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Content Writing - bank contracts and abusive clauses
I need an 3 pages article related to bank lending contracts and clauses and differences across european countries
It should be done by tomorrow evening, 16.00
hey! i wanted to tell you i have something like this already made .. we only have to change the names , the values and maybe to adjust the writing. If you send me an email i will be able to send you the form before. A 更多
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(c) Pocumtuck Valley Memorial Association, Deerfield MA. All rights reserved.
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There is currently no available "Beginner" label. The following is the default level label: Well into the 20th century, "ice men" delivered blocks of ice door-to-door following established routes both in rural areas and in towns. People placed order cards in a front window of their house to indicate the size of ice block they needed - 5, 10 or 20 pounds. The ice man placed the block of ice in an "ice box" where it kept perishable food cold (much like in a cooler you might take to a ball game or camping today). When the ice block melted away, the ice box was cleaned out of remaining ice and melt water to make way for a fresh block. Although by the 1940's most ice boxes were replaced by electric refrigerators, many older people today still refer to their refrigerator as an "ice box." The woman in this picture playfully holds out a glass to receive her delivery of a block of ice as the ice man grips the ice block with tongs especially designed to carry the heavy, slippery ice. The ice business required four things: a source of clean ice (like a pond or lake); workers who knew how to "harvest" the ice; large insulated storage areas to keep the ice through the hot summer; and a means of delivering the ice to the customers, usually a fleet of horses and wagons ( by the 1930's more likely to be a motorized truck). Because of their well developed delivery system, many ice companies also delivered coal and some eventually became home heating oil delivery companies as the ice business melted away with the wide spread use of electric refrigerators.
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Is that masterofroflness?
Project overview: Tiberium Secrets is a total overhaul mod set in a parallel universe to the Command and Conquer canon. It introduces three new factions that can stand in conjunction and potentially independent from the others within the Command and Conquer Tiberium universe. These new factions come complete with diverse units, structures, mechanics, and lore. Players will take command of a shadowy human faction intent on ensuring the survival of its species without concern for red tape or ideologies, a biological experiment turned hunter of their creators, and an artificial intelligence believing itself to be the next evolution of humanity. Fundamental mechanical changes will also be made to the original factions.(presenting them as they may appear after Kanes Wrath) With a few new assets for each original faction.
Is that masterofroflness?
how to install
here, read the discription:
it cant find the mod
What do you mean?
Only registered members can share their thoughts. So come on! Join the community today (totally free - or sign in with your social account on the right) and join in the conversation.


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Interdental Brush Red (.5mm) 6 Count
- 6 Count
- Serving Size:
Product Description
TePe Interdental Brush - The unique handle is the result of comprehensive research program, it provides comfortable and firm grip to facilitate use. The color coding helps to identify which size to use. Use a straight brush for front teeth at gum level. Gently move the brush back and forth a few times to remove plaque and debris. Access may be improved by curving the brush head once. Efficiently and gently cleans around implants and orthodontic appliances. • plastic-coated wire • safe to use on tooth surface, implants and orthodontic appliances • user-friendly handle Tip It is important to select the correct size. The filaments should fill the interdental space. Never force into a space. • Always rinse brush in clean water during and after use. • Let brush air-dry, using the micro holder. • Change brush regularly or when filaments become worn.
Product Detail
- Item model number: 845822001183
- Average Customer Review: Customer Reviews


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120 S Elm Street
Hinsdale, Illinois 60521
Dee Penna630.530.0900
Listing Office: Berkshire Hathaway HomeServices KoenigRubloff
Disclaimer: The data relating to real estate for sale on this website comes in part from the Broker Reciprocity Program of Midwest Real Estate Data, LLC. Real estate listings held by brokerage firms other than @properties are marked with the Broker Reciprocity thumbnail logo and detailed information about them includes the name of the listing brokers.
Hinsdale's rolling, wooded landscape, historic downtown, beautiful homes and short commute attracts some of the state's most affluent residents to the suburb located 20 miles west of the Loop. The Village ranks among the top 1% of the wealthiest zip…Learn More
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text: Offer valid on online cooking class purchases made using code AARP16 at checkout by 11:59 p.m. (ET) on Sunday, October 16, 2016. Offer valid on purchases made between 09/30/2016 and 10/16/2016. May not be combined with any other offers or discounts. One time use per customer. Not redeemable for cash. Sur La Table employees are not eligible for this offer. Gift cards, in-store cooking classes, taxes and prior purchases do not qualify, and this offer cannot be applied to these items.


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13 May 2013, New York, USA - UNITAR welcomed over 25 delegates of the Kingdom of Saudi Arabia in New York from 8 - 9 May. Ambassador Ahmad Kamal, Senior Fellow at UNITAR and Former President of ECOSOC, introduced the workshop with a lively presentation, giving an overview of the History of the UN, including the background and history of the UN Charter and its different chapters. Ambassador Ahmad Kamal, further explained the overview and structure of the General Assembly system, focusing on the rules of procedure. The afternoon session focused on the role and functions of the six committees of the General Assembly.
The second day was held by Mr. Larry Johnson, Former Assistant-Secretary-General for Legal Affairs, and Ms. Maria Maldonado, Former Director of the General Assembly Affairs Branch, who went deeper into the rules of procedure of the General Assembly. They also explained all about the draft of a resolution, its steps and possible challenges. They further discussed the voting and procedure of the General Assembly, compared to the procedure of the Security Council, and the rules for counting the votes.
The third day of the workshop included a focus on the services available, related to the General Assembly, to the Permanent Missions. Mr. Fariz Mirsalayev, Protocol Officer at the Protocol and Liaison Service, gave an explanation of important protocol functions, including coordinating official visits from Heads of State and managing the UN Blue Book. Mr. Alexander Taukatch, Deputy Director of News and Content Branch, Department of Public Information, gave a comprehensive overview of media relations and public information services in New York, such as press releases, radio or the UN website. Another speaker was Ms. Nancy Groves, Social Media Team Leader, UN Department of Public Information, who gave a comprehensive overview on how the United Nations use social media and what are the challenges faced.
The last segment of the workshop also focused on further services available to the New York diplomatic community. Ms. Mereani Vakasisikakala, Coordinator at the Dag Hammarskjöld Library, gave a comprehensive presentation on the online tools and resources available for Delegates, focusing on the documents of the General Assembly and explaining useful information such as the meaning of the symbols or the format of the resolutions. This training took place as part of the training that UNITAR Multilateral Diplomacy training programme is conducting for Ministry of Foreign Affairs of the Kingdom of Saudi Arabia.


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Upcoming ARISS Contact Schedule as of 2007-10-31 23:30 UTC Quick list of scheduled contacts and events: Liceo Scientifico G.Galilei, Civitavecchia, Roma, Italy; ITI-LST Mottura Caltanisetta I-93100, Italy direct via IZØLSG and IT9YBA Successful Wed 2007-10-31 07:33 UTC 78 deg (***) Faculty of Engineering, University of L'Aquila, L'Aquila, I-67040, Italy direct via IZ6BAJ Successful Mon 2007-10-29 09:59 UTC 20 deg (***) IIS Deambrosis-Natta Sestri Levante I- 16039, Italy, direct via IK1XHI (***) Successful Mon 2007-10-29 08:23 UTC 41 deg (***) Total number of ARISS ISS to earth school contacts is 333. (***) Total number of ARISS supported terrestrial contacts is 2. (***) Once STS-120 undocks ARISS expects no school contacts until late December due to the crew work schedule. We will keep everyone informed of any changes. QSL information may be found at: http://www.arrl.org/ARISS/arissfaq.html http://www.rac.ca/ariss/oindex.htm#QSL's ISS callsigns: DP0ISS, NA1SS, RS0ISS ***************************************************************************** The complete schedule page has been updated as of 2007-10-31 23:30 UTC. Here you will find a listing of all scheduled school contacts, and questions, other ISS related websites, IRLP and Echolink websites, and instructions for any contact that may be streamed live. http://www.amsat.org/amsat/ariss/news/arissnews.txt The successful school list has been updated as of 2007-10-31 23:30 UTC http://www.amsat.org/amsat/ariss/news/Successful_ARISS_schools.rtf Frequency chart for packet, voice, and crossband repeater modes showing Doppler correction as of 2005-07-29 04:00 UTC http://www.amsat.org/amsat/ariss/news/ISS_frequencies_and_Doppler_correction.r tf Listing of ARISS related magazine articles as of 2006-07-10 03:30 UTC: http://www.amsat.org/amsat/ariss/news/ARISS_magazine_articles.rtf ***************************************************************************** There have been rumors in the past indicating that the ISS was having direct contacts on the 40 meter band. There is no HF radio equipment on board and available yet. The HF antenna is mounted. Sometimes WA3NAN will retransmit shuttle audio. ***************************************************************************** Expedition 16 on orbit: Peggy Whitson Yuri Malenchenko RK3DUP Clayton Anderson KD5PLA Daniel Tani KD5DXE STS-120 10A docked with the ISS (FE-2, Tani up) (Melroy, Zamka, Parazynski KC5RSY, Wheelock, Wilson, Nespoli) Paolo Nespoli IZ0JPA ***************************************************************************** 73, Charlie Sufana AJ9N One of the ARISS operation team mentors ************************************** See what's new at http://www.aol.com ---- Sent via firstname.lastname@example.com. Opinions expressed are those of the author. Not an AMSAT member? Join now to support the amateur satellite program! Subscription settings: http://amsat.org/mailman/listinfo/sarex
AMSAT Home


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EQUICK (Toddler/Little Ballet Canvas Shoes Kid/Big Girls/Women s Canvas Ballet Slippers Dance Shoes (Toddler/Little Kid/Big Kid/Women) 56156be
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HIGH QUALITY : Soft and durable Canvas upper,leather sole,make feet feel breathable and comfortable!
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ANTI-SLIP SOLE: Leather sole prevent you from slipping.
DIVERSIFIED CHOICES: Five colors are available to you. The pink is cute and playful, the complexion appears soft and natural, the red is passionate, the white is simple, and the black is unusual.
SATISFACTION & GUARANTEE: Our ballet Dance Shoes 100% Quality Guarantee. We Promise 30 Days Return Policy And Engages in problem solving.
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Featured News - Current News - Archived News - News Categories
The History Center of Niagara is preparing for a special summer evening dining al fresco in historic downtown Lockport within sight of the Erie Canal on Saturday, Aug. 17.
Guests at the annual "Discovery Gala & Auction" will be treated to cuisine catered by the award-winning, Shamus Restaurant. There will be a live and silent auction of antiques, paintings by regional artists, themed baskets as well as several spectacular entertainment and dining packages and sports memorabilia.
Auctioneer is Niagara County Sheriff James Voutour. Music will be played throughout the evening by the Buffalo jazz ensemble, Pro Bono.
Tickets for the fundraiser are $50 and can be purchased at the Discovery Center, 24 Church St., Lockport. For more information, call 716-439-0431.


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Chris McGahaFree Agent
Wide Receiver
Ht: | Wt:
News | Stats | Stat vs. Team | Targets | Injury | Depth Chart | Roster
|Rec Yds
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|Fum Lost
|Jaguars | Five sent packing
Wed, 07 Jul 2010 18:38:43 -0700
Jacksonville Jaguars OL Cameron Stephenson, P Robert Malone, CB Chris Hawkins, WR Chris McGaha and FB Ben Stallings were released, reports Vito Stellino, of The Florida Times-Union. McGaha was waived/injured, so he will be placed on Injured Reserve by the Jaguars if he clears waivers.
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|Jaguars | Agree to terms with 14 UDFAs
Sat, 24 Apr 2010 14:50:20 -0700
The Jacksonville Jaguars have signed undrafted free-agent OT Daniel Baldridge (Marshall), LB Kyle Bosworth (UCLA), TE Mike Caussin (James Madison), LB Jacob Cutrera (Louisiana State), C John Estes (Hawaii), CB Josh Gordy (Central Michigan), QB Trevor Harris (Edinboro), RB Chad Kackert (New Hampshire), P Robert Malone (Fresno State), WR Chris McGaha (Arizona State), DT Kommonya Quaye (South Dakota), FB Ben Stallings (Lambuth), WR Roren Thomas (Lindenwood) and FS Terrell Whitehead (Norfolk State), reports Jaguars.com. Terms of the contracts were not disclosed.
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|NFL | McGaha does some work at Pro Day
Sun, 28 Mar 2010 11:16:20 -0700
Gil Brandt, of NFL.com, reports Arizona State WR Chris McGaha measured in at his Pro Day Friday, March 26, with a height of 6-foot-1 1/4, 200 pounds. He measured a 40-inch vertical jump, a 10-foot-2 broad jump and ran the short shuttle in 4.21 seconds. He recently underwent Lasik surgery and was unable to do position drills.
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|NFL | McGaha undergoes Lasik surgery
Wed, 10 Mar 2010 20:16:16 -0800
Kent Somers, of The Arizona Republic, reports Arizona State WR Chris McGaha underwent Lasik surgery Friday, March 10, to improve his vision. McGaha never had a problem catching the ball in college, but he had trouble seeing the ball inside Lucas Oil Stadium at the NFL Scouting Combine.
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|NFL | Five from Arizona State invited to NFL Combine
Tue, 02 Feb 2010 18:59:24 -0800
NFLCombine.net reports University of Arizona State DE Dexter Davis, LB Travis Goethel, OT Shawn Lauvao, WR Chris McGaha and WR Kyle Williams have been invited to participate in the 2010 NFL Scouting Combine Feb. 24 to March 2.
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FORT MYERS, Fla. (AP) — Mike Napoli hit an RBI single in his first spring game for the Boston Red Sox, a 5-2 win Friday night over the Pittsburgh Pirates.
Napoli joined Boston as a free agent in the offseason. He had been slowed in camp because of a hip problem. He went 1 for 2 and scored a run.
The Red Sox are looking for Napoli to be their primary first baseman. Pittsburgh tested the converted catcher right away when Darren Ford bunted on the first pitch. Napoli fielded the ball and beat Ford to the bag.
Napoli hit an RBI single off pitcher Jeff Locke's right leg in the first inning.
Jon Lester pitched three scoreless innings for Boston in his second spring outing. He gave up one hit, struck out two and walked one.


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Hillingdon Towing Companies
Towing Companies near Hillingdon
|Towmycar.co.uk Vehicle Recovery
|07872 167 760
|Tow My Car are specialists in vehicle transportation, providing vehicle delivery, breakdown recovery and repossession services throughout the UK, from our base in Southampton, Hampshire. Tow My Car is...www.towmycar.co.uk
London › N211LP
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London › E13 8RH 39 Prince Regent Ln
|Automotive › Towing Companies


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One of the newest advocates of saving the unborn
is the man who saved Elian Gonzalez from the Atlantic Ocean. Recently
interviewed by Fr. Frank Pavone, director of Priests for Life, Donato Dalrymple
recounted how God used him to "pluck little Elian out of the water," and how God
used Elian to bring him to a deeper spiritual life.
Donato was fishing with his cousin when he noticed an inner tube floating on
the water, with what looked like a person hanging onto it. The boat moved on in
a different direction, but Donato's conscience would not let him rest until he
and his cousin went back to take another look at the tube, and found Elian.
"It was actually Elian who saved me," Donato says, "because I was out on the
seas in my own life, and the rescue of Elian brought me back to a closer walk
with God. God taught me that he could still use me to do some good."
It was Donato who was holding Elian in the famous news photo of a
gun-brandishing US federal agent sent to physically remove the boy. The raid
took place on April 22, 2000.
Recently spending time on a pro-life retreat offered by Priests for Life,
Donato reflected on how followers of Christ are called to save the lives of
their brothers and sisters. "The most vulnerable of all are the unborn," he
said. "Just like I could not rightly ignore that boy in the inner tube, so none
of us can ignore our brothers and sisters in danger of abortion. We all need to
speak up for them and try to save them."


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In her new book, "One Perfect Day: The Selling of the American Wedding," author Rebecca Mead weighs in on a day many little girls dream about: their wedding day. In her investigation of the $161 billion wedding industry, Mead found an entity that preys upon the emotions and vulnerabilities of brides and grooms to get them to spend lots of money for the "wedding of a lifetime." The following is an excerpt.
In the early years of this decade a new word, and a new stereotype, entered the public discourse: the Bridezilla. The creature characterized by this disparaging term was immediately recognizable. She was a young woman who, upon becoming engaged, had been transformed from a person of reason and moderation into a self-absorbed monster, obsessed with her plans to stage the perfect wedding, an event of spectacular production values and flawless execution, with herself as the star of the show. In her quest to pull off this goal she was blithely willing to wreck friendships, offend parents, harass caterers well past the point of patience, and burn through money more rapidly than a fire consumes forest in a dry August.
The alleged phenomenon of the Bridezilla spawned numerous newspaper articles that recounted her exploits with gleeful censure. The New York Times told of one bride who had demanded that her attendants all color their hair the same shade of blond; another who had procured a swatch of the purple wallpaper from the hotel suite in which she would be spending her wedding night so that her florist could find blooms that were an exact match; and another who insisted, before a barefoot beach wedding, that her husband's groomsmen all endure a pedicure. The horrors of encountering a Bridezilla, or worse, unwittingly becoming one, were such that Carley Roney, the co-founder of the wedding-planning company TheKnot.com, was asked on CNN how a woman might know when she had crossed the line into Bridezilla territory: "You forget that your friends have lives, that people might not be able to come to your seventeen fittings," she said.
The Bridezilla phenomenon moved into other media. A "Bridezilla" book was published with the subtitle "True Tales From Etiquette Hell," featuring on its cover an alarmingly oversized cartoon bride clutching, in one hand, a diminutive, frantic groom, with a tiny bridesmaid in a vile yellow dress in the other. Inevitably, there was a reality television show: In its first season "Bridezillas" followed the wedding preparations of nine overwrought and hysterical brides, one of whom was so concerned that her dress remain unwrinkled and her makeup unsmudged that she refused to let her new husband near her all night. And equally inevitably, newspaper reporters identified the so-called Groomzilla: the husband-to-be who becomes obsessed with the typeface on the invitations and undergoes a regimen of eyebrow waxing and facial microdermabrasion in advance of his big day.
The notion of the Bridezilla gained common currency, and it was easy to understand why. Just about everyone knows someone, or knows of someone, whose wedding plans have taken on the proportions of a military operation, whose wedding costs have ballooned beyond economic prudence, and whose attention to wedding day production values would put a Broadway set designer to shame. The term was applicable to brides whose resources permitted the casting aside of a three thousand dollar wedding dress a week before the ceremony in favor of an alternative model, as well as to those budget brides who spent every evening scouring eBay for cut-price wedding favors or who prided themselves on hand-threading ribbon into a hundred and fifty wedding-information booklets for their guests.
But it seemed to me, as I witnessed the urgency with which the Bridezilla term was embraced, that there was more to the phenomenon than the identification of a particularly unpleasant breed of bride. When a stereotype is so swiftly absorbed into the popular culture it is a sure sign that something larger is at stake; and what appeared to be expressed in the vilification of the Bridezilla was a much wider ambivalence among the general public over the direction weddings in America were taking. Blaming the bride, while making for colorful feature stories and cruelly riveting television programming, wasn't an adequate explanation for what seemed to be underlying the concept of the Bridezilla: that weddings themselves were out of control, and that a sense of proportion had been lost, not just individually but in the culture at large.
This isn't to suggest that people all over the country were wringing their hands at the weddings they attended -- though those who were could probably be found everywhere. The majority, though, were throwing up those hands in puzzled bemusement or, at the most, dumbfounded exasperation, while at the same time throwing themselves wholeheartedly into the increasingly elaborate celebrations to which they had been invited. ("When did the softball game become part of a wedding?" one older acquaintance asked me, having recently married off two daughters in weekend-long festivities and found himself swinging a bat on both occasions.) No one wants to find fault with anything so cheering, and so emotionally significant, as a wedding. But at the same time, weddings often prompt a sense of disquiet -- all this, just for one day? -- among the guests, and, when they will admit it, the couple at the altar. So the pillorying of the Bridezilla figure (who has come to seem to me hardly less fictional than her Japanese monster ancestor, Godzilla) provides a way to separate off, into safe quarantine, the disconcerting sense that the way we conduct weddings has somehow gone wrong; that priorities have changed, and purpose has gone awry. The Bridezilla caricature is a stand-in representing a much larger anxiety: that we are all living in a Bridezilla culture.
How did this happen? What are the forces that are contributing to this increase in wedding pressure, not just among so-called Bridezillas, but among all American brides and grooms? And what is the significance -- beyond the impact on the purses and personalities of marrying couples, their friends, and their families -- of the escalation of the American wedding? What, in other words, does the American wedding tell us about the rest of American life? It was questions such as these that propelled the writing of this book, as well as a hunch that some answers might be found not by looking at the grotesque behavior of a handful of individuals, from whose excesses an amusing but ultimately trivial tale might be wrought, but by looking at the larger context -- at the wedding culture in which those individuals were immersed.
If the state of the American wedding strikes the bride, groom, family member, and guest as troubled (as appeared to me to be the case while researching and writing this book, given the way in which almost everyone to whom I mentioned its subject immediately rolled his or her eyes in recognition, and then insisted on telling me about a niece's, or sister's, or best friend's wedding plans gone wild), then who, I wondered, was happy about the way in which Americans were getting married? In whose interest is it that weddings should be this way? Who, or what, begat Bridezilla?
In order to seek an answer to this question I decided to turn my attention from weddings themselves -- the finished productions upon which so much effort has been lavished -- and to focus upon the less examined side of weddings: what has come to be called the wedding industry. This term is used as a catch-all expression to describe the infrastructure of service providers and businesses, ranging from individual entrepreneurs to massive corporations, that seek to provide the bride and groom with the accoutrements of the wedding day -- and, in many cases, seek to do business with them long after the wedding day is over. It is a capacious category, one that encompasses the small-town florist supplying bridal bouquets and boutonnieres as well as department store conglomerates that compete for bridal registry business. The expression also refers to the wedding media -- the magazines and websites and television shows that court the bridal customer, or simply appeal to the apparently limitless appetite among Americans at large for coverage of celebrity weddings (in publications such as In Style magazine) and for insight into the wedding dramas of real people, such as those whose plans are chronicled by the hugely popular Learning Channel show, "A Wedding Story."
Weddings in America have long been identified by commercial interests as offering a likely prospect: In the spring of 1901, a trade journal for store keepers called the Dry Goods Economist published a jauntily-written item entitled, "June Brides a Fair Mark," which advised, "The merchant of refinement may reach all or nearly all, and tell in an unobtrusive way of how much you can do for them in the taking care of many details incidental to the preparation of a wedding trousseau." Social historians date the establishment of what we would now recognize as a wedding industry as having occurred between the 1920s and 1950s, as jewelers, gown manufacturers, and caterers set standards to which American brides were encouraged, through the bridal media, to aspire.
Today's wedding industry, however, operates at a level of sophistication and with a degree of magnitude that it makes the wedding industry of 1950s seem quaint by comparison. Wedding-related marketing is everywhere, from "buff bride" workout routines ensuring upper-arm definition fit for a strapless gown to home equity lines of credit offered to a couple -- or to their parents -- as a means of affording an otherwise unaffordable reception. The volume of wedding-related products urged upon the newly engaged bride and groom -- from the Yankee Candle Company's pillars scented with the company's proprietary Wedding Day fragrance to rice grains bred in the shape of hearts and crushable underfoot so as not to present a hazard to birds when thrown in the place of confetti -- is breathtaking. And the pressure to mount a wedding that is not merely a warm celebration among family and friends but is also a spectacular and original event -- one that promises to have family and friends talking about it for months afterwards -- is omnipresent, even for those whose budget or whose aspirations are modest, or who would like to think of themselves as eschewing wedding obsession.
It was my hope at the outset of reporting this book that by looking behind the scenes of the wedding industry and studying its grinding mechanic I might better understand why the American wedding is the way it is. But my interest in doing this was not, fundamentally, because I wanted to understand weddings themselves, which would be a limited if engaging goal. Nor was it because I wanted to malign the choices of individual brides and grooms. I enjoy a good wedding as much as the next person, and I have teared up even at ones I've attended -- in the course of reporting this book -- when the bride and groom have been strangers to me. I'm married, and I had a wedding of sorts myself, if not of the sort or on the scale prescribed by the wedding industry. (I'll come back to that later.) Weddings are fun: a chance to dance to familiar tunes, to treat the senses with fresh flowers, to wear something other than jeans for a change. But the real reason weddings are compelling is that they are riven with human drama. I will not soon forget the breathtaking sight of one friend, a strong-willed, beautiful woman, alone on the dance floor with her father, a powerful businessman with whom she had a tempestuous relationship, the two of them swirling passionately (there is no other word for it) to the theme tune from "The Godfather." Nor will I forget watching a crowd of stamping, cheering guests dancing the hora -- the circle dance that is a staple at Jewish celebrations -- for a quintessentially Waspy couple who had simply decided they liked the tradition and incorporated it into their wedding, which took place at the groom's family home by a pond in a private residential enclave of Long Island, a setting that might have come from "The Great Gatsby." The comedy and the pathos of family life are on display at a wedding, with short stories waiting to be written at every turn. I hope to be invited to many more of them.
My interest in the wedding industry, though, was driven by a conviction that weddings provide an unparalleled lens upon the intimate sphere of American life, and that the way we marry reveals a great deal about prevailing cultural expectations of love, hopes for marriage, and sense of the role of family. Weddings are often thought of being only so much fluff and fun; but when looked at from the perspective of their larger cultural relevance they could hardly be more important, and more defining. It is a premise of this book that weddings are social events, as distinct from the private and always mysterious marriages which they inaugurate; and that they give expression, one way or another, to the values and preoccupations of the society in which they take place. Giving expression to social values is one of the things weddings are for, since good sense and an acquaintance with the relevant statistics might otherwise recommend that the compact of marriage be better undertaken in the sober contractual spirit currently reserved for the signing of divorce papers. We want weddings to be meaningful. But what, these days, do we make them mean?
An American wedding may be conducted in a church or temple, a hotel ballroom, a botanical garden, a restaurant, a private house, or, in one of those cases that seem contrived to elicit coverage in the local newspapers, in a hot air balloon or at the top of a ski slope. The couple getting married may be young, or middle-aged, or even elderly; they may have cohabited for years or may never have spent the night together. The wedding can last four hours on a Saturday afternoon, or it can fill a three-day weekend, with pre-wedding-day barbecue, post-wedding-day brunch, and matching wedding-weekend T-shirts for all the guests. The ceremony can be performed by a priest or rabbi or judge; it can also, in some states, be performed by a notary public or simply by a friend of the bride and groom. It can cost a few hundred dollars in a Las Vegas chapel, or it can cost a few hundred thousand in the ballroom of the St. Regis Hotel in New York, with floral installations by one of the city's top designers and a custom-designed cake as big as the Ritz, or even in the shape of the Ritz for that matter.
Although I speak in this book of "the American bride" or "the American wedding" there is, of course, no single, uniform American bride or American wedding about which generalizations can be made, or from which conclusions can be drawn. Or, it would be more accurate to say, the lack of uniformity among weddings in America is the contemporary American wedding's signal characteristic. While there are certain aspects of weddings that are almost universally observed among Americans (the bride's wearing of a white gown, the structure of a civil or religious ceremony followed by reception with eating, drinking, and dancing) this basic template is applied in a dizzying variety of ways; and when I speak about the American wedding in general terms in this book, I do so with the knowledge that the range of American weddings is vast. There are about 2.3 million marriages in America ever year, and no two weddings exactly the same.
But while my observations may not apply to each of the weddings my reader has ever been to, it is my belief that they will ring true when applied to American weddings in the aggregate. The limitless nuptial possibility I have described above is, in a sense, the defining characteristic of the contemporary American wedding; just as limitless possibility -- or the myth or promise of it, at least -- is a defining characteristic of American life. The use of a wedding day as a vehicle for self-expression is an inevitable and distinctively American tendency, and it is no surprise that Americans should take the opportunity to present themselves, on their wedding day, as more beautiful, better dressed, and wealthier than they are, or to try to incorporate something of their own tastes and personalities into the occasion, even if that amounts only to honoring the groom's preference for cupcakes over wedding cake, or the bride's wish to have her best male friend serve in the stead of a maid of honor.
But a wedding is also a profoundly conformist occasion, and one upon which the urge to observe some form of propriety is compellingly strong. It involves, after all, saying "I do" to the ruling principle of a society organized around legally contracted monogamous coupling, as well as to one's future spouse. Getting married is both one of the most conventional and one of the most exalted things a person can do; and while brides and grooms may pride themselves on their expressions of nuptial unconventionality, a wedding nonetheless prompts in its participants -- the guests as well as the marrying couple -- a desire to enact a role that has been scripted by some source more authoritative than their own powers of invention.
How to accommodate this desire in a culture in which novelty and innovation have become such irresistible forces does, however, present something of a challenge. To whom should Americans turn to be told how to get married? It is my contention that the wedding industry has eagerly stepped into this vacuum of authority, and that as a consequence the American wedding is shaped as much by commerce and marketing as it is by those influences couples might prefer to think of as affecting their nuptial choices, such as social propriety, religious observance, or familial expectation. Becoming engaged amounts to a change in one's social status -- marking a departure from the ranks of the unattached -- but it also marks the moment of transformation into a potential consumer of bridal products.
But there is much more at stake than the mere measurement of quantities of tulle produced for, and filet mignon consumed by, American brides, grooms, and their guests. While the wedding industry certainly moves a lot of product -- it was estimated in 2006 that the wedding business was worth $161 billion to the United States economy -- the most significant thing that the wedding industry is selling is fantasy, about the wedding day itself and the marriage that follows it. The foremost product peddled by the wedding industry is the notion that a wedding, if done right, will provide fulfillment of a hitherto unimagined degree, and will herald a similarly flawless marriage and a subsequent life of domestic contentment. From this perspective, naturally, doing a wedding right means doing it according to the wedding industry playbook, with no expense spared and no bridal trifle uncoveted. If a bride buys into the wedding industry, she is promised the happily-ever-after that she, in her big white dress and tiara, deserves.
The perpetuation of this fantasy, it seems to me, is much more pernicious and damaging than any amount of havoc that might be wrought by a Bridezilla on the rampage. A bride who is gripped by the desire to have her guests' chair-backs tied with ribbons colored to coordinate precisely with the envelopes in which her save-the-date cards have been sent out can always laugh later at her own folly. But the bride who has been convinced, in some barely articulated but nonetheless persuasive sense, that coordinating her ribbons and her envelopes will contribute to the future harmony of her marriage has been sold not just an expensive complement of stationery but a dangerous bill of goods.
This book, then, comprises a journey through the wedding industry, exploring the degree to which weddings have been transformed by outside interests into machines for making money, as well as the ways in which those outside interests tap into the deepest hopes and fears of their consumers in order to accomplish their economic goals. I begin in chapter one with a look at the bridal media and at their influence in establishing what has come to be expected as standard at an American wedding, as well as their role in brokering relationships between brides and the businesses that serve them. In chapter two I look at the novel career calling of the professional wedding planner, and at the implications of handing over the conduct of weddings to hired hands. In chapter three I consider the importance of tradition when it comes to the practice of weddings, and the emotional uses to which the idea of tradition is pressed into service by all sorts of commercial interests, from the manufacturers of wedding favors to the Walt Disney Company and its Fairy Tale Weddings & Honeymoons program. Chapter four examines the iconic wedding product -- the wedding gown -- and traces it from the American aisle back to the Chinese factory floor.
Chapter five looks at the wedding registry, and the way in which department store conglomerates attempt to use the opportunity of a wedding to secure the bride as a customer for life. In chapter six I consider the role of religion in the contemporary wedding and look at the ways in which nuptial spirituality is marketed. In chapter seven I visit two wedding-industry towns, Gatlinburg, Tennessee, and Las Vegas, Nevada, to see how the business of weddings -- in particular, the courtship of the so-called encore bride -- is conducted when it constitutes an important part of a local economy. Chapter eight considers the wedding from the vantage point of retrospection, and examines how brides are offered the irresistible promise by wedding photographers and videographers that their wedding day, and its attendant emotions, need not be evanescent but can be permanently preserved and endlessly revisited. In chapter nine I turn to the honeymoon and consider the role the travel industry plays in establishing the idea that the contemporary wedding, and the marriage that follows it, is an individualistic adventure rather than a community sacrament. I conclude by turning to the bride herself and asking the surprisingly difficult question: What, after all, is a wedding for?
This is a question that deserves consideration not just by individuals planning to wed, but by the rest of us as well, married or not. The American wedding -- with its softball games, its matching linens, and its $161 billion dollar industrial infrastructure -- is an expression of this culture's character and a declaration from this culture's heart. The way we marry, for better or worse, is who we are; and if we were to reexamine our commitment to the American wedding as it currently exists, we might be surprised to find that our ultimate happiness does not depend upon it.


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SpanishPage address: https://www.mnsu.edu/programs/spanish.html
|World Languages & Cultures
|Arts & Humanities
|Program Website
|Undergraduate Degree Type(s)
|Program Description
Students in the Spanish Program acquire language proficiency and cultural competency that prepares them to work and travel where Spanish is spoken. Students at the end of their program will meet the National Standards for Foreign Language Learning.
|Admission Requirements
|Admission to Major is granted by the department.
Minimum University admission requirements are:
|Other Requirements
|Academic Bulletin
|A full description of the program including class listings and class descriptions are listed in the Academic Bulletin.
|Program Contact Information
|Department of World Languages & Cultures
227 Armstrong Hall
Minnesota State University, Mankato
Mankato, MN 56001
Phone: 507-389-2116
Email: email@example.com
|College Advising
|College of Arts & Humanities Advising
Student Relations Coordinator
226B Armstrong Hall
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Thursday December 22, 2011
Justin Timberlake is rumoured to have proposed to girlfriend Jessica Biel.
The couple - who began dating in 2007 before announcing their split in March - were reported to have rekindled their relationship after they were spotted together in August.
Now Justin, 30, is reported to have proposed to Jessica, 29, at the five-star Amangani resort in Wyoming on Sunday night.
Local jewellers, Tayloe Piggott Jewellery, wrote on their Facebook page: "Word on the street is that Justin Timberlake proposed to Jessica Biel at the Amangani last night.
"We're picking out post-engagement presents for them just in case they come in! Trying to play it cool."
And New York PR agent Kyle Schaffler tweeted: "I love that no media outlets know about the Justin Timberlake and Jessica Biel engagement. Benefits of working in PR."
Justin and Jessica confirmed they had broken up in a public statement via their reps in March.
It read: "Addressing the media speculation regarding Jessica Biel and Justin Timberlake's relationship, we are confirming that they mutually have decided to part ways.
"The two remain friends and continue to hold the highest level of love and respect for each other."
But Justin travelled to Toronto in August, where Jessica was filming the Total Recall remake with Colin Farrell and Kate Beckinsale.
The pair were spotted having breakfast together and enjoying a bike ride.
In September they were seen in Steamboat Springs for a friend's wedding, where they spent time together at a local bar on a mountain and on a gondola ride.
In 2010 Justin''s mum Lynn Harless called Jessica one of the family. She said: "She's amazing. She's so down-to-earth and her family is great."
Photo: © Rex Features


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Star Wars Deluxe Silicone Mold
Bigger is better!
- Han Solo in Carbonite brownies, anyone?
- Maybe a spaceship in your Easter basket?
- Or a gelatinous astromech droid?
We love the Star Wars Ice Trays. We mostly use ours for ice or chocolate and occasionally for grown-up Jell-O treats. So when we saw these, we thought, "OMG! BIGGER IS BETTER, RIGHT?" Of course, bigger is better! We're not sure what type of drinking vessel would fit ice of this magnitude, but perhaps you can make a Han Solo in Carbonite Igloo?
The Star Wars Deluxe Ice Trays come in three shapes: Han Solo in Carbonite, R2-D2, and Millennium Falcon. Make giant ice sculptures or use your imagination to create giant chocolates, gelatin molds, or maybe even brownie-flavored carbonite. Yum! These trays are safe for the freezer or oven, so the possibilities are limitless!
Product Specifications
- Huge versions of the Star Wars ice trays you know and love
- Use for GIANT ICE (to build an igloo?), or a mold for cake, cookies, or gelatin
- Freezer-safe and oven-safe up to 446 F
- Choose: Han Solo in Carbonite, R2-D2, Millennium Falcon
- Dimensions: 11" x 6" x 3"


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The Statement Dessert
Posted on December 02 2013
There you are. Your hair is piled perfectly on top of your head like a ballerina, your red lipstick is ready for smacking, and your brand new Shabby Apple Fire and Ice dress is hugging your figure in all the right places. It's time for the annual holiday gathering at your in-laws house.
But this year is different. This year, you dutifully offered to bring dessert (because after all, even though you are the newest addition to the family, darn-it, you are now officially a part of it so dessert is the perfect way to propagate your status). Your husband casually suggests that you "just make those chocolate chip cookies that you make for him all the time..." "No no no. It's got to be good," you think. Like really good: looks, taste and effort all need to be represented in this dessert so they know that you put just as much care into your marriage with their son as you did this dessert. Just like your statement necklace completes your outfit, this needs to be a Statement Dessert.
Lucky for you, you've got just the thing. Hello, Double-Layer Pumpkin Cheesecake.
Okay, don't get scared. It really is much easier (and it tastes even better) than it sounds. And while it'll be difficult to take the focus off of your cute new outfit, this dessert is sure to make their mouths water even after everyone is stuffed with turkey.
Just to make sure, here's the detailed recipe so you can be sure to get it right:
1 ½ cups graham cracker crumbs (about 15 sheets)
2 Tablespoons sugar
5 Tablespoons melted butter
3 – 8oz pkgs cream cheese, softened (I used neufchatel cheese to cut down on the fat)
2/3 cup sugar
4 teaspoons all-purpose flour
2 teaspoons vanilla extract
2 eggs
1 cup canned pumpkin
1 Tablespoon packed brown sugar
1 teaspoon cinnamon
½ teaspoon nutmeg
dash of ginger
1. Preheat oven to 325°.
2. Make the crust: In a medium bowl, mix the 3 Tbls of sugar and graham cracker crumbs together. Drizzle melted butter into mixture and incorporate well.
3. Press crumb mixture into the bottom of a springform pan with a rubber spatula, the bottom of a measuring cup or with your fingers. It should be flat.
4. Bake the crust for 10-12 min or until set.
5. Remove crust from oven and let cool while making the cake.
6. Increase oven temperature to 350°.
7. In a large bowl, combine the cream cheese, 2/3 cup sugar, flour and vanilla.
8. Using hand mixer or stand mixer, beat on low until combined.
Top: Crust | Middle: Plain Layer | Bottom: Pumpkin Layer
9. Then add the eggs, and beat on low until combined. Try not to overbeat it.
10. Scoop out 1 ½ cups of the mixture into a separate bowl.
11. Add the pumpkin, brown sugar, cinnamon, nutmeg and ginger and stir until combined.
12. Take the plain cream cheese batter and pour it over the crust. Spread evenly with a rubber spatula or spoon.
13. Then pour the pumpkin batter over the plain layer, starting from the center and working your way out. Spread pumpkin layer to outer edge of the pan (it's okay if some of the plain layer comes through on the sides).
14. Place the springform pan on a baking sheet and bake the cheesecake for 45 min, or until the outside is set and the center is almost set (slightly jiggly).
15. Remove from oven and cool completely on a wire rack (1-2 hrs).
16. Refrigerate the cheesecake for at least 2 hours or overnight.
17. When ready to serve, run a knife along the edges of the pan so the cheesecake is released from the sides. Then remove the outer pan form, slice and serve.
*This recipe was adapted from lifetasteslikefood.com
Happy Holidays!


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Price from
Journey through the misty jungles of Rwanda and catch families of Mountain Gorillas playing, relaxing and eating in the foliage.
Trekking through the Rwandan jungle can be a strenuous experience, however the reward of coming face to face with a family of gorillas is a memory that will stay with you forever. After a night spent in our lodge, nestled in the scenic slopes of the Sabinyo Volcano, hike through thick bamboo forest, alpine moorland and dense jungle to the habitat of one of ten mountain gorilla families. Sit quietly and wait for these magnificent creatures to emerge from the wilderness – a truly breathtaking moment.
Independent Experiences
Independent travel, without the stress. Peregrine's Independent Experiences are a range of short packages that you can add to other Experiences or as an extension to a longer tour, to craft your perfect holiday itinerary. Independent Experiences are for 1-3 travellers, depart daily and offer the back-up of Peregrine, our local offices and expert resident guides.
- Start
- Kigali, Rwanda
- Finish
- Kigali, Rwanda
- Destination
- Rwanda
- Style
- Peregrine
- Code
- Physical rating
- Trip rating
- 2 reviews
- Ages
- Min 15
- Group size
- Min 1, Max 4
Why you'll love this trip
Come face-to-face with rare mountain gorillas on the ultimate wildlife adventure. Trek through Rwanda's steamy jungle and spend an unforgettable hour in the presence of these majestic creatures.
Stay in a boutique hotel nestled at the foot of the stunning Virunga Mountains. Get ready for breath-taking views.
Discover a different, darker side to the country at the Kigali Genocide Memorial Centre – a place to learn about and reflect on the atrocities the Rwandan people faced in the mid-90s.
Is this trip right for you?
Tracking gorillas in the dense forest can sometimes be wet, muddy and uncomfortable. The terrain is by no means easy either, so it can be pretty strenuous and often humid. But the sheer thrill in coming across a habituated group of gorillas, dominated by a great male silverback, more than outweighs any difficulty. You need to be prepared and fit enough to walk up to 4 hours - up and down hill. Perhaps pack some gardening gloves to assist in any up-hill climbs.
Although this is an Independent Experience, your gorilla trek will be a shared activity. You will be accompanied by other travellers, with a maximum of 8 people per gorilla family, plus your guides.
Our Independent Experiences have been designed for just one to three people, departing every day of the week for most Experiences. You can mix and match to create your perfect trip combination, then we'll arrange the transport between each experience for you. You will have local guides at most destinations and activities. It's independent travel without the stress.
This itinerary is valid for departures from 01 January 2018 to 31 December 2018. View the itinerary for departures between 01 January 2019 - 31 December 2019
Upon your arrival you will visit the Genocide Museum, which was opened in 2004 to mark the tenth anniversary of the Rwandan Genocide. Whilst the genocide occurred as a result of a complex series of factors, it can only be seen as an absolute tragedy to Rwanda and its people. Time spent at the museum is sure to be emotionally moving, but it is an important way to understand the sheer courage and resilience of the people of this beautiful, tiny nation.
Then you travel towards the gorillas with a drive through the verdant rolling hills of Rwanda. You'll be staying in the Musanze region (formerly Ruhengeri).
Hotel facilities include a pool, restaurant, bar & lounge with fireplace and incredible views of the Volcanoes.
The Volcanoes National Park is the oldest national park in Africa, and it was specifically created to protect the habitat of the gorillas.
- Mountain Gorilla View Lodge or similar (1 night)
Included Activities
- Complimentary Airport Arrival Transfer
- Kigali - Genocide Memorial Audio Guide
- Kigali - Genocide Memorial Centre
Meals Included
- Dinner
Special InformationAn airport arrival transfer is included. Please provide your flight details at the time of booking, or at a minimum 15 days prior to travel so the transfer can be arranged.
Notes: Your gorilla trek will be a shared activity. You will be accompanied by other travellers, with a maximum of 8 people per gorilla group, plus your guides.
- Mountain Gorilla View Lodge or similar (1 night)
Included Activities
- Volcanoes National Park - Mountain gorilla trek & permit
Meals Included
- Breakfast
- Lunch
- Dinner
- Lemigo Hotel or similar (1 night)
Optional Activities
- Volcanoes National Park - Dian Fossey's Memorial - USD90
- Volcanoes National Park - Golden Monkeys Trek Permit & guide - USD115
- Volcanoes National Park - Full Day Mt. Bisoke Hike - USD75
- Volcanoes National Park - Nature walk Rwanda - USD55
- Ruhengeri - Venge Village walk - USD35
- Volcanoes National Park - Additional Gorilla Trek Permit - USD1870
Meals Included
- Breakfast
- Lunch
Special InformationIf you are interested in the additional Gorilla Trek permit it is advised to pre-book this activity at time of purchase of the main tour, in order to ensure availability. Please note the prices of these options are not inclusive of transport costs to and from the activity. Please note that the roads leading to both of the above treks are not in the best condition, so be prepared for a rough and bumpy ride.
Included Activities
- Kigali - City Tour
Meals Included
- Breakfast
Special InformationYour international departure flights from Kigali today should not be booked to depart before 1pm.
Meals3 breakfasts, 2 lunches, 2 dinners
TransportPrivate vehicle
AccommodationHotel (1 night), Lodge (2 nights)
Included Activities
- Complimentary Airport Arrival Transfer
- Kigali - Genocide Memorial Audio Guide
- Kigali - Genocide Memorial Centre
- Volcanoes National Park - Mountain gorilla trek & permit
- Kigali - City Tour
Our Mountain Gorillas of Rwanda Experience - Independent trips score an average of 5 out of 5 based on 2 reviews in the last year.
Mountain Gorillas of Rwanda Experience - Independent, October 2017
Betty Grudnizki
Do not miss this opportunity to trek to the gorillas and golden monkeys. It is worth every dime. Great accommodations and caring guides. The Genocide Museum in Kigali is a must for every citizen of the world to learn about recovery while never forgetting a horrific act.
Review submitted 27 Oct 2017
Mountain Gorillas of Rwanda Experience - Independent, May 2016
Ross & Martha Bradstreet
Fabulous to see the Gorillas in their natural habitat and get so close to them. We found Rwanda very clean and with good infrastructure, able to pay by Visa card in most places.
Review submitted 30 May 2016
Dates & availability
Trip search is unavailable.
There are currently no scheduled departures on our Mountain Gorillas of Rwanda Experience - Independent trip. If you are interested in other trips in the region visit one of the links below.
Jump to a departure month
Important notes
There is a minimum age of 15 years for the gorilla tracking. Please see trip notes (Important notes) for more details.
An airport arrival transfer is included. Please provide your flight details at the time of booking, or at a minimum 15 days prior to travel. Please ensure you arrive into Kigali prior to 1pm on day 1. If you are unable to arrive by 1pm you will need to arrive a day earlier and book accommodation in Kigali.
4. This trip finishes in Kigali on day 4. Please do not book any flights until after 1pm this afternoon.
This trip requires an additional non-refundable deposit ( AUD2400, USD2400, EUR1800, NZD2700, GBP1500, CAD2400, ZAR20000, CHF2000 ) in order to secure a gorilla permit. We also require passport details at time of booking. Please see trip notes (Important notes) for more details.


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23 Reviews
Take a hike—but not without the Smartwool Light Hiking Crew Kid's Socks.
- Item #SWL0083
Tech Specs
Gearhead Help
Tech Specs
- Reviews
What do you think about this product?
Have questions about this product?
Keep feet warm
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Very cute
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Ideal for NYC Winters
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Winner, winner, chicken dinner!
- Familiarity: I gave it as a gift but have feedback to share
- Fit: Runs small
- Size Bought: Large
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Runs small
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Warm and Dry
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great socks
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Great socks for hiking!
I like SmartWool's hiking socks, but a bit expensive.
As my foot is relatively small, I ordered socks for kids which is a bit cheaper than adults' socks.
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Hey what shoe size do you wear?
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SmartWool Hiking Light Crew Sock - Kids'
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My son is 11 years old and wears a size 7...
My son is 11 years old and wears a size 7 shoe . What size should I get?
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He's already outgrown even the large in the kid's size. By the time you allow for shrinkage, you want to go up to a Men's small.
I have swellon ankles and need socks with...
I have swellon ankles and need socks with wide mouth , so they don't make big indents on my ankles . thanks for your help !!!
This is a kid's sock, do you need an adult sock?
What size sock if my boy wears a size 2...
What size sock if my boy wears a size 2 shoe?
What size smartwool socks does a child who...
What size smartwool socks does a child who wears a Youth size 6 shoe need?
Is that a larger youth size 6? or tiny toddlers size 6?
X-Small: 6.0-8.5 toddlers
Large: 3.0-6.0 youth
The denim socks look different than the...
The denim socks look different than the other two colors. Are they shorter, as pictured, or hit mid calf as described?Thank you!
Same sock, different photo. Backcountry often has different photos depending on the color shown. Sometimes it may be because they haven't got around to taking their own shots and are using the stock images. Or they were taken at different times. It's funny though how the appeal can change based on how the product is displayed (hence models being pretty people).
did i order the adult siz socks?
did i order the adult siz socks?
Well if you ordered the socks pictured above you got the kids version but backcountry.com has a great return policy. Give them a call maybe they haven't shipped out yet.


text:
Jason runs away from his home in search of an elusive mansion beyond the forest at the base of a mountain. He seeks its sole resident, a lady believed able to grant any wish. However, she isn't one to deal out favors for free. Is Jason willing to pay the price, even if it's eternal servitude? And what secrets and histories does the mysterious lady possess? Be sure to check out the updated version available at: vnovel.info
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text:
19 DaysSun,Aug 19,2018
19 Days chapter 245
You're reading 19 Days chapter 245 at mangatopnew.com.
Please use the Bookmark button to get notifications about the latest chapters next time when you come visit Mangatopnew. You can use the F11 button to read manga in full-screen(PC only). It will be so grateful if you let Mangakakalot be your favorite manga site. We hope you'll come join us and become a manga reader in this community!
Have a nice day!
You just finished reading chapter 245 of 19 Days online free. The Bookmark button is a very simple way to get notifications when your favorite manga have new updates. It's very useful to anyone who loves reading manga online. Let's us guide you to find your best manga to read. And if you find any errors, let us know so we can fix it as soon as possible!
Related chapter:19 Days - chapter 245
Next(→): chapter 246
Prev(←): chapter 244
19 Days manga summary: The super cute and funny adventures of a boy and his BFF(best friend forever). You'll find out the names of the main characters after 113 pictures(maybe). Enjoy the manga!


text:
A reading celebration program full of funny, wacky, and wonderful Dr. Seuss-inspired fun! Featuring lots of audience participation and amazing magic by Robert and Lynn Halbrook. Fun for kids and families!
This MN Legacy program is sponsored by Lake Agassiz Regional Library, and supported in part or whole with money from The Minnesota Arts & Cultural Heritage Fund.


text:
"I was born in Mumbai (Bombay) and lived in different parts of India until I moved to San Jose, California, where I now live.
Travel inspires my art, but, traveling or not, I try to view the world around me as a traveller would; so whether I'm capturing a moment of calm on the banks of the Ganges in India, or sketching over coffee at my local coffee shop, I aim to look deeply, and with wonder, at both the everyday and the exotic, the old and the new.
I love color. My sketch kit consists of Extra Fine Sharpies (the fact that they bleed into the paper as soon as they touch it works really well for me—it forces me to work super-quick), a small set of Prismacolor pencils and a little watercolor travel set".
• Suhita's art on her blog Sketch Away
• Suhita on Flickr
• on Urban Sketchers SF Bay Area
• a Flickr Fave on Suhita in Varanasi


text:
The fastest-growing economy in three years may not be enough to sustain the British pound's biggest rally since 2010, trading patterns suggest, as it struggles to break above an area of resistance for the third time in two months.
The U.K. currency strengthened to $1.6260 on Oct. 1, the highest level since January, before climbing to within 0.2% of that level on Oct. 23 and Nov. 25, suggesting an imminent decline. The pound may fall after its appreciation to the highest level in a month on Nov. 25 and subsequent close below the previous day's low, known as a bearish engulfing candlestick pattern.
"There's an early warning that something bigger might materialize in the pound," Dag Muller, a technical analyst at SEB AB in Stockholm, said in a phone interview yesterday. "We're advising to keep a downside focus. There's no doubt this is a bearish engulfing candle, or key-day reversal, and there's also a potential triple top."
U.K. economic growth accelerated at its fastest pace in more than three years in the third quarter, a report from the Office for National Statistics showed today, confirming the previous estimate on Oct. 25. Gross domestic product rose 0.8% in the three months through September, up from 0.7% growth from April to June and the most since the second quarter of 2010.
Best performer
Signs of recovery in the economy have helped the pound be the best performer in the past six months among 10 major currencies tracked by Bloomberg Correlation-Weighted Indexes, strengthening 7.2%. It has appreciated 7.9% versus the dollar in that period, the strongest performance against the U.S. currency among 16 major peers.
Sterling climbed to $1.6260 on Oct. 1, the highest level since Jan. 2 and up 9.8% from this year's low of $1.4814 on July 9. That's the biggest gain since the period from May to August 2010, according to data compiled by Bloomberg.
The U.K. currency needs to break and close below this month's low for a triple-top formation to be confirmed, opening up a potential decline of at least 2% from that level, according to Commerzbank AG.
The pound traded at $1.6311 as of 9:19 a.m. in New York after touching $1.6331, the highest level since Jan. 2, data compiled by Bloomberg show. The 200-day moving average was $1.5529. The U.K. currency fell to $1.5855 on Nov. 12, the weakest since Sept. 13.
'Complete pattern'
"A daily close below the current November low will complete the pattern to offer a minimum downside measurement to $1.5535," technical strategists at Commerzbank including Karen Jones in London, wrote in an e-mailed note yesterday. "The 200- day moving average can also be seen in this vicinity."
Commerzbank targets a move to $1.50 within three months, according to the note.That would be the lowest since July.
Daily stochastics show the pound is overbought versus the dollar and may be about to decline.
Stochastics measure the velocity of a security's price movement to identify overbought and oversold conditions. An indicator known as the k-line measures the current price relative to highs and lows over a certain period. Some analysts consider it a sell signal when the k-line crosses below its own moving average, or d-line, in the overbought area.
Investors should sell the pound at $1.6178, targeting a move to $1.5855 to $1.59, Citigroup Inc., the world's second- biggest foreign exchange trader, said in a note yesterday. The U.S. bank said today that investors should exit the position should the U.K. currency rise to $1.6330, above an initial recommendation of $1.6275.
"You have a bearish daily reversal around the top of the range and momentum that's looking rather stretched," Shyam Devani, a technical strategist at Citigroup in London, said in a phone interview yesterday. "The price action for the pound has been bearish and we are generally of the bias that the dollar does well."
Copyright 2014 Bloomberg. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.


text:
Lucky Samsung Galaxy Nexus owners have plenty of screen real estate to work with. With a whopping 1280×720 resolution, and a sharp 316 pixels per inch (PPI), it's a wonder that Samsung didn't take bit more advantage of the phone's specs. Regardless, being the Google phone has its perks, as developer "drcmda" has constructed a ROM that, with a simple flash, turns your Galaxy Nexus into a tablet/phone hybrid.
About the ROM
"This is NOT just tablet mode", the developer says, "This is an ongoing developer project to make way for a modification that will entirely transform your device, but retain the aesthetics and the experience of your phone." That's right! When running the ParanoidAndroid ROM you will be working with a 4.65" tablet. That means apps, menus, and UI are all in tablet format. Even native apps such as the dialer have been optimized to bear their respective tablet style look. This ROM basically tricks your phone into thinking it's a tablet!
- Cyanogenmod 9 source code
- Re-written Trebuchet launcher for tablet mode
- Butter-smooth performance.
- 100% functional android standard keyboard
- Custom Boot animation
- Fully functional Google Apps package
- Available for the GSM and CDMA Galaxy Nexus.
Installation is as simple as flashing any other ROM in ClockworkMod recovery just wipe your data, cache, and dalvick cache before flashing. This ROM means business, but you can easily flash another ROM if you happen to not like your hybrid setup.
So, if you're looking to soak up some of that delicious screen space on your Galaxy Nexus, why not turn it into a mini-tablet with the ParanoidAndroid ROM? Let us know your thoughts! Butter smooth people, and bacon tasty!


text:
A playoff berth and a Northeast Division title were wrapped up by the Bruins, as they went 3-0-1 last week.
And there were plenty of solid individual performances along the way.
Seventh Player Award winner Brad Marchand recorded a point in all four games and finished with 2-3-5 totals and a plus-2 rating. His goal in Philadelphia was the game-winner.
Tim Thomas re-established himself as the hands-down Vezina Trophy favorite with two wins and a shutout. He stopped 87 of 91 shots (.956), including 32 of 32 against Chicago. He lost a shootout to Toronto, 1-0 (with one save).
On the back end, Zdeno Chara was a rock again. His goal, which was his lone point on the week, proved to be the game-winner against Chicago. He was plus-4 on the week with seven shots on net.
After scoring the game-tying goal against Philadelphia, Nathan Horton added one more score against the Blackhawks and finished the week with a plus-2 rating and six shots on net.
So, readers of TheBruinsBlog.net, I ask you:
Who should be the Bruin of the Week?
- Brad Marchand (39%, 37 Votes)
- Tim Thomas (35%, 33 Votes)
- Nathan Horton (16%, 15 Votes)
- Zdeno Chara (11%, 10 Votes)
Total Voters: 95


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In order to understand this story, I first need to give you some background on a certain internet meme. Yes, I know what you're thinking - we hate memes. I do too, but I need to explain this one anyway, as it's crucial to the story, and I don't want anyone to misunderstand what this is all about.
The film "Der Untergang" ("Downfall" for the linguistically challenged) is a German/Austrian film about the final moments of Hitler's life in the bunker and the deteriorating city of Berlin on top of him. The film evoked many strong emotions, and some people in and outside of Germany feared that giving Hitler a "3D" personality - instead of always simply regarding him and his henchmen as 2D monsters - would aid neo-Nazi movements around the world. As it turned out, this wasn't going to happen, as Hitler in his last days was decidedly not someone to look up to, even if you were a die-hard neo-nazi.
The film itself turned out to be really good. In fact, I personally find it my best film of all time. It made me sick, sad, angry, and uncomfortable all at the same time, and the acting of the cast was very close to perfection. It also helped that it was a German/Austrian-made film, with the proper language, and without the usual eagle-chocking sauce of patriotism many Hollywood film makers drape over their WWII films.
However, the biggest accomplishment of this film is without a doubt Bruno Ganz' depiction of Hitler. Again without a doubt I can say that this is the best acting performance in a film of all time. The accent, the mannerisms, the rhythm of speech, the posture - it's perfection. The fact that Bruno Ganz did not get an Oscar for his performance is further proof that the Academy Awards are not to be taken seriously, something I already knew the moment American History X didn't win an Oscar.
Anyway, one of the defining scenes in the film is where Hitler is confronted with the fact that the war is lost, that Das 3. Reich has fallen apart. At this point, Hitler "deafens himself to reality, eloquently savages everyone who cost him his dreams, vows revenge and finally resigns himself to private grief", as the New York Times put it so fittingly. The internet has taken on this scene, and has created hundreds of spoofs by placing deliberately incorrect subtitles in the scene, about anything from XBox machines to Malaysian politics. One of those spoof videos is amidst of the recent App Store rejection. It's this one, and it's about movie studios and DMCA take-down notices; Linux and Stallman also make an appearance:
How would a video like this cause an application to be barred from entry into the App Store? Well, someone made an application which monitors the RSS feed of the EFF's web page and displays its content. And here it goes wrong: a blog post on the EFF's page displays the above video, and the App Store reviewer of the day saw Hitler, decided it was objectionable, and turned the application down.
Of course, this is nothing short of idiotic. Using the standard, built-in YouTube application on the iPhone, you can browse to the exact same video and play it - and with it all the other gazillion similar spoof videos. Also, any RSS application can point to the EFF feed, and let's not forget Safari, which you can use to visit pages that are much, much more "objectionable".
This story gains an extra dimension of clumsiness on Apple's end because we're talking about the EFF here. The EFF and Apple are in a tussle over the DMCA; the EFF is advocating a DMCA exception that would allow the jailbreaking of iPhones, where Apple is obviously against it. This recent rejection by Apple further strengthens the EFF's argument, which is probably not what Apple had intended.
In any case, it seems like Jon Gruber's hilarious "Excerpts From the Diary of an App Store Reviewer" is closer to reality than any of us could have imagined.


text:
Downtown tower to be upgraded; second tower possible
Downtown tower to be upgraded; second tower possible
A Greenville developer and investors have bought a downtown bank building and have plans to upgrade it, and perhaps add another tower, News 4 has learned.
Hughes Development bought the Bank of America Plaza on the corner of Richardson and Washington streets.
Bob Hughes and investors say they plan to update the exterior of the 15-story tower. They are also considering building another tower where an adjacent parking garage currently stands, but there is no final decision on that.
They are also looking at updating the interior of the existing tower.
The property is next door to the two-towers of One on Main Street.
There is no word on who would go into the new tower, if it is constructed.


text:
Stack Exchange network consists of 174 QA communities including Stack Overflow , the largest, most trusted online community for developers to learn, share their knowledge, and build their careers.Visit Stack Exchange
These realizations are not ruled out by anything that is specified in a canonical description of the case. But then necessity is false. For related reasons, it is hard to see how mere reflection on the case — under some such description — could give us justification to believe necessity .
Someone might object as follows: 'Why is it a problem for the target rationalist that the judgement she ascribes to us is false and unjustified? Surely it is still an open question at this stage of the inquiry whether any given intuitive judgement is true and/or justified? Careful analysis of its content may reveal that it fails on both scores.'
Let me reply on Williamson's behalf: as I understand it, the problem is not simply that the candidate content is false and/or unjustified — the problem is that it is too obviously false and unjustified. Our intuitive judgements may indeed be in poor epistemic shape, but it would be highly surprising if it turned out to be this easy to reveal that they are. Indeed, it would be surprising enough if it were this easy to show that the Gettier judgement alone was in poor shape — the usual presumption being that, if any intuitive judgement is in good standing, it is the Gettier judgement. But matters are worse, since parallel arguments are available for many other intuitive judgements. 22
Next, the proposal under consideration is a psychological hypothesis about the content of our actual judgement, and as such it makes certain predictions that are not borne out. We simply do not behave as we would behave if the proposal were true. In particular, we do not take the possibility of the above realizations of the case to falsify our original intuitive judgement. And on the face of it, this reaction is appropriate — it is not just a result of stubbornness or a reluctance to admit mistakes. Rather, the reason why we do not retract or revise our original judgement is that the envisaged realizations do not agree with our (semantic) intuitions about what the case designer meant . (By 'case designer' I just mean whoever put together the case description. The case designer and the thought experimenter may of course coincide.) These realizations of the case are deviant , and they are easily recognizable as such. That is, the corresponding interpretations of the case description are clearly unintended — the description was not meant to be read in some such way — and we rightly ignore these interpretations when running the thought experiment. And when it is pointed out to us that it can be filled out in some such way, we do not retract our original intuitive judgement or start qualifying it (e.g. by adding 'what I should have said is that Jones does not know — provided that there is no other route to knowledge available to him'). 23 This suggests that necessity fails to capture the intended generality of that judgement.
Note how even though all of the chapters in this example are added backwards, they come out in the proper order:
Collections with a comparator will not automatically re-sort if you later change model attributes, so you may wish to call sort after changing model attributes that would affect the order.
Force a collection to re-sort itself. You don't need to call this under normal circumstances, as a collection with a
will sort itself whenever a model is added. To disable sorting when adding a model, pass
{sort: false}
. Calling
triggers a
event on the collection.
Pluck an attribute from each model in the collection. Equivalent to calling
and returning a single attribute from the iterator.
Return an array of all the models in a collection that match the passed
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collection.url or collection.url()
Set the
property (or function) on a collection to reference its location on the server. Models within the collection will use
to construct URLs of their own.
collection.parse(response, options)
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Returns a new instance of the collection with an identical list of models.
Fetch the default set of models for this collection from the server,
them on the collection when they arrive. The
hash takes
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(collection, response, options)
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