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Solix Enterprise Data Management Suite Standard Edition ILM Assessment plays a significant role to assess the amount of archive eligible data in a given database based on business criteria. There is also a provision to depict the number of rows with corresponding data size of archive eligible data in a pictorial representation.
If you want to learn more about Solix and pricing, please contact us. We're here to help.
Market analytics

subset: commoncrawl


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I agree that a comment section would be of great value. Yes or no and multiple choice leaves one with picking the best of the undesirable responses. Example I would prefer a HEO but if we are going to get a GEO ride for free then for me it is a moot point. Hard to express yourself in survey format but it is better than not expressing yourself at all. I for one am very opposed to the 3 and 10 gig transponder. I have seen little or no interest in the 1.2 uplink. Folks are not willing to spend $500.00 to work a transponder that is mostly quite and could go away over night like 2.4 did with AO-40. Did anyone listen to the L/u AO-51 on Field Day. While V/u was jammed I worked the first station I heard on L/u and there were maybe 5 others on that pass. I don't maintain 1.2 gig equipment here. It is not worth the investment. Now if I had a place to make those comments I would feel like I was contributing. My 2 cent worth. 73's << John On Mon, Jul 21, 2008 at 4:15 PM, Bill Ress <firstname.lastname@example.com> wrote: > Hello all, > > On August 10-11, the AMSAT Senior leadership will be holding a critical > "strategy" meeting with the theme of "Can We? Should We?" launch a HEO > satellite. > > As a board candidate, I feel it's essential that "strategic" decisions > must consider the membership's opinions and desires. > > The last membership survey taken was in 2004 by Gunther Meisse, W8GSM. > > So, to get the current thinking of the membership, I invite you take the > simple, anonymous, no cost (probably unscientific) survey that I have > prepared to determine your operating preferences at . . . . . > > http://www.surveygizmo.com/s/55247/amsat-operating-preferences > > I will be using this simple, easy e-survey format to get membership > opinion on future topics. This is my first go at it, so I hope that I > selected the right buttons to make it work. Let me know if you run into > any issues at . . . > > firstname.lastname@example.com > > I'll let the survey run for about a week and then I'll share the results > here on the -bb with a copy of the results to the senior leadership. > > Regards...Bill - N6GHz > _______________________________________________ > Sent via firstname.lastname@example.com. Opinions expressed are those of the author. > Not an AMSAT-NA member? Join now to support the amateur satellite program! > Subscription settings: http://amsat.org/mailman/listinfo/amsat-bb > -- N4QWF Amateur Radio Operator AO-7,AO-27,SO-50,AO-51,VO-52,ISS Internet email@example.com Echolink nodes #110903 -L #388463 Formerly KC4AHW VK3FEZ Amsat Member #27845 DXCC #33,478 VUCC SAT #135 WAS SAT #296 51 on AO-51 #13 LON -79.256 LAT 37.459 Grid FM07il >From the Foothills of the Blueridge *Life should not be a journey to the grave with the intention of arriving safely in a pretty and well preserved body, but rather to skid in broadside, thoroughly used up, totally worn out, and loudly proclaiming - "WOW, What a ride!" _______________________________________________ Sent via email@example.com. Opinions expressed are those of the author. Not an AMSAT-NA member? Join now to support the amateur satellite program! Subscription settings: http://amsat.org/mailman/listinfo/amsat-bb
AMSAT Home


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I like the idea of making things that exist quite happily without me being around them. In music, you talk about releasing records, and I always liked that expression because that is exactly what you do: you release it from yourself. You release it from you standing around and defending it and saying this or that about it. You set it free and it is just floating with everything else out there and then it takes whatever value is conferred upon it. I am very keen on this idea of conferral of value. The old idea with artists is that they take dead material and fill it with value, and I never liked that. From the age of fifteen I didn't like that. What I liked was the idea of making things that attract value to them. They can be quite small. You put something out into the world and either it disappears completely, which often happens, or it starts to accumulate resonance.
–Brian Eno, from Interview with Hans Ulrich Obrist, 2000
3:10 pm
I love the idea of resonance. It suggests everything has the potential to come alive and it's just a matter of finding the frequency for that to happen, like tuning in a big, old fashioned, glow in the dark valve radio with all those exotic names on the dial.
4:55 am
'as physics has discovered there are no physical connections, only resonance.' marshall mcluhan. :)
12:48 am
This reminded me of you! Inspiring us to play and be crazy scientists of art^^ http://www.ted.com/talks/alison_gopnik_what_do_babies_think.html
6:01 am
I like this because that's how it feels when you're expressing yourself. It was in you, you just needed to find a way to shape it somehow, to try to communicate it to others or just release it from yourself.


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When All Else Fails: Book One of the Sweet Ever After seriesby Elaine E. Sherwood
It's one of life's most bitter and unavoidable lessons: bad things happen to good people. However, it is the choices we make after such catastrophes that really matter. Survivors move forward.
For Kathy Ann Martin (Lauren Ann) and Bryce Peterson, whose young lives were darkened with cruelty, tragedy, and abuse, it's a lesson they learned early on. Both chose to become good, decent, loving individuals who did not give up and eventually discovered that When All Else Fails...love wins.
Kathy's once-ideal childhood was suddenly shattered by tragedy, and she was cast into the callous waters of the foster care system. Terrified and alone, she embarks on a grueling journey to adulthood. Scarred both physically and emotionally, her heart remains closely guarded as a survival strategy.
Due to circumstances beyond her control, and to save her life, Kathy must enter witness protection. She works hard and becomes a doctor. Dr. Lauren Ann Reynolds, "Ann" as she wishes to be called, eventualy meets Bryce Peterson.
For Bryce, a forgotten child from an abusive family, whose own path has been littered with sadness and crushing disappointment, a loving family of his own seems like a far-fetched dream.
But now, against all odds, these two damaged souls have found each other. Perhaps, for the first time, they both dare to hope that from the twisted wreckage of their lives, a miracle might emerge. Can they discover true love- something they never believed was possible?
All That Matters: Book Two of the Sweet Ever After seriesby Elaine E. Sherwood
When a nemesis from Ann's past reemerges, the happiness and security she and Bryce have found together is threatened to the point of destruction. Will loose threads from Ann's former life unravel her future?
Book two is about the continuing struggles of Ann and Bryce Peterson as they reconnect with individuals from Ann's past; some positive, some with devastating consequences. None of these experiences cause them to harden their hearts. On the contrary, they open their home and their hearts to other lost souls and their unorthodox "family"continues to expand.
In this exciting sequel, readers are introduced to several new characters who go through their own hard times and come out on the other side as better, more caring individuals.
Other characters suffer during childhood and allow those experiences to turn them into wicked, hateful, hurtful individuals.
There is always a choice...
For All Time: Book Three in the Sweet Ever After Series
by Elaine E. Sherwood
A young woman is viciously murdered leaving her two young children alone to face the harsh realities of life. Both injured by the same man who killed their mother, they are further traumatized when they are used as a pawn in a scheme to extort money from one member of the Peterson family.
An important dance competition sees the family confront enemies from their past. Who will be the victor?
Ann and Bryce Peterson have weathered unthinkable trials and it seems all is well for now. They have no idea their greatest challenge lies ahead. The couple's mettle is truly tested when a complication they never expected threatens to destroy the very relationship upon which the family and Peterson Enterprise is built.
A natural disaster results in irreparable damage to Vincenzo's Restaurant and Ballroom. Can the family survive yet another tragedy?


text: accidently formatted my ipod on a pc and now my mac will not regonise it to for mat it back, silly me! restarted it lots. all I get is a symbol of a file and an exclaimaton mark in a triangle. ipod won't even mount on the desktop, totaly unreadable!


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so i had myself a little yudu party today! me and my aunt KJ... just getting all ready for the webshow tomorrow night- man, this time instead of having to clean up my studio (which really just involves moving stuff so it's not visible on camera...) i have to clean up the kitchen in preparation... i got up and got dying the shirts this morning- i bought shirts at target- they were Hanes... (my kids love the hanes) and when you get them in the pack- they are $1 each! anyway... i dyed some grey and some orange. i'll be showing that trick off, and giving my tips and tricks... (thanks for the help LIZ!) i created a couple screens... (there might be a freebie tomorrow night...wink) and i LOVED how they turned out. i wound up mostly using the white and black paints... so kept it pretty simple! the Fam LOVED the t-shirts... and they immediately went from yudu to body this afternoon!
(even eric wore his to basketball tonight) that must mean either he loves it or hates it... hmmm? of course, i don't like the hanes t-shirts... so i need to go and buy me a shirt that i will wear... the weather is turning a bit cooler, so i think i may have to go and find me long sleeve t-shirt tomorrow.
in other news... janet and rhonna and i have been finalizing our new CHA winter releases... gasp! it's SO, oh so cute... and i hate that we have to keep it a secret for so long still. anyway... not that you don't know this- but Janet and Rhonna are amazing... and i love working with them! it's a thrill.


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Know more about this business than we do? Cool! Please submit any corrections or missing details you may have.Help us make it right
Be the first AL.com user to add photos or videos of DR Stephen Jacob /Pc
DR Stephen Jacob /Pc is located at 1 Perimeter Park S, Birmingham, AL. This business specializes in General Practice Medicine.


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Donate Your Vehicle
Free yourself from the difficulties of selling your car and give back to homeless animals in your community at the same time!
Donating your vehicle is a very simple way to make a big impact for the animals at the Humane Society of Boulder Valley. We have partnered with another nonprofit organization, Cars for Charity, which allows you to turn your vehicle into cash for the animals!
We accept all types of vehicles, running or not, using a hassle-free service that includes free towing. The proceeds from the sale of your vehicle will directly support animals in need, and your gift is tax deductible! For more information and FAQ's, please click here. To donate your vehicle click the link below or call their customer service team at 720-387-5124.


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Manchester City captain Vincent Kompany is convinced the city is becoming the centre of football thanks to their rivalry with Manchester United.
There is no love lost between the warring neighbours, as Sunday's explosive and sometimes disgraceful events proved, but Kompany insists it is great for the city and should be embraced by everyone involved.
He said: "It's a great thing for the city and anyone who lives in and around Manchester should recognise what an incredible position it is to host two of the biggest clubs in the country in perhaps the best league in the world. It's something that should never be taken for granted by anyone.
"Football has brought a lot of happiness to Manchester, whether it's on the blue side or the red side because of these two football clubs, their successes and the work that is done in the community.
"The way Manchester is perceived worldwide is incredible and that's something I can see because I have lived abroad.
"Birmingham is a bigger city than Manchester, but you'd never know that because it's not on the global football map.
"If Manchester is famous around the world, it's because of its football clubs and I think that is something to be proud of."


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At 09:03 PM 10/16/2001 , Gregg Vanderheiden wrote: >FYI >Our campus had adopted a Double AA WCAG 1.0 policy. Lots of screaming followed from certain quarters. So a group lobbied to reduce the requirements. Instead of going to Single A they went to the 508. Ugh! I have to say that this is the nastiest effect of having too many "competing standards." In my opinion -- which is not popular -- 508's technical standards are very inferior and an amazingly poor choice for anyone who is not already required to use them. The _ideal_ policy is: * All of WCAG 1.0 Priority 1 * Some of Priority 2 * Some of Priority 3 * Anything else the site wants to mandate (Note that the above, if done right, can easily and painlessly encompass the legal requirements of 508 for federal web sites.) But the absolutely _wrong_ "default implementation plans" wedged into WCAG 1.0 ("Single A" "Double A" "Triple A") lead to the kind of "all or none" thinking displayed here, and eventually leads people to even worse policies such as 508. This is why we need to make WCAG 2.0 compliance a _toolkit_ for policy and not a set of _prebuilt_ policies!! Anything else will lead to WCAG 2.0 having decreased relevancy -- WCAG 2.0 needs to be a meta-level up from 508, so that you can build a 508-compatible policy or _any other policy_ using WCAG 2.0. Please, folks, let us NOT hard-wire policies and expect people to "pick one", let us instead give them the policies -- and information necessary -- to produce their own policy. Let's not repeat the worst mistake of WCAG 1.0. --Kynn -- Kynn Bartlett <firstname.lastname@example.com> Technical Developer Liaison Reef North America Accessibility - W3C - Integrator Network ________________________________________ BUSINESS IS DYNAMIC. TAKE CONTROL. ________________________________________ http://www.reef.comReceived on Tuesday, 23 October 2001 01:11:13 UTC
This archive was generated by hypermail 2.3.1 : Tuesday, 16 January 2018 15:33:39 UTC


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Massachusetts Reform Bill To Be Reintroduced
An omnibus education-reform bill that was to mark Massachusetts' entry into the current wave of state improvement activity failed to make it through the legislature's upper house by the Dec. 31 deadline and will have to be re-introduced in the new session that began Jan. 2.
"The bill made it through 50 amendments in the House, but just never saw the light of day in the Senate," said Susan Lane, deputy director for Gov. Michael Dukakis's office on educational affairs.
After two weeks of debate, the legislation had passed in the House by a vote of 116-25 just before Christmas. The Senate had three days to consider it and "just never took it up," according to Gregory Dillard, staff director for the joint committee on education.
The bill included provisions for a statewide minimum teachers' salary of $18,000, with a corresponding "ripple" effect on teachers already making more than the minimum; an early-retirement program; tougher teacher-certification standards; and an early-childhood-education program. (See Education Week, Dec. 5, 1984.)
The main stumbling block to passage of the bill appeared to be its cost, Mr. Dillard said, which was estimated at $565 million over a three-year period.
Mr. Dillard said the legislation would be refiled "in one form or another by several people." Representative James Collins, last session's chairman of the House Education Committee, plans to introduce a bill similar to the one he introduced in the previous session, Mr. Dillard said. Representative Collins's bill, including numerous amendments, was the one finally voted on by the House.
Mr. Dillard said the Representative's new bill would remain substantially the same but would cost between $250 and $400 million. He said the lower estimate is largely the result of recalculating the "ripple" effect for teachers' salaries, which would reduce the bill's cost by about $125 million.
"The bill came under excruciating debate in the second and third readings," Mr. Dillard said.
Governor Dukakis plans to introduce a separate bill in the House within the next few weeks, accord-ing to Gerard Indelicato, special assistant to the Governor. That bill would cost about $230 million over four years, Mr. Indelicato said.
In the last session, Governor Dukakis introduced several substantial amendments to Representative Collins's bill but did not offer separate legislation. "We never supported $565 million with no clear idea where it was going," Mr. Indelicato said.
The Governor's bill will address five areas, Mr. Indelicato said. These include:
The relationship between state and local government.
Testing evaluation and compensation for teachers.
A finance-equalization program for poorer communities.
Early-childhood education.
Computer training and technology.
The House is still recovering from a bitter fight for the Speaker's position and changes in committee chairmen, the spokesman said, so the Governor will wait a few weeks before introducing his legislation.
Vol. 04, Issue 17
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All comments are public.


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The Connecticut Digital Archive (CTDA) is a collaborative effort of the Archives & Special Collections at the University of Connecticut Libraries and the Connecticut State Library. The CTDA is dedicated to the maintenance, delivery, and preservation of a wide-range of digital resources for educational and cultural institutions and state agencies in the State of Connecticut. Documents from the Bethel Library's collection include items from the P. T. Barnum collection generously donated by Laurence Gibson and Cynthia NeJame, including letters and correspondence, rare broadsides, photographs, and cartes-de-visite, as well as artifacts from General Tom Thumb, Jenny Lind and Commodore Nutt. The collection will also include a variety of other materials from the local history collection. Click here to access the Bethel Collection.
Treasures of Connecticut Libraries
Treasures of Connecticut Libraries is a collection of items from libraries across Connecticut that has been digitized. The collection includes historical photographs, maps, postcards and more. Documents from the Bethel Library's collection include the Town of Bethel's Sesquicentennial Commemorative booklet. Up to 100 items from the Library's collection will be posted over time and will include excerpts from the Historic Architectural Survey of the Village of Bethel produced in 1986 by the Bethel Historical Society and CT Historical Commission; Maria Parloa's book Camp Cookery, plus excerpts from her longer books; photographs and articles on Parloa and the Seelye family; and the library history book written by the director. Other items to be submitted include centennial documents, postcards, photographs and other materials from the local history collection.
To access the Bethel Collection: Once on the homepage, select the drop down menu from "participating towns," then choose Bethel.
CT.GOV State of Connecticut website.
CTHousingSearch Affordable rental housing
Connecticut Department of Economic and Community Development
Connecticut Department of Motor Vehicles
Connecticut History
A project of the Connecticut Humanities Council, is your home for stories about the people, traditions, innovations, and events that make up the rich history of the Nutmeg State with new content and connections each and every week.
Connecticut History Online
Connecticut History Online (CHO) is a digital collection of over 15,000 digital primary sources, together with associated interpretive and educational material. Now in its tenth year, CHO is embarking on a collaboration with the Encyclopedia of Connecticut History Online (ECHO) to serve the needs of scholars, K-12 and post-secondary teachers and students, genealogists, and the general public. This new initiative builds upon a very successful collaboration of libraries and museums focusing on digital capture of historical artifacts, including photographs, maps, broadsides, oral histories, manuscripts and oral histories.
The four current CHO partners, the Connecticut Historical Society, Connecticut State Library, Mystic Seaport, and the Thomas J. Dodd Research Center represent three major communities – libraries, museums, and historical societies – who preserve and make accessible historical collections within the state of Connecticut. Their combined assets include book and periodical volumes, manuscript materials, photographs and graphics, oral histories, maps, artifacts, and broadsides.
Connecticut Licensing Info Center
Connecticut Network Cable news coverage of Connecticut government.
Connecticut Siting Council Television and Electrical Transmission Project.
Directory of Women's Organizations in Connecticut
Visit Connecticut! CTvisit.com – The official Connecticut state vacation guide.
Western Connecticut Council of Governments Consisting of 18 member towns, it is dedicated to preserving and improving the quality of life and economic vitality in western Connecticut. WestCOG works on topical areas such as transportation, housing, community development, environment and open space while providing technical and planning assistance and expertise.


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Your current filters are…
Cloud Computing introduces new challenges for performance analysis, for both customers and operators of the cloud. Apart from monitoring a scaling environment, issues within a system can be complicated when tenants are competing for the same resources, and are invisible to each other. Other factors include rapidly changing production code and wildly unpredictable traffic surges. For performance analysis in the Joyent public cloud, we use a variety of tools including Dynamic Tracing, which allows us to create custom tools and metrics and to explore new concepts. I'll discuss a collection of these tools and the metrics that they measure. While these are DTrace-based, the focus of the talk is on which metrics are proving useful for analyzing real cloud issues.
SmartOS is an open source distribution of illumos, currently in production for Joyent's public cloud, where it provides a hypervisor that is secure, flexible and observable. It leverages technologies such as ZFS snapshots and clones for rapid provisioning, KVM and Zones for hardware and OS virtualization, and DTrace to safely understand what's going on inside of guests and the hypervisor. This talk will describe these technologies and their use, including engineering challenges encountered, and discuss opportunities for observing guests such as Linux and Windows.
United States United States, Los Angeles
20th–22nd January 2012


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Jack White might be the most prolific rock 'n' roll polymath of our time, but he should've been born in another era. Perpetually annoyed (and often disgusted) with the world around him, the former Detroit upholsterer compulsively rebuilds it to match the one in his head. It started with his garage rock duo, the White Stripes, which existed exclusively in a red, white, and black candyland. Now it's continuing in Nashville, where White has turned a giant warehouse in a dead industrial corner into a Factory to rival Warhol's. You could call him a control freak—you wouldn't be the first—but White argues that he's just trying to create a space where he can surrender control and let spontaneity rule. In a crumbling cabin an hour outside of Nashville just weeks before the White Stripes broke up (and just months before a press release announced a "divorce party" hosted with supermodel Karen Elson), we talked about attacking the guitar, resisting modern technology, and what he learned from the dead King of Pop, Michael Jackson.
GQ: You've been doing a hell of a lot of producing lately. As a producer, how do you know how hard you can push someone without going too far?
** Jack White: **Well, to me it would be embarrassing to take the easy way out when you're producing a record or when you're recording something. Some guitar players will go in and they'll record 50 or 70 solos, and they'll tell their engineer, "Alright, fix it." And they'll walk out and go on vacation for a couple weeks, then come back and hope for it to be done, all pieced together. You couldn't do that in my studio if you wanted to, because we don't record on Pro Tools. We record on tape. You couldn't do it if you wanted to. I never wanted to push [someone] until they'd be upset with me, but I do want to push so we can get someplace new. There's no point in just treading water.
GQ: You have so many projects going on all the time. How have you set yourself up, organizationally, so you can decide what you're going to do when and who you're going to work with?
** Jack White: **Projects come from all different direction. Some guy wrote me an email this morning saying, "You've got to check out this band up in the Midwest, blah blah blah." It's so nice that someone would even think to... they're not trying to make me happy, they're saying something cool could happen here. And that's the attitude I always have. I want to see, "Something cool could happen. Because of the place we have, this musician, this horn section might show up, this bass player. Maybe something cool will happen." That's all I care about: Building the little dollhouse and then inviting everybody down.
GQ: And you've built that dollhouse with [Nashville record store, recording studio, record label, performance space and general Jack White Factory] Third Man, right?
** Jack White: **Yeah. It's been a smart move for me in the fulfillment zone of my brain to build that building. I never realized how much I needed that location—the physical location—to really spawn all these different things. It makes all the difference. And we've been up two years—we're on our 75th record right now. That's a lot of music that didn't exist before, and I'm really happy about it.
GQ: When did you start thinking about actually building a catchall space? Was it when you were still living in Detroit? Had you already moved to Nashville?
** Jack White: **It's strange. I was just looking for a building where I could store all the gear that I had in different storage units. I was just trying to put it all in one place so I could get to it quickly. The idea being that I had built a studio, so now I didn't want this thing were, oh, I have that electric piano and that harpsichord and that sitar on a shelf, so when it happens that, "Oh, let's put a sitar on this track!" "Uh, it's down at the storage unit." "I don't want to have to go get it, let's just use a guitar." That's what happens when you put stuff in storage, you don't use it—it's too much trouble. So I wanted to get a building and put it all in there. I found this building, and as I was demolishing the inside I'm like, "You know what? Wait. This could be something bigger. Maybe we could also do photo shoots here. It'd also be nice if we could do interviews here—we should make a lounge, because we're always looking for a place to do an interview when people come into town. You know what? There's room for offices here. You know what else would be great? I should finally re-release all the White Stripes' 7-inches on vinyl. Are there pressing plants nearby?" One thing led to another, and then pretty soon we've got a staff of 12 people and it's gangbusters.
GQ: How did you find the people that you hired?
** Jack White: **Some of them were people that I knew who loved vinyl records and had worked at record labels before. I knew they'd be guys I could work with well—we all came from the same neighborhood, literally, so we knew how to communicate with each other and what we wanted to accomplish. And then it just moves on and on from there. When you put word out that you're looking for someone who's an incredible painter, they just show up, you know?
GQ: One thing I've noticed with you is that you try to take advantage of the fact that logistics naturally create limitations—a box that you have to work in. But what's really different with you is that, if the logistics of a certain project haven't created a small enough box, you find ways to create one yourself.
** Jack White: **Yeah, it's good to. Yeah.
GQ: Obviously with the White Stripes, the limited color palate is a very obvious in-your-face metaphor for something similar that's going on musically. But what are some less obvious examples of that same impulse in your other projects?
** Jack White: **When I'm in the Raconteurs, I just do it to myself. Maybe I don't expose the rest of those guys to it. Maybe they don't know what I'm doing. And sometimes you ruin it by talking about it to an engineer or to a band member. You jinx it. You destroy it by saying it out loud. So sometimes you gotta keep those little problems to yourself. I really want that amp knob to be at seven, but I'm keeping it at four and I'm going to try to get it to seven some other way. There's no point in me explaining that to Brendan—I'll just kill it. And it almost looks like you're bragging or something. So it's good to keep this trouble to yourself a lot of the time.
GQ: When I interviewed Wanda Jackson she said that you told her you don't take a guitar solo, you attack a guitar solo.
** Jack White: **Yeah, you have to. You have to. I don't know how you can do it politely. Even Django Reinhardt didn't do it politely. You have to be so involved, and it has to be a fight, a power struggle. Some kind of confrontation. I think that's what we witness in good stories, in good films, good music—we're witnessing confrontation. Protagonists and antagonists. People fighting about something. That's what stories are. And if you want to tell a story with a guitar, you have to do that. Sometimes you have to be both the protagonist and the antagonist at the same time.
GQ: From the Raconteurs to the Dead Weather to your role as a producer, how are you finding not being the front man?
** Jack White: **It feels good. When you're in the room writing or recording, nobody talks about that stuff. No one even feels it. But then suddenly when you release it to the world, it's like, "Oh, that's right. People know me from that band, and they know her from that band," or whatever. So you have to realize we can't just do exactly what we want to do—we're still under these preconceived notions from everybody else, so we have to try to use that to our advantage and make it work somehow. You know, to me, in the Dead Weather, when we're all in the room playing, I'm the drummer. I'm just playing the drums and I love it. I'm not thinking, "I can't wait to tell people I'm the drummer and shock them." You know? If you're thinking stuff like that, then you're going down the bad path.
GQ: Is there an itch that exists to be up front, singing, that you have to balance as you're pacing out your projects? I don't mean: Does playing the drums hurt your ego? I mean, is there something that being up front fulfills in you that you sometimes need to get back to?
** Jack White: **Sometimes you do things—I'll sit at the piano and write songs. I know that it's not my instrument, but I love to play it. And I also know that the crowd doesn't feel that that's my instrument. I put on the guitar, an instrument I don't really care that much about, and the crowd reacts like, "That's your instrument. That's it. We feel it." Literally, at that moment, the music that's coming out is what they want to expose themselves to. So you start going, "Okay, that's what connects with them, whether I like it or not." I'd love to play the drums and be a drummer, I really feel like a drummer in my mind, always have. But it's not what fires them up, you know? So that's the vibe when I go up to the mic and sing: It's that, "Oh, that's right... they like this." [Laughs.]
GQ: So how do you balance giving the people what they want, and doing what feels right to you?
** Jack White: **It just kind of comes out. In the Dead Weather, when we first started writing songs, I think we wrote eight or nine things, and it's all Alison singing. We had a mic, and I was singing backup, and I ended up singing a verse and writing with her. It just happens, and the good thing is to get out of the way of it. Because when people sit down and say, "Okay, what are we doing here, guys? What kind of band do we want this to be? Do we want to have two singers? Do we want to have..."? When you sit and think about it, you kind of blow it. It becomes a press release. It's good to let it happen, if you can. And that happened with the Dead Weather—I ended up singing a couple songs here and there. But Alison loved that, because she could play organ, or guitar, or tambourine, and sing along with me, or whatever. A duet. It was something new.
GQ: How would you distill what you're after when you're producing?
** Jack White: **I want to blow something up. I want to make something happen that's hard to do. I want to be able to say, "We didn't spend a million dollars in a studio and 17 months on Pro Tools—we did that with two napkins and a toothpick." That's what I'm proud of. The circumstances, the energy that was in the room that got created that wouldn't have been there had you not done such and such a thing. I get off on those ideas. Trying to shake things up and make something happen. It doesn't always work—you can't just fire off a gun and all of a sudden someone's going to record a hit song—but the attempt is worth it. It's the "taking it easy" part—when I go and see people in the studios, and I see them taking it easy, it upsets me. It kind of bums me out. I want to take 'em aside and take 'em outside and say, "What are you doing? I don't understand why you're doing that." I think a lot of people are trained to think that when they play in front of X amount of people, I've arrived, I've made it, and now I can rest on my laurels, because I'm The Guy. And that's the biggest mistake.
GQ: I've always felt challenged by your resistance to modern trappings. Has having a family changed your experience around technology and modernity? You've told me in the past that a lot of the stuff that most of us surround ourselves with makes you uncomfortable.
** Jack White: **I was raised by pretty much senior citizens. My parents were pretty old. We had ten kids. They were into a lot of older things. I remember listening to Nat King Cole, Roger Miller, and Gene Krupa, and I was in a neighborhood where nobody was listening to any of that stuff, and they never would. It was weird to be on my front porch playing guitar, and to have people walk by and making fun of me, throwing rocks and shit. You sort of get this defiance like, Okay, a lot of people aren't into this stuff. But there was always this temptation, like two people on your shoulder, and one of them's saying, "Jack, just go along and like what they like. You'll have more friends, it'll be an easier time, you'll be happier." Then on the other side of me there's that stiff upper lip, like, "No, I like this, and I'm going to keep liking it. I'm not gonna change just because they want me to." That whole battle. And maybe I started that battle in my head. Maybe I imagine that battle in my head. Maybe I create it when it's not there, just so that I know how to work. I don't know.
GQ: Does having a family, where it's not just you in your head anymore, change that?
** Jack White: **Like, kids, you mean? You know, honest to God, I don't think about 'em when I'm working. There's a time and a place for that. I don't think about my mom when I'm onstage, you know? I just don't really think about my kids when I'm working, and when we press stop and I walk outside, they're the first things I think about. Even when Karen and I worked on a record together, we never thought about that we were husband and wife. We never talked about it, never did anything where I said, "Uh, I wish we weren't having this conversation right now, because we're supposed to be working on a record..." We never had that; it was time to work. And we never said it, either, which is a good sign, you know? That means things were happening on their own, naturally, for the right reasons.
GQ: And you're both equally focused.
** Jack White: **Yeah. That was sort of a test, when I look back on it, for the studio, and for me as a producer, to get through something like that and have it come out the other end and be pure. It's hard to do, man, work with your wife, or work with your husband. And it broke through.
GQ: You cut records so fast, and then there's the inevitable down time before they come out. What's that like given the pace you like to work at?
** Jack White: **It's a funny thing: It's almost like I'm waiting for the attention span of the Internet age to catch up with the things we're doing at Third Man. Like the singles that we're putting out very quickly. Everybody's always like, "You need all this content." A band used to need six photos. Now we need 300 photos of your band. We have to have Internet clips, YouTube clips, you gotta get all this content, because people go through it all so fast. You'd think that it would equate to [people] putting records out more often. Create music more often, and people will have a desire for it to come faster. But it's almost not the case. It's almost like people are trained to hype. We've trained ourselves to need hype. If we don't see the poster for the new blockbuster movie 500 times, we don't think it's important. And if our friends aren't all buying the record, then maybe I shouldn't buy it, either, because it's weird. I really get that vibe a lot, starting from when the White Stripes finally were selling tons of records. You'd see the things we were asked to do—or the things that were done, you know, promotional things, whatever—and people are that dumb sometimes where if they don't have an ad in the Best Buy circular, they don't buy that record. It's like, Wow, really? I thought that was a long time ago! No, that's today, and it's always gonna be that way. And that's the—I don't mean to call it dumb, but you get a bad taste in your mouth. Like, Wow, I gotta grab you by the arm and drive you to the movie theater and throw you in and lock the door to make you experience it, you know? [Laughs]
GQ: You're the only person I've ever met that works too fast for the Internet. But a lot of what you're always saying and doing is about refusing to float wherever the stream is going.
** Jack White: **It's easy to do that, really. If you get something cooking, you just stay with it and keep doing it. That's easy. To really let God in the room and let the natural things that happen when people collaborate and work together occur—that's when you're doing your best. You're producing, you're creating. It's because you relinquish control. It's the producers and creative people, the artists, who say, "Next month I'm making a country record. And then six months from now I'm going to do this...." When you look at everything like that, it's like you're playing Candy Land. What good is it? I feel comfortable when I know I didn't plan the Dead Weather, Dead Weather just happened. We had a thing and we had to give it a name. It had already happened before we knew it. Same thing happened to Raconteurs. That feels good to me. I know I can't look back and say, "Yeah, that was kind of put together by the record label... They were pushing us to do that... I didn't really know those guys." We don't have those things to look back on and regret.
GQ: What do you mean when you say "Let God in the room?"?
** Jack White: **It's something I always felt, and I saw Michael Jackson say that once. I thought, Wow, I've been saying that to myself for a long time, and I was glad to hear him say that. The ultimate thing to do is to relinquish all control. I think people get in the mindset that when you are the director of the movie, when you're the producer of the album, you're in total control, and you boss everybody around, and you become a control freak and tell people and nitpick and micromanage. That's not what happens. You really just sort of build a room and you just press record, and you just let people do what they do best. Just let it happen. Anybody can go in there and get on an ego trip and bark orders at people and stuff, but it's so stupid. There's no joy in that. There's no beauty in that. Sometimes you get some funny stories out of it, but you're not going to accomplish much.


text:
- June 1, 1918 - March 22, 2015
- Columbus, Mississippi
of William's Passing
Share This Obituary
Make a Memorial Donation
Tributes.com partners with over 100 national charities. It's easy and secure.Donate
William was born on June 1, 1918 and passed away on Sunday, March 22, 2015.
William was a resident of Columbus, Mississippi at the time of passing.
William was married to Gracie.
Visitation will be Saturday, March 28, 2015 from 12:00PM ' 1:00PM at Canaan Baptist Church, Columbus, MS. A funeral service will follow at 1:00PM at Canaan Baptist Church, Columbus, MS with Bro. Danny Avery officiating. Interment will follow in Beersheba Cemetery with Lowndes Funeral Home directing.
Memorials may be made to Ward Adoption Fund c/o Jay Ward, 3225 Forest Hill Drive, Belden, MS 38826.


text: Mobile Banking Experience Convenience With Cabrillo's Mobile Banking! Cabrillo's free mobile banking application for the iPhone® and AndroidTM, gives you safe and secure mobile access to: Make a deposit - deposit your check and receive immediate credit to your account* Pay bills through Bill Payment - also view payment history Make transfers - between your Cabrillo accounts and accounts you have at other banks or credit unions Manage your accounts - view pending pre-authorized transactions View your transaction history - view cleared check images and even place a stop payment Find an ATM or branch - search locations all over the United States Current rates - view our up-to-date rates for loans, savings accounts, IRAs and more Live Chat-Chat with a Cabrillo Representative Monday - Thursday: 9:00 AM – 4:00 PM PT and Friday: 9:00 AM – 5:00 PM PT Enjoy the freedom and convenience of banking from any mobile device! Click one of the links below with your smartphone to download the Cabrillo app! *All deposits subject to verification. Enrollment in Mobile Deposit based on eligibility. In some instances funds will be placed on a normal hold and not be available for immediate withdrawal. iPhone® or Android Users Visit the iTunes® App Store or the Google Play Store Search for "Cabrillo" Download the free App Or, tap the button to the left from your iPhone or Android. Other Internet-Enabled Phones Simply point your mobile browser to: https://www.cabrillocu.com/Home.aspx Text Banking Cabrillo has launched a new service that provides quick access to information about your account without having to login to eBranch each time. When on the go, Text Banking allows you to request and receive account information via text message. The service is free and secure just like our other account services. Getting Started Enroll by logging into eBranch and clicking on the Text Banking link. Once receiving the enrollment text message from 86434, you may begin using the Text Banking service. Instructions are provided throughout the enrollment process. Commonly used commands BAL – Returns the balance for a specified share or loan account HIS – Returns history for a specified share or loan account XFER – Allows a transfer within the account STOP – Disables text banking. You can also use the settings in eBranch to enable and disable text banking. LIST- Receive a list of commands Was this information helpful?12345Please rate the content from 1 to 5. A low score means the content was not helpful. A high score means the content was very helpful. Current rating: 2.5 (4 ratings)


text:
St. Mary's Catering
Last updated: 04/04/2018
Here at St. Mary's Menston, it is important to us all that meals are produced to a very high standard ensuring that everyone has the opportunity to purchase food produced to the very best of our ability on a daily basis.
To achieve this we operate our own in-house catering service using fresh locally sourced produce to create a delicious variety of healthy options. We constantly monitor our suppliers to ensure that we are getting 'best value' without losing sight of quality.
We operate a simple and effective cashless system.
- Every pupil is issued with a swipe card which can be topped up at any time with cash or ParentPay.
- Spending limits can be set by school or parents and carers and any dietary requirements added.
- The cashless system ensures that a quick and efficient service is maintained.
School Food Standards
All secondary schools comply with the School Food Standards. The standards have been implemented very successfully here at St. Mary's Menston. Meals remain extremely popular with staff and pupils, despite the absence of crisps, sweets, chocolate, fizzy drinks and other fat, salt and sugar laden foods.
Allergen Information
Food allergen information poster for schools (Food Standards Agency)
Menus and Prices
Menu and Prices (PDF)
Lunch Menu
Our menu is on a three-week cycle with the aim that students and staff receive a balanced and nutritious diet. There is a vegetarian option on offer every day.
There are also posters with our latest prices on near the entrance to the Dining Hall (room M1).
Catering Team 2017–18
Contact Information
We believe that our customers are central to our success and we want to know what you think about our service.
We are always looking at new ways to develop the service and we welcome the views of pupils, parents, carers and staff. Our Student Council regularly discuss school catering at their meetings and attend taster sessions with the kitchen staff.
There are many reasons you may wish to contact us using the form below:
- Making special dietary requests such as 'my child can't eat bread'
- We have a complete record of what each individual person ordered and at what time that we can share with parents and carers.
- We want to know opinions of our customers - both positive and negative - about the food, the kitchen and the eating environment.
Online Catering Contact Form
View our Privacy statement and Terms of use
Healthy Eating and Lifestyles links
- Healthy Schools
- The Children's Food Trust
- 5-a-day (NHS)
- Jamie Oliver Foundation
- The Eatwell Plate (NHS)
- BBC Health - Fluids and Water
- The National Cancer Institue (USA) who keep people informed on the relation between smoking and cancer
- Quit Smoking Community information on smoking and its effects
- Our Water Fountains at St. Mary's poster (PDF)
You can find more links about Healthy lifestyles on our Personal Safety page
Fruit Salad photo by © FotografiaBasica, iStockphoto.com


text:
Hi all,
How to reduce or remove vocal from songs as karaoke app?
- linh tran asked 5 years ago
Though you probably won't be able to remove the entire vocal track (technology is just not there right now, without using a neural network and even then it's not guaranteed to work 100%), you can put a filter over a track in the mid range. Somewhere between 1k -3k is the human voice I [i:29qrvyu5]believe[/i:29qrvyu5]. This is assuming the person singing is singing 'normally' and does not have any kind of distortion or filters on their voice.
You won't get the whole voice out because of harmonics, little "echos" of a sound that extend well beyond it's origin frequency, but it will get out most of it. However, this also means you will take out any instruments that might be occupying that frequency range (usually guitar, etc.).
Hope this helps! If you want to learn more, just Google 'harmonics' and 'voice removal'.
- BobBobson108 answered 5 years ago
Like BobBobson108 mentioned you won't be able to remove vocals completely and even worse you won't be able to remove any part without altering the rest of the music.
One way would be to simply EQ most of it out like BobBobson108 mentioned but I think you would need to start a little lower than 1kHz : try 600Hz-3,5kHz
Also some older tracks have vocals on one channel and instruments on the other (mostly tracks from the '60s or older) so those would be easy 😉
But if you want a more precise filtering with more recent tracks you might try something else.
Vocals are mostly centered in the "stereo image" while some instruments (like guitars) are partly (sometimes completely) panned to the left or right.
The idea would be to :
– convert your track to mono and then substract the resulting mono track from the left and right channels of the stereo track.
– filter as mentioned above the mono track (watch out to not filter too much of it as most LF instruments are centered)
– put all together again (re-add the mono track to left and right)
This is still not a perfect result but it will keep some more instruments a little alive in your track.
Don't forget when you try to filter out the voice, don't try filtering it all!
Filter to reduce speech intelligibility as much as desired and keep the rest.
- Dani1973 answered 5 years ago
Please login first to submit.


text:
Matt Hawkins, chairman and founder of C4L, says: "We embarked on this project because we realised that the UK has been served by inadequate data centre network infrastructure and poor delivery times for too long. We have made this multi-million pound investment because we believe that UK businesses need to be better served to enable them to compete both domestically and internationally. coreTX meets this need, offering a competitive advantage to all sectors, especially in markets like Financial services, Media, Content and Cloud platform delivery."
Find out more about coreTX here. And if you're considering switching, you can get a quote for any of C4L's services here.


text:
After a long day the hot lady wanted to satisfy her lover whose cock was all she wanted to feel deep inside her dripping cunt.
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text:
D1 Space Ltd is delighted to announce the successful Sourcing of 2,655 ft2 of D1 Space on behalf of:
The property is located on the junction of Roehampton Lane (A306) and Medfield Street and benefits from close proximity to Putney Heath and a range of local amenities within the predominantly residential district of Roehampton. Regular bus services provide connections to the surrounding localities and the London Overground and Underground stations of Barnes and East Putney.
The property comprises good quality ground floor and basement accommodation within former bank premises. Internally the property is configured as a children's nursery to provide a large open plan space with partitioned offices, kitchen area and separate play areas. The basement is currently used as storage and provides separate male and female WC's. To the rear there is a small rectangular outdoor area which is secure and not overlooked by surrounding properties.
The gross internal area (GIA) comprises:
- 2,655 sq ft over ground and basement.


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The Washington Post's Jennifer Rubin points out that "Ohio Gov. John Kasich was one of the few Republicans to lambaste the president and Congress for using Americans as hostages in a political game. On 'Meet the Press,' Kasich let it rip:"
People …
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People are saying, "Oh, well these were some big bonus to insurance companies." No. These were payments to insurance companies to make sure that hardworking Americans, who don't make a lot of money, can have their co-payments taken care of.
It's a subsidy to do that. And what this, what this decision leading to are higher prices. Some people will not be able to afford health insurance. Or people will have to make very significant choices. And I'm talking about hardworking people, trying to work their way up and out of their situation. It's going to impose higher costs on their families.
Some people will not be able to afford it. But what I don't understand, Chuck [Todd], is what are they doing? Are they just passing these things and people are praising what the president did because of politics? I mean, do they understand the impact that this has on families, on people? Read the stories of what these people are saying.
They finally have health insurance, and then the next day they wake up, and now they're not so sure they can afford it, or whether they'll be able to have it. What is the purpose of this? I've got to say, Chuck, this whole issue is about people. It is not about politics, it is not about numbers. It's about people. And these congressmen, they're seemingly willing to do nothing.
This is a mantra about Obamacare. And it's, to me, it's fundamentally political. Because frankly, if you are to do these things, what is the result? What are you putting in place? What's going to happen to the people that get stuck with these higher costs or lose insurance all together? I just don't think there's any policy here.
In The New York Times, Maureen Dowd discusses, "Harvey Weinstein, Hollywood's Oldest Horror Story."
In her autobiography, "Child Star," Shirley Temple described going with her mother to see her new bosses at Metro-Goldwyn-Mayer after leaving Fox.
"Not for nothing was the M.G.M. lot known as the 'factory,' a studio perfumed with sultry, busty creatures with long legs and tight haunches," Temple wrote, "and more than its quota of lecherous older men."
Nearly 80 years later, that aroma of perversion and maladroit du seigneur clings to Hollywood. Now we are inundated with grotesque tales of Harvey Weinstein pulling out his penis to show to appalled and frightened young women, enlisting the pimping help of agents and assistants to have actresses delivered to his hotel rooms, where he pestered the women to watch him shower or give him a massage or engage in intimate acts.
"The ill will towards him for getting away with it all for so long has unleashed something so primitive," a prominent male Hollywood producer told me. "If people could rip him apart, they would. Literally everyone in Hollywood is taking marshmallows to roast at his burning corpse."
Dana Calvo, the creator of "Good Girls Revolt," noted: "We have been saying, just get us in the room. But we meant the pitch room or the editing room or the boardroom. Not Harvey Weinstein's hotel room."
Once more we are in a searing national seminar on sexual misbehavior by men, just like the Hill-Thomas hearings, the Clinton impeachment hearings, the Bill Cosby trial, the downfalls of Roger Ailes, Bill O'Reilly and other harassing big shots at Fox News, and Donald Trump and the fallout from the "Access Hollywood" tape.
How many times do we have to go through this before things really change?
Hollywood is a culture that runs on fear. And it is not like other professions, one top entertainment executive said, because "no one comes with a resume. It's about what you look like and who sent you."
Robert Blecker in The Wall Street Journal writes, "What Football Needs Is Another Teddy Roosevelt: After 18 players died in 1905, TR pushed rule changes. What a contrast to Trump."
Lost amid the hubbub of President Trump's comments about professional football players kneeling during the national anthem is his more dangerous accusation that NFL officials are "ruining the game" by penalizing players who "hit too hard."
Once before, a Republican president involved himself in football's violence. On Oct. 9, 1905, Theodore Roosevelt summoned to the White House coaches and athletic advisers from Harvard, Yale and Princeton for an extended discussion. Football killed 18 young athletes that year - 11 of them in high school - and seriously injured dozens of others, including the president's son who played football at Harvard. So, at the height of his popularity and power, Teddy Roosevelt urged the leading football powers to introduce "radical innovations" and reduce the brutality of the sport they all loved.
The next month Columbia terminated its football program, while New York University and Stanford prepared to follow suit. Roosevelt strongly resisted this all-or-nothing approach, urging leading opponents of football to reform rather than abolish the sport. Facing an existential threat and a president with a well-known distaste for boasting and blustering, representatives from 62 colleges (there was no professional football league) modified the rules to diminish football's brutality and changed the sport forever.
Offensive players could no longer lock arms on the field or break open a hole for the runner by crushing a single helpless defensive player under a half ton of concentrated power; a neutral zone separated the offensive and defensive lines; the offense would have three downs to gain 10 yards instead of five - thus encouraging sweeping end runs rather than battering line play.
Most revolutionary, they legalized the forward pass. For the first few years, the league discouraged it by automatically turning over possession of the ball to the defense at the spot where an untouched incomplete pass hit the ground. But in 1906, fatalities dropped to 11, and injuries declined sharply.
A few years later, the fledgling organization that changed the game also changed its name to the National College Athletic Association.
Notable & Quotable is compiled by Graham Osteen. Contact him at email@example.com.


text:
Backby popular demand!
I've gotten requests to bump up the start of
this next round of Flourish Through Divorce to August, so we'll be starting
August 15. The next round will start November 4 and run through the holidays (on
Feeling overwhelmed
by all the changes and decisions and feelings of divorce?
Having a hard time
processing your complicated feelings about the split and helping your kids
process them?
what kind of life you can have now, post-relationship?
Wanting to work together
with your former partner for the good of the kids, but finding yourself so
hamstrung by anger and hurt that you can't see clearly?
So many of you are doing what you
can to comply with the legal process of divorce that you don't have the time
and space to tend your heart and mind and soul when you most need it.
What if you could:
- give
yourself the time and space to consider what happened and what's next?
- talk
about it honestly and thoughtfully with companions in the same part of the
process that you are?
- have
a structure of areas to process and create as you move into a new life?
It would be wonderful if you could
get divorced with no effort and then fly off to Tibet to find yourself, but
when you have kids that doesn't happen. Instead, you can take the online Flourish
Through Divorce workshop. It's 6 now 8! weeks long, all online and
on the phone, and starts August 15.
The workshop will:
- give
you a list of the things you need to work through
- start
you thinking about all the big ideas and working on them
- open
your eyes and ears so when you do come to new ideas and processes on your
own you have a framework to fit them into
- reserve
space for you to think and process
- provide
a forum for feedback from other people in the same process, running
buddies, in essence
The workshop will get you started in
healing and creating the new life you need. It's an intense eight weeks, but
the process will continue for you for months after the workshop is over.
This workshop is very special to
me–I found getting divorced the most painful but transformative process of my
life, and stumbled my way toward this new sparkly life I have. Four-and-a-half years
from the legal decree I'm happier with who I am and my relationships with my
children and ex-husband than I'd ever have predicted. (If you want to read
about our co-parenting you can find us at When The Flames Go Up.)
The Flourish Through Divorce workshop takes all the thoughtfulness and
troubleshooting I bring to parenting on AskMoxie.org and brings it to the
divorce process to give you a framework to make sure you're tending to all
those other parts of your family and life that need love. I want you to have a
sparkly life (if you like sparkle), too.
"This workshop let me use my guilt
as a motivator to make something new and better, and helped me understand what
I really wanted out of interactions with my ex. It also confirmed that
everything I was feeling was normal, and that I was letting go of the sadness
every day."
S.K., Virginia
What is the workshop?
It's everything I learned
that got me from feeling like I was free-falling to being happy and exactly
where I'm supposed to be.
It's a structure to lead you
through the big topics you need to think about and create new for yourself.
I'm there to give data points and
help you frame and reframe, and you'll do it together with everyone else
in the workshop so you're not the only one going through this
bewildering and shifting experience. No echo chamber.
This course does not offer any legal advice and is not
therapy. In this course we will explore issues, plan, and dream, but it is not
a substitute for trained legal advice or therapy. If you feel that you need
legal advice or the assistance of a therapist, I encourage you to seek help
from a licensed professional. (And participants have been happy with doing this
workshop in addition to seeing their wonderful therapists.)
(Don't want companions on the
journey? Think about private coaching with me
instead and we can do the same framework and space with just you.)
Here are the big topics
we'll work on, one every week, with lots of nooks and crannies and space to
think and work within each one:
Processing the split:
- Fear,
sadness, shame, regret.
story that changes every day.
- Letting
yourself be sad and hopeful and proud at the same time.
- Staying
with your kids even when you cry whenever they're not around.
- Helping
them process while you're processing, too.
- Working
through it with guilt as your sidekick.
New family dynamics:
- Two
houses instead of one.
- How
marriage can end but family is forever (and how that can hurt).
- Getting
past anger to create the best custody situation for everyone.
- Benefit
of the doubt.
- Being
kid-focused even when it hurts in the now.
- Being
creative with how all needs get met.
Balancing the Ledger:
- Assessing
the balance of energy, emotion, and money in your relationship
- Figuring
out what you are "owed"
- Determining
how to balance that ledger for yourself
- Taking
action to begin the balancing process
What is it you plan to do with your
one wild and precious life?
- What
got you into a box in the first place, and deliberately crafting your life
and family.
- Where
being good got you.
- Determining
what you value now that you have your choice of everything in the world,
and going toward that.
- Sticking
close to your kids while you explore who you are now.
Maintaining boundaries and staying
centered so fights and conflict doesn't destroy you:
- Even
in basically friendly divorces there's a lot of conflict in the process,
and some divorces feel like a constant bloody battle. How can you stay
strong and centered and calm so you can advocate for yourself and your
kids without being ripped apart, constantly on edge, or afraid?
- Stripping
away to the essence so you know what you can give and what you can't give.
- Drawing
healthy boundaries.
Letting go:
- How
letting go of anger and keeping score can free you.
- How
to drop your end of the rope.
- And
the physical letting go.
Nourishing yourself and your
personality, and nourishing your kids and their personalities:
- Make
your home a place where everyone grows.
- Figuring
out who you are post-relationship.
- Looking
past the immediate future.
As you can see, that's a lot. It
took me the better part of three years to stumble through all of that. We are
not trying to get through all of the feelings and decisions and moments and
transformations in the eight weeks of the workshop. (I don't think it would be
possible to, unless we were in a sweat lodge on an island with nothing else
happening for the entire eight weeks.) But we'll dig far enough into it that
you can keep going and fit all the pieces together as they come to you, and
you'll have the private discussion group online to keep going with you.
"I found the written content you provided really
thought-provoking and useful. In some cases, it was an articulation of where I
had already gotten to; in other cases, it opened my eyes to what was causing a
lot of my problems." C.S., Vancouver
The logistics:
Flourish Through Divorce
costs $389 and runs August 15, 2013 through October 10, 2013 (8 weeks). The
course elements are:
- Lessons
I've Learned and topics to think about sent out every week, with homework
consisting of a model or framework that I lay out (with descriptions,
examples, and metaphors so you see how it applies to you) and a series of
questions that you think about, answer, and write down or draw to be able
to see your own plan and progress (send it to me to get feedback, or keep
it private just for you)
- Private
hidden Facebook group for everyone to talk in during the length of the
workshop and for another six months (especially helpful during the
holidays, when you might need a safe place to vent with others who are
going through the same thing)
- Two
optional weekly calls (Tuesday nights at 10 pm EDT and Thursday morning at
11 am EDT) for everyone in the workshop, with a very short agenda of
checking in on the week's topic and then whatever it's bringing up (you
can talk or just listen, and the call will NOT be recorded). Calls are
officially around half an hour (quick and sweet and you can listen in on a
coffee break) but I'll stay on with anyone who can and wants to keep
- Reading
list of two mandatory books (plus one more for people with children) and
three more optional books (you don't have to finish them during the
- Unlimited
email support from me during the workshop
- (We
will also have some special guests on calls or who write things just for
I'm the one who initiated the
divorce, and I feel guilty about moving toward a new happy life. Don't.
You aren't going through the sausage factory of divorce to stay mired in
hopelessness and guilt. If you're strong enough to rip your life apart, make it
mean something good for you and your kids.
I didn't want this divorce. I feel
like my life is being stolen. I'm sorry you're going through
this. You have two choices: you can roll over and let yourself be discarded, or
you can fight back by creating an amazing life for yourself. 365 days from now
are you going to be empty and sad, or hopeful and a little bittersweet and full
of potential?
Are you going to teach me how to
beat my ex in court? Nope. I don't think anyone beating
anyone is good for your kids, and I bet you don't really, either. I can help
you release some anger, though, so you can maintain your own boundaries and
work with your ex to create the best possible situation for your kids. I have a
lot of hope that people can be great parents even if they were shitty spouses.
(And we talk about that in the workshop.)
We were never married, so it's a
split but not technically a divorce. Will this still apply to me?
Totally. Since none of this is about the legal process and is all about the
emotional and logistical process, it's right for you. Whether you weren't able
to get married or chose not to get married, you're completely welcome.
I'm a Christian and am feeling torn
apart by getting divorced. Me, too. I don't go into faith in
the workshop except as a structure that can help if it's your thing, but I'm
happy to share privately what I came to about grace and redemption and being
the leper.
I can't get past the guilt of doing
this to my kids. Yes, you can. Not overnight, but you
can get past guilt into a place that creates a life your kids are going to
I don't have kids. Can I still do
this workshop? If not having kids was a sad part
of your marriage, then do NOT take this workshop because it is going to trigger
every hurt feeling you have. (Email me and we can talk about it, if you'd like
to.) If not having kids is a good thing, then yes, take it, and just ignore the
parts about kids.
Still have questions? Email me at
askmoxie at gmail dot com.
Sign up, and give yourself
permission to come through this intact and hopeful.
When I started working on the outline and lessons for this
course I realized that this is my heart, showing other people the signposts for
the path to a new life during and after divorce. Getting a divorce was the most
transformative experience of my life, and I hope I can help you find a clear
path for yourself.
If you have questions or want to find out if this workshop is for you, email me at askmoxie at gmail dot com.
You can do this. Courage.


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The requested case study does not exist. Please return to Case studies
Fight-back at the Festival – Updating Grosvenor's Basingstoke Shopping Centre
Festival Place in Basingstoke is Hampshire's leading regional shopping centre – though in recent years it has been increasingly challenged by the competition in Southampton and Reading. Landlords Grosvenor hired Jones Lang LaSalle to work with them and their other external partners to gear up for the future and ensure Festival Place stays at the top of the tree. Situated in the heart of Basingstoke town centre, Festival Place has the central bus station within the shopping complex and also the railway station a stone's throw away. With anchors Marks and Spencer, BHS, Debenhams, Vue Cinemas and TK Maxx in a million square feet of retail space attracting 20.3 million visitors a year, it had – we felt – a lot to offer. The challenge was to work with Grosvenor and its other partners in understanding the Centre's marketing, getting the best possible fix on the competition, and then helping implement the strategy to maintain its pre-eminence.Soon, change got under way. It included researching the competition, refocusing major events like the Fashion Festival, supporting the introduction of new marketing agencies to assist in these initiatives along with the tendering and introduction of new "best in class" FM partners, demanding new standards of health and safety, and ensuring the highest of expectations of customer care.The results have been impressive. In 2007 the Centre successfully achieved both Investors in People and Place to be Proud Of status, won the ROSPA Gold award, the English Town Council's Welcome to Excellence mark, The Purple Apple Marketing award and the ISO 14001 environmental management accreditation. This year, these were capped with another Purple Apple marketing award, the ROSPA Gold award and a positive growth in footfall figures. Despite the strength of the competition, Festival Place has retained its position as Hampshire's leading shopping centre.


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Holiday gift guide: felt it up17 December 2008
Slippers are a classic Christmas gift. Why not make them felt and fun! 'Feltgoods' on Etsy out of Wabasha, Minnesota creates these Norwegian looking hand knit designs using worsted weight wool yarn. They are then felted in a vintage wringer washer.
Each pair is one-of-a-kind, soft, and warm for only $30.
Holiday gift guide: hours of fun for everyone13 December 2008
Not too into the open mic situation when using Skype? Nostalgic for the good ole' days of land lines? Inspired by all the free James Bond movies showing lately in the On Demand section of digital cable? This internet phone is the ideal present for your cyber-saavy friends with the gift of gab (also a famous musician)… and its the perfect blue (also a famous anime).
It's for you! Listen, VOIP technology is super awesome, letting you use your computer to keep in touch. But we've got just the thing: the Internet Phone, an old school styled phone receiver that conveniently plugs into the 3.5mm microphone and headphone jacks on your computer.
This item is available at Urban Outfitters.
Give us a call!
Holiday gift guide: this one is for the ladies12 December 2008
For the men out there who dare to pick up clothing gifts for their female partner, the Zeha Berlin Oxfords are a beautifully designed classic. This is a mans oxford made for a woman. They have the feminine twist of gradient tone from grey into brown.
Imagine them with a Charles and Victoria draped pencil skirt, cotton wool blend tights and a geometric jacket by Naum. Accessorize with thick knitwear by Mischa Lampert so even the coolest winter day will feel cozy and bright.
You can purchase the Zeha Berlin Oxfords at LAMBSEAR Shoe Boutique in the hipster city Seattle for a significantly lower price than other boutiques.
For Dust Thou Art06 November 2008
Some days one can feel like an old idea is brought back to life, thus holding more power than in previous days. My guess is this week many of us are renewing our confidence, recognizing our considerable skill, and finding fresh sensitivity to our individual proficiency.
What better time to explore a new idea for your ashes. Ashes? Yes, as in your remains.
Seattle's Lundgren Monuments can offer creative alternatives to the same old same old, with custom made urns by famous designers. Each one is uniquely beautiful, and in some cases even fun. Now go ahead and explore the old as seen through the new.
Great flickr set21 April 2008
100s of nonsensical images for your enjoyment.
Stay.04 March 2008


text:
Since I was a teenager, I have been in love with China. The culture, the history, the language.
Everything about China enamored me.
Even the politics intrigued me.
In college, I minored in Chinese and spent a summer abroad in Beijing.
It was more than I dreamed possible.
It became my first love. Trumping other passions. Even boyfriends.
I dreamed of working and living in mainland China. Of surpassing proficiency in Mandarin and becoming fluent.
But circumstances prevented me from getting back there. A back injury that didn't allow for overseas travel.
A life altered by one accident.
But I remained faithful. I loved China. I promised myself one day I would go back there.
And maybe even move there.
Dreams are beautiful like that. They give you something to hope for. Something to strive for. Something better than today. Even if it always remains in tomorrow.
A few years ago, my world changed again. A brilliant doctor gave me an artificial disc in my spine. Suddenly, my spine was healthy again. I could travel abroad again.
And I planned a summer trip to China. On the horizon. A definite possibility again.
I practiced my Chinese. I read all my guidebooks and I returned to my first love, China.
There were some wonderful moments on the trip. There were some really awful ones too.
I had to face the fact that China and I had changed. We weren't the same as when we first fell in love.
It was not the place I visited 13 years ago. I was not the girl who climbed dangerous sections of the Great Wall.
I no longer wanted to live and work there. I no longer dreamed that dream.
I'd fallen out of love with a dream that sustained me for two decades.
It left a void inside. A place that may not be filled for a long time.
Falling out of love with a dream hurts.
But I'm grateful for the dreaming. Because I got to see China. I got to speak Chinese. The dream gave me so much.
I will mourn that dream like an almost fiance.


text:
Public list Fin tech ( Fintech ) (10982):
ZeBeDoo looks to connect people to the products they love in ways never before possible. ZeBeDoo believes in choice, but also believes that finding and making the best shopping choices often involve friends, experts and simple economics. ZeBeDoo brin...Show all
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text:
Agence Jouin Manku transformed the interior of the Fontevraud Abbey, a hotel and restaurant that was formerly the Saint-Lazare priory. Designers Patrick Jouin and Sanjit Manku worked with a palette of wood, metal and fabric that beautifully accompanies the building's original stone work.
The biggest challenge was to assimilate a 21st-century design sensibility for a building, that, in its past life, functioned as a hospital and hospice for nuns. The designers explain that they wished to toe the line between tradition and modernity with this project. They hope to present the history of Saint-Lazare as a physical, tangible journey, one which ultimately marries "emotion, sensual pleasure and poetry."
Inside, the space has been decorated with free-standing furniture that has been custom designed, and operates as a divider, along with its functional capabilities.
Magnificent Monastic Hotels
More Stats +/-
Luxurious Lifestyle Hotels
Modern Monastery Remodels
Industrial Hipster Hotels
Palatial Parisian Hotels
Meditative Office Partitions
The Fontevraud Abbey is Rich with History
- By: Vasiliki MarapasAug 19, 2014
References: patrickjouin & dezeen
References: patrickjouin & dezeen


text:
- February 1, 1930 - March 26, 2015
- Bridge City, Texas
of Edward's Passing
Share This Obituary
Make a Memorial Donation
Tributes.com partners with over 100 national charities. It's easy and secure.Donate
Edward was born on February 1, 1930 and passed away on Thursday, March 26, 2015.
Edward was a resident of Bridge City, Texas at the time of passing.
Edward was married to Peggy.
Family visitation will be held on Saturday, between the hours of 5:00 p.m. and 8:00 p.m.; Edward's memorial service will be conducted at 4 o'clock in the afternoon Sunday, the 29 of March: both the visitation and memorial service will be held at Claybar Funeral Home in Bridge City, Texas.
In lieu of usual remembrances, contributions in memory of Edward Minner may be directed to R. B. Thieme, Jr., Bible Ministries, at 5139 West Alabama St., Houston, TX, 77056.


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Will Smith knocked out Men in Black director
When the pair was shooting scenes for 2002's Men In Black II, Smith wanted to show off his newfound fighting skills that he learned on boxing biopic Ali.
Despite wearing inflatable gloves as he sparred with the director, the punching prank went horribly wrong and left Sonnenfeld out cold.
Smith tells Total Film, "We had inflatable boxing gloves so we're playing with the inflatable boxing gloves and I'd just done Ali. The gloves are huge. So we're doing this and we're playing and we're playing and we're playing, and I punched him and the glove popped and..."
Sonnenfeld adds, "(He) knocked me unconscious."


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See each of our Function Rooms below as an interactive 360° panoramic. Click the buttons to navigate the panoramics or simply click and
drag anywhere on an image with your mouse
Cable Room
The Cable Room set up theatre-style. See more photos of the Cable Room.
Te Aro Room
The Te Aro Room set up for a banquet-style meeting. See more photos of the Te Aro Room.
Waterfront Room
The Waterfront Room set up theatre-style. See more photos of the Waterfront Room.
Function Centre Foyer
The Mac's Function Centre Taranaki St entrance with the Cable Room lying ahead, and the Te Aro and Waterfront Rooms up the stairs.


text:
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text:
This is music I love. Here is the soundcloud description below. Enjoy!
The Anjunadeep Edition 144 with Dom Donnelly
Subscribe to the Anjunadeep Recommends playlist: http://ift.tt/2mx8rqm
Anjunadeep UK Tour 2017 tickets: http://ift.tt/2m0oPg0
Anjunadeep A&R Dom Donnelly returns for an extended Deep Edition this week, recorded live from this year's Anjunadeep Miami party at Gramps.
Follow Dom Donnelly:
Soundcloud: @domdonnellymusic
Facebook: http://ift.tt/2bF5f7a
For more information, head to http://ift.tt/1vePXqr


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Sunday, June 14, 2015
Bob the Barbarian
4 comments:
Neato. Did you draw him?ReplyDeleteReplies
That is great. This is the kind of art that I love. Great stuff.Delete
I dunno about the auto-save on the laptop. He has it set but it doesn't work and I'm always on him to save, but yesterday, I forgot and got caught up in reading about herbs.
Thanks, I wish I could spend more time drawing. As a kid I wanted to be a comic artist and do comics like Garfield. Alas, I am not witty enough to do a comic. :-) I picture him up there a bit annoyed that his replacement has not shown up to take over guard duty. A big steak is waiting for him at Miss Juniper's cottage, as well as the lovely Ms Juniper herself. Thus, you can see why the vexed look on Bob's face.Delete
Yeah, you need to check out Tim's software and turn on the autosave on him, that way he stays a happy boy.


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Artist: DujeousTitle: City LimitsRating: 3 1/2 StarsReviewed by: Paine
Just as there appears to be a sampling Renaissance, there is an extension a Renaissance of the Hip-Hop musician. N.E.R.D. finally made an imprint on the masses nearly a year after their debut release, The Roots prepare to outdo their most popular album and M.O.P. has recorded an entire album with a session Rock band. Dujeous appeals to a new, softer, side of Hip-Hop. Having made their presence known by scoring the debut season of ESPNs The Life, and a steady effort on Rob Swifts last album, Dujeous offers their debut album, City Limits to the masses at an optimal time.
Being a live-band, Dujeous reputation has generally been grounded in their live show and music. Rheturik, Mas D, and Mojo are all very talented MCs. Together they form a strong chemistry that allows them to trade verses without common or awkward transitions. Tracks like Sometimes are able to pose serious questions and show tones revealing of the groups opinions on issues. At the same time, joints like All MCs are distinctly underground, dealing with simple mic-rocking and B-Boy bravado. The chemistry of the group and connection to the music often overshadow the actual words. Instead of sharp images and driving cadences, the album sounds more song-driven, working towards the bigger picture. Despite the more professional song structure, many hooks dont work. Its difficult to refer back to three voices repeating four bars together as a chorus. In these moments, Dujeous falls short, just as The Spooks did for similar reasons. However, on several tracks such as Sometimes, there are additional song bridges that serve as stronger high points. Still, if a weak hook is the weakest link, thats saying a great deal towards the sound foundation of all else.
Musically, City Limits sets its own vibe. Despite ranging tempos, Dujeous seems to find themselves dealing in pensive, gliding tracks layered with deep strings and percussion. This is night-time Hip-Hop. The Spooks and Black Eyed Peas debut albums seem as worthwhile reference points here. However, the live band elements shine through more than those of the aforementioned groups. The fabulous horn section courtesy of Dave Guy brings the surface of songs like Spilt Milk to life. For steady and interesting percussion that defies the electronic approach, Tomek does a stellar job varying the tempo. However, while ?uestlove plays step-for-step against Black Thoughts delivery, Tomek needs to add some juice with a solo or two for the album. While its very instrumental, Dujeous shows their love of Hip-Hop with moving scratch sections on Just Once and the hot, title track proving Just One as a dope DJ. Theres very little missing in terms of the musical talent on this album.
City Limits is a solid first album effort. If there is a weakest link, its clearly poor hooks and an abundance of attempted-conceptual interludes. This album is definitely a New York soundtrack, without brandishing that quality. While a distinct vibe is set, itd be nice to see Dujeous step out of the box once or twice and really jam out some solos. However, this is a groundbreaking album in terms of its Jazz qualities and chilled out take on Hip-Hop.


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Edith Sanford Breast Center will open in 2017. Sanford Health has started construction on an integrated breast health building at its Sioux Falls campus. The three-story, 48,000 square foot facility will be located on 18th Street and connected to the current Sanford Cancer Center and VanDemark Building.
Because of its location on 18th Street and additional entrances on 17th Street, patients and families will enjoy quick, easy access for visits. In addition to serving the patient, the facility was designed with needed support space for family and caregivers.
Programming within the Edith Sanford Breast Center will include mammography, a breast cancer risk assessment program, a high-risk breast clinic, a breast surgery clinic, genetic counseling, a boutique offering medical and retail support for cancer patients, a multi-disciplinary conference center and clinic and a survivorship clinic.
The Sanford BioBank, which serves as a library for researchers to make discoveries in breast cancer and other diseases, will also be housed in the new building. The BioBank will have space for clinical and laboratory research staff, offering patients a location to enroll and providing support for clinic trials and genomic analysis taking place at Sanford USD Medical Center.
Construction on the Edith Sanford Breast Center began in July 2014.Parking Information during Construction


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ST Louis just hours after an anti-violence rally took place nearby.
Authorities say the child was shot in the stomach by another juvenile Wednesday afternoon. Police said he was in critical but stable condition following the incident. No update was provided Thursday.
KSDK-TV reports the shooting occurred near Northwest Academy of Law High School, where an anti-violence rally had wrapped up just a couple hours before.
Police say a group of young men was in the home when the gun was fired. The 13-year-old suspect fled from the home after the gunshot. Authorities say the victim knew the accused shooter.
The suspect turned himself in to police Thursday at the North Patrol Division, where he was in the custody of juvenile authorities while the investigation is ongoing.


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Jacobs, Harriet A.
My young mistress, Miss Emily Flint, did not return any answer to my letter requesting her to consent to my being sold. But after a while, I received a reply, which purported to be written by her younger brother. In order rightly to enjoy the contents of this letter, the reader must bear in mind that the Flint family supposed I had been at the north many years. They had no idea that I knew of the doctor's three excursions to New York in search of me; that I had heard his voice, when he came to borrow five hundred dollars for that purpose; and that I had seen him pass on his way to the steamboat. Neither were they aware that all the particulars of aunt Nancy's death and burial were conveyed to me at the time they occurred. I have kept the letter, of which I herewith subjoin a copy:--
"Your letter to sister was received a few days ago. I gather from it that you are desirous of returning to your native place, among your friends and relatives. We were all gratified with the contents of your letter; and let me assure you that if any members of the family have had any feeling of resentment towards you, they feel it no longer. We all sympathize with you in your unfortunate condition, and are ready to do all in our power to make you contented and happy. It is difficult for you to return home as a free person. If
This letter was signed by Emily's brother, who was as yet a mere lad. I knew, by the style, that it was not written by a person of his age, and though the writing was disguised, I had been made too unhappy by it, in former years, not to recognize at once the hand of Dr. Flint. O, the hypocrisy of slaveholders! Did the old fox suppose I was goose enough to go into such a trap? Verily, he relied too much on "the stupidity of the African race." I did not return the family of Flints any thanks for their cordial invitationmdash;a remissness for which I was, no doubt, charged with base ingratitude.
Not long afterwards I received a letter from one of my friends at the south, informing me that Dr. Flint was about to visit the north. The letter had been delayed, and I supposed he might be already on the
There was a good opportunity to send Benny in a vessel coming directly to New York. He was put on board with a letter to a friend, who was requested to see him off to Boston. Early one morning, there was a loud rap at my door, and in rushed Benjamin, all out of breath. "O mother!" he exclaimed, "here I am! I run all the way; and I come all alone. How d'you do?"
O reader, can you imagine my joy? No, you cannot, unless you have been a slave mother. Benjamin rattled away as fast as his tongue could go. "Mother, why don't you bring Ellen here? I went over to Brooklyn to see her, and she felt very bad when I bid
I did not like to tell the sanguine, happy little fellow how much he was mistaken. I took him to a tailor, and procured a change of clothes. The rest of the day was spent in mutual asking and answering of questions, with the wish constantly repeated that the good old grandmother was with us, and frequent injunctions from Benny to write to her immediately, and be sure to tell her every thing about his voyage, and his journey to Boston.
Dr. Flint made his visit to New York, and made every exertion to call upon me, and invite me to return with him; but not being able to ascertain where I was, his hospitable intentions were frustrated, and the affectionate family, who were waiting for me with "open arms," were doomed to disappointment.
As soon as I knew he was safely at home, I placed Benjamin in the care of my brother William, and returned to Mrs. Bruce. There I remained through the winter and spring, endeavoring to perform my duties faithfully, and finding a good degree of happiness in the attractions of baby Mary, the considerate kindness of her excellent mother, and occasional interviews with my darling daughter.
But when summer came, the old feeling of insecurity haunted me. It was necessary for me to take little Mary out daily, for exercise and fresh air, and