text:
Give Me A Little Kiss
Tammy M. Anderson 2/4/2012 6:10:30 AMWhatever he is doing its just to cute. Great portrait and light. Happy Birthday too. I know it will be a wonderful celebration. Have fun. #1441203
Danny B. Head 2/4/2012 6:34:12 AMHe has such great taste in hats! #9964560
Gina Cormier 2/4/2012 6:37:27 AMI bought that hat for my granddaughter!!! Gorgeous portrait!!! #9964571
Mary Beth Aiello 2/4/2012 7:05:08 AMOH, this is priceless, Becky. What an expression. And he will be getting lots of kisses. Just too cute. #9964619
Robert R. Goodman 2/4/2012 8:30:58 AMLOL!!Hi RJ,this is cracking me up.Fantastic capture my friend!!! #9964739
Gail Vitikacs 2/4/2012 9:38:23 AMI adore this! This is one the sweetest portraits! #9964839
Gord MacEachern 2/4/2012 10:39:21 AMI am still chuckling as I am typing here Becky, priceless image, no more fun than a first birthday. Enjoy the cake, kisses and laughs, it's what life is all about. Our latest little man will be seven months next week. #9964893
Debbie Bray 2/4/2012 12:13:32 PMThat is just sooo beautiful, Beck! What a treasure! Are you his mamaw? :) #9965028
Terry Cervi 2/4/2012 4:45:59 PMHappy Birthday, Little Man! Hope you're having a great day! This is adorable Grammie! A fave! #9965332
Karen Celella 2/5/2012 1:15:24 PMHappy Birthday! Those blue eyes are amazing! What a joy to have such an adorable model! #9966804
Val Feldman 2/6/2012 9:31:09 AMMy first real good laugh in what seems like months! I need to laugh more, right??!! Well, this adorable portrait got me back on track, for sure!! Love this, LM. As always, you caught some perfect light on that adorable face and those big, blue peepers! Happy (belated) Birthday, Little Man! And as they say down Texas way: He's cuter than a speckled pup in a red wagon! :) :) :) #9968135
Gail Sullivan 2/6/2012 1:02:35 PMAs cute as can be, Becky! #9968408
Kim Andelkovic 2/7/2012 7:09:12 PMSo cute......he has the most amazing blue eyes :)
beautiful pic Becky :-) #9970558
Ellen Hodges 2/8/2012 4:38:09 AMSooooo absolutely priceless and adorable Becky!!! Soooo love this little cutie and portrait!!! #9971188
Mariann Kovats 2/9/2012 5:43:29 PMSoooo adorable capture, Becky! He has beautiful blue eyes! #9974110
Robert R. Goodman 3/25/2012 8:04:03 PMA big Congratulations on your beautiful finalist my friend!!!! #10055026
Agnes Fegan 3/25/2012 8:54:17 PMSooo cute ... congratulations! #10055391
Usman M. Bajwa 3/25/2012 10:41:11 PMHow so cute, Becky. CONGRATZ on another Finalist!
Kim Andelkovic 3/25/2012 11:13:38 PMCongrats on a wonderful finalist Becky whoo hooo
Mariann Kovats 3/25/2012 11:25:02 PMFantastic capture, no wonder, it came in as a Finalist! Congratulations to all of your wonderful finalists! #10055777
Danny B. Head 3/26/2012 3:17:19 AMBetween that face and the hat, this has to be a winner! Congrats! #10056143
Stefania Barbier 3/26/2012 5:05:30 AMlol@expression! congratulations!!! #10056541
JO ANN CLEVELAND 3/26/2012 7:13:34 AMWayyyyy too cute, I love it!
jo ann c.
Tammy M. Anderson 3/26/2012 7:48:24 AMHope to see this a winner. Gets cuter every time I see it. Congrats!!! #10057110
Mary Timman 3/26/2012 7:59:21 AMCongratulations on this little cutie... #10057146
Maria Coulson 3/26/2012 9:10:45 AMSo cute, congratulations! #10057444
Rona L. Schwarz 3/26/2012 10:00:11 AMToo cute...they are all too cute for words, Becky! CONGRATULATIONS on another outstanding Finalist, and good luck in the next round! #10057682
Christopher Budny 3/26/2012 1:27:57 PMSo cute, RJ! Congratulations! #10058408
Carol Eade 3/26/2012 5:01:07 PMWhat a precious baby, congratulations again Becky! #10059127
Ellen Hodges 3/26/2012 7:39:02 PMHuge congrats on all your fab finalists, Becky!!! Very best luck with them all!!! #10059703
Terry Cervi 3/26/2012 8:03:21 PMCongrats on this adorable finalist of the little man, Doris. Hope he wins!! #10059780
Merna L. Nobile 3/26/2012 10:57:24 PM
What lies behind us and what lies before us are tiny matters compared to what lies within us.
Congratulations! Merna
Mary Beth Aiello 3/27/2012 7:16:38 AMNo surprise, Becky. Just too cute.... and outstanding. Huge congrats on your wonderful finalist. #10060950
Patricia Seidler 3/27/2012 9:06:47 AMWhat a cutie! He deserves the finalist RJ. #10061148
David M. Montero 3/27/2012 4:42:08 PMPucker-power! Outstanding capture Becky. Congratulations on your finalist! #10061968
Christopher Budny 3/28/2012 7:28:52 PMThe cutie takes the gold! Congratulations! #10063880
Kim Andelkovic 3/28/2012 7:41:48 PMCongrats Becky on a very cute win.....WTG :-) #10063929
Ellen Hodges 3/28/2012 7:56:07 PMHuge congrats on this adorable winner!! Soooooo deserving and CUTE!!!! #10063964
JO ANN CLEVELAND 3/28/2012 8:13:20 PMOhhhh! I'm so glad to see the Gold on this little doll, congrats on your 2nd place winner Becky!
jo ann c. #10064017
Debbie Bray 3/28/2012 8:14:42 PMCongratulations Bec on this outstanding winner!! #10064024
ROBIN-LEE M. Vieira 3/28/2012 8:39:21 PMOhhh....soooo cute!!!! Congratulations Becky!!! :) #10064097
Rona L. Schwarz 3/28/2012 8:57:08 PMWTG, Becky! So happy to see your little man with GOLD! I'm sure his baby blue eyes will see more kisses and wins in the future...CONGRATULATIONS ON THIS SUPER CUTE WINNER! #10064141
Mariann Kovats 3/28/2012 9:43:35 PMWonderful to see it with Gold! Congratulations Becky, awesome! #10064254
Kathy Salerni 3/28/2012 10:11:22 PMCongrats on winning the Gold, RJ! #10064310
Stefania Barbier 3/28/2012 10:43:45 PMcongratulations on your beautiful winner!!! #10064355
Inge Linden 3/29/2012 2:45:08 AMCongratulations! #10064569
Pat Abbott 3/29/2012 3:16:06 AMCongrats on your winner! Great portrait! #10064677
Renee Doyle 3/29/2012 3:23:18 AMVery cute!! Congratulations on this wonderful winner Becky!! #10064704
Jill Saurbaugh 3/29/2012 3:28:16 AMCongratulations, on this adorable portrait! #10064721
Tammy M. Anderson 3/29/2012 3:36:56 AMNo surprise here. Congrats, Becky. #10064745
Jean-Pierre Ducondi 3/29/2012 4:16:43 AMCongratulations on your win. Well done Becky.
Agnes Fegan 3/29/2012 4:30:43 AMCongratulations Becky on your cute little winner!!! #10064874
Mary Timman 3/29/2012 4:51:50 AMCongatulations on this fabulous winner! #10064921
Jessica Jenney 3/29/2012 5:00:40 AMCongratulations, Becky on your adorable winner! #10064938
Terry Cervi 3/29/2012 6:26:02 AMI'm so happy the Little Man won, Doris!! Congrats on your adorable and very well deserved win my friend!! #10065151
Anita Hogue 3/29/2012 8:14:19 AMAbsolutely adorable winner, Becky! CONGRATULATIONS!!!! #10065343
Memoriee G. Sconce 3/29/2012 10:00:36 AMCongrats to you and that special little guy.
Robert R. Goodman 3/29/2012 12:56:35 PMBig Congratulations RJ!!!! #10065721
Linda D. Lester 3/29/2012 2:21:05 PMCongratulations on this awesome win! Love those smacks! Been spending everyday with my new ones.
Claudia Kuhn 3/29/2012 3:05:34 PMWay cute, congratulations Becky! #10065984
Phyllis H. Burchett 3/29/2012 4:22:59 PMWhat a cutie, congrats on your win Becky! #10066093
Carol Eade 3/29/2012 6:01:00 PMWarm congratulations, Becky! #10066263
Julie Burnett 3/30/2012 6:52:27 AMThis is AWESOME, Becky! Congratulations on your win!! #10066995
Tarun Bose 3/30/2012 10:07:31 AMBig congrats for your winner, R.J. #10067211
Karen Celella 3/31/2012 4:05:50 AMCongratulations on your precious winner, Becky! He is SO adorable! #10068384
Lyn Darlington 4/2/2012 3:51:44 AMCongrats on your wonderful winner! So cute!!!!! #10071442
Merna L. Nobile 4/3/2012 12:07:30 AMWinning The Gold, The Photo of the Day and also the Grand Prize is such an honor after days of taking photographs and doing your best to present them in a professional way, you realize that it is well worth it, and to graciously share them with us.
Usman M. Bajwa 4/4/2012 3:45:28 AMC O N G R A T Z ......Becky!!!
David M. Montero 4/4/2012 5:45:23 PMSo endearing! So worthy. Congratulations on your win Becky!!! #10075484
Danny B. Head 4/5/2012 10:04:44 AMI think it's a Grand Prize winner! I glad he likes wearing "my" hat. lol #10076586
Bojan Bencic 4/7/2012 6:22:11 AMSo cute, R.J. Congratulations on your win! #10079498
f/4.5, 1/80 sec, ISO-640, -1EV, 40mm focal length, natural light
~Little Man turns 1 year old today and I bet he will be doing a lot of kissing today. Actually in this pic..his papaw was teaching him to smack his lips! :) ~
Exif: F Number: 4.5, Exposure Bias Value: -1.00, ExposureTime: 1/80 seconds, Flash: did not fire., ISO: 640, White balance: Auto white balance, FocalLength: 40.00 mm, Model: NIKON D3S
Uploaded on 2/4/2012 5:55:39 AM
Camera: Nikon D3s Digital SLR Camera
Copyright for this gallery photo belongs solely to R. J. Laudenbacher. Images may not be copied, downloaded, or used in any way without the expressed, written permission of the photographer.
Contact photographer via gallery.
Log in to follow or message this photographer or report this photo.


text:
Home Help
loquella.com is both an industry portal and a time management tool that's designed to electronically connect anyone who requires the services of a sign or verbal language interpreter or a translator with individuals who are capable of providing these services.
Toll Free 844-926-6563
P.O. Box 5164Lancaster, PA. 17606
© 2018 Loquella, LLC. All Rights Reserved.

subset: commoncrawl


text:
Case File
The Insider
- Good Fortunes
- In 2008 Raj Rajaratnam was the head of a $7 billion-dollar hedge fund called Galleon Group. The fund generated stellar returns for investors and Rajaratnam's phone was ringing off the hook. Many of the calls were from corporate insiders providing a goldmine of market moving information.
- Inside Information
- Rajaratnam pressed his contacts for exclusive information. He convinced an old friend, Anil Kumar to be his personal consultant. Kumar worked at the prestigious firm McKinsey and Company and began to funnel secrets from his corporate clients.
- The Beauty Queen
- Danielle Chiesi was a former beauty queen turned hedge fund trader. Chiesi became one of Rajaratnam's best sources sending him tips that led to big profits on inside deals. Her top-secret information helped Rajaratnam make millions. He seemed untouchable, but behind the scenes his world was about to unravel.


text: Katie Best and Weston Wrage, both of Peoria, IL will be married on Nov 6, 2010 at the Faith United Presbyterian Church in Yates City. Her parents are Steve and Denise Best of 107 N. Elizabeth St., Yates City. His parents are Wayne and Beth Wrage of 104 E. Bishop St., Yates City, Ill.. Weston is the grandson of John and Marlis Wrage


text:
The successor to the popular VTX-ST1 RTR truggy, the new VTX-ST1R comes loaded with tons of new features while maintaining over 98% parts compatibility with the VTX-ST1. You now get an FM radio with sub trim and end point adjustments and the powerful .26 drill start engine gets an overhaul with improved quality internals topped off with a dual stage air filter. Gone are the sliding engine mounts, replaced instead by fixed engine mounts which will accept most popular .21 and bigger engines. Nearly every plastic component comes in a new and improved material compound, along with a new rear upper arm, modified rear uprights, and new design ring and pinion gears. Even the shock spring clips are factory installed to complete the assembly to our Factory Team Driver specifications. Enjoy racing or bashing with all these improvements at the same low price as before.
- Chassis: 3mm 6061-T6 Aluminum Chassis; Front and rear Aluminum chassis braces
- Suspension: Front Pivot Ball, Heavy-Duty Suspension Arms, Front & Rear Sway Bars
- Shocks: 13mm big bore shocks with 3.5mm shafts and 1.4mm pistons
- Engine: .26 Vertex drill start engine
- Exhaust: Polished Aluminum Tuned Pipe & header
- Radio: TeamVTX 2-Channel FM Transmitter and Reciever with High Torque & High speed Servos
- Transmission: Single-Speed; 4WD; Full Bearings
- Wheels: White Dish wheels
- Body: Pre-Painted Body w/Flame Designs (blue/orange or red/yellow)
- Gears: 11T clutchbell, 48T steel spur gear, steel ring/pinion gears.
- Clutch: 3-Shoe Composite
- Fuel Tank: 150
In Depth
- Aluminum polished pipe
- Radio:: FM pistol grip radio
- Transmission:: Single-Speed; 4WD; Full Bearings
- Wheels:: Racing Tires/Wheels
- Body:: Fully painted PC Racing Body
- Gears:: 14T clutchbell, 46T steel spur gear, spiral-cut steel ring/pinion gears.
- Clutch:: 3-Shoe Composite
- Fuel Tank:: 12
In the Box
- Assembled Ready to Run TeamVTX Truggy with .26 Size Engine & Radio System
- Pre-Painted Body
- Pre-Mounted Tires on White Dish Wheels
- Instruction Manual and Decals
- Hex Wrench Set
- Cross Wrench
- Drill star
- 12 AA batteries
- 6 cell 7.2v battery & charger
- Glow igniter
- Fuel Bottle
- Glow Fuel
- Basic To


text:
Flameless tealight candle included with rental. Please do not use real candles in our lanterns.
|3.75 in
|11.5 in
|3.75 in
we love to share!
firstname.lastname@example.com 816.284.8449
Copyright 2017 ultrapom llc all rights reserved
site by www.schwambell.com powered by wordpress
unique wedding and event decor rental
wedding | bat mitzvah | bar mitzvah | anniversary party | engagement party | baby shower | bridal shower | corporate event
Serving the Kansas City Metro area. (Overland Park, Leawood, Olathe, Kansas City, Independence, Lee's Summit, Liberty, Prairie Village, Shawnee, Merriam, Mission, Grandview, Raytown, Weston, North Kansas City, Gladstone, and Beyond)


text:
Dreamwaever CS6 – CSS Transitions
About This Episode
In this movie, learn about the CSS Transitions panel, which makes it easy to add impressive CSS-driven transitions to any element on the page through a single dialog. All CSS syntax is handled automatically, including vendor prefixes for all major browsers. If you prefer to hand-code your CSS syntax, the CSS Transitions panel now gives you an easy way to manage and edit transitions, regardless of where they're added.


text:
Need your order in time for Christmas? Check out our Holiday Shipping Deadlines.
Boundary: Bleed area may not be visible.
Click and drag to re-position the image, if desired.
The watermark at the lower right corner of the image will not appear on the final product.
by Adam Jewell
This product is currently out of stock.
Image Size
The image is near the edges of the product but doesn't cover the entire product. Some of the background color may appear around the outside edges of the image.
Background Color
Here it is... the towel that's taking the internet by storm. Our round beach towels are 60" in diameter and made from ultra-soft plush microfiber with a 100% cotton back. Perfect for a day at the beach, a picnic, an outdoor music festival, or just general home decor. This versatile summer essential is a must-have this season!
60" Diameter Not Including Tassles
Care Instructions
Machine wash cold and tumble dry with low heat.
Ships Within
2 - 3 business days
There are no comments for Ucluelet Fishing Nets. Click here to post the first comment.
Average Rating (5 Stars):
Charles Rogers
August 29th, 2018
Judy Bostrom
July 28th, 2018
Karoll Domeij
July 27th, 2018
Kay Roberson
July 19th, 2018
Wow - I didn't realise it was going to be that big! It's a gift for a young member of the family - I think he'll be thrilled as he's a tractor fanatic at 6 years old. A practical gift too. The towel has a smoother upper side so it'll be more comfortable to sit on at the beach. It seems to have a thick absorbent power so no usual skinny beach towel.
Brightly Colored Rolled Fishing Nets Sit On An Ocean Fishing Boat In Ucluelet Harbor On Vancouver Island In British Columbia, Canada.
There comes a time in life when we wonder where we are going, what we are doing and if there isn't something more to life. That time hit in my 30's. Working at an online marketing agency and putting in 14 hour days 6 days a week at times was starting to wear on me. I'd wake up, rush into the office to stare at a computer screen, come home to stare at it some more, go through some robotic exercises on the machines at the local gym and try to fit some sleep in there somewhere. It was a �comfortable� life, as in all the bills were paid, there was a ski trip or two out west each year and there were some cool toys to play with but never time to actually play with them. Even if there was time to sleep, it was often elusive because there...
Our return policy is very simple:
If you're not happy with a purchase that you made on FineArtAmerica.com, for any reason, you can return it to us within 30 days of the order date. As soon as it arrives, we'll issue a full refund for the entire purchase price. Please note - Fine Art America does not reimburse the outgoing or return shipping charges unless the return is due to a defect in quality.
Fine Art America sells thousands of pieces of artwork each month - all with a 100% money-back guarantee. We take great pride in the fact that hundreds of thousands of artists have chosen Fine Art America to fulfill their orders, and we look forward to helping you select your next piece!
All round beach towels ship from our production facility within 2 - 3 business days of your order.


text:
Authors Preface.
This is from B, and must have been written in 83 or not much later. The punctuation has been exactly followed, except that I have added a comma after the word language, where the omission seemed an oversight.
rove over.
This expression is used here to denote the running on of the sense and sound of the end of a verse into the beginning of the next; but this meaning is not easily to be found in the word.
The two words reeve (pf. rove,which is also a pf. of rive) and reave (pf. reft) are both used several times by G. M. H., but they are both spelt reave. In the present context rove and reaving occur in his letters, and the spelling reeve in The Deutschland, xii. 8, is probably due to the copyists.
There is no doubt that G. M. H. had a wrong notion of the meaning of the nautical term reeve. No. 39 line 10 (the third passage where reeve, spelt reave, occurs, and a nautical meaning is requiredsee the note there) would be satisfied by splice (nautical); and if this notion were influenced by weave, wove, that would describe the interweaving of the verses. In the passage referred to in The Deutschland reeve is probably intended in its dialectal or common speech significance: see Wrights English Dialect Dictionary, where the first sense of the verb given is to bring together the gathers of a dress: and in this sense reeve is in common use.
Early Poems.
Two school prize-poems exist; the date of the first, The Escorial, is Easter 60, which is before G. M. H. was sixteen years old. It is in Spenserian stanza: the imperfect copy in another hand has the first 15 stanzas omitting the 9th, and the author has written on it his motto, , with an accompanying gloss to explain his allusions. Though wholly lacking the Byronic flush it looks as if influenced by the historical descriptions in Childe Harold, and might provide a quotation for a tourists guide to Spain. The history seems competent, and the artistic knowledge precocious.
Here for a sample is the seventh stanza:
This was no classic temple orderd round
With massy pillars of the Doric mood
Broad-fluted, nor with shafts acanthus-crownd,
Pourtrayd along the frieze with Titans brood
That battled Gods for heaven; brilliant-hued,
With golden fillets and rich blazonry,
Wherein beneath the cornice, horsemen rode
With form divine, a fiery chivalry
Triumph of airy grace and perfect harmony.
The second prize-poem, A Vision of Mermaids, is dated Xmas 62. The autograph of this, which is preserved, is headed by a very elaborate circular pen-and-ink drawing, 6 inches in diameter,a sunset sea-piece with rocks and formal groups of mermaidens, five or six together, singing as they stand (apparently) half-immersed in the shallows as described
But most in a half-circle watchd the sun, &c.
This poem is in 143 lines of heroics. It betrays the influence of Keats, and when I introduced the author to the public in Miless book, I quoted from it, thinking it useful to show that his difficult later style was not due to inability to excel in established forms. The poem is altogether above the standard of school-prizes. I reprint the extract here:
Soonas when Summer of his sister Spring
Crushes and tears the rare enjewelling,
And boasting I have fairer things than these
Plashes amidst the billowy apple-trees
His lusty hands, in gusts of scented wind
Swirling out bloom till all the air is blind
With rosy foam and pelting blossom and mists
Of driving vermeil-rain; and, as he lists,
The dainty onyx-coronals deflowers,
A glorious wanton;all the wrecks in showers
Crowd down upon a stream, and jostling thick
With bubbles bugle-eyed, struggle and stick
On tangled shoals that bar the brooka crowd
Of filmy globes and rosy floating cloud:
So those Mermaidens crowded to my rock.
* * * * *
But most in a half-circle watchd the sun;
And a sweet sadness dwelt on every one;
I knew not why,but know that sadness dwells
On Mermaidswhether that they ring the knells
Of seamen whelmd in chasms of the mid-main,
As poets sing; or that it is a pain
To know the dusk depths of the ponderous sea,
The miles profound of solid green, and be
With loathd cold fishes, far from manor what;
I know the sadness but the cause know not.
Then they, thus ranged, gan make full plaintively
A piteous Siren sweetness on the sea,
Withouten instrument, or conch, or bell,
Or stretchd chords tuneable on turtles shell;
Only with utterance of sweet breath they sung
An antique chaunt and in an unknown tongue.
Now melting upward through the sloping scale
Swelld the sweet strain to a melodious wail;
Now ringing clarion-clear to whence it rose
Slumberd at last in one sweet, deep, heart-broken close.
After the relics of his school-poems follow the poems written when an undergraduate at Oxford, of which there are four in this bookNos. 1, 2, 3, and 52, all dating about 1866. Of this period some ten or twelve autograph poems exist, the most successful being religious verses worked in Geo. Herberts manner, and these, I think, have been printed: there are two sonnets in Italian form and Shakesperian mood (refused by Cornhill Magazine); the rest are attempts at lyrical poems, mostly sentimental aspects of death: one of them Winter with the Gulf-stream was published in Once a Week, and reprinted at least in part in some magazine: the autograph copy is dated Aug. 1871, but G. M. H. told me that he wrote it when he was at school; whence I guess that he altered it too much to allow of its early dating. The following is a specimen of his signature at this date.
After these last-mentioned poems there is a gap of silence which may be accounted for in his own words from a letter to R. W. D. Oct. 5, 78: What (verses) I had written I burnt before I became a Jesuit (i. e. 1868) and resolved to write no more, as not belonging to my profession, unless it were by the wish of my superiors; so for seven years I wrote nothing but two or three little presentation pieces which occasion called for. But when in the winter of 75 the Deutschland was wrecked in the mouth of the Thames and five Franciscan nuns, exiles from Germany by the Falck Laws, aboard of her were drowned I was affected by the account and happening to say so to my rector he said that he wished some one would write a poem on the subject. On this hint I set to work and, though my hand was out at first, produced one. I had long had haunting my ear the echo of a new rhythm which now I realised on paper.... I do not say the idea is altogether new ... but no one has professedly used it and made it the principle throughout, that I know of.... However, I had to mark the stresses ... and a great many more oddnesses could not but dismay an editors eye, so that when I offered it to our magazine The Month ... they dared not print it.
Of the two or three presentation pieces here mentioned one is certainly the Marian verses Rosa mystica, published in the The Irish Monthly, May 98, and again in Orby Shipleys Carmina Mariana, 2nd series, p. 183: the autograph exists.
Another is supposed to be the Ad Mariam, printed in the Stonyhurst Magazine, Feb. 94. This is in five stanzas of eight lines, in direct and competent imitation of Swinburne: no autograph has been found; and, unless Fr. Hopkinss views of poetic form had been provisionally deranged or suspended, the verses can hardly be attributed to him without some impeachment of his sincerity; and that being altogether above suspicion, I would not yield to the rather strong presumption which their technical skill supplies in favour of his authorship. It is true that the Rosa mystica is somewhat in the same light lilting manner; but that was probably common to most of these festal verses, and Rosa mystica is not open to the positive objections of verbal criticism which would reject the Ad Mariam. He never sent me any copy of either of these pieces, as he did of his severer Marian poems (Nos. 18 and 37), nor mentioned them as productions of his serious Muse. I do not find that in either class of these attempts he met with any appreciation at the time; it was after the publication of Miless book in 1894 that his co-religionists began to recognize his possible merits, and their enthusiasm has not perhaps been always wise. It is natural that they should, as some of them openly state they do, prefer the poems that I am rejecting to those which I print; but this edition was undertaken in response to a demand that, both in England and America, has gradually grown up from the genuinely poetic interest felt in the poems which I have gradually introduced to the public:that interest has been no doubt welcomed and accompanied by the applause of his particular religious associates, but since their purpose is alien to mine I regret that I am unable to indulge it; nor can I put aside the overruling objection that G. M. H. would not have wished these little presentation pieces to be set among his more serious artistic work. I do not think that they would please any one who is likely to be pleased with this book.
St. Dorothea. Written when an exhibitioner at Balliol College. Contemporary autograph in A, and another almost identical in H, both undated. Text from A. This poem was afterwards expanded, shedding its relative pronouns, to 48 lines divided among three speakers, an Angel, the protonotary Theophilus, (and) a Catechumen: the grace and charm of original lost:there is an autograph in A and other copies exist. This was the first of the poems that I saw, and G. M. H. wrote it out for me (in 1866?).
Heaven Haven. Contemporary autograph, on same page with last, in H. Text is from a slightly later autograph undated in A. The different copies vary.
Habit of Perfection. Two autographs in A; the earlier dated Jan. 18, 19, 1866. The second, which is a good deal altered, is apparently of same date as text of No. 2. Text follows this later version. Published in Miles.
Wreck of the Deutschland. Text from B, title from A (see description of B on p. 94). In The Spirit of Man the original first stanza is given from A, and varies; otherwise B was not much corrected. Another transcript, now at St. Aloysius College, Glasgow, was made by Rev. F. Bacon after A but before the correction of B. This was collated for me by the Rev. Father Geoffrey Bliss, S.J., and gave one true reading. Its variants are distinguished by G in the notes to the poem.
The labour spent on this great metrical experiment must have served to establish the poets prosody and perhaps his diction: therefore the poem stands logically as well as chronologically in the front of his book, like a great dragon folded in the gate to forbid all entrance, and confident in his strength from past success. This editor advises the reader to circumvent him and attack him later in the rear; for he was himself shamefully worsted in a brave frontal assault, the more easily perhaps because both subject and treatment were distasteful to him. A good method of approach is to read stanza 16 aloud to a chance company. To the metrist and rhythmist the poem will be of interest from the first, and throughout.
Stanza iv. l. 7. Father Bliss tells me that the Voel is a mountain not far from St. Beunos College in N. Wales, where the poem was written: and Dr. Henry Bradley that moel is primarily an adj. meaning bald: it becomes a fem. subst. meaning bare hill, and preceded by the article y becomes voel, in modern Welsh spelt foel. This accounts for its being written without initial capital, the word being used generically; and the meaning, obscured by roped, is that the well is fed by the trickles of water within the flanks of the mountains.Both A and B read planks for flanks; G gives the correction.
St. xi. 5. Two of the required stresses are on we dream.
St. xii. 8. reeve, see note on Authors Preface.
St. xiv. 8. these. G has there; but the words between shock and these are probably parenthetical.
St. xvi. 3. Landsmen may not observe the wrongness: see again No. 17, st. ix, and 39, line 10. I would have corrected this if the euphony had not accidentally forbidden the simplest correction.
St. xvi. 7. foam-fleece followed by full stop in A and B, by a comma in G.
St. xix. 3. hawling thus spelt in all three.
St. xxi. 2. G omits the.
St. xxvi. 5 and 6. The semicolon is autographic correction in B; the stop at Way is uncertain in A and B, is a comma in G.
St. xxix. 3. night (sic).
8. Two of the required stresses are on Tarpeian.
St. xxxiv. 8. shire. G has shore; but shire is doubtless right; it is the special favoured landscape visited by the shower.
Penmaen Pool. Early copy in A. Text, title, and punctuation from autograph in B, dated Barmouth, Merionethshire. Aug. 1876. But that autograph writes leisure for pleasure in first line; skulls in stanza 2; and in stanza 8, month has a capital initial. Several copies exist, and vary.
St. iii. 2. Cadair Idris is written as a note to Giants stool.
St. viii. 4. Several variants. Two good copies read darksome danksome; but the early copy in A has darksome darksome, which B returns to.
St. ix. 3. A has But praise it, and two good copies But honour it.
The Silver Jubilee: in honour of the Most Reverend James first Bishop of Shrewsbury. St. Beunos, Vale of Clwyd. 1876, I think. A.Text and title from autograph in B. It was published with somebodys sermon on the same occasion. Another copy in H.
Gods Grandeur. Standard rhythm counterpointed. Two autographs, Feb. 23, 1877; and March 1877; in A.Text is from corrections in B. The second version in A has lightning for shining in line 2, explained in a letter of Jan. 4, 83. B returns to original word.
The Starlight Night. Feb. 24, 77. Autograph in A.Standard rhythm opened and counterpointed. March 77. A.Later corrected version St. Beunos, Feb. 77 in B.Text follows B. The second version in A was published in Miless book Poets and Poetry of the Century.
Spring. (Standard rhythm, opening with sprung leadings), May 1877. Autograph in A.Text from corrections in B, but punctuation from A. Was published in Miless book from incomplete correction of A.
The Lantern. (Standard rhythm, with one sprung leading and one line counterpointed.) Autograph in A.Text, title, and accents in lines 13 and 14, from corrections in B, where it is called companion to No. 26, St Beunos 77.
Walking by the Sea. Standard rhythm, in parts sprung and in others counterpointed, Rhyl, May 77. A. This version deleted in B, and the revision given in text written in with new title.G. M. H. was not pleased with this sonnet, and wrote the following explanation of it in a letter 82: Rash fresh more (it is dreadful to explain these things in cold blood) means a headlong and exciting new snatch of singing, resumption by the lark of his song, which by turns he gives over and takes up again all day long, and this goes on, the sonnet says, through all time, without ever losing its first freshness, being a thing both new and old. Repair means the same thing, renewal, resumption. The skein and coil are the larks song, which from his height gives the impression of something falling to the earth and not vertically quite but tricklingly or wavingly, something as a skein of silk ribbed by having been tightly wound on a narrow card or a notched holder or as twine or fishing-tackle unwinding from a reel or winch or as pearls strung on a horsehair: the laps or folds are the notes or short measures and bars of them. The same is called a score in the musical sense of score and this score is writ upon a liquid sky trembling to welcome it, only not horizontally. The lark in wild glee races the reel round, paying or dealing out and down the turns of the skein or coil right to the earth floor, the ground, where it lies in a heap, as it were, or rather is all wound off on to another winch, reel, bobbin or spool in Fancys eye, by the moment the bird touches earth and so is ready for a fresh unwinding at the next flight. Crisp means almost crisped, namely with notes.
The Windhover. (Falling paeonic rhythm, sprung and outriding.) Two contemporary autographs in A.Text and dedication from corrected B, dated St. Beunos, May 30, 1877.In a letter June 22, 79: I shall shortly send you an amended copy of The Windhover: the amendment only touches a single line, I think, but as that is the best thing I ever wrote I should like you to have it in its best form.
Pied Beauty. Curtal Sonnet: sprung paeonic rhythm. St. Beunos, Tremeirchion. Summer 77. Autograph in A.B agrees.
Hurrahing in Harvest: Sonnet (sprung and outriding rhythm. Take notice that the outriding feet are not to be confused with dactyls or paeons, though sometimes the line might be scanned either way. The strong syllable in an outriding foot has always a great stress and after the outrider follows a short pause. The paeon is easier and more flowing). Vale of Clwyd, Sept. 1, 1877. Autograph in A. Text is from corrected B, punctuation of original A. In a letter 78 he wrote: The Hurrahing sonnet was the outcome of half an hour of extreme enthusiasm as I walked home alone one day from fishing in the Elwy. A also notes no counterpoint.
The Caged Skylark. (Falling paeonic rhythm, sprung and outriding.) Autograph in A. Text from corrected B which dates St. Beunos, 1877. In line 13 B writes úncúmberèd.
In the Valley of the Elwy. (Standard rhythm, sprung and counterpointed.) Autograph in A. Text is from corrected B, which dates as contemporary with No. 15, adding for the companion to this see No. 35.
The Loss of the Eurydice. A contemporary copy in A has this note: Written in sprung rhythm, the third line has 3 beats, the rest 4. The scanning runs on without break to the end of the stanza, so that each stanza is rather one long line rhymed in passage than four lines with rhymes at the ends.B has an autograph of the poem as it came to be corrected (83 or after), without the above note and dated Mount St. Mary, Derbyshire, Apr. 78.Text follows B.The injurious rhymes are partly explained in the old note.
St. 9. Shorten sail. The seamanship at fault: but this expression may be glossed by supposing the boatswain to have sounded that call on his whistle.
St. 12. Cheers death, i. e. despair.
St. 14. It is even seen. In a letter May 30, 78, he explains: You mistake the sense of this as I feared it would be mistaken. I believed Hare to be a brave and conscientious man, what I say is that even those who seem unconscientious will act the right part at a great push.... About mortholes I wince a little.
St. 26. A starlight-wender, i. e. The island was so Marian that the folk supposed the Milky Way was a fingerpost to guide pilgrims to the shrine of the Virgin at Walsingham. And one, that is Duns Scotus the champion of the Immaculate Conception. See Sonnet No. 20.
St. 27. Well wept. Grammar is as in Well hit! well run! &c. The meaning You do well to weep.
St. 28. O Hero savest. Omission of relative pronoun at its worst. = O Hero that savest. The prayer is in a mourners mouth, who prays that Christ will have saved her hero, and in stanza 29 the grammar triumphs.
The May Magnificat. (Sprung rhythm, four stresses in each line of the first couplet, three in each of the second. Stonyhurst, May 78. Autograph in A.Text from later autograph in B. He wrote to me: A Maypiece in which I see little good but the freedom of the rhythm. In penult stanza cuckoo-call has its hyphen deleted in B, leaving the words separate.
Binsey Poplars, felled 1879. Oxford, March 1879. Autograph in A. Text from B, which alters four places. l. 8 weed-winding: an early draft has weed-wounden.
Duns Scotuss Oxford. Oxford, March 1879. Autograph in A. Copy in B agrees but dates 1878.
Henry Purcell. (Alexandrine: six stresses to the line. Oxford, April 1879.) Autograph in A with argument as printed. Copy in B is uncorrected except that it adds the word fresh in last line.
Have fair fallen. Have is the sing. imperative (or optative if you like) of the past, a thing possible and actual both in logic and grammar, but naturally a rare one. As in the 2nd pers. we say Have done or in making appointments Have had your dinner beforehand, so one can say in the 3rd pers. not only Fair fall of what is present or future but also Have fair fallen of what is past. The same thought (which plays a great part in my own mind and action) is more clearly expressed in the last stanza but one of the Eurydice, where you remarked it. Letter to R. B., Feb. 3, 83.
The sestet of the Purcell sonnet is not so clearly worked out as I could wish. The thought is that as the seabird opening his wings with a whiff of wind in your face means the whirr of the motion, but also unaware gives you a whiff of knowledge about his plumage, the marking of which stamps his species, that he does not mean, so Purcell, seemingly intent only on the thought or feeling he is to express or call out, incidentally lets you remark the individualising marks of his own genius.
Sake is a word I find it convenient to use ... it is the sake of for the sake of, forsake, namesake, keepsake. I mean by it the being a thing has outside itself, as a voice by its echo, a face by its reflection, a body by its shadow, a man by his name, fame, or memory, and also that in the thing by virtue of which especially it has this being abroad, and that is something distinctive, marked, specifically or individually speaking, as for a voice and echo clearness; for a reflected image light, brightness; for a shadow-casting body bulk; for a man genius, great achievements, amiability, and so on. In this case it is, as the sonnet says, distinctive quality in genius.... By moonmarks I mean crescent-shaped markings on the quill-feathers, either in the colouring of the feather or made by the overlapping of one on another. Letter to R. B., May 26, 79.
Peace: Oxford, 1879. Autograph in B, where a comma after daunting is due to following a deletion. To own my heart = to my own heart. Reaving Peace, i. e. when he reaves or takes Peace away, as No. 35, l. 12. An early draft dated Oct. 2, 79, has taking for reaving.
The Buglers First Communion. (Sprung rhythm, overrove, an outride between the 3rd and 4th foot of the 4th line in each stanza.) Oxford, July 27, (?) 1879. A.My copy of this in B shows three emendations. First draft exists in H. Text is A with the corrections from B. At nine lines from end, Though this, A has Now this, and Now is deliberately preferred in H.B has some uncorrected miscopyings of A. O for, now, charms of A is already a correction in H. I should like a comma at end of first line of 5th stanza and an interjection-mark at end of that stanza.
Morning Midday and Evening Sacrifice. Oxford, Aug. 79. Autograph in A. The first stanza reproduced after p. 70. Copied by me into B, where it received correction. Text follows B except in lines 19 and 20, where the correction reads What Death half lifts the latch of, What hell hopes soon the snatch of. And punctuation is not all followed: original has comma after the second this in lines 5 and 6. On June 30, 86, G. M. H. wrote to Canon Dixon, who wished to print the first stanza alone in some anthology, and made ad hoc alterations which I do not follow. The original 17th line was Silk-ashed but core not cooling, and was altered because of its obscurity. I meant (he wrote) to compare grey hairs to the flakes of silky ash which may be seen round wood embers ... and covering a core of heat.... Your offering, with despatch, of is said like your ticket, your reasons, your money or your life... It is: Come, your offer of all this (the matured mind), and without delay either!
Andromeda. Oxford, Aug. 12, 79. Awhich B corrects in two places only. Text rejects the first, in line 4 dragon for dragons: but follows B in line 10, where A had Air, pillowy air. There is no comma at barebill in any MS., but a gap and sort of caesural mark in A. In a letter Aug. 14, 79, G. M. H. writes: I enclose a sonnet on which I invite minute criticism. I endeavoured in it at a more Miltonic plainness and severity than I have anywhere else. I cannot say it has turned out severe, still less plain, but it seems almost free from quaintness and in aiming at one excellence I may have hit another.
The Candle Indoors. (Common rhythm, counterpointed.) Oxford, 79. A. Text takes corrections of B, which adds companion to No. 10. A has in line 2 With a yellowy, and 5 At that.
The Handsome Heart. (Common rhythm counterpointed.) Oxford, 79. A1.In Aug. of the same year he wrote that he was surprised at my liking it, and in deference to my criticism sent a revise, A2.Subsequently he recast the sonnet mostly in the longer 6-stress lines, and wrote that into B.In that final version the charm and freshness have disappeared: and his emendation in evading the clash of ply and reply is awkward; also the fourteen lines now contain seven whats. I have therefore taken A1 for the text, and have ventured, in line 8, to restore how to, in the place of what, from the original version which exists in H. In The Spirit of Man I gave a mixture of A1 and A2. In line 5 the word soul is in H and A1: but A2 and B have heart. Father in second line was the Rev. Father Gerard himself. He tells the whole story in a letter to me.
At a Wedding. (Sprung rhythm.) Bedford, Lancashire, Oct. 21, 79. A. Autograph uncorrected in B, but title changed to that in text.
Felix Randal. (Sonnet: sprung and outriding rhythm; six-foot lines.) Liverpool, Apr. 28, 80. A. Text from A with the two corrections of B. The comma in line 5 after impatient is omitted in copy in B.
Brothers. (Sprung rhythm; three feet to the line; lines free-ended and not overrove; and reversed or counterpointed rhythm allowed in the first foot.) Hampstead, Aug. 1880. Five various drafts exist. A1 and A2 both of Aug. 80. B was copied by me from A1, and authors emendations of it overlook those in A2. Text therefore is from A2 except that the first seven lines, being rewritten in margin afresh (and confirmed in letter of Ap. 81 to Canon Dixon), as also corrections in lines 1518, these are taken. But the B corrections of lines 22, 23, almost certainly imply forgetfulness of A2. In last line B has correction Dearly thou canst be kind; but the intention of Ill cry was original, and has four MSS. in its favour.
Spring and Fall. (Sprung rhythm.) Lydiate, Lancashire, Sept. 7, 1880. A. Text and title from B, which corrects four lines, and misdates 81. There is also a copy in D, Jan. 81, and see again Apr. 6, 81. In line 2 the last word is unleafing in most of the MSS. An attempt to amend the second rhyme was unsuccessful.
Spelt from Sibyls Leaves. (Sonnet: sprung rhythm: a rest of one stress in the first line.) Autograph in Aanother later in B, which is taken for text. Date unrecorded. Lines 5, 6, astray thus divided to show the rhyme.6. throughther, an adj., now confined to dialect. It is the speech form of through-other, in which shape it eludes pursuit in the Oxford dictionary. Dr. Murray compares Ger. durch einander. Mr. Craigie tells me that the classical quotation for it is from Burnss Halloween, st. 5, They roar an cry a throughther.line 8. With, i. e. I suppose, with your warning that, &c.: the heart is speaking.9. beak-leaved is not hyphened in MS.11. part, pen, pack, imperatives of the verbs, in the sense of sorting the sheep from the goats.12. A has wrong right, but the correction to right wrong in B is intentional.14. sheathe- in both MSS., but I can only make sense of sheath-, i. e. sheathless and shelterless. The accents in this poem are a selection from A and B.
Inversnaid. Sept. 28, 1881. Autograph in H. I have found no other trace of this poem.
As kingfishers. Text from undated autograph in H, a draft with corrections and variants. In lines 3 and 4 hung and to fling out broad are corrections in same later pencilling as line 5, which occurs only thus with them. In sestet the first three lines have alternatives of regular rhythm, thus:
Then I say more: the just man justices;
Keeps grace and that keeps all his goings graces;
In Gods eye acts, &c.
Of these lines, in 9 and 10 the version given in text is later than the regular lines just quoted, and probably preferred: in l. 11 the alternatives apparently of same date.
Ribblesdale. Stonyhurst, 1882. Autograph in A. Text from later autograph in B, which adds companion to No. 10 (= 16). There is a third autograph in D, June 83 with different punctuation which gives the comma between to and with in line 3. The dash after man is from A and D, both of which quote Nam expectatio cresturae, &c. from Romans viii. 19. In the letter to R. W. D. he writes: Louched is a coinage of mine, and is to mean much the same as slouched, slouching, and I mean throng for an adjective as we use it in Lancashire. But louch has ample authority, see the English Dialect Dictionary.
The Leaden Echo and the Golden Echo. Stonyhurst, Oct 13, 82. Autograph in A. Copy of this with autograph corrections dated Hampstead 81 (sic) in B.Text takes all Bs corrections, but respects punctuation of A, except that I have added the comma after God in last line of p. 56. For the drama of Winefred, see among posthumous fragments, No. 58. In Nov. 1882 he wrote to me: I am somewhat dismayed about that piece and have laid it aside for a while. I cannot satisfy myself about the first line. You must know that words like charm and enchantment will not do: the thought is of beauty as of something that can be physically kept and lost and by physical things only, like keys; then the things must come from the mundus muliebris; and thirdly they must not be markedly oldfashioned. You will see that this limits the choice of words very much indeed. However I shall make some changes. Back is not pretty, but it gives that feeling of physical constraint which I want. And in Oct. 86 to R. W. D., I never did anything more musical.
Mary Mother of Divine Grace Compared to the Air we Breathe. Stonyhurst, May 83. Autograph in A.Text and title from later autograph in B. Taken by Dean Beeching into A Book of Christmas Verse 1895 and thence, incorrectly, by Orby Shipley in Carmina Mariana. Stated in a letter to R. W. D. June 25, 83, to have been written to hang up among the verse compositions in the tongues.... I did a piece in the same metre as Blue in the mists all day. Note Chaucers account of the physical properties of the air, House of Fame, ii. 256, seq.
To what serves Mortal Beauty? (Common rhythm highly stressed: sonnet.) Aug. 23, 85. Autograph in A.Another autograph in B with a few variants from which A was chosen, the deletion of alternatives incomplete. Thirdly a copy sent to R. W. D., apparently later than A, but with errors of copy. The text given is guided by this version in D, and needs in line 9 is substituted there for the once in A and B, probably because of once in line 6.Original draft exists in H, on same page with 39 and 40. The following is his signature at this date:
Soldier. Clongower, Aug. 1885. Autograph in H, with a few corrections which I have taken for lines 6 and 7, of which the first draft runs:
It fancies; it deems; dears the artist after his art;
So feigns it finds as, &c.
The MS. marks the caesural place in ten of the lines: in line 2, between Both and these. l. 3, at the full stop. l. 6, fancies, feigns, deems, take three stresses. l. 11, after man. In line 7 I have added a comma at smart. In l. 10 I have substituted handle for reave of MS.: see note on reave, p. 101; and in l. 13, have hyphened God made flesh. No title in MS.
Carrion Comfort. Autograph in H, in three versions. 1st, deleted draft. 2nd, a complete version, both on same page with 38 and 39. 3rd, with 41 on another sheet, final (?) revision carried only to end of l. 12 (two detached lines on reverse). Text is this last with last two lines from the 2nd version. Date must be 1885, and this is probably the sonnet written in blood, of which he wrote in May of that year.I have added the title and the hyphen in heaven-handling.
No worst. Autograph in H, on same page as third draft of 40. One undated draft with corrections embodied in the text here.l. 5, at end are some marks which look like a hyphen and a comma: no title.
Toms Garland. Sonnet: common rhythm, but with hurried feet: two codas. Dromore, Sept. 87. With full title, A.Another autograph in B is identical. In line 9 there is a strong accent on I.l. 10, the capital initial of country is doubtful.Rhythmical marks omitted. The authors own explanation of this poem may be read in a letter written to me from Dublin, Feb. 10, 88: ... I laughed outright and often, but very sardonically, to think you and the Canon could not construe my last sonnet; that he had to write to you for a crib. It is plain I must go no further on this road: if you and he cannot understand me who will? Yet, declaimed, the strange constructions would be dramatic and effective. Must I interpret it? It means then that, as St. Paul and Plato and Hobbes and everybody says, the commonwealth or well-ordered human society is like one man; a body with many members and each its function; some higher, some lower, but all honourable, from the honour which belongs to the whole. The head is the sovereign, who has no superior but God and from heaven receives his or her authority: we must then imagine this head as bare (see St. Paul much on this) and covered, so to say, only with the sun and stars, of which the crown is a symbol, which is an ornament but not a covering; it has an enormous hat or skullcap, the vault of heaven. The foot is the day-labourer, and this is armed with hobnail boots, because it has to wear and be worn by the ground; which again is symbolical; for it is navvies or day-labourers who, on the great scale or in gangs and millions, mainly trench, tunnel, blast, and in other ways disfigure, mammock the earth and, on a small scale, singly, and superficially stamp it with their footprints. And the garlands of nails they wear are therefore the visible badge of the place they fill, the lowest in the commonwealth. But this place still shares the common honour, and if it wants one advantage, glory or public fame, makes up for it by another, ease of mind, absence of care; and these things are symbolised by the gold and the iron garlands. (O, once explained, how clear it all is!) Therefore the scene of the poem is laid at evening, when they are giving over work and one after another pile their picks, with which they earn their living, and swing off home, knocking sparks out of mother earth not now by labour and of choice but by the mere footing, being strongshod and making no hardship of hardness, taking all easy. And so to supper and bed. Here comes a violent but effective hyperbaton or suspension, in which the action of the mind mimics that of the labourersurveys his lot, low but free from care; then by a sudden strong act throws it over the shoulder or tosses it away as a light matter. The witnessing of which lightheartedness makes me indignant with the fools of Radical Levellers. But presently I remember that this is all very well for those who are in, however low in, the Commonwealth and share in any way the common weal; but that the curse of our times is that many do not share it, that they are outcasts from it and have neither security nor splendour; that they share care with the high and obscurity with the low, but wealth or comfort with neither. And this state of things, I say, is the origin of Loafers, Tramps, Cornerboys, Roughs, Socialists and other pests of society. And I think that it is a very pregnant sonnet, and in point of execution very highly wrought, too much so, I am afraid.... G. M. H.
Harry Ploughman. Dromore, Sept. 1887. Autograph in A.Autograph in B has several emendations written over without deletion of original. Text is B with these corrections, which are all good.line 10, features is the verb.13, s is his. I have put a colon at plough, in place of authors full stop, for the convenience of reader.15 = his lilylocks windlaced. Saxo cere- comminuit -brum.17, Them. These, A.In the last three lines the grammar intends, How his churls grace governs the movement of his booted (in bluff hide) feet, as they are matched in a race with the wet shining furrow overturned by the share. G. M. H. thought well of this sonnet and wrote on Sept. 28, 1887: I have been touching up some old sonnets you have never seen and have within a few days done the whole of one, I hope, very good one and most of another; the one finished is a direct picture of a ploughman, without afterthought. But when you read it let me know if there is anything like it in Walt Whitman; as perhaps there may be, and I should be sorry for that, And again on Oct. 11, 87: I will enclose the sonnet on Harry Ploughman, in which burden-lines (they might be recited by a chorus) are freely used: there is in this very heavily loaded sprung rhythm a call for their employment. The rhythm of this sonnet, which is altogether for recital, and not for perusal (as by nature verse should be), is very highly studied. From much considering it I can no longer gather any impression of it: perhaps it will strike you as intolerably violent and artificial. And again on Nov. 6, 87: I want Harry Ploughman to be a vivid figure before the minds eye; if he is not that the sonnet fails. The difficulties are of syntax no doubt. Dividing a compound word by a clause sandwiched into it was a desperate deed, I feel, and I do not feel that it was an unquestionable success.
44, 45, 46, 47. These four sonnets (together with No. 56) are all written undated in a small hand on the two sides of a half-sheet of common sermon-paper, in the order in which they are here printed. They probably date back as early as 1885, and may be all, or some of them, those referred to in a letter of Sept. 1, 1885: I shall shortly have some sonnets to send you, five or more. Four of these came like inspirations unbidden and against my will. And in the life I lead now, which is one of a continually jaded and harassed mind, if in any leisure I try to do anything I make no waynor with my work, alas! but so it must be. I have no certain nor single identification of date.
To seem the stranger. H, with corrections which my text embodies.l. 14, began. I have no other explanation than to suppose an omitted relative pronoun, like Hero savest in No. 17. The sentence would then stand for leaves me a lonely (one who only) began. No title.
I wake and feel. H, with corrections which text embodies: no title.
Patience. As 45. l. 2, Patience is. The initial capital is mine, and the comma after ivy in line 6. No title.
My own heart. As 45.l. 6, I have added the comma after comfortless; that word has the same grammatical value as dark in the following line. I cast for comfort, (which) I can no more find in my comfortless (world) than a blind man in his dark world....l. 10, MS. accents let.13 and 14, the text here from a good correction separately written (as far as mountains) on the top margin of No. 56. There are therefore two writings of betweenpie, a strange word, in which pie apparently makes a compound verb with between, meaning as the sky seen between dark mountains is brightly dappled, the grammar such as intervariegates would make. This word might have delighted William Barnes, if the verb to pie existed. It seems not to exist, and to be forbidden by homophonic absurdities.
Heraclitean Fire. (Sprung rhythm, with many outrides and hurried feet: sonnet with two [sic] codas.) July 26, 1888. Co. Dublin. The last sonnet [this] provisional only. Autograph in A.I have found no other copy nor trace of draft. The title is from A.line 6, construction obscure. rutpeel may be a compound word, MS. uncertain.8, ? omitted relative pronoun. If so = the manmarks that treadmire toil foot-fretted in it. MS. does not hyphen nor quite join up foot with fretted.12. MS. has no caesural mark.On Aug. 18, 88, he wrote: I will now go to bed, the more so as I am going to preach tomorrow and put plainly to a Highland congregation of MacDonalds, Mackintoshes, Mackillops, and the rest what I am putting not at all so plainly to the rest of the world, or rather to you and Canon Dixon, in a sonnet in sprung rhythm with two codas. And again on Sept. 25, 88: Lately I sent you a sonnet on the Heraclitean Fire, in which a great deal of early Greek philosophical thought was distilled; but the liquor of the distillation did not taste very greek, did it? The effect of studying masterpieces is to make me admire and do otherwise. So it must be on every original artist to some degree, on me to a marked degree. Perhaps then more reading would only refine my singularity, which is not what you want. Note, that the sonnet has three codas, not two.
Alfonsus. Text from autograph with title and upon the first falling of his feast after his canonisation in B. An autograph in A, sent Oct. 3 from Dublin asking for immediate criticism, because the sonnet had to go to Majorca. I ask your opinion of a sonnet written to order on the occasion of the first feast since his canonisation proper of St. Alphonsus Rodriguez, a laybrother of our Order, who for 40 years acted as hall porter to the College of Palma in Majorca; he was, it is believed, much favoured by God with heavenly light and much persecuted by evil spirits. The sonnet (I say it snorting) aims at being intelligible. And on Oct. 9, 88, I am obliged for your criticisms, contents of which noted, indeed acted on. I have improved the sestet.... (He defends hew) ... at any rate whatever is markedly featured in stone or what is like stone is most naturally said to be hewn, and to shape, itself, means in old English to hew and the Hebrew bara to create, even, properly means to hew. But life and living things are not naturally said to be hewn: they grow, and their growth is by trickling increment.... The (first) line now stands Glory is a flame off exploit, so we say.
Justus es, &c. Jer. xii. I (for title), March 17, 89. Autograph in A.Similar autograph in B, which reads line 9, Sir, life on thy great cause. Text from A, which seems the later, being written in the peculiar faint ink of the corrections in B, and embodying them.Early drafts in H.
To R. B. April 22, 89. Autograph in A. This, the last poem sent to me, came on April 29.No other copy, but the working drafts in H.In line 6 the word moulds was substituted by me for combs of original, when the sonnet was published by Miles; and I leave it, having no doubt that G. M. H. would have made some such alteration.
Summa. This poem had, I believe, the ambitious design which its title suggests. What was done of it was destroyed, with other things, when he joined the Jesuits. My copy is a contemporary autograph of 16 lines, written when he was still an undergraduate; I give the first four. A.
What being. Two scraps in H. I take the apparently later one, and have inserted the comma in line 3.
On the Portrait, &c. Monastereven, Co. Kildare, Christmas, 86. Autograph with full title, no corrections, in A. Early drafts in H.
The sea took pity. Undated pencil scrap in H.
Ashboughs (my title). In H in two versions; first as a curtal sonnet (like 13 and 22) on same sheet with the four sonnets 4447, and preceding them: second, an apparently later version in the same metre on a page by itself; with expanded variation from seventh line, making thirteen lines for eleven. I print the whole of this second MS., and have put brackets to show what I think would make the best version of the poem: for if the bracketed words were omitted the original curtal sonnet form would be preserved and carry the good corrections.The uncomfortable eye in the added portion was perhaps to be worked as a vocative referring to first line (?).
Hope holds. In H, a torn undated scrap which carries a vivid splotch of local colour.line 4, a variant has A growing burnish brighter than.
St. Winefred. G. M. H. began a tragedy on St. Winefred Oct. 79, for which he subsequently wrote the chorus, No. 36, above. He was at it again in 1881, and had mentioned the play in his letters, and when, some years later, I determined to write my Feast of Bacchus in six-stressed verse, I sent him a sample of it, and asked him to let me see what he had made of the measure. The MS. which he sent me, April 1, 1885, was copied, and that copy is the text in this book, from A, the original not being discoverable. It may therefore contain copyists errors. Twenty years later, when I was writing my Demeter for the lady-students at Somerville College, I remembered the first line of Caradocs soliloquy, and made some use of it. On the other hand the broken line I have read her eyes in my 1st part of Nero is proved by date to be a coincidence, and not a reminiscence.Caradoc was to die impenitent, struck by the finger of God.
What shall I do. Sent me in a letter with his own melody and a note on the poem. This is not final of course. Perhaps the name of England is too exclusive. Date Clongower, Aug. 1885. A.
The times are nightfall. Revised and corrected draft in H. The first two lines are corrected from the original opening in old syllabic verse:
The times are nightfall and the light grows less;
The times are winter and a world undone;
Cheery Beggar. Undated draft with much correction, in H. Text is the outcome.
62 and 63. These are my interpretation of the intention of some unfinished disordered verses on a sheet of paper in H. In 63, line 1, furl is I think unmistakable: an apparently rejected earlier version had Soft childhoods carmine dew-drift down.
The Woodlark. Draft on one sheet of small notepaper in H. Fragments in some disorder: the arrangement of them in the text satisfies me. The word sheath is printed for sheaf of MS., and sheaf recurs in corrections. Dating of July 5, 76.
Moonrise. June 19, 1876. H. Note at foot shows intention to rewrite with one stress more in the second half of each line, and the first is thus rewritten in the white of the dusk, in the walk of the morning.
Cuckoo. From a scrap in H without date or title.
It being impossible to satisfy myself I give this MS. in facsimile as an example, a and b.
The child is father. From a newspaper cutting with another very poor comic triolet sent me by G. M. H. They are signed BRAN. His comic attempts were not generally so successful as this is.
The shepherds brow. In H. Various consecutive full drafts on the same sheet as 51, and date April 3, 89. The text is what seems to be the latest draft: it has no corrections. Thus its date is between 50 and 51. It might be argued that this sonnet has the same right to be recognised as a finished poem with the sonnets 4447, but those had several years recognition whereas this must have been thrown off one day in a cynical mood, which he could not have wished permanently to intrude among his last serious poems.
To his Watch. H. On a sheet by itself; apparently a fair copy with corrections embodied in this text, except that the original 8th line, which is not deleted, is preferred to the alternative suggestion, Is sweetest comforts carol or worst woes smart.
Strike, churl. H, on same page with a draft of part of No. 45.l. 4, Have at is a correction for aim at.This scrap is some evidence for the earlier dating of the four sonnets.
Epithalamion. Four sides of pencilled rough sketches, and five sides of quarto first draft, on Royal University of Ireland candidates paper, as if G. M. H. had written it while supervising an examination. Fragments in disorder with erasures and corrections; undated. H.The text, which omits only two disconnected lines, is my arrangement of the fragments, and embodies the latest corrections. It was to have been an Ode on the occasion of his brothers marriage, which fixes the date as 1888. It is mentioned in a letter of May 25, whence the title comes.I have printed dene for dean (in two places). In l. 9 of poem cover = covert, which should be in text, as G. M. H. never spelt phonetically.l. 11, of may be at, MS. uncertain. l. 38, shoots is, I think, a noun.
Thee, God, I come from. Unfinished draft in H. Undated, probably 85, on same sheet with first draft of No. 38.l. 2, day long. MS. as two words with accent on day.l. 17, above the words before me the words left with me are written as alternative, but text is not deleted. All the rest of this hymn is without question. In l. 19, Yea is right. After the verses printed in text there is some versified credo intended to form part of the complete poem; thus:
Jesus Christ sacrificed
On the cross....
Moulded, he, in maidens womb,
Lived and died and from the tomb
Rose in power and is our
Judge that comes to deal our doom.
To him who. Text is an underlined version among working drafts in H.line 6, freed = got rid of, banished. This sense of the word is obsolete; it occurs twice in Shakespeare, cp. Cymb. III. vi. 79, He wrings at some distress ... would I could free t!.


text:
The 'HC74 devices contain two independent D-type positive-edge-triggered flip-flops. A low level at the preset (PRE)\ or clear (CLR)\ inputs sets or resets the outputs, regardless of the levels of the other inputs. When PRE\ and CLR\ are inactive (high), data at the data (D) input meeting the setup time requirements are transferred to the outputs on the positive-going edge of the clock (CLK) pulse. Clock triggering occurs at a voltage level and is not directly related to the rise time of CLK. Following the hold-time interval, data at the D input can be changed without affecting the levels at the outputs.
Please enter valid number
Please enter a valid price


text:
David Livingston/Getty
Jesse Tyler Ferguson and fiancé Justin Mikita are tying the knot — and that is not a euphemism.
Bow ties have been a signature look for the Modern Family star and his man on the red carpet this season, but now the guys have launched their own line of bow ties through their Tie the Knot Foundation, which supports the fight for marriage equality.
"It's just a fun way to spruce up an outfit," Ferguson told PEOPLE of the ties at the Tie the Knot launch party in West Hollywood on Wednesday. "Men don't get fun, exciting things to wear."
Ferguson and Mikita did not go far when looking for inspiration for their fall/winter 2012 collection, which will be sold online exclusively by The Tie Bar.
"They are inspired by things in our home," said Ferguson, who looked to family heirlooms and living room décor as "jumping off points" for the 20 unique designs.
Working on the bow tie line required Ferguson and Mikita — who announced their engagement when launching their foundation in September — to balance date nights with business dinners.
"We would be out having a nice dinner and then we would start talking about business," Ferguson said. "I would be, like, 'Do I need to get my notebook out? I can't remember all this stuff.'"
But Mikita, a lawyer, wasn't worried that their love would buckle under the pressures of starting the foundation.
"I adore Jesse in all ways and I think we are very compatible personally and business-wise," Mikita said. "He's much more creative and I'm more business-oriented. I get stressed out and have certain ways of doing things and Jesse can deal with it for the most part and that's half the battle."
For now, only 200 pieces of each bow tie design are available, but the couple is hoping there will be a demand for many, many more.
"We wanted them to be unique and limited edition," Mikita said. "But hopefully we will sell out."
–Patrick Gomez


text:
Your Study Guides and Strategies content starts here!
Each style has its own characteristics.
Example, guidelines, and a link to each style of citation exercise
will help you build your own citation.
Landsberger, J. (n.d.). Citing
Websites. In Study Guides and Strategies. Retrieved May 13, 2005,
from http://www.studygs.net/citation.htm .
Landsberger J. Citing Websites. Study
Guides and Strategies. May 12 2005. Available at http://www.studygs.net/citation.htm, Accessed May 13 2005.
Joseph Landsberger. "Citing Websites." (2004). http://www.studygs.net/citation.htm (Accessed 13 May, 2005).
General guidelines:
Landsberger, Joseph. "Citing Websites." Study Guides and Strategies . 12 May 2005. 13 May 2005. < http://www.studygs.net/citation.htm >.
General guidelines:
Landsberger, J. n.d. Citing Websites. St. Paul, MN. Accessed 13 May, 2005. Available from http://www.studygs.net/citation.htm.
General guidelines:


text:
Get the Flash Playerto see this player.
|Hot Bush
Short review: The pubic hair is back, and we don't mean the person. These nice chickies haven't gone with the popular trend of shaving their crotches bare, they have some hair. If you're a bushes lover, this is your website.
Content Amount: With membership to this web-site you get access to fresh updates every day, fast downloads, and some of the most exclusive content in the world. This website boasts of being voted the worlds cool adult net. You also get access to over 25 internet sites, and access to over 6 thousand unique updates, in additon to the content on this one website. All the bushes you could perhaps want, and much much more.


text:
SOURCE: Spotify
November 30, 2011 14:02 ET
NEW YORK, NY--(Marketwire - Nov 30, 2011) - Spotify, the largest and fastest-growing music service of its kind, today opens up a new world of possibilities with Spotify Platform.
Spotify Platform gives third party developers the opportunity to build innovative, engaging music-based apps. To us, it's the next big step in musical enjoyment.
These free apps integrate beautifully with Spotify, both visually and functionally, and can be accessed and shared by millions of Spotify users through the new App Finder, launching today as a preview at www.spotify.com/us/download/previews/.
The first generation of Spotify Apps features 16 partner apps, with 12 available from launch today. We've been lucky to partner with some of the brightest and best brands in the world to create engaging, fun, and social apps.
The 13 global partners launching on the Spotify App Finder include Billboard, Fuse, The Guardian, Last.fm, Moodagent, Pitchfork, Rolling Stone, Songkick, Soundrop, TuneWiki and We Are Hunted, with Top10 and ShareMyPlaylists apps coming soon. We also have three Nordic partners launching local apps, including Tunigo in Sweden which launches today, Gaffa in Denmark and Dagbladet in Norway, which will be launching local Nordic apps soon.
Our integration with Facebook in September has made more people than ever excited about sharing music again, adding more than 7 million new Spotify users in just over two months. And our users have now created more than 500 million playlists, a number which has doubled since just July.
With Spotify Platform, we want to enable innovation on top of music and add many more layers of music enjoyment. We want DJs to create the best lists, and virtual clubs where people can gather together to hear them, dance, and sing along. We want fans to get closer to their favorite artists, and give great editorial partners and tastemakers a way to recommend music to you.
It's also what Spotify users have been asking for. Now anyone can enjoy great music reviews, buy tickets for gigs, sing along with the lyrics, all inside Spotify. In addition, you can curate the apps you want and make Spotify yours... and the launch apps are just the beginning.
Music is many things to many people. With Spotify Platform and a whole bunch of clever apps, we hope we can all get more out of music than ever before.
Speaking at the conference, Spotify CEO and Founder Daniel Ek commented:
"Once you take a look, you'll see why we believe this is truly the beginning of something game-changing for digital music. We think this will lead to integrations that keep Spotify beautiful and simple, but layer in great musical experiences designed to be social and fun. It's what our users have been asking us for."
Spotify Platform beta goes live later today as a preview, at: www.spotify.com/us/download/previews/. For more information about the apps please visit www.spotify.com/apps. The full consumer rollout will take place later in December.
If you were unable to watch Daniel make this announcement live in New York, you can watch again here: http://www.ustream.tv/channel/spotify-event
Password: l0vemus1c (both times)
About Spotify:
Spotify is an award-winning digital music service that gives you on-demand access to over 15 million* tracks. Spotify makes it easier than ever to discover, manage and share music with your friends, while making sure that artists get a fair deal.
Since its launch in Sweden in 2008, Spotify has become the largest and most successful music service of its kind, with over 10 million active users and over 2.5 million paying subscribers. Spotify is now available in twelve countries around the world: US, UK, Sweden, France, Spain, Netherlands, Finland, Norway, Denmark, Austria, Switzerland and Belgium.
*Number of tracks licensed globally. Catalogue size varies in each country.
Further information
For more information, please email the Spotify press office at firstname.lastname@example.com.
Product images, exec headshots and logo files can all be found here: www.spotify.com/us/about-us/press/
B Roll footage, a short, digital package of Spotify and the App Finder, and photography from the press conference, can be found here:
Password: 9s3aMaZLer
See all RSS Newsfeeds


text:
.25 Caliber (.257) 100 gr. SBTThe 100 grain #1625 Spitzer Boat Tail bullet is suited to large varmints and small and medium game. It features excellent accuracy and dependable expansion at longer ranges in those game animals. The 100 grain #1625 GameKing can be used at all ranges but is best utilized when ranges of shots exceed 200 yards. As with the Pro-Hunter bullet, this GameKing bullet has a jacket produced by Sierra's unique four-station jacket draw process. This process produces jackets with maximum concentricity and uniformity together with uniform taper dimensions, resulting in bullets with extraordinary accuracy, dependable expansion, and deep penetration on medium game.
|Dia. (inches)
|Weight (grains)
|Sectional Density
|Ballistic Coefficients and Velocity Ranges
.355 @ 2800 fps and above
.333 between 2800 and 1600 fps
.310 @ 1600 fps and below
Price: $30.44Stock Code: 1625
100 bullets
Status: BackOrdered - Out of Stock
This product is currently out of stock, but available on backorder To order by phone, please call 1-888-223-3006
*Sierra Bullets does not sell any loaded ammunition. What you are purchasing are bullets only and will need to be loaded into ammunition in order to be fired from a firearm. Prices, specifications and availability are subject to change without notice. We reserve the right to correct typographic, photographic and/or descriptive errors.
|Overall Rating
|Rate This Product
|Richard A of Vienna, Ohio
|December 14, 2015
|Excellent bullet for accuracy in my old 25-06 Weatherby Vanguard. I can easily shot groups of one inch at 100 yards. Fourteen year old grandson tried shooting the gun last November at range and fell in love with it. We hunt in PA and he shot his first deer last Saturday, December 12, 2015. He had a one shot kill. Great performance by the bullet. Looks like I lost the gun now.
|Ron A of Livonia, Louisiana
|February 10, 2014
|Many whitetails, several coyotes, and hogs have met an abrupt end with this bullet. Shoots well in my 25, not as good as the 6mm with 100 grain bullets, but good. Excellent above the 400 yard plateau.
|Levi S of Mcloud, Oklahoma
|August 15, 2013
|landed a .715 three shot group at 200 yards and five shots in three holes under an inch at a hundred out of my TC Encore! Haven't hit a deer with them yet but several coyotes dropped on impact. Awesome bullets!


text:
BBC News
- Grace Millane: Man appears in court charged with backpacker's murder
- November shopper footfall down as Black Friday bites
- I'm a Celebrity: Harry Redknapp wins ITV series
- Carwyn Jones considered quitting over Carl Sargeant death
- Doctor Who: Jodie Whittaker won't return for a new series until 2020
- Three Northern Ireland ambulance staff attacked by patient
- Legal aid advice network 'decimated' by funding cuts
- Police searching for Jade McGrath find a body
- Raheem Sterling: Manchester City forward says newspapers 'fuel racism' in football
- Woman, 94, dies after being hit by police van in Cardiff
- UK Championship: Ronnie O'Sullivan beats Mark Allen to win seventh title
- BBC Sound of 2019: Which rising stars have made the longlist?
- The former soldier who's now a blind boxer
- Has Northern Ireland hit peak Brexit?
- Bionic 3D-printed arm 'gives confidence' to young amputees
- How to be a spy in the digital age
- The coach getting more Muslim girls into football
- Young, gay and Christian
- Flintshire food bank inundated with traveller donations
- BBC News Channel
- Dunkeld chippy offers deep-fried Christmas dinner
- Hundreds of Santas take to motorbikes
- Newspaper headlines: Rivals line up to oust Theresa May?
- Should homeless people be expected to live in a box?
- Who was the 'Thai bride' dumped in the hills?
- 'I've got two months to find a donor'
- Football team for grieving dads wins top award
- Why I'm scared of Christmas as a single mum
- Love Island: How we made our love last
- Radio Times front covers of the 1940s
- Triple child murders: The lodger who destroyed a family
- Alternative ways to break Brexit impasse
- Children tell of life in a warzone
- Greenham Common pictures highlight life in the peace camps
- In pictures: Buzzcocks' Pete Shelley
- The Irish border and Brexit explained by @BorderIrish
Village Hall
We will soon be launching our booking facility for village halls.
In the meantime please try www.hallshire.com


text:
Linked by Eugenia Loli on Sat 2nd Sep 2006 19:43 UTC, submitted by Saad
The Amiga changed the computer industry. It was based on a multitasking operating system, rivaled the graphics power of some workstations and was affordable enough for home users. Unfortunately, Commodore struggled to maintain Amiga's lead, and through a number of bizarre business decisions (refusing to license the Amiga design to Sun), went bankrupt. Read about the history of the Commodore Amiga at Low End Mac.
Thread beginning with comment 158422
To read all comments associated with this story, please click here.
To read all comments associated with this story, please click here.
The Amiga ...
by kefkathecruel on Sun 3rd Sep 2006 11:14 UTC
RE: The Amiga ...
by twenex on Sun 3rd Sep 2006 15:32 in reply to "The Amiga ..."


text:
Sesame Workshop Announces Partnership with Teaching Strategies
By Sesame Workshop
Today Sesame Workshop, the nonprofit educational organization behind Sesame Street, announced a multi-year partnership with Teaching Strategies, the educational company that publishes The Creative Curriculum and Teaching Strategies GOLD. The partnership will develop a series of educational offerings for the preschool classroom that utilizes Sesame Street's proven content. Over the next five years, Sesame Workshop and Teaching Strategies will work together to develop new ways to educate young children both at home and in school. Read More


text:
Five people convicted for Costa Concordia disaster.
Byline: Ashley Post
Five people will serve time behind bars for their part in the January 2012 Costa Concordia disaster, which killed 32 people when the Carnival Cruise Lines Inc.-owned Italian ship struck a rock near an island shoreline and capsized.
On Saturday, four Costa Concordia crewmembers and a company official pleaded guilty and were sentenced to jail in Italy for their part in the disaster. Each received sentences of between 18 and 34 months for multiple manslaughter, negligence and shipwreck.
According to Reuters, none of the five individuals are expected to serve out the full length of their sentences. The longer sentences could even be replaced with house arrest or community service.
Meanwhile, Costa Concordia Captain Francesco Schettino remains on trial for manslaughter and abandoning ship. He is seeking a plea bargain to reduce a possible jail sentence.
Read Bloomberg and CNN for more information.
For more InsideCounsel coverage of the Costa Concordia disaster, read: Carnival Corp. unit accepts $1.3 million fine for Costa Concordia disaster Carnival Triumph passengers consider lawsuits Judge dismisses cruise ship disaster suit in Florida Costa Concordia passengers, Italian businesses sue Carnival in U.S. Costa Concordia passengers file new complaint
Cruise ship performers sue Costa Concordia for $200 million Costa Concordia shipwreck litigation could stall Costa Concordia disaster prompts change More Costa Concordia passengers sue Carnival Plaintiffs firms prepare to sue Carnival on behalf of cruise ship passengers Costa Concordia crew member sues Carnival for $100 million
Cruise ship victims can't sue in the U.S.
|Printer friendly Cite/link Email Feedback
|Inside Counsel Breaking News
|Jul 22, 2013
|Previous Article:
|J&J agrees to pay $22.9 million to settle recall suit.
|Next Article:
|First Toyota acceleration case goes to trial.


text:
You are hereHome ›
Narrow Search
Now showing results 1-10 of 10
This is the second module in the Solar Dynamic Observatory (SDO) Project Suite curriculum. Each activity is self-directed by students or student teams and uses online videos, data from the SDO satellite and hands-on activities to explore, research... (View More) and build knowledge about how and why studying the Sun's electromagnetic energy and magnetic fields help scientists better understand the Sun's activity and space weather. Students build knowledge and vocabulary, apply or demonstrate learning through real world connections and create resources to use in investigations. Both a teacher and student guide is included with sequential instructions and embedded links to the needed videos, tutorials and internet resources. In Activity 2A: The Sun and the EM Spectrum students learn how SDO uses key parts of the Sun's electromagnetic spectrum (EMS) to research regions of the Sun, create an interactive foldable to describe the different wavebands of the EMS, then use real-time SDO image data and the Helioviewer online tool to explore the Sun's regional activity. Tutorials for using Helioviewer and making the EMS foldable are included. Activity 2B: Solar activity and Magnetism has students use information in online videos and slide presentations to demonstrate concepts of magnetism and the relationship between the Sun's variable magnetic fields and sunspots. Activity 3B: Solar Research in Action! Build a Spectroscope has students create a spectroscope to observe the different wavebands of visible light, demonstrate how the Sun emits varying EMS energies, and explain how this information helps scientists understand the composition and activity of both our nearest star, and other stars in the universe. A computer for student-teams and a connection to the Internet are needed to complete this module. See related and supplementary resources for link to full curriculum. The appendix includes an alignment to the Next Generation Science Standards (NGSS). (View Less)
Materials Cost: $5 - $10 per group of students
This is an activity about auroras and the scientific terminology used to describe them. Learners will read an article that provides an introduction to specific terms and concepts related to auroras and auroral substorms and examine photographs of a... (View More) 2003 aurora and descriptions of an 1859 aurora to identify the various phases of auroral substorms. This is activity 11 from Exploring Magnetism: Magnetic Mysteries of the Aurora. (View Less)
This is a lesson plan for an activity to introduce several terms scientists use to discuss Earth's magnetic field. Learners will explore a website, read about the main features and regions of the Earth's magnetosphere and its functioning within the... (View More) Sun-Earth system, and compile a lab book in which to keep notes about Earth's magnetosphere, space weather, and magnetometer data. This resource is Activity 12 of Exploring Magnetism: Magnetic Mysteries of the Aurora. (View Less)
This is a lesson to introduce the Kp index, a common numerical indicator of magnetic storminess. Learners will access and analyze Kp index plots of magnetic storm strength and determine the relative frequency of stronger versus weaker magnetic... (View More) storms during years of maximum solar activity. This resource is activity 13 from the Magnetic Mysteries of the Aurora teachers guide. Internet access is required for this activity. (View Less)
This is a presentation to be used by educators to teach about the Sun and its effects on Earth's magnetosphere, including characteristics of coronal mass ejections, or CMEs, the aurora, and solar wind. A web link to a PDF or PowerPoint presentation... (View More) is supplied, along with background information for the instructor. After the presentation, learners will read about various aspects of the Sun-Earth connection and write about one aspect that they found interesting from the presentation and the printed information. Internet access is required to obtain the presentation resources. This resource is Activity 14 of the Magnetic Mysteries of the Aurora teachers guide. (View Less)
This is a lesson about how magnetism causes solar flares. Learners will set up an electrical circuit with magnets to examine magnetic fields and their similarities to magnetic fields seen on the Sun. Learners should have a conceptual understanding... (View More) of magnetism prior to exploring this lesson. This activity requires special materials including a galvanometer, copper wire, and sandpaper. This is Activity 2 in the Exploring Magnetism in Solar Flares teachers guide. (View Less)
This is a lesson about magnetism in solar flares. Learners will map magnetic fields around bar magnets and investigate how this configuration relates to magnetic fields of sunspots. This activity requires compasses, bar magnets, and a equipment for... (View More) the instructor to project a PowerPoint or pdf lecture presentation. This is Activity 1 in the Exploring Magnetism in Solar Flares teachers guide. (View Less)
This is an activity about the THEMIS (Time History of Events and Macroscale Interactions during Substorms) magnetometer and its ability to reveal many different types of disturbances in the Earth's magnetic field. Learners will work with vector... (View More) data using THEMIS XYZ plots to complete two student worksheets: Activity A analyzes data to determine if the Earth's magnetic field is slowly weakening, and Activity B analyzes data to determine whether the Earth's magnetic pole is moving. This is activity 19 in Exploring Magnetism: Earth's Magnetic Personality. (View Less)
This is an activity about changes in the Earth's magnetic field during magnetic storms. Learners will construct a soda bottle magnetometer, collect data, and analyze the results to detect magnetic storm events. The operation of the student-created... (View More) instrument can be directly related to THEMIS (Time History of Events and Macroscale Interactions during Substorms) display measurements. In this activity, learners should ideally collect data over the course of an entire month. This is activity 17 in Exploring Magnetism: Earth's Magnetic Personality. (View Less)
Materials Cost: $1 - $5 per group of students
This is an activity about magnetic fields. Using iron filings, learners will observe magnets in various arrangements to investigate the magnetic field lines of force. This information is then related to magnetic loops on the Sun's surface and the... (View More) magnetic field of the Earth. This is the second activity in the Exploring the Earth's Magnetic Field: An IMAGE Satellite Guide to the Magnetosphere educators guide. (View Less)


text:
Linked by Thom Holwerda on Fri 4th Jan 2008 20:35 UTC, submitted by koki
According to a news post on the Haiku project website, a new port team is being formed to bring Java technologies to the Haiku platform. The goal of the Haiku Java Team is to port OpenJDK to Haiku, and they would like to see the port included within the structure of Sun's OpenJDK project. The Haiku developers have already been in contact with members of the OpenJDK Porters Group to pursue their objective, and a formal proposal has also been submitted for consideration by the OpenJDK project. The Haiku Java Team is an initiative lead by Bryan Varner, who together with Andrew Bachmann worked on the port of Java to BeOS in the past (demo video).
Thread beginning with comment 294469
To view parent comment, click here.
To read all comments associated with this story, please click here.
To view parent comment, click here.
To read all comments associated with this story, please click here.
RE: Ah, well, Haiku ...
by StephenBeDoper on Sat 5th Jan 2008 19:11 UTC in reply to "Ah, well, Haiku ..."
Nowadays - 8 years after the last version of BeOS - with the huge progresses being made by Gnome and KDE, it seems absurd to have an operating system that considers itself as copy of BeOS 5.03 ...
...until you consider that, with 8 years of progress, GNOME / KDE have barely managed to catch up to BeOS circa 2000.


text:
From Openmoko
doesn't we have opkg as a lightweigt packed manager? isn't ligtweigt mostly the same as memory efficient and fast? why should we develop a new, instead of optimizing the opkg one? what did you think to do better than the opkg people? what are the goals that seperates npkg from opkg? --Carcinoma 06:02, 27 July 2009 (UTC)


text:
Indiana's casino operators and legislators are looking nervously over their shoulders at their new competitors — most prominently those in Ohio. The New York Times reports that since the mid-1990s, Indiana casinos "have filled state coffers with more than $10 billion in taxes and have drawn millions of visitors across state borders to try their luck at Indiana slot machines." But those good times are ending. "Citing a shaky economy and the growing threats of casino expansion in the neighboring states of Illinois, Kentucky and Ohio, a state report predicted 2012 'will be remembered as the relative calm before Indiana braces for the looming storm of interstate competition for gaming revenues,'" according to The Times. The state's incoming tax revenue from riverboat gambling alone is expected to dip by $73.6 million by 2015, a 15% decrease. Indiana officials "seem most frightened of what is happening in Ohio, which opened its first three casinos in 2012," in Cleveland, Columbus and Toledo, according to The Times. The new competition "has already been blamed for layoffs at Indiana casinos along the border," the newspaper says, and the situation for the Hoosier state could get worse with the opening in March of a Cincinnati casino. The lesson, The Times concludes, is that as more states pursue casinos as an untapped revenue stream, they dilute the market for states that embraced casinos earlier. And if you're excited about what casinos bring to Ohio, just understand that someday, we'll be in Indiana's shoes.
Indiana's casinos suffer, and so do state's tax coffers
Bloomberg runs a long profile of Bill Emerson, CEO of Quicken Loans Inc., who has put the mortgage lender founded by Cleveland Cavaliers owner Dan Gilbert "near the very top of an industry that's reaping the rewards of a refinancing boom engineered by the Federal Reserve and President Barack Obama." Quicken Loans "is taking advantage of the collapse of hundreds of rivals, retreats by some of the largest banks, and hurdles faced by new competitors," Bloomberg reports. The company in the third quarter overtook Citigroup Inc. as the country's fifth-largest mortgage originator, and it since has surpassed U.S. Bancorp and Bank of America Corp. Lending jumped to $70 billion in 2012 from a previous record of $30 billion, but Mr. Emerson, 50, tells Bloomberg it still has room to grow. "Our mission is to do as much or more than we did last year," says Mr. Emerson, a former walk-on at Penn State who became a captain of that university's 1982 national championship football team. "There's a massive market out there, and 93 out of 100 people still wake up and go somewhere else." (That sounds exactly like something Mr. Gilbert would say.) The company has a good chance to keep growing, says Mark Fleming, chief economist at real estate data firm CoreLogic Inc. He says unlike many rivals he has visited, Quicken's offices "buzz" with engaged employees, it runs a "slick marketing engine" and consumers are growing more used to online transactions. "Things are changing and maybe you don't need those local relationships anymore," Fleming says.
Dream on: Eaton Corp. is helping with the investigation into the cause of a fuel leak blamed for a fire on one of Boeing's 787 Dreamliners. "I can confirm we are fully supporting the investigation of the recent 787 fuel incident," an Eaton spokeswoman told Reuters. "Without speaking about either the incident or investigation, I can tell you that we do supply pumps and valves to the program." The Times of London reported Wednesday that a factory run by Eaton's U.K. unit, Eaton Aerospace, may have produced a faulty valve actuator that caused a fuel leak blamed for a fire on one of the Dreamliners. The paper said the plant in Hampshire, southern England, produced the part linked to the flow of fuel through sections of the plane. One direction — down: Four states in the industrial Midwest — Ohio, Indiana, Wisconsin and Michigan — accounted for about half the country's loss of unionized jobs in 2012, according to this analysis from Reuters. The total number of union members fell by nearly 400,000, from 11.8% of the work force in 2011 to 11.3% in 2012, a U.S. Department of Labor report on union membership found. The 11.3% rate is the lowest since 1936. Ohio alone lost 43,000 union jobs last year and now has 603,000 union members. (The state's 12.6% unionized rate remains above the national average.) Union membership has been falling since 2008, when it was 16.1 million, or 12.4% of the work force, federal data show. Reuters says it peaked in 1954, when 28.3% of workers were represented by organized labor. Your rich sports team owner update: Ever wondered, "How many of the NBA's 30 team owners are billionaires?" In case you did, Forbes.com has your answer: 14, including the Cavaliers' Dan Gilbert, who's worth $1.9 billion. The majority of the league's billionaires hail from smaller markets, Forbes.com says: Mr. Gilbert, Richard DeVos in Orlando, Herb Simon in Indiana and Paul Allen in Portland, to name a few. "Wealthy owners certainly carry more value in smaller markets," the website notes. "Money for things like arena fix-ups, which Allen largely financed for Portland's Rose Garden, and brand new buildings to escape New Jersey in, which the Brooklyn Nets got thanks to (Mikhail) Prokhorov's partial buyout of Bruce Ratner, can get done despite relatively limited cash flows."
You also can follow me on Twitter for more news about business and Northeast Ohio.


text:
Chicken in a Pot Plus Stock or Dumplings
This is quite different from the Chicken in a Pot recipe already posted (#7202), which calls for tomato and very little liquid. I like this alternative...
carrot, celery, +allspice, +bay leaf, +thyme, +onions, +parsley, +black pepper, +salt, +water, +chicken
Chicken Or Turkey Stew Or Fricassee I
recipe.aol.com - Similiar recipes
Hedda's Chicken(Or Turkey) and Rice Soup
Original recipe from a former colleague. This is so good with either left over chicken or or turkey or with meat purchased especially for the recipe. ...
carrot, celery, +chicken, +tarragon, +black pepper, +rice, +chicken broth, +onions, +parsley, +salt, +vegetable oil
Cream Of Turkey Or Chicken Soup Recipe
www.grouprecipes.com - Similiar recipes
Chicken or Turkey Pie
"This recipe came from our County Extension Agent's wife, who was a wonderful cook. Everyone always asks for the recipe when I make it because the ingredients...
carrot, celery, +baking powder, +butter, +cheddar cheese, +chicken broth, +turkey, +flour, +milk, +onions, +salt
allrecipes.com - Similiar recipes
Chicken & Dumplings (Or Easy Chicken Stew - Minus the Dumpli
This recipe is comfort food all the way! Perfect on a cold day or when you just need something to warm you up. For the optional Dumplings, please use Christine...
carrot, celery, +chicken broth, +chicken, +cream of chicken soup, +cream of mushroom soup, +garlic, +peas, +onions, +black pepper, +poultry seasoning, +water
Chicken or Turkey Pot Pie
Ultimate in comfort food dinner, and very easy to make.I got this as a "starter" from Emeril 5-6 years ago, and altered to represent real life...
carrot, celery, +chicken broth, +chicken, +onions, +flour, +peas, +garlic, +green pepper, +olive oil, +pie crust, +potato
Chicken Or Chicken And Rice Soup Recipe
celery, carrot, +chicken, +onions, +black pepper, +salt, +parsnip, +bouillon cube, +chicken soup
cookeatshare.com - Similiar recipes
Bird's Chicken Stew With Dumplings (Or Chicken Noodle Soup)
Serve this as a soup, ladeling it over some cooked egg noodles, or follow with the dumplings portion of the recipe to thicken the sauce into a wonderful...
carrot, celery, +chicken broth, +basil, +oregano, +parsley, +garlic powder, +green beans, +onions, +poultry seasoning, +salt, +water, +chicken
Salt - Free Chicken Or Turkey Stock
www.cooks.com - Similiar recipes
Can't find what you are looking for? Try our custom google recipe search:
Custom Search
Your Ingredients:
Legend: click ingredients to include or exclude
have this
need to use this
exclude this
AboutAbout Us
Contact Us
Privacy Policy
On the WebFacebook
Twitter Recipe Search Bot
ToolsAdd to your Website
Search alongside Google
Recipe Puppy for iPhone
Vegetarian Search
Vegan Search
MoreSubmit your Recipe
Cooking Q&A
Online Grocery Delivery
Restaurant Gift Certificates
Restaurant Coupons


text:
This elegant young gelding of Sandreo has a very sweet character. He is very obedient and relaxed to get on with. Aroxan is a nice and honest horse, easy on the mouth and with three correct gaits. He is a real cuddly toy, a horse that will give you a lot of joy!
Sols to Spain to Evelyn v Beuningen. march 2011
Aroxan stays with us for a while to train.