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RendtPhysic LightStyle
Jeremy DooleyAuthor
Jeremy DooleyTrademark
RendtPhysic is a trademark of Jeremy Dooley.Copyright
Copyright (c) 2005 by Jeremy Dooley. All rights reserved.License
The Font-Software and any updates upgrades, additions or modified versions are the intellectual property of Jeremy Dooley. (DooleyType)You are licensed to use the software on one computer, unless additional licenses are purchased or a multi-license agreement is reached.You are only allowed to transfer or assign the Font-Software to a third party if you do not retain any copies of the Font-Software in whole or in part.Only for the purpose of outputting particular files may you take a copy of the font(s) you have used for such files to a commercial printer or other service bureau.Embedding of the Font-Software into electronic documents or internet pages is only permitted in a secured read-only mode. Licensee must ensure that recipients of electronic documents or internet pages cannot extract the font software from such documents or use the embedded font software for editing purposes or for the creation of new documents. DooleyType is not responsible for any problems that may arise from the use of the fonts, such as computer malfunctions, etc. DooleyType is additionally not responsible for idle time, shortfall of production, waste of material and any other direct, indirect, incidental or consequential damages that are caused by our Font-Software. In the event of a problem that the font file(s) does not work, DooleyType would only provide a replacement for the font(s) you ordered.Upon termination of this Font-Software License Agreement, you agree to either return or to destroy and refrain from using the Font-Software, the media, copies and/or any modified or merged portions thereof. You agree to inform your employees or any other person having access to the Font-Software and copies thereof, of the terms and conditions of this Font-Software License Agreement and to ensure that they shall strictly abide by these terms and conditions.
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SF Groove MachineStyle
Derek VogelpohlTrademark
SF Groove Machine Bold is a trademark of ShyFoundry.Copyright
Copyright (c) 2008 by ShyFoundry. All rights reserved. Freeware for personal use only. To purchase a commercial license, please visit our site at http://www.shyfoundry.com.Description
For additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.License
For additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.
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Ryan MartinsonAuthor
Ryan MartinsonTrademark
Verb Bold Italic is a trademark of Yellow Design Studio.Copyright
Copyright (c) 2013 by Yellow Design Studio. All rights reserved.Description
Copyright (c) 2013 by Yellow Design Studio. All rights reserved.
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Extended BoldVersion
1.002 2005Company
Defused Extended Bold is a trademark of reticula.netCopyright
Copyright (c) reticula.net, 2005. All rights reserved.License
v.1.2 - 02/10/2005D E F U S E D Truetype FontCopyright 2005 by reticula.net - Vincent Wicky++The personnal and/or non-commercial uses of this font are FREE. However donations are accepted and appreciated ! Thank you for also sending me your creations (whatever the support) ++The professional and/or commercial uses of this font are PROHIBITED unless a small donation is done. Contact me for details++You are not allowed to distribute these fonts without my permission. Contact me for details.++You may never ever sell my fonts, include them on CD's or make any changes to the files.___________________________E-mail: email@example.com: http://www.reticula.netv.1.2 - 02/10/2005D E F U S E D Police TruetypeTous droits rservs 2005 reticula.net - Vincent Wicky++L'usage de cette police est GRATUITE pour une utilisation personnel et/ou non-commercial. Toutefois j'acccepte volontier les dons ! Merci de bien vouloir galement m'envoyer vos crations (quel que soit le support). ++L'usage de cette police est INTERDIT pour une utilisation professionnel et/ou commercial sans un petit don. Contactez-moi pour les dtails.++Vous n'tes pas autoris distribuer cette police sans ma permission. Contactez-moi pour les dtails.++Interdiction absolue de modifier, revendre ou inclure la police un CD. ________________________ E-mail: firstname.lastname@example.com WWW: http://www.reticula.net //All trademarks are property of their respective owners.//
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Redacted ScriptStyle
Christian NathsAuthor
Christian NathsTrademark
No trademark claimed.Copyright
Copyright (c) 2013, Christian Naths (email@example.com christiannaths.com)License
This Font Software is licensed under the SIL Open Font License, Version 1.1. This license is available with a FAQ at: http://scripts.sil.org/OFL
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DJB Chicken SkratchezStyle
1.00 October 16, 2014, initial releaseCopyright
Typeface (your company). 2014. All Rights ReservedDescription
This font was created using FontCreator 5.6 from High-Logic.com
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Moiser heavyStyle
1.00 January 24, 2013, initial releaseCompany
Carlos MatteoliTrademark
Typeface (your company). 2011. All Rights ReservedDescription
This font was created using FontCreator 6.0 from High-Logic.comLicense
NOT allow commercial use of this typography. Only buying the full version. By downloading this source, you may only use personally. For information on purchase or use licenses, refer to: firstname.lastname@example.com you very much.NO se permite el uso comercial de esta tipografa. Slamente comprando la versin completa. Al descargar esta fuente, usted podra usarla de forma personal unicamente. Para cualquier informacin sobre compra o licencias de uso, consulte a: firstname.lastname@example.com gracias.
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SF Wonder ComicStyle
ver 1.0; 2000. Freeware.Author
ShyFonts Type FoundryTrademark
SF Wonder Comic Bold is a trademark of the ShyFonts Type Foundry.Copyright
Copyright (c) ShyFonts Type Foundry, 2000. All rights reserved.Description
SF Wonder Comic Bold is a trademark of the ShyFonts Type Foundry.
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HeiS ASC Simplified ChineseStyle
Ascender CorporationTrademark
(C) Copyright 1991-2004 Microsoft Corporation. All rights reserved.Copyright
(C) Copyright 1991-2004 The Monotype Corporation. All rights reserved.Description
This font software is the valuable property of Ascender Corporation and/or its suppliers and its use by you is covered under the terms of a license agreement. This font software is licensed to you by Ascender Corporation for your personal or business use on up to five personal computers. You may not use this font software on more than five personal computers unless you have obtained a license from Ascender to do so. Except as specifically permitted by the license, you may not copy this font software.If you have any questions, please review the license agreement you received with this font software, and/or contact Ascender Corporation. Contact Information:Ascender CorporationWeb http://www.ascendercorp.com/
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Jonathan HillAuthor
Jonathan HillTrademark
LineWire Light is a trademark of Jonathan Hill.Copyright
Copyright (c) 2008 by Jonathan Hill. All rights reserved.License
By Installing any of The Northern Block fonts on your computer, you agree to the terms of use set forth by The Northern Block. Details can can be found at: http://www.thenorthernblock.co.uk/fonts_faq.htm. Use of this font software by unlicensed parties is expressly prohibited.
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Comic SansStyle
Bold ItalicVersion
Vincent Connare, Terrance WeinzierlTrademark
Comic Sans is a trademark of Microsoft Corporation.Copyright
Copyright 2010 Microsoft Corporation. All rights reserved.Description
Designed by Microsoft's Vincent Connare, this is a face based on the lettering from comic magazines. This casual but legible face has proved very popular with a wide variety of people.License
NOTIFICATION OF LICENSE AGREEMENTThis typeface is the property of Monotype Imaging Inc. and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from Monotype Imaging or together with software distributed by one of the licencees of Monotype Imaging.This software is a valuable asset of Monotype Imaging. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to use on up to five (5) workstations for your own publishing use. You may not copy or distribute this software.If you have any questions concerning your rights you should review the license agreement you received with the software or contact Monotype Imaging for a copy of the license agreement.General information:www.fonts.comFor license terms and usage rights, please visit our web site at:http://www.monotypeimaging.com/html/license.aspxLizenzbedingungen und Nutzungsrechte finden Sie auf unserer Webseite:http://www.monotypeimaging.com/html/license.aspxPour plus d'informations concernant les droits d'utilisation et les questions contractuelles, veuillez consultez notre site:http://www.monotypeimaging.com/html/license.aspxPara obtener informaci?n acerca de los t?rminos de licencia y los derechos de uso, visite nuestro sitio en el Web en:http://www.monotypeimaging.com/html/license.aspxPer le condizioni contrattuali ed i diritti d'uso, visitate il nostro sito web all'indirizzo:http://www.monotypeimaging.com/html/license.aspx
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club golfStyle
1.00 February 28, 2013, initial releaseAuthor
www.dafont.com wino-s-kadir.d2209Trademark
weknow Trademark of (http://www.dafont.com/wino-s-kadir.d2209).Copyright
weknow (weknow.deviantart.com). 2013. All Rights ReservedDescription
This font was created using FontCreator 5.5 from High-Logic.com
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Thatcher UlrichCopyright
Created by Thatcher Ulrich (http://tulrich.com) with FontForge 1.0 (http://fontforge.sf.net)This font, including hint instructions, has been donated to the Public Domain. Do whatever you want with it.License
Public Domain
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Ad LibStyle
ParaType, Inc.Author
Vladimir PavlikovTrademark
Ad Lib is a property of ParaType, Inc.Copyright
Copyright (c) 1990- 1993 Bitstream Inc., All rights reserved. Copyright (c) ParaType, Inc., 2005. All rights reserved.Description
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David BergslandAuthor
David BergslandTrademark
AblatiSmallCaps-Italic is a trademark of David Bergsland.Copyright
Copyright (c) David Bergsland, 2009. All rights reserved.Description
You are authorized to install this font on any five computers you own.
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Jos BuivengaAuthor
Jos BuivengaTrademark
Diavlo is a trademark of Jos Buivenga.Copyright
Copyright (c) 2007 by Jos Buivenga. All rights reserved.Description
Copyright (c) 2007 by Jos Buivenga. All rights reserved.
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P22 type foundry, Inc./The Frank Lloyd Wright FoundationAuthor
Frank Lloyd Wright, Christina Torre, Richard KeglerTrademark
P22 FLLW Exhibition Extras is a trademark of P22 type foundry, Inc./The Frank Lloyd Wright Foundation.Copyright
2007 by P22 type foundry, Inc./The Frank Lloyd Wright Foundation. All rights reserved.Description
2007 by P22 type foundry, Inc./The Frank Lloyd Wright Foundation. All rights reserved.License
P22 End User License Agreement and Limited WarrantyThank you for purchasing P22 fonts. To ensure that P22 continues to bring you more exciting, historically relevant type, please take the time to read this agreement. It might not be the most fascinating read, but its very important and may answer many questions that you may have. Please register your fonts and remember that free software is an exception, not the rule. 1. Notice to user. You (End User) have not purchased the ownership rights to this font, but rather a license to use this font on a limited basis. Purchasing a license for any P22 font or font distributed by P22 (International House of Fonts, Sherwood Collection and other) via download, or e-mail, constitutes an agreement between P22 type foundry, Inc (P22) and the end user of the enclosed typefaces (software) that the terms and conditions of this contract will be followed. If the fonts are purchased in hard copy format (CD-ROM or floppy disk), removing the media from its protective sleeve (paper pouch, DVD cases, or other) in which the media is contained constitutes the same agreement. If you do not agree with the terms of this agreement, return the complete package with the CD or floppy disk sleeve unopened to the place of purchase. If downloaded or received by e-mail, all files must be deleted. A signed affidavit may be required to receive a refund.2. Grant of License. The basic P22 distributed software license is limited for use on a total of 5 devices at one site for use on a single platform. A device is defined as a computer, printer, character generator, server or any other machine that uses font data to rasterize letterforms. A site is defined as one physical location. Platform refers to operating systems designated as 'Macintosh', 'Windows' or other. A laptop may be one of the devices in the basic license of 5 devices as long as the laptop is associated primarily with the licensed location. Simply working offsite on a laptop is permissible in the basic license and is regarded as an extension of the site. Work transported from one distinct network to another distinct network, via a laptop requires each network to be licensed properly.Additional licensing is also required if you are installing the font(s) on more than 5 devices (Site License), or a LAN/WAN Server with more than 4 devices, or, if you and/or additional users will have access to the font(s) at more than one location (Corporate License), or, if your printer/service bureau is installing the fonts for job output for more than one-time use (Service Bureau). Upon completion of job, service bureau must delete the font software or purchase their own license.--To calculate the required additional license, call P22 at 716 885 4490 or visit: http://www.p22.com/licensing.html to receive a quote.One copy of the font software may be made for backup. You may transfer the original software to another party provided All materials, including back-up copies are transferred and that the recipient agrees to the licensing terms and conditions contained in this agreement, and all copies are removed from the originating end user's (your) devices. 3. Fair Use. The basic P22 license is intended to accommodate personal use as in the course of everyday correspondence and document writing, or in the design of self-promotion pieces like business cards, newsletters and brochures. Other uses designated as professional or commercial may require additional licensing.Professional use is work performed by, not limited to, freelance designers, small design firms and corporate advertising firms that incorporate P22 fonts within a design for a client or self-promotion. Most alphanumeric fonts are allowable without additional licensing provided that the Grant of License guidelines are met. However, the use of illustrative elements (also known as dingbats, extras, ornaments) within logo design requires an additional one-time license. If you have purchased the font(s) license for use on a large scale campaign such as in the course of entertainment promotion, advertising, corporate identity design, product packaging, store signage or in any way that requires the multi media (television, internet, print or other) output of the font(s), an additional license may be required. This applies to in-house or client based work. Call P22 at 716 885 4490 to receive your large scale campaign quote. A royalty based Commercial license is required when P22 font software is used to create a product sold for profit. If you have purchased the font(s) license for use as the principle design element to create a product to be sold such as, not limited to, rubberstamps, refrigerator magnets, or if the usage of the font adds value (value added) to a product to be sold such as wrist watches, house numbers, stencil kits, decals, digital art (screensavers, 3-D models, or other computer application), please call P22 at 716 885 4490 if you have any questions, for permission or to receive your commercial license quote or visit: http://www.p22.com/comlicensing.html for examples.The font may be modified if properly licensed for non-commercial or in-house use. The modified font software may not be sold or distributed.4. Font Embedding. The basic P22 license allows for the embedding of P22 fonts only if the document created is set to Print and Preview. If P22 fonts can be extracted, edited and therefore transferred in any way, an additional license is required to account for each recipient of the document and font file(s)5. Copyright. The software and accompanying documentation are copyrighted and contain intellectual property information protected by law. You may not make or distribute copies of this software or accompanying documentation without the express written consent of P22.6. Disclaimer and Limited Warranty. P22 warrants that the font software is free of errors and will be replaced within 90 days of purchase in the event of defective media. If failure of the font software results from accident, abuse, or neglect, P22 assumes no responsibility to replace the software. THE SOFTWARE AND ACCOMPANYING WRITTEN MATERIALS ARE PROVIDED AS IS, WITHOUT WARRANTY OF ANY KIND, EXPRESSED OR IMPLIED, AND P22 SPECIFICALLY DISCLAIMS THE WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE AND MERCHANTABILITY. IN ADDITION, P22 DOES NOT MAKE ANY REPRESENTATIONS REGARDING THE USE OR THE RESULTS OF THE USE OF THE SOFTWARE OR THE WRITTEN MATERIALS IN TERMS OF CORRECTNESS, ACCURACY, RELIABILITY, CURRENTNESS OR OTHERWISE. THE ENTIRE RISK AS A RESULT OF THE PERFORMANCE OF THE SOFTWARE IS ASSUMED BY THE USER.7. Update Policy. At the option of P22, there may be updated versions of the software which will be offered to registered users.8. Purchaser's Indemnity. You agree to inform any person (employee/co-employee/employer) having access to the P22 Software and copies thereof, of the terms and conditions of this Standard License Agreement and to ensure that these terms and conditions are abided. You agree to indemnify and hold P22 harmless from any and all claims, liabilities, and costs including attorney's fees, arising out of your breach of this agreement or promises you made. If these terms are not agreed to and respected P22 reserves the right to revoke Grant of License.9. Construction. This agreement is governed by and constructed in accordance with the laws of the State of New York. All disputes between P22 and the end user whether or not arising hereunder shall be conducted within the courts and jurisdiction of Erie County, New York.Please register your fonts. If you have purchased your font(s) directly from P22 you have been automatically registered. If you ordered your font from an authorized P22 reseller please keep a record of the time and place of the purchase; or if you purchased a CD, send in the reply/registration card enclosed within each package. (c)2004 P22 type foundry, Inc. -- Not Your Typical Type(tm) -- http://www.p22.com -- PO BOX 770 -- Buffalo, NY 14213
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Linotype GmbHTrademark
Linotype Dala is a trademark of Linotype GmbH and may be registered in certain jurisdictions.Copyright
Copyright 1999 - 2007 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Linotype Dala is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of Bo Berndal. The design may be protected in certain jurisdictions.License
NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418
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1.00 March 5, 2012, initial releaseCompany
max infeldCopyright
Typeface Xerographer Foundry. 2012. All Rights ReservedDescription
rockster may need your kerning assistanceLicense
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Air SoftStyle
Condensed MediumVersion
Neil SummerourAuthor
Neil SummerourTrademark
Air Soft Cond-Medium is a trademark of Neil Summerour.Copyright
Copyright (c) 2011 by Neil Summerour. All rights reserved.Description
Copyright (c) 2011 by Neil Summerour. All rights reserved.
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Not now I have a headache!Style
1.00 June 18, 2006, initial releaseAuthor
Not now, I have a heartache!Copyright
Not now, I have a headache! (junkohanhero). 2006Description
This font was created using Font Creator 5.0 from High-Logic.com
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Bodoni MT BlackStyle
Agfa Monotype CorporationAuthor
Monotype Type Drawing OfficeTrademark
Monotype Bodoni is a trademark of Monotype Typography, Ltd which may be registered in certain jurisdictions.Copyright
Digitized data copyright Monotype Typography, Ltd 1999. All rights reserved. Monotype Bodoni is a trademark of Monotype Typography, Ltd which may be registered in certain jurisdictions.Description
Modern serifLicense
NOTIFICATION OF LICENSE AGREEMENT This typeface is the property of Agfa Monotype Corporation (AMT) and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from AMT or together with software distributed by one of the licencees of AMT. This software is a valuable asset of AMT. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to use on up to five (5) workstation for your own publishing use. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software or contact AMT for a copy of the license agreement. Agfa Monotype can be contacted at: USA 847-718-0400 UK 44(0)1737 765959 For license terms and usage rights, please visit our web site at:www.agfamonotype.com/html/type/license.htmlLizenzbedingungen und Nutzungsrechte finden Sie auf unserer Webseite:www.agfamonotype.com/html/type/license.htmlPour plus d'informations concernant les droits d'utilisation et les questions contractuelles, veuillez consultez notre site:www.agfamonotype.com/html/type/license.htmlPara obtener informacin acerca de los trminos de licencia y los derechos de uso, visite nuestro sitio en el Web en:www.agfamonotype.com/html/type/license.htmlPer le condizioni contrattuali ed i diritti d'uso, visitate il nostro sito web all'indirizzo:www.agfamonotype.com/html/type/license.html
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Linotype GmbHTrademark
Linotype is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype Library GmbH, and may be registered in certain jurisdictions.Copyright
Copyright 1991, 2001, 2002 Adobe Systems Incorporated. All Rights Reserved. 1981, 2001, 2002 Heidelberger Druckmaschinen AG. All rights reserved.License
NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418
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Rian Hughes / Device FontsAuthor
Rian HughesTrademark
Jemima Shadow is a trademark of Rian Hughes / Device Fonts.Copyright
Copyright (c) 1992 by / Device Fonts. All rights reserved.Description
Copyright (c) 1992 by / Device Fonts. All rights reserved.
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Ramiz GuseynovTrademark
Fox Grotesque is a trademark of TipografiaRamis.Copyright
Copyright (c) 2012 by TipografiaRamis. All rights reserved.Description
Copyright (c) 2012 by Ramiz Guseynov. All rights reserved.
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Alan Meeks.comAuthor
Alan MeeksTrademark
Spartacus is a trademark of Alan Meeks.com.Copyright
Copyright (c) 2014 by Alan Meeks.com. All rights reserved.License
1.Definition 'Software' refers to the electronic data contained within the files provided. AlanMeeks.com is the sole owner of this software. 2. Grant of Licence In consideration of payment of the licence fee, AlanMeeks.com grants to you (the Licensee) and the Licensee agrees to accept a non-exclusive right to use this software. This software may be installed on the agreed number of personal computers, at a single location, paid for at the time of purchase. To use this software on more that this number of personal computers or at multi-sites the Licensee must purchase a new license from AlanMeeks.com. 3. Ownership and Proprietary Information AlanMeeks.com retains all rights, title and interest to the Software and its design. This title and ownership extends to copies of the data installed on any computer, downloaded to any output device or retained on other media by the Licensee as a backup. This Licence does not constitute an exclusive sale of the original product to the Licensee. The Licensee agrees to protect the Software and proprietary information of AlanMeeks.com by establishing reasonable procedures regulating access to and use of the software. The software is licensed only to the Licenses, and may not be re-assigned, transfer or sub-licence to a third party at any time without prior written consent from AlanMeeks.com. 4. Permitted Use The Licensee agrees not to duplicate, modify, translate, adapt, disassemble, reverse engineer, or create derivative works based on the electronic data or printed hard copy of this software without written consent from AlanMeeks.com. AlanMeeks.com should be given first option to carry out any said modifications of the font. 5. Limited Warranty If the electronic data contained in this software is found to be defective within 90 days of the date of delivery to the Licensee, AlanMeeks.com will replace the product at no charge to the Licensee, providing that there is proof of purchase. The entire risk of performance and quality of this product is with the Licensee. AlanMeeks.com does not warrant that this software will work with all other software products, future operating systems or that it will satisfy your requirements. 6. Disclaimer The product is provided as is. AlanMeeks.com does not make any warranty of any kind, either expressed or implied, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. No oral or written information or advice given by AlanMeeks.com will create a warranty or in any way increase the scope of this warranty. AlanMeeks.com shall not be liable for any direct, indirect, consequential, or incidental damages (including damages from loss of business profits, business interruption and loss of business information) arising out of the use or inability to use this product. 7. Termination This Agreement is effective until terminated. This Agreement will terminate automatically if the Licensee fails to comply with the terms of this Licence and such failure not remedied within thirty (30) days after notice from AlanMeeks.com. When this Licence expires or is terminated, the Licensee shall immediately cease all use of the Software and shall either return to AlanMeeks.com or provide written verification that the product has been destroyed. 8. General You agree to ensure that your employees or any person having access to the software or copies, are informed of and abide by the terms and conditions of this licence agreement. This licence is governed by the laws of England and any dispute concerning this Agreement shall be submitted to the Courts of England.BY PROCEEDING WITH THE PURCHASE OF THIS SOFTWARE AND PLACING YOUR ORDER, YOU ARE AGREEING TO BE BOUND BY THE LICENCE TERMS ABOVE. ONCE PURCHASED THIS SOFTWARE IS NON REFUNDABLE.AlanMeeks.com Tel. +44 (0) 1494 763 012 Fax. +44 (0) 1494 765 810 www.alanmeeks.com
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Svetoslav SimovAuthor
Svetoslav SimovTrademark
Code Pro LC is a trademark of Fontfabric, LLC.Copyright
Copyright 2011 By Svetoslav Simov Fontfabric, LLC. All rights reserved.Description
Modern and elegant sans serif font family.
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Jan ErasmusAuthor
Jan ErasmusTrademark
Azania BoldItalic is a trademark of Jan Erasmus.Copyright
Copyright (c) 2012 by Jan Erasmus. All rights reserved.Description
Copyright (c) 2012 by Jan Erasmus. All rights reserved.
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M-B CreativeAuthor
BEN MECKE-BURFORDTrademark
MB Vinatage Thin is a trademark of M-B Creative.Copyright
Copyright (c) 2014 by M-B Creative. All rights reserved.Description
Copyright (c) 2014 by M-B Creative. All rights reserved.
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2009 Unity Progress. Portions 2009 The Monotype Corporation. Portions 2009 Microsoft Corporation. All Rights Reserved.License
You may use this font as permitted by the EULA for the product in which this font is included to display and print content. You may only (i) embed this font in content as permitted by the embedding restrictions included in this font; and (ii) temporarily download this font to a printer or other output device to help print content.
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Greater Albion TypefoundersAuthor
Paul J. LloydTrademark
Flapper is a trademark of Greater Albion Typefounders.Copyright
Copyright (c) 2011 by Greater Albion Typefounders. All rights reserved.Description
License in accompanying file.
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Source Code ProStyle
1.009;PS 1.000;hotconv 1.0.70;makeotf.lib2.5.5900Company
Adobe Systems IncorporatedAuthor
Paul D. HuntTrademark
Source is a trademark of Adobe Systems Incorporated in the United States and/or other countries.Copyright
Copyright 2010, 2012 Adobe Systems Incorporated. All Rights Reserved.License
Copyright 2010, 2012 Adobe Systems Incorporated (http://www.adobe.com/), with Reserved Font Name 'Source'. All Rights Reserved. Source is a trademark of Adobe Systems Incorporated in the United States and/or other countries.This Font Software is licensed under the SIL Open Font License, Version 1.1.This license is copied below, and is also available with a FAQ at: http://scripts.sil.org/OFL-----------------------------------------------------------SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007-----------------------------------------------------------PREAMBLEThe goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects, to support the font creation efforts of academic and linguistic communities, and to provide a free and open framework in which fonts may be shared and improved in partnership with others.The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works. The fonts and derivatives, however, cannot be released under any other type of license. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives.DEFINITIONSFont Software refers to the set of files released by the Copyright Holder(s) under this license and clearly marked as such. This may include source files, build scripts and documentation.Reserved Font Name refers to any names specified as such after the copyright statement(s).Original Version refers to the collection of Font Software components as distributed by the Copyright Holder(s).Modified Version refers to any derivative made by adding to, deleting, or substituting -- in part or in whole -- any of the components of the Original Version, by changing formats or by porting the Font Software to a new environment.Author refers to any designer, engineer, programmer, technical writer or other person who contributed to the Font Software.PERMISSION & CONDITIONSPermission is hereby granted, free of charge, to any person obtaining a copy of the Font Software, to use, study, copy, merge, embed, modify, redistribute, and sell modified and unmodified copies of the Font Software, subject to the following conditions:1) Neither the Font Software nor any of its individual components, in Original or Modified Versions, may be sold by itself.2) Original or Modified Versions of the Font Software may be bundled, redistributed and/or sold with any software, provided that each copy contains the above copyright notice and this license. These can be included either as stand-alone text files, human-readable headers or in the appropriate machine-readable metadata fields within text or binary files as long as those fields can be easily viewed by the user.3) No Modified Version of the Font Software may use the Reserved Font Name(s) unless explicit written permission is granted by the corresponding Copyright Holder. This restriction only applies to the primary font name as presented to the users.4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font Software shall not be used to promote, endorse or advertise any Modified Version, except to acknowledge the contribution(s) of the Copyright Holder(s) and the Author(s) or with their explicit written permission.5) The Font Software, modified or unmodified, in part or in whole, must be distributed entirely under this license, and must not be distributed under any other license. The requirement for fonts to remain under this license does not apply to any document created using the Font Software.TERMINATIONThis license becomes null and void if any of the above conditions are not met.DISCLAIMERTHE FONT SOFTWARE IS PROVIDED AS IS, WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER DEALINGS IN THE FONT SOFTWARE.
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Firstly the good:
Has access to a lovely private beach, the grounds are well manicured, the hosts picked us up from the airport and seemed nice enough. My daughter spent probably 3 hours on the swing in the grounds too, content as could be and importantly, the grounds are in the lee of the trade winds. From a transport point of view, it's close enough to walk to Matei's conveniences although to be honest, you're probably going to need a car on this island at some point anyway.
Now the not so good:
Was infested with ants which wasn't the be-all and end-all, but having Ant-Rid (or equivalent) sprinkled over the food preparation surfaces in the kitchen was a definite concern.
As were the 3 cockroaches we found on the floor of the kitchen. And they were the three we found. The owner's response here was that cockroaches were common and that we should just expect them. This wasn't a satisfactory answer to us as we stayed in 5 other places during our 3 weeks and none of them had a problem.
Worst of all were the bed bugs though. I spent the remainder of my 2 weeks with welts that flared up the next day until beyond the end of my trip.
As an additional aside, the access to the private beach is trickier than it needs to be (stairs falling apart giving way to a slippery steep dirt slope). If you are comfortable on this type of terrain you will be fine, but it's by no means a pleasant stroll.
The wash-up:
We only stayed one of our booked (and paid for) 4 nights, forfeiting the remainder because we couldn't put our family through more nights of this level of uncleanliness.
We asked for a partial refund and got an incredibly disappointing response: "I'm sorry that Karin's Garden didn't provide the standard you expected in a third-world-country" - simultaneously conceding that their property is probably okay by 3rd world standards (although everywhere else we stayed was proof that this is rubbish) and insulting the local Fijians who - contrary to Peter's opinion - certainly know how to run clean accommodation.
Steer well clear (unless you are an entomologist).
wonderful burre wonderful view, everything we needed, very cosy and comfortable . Peter managed to hire a 4x4 for us, which you def need to see the island. 20 mins walk to the local supermarket for your basic needs, 15 to the lovely garden restaurant, and 20 mins the other way to the most beautiful beach and another fabulous restaurant, try the homemade pizza !
Karin's Garden is a beautiful, bright, spacious 2-bed, 2-bath bungalow. Some of its charm includes: polished wooden floors, louvered windows to let in lots of light, a large verandah to sit out on and enjoy the garden and the ocean view, a kitchen with all the crockery, cutlery and utensils you will need, 24 hour hot water for showering and washing up. It is spotlessly clean and fresh, with daily maid service (except Sundays). The well-equipped kitchen is a great bonus given that Taveuni in general and Matei in particular are not all that convenient for eating out, especially at night when the lack of street lights can make walking around tricky, especially if its raining.
Peter and Karin are excellent hosts who will pick you up from and drop you off at Matei airport (only 3 minutes drive away). Peter also drove us to the supermarket on first arrival so that we could stock up on essentials for our stay. The supermarket itself was surprisingly well-supplied by Fijian standards and this allowed us to cook tasty meals which we then enjoyed on our verandah. One evening we tried Karin's cooking, which comes highly recommended and does not disappoint.
For sightseeing, Peter put us in touch with Hari, who drove us to the sights and also arranged a snorkelling trip to the nearby islands.
Karin's Garden is also well located, 10 minutes by foot from the airport, 15 minutes to a decent bakery and 20 minutes to the supermarket. While it has direct access to a beach, the path down is steep and can be slippery in wet weather. But an easily accessible white sand beach is only 10 minutes walk as you head away from Matei. There is a good pizzeria at the entrance to this beach.
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subset: commoncrawl


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Sorry your IUI cycle wasn't successful. Were you given vaginal estrogen to try and thicken your uterine lining during your Clomid cycle? If not, why would your doctor not try that before moving you on to an IVF cycle for a thin lining?
Progesterone (vaginally) does NOT have an effect to thicken the uterine lining, so if you truly understood your doctor to say "don't worry about a thin lining, we'll give you PROGESTERONE", that's incorrect. Progesterone, after ovulation of after egg retrieval, changes the lining so it can better allow implantation of a pregnancy, but the thickness of the lining BEFORE ovulation or egg retrieval is what's key, and progesterone isn't started until AFTER ovulation or egg retrieval.
I don't know if this makes sense to you, or if it helps. Consider a second opinion prior to moving to IVF for a thin lining unless you NEED IVF for other reasons aside from a thin lining.
Dr. Roseff


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Alarm systems are the traditional measure of security for both private and commercial buildings. While they have been used for many years there is still the assumption that these systems are used mainly for occupied properties and that they must be permanent.
Securing your vacant property
Vacant properties also have a requirement for alarm systems. Whether the buildings are unused or under renovation, alarms systems are important for both landlords and property owners including those under renovation or refurbishment.
For buildings that are being renovated , SPS offers short-term alarm solutions to secure your property out with working hours and this is managed from our Alarm Receiving Centre which is staffed 24/7.
Insurance compliant Systems
Compliance with your insurance policy is essential for any property owner , not only do our systems meet the level of compliance required they also provide the data that SPS can share to support you and any potential claim.
Managing your alarm system
Temporary Alarms systems are an effective and popular measure for vacant properties, not only for vandalism and intrusion but also for weather damage. The SPS Multi-Purpose Alarm has over 48 sensors, including flood, smoke and door and window sensors. Our team install alarms quickly and efficiently with minimal to no disruption to the property, with our 24-hour ARC managing the systems remotely.
We also offer maintenance on all products and services, should you require repairs or replacements.
Tailored for your property
Not only do alarm systems secure your property, they are often an insurance requirement for vacant properties, as are property inspections, which may also reduce intrusions, vandalism or damage. SPS offer property inspections before and after installation with a service tailored to your building and specific requirements.
Stopping the thieves before they even start
This week our alarms systems detected an open gate at a property in Coventry. After a call to the property manager along with images, the customer was able to confirm that there was a delivery underway and verified the people on the footage.
For more information on our alarm systems and property inspections, call SPS on 08457 62 65 42.
SPS products and services are available on a range of flexible hire and purchase options, so why not contact us to discuss how we can help, on


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2nd Amend.
Wayne LaPierre: Obama Looks "Down Under" For Gun Control Model
During the doubtless pre-rehearsed online session, Obama complained that failure to enact his gun control agenda was the "biggest frustration" of his presidency.
Do you want to know where President Barack Obama is ultimately headed with his gun control edicts? Look no further than his second embrace of the tyranny of Australia's massive gun "buyback" program. Australia's edicts resulted in the confiscation and destruction of more than 1 million registered rifles, shotguns and handguns forcibly taken from licensed gun owners.
Obama's latest endorsement of Australia's 1990s roundup and destruction of privately owned firearms came during an online, social media Q&A, in which the president once again invoked the Aussie government's massive gun confiscation as his answer to mass killers.
Citing the horrific murders of school children in Newtown, Conn., which sparked back-room, dark-of-the-night confiscatory gun bans in that state and in New York, Obama blasted America saying, "There's no advanced, developed country that would put up with this."
Imposing Australia's response to similar mass murder, he said, is top on his agenda. That nation "basically imposed very severe, tough gun laws. …"
Obama wants Americans to believe that taking and destroying guns owned by law-abiding citizens will stop remorseless killers from obtaining guns to inflict horrific, random violence.
Sign up for our daily email and get the stories everyone is talking about.


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Every year, on the weekend nearest St Valentine's Day, I clear last year's nest from our blue tit nest box, and disinfect the box with boiling water.
Last year was the nest box's tenth anniversary. We have had birds successfully nest in it every year so far. Last year, however, it seems that, for the first time ever, not all of the eggs hatched:
Last summer was dreadfully wet. I'm frankly astonished that our blue tits managed to rear any young. But I suppose that's what blue tits are good at: making more blue tits.
Here's hoping for a bit more sunshine in 2013.


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The Barroso Christmas party was illlll as usual. And thanks to technology and skype, Lola, who's in vacation in the Philippines for a couple months got to skype with us throughout the entire party. She sat there, right there, in the Philippines, right there, with us in the living room as every cousin and kid opened their present. Right there, as all of us popped in the room, right there, singing christmas carols and even played the exchange gift game. My family, and my cousins were close. This year, we're even closer. Barroso Family, keep it, right there. - God is Love
OH, and James on Skype before Lola from Toronto. Miss ya cuz, do your thing in Paris, see you soon bruh!


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Thursday, February 15
AIA Chicago
35 East Upper Wacker Drive
Chicago, IL 60601
The UIC School of Architecture's annual Portfolio Day is a celebration and recognition of our graduate students' work. Hosted by AIA Chicago, Portfolio Day includes a reception, presentations by current graduate students, and the announcement of portfolio awards. Faculty, students, alumni, and guests are invited to view student portfolios and engage with the UIC School of Architecture community.
Please RSVP online by Sunday, February 11. For more information about events at the School of Architecture, please visit our website.


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April Gutierrez – Stylist
April is a graduate of Black Hills Beauty College in Rapid City South Dakota. She is a licensed cosmetologist and manicurist in both South Dakota and North Dakota.
She has had training in esthetics/ skin care and nutrition.
April was formerly in the military for nine years and is an avid fitness, rock climber and outdoorsman. She loves learning new trends and keeping up with extended education. Originally from Gillette, Wyoming and after living in South Dakota April has now moved to Jamestown and will be working in the Salon and Spa.
To book your appointment with April call 252-1599 or book online.


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Trevor Marriott - Jack The Ripper: The Real Truth
Bones Presents A lil Something Different.................
An Evening With Kim Woodburn
Daria Kulesh: Long Lost Home
Steve Lamacq - Going Deaf For A Living
The Godfathers
Ivo Graham - Motion Sickness
Sam Avery - The Learner Parent
UK Guns & Roses
Jizzy Pearl LOVE/HATE
Longfella is the new professional name for "the towering wildfire that is Tony Walsh" - "one of the UK's most renowned performance poets" and a respected writer, workshop leader and community organiser.Standing out from the crowd at nearly two metres tall, Longfella - Tony to his friends, is humbled when described as a "colossus" and a "true giant" of the performance poetry scene whilst perfoming everywhere from The British Library to The Glastonbury Festival. From schools, universities, prisons, conferences, festivals, museums and theatres to the magnificent Palace of Science and Culture in Warsaw, Poland as a guest of The British Council. Tony's poetry has been published on both sides of the Atlantic as well as displayed with an LS Lowry image at both Tate Modern and The British Museum as part of a Heritage Lottery Fund "Best of British" exhibition. A multiple winner and finalist in top-level poetry slam competitions, Tony is the current Manchester Literature Festival Comedy Slam Champion and was the runner-up in "The Times" UK Allstars Slam Final at Cheltenham Literature Festival in 2008.
Now a full-time freelance artist based in Manchester, Tony has, until recently combined his writing and family commitments with over twenty years of public service in a wide variety of Principal Officer roles, the majority spent working to engage and empower some of the Uk's most deprived communities
In May 2017, he came to wider attention for delivering his poem "This Is the Place" to the crowds gathered in Albert Square in central Manchester on 23 May for the public vigil following the bomb attack at the Manchester Arena. His performance was described as "the perfect symbol of the pride, passion and defiance of Manchester's people."[6] The poem had been commissioned in 2013, by the charity Forever Manchester. He later read the poem at the One Love Manchester Concert, held in benefit of the attack's victims and their families.
This show is part of Wolverhampton Literature Festival - for more details: www.wolvesliteraturefestival.co.uk


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My family has long had a close relationship to the making of music. If you go back far enough in my mother's family, we were probably connected to the German composer of operas and organ music, Johann Georg Kühnhausen, whose Matthäus-Passion (Saint Matthew's Passion) is still occasionally performed. But for the most part, we played much more informally.
My father and several of his buddies toured around Eastern Washington in the 1930s and 1940s, playing dances in little towns like Othello and White Bluffs as the Five Jives. Two of his brothers were members of a long-lasting semi-professional band that formed under Steve Laughery in Moses Lake and which continued to tour the west after Laughery died in a landslide. The memory of these bands survive in some of the artifacts we still possess, some sheet music inscribed with "Five Jives" and a couple of vinyl albums from the Many Sounds of Nine, my uncles' band. I have written before about the old violin my father used to play, passed on to him from one of my mother's uncles. I use it to play dance music in a couple of contra-dance bands in Northwestern Washington now.
Last month I found a very interesting instrument, seemingly meant for me. It had a peculiar back story and it fit a special niche in a musician's repertoire. For there will always be a time when you want to create the most annoying sound you can musically make. In this case, with a banjo ukulele.
There was no brand on the peg head of this instrument. It is made of blonde maple, with a wooden back that fits onto the instrument with a single screw. The metal resonator ring bears the inscription "Elton," a company that marketed their instruments through many retail outfits. Montgomery Ward carried their products during the thirties. The man who consigned the banjo ukulele did some restorative work on it, probably replacing the head and the tuners, maybe a few other things as well. One thing he did not tamper with was the pair of old photographs glued inside the wooden back, portraits of two dashing young men who bear the monikers Weeping Willow and Loansome Hart.
I guess these two never made it to the scale of stardom that would forever make people stop and say, "Oh, yeah! I remember when they played the Paramount. That was some concert!" No Rolling Stones or Van Halen. Who these men were, I will probably never know, but I can relate to the fact that they staked their claims to fame on the inner wall of a banjo ukulele that was probably purchased from Montgomery Ward. If there is anyone out there who knows something about these guys, be sure to let me know.
My attempt to immortalize my fellow musicians and myself was much more subtle. When I first moved to the Bellingham area, my wife and I had fairly frequent musical gatherings at our house. In honor of those occasions, I drew an image of one evening's festivities, but I made the musical personalities into various forms of animalia.
Amongst others, the banjo-playing bear was David Nerad, a local luthier and fine musician. His wife, Margie Katz is the horse clomping out chords on the piano…I always intended that to be a total farce, considering how finely formed her chords were. Some of the animals, incidentally, were from life, also. That white horse lived in our barn and once sent me to the Emergency Room with a hole in my neck that required fourteen stitches (on Christmas Day, no less). The cat playing guitar (based on my lap cat, Tolstoy, may he rest in peace) represents one of many guitar players in coveralls. Mike Schway was that guy in these sessions. There is a green frog in front, squeezing a concertina at an angry-looking rabbit playing a bodhran. That would, of course, be me and my old friend Randy Mohr. His hurdy-gurdy wasn't a good fit to those sessions, so he played the bodhran or a mandolin. The willowy looking rat in the Hawaiian shirt would have been fiddler Ward Beebe. He and Margie and I once had a contra band in Seattle. The Weimaraner was one of our house-dogs at the time. She once foiled a burglary, also during the Christmas season. She plays…as one might expect…bones. Also present, the fiddle-sawing beaver, many local musicians might fit this description, and a barn mouse who is simply observing the jam.
Weeping Willow and Loansome Hart reminded me that the animal jam would be a meaningless parody without the key to the personalities in the picture. Remember this.


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One of my favorite Rumi quotes is "Wherever you stand, be the soul of that place." Now, more than ever, that's true. Being kind is simple. Being compassionate is effortless. Being love is always the right choice. This does not mean we allow ourselves to be taken advantage of, or to be abused. Having self-respect and boundaries is an aspect of self-love. That's essential. Yet, in every moment we can pause. We can maintain our dignity while doing whatever boundary work is necessary, even while walking away from people, places, and things that are harmful or destructive.
We never have to be cruel. We never have to diminish another as we go about our own evolution here. Any relationships I have found it necessary to terminate, I have terminated with an explanation, including my divorce from my ex. Being battered physically and emotionally was excruciating, yet I still found a way to be kind in my goodbye. I understood his mental illness. I understood I would likely die if I stayed.
Even with narcissism at an all-time high, there are still heroes everywhere. Even with the nightmare stories of sexual abuse flooding the news, I know for a fact that there are loving, caring men out there that would never do such things. I'm married to one of them. So it's up to us, the kind people, the loving people, the empathic people, to be the soul of whatever place we find ourselves in. To choose to believe in good over evil, and that goodness will always prevail.
Be the light the world so desperately needs right now. Be kind to a child, an animal, a stranger, a friend, whenever possible. If someone makes it impossible, fine, walk away and don't look back. Don't be hurt by it, it has nothing to do with you. Keep being love. Because that's what's authentic in each of us. It's that simple. Wherever you stand, be the soul of that place. Somebody has to, right? It may as well be you. Because you know how to do it. Me, too. We rock. Blessings, Judith


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Turton Tri-Tournament Winners/
Below are the results of Wednesday 12th July's Water Polo Tri-Tournament held at Turton School, Bolton.
The competition comprised of 3 schools with Turton hosting along with Canon-Slade, who are another Bolton based school and St Bede's and St Joseph's Catholic College. All 3 schools entered a team in the U13 age group (year 7 and 8) and a team in the under 16 age group (year 9 – 11). Each team in their respective age groups played everyone twice and the team with the most points wins.
St Bede's and St Joseph's Catholic College won both age groups.
The U16 team won all 4 matches played, scoring 19 goals and only conceding 1! The most pleasing thing was how dominant we were even though we went with a far younger team. Although we were technically and tactically superior to Turton and Canon-Slade who perhaps aren't as experienced to the level of Water Polo as ourselves, the team had to overcome the size, speedand power of the older opposition players. It is fair to say that are our players were roughed up at times, especially when the referee wasn't looking and I was really proud how all the players responded, which was in the correct sporting manner. This different type of experience will only help the team to grow and improve for next year which is a big one for this particular group of players.
U16 Results
SBSJ 5 – 0 Canon-Slade – Player of the Match – Jake Larvin
SBSJ4 – 0 Turton – Player of the Match – Sam Chewins
SBSJ6 – 0 Canon-Slade – Player of the Match – Yenukua Anarwat
SBSJ4 – 1 Turton – Player of the Match – Adam Zdolyny
Referee's Player of Tournament – Darwin King
The U13 team won their first 3 matches and narrowly lost their final match to Canon-Slade bringing both ourselves and Canon-Slade level on points but due to our superior goal difference we finished top of the table. The standard of Water Polo was much better from the opposing schools in their younger age groups however, our tactical organisation and skill level was too much for both schools. We went with a team dominated with our '2017 U13 Girls English Schools Finalists' as well as the 'powerhouse' Jastin Barrientos who scored 11 of our 20 goals and three debutants at this age group in Tamara Markey, Dane Simora and Miguel Arevalo. With this mix of experience and three players hungry to impress it set us up well for the whole tournament.
U13 Results
SBSJ6 – 1 Turton – Player of the Match – Niamh Dolan-Baines
SBSJ 4 – 0 Canon-Slade – Player of the Match – Tom Doyle (Tom willingly accepted to step in due to the U13 keeper becoming unavailable at the last minute)
SBSJ8 – 1 Turton – Player of the Match – Amelia Fullerton
SBSJ2 – 3 Canon-Slade – Player of the Match – Lydia King
Referee's Player of Tournament – Jastin Barrientos
Well done to all involved! A brilliant way to finish off the season.
Darwin King 9B, Sam Chewins 9B, Harvey Weston-Beyer 9F, Adam Zdolyny 9D, Tom Doyle 9B, Jake Larvin 9A, Harriet Walker 11B, Ikenna Obasi 9B, Yenukua Anarwat 9B, Jastin Barrientos 8I, Sara Steinberg 8D, Niamh Dolan-Baines 8E, Ella Stabler 8C, Amelia Fullerton 8C, Lydia King 8H, Tamara Markey 8J, Emily Taylor 8B, Dane Simora 7J, Miguel Arevalo 7J.


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GAINESVILLE — Florida linebacker Scott Armstrong sat sullen in front of his locker, quietly answering questions about his team's 21-7 loss to the Alabama Crimson Tide.
He had said before the game that Alabama was ''a physical team'' that would try to run on the Gators' defense, to wear it down and grind out yardage. It wanted to dominate in possession (35 of 60 minutes), keeping Florida's offense on the sideline.


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Kathy Murray
Certified Master Relationship Coach
Kathy Murray's Surrendering Story
I Thought it Was All My Husband's Fault
My husband Doug and I fought about everything all the time.
Everyday I told him what to wear, what to do professionally and around the house. I controlled all the money–how we spent it and invested. I would even re-do the laundry he had folded, or the way he set up the online banking because I didn't think he did it right. He responded by shouting. Our home was tense and volatile, but I was sure that if Doug would only see things my way we could save our marriage.
I started going to therapy, where I would complain about how much I resented my husband because he never took initiative. I was exhausted from working full time, managing the household budget, raising four children and my husband too!
There was so much distance between us we slept in separate bedrooms. I was lonely, unhappy and devastated with the thought of a second divorce, but I also felt powerless to fix things. I thought our failing marriage was entirely my husband's fault, just like I believed that my first divorce was entirely my first husband's fault.
One night, I was complaining about Doug to my girlfriend again when she shocked me by saying "either shut up, or else get a divorce." I was devastated. I booked a flight to visit my mother. I knew she would listen, and she would know what I should do.
I brought some books with me. One of them was The Surrendered Wife. Upon reading that book, I felt ashamed and embarrassed. For the first time I realized that I was responsible for my failed marriages. It was very painful. I sobbed that night and all the next day. I felt that Laura Doyle understood my pain because she had made the same mistakes and still saved her marriage. Under my pain, I felt a glimmer of hope.
When I returned, I decided to experiment. When Doug asked which cell phone service plan he should pick, I said, "Whatever you think." Those were completely foreign words to me, but I wanted to test the principles I'd read in Laura's book, so I just said what she said to say. My husband was nervous because he was sure he would "blow it" and hear about it from me later, so he asked again, "No, really–what should I do?" I said, "Whatever you think. I trust you to make that decision."
That night we crawled into bed together for the first time in months, and my husband said, "Boy, you have been so nice tonight." Tears rolled down my cheeks as I thought, "Oh my gosh! This works!" I felt like I turned my marriage around in one night. That was in 2001. Next, I fired my therapist and hired Laura Doyle instead.
I let go of how my husband managed his life, the kids and chores around the house, and I started taking better care of myself. I even handed over the chore of managing the finances, which my husband took on because he wanted to please me. Soon we were blissfully happy again–just like when we met. Now he surprises me with presents, and romantic trips. We just celebrated our 22nd anniversary and it was truly joyful.
It seemed so simple once I learned the skills.
If you feel like you are in charge, or you're lonely, or you can't figure out why your husband no longer pays attention to you–I certainly know what that's like. I had a blind spot worth uncovering to restore the intimacy in my marriage. What made all the difference was investing in myself, seeking support and surrounding myself with a group of like-minded women. Now I'm on a journey to end world divorce.
Laura and I want to help you have the same kind of intimacy, passion and peace in your relationship. To learn how, apply for a Discovery Session here


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F-Series NEMA 7 Pressure Switch
- Overview
- Applications
- Certificates & Approvals
The Ashcroft® F7 pressure switch was designed for use in harsh or hazardous applications where shutdown, control or alarms are required. Its slim profile allows for easy installation and retrofits with many similar models. Ideal choice for satisfying hazardous and corrosive environments.
Key Features:
- Explosion-proof enclosure with hermetically sealed switch elements provide added safety and reliability
- Wide selection of switch elements wetted materials
- Multiple process connections available
- Adjustable setpoints from 15%-100% of range
- Accuracy: ±1.00% of span
- NEMA 3,4, 7 & 9 (IP66) anodized aluminum enclosure
- Single setpoint
- Pressure ranges: vacuum to 4,000 psi
- Deadban: Fixed
- 1/2" NPT male conduit connection
- SPDT or DPDT switching option
The F7 pressure switch is ideal where rugged and reliable process control are essential:
Process Market:
- Offshore Oil Rigs
- Chemical and Petrochemical Plants
- Pulp and Paper Mills
- Pipelines
- Water and Wastewater Treatment Facilities
- Corrosive and Hazardous Locations
Industrial Market:
- Engines, Compressors and Turbines
- Specialized OEM Equipment F3
Related Products
A-Series Explosion Proof Pressure Switch
The Ashcroft® APA and APS explosion proof miniature pressure switches are used for pressure control within harsh applications.
PP-Series NEMA 7 Pressure Switch
The Ashcroft® PP pressure switch was designed for use with harsh applications where uncompromising protection is required.
Product DetailsData SheetProduct InformationInstallation & Maintenance Videos
Distributor Locator
Locate an authorized Ashcroft distributor in your area.
Materials Selector
Use the selector to review compatible wetted materials and requirements of your application.
Unit Converter
Need to convert measurement units? Check out our quick and easy approach to pressure, temperature and flow unit conversions.
Frequently Asked Questions
Get quick answers to common questions. Choose your topic:


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Re: Adams Family Jackson County, Indiana
In reply to:
Re: Adams Family Jackson County, Indiana
Conni Riley 7/20/02
Thank you Conni for looking for me.I know he was in Terra Haute and on to Highfill, Ark. with his family. Its then I lose track, but he is buried in Ark.I want so much to find his parents. I have all descendants of one of his children. He also had several girls. I have husbands for three. I guess if I do find the parents, they I would want more, right!
Thanks again,


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Our guest is Danielle Smith, author and founder of The Don't be Quiet Movement. Listen to her inspiring story as a survivor of child abuse.
The Power of Mentorship
Today, CEO Susan Michel is joined by her daughter, Carol Ann, to discuss the power of mentors as anchors of trust and igniters of change.
Giving Back
Join Susan Michel, CEO of Glen Eagle Advisors, as she shares insights into the concept of Giving Back.
Love Your Body Love Your Life Singer/Songwriter Show Laura Angelini!
Welcome to Love Your Body Love Your Life Radio Show, where we feature female singer songwriters. Talking inspiration, spirituality and love!
Attract and Keep Your Soul Mate
Join Dr Kala H. Kos for her radio show: "Become Irresistibly Magnetic" – to find out if Your Vibrations will Attract YOUR Soulmate?
Attract a Love You Keep
Join Kala's radio show: Become Irresistibly Magnetic, where love/romance are center stage today, particularly "Soul Mate Relationships."
Attract Your Soul Mate Now!
Are you a single woman who's ready to finally find The One? If you want to attract the love of your life, listen to the audio here.
Conscious Creation – Episode #258 – 7/19/2015
Dee is an actress, healer and author having published 5 books: Conscious Creation, The Big E, Bright Light, Wake Up Now! Getting Stuff.
Conscious Creation – Episode #257 – 7/12/2015
Dee is an actress, healer and author having published 5 books: Conscious Creation, The Big E, Bright Light, Wake Up Now! & Getting Stuff.


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The Archibald Centre, Wellington Zoo, New Zealand - Photographed by Jon Hargest, 10 September 1990
Reference Number: EP/1990/3194/7-F
Interior view of the lecture room in the Archibald Centre at the Wellington Zoo. In the picture are a goat, a peacock, and a toy panda. Photographed by Evening Post staff photographer Jon Hargest on the 10th of September 1990.
Key terms:
1 image.
Part of:
The Archibald Centre, Wellington Zoo, New Zealand - Photographed by Jon Hargest, Reference Number EP/1990/3194-F (1 digitised items)
Further negatives of the Evening Post newspaper, Reference Number PAColl-7327-2 (1639 digitised items)
The Dominion Post :Photographic negatives and prints of the Evening Post and Dominion newspapers, Reference Number PAColl-7327 (2038 digitised items)
Extent: 1 b&w original negative(s) Single image on 35mm negative strip Single negative
Conditions governing access to original: Not restricted
Citation: Any publication or exhibition must be accompanied by the credit "The Evening Post Collection, Alexander Turnbull Library."
Usage: You can search, browse, print and download items from this website for research and personal study. You are welcome to reproduce the above image(s) on your blog or another website, but please maintain the integrity of the image (i.e. don't crop, recolour or overprint it), reproduce the image's caption information and link back to here (http://mp.natlib.govt.nz/detail/?id=68131). If you would like to use the above image(s) in a different way (e.g. in a print publication), or use the transcription or translation, permission must be obtained. More information about copyright and usage can be found on the Copyright and Usage page of the NLNZ web site.
External Links:
View Full Descriptive Record in TAPUHI
View and/or order a copy of this image from Timeframes
View Archived Image on NDHA


text:
A New Worry for Insurers
Wednesday, October 5, 2005
The devastation and cost of Hurricane Katrina provided a new hook for a faction of the insurance industry that is trying to raise public awareness of global warming and push the topic onto the political agenda.
Some of the industry's largest companies have sided with environmental groups in recent years to argue that global warming exists and that man-made causes are adding to the severity and cost of natural catastrophes.
Although no insurer has cited global warming's increased risks as a reason for raising rates, some are funding their own research on the topic and, in the political realm, are supporting measures to reduce emissions.
American International Group Inc., the largest U.S. insurer, says it recognizes the possibility that climate change might be increasing insurance losses, though it is awaiting more scientific proof of a link. The New York-based company is considering a policy of targeting investments toward companies involved in mitigating greenhouse gases.
"We take the possibility seriously and efforts to address it seriously," said Chris Winans, an AIG spokesman.
The industry's interest goes beyond property damage caused by hurricanes. Swiss Reinsurance Co., a giant Zurich-based provider of backup insurance to insurers, says climate change could increase the severity and spread of contagious diseases by extending the ranges of disease-carrying insects such as mosquitoes, altering markets for life and health insurance, while new rules on industrial emissions could generate shareholder suits, changing the market for directors' and officers' liability coverage.
"You can always find a scientist somewhere who says the opposite of what other scientists are saying," said Ivo Menzinger, head of sustainability and emerging risks for Swiss Re. "But the majority of scientists acknowledge today that there is global warming, first of all."
He added, "What we are saying is that despite the uncertainty, the potential effects of climate change are such" that companies should err on the side of safety.
In Nebraska, a series of droughts in recent years have devastated crops and local economies, draining a tax-funded crop insurance program and leading insurers to ask whether global warming is implicated, said L. Tim Wagner, Nebraska's insurance commissioner.
"It's more than hurricanes," Wagner said. "We're just seeing changes in weather patterns."
The insurance industry is split on the question. The American Insurance Association, which represents 400 property and casualty insurers, says the debate about global warming has not been resolved.
"The science isn't that definite," said David F. Snyder, the group's vice president and assistant general counsel. "There's no consensus in the insurance industry on the issue."
He said the group believes industry's clout would be put to better use pressing for stricter land-use rules to keep development out of dangerous areas and for better building codes in marginal areas where development is allowed.
In general, European insurers are more apt to back the notion that the climate is changing at all and that governments should do something about it. Unlike its U.S. counterpart, the Association of British Insurers actively promotes public awareness about global warming and in June published a study concluding that climate change could cause annual losses from major storms to increase by two-thirds, to $27 billion, by the year 2080.
The study also said that under "high-emissions scenarios," in which carbon-dioxide levels double during the century, insurers would need to increase their capital by 90 percent to cover U.S. hurricanes and 80 percent for Japanese typhoons. The higher losses and capital costs could result in premium increases of 60 percent in those regions, the study said.
Insurers began to study possible links between climate change and catastrophic losses in the wake of Hurricane Andrew in 1992, which produced a then-record insured loss of $21.5 billion. The push gained steam after a string of more recent expensive losses, including four major hurricanes last year that created about $28 billion of damage in Florida. The double hit from Katrina, with a new-record loss estimated at $40 billion or more, and Rita, with losses of at least $4 billion, has fueled the intra-industry argument.
Swiss Re since 1994 has endorsed the idea that the climate is changing and employs 20 scientists and engineers to study the question.
While quick to note that no event or its severity can yet be linked with certainty to climate change, some insurers began to take the position that governments nonetheless should take preventive action to reduce greenhouse emissions in the atmosphere.
While it confines most of its climate emphasis to raising public awareness, Swiss Re has pushed for political action. For instance, it has worked with a United Nations-sponsored insurance group that backed the 1997 Kyoto Protocol, an international agreement to limit so-called greenhouse gas emissions, particularly in industrialized countries. The company, in a policy statement, says that even natural climate changes carry "risks far greater than generally assumed" and that man-made influence on climate will aggravate them.
"It is a dangerous misconception to regard even minor changes in climate behaviour as nonthreatening," the company said in the statement. "Even a small shift in the climate pattern can lead to a disproportionately frequent failure of protective measures. Once protection measures fail, loss figures rise exponentially."
Environmental groups say the arrival of insurers, along with a scattering of other corporations pushing for action on climate change, has boosted the anti-global-warming camp's credibility. "When they're concerned, it's worth listening to," said David Tuft, campaign director for the Natural Resources Defense Council, an environmental group.
At the same time, some free-market conservatives deride insurers' expressed concerns about global warming as a public-relations ploy and an effort to distract attention from poor decisions to underwrite storm-prone areas.
"Insurance companies are not financially exposed because of any supposed global warming," said Steven Milloy, portfolio manager for Free Enterprise Action Fund, an activist District-based mutual fund formed to resist shareholder groups that push social agendas. "They're exposed because they've spent decades writing policies for risky coastal development and not charging sufficiently high premiums."
Still, some executives and officials have pushed the U.S. industry to address the issue. For instance, Wagner, the Nebraska insurance commissioner, helped organize a symposium scheduled for last month on whether global warming contributed to natural catastrophes -- canceled when Hurricane Katrina roared through and inundated the New Orleans hotel where the conference was to be held.


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Dear Editor:
This letter is to recommend Brad Harding for the DMEA board of directors. During the years I have known Brad, I have seen that he has successfully operated and grown the First Colorado National Bank and has led the Delta County Economic Development, Inc., or DCED. Through Brad's effort, individuals, businesses and organizations came together to urge a reluctant DMEA board and staff to provide broadband service to our two counties. Thanks mainly to Brad, DMEA is preparing to provide us with fast, affordable Internet service. I say that as a person who served as DMEA's board president from 2004 to 2011, and who continues to follow DMEA closely.
Brad is a fifth-generation North Fork resident, whose father is still employed at a North Fork coal mine. So he is well acquainted with the challenges our counties face as the mines close. But while Brad mourns the tragic decline of our coal industry, he knows we must look ahead. And so he serves as a board member of Solar Energy International, a non-profit school with an eight-acre campus in Paonia that has equipped 45,000 people so far with solar industry skills.
Thank you for your favorable consideration of Brad Harding. Please join me in voting for Brad as the director for DMEA District #3.
Les Renfrow


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Course Capsules
Our library of articles is organized in various categories. Click on one of the tabs below to see the contents of that category.
In these posts, I share whatever is striking me today about A Course in Miracles. I expect these posts to be short doses, so that you can afford the time to read them and I can afford the time to write them.
Browse these posts: [« 1 2 3 4 5 6 7 8 9 »]
- Is backward causation really possible? (February 2, 2012) The other day, a friend asked me if I could find those passages in the Course that talk of us being able to send miracles backward in time. It's a fascinating topic, one that at first seems impossible. I mean, the past has already happened, right? And whenever you talk about going back and affecting the past, you get into weird contradictions.
- The education of free will (January 25, 2012) I wanted to share something I've been chewing on. It's theoretical but I also find it practical. It's basically a single idea that kills a number of birds, so to speak, at once. I'll first develop the single idea in a series of brief points and then explain the idea more fully.
- What happened to Jesus after the resurrection? (December 23, 2011) Recently, a friend asked me what, according to the Course, happened to Jesus after his resurrection. I wrote the following summary.
- A political passage in "A Course in Miracles"? (November 28, 2011) I have long wished that the author of the Course would have addressed the subject of politics in what he dictated to Helen Schucman. I have finally found a place where he did. It is found in all the earlier versions, but was edited out in the process that produced the familiar, FIP version. Here is the passage, which came directly after what is now T-7.II.2.
- The paradox of how the Course sees us (October 24, 2011) One of the paradoxes in the Course that is hard for us to wrap our heads around is how the Course wants us to see ourselves. It wants us to see ourselves as divine, at one with and even equal to God, and it wants us to see ourselves as human in the most fallible sense, to the point of being insane, confused, wrong-headed, sick-minded, and deluded. It can be very difficult to encompass both of these sides at once!
- Does the holy relationship take only one? What is the best evidence? (October 18, 2011) As you may know, I teach that a holy relationship takes two, not one. It means two people joining in a common goal, which invites the Holy Spirit to enter their relationship and take them on a journey to their goal and His goal.
- Reflections on the prayer for Lesson 286 (October 13, 2011) The prayer for today's lesson (286) is one of my absolute favorites.
- Does God really yearn for our return? (October 4, 2011) Have you ever come across some idea in the Course that you are familiar with, but that you suddenly realize you have no real, personal relationship with? That is what happened to me yesterday
- "As I come quietly into Your Presence now" (September 21, 2011) For a few years now, I've been occasionally using the prayer to Lesson 222 as an introduction to meditation. That is definitely its intended purpose, and it serves that purpose quite effectively. The prayer is a single, long sentence, which I will break into three parts.
- An ancient past becoming present (September 6, 2011) The prayer for Lesson 248 is a favorite of mine, so I thought I would write a little commentary on it, drawing out the meaning I see in it. It is a brief prayer which is deceptively simple-looking, such that we can very easily pass it right by.
Browse these post: [« 1 2 3 4 5 6 7 8 9 »]
These short articles by Robert Perry are intended for the general reader—everyone from those who are totally unfamiliar with A Course in Miracles to experienced Course students. Each article applies the teachings of the Course to a daily life situation, and offers the reader a Course-based practice to apply to that situation in his or her own life.
Browse these posts: [ 1 2 ]
- Who Was Jesus? The world has always been focused on the question of who Jesus was. But A Course in Miracles believes that the real question is: What did he teach?
- What's in a Name? We try to avoid misleading names, yet what if all names are misleading? If all of us are one, why do we have separate names at all? Behind these separate names, what is our true name?
- Open-Mindedness We all value open-mindedness, yet by that we mean being open-minded about particular facts or situations or issues. Could it be that there is a deeper open-mindedness, in which we are open to a whole different way of seeing reality?
- I Rest in God More important than rest of the body is rest of the mind, and that is what is offered us by this wonderful line, "I rest in God."
- Patience We feel ambivalent about patience because we fear that if we don't raise a stink, we'll have to wait longer. Could it be, however, that real patience has the power to draw to us that which we are waiting for, so that our wait is actually shorter?
- Who Are the Blind? We assume that if our physical eyes are in working order, we are among the seeing. Yet all our eyes see is shapes and color. Sight of real meaning eludes us, and yet meaning is the only thing worth seeing. How, then, can we claim to have sight?
- Gentleness Is Strength We automatically assume that gentleness is weakness, yet A Course in Miracles challenges this conception. It says that gentleness is far stronger than aggression, and that is why the gentle will inherit the earth.
- Does God Ask Us to Make Sacrifices? Even if we believe in a loving God, we may also believe that He occasionally changes hats, especially when He asks us to do things that look like sacrifices. Yet how logical can it be to believe that God changes hats?
- Tolerance We tend to value high standards, yet the ugly side of our high standards is intolerance. The higher our standards, the narrower the range in which we will feel all right. The key to peace is tolerance, and the key to tolerance is letting go of judgment.


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Production of the Mustang began in Dearborn, Michigan on March 9, 1964 and the vehicle was presented to the general public on April 17, 1964 at the New York World's Fair. It is Ford's third earliest nameplate currently in production. Initial sales projections forecasted less than 100,000 systems for the first year. This mark was exceeded in 3 months from rollout. Another 318,000 would be sold during the model year (a record), and in its very first eighteen months, more than one million Mustangs were built. Looking for Mustangs for sale in Macon MS is easy now. Just use the internet to search for them near you.
Classic Mustangs For Sale
All these were VIN-identified as 1965 designs, but several modifications were made at the conventional opening of the new design year (beginning August 1964), including the addition of back-up lights on some designs, the intro of generators to replace generators, and an upgrade of the V8 engine from 260 cu into 289 cu in. In the case of at least some six-cylinder Mustangs fitted with the 101 hp 170 cu in Falcon engine, the rush into production consisted of some uncommon quirks, such as a horn ring bearing the 'Ford Falcon' logo design beneath a trim ring emblazoned with 'Ford Mustang.' These qualities made enough difference to warrant classification of the 121,538 earlier ones as "1964 1/2" model-year Mustangs, a distinction that has endured with perfectionists. Buy Classic Mustangs in Macon MS and live the muscle car dream.
The 1973 OPEC oil embargo brought with it more strict pollution laws and the desire for fuel-efficiency. This was also the very first time in automotive history that the Big 3 were needing to take on imports. The brand-new Mustang II was smaller than the first version but, due to the added devices needed to meet new US emission and safety policies, was heavier than the first model. Performance was decreased and in the very first year just 385,993 cars were offered. Second generation Mustangs were available in between 1974 and 1978 and readily available in a coupe and hatchback version. 1979 the Mustang was revamped a third time. This time it was based on the bigger Fox platform and the interior was really huge enough for 4 people. The trunk was bigger therefore was the engine bay. The body designs available consisted of a coupe, hatchback and in 1983 a convertible. In 1979 the 3rd generation Mustang worked as an Indianapolis 500 speed car and Ford built 10,478 celebratory replicas. The 3rd generation Mustangs were produced from 1979 to 1982. Now has never been a better time to buy the Ford Mustang Of Your Dreams in Macon MS with special collector financing available.
Fourth generation design was available from 1994 to 2004. 1994 Brought about the very first significant redesign for the Mustang in 15 years. Patrick Schiavone included a number of styling from earlier Mustangs. The base model featured a 3.8 OHV V6 engine from 1994 to 1998, and was mated to a basic 5-speed manual transmission or optional 4-speed automated.


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Beach bums in Michigan
July 31, 2017
This summer we are kind of on a "tour de famille", if you will. First stop was Amsterdam to visit my sister, second stop is Michigan to visit my mom and third will be Toronto to visiting M's family. Can you tell I'm taking advantage of a summer off work? Currently O and I … More Beach bums in Michigan


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The labour market statistics for April to June 2017, released yesterday, show a continuation of recent trends, with employment rising and unemployment falling. The evidence on pay, however, is mixed.
Read More
17th August 2017PRODUCTIVITY AND SKILLS
0 Comments2 Minutes
We are pleased to announce the launch of our Autumn event series "Building a more people-centred economy in the UK" which will open a window on:
future challenges, anticipating emerging trends and...
1st August 2017WORKING FUTURES,PRODUCTIVITY AND SKILLS,POLICY
0 Comments1 Minutes
The unsurprising yet still shocking BBC pay revelations of elite employees' salaries give voice and substance to a pay gap that we know exists but to date has lacked a concrete sense of reality....
1st August 2017PRODUCTIVITY AND SKILLS,POLICY
0 Comments3 Minutes


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Growth Market for Airlines: Cheap Travel for Immigrants
For Hungary's Wizz Air, Focus Is on Trips Home; Cork-Katowice for $26
BUDAPEST -- When the European Union opened its borders to eight former communist countries three years ago, airline executives in the West gazed east and saw lots of poor people who couldn't afford plane tickets.
In Hungary, József Váradi looked west and sensed opportunity. Even under communism, neighboring Poland's 39 million people had been avid travelers, cramming into tiny Fiat 126 cars to seek jobs far from home. Mr. Váradi bet even more people would get moving when Britain and Ireland...


text:
Hide Forgot
Description of problem:
Encountered "Internal compiler error," following instruction to submit to bugzilla.
Version-Release number of selected component (if applicable):
How reproducible:
Steps to Reproduce:
1. Save the file compiler_error.c (about 30 lines), given below.
2. Compile it with gcc -Wall -o compiler_error compiler_error.c ; works
3. Compile it with gcc -Wall -O3 -o compiler_error compiler_error.c ;
generates internal compiler error message.
Actual results:
$ gcc -Wall -O3 -o compiler_error compiler_error.c
compiler_error.c: In function `main':
compiler_error.c:17: Internal compiler error in find_function_data, at
Please submit a full bug report,
with preprocessed source if appropriate.
See <URL:http://bugzilla.redhat.com/bugzilla/> for instructions.
Expected results:
Normal compilation.
Additional info:
Here is a test code which demonstrates the problem. Contorted example, I know,
but should be legal in gcc.
--------------->8 compiler_error.c 8<-----------------
#include <stdio.h>
static void *fcn;
static int arg_length;
static char buf[2048];
void simple_test_function(int a, int b)
printf("a: %d, b:%d\n", a, b);
void RunFunction(void)
struct arglen_buf_s { char buf[arg_length]; };
void (*f)() = (void *) fcn;
(void) f( *(struct arglen_buf_s *) buf );
int main(void)
int *args_ptr;
fcn = (void *) simple_test_function;
arg_length = 2 * sizeof(int);
args_ptr = (void *) buf;
args_ptr[0] = 5;
args_ptr[1] = 7;
return 0;
This is certainly not legal ISO C.
You cannot call a function with a different arguments than it accepts.
And even without inlining this will not work on most architectures
(very likely will not work on any 64-bit architecture, on any architecture
which passes structures by reference or where integers are passed in different
location than variable length aggregates).
It is true that gcc should not ICE on any input, just issue diagnostics,
but I really have no interest in fixing this exact case. File a PR on gcc.gnu.org
if you want the ICE to be fixed.
If you want to keep this ugly hack and don't care it is basically IA-32 only hack,
you either need to add __attribute__((noinline)) somewhere or force gcc to forget
what fn points to (say with asm ("" : "=r" (f) : "0" (f));).
Oh, and have a look at libffi (included in GCC sources), this is a library
which does what you are trying to do, in both directions and for lots of


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A worldwide expert on humane livestock handling is coming to South Dakota for a conference.
Colorado State University professor of animal science Temple Grandin will speak at the International Livestock Identification Association's annual conference on July 24 at 8:30 a.m. MDT in Rapid City.
Grandin is a livestock-handling facilities designer and animal handling expert. Almost half of all slaughter cattle in North America are handled using the center track restrainer system that Grandin designed.
The ILIA's annual conference runs July 22-25.


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Warren Buffett's friend, Robert P. Miles, Praises Millionaire Teacher
Put away your checkbook. Instead give this fabulous book to every young person and you will be gifting them a lifetime of financial independence and success.
Author of: Warren Buffett Wealth, The Warren Buffett CEO and Warren Buffett's Berkshire Hathaway
Few people have greater knowledge and access to Warren Buffett, than Robert Miles.
As a best-selling author, and one of the world's authorities on the Oracle of Omaha, I was thrilled at how he enthusiastically embraced my manuscript for Millionaire Teacher, The Nine Rules of Wealth You Should Have Learned in School.
Mr. Miles is a stock picker, and his generous support for my book had me breathing a sigh of relief: after all, my book's final chapter is about picking stocks, like Warren Buffett. And Robert Miles is an expert in that vein.
Shifting topics a bit…..
Last week, Robert Miles sent me an update on Warren Buffett's bet that hedge funds don't add a heck of a lot of value for investors, thanks to their high fees. …read the article
In 2008, Protégé Partners LLC, a New York money-management firm, decided to wager Buffett that a fund of five hedge funds (selected by them) would beat a S&P 500 index fund over five years.
Shortly after the bet, the markets collapsed.
And the hedge funds took an early lead, based on their ability to invest in more than just the stock market. But over the past two years, the S&P 500 has gained ground. And I'm with Buffett on this one. After all fees, I think the S&P 500 will beat the hedge funds.
Having said that, here's a more interesting comparison:
Considering that the hedge funds are allowed to invest in more than just the stock market, they should do better when markets fall.
But are they ahead of a simple, Vanguard balanced index fund between 2008 and 2010? After all, a balanced fund has stocks and bonds within it.
The Protege hedge funds were down 4.2 percent, from 2008 to 2010.
A balanced index with Vanguard (with no fast-thinking fund managers at the helm) would have grown 5.9 percent from 2008 to 2010. I wonder if the hedge fund managers are embarrassed by that.
And I wonder if Robert Miles is smiling.


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Araw ng Kagitingan or Day of Valor is being commemorated every 9th of April , signifying one of the most important events in Philippine History. Historically, the Day of Valor is also known as Bataan Day or Bataan and Corregidor Day in which the Filipino and US military forces joined forces to fight against the Japanese in order to prevent the Japanese from building their naval base here in Manila and launching attacks to Australia, thus denying these people entry into our land. The Japanese troops, however, wreaked havoc on the Pearl Harbor even after they have surrendered, thus causing the Philippine conquest to take longer than expected.
This is to celebrate the bravery of those war veterans who gallantly defended Corregidor of Bataan and to educate the younger generations , reminding them of the atrocities that the Japanese had inflicted upon the Filipino soldiers during the Death March, an event where these soldiers were to march 87 miles from Bataan heading to Camp O' Donnell without any food or water and with their belongings mercilessly taken away from them by the Japanese troops. It all started when more than 76,000 starving and disease ridden soldiers (consisting of 67,000 Filipinos, 1,000 Chinese Filipinos and 11, 976 Americans) were surrendered by Major General Edward King to the Japanese people against General Douglas McArthur and Jonathan Wainright , at the dawn of April 9, 1942. Throughout the march, thousands have perished due to dehydration, untreated wounds , heat and execution while walking while some who got lucky to travel were forced to endure more than an additional 25 miles of marching and were beaten randomly or even denied food and water. What's worse, those who fell behind were being executed or left to die, leaving the dead bodies sprawled over the road sides and only a number of 54,000 people reached Camp O' Donnell.
"To live in freedom's light is the right of mankind"
May this quote give an impact to every mankind. Everyone deserves the right to enjoy freedom. When one doesn't fight for freedom, he/she will never get to have and enjoy it. Quoting a line from the song "Do You Hear The People Sing?" , it says , "Then join in the fight that will give you the right to be free!" . What happens when we don't fight for freedom? What would have happened if these war veterans didn't defend Bataan?
"They will see the people rise"/"Let others rise to take our place until the earth is free"
The Filipino and US soldiers rose and fought against the Japanese in defense of the Corregidor of Bataan, even if it means death.