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Real Salt Lake held its nerve to advance to the SUM U-17 Cup final after a thrilling 5-4 sudden-death penalty kick win over the host Houston Dynamo Tuesday night at the Carl Lewis Track & Field Complex after the teams played to a 1-1 tie. RSL, the 2008 champion and boasting a 13-game unbeaten streak in SUM Cup competition, will face 2007 and 2009 winner D.C. United in the final on Thursday morning.
<<Check out photos from the SUM Cup semifinals>>
The game opened in bizarre fashion, with Real Salt Lake's Richard Haddock going down injured in just the first minute and having to leave the game. Play resumed with a long throw-in from Real Salt Lake's Rayshawn Washington, and RSL capitalized with a fluky goal after the ball bounced around in the box on a play the Dynamo thought should have been whistled a foul.
The remainder of the first half was tense and chippy, with neither team creating many scoring opportunities. Real Salt Lake's imposing backline of Washington, Tanner Clay, Phanuel Kavita, and Julio Alarcon effectively shut down Houston's Tamay Sanchez, the tournament's leading scorer. RSL was content to play the ball long and sit on its lead for most of the half.
The Dynamo came out flying early in the second half, forcing three saves from RSL goalkeeper Carson Elliot in the first 15 minutes, including long-range shots from Alex Gonzalez and Sanchez and a close-range flick from Miguel Zapata. Houston finally broke through in the 51st minute when right back Siegfried Casar made a strong 30-yard run up the right sideline and cut across the top of the penalty area. The ball was deflected away from him but fell to Zapata 25 yards from goal, and he rifled a shot into the lower left corner before Elliot could react, sending the Dynamo and their fans crazy.
Houston dominated possession in the second half, with Real Salt Lake often relying on long balls. RSL's best chance came with just a minute of regulation time remaining, when Nick Semintendi curled a free kick on goal from 27 yards out, but Houston goalkeeper Fernando Piña, a halftime substitute, had it covered.
The Dynamo then had two set pieces with a chance to win the game deep in stoppage time, and the second one almost yielded a dramatic finish. Manuel Chavez's driven corner to the back post found central defender Bradley Bourgeois, but his downward header was cleared off the goal line by a terrific defensive play to maintain the tie.
The shootout saw Sanchez bizarrely ejected after coming to a stop on Houston's opening penalty kick attempt and receiving his second yellow card. Although the Dynamo were allowed to replace the shooter, Elliot dove to his right to stop the opening shot from Juan Ramirez. The one-goal edge carried into the final frame, when Antonio Murillo fired his shot over the bar, giving Houston a chance. Martin Fiemawhle equalized to send the shootout into sudden death. Salt Lake's Cole Nagy converted his shot in the top of the frame, and Bourgeois could not answer in the bottom, sending RSL to the final.
Houston, still unbeaten in the tournament at 3-0-1, will face Columbus in the third-place match.
Real Salt Lake vs. Houston Dynamo
2010 SUM U-17 Cup - Semifinal
July 27, 2010 -- Carl Lewis Track & Field Complex, Houston
Scoring Summary:
RSL -- Own goal 4
HOU -- Miguel Zapata 2 (unassisted) 51
RSL -- Richard Velasco (Goal)
HOU -- Juan Ramirez (Saved)
RSL -- Nick Semintendi (Goal)
HOU -- Diego Martinez Del Campo (Goal)
RSL -- Tanner Clay (Goal)
HOU -- Manuel Chavez (Goal)
RSL -- Junior Jbopau (Goal)
HOU -- Fernando Piña (Goal)
RSL -- Antonio Murillo (High)
HOU -- Martin Fiemawhle (Goal)
RSL -- Cole Nagy (Goal)
HOU -- Bradley Bourgeois (Wide)
Real Salt Lake -- Carson Elliot, Rayshawn Washington, Tanner Clay, Phanuel Kavita, Julio Alarcon, Nick Semintendi, John Taylor (Antonio Murillo 36), Cole Nagy, Richard Velasco, Junior Jbopau, Richard Haddock (Matt Gay 3, Aaron Caprio 36).
Houston Dynamo -- Graham Wheeler (Fernando Piña 36), Siegfried Casar, Bradley Bourgeois, Juan Ramirez, Leo Ayala (Martin Fiemawhle 72+), Isaiah Noreiga (Manuel Chavez 55), Sebastian Karpen, Miguel Zapata, Jordan Davies (Bryan Salazar 36, Alex Ochoa 72+), Alex Gonzalez (Diego Martinez Del Campo 44), Tamay Sanchez.
Misconduct Summary:
HOU -- Siegfried Casar (caution) 10
RSL -- Matt Gay (caution) 37+
RSL -- Nick Semintendi (caution) 38+
HOU -- Juan Ramirez (caution) 49
HOU -- Tamay Sanchez (caution) 54
RSL -- Rayshawn Washington (caution) 62
HOU -- Tamay Sanchez (ejection; Second Caution) SO
Match played with 35-minute halves
All statistics contained in this boxscore are unofficial


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Site-specific wall painting at BCM Tilburg..
Image rights: Image courtesy of the West Den Haag and the artist.
About Jan van der Ploeg
Inspired by the philosophy of neoplasticism and the De Stijl movement, which was developed and led by his fellow Dutchman Piet Mondrian, Jan van der Ploeg is known for his abstract paintings rendered on canvas and walls. Stripping down painting to its essences of color and form, Van der Ploeg works in black, white, and a rainbow of brightly hued colors, and with a vocabulary of bold, geometric patterns and shapes. He covers canvases with these forms, creating compositions that seem to move. He began working on walls in the mid-1990s, and has since completed hundreds of murals worldwide. Though Van der Ploeg operates within the parameters he sets for himself, he finds freedom within structure and allows intuition to guide his color choices. "It sounds as if it's very restricted, but . . . a lot is possible," he has said, a statement supported by his endlessly varied works.
Dutch, b. 1959, Fryslân, Netherlands, based in Amsterdam, Netherlands

subset: commoncrawl


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Style # 214541
AVAILABILITY: Unavailable for immediate shipment.
Belted Sweater Dress - ONLINE EXCLUSIVE is rated out of 5 by 5.
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Date published: 2013-05-08
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Date published: 2013-04-29


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"Taking Charge of Your Financial Future"
Join the Biz Kids as they figure out where they want to be financially and make plans on how to get there. You can work on your plans and meet some new kid entrepreneurs, too. Follow along as a Biz Kid sets up his first savings account. D
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Buttermilk Molasses Fried Chicken
This traditional buttermilk fried chicken is a finger licking good meal. Bourbon and molasses add a kick and sweetness. All you need are some biscuits and slaw to round out this dish.
6 cups buttermilk
6 tbsp. bourbon
3⁄4 cup molasses
2, 3-lb. chickens, cut into 16 pieces
2 cups flour
4 cups cornmeal
Vegetable oil, for frying
1. In a large bowl, stir together marinade ingredients. Add chicken, cover with plastic wrap and refrigerate overnight.
2. Remove chicken from marinade and reserve. Roll in seasoned flour; dry on rack for 15 min.
3. Dip chicken in reserved marinade and roll in cornmeal. Dry on rack for 5 min.
4. In a heavy skillet, heat oil to 350° F. on deep-fry thermometer. Add chicken pieces and cook, turning with tongs, until done, about 25 min.


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A. Collected Works
The Miscellaneous Works of the late Dr. Arbuthnot. 2 vols. Glasgow, 1751. Other editions, 1751 and 1770 (with a short life of Arbuthnot). [These volumes contain a number of pieces which are not by Arbuthnot. All the pieces in the collection are mentioned below, and are distinguished by an asterisk.]
The Life and Works of John Arbuthnot. By Aitken, George A. Oxford, 1892. [This volume includes the pieces marked † below.]
B. Single Works
*Of the Laws of Chance. 1692.
These Medicae de Secretione Animali. [St. Andrews, 1696.]
*An Examination of Dr. Woodwards Account of the Deluge, & c. With a Comparison between Stenos Philosophy and the Doctor, in the case of Marine Bodies dug out of the Earth. 1697. [Said, by Thomas Hearne, to have been suppressed by the author.]
*An Essay on the usefulness of Mathematical Learning, in a Letter from a Gentleman in the City to his Friend in Oxford. Oxford, 1701. [Dated 25 November, 1700.]
Tables of the Grecian, Roman and Jewish Measures, Weights and Coins, reduced to the English Standard. [1705?]
*†A Sermon preachid to the People at the Mercat Cross of Edinburgh, on the Subject of the Union. Eccles. chap. X., ver. 27. Printed in the year 1706 [Edinburgh].Dublin [1706]. London, 1707 [Dec., 1706, according to History of the Works of the Learned]: 1745 [?]. With a Prefacereprinted in the Miscellaneous Workswhich is attributed to Duncombe, setting forth the advantages which had accrued to Scotland by the Union (Nichols, Lit. Anecdotes, vol. VIII, p. 269).
An Argument for Divine Providence, taken from the constant regularity observed in the Births of both Sexes. [In Philosophical Transactions of the Royal Society, 1710, vol. XXVII, p. 186, and rptd. in the Abridgment, vol. V, pt. ii, p. 240.]
†Law is a Bottomless Pit, Exemplified in the Case of The Lord Strutt, John Bull, Nicholas Frog, and Lewis Baboon, who spent all they had in a Law-Suit. Printed from a Manuscript found in the Cabinet of the famous Sir Humphrey Polesworth [Feb. 28March 6]. 1712.
†John Bull in His Senses: Being the Second Part of Law is a Bottomless Pit. [March 1320] 1712.
†John Bull still in his Senses: Being the Third Part of Law is a Bottomless Pit. [March 1517] 1712.
†An Appendix to John Bull still in His Senses: or, Law is a Bottomless Pit. [May 8] 1712.
†Lewis Baboon turned Honest and John Bull Politician. Being the Fourth Part of Law is a Bottomless-Pit. Printed from a Manuscript found in the Cabinet of the famous Sir Humphrey Polesworth: And Published (as well as the Three former Parts and Appendix) by the Author of the New Atalantis. [July 31] 1712.
*†The History of John Bull. Edinburgh, 1712. [Law is a Bottomless Pit, exemplified, &c. In three Parts. With the Appendix and a complete Key.] Other editions: 1753 [Le Procès sans Fin]; Glasgow, 1766 [Law is a Bottomless Pit, or the History of John Bull]; 1883 [The English Garner, vol. VI, ed. Edward Arber]; 1889 [Cassells National Library, ed. Henry Morley, vol. 204].
[The History of John Bull first appeared in 1712, in a series of pamphlets, each of which is described above under its own title: 1. Law is a Bottomless Pit; 2. John Bull in his Senses; 3. John Bull still in his Senses; 4. An Appendix to John Bull still in his Senses; 5. Lewis Baboon turned Honest and John Bull Politician.]
†Proposals for printing a very Curious Discourse, in Two Volumes, in Quarto, entitled \??\ or A Treatise of the Art of Political Lying, with an Abstract of the First Volume of the said Treatise [Oct. 916] 1712.Edinburgh, 1746.
†To the Right Honourable The Mayor and Alderman of the City of London: The Humble Petition of the Colliers, Cooks, Cook-Maids, Blacksmiths, Jack-makers, Brasiers, and others. 1716.
Three Hours after Marriage. A Comedy. [By John Gay.] 1717. [Gay was assisted by Pope and Arbuthnot.]
[In vol. II, p. 872 of A History of Music, by Sir John Hawkins, 1853, is given a burlesquetaken from Harl. MS. 7316 p. 149, where it is attributed to Arbuthnotof lines written by Pope for Signora Margarita Durastanti to recite upon her formal retirement from the English operatic stage in 1723. Popes lines end Happy soil, adieu, adieu, Arbuthnots Bubbles all, adieu, adieu. These lines are also given in the Annual Register for 1775, and in the Additions to Popes Works, 1776.]
†Reasons humbly offered by the Company exercising the Trade and Mystery of Upholders, against part of the Bill, For the better Viewing, Searching, and Examining Drugs, Medicines, &c. 1724.
The Craftsman. 17267. [Probably contained contributions by Arbuthnot.]
Tables of Ancient Coins, Weights and Measures, explained and exemplified in several Dissertations. [Name not given, but prefixed are verses to the King by the authors son, Charles Arbuthnot.] 1727.
Tables of Ancient Coins, &c. 2nd edn. To which is added, An Appendix containing Observations on Dr. Arbuthnots Dissertations on Coins, Weights and Measures. By Benjamin Langwith, D.D. 1754. Other editions, Utrecht, 1756, Leyden, 1764.
Oratio Anniversaria Harvaeana habita in Theatro Collegii Regalis Medicor. Lond. Die XVIII Octobris A.D. 1727. 1727.
Miscellanies in Prose and Verse. [Preface signed by Swift and Pope.] 3 vols. 1727. [Vol. II contains The History of John Bull and the Art of Political Lying.]4 vols. 172732. [Vol. III contains The Humble Petition of the Colliers, &c., The Essay concerning the Origin of Sciences and It cannot rain but it pours.]
†An Essay of the Learned Martinus Scriblerus concerning the Origin of Sciences. [See Miscellanies in Prose and Verse, 172732, vol. III.]
†Virgilius Restauratus: seu Martini Scribleri Summi Critici Castigationum in Aeneidem Specimen. [See Dunciad, 1729, and Works of Mr. Alexander Pope in Prose, vol. II.]
†Memoirs of the Life, Works and Discoveries of Martinus Scriblerus. [See The Works of Mr. Alexander Pope in Prose, vol. II.]
The Dunciad. With Notes Variorum. 1729. [Arbuthnot made contributions to the notes, introductions, &c., including Virgilius Restauratus.]
*†A brief Account of Mr. John Giglicutts Treatise concerning the Altercation or Scolding of the Ancients. By the Author. [February] 1731.
An Epitaph on Francis Chartres [in The London Magazine, 1732].
An Essay concerning the Nature of Aliments, and the choice of them, according to the different Constitutions of Human Bodies. [May] 1731. 2 vols. 1731, 1732.[May] 1732. To which is added, Practical Rules of Diet in the various Constitutions and Diseases of Human Bodies. [These Rules were sold separately to perfect the former edition.] Later editions, 1731 [Dublin]; 2 vols. 17356; 1744 [in German]; 1751, 1756.
An Essay concerning the Effect of Air on Human Bodies. [July] 1733. Other editions, 1742 [French]; 1753 [Latin]; 1756.
Esther, an Oratorio. [Libretto by Pope and Arbuthnot, with additions by Humphreys. Brit. Mus. Cat.] 1733.
*†\??\. Know Yourself. A Poem. 1734. [Reprinted in Dodsleys Collection of Poems by several hands. 1748. Vol. 1, p. 196.] A Supplement to Dr. Swifts and Mr. Popes Works now first collected into one Volume. Dublin, 1739.
[The following pieces are ascribed to Arbuthnot in the Table of Contents:History of John Bull. A Wonderful Prophecy. Memoirs of P. P. The Country Post. Stradling V. Styles. Proposals for Printing the Art of Political Lying. Relation of the Circumcision of E. Curll. Gods Revenge against Punning. Petition of the Colliers, &c. The Upholders Reasons. Annus Mirabilis. Essay concerning the origin of Sciences. Virgilius Restauratus. It cannot rain but it pours. True Narrative of what passed in London. Art of Sinking in Poetry. Epitaph on Fr-s Ch-is.]
Works of Mr. Alexander Pope, In Prose. Vol. II. 1741. [Contains Memoirs of Scriblerus, Virgilius Restauratus, and Essay on the Origin of Sciences.]
Memoirs of Martinus Scriblerus. Dublin, 1741.
Literary Relics. Edited by Berkeley, George Monck. 1789. [Letters from Berkeley to Arbuthnot, pp. 8392.]
Letters written by eminent persons in the Seventeenth and Eighteenth Centuries. 3 vols. 1813. [Letters from Arbuthnot to Dr. Charlett, vol. 1, pp. 176, 178.]
Works of Jonathan Swift, D.D. Ed. Scott, Sir Walter, Bart. 19 vols. 1824. [Letters to and from Arbuthnot.]
Letters to and from Henrietta Countess of Suffolk. Ed. Croker, J. 2 vols. 1824. [Letters from Arbuthnot.]
An Account of the Rev. John Flamstead. By Baily, F. 1835. [Contains correspondence with Arbuthnot.]
Lives of the Queens of England. By Strickland, Agnes. 12 vols. 18408. (Vol. VIII contains Letters to Arbuthnot.)
Works of Alexander Pope. Edd. Elwin, W. and Courthope, W. J. 10 vols. 187189. [Letters to and from Arbuthnot.]
Works attributed to Arbuthnot
A Letter from the famous Sir Humphrey Polesworth to the Author of the Examiner: with a Dialogue between Nic Frog, Tom Frog, his brother, and Dick Frog his kinsman. [Printed in the Examiner for May 8 to 15, 1712.]
The Story of the St. Alb-ns Ghost, or the Apparition of Mother Haggy. Collected from the best Manuscripts. [Feb. 1619] 1712.
An Invitation to Peace: or Tobys Preliminaries to Nestor Ironside. 1713.
*†The Longitude Examind. By Jeremy Thacker, of Beverley, in Yorkshire. 1714.
*†Notes and Memorandums of the Six Days preceding the Death of a late Right Reverend
. Containing many remarkable Passages, with an Inscription designed for his Monument. 1715.
*The State Quacks, or the Political Botchers. 1715.
*A Letter to the Reverend Mr. Dean Swift, occasioned by a Satyre said to be written by him, entitled, A Dedication to a Great Man, concerning Dedications, &c. [Signed P. A., Jan. 30, 17189.]
*†An Account of the Sickness and Death of Dr. Wdwd: As also of what appeared upon opening his body. In a letter to a Friend in the Country. By Dr. Technicum. 1719.
*The Life and Adventures of Don Bilioso de LEstomac. Translated from the original Spanish into French: done from the French into English. With a letter to the College of Physicians. 1719.
*An Epitaph on a Greyhound. (?)
A Letter From the Facetious Dr. Andrew Tripe, at Bath, To his Loving Brother The profound Greshamite [1719]. In Miscellaneous Works of Dr. William Wagstaff, 1726.
*A Supplement to Dean Swts Miscellanies: By the Author. Containing 1. A Letter to the Students of both Universities, relating to the new Discoveries in Religion and the Sciences, and the principal Inventors of them. II. An Essay upon an Apothecary. III. An Account of a surprising Apparition, Oct. 20, 1722. 1723.
*†The Most Wonderful Wonder, that ever appeared to the Wonder of the British Nation. Being an Account of the Travels of Mynheer Veteranus, through the Woods of Germany: And an account of his taking a most monstrous She Bear, who had nursed up the Wild Boy; &c. Written by the Copper-Farthing Dean. 1726. [The verses upon William Sutherland given at the end of this tract are claimed for William Meston, in his Poetical Works, 1767.]
†It cannot rain but it pours: Or, London strowd with Rarities. Being an Account of the arrival of a White Bear at the House of Mr. Ratcliff in Bishopsgate Street: As also of the Faustina, the celebrated Italian Singing-woman: and of the Copper-Farthing Dean from Ireland. And lastly, of the wonderful Wild Man that was nursed in the Woods of Germany by a Wild Beast: &c. 1726.
*The Manifests of Lord Peter (Signed Solomon Andrian). 1726.
*A Learned Dissertation on Dumpling, its Dignity, Antiquity, and Excellence. With a Word upon Pudding, &c. 1726. [By T. Gordon.]
*The Devil to pay at St. Jamess: or a full and true Account of a most horrid and bloody Battle between Madame Faustina and Madame Cuzzoni, &c. 1727.
*The Masquerade. A Poem Inscribd to Ct Hdgr. By Lemuel Gulliver, Poet Laureate to the King of Lilliput. [Jan. 30] 1728. [By Henry Fielding.]
*Kiss my a is no Treason. Or, an Historical and Critical Dissertation upon the Art of Selling Bargains. 1728.
*Gulliver Decypherd: or Remarks on a late Book, intituled, Travels into Several Remote Nations of the World. By Capt. Lemuel Gulliver, Vindicating the Reverend Dean on whom it is maliciously fatherd. With some probable Conjectures concerning the Real Author. 2nd Edn., with a complete Key. [1728?]
*†An Account of the State of Learning in the Empire of Lilliput: together with the History and Character of Bullum the Emperors Library-Keeper. 1728.
*The Congress of Bees: or, Political Remarks on the Bees swarming at St Jamess. With a Prognostication on that Occasion from the Smyrna Coffee-house. [Published July 18, 1728, without date.]
*Harmony in an Uproar: A Letter to Fdk Hdl Esq: Mr. of the Oa He in the Hay-Market, from Hurlothrumbo Johnson, Esq. Composer Extraordinary to all the Theatres in Gt Btn excepting that of the Hay-Market. [Dated Feb. 12, 1733.]
*The Freeholders Political Catechism. 1733. Written by Dr. Arbuthnot. First printed in MDCCXXIII and reprinted in MDCCLXIX.
*†Critical Remarks on Capt. Gullivers Travels. By Doctor Bantley. Published from the Authors Original MSS. Cambridge, 1735. [Dedication signed R. B.]
*The History of John Bull, Part III. Containing among other curious Particulars, a Faithful Narrative of the most Secret and Important Transactions of the Worshipful and Ancient Family of the Bulls, from Aug. 1, 1714 to June II, 1727. By Nathan Polesworth, Sir Humphreys Nephew, and sole Executor. 1774.
C. Biography and Criticisms
Aitken, G. A. Life of Arbuthnot. [In Life and Works, 1892.]
Chesterfield, earl of, Philip Dormer Stanhope, Letters of. Ed. Mahon, Lord. 1845. [Vol. II contains a Character of Dr. Arbuthnot.]
Hansen, A. M. En Engelsk Forfattergruppe. Copenhagen, 1892.
Sichel, W. Bolingbroke and his times. 1902.
Stephen, Sir Leslie. Art. Arbuthnot, in Dictionary of National Biography, vol. II. Wentworth Papers, 1883.
See, also, articles in the following Journals:
Asclepiad, April, 1887. [By Sir B. W. Richardson, M. D.]
Athenaeum, 12 March, 1892; 18 June, 1892; 17 June, 1893.
Biographia Britannica. Ed. Kippis. 1778.
Bookman, March, 1892. [Minto, W.]
Cornhill Magazine, vol. XXXIX, 91.
Edinburgh Review, January, 1893.
London Magazine, 1, 48, 117: II, 374: VI, 112: X: 364: XX, 96.
Monthly Review, September, 1750. [Notice of Miscellaneous Works.]
Notes and Queries, Ser. 1, vol. XII: Ser. III, vols. 1, II, VI: Ser. IV, vols. VI, VII: Ser. V, vol. XII: Ser. VI, vols. 1, VII, VIII.
Quarterly Review, April, 1893.
Retrospective Review, vol. VIII.
Speaker, 27 August, 1892.
D. Appendix
A Complete Key to the Three Parts of Law is a Bottomless-Pit, and the Story of the St. Alb-ns Ghost. 1712.
Law not a Bottomless Pit: or Arguments against Peace, and some Queries Pro and Con. 1712.
A Review of the State of John Bulls Family, ever since the Probate of his Last Will and Testament. With some account of the Two Trumpeters, the hirelings of Roger Bold. 1713.
John Bulls Last Will and Testament, as drawn by a Welch Attorney. With a Preface to the Arp of Cry. By an Eminent Lawyer of the Temple. 1713.
A Postscript to John Bull, containing the History of the Crown-Inn, with the Death of the Widow, and what happened thereupon. [1714.]
A Continuation of the History of the Crown-Inn, Part II. [1714.]
A Further Continuation of the History of the Crown-Inn, Part III. [1714.]
The Fourth and Last Part of the History of the Crown-Inn. With the character of John Bull, and other Novels. Part IV. [1714.]
An Appendix to the History of the Crown Inn. With a Key to the whole. [1714.]
The Present State of the Crown-Inn, for the first Three Years under the New Landlord. By the Author of the History of the Crown-Inn. 1717.
A Supplement to the History of the Crown Inn. [1717?]
A Letter to Mr. John Gay concerning his late Farce-entitled A Comedy. By Timothy Drub [pseud.]. 1717.
The Confederates. By Joseph Gay [i.e. Capt. Breval]. 1717.
A Complete Key to the New Farce, called Three Hours after Marriage. With an Account of the Authors. By E. Parker, Philomath [pseud.]. 1717.
Gulliveriana: Or, a Fourth Volume of Miscellanies. Being a Sequel to the Three Volumes published by Pope and Swift. 1728.
Literae de Re Nummaria: in opposition to the Commons Opinion that the Denarii Romani were never larger than seven in an ounce: With some Remarks on Dr. Arbuthnots Book and Tables. By the Rev. William Smith, Rector of Melsonby, Newcastle-on-Tyne. [July] 1729.
An Epistle to Dr. Arbuthnot. [By Pope.] 1734. [Jan. 1735.]
Observations on Dr. Arbuthnots Dissertations on Coins, & c. By B. Langwith. 1747.
See bibliography to Vol. VIII, Chap. VI.
A. Collections
Miscellanies in Verse and Prose. 1693.
Letters upon several Occasions: Written by and between Mr. Dryden, Mr. Wycherley, Mr., Mr. Congreve, and Mr. Dennis. Published by Mr. Dennis. With a new translation of Select Letters of Monsieur Voiture. 1696.
Miscellany Poems, by Mr. Dennis. With Select Translations of Horace, Juvenal, Mons. Boileaus Epistles, Satyrs, and Aesops Fables in Burlesque Verse. To which is added, The Passion of Byblis, with some critical observations on Mr. Oldham and his writings. With Letters and Poems. The second edition, with large additions. 1697.
A Collection of Divine Hymns and Poems on several Occasions: By the E. of Roscommon, Mr. Dryden, Mr. Dennis, Mr. Norris, Mrs. Kath. Phillips, Philomela, and others. 1709.
Select Works. Consisting of Plays, Poems, & c. 2 vols. 1718.
Select Works. To which is added, Coriolanus, a tragedy. 2 vols. 171821.
Original Letters, Familiar, Moral and Critical. In Two Volumes. 1721.
Miscellaneous Tracts written by Mr. John Dennis in two Volumes. [Only one published.] 1727.
B. Single Works
For plays, see bibliography to Vol. VIII, Chap. VII; and for writtings on the condition of the Stage, see bibliography to Vol. VIII, Chap. VI, section B, where add: The Characters and Conduct of Sir John Edgar, and his three Deputy Governours. 1720.
The Characters and Conduct of Sir John Edgar
. In a third and fourth letter to the knight. 1720.
Poems in Burlesque; with a dedication in Burlesque, to Fleetwood Shepherd, Esquire. 1692.
The Passion of Byblis, made English by Mr. Dennis. 1692.
Gentlemans Magazine, or the Monthly Miscellany, 16923. [Contains several poems by Dennis.]
The Impartial Critick, or, Some Observations upon a late book entituled A Short View of Tragedy, written by Mr. Rymer. 1693.
The Court of Death: A Pindarique Poem dedicated to the Memory of her most Sacred Majesty, Queen Mary. 1695.
Remarks on a Book, entituld Prince Arthur, an Herioc Poem, with some general critical observations, and several new remarks upon Virgil. 1696.
Letters on Milton and Congreve. 1696.
The Nuptials of Britains Genius and Fame: A Pindarique Poem on the Peace. 1697.
The Advancement and Reformation of Modern Poetry. A Critical Discourse in two Parts. 1701.
The Danger of Priestcraft to Religion and Government. Occasiond by a Discourse of Mr. Sacheverells intituld The Political Union. 1702.
The Monument: A Poem sacred to the immortal Memory of the best and greatest of Kings, William the Third. 1702.
An Essay on the Navy, on Englands advantage and safety provd dependant on a formidable and well-disciplined Navy. 1702.
A Proposal for putting a speedy end to the War. 1703.
The Grounds of Criticism in Poetry, containd in some new discoveries never made before, requisite for the writing and judging of Poems surely. 1704.
Britannia Triumphans: or the Empire savd and Europe deliverd, by the Success of her Majestys Forces. A Poem. 1704.
The Battle of Ramillia: or, The Power of Union. A Poem. 1706.
An Essay on the Operas after the Italian Manner, which are about to be establishd on the English Stage. With some Reflections on the damage which they may bring to the Publick. 1706.
The Muses Mercury. 1707. [Several poems by Dennis.]
Reflections upon a late Rhapsody called An Essay upon Criticism. 1711.
An Essay upon Publick Spirit: being a Satyr in Prose upon the Manners and Luxury of the Times, 1711.
An Essay on the Genius and Writings of Shakspear: with some Letters of Criticism to the Spectator. 1712.
Remarks upon Cato, A Tragedy. 1713.
A Poem upon the Death of Her late Sacred Majesty Queen Anne, and the most happy and most auspicious Accession of his Sacred Majesty King George. 1714.
Priestcraft distinguishd from Christianity. 1715.
Remarks upon Mr. Popes translation of Homer: with two Letters concerning Windsor Forest, and The Temple of Fame. 1717.
Julius Caesar acquitted, and his Murderers condemnd, In a Letter to a Friend. 1722.
A Defence of Sir Foppling Flutter, a Comedy. Written by Sir George Etheridge. 1722.
A Short Essay towards an English Prosody. [In second edition of Greenwoods Essay towards a practical English Grammar.] 1722.
Remarks on a Play calld The Conscious Lovers, a Comedy. 1723.
Vice and Luxury Public Mischiefs: or Remarks on a Book intituld The Fable of the Bees, or Private Vices Public Benefits. 1724.
Letters against Mr. Pope at Large. (See Daily Journal, 11 May, 1728.)
The Faith and Duties of Christians. Written originally in Latin by the late Rev. Thomas Burnet. Translated into English by Mr. Dennis. [1728?]
Remarks on Mr. Popes Rape of the Lock. In several Letters to a Friend. With a Preface, occasiond by the late Treatise on the Profound and the Dunciad. 1728.
Remarks upon several Passages in the Preliminaries to the Dunciad, both in the Quarto and in the duodecimo edition, and upon several passages in Popes Preface to his Translation of Homers Iliad. 1729.
A Treatise concerning the State of Departed Souls
. Written originally in Latin by the late Rev. Dr. Thomas Burnet. Translated into English by Mr. Dennis.
C. Doubtful Works
A True Character of Mr. Pope. [1717.]
A Compleat Collection of all the Verses, Essays, Letters and Advetisements, which have been occasioned by the publication in three Volumes of Miscellanies, by Pope and Company. 1728.
D. Authorities
John Dennis. His Life and Criticism. By Paul, H. G. New York, 1911.
Dictionary of National Biography. Art. by Roberts, William.
Life of Richard Steele. By Aitken, G. A. 1889.
Works of Alexander Pope. Edd. Elwin and Courthope. 187189.
Retrospective Review. Vol. 1. Art. by Talfourd, Sir T. N.
E. Adversaria
The Justice of the Peace: or, A Vindication of the Peace from several late pamphlets, written by Mr. Congreve, Dennis, & c. 1697.
The New Association
Occasiond by a late pamphlet entituld The Danger of Priestcraft. [By Charles Leslie.] 1702.
The Narrative of Dr. R. Norris, concerning the frenzy of Mr. J. Denn.[By Pope.] [1713.]
The Critical Specimen. 1715.
A Critick no Wit: Or, Remarks on Mr. Denniss late Play, called, The Invader of his Country. In a letter from a School-Boy to the Author. 1720.
An Answer to a whimsical Pamphlet calld, The character of Sir John Edgar, & c. 1720.
A free consideration and confutation of Sir John Edgar. By Sir Andrew Artlove. (Applebees Journal, 1720. Rptd. in The Theatre, & c., 1791.)
The Life of Mr. John Dennis, the renowned Critick. Not written by Mr. Curll. 1734.
A Supplement to Mr. Warburtons edition of Shakespear, being the Canons of Criticism, and Glossary, collected from the notes in that celebrated work. 1747.
The Canons of Criticism, and Glossary, being a Supplement to Mr. Warburtons edition of Shakespear, collected from the notes in that celebrated work, and proper to be Bound up with it. 1748. [Often reprinted.]
An Account of the Trial of the Letter \??\ alias Y. [Published with a design of settling the orthography of our language.] 1753.
Free and Candid Thoughts on the Doctrine of Predestination. 1761. Sonnets by Edwards are in Dodsleys Collection, and in the last editions of the Canons of Criticism. Letters will be found in vol. III of Richardsons Correspondence. Akenside wrote an Ode to Edwards on his controversy with Warburton.
History of the Athenian Society. 1691.
The Postboy robbed of his Mail, or, the Pacquet broke open, consisting of 500 letters to Persons of several Qualities. 1692.
Nuncius Infernalis: or, a new Account from below. In two dialogues. 1692.
A Letter to Mr. DUrfey, occasioned by his play called The Marriage Hater Matched. 1692.
Miscellany Poems upon several Occasions, 1692.
Miscellaneous Letters and Essays
in prose and verse
by several ladies and gentleman. 1694.
Miscellaneous Works of the Deist, Charles Blount. 1695.
Lives and Characters of the English Dramatick Poets. [See Langbaine, post.] 1699.
Examen Miscellaneum. 1702.
A Comparison of the Two Stages. 1702.
The Deists Manual, or a rational enquiry into the Christian Religion. 1705.
The Life of Mr. Thomas Betterton. 1710.
A New Rehearsal: or, Bays the Younger, containing an examen of Mr. Rowes plays, and a word or two on Mr. Popes Rape of the Lock. 1714.
The Complete Art of Poetry. 2 vol. 1817.
The Life and Adventures of Mr. D De F, of London, Hosier. 1719.
The Laws of Poetry as laid down by
Roscommon and
Lansdown, explained and illustrated. 1721.
The Roman Brides Revenge. 1697.
Phaetan, or the Fatal Divorce. 1698.
Measure for Measure. [Adapted from Shakespeare.] 1700.
Loves Victim. 1701.
The Patriot, or the Italian Conspiracy. 1703.
A Vindication of the Church of England. 1720.
Presbyterian Prejudice displayed. 1722.
A Pair of Clean Shoes for a Dirty Baronet, or an answer to Sir Richard Cox. 1722.
The Knight of Dumbleton foiled at his own weapon. 1723.
A Century of Presbyterian Preachers. 1723.
A Letter of Thanks to Mr. Benjamin Bennet. 1723.
A Caveat against Mr. Benjamin Bennet. 1724.
A Defence of our Critical and Modern Historians against the frivolous cant of a late pretender to Critical History. [Oldmixon.] 1724.
A Looking-Glass for Schismaticks. 1725.
The Ministry of the Dissenters proved to be null and void. 1725.
The Spirit of Infidelity detected. 1736.
English Presbyterian Eloquence. 1736.
Examination of Dr. Chandlers History of Persecution. 1736.
The True Picture of Quakerism. 1736.
A Caveat against the Dissenters. 1736.
An impartial Examination of Mr. Daniel Neals History of the Puritans. 1736.
An Examination of the 14th Chapter of Sir Isaac Newtons Observations upon Daniel. 1736.
An Attempt towards the Character of Charles I. 1738.
The Schismatics delineated. By Philalethes Cantabrigiensis. 1739.
A Vindication of the Government of the Church of England. 1740.
The Quakers and Methodists compared. 1740.
A Review of Mr. Daniel Neals History of the Puritans. 1744.
Hudibras, in three Parts, written in the time of the late Civil Wars, corrected and amended, with large annotations and a preface; adorned with a new set of cuts. [Edited by Grey, Z.] 2 vols. 1744.
A Serious Address to Lay Methodists. 1745.
A Word or two of Advice to William Warburton, a dealer in many words. By a Friend. With an Appendix containing a taste of Williams spirit of railing. 1746.
Remarks upon a late Edition of Shakespeare
to which is prefixed a Defence of the late Sir Thomas Hanmer, Bart., addressed to the Rev. Mr. Warburton. [1748?]
A Free and familiar Letter to that great refiner of Pope and Shakespeare, the Rev. Mr. W. Warburton. 1750.
Critical, Historical, and Explanatory Notes upon Hudibras, by way of Supplement to the two editions published in 1744 and 1745. 1752.
Critical, Historical, and Explanatory Notes on Shakespeare. 1754.
Memoirs of the Life and Writings of T. Baker, from the papers of Zachary Grey
. By R. Masters. 1784.
An Essay towards a demonstrative proof of the Divine Existence, Unity, and Attributes. 1740.
Notae sive Lectiones ad
Aeschyli, Sophoclis, Euripidis quae supersunt dramata deperditorumque reliquiae. 1762.
The Case of the County of Devon with respect to the consequences of the new Excise Duty on Cyder and Perry. 1763.
A Revisal of Shakespeares Text, wherein the alterations introduced into it by the more modern editors and critics are particularly considered. [Anon.] 1765.
Annotations illustrative of the Plays of Shakespeare, by Johnson, Stevens, Malone, Heath, & c. 1819.
The Triumph of Peace, a Poem. 1698.
The Court of Neptune. 1699.
The House of Nassau, a Pindaric Ode. 1702.
An Ode in praise of Music. 1703.
A complete History of England. 3 vols. [Hughes collected materials, and translated a Life of Queen Mary in vol. II.] 1706.
Advices from Parnassus
. All translated from the Italian by several Hands. Revised and corrected by Mr. Hughes. 1706.
Fontenelles Dialogues of the Dead
with two original Dialogues. 1708.
Calypso and Telemachus, an Opera. 1712.
An Ode to the Creator of the World. 1713.
The Lay Monk. [With Sir R. Blackmore.] 171314. [Republished in 1714 as the Lay Monastery.]
The Works of Mr. Edmund Spenser
. With a glossary explaining the old and obscure words. 6 vols. 1715.
Apollo and Daphne: A Masque. 1716.
An Ode for the birthday of Her Royal Highness the Princess of Wales. 1716.
A Laymans Thoughts on the late treatment of the Bishop of Bangor. 1717.
Charon, or The Ferry-Boat. A Vision. Dedicated to the Swiss Count [J. J. Heidegger.] 1719.
The Ecstacy: An Ode. 1720.
The Siege of Damascus: A Tragedy. 1720.
Letters of Abelard and Heloise
. Extracted chiefly from Monsieur Bayle. Translated from the French. 1722.
Poems on Several Occasions, with some select Essays in Prose. Ed. Duncombe, W. 2 vols. 1735. [Hughess Poems are in the ordinary collections, including Johnsons (with a Life).]
The Complicated Guilt of the late Rebellion. 1745. [Written in 1716.]
Letters by several eminent Persons deceased, ed. by Rev. John Duncombe. [Contains Hughess correspondence, some new pieces, and the original plan of the Siege of Damascus.] 1773.
A. Collected Works
Miscellanies, in Prose and Verse. [1705.]
Remains of Dr. William King. [Ed. Brown, J.] 1732.
Posthumous Works of Dr. William King. Ed. Browne, Joseph, M.D. 1734.
The Original Works of William King, LL.D., with historical notes, and memoirs of the Author. [By John Nichols.] 3 vols. 1776.
B. Single Works
Reflections upon Mons. Varillass History of Heresy. [With Edward Hannes.] 1688.
A Dialogue showing the Way to Modern Preferment. [1690.]
Animadversions on a pretended Account of Denmark. 1694.
A Journey to London in the year 1698. After the ingenious method of that made by Dr. Martin Lister to Paris in the same year. Written originally in French, by Monsieur Sorbière, and newly translated into English. 1698.
A short Account of Dr. Bentleys Humanity and Justice. 1699.
Dialogues of the Dead, relating to the present controversy concerning the Epistles of Phalaris. 1699.
The Furmetary. A very innocent and harmless Poem. 1699.
The Transactioner, with some of his Philosophical Fancies, in two Dialogues. 1700.
Molly of Mountown. 1704.
The Fairy Feast. Written by the Author of A Tale of a Tub. [This is the same piece as Orpheus and Euridice.] 1704.
The Art of Cookery, in imitation of Horaces Art of Poetry: with some Letters to Dr. Lister and others, occasioned principally by the title of a book published by the Doctor, being the works of Apicius Caelius, concerning the Soups and Sauces of the Ancients. [1708.]
The Art of Love: In Imitation of Ovid de Arte Amandi. 1709.
Useful Transactions in Philosophy and other sorts of Learning, to be continued monthly, as they sell. [3 parts.] 1709.
A friendly Letter from honest Tom Boggy to the Rev. Mr. Goddard, Canon of Windsor. 1710.
A second Letter to Mr. Goddard, occasioned by the late Panegyric given him by the Review. 1710.
A Vindication of the Rev. Dr. Sacheverell. 1711.
Mr. Bissets Recantation. 1711.
An Answer to a second scandalous Book that Mr. Bisset is now writing. 1711.
Historical Account of the Heathen Gods and Heroes. 1711. [Fourth edn., 1727.]
Rufinus, or an Historical Essay on the favourite Ministry under Theodosius and his son Arcadius. 1711.
Useful Miscellanies, Part the First. 1712.
Britains Palladium, or Lord Bolingbrokes Welcome from France. 1712.
Apple Pye. [Printed in The Northern Atlantis.] 1713.
An Essay on Civil Government. 1776.
C. Appendix
A Letter to Dr. W. King, occasioned by his Art of Cookery. [An attack.] 1708.
A Pindarick Ode to the memory of Dr. William King. [A eulogy.] 1712.
The Hunter: A discourse of Horsemanship. Oxford, 1685.
Momus Triumphans, or the Plagiaries of the English Stage exposed. 1688.
A new Catalogue of English Plays. 1688.
An Account of the English Dramatic Poets, or some observations and remarks on the lives and writings of all those that have published either comedies, tragedies, tragicomedies, pastorals, masques, interludes, farces, or operas, in the English Tongue. Oxford, 1691.
The Lives and Characters of the English Dramatick Poets: First began by Mr. Langbain, improved and continued down to this time by a careful Hand. [Gildon.] 1699.
The Club, or A Dialogue between Father and Son, in vino veritas. 1711. New edns., 1834 and 1890.
See bibliographies to Vol. VIII, Chapters VI B and VII, also to Chapters VII and VIII of the present volume.
Epicteti quae supersunt dissertationes ab Arriano collectae
. Recensuit notisque illustravit J. Uptonus. 1739. [Another edition, 2 vols. 1744. Uptons notes were used by Schweighäuser in his edition of 17991800.]
Critical Observations on Shakespeare. 1746. [Second edition, 1748.]
A new Canto of Spensers Fairie Queene. [? by Upton.] 1747.
A letter concerning a new Edition of Spensers Fairie Queene. To Gilbert West, Esq. 1751.
Spensers Fairie Queene
With a glossary and notes by John Upton. 1758. [In An impartial Estimate of the Reverend Mr. Uptons Notes on the Fairy Queen, 1759, Upton is charged with copying from Wharton without acknowledgment.]


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I guess the creators never really expected the Android version to take off, but the option to control the touchscreen mode has always been in the MIDI settings mislabled as "Mixed AdLib/MIDI mode." Given how advanced the Android port has become (mixed mode may well become a real thing since modern Android devices are more than powerful enough to do all this stuff) and how viable of a platform Android is for ScummVM usage (many adventure games play better on an Android tablet with the touchscreen mode -- eg that option turned on -- than they ever did on a PC with a mouse) isn't it time for this to no longer be a "hidden option" but visibly obvious to all users? Not everyone downloads development versions and reads the readme files and I don't think the Google Play Store version even mentions this in any way, so most people using ScummVM on Android likely don't even know this option exists. Still, after all this time... The Android platform release is no longer some super minimal side release that's hardly even used on devices that aren't very good for such games.
Also, since Android Marshmellow (6) the previous menu button has changed to a task-manager/switch task button, so you can't use that anymore to open the ScummVM menu.
Instead you have to press and hold the back-button while making a selection.
Since you're holding the back button, making a selection automatically means you go back a screen, unless you time it just right.
I agree. It's a nasty hack.
The Android port should definitively receive more attention.
Currently we have no full-blown Android porter at all for several years, only packager.
Thus, we are very limited with any functional enhancements.
damn... weird, as Android is possibly the most widespread platform out there
it's like VICE having no real dev for... Windows FFS!
(so they only build snapshots)
damn... return of 1990ies the bad way?


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Beaumont/Port Arthur
County Judge Carl Thibodeaux declared April 2013 as "Southeast Texas Big Read" month in Orange County at the commissioners court special meeting Monday, March 25. Orange Public Library director of services Mary J. McCoy appeared before the court and accepted the honor on behalf of Orange County. According to the proclamation, the Big Read endeavor is meant to encourage reading in the area.
While we harbor no disrespect for the Wall Street Journal who called us "that scrappy little paper from Southeast Texas," we prefer to think of ourselves as simple seekers of the truth. We're of the opinion that headlines and sound bites never tell the whole story. Our readers demand all the facts, facets and flavors of every story or event. And, they expect to be informed, educated and stirred to action.
For this week's New York Times crossword puzzle, pick up a copy of this week's The Examiner on newsstands now.


text:
COLOMBO, Sri Lanka (AP) — Sri Lanka's highest court declared on Thursday that a parliament committee does not have the legal power to probe allegations of misuse of power and unexplained wealth against the country's chief justice, escalating a showdown between the Indian ocean island nation's legislature and the judiciary.
The case against Shirani Bandaranayake, the country's first female chief justice, has drawn local and international criticism as an attempt by the government to stifle the judiciary's independence.
In a ruling delivered Thursday, three Supreme Court judges have said that the Parliament Select Committee that investigated Banadaranayke "has no legal power or authority to make a finding adversely affecting the legal rights of a judge."
Government spokesman and Minister of Mass Media and Information Keheliya Rambukwella declined to comment on the ruling, saying "it's premature and unfair for me to comment" until the speaker of parliament expresses his views. The speaker will present his determination when the parliament meets next week, he added.
A parliamentary committee last month found Banadaranayke guilty of unexplained wealth and misuse of power and said she was unfit for office. Parliament is expected to vote for her impeachment when it convenes this month, and the president then could decide to dismiss or retain her.
Thursday's ruling came in response to several cases filed in the Appeal Court against the parliament committee. The 27-page ruling was read out in the Appeal Court which had earlier referred the cases to the higher Supreme Court .
The impeachment is seen as the culmination of a months-long dispute between the judiciary and the parliament, which President Mahinda Rajapaksa controls. The parliamentary speaker, Chamal Rajapaksa, is a brother of the president, as is a Cabinet minister whose powers were curtailed by a ruling from Bandaranayake.
The case has drawn international concern, including from the United States, and opposition party activists, lawyers and rights activists have protested that the impeachment process was unfair.
The U.N.'s Special Rapporteur on the independence of judges and lawyers, Gabriela Knaul, on Monday urged the authorities to reconsider the impeachment "due to the lack of due process and fair trial guarantees and to ensure that the judiciary can operate free from external pressures, threats or any interference."
Bandaranayake, her lawyers and four opposition lawmakers on the parliamentary committee walked out during a hearing on her case, saying it was unfair. Seven ruling party lawmakers delivered the verdict in their absence, which Bandaranayake told the court was illegal.
Bandaranayake was found guilty of not disclosing details of 20 bank accounts, buying a house for another person as an attorney and then taking judicial control of cases against the company that sold the property. She was also found to have a conflict of interest because she has supervisory powers over judges hearing a corruption case against her husband, who is a former state bank chairman.
She has denied the charges against her.
President Mahinda Rajapaksa appointed Bandaranayake in 2011, but the government became critical of her after she ordered that a proposed law giving vast powers to the economic development minister was illegal. The minister is President Rajapaksa's brother.
Bandaranayake has filed a case with Sri Lanka's Appeal Court, saying her conviction was unfair and asking the court to quash the parliamentary committee report.


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posted by Thom Holwerda on Sat 23rd Feb 2008 22:56 UTC, submitted by Michael Larabel
"For the past several weeks we have been referencing AMD's 'tcore' in several of our articles, which is a user-space software suite that has been developed and used internally at ATI by engineers to work on various aspects of their binary drivers. Tcore is primarily used for testing prior to the availability of the actual silicon for their forthcoming graphics processors. John Bridgman and Alex Deucher have been working tediously to get this tcore source-code sanitized and cleared for public release, and finally they have reached this milestone. AMD has just published the first bits of open-source 3D programming documentation for ATI GPUs. This 3D programming documentation covers the R500 series and even goes back with information on the R300/400 series as well. The R600 3D programming guide will also be out soon. This information available today is what will foster the growth of open-source R500/600 3D support for the Radeon and RadeonHD drivers as well as R600 2D acceleration."


text: Best known for his work on the Discovery Channel's "Dirty Jobs," Mike Rowe has a resume that may surprise some viewers. Besides doing on-air work as a host for the home-shopping channel QVC and voice work in commercials for companies such as Ford Motor Company, Rowe used to sing with the Baltimore Opera Company. But he says some of the most important work he does is through the mikeroweWORKS Foundation, which promotes skilled trades and alternative education. To keep updated with the 51-year-old San Francisco television personality, you may follow him @MikeRoweWorks or on


text:
Krystin Pellerin has been busier than ever this season reprising her role as Constable Leslie Bennett in the second season of the CBC dramedy The Republic of Doyle and gearing up for demanding stage roles in Soulpepper Theatre Company's 2011 season in Toronto.
The actress, also familiar to many Canadians for her role as Lady Elizabeth Darrell in the Showtime/CBC production The Tudors, says working out regularly and eating a nutritious diet has helped her stay centered and focused as her work becomes more challenging.
"I think being healthy and nourishing myself helps me be a better actor and do my work more efficiently," Pellerin says.
The slender actress says she hits the gym three to four times a week, and when she needs a change she'll do an Ashtanga yoga class.
At the gym, Pellerin alternates between working out her upper and lower body. In a workout she says she'll focus on her chest, back, shoulders and arms and will do two to three exercises for each body part, followed by thirty minutes of cardio.
Pellerin says that although she finds it easier using machines – her favourite is the elliptical — she prefers working out with free weights. "It's more challenging and it requires more focus," she says.
When it comes to her lower body, Pellerin says she spends an entire workout each week strengthening her legs.
"For legs I alternate between using machines and doing squats and the leg press," she says.
As for motivation, Pellerin says her trick to getting out for exercise is simply to have her workout clothes ready.
"I put them on right away instead of changing at the gym," she says.
Pellerin also works with a personal trainer who has helped her with nutrition. She eats a mix of whole foods and avoids red meat and sugar. She also tries not to consume too much coffee or alcohol.
Still, for Pellerin, the road to life balance has also meant learning flexibility. "One important lesson I've learned is not to be overly restrictive," she says. "My tendency is to be too rigid, so now it's everything in moderation. Treats are important too."


text:
For Bose there are 2876 on Yasni with different names. The most frequently searched first names for Bose are: Alokita, Chandrachur, Deepanjan
Among the most common last names on Yasni Bose is on position 1999.
During the last seven days Bose was searched 1 times.
- About Old Saxon name "boso" -> "Noble" or Old High German


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Linked by David Adams on Thu 11th Dec 2008 00:14 UTC, submitted by jawbreaker
A teacher in Austin, TX reprimanded a student for demonstrating Linux to his classmates and distributing free Linux CDs. She then goes on to contact Ken Starks of the HeliOS Project, who provided the CDs, and claim that "putting Linux on these machines is holding our kids back" and "No software is free and spreading that misconception is harmful". Although she claims to have used Linux herself in college, she feels that "putting on a carnival show for an operating system is not helping these children at all". On the HeliOS blog, Ken Starks hints that this may be more than just ignorance of the teacher's part.
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RE[4]: The Teacher Might have a point
by diskinetic on Fri 12th Dec 2008 02:34 UTC in reply to "RE[3]: The Teacher Might have a point"


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Voices of September 11th - "Always Remember" 6th Annual Gala
NEW YORK - OCTOBER 16: Voices of September 11th - "Always Remember" 6th Annual Gala on Wednesday, October 16, 2013 at Gustavino's, 409 East 59th Street, New York City, NY. Former Secretary of State Hillary Rodham Clinton was the keynote speaker at the Voices of September 11th "Always Remember" Gala on October 16, 2013 at Guastavino's in New York City. Secretary Clinton has been a longstanding supporter of VOICES, beginning with the first meetings with families in her Senate office just days after the attacks. The Voices Building Bridges Award was given to NYC Police Commissioner Raymond W. Kelly in recognition of his steadfast leadership and determination in protecting those who live and work in New York City. Television personality Joan Lunden served as the emcee for the evening, a role she played in 2009 when the keynote speaker was President Bill Clinton. The program for the evening also included a presentation on the National September 11 Memorial & Museum from its President and CEO, Joe Daniels, and Director Alice M Greenwald. The evening concluded with a musical performance by singer/songwriter, Mary Fahl, formerly of the October Project who sang "Dawning of the Day," a song she wrote to honor the sacrifices of the 9/11 first responders. The gala raised important funds that support VOICES 's ongoing work to provide long-term services for 9/11 families, survivors and responders. The event also supported the organization's efforts to help families and communities heal after other tragedies, by sharing best practices in preparing for, responding to and recovering from acts of mass violence or natural disasters. Voices of September 11th is grateful to BAE Systems for its support as a Leadership Sponsor. Sponsorship opportunities, table reservations and individual tickets are available. For more information, or to register for the Always Remember Gala, visit the Voices of September 11th website athttp://www.voicesofseptember11.org/ or contact Frank Fetchet at 203-966-3911. ABOUT - The Gala: Voices of September 11th (VOICES) 6th Annual "Always Remember Gala" to benefit VOICES 9/11 Living Memorial Project, services for the 9/11 families, responders and survivors, and to assist families and communities impacted by other tragedies. WHO: WHO: Keynote Speaker, Former Secretary of State Hillary Rodham Clinton; VOICES Building Bridges award to Commissioner Raymond W. Kelly; Performance by singer/songwriter, Mary Fahl. PHOTO CREDIT: Copyright © 2013 Natalie Poette exclusively for ManhattanSociety.com | tel: Private | e-mail: Private | Bookings: email@example.com | Natalie Poette is a talented independent artist and new contributor to ManhattanSociety.com. She is available for Private Bookings via email@example.com for portraits, private and special events, without any agency fee or over ride. Hire Natalie for your private party of fundraiser and see your event featured here on ManhattanSociety.com. PLEASE NOTE: More photos still to come, including of Hillary Clinton and Ray Kelly. VIP Photos with Hillary Clinton taken by Chris London are in a private password protected album.Read More


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Mother, daughter hurt in Spaulding Highway crash in DoverBy JOHN QUINN
Union Leader Correspondent
March 19. 2013 9:14PM
DOVER - Two women were injured after their SUV flipped on its side before the General Sullivan Bridge Tuesday afternoon.
Police, firefighters and emergency personnel responded around 4 p.m. after hearing that a vehicle overturned in the northbound lane along Route 16 - the Spaulding Turnpike - between the bridge and the tolls.
It turned out the accident happened in the southbound lane just before the bridge, according to Fire Lt. Steve Lesniak. Lesniak said two women - a mother and her adult daughter - were inside the vehicle when it flipped onto the driver's side, entrapping the daughter. He added firefighters were able to rescue the mother through the rear window, but had to stabilize the vehicle and use hydraulic equipment to free the driver.
"We had to cut open the roof and peel it back," Lesniak said, adding it took about 90 minutes to rescue the daughter.
Lesniak said the late-winter storm caused additional problems for emergency personnel.
"It was pretty bad - blowing snow and sleet over everything," Lesniak said, adding firefighters had to protect the two women from the elements while keeping their tools and equipment - especially the stretchers - covered as the snow kept coming.
Lesniak said firefighters were able to keep two of the southbound lanes, including the high-speed lane, open during the process.
He added ambulance crews from Dover and Newington transported the two women, who both sustained non-life threatening injuries, to Portsmouth Regional Hospital.
The identities of the two women had not been released Tuesday afternoon. The accident is being investigated by members of N.H. State Police from Troop A, which patrols Rockingham and Strafford counties.


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No.100, Wuquan S. Rd., South Dist.,
Taichung City,
Phone: 04-22261105
Connect to: Library Web Site✔ Online Catalog
Library details: National Library of Public Information is a Public library.
This library is affiliated with National Library of Public Information (view map) . The collection of the library contains 789,768 volumes. The library circulates 1,461,431 items per year.
Other Info: Established in 1923, the National Taichung Library has always been a palace of spiritual nourishment for the citizens of Taichung. The Library has several times moved, established branches and changed systems. In 1999, the Library came under the jurisdiction of the Council of Cultural Affairs, Executive Yuan, and was renamed National Taichung Library. It now gives guidance to all public libraries in Taiwan, especially on providing a good reading environment and promoting reading activities in order to create a society of lifelong learning.
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How to design a wedding album?
Before you start designing, choose your photos
During a wedding usually a lot more photos are taken than can fit into a wedding album. Therefore, it is important to filter your pool of wedding photos for those that you want to base your wedding album design on. Do so as follows:
- Remove unwanted photos. Get rid of photos that are not suitable for your wedding album design, e.g. blurry, strangely tinted or irrelevant photos, duplicates/very similar photos, etc. When removing photos be careful not to delete the "decorative" photos. "Decorative" photos don't have people on them, e.g. photos of empty tables, buildings or objects and might therefore seem less important than those that have. Don't delete them, because they can make good backgrounds and often add color to your wedding album design.
- Put your photos into chronological order. Every wedding album tells the story of the weddings and therefore should show things as they happened in correct chronological order. "Non-chronological" wedding albums make no sense to the reader. Designing a "chronological" album with unordered photos is very difficult, therefore take the time to put the photos into the right order, renaming them if necessary.
- Decide on a general design style. Make up your mind how your wedding album design should look in general, e.g. whether it should be classic or modern. Knowing the general style allows you to determine two things you must know before going ahead with your wedding album design: how many spreads (double-pages) should your wedding album have and how many photos should go on each spread.
Deciding on the general style(s) of your wedding album design
Choosing the right general style(s) for your wedding album design is crucial to get an idea of how many photos should go on each page and how many pages your wedding album should have. Several factors should be taken into account:
- The nature of the wedding. Choose a design style that suits the wedding. A traditional wedding is often best served with a traditional wedding album design (a lot of black backgrounds, small number of photos per spread, no rotated photos), whereas the wedding album design for e.g. a beach-wedding probably works better with a less traditional general style.
- The quality of your photos. If the quality of your photos is very high, you should choose a general style with a small number of photos per spread, because that way you can make them larger. Large high-quality photos look fantastic, especially on flush-mount wedding albums. If, on the other hand, the quality of your photos is mediocre, you might as well put more of them on each spread to keep them small. Also, with mediocre photos you might want to choose a general style that allows for photo enhancement effects, i.e. transitions, shadows, blurred edges, etc.
- Combine several general styles in one wedding album design. Variation makes your wedding album design more interesting. The combination of several general styles can add quality to your overall design, especially if you are designing a wedding album with lots of pages. When using several styles, make sure that they remain separat on spread-level (don't mix styles on the same spread). Also, it is important that the styles are applied consistently (e.g. if one of your styles uses white backgrounds and drop shadows, make sure to do so consistently on all spreads that use this style).
Last but not least, if you design an album for somebody else, don't forget to ask his/her opinion, maybe showing a couple of preliminary spreads before going ahead with the rest of the album.
Before you go into detail, distribute your photos
Distribute your photos over the spreads of your wedding album before you start with the design details. If you jump straight into the detailed design work without deciding beforehand which photo goes where, you are bound to end up with too few or too many spreads at the end. Therefore, create as many empty spreads as your wedding album design is supposed to comprise and distribute your photos over them. While doing so, ensure that:
- The chronological order of your photos is maintained.
- Photos that clearly belong to the same block are not split between spreads. A wedding album design (as well as the wedding it is made for) is often split into blocks, e.g. the preparations, the ceremony, the celebration, etc. Each of those blocks should, if possible, get one or more dedicated spreads. Blocks that are split across spreads make the album harder to read and understand. Also, quite often photos taken on different locations don't match very well, e.g. the photos taken during the preparations will hardly match with those taken in the church.
- The number of photos per spread stays roughly the same as planned. Before starting to distribute your photos, you have decided on the general style(s) of your wedding album design and how many photos you want to put on each spread. When distributing your photos, make sure to stick to those decisions, otherwise at the end the number of spreads won't be correct. Of course, there are some spreads that often have fewer than average photos, e.g. spreads with family group photos. To even the balance, there are also spreads that can easily fit more than average photos, e.g. the "individual-photo-of-each-guest"-spread or the "disco-dancing" spread.
Finally, start designing your wedding album
Finally, we have arrived at what most people have in mind, when they think of creating a wedding album design: going through each spread one-by-one and arranging the photos to "make it look nice". During this process:
- Give more space to beautiful and important photos. A good wedding album design depends on the quality of
its photos. Therefore, you should give beautiful (clear, brilliant, interesting) photos more space than to
mediocre photos. However, while doing so, one must keep in mind the "emotional importance" each photo has.
Naturally, you (or the person you create the wedding album design for) would prefer a whole spread photo of the
first kiss to a portrait picture of the priest, since it is of far greater emotional importance. Look for photos
that look great and also have a great emotional importance. Those are clear winners that should be shown more
prominently than the other photos on the spread.
- Set a background image or a background color. Depending on the overall style of your wedding album design your should almost always put a photo into the background or assign a solid background color (maybe with a fading effect). Spreads with no background at all (solid white) rarely look good, since the photos seem to float in midair.
- Add decorative photos. If you have decorative photos (those that don't show people) that match the
contextual block you are currently working on, don't forget to add them. Decorative photos add color to your
wedding album design and often make great backgrounds.
- Improve the photo quality if possible. Most photo pools contain several very important yet badly taken photos (e.g. too dark, too bright, missing contrast, strange tint). Use the photo-quality enhancing functionality of your wedding album design software to make those photos look better. As said before, the quality of your wedding album design hugely depends on the quality of your photos.
- Divide the space. From the perspective of a wedding album designer, each double-page spread is a huge horizontal rectangle. Filling it with photos can easily result in a mess, in which individual photos become difficult to distinguish. That is why you have to divide the space with a series of techniques that are described in the next section.
Divide the space
There are several techniques to divide to space on your spreads to ensure that the spread layout as a whole looks clear and each photo is distinctly visible:
- Group by color: very busy layouts, especially those with no borders or dividing lines, are easier to
read, if you group your photos by color. Move photos with a similar tint, contrast and brightness next to each
- Make photos black & white: you can achieve a similar effect as described in "Group by
color" by making groups of photos black & white. Also, black & white backgrounds can help foreground photos to
stand out.
- Fade photo edges: another way to make foreground photos stand out is to fade the edges of the background photos. This is especially useful, if you want to use more than one background photo on the same spread.
- Add borders & shadows to photos: borders and shadows not only decorate the photo they are applied to, but
also set them apart from the background. Using borders and shadows is always worth a try, if you have the
impression that it is hard to distinguish the foreground photos from the background.
- Photo rotation: rotating a photo spices up your layout. It sets the rotated photo apart from the other photos on the spread visually as well as contextually. However, rotation is best used with caution, since too many rotated photos can look messy.
General rules for the wedding album design process
- Have a break! Creating the design of a wedding album can be mentally exhausting, since it requires a lot of imagination and concentration. Therefore, you are unlikely to create a high-quality wedding album design for a 50 pages album in an uninterrupted 10 hours design session. Take a break and come back to your design after a couple of hours or even a day. This will help you to come up with fresh ideas, result in a better design and make the design process more enjoyable.
- Skip spreads if necessary and come back to them later! Once you have spent some time on your wedding album design, you are likely to come across a spread that is tough to complete. You will find yourself moving photos around for a long time without finding a satisfactory solution for your layout. When you get stuck like this, it is best to skip the spread and come back to it later.
- Be consistent! Make sure that you follow your design decisions throughout the entire wedding album design, e.g. make sure all borders have the same thickness and the margins are the same on all spreads. As said earlier, variations make your wedding album design more interesting, but they should be used at least on a couple of spreads. For example, don't make all backgrounds black except one. Otherwise it looks as if you play randomly with the functionality of your wedding album design software.
- Fine-tune at the end! You can spend a lot of time doing minute adjustments, e.g. making sure photos are aligned and sized properly or centering the photo content. Do so at the very end of the design process, when it has become apparent that you are not going to change around everything.
- When in doubt, use a black background! Black backgrounds can help you make your wedding album design look better. Almost all photos look good on a black background. Mediocre quality photos look better on black than on any other color, because of the contrast. So, when in doubt, go with black, because you can't go wrong with it.
And finally..
If you follow all those suggestions and guidelines carefully, you are sure to create a high-quality and professional-looking wedding album design. Be prepared to put in some time and don't forget to experiment. Wedding album design is not rocket science, but it is not a walk in the park either.


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Industry News
CHI Team Styles Miss Universe
Leonel Rodriquez created this stunning look.Photo 2 of 12
Celeste Figueroa of CHIPhoto 7 of 12
Lisa Marie Garcia shares a moment with Miss Netherlands.Photo 10 of 12
It's the ultimate beauty show. Miss Universe brings together crown-wearing beauties from around the globe to compete for the title. This is the 10th year that Farouk Systems has been the official hair sponsor of the Miss USA/Universe pageants and it was a sweet moment hearing that the new Miss Universe is our own Miss USA, Olivia Culpo. The CHI proud-to-be-American culture contributed to her success and made every contestants' hair her crowning glory.
A carefully selected (they must take a special training and pass it prior to being considered) team of CHI hairdressers come together to create the CHI Creative Artistic Team (CAT) and under the direction of Lisa Marie Garcia and Tammy Minton, this multi-cultural team styles the equally varied contestants. The universal language of beauty, however, contributes to the success of the CHI team.
"Every culture is different, and there are all types of hair texture," explains CAT member Lorena Garcia. "We use lots of sign language and everyone understands what it means to request 'Victoria Secret waves'."
Knowing that their work must last through a day of rehearsal and into the night's performance, the pressure is on the CHI team to create a foundation for a style that can be built-up during the day.
"We just found out that the girls will all be in Santa hats," said Team Leader Tammy Mixon backstage before the dress rehearsal. "We are going to start with a light hold product because as the day goes on we'll have to build and create volume." She used CHI Magnified Volume.
The CHI team took such care of each contestant, creating gorgeous waves, elegant updos and beautiful shine. They were all winners.