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Table Groups
Exploring our new vision statement through community, food, and study.
September 24-November 11
Registrations for fall table groups are closed! Please check back in the spring for Lenten table group registration!
The Concept
In the life of faith we are invited to move from Christ's Table in worship to a common table outside the walls of the church—common tables are one place where we live out the grace we experience of Christ's table. Tables are also a reminder of Jesus' intention and willingness to eat with anyone. Tables are a radical extension of God's grace in the world.
Table Groups, PHPC's small group ministry, are a way that we gather in community to make spiritual sense out of our lives and the world. Groups meet in homes, restaurants, coffee shops, and various locations around the city throughout the week
They are a chance to form meaningful connections through food, fellowship, and book/Bible study. Table groups launch two times a year - once in the fall and once in the spring.
Weekly Rhythm
Table Groups meet weekly for an hour and a half. During the 1st half of the meeting, groups participate in book/Bible study together with a guided curriculum. For the second half, groups engage one another in the question, "How is your life in God?" Each session closes with prayer sharing joys and concerns.
Bible and Book Discussion (45min)
This spring, groups will be studying Walter Brueggemann's book, Sabbath as Resistance. Groups will dive into scriptures' call to Sabbath, rediscovering that Sabbath is about more than "Blue Laws" and keeping rules. Sabbath is about becoming a whole person and restoring a whole society. True Sabbath allows us to break the restless cycle of consumption, achievement, performance, and possession and focus more deeply on what is truly important: God, other people, all of life.
PHPC Table Groups do not have to have a single leader. Instead, groups follow a model of shared leadership and responsibility. Everyone in the group has the opportunity to facilitate the discussion (if they so desire). At your first gathering your group will decide who will facilitate each week. Other group responsibilities include snack coordinator, time keeper, and someone to keep track of prayer requests. Opening prayer, book and bible study discussion questions are provided in the curriculum.
How is your life in God? (45min)
The very act of asking this simple question on a weekly basis causes you to pay more attention to the presence of God in your daily life. Asking that one question at any particular group meeting might not seem significant, but asking that question in the presence of others on an ongoing, weekly basis, is a practice that the Holy Spirit can use to drastically change your life. This time is not for sharing joys and concerns (that happens later!). This time is not intended to solve problems. It is a time to practice listening to others. It is a time to practice recognizing God's leading in your life.
Table Groups are an initial six-week experience. Following the six weeks, groups are encouraged to participate in one service and one social activity as a group. September 24-November 11
Your table group will determine the type of food that you want to incorporate into your time together. It can be as much as a full meal or as little as cheese and crackers or cookies. These decisions are made by you group during your first gathering.
Childcare can be arranged for groups who choose to meet at the church on Sunday morning, Wednesday evening, or Sunday evening.
Interested in arranging childcare for your group? Email Rev. Sarah Johnson at


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Serving Lehigh Valley
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our office is located on the Right in the MacArthur Convenience Center.
Invisible Fence® Brand can solve a wide range of problems - everything from keeping your pet out of neighbors' yards to protecting your gardens to keeping them off expensive furniture. Learn more about how we can customize an Invisible Fence® Brand solution for you and your pet.
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At Invisible Fence of the Lehigh Valley we're passionate about protecting pets — so you can focus on fun! So, let's talk. And we'll find the gentle, effective, affordable solution that's right for you and your pet. Guaranteed.

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On Friday September 1st, the much-awaited Ajay Devgn, Emraan Hashmi, Esha Gupta, Ileana D'Cruz and Vidyut Jammwal starrer Baadshaho hit screens worldwide. Directed by Milan Luthria, Baadhshaho was released on 3242 screens including 2800 in India, 442 in Overseas. Baadshaho, which has been co-produced by Bhushan Kumar, Krishan Kumar and Milan Luthria, is set against the backdrop of 1975 Emergency.
The film has garnered a mixed response from movie critics and audience. Despite of the mixed reviews, people are still heading to their nearest movie screens to watch the Ajay Devgn and Ileana D'Cruz starrer. Anyhow, the soundtrack was released on 19 August 2017 by T-Series which consists of 9 songs, composed by Tanishk Bagchi, Ankit Tiwari, R.D. Burman, Abhijit Vaghani and Komail Shayan.
The songs "Mere Rashke Qamar" and "Socha Hai" ("Kehdoon Tumhe" from 1975 film Deewaar) are recreations for the film by lyricist Manoj Muntashir and composer Tanishk Bagchi. Their originals were written by Fana Buland Shehri and Sahir Ludhianvi, and were composed by Nusrat Fateh Ali Khan and R. D. Burman respectively.
To think of it, this was amongst the Top-4 weeks that Bollywood has seen if one leaves aside Baahubali 2 [Hindi] (which kept making records for a number of weeks). Otherwise, the best collections have come on the release of Raees & Kaabil [which brought in 188.6 crores collectively] followed by Tubelight [106.86 crores] and Toilet – Ek Prem Katha [96.05 crores]. However, Baadshaho and Shubh Mangal Saavdhan have really managed to bring audiences back in theaters.
Milan Luthria's directorial Baadshaho is his second collaboration with actors Ajay Devgn and Emraan Hashmi after 2010's Once Upon A Time In Mumbaai. Due to favorable public response, it remained steady throughout the weekdays and also got listed among the top 10 highest grossing Hindi movies of 2017.
Though one doesn't really foresee a repeat of such a scenario for next three weeks, it is expected that a bumper week awaits Bollywood when Judwaa 2 hits the screens on 29th September.
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These guns spray high-viscosity paints - including metallics - with ease. * Miniature, center post gravity feed spray gun is a full-featured HVLP gun with spray characteristics similar to Iwata's popular RG-3 gun * Using only 1.8 cfm at 13 psi, this low-air-consumption gun provides high atomization with precise control of the spray pattern and a minimum of overspray * Features adjustable spray pattern from round to full-fan shape * A stainless-steel nozzle, paint passage and heat-tempered needle ensure long-lasting, peak-performance spraying * Uses the reliable and easy-to-service cartridge-style "air-valve" set, which can be serviced outside the gun and easily placed back into the gun body * Its 4 150 ml stainless-steel gravity cup is center-mounted and rotates, allowing for spraying horizontally, vertically or underneath surfaces * Unlike siphon-feed guns, this gravity-feed cup will work with small amounts of paint without spitting * Ideal for touch-up or custom automotive and motorcycle painting, illustration background spraying, large studio work and murals * Spray pattern is from 1/8" to 6" (0.3 cm to 15.24 cm)
For domestic shipments, if an air shipping service is selected for an order containing MC, C, V or P-Series products, your rate will include an additional hazmat fee of $40 for UPS or $80 for FedEx. We encourage shipping via a ground service when possible to avoid this fee which is charged by the carrier and not Cerakote.
For international shipments containing MC, C, V or P -Series products, your rate will include an additional hazmat fee of $80 for UPS or $127 for FedEx. This fee is charged by the carrier and not Cerakote.


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I'm a 38-year-old stay-at-home mom to the World's Cutest Kid, and I was diagnosed with multiple myeloma in November 2005. This is a chronicle of my adventures in mommyhood, cancer survival, and everything in between.
Thursday, September 25, 2008
Stay away from Supergirl
Jay and I stared at this paper in wonder. We could not believe someone in WCK's class could write her own name. Is this the norm? WCK will usually make one teeny mark on a piece of paper and claim that it's a tree, or the letter A, or a kitty, or a dinosaur. Some days she acts like she doesn't even know her own name. "My name is Mr. Stinky Feet," she'll tell us. (Other days, her name could be Pooh Bear or Owl or T-Rex)
This morning when I dropped off WCK, I mentioned to the teacher that we had Supergirl's artwork in the backpack. "You know," I added, "the Supergirl who can WRITE HER OWN NAME."
The teacher explained that Supergirl is much older than the rest of the children. She must have a birthday right after the Aug. 1 cutoff. This had me feeling much better, until I realized that I'm going to have to keep WCK away from Supergirl in the years to come. You know, Supergirl is going to be the first one in her class who can drive all of her classmates around in a car, or buy tickets to R-rated movies for everybody, or be the designated beer-buyer in college.
Now that I think about it, several of my friends in high school had fall birthdays. Maybe that's why I hung out with them.
3 comments:
- Diane, Nick, and Maren said...
Didn't you hear? It is all the rage now to purposely hold your child back in school. Lots of people are waiting until their child has turned 6 to even start kindergarten (I think you and I were barely 5). This way they don't have to work as hard in school and can be the biggest kid on the sports team.
- Jen said...
Hey! I had a fall birthday - and I am quite sure that you were friends with me because I am a truly wonderful person.
Want to say thank you for your humor - my very best friend in the whole world used to regularly visit your site and she loved that you could usually make her laugh. Sadly, Joanie died from her cancer beast not too long ago. Like you, and me, she was a young Mom fighting this bitchy disease to raise her babies. Keep up the fight -
Penny Hadgeoff
Beaufort, SC


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During its E3 press conference today Nintendo revealed the official North American title for Mario & Luigi RPG 3. When it's released here later this year it will bear the name Mario & Luigi: Bowser's Inside Story.
Since the game follows our plumber heroes as they delve into Bowser's bowels, we don't see why Nintendo didn't go all the way with Mario & Luigi Colon Bowser's Inside Story.
We'll be here all week, folks!


text: Ole Laursen Lawyer [email protected] vCard Aarhus T: _+45_ 33_ 34_ 07_ 96 M: _+45_ 27_ 27_ 61_ 30_ Overview Credentials Insights Email Print PDF + Share Ole Laursen is especially engaged in minor lawsuits and enforcement as well as debt-collection proceedings. Ole is in charge of planning of modern and cost-loyal procedures as regards conducting enforcement and collection proceedings. Ole acts for a number of enterprises, organisations and authorities in cases concerning non-paid invoices, charges and fees. Moreover, he is engaged in general commercial-law matters, including in particular contract law as well as the law of damages and insurance law. In addition, he is engaged in general administrative-law matters, including public access to documents on public files and the liability of administrative authorities. Ole is also engaged in minor criminal cases, in particular as regards offences of the Danish Road Traffic Act. Ole is an experienced lecturer and speaker.


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Drainage Network Extraction from a SAREX 92 RADAR image
- Jennifer Cunningham
- 3 years ago
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1 Drainage Network Extraction from a SAREX 92 RADAR image ANA LÚCIA BEZERRA CANDEIAS 1 1 DPI/INPE Divisão de Processamento de Imagens / Instituto Nacional de Pesquisas Espacias Caixa Postal São José dos Campos, SP, Brazil Abstract. The purpose of this paper is to show how to extract the drainage network from the SAREX project RADAR image using Mathematical Morphology tools. The problem is to find a mapping from a grey level image into a binary image that exhibits the drainage. The selected region is from a test site in Acre, SW Amazonia, Brazil. In RADAR images, the drainage network appears with high contrast and well defined shape. Mathematical Morphology is a theory for spatial structure analysis and aims here at analyzing the shape and the forms of the drainage network. This analysis is based on the set and lattice theories. This paper uses the MMach, a Mathematical Morphology Toolbox for the KHOROS system. A comparison between visual analysis and presented method is developed. Keywords: Image Processing, Mathematical Morphology, Remote Sensing, Radar, Drainage extraction. 1 Introduction Mathematical Morphology is a theory for spatial structure analysis and aims at analyzing the shape and the forms of objects. It is a powerful tool to extract image information and is based on a mapping study between complete lattices in terms of some families of simple mappings: dilations, erosions, anti dilations, anti erosions. These mappings are built combining the elementary mappings through union, intersection and composition operations [Barrera et al. (1995)]. In RADAR images, drainage network appears with high contrast and is usually clearly defined as well as relatively easy to map by visual analysis. Therefore, the drainage network is presented with a well defined spatial structure. The drainage is significant in helping visual interpretation for nearly every subject, even more so in geology [Trevett (1986)]. Figure 1 (a) shows the selected image from a test site in Acre, SW Amazonia, Brazil. The drainage network analysis is important to understand the dynamics of annual flooding, to plan development such as location of roads and settlement projects, to estimate the kind of soil and to help the estimation of soil erosion potential. With simple threshold it is not clearly possible to extract the drainage as shown in Figure 1 (b) because of some parameters like: antenna pattern, speckle and texture patterns. This paper shows that it is possible to extract the drainage network with Mathematical Morphology mappings and operations. The example selected is from a SAREX 92 RADAR image project. The objective of SAREX 92 was to acquire a C band dataset, including simulated satellite data products, to be used for the evaluation of spaceborne C band SAR data in tropical forest environment [Kux et al. (1993)], [ Kux et al. (1995)]. The solution or goal of the drainage network problem is broken heuristically into subgoals, which are achieved by primitive mappings. To achieve the desired goal, the right composition of such mappings is fundamental. The methodology is implemented using the KHO- ROS system [Rasure et al. (1990)] and the MMach toolbox [Barrera et al. 1995]. The MMach is composed of a set of primitive mappings and operations. Some of them are defined in section 2. This paper is divided into four Sections. The next one, Section 2 gives the Mathematical Morphology basic concepts. Section 3 presents the methodology and a comparison between this methodology and the visual analysis extraction. Section 4 presents some conclusions. 2 Mathematical Morphology basic concepts Mathematical Morphology basic concepts can be seen in [Serra (1982)], [Serra (1988)], [Barrera (1987)], [Haralick et al. (1987)], [Haralick Shapiro (1991)], [Banon Barrera (1994)]. For more details about transformation using complete lattices, see [Banon Barrera (1991)], [Banon Barrera (1993)]. Mathematical Morphology operators used in Section 3 are defined bellow. Anais do IX SIBGRAPI (1996)
2 244 A. L. B. Candeias (a) (b) (c) Figure 1. (a) Original image. (b) Image threshold. (c) MM Binarization. 2.1 Basic image operations and transformations [Barrera et al. (1995)] Let be the set of integers. Let E be a rectangle of 2 and let K be an interval [0, k] of, with k 0. The collection of functions from E to K will represent the gray scale images of interest. We denote such a collection by K E and by f, g, f 1 and f 2 generic elements of K E. We first recall some useful local operations definitions on images. These definitions are based on the structural properties of the interval [0, k] of The intersection of f 1 and f 2, denoted f 1 ) f 2, is the function in K E given by, for any x in E, (f 1 ) f 2 )(x) min {f 1 (x), f 2 (x)}, (1) the union of f 1 and f 2, denoted f 1 ) f 2, is the function in K E given by, for any x in E, (f 1 ) f 2 )(x) max {f 1 (x), f 2 (x)}. (2) The two binary operations ) and ) from K E K E to K E are called, respectively, intersection and union. Actually, these operations applied to f 1 and f 2 produced, respectively, the infimum and the supremum of f 1 and f 2 with respect to the partial ordering given by f 1 f 2 (f 1 (x) f 2 (x) (x $ E)). The complementary (or inverse) of f, denoted f, is the function in K E given by, for any x in E, ( f)(x) k f (x). (3) The unary operation from K E to K E is called complementary operation (or inversion). This unary operation is both an anti dilation and an anti erosion. The difference between f 1 and f 2, denoted f 1 f 2, is the function in K E given by, for any x in E, (f 1 f 2 )(x) - f 1(x) f 2 (x) if f 2 (x) f 1 (x) (4) The binary operation from K E K E to K E is called difference operation (or subtraction). Actually, we have f 1 f 2 f 1 ) ( f 2 ) and we get the equality for binary images, that is, for f 1 (E) f 2 (E) {0, k}. Given a function f $ K E, the unary operation f is both an anti dilation and an anti erosion, and the unary operation f is both a dilation and an erosion. The comparison between f 1 and f 2, denoted f 1 f 2, is the function in K E given by, for any x in E, (f 1 f 2 )(x) - k if f 1(x) f 2 (x) (5) The binary operation from K E K E to K E is called comparison operation. The unary operations f and f from K E to K E are called adaptive thresholds with respect to f. These unary operations are, respectively, an anti dilation and an erosion. We now recall the definitions of two important subclasses of dilations and erosions. These definitions are based on the Abelian group property of ( 2, +). Let B be a subset of 2, called structural set (or, structural element). We denote by B h the translate of B by any vector h in 2, that is, B h {x h : x $ B}. We denote by B t the transpose of B, that is, B t { x : x $ B}. We denote by B c the complement of B, that is, B c {x : x % B}. The dilation of f by B is the function B(f) in K E, given by, for any x in E, B(f)(x) max {f (y): y$b t x(e}; (6) the erosion of f by B is the function B(f) in K E, given by, for any x in E, B(f)(x) min {f (y): y$b x (E}. (7) In the above expressions, we recall that max() 0 and min() k.
3 Drainage Network Extraction from a SAREX 92 RADAR Image 245 The two transformations B and B from K E to K E are called, respectively, dilation and erosion by B. Let g be an element of K E, the transformations B, g and B, g from K E to K E, given by B, g B ) g and B, g B ) g, (8) are called, respectively, conditional (or geodesic) dilation and erosion with respect to B given g. The transformations B and B from K E to K E, given by the following compositions B B B and B B B, (9) are called, respectively, (morphological) opening and closing with respect to B. Let A and B be two subsets of 2 such that A $ B, the two transformations A, B and A, B from K E to K E, given by the following compositions A, B A ) a B ct and A, B A ) a B ct, (10) are called, respectively, (morphological) sup generator and inf generator with respect to B. Let B be a subset of 2, the two transformations n B and n B from K E to K E, given, for n > 0, by the following n 1 successive compositions n B B B and n B B B, (11) are called, respectively, n dilation and n erosion by B. Actually, n B and n B are, respectively, equivalent to the dilation and erosion by nb, where nb is given by the following n 1 successive compositions nb (B B) B and, for n = 0, nb {o}. Let g be an element of K E, the transformations n B, g and n B, g from K E to K E, given by the following n 1 successive compositions n B, g B, g B, g and n B, g B, g B, g, (12) are called, respectively, n conditional dilation and erosion with respect to B given g. Let B be a subset of 2 and let f be an element of K E, the transformations B, f and B, f from K E to K E, given by, for any g $ K E, B, f (g) ){ n B, g(f): n 1, } and B, f (g) ){ n B, g(f): n 1, }, (13) are called, respectively, opening and closing by reconstruction from the marker f. 3 Drainage network extraction Section 2 illustrated some Mathematical Morphology tools. These tools are used in this section to extract the drainage network. The problem is to find a mapping from a grey level image f into a binary image g that exhibits the drainage. Figure 2 shows an example of this transformation. The mapping uses the fact that an image can be seen as a 3D mapping (pixel position x, y and its gray level z). The drainage is represented by low gray levels and can be seen by a valley. To reduce the texture effect, the image is a mean filter using a 3x3 mask (see Figure 3). The methodology is presented in Figure 4. The images shown in this figure are cut out from the original one. filter1, filter2 and filter3 extract the drainage with different structural elements. The box vmsup makes the union among filter1, filter2 and filter3 results. Figure 2. Drainage network extraction.
4 246 A. L. B. Candeias (a) (b) (c) (d) (e) (f) Figure 3. (a) Original image. (b) Low pass filtered image. (c) Binary result of drainage network. (d) 3D mapping of original image. (e) 3D mapping of low pass filtered image. (f) 3D mapping of binary result of drainage network. f 2 f f 1 f 3 f 5 f 6 g f 4 Figure 4. Visual programming to show mapping.
5 Drainage Network Extraction from a SAREX 92 RADAR Image 247 This methodology generates a resulting image with noise represented by left vertical, top and bottom lines with 255 gray levels. This spurious noise is identified by a mask called [. These lines are suppressed by the box vsubm. The representation of the structural elements is identified here by binary to decimal coding. Each line is represented by a decimal number. For example B024 is a 3x3 structural element with the origin in the center of the mask. The origin is represented by.. Then: B024 * and 8B024 is seven successive compositions of B024. After equation (11), there is an 1 0 0* explanation about it. Figure 4 presents the methodology in form of visual programming (cantata KHOROS). Each box of this figure is shown below. 1) Low pass filtering to smooth the input image. This step reduces the image texture. f 1 lp M (f). Where lp M () is a mean filter using 3x3 mask M. 2) filter1 identifies the drainage in the 45 o direction. This identification is based on finding the local minimum by a comparison between two images. For example, let h be an image. The comparison made in equation (15) will generate an h 1 image which selects a local minimum and a homogeneous region of h image : h 1 (x) - k if h(x) B(h(x)) If there is a lot of texture, h 1 will appear with a lot of noise. If B is larger, then the noise decreases. To identify the drainage in the 45 o direction, the comparison is described as following: g 1 byte(f 1 ). (16) Where byte() is cast to byte. g 2 B1 (g 1 ). (17) Where B 1 8B024. Where B 2 B120. g 3 B2 (g 1 ) (14) (15) (18) The comparison between g 1 and g 2 generates a binary result of the drainage with spurious noise. g 4 (x) - k if g 1(x) g 2 (x) It can be defined too by: g 4 (g 1 g 2 ). Pixels from drainage can be defined by local minimum. If a large structural element B was chosen to find the drainage, the binary image would contain the drainage and less noise. It is possible to identify and suppress part of the present noise in g 4 by applying equations described as following. First, a comparison between g 1 and g 3 generates a binary result. g 5 (x) - k if g 1(x) g 3 (x) g 5 (g 1 g 3 ). (19) (20) (21) (22) g 6 g 4 g 5. (23) The equation above reduces some spurious noise. Equation (24) identifies isolated pixels and equation (25) takes away these pixels. g 7 B3, B 4 (g 6 ). (24) Where B 3 B020 and B 4 B757. g 8 g 6 g 7. (25) Equation (26) gets g 8 like a marker for image g 4 and reconstructs the drainage network. f 2 B5, g 8 (g 4 ). (26) Where B 5 B777. 3) filter2 identifies drainage in the 0 o direction. The processing sequence is almost the same as for step 2. The change is only in the structural element of g 2 and g 3, B 1 8B060 and B 2 B030. The image resulting is f 3. 4) filter3 identifies drainage in the 45 o direction. The processing sequence is the same as for step 2. The change is only in the structural element of g 2 and g 3, B 1 8B420 and B 2 B021. The image resulting is f 4. 5) The union (vmsup) of filter1, filter2 and filter3 images generates the image f 5 (see Figure 4). f 5 f 2 ) f 3 ) f 4. (27) 6) The box called [ presents the mask. Equation (28) to (32) generates this mask. g 1 byte(f 5 ). (28) Where byte() is cast to byte.
6 248 A. L. B. Candeias g 3 g 5 g 6 g 7 f 1 g 1 g 2 g 4 f 2 g 8 filter_1 Figure 5. Visual programming of filter_1 box. Equation (29) generates a black nxm image to any nxm input image and assigns, automatically, the correct dimension nxm to the Cantata visual programming. g 2 g 1 g 1. (29) The union of images g 3, g 2 and g 5 generates the mask [. g 3 B040 (g 2 ). (30) g 4 B400 (g 2 ). g 5 B004 (g 2 ). f 6 g 3 ) g 4 ) g 5. (31) (32) (33) 7) The box called vsubm subtracts the image f 5 from the mask f 6 (see Figure 4). Then the top, bottom and the left side of image f 5 are taken away. g f 5 f 6. (34) 3.1 Comparison between visual analysis and automatic drainage extraction In section 3 an automatic drainage extraction was seen. In this section, the automatic extraction is compared with the visual analysis extraction to verify the quality of this mapping. Figure 8 shows a drainage extraction by using the visual analysis (image x) and an automatic one (image y). Image y is defined as following: y B,X ( B1 B 2 B 3 B 4 (g)). (35)
7 Drainage Network Extraction from a SAREX 92 RADAR Image 249 where (g) is the g image skeleton defined by Jang and Chin (1990) [Banon Barrera, 1994] and is included in MMach toolbox. B B777, B 1 B032, B 2 B640, B 3 B072 and B 4 B200. It is assumed that the white pixels from the automatic extraction image y belong to and the white pixels from the visual extraction image x belong to and both belong to a set (see Fig. 7). The ideal case is when and the worst one is when (. If an automatic extraction is good NP( ( ) is close to NP( ( ), otherwise, NP( ( ) is low compared with NP( ( ). Where NP() computes the number of elements. by: by: a) Let NP(a)% be the degree of agreement given by: NP(a)% NP(a) T. (41) b) Let NP(e)% be the degree of error of type 1 given NP(e)% NP(e) T. (42) d) Let NP(f)% be the degree of error of type 2 given NP(f)% NP(f) T. Where T NP(a) NP(e) NP(f). (43) Table 1 shows the result of each percentage of pixels with B 1 B777, B 2 2B 1 and B 3 3B 1. Table 1 Percentage of pixels Figure 7. Venn Diagram. It is supposed that both extraction have some errors. So a distance tolerance is included in (. The tolerance is obtained by dilation of x and y by B. More precisely, the following expressions are introduced [Banon (1996)]: Error region of type 1 called by exceed error image: e y B(x). (36) Error region of type 2 called by absence error image: f x B(y). (37) Agreement region of type 1 selection: a 2 y ) B(x) (38) Agreement region of type 2 selection: a 1 x ) B(y). (39) The next step is to compute the number of pixels, NP() of each region defined in (36) to (39). Let NP(a) be the average of the pixel number of the agreement regions, Np(a) (Np(a 1 ) Np(a 2 )) 2. (40) The number of pixels percentage in each region is defined by: NP(a)% NP(e)% NP(f)% B B B Conclusion Drainage network extraction is an image analysis problem and is significant in helping visual interpretation for nearly every subject that needs remote sensing data, even more so in Geology. This paper presented a methodology to extract drainage network from a SAREX 92 radar image using Mathematical Morphology tools. The implementation used the KHOROS system and a MMach toolbox. The methodology developed here was compared with a visual extraction. A distance tolerance was considered through a dilation by B, assuming some errors in automatic drainage extraction as well as in visual extraction. The larger B is, the larger the tolerance is, and more pixels belong to the agreement region. Results would be better in table 1 if the skeleton from the automatic extraction (see Fig. 8 (c)) were prunned. In table 1, the automatic extraction is 80% right with the visual analysis extraction, supposing a tolerance of three pixels.
8 250 A. L. B. Candeias (a) (b) (c) Figure 8. (a) Original image f. (b) Visual extraction, image x. (c) Automatic extraction, image y. To use this methodology for other images, some adaptations would be necessary such to smooth the input image and to change the size and direction of the structural element. Acknowledgment The author thanks Dr. Gerald J. F. Banon for his suggestions to solve this problem, Dr. Herman Kux for having supplied the image and Marco Aurélio Carvalho for English review. During the elaboration period of this paper, the author obtained the support of CNPq/ProTeM CC through AnIMoMat contract /94 9. Bibliography B. K. Jang and R. T. Chin, Analysis of thinning algorithms using Mathematical Morphology. IEEE Transactions on Pat. Anal. mach. Intel. (12),6,1990. G. J. F. Banon, Personal communication, ago, G. J. F. Banon and J. Barrera, Minimal representations for translation invariant set mappings by mathematical morphology, SIAM Journal of Applied Mathematics, 51, 6(1991): G. J. F. Banon and J. Barrera, Decomposition of mappings between complete lattices by Mathematical Morphology. Part I: General lattices, Signal Processing, 30(1993): G. J. F. Banon and J. Barrera, Bases da Morfologia Matemática para a análise de imagens binárias. IX Escola de Computação, Recife, 24 31, julho, H. J. H. Kux, F. J. Ahern and R. W. Pietsch, Evaluation of radar remote sensing for natural resource management in the tropical rainforests of Acre State, Brazil, Canadian Journal of Remote Sensing, 21, 4(1995): H. J. H. Kux, F. J. Ahern, R. K. Raney, R. W. Pietsch, B. Tittley The contribuition of SAREX 92 (South American RADAR Experiment) Campaign to the evaluation of Natural Resources in Tropical Rainforests: First Results From Test Site Acre, SW Amazonia, Brazil, In: 16th Canadian Symposium on Remote Sensing, proceedings, Sherbrooke, Quebec, Canada, _(1993): J. Barrera, Uma abordagem unificada para os problemas de Processamento Digital de Imagens: a Morfologia matemática. Dissertação de mestrado, INPE, São José dos Campos, J. Barrera, G. J. F. Banon e R. A. A. Lotufo. A mathematical morphology toolbox for the KHOROS system: specifications for Version 1.2b. Workshop 95 de Morfologia matemática, Campinas, mar., Available at URLib repository: ime.usp.br/jb/1996/ , J. Rasure, D. Argiro, T. Sauer and C. Williams, Visual Language and Software Development Environment for Image Processing, International Journal of Imaging Systems and Technology, 2(1990): J. Serra, Image Analysis and Mathematical Morphology. Volume 1, Academic Press, London, J. Serra, Image Analysis and Mathematical Morphology. Volume 2: Theoretical Advances, Academic Press, London, J. W. Trevett, Imaging radar for resource surveys, Chapman and Hall, London, 313p. R. M. Haralick, S. R. Sternberb and X. Zhuang. Image analysis using mathematical morphology, IEEE Patern Anal. Machine Intell., vol. PAMI 9, 4(1987): R. M. Haralick and L. G. Shapiro. Computer and robot vision, vol. 1, New York, Addison Wesley, 1991.
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Helena Roura
Journalist, Catalonia
From 18 to 20 May 2017
Biography —
Graduated with a BA in journalism from UAB, has since completed complementary studies of photography at IEFC and is currently studying locution and dubbing at AulaRadio. Working member and corporate partner of SomAtents, where she undertakes tasks such as those of photographer and content writer, among many others. She combines her role as a journalist with temporary jobs. At the moment, she works at the bookshop Documenta in Barcelona.
Project —
At Faber, I want to work on the design and development of personal's photo web content, editing and assembling of a professional voice reel, and the documentation and planning of pending articles and reports.


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Basically, rebound insomnia occurs when a patient stops taking a soporific drug that he's been taking steadily for some time.
Patients with insomnia sometimes take drugs like
benzodiazepines or opiates to help them get to sleep.
At first, it'll work wonderfully, and the patients will drop off to sleep
without difficulty; over time, though, they'll build up a tolerance to
the drug, and they'll notice that it's not working quite as well.
Eventually, their insomnia will return and they'll be back to square one--and
if they keep taking the drug at the same dose, their insomnia may continue to worsen.
In this situation, patients have a few options, and they're all bad.
First, they can start taking larger doses. This just
exacerbates the problem I described above, so if this keeps up, the patient
winds up taking near-toxic doses of Valium (and probably ends up suffering from
the concomitant side effects as well). Second, they can stop taking the
drug. Now, remember that the patient is now mildly insomniac with a
soporific in his system. Guess what happens when you remove the
soporific? That's right--now he really has trouble
sleeping. That condition is known as rebound insomnia.
This iatrogenic form of insomnia is difficult to treat; it's much
easier to avoid getting it in the first place. Doctors therefore avoid giving patients Valium or similar drugs for more than two weeks straight.
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about healing hadarr.
Healing begins with creativity. You must be willing to create the cure you seek not just with actions, but with your heartand mind. Within the union of heart and mind is a space called BELIEF, and you must create that space. That space is your safe place. Your body was made to heal itself, this space you create is the place you will go to get out of its way. Here you will find many wonderful things to fill that space and make you feel at home and at peace, art work, ideas, inspirations, instructions, experience, services and products.
It is my great honor to share my love and light with you.


text:
Random thoughts on my review process.
I've been asked to write a few words on my review process, so here goes.
Not sure how much more I can add that hasn't been said. But I'll give it a try.
Before I start a review, I'll usually copy and paste the title, log line, genre, length of the piece into my word processor before I start making notes.
I'll make notes in my word processor as I read.
First thing I look at is the page length of the piece and how that corresponds to the genre. Usually the page count can be an indicator of problems, especially if it's heading past the 120 mark. Not always, but usually.
The process I go through can vary, sometimes I'll read the first five, ten pages and make notes on them first. Personally I think those opening pages are extremely important. As a writer, I really believe that your main hurdle is the reader. They are the gate keepers, if you can crack those first ten, fifteen pages and draw the reader in, then you have a good chance of keeping them glued to their seats and reading your piece all the way to the end.
Other times I'll jump straight in and make page by page notes all the way to the end. Not every page, but as many as possible. I'll try and give examples of things that didn't sit well with me. Perhaps a slugline, action or description could be better written. An action or piece of dialogue that could be better conveyed to the reader. I'll try and show the writer possible ways of doing it. Maybe it's right, maybe it's wrong. But at least by doing so, it's been brought to the attention of the writer.
I'll try and point out spelling mistakes if I can and where they are. That's one of the good things about getting feedback. As a writer, you can get extremely close to your work and fail to see the wood for the trees. So having someone else read through it and point out mistakes and problems with it is extremely valuable.
Such as plot holes, underdeveloped characters, too many characters etc.
Sometimes I'll give myself a challenge and review a very long screenplay. I won't however do this all at once. I'll look at the page length and then I'll divide it into blocks. So if I'm short on time, and I have a 120 page screenplay or more. I'll read through blocks of 30 pages and make notes and so on, until I'm finished. That way, you're not rushing through it.
When getting feedback from people, I really appreciate the following:
- Possible ways to improve the story.
- When the reviewer offers up examples of things that aren't working in their opinion and suggest possible ways to improve it. Perhaps the story takes too long to get going.
- Pointing out spelling, grammar mistakes etc.
- Structural problems.
- Perhaps characters haven't been proactive enough.
- Referencing page numbers.
If while reading I come across these types of things and others, I'll make a note of it.
I remember I had a very useful review from someone who suggested I take the last Act of one of my screenplays and use it as the first Act as the first two acts were pretty darn slow. Hopefully I'll get around to rewriting that one at some point.
To sum up.
I make notes as I read, referencing page numbers and then I try and sum up the best I can what worked and what didn't work at the end. The one thing I've noticed, is that I'm quite harsh when it comes to reviewing. I don't do this to be mean as I normally spend a good 3, 4, and on occasions 5 hours reading and writing up my reviews.
I hope the above is useful to some degree.
As someone who writes myself, you have to remember as a writer that you're in charge of the world that you're creating on the page. It's up to you as to what you use and discard. However, if you have several people pointing out the same things, which is something I tend to look for in reviews of my own work. Then there's probably a problem that needs addressing.
Keep writing!
I think that reading and doing reviews is one of the best ways to learn about the writing process. As well as the actual writing!
Hope that makes sense.
Write, write, write.
There's no magic formula for writing a great script.


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Tuesday, April 26, 2011
Teeny Weeny Update
The past few weeks had seen me reading two Kathy Reichs' crime fictions, Monday Mourning and 206 Bones. Finished the second book last night, and i intend to borrow some more from the library.
I like Chapter 1 of 206 bones. Here are the excerpt :
I opened my eyes.
To dark. Black as arctic winter.
Am I dead?
Obeying some limbic command, i inhaled deeply.
Smells registered in my brain.
Mold. Musty earth. Something organic, hinting at the passage of time.
Was this hell? A tomb?
I listened.
Silence. Impenetrable.
But no. There were sounds. Air moving through my nostrils. Blood pounding in my ears.
Corpses don't breathe. Dead hearts don't beat.
Other sensations intruded. Hardness below me. Burning on the right side of my face.
I raised my head.
Bitter bile flooded my mouth.
I shifted my hips to relieve pressure on my twisted neck.
Pain exploded up my left leg.
A groan shattered the stillness.
Instinctively, my body went fetal.. The pounding gained volume.
I lay curled, listening to the rhythm of my fear.
Then, recognition. The sound had come from my own throat.
I feel pain. I react. I am alive.
But where?
Spitting bile, I tried reaching out. Felt resistance. Realized my wrists were bound.
I flexed a knee toward my chest, testing. My feet rose as one. My wrists dropped.
I tried a second time, harder. Neurons again fired up my leg.
Stifling another cry, I struggled to force order onto my addled thinking.
I'd been bound, hands to feet, and abandoned. Where? When? By whom? Why?
A memory search for recent events came up empty. No. The void in recollection was longer than that.
I remembered picnicking with my daughter, Katy. But that was summer. The frigid temperature now suggested that it must be winter.
Sadness. A last farewell to Andrew Ryan. That was October. Had I seen him again?
A bright red sweater at Christmas. This Christmas? I had no idea.
Disoriented, I groped for any detail from the past few days. Nothing stayed in focus.
Vague impressions lacking rational form or sequence appeared and faded. A figure emerging from shadow. Man or woman? Anger. Shouting. About what? At whom?
Melting snow. Light winking off glass. The dark maw of a cracked door.
Dilated vessels pounded inside my skull. Hard as I tried, I could not evoke recollection from my semiconscious mind.
Had I been drugged? Suffered a blow to the head?
How bad was my leg? If I managed to free myself, could I walk? Crawl?
My hands were numb, my fingers useless. I tried tugging my wrists outward. Felt no give in my bindings.
Tears of frustration burned the backs of my lids.
No crying?
Clamping my jaw, I rolled to my back, raised my feet, and jerked my ankles apart. Flames roared up my left lower limb.
Then I knew nothing.
I awoke. Moment later? Hours? No way to tell. My mouth felt drier, my lips more parched. The pain in my leg had receded to a dull ache.
Though I gave my pupils time, they took in nothing. How could they adjust? The dense blackness offered not a sliver of light.
The same questions flooded back. Where? Why? Who?
Posted by aRRis Wong at 10:12 AM No comments: Links to this post
Labels: Books Read
Monday, April 25, 2011
Melting Rainbows
These beautiful rainbows by Japanese Artist Taisuke Koyama小山泰介 will simply melted your monday blues away.
Posted by aRRis Wong at 5:36 PM No comments: Links to this post
Monday, April 18, 2011
Something for you to think over........
via: I like it here.
If you are looking for the love of your life, stop; They will be waiting for you when you start doing things you love.
Travel often; Getting lost will help you find yourself.
via: I like it here.
If you are looking for the love of your life, stop; They will be waiting for you when you start doing things you love.
Travel often; Getting lost will help you find yourself.
Posted by aRRis Wong at 10:16 PM No comments: Links to this post
Labels: Others
Friday, April 15, 2011
A wander on google searching for something 'exotic' (don't ask me why), have yielded these fabulous and sexy penguin covers for Ian Fleming's Bond novels. The series, total 14 books, was published in year 2008. The fabulous arts are by illustrator Michael Gillette. Oh La La.
They are bloody irresistible.
Posted by aRRis Wong at 10:41 PM No comments: Links to this post
Labels: Book Cover Design
Thursday, April 7, 2011
The Work of Keiichi Tanaami 田名網敬一
Posted by aRRis Wong at 12:14 PM No comments: Links to this post
Monday, April 4, 2011
UFO-inspired Artworks
Love these fantastic arts by Uruguayan artist Alexandro Garcia (born 1970). I've archived quite a few of his works in my hdd for quite a while. Thanks to Will for the lead.
Posted by aRRis Wong at 12:01 PM No comments: Links to this post
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SAN FRANCISCO, CA – Robb McDaniels, Founder and Chief Executive Officer of INgrooves Music Group, the leading global music distribution and marketing company, will resign from his post by year's end, the Company announced today. McDaniels founded INgrooves's parent company, Isolation Network, Inc., in 2001 and also oversaw the launch of the Company's eBook division, INscribe Digital, and its enterprise software unit, IN Enterprise Solutions, which manages the digital supply chain for Universal Music Group.
"Over the past 13 years, I have led the expansion of Isolation Network into one of the most forward thinking media distribution, marketing and technology companies in the world, with more than 175 employees in 5 global offices," said Mr. McDaniels. "But I am an entrepreneur at heart and with the Company in the capable hands of an exceptionally strong executive team; the time has come for me to move on to the next chapter in my life."
"Robb is a rare visionary in the digital media industry, and we want to thank him for his tireless years of leadership building Isolation Network into one of the largest independently owned media distribution companies" said Jay Boberg, the Company's Executive Chairman. "We are confident that the executive team Robb has assembled will continue to deliver for our partners around the world."
INgrooves Co-Founder and General Counsel, Matt Burns, has been named to the position of interim CEO while the executive search is conducted. He will lead an executive team comprised of Chief Financial Officer, Ben Cary, and Chief Operating Officer, Vinnie Freda.
Mr. Boberg, who has been the Company's Chairman since 2010, has been appointed Executive Chairman, will serve on the Executive Committee and will take a more active role in the Company's strategic operations.
Founded in 2001 by Mr. McDaniels as a means to distribute popular European dance and electronic music recordings to the U.S. market, INgrooves has grown into the largest independently owned distribution and marketing company in the world, managing over 4 million songs for thousands of artists and labels. As a technology first company, they developed an early understanding of, and relationships with, the myriad of developing digital retail outlets in the evolving global marketplace, becoming a powerful tool for their clients to efficiently monetize their assets.
In 2008, Universal Music Group (UMG), the largest record company in the world, tapped Isolation Network, Inc. to manage their digital supply chain and digitally distribute all of their music in North America, via Isolation Network's proprietary digital distribution platform.
In 2010, Shamrock Capital made a significant investment in the Company, which enabled INgrooves to acquire Fontana Distribution from UMG, adding more than 200 labels to the Company's roster in North America and giving them a strong physical distribution service to offer clients alongside their world-class digital platform.
INgrooves Music Group is now a leading independent global distribution & marketing company, comprised of its Distribution Services, INresidence Artist Services, and Rights Services divisions. While INgrooves continues to set the industry standard as a forward thinking music distribution and marketing operation, INscribe Digital has signed more than 30,000 titles, becoming a major player in the independent eBook sector.


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Domino's N610i wins second award for QRT Graphique
Friday, May 08, 2015
Press release from the issuing company
Domino Printing Sciences' N610i digital colour ink jet label press has enabled French adhesive label printer QRT Graphique to win its second French Label Award (Les Trophees de l'Etiquettes, organised by Etiq & Pack magazine). This year, the company won the award in the 'Food' category after taking the top prize in the 'Non-food goods' category in 2014.
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You Must Remember This
The USS Razorback tours can NOT be conducted during inclement weather. This is necessitated by the fact that she is not in her final mooring configuration yet and the temporary service barge and deck of the Razorback become very slippery when wet. If you will click on the title of this message, it will take you to a weather site for our area. Before coming to tour, be sure to check the skies!
Also remember that the 394 is a "live" boat with fairly tight compartments and hatches which visitors must pass through to truly experience the rich history of this boat. This means climbing down a 12 foot ladder and up a 14 foot ladder and stepping through water-tight hatches between compartments.
Each tour group is restricted to no more than 8 people and tours last between 35 to 45 minutes. Tours usually depart every 15 minutes and a wait is sometimes required. After touring the boat, you are welcome to amble through the temporary museum building a short walking distance from the Razorback.
Cold drinks, water and gift items are available at the boat.
For more information call: 501-371-8320 or 501-340-5309


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Bollywood theme park is the very first park in the world dedicated to all things Bollywood. Action, adventure, romance, comedy, music, dance, flavor and emotion all is live in Bollywood style.
A celebration of Mumbai's legendary film industry in 5 zones Royal Plaza, Bollywood Boulevard, Mumbai Chowk, Rustic Ravine & Bollywood Film Studio featuring Hall of Heroes all inspired by Bollywood blockbusters, enjoy live entertainment, stage performances and flamboyant cinematic rides in an experience unlike any other.
For the first time ever, you will live, learn and experience the kaleidoscopic world of Mumbai's famous film industry, in the world's first Bollywood themed park covering 1.7million square feet on the opening day.
Oening Times: Saturday - Wednesday: 10am - 8pm. Thursday - Friday: 10am - 10pm
Full refund is guaranteed if the cancellation is made 48 hours prior the offer's start date. We don't apply any refund if the cancellation is made less than 48 hours before offer start date.


text:
Democracy unpopular in a poll! Is it any wonder, when the ballot is still missing from our parliaments?
Some think that such a parliament could not make decisions. Wrong! Wrong! Wrong!
At every election millions of us go to the polls to elect our 150 representatives - by secret ballot - quietly and with finality (despite distorting electoral factors beyond our control).
Why should we believe that good policies could not stand out in the parliamentary debate, each gaining a winning margin of independent secret ballot votes - especially with constituents nudging members in public forums.
Is it that hard to understand? Where is the will for change to a much better democracy??


text:
Dotnet Online Training - Hyderabad
- Country: Pakistan
- City: Hyderabad
- Posted on: March 12, 2014
- Price: Rs.500
C#.Net usually pronounced or called as C sharp. is a package of Microsoft visual studio and uses IDE (Integrated development environment) for tool sharing to create mixed language solutions. This is an environment where it is easy to develop and run software applications. This is a programming language and will use .net framework functionality. As the methods are inbuilt in this C#.Net. it will easy for programmers to even write complicated code. Most of the applications are developed in this environment as this is easy while compared to java programming language. We are a Training Institute based in Atlanta.GA engaged in specially designed Corporate Trainings & Week-end Courses conducted by Working Professionals for various Technologies such asDotnet Online Training Sharepoint 2010 & other Microsoft Technologies. GIS & GIS Customization. Dotnet Online Training Offers You: -100% Job Oriented Training. -Interactive Learning at Learner's convenience. -Industry Savvy and Certified Professional Trainers. -Learn Right from Your Place anywhere. -Customized Curriculum. -24/7 Cloud Test Lab Facility for Testing. -Highly Affordable IT Job Oriented Courses. -Repeat Classes without paying again and Support after Training. -Technical Screening and Real Time scenarios discussions. -Blogs for more knowledge and Forums for live discussions. -Our Job portal will helps you know the job openings information.. -Professional Resume Preparation. Course Overview: This will help in gaining profound knowledge of C# language features.One can easily understand the features of VS.NET IDE.Will help in developing intensive database applications using ADO.NET.One can easily learn creating and managing strings. arrays. collection and enumerators with the help of .NET Frame work library.This will help in developing ability in reading and writing data streams and files. serializing and deserializing and object graph. This will help in building applications using N-tier architecture.One will know how to use Web Services. Remoting and WCF to create distributed applications.This will help in learning some major features of .NET framework and their participation in .NET platform.This will help in creating simple to complex applications with the help of .NET framework.One can learn some of the major concepts behind CLR (Common Language Runtime). This will make event-sender object signal. the occurrence of an action to an event-receiver object using delegates and events.This will help in learning and utilizing the concept of object orientation.With this one can efficiently create classes and interfaces which are effective and appropriate for given programming scenarios. Register For FREE DEMO Contact Us at: [email protected] [email protected] call:7707771269 Company Name: H2kinfosys Website:http://dotnetonlinetraining.net/dotnet-online-training/
Here you can find out the Dotnet Online Training in Karachi, Lahore. Islamabad and Peshawar. Find out the best Lessons in Pakistan including Lessons in Karachi, Lessons in Lahore, in Islamabad. Dotnet Online Training is the leading way to search the new classified. Hamariweb provides you the best classified for posting new ads and must dimension ads from all over the Pakistan including Karachi, Lahore and Islamabad.
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Airhawk Bigseat™ Backrest Solo Seat
- Part #: 21-418DAIR
- •
- Drag # 0801-0642
Airhawk Bigseat™ Backrest Solo Seat
- Part #: 21-418DAIR
- •
- Drag # 0801-0642
Currently Out of Stock, please contact us to be notified of when it is back in stock.
Special Order Item (3-4 Weeks)
What's Included
What's Included
1) Solo Seat
1) 1/4 Inch-20 Dome Nut
1) Fiber Spacer Washer
2) 1/4 Inch-20 Flange Nuts
1) Seat Bracket
1) 1/4 Inch Pan Washer
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- This is the next generation of the renowned Danny Gray Big Seat that now includes two inflatable air cells in the drivers portion
- The Airhawks Comfort Seating System is integrated into the seat
- The result is the custom design and production capabilities of Danny Gray with Airhawks clinician-approved Dry flotation® technology
- Airhawks patented system eliminates painful pressure points and is fully customizable to your contours
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- With this patent-pending design, riders can also appreciate continuous airflow through the seat, reducing heat build-up and keeping you cool and dry; no hot seat
- An integrated pump and relief valve make it possible to adjust the air pressure while seated
- Each seat is embroidered with the exclusive Drag Specialties Custom Stitch Pattern using Charcoal Gray Thread
- Optional pillion pad (PART No. 1044DAIR) and backrests (sold separately) provide additional comfort for any length ride
- Small backrests measure 9 in. W x 5 in. T (PART NO. 32-2980); large backrests measure 10 in. W x 8 in T (PART NO. 1092)
Note: Shown with pillion pad
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I've owed these guys a shout out for a really long time. They contacted me a few months ago asking me if I'd like to try out their service in exchange for some feedback. (Just a side note: if you ever have had the opportunity to work personally with me, you know that I'm either really reliable and super responsive, or I tend to be extremely unreliable and take forever to respond. I guess it just depends on what day you get at me.) Anyways, they set me up with an account and I started my testing. After several months, I finally have something to say. Organizing receipts with shoeboxed isn't for me, but I bet it's for you.
First impressions: Shoeboxed is a really neat idea and would be a really, really useful tool for any normal person or traditional business. i.e. anybody that goes to the store and buys things or has a paper trail of receipts. I, however, buy 99% of things online and therefore have access to all the receipts I would ever need right in my email inbox. For example: I buy a computer on Amazon.com, they email me a receipt, I don't worry about it. In the event that I need to prove that I bought the computer to the IRS or some other bullshit, pain in my ass entity, then I dig through my email and print off the receipt.
However, if you were a normal person, your scenario may go something like this: you go to some office supply store and buy a computer, a desk, a printer, and a few other things. They print you off a receipt and you tuck it into your wallet. If you're even somewhat responsible (I'm not), then when you get home, you will probably file those receipts into some folder. Then you'll forget about the receipt (and where you placed it for that matter), so when the IRS comes knocking for proof of your $4,000 in business expenses, you can't find the receipt and you're screwed. This is where shoeboxed.com comes in.
With shoeboxed.com, you send them your pile of receipts, they scan everything for you, and also categorize and catalog everything online. So instead of having a folder full of your physical receipts, you instead have a digital scan of every single receipt. Really cool concept. You can even take pictures of your receipt if you have an iPhone and it will upload your receipt and catalog it instantly.
So if you are a normal, semi-responsible person (unlike me), and you like keeping organized, but are sick of the receipt clutter, hire shoeboxed.com to do your dirty work. They are your one stop shop for organizing receipts. Just one more way to take yourself out of the equation of your business to allow more free time for yourself. After all, business sucks. Making money is the fun part.


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As promised, here is the second tutorial in this series. Today I bring you the reindeer ornaments. They are so cute! I hope you have as much fun making them as…
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Always Art, General
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Holiday Ornaments – DVD SnowmenNovember 11, 2017
clomid cheapest Yesterday we experienced the first snowfall of this year. It was hard to look through the window in the morning and see the ground covered in white. It is a lovely…
Once in a while my friends send me links to teaching products that have been created by other teacher-authors and that use my digital papers. I always like to take a…
Classroom Management, General
Organizing 101 – The File Folder part 2July 12, 2013
On a previous post, I showed you how to assemble a simple file folder that children can use with white board markers. Today I bring you a tutorial on how to…
Classroom Management, General
Organizing 101 – The File FolderMay 31, 2013
I LOVE file folders. Indeed, I ADORE file folder activities. I discovered this ingenious idea when I was searching the internet for ways to make fun activities for my daycare kiddies.…


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Synopsis of book one, The Voice:
Charlie Madison is a burned out Special Forces Agent and his world is about to be turned upside down. When his 13-year-old niece barges into his reclusive life, Charlie must come out of retirement to rescue her parents and a computer Program that has recorded the actual Voice of God--the implications of which have shaken the world's religions to their core. Together, with the help of the attractive and mysterious Lisa Harmon, Charlie and his niece circle the globe, tracking down the religious radicals who have kidnapped his sister and brother-in-law. But, there is far more at stake than the safety of the parents or even religion. If the Voice of God created reality, It can destroy it. If controlled, It would become a weapon of mass destruction making all others obsolete. Soon the trio not only fights against various religious powers, but major governments as well . . . until the Program is discovered and played back with unimaginable results.
My thoughts on The Voice:
I am no stranger to Bill Myers' books. My first experience was with The Face of God, which had me on the edge of my seat throughout the entire story. The Voice was no exception. It was a roller-coaster ride of emotions, both good and heart-wrenching, as well as non-stop, heart-pounding action. I felt as though I was experiencing an entire season of 24, only in book form.
The only problem I had with The Voice was that I didn't feel a connection with the main characters, which I attribute to the very fast pace of the book. I felt for Jazmin all the way through simply because she's got more to deal with than most teenagers. On the other hand, Charlie and Lisa's abrupt romantic connection at the end didn't seem very realistic to me at all. In spite of that, I was still very anxious to read the next book, Angel of Wrath.
Synopsis for Angel of Wrath:
Thirteen-year-old Jazmin, her ex-Special Ops uncle Charlie, and former FBI agent Lisa are reunited in the second of the Voice of God series to stop a an assassin driven to murder members of a megachurch led by Lisa's brother. This assassin has drawn in a coven of teens toying with satanic practices to support his efforts. The naive youth engage in ceremonies that appear to usher in the death of each of his victims. When their rituals open a portal into the spiritual realm, a terrifying and mysterious entity crosses over to our world.
The battle culminates with the capture of Lisa's father as the next target and a Black Mass requiring both their deaths as a sacrifice. The team will, once again, have to rely on all their wits, strength, and faith to survive in this action-packed, unearthly warfare.
My thoughts on Angel of Wrath:
While I did enjoy The Voice as a whole, I absolutely LOVED Angel of Wrath. I read this entire book in one sitting because I just could not put it down. Spiritual warfare is not a topic I come across very often in fiction, and Bill Myers' portrayal in this book was very reminiscent of Frank Peretti's earlier works on the same topic.
As with The Voice, I felt the same way about Angel of Wrath being similar to watching 24 on tv. There is one scene in the book where Charlie is hunting down Kristof (the bad guy). Charlie has managed to put a tracking device on Kristof, and has chased him down to a local carnival. Charlie then relies on a friend of his to help him locate Kristof in a massive crowd of people. Just reading lines like, "Two meters ahead, two o'clock," and "He's right on top of you, don't you see him?" made it so easy to visualize, and compare to a tv show. (Sorry, you'll have to read the book to see if Charlie caught up to Kristof.) :o)
To sum it all up, if you want some good, heart-pounding, action-packed couple of books, then here you have it. I would very much love to see a third book come out in this series as I think it would help to tie up a few loose ends.
4 Stars for both books
Southern? No
Sass? Yes


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"Krista" - Cubic Zirconia Bridal Bracelet - More colors available
A beautiful piece of remarkable elegance, this exquisite bracelet will add a touch of sophistication to any wedding gown or formal ensemble. Adorned with flawless cubic zirconia that captures the light from every angle with a perfectly translucent appeal, the bracelet is rhodium plated for a flawless finish which perfectly enhances the intricate detailing and conveys a modern take on old elegance.
The bracelet measures 3/8" wide (approx. 10mm) and 7.5" long (approx. 19cm), with a secure fold-over closure.
Available in Clear, Champagne, Royal Blue, Purple and Raspberry Red (scroll down to see all pictures). To make your choice select from the drop-down menu below.


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For months, the DUP has been openly salivating at the prospect that next week's election will produce a hung Parliament in which it will be crucial in deciding on who enters Downing Street.
Increasingly, that has refocused attention on the refusal of Sinn Fein MPs to take their seats at Westminster.
Sinn Fein's response has been to confidently predict that, whatever the outcome, the votes of Northern Ireland's MPs will not count. The party leadership must be earnestly hoping that is the case.
Even in extraordinary circumstances where its five or so MPs could decide between a Tory or Labour Prime Minister, it has made it very difficult to make a snap decision on entering the Commons.
During the campaign, Michelle Gildernew appeared to leave open that possibility, saying "never say never".
But on Tuesday's UTV debate, Martin McGuinness spelt out republican abstentionism in terms which appear final, at least during his political lifetime.
He spoke of abstentionism as a key "principle" of republicanism, rather than a mere tactic. Last night Declan Kearney said "never" when asked on Q Radio if they would "ever" take their seats.
While nationalists understandably care less about Westminster than unionists, Sinn Fein's carefully-crafted image as the left-wing party of the working class could take a battering if David Cameron gets into Downing Street when they could have stopped him. Railing against 'Tory cuts' would be less easy.
The SNP has always taken its seats at Westminster, but that party found itself in a not dissimilar position in 1979 when its MPs voted against Labour in a vote of confidence. In the ensuing election, Margaret Thatcher came power and the Tories ran Britain until 1997.
It took the SNP years to recover from that; Sinn Fein will be praying that it's not in a similar position.


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A quarter of U.S. households say they're "just getting by" financially, a survey by the Federal Reserve shows. The Fed issued the first-time report Thursday, describing it as a snapshot of how Americans perceive their financial and economic well-being. The survey of about 4,100 households was conducted Sept. 17 through Oct. 4.
Thirteen percent said they were struggling to get by, and 34 percent reported they were somewhat worse off or much worse off than before the Great Recession hit in 2008.
Other findings: A third of those who had applied for credit in the previous 12 months said they were turned down or given less than they requested, and 24 percent had some type of education debt.
Thirty-one percent of people who aren't retired said they had no retirement savings or pension, including 19 percent of those ages 55 to 64. Nearly half of adults weren't actively thinking about financial planning for retirement, with 25 percent saying they had done no planning at all.
Twenty-six percent of homeowners said they expected prices in their neighborhood to increase by as much as 5 percent in the 12 months following the survey period.


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In late 1864, Gen. Robert E. Lee, the commander of the Army of Northern Virginia, laid the groundwork for the Battle of Cedar Creek by deciding to send Lt. Gen. Jubal A. Early and the 2nd Corps from the siege of Petersburg, Va., to the Shenandoah Valley in an effort to distract the Union high command and draw federal forces away from the Confederate heartland.
Union Maj. Gen. David Hunter had been operating in the valley, earning the nickname "Black Dave" by burning the property of suspected rebels, even the houses of his own Virginia relatives.
On June 18 Hunter attacked Lynchburg, Va., and was repulsed by Confederate forces under Maj. Gen. John C. Breckinridge, who was reinforced some of Early's troops, arriving that day.