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A man has been charged with drug and firearms offences and will appear in court in April after police conducted a search warrant at property near Kempsey.
About 1pm on Thursday 22 February 2018, police from Mid North Coast Police District executed a search warrant at a property on Corangula Road, Corangula, about 20km west of Kempsey.
During the search police will allege that they located 23 cannabis plants growing in a greenhouse and a hydroponic setup.
Inside the home officers allegedly located approximately 2kg of cannabis head.
Officers also located and seized six firearms and ammunition from the premises. They also confiscated his firearms licence.
The man and all the items seized were conveyed to Kempsey Police Station.
The 54-year-old man was later charged with supply prohibited drug, possess prohibited drug and cultivate prohibited drug.
He was also issued a notice of suspension regarding the firearms licence.
The man was granted bail to appear at Kempsey Local Court on Monday 4 April 2018.


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Interested in Mindful Storytelling, through music, movement and drama, coming to your school or kinder? You can choose from a one day or a workshop series see details below..
There are three programs to choose from which are tailored to meet the needs and interests of lower, middle and upper primary:
- Books ALIVE
- The Foundation: Social and Emotional Learning through Collaborative Storytelling,
- A Creative Calm Curriculum: Integrating Mindfulness, movement and drama across the Curriculum
Follow this link for a detailed explanation each of the programs available.
1. One Day Workshop
This workshop is designed to run for 4 to 5 sessions, over one day and ends with a short Professional Development session for the staff (see below for details).
Each session will have a different learning focus that weaves mindfulness techniques throughout while exploring the regular program through drama, music and movement.
Lesson Breakdown
Each session runs for 50-60 minutes:
Mindful Moment: Specific for certain times of the day. Designed to get us out of our minds and/or bring our energy and attention back into our bodies.
Learning Intentions: Introduce the learning intention using the Gradual release of Responsibility Model.
Story set up: I tell a story that sets the scene for the Main lesson. Props could be used to engage the students.
Main lesson: During the main lesson the story develops with the help of music, dance, movement and the ideas of the children.
Reflection: We reflect on the lesson by sharing our favourite moments, moves or thoughts about the activity.
Relaxation/ Visualisation: The purpose of the relaxation is to calm down the nervous system and to prepare the children for the next stage in their day.
Follow this link to book a one day workshop for your school.
2. Workshop Series
The workshop series is similar to the one day, in terms of approach and lesson break down, but it is spread out over a term (6 – 10 weeks). Each session, will explore the regular program through drama, music and movement, while expanding on mindfulness techniques.
I value the teachers input in assisting me to design a program that suits the school context, social and emotional needs of the students and encourages involvement of the wider school community.
The benefit of a longer workshop series is..
- each lesson builds on the students creative ideas that have emerged previously.
- students have the opportunity to experience a variety of mindfulness techniques and deepen their practice.
- it increases the students social and emotional awareness, confidence and general wellbeing.
The staff will also have the opportunity to attend Professional Development (see below for details).
Book your Mindful Storytelling Workshop Series here.
Professional Development Opportunities
All workshops comes with a Professional Development. There are three sessions to choose from…
- Mindful Teachers: Put your oxygen mask on first and transform your classroom
- Mindful Management– Incorporating mindfulness into your classroom. Using a mindful approach to classroom management and create a calm connected compassionate classroom community.
- Storytelling through Drama, Movement and Music– Enhance student engagement by using the performing arts in the classroom.
Both the One Day Workshop and the Workshop Series are flexible and can be tailored to the specific interests, needs and recommendations of teachers and students.
Click here to inquire about the best workshop for your school.

subset: commoncrawl


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Ni Hao
|Google Images
Like I revealed in my November Box post, December's box was Cardcaptor Sakura. I know of Cardcaptor Sakura but I've never actually watched it, which I wouldn't mind giving it a go. Personally for me this was better than the Pokemon box, so lets check it out.
Sneak peak at what we have inside the box with the info card.
First up we have an EXCLUSIVE "THE TRIO" CHRISTMAS POSTCARD PRINT, the info card doesn't state whether it's artwork is by Mayu Matsumoto but it's just as pretty as the Sailor Moon and Pokemon postcards and is being added to the save pile.
Next we have a CUSTOM SAKURA'S WING JEWELRY POUCH, the info card says artwork by Mayu Matsumoto but I'm not sure if this is an error and was meant to be under the postcard as the past 2 boxes the pouches have been custom made by Fangirl Monthly themselves, either way it's still really pretty with a gold sparkle to it and as always the rest of the goodies were hidden away inside.
Our Next item is a STAR WAND NECKLACE, this necklace is really pretty and I think it looks really nice on too, it fits really nicely and I think it's a must for every Cardcaptor fan.
Our next item is a MAGIC CIRCLE COMPACT MIRROR, these were handmade by the Etsy shop Hikari wo Sagasu. You can't deny that it's breathtaking and is being added to my handbag because you never know when you will need a compact mirror.
Next up we have a DOUBLE-SIDED KEYCHAIN, it looks like the keychain is acrylic like the Charizard broach, I have too many keychain's at the minute to add this to my keys but I think it will eventually be used even if it gets attached to one of my bags, the keychain was also made by Fangirl Monthly themselves and I think they did a pretty good job.
Next we have a KEROBEROS AND SPINEL HAIR CLIP SET, these are one of my favourite items from the Cardcaptor Sakura box, they are insanely cute and gorgeous and the bonus is I'm always happy for new hair accessories especially for my hair as I love have clips to pin back one side of my hair, whether these suit me or not is another question.
Lastly from December's box we have a SAKURA, WINGS & STARS CHARM BRACELET, this is my other favourite item from this box. It's extremely pretty and I think it's something that all big fans of Cardcaptor Sakura would love to have. The gold really brings out the pinks on the flowers and stars. It looked a little big on my wrist but I think i can adjust it so it fits me better which is good.
It's now time to get into all the business side of the Fangirl Monthly subscription box, whatever month you subscribe, as long as it's before the deadline you will get that months box, if it's after the deadline you will receive the next months box. Each box comes with 3-5 anime and manga inspired jewelry, accessories and goodies from a selected series each month. You get the choice of what term of what subscription plan you would like, there's a 6 month plan which is $102/£83.69 and renews every 6 months until you cancel, there is a 3 month plan which is $52.50/£43.08 and renews every 3 months until you cancel, and finally there is a monthly plan which is the plan I am on, which is $18/£14.77 and renews every month until you cancel. You are able to skip any of the months boxes if you need to for any reason. These boxes do not include shipping and each shipping price varies for where they are shipping to, I pay £24.81 a month which is including shipping. If you are interested in subscribing or fancy checking them out then you can head over to the Fangirl Monthly website.
To say I've never seen Cardcaptor Sakura, I thought this box was pretty good and as I said before I personally found it better than the Pokemon box, only the jewelry pouch is still available on their website so I think it's safe to say all the items and the box was pretty popular. I'm seriously excited for January's box as it's an anime that I love and adore and can't wait to see the items we get, which we've had a sneak peak at one of the items.
January's box is Fairy Tail
See you soon!
Zai Jian


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Neil Young's Film Lounge – Highwaymen
ROAD KILL : Robert Harmon's HIGHWAYMEN
Psychopathic killer Fargo (Colm Feore) gets his kicks by zooming around the backroads of the USA and knocking down defenceless victims with his pepper-green 1972 Cadillac Eldorado. When he brutally slays the wife of young medic Rennie Cray (Jim Caviezel), the grief-stricken widower swears vengeance at any cost. Months later Cray gains retribution when he smashes into Fargo's car, leaving the driver half-blind and wheelchair-bound – and Cray facing a prison spell. On his release, Cray discovers that Fargo's injuries have only served to deepen his blood-lust – and when the "rebuilt" maniac goes after traumatised accident-survivor Molly (Rhona Mitra), Cray spots his chance for ultimate revenge…
Director Harmon had his one and only hit back in 1986 with The Hitcher, and Highwaymen shows why his career so quickly hit the skids. It's a low-budget, low-octane B-movie which would normally find itself in the fast lane to home-video, but has fluked a brief big-screen spin in certain areas – including the UK and the southwestern US – thanks to Caviezel's box-office success in (and as) Mel Gibson's Jesus H Christ.
Most UK publicity materials, however, have downplayed Caviezel's involvement: the only actor on the main poster is Mitra (British born and bred, but impeccably Yank-accented here) as Molly, under threat from Fargo's Cadillac. And the strap-line heralds the movie as being "from the director of The Hitcher." On closer inspection, this isn't such a great come-on: Harmon's next two credits were the Travolta flop Eyes of an Angel (1991), and Nowhere to Run (1993), which united star Jean-Claude Van Damme and writer Joe Eszterhas to unremarkable effect, while more recently he was responsible for ho-hum Wes Craven 'presentation' They (2002).
On the basis of subsequent 'form', it's wiser to credit The Hitcher's merit to screenwriter Eric Red, who followed up with the fine Cohen and Tate (1989), which he directed himself, plus Kathryn Bigelow's career-making Near Dark (1987) and Blue Steel (1990). Watching Highwaymen, some viewers may wonder why Harmon couldn't have called upon the services of Red – the answer is tragic, and, given the subject-matter of The Hitcher and Highwaymen, horribly ironic.
Instead Harmon had to rely on scripwriting duo Craig Mitchell and Hans Bauer: Mitchell directed 1983's What's Up, Hideous Sun Demon which, as its irresistible title suggests, took the comedy-commentary technique pioneered by Woody Allen in What's Up Tiger Lily? (1966) and applied it to the sci-fi B-movie The Hideous Sun Demon (1959) – with contributions from an uncredited Jay Leno, no less. Bauer, meanwhile, hit the jackpot with surprise smash Anaconda (1997), then showed the extent of his range and ambition by following up with Komodo (1999), before running into a commercial brick wall with megaflop Titan AE (2000).
Highwaymen does see Harmon reunited with one key Hitcher player: composer Mark Isham, who is normally to be found on rather more deluxe Hollywood projects. Perhaps the pair were inspired to work together again after contributing interviews to documentary How Do These Movies Get Made? : The Hitcher which appeared as an extra on the film's 2003 DVD release. And perhaps this is also how Hans Bauer got involved: the documentary was made by one "Jorg Bauer".
In any case, Isham's contributions are one of the very few aspects of interest in Highwaymen: his score is compellingly intense, and could well find an enduring after-life as a 'temp track' used by other composers writing music for movies. Watching the whole of Highwaymen's end-credit roll allows the viewer to enjoy Isham's score without the distraction of the script's lousy dialogue. And these credits also name (or do they?) the person responsible for the film's eyecatching opening titles: "Jane Doe", who also created the film's nifty flashback sequences – but googling "Jane Doe" proves fruitless. The credits are strongly reminiscent of the work of the field's acknowledged leader – could Kyle Cooper have asked for his name to be taken off Highwaymen, just as angry directors hide behind the now-infamous 'Alan Smithee' nom-d'ecran?
It's possible – but this film isn't really such a disaster, and not markedly worse than the inexplicably over-praised Dawn of the Dead remake, which went so rapidly downhill after Cooper's outstanding titles. Highwaymen does counts as a frustratingly missed opportunity, however: the enticingly brief running-time promise a welcome throwback to an earlier era of no-nonsense B-movie, full of souped-up, pedal-to-the-metal thrills. This impression is bolstered by Joe Leydon's breathless Variety review: "Lean, mean and stripped for speed, Highwaymen fires on all cylinders as an edgy and unnerving road-kill thriller… clammy terror… pared-to-essentials script… spins a gripping tale of blood and vengeance… 30 years ago, a well-crafted genre pic like [this] might have become an enduringly popular drive-in staple."
In many ways, Leydon's review is more entertaining and exciting than the film itself – Highwaymen would probably have been 'hooted off' at most US drive-ins, with no shortage of walk-outs, or perhaps "drive-aways". Because, after an exciting early scene in which Molly and pal Alex (Andrea Roth) encounter Fargo in a claustrophobic road-tunnel, Harmon and company are far too content to fritter away their precious time tootling along in low gear. Idling in the slow lane, we're given plenty of time to admire the scenery – as atmospherically captured by cinematographer Rene Ohashi (who worked on They, as did editor Chris Peppe).
But Ohashi's slick approach pays drastically fewer dividends whenever we're indoors – and there are far too many such talk-heavy scenes, starkly exposing the limitations of Bauer and Mitchell's dialogue and characterisation. Renny and Molly are, of course, traumatised by their various tragedies – but the actors' torpid numbness negates any real chemistry between the pair, or, come to that, between the couple and the viewer. There's an especially underwhelming scene in which we're solemnly informed about the number of Americans injured in car accidents – 350 per hour, totting up to millions per year – which points to Bauer and Mitchell's "inspiration" for this project. But while the shocking number of auto-smashes does mean nearly all potential viewers will have been either injured themselves or known a friend or relative so afflicted, it seems somewhat tasteless and opportunistic to expect them to stump up their cash to see the phenomenon (and its dire consequences) played out on the big screen.
Not that this is an especially 'big' production: budgetary limitations are evident throughout – the faceless locales were filmed in rural Canada – and if anything the film could have done with several more slam-bang action pieces to keep the pace from dragging and, more importantly, to prevent us from dwelling on the mounting ludicrousness of the plot. As it is, the semi-mechanised Fargo's machinations are simply too daft to be especially scary or suspenseful. (British audiences may struggle to suppress giggles at memories of BBC sitcom Allo Allo evoked when Renny exclaims : "Listen very carefully – I only have time to say this once.")
Frankie Faison keeps popping up in the thankless role of malcontent accident-investigator cop Macklin – he's often deployed for (ineffectual) comic relief, including a limp last line at Fargo's expense. The villain's injuries give Feore even less chance to shine, meanwhile, and his character – most of whose lines are transmitted by CB – often comes across as a less-threatening variation on the (wisely unseen) 'Rusty Nail' villain from John Dahl's Joy Ride (2001), which really was a B-movie of the kind they supposedly don't make any more.
11th July, 2004
by Neil Young


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It is time for a new Digi Choosday Challenge this week and I am playing with my favourite collection of all time from Polkadoodles and that is Serenity.
Before I start gushing about how beautiful this collection is, remember to pop to the main blog to grab that Digi Choosday Discount code, it' only available to midnight!
Right, so back to this beautiful beautiful BEAUTIFUL collection, it is only 10 characters and three paper packs but they are just my fav ever. I love them all. You can browse the digi downloads here or get the CD here. The CD collection has the precoloured images on them and I just looked and there is a MASSIVE saving here. You gotta go get it!
For my 'New Year' card I used Serenity Princess which you can find here.
I made a 7x7 card:
The papers are from the collection and you can find them here. The main paper says magical which of course the prospect of a New Year can be for us all!
My lovely little Serenity was coloured with Copic Markers and I used the following:
Skin: E000, E00, E21, E11, E31, R20
Hair: E31, E33, E35, E37
Dress: RV91, RV93, RV95, RV99
Belt & Flowers: Rv11, RV32, RV34
Crown: YR31, Y35, Y38
Wings: V000, V01
The sentiment which I thought was just lovely, is from Twiggy & Toots Festive Fun which you can browse here.
I hope you like her and don't forget to pop over to the main blog to grab that discount and also check out the rest of the teams inspiration!
See you soon!
Yvonne x
I am entering the following challenges:


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A Welcome Message From Our Team
Here at Miracle-Ear, we're proud to help people reach their full hearing potential every day. It's our goal to make the process as easy and enjoyable as possible. We hope you will allow us to help you hear better days!Get In Touch
Our Location
4129 Gordon Drive
Get Directions
Sioux City, IA 51106
Our Office
Specializes In
- Hearing Loss
- Hearing Aids
- Custom Fit
- Tinnitus
- Aftercare
- Foundation
How Can We Help?
Ready to experience Miracle-Ear hearing aids for yourself?
Call 712-202-5324 to schedule your first appointment.
We'll work together to find the best solution for you.
Miracle-Ear Hearing Aids in Sioux City, IA
36 million Americans have some degree of hearing loss.* While some people may believe that there's nothing that can be done for certain types of loss, the truth is that hearing aids in Sioux City, IA, can be used to address mild to severe problems. It's common for people to initially cope by increasing the volume on electronic devices and making a conscious effort to face people when speaking with them, but Miracle-Ear® believes that there's a better way.
Alternatives to Hearing Loss
With our GENIUS™ Technology you can hear the world around you, including people who may be standing at your side or the radio that plays behind you in the kitchen. Miracle-Ear is America's most recognized brand of hearing aids, and we'll be ready to provide you with a hearing test so that we can assess your condition and determine which hearing solution is best suited to your situation. You can easily find a hearing aid that's discreet and effective because we carry styles that include:
- Behind-The-Ear
- Receiver-In-The-Canal
- Completely-In-The-Canal
- In-The-Canal
- In-The-Ear
Understand the Consequences
Hearing loss is more than just an inconvenience. Research shows that untreated loss puts a strain on the pathways that move through the brain. Constantly struggling to hear clearly can lead to problems in your career and personal relationships. People with hearing loss have higher levels of depression and anxiety, and research is also finding links between dementia and untreated hearing loss. The good news is that you can avoid many of these problems by investing in a quality hearing aid.
The Miracle-Ear Experience in Sioux City, IA
You don't have to accept your hearing loss as another part of aging. With help from our hearing center, you can address the symptoms and start hearing clearly once again. People across Sioux City and the surrounding areas have turned to the hearing care specialists at Miracle-Ear for a range of services. Whether you've been asking people to repeat themselves for years or you're just now feeling frustration at not being able to hear certain tones, we'll be ready to assist you. Give us a call today to request your hearing exam, and start the process to reclaim your hearing.
Meet the Team
Monty Michael Burke Hearing Instrument Specialist
Professional Experience
Monty I have worked for Miracle-Ear for 9+ years. ... Read More
Professional Experience
Monty I have worked for Miracle-Ear for 9+ years.
Monty is a licensed Hearing Instrument Specialist in the state of Iowa. Monty has also been the recipient of numerous awards including Copper, Gold, and Platinum Return Rate Awards, Copper Lever Achievement and Personal Achievement Awards.
Favorite Part of working with Miracle-Ear
Monty's favorite part about working at Miracle-Ear is working with so many different people from different walk of life and helping them with their hearing disability.
Kimberly Pilar Hearing Instrument Specialist
Professional Experience
I have 10 years of experience with Miracle-Ear, ... Read More
Professional Experience
I have 10 years of experience with Miracle-Ear, including being a Patient Care Coordinator for 9.5 years and a hearing aid specialist since October of 2016.
Favorite Part of working with Miracle-Ear
My favorite part of working at Miracle-Ear is getting to know our patients on a personal level and helping them live a better quality of life with their hearing aids.
Tell us about your experience with this store.Write Your Review
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Learn why so many people trust Miracle-Ear to help them hear their best day.
Mary's Story
" My joy has returned. Life is good ... "
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Really hoping to do this with my class next school year!
RobotGrrl.com » Blog Archive » Make: Lego and Arduino Projects Foreword.
Really hoping to do this with my class next school year!
RobotGrrl.com » Blog Archive » Make: Lego and Arduino Projects Foreword.
Instructables is a great diy website with tons of downloadable howto's including everything from craft to tech. Love this site so much I bought a cheapo membership.
Great tutorial with pics!
Custom Android tablets – sweet!
Using Beaglebone/Beagleboards to create custom tablets running either Android or Linux. Definitely a possibility to use a Raspberry Pi as a base as well. Attaching Arduino boards to the tablet with sensors and or shields.
Very cool tut on GPIO with RaspPi in Scratch.
CympleCy (SimpleSi) Depreciated Site
Click here
This post is intended to make it as Simple as Pi to get up and running and make your RaspberryPi control some lights and to respond to switches and sensors.
Minimum Requirements – a RaspberryPi with Raspbian installed and a working internet connection, a breadboard, some Light Emitting Diodes (LEDs), some resistors and some wire connectors. Total cost £5-£10.
How to get a Rapsberry_Pi to control the GPIO Pins from Scratch
Your RaspberryPi needs to be connected to the internet to install the software but not needed to run ScratchGPIO.
Copy the text below ( left click just before the s of sudo and drag right until all the text in the line, up to and including gpio.sh, as been selected) then right-click and select…
View original post 1,237 more words
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Ground engaging tool monitoring could save billions
AN Austrian and Australian partnership has developed a system that is said to address a billion dollar mining industry challenge.
Identec Solutions has launched what it has dubbed the "i-GET", a device that monitors ground engaging tools (GET), the large steel teeth that are affixed to the bucket of mining diggers.
"Ensuring the safety of personnel while significantly enhancing operational visibility and control has been our mandate from the beginning," Frank Wehus, General Manager, Centre of Excellence, Oil & Gas, Tunnel & Mining at identic Solutions said.
"It was obvious that the industry was in need of a highly reliable solution that was easily integrated while also ensuring absolutely no change to current site operations…i-GET is set to have a tremendous impact on ensuring the safety of personnel as well as in the prevention of production and material losses."
The GET are consumable wear components that are designed to penetrate the earth while also protecting the bucket hardware from damage. However, serious problems can arise when GET break off. In the event a GET contaminates a truck load of ore and is tipped into the crusher it can jam and significantly damage the crusher or be violently ejected and potentially injure onsite personnel.
Extraction of a GET from a crusher is exceptionally dangerous, while the repair of damaged equipment can take days. Estimated to cost the mining industry between one to five per cent of total production each year, broken GET are a multi-billion dollar problem.
To address this industry challenge, Identec Solutions, in partnership with Perth-based Encore Automation, developed the world's first "intelligent GET" – a technological breakthrough in the real-time, wireless sensing of GET components.
"Broken GET are a massive global problem for the mining industry," Ian Hamilton, Managing Director of Encore Automation, said.
"Until now, there has not been an effective technology available that suits every digger type, operates under any mine conditions and is completely maintenance free. i-GET delivers all this, and benefits the miners with incredible safety, efficiency and productivity gains."
Inside each GET or "tooth" a small encased micro-size sensor is placed. Designed to fit easily into a digger's hollowed GET, the typical replacement of worn GET components requires absolutely no change to current procedures. Highly robust, further protection from extreme temperatures, pressure, shock and vibrations is assured by the sensors bullet proof encasing.
All sensed data is processed by the solutions i-GET software. In the event a tooth breaks off from the digger, the i-GET software issues a real-time alert via a visual cue to a screen in the digger operator's cabin as well as other infrastructure to inform management and operations of the event.
Once the operator receives an alert, the digger with the damaged GET ceases work, the damaged GET is retrieved and mining operations recommence. For added assurance, GET sensors can be read even when buried in ore enabling a second check point where haul trucks pass through a fixed reader installation. Hand held readers allow personnel to locate missing GET in the ore.
The return on investment to a mine upon installation can usually be realised in a matter of days.
"Innovation is about constantly pushing the boundaries of what is possible," Gerhard Schedler, President & CEO of Identec Solutions said.
"Ten, even five years ago we could not have imagined imbedding wireless- intelligence in a diggers GET, or on a bottle or boxes for real-time information on its content levels. We have only just begun to tap into the application possibilities of asset intelligence."
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