (2005).
- Coaching is an investment that you make in developing your key resource, people, for the long-term benefit of the organization. About 6 out of 10 (59%) organizations currently offer coaching or other developmental counseling to their managers and executives, according to a nationwide survey of more than 300 companies by Manchester, a human capital consulting firm. Another 20% of organizations said they plan to offer such coaching within the next year.
¹Coaching is the art of improving performance... Add coaching to training and people learn more - up to 6 times as much in some cases. Also, key measurements such as return on investment are showing significant results (ROI X 17 in a recent study!). Source: Driving Organizational Change (2007) David Rock and Ruth Donde.
Check out our Burton video testimonial.
Our program with Burton Snowboards was profiled in Coaching World, the ICF digital magazine. Check it out! (PDF)
We're a proud sponsor of the Vermont Family Business Initiative, which serves family business owners, next generation leaders and key employees through education and affinity groups. Through this partnership, we're able to guide Vermont family and privately owned businesses through transition, succession, and financial planning issues.
Some of the companies and organizations Vital Business has worked with:
Green Mountain Power, Vermont Agency of Transportation, National Life Insurance Company, Burton Snowboards, Physicians Computer Company, Women's Rural Entrepreneurial Network, the University of Vermont, Vermont Business Center, and The Howard Center.


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This picture was taken on my wedding day
My Meme and Papa, Christmas 2010
Meme and Papa with all of the grandchildren, great-grandchildren, and one great-great-grandson
This was taken at my cousin Jennifer's wedding this past October
this past Thanksgiving...I love how he is holding hands with my Meme. This coming February, they would have been married for 60 years. What awesome role models we have!
Thankfully, the entire family had gotten together for a Klodzinski Christmas celebration this past Saturday. Papa was in great spirits, and got to visit and talk to so many family members. I am so glad I have such great memories of him. He was an awesome father and grandfather, and served as such an important role model to so many of us. His Rosary took place on Friday night, with the funeral on Saturday morning. His online obituary is posted HERE. I may be a bit biased, but his funeral was the most beautiful I had ever attended. He had a Catholic mass, where the entire church was decorated with poinsettia's for the Christmas mass that night. At graveside, taps was played in honor of his service in WW2. What a beautiful and special memory I will remember always.
Although this Christmas was certainly very different than any I have ever experienced, at what an amazing and joyful time to enter into Heaven. I know Papa had one grand Christmas celebration with Jesus himself!
I know I already posted this on FB, but thank you for everyone's kind words and prayers for my family. We will all miss my Papa so much!


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Some of my favorite Japanese books that I bought whilst in San Francisco. Oh, I wish I had more! They're so amazing! I keep meaning to scan some pages in but I never got around to it. Hopefully I can do this soon and will post them at my LJ. It'll be a treat!
20 November 2008
4 comments:
- shilvia said...
loving your blog!!!
- November 20, 2008 at 11:56 PM
- Mari said...
Thank you!
- November 21, 2008 at 3:03 AM
- melissa said...
i just bought a japanese pattern book (listed as "adult couture dress and smock blouse") and i wish i knew how to read japanese because i'm sure the patterns are much easier to make than built by wendys! all i do is look at them. harhar.
these look like very interesting books! what is the third one?
- November 23, 2008 at 9:34 PM
- Mari said...
I know! I wish I could understand them too. They are pretty simple to try and make out though, at least the ones I have. But it's still inspiration! The third one is a felt crafting book. It's so great! Remember the bird bookmarks I made? I got the pattern from there. :)
- November 24, 2008 at 12:50 AM
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Kriti Film Club in collaboration with Indian Habitat Center is pleased to present to you 'At the Crossroads', a film that revives the struggle of the oppressed and talks about the plight of people in the situation of conflict.
Date- 30th May, 2013
Time- 7:00 pm
Venue- Gulmohar Hall, India Habitat Centre
At the Crossroads
About the Film:
The Nehruvian era made ordinary people - mostly adivasis and dalits - lose their lands, forests and streams in the name of 'national development'. That development never reached them. Not only they remained as deprived of basic health care and education as ever, but also of even safe drinking water though surrounded by reservoirs and dams. While this state injustice continued unabated, the post-liberalization era made these very people `anti-national', 'anti-development' and `Maoists/Naxalites', when they resisted corporate land grab for mining and industrialization. This branding became and continues to be an easy license to kill them with impunity. Southern Odisha is witness to this war between the hapless people and the neoliberal development paradigm. It led to CPI (Maoist) consolidating its presence in this area in the recent past. The film tries to explore the predicament, the dilemma and the confusion of the local people, especially, of adivasis and dalits in this war zone.
Note: The screening will be followed by a discussion with the film maker
About the Film maker:
Debaranjan Sarangi is an Orissa-based anti-mining activist, writer and film-maker. He spent eight years with the anti-mining movement of adivasis in Kashipur, Orissa, and is also involved in anti-communal struggles. He writes on anti-mining resistance, development trajectories, communalism, and related issues.
About Kriti Film Club:
Kriti Film Club is an educational and research oriented initiative of 'Kriti: a development research, praxis and communication team'. We offer an independent and informal platform for screening documentary films on a whole range of development, human rights & environment issues. We also serve as an access space for documentary films.
S- 35, Tara Apartments, Alaknanda, New Delhi- 110019
Phone no. 011- 26027845, 2603 3088
Facebook group: Kriti team
Facebook group: Kriti team
Facebook page: Gestures by Kriti team


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Salaam and Hello Readers *smile*
Working with dark maroon colour fabric gives me a good challenge for colour composition. I had browsed a pile of embroidery book and mags from my mini library and google-ing to search for ideas and inspiration for the colour theme until I become lost and unsure what I want *hiks*. (overloaded of information *sigh*)
I usually look for the design first before decide which colour to use and I do limit the number of colours used depending on the design and the ribbon size to avoid it from becoming crowded. Since I am using the ribbon size 1 inch for the flower, it can easily become the focal point of the design and I must try to maintain the design tagline - looks simple and sweet as requested by my customer.
The color matching process can take weeks, it's like writing a drama script with identified actor and I need to find what is the role and how to make the story interesting *wink*. Sometimes when I got stuck, I will placed the design at few corners of the house, look from far - think and imagined. Remember what Albert Einstein quote "Imagination is more important than knowledge". I have knowledge to do the Ribbon Embroidery and I need an imagination to turn it into one design *wink*.
Till next update, take care and have a great day ahead.


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Lloyd Nolan commented 2016-03-25 22:47:11 -0400
Interesting class Professor ROBSON !!
On this day in history, just over three centuries ago, on March 24, 1707, Queen Anne gave Royal Assent to the Act of Union between England and Scotland.
There was great popular lack of enthusiasm at the time, but Great Britain lived up to its name economically, culturally and even militarily. Both the Scots and the English did very well out of it and almost none of their fears were realized.
So it's sad to see it crumbling today amid general indifference.
The British no longer believe they are great or want to be … and the resulting malaise threatens the union itself.


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Friday night homemade veggie lasagna
Full breakfast at Freddie's before a day spent shopping for new bathroom fixtures
Sunday morning pancakes - a weekend tradition
Street tacos on the corner even though it was 20 degrees outside
Java Head and peanut butter cookie cake - seriously perfect combination
Sunday night Mexican night in our bowl we got in Spain!
Oops... every picture I took this weekend was of food...
Are you even surprised? :)


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text: Landscapes are for you to live in, for you to enjoy with your family and friends. Our Landscape Architects know this and take your lifestyle, personality and preferences into consideration as they design your perfect outdoor space. With innovative designs and a staff dedicated to staying on top of the newest trends, materials and plants, you can be assured your landscape will boast exciting designs that thrive in our semi-arid Colorado climate. Let's get started with creating a landscape that gets you excited about coming home.


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Ideas Through Art: Poetry from the Personal
Octavia Poetry Collective will lead a workshop for educators exploring poetry as a method to understand and develop personal identities.
'Leading out of current discourse around migration, movement and identity, the workshop will create a space to explore how we individually and collectively see and understand the world.
Using creative writing, group reading, and critical discussion, we will explore the potential of poetry to address diverse personal histories. We will propose a selection of beyond-the-curriculum poets in order to re-think conventional understandings of poetry and build strategies for identifying ourselves in literature. The session includes time and support to map out ways of applying the ideas to your classroom.'
The workshop is FREE, booking is essential via Eventbrite, for more information:


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Women & Hi Tech
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Five new FoodCorps service members came together September 18-20 at the National Center for Appropriate Technology's Southeast Regional Office in Fayetteville, Ark., for training, skill sharing, and team building in preparation for the 2013-2014 service year. Southeast Regional Office Director Margo Hale and FoodCorps Arkansas Fellow Rachel Spencer led new FoodCorps service members Sean Coder, Destiny Schlinker, Jenn Warren, Kelsie Shearrer, and Cecilia Hernandez in orientation sessions and hands-on activities at service sites in Fayetteville, Springdale, and Marshall.
Service members lead the Green Team at Asbell Elementary in Fayetteville in planting cover crops.
Hands-on activities included creating vegetable super-heroes with a fifth grade class at Harp Elementary in Springdale and preparing a garden bed, learning about soil, harvesting carrots, and planting a cover crop with the Green Team/Garden Club at Asbell Elementary in Fayetteville. Service members also visited the new community garden at Bayyari Elementary in Springdale and participated in a garden leaders meeting at Happy Hollow Elementary in Fayetteville. On Friday, the team made the two-hour trip east to Marshall, where they started seeds and prepared garden beds at Marshall High School.
"Our orientation was a great way to come together as a state team and learn about where each of our members is serving, as well as grow stronger as a cohort. I am excited to see the impact our service members will make this year," said Hale.
Kelsie, Cecilia, and Destiny learn tips for talking nutritionwith kids from "Organ Andy" and UofA Family and Consumer Sciences Agent Julie.
Washington County Extension Agent Berni Kurz presented a session on gardening in Arkansas—an important topic, since only one of the five service members is an Arkansas native. During their visit to Marshall, FoodCorps service members met with Searcy County Extension Agent Julie Blair for training in nutrition education. Partnering with other local agencies and organizations is crucial in building and sustaining Farm to School programs, and the team left orientation eager to cultivate community support for their efforts.
In that spirit of partnership (and appreciation for good food), NCAT also hosted a community potluck for the service members so they could meet representatives from several local organizations working in sustainable agriculture and garden-based education, as well as other AmeriCorps members and alumni.
We have a good feeling about this year. Stay tuned!
We stopped for some quality lunch in Leslie, AR.
NCAT has served as the Arkansas Host Site for FoodCorps since 2012. To learn more about our host site, visit ncat.org.
by Robyn Metzger (NCAT), adapted by Rachel Spencer


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Sophiaor The Beginning of All TalesRafik Schami; translated by Monique Arav and John Hannon
published 2018 5 ¼ x 8 • 480 pagesISBN 9781566560313 • paperback • $20.00 •
A leading figure in European migrant literature, Schami (The Dark Side of Love) fled Syria for Germany in 1970. His fourth novel, beautifully translated into English, is a complicated tale with a central narrative that spans 50 years and tells of loves lost, then re-met, and acts of unselfish friendship and unanticipated betrayal. Salman settles in Rome after fleeing Damascus, charged with a crime he didnt commit. Forty years later, he is drawn back home. But the city has changed. Four decades of dictatorship have leeched vitality from the vivacious Syrians: they survive now by not noticing, not speaking out. Salman is soon on the run again, and again for a crime he didnt commit. Hes saved by an old love, Sophia, who has her own story to tell. This is a rich, multilayered novel, in which bad things happen but so do many good things. VERDICT Migrant literature is often suffused with a sense of loss, but Schamis tale is not of regret but of joy, hope, and love, with a worldview that is tolerant and cosmopolitan. For lovers of fiction and strong storytelling. Library Journal (starred review)More Reviews »
A murder in Damascus, a love with the power to save a young man's life… In his latest novel, Rafik Schami ventures to the land of his childhood, where he is now unable to safely return: Syria.
As a young girl, Sophia falls deeply in love with Karim, but weds a rich goldsmith instead. A few years later, Karim is accused of an assassination he did not commit and Sophia saves his life. He promises that she will forever have his loyalty, no matter the risk to himself. Long after the incident is buried in memory, Sophia's only son, Salman, returns to Damascus after forty years of exile in Italy; when his photo appears in the newspaper, he is forced into hiding and fears for his life. Remembering Karim's promise, Sophia decides to call on him for help in spite of the many years that have passed, and the lost opportunity of their once-consuming passion.
Set during the tumultuous years leading up to the Arab Spring, Sophia delivers the intricate plotting and lyrical prose that Schami's readers expect, and reveals the power of love to overcome all barriers of time and circumstance.
Praise for Rafik Schami's The Dark Side of Love "Romance, mystery, family saga, political exploration… This is an enthralling page-turner that will invite readers to find out how the pieces fit together; it also offers prose as succulent as sweetmeats that begs to be savored." —Foreword Magazine "A doorstop of a novel, this story of love and blood feuds set in Damascus, filled with myths and legends and enough tragedy to last a few lifetimes, opens with a murder and goes deep into a century of Syria's history, politics and religion. Break out the baklava and let it rain." —Publishers Weekly (starred review)
"At last, the Great Arab Novel--appearing without ifs, buts, equivocations, metaphorical camouflage or hidden meanings... Schami's book is exceptional not only in the scope of his ambition... but also in its ability to juggle a vast cast of characters in a complex structure which the author himself likens to a mosaic of pieces that create their own patterns... the book is a compulsive read." —The Independent
Interlink Books
Media Reviews"Can a mothers intervention save her son, falsely accused of murder and on the run in their home city of Damascus? In this hybrid novelpart thriller, part panorama of a troubled landa Syrian-born German writer explores the characters, clans, culture, and emotions of his nation of origin. Two Syrian tales wind through Schamis (The Calligraphers Secret, 2011, etc.) epic new work: a scandalous love story between an aging couple, one Christian and one Muslim, and the episodic life of an ex-revolutionary who's successfully relocated to Europe. Karim and Aida are the mature lovers, immersed in a passionate romance despite the disapproval of their neighbors. And then theres Salman Baladi, who, when young and idealistic, discovered socialism and, after the 1963 Syrian political coup, joined the armed resistance. But a crisis of disillusionment ensued and Salman fled. Now settled in Rome with a wife, a son, and a successful food-importing business, he still yearns for home: 'My soul is in Damascus, wandering the streets of my childhood.' So, after 40 years away, when an amnesty is declared, he decides to risk a return visit to Syria, to salve the pain of exile. That trip and its ensuing problems eventually connect his story to Karim and Aidas, the link being Sophia, Salmans mother, who asks Karim to help her son in the same way she rescued Karim years earlier. Elegant and lucid, this literary saga offers a wealth of material, much of it consisting of extended biographies, flashbacks, and romances that pitch a richly remembered past against a corrupted present. Layered with revolution and dictatorship, faiths and philosophies, families and enemies, and many love affairs, the book offers humanity over politics and achieves its greatest impact in the quiet scenes, ranging from an account of torture shot through with black comedy to the unfettered, scandalous joy of a woman riding a bicycle. An impressive, overwhelming story of love, loss, and nostalgia written from an exiles perspective."Kirkus Reviews
Fiction helps us connect with far-away realities, such that stories of individuals can make a land and its history come alive. Schamis story of Salman and his return to Syria after 40 years in Europe feels like a guided tour of the regions sociopolitical landscape. Forced to flee Syria in his youth, Salman is now a successful businessman in Rome with a passion to revisit the land of his childhood. When hes falsely accused of murder during his trip, he is sheltered by his mother Sophias old love, Karim. In the lives of Sophia, Karim, and Aida, Schami provides glimpses of the religious diversity of Damascus and an understanding of the social dynamics. We also see through the surface normalcy to the brutality of the Assad regimes political repression. Schamis intense focus on singular moments of personal revelation is interwoven with sharp commentary, making for a gripping read. The harshness of life in Damascus and even in Rome and the way the world works shape this novel as it tackles radicalization and tolerance, rootedness and nostalgia, love and loyalty. Booklist
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Calligrapher's Secret, The
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Missouri Wolverines Youth Football offers youth football for ages 5 thru 14 year olds in grades Kindergarten thru 8th Grades. We work with kids in the surrounding areas in the Northland of Kansas City Missouri including Liberty, Parkville, Gladstone, Smithville, Kearney, Platte City and North Kansas City however we do take on football players from outside of these areas so please contact us if you have questions.
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2018 Youth Football Signups
The Missouri Wolverines are taking sign-ups for all interested players. Practice start in late July however we are taking sign-ups for players now online.
At Kansas City Athlete Training, located 3 miles north of downtown Kansas City Missouri, we offer Athletic Sports Performance Training for high school and youth athletes both boys and girls throughout the Kansas City Missouri Metro Area. The opportunities are not restricted for players associated with one team but are open to all players both boys and girls from anywhere in the KC Metro Area. We provide training for all sports via our speed and agility classes and our elite training classes which we recommend of our older athletes and personal training sessions for those athletes looking for specific 1-on-1 training. Our experienced staff has been conducting speed and agility and training athletes since 2005.


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Aphus is a world full of wonder, adventure, and riches, all of which are not hard to find. However, it is getting to any (or all) that proves to be challenging. Our adventure starts just south of the large city of Neverwinter in a small boomtown called Phandalin. There has been rumor that a few individuals have found the entrance to the centuries lost Wave Echo Cave, and the Forge of Spells within: a powerful creation of Human, Dwarf, and Gnome design that harnessed the latent magical energies of the cave into a blacksmithing forge specifically designed to create magical weapons.
Will our ragtag team of adventurers be able to find this lost mine before it is put to use by some dastardly foe? Will they be able to put aside any differences they have in order to act as a cohesive unit? Only time, and adventure, will tell.


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Incorporated in the District of Columbia in 1987, The Shakespeare Guild is a tax-exempt, not-for-profit organization whose purpose is to cultivate wider and more informed audiences for the globe's most influential writer. Although most of its efforts since 1992 have been focused on programs in Washington, New York, and London (with occasional forays into Chicago, Orlando, Santa Fe, Santa Monica, and other settings), the GUILD is now expanding its outreach with new initiatives that will make additional opportunities available to Shakespeare enthusiasts around the world.
Directing the Guild's endeavors, and working with a distinguished Board of Directors and Advisory Council, is President and Founder John F. Andrews, a scholar who holds degrees from Princeton, Harvard, and Vanderbilt, who has taught at several universities (among them Florida State and Georgetown), and whose experience includes a decade as Director of Academic Programs at the Folger Shakespeare Library, eleven years as Editor of Shakespeare Quarterly, and six years as Chairman of a National Advisory Panel to oversee educational applications for The Shakespeare Plays (the BBC/Time-Life series that brought the dramatic canon to American viewers over PBS between 1979 and 1985). In connection with that series, Mr. Andrews hosted a Friends of Thirteen lecture series ("Three Views on Shakespeare") that took place at Lincoln Center and was broadcast over NPR, and helped produce Shakespeare: The Globe and the World, a three-year touring exhibition of Folger treasures that delighted visitors from coast to coast. He went on to posts at the National Endowment for the Humanities and the U.S. Department of Education. After producing two multi-volume editions of Shakespeare's works, he then served for six years as Executive Director of the Nation's Capital Branch of the English-Speaking Union. His book-length publications include two 3-volume reference sets for Scribners and two editions of Shakespeare's works, 19 volumes in cloth for the Doubleday Book and Music Clubs, and 16 volumes in paperback for The Everyman Library (an imprint of Orion Publishing in London). Mr. Andrews has contributed articles and reviews to such periodicals as The American Scholar, The Atlantic, The New York Times, and The Washington Post. Click here for more details about Mr. Andrews. And click here for information about the eminent members of the Guild's Board of Directors and Advisory Council.


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Ten Best Looks from the New York Spring 2004 Shows
- by Bernadine Morris, senior editor
Weird? Of course there are weird clothes. There wouldn't be a fashion week without them. But firmly entrenched in its tenth year of existence, New York fashion designers are now secure enough to embrace the reality factor, to make clothes women would like to wear, even to buy.
There is the resurgence of the suit, not the rigid, inflexible kind that women used to wear. Today's suits by practitioners such as Oscar de la Renta, Calvin Klein and Donna Karan are as simple as sweaters, smart worn over tailored white shirts.
Color is another factor. The total black look hasn't exactly disappeared. By designers like Ralph Rucci, it's been given a crisp new look with seams outlined in black patent piping. But it is supplemented by strong color in everything from dresses to swimsuits to give spring clothes a cheerful new season look.
And there is plenty of sparkle in sequin pants, for instance, with plain wool jackets. And of couse neatness counts as in Attil Kutoglu's pleated tunics and skirts.
Lengths are an option. Hemlines dip to one side, can be raised above the knees (not looking like 1960's revivals) or sweeping the floor. This includes pretty dresses, gentle suits, and glamorous evening clothes.
Below are my 10 ten best representative looks from the shows. All photos are by Randy Brooke. Click on images for larger views...
|1. Stephen Burrows does gentle long flowered evening dress that follows the lines of the body.
|2. Calvin Klein's casual informal version of the suit, with jacket, shirt and knit pullover.
|3. Ralph Rucci's elegant suit with jacket, soft ascot blouse and slender skirts.
|4. Geoffrey Beene tops wine jumpsuit with orange bolero as part of his obeisance to color for spring.
|5.Donna Karan New York does separates to appeal to younger customers as well as more mature women.
|6.Ralph Lauren found inspiration in sports clothes as in this dress based on the tennis dress.
|7. Ralph Lauren does a hot pink evening dress that would be appropriate for any occasion.
|8. Oscar de la Renta does a long torso evening dress with full skirt in many colors.
|9.Atil Kutoglu is one of the foreign designers to show in New York. Tunic has clean, flat pleats.
|10.Bill Blass does strapless dress in the grand tradition with graceful, floating skirts.
|Daily Fashion Report


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A beyootiful family on a beyootiful day!! Paxton had the cutest little smile and of course, Amy is so pretty and super sweet!! Had a great time with them, and am so happy with how the pics came out!
Thursday, November 11, 2010
Amy & Paxton
Posted by Bree at 12:40 PM 0 comments
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As the internal call directly and immediately,without a time lapse, results in regeneration with "habitual faith," so also does this faith include from the very beginning of its existence the assurance that not only to others but to me also forgiveness of sins has been granted. This assurance does not need to be added through a special revelation, as asserted by Rome.
When the Scriptures say of this justification in "a concrete sense" that it takes place by and through faith, then it does not intend to say that it is produced and wrought through that faith, since Jesus Christ is all our righteousness and all benefits of grace are the fruits of his labor and of his labor alone; they are entirely contained in his person and are not in any need of any addition on our part.
The terminology, that active justification takes place unto and passive justification by and through faith may have some value against nomism; but the Scriptural language is entirely adequate provided it is understood Scripturally. Saving faith directs our eyes and heart from the very beginning away from ourselves and unto God's mercy in Christ.
Many have in later years, when the confessional power of the Reformation weakened, entered the way of self-examination, in order to be assured of the sincerity of their faith and their salvation. Thus was the focus shifted from the promise of God to the experience of the pious.
It is not we who approach the judgment of God, after self-examination, with the sincerity of our faith, in order to receive there the forgiveness of our sins; God does not sit in judgment by himself in heaven to hear the parties and to pronounce sentence, a representation which is according to Comrie, too anthropomorphic and unworthy of God. But He himself comes to us in the gospel. The foundation of faith lie outside ourselves in the promise of God; whoever builds thereupon shall not be ashamed.
It is possible for us to conceive of faith at the same time as a receptive organ and as an active force. If justification in every respect comes about after faith, faith becomes a condition, an activity, which must be performed by man beforehand, and it cannot be purely receptive. But if the righteousness, on the ground of which we are justified, lies wholly outside of us in Christ Jesus, then faith is not a "material cause" or a "formal cause."
Faith is not even a condition or instrument of justification, for it stands in relation to justification not as, for example, the eye to seeing or the ear to hearing. Faith is not a condition, upon which, nor an instrument or organ, through which we receive this benefit, but it is the acceptance itself of Christ and all his benefits, as He presents Himself to us through word and Spirit, and it includes therefore also the consciousness, that He is my Lord and I am his possession.
Faith is therefore not an instrument in the proper sense, of which man makes use in order to accept Christ, but it is a sure knowledge and a solid confidence which the Holy Spirit works in the heart and through which He persuades and assures man that he, not withstanding all his sins, has part in Christ and in all his benefits.
This faith forms a contrast with the works of the law. It also stands opposed to the works of faith (infused righteousness, obedience, love) the moment these are to any degree viewed as the ground of justification, as forming as a whole or in part that righteousness on the ground of which God justifies us; for that is Christ and Christ alone; faith itself is not the ground of justification and thus also neither are the good works which come forth from it.
H. Bavinck, Gereformeerde Dogmatiek, Vol. IV
(4th ed.; Kampen: J. H. Kok, 1930), pp. 198-207.
With respect to the doctrine of justification there is no difference between Lutheran and Reformed theology as far as the essence is concerned; however, the doctrine does occupy a different place and does receive a different emphasis in the latter. This manifests itself first of all in the Luther pushed predestination steadily into the background, while Calvin placed it increasingly in the center and viewed justification also from that perspective.
"The Lord, when He calls, justifies, and glorifies, does nothing other than to declare his election;" it is the elect who are justified. For that reason, it is entirely correct to say that Calvin never weakens either the objective atonement of Christ or the benefit of justification; but nevertheless, his perspective results in the righteousness of Christ being presented to us much more as a gift bestowed by God than as something which we accept through faith. The objective gift precedes the subjective acceptance.
Calvin feels himself in the presence of God and placed before his judgment throne; for such a creature, humility and trusting in God's mercy are the only proper thing; to that end are the elect justified, that they should glory in him and not in something else.
Under the influence of Socinianism and Remonstrantism, Cartesianism and Amyraldianism, there developed the neonomiam representation of the order of redemption which made forgiveness of sins and eternal life dependent on faith and obedience which man had to perform in accordance with the new law of the gospel. Parallel with this development, Pietism and Methodism arose which, with all their differences, also shifted the emphasis to the subject, and which either demanded a long experience or a sudden conversion as a condition for obtaining salvation.
As a reaction against this came the development of anti-neonomianism, which had justification precede faith, and antinomianism which reduced justification to God's eternal love. Reformed theologians usually tried to avoid both extremes, and for that purpose soon made use of the distinction between "active" and "passive justification." This distinction is not found in the reformers; as a rule they speak of justification in a "concrete sense." They do not treat of a justification from eternity, or of justification in the resurrection of Christ, or in the gospel, or before or after faith, but combine everything in a single concept.
Efforts were made to keep both elements as close together as possible, while accepting only a logical and not a temporal distinction. However, even then, there were those who objected to this distinction inasmuch as the gospel mentions no names and does not say to anyone, personally: Your sins have been forgiven. Therefore it is not proper for any man to take as his starting point the belief that his sins have been forgiven.
The atonement of Christ is particular rather than universal. The preacher of the gospel can assure no one that his sins have been forgiven since he does not know who the elect are; and the man who hears the gospel is neither able nor permitted to believe this, inasmuch as he cannot be aware of his election prior to and without faith. As a result, the conclusion appeared rather obvious that the boldness to know one's sins to have been forgiven and to have assurance of eternal salvation only came about after one has fled unto Jesus in faith. But in this manner the ground of justification shifted once again from God to man, from the righteousness of Christ to saving faith; from the gospel to the law.
If, then, not faith in its quality and activity, but the imputed righteousness of Christ is the ground of our justification, the question arises with all the more emphasis: What is then the place of faith in this benefit? Does imputation take place in the death or resurrection of Christ, in the preaching of the gospel, prior to, or at the same time as, or after faith?
The first position was asserted by the real antinomians, such as Pontiaan van Hattem and his followers. According to them justification was nothing else than the love of God which is not concerned about the sins of man, which does not require atonement in Christ, and which only needs to be proclaimed in order to enable man to believe. Faith is nothing but a renouncing of the error that God is angry and a realization that God is eternal love.
This school of thought should be distinguished sharply from the views of the so-called antineonomians who opposed the change of the gospel into a new law as well as the idea that faith was a co-operating factor in our justification, and who from this perspective sometimes came to confess an eternal justification.
Election is from eternity. The "counsel of redemption" which includes the substitution of the Mediator for his people is from eternity.
However, that is no reason to recommend speaking of eternal justification. If one says that "justification as an act immanent in God" must of necessity be eternal, then it should be remembered that taken in that sense everything, including creation, incarnation, atonement, calling, regeneration, is eternal. Whoever would speak of an eternal creation would give cause for great misunderstanding. Besides, the proponents of this view back off themselves, when, out of the fear of antinomianism, they assert strongly that eternal justification is not the only, full, and complete justification, but that it has a tendency and purpose to realise itself outwardly. This amounts really to the usual distinction between the decree and its execution.
The counsel of God and all decrees contained therein as a unit are without doubt eternal "immanent acts", but the external works of God, creation, preservation, governing, redemption, justification, etc., are in the nature of the case "transient acts." As works they do not belong to the plan of God's ordering but to the execution of it.
Under the influence of Arminian and Salmurian theology, and of Pietism and Rationalism, the understanding of this actual justification gradually became that man had to believe and repent first, that thereafter God in heaven, in "the court of heaven," sitting in judgment, acquitted the believer because of his faith in Christ.


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The Age of Reason
Grab Bag
There are a few ways to earn draws from the mythical grab bag. One of which is to write journal entries. Every session you have the opportunity to take a draw from the bag at the beginning of the next session if you write a journal entry from the point of view of your character. This encourages you guys to be involved in the game, as well as everyone should practice creative writing on occasion. Also, at the beginning of the game, everyone who writes a backstory for their character and posts their character to the obsidian portal site will get a free draw in the first session. Do NOT reveal character secrets (if any) in either journal entries or backstories. These sorts of details should be discussed with me, and only post to the public obsidian portal board things that should be group knowledge, with limited insight from your character.
Another way to earn draws from the grab bag is to do something awesome. I know, it's vague, but the idea here is when your character does something awesome that impacts the story in an amazing way. This could include things like bluffing someone who is reading your mind, killing a fire demon with a lake, jumping off of a building to save a baby, and then somehow walking away to tell the tale, etc. This way is a little more vague, but it I and the group thinks you did something deserving of a grab from the bag, then you will get one.
The grab bag may or may not involve an actual bag. In the hypothetical bag there are a variety of chits of various colors. Anyone who has played with either me, Seth or Adam would be familiar with these.
White – hero point
Blue – use a d30 in place of any die
Red – get a magic item whose value is <= (d100 + d100) * d20 * level
Black – Boon
Boons: for the boon gained through a black stone you have three options:
1) instantly gain level * 1000 experience points.
2) gain a permanent +1 to an ability score as if by a wish spell
3) gain a free bonus feat which you have met the prerequisites to.
Additionally, every level you gain you will earn a free hero point. For details of how hero points work look here .


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Troian Bellisario & Keegan Allen WIN at Teen Choice Awards 2013
Keegan Allen brings his own camera to the 2013 Teen Choice Awards held at the Gibson Amphitheatre on Sunday (August 11) in Los Angeles.
The 26-year-old actor was joined by his on-screen girlfriend Troian Bellisario.
PHOTOS: Check out the latest pics of Troian Bellisario
"Thank you all for voting for the show and for me. I'm so proud to be a part of this PLL family! I work with the most beautiful women in the business @shaym & @itsashbenzo" Troian posted on Instagram with a gorgeous photo.
Troian picked up the Choice TV Actress: Drama award and Keegan took home Summer TV Star: Male.
FYI: Troian wore an Elisabetta Franchi dress, Casadei shoes with jewelry by Melinda Maria, Kami Lerner and ELAHN and a Foley + Corinna clutch. Keegan is wearing a Ralph Lauren suit, Ted Baker shirt, Christian Louboutin shoes, and a Jacob & Co watch.
Posted to: 2013 Teen Choice Awards, Keegan Allen, Troian Bellisario


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Rabbi Daniel Greer Arrested on Child Molesting Charges
Rabbi Daniel Greer was arrested today (7/26/17) in New Haven, CT on charges of sexually assaulting Eliyahu Mirlis, a student in his yeshiva, around 13 years ago. Mirlis recently won a twenty million dollar judgement against Greer in a civil trial.
Bail was set at $100,000 and promptly paid by Greer.
For the full story, see the New Haven Independent Report.
Had the same crime happened in New York State, the alleged crime would not have been prosecutable becuase it was past the state's very skimpy statute of limitations which force the victim to initiate the police complaint before their 23rd birthday.


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Posted on No 7 vs No 8
#1 posted 03-06-2014 07:55 AM
I have heard experts quoted here as saying jointer planes do not need to be flat, perhaps they have never tried a LN jointer.
The hard truth is, getting a vintage 24" iron plane flat to .0005" is a time consuming undertaking that takes tools and experience. That's only 500 millionths. That's why they say that.
Here is one that is in process.
This plane is considered a not so good of one, a Stanley 4 squarer 5 1/4 size. More of a cheaper home owners version of a Bailey.
This one was bad .015" twist and bumps in the wrong places. Did a terrible job, would get nothing flat.
Also, the worst example I have of having a near glass hard skin about .004" depth. when they are that bad I mill them. I used two cuts, got well under the hardness layer the a shallow finish cut using a carbide flycutter.
Now scraping it true, the last couple of thousandths
In this photo, the master reference-a tool I made over 40 years ago as an apprentice for rebuilding machine tools. This tool has been scraped to another Master.
On this tool, prussion blue dye is applied. Then the plane is moved across it. The high spots on the planes sole pick up the dye. The carbide tipped tool in front is used to knock down the high metal on the planes sole. Continue the cycle until the the dye spots are evenly spaced across the sole of the plane.
I have just a little ways to go, but the plane is working like a champ at this stage.
If looking for the performance of a plane that cost hundreds out of a plane that cost $10, this is how to do it.
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