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Pacific Northwest Portuguese Water Dog Club
We are based in the Seattle area and stretch across the states of Washington, Oregon, Idaho, Montana, and Alaska. The Pacific Northwest Portuguese Water Dog Club (PNWPWDC) welcomes owners, breeders, and enthusiasts living in the Pacific Northwest to join together in sharing information and resources surrounding the Portuguese Water Dog.
As an American Kennel Club sanctioned club, we encourage participation in AKC conformation and performance events, as well as participation in the Portuguese Water Dog Club of America, breed-specific water trials.
We hold a variety of events throughout the year catering to the PWD owners. Non-members are welcome and encouraged to attend and learn more about the very versatile Portuguese Water Dog.Upcoming Events
- 06 Jan, 19Upcoming
2019 AKC Tracking Test
All-breed Tracking Test and Tracking Dog Excellent Test Tracking (TD) test limited to 5 dogs, Tracking Dog Excellent (TDX) test limited to 2 dogs. Preference will…15 Mar, 19Upcoming
2019 AKC Agility Trials
Three AKC Licensed All Breed Agility Trials Hosted by the Pacific NW Portuguese Water Dog Club. This event is accepting entries for mixed breed dogs listed…19 May, 19Upcoming
2019 Regional Specialty
The 2019 Pacific Northwest PWD Club Regional Specialty will be held in Lynden, WA in conjunction with the Mt Baker Kennel Club on Sunday, May 19,…


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I'm fortunate that I chose a career which periodically allows me to pretend I'm that one out of Flashance.
Just substitute the welding get up for a boiler suit and hard hat, and I'm your girl (for the record, I've got a GCSE in Dance and there's a pair of tap shoes in my wardrobe. Those are FACTS).
It also has to be said that I am indeed a maniac on the floor. Trust me. There's photographic evidence of this, but if you want to see it in action you'll have to invite me to your wedding (make sure you book a good DJ).
To sum up, there's more to being an engineer than engineering, and my job is really rather good.
But people who like their jobs still need holidays, no matter what they do. Even professional travel bloggers who trot permanently around the world will tell you that sometimes they need to get their heads out of "the cloud" (couldn't help that) in order to enjoy the simple feeling of their feet in the sand without the nag of deadlines.
The truth is that if we didn't all need the money to pay for our trips, then most of us probably wouldn't bother going to work. Or we'd just do little bits of what we fancied, as and when we fancied it.
But we do need the money, and there's a good chance you're reading this on the sly when you're supposed to be doing something else you actually get paid for. That's life. That's you seeking a snippet of escapism. You're only human.
So welcome to this series of posts that will help you identify certain disturbing behaviours you may well be displaying; behaviours which mean someone really needs to get you the hell away from all this. Pronto.
In other words, let's determine how much you need another holiday…
It's time to examine Disturbing Behaviour Number 1:
You said the phrase "going forward" when discussing how to make future improvements to your love life (or similar).
In the pub.
After four pints.
Oh no. Just no. I feel sick for you.
I shall pick you up right now and take you straight to the airport. I'll even pay for the ticket, such is the severity of your case. Your mates might be nodding along, but secretly they feel sorry for you and want to smack a bit of sense into your rosy, beer-rouged cheeks. It's time to stop. You've given too much for too long and spent too many hours in meetings about, well, meetings.
Just book the trip.
Do it even if all you can manage is a National Express ticket back home to visit your mum. If she's anything like mine, you'll get that slap in the face you need verbally, with a smattering of wise motherly wit. Then she'll feed you, take pity on you and give you the break you need.
Or, if you've got the money, get to Greece. Just don't send your boss after me if you like it so much you get a job in a taverna and never come back.
Seen sense? Good – now get involved with the mission to #take12trips.
And come back soon to learn if you're exhibiting Disturbing Behaviour Number 2. All will be revealed…

subset: commoncrawl


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March 2nd, 2011
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Sadly, we no longer have access to the Lord Street premises, so cannot offer tours or visits. We are exploring options for the new local group to lease the premises, as well as looking at other potential locations.
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Round 6 Cycle B Recipients:ON the ROAD
Margarita Blush, Mansfield, CTMargarita Blush will travel to Sofia, Bulgaria to work with renowned Bulgarian scenographer, Svila Velichkova, on the conceptual framework, aesthetic, and design of The Rule of the World, an original theatre production that examines the themes of injustice and disillusionment. The title is inspired by a quote from Kafka's iconic book, The Trial: "Depressing view…The lie made into the rule of the world." The show will feature live performance, puppetry, movement, and original script, scenography, and music.
Chinese Theatre Works, Long Island City, NYChinese Theatre Works (CTW) and Maleonn Studio (Shanghai, China) will embark on the first stage of a year-long collaboration to create and produce Three Women - Many Plays, an original production incorporating traditional and contemporary shadow theatre, digital animation, opera, dance, and film. The piece will tell the stories of three women who pioneered traditional Chinese shadow theatre in the U.S. CTW company members will travel to Shanghai for a three-week residency at Maleonn Studio, share skills, experiment with blending shadow puppets, digital animation, and sound, and develop the script, design, and music concepts.
GALA Hispanic Theatre, Washington, DCGALA's co-founder and producing artistic director, Hugo Medrano, will travel to Buenos Aires, Argentina to meet and work with leading theatre artists from different sectors of the field including Jorge Telerman, director of the Complejo Teatral, and Horacio Peña, one of the city's leading independent actors. Hugo will learn about recent developments in Argentina and the Southern Cone (comprising Brazil, Paraguay, Uruguay, Argentina, and Chile), particularly in musical theatre. Additionally, he will identify future collaborators, including independent artists and companies who could travel to DC for residencies, play development, and/or co-productions in future seasons.
Handan Ozbilgin, New York, NYHandan Ozbilgin will travel to Greece to participate in a global exchange workshop with emerging Greek playwrights curated by Aktina Stathaki (Athens, Greece) and led by the playwright, Jeton Neziraj (Prishtina, Kosovo). This workshop includes a staged reading of Jeton's play, Yue Madeleine Yue, which Handan will direct, and a gathering with the playwrights to share Handan's experiences working with Greek playwright, Maria Efstathiadi, on her play Privatopia, an experience that encapsulates Handan's key artistic principles: process, time, collaboration, and participation.
Theater Grottesco, Santa Fe, NMTheater Grottesco and Kamchatka Theatre will share street-theatre techniques based upon the theme of immigration. Kamchatka Theatre artistic director, Adrian Schvarzstein, will come to Santa Fe to lead Kamchatka's award-winning workshop MIGRAR, leading participants to see their homes as if for the first time. The workshop will open with cultural protocols led by Dancing Earth to acknowledge the land as Tewa territory, make a small medicine gift, and announce lineages and intentions. Then members of Theater Grottesco will join Kamchatka Theatre in Barcelona to further the discussion and explore new stylistic elements that could enrich the workshop.
Theatre of the Oppressed NYC, New York, NYTheatre of the Oppressed NYC (TONYC) will send three artists to Muktadhara, the bi-annual international festival of practice and performance hosted by Jana Sanskriti Centre for Theatre of the Oppressed in West Bengal, India. During the festival, three actor-facilitators ("Jokers") who are directly impacted by the issues in TONYC's plays will have the opportunity to learn from, teach, and create with Theatre of the Oppressed practitioners from around the world. After the festival, the TONYC artists will stay with Jana Sanskriti for two days of additional exchange, focusing on how each organization develops artistic leadership from the populations most directly affected by injustice.
Touchstone Theatre, Bethlehem, PACommunity-based theatre practitioners Touchstone Theatre will travel to Goleniów, Poland to meet and work in tandem with Teatr Brama as they plan for and execute their annual theatre festival, Bramat. While in residency, Touchstone personnel will observe practices used in the realization of Bramat, particularly practices wherein Brama's artists work alongside Goleniów community members in developing performances for the festival. In addition, this Bramat will host Caravan Next, a European Union-funded Social Community Theatre collaborative featuring some of Europe's top community-based practitioners, allowing for a broader cross-pollination of Touchstone methodologies with those of Caravan Next members.
Christina Watanabe, Long Island City, New YorkChristina Watanabe will collaborate with Panic Button Theatre (Sofia, Bulgaria) to host a two-week seminar for Eastern European scenographers and directors on the craft and collaborative methodology of lighting design. She will learn how their technology and lighting instruments are used and demonstrate to scenographers and directors the important role of lighting design in collaborative story-telling.
IN the LABCarlosAlexis Cruz, Charlotte, NCCarlosAlexis Cruz will continue his collaboration with Alicia Martinez-Alvarez and Laboratorio de La Máscara by developing a new work inspired by the reality of Central American immigrants' difficult path through Mexico to the U.S. Inspired by the Spanish novella, Lazarillo de tormes, and the Picaresque genre, their new work, Pícaro, will tell the story of a 13-year old boy from Guatemala forced by circumstance to leave his family and travel through Mexico. Incorporating elements of contemporary circus arts, fast-paced comedy, masks, magic, and music, the audience will play the role of accomplices in the re-telling of this classic tale. Combining their specialties within the physical theatre realm, CarlosAlexis and his collaborators will embark in workshops to finish creating the show and bring Pícaro to its first main stage presentation.
Cornerstone Theater Company, Los Angeles, CABuilding upon their collaboration in March 2017, Cornerstone Theater Company will host six artists from the Stut Theater and Van der Hoeven Clinic, (both based in Utrecht, Netherlands) in Los Angeles, California. During Fall 2018, they will participate in an exchange of methodology, art making, experiential learning, and planning around a future collaboration. While in Los Angeles, the international artists will participate as both contributors and observers to Cornerstone's community-engaged theatre-making residency in Watts, a 2.12-square mile neighborhood in South Los Angeles. Their shared objective is to create a clear path for an 18 to 24-month international collaborative residency to make a new play. Their new community engaged theatrical work is planned to premier at the eighth International Community Arts Festival (ICAF) in Rotterdam, Netherlands in March of 2020.
Kevin Doyle, New York, NYPlaywright and director, Kevin Doyle will return to Dhaka, Bangladesh and resume work with six survivors of the 2012 Tazreen factory fire in Bangladesh who he first met in 2016 under a travel grant from the Asian Cultural Council. He and the survivors will collaborate with noted Bangladeshi theatre, performance art, and puppet theatre experts to develop a dramaturgical vocabulary to better frame their stories theatrically in an interdisciplinary theatre project titled TRIANGLE / TAZREEN. The piece will focus on the garment industry through the lens of the workers who survived the Tazreen fire and will then contrast their experiences with the perspectives of workers involved in the nearly identical 1911 Triangle Shirtwaist Factory Fire in New York.
La Peña Cultural Center, Berkeley, CADirector Lakin Valdez and playwright Andrew Saito will continue to create Man of Rabinal, a two-person multidisciplinary play that explores the history, meaning, and present situation of the Rabinal Achí, an 800-year-old pre-Columbian Mayan dance-drama about a conflict between two rival kingdoms. Central to their process and the resulting play is their growing relationship with the members of Asociación Xajooj Tun, the Mayan Achí performance troupe in Rabinal, Guatemala, that is sworn to keep this dance-drama alive. Man of Rabinal will use docudrama to explore and share Valdez and Saito's evolving relationship with the ancient text, and the Mayan actors in Guatemala.
Roberta Levitow, Santa Monica, CARoberta Levitow will continue her collaboration with Eric Wainaina in Nairobi, Kenya through Rainmaker Ltd's NBO Musical Theatre Initiative, which aims to develop and produce new musical theatre written, composed, and performed by African artists in Africa and beyond. This four-year initiative, based in Kenya, works through collaboration with a range of international mentors, including U.S. artists from the Sundance Institute Theatre Program and artist-teachers from the NYU Musical Theatre Writing Graduate Program. Roberta and Eric along with producer Angela Wachuka and their consultant, the vocalist and songwriter Somi, will take a crucial step in the project's process by engaging in a 10-day workshop to develop 16 in-progress musical theatre projects.
Theater Breaking Through Barriers, New York, NYTheater Breaking Through Barriers (TBTB) will collaborate with the BIRD Theatre to host the First International Symposium for Disabled Theatre during the opening week of the 11th BIRD International Theatre Festival this September. Following TBTB's first appearance at The 7th BIRD International Theatre Festival in 2014, BIRD Artistic Director, Makoto Nakashima, became interested in developing theatrical programming with disabled artists. In 2015 he created The Freedom Theatre, an offshoot of the BIRD Company, integrating disabled and non-disabled artists. Like TBTB, The BIRD Theatre wishes to alter perceptions of disability in Japan. Their collaborative symposium will mark a signficant first step in this process.
Simón Hanukai, Theatre Director, Pantin, France; Ouida Maedel, Grants Manager, Woolly Mammoth Theatre Company, Washington, DC; and MK Wegmann, Independent Consultant, MK Arts Co, New Orleans, LA
Round 6 Cycle A Recipients:ON the ROAD
Annalisa Dias, Washington, DCAnnalisa Dias and DeLesslin George-Warren will continue their artistic exploration of the effects of global colonialism and unrestrained capitalism on all forms of life experiencing the impending signs of catastrophic climate change, in a new collaboration with Sámi Center for Contemporary Art in northern Norway. They will use the residency to speak with local Sami (indigenous) communities about the already unfolding effects of climate change in their communities. This residency has two goals: 1. to create a multimedia album using found and processed sounds and visual media presented through an interactive website, and 2. to complete a crucial stage of research in contemplative arts practice leading to the production of Annalisa's full-length play, The Earth, That is Sufficient, to be produced by The Welders in 2019.EgoPo Classic Theatre, Philadelphia, PAArtistic and administrative representatives from EgoPo will travel to Central Java over two weeks to train with Javanese artists, attend Javanese performance experiences and establish connections for a future collaborative production of the Ramayana. Re-establishing cultural exchange with Indonesia will bring new understanding of the diversity of the Muslim world to U.S. audiences in a time of growing suspicion and xenophobia. The project also focuses on building a unique cultural experience based on Javanese long-form performance events to reinvigorate and expand U.S. theatre-going audiences.Ismail Khalidi, New York, NYPlaywright and director, Ismail Khalidi, will collaborate with director/producer Aliya Khalidi, in association with Dar El Nimer Center for Palestinian Art and Culture in Beirut. They will develop Ismail's solo play, Foot, which has been translated into Arabic by Eyas Younis and was selected to be part of Dar El Nimer's Stories of Palestine festival. He will direct the play, which will be performed by a local actor and will tour to Palestinian refugee camps in Beirut.Emily Mendelsohn, Bronx, NYU.S. object theater director, Emily Mendelsohn, and Ugandan short story writer Doreen Baingana will spend two weeks in Kampala to explore adapting Baingana's story about a woman's journey across Kampala to sell used clothes. This workshop will help both find shared vocabulary across discipline and culture, as they work towards a new object theatre piece that explores migration, home and memory through everyday journeys in Kampala and San Francisco.Woolly Mammoth Theatre Company, Washington, DCWoolly Mammoth Theatre Company will collaborate with a Zimbabwean theatre director who will serve as assistant director and Shona cultural consultant on their production of Danai Gurira's Familiar during their 2017-18 season. The cultural consultant will engage in dialogue about accurate representation of Familiar's Zimbabwean characters and references to Shona cultural traditions. Furthermore, this will be the Zimbabwean artist's first time working at a theatre in the U.S., which she views as a crucial step for her career and to advance her goals towards building capacity for Zimbabwe's theatre industry.
IN the LABTy Defoe, New York, NYLong term collaborators Ty Defoe (citizen of the Oneida/Ojibwe Nations) and Larissa FastHorse (Sicangu Lakota), co-founders of Indigenous Direction, will deepen their artistic partnership and continue a two-year collaboration with Native Hawaiian and Pacific Island artists through PA'I Foundation and the University of South Pacific, Fiji. This project will engage members of four indigenous nations in an effort to decolonize theatre practices and create an indigenized community-engaged theatre piece, Water is Sacred.W David Hancock, St Paul, MNW David Hancock is in the process of co-authoring Cathexis with Nick Millett, a participative judicial-theatrical event which imagines the performance space as an interactive tribunal of the future. The trans-media, multi-national collaboration is partly supported by the European Union's Creative Europe program as a pilot project to create a theatre work that incorporates socio-technological research and open innovation.Wendy Jehlen, Somerville, MAWendy Jehlen will co-create The Conference of the Birds, an evening-length movement theatre work inspired by the epic poem of Farid Ud din Attar and embodying stories gathered from modern-day refugees and other migrants. Collaborating artists will come together from eight countries and five continents. Commissioned by Boston Center for the Arts, created by ANIKAYA Dance Theater, funded by the Doris Duke Foundation for Islamic Art, Jacob's Pillow, New England Foundation for the Arts, The Boston Foundation, and the James K. Spriggs Charitable Foundation, a Fidelity Charitable donor-advised fund, and the Kates Foundation.Zoey Martinson, Brooklyn, NYWriter, director and actor, Zoey Martinson, will travel to Berlin, Germany with her company Smoke & Mirrors Collaborative to continue development of #HASHTAGPROJECT with a creative team from the U.S., Germany and China. The #HashtagProject is a theatrical experiment in the creation of extremist movements and online protests. A collaboration between theatre artists and interactive technology designers, #HashtagProject translates online social interactions into an immersive and surprising live performance event where the audience makes the decisions about what happens next.Ron Ragin, New Orleans, LARon Ragin and co-director, Rebecca Mwase, will bring two performing artists from Ghana to participate in the remaining development process and perform in the premiere ensemble of Vessels, a seven-woman harmonic meditation on the Middle Passage that seeks to answer the question "what does freedom sound like in a space of confinement?" The work will debut in New Orleans in Fall 2018, and the collaborators' presence and participation in the show will deepen the transatlantic dialogue that is critical to amplifying the healing potential of this project.Tricklock Company, Albuquerque, NMTricklock Company will travel to Colombia to embark on the second phase of their international collaboration, Mother of Exiles. Tricklock will be joined by Dagmara Zabska of Poland and Lucho Guzman of Colombia to expand the stories and create a theatrical structure inspired by Colombian issues and policies on immigration. The company will continue their research and rehearse new facets of the work before performing two shows with audience feedback.
Philip Boehm, Artistic Director, Upstream Theater, St. Louis, MO; Tracy Cameron Francis, Free-lance director, Portland, OR; and Anthony Moseley, Artistic Director, Collaboraction, Chicago, IL.
Round 5 Cycle B Recipients:ON the ROAD
ArtsEmersonHowlRound: A Knowledge Commons by and for the Theater Community (Boston, MA), will meet three nationally focused Canadian theatre organizations: the National Theatre School in Montreal, the theatre think-tank SpiderWebShow in Toronto, and The Playwrights Theatre Centre in Vancouver. The goal of these new partnerships is to facilitate the creation of more knowledge, dialogue, and connection between the many aesthetically and culturally diverse theatre communities that are isolated from each other within Canada, and between Canada and the U.S. These three companies are also interested in media content such as livestreaming and online curation—skills that HowlRound is versed in and eager to share.Simón Adinia HanukaiDirector Simón Adinia Hanukai (Brooklyn, NY) will visit Istanbul, Turkey, and Dubai, United Arab Emirates to solidify organizational and artistic partners for the implementation of Living Altar, a multi-disciplinary performative celebration of the lives of individuals killed in conflict, regardless of origin, gender, religion, status, and profession. In Turkey, he will also visit the bordertown of Gaziantep, which is surrounded by over a dozen refugee camps, to meet individuals affected by the Syrian conflict and to connect with NGOs working there. In Living Altar, through successive 30-minute performance pieces, casualties are given a name, face, story, and equal value. Each piece is based on surveys completed by those close to the deceased. Living Altar will be presented in four cities—New York, Paris, Istanbul, and Dubai—and performed around the clock by dozens of artists from various disciplines in a storefront-like space that is visible and easily accessible to the audience of passers-by. Simón is the co-artistic director of Kaimera Productions, a live-performance company based in New York and Paris.Honolulu Theatre For YouthHonolulu Theatre for Youth (Honolulu, HI), a company dedicated to telling stories of Pacific life and cultures, will collaborate with spoken-word poet Kathy Jetnil-Kijiner of the Republic of the Marshall Islands to foster writing by Pacific Nation writers. Director and playwright Daniel A. Kelin, II will travel to the Marshall Islands, with Jetnil-Kijiner and writers, to participate in discourse and workshops about the displacement of islanders from their homes due to impending climate threats such as the rising of the Pacific Ocean. The collaborators desire to develop a site-responsive theatre event to be presented in the Marshall Islands and Hawaii.John JarboeJohn Jarboe (Philadelphia, PA) will engage in a 10-day research trip to Berlin, Germany, to study the history and contemporary practice of Berlin Cabaret with Dieter Rita Scholl, a star of the Berlin scene. Scholl will act as an ambassador for Berlin cabaret and introduce Jarboe to local artists. Simultaneously, they will engage in a workshop to share their cabaret practices with each other. This will be a pilot for a larger project thatseeks to document and share contemporary cabaret practice around the world so that artists can access each other's work more easily across borders.Mel KrodmanCreator and performer Melissa Krodman (Philadelphia, PA) will engage in a studio-based artistic exchange of ensemble devising processes, tools, exercises, methods, aesthetics, and values with the Slovenian director Nina Lampic and a team of collaborators from Berlin, Germany and Ljubljana, Slovenia. The project will focus on the creation of a full-length performance work entitled A Potential Performance to be developed in these two cities. Participating in a lineage of theatre ensembles creating original work, this project honors the sharing of skills and practices as a means of evolving individual and collective artistic practices, and the field at large.Kaneza SchaalTheatre artist Kaneza Schaal (Brooklyn, NY) and her collaborators will travel to Rwanda for a creative and cultural exchange centered on theatre that honors the dead. Drawing from her theatre piece Go Forth, which was inspired by her experience of Rwandese ritualized grieving process, Schaal's team will collaborate with Rwandan theatre director, Hope Azeda, to create a theatrical work for Kigali's Ubumuntu Theater Festival. Azeda's theatrical tradition is rooted in dynamic story telling traditions, and Schaal's theatrical tradition comes from Experiential Theatre that integrates different artistic mediums. Through this exchange, both artists will expand and deepen their aesthetic repertoire and creative tool set.
IN the LABBond Street TheatreBond Street Theatre (New York, NY) and Thukhuma Khayeethe are continuing to develop a dual-language version of Ben Jonson's 1605 play Volpone, titled VolponeYangon, combining contemporary theatre techniques and Burmese traditions. Bond Street Theatre will complete the production and premiere it publicly in Yangon and Mandalay, which they had been unable to do previously due to potential political repercussions. The aim of the project is to a) help revitalize contemporary theatre in Myanmar, b) further Thukhuma Khayeethe's ability to create innovative theatre, and c) use theatre as a tool to promote awareness and dialogue around social and political issues.GALA Hispanic TheatreDirector Arellano Garcia, composer David Peralto, and choreographer Andoni Larrabeiti will travel to D.C. to conduct a workshop on classical Spanish theater, movement, and voice with GALA Hispanic Theatre (Washington, DC) company members and additional Latino artists. This project will bring together outstanding Spanish artists of diverse disciplines with Latino and non-Latino artists based in Washington, DC and New York City. The workshop will develop a new dramatic work based on the life and times of Miguel de Cervantes, author of Don Quixote. The new play, under the working title Cervantes: El último Quijote/The Last Quixote, will be developed in collaboration with Spanish playwright/director Jordi Casanovas and the artistic team. The play will examine the work and life of Cervantes, which will provide the Spanish collaborators the opportunity to work with Latino artists who are not familiar with the classical language and society of Cervantes's time but are able to bring distinctive perspectives to the work.Rebecca Chifuniro MwaseRebecca Mwase (New Orleans, LA) will travel to Accra, Ghana with members of the Vessels creative team—co-director, Ron Ragin, and designer, Jeffrey Becker—to work with David Quaye and members of the University of Ghana Legon Dance Department. In collaboration with performers from the University of Legon graduate and undergraduate programs, they will develop choreography, movement, and song for Vessels and envision how to further their international collaboration throughout the creation of the piece. Vessels is a seven-woman performance on a boat floating on the Mississippi River that explores song as the primary coping mechanism for enslaved African people during the Middle Passage. Utilizing songs and other spiritual technologies of the African diaspora, Vessels explores our ability to transform and transcend.Lilliam VegaCuban-born, U.S.-based theatre director Lilliam Vega (Miami, FL), in collaboration with director Flora Lauten, playwright Raquel Carrió of Teatro Buendía in Havana, and filmmaker Dinorah de Jesús Rodríguez, will develop a play with multimedia on the subject of gender violence in Latin America and among Latinas in the U.S. The residency will support research and development of the play, including the gathering of archival imagery and footage, as well as an initial staging of the work with actors from both companies. This work will be featured in the Festival of Latin American Women's Theater, and be presented and hosted by El Ingenio Teatro in Miami in Spring 2017.
Sarah Bishop-Stone, programming director, FringeArts, Philadelphia, PA; Evren Odcikin, director of marketing and new plays, Golden Thread Productions, San Francisco, CA; Kyoung H. Park, artistic director, Kyoung's Pacific Beat, Brooklyn, NY; and Lisa Portes, head of MFA Directing, The Theatre School at DePaul University.
Round 5 Cycle A Recipients: ON the ROAD
Boom Arts, Inc.Boom Arts, Inc. (Portland, OR), a presenter and producer of socially engaged global theatre, and ILBIJERRI Theatre Company, Australia's leading and longest-running Aboriginal and Torres Strait Islander theatre company, will engage in a two-part exploratory exchange. Through an artist talk in Portland by ILBIJERRI's core artists in February 2016, and a trip by Boom Arts' curator and producer to attend the world premiere of ILBIJERRI's newest work Blood on the Dance Floor in Melbourne in May 2016, Boom Arts and ILBIJERRI will begin to envision how ILBIJERRI might make an artistic and social impact in Portland.
Dell'Arte International Dell'Arte International's (Blue Lake, CA) founding artistic director Joan Schirle will collaborate with Norwegian/Danish sculptor Marit Benthe Norheim to conceive Life-Boats, a theatrical performance in/on/around three women-shaped ferro-concrete boats made by Norheim. The boats will be launched in Aarhus in June 2016 and will also be launched into European waterways in 2017 from Aarhus, the 2017 European Cultural Capital. Life-Boats is an international-sailing, social-participatory art project and the final project will involve women actors from the Americas (Mexico, Brazil, Canada, U.S.) in an international cultural exchange, celebrating rivers and artists as connectors of people and independent of borders.
Jason Lasky Jason Lasky (Shanghai, China) will establish a new collaborative relationship with the citizens, artists, and theatres of the city of Murmansk, Russia that will lead to the creation of a new play titled 40 Days of Night. In the first phase of the 40 Days of Night project, Lasky will engage in interviews, Q&A sessions, cultural visits, and workshop exchanges. His goal is to jointly create a full production of the play in Murmansk to mark the city's 100th anniversary that he will present in the United States as a means of furthering the cultural exchange.
Tricklock CompanyTricklock Company's (Albuquerque, NM) artistic director Juli Hendren, along with four Tricklock Company members, will travel to Bogotá, Colombia to begin work on a new collaborative performance with Colombian clown master Luis "Lucho" Guzman Cardozo. In addition to working on this new piece, Tricklock members will meet with artists from PortalEscena, a collective of Colombian artists, in an effort to create stronger relationships between Tricklock and Colombian artists. Tricklock will also attend performances at the Ibero-American Theater Festival of Bogotá to meet with producers to further the connection between South American theatre artists, Tricklock Company, and their Revolutions International Theatre Festival.
IN the LABLatinos ProgresandoLatinos Progresando's theatre, Teatro Americano (Chicago, IL), will collaborate with OPEN Center for the Arts and Teatro La Capilla with the goal that Teatro Americano will be able to learn fundamentals of contemporary Mexican theatre to incorporate into its programming. Members of Teatro Americano will travel to Mexico City, Mexico, where Teatro La Capilla has been promoting contemporary Mexican theatre for over 60 years. Teaching artists from Teatro La Capilla will host the group for one week and provide contemporary Mexican theatre workshops, from which Teatro Americano and OPEN artists will learn components to be incorporated into a performance piece that tours Chicago.
Sage Lewis Border Labs is a performance and social exchange between artists, small organizations, and audiences in Los Angeles and Tijuana. The collaborators of this program, including Sage Lewis (Los Angeles, CA), will produce a second series of Labs in both cities that expands upon their pilot exchange launched in January 2015. During the weekends of February 12-14 and 19-21, artists will travel to each city, share work and conversation about performance, collaborate in a "portal" between cities, and see local performance. Through home stays and shared meals, Border Labs sets a personal tone for exchange between Los Angeles and Tijuana's thriving experimental performance scenes, and their political, social, and cultural context.
Mabou Mines Mabou Mines (New York, NY) artistic director Terry O'Reilly (易光海) will engage in a six week residency in Taiwan in the development of his play My Sunshine Book at the Bamboo Curtain Studio in cooperation Taipei Artist Village and Treasure Hill (TAV/TH). The piece originated during a three-month artist residency at TAV/TH with the assistance of the Asian Cultural Council in Taipei, and continued during O'Reilly's 2014-2015 Fulbright in Taiwan. This will be the second phase of the development of the piece in Taiwan with Taiwanese artists and is supported by the Asian Cultural Council in New York. Their work will include intensive rehearsals with a focus on the interplay of the full-scale projection of miniature puppetry with physical performance.
Machine Project Machine Project (Los Angeles, CA) and founder Mark Allen will host a 10-day intensive collaborative script writing workshop with collaborators Jon Rubin and Sazmanab, an independent non-profit art space in Tehran, Iran. Their work will encompass research and formulation of the script for The Sitcom, a transnational theatrical project using the form of a domestic comedy to investigate the cultural misrepresentations that characterize current U.S. relations with Iran.
James Haskins, managing director, The Wilma Theater, Philadelphia, PA; Erwin Maas, director, teacher, and international performing arts advocate, West New York, NJ; and Joanna Ruf, managing director, The Laboratory for Global Performance and Politics, Georgetown University.
Round 4 Cycle B Recipients: ON the ROAD
Chinese Theatre Works Chinese Theatre Works, (Long Island City, NY) company members will meet with members of the Yangzhou Puppet Theater in Yangzhou, China (one of the foremost puppet theaters in China) for two weeks beginning in early July 2015. The purpose of the meetings are: to establish long-term personal and working relationships between the artistic staffs of both companies that will further their missions and artistic capacities in both China and the U.S.; to discuss and lay the groundwork for future collaborative projects; and trade technical knowledge and skill sets.
Imagination StageImagination Stage (Bethesda, MD) artists will foster a relationship with Barcelona's Mons Dansa to explore new possibilities for visual theatre and movement in Theatre for the Very Young (TVY) productions. Mons Dansa is an expert in highly imaginative movement-based work for audiences 1-5 and incorporates innovative and fun production elements into its work. Imagination Stage will share their experiences in story-telling and building an interactive experience, as well as knowledge of the early childhood audience. Through the exchange with Mons Dansa, they hope to strengthen and grow their TVY offerings.
Jeremy Kamps Playwright Jeremy Kamps (Brooklyn, NY) will co-facilitate a drama workshop with Kenyan theatre artists for women who work at "flower farms" in Naivasha, Kenya as a way to collaborate across cultures. Secondarily, this will be research through experience for a play he is writing about the life of a rose. The play will follow a rose from the woman who picks it, to the pilots who transport it, to the storeowners who sell it and the person who receives it. While the drama workshop is research, its primary purpose is to be a full, cross-cultural experience unto itself.
Kyoung H. Park Playwright and director Kyoung H. Park (Brooklyn, NY) will travel to Santiago, Chile for an artistic residency at the Centre Gabriela Mistral, GAM, to write and direct a workshop of K-ONDA Hamlet, a new performance piece about a group of young performers who occupied GAM's public squares to dance choreographies inspired by Korean pop music. With support from GAM's Artistic Director, Javier Ibacache, Kyoung's Pacific Beat's TALA will also be discussed in a public forum in the context of GAM's current season, which celebrates the 70th Anniversary of Gabriela Mistral's Nobel Prize awarding, and lay the groundwork for TALA's Chilean premiere at GAM in 2016
Riti Sachdeva Riti Sachdeva (Brooklyn, NY), author of the stage play Other Farmers' Fields, will collaborate with kathakali dance theatre interpreter and practitioners, Viswanath Kaladharan and Shanmukhan Kalamandalam, to start the process of adapting Other Farmers' Fields (OFF) to kathakali form. She will travel to Kerala, India for a five-week intensive collaboration to interpret her script into kathakali context and build a movement vocabulary for each character and scene. This would be the beginning stage of a multi-stage process of adapting the text, training U.S. based actors, and producing OFF as a hybrid western stage play/ kathakali drama.
Indika SenanayakeIndika Senanayake (New York, NY) plans to travel to Colombo, Sri Lanka with the acclaimed Chilean playwright and director Guillermo Calderón. They will collaborate with artists in Sri Lanka on a production of Villa, his play in which three women reckon with the legacy of a notorious Pinochet-era torture site. Guillermo will direct the production, and Indika will act and co-produce, initiating an artistic conversation between theatre-makers from these two countries with strongly resonant experiences of national trauma on opposite ends of the world.
IN the LABCalArts Center for New Performance CalArts Center for New Performance's (Valencia, CA) conceiver Marissa Chibas and Mexico City-based director, Martín Acosta, in collaboration with a team of artists and community groups will develop a mobile theatrical event to promote discourse on the stories of Central American refugee children crossing the U.S.-Mexico border and entering the U.S. detention and deportation system. Designed to be performed in Spanish and English on site in communities impacted by and implicated in the border crisis, the grant will support a four-week workshop of SHELTER, a theatrical performance and multimedia documentary.
Tom Lee Director/designer Tom Lee and collaborator Josh Rice (New York, NY) will travel to Hachioji, Japan, to work with fifth generation master of the Japanese traditional puppet form Kuruma Ningyo (cart puppetry), Koryu Nishikawa, on a workshop of Shank's Mare, a collaborative theatre production that will premiere in New York in November 2015. Rehearsals and training focused on the visual storytelling of this puppet theatre piece will culminate in a work in progress showing at Koryu Nishikawa's studio. The artists will experiment with contemporary and traditional puppetry techniques to devise new modes of performance that take those traditions into the future
Gerard StropnickyGerard Stropnicky (Danville, PA) will return to Kampala, Uganda and to remote Alebtong District to story-gather and workshop with independent producer Albert Mubiro and Okweny George Ongom of A River Blue. They will collaborate to bring professional Kampala-based actors together with Lango individuals toward an original story-play, Langi Stories, designed to communicate the lives, the joys and the profound challenges faced by the people of Alebtong District to others in Uganda and beyond. The work will combine traditional music and dance with applied story form techniques Stropnicky has refined in successful, change-bringing community story plays in rural America.
ON the STAGEAquila Theatre Company Aquila Theatre Company (New York, NY) will present a production of A Female Philoctetes, based on Sophocles' Philoctetes, with a cast of actors and military veterans at the Michael Cacoyannis Foundation's Cultural Centre in Athens, Greece. As part of the series of performances, Aquila will hold workshops in partnership with Athens-based theater company, Synergy-O, for a refugee theater project entitled We are the Persians! Workshops will include recent refugees from Afghanistan, Syria, and Pakistan who performed in We are the Persians! Working together with recent military veterans and artists to explore what these stories mean to them today.
The Public TheaterThe Public Theater (New York, NY) will present Escuela, a production of Fundación Teatro a Mil (Chile) written and directed by Guillermo Calderón, at the Under the Radar (UTR) Festival 2016. Support from TCG will enable a contemporary Latin American work from Santiago, Chile to participate in a high-profile festival that showcases national and international productions.
Repertorio EspañolRepertorio Español (Spanish Theatre Repertory Company, Ltd) (New York, NY) will participate in the Festival Internacional de Artes Escénicas "Escenarios del Mundo" (The International Performing Arts Festival "Stages of the World") in Cuenca, Ecuador, presenting its production of Federico García Lorca's The Shoemaker's Prodigious Wife. In its 9th edition, the Festival attracts theatre companies from Europe and Latin America. Repertorio's participation will represent the first U.S. Latino theatre taking part in the festival.
Theater Breaking through Barriers Theater Breaking through Barriers (TBTB) (New York, NY) will present an unpublished full-length theatrical work, The Granduncle Quadrilogy: Tales from the Land of Ice, at the 9th bi-annual Blind in Theater (BIT) Festival held every two years in Zagreb, Croatia. In addition to presenting their work to an audience of Croatians and blind theater artists from around the world, TBTB will experience the artistic work of other blind theater companies from other countries, and participate in workshops and seminars to collaborate and problem-solve ways to promote the work of disabled theater artists around the world.
Yale Repertory Theatre Yale Repertory Theatre (New Haven, CT) will present Refuse the Hour by William Kentridge on November 6-7, 2015 with Philip Miller, Dada Masilo, Catherine Meyburgh, and Peter Galison. In this multimedia chamber opera, renowned South African artist William Kentridge joins forces with a composer, a choreographer, a video designer, and a physicist to deliver an astonishing collision of art and performance. Sharing the stage with a menagerie of strange machines of his own invention, along with singers, dancers, and musicians, Kentridge conjures a stunning and profound exploration of the nature of time. Yale Rep's No Boundaries series explores the frontiers of theatrical invention through cutting edge, thought provoking performance from around the world.
Juli Hendren, Artistic Director, Tricklock Company, (Albuquerque, NM); Peter Howard, Founding Ensemble Member, Cornerstone Theater Company, (Los Angeles, CA); Manda Martin, Producing Director, The TEAM, (Brooklyn, NY); Emily Mendelsohn, Director, (Brooklyn, NY); and Meghan Pressman, Managing Director, Woolly Mammoth, (Washington, DC).
Round 4 Cycle A Recipients: ON the ROAD
César AlvarezCésar Alvarez (Yonkers, NY) will engage in a new collaborative process with Danish artist and game designer Nina Runa Essendrop. They will create a new participatory theatre work that combines her interest in physical interaction and sensory play with César's interest in musical and theatrical storytelling. At the end of this process they will develop a hybrid participatory theatre work that fuses progressive Live-Action Role Play (LARP) design and American experimental musical theatre.
ARTFARMARTFARM's (Middletown, CT) artistic leaders, Dic Wheeler and Marcella Trowbridge, will travel to Sri Lanka and work with Sri Lankan artists Ruhanie Perera and Jake Oorloff of Floating Space Theater, observing and sharing strategies for new work development and workshopping and creating original performance works with underserved and stressed populations utilizing physical theatre techniques, circus disciplines and traditional sound and music pathways. Marcella and Dic will also participate in the Inter Act Arts Colombo International Theater Festival as U.S. theatre artist representatives.
Kathleen DoyleKathleen Doyle (New York, NY) will travel to Hanoi, Vietnam and meet Mr. Hoang Tuan Nguyen, artistic director of the Thang Long National Water Puppet Theater and a living master of the ancient tradition of water puppetry. In preparation for designing and directing her own water puppet theater event, she will meet with Mr. Nguyen and observe his work from behind the scenes and meet the puppeteers and craftsmen who carve and lacquer the puppets. She will also bring her puppets to show him. Doyle's goal is to discover how these Vietnamese artists make theatre magic using just basic materials in pools of water that were originally flooded rice paddies.
Tracy Cameron FrancisTracy Cameron Francis (Brooklyn, NY), a theatre director, will travel to Beirut to meet acclaimed exiled Syrian playwright Mohammad Al-Attar in anticipation of her opportunity to direct Al-Attar's play in translation, A Chance Encounter, as part of a Boom Arts program in Portland, Oregon in April 2015. Through this initial visit, Francis seeks to allow conversations with Al-Attar to inform her interpretation of his play, and hopes to begin building an artistic relationship with the playwright towards possible future collaborations.
Sage LewisSage Lewis (Los Angeles, CA) will engage in a performance and social exchange between Estación Teatro (Tijuana) and Automata (Los Angeles) called Border Labs | Laboratorios Fronterizos. He will initiate a pilot for a two-year project of micro-festivals connecting small experimental arts organizations in both cities. Over January 15-18, artists and representatives from both organizations will travel to and spend a day in each respective city, sharing work and conversation about performance. Through home stays and shared meals, Border Labs sets a personal tone for exchange between Los Angeles and Tijuana's thriving experimental performance scenes, and their political, social, and cultural context.
Julie RadaJulie Rada (Salt Lake City, UT) and Serbian theatre/film artist, Saša Perić, will construct/reconstruct performances, hold salons and pop-up happenings, and conduct research into the art movement known as Zenitism, in order to reawaken conversation about this vibrant moment in art history which has been lost to time. Like the Beat poets, Zenit artists traveled through the former Yugoslavia and Julie and Sasa will do the same; tracing through the Balkans by road trip, staging performances, performing interviews, and cultivating future collaborative relationships with artists along the way. Throughout, they will develop a vocabulary that, like Belgrade, will stand where two rivers meet.
IN the LAB
Oana BotezOana Botez (New York, NY), a costume and set designer, and her artistic team will travel to Romania for research and filming of Km. 0 (Kilometer 0)—a site-specific, community-based performance installation being developed by U.S. and Romanian-based artists that will have its world premiere in Bucharest in summer 2016. Conceived, created and directed by Oana Botez, Km.0 will examine what it means to be Romanian today, and will build partnerships between artists in the U.S. and Europe who will use theatre to examine oppression, racism, displacement and corruption, and the fight to define one's own identity after existing in a cultural void.
Rebekah Maggor Playwrights Hany Abdel Naser and Yasmeen Emam (Shaghaf) will come to Boston for a collaborative workshop with director Rebekah Maggor (Cambridge, MA) to adapt two recent Egyptian monodramas for the American stage. In The Mirror and They Say Dancing is a Sin a teenage girl and a belly dancer offer grassroots perspectives on how stigma and poverty stifle women's voices. The week-long workshop, hosted by the Huntington Theatre Company in collaboration with Boston Playwrights' Theatre, is part of a larger project, Voices of Protest: World Drama in Translation, to translate and adapt international drama for the American stage.
Ping Chong + CompanyPing Chong + Company's (New York, NY) Ping Chong, Sara Zatz and Bruce Allardice will travel to Toronto for a 6-day developmental workshop for PUSH: real athletes, real sports, real stories. PUSH is an oral history theater project exploring the intersections of sports and disability, featuring six Paralympic athletes. It is scheduled to premiere during the 2015 ParaPanAmerican Games in Toronto. Residency activities will include the first script reading with the cast, as well as artistic development on video projection and original music scores with designer Murray Siple and composer/musician Luis Orbegoso, and opportunities for community outreach.
Jessica L. Andrews, managing director emeritus, Arizona Theatre Company (Tucson, AZ); David Lozano, executive artistic director, Cara Mía Theatre Co. (Dallas, TX); Raphael Martin, director of new work & FEED Humanities Program, Soho Rep (New York, NY); Michelle Preston, executive director, SITI Company (New York, NY); and Anna Vigeland, artist (Amherst, MA).
Round 3 Cycle B Recipients: ON the ROAD
Park CofieldPark Cofield (Los Angeles, CA) will work toward the development of a community-based theatre project in Finland and the U.S. inspired by ancestral histories, Finnish pauper statues and conversations with Finnish painter, Antti Ojala and puppetry scholar, Katriina Andrianov.
CarlosAlexis CruzCarlosAlexis Cruz (Charlotte, NC) will travel to Mexico City to engage in an artistic collaboration with Laboratorio de la Máscara to explore the theme of immigration utilizing traditional physical theatre techniques, folklore masks and contemporary circus disciplines.
Forklift DanceworksForklift Danceworks' (Austin, TX) Artistic Director, Allison Orr, and composer, Graham Reynolds, will travel to Kyoto, Japan in August 2014 to collaborate with Hyslom Theater Group and the Kyoto Art Center, supporting the creation of a new work entitled Play Ball Kyoto, featuring baseball players from Japan Women's Baseball League.
Marc Bamuthi JosephMarc Bamuthi Joseph (Oakland, CA) will travel to South Africa to meet practitioners in theatre, dance, hip hop and performance art as a critical part of his research for a new play "/peh-lo-tah/" which will premiere in 2016.
Ricardo KhanRicardo Khan (Hoboken, NJ) will establish a new global theatre community for writers and directors of color and will develop links with a new generation of arts leaders between London, Johannesburg and Harlem, New York.
Theater GrottescoTheater Grottesco's (Santa Fe, NM) artistic director, John Flax, will deepen a relationship with Gonzalo Carreño by embarking on studio time performing and teaching in rural Colombia. The experience will serve as a stepping stone towards a collaborative piece about translators and translation.
IN the LAB7 Stages7 Stages (Atlanta, GA) and Belgrade's DAH Theatar will complete their third collaboration together—a new theatre production, Blue Planet, exploring the mystery of resilience and beauty after disaster.
Terry GallowayTerry Galloway (Tallahassee, FL) will spend three weeks in residence at Liverpool's DaDaFest working with an international cast of disabled actresses to finish her musical, The Ugly Girl: A Tragedy in Burlesque, which tells the story of a queer disabled female adrift in a comically hostile universe.
Emily MendelsohnEmily Mendelsohn (Brooklyn, NY) and an ensemble of three Ugandan performers—Tonny Muwangala, Esther Tebandeke, and Allen Kagusuru—will collaborate with ArtSpot Productions in New Orleans to advance their cross-cultural vocabulary as they finish development of Erik Ehn's Maria Kizito.
Sandglass Center for Puppetry and Theater ResearchSandglass Center for Puppetry and Theater Research (Putney, VT) and Teatro Luis Poma of San Salvador are collaborating on G.E.Lessing's 18th Century play, Nathan the Wise, deconstructed to become a vehicle for puppets and actors in order to give focus to the issues of religious and cultural tolerance.
Megan Campisi, Co-Artistic Director, Gold No Trade, New York, NY; Michelle Coe, Director of Booking, MAPP International Productions, New York, NY; Karen Malpede, Playwright, Co-Founder, Theater Three Collaborative , Brooklyn, NY; Jorge Merced, Associate Artistic Director, Pregones Theater, New York, NY; Pennie Ojeda, Consultant, International Cultural Exchange, Washington, DC.
Round 3 Cycle A Recipients: ON the ROAD
Alexander Borinsky (Brooklyn, NY) will collaborate with theatre-makers Rahel Zegeye and Daniel Balabane in partnership with Masrah Ensemble in Beirut, Lebanon to reimagine both his American monodrama Baltimore and Ethiopian playwright Tesegaye Gebre-Medhin's Tomorrow's Man, resulting in new translations into Arabic, Amharic and English.
Anisa George Anisa George (Philadelphia, PA), the artistic director of Penn Dixie Productions, will forge a new relationship between herself and Lindalinda (Buenos Aires, Argentina) through the creation of a new work, and widen her understanding of and collaboration with the broader Argentine theatre community.
Hartford Stage Hartford Stage's (Hartford, CT) Elizabeth Williamson, senior dramaturg and director of new play development, will travel to Tallinn, Estonia to meet with the artists at Teater NO99 and pave the way for future collaboration.
Interact Center for the Visual & Performing Arts Interact Center for the Visual & Performing Arts (Minneapolis, MN), whose Twin Cities home embraces one of the largest Hmong communities in North America, will travel to Hmong Hill Tribes of Chiang Mai Province in Northern Thailand to research stories, music and ceremonies towards the development of a multi-disciplinary, dual-continent, original theater event.
The Playwrights' Center The Playwrights' Center's (Minneapolis, MN) producing artistic director, Jeremy Cohen, will travel to Australia to build relationships with play development, training, and producing organizations towards the creation of a multi-faceted U.S./Australian playwright exchange.
Théâtre du RêveThéâtre du Rêve (Atlanta, GA) will bring Béleck Georges of Haiti to Atlanta, GA to create a dialogue with young artists and Atlanta-based professionals in a five-day workshop, exploring their artistic and socio-political voices.
Anna Vigeland Anna Vigeland (Amherst, MA) and Peter Balov of Quebec, Canada will travel to Sofia, Bulgaria in preparation for a collaborative cross-disciplinary theatre production with the Red House Centre for Culture and Debate, uniting Bulgarian, U.S. and Canadian artists.
Bond Street Theatre (New York, NY) will continue their collaboration with Thukhuma Khayeethe Theater of Myanmar on a contemporary production of Ben Johnson's Volpone adapted to reflect current political and social realities, now beginning the next phase of the creative process, including set and costume preparation, rehearsals, music and choreography.
Dell'Arte International Dell'Arte International (Blue Lake, CA) will bring French director/designer Alain Schons to the U.S. to collaborate with company members Joan Schirle and Laura Muñoz on research and development of Elisabeth's Book leading to completion of a script.
The TEAMThe TEAM (Brooklyn, NY) will collaborate with the National Theatre of Scotland on a new work exploring the political legacy of the Scottish Enlightenment on both modern American politics and the pending referendum on Scottish Independence.
Suzanne Appel, managing director, The Cutting Ball Theater (San Francisco, CA); Seth Bockley, playwright and director (Chicago, IL); John Flax, producing artistic director, Theater Grottesco (Santa Fe, NM); Terry Greiss, executive director, ensemble actor and co-founder, Irondale Ensemble Project (Brooklyn, NY); and Lauren Ignaut, director of studio programming, Guthrie Theater (Minneapolis, MN).
Round 2 Cycle B Recipients: ON the ROAD
Megan Campisi (Brooklyn, NY) and director Michael Leibenluft will bring The Subtle Body, a historical fiction set in China and written in both Mandarin and English, to Caotaiban Theater Company in Shanghai, China in an experiment of multilingual theatrical work across cultures.
Paula Cizmar (Cambria, CA) will travel to The Hague and the Balkans to meet with experts working to fight human trafficking for the purpose of writing a play combining documentary elements with fictional stories. She will consult with theatre artists in Skopje and Sarajevo on the unique ways they craft political theatre for their audiences.
Deaf West Theatre's (North Hollywood, CA) artistic director, David Kurs, will travel to Reims, France to attend the Festival Clin d'Oeil, the leading sign language arts festival in Europe, and begin the collaborative process of a joint production with Teater Manu of Oslo, Norway.
Mashuq Deen (Brooklyn, NY) will travel with Meetu Chilana and Rita Suri to Amritsar, Chandigarh and Delhi, India to work with Roopak Kala and Welfare Society, a theatre troupe and social activist organization, on the development of a work about the anti-Sikh riots in 1984 and to engage in dialogue with those most affected by the massacre.
Gülgün Kayim (Minneapolis, MN) will engage in a cultural exchange with members of Rooftop Theatre Group, a Greek Cypriot company based in Nicosia, and the Nicosia Turkish Municipal Theatre to explore how theatre can help heal wounds caused by social and political strife, specifically in the context of Greek and Turkish communities separated by a demilitarized zone in Cyprus.
Aaron Landsman Aaron Landsman (Urbana, IL) and director Mallory Catlett will travel to London to start work on a U.K. version of City Council Meeting with Liverpool-based artist Joann Kushner.
Pig Iron Theatre Company's (Philadelphia, PA) co-artistic director, Quinn Bauriedel, will travel to Bangkok, Thailand to collaborate with Arts on Location, an arts consortium that brings together global theatre practitioners for artistic and cultural exchange.
Tricklock Company Tricklock Company's (Albuquerque, NM) co-artistic director, Juli Hendren, and writer and performer, Elsa Menéndez, will travel to Kampala, Uganda to collaborate with Ndere Troupe on a new devised work inspired by the life and death of an African explorer.
Borderlands Theater (Tucson, AZ) will create a transnational project called Una Frontera: Dos Lados (One Border: Two Sides) with El Círculo Teatral in Mexico City and the theatre service organization CEUVOZ. This project will support the co-production of two commissioned plays and identify artists in Mexico to participate in the first bi-annual Border Performance Encuentro (Festival) in Tucson.
Laura Tesman (Brooklyn, NY) of WorldWideLab (WWL), an international director collective, will bring together 12 directors from Israel, Germany, Greece, Italy, Canada, India and Taiwan to collaborate on new projects for WWL's first public festival at Irondale Center.
Theater Breaking Through Barriers (New York, NY) will present Waiting for Godot at the Blind in Theatre: International Theatre Festival of the Blind and Visually Impaired in Zagreb, Croatia, directed by a visually-impaired artist with two blind actors in the roles of Estragon and Vladimir.
Elizabeth Bradley, arts professor, Tisch School for the Arts—Department of Drama, New York University (New York, NY); J. J. El-Far, arts program coordinator, British Council (New York, NY); Rachel Fink, director of the School of Theatre, Berkeley Repertory Theatre (Berkeley, CA); Morgan Jenness, creative consultant, Abrams Artists Agency (New York, NY); Max Leventhal, general manager, Alliance Theatre (Atlanta, GA); Sabrina Hamilton, artistic director/resident lighting designer, Ko Festival of Performance (Amherst, MA); and Richard Hopkins, artistic director, Florida Studio Theatre (Sarasota, FL).
Round 2 Cycle A Recipients: ON the ROAD
About Face Theatre (Chicago, IL) will travel to Buddies in Bad Times Theatre (Toronto, ON) to form the first international queer youth theatre exchange; and to create a work that explores larger LGBTQ issues at an international level within the North American community.
Ensemble Studio Theatre (New York, NY) will host director Pedro Salazar (Bogotá, Colombia) to work with playwright Saviana Stanescu on a play with music about a young Roma girl who is trafficked to the U.S. through France, Columbia and Mexico.
Corey Fischer (Kentfield, CA) will travel to China to discuss future collaborations with director/playwright Stan Lai (Beijing, China) on topics ranging from Chinese and Jewish Diasporas to the similarities and differences between nomadic and land-centered identities and cultures.
National New Play Network (Washington, DC) alumni playwrights Carson Kreitzer and Steve Yockey, along with NNPN vice president Seth Rozin, will travel to Australia's National Play Festival where the writers' plays will be presented in staged readings as a pilot playwright exchange.
Signature Theatre (New York, NY) and its Residency One Playwright, David Henry Hwang, will partner with the Lark Play Development Center on the Contemporary Chinese Playwriting Series, hosting Candace Chong (Hong Kong), Wei-Jan Chi (Taiwan), Nick Yu (Shanghai ) and Meng Jinghui (Beijing) for a week of developing and reading new plays in translation.
Tamilla Woodard (Brooklyn, NY) of PopUp Theatrics will travel to Spain to work with Cross Border's Lucia Rodriguez Miranda (Valladolid, Spain) and playwright/director Darío Facal (Madrid, Spain) to initiate an international site specific collaboration inspired by hotel rooms and presented to one audience member at a time.
Bond Street Theatre (New York, NY) will travel to Myanmar to complete a dual-language, contemporary-setting production of Ben Johnson's Volpone with Thukhuma Khayeethe (Yangon), as well as set up a South-Asian tour of the production.
Chicago Shakespeare Theater (Chicago, IL) will host artist collective "one step at a time like this" (Melbourne, Australia) to deepen their partnership by collaborating on a site-based, mobile technology-enhanced production of Shakespeare's Measure for Measure.
The Civilians (Brooklyn, NY) will meet with composer Héctor Buitrago (Bogotá, Colombia) and playwright José Rivera (New York, NY) in Chicago to workshop a first draft of Rivera's new play Bogotá Prison Pageant, with music by Buitrago. The play will be written in English and Spanish, and directed by The Civilians' Steve Cosson.
Lane Czaplinski, artistic director, On the Boards (Seattle, WA); Mario Garcia Durham, president and chief executive officer, Association of Performing Arts Presenters (Washington, DC); Victor Maog, artistic director, Second Generation (2g) (New York, NY); Adam Fristoe, co- artistic director, Out of Hand Theater (Atlanta, GA); Mara Isaacs, producing director, McCarter Theatre Center (Princeton, NJ); Katy Rubin, artistic director, Theater of the Oppressed (New York, NY); Lauren Weigel, executive producer, The Play Company (New York, NY); Preston Whiteway, executive director, Eugene O'Neill Theater Center (Waterford, CT).
Round 1 Cycle B Recipients: ON the ROAD Mia Chung
Mia Chung (Providence, RI) collaborated with musical theatre artist Yong Jin Song in Seoul, South Korea to create a bilingual, modern pansori, (the traditional Korean art form of solo opera) about Korea's complicated love affair with the English language.
Dan O'Brien (Santa Monica, CA) met withwar journalist Paul Watson in Vancouver to continue his work on a play about Afghanistan's first English-language school in the 1990s for the children of the Taliban.
Katy Rubin (New York City) exchanged practices with Cardboard Citizens and Mind the Gap, two British theatres that work with homeless and learning-disabled actors, respectively, to enhance her directing work with those communities in New York.
Kate Sutton-Johnson (Minneapolis, MN) traveled to Congo Brazzaville and collaborated with American, British, Bantu and Pygmy artists using sustainable materials from urban and rain forest areas to create the set and visual elements of a theatre piece.
Carmen C. Wong (Washington, DC) continued research and documentation with Finish collaborators and food designers in Helsinki, Finland to create a culturally-specific experiential food-and-performance hybrid.
San Francisco International Arts Festival (San Francisco) partnered with Erika Chong Shuch and traveled to South Korea to build a collaborative team for the creation of a new multidisciplinary work inspired by stories about the sociopolitical situation in North Korea.
Liza Bielby (Detroit, MI) led a month-long training exchange between U.S. physical theatre artists and xiqu artists in Shanghai, China, that culminated in a workshop performance merging xiqu with American vaudeville.
Denise Maroney (New York City) workshopped an environmental play with Lucien Bourjeily and other Lebanese artists, for their productions in fishing enclaves along their country's coast.
Quest: Arts for Everyone (Lanham, MD) hosted deaf and hearing actors from FTH:K, Cape Town, South Africa, and created an original visual theatre piece for touring in the U.S. and South Africa.
Theater Three Collaborative, Inc. (Brooklyn, NY) collaborated with National Theater of Kosovo (Pristina, Kosovo) on two new plays from two cultural perspectives on the 9/11 attacks and aftermath.
Tricklock Company (Albuquerque, NM) traveled to Dah Theatre (Belgrade, Serbia) and Teatr Figur Krakow (Krakow, Poland) and began work for future collaborations and met companies to invite to Revolutions International Theatre Festivals 2012 and 2013.
Woolly Mammoth Theatre Company (Washington, DC) attended the Golden Mask Festival (Moscow, Russia). They engaged with Russian artists for help in the creation of a prototype rehearsal and production model that incorporates the insights learned.
Seth Bockley and Devon de Mayo (Chicago, IL) developed an original performance exploring the topic of violence with clown artist Artus Chavez (Mexico City, Mexico).
Through interviews with Swedish Americans and Swedes, Rebecca Gilman (Chicago, IL) created a documentary play with Sven Benidktusson (Gothenburg, Sweden) set during the celebrations of the Karl Oskar days in Minnesota and Vaxjo, Sweden.
Richard Nelson (Rhinebeck, NY) collaborated with Richard Pevear and Larissa Volokhonsky (Paris, France) on a series of new translations of major Russian plays.
Interact Center for the Visual & Performing Arts (Minneapolis, MN) continued researching and developing "We Are All Africans" - an international, trans-media, multi-platform project by a team of American, British, Bantu and Pygmy artists (Pointe-Noire, Republic of Congo).
Out of Hand Theater (Atlanta, GA) collaborated again with site-specific theatre The Lunatics (Utrecht, Netherlands) and brought the company to Atlanta to develop Group Intelligence, an interactive outdoor theatre event about origins of life chemistry and water sustainability.
Erik Ehn (Providence, RI) presented and expanded the third annual Centre x Centre Theatre festival (Kigali, Rwanda), which included workshops and performances from around the world, co-produced with local artists. Erik's hope is to expand the festival to include Kampala, Uganda where he and his collaborators have a long-term relationship with the National Theater and Ugandan theatre professionals.


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- Neighbor to Neighbor by Doris Bialas.
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Universal Church of Freedom Acceptance.
Pastor Pop-Pop January 2011 -- Volume 3, #1. Subject: Co-Dependant. Bible verses: Psalm 121, vs. 2: My help comes from the Lord, the Maker of heaven and earth.
Pastor Pop Pop ----- Volume 3, #17. Message: Subject: The Battle New Century Version (NCV) Ephesians 6:12 Our fight is not against people on earth but against the
I love a cancer man, how do i get him to love me back i m aquarian
I love a cancer man, how do i get him to love me back i m aquarian
Pastor Pop Pop - Pastor Pop-Pop January.
How to Make Any Man Fall in Love with You. If you are anything like me, you've been head over heels crazy for a man who seemed to "like" you.
Cancer Woman and Aquarius Man Love.
Pastor Pop Pop - Volume 3: 17-27 ...
Neighbor to Neighbor
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Ken's Reverendisms. In the interest of trying to do things better I want to start a blog page. So instead of adding more to this page where no one can respond to my


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- Success StoriesArroyo Commons, a twelve-unit campus housing project in Livermore, was built in 1998 by AID Employment for people with developmental disabilities and very low incomes. Prior to construction, Green Building in Alameda County selected Arroyo Commons as a Resourceful Building Demonstration Project.Read More
- Success Stories
- Reports
This PDF contains current rate information for the following services:
- Solid Waste and Recycling Services Offered in Basic Rate Package
- Monthly Rates for Residential Solid Waste/Recycling/Plant Debris/Bulky Clean Up
- Rates for Commercial Solid Waste/Recycling/Plant Debris/Bulky Clean Up
(updated 9-13-18)Read More
- Policies
Each school district in Alameda County contracts for their own garbage and recycling collection service and provides their own classroom recycling bin. StopWaste.Org's irecycle@school program provides the educational program support and indoor classroom signage material to support student's understanding and practice of the 4Rs.Read More
- Reports
- Success Stories
Kaiser Permanente Livermore Medical Offices are part of Diablo Service Area, employ a staff of 150 and serve 50,000 patients. The facility has been separating landscape plant debris for composting since 2010. In March 2013, they expanded the collection of compostables to include paper towel waste, and started recycling of non-confidential paper, cardboard and recyclable containers.Read More
- News | 03/14/2014
At its annual Business Efficiency Awards ceremony, StopWaste honored twelve companies from around Alameda County for their outstanding achievements in waste reduction and efficiency.Read More
- Policies
- Throughout the nation, local and state transportation departments have approved for use high quality road and highway products made with recycled materials. These agencies are purchasing a variety of products, including recycled content traffic cones, traffic barricades, channelizers, delineators, parking stops, sound barriers, object markers, reflective glass beads and much more.Read More


text: Patrick Agnew, DPM, attended the Pennsylvania College of Podiatric Medicine where he earned four research awards and the clinical award for the highest degree of clinical proficiency in the class. He served as vice president of the class. Dr. Agnew served a Podiatric Surgical residency directed by Dr. James Ganley, how was widely considered leading authority in pediatric podiatry. Dr. Agnew has been board certified in Foot and ankle surgery since 1990. He was trained in microvascular surgery at the Uniformed Services University of Health Sciences. Dr. Agnew's memberships include: Advisory panel of the Ehlers-Danlos National Foundation, the American Podiatric Medical Association, the Virginia Podiatric Medical Association, the Hampton Roads Podiatric Medical Society, and the Association of Military Surgeons of the United States. He is a past president of the American College of Foot and Ankle Pediatrics and the Hampton Roads Podiatric Medical Society. He is a Fellow of the American College of Foot and Ankle Surgeons. Academic appointments include: Adjunct faculty Temple University School of Podiatric Medicine, he is the founder and director of the Eastern Virginia Medical School Podiatric Medicine and Surgery Residencies. Dr. Agnew is the pediatrics section editor of the Journal of Foot and Ankle Surgery. He is a manuscript reviewer for the journal of the Association of Military Surgeons of the United States, Military Medicine. He also, is the pediatrics editor of the newsletter of the Virginia Podiatric Medical Association, Footnotes. Dr. Agnew is a Captain in the Unites States Naval Reserve, retired. He was decorated for service during Operation Desert Shield/Storm and served on active duty in the International War on Terror in support of Operation Enduring Freedom. Hobbies include: Surfing, Korean Karate, SCUBA, and Snowboarding.


text: I'm on the market for photo-printers but I have 2 questions.. I have a desktop PC and a surecom wireless router for wireless connection, but after I'll buy the printer, I'll connect it to my airport express from its usb port, so that me and mom can print stuff from our powerbooks.. Does the printer require mac-compatibility for this kind of networking? secondly, I liked the Canon's Pixma iP4000 (since I have a Canon PowerShot S50, I prefer Canon-branded printers because of direct connecting the devices) but I read that it has problems in networking with macs, any iP4000 user friend here, that can tell us if it is true or not??? I may go with iP5000 too, which one would you recommend??? Thanks in advance..


text: "My husband John and I have been following Tania's recommendations in her wonderful book The Ageless Diet for a couple of months now. Her upbeat, positive manner has helped us go sugar-free, and we're enjoying much better health already! We love the quotes at the beginning of each chapter, especially Chapter 21: Live Exuberantly Not Moderately. 'You are a perishable item, live accordingly.' We would highly encourage others to buy the book, go shopping, and enjoy the yummy recipes. It is worth the effort!" – Ruth R. Denver, CO


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£131,500 Offers Around
Situated amidst delightful rural surroundings this is a detached 2 bedroom cottage which enjoys an attractive south facing position commanding views over the surrounding farmland.
South Threave Cottage would appear to have its origins dating from the early 1900s and which has been extended in more recent times.
The cottage is single storey and provides a good balance of accommodation comprising: Hall with double glazed/uPVC front door. The hall provides access of to the living room, 2 bedrooms and bathroom. The Living Room is a spacious principal room with windows front and side. he Kitchen is a good space fitted with contemporary cabinets extending at base and wall mounted levels and which afford ample work surface space. Integrated appliances comprise ceramic hob and a column mounted oven and microwave. The kitchen has windows to rear and side and also double glazed uPVC door to the back garden. Bedroom 1 has window to front. Bedroom 2 has window to rear. Both bedrooms can fairly be described as doubles. The Bathroom, with window to side, is fitted with wash hand basin in vanity unit, bath with electric shower over and WC.
The floored and lined attic is approximately 5'7'' x 29'5'' and the floor to ceiling height at its highest point is 5'9''. The attic could afford excellent development possibilities subject to obtaining the appropriate architectural advice and local authority consent.
Windows are double glazed in uPVC casements and central heating is by way of oil.
The cottage stands in a level garden which extends to the front and rear of the cottage. At the front the garden space is down in lawn. From the front garden there are delightful views across the surrounding country side. On a clear day an outlook can be enjoyed towards the sea with Ailsa Craig in the background. There is a driveway in tarmacadam which runs in and along the side of the cottage and up to a car port. The car port is approximately 17' x 13'5''. The garden space at the rear is down in gravel for easier upkeep and the rear of the property overlooks farmland. There is an outhouse attached to the rear of the cottage this housing the oil central heating boiler.
South Threave cottage is about 3½ miles off the A77 and is situated on South Threave Farm. Although delightfully rural the property is only 7½ miles from Girvan and about 17 miles south of Ayr.
This house description is based upon information supplied by the owner, or on behalf of the owner. These property particulars are produced in good faith and do not constitute or form part of any contract. s1homes do not take any responsibility for the accuracy of the information contained in this document.
If a property value displays '0', don't worry it just means no properties have been sold in that area during that time.
Sold house price data is supplied to us by the Registers of Scotland, a government department responsible for compiling and maintaining property registers, every month. There can be a delay of up to 3 months from when a property is sold to being recorded with Registers of Scotland. We provide house price data for your information only, we do not accept any liability for any errors. If you have noticed any incorrect information, please contact Registers of Scotland.


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Dinner for three at Club 33
The big annual American Library Association conference was held in Anaheim over the weekend, so we took my colleague Suzanne to Club 33, Walt Disney's exclusive restaurant inside Disneyland. Tim made reservations through someone who knows someone, etc., who is a member of Club 33. Like last time, we adhered to the dress code and arrived right on time. The food was fabulous; plus we got to walk along the balcony, peering down at regular folk strolling through New Orleans Square. Although expensive, it was nonetheless a magical two hours.
In addition to dinner, guests of Club 33 get free entrance to Disney California Adventure as well as Disneyland. We hadn't seen Cars Land at night yet, so we quickly made our way over to the other park after dessert. Radiator Springs was crowded but beautiful, all lit-up in neon signs. See for yourself:
Ornament Valley all aglow


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|Jeremy Brown <jer...@guero.com>
|flood - Can it go faster?
|Tue, 24 Jun 2003 19:35:49 GMT
Hi, I have been playing with flood for a while. And have been looking at writing up some additional documentation. I tried a couple other programs and flood seems to have worked the best overall. But just got a nice little project drop in my lap and had a couple questions. I need to generate about approx. 7000 web hits per second against a new server. The new server will have a gigabit ethernet to accept the traffic. And I have 10 load generators running FreeBSD 5.1 with 1 GHZ processors with normal 100 MB ethernet against the new server on the same switch. I was able to get one load generator to do about 700 request per second but I wanted to increase this. Are there any tips to get more throughput on flood? Or any methods to optimize flood to run faster? Also is there a way to turn off logging completely? The new server will have logging enable to catch all the information. My job is to hit it as hard as I possibly can with my resources. And to only show something if there is a failure? I am using shell scripts of flood since megaconglomerate is not operating at this time from what I have tested. Are there any recommendations for doing this more effectively? Or is megaconglomerate really working? thanks for any comments. jeremy ps Here is the config file for flood that I have been using. <flood> <urllist> <name>Test Hosts</name> <description>A bunch of hosts we want to hit</description> <url>http://10.5.10.199</url> <url>http://10.5.10.199</url> <url>http://10.5.10.199</url> <url>http://10.5.10.199</url> </urllist> <profile> <name>RoundRobinProfile</name> <description>To Run FastA</description> <useurllist>Test Hosts</useurllist> <profiletype>round_robin</profiletype> <socket>generic</socket> <verify_resp>verify_200</verify_resp> <report>simple</report> </profile> <farmer> <name>Joe</name> <time>180</time> <useprofile>RoundRobinProfile</useprofile> </farmer> <farm> <name>Bingo</name> <usefarmer count="10">Joe</usefarmer> </farm> <farm> <name>Mac</name> <usefarmer count="10">Joe</usefarmer> </farm> <farm> <name>Green</name> <usefarmer count="10">Joe</usefarmer> </farm> <seed>23</seed> </flood>
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| Rentals Search | Furnished
| Unfurnished
| Reservation Request | About
Us | Contact Us | Links
| Log In
Designated Broker
Phone: (480) 288-4326
Gold Canyon Management , Inc. is a new name but comes
with 10 years experience in the Gold Canyon area. Sherry's people know
her and trust her judgment. They call upon her not only for Management
and Rental information but also for their Real Estate needs.
Seasonal Rentals are Sherry's specialty, but she also
manages several Unfurnished Homes . With approximately 100 properties
she has something for everyone. Price ranges for unfurnished; $850 - $1200
monthly. While the furnished properties range, In Season, from $1400 -
$3000/per month; Peak Season rates include all utilities, the telephones
have long distance block but calling cards or credit cards can be used.
Furnished rentals during the Off Season are very reasonably priced for
those who are building homes or just visiting. With a broad spectrum of
gorgeous homes to choose from, Sherry knows she will have the perfect
home that will suit each renter that visits Gold Canyon.
© 2004 Gold Canyon Management. Information deemed reliable but not guaranteed. All prices are subject to change without notice.
Website created by Sarah Funk


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Huge product rangeOver 140,000 books & equipment products
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Pay in £, € or U.S.$By card, cheque, transfer, draft
Exceptional customer serviceGet specialist help and advice
Prehistoric North Americans lived on, in, and surrounded by nature. As a result, everything they were resulted from this co-existence. From interpersonal relations to supernatural beliefs, from housing size and function to the food they ate and clothing they wore, the life of Native Americans before the arrival of Europeans was intimately intertwined with the environment. What is known about these societies is often sketchy at best, having survived largely through archaeological remains and oral tradition. Scholars have tried to understand Native American history on its own terms, trying to understand who and what they were in reality - a complex, diverse multitude of populations that defined themselves entirely through what they saw, heard, and experienced everyday - their natural environment.
Nature and the Environment in Pre-Columbian American Life provides an overview of all aspects of how native peoples interacted with the environment.
"Kowtko describes North America before Columbus' expedition in terms of natural history and environs, using select tribes to illustrate the people from a societal and environmental perspective that links the land and the people together. She discusses which tribes were in North America, interactions with the land, agriculture and habitation, hunting and gathering methods, spirituality, migration, leisure, and gender roles." -
Reference & Research Book News


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Turkey has turned into a significant bridge between producers and consumers of energy and may already be called a country with significant oil products reserves, reportedly said Hilmi Guler, Turkish Minister of Energy and Natural Resources.
В"In its time, BTC project was also called unrealizable, but it is already in operation and first tanker with oil has gone log agoВ", - Minister said, adding that alongside BTC, significant role will be playing Samsun-Ceyhan pipeline that enables unloading straits Bosporus and Dardanelles.
Minister said during the last 3 years oil transpiration through Turkish straits rose by 50 %, thus jeopardizing Istanbul. В"Ceyhan region today is Turkeys most significant project and it shall be told of to the entire world. Ceyhan is about to become a new RotterdamВ", - Guler underlined, saying that official Ankara alongside oil project is examining those on gas.
В"NABUCCO project covers gas transportation through Bulgaria, Romania and Hungary to AustriaВ", - Minister said. He reminded that following famous power crisis in Ukraine, Turkey's significance as transit country has risen much.
Alongside BTC, we have Baku-Tbilisi-Erzurum gas pipeline that will be continued to Greece and Italy. The agreement on this project has been signed already. This winter Turkey starts supplying gas to Greece.
В"Gas storage in subsurface tanks is quite important. We already perform operations in this fieldВ", - he said. В"Our Oil Company operates in the markets of Kazakhstan, Azerbaijan and EgyptВ", - Guler concluded.
Follow Trend on Telegram. Only most interesting and important news


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Soft Crochet Effect Floral Stretch Lace Dress Fabric Material (Pinky Taupe)
Please note: the scallop edges have been cut but may need a little tidying.
This fabric is a mid weight nylon blend soft crochet feel lace with a pretty romantic floral design and a double cut scallop edge.
It has a stretch to the width and the floral parts have a slightly raised hand feel which makes the lace feel luxurious.
Suitable for dresses, blouses, tops, skirts, pallazo trousers..etc.
You will need to line this fabric as it is sheer, a satin or georgette would be lovely :)
Please note that the fabric has been photographed against a light background in order to showcase the various aspects of the fabric.
Delicate machine washable on a 30° temp, minimum iron or dry clean
Width: 135cm
Composition: 85% Nylon/15% Polyester
Price is for 1 metre (after one metre, fabric comes in one continuous length)
Please note that we are happy to sell half metres, as long as the minimum length is 1 metre (we will not sell less than 1 metre).
To do this, please order the next metre above what you want (e.g. order 2 metres if you want 1.5 metres) - this ensures that we still have quantity remaining that we can re-list when a listing has run its course.
Remember to send us a message stating the amount you want, and we will refund you accordingly.


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The choice could be overwhelming. There are so many brands and so many claims. You need to choose the right commercial water heater that suits your business. If you are in food service a quality water heater is as important as a clean kitchen. It is important to meet your daily business requirements while at the same time NOT overbuying.
Here are some guidelines in choosing the right commercial water heater –
1. Heaters are divided into gas, electric, and solar. Check the pros and cons of each.
2. You may choose tank-style or tankless.
3. Check out the POU units…points of use.
4. Understand how voltage effects performance.
5. Stay within your corporate budget.
In the Charlotte, North Carolina area, business owners have come to count on a sure thing. When it comes to water heaters you can rely on Rinnai. Repairing America is your area authorized Rinnai commercial water heater headquarters. Your search for water heater repair and replacement begins here. Call Repairing America today at (704) 532-5653.


text: Regent Street Cinema is hosting a delightful deal for all of those hopeless romantics to enjoy on Valentine's Day! With Roman Holiday and Breakfast at Tiffany's playing on Sunday 14 February (2pm and 4.30pm), you can take advantage of a one-off deal to have two complimentary glasses of bubbles with every pair of tickets. Enjoy the classic Audrey Hepburn movies in Britain's first ever cinema, and with a free fizz to relax with!


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It's all about mothers, babies, and the loving people who support them.
Assisting Mothers
for Active, Natural,
Instinctive Birth
Congratulations on your pregnancy!
your pregnancy!
Prepare for a blessed start in life.
May Allah bless you with ease and may all your
children be healthy, granted maturity of years,
and be counted amongst those who are pleasing
to Allah and their parents. Ameen.
AMANI works with medical care providers for the gentlest start in life.
- Supports Choices
- Teaches Couples
- Empowers Families
- Evidence Based
- Islamic References
- All Faiths Welcome
- Trains Teachers
- Trains Doulas
- Medical Workshops


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2/21/2019 » 2/23/2019
2019 Winter Conference
2/21/2019 » 2/23/2019
Winter Conference -- Exhibitors


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What a wonderful piece of history!
This 6" x 7 1/2" late 1800's Child's Reader Book contains 198 pages of short stories divided into lessons to teach reading. There are no pages missing. The pen and ink illustrations are lovely. The title page is "Classics for Children, A Second Reader, Stickney Boston, U.S.A, Ginn & Company 1889. This book is full of stories, poetry, lessons and wonderful illustrations. One of the stories is an early version of "The Three Bears". It is in good condition for its age. Spine is in good shape.
25 other shoppers have this item in their Cart or Wish List
ENTICING SALE, SALE, SALE !!! Antiques and Collectible Treasures from the past at reasonable prices.
MOST ITEMS ARE REDUCED OR ON SALE ! Pottery, china, glassware, silver, decorating accessories.


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Department of Mechanical Engineering, Carnegie Institute of Technology, Pittsburgh, Pa.
It is demonstrated that the form of the energy-dissipation equation which describes thermoelectric and thermomagnetic generators is greatly dependent on the choice of dependent variables in the coupled equations used to describe the devices. If "natural" coordinates are chosen, the energy dissipation will always contain two terms—the Fourier conduction term and Joulean heating term. If "unnatural" coordinates are chosen, the energy-dissipation equation will contain three terms. A brief solid-state consideration demonstrates how a bound on the figure-of-merit temperature product can arise in terms of fundamental physical parameters.
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Heroes In the Sky team.
Limited! Devil weapon package sales
■Period: 2017.1.19 ~ 2017.1.26
■New Year Stabillzer Package
Gear Protect +8 x 10
Imp. Stabilizer II x 5
Gear Protect F x 5
Imp. Stabilizer F x 5
Spectre Weapon Set II x 3
Copyright ⓒ JC Planet. Co., Ltd. All rights reserved
Trademarks belong to their respective owners. All rights reserved.


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Product Description
The NAC 202 introduced a new level of technical and musical performance to our range of preamplifiers, along with elegant new styling.
Low-resonance circuit boards and anti-vibration, resonance controlling feet minimise the effect of microphonic vibration on the highly sensitive electronic components while carefully matched precision rotary potentiometers with precious metal wipers are used to preserve musical integrity and ensure long-term stability. The intelligent balance control combines a high quality motorised potentiometer for the best performance with intelligent circuitry to indicate the centre position.
The NAC 202 also features a silent microprocessor that sleeps during listening and controls all aspects of the amplifier including: protection circuits that continuously monitor the power supplies ensuring safe shut down in the event of a power cut; user-configurable RC5 input and Smart IR system for remote control integration of Naim Audio products.
Audio Inputs
Analogue Input
4 x DIN, 2 x RCA
Input Sensitivity
Input Impedance
Other Inputs
AV input configurable for unity gain
Audio Outputs
2 x variable (DIN), 3 x line level
Line Outputs Fixed (level)
75mV, 600Ω
Line Outputs Variable (level)
Output Impedance
Load Impedance
10kΩ (min.)
Power Outputs
Naim phono amplifier
Remote Control
Infra Red (RC5)
Remote Input
RCA on rear (RC5)
Optional (DE9 female)
User Control
Front Panel
Volume control, eight button matrix
NARCOM-4 Remote Control
Power Supply Voltage
Power Supply Options
NAP 155 XS, NAP 200, FlatCap XS, HiCap, SuperCap
Power Supply
1 x Hi-Cap/SuperCap
NAPSC (optional)
Physical Dimensions (HxWxD)
87 x 432 x 314 mm
7.0 kg
Supplied with
NARCOM-4 Remote Control
Finish Front
Brushed and black anodised
Black powder coated