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Bike Accidents – Purvis, MS 39475
Bicycle accidents can lead to major and in some cases deadly injuries. Suits to recover damages for injuries in bicycle mishaps with cars involve a lot of the same concerns as any auto accident claim. Liability for bike mishap injuries frequently boils down to negligence– whether the car motorist's negligence triggered the cyclist's injuries, and whether any negligence by the bicyclist caused or added to the mishap.
Bicycle Mishap Liability Essential
Cyclists and drivers are obligated to obey the rules of the road. These guidelines include traffic laws, in addition to the responsibility to exercise regular care in regards to one's own safety which of others on the highways. Like other car mishap claims, bike accident lawsuits are governed by state law, and frequently notified by state and local traffic laws.
Negligence and Bike Accidents in Purvis, Mississippi
When a bicyclist takes legal action against to recuperate damages for injuries suffered in an accident with a car, the result often depends on 2 concerns:
- Did negligence (or recklessness) on the part of the chauffeur cause the accident and resulting injuries to the bicyclist?
- Did any negligence of the bicyclist cause or add to the accident?
Driver Negligence or Recklessness
Negligence by a motorist can take numerous kinds. For instance, speeding, running a stop indication, and wandering into a bike lane all constitute motorist negligence, or perhaps recklessness if finished with knowing neglect for the security of others.
In a suit declaring negligence by another individual, complainants normally should show that the offender acted in a manner that violated a task owed to the complainant. In car accident cases, this indicates breaching the fundamental task of care owed to everyone else on or near the highways.
Accident suits boil down to realities particular to the specific case, and frequently the ability of the plaintiff to show negligence through eyewitness statement or other evidence. In cars and truck mishap cases, however, habits which make up traffic violations can constitute "negligence per se." This means that if a driver was pointed out for a violation such as speeding at the time of the accident, proof of the speeding violation counts as proof of negligence. The burden then moves to the offender to show that she or he didn't trigger the complainant's injuries.
Cyclist Negligence – Purvis, Mississippi 39475
Whether a cyclist sues a chauffeur, or a cyclist is sued for triggering someone else injury, cyclist negligence can figure out the result of the claim. Examples of biker negligence include riding the wrong way on a one-way street, running a stop sign, and turning suddenly into traffic.
Irresponsible cyclists may be unable to recuperate damages for injuries they suffer in accidents involving automobiles. Such negligence is called contributory or relative negligence, indicating that the cyclist's negligence, a minimum of in part, triggered the mishap to take place, and therefore caused a minimum of some of the cyclist's injuries. If a bicyclist rode negligently, which negligence caused injury to another person, the bicyclist may be held responsible for that person's injuries.
In accident cases involving kids on bicycles, courts hold drivers to a greater requirement. See specifics on kid bicycle mishap liability for more information.
Get Your Legal Claim Evaluated for Free
Accidents including vehicles and bikes can include serious injuries and large liabilities. Bike accident suits typically come down to whether the chauffeur or the cyclist negligently triggered or added to the mishap. This negligence decision can be a complex and need thorough analysis. If you or a loved one has remained in a bike accident, you need to consult with a lawyer to finest safeguard your rights. You can have a knowledgeable law practice examine the merits of your claim free of charge.


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Jamai Raja 10th October 2016 Written Episode Update
Jamai Raja 10th October 2016 Written Episode, Written Update on TellyUpdates.com
The Episode starts with Satya telling Mahi that he will apply ointment on her burnt hand. Mahi refuses. Naina comes and asks how her hand got hurt. Satya asks Mahi not to stop him and says we will keep our issues at side. Payal thinks Satya pushed me and took Mahi from here. What happened in a night? Satya applies ointment on Mahi's hand. Mahi is teary eyes feeling the pain while the song Mera Kya Tu Laage plays……Payal peeps in their room, and goes. Satya asks Mahi, can't you see who is your enemy and who is not. Mahi asks what do you mean? He says do I need to tell you even after this. Mahi says you wants to say that my mamma have done this intentionally. She says how can you think this. It was just an accident and nothing else. They hear Shom stopping Payal. Payal says no Shom, this
Payal says how can I do such a big mistake. Mahi says I will make food for you. Payal says no need, you are also hurt. Mahi says don't worry and asks her to rest. Satya thinks Payal should play a vamp in a TV show, and thinks he will punish her, and will not be fool by her. Payal comes there. Satya says sasu mummy…I was praising you. Payal holds his collar and asks did you come here for my work or to romance with Mahi. She picks a lighter and threatens to burn him. She says I never thought even once before burning that girl's hand and myself. I will not think before setting fire to you. Satya says I was just treating her hand, so that she can sign on the papers. Payal asks her not to try to be smart, and asks him not to double cross her, else she will ruin him. Satya asks her to trust him. He says I will leave once I get my money. Payal asks him to remember what she has just said.
In the kitchen, Mahi is peeling the potatoes. Satya comes there and says you have wound on your hand. Mahi says my mum is hurt too. I have responsibility towards her. Satya says I will peel off potatoes. Mahi asks him not to touch it and refuses to take his help. Satya goes from there. Payal looks at her hand, and removes the bandage. Satya peeps from the window and looks at her clean hand without any burns mark. Payal smirks. Satya thinks this sasu mummy is a big player, but I am khiladi no. 1 and will play your band.
Once she goes to washroom, Satya enters and thinks now see what I will do. He adds a powder in her perfume bottle. Shom enters the room, and knocks on the door. Satya keeps back the bottle. Shom enters calling Payal. Satya hides. He leaves thinking she is in washroom. Satya silently leaves from there. Payal comes out from washroom and applies perfume on herself. Mahi serves Payal's favorite food and asks her to taste it. She serves her food and asks her to eat. Payal asks why did you make? You would have taken rest. Satya comes there. Payal starts itching her body, and asks Mahi if she has added peanuts. Mahi says I know about your allergy and I have not added peanuts. Mitul brings ice. Satya says I will apply on your hand, and removes bandage. He asks Mahi to see and says where is mark on your mum's hand. He turns and see burn mark on her hand.
Payal acts innocent and smirks looking at Shom. Shom smiles. Payal says enough and goes to her room. Mahi gets angry on Satya and goes. She takes out tablet from her cupboard. Satya comes there and tells Mahi that Payal is just feign to have burnt her hand. Mahi asks him to stop talking bad about her mum again. Payal sees Mahi coming and starts acting. She says what Satya wants to proof? Why he wants to do this. Mahi comes, rests on her lap and apologizes. She says he has again doubted on you, but don't care for his talks. She gives anti allergic tablets to Shom and asks him to make Payal take it. Payal gets up and says good. You have thought very far. She removes her bandage and see burn mark on her palm. She then removes the fake wound and throw it. She says now I have to think about Satya, I don't think his intentions is good.
Satya tells Mahi that he didn't marry her for money, but married her as he loves her. Mahi gets emotional and teary eyes.
Update Credit to: H Hasan


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NetWellness is a global, community service providing quality, unbiased health information from our partners. NetWellness is commercial-free and does not accept advertising.
Friday, August 23, 2013
The U.S. Department of Agriculture's Food Safety and Inspection Service has detailed information on pork safety on its website. In short, all fresh pork must be cooked to 160 degrees F, which is hot enough to kill pork-related pathogens such as Trichinella spiralis, which causes trichinosis, E. coli, Salmonella, Staphylococcus aureus and Listeria monocytogenes.
Proper meat handling before and after cooking is also essential to reduce risk of food-borne illness. For example, the best way to defrost frozen meat is in the refrigerator. Never do so on the countertop or anywhere at room temperature because that allows any bacteria on the meat to multiply rapidly. Even cooking the meat afterwards might not offer protection, because some types of bacteria produce toxins as they multiply that aren't killed by heat.
Also, be sure to thoroughly wash all utensils, cutting boards, and other surfaces that come into contact with raw meat before using them for anything else.
This article originally appeared in Chowline, a service of Ohio State University Extension and the Ohio Agricultural Research and Development Center, and was adapted for use on NetWellness with permission, 2009.
Last Reviewed: May 01, 2009
Director of Human Nutrition Dietetic Internship
College of Education and Human Ecology
The Ohio State University


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Sales & Marketing Surgery @ Business Central Darlington
Visit our monthly Sales & Marketing Surgery at Business Central Darlington for FREE support from an industry expert.
Whether you require a review of your promotional material or support to develop your sales skills, we can help.
Date & Time
DATE: First Tuesday of every month (Starting 1st September 2015)
TIME: 10:00am – 3:00pm
DURATION: 30 minutes
WHERE: Open Space at Darlington Business Central, DL1 1GL
Attend one of our FREE monthly Sales & Marketing Surgeries
Gordon Hanna
Sales advice will be provided by Gordon Hanna, Business Liaison Manager at TEDCO Business Support Ltd. Having 16 years' experience running my own business and 12 years in account managing corporate clients on behalf of brands such as Mercedes-Benz. I have a wealth of experience helping new start-up business get established and grow within their chosen market.
Sales advice on:
- – Sales Strategy
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Paul Finch
Marketing advice will be provided by Paul Finch, who runs Pulse Creative Marketing. With a background in strategic & creative marketing I have provided marketing consultancy and coaching to businesses of all sizes for over 15 years. I am passionate about helping businesses implement effective marketing solutions.
Marketing advice on:
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Please complete the 'Sales & Marketing Requirements' form below. Once we receive this information we'll contact you to confirm your appointment:


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Since we learned to draw on cave walls, mankind has been telling stories. Now a Seattle senior center is demonstrating how storytelling can be a successful communications tool for dementia patients — and perhaps proving the technique's worth in reaching any distracted or disinterested audience.
Elderly persons suffering from dementia lose their memory. That lack of memory can generate deep frustration in trying to communicate with loved ones they don't recognize.
In Seattle, storytelling is treated like therapy, according to a piece aired by NPR. Patients are shown interesting photographs and asked to compose a story about the life of the person in the picture. Since these aren't personal pictures, patients don't need to struggle to recall faces, names or places. They just make up the stories, which creates a form of release. Patients can communicate without the burden of a failing memory.
The Notebook, a highly regarded romance movie released in 2004, centers around an elderly man (James Garner) reading a passionate love story to an elderly woman with dementia (Gena Rowlands). The story captivates Rowlands' character, but it isn't until toward the end of the movie that you realize the love story is about these two characters when they were young. The story's happy ending jogs a burst of memory in Rowlands' character, and she recognizes Garner as her lifelong love. Their embrace is sadly fleeting, but deeply revealing.
Whether storytelling can actually revive memory in dementia patients is debatable, but there is no doubt storytelling can spark interest in all kinds of people and all kinds of subjects.
NPR cites a study in The Gerontologist, co-authored by Anne Basting, that concluded "storytelling makes people more engaged and alert."
For most communicators, the challenge is to break through barriers of disinterest, distraction and distrust. Storytelling can be the key.
The story form appears embedded in the way our brains work. We naturally have an interest in a well-told story. Just as important, we want to share in the story.
This kind of engagement is exactly what people today are looking for in associating with brands or causes. It is the reason why storytelling shouldn't be an ancient relic in your communication toolkit.


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You and your dress may be the stars of the show, but the veil is a close second. Wedding veils were originally thought of as a way to protect the bride from evil spirits. While we now consider them to merely be a beautiful accent, you will want to take a few things in to consideration when selecting your perfect veil. Not only do you need to think about your dress, you also need to think about th overall look you hope to achieve. From the dress, to your face shape, and everything in between, these are importat parts of figuring out which veil is right for you.
First and foremost, the key to selecting the best veil means taking your dress in to account. You always want to be sure that the veil you select will compliment your look, not overpower or distract.
What part of the dress needs to be the focal point? If you have a back detail you would like to show off, for example, obviously you'll want to make sure the veil is either short enough to allow an unobstructed view. In the event you had your heart set on a cathedral length, you will want to make sure to choose an extremely sheer material.
Another important thing is to consider not only embellishments, but the overall style of the gown. A good rule of thumb? The simpler the dress, the more elaborate a veil can be pulled off. As tempting as it may be to opt for an ornate veil or headpiece, try to hold back if your dress already has a lot of detail.
Once you've narrowed down the style of veil you want, you will want to choose the width. You will find that many veils are often 72 inches in width. It will offer some coverage around the arms, so this is a good match for a dress with thin straps.
108 inches is the widest option and it will provide the most fullness, especially on top. It comes around to cover the arms. If you're wearing a strapless dress and need some coverage around your upper body, this will be a fantastic option.
Needless to say, you will want a color that will match your wedding gown. If you have opted for a unique color, consider giving a swatch to your seamstress to ensure the two don't clash.
Round faces typically look very full in appearance. When choosing your veil, opt for a style that will help to elongate your features. You will most likely want to look at shoulder length veils.
Square faces are wide and angular. You will want to choose a style that will soften your look. Shoulder length, circular cascading styles can aid in doing just that.
Oval faces are similar to an egg: longer than they are wide. This is an ideal face shape as they tend to be well balanced and allow for experimentation with various veil styles. Do be aware that you may want to avoid extreme volume or width; this will help in maintaining proper proportion.
Finally, rectangle faces are longer than wide, but they are also narrow and more angular. You will want to look for a style that offers width around the face, but definitely avoid volume.


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Recent Posts
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Monthly Archives: August 2012
Fat Pixels, Fun Times: Great Vic-20 Games
I wanted to do a bit of a balancing entry to the one I did yesterday where I took the piss out of several bad Vic-20 games, lest I give the impression that I am a complete curmudgeon and that … Continue reading
I've Turned Into a Green Thing: Terrible Vic-20 Games
While twittering on the tweetatron this morning the subject of "Asteroids" by S. Munnery came up. This legendarily terrible version of Asteroids was, as I have documented before in the History of Llamasoft, at least partially responsible for the very … Continue reading
Various Items of Gridrunner-Related Gnus
Quite a Gridrunnery time at the moment. 1: Gridrunner nominated for the Golden Joysticks awards. In the mobile/tablet category. Which is nice. However since to win it you have to get the most votes from fans, and since in fact … Continue reading
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Caprichoso Arcade: Inferno+
It's happened again. It's a scene which has played out so many times, in the offices and homes of game developers across the world. It's happened many times before and doubtless it'll happen many times again. One dev turns to … Continue reading
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Happy birthday C64!
So they are saying that today is the 30th birthday of the c64. Well that's true for certain values of "birthday" I guess. When was the C64 born? Was it back in 1981 when the designers first began work on … Continue reading


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Blake Shelton was the main winner at Thursday evening's Country Music Association (CMA) awards in Nashville.
Shelton won a total of three awards including the prestigious 'Entertainer of the Year' trophy, beating last year's winner Taylor Swift, Jason Aldean, Kenny Chesney and Brad Paisley.
The Voice coach shook his head and embraced wife Miranda Lambert as the result was announced.
Shrugging and smiling, he said: "Well. You can tell this time I really didn't think I was gonna [win], I'm still willied out here, I didn't even go back and change. Man. 'Entertainer of the Year?' What are you talking about?"
Shelton explained that on moving to Nashville in 1994, he had two goals - to have a gold-selling record and "to some day be a member of the Grand Ole Opry".
"'Entertainer of the Year' is - what is this? - I don't even know," he continued. "Oh my gosh, Taylor Swift? How did I... I know I'm not out there as much. I don't know how this happened, but I freaking love it though."
Shelton concluded by thanking fans and saying that he aims to represent country music "as best as I can with whatever I do".
Shelton triumphed over Jason Aldean, Luke Bryan, Eric Church and American Idol judge Keith Urban to win the 'Male Vocalist of the Year' award for the third time.
Shelton also shared the 'Song of the Year' award for 'Over You' with Lambert, and paid tribute to his late father and brother in his speech.
Lambert, meanwhile, beat McBride, Swift, Kelly Clarkson and CMAs co-host Carrie Underwood in the 'Female Vocalist of the Year' category.
"Holy crap. I don't necessarily deserve this, but I'll sure take it," she said. "I don't know - I didn't say anything for 'Song of the Year' because it was a huge, huge dream of the year to write the song of the year, and I never thought I'd get to celebrate it, especially with my husband."
Lambert paid compliments to each of her fellow nominees and joked that McBride had "even invited me to her house".
"I can't believe that I'm standing up here holding this right now... there's room for all of us girls and we're all going to stick together and get our voices heard," she added.
[Left: Eric Church / Right: Toby Keith]
Other award winners included Eric Church, who took home the 'Album of the Year' prize for Chief, 'New Artist' winner Hunter Hayes and Toby Keith, who took home the 'Music Video' prize for 'Red Solo Cup'.
It was also announced earlier in the day that Kenny Chesney and Tim McGraw had won the 'Musical Event' trophy for 'Feel Like a Rockstar'.
Performers at the Bridgestone Arena in Nashville included Tim McGraw and Faith Hill, Carrie Underwood, The Band Perry, Lady Antebellum and Eric Church.
A number of artists also appeared to perform a tribute to Willie Nelson, who received a standing ovation as he took to the stage to perform 'On the Road Again' with an all-star ensemble including Urban, Shelton and Lady Antebellum.
He was then presented with the inaugural 'Willie Nelson CMA Lifetime Achievement Award'.


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Communications and Social Media Committee
The purpose of the Communications Committee is to manage the general day to day tasks associated with keeping the website functioning and up to date. This committee is also responsible for gathering technical information from various sources and publishing this information to the members of ASCET through, generally, a weekly newsletter called the ASCET Informer. This committee has also taken on the task of updating and producing the ASCET historical yearbook. The committee may also take on other tasks not noted here that may be necessary in assisting other committees from time to time.
Social Media
ASCET Enters Digital Age and has a presence on social media such as LinkedIn, Facebook, YouTube and Twitter. On these platforms members and corporate sponsors can keep informed of our activities and events. Members who use social media are encouraged to participate and interact with our postings.
Mollie Gosnell
is the Chair of the Communications and Social Media Committee
Upcoming events
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A Window Between Worlds (AWBW) A Window Between Worlds (AWBW)
Here's a sample of our volunteer opportunities:VIEW AS
Mission Statement
A Window Between Worlds (AWBW) is dedicated to cultivating and building a network of transformative arts programming that empowers individuals and communities impacted by violence and trauma.
A Window Between Worlds (AWBW) was founded in 1991 with one intention -- to use art in a way that would make a difference. It all started when Los Angeles artist Cathy Salser facilitated art workshops for residents and staff for a variety of domestic violence shelters on a national tour. What she found that summer, and what continues to inspire the work of AWBW today, is that even one art workshop can change a life forever.
Creating art is a catalyst, opening windows of safety, connection and healing. Through Windows Programs participants are able to express feelings in a different way, empowering them to reclaim self-worth and make meaning of their journeys. As they make art -- by drawing, sculpting, painting, collaging, writing and more -- participants voices are heard and future potential is seen, often for the first time.


text: A fix for pharma Nov 3, 2010 Tweet Pegasystems has released its Adverse Event Case Processing solution, which is designed to help organizations collect, manage and analyze adverse events both during and after clinical trials, thereby shortening the timeline for conducting successful clinical trials and improving the post-approval management of safety information.The company explains that all clinical trials and marketed products have the potential to produce adverse events ranging from minor to serious in nature, even when available to the general public. Adverse events categorized as "serious," or something that could result in initial or prolonged hospitalization, death, etc., must be reported to regulatory authorities immediately. In a highly competitive industry where patent expirations and rising drug development costs are pressuring bottom lines, life sciences companies need better operational efficiency to adapt to changing regulations and reduce costs. The Adverse Event Case Processing solution improves critical stages of pharmacovigilance operations. New automation and operational efficiencies that leverage built-in business process management capabilities include: eliminating redundant analysis and reporting requirements across multiple regulatory jurisdictions; reducing time normally spent on identifying specific adverse event classifications; streamlining the parallel routing and reporting of adverse events to all internal and external recipients, to ensure timely compliance with multiple regulatory jurisdictions locally and globally; managing and tracking audit trail logs and all systems and user actions to support regulatory requirements including 21 CFR Part 11; and wrapping and integrating existing clinical trial management systems, electronic data capture, CRM, safety and pharmacovigilance systems, to create a single unified dashboard to adverse event management.


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In October, we reported on the filing of the marijuana industry's first class action lawsuit, Flores v. LivWell, Inc., in Colorado state court by two marijuana users. Plaintiffs alleged that LivWell sprayed thousands of its plants with a dangerous fungicide known as Eagle 20 and that, when burned, it releases a poisonous compound, hydrogen cyanide. See post. Interestingly, plaintiffs in LivWell did not claim any personal injury resulting from their alleged inhalation of hydrogen cyanide, but instead claimed they would have paid less for the marijuana had they known it had been treated with Eagle 20. Although the LivWell suit was recently dismissed for failure to allege a cognizable injury, the industry will likely face increased litigation in the coming months related to the use of illegal pesticides.
From a product liability perspective, it is typical within an industry that a class action lawsuit will attract the attention of regulatory authorities that piggyback on issues related to the underlying lawsuit. Once regulations are enacted, further lawsuits usually follow, claiming the manufacturers are breaking the newly-enacted rules. In addition, companies often face the hard decision of whether to issue a product recall. The use of pesticides in the marijuana industry provides a case study in how class action lawsuits, regulatory action and product recalls may create a trifecta of issues for marijuana manufacturers to manage.
First, by way of background, one may wonder why are pesticides used for marijuana cultivation in the first place? Climates in states where marijuana is legalized for commercial sale, such as Oregon, Washington and Colorado, require indoor cultivation. See article. As a result of the indoor climate and overplanting, the plants become "stressed" and are more likely to develop certain fungus and mites. Industry manufacturers pressured to keep up with demand turned to pesticides to fight against the biological attacks on their inventory. See id.
Concurrently with the filing of the first class action lawsuit in Colorado, the use of potentially dangerous pesticides in marijuana cultivation raised concern for state environmental regulators. That overwhelming concern led to an investigation by the Denver Department of Environmental Health. See post. In response to the "growing" pesticide problem, Colorado proposed stricter rules on pesticide use related to marijuana cultivation in October 2015. Since then, Washington and Oregon have also issued lists of approved pesticides that are considered safe for use. See, e.g., Colorado's "pesticide use in marijuana production website page;" and Washington's approved list. In addition, last month, the Washington State Liquor and Cannabis Board (WSLCB) took action against two of the state's largest cannabis producers pending its investigation into the use of prohibited pesticides. See article.
Also last month, the very first cannabis product recall was announced in Washington State. See article. This followed several marijuana product recalls in Colorado at the end of last year. In its press release, the Washington-based company affirmed its "commitment to safety and integrity" and asked for customers' "understanding and patience while [the Company[ work[s] to resolve this issue. . . ." Unlike industries regulated by federal agencies such as the Food and Drug Administration, the marijuana industry does not have defined procedures for product recalls. Instead, the industry follows recommended procedures. See Recall Procedures Sec. 9.3. Thus, manufacturers are largely tasked with determining whether to institute a recall voluntarily as a means to limit their liability exposure. Such considerations involve balancing recall costs, reputational harm, and disruption to vendor contracts.


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ITALIAN LEMON COOKIES ARE ELEGANT FOR EASTER, CHRISTMAS, WEDDINGS AND FOR EVERYDAY EATING. THE PERFECT DUNKING COOKIE. Soft Italian Lemon cookies with a lemon glaze and coloured sprinkles are a staple in just about every Italian family particularly those who hail from Southern Italy. Does dunking Italian Anginetti cookies in your morning coffee sound familiar? It probably does if you're Italian but for those who haven't you should try it. I promise you these cookies are one of the best Italian cookies to dunk and I've had many growing up in an Italian neighbourhood. With Easter (Pasqua-Italian) around the corner I thought you'd all like to try something a bit different for your Easter dessert or before, after and in-between meals. You can pretty much eat these Anginetti Italian lemon cookies all day (at least I can). In my teens I would visit my Italian friend almost daily to hang out and play or swoon over the boys. Her mother would always have these amazing iced Italian cookies that I would drool over. It was like living in a palace and I was jealous because all I got were Oreos from a bag. These Italian cookies with sprinkles on […]
Anginetti Italian Lemon Cookies with Coloured Sprinkles
April 2, 2017 By Mo CanadianBudgetBinder Leave a Comment
Filed Under: Desserts/Treats Tagged With: anginetti cookies, Calabria, dunking cookies, Fiori di Sicilia, iced Italian Cookies, Italian breakfast, Italian Christmas Cookies, Italian coffee, Italian cookies for weddings, Italian cookies with sprinkles, Italian dinner, Italian lemon cookies, Italian lemon drop cookies, Italian Lemon twist cookies, Lemon anginetti cookies, lemon drop cookie recipe, Lemon iced cookies, Southern Italy, Taralli Dolci Di Pasqua


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- Have you ever had difficulty finding a pattern for a project idea you had?
- Do you own a lot of sewing magazines and lose track of what patterns are in what magazine?
- Is your stash so large that you could use a site to help you organize it?
Patterns are linked to the sources (books, magazines) that contain them. Patterns are linked to their size charts so that you will be able to search for all patterns that use a certain size chart and are available in a certain size. We're indexing the data in such a way that you can really drill down into the search results to find exactly what you're looking for.
The center of the site are your stash your projects. But it doesn't end there. You can link fabrics and patterns (or even pattern views) - allowing you to move along these links to get to the related information. Add a magazine from the pattern sources database to your virtual stash and the site lets you browse all the patterns that are contained in your stashed magazines!
The magic lies in that the site understands dressmaking enough that it can give you this powerful search. A search that lets you actually find the things you're looking for - without having to click through a huge load of useless results (as found on Google when you're searching for patterns).
We're building something that you can truly make your own by setting up your own space for yourself and your friends within the site.
How?We're starting with a smallish set of tags (currently around 250) that can be attached to projects and patterns. These tags talk about sleeve length, neckline style, waistline style, and so on and so on. It's detailed enough to be able to do interesting pattern/project searches, e.g. for "ankle-length dresses with v-neckline and empire waist".
In addition to the tags recognized by the site, we can tag projects and patterns with any keywords we think suitable - and when we recognize a popular tag, we'll make sure to gather it (and all of its synonyms) into a site-wide category. The system is flexible enough to be able to handle that.
We're adding brands, publishers, magazines and books to the database and linking them up to the patterns. That lets us search for patterns by brand, by magazine, by book, by publisher. It's really quite simple.
So what does a pattern entry look like?
A pattern entry on the site currently consists of the following:
- A name. For commercial patterns sold in envelopes, there's often a pattern code - in this case, the name starts with the pattern code and proceeds with a short description of what the pattern is for, e.g. "2498 Dress".
- If applicable, the brand under which the pattern is published. The system automatically puts the brand name of the pattern in front of its name whenever the pattern gets shown.
- If applicable, the size chart of the pattern.
- If applicable, the designer(s) who designed the pattern.
- If applicable, the source(s) in which the actual pattern can be found (usually a magazine or book).
- If applicable, the fabric requirements of the pattern as specified on the pattern.
- The official URL of the pattern.
- A list of pattern properties. Pattern properties are things like whether it's a "paper pattern", a "print-and-tape PDF", or some "pattern drafting instructions", whether it's designed "for woven fabrics" or "for knit fabrics".
- A list of finished object attributes. These are the tags that describe the object that can be made from the pattern, i.e. here we have the tags mentioned in the previous section
- Optionally, a pattern can have several pattern views that each describe the different variants of the pattern specifically. While the finished object attributes recorded on the pattern apply to all the views, it's possible to add additional finished object attributes to the individual views. Having a system this flexible is particularly useful for patterns that have completely different views (e.g. pants and top).
- Optionally, a short description of the finished object(s).
- Optionally, additional notes about the pattern. Currently, we record fabric recommendations as well as notions requirements here.
What makes a good pattern/source entry?A good entry...
- has the relevant tags - so it can be found through the pattern search.
- is named in such a way that it's easy to put it into your virtual stash. That is, it's named exactly like written on the envelope / magazine (wherever possible). When you enter something to your stash, you get a dropdown menu that lets you search through the names of the patterns.
- links to the specific brand that is displayed on the pattern envelope / magazine. I.e. when I'm adding a "Vogue Easy Options Custom Fit" pattern, I link it to the brand "Vogue Easy Options Custom Fit" - a sub-brand of Vogue Patterns.
- has projects attached. With your linked project, you're helping others to find out whether a given pattern is for them or not. You're also helping others with your notes on whether the pattern instructions are clear and whether there were any troubles with the pattern or not.


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Vintage Jewels / Antique Haven,LLC ®
Vintage Jewels / Antique Haven / Deb Hancock, Glendale AZ
Juliana Light Topaz Rhinestones & Smoke/Gold Mirror Crystals Bracelet
$175.00 This gorgeous vintage Juliana (DeLizza & Elster) bracelet features golden rhinestones in a gold-tone setting that shows no wear. Fabulously densely clustered, wildly dangling. The stones are topped with clear crystals of varied sizes with an iridescent sheen that sparkle like crazy on the wrist. The dramatic combination of rich, cognac chatons and the myriad colors expressed by the crystals as they dance in the light is mesmerizing. The mirror finish is awesome on this piece!. Not marked, as with all Juliana pieces, since it originally bore only a paper hang tag. Measures about 7" long. Bead clusters are perfect and the safety chain is present. Condition is excellent.
Subscribe to my Favorite Shop for a Sneak Peek at my items Before They Appear on 'Todays' Arrivals' Page.. due to the photo enhance process.
Jewelry items are combined for shipping discounts.
Any THREE ship for FREE if total is over $50.00. This is for multiple item orders.
We are a brick and mortar store, with a top A+ BBB rating..
Call us at 602-573-4975 with your credit card # and skip the hassle of the paper work if you prefer.
International buyers please use Pay Pal.
Pay Pal members may use the Bill Me Later option for one item or a group of items totaling $100 or greater and take up to six months to pay with no interest. Our shop is paid by Pay Pal and your purchase is shipped immediately.
9 other shoppers have this item in their Cart or Wish List
LAYAWAY for CHRISTMAS now! This Platinum Shop is Rated 5 Stars..! Read our Reviews.
Any THREE ship for FREE if total is over $50.00. This is for multiple item orders. Cleaning house! Make Offers!


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MyGaming writes: If you've got a high-end graphics card, chances are you're not really able to strain it with any modern game at Full HD (1920 x 1080). You've got two options to consider; a multi monitor setup which takes up a lot of space and has screen bevels that break the full image, or a super high-resolution monitor which costs an arm and three kidneys.
Below we're looking at option two, a range of super high-resolution monitors.


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Keiser University - Melbourne
Education / Colleges and Universities
Call (888) 444-6986Directions
Get directions to thisWebsite
location on Google Maps.
location on Google Maps.
Open websiteShare
in new tab.
in new tab.
Share this business
on social media.
on social media.
At Keiser University we are here to help you succeed by providing the professional and academic foundation to meet your educational goals and objectives. Keiser University continues to be a valuable partner to employers, the community, and, above all, a valued choice for students serious about their education and career.


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SITE ENGINEER – All Levels – Groundwork & RC Frames
Site Engineers / Civil Engineers – All Levels
Reinforced Concrete (RC) Frame & Groundwork Packages
London & South East Projects
Permanent & Self Employed Roles Available
Job Brief:
We have been asked to find Site Engineers, Senior Engineers and Project Engineers for several of our key clients with in the Reinforced Concrete Frame, Groundwork and Civil Engineering sector.
Projects are mainly based in London, but we do also have work in and around the Oxford / Reading area, Cambridge area and other South East Counties.
Companies looking to fill these roles vary, but range from £50 million turnover to £250 million turnover subcontractors in the concrete frame or groundwork field.
Roles are available to candidates looking for self-employed payment options or PAYE permanent package positions.
To Qualify:
- Candidates need to be degree qualified in Civil Engineering or Structural Engineering to be considered
- A minimum of 2-3 years' site engineering experience on site, working with in this sector needs to have been gained
- Experience of setting out groundwork's, concrete frames and similar packages is a must for Site Engineer and Senior Engineer roles
- Leadership and management skills will be required for Project Engineer roles, to help assist the Project Management with some of the management tasks
To Apply:
If you have the relevant experience in a Site Engineer, Senior Engineer or Project Engineer role while working for a Groundwork, RC Frame, Demolition or Basement subcontractor, please send a copy of your CV and contact details via email to Andrew Jackson at Cityscape Recruitment Ltd.
Email – email@example.com
Call – Andrew Jackson – 01923 750095
Once I have your details, I will be in touch to discuss the options we have available that will suit your experience.


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Richard Cacciato speaks about "Myths and Realities of Online Branding" at BRITE 2010 Conference
Richard Cacciato, cofounder of New York Interactive Agency Blue Iceberg, was a panelist at the BRITE 2010 Conference discussing "Myths and Realities of Online Branding".
As part of a conference exploring how technology and innovation are transforming the ways that companies build and sustain great brands, the "Myths and Realities of Online Branding" panel was assembled to discuss the role and potential of online marketing toward branding as compared with traditional off-line methods.
The panel consisted of:
- Richard Cacciato, Partner, Blue Iceberg Interactive
- John Mayo-Smith, EVP and CTO, R/GA;
- Elena Perez, Director of Marketing for Medialets; and
- Rajeev Kohli, Professor of Marketing, Columbia Business School.
- Moderator: Anton Meyer, Chair of Marketing, University of Munich.
Richard began by reiterating the potential power of the internet for Brands: the ability for an organization to form a one-to-one relationship with every consumer. The question remains, where and how to use the internet to turn consumers into brand champions?
Using examples of social media campaigns from Pepsi Refresh, and Best Job in the World, Richard discussed their success in using social media, such as Facebook, to generate enthusiasm but, most importantly, to drive visitors to the Brand's own website where all the activity takes place, ensuring that the tone of the conversation is set by the Brand as well as obtaining the contributor's information. He then talked about online branding as an extension of traditional branding, but in a different medium. Along with print, broadcasting, and out-of-home marketing campaigns, on-line campaigns are an additional tool in the toolbox.
Richard shared proprietary research that revealed a quandary in most marketing organizations. Senior corporate managers, wanting keep up with the latest trends, insist that interactive must be an important priority in the marketing mix. Younger marketers-- the Assistant and Associate Brand Managers, often recently graduated and completely immersed in digital lifestyles-- clamor for more interactive marketing initiatives. Meanwhile, more senior Marketing managers, including the Brand Managers and Category Managers, bear the direct P&L responsibility and are told that if they fail, they'll lose their jobs. So what happens? Instead than committing an important part of the budget (the "myth"), only 10% of the marketing budget goes to digital initiatives ("the reality") and interactive is tacked on to traditional initiatives as an afterthought. Richard concluded that success of online branding initiatives is driven by an organization's willingness to take risks, and by experimenting with strategies that place interactive at the center of marketing initiatives in an integrated approach across all media and touchpoints.
About the BRITE Conference:
The BRITE Conference is presented by the Center on Global Brand Leadership. Founded at Columbia Business School in 1999, the Center has grown into a global partnership of leading business schools. The Center brings together researchers, corporations, agencies, and entrepreneurs to develop new thinking about the future of innovation and branding. To find out more about the Center and its worldwide activities, visitwww.globalbrands.org.
About Blue Iceberg:
Blue Iceberg is a New York-based interactive agency providing interactive strategy, web design and development and digital marketing services. With rigorous strategic analysis and client-side experience informing our insights, design and technology solutions, we harness the power of the internet to help brands and businesses thrive online. By seamlessly integrating video, content and design, we create visually engaging and intuitive interactive experiences that are customer-centric, integrate into our clients' workflow and drive their businesses forward.


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Trucking and full service truck and trailer repair facility
Lindsey Dedicated Services, Inc. is a family owned and operated trucking company located in Kalamazoo, MI.
Call us for a quote
Fleet consists of thirteen tractors and a combination of over 75 48' & 53' dry vans, we primarily operate in the Midwest region of the good ole' USA.
Truck and Trailer
We have a full staff of highly trained mechanics here to help you with your heavy duty truck and trailer repairs.


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Creating a website within a couple of hours is not so difficult, with easy to use website builder tools and techniques one can design his own website. Hundreds of free ready to use templates with drag and drop functionality and auto-format layouts are available, that assist the user in designing a free website. One can also customize the existing templates in order to use them with Facebook or blog.
Here are some of the simple and clear steps through which one can own a sleek and informative web site.
- Decide appropriate niche
Many people wish to own a website, but often they are not able to decide the objective of the website or can't explain what their sites are going to focus on. Hence, it is important to think about the niche of the website. Having a proper and relevant niche reflects the professional theme and helps get the visitors as well.
- Before going to start, it's necessary to plan the web site
Whenever we are going to start any work or organize an event, we need to plan first of all – in the same way one should plan his website first. Define where to place links, videos, images, testimonials, etc. and if possible make a sketch of the website in order to have a complete layout for your designer as well. It is also important to decide how many pages should be there in a website and while planning a website user also need to give a domain name also. There are various other things like, keywords and their density, type of contents, logo, tagline, etc… that should be considered while planning for a website. If the user is a beginner and have a little or no knowledge about these things, then it is better for him to consult a professional website builder, he can also take online help from the internet.
- Add text or content
The text on the website is known as content and one can start adding it in the beginning stage of the website. It is better to have the main keyword as the first word of the title and meta-description accordingly. Don't make it too long and try to create some beautiful and informative content with a length of about 300 words. The content is of utmost importance in the website that is why it should be informative and attractive so the visitors enjoy reading it.
- Webhosting
After creating a single web page (home page), one has the option to host his domain and for that he has to look for a web hosting company. There are many good web hosting companies and finding them on the internet is very easy and simple as well. These days' domain names are not so expensive and can be obtained at reasonable rates.
There are also many free website builders and the standard importance of these free web makers is that, the layman doesn't have to know how to program or code a site. Google will also help learner's designers, by offering modern and effective tools.


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from WordNet 3.0 Copyright 2006 by Princeton University. All rights reserved.
- n. a metaphor that has occurred so often that it has become a new meaning of the expression (e.g., `he is a snake' may once have been a metaphor but after years of use it has died and become a new sense of the word `snake')
Sorry, no etymologies found.
Sorry, no example sentences found.


text: anyone can recomend good plugin ideally for wp which will allow me to do e-learning. I think it should look like someone have to login to my site, go through payment( with diffrent payment options) and then have a lesson. It should allow view of lesson for one or many users and ideally some lesson managment tools i.e. dates, schedule another options. is it possible?


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Texting and Messaging
Texting is great for the use of informal language with the use of slang and acronyms known as "text language". Due to texts being limited to a 160 characters per text message so people began to shorten words down to avoid being charged extra as if you went over 160 characters on a single text message you would be charged for the cost of two or more text messages per single text message if you are on pay as you go. While text messaging is known to consist of informal language, it doesn't mean everyone can understand it and many people today rarely choose to use text language as it can make you look unintelligent.
If you are texting your boss at work you would more likely use formal language rather than slang that you might use for your friends. So once again it depends who you are texting.
Texts use reception from satellites and messages uses Wi-Fi and 3G/4G to send a message.
Like texting messages can use informal language and slang. However, if you're talking to someone you don't know then maybe you would use slightly formal language so you don't come across rude. There are many messaging services, but one of the most popular messaging services is what's app and Facebook messenger. I personally use Facebook messenger instead of what's app because more of my friends use Facebook messenger. I also use texting a lot especially with family members because you can easily make a group chat.


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She leaves behind children James, Franklin, and Dominique, as well as husband Franklin Lett. She was predeceased by daughter Deloreese.
"On behalf of her husband, Franklin Lett, and all her friends and family, I share with you the news that our beloved Della Reese has passed away peacefully at her California home last evening surrounded by love. She was an incredible wife, mother, grandmother, friend, and pastor, as well as an award-winning actress and singer. Through


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Thailand was reported Monday to have used F-5 Phanton fighters and helicopter gunships to help repulse an intrusion by a striking force from Cambodia. Western diplomatic sources said Thai infantry and tanks, backed by the aircraft, were engaged in heavy fighting against a force of between 1,200 and 1,700 troops which launched attacks against border refugee camps just before dawn.
the intruders, believed to be mainly Vietnamese, were reported to be holding two refugee encampments and two villages on the Thai side of the border. The attack, backed by tanks and an artillery bombardment, appeared to be in retaliation for the voluntary repatriation of refugees to Cambodia. The Vietnamese-backed Cambodian government in Phnom Penh has denounced the refugee move as a maneuver to send in reinforcements to its enemies.
Reports said about 1,000 Cambodian refugees out of about 175,000 in the camps had been killed, but this could not be immediately confirmed.


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Bryan Cave Leighton Paisner (Russia) LLP — Russian Practice of Bryan Cave Leighton Paisner LLP, international law firm.
The world is more connected, and now so are we. Learn More
- About the firm
- Services
- Banking & Finance
- Commercial
- Antitrust & Competition
- Compliance
- Corporate / M&A
- Corporate recovery & restructuring
- Customs and International Trade
- Dispute resolution
- Employment, pensions & benefits
- Environmental
- Insolvency & bankruptcy
- Intellectual property / IT
- Legal support for foreign direct investment projects in Russia
- Public-private partnership (PPP) / infrastructure
- Product liability
- Real estate & construction
- Tax consulting / tax litigation
- White collar criminal defence
- Asia Practice
- Legal Support for Russian-Israeli Projects
- Industries
- Clients
- Deals
- E - Brochures
- News & Views
- Bryan Cave Leighton Paisner (Russia) LLP
- Services
- Dispute resolution
- Banking & Finance
- Commercial
- Antitrust & Competition
- Compliance
- Corporate / M&A
- Corporate recovery & restructuring
- Customs and International Trade
- Dispute resolution
- Employment, pensions & benefits
- Environmental
- Insolvency & bankruptcy
- Intellectual property / IT
- Legal support for foreign direct investment projects in Russia
- Public-private partnership (PPP) / infrastructure
- Product liability
- Real estate & construction
- Tax consulting / tax litigation
- White collar criminal defence
- Asia Practice
- Legal Support for Russian-Israeli Projects
Dispute resolution
What others say about us..
Clients praise the group's "excellent performance in court," with one source adding: "They would cover everything in a structured and presentable way, will never omit or forget anything.Chambers Europe 2018
Our team
Our team of trial lawyers is one of the strongest on the market:
- Over the past year, Bryan Cave Leighton Paisner (Russia) LLP lawyers have won more than 91% of cases.
- Our team is one of the biggest in Russia:
- 40 trial lawyers are based in Moscow
- the international team consists of over 180 lawyers specialising in litigation / international arbitration at the 32 firm's offices throughout the world.
- Unlike many other international firms in Russia, we have sufficient resources to handle effectively many challenging complex cases concurrently — both in Russia, including virtually all the regions from Kaliningrad to Sakhalin, and in the other countries.
- The Dispute Resolution Practice has, for several years, been top-ranked / highly recommended by the leading professional international directories, such as Сhambers & Partners, The Legal 500 EMEA etc.
Areas of expertise
Unlike many other firms, our multi-functional team provides not only comprehensive commercial litigation support, but also targeted solutions for antimonopoly, customs, tax, labour, IP cases, corporate criminal defence services to businesses and international arbitration.
Types of dispute we handle:
- Shareholders Disputes
- Insolvency / Bankruptcy
- Debt Collection
- Banking Disputes
- Real Estate Disputes
- Construction & Engineering Disputes
- Commercial Disputes
- Competition Disputes
- Insurance Disputes
- Intellectual Property Disputes
- Defamation
- Tax Disputes
- Customs Disputes
- Labour Disputes
- Consumer claims
- White Collar Crime Defence
- International Arbitration
- Representing clients in all types of dispute in state arbitration courts and courts of law at all levels, including the Supreme Court and the Constitutional Court of the Russian Federation;
- Handling cases in virtually all high-profile international commercial arbitration centres, including the ICC, LCIA, SCC, AAA, the Singapore International Arbitration Centre, ICAC, etc.
- Representing clients before the regulators and law enforcement authorities, including protecting clients' interests during various audits, participating in administrative proceedings, contesting in court decisions by the administrative authorities (the Federal Antimonopoly Service, Prosecutor's Office, Chamber for Patent Disputes, Rosprirodnadzor, Rospotrebnadzor, etc.).
- Assisting clients in organising, efficiently and quickly, judgement enforcement, cooperation with the court bailiff service at all the stages of enforcement. If necessary, tracing and seizing debtors' assets in all regions of Russia and abroad.
- Representing clients in recognition and enforcement of foreign judgements and international commercial arbitral awards.
Our domestic and global outreach
- We are one of the few firms that have the necessary resources and experience to represent clients' interests in courts in all the Russian regions and in the CIS states.
- Besides using our own staff of lawyers, we have well-established working relations with over 100 preferred law firms, located in all regions of Russia, as well as in over 65 other jurisdictions around the world, which have for many years acted as our reliable partners in jurisdictions where our clients need assistance.
Our approach
- We offer our clients various ways to achieve the business result: this is not only representation in court, but also ADR and, if necessary, assistance in organising effective enforcement of judgements or initiating a criminal case against a counterparty.
Precedential cases
Over the last two years only, our specialists successfully handled such precedential cases that had important implications for both separate segments of business and case law shaping in general (see details in the section Project examples):
- Successfully represented Caterpillar NI (formerly FG Wilson) to have its claims included on the register of ADD Group creditors. The claims under an English law guarantee (for the first time in Russian court history) amounted to over USD 6 m.
- Acted successfully for AKFEN in a case relating to a suit brought against the Moscow Government for recovery of circa USD 6 m in losses resulting from impossibility of implementing an investment project.
- Successfully represented IFK LKB Invest in a case for recovery of more than RUB 168 million debt under an interest free loan agreement and of interest on use of the loan against Sibacademstroy in the Supreme Commercial Court of the Russian Federation, despite an evident violation of the law and the legal positions of the Russian SCC committed by lower courts.
- One of the most high-profile cases recently in intellectual property protection — acting for the International Federation of Phonographic Industry (IFPI) on claims to defend four major record companies in cases connected with long-term violation of copyrights and neighbouring rights to sound recordings on a big Russian social network.
Partner, Dispute resolution/ Intellectual property
Partner, Dispute resolution
Partner, Dispute resolution


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We had arbutus in Soho on our Restaurants to do list for a while now. We were looking for a restaurant to take clients, which was in central London and arbutus seemed like a nice option for a casual business lunch. This restaurant is fairly small but is bright and airy. The restaurant has a distinct French feel in terms of service but the food is English/Italian in style. We were welcomed into the bustling restaurant and taken into the back room that overlooks Dean Street and seated on the benches with our back to the wall. There was four of us for lunch and although I really liked this restaurant it probably wasn't right for the people we were entertaining as it was modern and surprisingly loud and our guests were more old school and prefer it a little quieter.
We were seated at a crisp white table and were offered slices of warm bread by the smart waiter. The service was efficient but not intrusive which suited our relaxed afternoon lunch plans. For starter we ordered the Roquefort salad, poached eel and steak tartare. The tartare was tasty although slightly under seasoned and the chunks were cut too thinly. The salad was tasty with the caramelised nuts working well with the creamy cheese and bitter apple. This was washed down with a bottle of Malbec.
For main course we ordered the lambs' tripe, shoulder, trotters, which tasted as strange as it sounded. I am not a fan of tripe at the best of times but it really did taste of that pungent tripe taste that lingers. We also ordered the grilled beef, caramelised onion purée, braised celery with bone marrow gratin. The beef was succulent and tender and went well with the caramelised sticky sauce. The other dish we ordered was the wild sea bass, potato gnocchi, Cornish mussels and sea foam. The small delicate piece of sea bass went well with the creamy foam and the mussels but I would argue less so with the gnocchi which were too dense for this otherwise light dish. The food is very French in its presentation with small dishes that are carefully arranged. For lunch this is fine but I would suggest going for three courses and a side if you feel very hungry. The main course was washed down by another bottle of Malbec that was becoming easier and easier to drink.
We ordered espressos to round up the lunch. As I said unlike a lot of other restaurants in European cities, for a lunchtime meal, we did not feel rushed by the waiters. I think one of the reasons for this was that reservations are needed for this place so customers are unlikely to come looking for a spare table making it less of a rush for waiters.
Although a little loud we really liked this restaurant as the food quality, menu options and presentation was well thought out. The staff were professional and efficient and the light modern decor was comfortable and relaxing. As a result we give arbutus:
Food Atmosphere Service


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About Christopher A. Lane
Christopher A. Lane is a published author of children's books. Some of the published credits of Christopher A. Lane include Kingdom Parables/Favorite Bible Parables for Children, Kingdom parables, King Leonard's Great Grape Harvest (Lane, Christopher a. Kidderminster Kingdom Tales.), and Mrs. Beaver and the Wolf at the Door (Lane, Christopher a. Kidderminster Kingdom Tales.).To edit or update the above biography on Christopher A. Lane, please Log In or Register.
Link to this page: https://www.jacketflap.com/christopher-a-lane/27745
Published Works by Christopher A. LaneClick a book's title or cover for more details and to read reviews


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By PHIL DEVITT
By PHIL DEVITT
Fall River Spirit Editor
David Mello creates the company he keeps — and he keeps plenty.
His house guests come with their own personalities: happy, sad, stoic, tortured, strong, confused, defeated, to name a few. But you can't figure all that out based on their voices or their bodies because they have neither. When you're a mask, the only tool you have to tell your story is the face the artist gives you.
"My wife is nice — she tolerates the masks, those empty eyes staring back at her," Mello says. "You never feel alone in my house."
Now the artist wants to spread that feeling.
Mello, who says he has made easily hundreds of masks over the years, has temporarily populated Fall River's Cherry & Webb Gallery with about 50 of his favorites. "Secret Faces" is open until March 15, 9 a.m. to 5 p.m., Monday through Friday.
You won't find any framed paintings or photographs in this exhibit. Instead, plaster, wood, metal and a horseshoe crab shell are among the canvases Mello uses to craft three-dimensional faces, a talent sparked by his earliest memories of Halloween in Fall River.
"It's always been with me," Mello says. "I've always loved the idea of changing your appearance, the disguise, becoming something else. But to me, it's more about revealing rather than hiding."
For 30 years, Mello also has created masks for Bristol Community College theater students to use on stage. He says he is always amazed by the transformations he sees.
"The masks give a sense of freedom, the ability to become more than what you are and discover parts of yourself you didn't know you had," he says. "Masks let you do all of that."
The masks hanging at 139 South Main St. portray royalty, mythological figures, everyday people and animals. A series of "green men" shows faces emerging from and surrounded by leaves. Detailed masks of writer Edgar Allen Poe and artist Vincent van Gogh are unmistakable. There's a gargoyle adorned with horsetail hair, a king adorned with Mello's hair.
Every piece has a story behind it. The colorful Barcelos Rooster, for example, was inspired by a tale Mello's Portuguese grandmother used to tell him. Around the corner, you'll find Bottom, a popular Shakespeare figure, and Odin, a Norse god.
"I love to take a character and then give them their own life," Mello says. "They all have two eyes, a nose, a mouth, yet by tweaking the shapes of the objects — the curve of the lip, the indenture of the eyes — you make a major difference. No two are alike. There's so much expression."
Mello last exhibited his masks at Cherry & Webb in 2008. He says he was honored to be asked back by curator Victoria Mathiesen.
"As wonderful as it is to sell a piece, the thing I love most about being an artist is getting to show my work, share my thoughts and see people's reactions," Mello says.
Mello says the downtown gallery is a "wonderful space" to show his art.
"Fall River is where I grew up, my home, so it's a pleasure to display my work here, where people can see it."
Mello's masks sometimes end up in private collections around the country — and some of them find their way back.
"Occasionally I'll get one back that's been broken and someone will ask me to fix it," he says. "They're still my babies, so I take care of them."
Mello occasionally finds ways to work his art into his full-time job as children's librarian at Fall River Public Library, where he has worked for 30 years. An annual performance of "The Dragon Gate," an ancient folktale, stars shadow puppets Mello created.
"I'm a librarian by profession, but I'm an artist first," Mello says. "It's something that's in my blood."
The artist's work most recently appeared on stage in Little Theatre of Fall River's production of "The Wizard of Oz." Mello says the wizard mask, measuring 7 feet by 7 feet, is the largest mask he has ever created.
Not all the masks come easy.
Mello, a 1983 graduate of Southeastern Massachusetts University (now UMass Dartmouth), says some masks pose bigger challenges than others and take longer to complete. He says he keeps a sketch pad by his bed in case ideas come late at night.
The ideas do come, but Mello says he doesn't always understand where they come from or why. He has questions, but he tries not to let them get in the way of the work.
"I go with the flow," he says. "It's all a part of the mystery. Maybe someday I will know."
Phil Devitt can be reached at email@example.com or (508) 979-4492.


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"WEND holds my speeds at top notch even in Southern California!"
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A historical journey by Rabbi Benjamin of Tudela from 1165 to 1173 reported this former Jewish community in the northern part of the Arabian Peninsula.
J.R. Wellsted memoirs, Travels in Arabia, vol. 1,states, "there are a few Jews in Muskat, who mostly arrived there in 1828, being driven from Baghdad . . .by the cruelties and extortions of the Pacha Daud. ... Jews are not discriminated against in Oman as they are in other Arab countries such as Yemen and Syria, and do not have to wear any markings to identify themselves as Jews. ... Jews are not restricted to living in one concentrated area, nor are they required to walk in the road if a Muslim is walking on the same street, as they were in Yemen. The Jews in Muskat were employed in many professions, but many were involved in the fabrication of silver ornaments, banking, and liquor sale." [April 2011]
|Last Updated on Sunday, 24 April 2011 19:09


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By Jim Lauria
Careful choices for 316(b) compliance can save millions of dollars
The objective of the 316(b) rule is to reduce the impingement or entrainment of aquatic organisms in cooling water intakes—keeping fish, crustaceans, mammals, sea turtles, larvae, eggs and other organisms from getting drawn into the cooling water system or trapped against the screen. In short, compliance is built around creating an intake gentle enough to allow fish and other aquatic life to float on by, escape the inflow current, or be effectively excluded from or removed from the intake systems.
According to EPA, there are 1,065 facilities required to comply with 316(b) because they utilize at least 2 million gallons per day (GPD) of cooling water. Compliance with the rule will be required at each affected plant when its NPDES permit is up for renewal. About 40 percent of those facilities—about half of which are power plants and half are manufacturing facilities—already comply.


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November 10, 2014 17:37 ET
MONCTON, NEW BRUNSWICK--(Marketwired - Nov. 10, 2014) - Public Works and Government Services Canada is holding a public information session to provide the community with an update on the disposal process for the 74 housing units, two parcels of vacant land and one building zoned for community use in the Acadia Park area of Moncton, New Brunswick.
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Aaron BowerAtlantic RegionPublic Works and Government Services Canada902-496-5356
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Algebra Seminar
Monday, November 20, 2017 - 3:05pm
1 hour (actually 50 minutes)
Skiles 006
Real-valued smooth differential forms on Berkovich analytic spaces were introduced by Chambert-Loir and Ducros. They show many fundamental properties analogous to smooth real differential forms on complex manifolds, which are used for example in Arakelov geometry. In particular, these forms define a real valued bigraded cohomology theory for Berkovich analytic space, called tropical Dolbeault cohomology. I will explain the definition and properties of these forms and their link to tropical geometry. I will then talk about results regarding the tropical Dolbeault cohomology of varietes and in particular curves. In particular, I will look at finite dimensionality and Poincar\'e duality.


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MANDUKYA UPANISHAD : Chapter-1. "AGAMA PRAKARANA" ( The Scriptural Treatise ) Mantram-1, Discussion- 6.
( The Scriptural Treatise )
"Harih Aum, Aum,-ityetad-aksharam-idam sarvam
tasyopa-vyakhyanam bhutam bhavad-bhavisyad iti
sarvam-onkara eva, yac-canyat-trikalatitam
tad-apy-onkara eva."
Harih Aum = symbol of para Brahmam;
Aum iti = Omkara ( iti ) thus;
etat aksharam = this syllable;
idam sarvam = ( is ) all this;
tasya = of that ( Omkara );
upa-vyakhyanam = a clear exposition;
bhutam = the past;
bhavat = the present;
bhavishyat = ( and ) the future;
iti = thus ( belonging to );
sarvam = all this;
Omkara eva = ( is ) Omkara only;
yat = that which is;
ca = and;
anyat = anything else;
trikala atitam = beyond ( the three periods of ) time;
tat = that;
api = also;
Omkarah = ( is ) Omkara;
eva = only.
"Harih Aum, Aum, the word, is all this. A clear explanation of it is ( the following )" : -
"All that is past, present, and future, verily is Aum. That which is beyond the three periods of time is also, indeed, Aum."
Discussion- 6.
The student's question was as to whether there was in fact any fundamental single Truth behind the evanescent plurality cognised by experience around and about us.
The Guru tries to provide the Sishya with the fundamental Truth behind all the plurality and says that there is one "LORDLY FACTOR," and over - ruling "PRINCIPLE," a "SPIRITUAL COMMON DENOMINATOR," for all the plurality that is cognised by us in the outer world.
To be continued ...


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text: (Screws) our factory produce Electronic screw. last year we get a order over 2 million $, so we can produce lots of screws and we earned some decent cash. but that sales man move on to other country and don't work with ours. and now our order is low. we really need some sales man like this we can pay high percentage of profits. how can we promote it? we are based in china. we are pleased to send samples,because we are professional in this field. thanks. i know bhw has lots of genius, we really need advice. thanks u guys. the following info is our product. Electronic screw, computer cosmetic screw, machinery screw, non-standard fastener, screw and washer assembled (sems), spring screw, turned screw, specific rivet, specific nut, spring nut, washer, spring washer, turned accessories and so on.