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A thread on a similar request:http://forums.dpreview.com/forums/thread/3245626#forum-post-42205283I associate old prints with odd textures. Odd textures are available from Mitsubishi-Pictorico. The Bonjet inkjet paper range also has some. I start measuring that range soon but qualities like Leather Glossy, Leather Matte, Canvas Glossy etc are quite unique in the >400 samples I have seen from different brands. Not warm though but a paper color can be printed too.And a new quality that looks old , it has a regular pattern lustre quality, names like Silk Raster. For example Tecco and Tetenal. Not warm either. Enough warm papers available with different random textures though.-- Met vriendelijke groet, Ernsthttp://www.pigment-print.com/spectralplots/spectrumviz_1.htm400+ inkjet paper white spectral plots, October 2012: added Tetenal-Kodak, renewed Ilford-Innova-Hahnemühle-Pictoricosoon Bonjet-Permajet-FelixSchoeller-Mitsubishi-Kodak(more)-Sihl(new range)
I have always like Museo Silver Rag for this. It is glossy by rag paper standards, but much less glossy than the mattest of RC papers. I have never liked the faux leather grain papers, they are just too weired to me.Brian A
Yes, the Museo is a lovely paper, but the roll I bought does have a pronounced grain running along it which shows up if it catches the light. I don't know if is a characteristic of the paper or just that particular batch. Its surface matches some of the RC papers I used in the 1960s. Quite unlike today's RC papers.
More matte and smoother than Museum Silver Rag, more stipple, warmer than Somerset Museum Rag. So semi-matte, warm, light texture.Hahnemühle Photo Rag Satin? Fits nicely in that description.Pictorico GKR as mentioned in the thread I gave the link for? Is as neutral as the Somerset though.The other Fibre/Baryte warm tone papers have too much gloss and/or texture, the matte versions like the Harman Matte are obsolete.Some Canon and Epson RC proofing papers are warm enough but too glossy, too smooth.-- Met vriendelijke groet, Ernsthttp://www.pigment-print.com/spectralplots/spectrumviz_1.htm 400+ inkjet paper white spectral plots, October 2012: Extended: Ilford-Innova-Hahnemühle-Pictorico, NEW added: Tetenal-Mitsubishi, NEW halfway: Kodak-Bonjet, NEW to do: Permajet-FelixSchoeller-Sihl, NO samples received yet: InkPress-Jon Cone-Hawk Mountain.
I've ordered a Hahnemühle swatch. My samples are about 5 years old and may be out of date. In the meantime I'm trying a roll of Moab Entrada Rag Natural. It has a little more texture (tooth?) than the Hahnemühle Photo Rag and is warmer. It's close-ish to what I recall. All my sample prints have deep blacks, and the photos from 100 years ago that I have seen had thin blacks verging on brown, and that is probably affecting my opinion. My negatives have good blacks and I'm not giving that up, so I really have to print some samples and play with them.Cheers Ernst.David
I would use any the following:Moab Somerset Museum Rag.Hahnemühle Photo Rag. (My original test print from a few years ago has too much texture, but the paper in my current swatch is not too bad when viewed from 18 inches or more).Hahnemühle Photo Rag Bright White. This would be perfect it it weren't for its moderate oba content. Similarly for Harman by Hahnemühle Matt Cotton Smooth.Canson Infinity Rag Photographique.Museo Portfolio Rag.Possibly Canon matte paper, though I'm unsure of its oba content.


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By Rece Davis
"When you're huntin' somepin you're a hunter, an' you're strong. Can't nobody beat a hunter. But when you get hunted -- that's different. Somepin happens to you. You ain't strong: maybe you're fierce, but you ain't strong." -- Muley Graves, "The Grapes of Wrath."
Muley had lost his farm and his family in John Steinbeck's classic novel, but what he'd really lost was his edge and his drive. Rather than pursue, he was protecting.
You haven't stumbled into an American Lit class, but rather a human nature clinic, with college football as a guide.
South Carolina, West Virginia and Kansas State would do well to learn from ol' Muley. Though Florida and Notre Dame don't fit neatly into this profile based on their tradition and past success, the current congregation of Gators and brood of Irishmen would do well to heed the lesson.
Pursuing is preferable to protecting. These teams, to varying degrees, have been the "it" teams over the first six weeks of the season.
The challenge is to maintain the hunter's edge.
Nowhere is that more evident than with South Carolina. The Gamecocks have a long history of frittering away prosperity. The most recent example came after Stephen Garcia's perfect game against No. 1 Alabama in 2010.
What happened the following week? Cocky went beak first into the dirt against Kentucky, losing 31-28.
LSU might be struggling on offense. But the Tigers aren't Kentucky. What they are now is the hunter. South Carolina risks being the prey.
Where the hunters will aim: One place to target South Carolina is in the back seven of its defense. Of course, the Gamecocks' magnificent front four can render that relative vulnerability moot. Few can help a defense to keep its edge (and keep an offense on edge) like Jadeveon Clowney. He was a straight freak against Georgia, and LSU has had problems in protection.
By the way, what kind of luxury is it that Devin Taylor might be your third-best defensive lineman? I don't mean that as a slight, but Clowney is otherworldly and Kelcy Quarles is a force in the middle. Taylor quietly shuts down his side of the line.
LSU might find a softer spot in South Carolina's armor by forcing Connor Shaw to stay in the pocket and beat the Tigers by passing. Shaw has been efficient, but LSU is one of the few defenses equipped to negate his running ability and challenge him as a passer.
Shaw hasn't thrown the ball a lot; he hasn't needed to. What if he did? Might South Carolina lose its edge if its running game is taken away? LSU has the players to do it. And after the loss to Florida, the Tigers are now in the role of the desperate hunters.
West Virginia has the classic sandwich game. The Mountaineers go to Lubbock to face Texas Tech on Saturday, this coming after they won their Big 12-opening shootout with Baylor and then passed their litmus test against Texas, and before they receive a visit from Kansas State.
Where hunters will aim: Defense is obviously the issue for the Mountaineers. They made a couple of clutch stops against Texas, but at some point applying that pressure to its own offense, no matter how potent, will prove fatal.
West Virginia has to stay in attack mode on offense, but coach Dana Holgorsen has been very patient. Let's say a team goes on a long, sustained drive. Will the Mountaineers become impatient? It's a potential weakness and, honestly, one that is more likely to be exploited by Kansas State than Texas Tech.
Notre Dame, some would argue, is always the hunted. I understand that. There's still a measure of validation that comes with beating a program that has such a storied tradition. But this current team hasn't had a hand in building that tradition.
Now, people are loving up the Fighting Irish's defense. The running game can be potent as well.
Where hunters will take aim: The Irish secondary. Stanford doesn't necessarily have the wide receivers to scare Notre Dame's defensive backs, but tight ends Zach Ertz and Levine Toilolo are matchup nightmares for almost any team.
The Cardinal won't avoid the Irish's strength, which is their front seven. Stanford will pound away with Stepfan Taylor, try to hit play-action, and use those tight ends in creative ways.
Plus, there may be even more pressure on the Irish defense because the Cardinal's defense tends to play well against power teams, while Pac-12 opponents like Oregon and Arizona present matchup problems. While Notre Dame coach Brian Kelly has been masterful with his take on the spread, this Irish team is constructed more for power and plays a style much more to Stanford's liking.
Florida, like Notre Dame, is always the hunted to a degree.
But the Gators have had early-season success because of a relentless drive to prove they aren't the same soft team that wilted last season. They've certainly played like fully grown men during the second halves of games.
Where the hunters will take aim: Gators' passing game. Vanderbilt probably doesn't have the weaponry to exploit the Gators' vulnerability this week, but it's key that Florida continues to develop its passing game.
Florida is unlikely to be able to run the ball 25 consecutive times to finish a game against some of the remaining teams on its schedule. Then again, I would've never believed the Gators could beat LSU that way. My point is that's a hard way to make a living.
South Carolina and Florida State will try to force the Gators into throwing when they don't want to. Is Jeff Driskel up to it? Can Florida develop some consistent game-breakers?
As for Kansas State: I can't imagine that Kansas State under the Wizard, coach Bill Snyder, and the gladiator , QB Collin Klein, will ever lose that hunter's mentality.
However, the Wildcats should guard against entering Saturday's game against Iowa State flat. The Cyclones notched an impressive win over the Horned Frogs; yes, TCU was without suspended QB Casey Pachall, but still an impressive victory. They're stingy on defense and have some playmakers, such as WR Josh Lenz, on offense. And as we all know, you don't just waltz into Jack Trice Stadium and stroll out with a victory. Not if you allow yourself to slip into the mentality of being the hunted, protecting rather than pursuing.
These "it" teams need to remind themselves: If you let the hunter's edge slip away, you risk tasting the Grapes of Wrath.
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subset: commoncrawl


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Montclair, NJ – The Cortland quarterback tandem of Tyler Augliano (Watertown, NY / Watertown) and Tyler Hughes (Scranton, PA / West Scranton) combined to throw four touchdown passes as the Red Dragons scored the final 31 points in a 48-14 victory over Montclair State on Saturday.
Junior wide receiver John Babin (Warwick, NY / Warwick Valley) pulled in three TD receptions tying a pair of school record as Cortland (3-2, 3-0 NJAC) won its second straight while staying unbeaten in the conference.
Sophomore wide receiver Aaron Williams (West Orange, NJ / Jonathan Dayton) tied a school record with 12 receptions for Montclair State, which fell to 1-5 (0-3 NJAC) with their fourth consecutive loss. Williams also had 153 receiving yards and a touchdown.
The Red Dragons, which improved to 18-11-1 in the all-time series, jumped to a 17-0 lead as it scored on their first three possessions, two of which began deep in Montclair State territory. A mishandled punt snap gave Cortland the ball at the MSU 15 which turned into a 32-yard field goal by Nick Daley (Saratoga Springs, NY / Saratoga Springs) with 10:41 left.
Two plays into the next drive, Devonte Davis (Buffalo, NY / Cleveland Hill) intercepted a pass at the Montclair 25 and Cortland turned that into a touchdown as Augliano hit Babin on five-yard score for a 10-0 advantage with 8:23 to go. The Red Dragons forced a punt on Montclair's next possession and scored again with Hughes capping of a 61-yard drive with a 23-yard touchdown making the score 17-0.
Montclair answered as Ryan Davies (Lanoka Harbor, NJ / Howell) found a streaking Williams down the right sideline for a 56-yard touchdown strike as MSU trimmed the lead to 17-7 with 2:54 left in the opening period. The Red Hawks then got a huge opportunity as Matt Mancino (Wall, NJ / Wall) picked off Augliano on the next play giving MSU the ball at the Cortland 16. But Montclair State couldn't cash in as a 20-yard field goal went wide right as Cortland led 17-7 after one quarter.
The missed field goal loomed larger for Montclair in the second as Davies connected with Clinton Coffey (Roselle, NJ / Roselle) for a 33-yard score as MSU pulled within 17-14 with 11:25 to play before halftime.
But from that point on it was all Cortland as the Red Dragons scored the final points of the contest with 21 coming in the final 8:31 of the quarter. Sophomore wide receiver DJ Spencer (Buffalo, NY / Cleveland Hill) made a beautiful sideline end zone grab for a 33-yard touchdown and Autera ran in from nine yards out for a 31-14 lead. Babin, who finished with eight catches for 124 yards, completed the half with a 67-yard catch-and-run for a score giving Cortland a 38-14 lead at the break.
Daley added a 30-yard field in the third quarter with Babin finishing off the scoring in the fourth with a 12-yard touchdown reception from Hughest. It was the third of the day for Babin, who tied the Cortland single-game which he already shares matching it for the third time. He also upped his career total to 23 tying him with Neal Heaton, Jr. (2001-04) and Eric Hajnos (2006-09) for the Red Dragon career mark.
Hughes ran for 62 yards in addition to going 5-of-8 for 50 yards in the air. Augliano was 9-of-18 for 160 yards and Dylan Peebles (Port Layden, NY / South Lewis) had 51 rushing yards on 11 attempts. Defensively the Red Dragons forced six turnovers and collected four sacks, including 2.5 by Jesse Scanna (Hollbrook, NY / Sachem North). Carson Lassiter (Madison, NJ / Madison) had a team-high 11 tackles along with an interception.
Davies finished 11-of-16 for 164 yards for Montclair State before leaving the game late in the second quarter. Gabe DiMasi (West Caldwell, NJ / Montclair Kimberly) was 10-of-19 for 118 yards. Coffey and Malcolm Robinson (Bayonne, NJ / Bayonne) each had three receptions. Senior linebacker Adnan Sakiri (Ramsey, NJ / Ramsey) had eight tackles for the Red Hawks with Dan Avento (Montvale, NJ / Pascack Hills) and C.J. Conway (Folsom, NJ / Hammonton) each posting seven.
Montclair State outgained Cortland 354-353, including a 143-54 edge in rushing yards.
Montclair State is now off until Saturday, October 26 when it travels to Morrisville, NY for a 12:00 pm NJAC matchup with Morrisville State, which knocked off Rowan 41-21 on Saturday. Cortland stays on the road heading to Brockport for a 4:00 pm game on October 19.


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Tekonsha Prodigy Trailer Camper Brake Control[s097-968477]
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A no-level, no-hassle advance in proportional braking! No level adjustments needed as it self-adjusts to varying terrain as you drive. Designed to work with electric over hydraulic trailer brakes. Produces stops that are in proportion to vehicleâs deceleration rate. Works proportionally in reverse âwith the ability to disable when not needed. The "Boost" feature gives the ability to apply more initial trailer braking power as desired. Includes reverse battery protection for both vehicle and breakaway systems. Multiple mounting options âincluding 360 degree vertical rotation. Limited lifetime warranty.
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Tuesday, January 10, 2012
The next GOP surge in the deep south
Republicans all over the deep south have been rejoicing over the last fifteen months at their historic gains on the legislative level across the region and rightfully so I might add. One should feel very good after being in the proverbial wilderness since the civil war. But there is still work to be done in Arkansas's state legislature which is the only one that is still controlled by democrats and there's also work to be done in the Tennessee judicial system which is still for the most part a jobs program for high society democrat attorneys in the state. But the big issue has got to be taking control of the county offices. The GOP has improved in this category over recent years. In west Tennessee for example there are now three counties where there are no longer any democrats left in elected county wide office. Down in Cullman County, Al there is only one democrat left in a county office. Six years ago the democrats controlled all the county offices in Cullman. Ten years ago they controlled all the offices in neighboring Morgan County, Al but today they only hold one. But despite all of those individual cases, the GOP still has a long way to go before they can truely claim that they have a foothold on the deep south in the same fashion democrats did for nearly one hundred and fifty years. Last November the GOP in Mississippi won control of the state legislature in Mississippi for the first time since the civil war. But in rural northeast Mississippi where they picked up a handful of legislative seats they didn't pick up a single county seat. The democrats swept all the county offices in Alcorn,Tishomingo and Prentiss counties. Controlling the county courthouses enables a party to develop a strong bench for the future when it comes to state legislative offices and in a few cases for congressional seats. The democrats proved to be very adept at doing this back in their day. The jury is still out on whether the GOP can do it....
Posted by danny turnbow at 2:00 PM
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Colorado Rockies don't renew contracts of hitting instructor Lansford, 3rd-base coach Dauer
DENVER – The contracts of Colorado Rockies hitting instructor Carney Lansford and third-base coach Rich Dauer weren't renewed in the wake of manager Jim Tracy's unexpected resignation over the weekend.
Lansford served two seasons under Tracy and the Rockies batted .274 this season, tops in the National League but they hit just .241 on the road as they finished 64-98, worst in franchise history.
Dauer spent four years as the Rockies' bench coach and seven seasons in the organization overall. He also served as Colorado's infield coach and coordinator of all defensive positions.
Bill Geivett, director of major league operations, said he has no set timetable for hiring a replacement for Tracy, who forfeited the $1.4 million left on his contract for next season.


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The Adventurous Book of Outdoor Games contains a treasure trove of the best neighborhood games invented by children since the beginning of time. This book is your passkey to a world of secret missions, last-minute victories, and thrilling chases. The Adventurous Book of Outdoor Games provides clear instructions for each game along with tips on how to maximize fun and exercise while playing the games. More than 100 Great Games. 304 pages. Printed in the USA.
- Item #: 1-SB-14431


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Crossword puzzles give you clues about words, but most of us get stuck when we cannot think of, say, a ten-letter word that begins with a b and has either an x or a z in the seventh position.
Regular-expression pattern matching with awk or grep is clearly called for, but what files do we search? One good choice is the Unix spelling dictionary, available as /usr/dict/words, on many systems. (Other popular locations for this file are /usr/share/dict/words and /usr/share/lib/dict/words.) This is a simple text file, with one word per line, sorted in lexicographic order. We can easily create other similar-appearing files from any collection of text files, like this:
cat file(s) | tr A-Z a-z | tr -c a-z' 'n' | sort -u
The second pipeline stage converts uppercase to lowercase, the third replaces nonletters by newlines, and the last sorts the result, keeping only unique lines. The third stage treats apostrophes as letters, since they are used in contractions. Every Unix system has collections of text that can be mined in this way—for example, the formatted manual pages in /usr/man/cat*/* and /usr/local/man/cat*/*. On one of our systems, they supplied more than 1 million lines of prose and produced a list of about 44,000 unique words. There are also word lists for dozens of languages in various Internet archives.*
Let us assume that we have built up a collection of word lists in this way, and we stored them in a standard place that we can reference from a script. We can then write the program shown in Example 5-4.
Example 5-4. Word puzzle solution helper
#! /bin/sh
# Match an egrep(1)-like pattern against a collection of
# word lists.
# Usage:
# puzzle-help egrep-pattern [word-list-files]
egrep -h -i "$pattern" $FILES 2> /dev/null | sort -u -f
The FILES variable holds the built-in list of word-list files, customized to the local site. The grep option –h suppresses filenames from the report, the –i option ignores lettercase, and we discard the standard error output with 2> /dev/null, in case any of the word-list files don't exist or they lack the necessary read permission. (This kind of redirection is described in "File Descriptor Manipulation" [7.3.2].) The final sort stage reduces the report to just a list of unique words, ignoring lettercase.
Now we can find the word that we were looking for:
$ Puzzle-help '^b…..[xz]…$' | fmt
bamboozled Bamboozler bamboozles bdDenizens bdWheezing Belshazzar
botanizing Brontozoum Bucholzite bulldozing
Can you think of an English word with six consonants in a row? Here's some help:
$ puzzle-help '[^aeiouy]{6}' /usr/dict/words
If you don't count y as a vowel, many more turn up: encryption, klystron, porphyry, syzygy, and so on.
We could readily exclude the contractions from the word lists by a final filter step—egrep -i '^[a-z]+$'—but there is little harm in leaving them in the word lists.
{mospagebreak title=5.4 Word Lists}
From 1983 to 1987, Bell Labs researcher Jon Bentley wrote an interesting column in Communications of the ACM titled Programming Pearls. Some of the columns were later collected, with substantial changes, into two books listed in the Bibliography. In one of the columns, Bentley posed this challenge: write a program to process a text file, and output a list of the n most-frequent words, with counts of their frequency of occurrence, sorted by descending count. Noted computer scientists Donald Knuth and David Hanson responded separately with interesting and clever literate programs,* each of which took several hours to write. Bentley's original specification was imprecise, so Hanson rephased it this way: Given a text file and an integer n, you are to print the words (and their frequencies of occurrence) whose frequencies of occurrence are among the n largest in order of decreasing frequency.
In the first of Bentley's articles, fellow Bell Labs researcher Doug McIlroy reviewed Knuth's program, and offered a six-step Unix solution that took only a couple of minutes to develop and worked correctly the first time. Moreover, unlike the two other programs, McIlroy's is devoid of explicit magic constants that limit the word lengths, the number of unique words, and the input file size. Also, its notion of what constitutes a word is defined entirely by simple patterns given in its first two executable statements, making changes to the word-recognition algorithm easy.
McIlroy's program illustrates the power of the Unix tools approach: break a complex problem into simpler parts that you already know how to handle. To solve the word-frequency problem, McIlroy converted the text file to a list of words, one per line (tr does the job), mapped words to a single lettercase (tr again), sorted the list (sort), reduced it to a list of unique words with counts (uniq), sorted that list by descending counts (sort), and finally, printed the first several entries in the list (sed, though head would work too).
The resulting program is worth being given a name (wf, for word frequency) and wrapped in a shell script with a comment header. We also extend McIlroy's original sed command to make the output list-length argument optional, and we modernize the sort options. We show the complete program in Example 5-5.
Example 5-5. Word-frequency filter
#! /bin/sh
# Read a text stream on standard input, and output a list of
# the n (default: 25) most frequently occurring words and
# their frequency counts, in order of descending counts, on
# standard output.
# Usage:
# wf [n]
tr -cs A-Za-z' 'n' | Replace nonletters with newlines
tr A-Z a-z | Map uppercase to lowercase
sort | Sort the words in ascending order
uniq -c | Eliminate duplicates, showing their counts
sort -k1,1nr -k2 | Sort by descending count, and then by ascending word
sed ${1:-25}q Print only the first n (default: 25) lines; see Chapter 3
POSIX tr supports all of the escape sequences of ISO Standard C. The older X/Open Portability Guide specification only had octal escape sequences, and the original tr had none at all, forcing the newline to be written literally, which was one of the criticisms levied at McIlroy's original program. Fortunately, the tr command on every system that we tested now has the POSIX escape sequences.
A shell pipeline isn't the only way to solve this problem with Unix tools: Bentley gave a six-line awk implementation of this program in an earlier column* that is roughly equivalent to the first four stages of McIlroy's pipeline.
Knuth and Hanson discussed the computational complexity of their programs, and Hanson used runtime profiling to investigate several variants of his program to find the fastest one.
The complexity of McIlroy's is easy to identify. All but the sort stages run in a time that is linear in the size of their input, and that size is usually sharply reduced after the uniq stage. Thus, the rate-limiting step is the first sort. A good sorting algorithm based on comparisons, like that in Unix sort, can sort n items in a time proportional to n log2n. The logarithm-to-the-base-2 factor is small: for n about 1 million, it is about 20. Thus, in practice, we expect wf to be a few times slower than it would take to just copy its input stream with cat.
Here is an example of applying this script to the text of Shakespeare's most popular play, Hamlet,† reformatting the output with pr to a four-column display:
$ wf 12 < hamlet | pr -c4 -t -w80
|1148 the
|671 of
|550 a
|451 in
|970 and
|635 i
|514 my
|419 it
|771 to
|554 you
|494 hamlet
|407 that
{mospagebreak title=Word Lists, continued}
The results are about as expected for English prose. More interesting, perhaps, is to ask how many unique words there are in the play:
$ wf 999999 < hamlet | wc -l
and to look at some of the least-frequent words:
$ wf 999999 < hamlet | tail -n 12 | pr -c4 -t -w80
|1 yaw
|1 yesterday
|1 yielding
|1 younger
|1 yawn
|1 yesternight
|1 yon
|1 yourselves
|1 yeoman
|1 yesty
|1 yond
|1 zone
There is nothing magic about the argument 999999: it just needs to be a number larger than any expected count of unique words, and the keyboard repeat feature makes it easy to type.
We can also ask how many of the 4548 unique words were used just once:
$ wf 999999 < hamlet | grep -c '^ *1•'
The • following the digit 1 in the grep pattern represents a tab. This result is surprising, and probably atypical of most modern English prose: although the play's vocabulary is large, nearly 58 percent of the words occur only once. And yet, the core vocabulary of frequently occurring words is rather small:
$ wf 999999 < hamlet | awk '$1 >= 5' | wc -l
This is about the number of words that a student might be expected to learn in a semester course on a foreign language, or that a child learns before entering school.
Shakespeare didn't have computers to help analyze his writing,* but we can speculate that part of his genius was in making most of what he wrote understandable to the broadest possible audience of his time.
When we applied wf to the individual texts of Shakespeare's plays, we found that Hamlet has the largest vocabulary (4548), whereas Comedy of Errors has the smallest (2443). The total number of unique words in the Shakespeare corpus of plays and sonnets is nearly 23,700, which shows that you need exposure to several plays to enjoy the richness of his work. About 36 percent of those words are used only once, and only one word begins with x: Xanthippe, in Taming of the Shrew. Clearly, there is plenty of fodder in Shakespeare for word-puzzle enthusiasts and vocabulary analysts!
{mospagebreak title=5.5 Tag Lists}
Use of the tr command to obtain lists of words, or more generally, to transform one set of characters to another set, as in Example 5-5 in the preceding section, is a handy Unix tool idiom to remember. It leads naturally to a solution of a problem that we had in writing this book: how do we ensure consistent markup through about 50K lines of manuscript files? For example, a command might be marked up with <command>tr</command> when we talk about it in the running text, but elsewhere, we might give an example of something that you type, indicated by the markup <literal>tr</literal>. A third possibility is a manual-page reference in the form <emphasis>tr</emphasis>(1).
The taglist program in Example 5-6 provides a solution. It finds all begin/end tag pairs written on the same line and outputs a sorted list that associates tag use with input files. Additionally, it flags with an arrow cases where the same word is marked up in more than one way. Here is a fragment of its output from just the file for a version of this chapter:
$ taglist ch05.xml
2 cut command ch05.xml
1 cut emphasis ch05.xml <—-
2 uniq command ch05.xml
1 uniq emphasis ch05.xml <—-
1 vfstab filename ch05.xml
The tag listing task is reasonably complex, and would be quite hard to do in most conventional programming languages, even ones with large class libraries, such as C++ and Java, and even if you started with the Knuth or Hanson literate programs for the somewhat similar word-frequency problem. Yet, just nine steps in a Unix pipeline with by-now familiar tools suffice.
The word-frequency program did not deal with named files: it just assumed a single data stream. That is not a serious limitation because we can easily feed it multiple input files with cat. Here, however, we need a filename, since it does us no good to report a problem without telling where the problem is. The filename is taglist's single argument, available in the script as $1.
- We feed the input file into the pipeline with cat. We could, of course, eliminate this step by redirecting the input of the next stage from $1, but we find in complex pipelines that it is clearer to separate data production from data processing. It also makes it slightly easier to insert yet another stage into the pipeline if the program later evolves.
cat "$1" | …
- We apply sed to simplify the otherwise-complex markup needed for web URLs:
… | sed -e 's#systemitem *role="url"#URL#g'
-e 's#/systemitem#/URL#' | …
This converts tags such as <systemitem role="URL"> and </systemitem> into simpler <URL> and </URL> tags, respectively.
- The next stage uses tr to replace spaces and paired delimiters by newlines:
… | tr ' (){}[]' 'nnnnnnn' | …
- At this point, the input consists of one "word" per line (or empty lines). Words are either actual text or SGML/XML tags. Using egrep, the next stage selects tag-enclosed words:
… | egrep '>[^<>]+</' | …
This regular expression matches tag-enclosed words: a right angle bracket, followed by at least one nonangle bracket, followed by a left angle bracket, followed by a slash (for the closing tag).
- At this point, the input consists of lines with tags. The first awk stage uses angle brackets as field separators, so the input <literal>tr</literal> is split into four fields: an empty field, followed by literal, tr, and /literal. The filename is passed to awk on the command line, where the –v option sets the awk variable FILE to the filename. That variable is then used in the print statement, which outputs the word, the tag, and the filename:
… | awk -F'[<>]' -v FILE="$1"
'{ printf("%-31st%-15st%sn", $3, $2, FILE) }' | …
- The sort stage sorts the lines into word order:
… | sort | …
- The uniq command supplies the initial count field. The output is a list of records, where the fields are count, word, tag, file:
… | uniq -c | …
- A second sort orders the output by word and tag (the second and third fields):
… | sort -k2,2 -k3,3 | …
- The final stage uses a small awk program to filter successive lines, adding a trailing arrow when it sees the same word as on the previous line. This arrow then clearly indicates instances where words have been marked up differently, and thus deserve closer inspection by the authors, the editors, or the book-production staff:
… | awk '{
print ($2 == Last) ? ($0 " <—-") : $0
Last = $2
The full program is provided in Example 5-6.
Example 5-6. Making an SGML tag list
#! /bin/sh –
# Read an HTML/SGML/XML file given on the command
# line containing markup like <tag>word</tag> and output on
# standard output a tab-separated list of
# count word tag filename
# sorted by ascending word and tag.
# Usage:
# taglist xml-file
cat "$1" |
sed -e 's#systemitem *role="url"#URL#g' -e 's#/systemitem#/URL#' |
tr ' (){}[]' 'nnnnnnn' |
egrep '>[^<>]+</' |
awk -F'[<>]' -v FILE="$1"
'{ printf("%-31st%-15st%sn", $3, $2, FILE) }' |
sort |
uniq -c |
sort -k2,2 -k3,3 |
awk '{
print ($2 == Last) ? ($0 " <—-") : $0
Last = $2
In "Functions" [6.5], we will show how to apply the tag-list operation to multiple files.
{mospagebreak title=5.6 Summary}
This chapter has shown how to solve several text processing problems, none of which would be simple to do in most programming languages. The critical lessons of this chapter are:
- Data markup is extremely valuable, although it need not be complex. A unique single character, such as a tab, colon, or comma, often suffices.
- Pipelines of simple Unix tools and short, often inline, programs in a suitable text processing language, such as awk, can exploit data markup to pass multiple pieces of data through a series of processing stages, emerging with a useful report.
- By keeping the data markup simple, the output of our tools can readily become input to new tools, as shown by our little analysis of the output of the word-frequency filter, wf, applied to Shakespeare's texts.
- By preserving some minimal markup in the output, we can later come back and massage that data further, as we did to turn a simple ASCII office directory into a web page. Indeed, it is wise never to consider any form of electronic data as final: there is a growing demand in some quarters for page-description languages, such as PCL, PDF, and PostScript, to preserve the original markup that led to the page formatting. Word processor documents currently are almost devoid of useful logical markup, but that may change in the future. At the time of this writing, one prominent word processor vendor was reported to be considering an XML representation for document storage. The GNU Project's gnumeric spreadsheet, the Linux Documentation Project,* and the OpenOffice.org† office suite already do that.
- Lines with delimiter-separated fields are a convenient format for exchanging data with more complex software, such as spreadsheets and databases. Although such systems usually offer some sort of report-generation feature, it is often easier to extract the data as a stream of lines of fields, and then to apply filters written in suitable programming languages to manipulate the data further. For example, catalog and directory publishing are often best done this way.
* On some systems, file formats are in Section 7; thus, you might need to use man 7 passwd instead.
* In addition to this book (listed in the Bibliography), hundreds of books on SGML and derivatives are listed at
http://www.math.utah.edu/pub/tex/bib/sgml.html and http://www.math.utah.edu/pub/tex/bib/sgml2000.html.
a E. F. Codd, A Relational Model of Data for Large Shared Data Banks, Communications of the ACM, 13(6) 377–387, June (1970), and Relational Database: A Practical Foundation for Productivity, Communications of the ACM, 25(2) 109–117, February (1982) (Turing Award lecture).
b By Kevin Kline and Daniel Kline, O'Reilly & Associates, 2000, ISBN 1-56592-744-3. See also http://www.math.utah.edu/pub/tex/bib/
sqlbooks.html for an extensive list of SQL books.
* Available at http://www.math.utah.edu/pub/sgml/.
* Available at ftp://ftp.ox.ac.uk/pub/wordlists/, ftp://qiclab.scn.rain.com/pub/wordlists/, ftp://ibiblio.org/pub/
docs/books/gutenberg/etext96/pgw*, and http://www.phreak.org/html/wordlists.shtml. A search for "word list" in any Internet search engine turns up many more.
* Programming Pearls: A Literate Program: A WEB program for common words, Comm. ACM 29(6), 471–483, June (1986), and Programming Pearls: Literate Programming: Printing Common Words, 30(7), 594–599, July (1987). Knuth's paper is also reprinted in his book Literate Programming, Stanford University Center for the Study of Language and Information, 1992, ISBN 0-937073-80-6 (paper) and 0-937073-81-4 (cloth).
* Programming Pearls: Associative Arrays, Comm. ACM 28(6), 570–576, June, (1985). This is an excellent introduction to the power of associative arrays (tables indexed by strings, rather than integers), a common
feature of most scripting languages.
† Available in the wonderful Project Gutenberg archives at http://www.gutenberg.net/.
* Indeed, the only word related to the root of computer that Shakespeare used is computation, just once in each of two plays, Comedy of Errors and King Richard III. "Arithmetic" occurs six times in his plays, "calculate" twice, and "mathematics" thrice.
* See http://www.tldp.org/.
† See http://www.openoffice.org/.


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SAN JUAN, Puerto Rico (AP) — The prosecution of five Guantanamo Bay prisoners accused of orchestrating the Sept. 11 attacks will go on — for now — with eight charges against each of the men, the Pentagon said Friday.
A Department of Defense legal official declined a prosecution request to withdraw the charge of conspiracy, which faced a likely challenge because of an appeal's court ruling in a separate case.
Convening Authority Bruce McDonald, a retired admiral and former Navy judge advocate general, said it was too soon to withdraw conspiracy because the ruling in the separate case might also ultimately be reversed.
The uncertain legal standing of the conspiracy charge will be a contested issue as the U.S. prepares to prosecute the five men before a military tribunal at the U.S. base in Cuba, a trial that is likely at least a year away.
Even if the conspiracy charge is later dropped from the case, all five could still get the death penalty.
The five prisoners face charges that include terrorism and nearly 3,000 counts of murder for their alleged roles in the planning and preparations for the Sept. 11, 2001, terrorist attacks. The men, who have been held at Guantanamo since September 2006, include Khalid Sheikh Mohammed, who has portrayed himself as the mastermind of the plot.
The chief prosecutor, Army Brig. Gen. Mark Martins, had recommended dismissal of the conspiracy charge because of an appeals court decision in October that threw out the August 2008 conviction by of Salim Ahmed Hamdan, a former driver for Osama bin Laden.
Hamdan was convicted at Guantanamo of providing material support to terrorism, but the appeals court ruled that was not a war crime under international law at the time he engaged in the activity for which he was convicted. The government is challenging the ruling, but legal experts say the same reasoning could be used to dismiss the conspiracy charge in the Sept. 11 case. Martins had said that dismissing the charge would remove a potential legal challenge.
James Connell, a lawyer for accused prisoner Ammar al-Baluchi, criticized the decision by the convening authority to allow the conspiracy charge to stand even though the chief prosecutor, Army Brig. Gen. Mark Martins, said it may not be legally viable and should be dismissed.
"The convening authority's attempt to drive the prosecution forward shows that the military commission structure is fundamentally unfair," he said.
A weeklong pretrial hearing is scheduled to start Jan. 28 to deal largely with defense challenges to other aspects of the case.


text:
Raymond man indicted on more charges in toddler abuse caseBy JAMES A. KIMBLE
Union Leader Correspondent
July 18. 2013 2:18PM
BRENTWOOD – A Raymond man facing second-degree assault charges for allegedly abusing his toddler son was indicted on a dozen new charges for breaking his son's ribs and wrist, according to court documents made public Thursday.
A grand jury indicted Cavan Moore, 27, on six new counts of second-degree assault and six misdemeanor counts of child endangerment.
The new charges are in addition to eight other counts of second-degree assault returned by a grand jury in April.
Moore allegedly abused the boy, who was born Nov. 3, over the course of several days between Dec. 10 and 28, fracturing several of his bones, indictments say. Moore was arrested in December on three felony assault charges after doctors at Exeter Hospital determined the baby boy suffered injuries from abuse.
The initial set of charges alleged Moore fractured his son's wrist, forearm, clavicle and ankle. The latest charges say Moore also caused fractures to at least three other ribs and the boy's left wrist.
A judge approved a request by public defenders earlier this month to access audio recordings of a recent abuse-and-neglect hearing against Moore regarding the boy's injuries.
Moore was found not liable for causing the boy's injuries after the hearing, which was brought by the state's Department of Children, Youth and Families, according to public defenders.
"The court found that the child did sustain injuries as a result of abuse or neglect. However, the court did not find that Mr. Moore caused those injuries," public defender Kathryn Hyland said in a court motion.
Each of the second-degree assault charges are punishable by up to 3 ½ to 7 years in state prison.
Moore is currently being held at the Rockingham County Jail in Brentwood on $25,000 bail. He has pleaded not guilty to all charges.
He is scheduled for trial the week of Oct. 28 in Rockingham County Superior Court.


text:
Dodgers outlast Fish on Crawford's extra-inning blast
MIAMI -- The slumping, benched Carl Crawford had an interesting way of describing the feeling after blasting the game-winning home run Saturday night.
"Like busting that big pimple or something," said Crawford, who was in a 4-for-45 slide before the homer in the 11th inning. "You know things are getting bad and you need to do something before they get worse. You hope you just get a base hit or something."View Full Game Coverage
MIAMI -- The slumping, benched Carl Crawford had an interesting way of describing the feeling after blasting the game-winning home run Saturday night.
"Like busting that big pimple or something," said Crawford, who was in a 4-for-45 slide before the homer in the 11th inning. "You know things are getting bad and you need to do something before they get worse. You hope you just get a base hit or something."View Full Game Coverage
Or something, like turning around former teammate Carlos Marmol's fastball for a two-run shot into the second deck, giving the Dodgers a 9-7 win in a game where the offense awoke, but the weary bullpen wobbled, blowing a five-run lead.
"I made one mistake -- pitch right down the middle and it was supposed to go away -- and he hit it far," Marmol said.
Brandon League was the star reliever, pitching two scoreless innings to get the win. Dee Gordon had five hits, three steals, scored twice and drove in two runs, Yasiel Puig slugged a three-run homer and Matt Kemp had three hits.
Manager Don Mattingly all but conceded that Gordon, a longshot coming into Spring Training, has become his everyday second baseman and leadoff hitter, now that he's batting .357, along with leading the Major Leagues with 19 steals. His on-base percentage is .387.
"You can't ask a whole lot more of him," Mattingly said of Gordon. "The game is funny. Three days ago looks like he's hitless in the doubleheader and [bench coach Tim Wallach] and I think he needs a day [off]. The last at-bat he gets a hit, throws up three last night, and all of a sudden he's back."
Puig got hot over the last two weeks, and has again secured the everyday right field job, batting .311. The outfield uncertainty is whittled down to Kemp, Andre Ethier, Crawford and Scott Van Slyke rotating in center and left fields.
"You're seeing our order is starting to take shape," said Mattingly, who defended Crawford before benching him, then said he hoped the home run was a "springboard" to return to form.
The bullpen needs a springboard, too. Reliever Brian Wilson, who got big outs in Minnesota, allowed a three-run homer to Marcell Ozuna that got the Marlins back into the game. Closer Kenley Jansen was unavailable due to repeated use, and when he called the dugout to volunteer, was told to sit down.
Instead, former Indians closer Chris Perez was asked to protect a one-run lead in the ninth inning, and didn't, issuing a bases-loaded walk in the bottom of the ninth that sent the game into extra innings.
"Kenley called and said he was ready, but we have to make the decision for him," Mattingly said.
J.P. Howell got the final out of Wilson's inning, Chris Withrow did a high-wire act to escape the eighth by striking out Giancarlo Stanton with the bases loaded, then Perez issued a bases-loaded walk in the ninth.
That brought on League, who eluded a 10th-inning jam with a double-play grounder from Casey McGehee, and pitched a perfect 11th for the win.
"I just feel good," said League, who has a 2.20 ERA this year after struggling to a 5.31 ERA last year. "I'm executing pitches and ground balls are finding gloves, not grass."
After a taxing series sweep in Minnesota and a lethargic loss on Friday night, the Dodgers at least ate well on Saturday, when Puig's mother provided Cuban cuisine for the clubhouse. The offense responded with runs in four different innings.
Paul Maholm did his job, allowing three runs over six innings and leaving with a 7-3 lead. He was touched up for solo home runs by Jeff Baker and Jeff Mathis.
Kemp got the Dodgers on the board in the second inning off Miami starter Jacob Turner, returning from a stint on the disabled list with a sore shoulder. Kemp doubled with one out, took third on Ethier's groundout and was singled home by Juan Uribe, fresh from a rare day off on Friday.
Baker tied the game for Miami with a one-out solo homer in the bottom of the second on a 3-2 pitch. The Dodgers regained the lead the next inning with another two-out RBI hit -- this one from Hanley Ramirez -- that scored Gordon, who singled and took second on Puig's groundout. But Miami replied again in the bottom of the inning on a one-out single by Adeiny Hechavarria and two-out double by McGehee.
Gordon made a heads-up defensive play to keep the inning from getting worse. Ozuna bounced a ball to the shortstop side of second base. Gordon made a diving stop, threw to third base behind McGehee and caught him trying to dive back into the bag for the third out.
The Dodgers rallied right back, this time with Gordon delivering the clutch two-out RBI single, a flare to left after one-out singles by Uribe and Miguel Olivo. Puig then clobbered a 1-0 pitch with a prodigious bat-flip three-run blast that just missed landing in the Budweiser bar by the 427-foot sign.
Ken Gurnick is a reporter for MLB.com.


text:
1. Re: MIDI, pleaseKost7 Apr 26, 2012 9:11 AM (in response to Paul_Ferguson)
Yes, MIDI please. Creative Suite?.. Let us create music
2. Re: MIDI, pleasePaul_Ferguson Apr 26, 2012 12:49 PM (in response to Kost7)
You know, I'm still uncertain what to request exactly in this situation. l want to be able to record MIDI stuff in Audition, and if I could edit it, that would be splendid. But the reason that I'm not sure whether to request MIDI or Rewire, is that I'm not sure how much development time each would take. So, I think my request is like this: I want to be able to record and edit MIDI, but I don't want it to take so much development time that other important features get the axe. See? My guess is that IF the developers did it, they'd prefer to build MIDI right into Audition, make it an organic and integral part of the build. But my guess is also that, considering how few Audition users actually need that functionality, that it would be more cost-effective to go the Rewire route. That's why I'm asking for the functionality, any way they care to provide it.
3. Re: MIDI, pleaseKost7 Apr 27, 2012 12:46 AM (in response to Paul_Ferguson)
MIDI was very useful to me in Audition 3. I stopped using Cubase. So I am hoping now when most of the effects are back in CS6 the company will focus on MIDI and music creation.
I will be happy with simple MIDI like Audition 3 has. Plus ability to right click and choose all notes and then drag them and move to new key on the piano roll. I use different drums and many times drums sets are mapped differently. I have to move kick part or snare often. In Audition 3 I have to zoom out whole song and highlight kick part then to zoom in and drag to proper drum sound. It's complicated.
Metronome is back in CS6 and it's great but some musicians prefer record tracks under real drum sound then metronome click. It's more inspiring. I have always used basic drum beat for the recording and then later I paid attention to almost every drum note and bar.
And to have tempo change is my highest dream.
Audition CS has got to have Rewire for sure.
4. Re: MIDI, pleaseryclark Apr 27, 2012 2:34 AM (in response to Kost7)
I believe that you can select different sounds for the Metronome including some drum sounds.
5. Re: MIDI, pleaseKost7 Apr 27, 2012 2:54 AM (in response to ryclark)
Yes, but probably it will be more like separate clicking and not the kick, snare, hi hat playing altogether . And no extra kick per bar or crash every 4th bar .
6. Re: MIDI, pleaseKost7 Apr 27, 2012 3:01 AM (in response to Paul_Ferguson)
therealdobro wrote:
The ability to record in MIDI and then bounce the track down to wav would be a very useful step.
oh, yes. That is so awesome that you can bounce midi to wav so easy in Au3
7. Re: MIDI, pleaseKneelie1 May 16, 2012 2:54 AM (in response to Paul_Ferguson)
For my work, I really need MIDI composition and plug-in support. For me, Audition without these features is like Dreamweaver lacking support for HTML and CSS.
I see from this post: Audition CS 5.5 and the future of Audition - http://forums.adobe.com/thread/838570?tstart=0 that the development team is hard at work modernizing Auditions code base, implementing multithreading, increasing performance, and working to fully take advantage of modern hardware. =D There are features in the wings, and that gives me hope that Audition will fully support MIDI in the future.
8. Re: MIDI, pleasePaul_Ferguson May 16, 2012 8:23 AM (in response to Kneelie1)
Here's something I was reading in SOS yesterday:
"I think it's inevitable that DAWS of all kinds will converge in functionality over time. The evidence of that convergence is already plain to see in many cases. However, in the early days of digital audio editing and workstations, the complexity of these new technologies meant that manufacturers tended to specialise in specific areas of functionality.
"The original MIDI-based sequencers - such as Notator (now Logic), Cubase and their ilk - have all gradually added audio recording and editing tools, while the originally pure audio-editing systems - such as Sound Designer, SADiE, Sonic Solutions and Pro Tools - have gradually added MIDI facilities and plug-in support. So the difference between systems is far less clear now than it once was.
"However, the inertia of change has meant that some systems still retain strong specialisms and are favoured on that basis. For example, CEDAR started as a largely off-line post-processing platform for audio restoration, but its current incarnation includes sophisticated audio recording and editing facilities to improve the conveninece of using it as an 'on-line' tool.
Okay, two things. First, Audition actually gets mentioned in the paragraph AFTER the last one I quoted above, but the thing is that SOS, Adobe, and many of its users seem to think of Audition primarily as one of those 'specialised in specific areas of functionality' softwares, and not really one of the 'converging in functionality' softwares. Too bad for the likes of you and me.
Second, Audition HAS in the past nudged itself toward being all things to all people, all the while maintaining that specialisation it's famous for. In Version 3, it tried to embrace basic MIDI, but it didn't work so well for some users. (eg me) So if it's tried to include music-makers in its userbase in the past, maybe it will continue that direction in the future.
So I see the situation as gloriously inconclusive and ambiguous. I need MIDI. The best situation for me would be for Audition to develop that functionality. Second best would be for Audition to develop Rewire functionality so that I could run something like Reaper (which handles MIDI very nicely, thank you very much) inside Audition. Third best would be for Audition to ignore the issue completely.
The question seems to be whether enough of the developer's time can be devoted to this to get it working, after they've taken care of the main thrust of the program's development trajectory. With Version 6, they've really come up with a strong, strong software in terms of its primary functionality. So maybe there's development time available for stuff like MIDI or Rewire. Maybe. We'll know by Version 7, I think. In the meantime, there's no alternative but to explore alternatives.
9. Re: MIDI, pleaseKost7 May 17, 2012 3:28 AM (in response to Paul_Ferguson)
I really hope that it was just matter of new code engine writing and cross-platform and now when it's there they will restore ALL features from Au3, including MIDI and Rewire. 100 % of my midi use is drums (rock drumset sampler most of the time), then 50% keys and 5% some kind of synth. Basic midi option will do for me and for something serious one can always use Rewire or VSTi editing program of his liking (I think FL offers that) on Audition track. But I got to have drums in Audition. Because I like Audition and would like to continue to use it.
10. Re: MIDI, pleasePaul_Ferguson May 17, 2012 4:18 PM (in response to Kost7)
Hey, did you ever get MIDI working satisfactorily for you in Version 3?
11. Re: MIDI, pleaseKost7 May 18, 2012 3:18 AM (in response to Paul_Ferguson)
Yes, I think I did. As I said most of time I need just drums. And I like them in Audition Sound Font player. Different snares and kicks sounds... it's cool
13. Re: MIDI, pleaseBurnyno Dec 12, 2012 4:17 PM (in response to Temoff)
Yes Music Creation, we need MIDI in Audition thats for sure.
14. Re: MIDI, pleaseSpamhunter Jan 8, 2013 6:04 PM (in response to Paul_Ferguson)
I just bought Creative Suite CS6 with Audition & have just realised... there's no MIDI functionality???!! They took it OUT? That's surely 99% of pro studios rendered incompatible with Adobe Audition, no?
15. Re: MIDI, pleasePaul_Ferguson Jan 8, 2013 6:33 PM (in response to Spamhunter)
CS6 rocks. It's better than Audition 3, which was a good program (and which had a kind of MIDI functionality). So, on the one hand, I'm disappointed that CS6 doesn't have MIDI, but on the other hand, I'm happy that CS6 is the best instance of the program since its inception. So maybe, like me, you'd like to keep lobbying for the inclusion of MIDI (or Rewire functionality) in a subsequent version of the program?
16. Re: MIDI, pleaseKost7 Jan 11, 2013 6:35 AM (in response to Paul_Ferguson)
I've listened Jason Levine music on iTunes yesterday. I guess He probably used Audition to make it. And I wonder if it would be a help for him to have MIDI in CS6..... Anyway, it gives me hope that Audition will be not only about editing but creating music too. And MIDI is great tool to create especially in small setups.
17. Re: MIDI, pleaseBurnyno Jan 12, 2013 11:27 AM (in response to Kost7)
Yes Hope we gonna have MIDI in the next version of Audition
18. Re: MIDI, pleaseLukas Pearse Mar 4, 2013 12:35 PM (in response to Paul_Ferguson)
Midi Machine Control, MMC, would be even better than ReWire, in my opinion. That way, I could sych Audition to whatever program I'm using for music (Logic, Digital Performer, Live, Pro Tools) and do audio edits in Audition. Plus, I could use a VTR for video playback, which is what I really want, so that Audition doesn't get sluggish with huge video files.
So, simple MMC would solve so many issues.
19. Re: MIDI, pleasengp311 Sep 7, 2013 10:56 AM (in response to Lukas Pearse)
Well said.
I guess it will have to be lucky ver. 7.
20. Re: MIDI, pleasePaul_Ferguson Sep 7, 2013 11:36 AM (in response to Lukas Pearse)
I thought MMC was for controlling hardware devices that can be controlled using MMC. Is that not right? So how can you use it for synching Audition to other programs? And why would that be superior to ReWire?
21. Re: MIDI, pleaseLukas Pearse Sep 7, 2013 2:25 PM (in response to Paul_Ferguson)
MMC is useful for synchronizing with other DAWs. It is just as much for hardware as is MIDI itself, meaning that although that that was the origins, it remains useful this far down the line. The problem with ReWire is that it requires a master-slave relationship, and there are often limitations in the slave application, while a MMC sync allows for independence and then inter-app audio or midi via Soundflower or IAC or midi ox or whatever. This is how one syncs Pro Tools and Logic or DP or Ableton, and it would be great to add Audition to this party.
22. Re: MIDI, pleaseLukas Pearse Sep 7, 2013 2:31 PM (in response to Lukas Pearse)
This would be super useful for being able to work on a sound edit in Audition whe composing music in Logic or Ableton or DP and be able to tedt them together without having to deeply connect the projects like ReWire requires.
23. Re: MIDI, pleasePaul_Ferguson Sep 7, 2013 8:51 PM (in response to Lukas Pearse)
Because I've never used (or hardly heard of it) I'm still unclear about it. For instance, these days I'm using Reaper for all my MIDI recording and editing. How could MMC enable Reaper and Audition to talk to each other in a way that would streamline my workflow? At present, I have to do a mixdown of what I'm doing in Audition, ship it over to Reaper, record/edit my MIDI parts in Reaper, render the MIDI file to a wav file, open the wav file in Audition and proceed from there. Could MMC streamline this in some way?
24. Re: MIDI, pleaseLukas Pearse Sep 7, 2013 9:03 PM (in response to Paul_Ferguson)
It would be helpful so that one could hear the Audition mix IN-PROGRESS along with a score in progress without having to bounce out either. This would be great for both folks like myself who do both but also when I do either music or sound and work with another composer or mixer. This would make it simple to make changes in one app in response to work in the other without having to export yet.
25. Re: MIDI, pleasePaul_Ferguson Sep 7, 2013 10:03 PM (in response to Lukas Pearse)
Yeah, that sounds useful, if I understand it correctly. This bears investigation.
26. Re: MIDI, pleaseSteveG(AudioMasters) Sep 8, 2013 2:36 AM (in response to Lukas Pearse)
Lukas Pearse wrote:
Midi Machine Control, MMC, would be even better than ReWire, in my opinion. That way, I could sych Audition to whatever program I'm using for music (Logic, Digital Performer, Live, Pro Tools) and do audio edits in Audition. Plus, I could use a VTR for video playback, which is what I really want, so that Audition doesn't get sluggish with huge video files.
So, simple MMC would solve so many issues.
You've got your acronyms mixed up. You're talking about MTC, not MMC.
MMC is essentially in Audition anyway - it's how you can use an external control surface with it. What you are referring to is MIDI Time Code. Essentially, this went out with the ark - far too many problems with it, because of sync starting issues. It was a way of getting Audition (well Cool Edit, really) to sync with external hardware, but needed an external interface to make it work. Yes, it was what was used to sync external VTRs, but almost nobody wants to do that these days - everything's 'in the box'. And that's where Rewire is far more useful - essentially MTC without the hardware, or syncing issues. When MTC was dropped, there were a few calls for its return, but they were pretty muted, and died away.
27. Re: MIDI, pleaseLukas Pearse Sep 8, 2013 7:32 AM (in response to SteveG(AudioMasters))
No, with all due respect, I do not mean Midi Time Code. MTC is too inaccurate to be very useful, while MMC controls transport functions and can keep devices synchronized. Yes, as I said earlier, it's origins are with controlling hardware like tape machines, but it can also be used to synchronize DAWs and if they are on different computers, then it requires an interface.
These may be long gone in Cool Edit land, but in the rest of the pro audio world, they are reasonably well serviced, and used in studios that actually have audio equipment. Obviously, these are probably not well known in entirely in-the-box circles.
It is precisely because Audition almost has it implemented fully, as it is how the control surface support works, that it would be helpful to have it fully available.
Rewire is fine, great even, and I would be happy if Audition had it, but it would only work in certain configurations with other applications. For example, Logic only can be a Rewire master, and Ableton cannot use MaxForLive under ReWire, and there can be limitations using external plug-ins on whatever DAW is the slave.
It would be simpler and more open-ended to use MMC which effectively links the transport controls.
Really, I just want the ability to synchronize playback with other DAWs that have other strengths so I can use Audition for it's excellent audio editing and leave music creation to something else.
28. Re: MIDI, pleaseSteveG(AudioMasters) Sep 8, 2013 8:14 AM (in response to Lukas Pearse)
Lukas Pearse wrote:
These may be long gone in Cool Edit land, but in the rest of the pro audio world, they are reasonably well serviced, and used in studios that actually have audio equipment. Obviously, these are probably not well known in entirely in-the-box circles.
They aren't well known these days because in relative terms, there are hardly any of them... which probably explains why it was dropped as a discrete option.
It is precisely because Audition almost has it implemented fully, as it is how the control surface support works, that it would be helpful to have it fully available.
Well, Audition supports the original Mackie control protocol - so if you can find a box that can interface with that, you might get somewhere.
29. Re: MIDI, pleaseLukas Pearse Sep 8, 2013 4:19 PM (in response to SteveG(AudioMasters))
Hardly any of them in prosumer bedroom setup, sure. This is a professional feature, worthy of professional software, stuff that might not be of use to people working by themselves, but very useful for people working as part of a team.
It hasn't been dropped by Avid, Apple, MOTU or Stienberg. Hardly an unknown list of pro audio software companies.
And the point is that MMC would let people working in different DAW's collaborate by synchronizing their part of a project with their collegues' without having to bounce, do as to allow for making adjustments faster.
A Mackie control surface cannot connect to multiple DAWs at the same time, as the implentation is potentially different.
But MMC is standardized synchronization of transport controls, is quite accurate, and would be a useful feature in professional collaborative situations.
30. Re: MIDI, pleaseSteveG(AudioMasters) Sep 9, 2013 1:53 AM (in response to Lukas Pearse)
I'm not saying that it shouldn't happen, or shouldn't be there - but even in pro circles, there is a massive move towards software-only solutions, so it will become progressively less of an issue. The developers research all this stuff pretty closely with major customers, and if there was a real demand, they'd implement it.
Incidentally, when I do location recordings, there's absolutely no software involved at all - I simply don't trust it. But I don't have sync problems either - because post does happen in the box.
31. Re: MIDI, pleaseLukas Pearse Sep 9, 2013 4:52 AM (in response to SteveG(AudioMasters))
This has nothing whatsoever to do with in-the-box vs hardware.
This is about synchronizing playback between two DAWs. Both of which are software.
32. Re: MIDI, pleaseEarl Kurburski Apr 16, 2014 1:52 PM (in response to Lukas Pearse)
one more post for MIDI!
I can't afford the space to house a B3, Grand Piano and the 12 major synths I use in my recordings. All are on my hard drive along with Countless drum sets. And I don't even need an external to store it all.
Quite frankly, I don't know why, when I have Pro Tools, SonarX3, and yes Reaper, why would I want to have Audition on the computer? These programs handle live audio just as well as Audition, and if they don't you can add professional plugins that do.
33. Re: MIDI, pleaseMusoCity May 25, 2014 8:06 PM (in response to Paul_Ferguson)
Well all the above is pretty overwhelming for midi. I don't know how good the Adobe developers "Research" is, as look at the content amount in the whole Audition forum (5,636) compared to the REAPER forum with 40,275 just in one subject alone. Is it the research or is it just all too hard for the programers to bother ?
A deer with no eyes I would say.
34. Re: MIDI, pleasePaul_Ferguson May 25, 2014 9:20 PM (in response to MusoCity)
Explain the connection you see between the number of forum entries and the need for Audition to have MIDI. I fail to see it.
35. Re: MIDI, pleaseCTStump#1 Jun 20, 2014 11:22 AM (in response to Paul_Ferguson)
Being a User from 3.01 that never upgraded I have to come in against this request if it comes close to what MIDI is in 3.01 which seems to be what is implied with some posts here and in other threads.
At best it is totally unreliable and buggy as all getup which in all respects no one who uses DAW would want. The only thing Audition really shines at is Audio forensics and the focus should probably stay that way for the foreseeable future in the context of the Creative Cloud.
For MIDI anything you are best off looking at a dedicated DAW and it may be a little unfair to demand support in Audition for something that at this point requires unnecessary resources to be wasted on a feature which would not work as intended as well as other DAW solutions already out there already.
36. Re: MIDI, pleasePaul_Ferguson Jun 20, 2014 9:01 PM (in response to CTStump#1)
That's how I feel about it too. Adobe's been dragging their feet on the MIDI issue for about forever. I suspect it's pretty low on the list of priorities. I'd still rather do my MIDI in Audition than outside of it, however. What about you?
38. Re: MIDI, pleasePaul_Ferguson Mar 6, 2016 2:09 PM (in response to lt_rafa)
You'll notice, I think, that it's been almost two years since I posted my comment and you replied to it. Not a lot of people are banging the MIDI for Audition drum these days.
39. Re: MIDI, pleasenekcih Jul 9, 2018 5:53 PM (in response to Paul_Ferguson)
Probably because they got tired of banging it. Not because it isn't wanted.


text:
Greetings B&F
First and foremost i need to say that i´m pretty new into reggae and especially the uk scene, so my questions might seem a little bit stupid for a lot of you, but i really hope you can bear with my lack of knowledge...
I would really like to know more about the uk sound system culture. I´ve red about the jamaican counterpart, but i still really don´t understand a lot of things about the uk side of it. How does it seperates from the jamaican sound system culture? Is there a difference between the music uk and jamaican sounds plays in their dances? Do most uk sounds mostly play uk productions and if yes, how does it seperate from jamaican reggae in sound and approach? If they do of course. Are there any uk artists/groups/producers who are essentiel to know? I know Aswad, but they are more a "band" than a part of the sound system culture, right?
Are there any documentarys or books that can give me some insight?
Again, i hope my questions are not too stupid, and i hope some of you would take the time to point me in the right direction. I´m really fascinated about the things i´ve heard from the uk and the impressions i´ve gotten from friends and others who know more about it, make me feel that i´m on the verge of meeting a really good friend, so i hope you´ll will help me!
Thanks in advance.


text:
U.S. Equal Employment
Opportunity Commission
Woman Fired After Supervisor Learned She Was Pregnant, Federal Agency Says
MILWAUKEE– A major Midwestern supermarket chain, Woodman's Food Markets, Inc. of Janesville, Wis., violated federal law by firing an employee after learning that she was pregnant , the U.S. Equal Employment Opportunity Commission (EEOC) charged in a lawsuit filed today.
The agency's administrative investigation which preceded the lawsuit revealed that Woodman's fired Arianna Goodwin in January 2008 after an assistant store manager at one of its Madison, Wis., stores asked Goodwin if she was pregnant, and then told her he would have to fire her or she could quit and reapply after giving birth.
Such alleged conduct violates Title VII of the Civil Rights Act of 1964, as amended by the Pregnancy Discrimination Act. The EEOC filed suit after first attempting to reach a voluntary settlement out of court through its conciliation process. The agency seeks compensatory and punitive damages for Goodwin, in addition to an order requiring other relief and barring future discrimination. The suit, captioned EEOC v. Woodman's Food Markets, Inc., Civil Action No. 3:10-C-540, was filed in federal district court in Madison and assigned to U.S. District Judge William M. Conley.
"Federal law protects a woman's right to keep her job when she becomes pregnant," said EEOC Chicago District Director John Rowe, who supervised the agency's investigation. "Especially in these difficult economic times, a woman shouldn't have to choose between job and family."
John C. Hendrickson, regional attorney of the EEOC's Chicago District Office, which is responsible for EEOC litigation in Wisconsin, Illinois, Minnesota, Iowa, North Dakota and South Dakota, said, "The days of assuming that pregnancy equals inability to work are long since over, yet some employers still discriminate against women who become pregnant. Through this case, and others like it, we hope to send the message that federal law protects women who are creating families and trying to earn a living."
Woodman's operates 12 warehouse supermarkets in Wisconsin and northern Illinois. Internet sites report that as of 2006, Woodman's had 2,200 employees and annual revenue of $2 billion. Earlier this year, Supermarket News ranked Woodman's No. 75 in its list of "Top 75 North American Food Retailers" based on revenue generated in the 2009 fiscal year. Woodman's held the same rank on the 2009 list based on 2008 revenues.
The EEOC enforces federal laws prohibiting discrimination in employment. Further information about the Commission is available on its website at www.eeoc.gov.


text:
Photo by Kirby Neumann-Rea
The Station's Scott Lynn cleans a windshield for a gasoline customer. He said Thai Winds, in background,
will remain for the time being.
By KIRBY NEUMANN-REA
News editor
July 27, 2005
The pumps are about to go dry at a downtown landmark.
The Station, at Fourth and Oak, received its last load of gasoline Monday, and the business will close on July 31.
The corner business has been a gas station since 1923. Its closure leaves just one downtown gas station, Astro at Front and State streets.
But The Station is the only gasoline/convenience store downtown, and Scott Lynn believes it will be missed.
"We always tried to give our customers a little extra — cleaning their windows, and we had lollipops for the kids and treats for the dogs."
"It's been a good three years," said Lynn, the face of the business since his brother, Chris, took over the lease in 2002. Chris Lynn will be on hand for The Station's last few days, Scott said. Scott and Lynn's father, Gene, was also a familiar presence at The Station.
Property owner Jerry Kramer had leased the property from 1962 until 1978, when he purchased it. Over the years, the corner has been home to Mobil, Shell, and then independents including former tenant Dell Charity and the Lynns.
Until March, the north half of the building was occupied by Made in the Gorge artists' cooperative, which moved to larger quarters on Oak near Second. (A new business, Passport Exchange, has moved into the northern half of the building and is scheduled to open in August, according to Kramer.)
Kramer said he will remove the pumps in August and decide later whether to fill or remove the two underground tanks. The canopy will remain, but the location is in its last week as a filling station.
Lynn said customers are "kind of bummed out" by the closure of a convenient gasoline location and with it "a place to hang out and watch things."
"We should have called it 'The Hub' because it's right in the middle of things," Lynn said. He expressed thanks to community members who had made it a point to come downtown just to get their gasoline at The Station.
Lynn said closure comes before a dubious milestone — $3-per-gallon gasoline. One of his pumps is out of service because he could not set it to go higher than 99 cents per gallon, and the others can only be configured to $2.99.
"I guess I could set it at $1.50 and then charge double," in the event of $3 gas, Lynn mused.
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6780 Country Park Drive Memphis, TN 38134
Sale Amount: $1.3 million
Sale Date: April 9, 2013
The Four-Way Self Storage facility at 6780 Country Park Drive in Northeast Memphis has sold for $1.3 million.
National Capital Management LLC has expanded by 3,900 square feet on the third floor at Southwind Office Center A, bringing the company's total lease to 12,253 square feet.
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When was the last time you drove a truck into the water on purpose?
The rubber blade on a window squeegee removes pet hair from carpet.
Pet hair from dogs and cats can become embedded in carpet and is hard to remove even by vacuuming. To remove pet hair from carpeting, attach an old mop handle to a window squeegee, and use the rubber blade to rake up the pet hair.
Once most of the pet hair has been removed, vacuum the carpet thoroughly to get the rest. Watch this video to find out more.
So I found one way to get up the fibers is with a squeegee. This is just a common window squeegee that I attached to an old mop handle. And it has a sponge on one side, but the other side, it has a really firm, rigid rubber squeegee.
And I found that if you rake that across the carpet—excuse me there, Blackie. You can see after just a few strokes—look at that, little pieces of Blackie coming up here—there you go.
And what you can do is, and it goes pretty quickly. You can get squeegees wider than this, this is only eight inches wide. You can get a wider one if you have a larger room. And you see it just pulls the fur right out of the deep fibers of the carpet.
Once they're pulled up, once you get them all raked up like that, you just lift them up and toss them out or maybe then come back with a vacuum and get the rest.
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Paul has been involved in policy consulting since the late 1980s and is specialised in studies related to research and innovation. He has a strong track record in policy evaluation, both within the research and innovation sphere and more broadly.
He is the UK Managing Director, a member of the Technopolis Company Board and a major shareholder in the Technopolis Group.
Recent studies include assessing the economic returns to engineering research and training for the EPSRC, a review of the effectiveness of NERC Council, an economic impact assessment of the ISIS neutron and muon source for STFC, an economic impact assessment of the ARTES advanced telecommunications programme for the European Space Agency (ESA), a review of legislation governing national research systems across the EU member states for DG Research and a review of the drivers and barriers affecting the expansion in the provision of undergraduate degrees, for the Royal Academy of Engineering. Work for the European Commission includes ex ante, interim and final evaluations of various EU RTD programmes, including the Security and Space Research Actions and the impact of FP7 on SMEs. Other recent studies include a review of the IP activities of firms in Ireland, for the Department for Jobs Enterprise and Innovation, an international comparison of policy and practice in knowledge transfer, for Knowledge Transfer Ireland (KTI), an assessment of the commercial opportunities presented by Smart Ageing, for an inter-departmental working group chaired by Ireland's Department of the Taoiseach. He has recently completed the design of evaluation frameworks relating to low carbon innovation, for DECC, and investments in cycling infrastructure, for Department for Transport.
Paul has done a good deal of work on research in the HE sector too, including an evaluation of the Science Research Investment Fund (SRIF) as well as the lessons-learned reviews of the Research Excellence Framework (REF) pilot exercises (Bibliometrics and Impact Assessment pilots), for the Higher Education Funding Council for England (HEFCE). Most recently, he carried out the REF 2014 Accountability Review and led a study to review the novel research opportunities presented by improving access to patient level clinical data, for the Wellcome Trust.
Paul also led a succession of studies exploring international research cooperation, including a review of UK universities' strategic management of international research collaboration, for Universities UK, mapping international bilateral ST collaboration between the UK and Japan, for the British Embassy in Tokyo, and an international review of the drivers of UK international engagement in science and innovation, for the Global Science and Innovation Forum (GSIF).
Paul also led various policy studies and evaluations for England's Regional Development Agencies (RDAs) in the period prior to their abolition, as well as numerous studies for other public bodies and think tanks, such as the Design Council and NESTA. Other regional development work include a meta analysis of evaluations to identify good practice in the evaluation of innovation support measures for DG Regional Policy, an evaluation of the France-England Interreg IVa programme and a study for InterTradeIreland in Northern Ireland, exploring the opportunities to strengthen the all-island innovation ecosystem through increased cross-border cooperation.
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When buyers buy something, one of two things must be true:
1. They are to buy.
2. They to buy.
In the former, they have no choice. Get sued, hire a lawyer. Buying = required. The lawyer doesn't need to convince the buyer why to buy legal services , only why to buy them .
In the latter, the buyer has a choice. Buying = desired. They don't need to buy, but if they want it badly enough, and have the money and authority to buy, they buy.
Since the buyer isn't required to buy when sellers drive demand , sellers must be able to take priority of making a sale happen, and make it priority to make a purchase happen.
It's not that easy, though, because you're nowhere near the buyer's priority list when you start.
The key to moving up on a buyer's priority list are desire and ownership:
Perhaps the most overlooked strategy for creating buyer desire and ownership is getting them involved in the selling process by inviting their collaboration.
Sellers who win the most sales collaborate with buyers almost three times as often as the sellers that come in second place. In almost every sales situation, collaboration helps.
Here are 5 steps to engage buyers through collaboration:
Collaborate with your buyers in the selling process. Not only will you get on their priority lists and shape their agendas for action, but the likelihood they'll take that action with you will skyrocket.
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The problem is often not in the impact the product or service can have on the buyer, it's the psychological effect of not being involved enough in the discussion. Early on, ask the buyer to wonder with you about possibilities. For example, you might say:
Some sellers ask, when they hear us give this advice, "Doesn't this introduce barriers to the sale?" It doesn't. Odds are the company would want the improvements you say are possible, but they think the risks are too high.
Copyright © 2018 All Rights Reserved | DoctorAlerts does not provide medical advice, diagnosis or treatment.


text:
Now to the toy review......
Creche or Little Barn ($40.00)
I have been admiring this wooden toy barn for a long time and was so happy to be able to review this toy. Earlier this month, my children had seen the play "Charlotte's Web" at our local high school and they were having fun playing "pig on the farm" with their Holztiger animals. The barn reminded me of the set of the play.
This was supposed to be a pre-Holiday review. Unfortunately, poor barn went to my old address (oops!) and arrived a few days after Christmas. I apologize profusely if anyone is saying "Darn! That would have been the perfect gift!" But, birthdays, Valentine's Day, Easter, feeling down, and snow are all good gift giving occasions.
Santa loves to bring us Holztiger, so the new animals were happy to have a new home. In fact, here are the animal families all lined to ask Santa to bring them a new barn....
I have to laugh because we spent a lot of time at the mall in a very similar line.
So the happy animals got their new barn and the girls did play "Charlotte's Web". I dug up a plastic Halloween spider to be Charlotte.
So, Wilbur and Charlotte spent some quiet time together while Arielle dug out the rest of the farm animals.
They all agreed, it is a nice barn. The wood is smooth. It's easy for children to get their hands in.
Look, Fern is a princess!
And, everyone played nicely together.
The barn arrives packed flat and does require some easy assembly - but, a child can do it. There are no screws or nails, so if you are short on storage space, it quickly comes apart for storage. But, it would also look really cute set up on a dresser or shelf.
There is an optional star, so it can be used for nativity scenes (or to hold a rooster). It would be adorable with dollhouse dolls.
I know this barn will be used a lot. Thank you, Rosie Hippo. And, everyone else, check out the sale and help a good cause.


text:
Grant-Lee Phillips is doing it all himself these days. Who needs those record-industry monoliths?
Grant-Lee Phillips is doing it all himself these days. Who needs those record-industry monoliths?
"It was a way for my fans to order an album well in advance," said Phillips, the Stockton-born singer-songwriter, of his Pledge Music Internet strategy. "I had it recorded, mastered and got a good jump from people offering early help.
"I also did an online yard sale. Selling a few old instruments, art work, lyric sheets. A few vintage one-of-a-kind items. They were seized up by fans from L.A. to Moscow."
That's because the Linden High School graduate has built an international following during a 26-year career in Shiva Burlesque, Grant Lee Buffalo and on seven solo albums.
"Walking in the Green Corn," which his supporters helped him finance, is one of his most intimate and affecting albums. The new 10-song recording will be highlighted Sunday when Phillips performs at San Francisco's Cafe du Nord, He'll be back - in Nevada City - on March 29.
The album quietly echoes his fond memories of growing up in San Joaquin County and his American Indian heritage. Phillips is donating some proceeds to the Muskogee (Okla.) Food Sovereignty Initiative.
"It's really wonderful," Phillips said. "It's like performing. It's a much more tangible way to know just how devoted these folks are. That's a really rewarding notion."
"Walking in the Green Corn" is a really beautiful album.
Phillips' gentle, but deeply expressive, vocals create a calm, contemplative atmosphere. His readily identifiable acoustic guitar playing and melodic sense are augmented only occasionally by flecks of fiddle or vibraphone.
Just 37 minutes long, it was recorded at his Burbank home with Denise Siegel, his wife of 25 years, co-producing and designing the album art. It's also available on vinyl.
There's a lot of pastoral imagery - nature, owls, buffalo, thunderbirds - especially on the captivating "Black Horses in a Yellow Sky."
"There's a menagerie on the album," Phillips said. "It's one of those unconscious things that emerges. There's a spiritual strain to it. We do have a lot of ravens on our front lawn. It's reflective. It is meditative.
"I've made enough records built on raw adrenaline. It's going to different places, being more introspective. It does make for a perfect vinyl link."
In a typically organic approach, Phillips said he'd get up in the morning, build a fire and start his tape machine rolling.
"It was high time for me to spend a little more time there and walk a little slower in the pasture," he said. "I'll forever draw upon the warehouse of imagery I accumulated ... growing up in Stockton. Collecting spirits and images. My songs draw a lot of images from the Delta."
Phillips is "trying to lure" the filmmakers of a documentary about him to Stockton for a sentimental sight-seeing trip.
He turns 50 on Sept. 1 and finds his hands-on career "liberating. The thrill of creating your own music and putting it out always is important. In some ways, that experience can slip away from you. I don't think I'm a control freak, but I rejoice in the chance to create art work on my own terms. It's cutting edge. Yet it feels like we could be selling these things out of the back of our Buick."
Willie Hines appreciates the irony.
Last July, he helped organize a concert that raised money so the Delta Humane Society's bills could be paid. Now, it's his turn.
"I'm forever grateful, honored and humbled," said Hines, a Stockton musician and owner of the former Replay Records. "It's humbling. I always like being the giver guy. I'm there to help. Not the guy on the receiving end."
However, some of his musical friends have organized a benefit concert to help Hines defray the costs of emergency surgery to repair a detached retina in his left eye.
They'll gather Saturday night at Whirlow's, where the animal-shelter fundraiser also was held. Owner Lisa Whirlow and the musicians are donating their time.
Those scheduled to participate: Les Cordoza's True Friends Soul Revue, the Lisa Gallego Group, Marirose Powell, Danny (Rishwain) and the Eclectics, Audio Sonic, the Bangas, Smooth and Erin Odessa.
"It's real simple," said Cordoza, 63, a retired health-care worker who's known Hines, 57, since 2003 and organized the benefit show with Whirlow. "I mean, he's my best friend. He's just a real charming person. Out there. Friendly. He's got a lot of friends who weren't able to help save his business when it went under."
Hines, who is uninsured, incurred his detached retina on Jan. 25. He was told he had five or six days to "get into surgery or lose the eye."
His surgery at Sacramento's Mercy General Hospital cost $6,000. He had to pay the surgeon and anesthesiologist in advance. Facebook friends responded to pay those bills.
"It took every dime I had," said Hines, who still owes $4,000.
"We'd be fortunate to raise one-tenth" of the $23,000 that was generated for the animal shelter, said Cordoza, who plays keyboards and guitar in Hines' Face Cards band. "I would be thrilled. We'll be happy for anything we get."
Hines is more than thankful: "You can get sideswiped by life or reality and you have nothing. I'm on the mend. I've never been more grateful for life or a renewed sense of it. Just saying, 'Nice to see you.' You have no idea what that phrase means to me now. It really means a lot."
Contact columnist Tony Sauro at (209) 546-8267 or firstname.lastname@example.com.


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Track creates a spring mood. Orchestral Performance gives vibrant sound. Track is suitable for promotional videos and presentations. Instruments used: piano, strings, drums
You will find two versions of the track in the pack:
Fliegende Saxophone_Full – 0:53
Fliegende Saxophone_Intro+Fx – 0:33 (0:55 in preview)
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In the archive you will find the wav and mp3 format
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