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During his career with the Times, Curry authored more than 4,500 articles, covered 18 World Series, 11 All-Star Games and two World Baseball Classics. The New Jersey native also was nominated for a Pulitzer Prize in 1999, and won multiple Times Publisher Awards.
Curry's television experience extends back to 1991, when he began contributing to Madison Square Garden Network's Yankees pre-game show and weekly baseball magazine show. Since November 2005, Curry has been a regular contributor to YES' Yankees Hot Stove show, and for the last five seasons, he has appeared on YES' Yankees Access shows. In addition, he was a featured panelist on MSG's Angles roundtable show, was a frequent guest on WCBS-TV's Baseball Insider weekly studio show, and has also provided expert baseball analysis and commentary on television and radio programs such as ESPN's Outside the Lines, MSNBC's Countdown with Keith Olbermann, ESPN Radio's The Michael Kay Show and various WFAN Radio programs.
Curry also co-wrote a book with Derek Jeter entitled The Life You Imagine: Life Lessons for Achieving Your Dreams, which was a New York Times best-seller. In January 2013, Curry received the Broadcast Achievement Award from the New Jersey Sports Writers Association and was named "Top Sports Analyst" by the New Jersey-based 201 Magazine. A 1986 graduate of Fordham University, Curry resides with his wife, Pamela, in New Jersey.
Former Yankees catcher John Flaherty enters his 12th season as a field reporter, studio analyst and game analyst for YES Network telecasts. He received New York Emmy Award nominations in 2010, 2011 and 2013 for his work at YES.
Drafted by Boston in 1988, Flaherty progressed through the Red Sox farm system before joining their Major League squad in 1992. He played 14 seasons in the Majors with Boston (1992-93), Detroit (1994-96), San Diego (1996-97), Tampa Bay (1998-2002) and the Yankees (2003-05), compiling a .252 average with 80HR in 1,047 games.
Flaherty brought his knowledge of the game and his veteran style of leadership to the Yankees clubhouse when he signed as a free agent in 2003. He played in 134 games with the Yankees across three seasons, and will be long remembered for his dramatic pinch-hit, "walk-off" single to defeat the Boston Red Sox in the 13th inning on June 1, 2004 - the contest that featured Derek Jeter's famous dive into the third base stands.
Flaherty is a New York City native and a graduate of George Washington University. On May 15, 2009, he was awarded an honorary Doctorate of Humane Letters from St. Thomas Aquinas College in Sparkill, N.Y. In 2015, he was inducted into the New York State Baseball Hall of Fame.
Now in his 16th season as the play-by-play announcer for the YES Network, Kay also serves as the host of YES' CenterStage series, hosts his own radio talk show on ESPN Radio in New York and is a frequent contributor to ESPN's Emmy Award-winning Sports Reporters. In 2008, 2011 and 2016, he handled play-by-play duties for the ESPN Radio Network's coverage of the AL Division Series.
There are many other interpolators which take more surrounding pixels into consideration, and are thus also much more computationally intensive. These algorithms include spline and sinc, and retain the most image information after an interpolation. They are therefore extremely useful when the image requires multiple rotations / distortions in separate steps. However, for single-step enlargements or rotations, these higher-order algorithms provide diminishing visual improvement as processing time is increased.
All non-adaptive interpolators attempt to find an optimal balance between three undesirable artifacts: edge halos, blurring and aliasing.
Even the most advanced non-adaptive interpolators always have to increase or decrease one of the above artifacts at the expense of the other two — therefore at least one will be visible. Also note how the edge halo is similar to the
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, and improves the appearance of sharpness by increasing acutance .
Adaptive interpolators may or may not produce the above artifacts, however they can also induce non-image textures or strange pixels at small-scales:
On the other hand, some of these "artifacts" from adaptive interpolators may also be seen as benefits. Since the eye expects to see detail down to the smallest scales in fine-textured areas such as foliage, these patterns have been argued to trick the eye from a distance (for some subject matter).
Anti-aliasing is a process which attempts to minimize the appearance of aliased or jagged diagonal edges, termed "jaggies." These give text or images a rough digital appearance:
Anti-aliasing removes these jaggies and gives the appearance of smoother edges and higher resolution. It works by taking into account how much an ideal edge overlaps adjacent pixels. The aliased edge simply rounds up or down with no intermediate value, whereas the anti-aliased edge gives a value proportional to how much of the edge was within each pixel:
A major obstacle when enlarging an image is preventing the interpolator from inducing or exacerbating aliasing. Many adaptive interpolators detect the presence of edges and adjust to minimize aliasing while still retaining edge sharpness . Since an anti-aliased edge contains information about that edge's location at higher resolutions, it is also conceivable that a powerful adaptive (edge-detecting) interpolator could at least partially reconstruct this edge when enlarging.
Club EdVenture is an award-winning, hands-on, educational program, backed by an experienced staff with knowledge in child development and care. We are an affordable extended learning program, operated by staff from EdVenture Children's Museum. Our 10:1 student-to-adult ratio ensures that all students get the attention and engagement that they deserve.
This fun, academic, enrichment and educational program provides a safe and structured space for students, while keeping their minds stimulated during an extension of the regular school day. Children will engage in age-appropriate activities that encourage creativity and self-expression, strengthen good problem-solving skills, promote academic achievement, encourage fitness and good nutrition, and instill good citizenship and respect for others.
Elementary schools
Middle schools
After properly registering and attending parent orientation, you will receive a freemembership to EdVenture Children's Museum. That means free admission to the museum for your family (two adults and four children) and special discounts on EdVenture camps and other special programs! This membership will remain valid the day your enrolled in Club EdVenture until you are not enrolled. If your account accrues an outstanding balance, your membership will be suspended until the account balance has been satisfied.
Need something new to spice up your existing after school program? Check out
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Our days at Club EdVenture are filled with learning and fun. We take pride in all our program has to offer! Take a look at our Club EdVenture Schedule below!
Click Here To View Club EdVenture Schedule
The Club EdVenture Fact Sheet overviews all of the great work Club EdVenture has accomplished, as wellshowcases all that Club EdVenture has to offer for your family.
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The Parent Handbook is an all-inclusive document that outlines every aspect of Club EdVenture! It covers everything from daily schedules, to procedures and policies, to safety!
Click Here to View Club EdVentureParent Handbook
Club EdVenture worksto ensure a safe, fun environment for every child. Registration is required tojoin Club EdVenture.
To be registered in Club EdVentureafter-schoolprogram, a parent must enroll their child online using the link aboveandpay both the registration fee and first week's tuition. Parents should attend an orientation session. The orientation next date is listed below.
Parent Orientation dates:
To view a list of our orientation dates for 2018 and 2019
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*Orientation sessions are held on different and in various locations for your convenience.
Club EdVenture is excited to be a part of Richland One Summer SOAR camp 2018.
We will be hosting at two schools.
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Richland One Summer SOAR Camp Cost $85.00 per week/per camper
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Robin McCants , Director of Club EdVenture803-400-1154, firstname.lastname@example.com
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Crowdsourced data collection is when researchers turn to internet communities to answer research, survey or feedback questions. Crowdsourced data collection is gaining popularity because it is convenient, inexpensive and relatively quick. Learning how this strategy compares with more comprehensive and traditional approaches is important to guiding future research.
That's whyresearchers compared crowdsourced data from the Amazon Mechanical Turk, an internet marketplace where researchers can post questions to collect data, with the National Adult Tobacco Survey, a comprehensive survey from the U.S. Centers for Disease Control and Prevention.
Specifically, researchers crowdsourced demographic, tobacco perception and tobacco warning label exposure data from nearly 4,000 young adults ages 18-30, and compared their data with NATS data after using a statistical technique to make the samples comparable in gender, race/ethnicity, educational attainment and age.
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, reveal some important insights into the research method.
The two surveys yielded different results in several areas, including tobacco use, demographics, perceptions of harm and warning label exposure. Crowdsourced data had significantly more non-cigarette tobacco users, particularly e-cigarette users (13.9 percent compared with 2.6 percent). Crowdsourced participants were also less likely to report that smoking is very harmful (81.8 percent vs. 88.8 percent), but were equally likely to report that smoking is very addictive.
When it comes to exposure to warning labels, fewer (16.9 percent) crowdsourced participants indicated that they faced exposure to cigarette warning labels "very often," and were less likely than NATS smokers to report that smoking is "very harmful" across almost all levels of warning label exposure. Consistent with past studies, researchers found the crowdsourced data over-sampled lower income populations.
These results demonstrate that crowdsourced data are not generalizable to the population at large, and should not be used for the "monitoring of population trends in behaviors and other outcomes," according to the authors.
Although crowdsourced data can't be used to represent the general population, several types of research would benefit from this form of data collection. Some examples include: research looking for high tobacco-use populations, or earlier phases of studies, including "idea development, designing public health interventions, and ascertaining feedback on alternative approaches," write the authors.
The framing of crowdsourced surveys is also important for yielding good results. For example, the survey was framed as a tobacco survey, which may have attracted more tobacco-using participants. The authors recommend "framing descriptions for crowdsourced data collection more generally (e.g., a survey on health) to reduce the likelihood that those familiar with the survey subject will be more likely to respond."
The percentage of crowdsourced participants who used e-cigarettes, compared with 2.6 percent from the National Adult Tobacco Survey
Telephone: 612.338.3376 Toll Free: 800.873.3376 Facsimile: 612.338.5226
222 South Ninth Street, Suite 450 Minneapolis, MN 55402


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Pioneer Elementary in West Chicago serves as pilot for Your Library Nook
WEST CHICAGO – With bright colors, bean bag chairs and plenty of books, the Junior League of Kane and DuPage Counties hopes to create a readers' paradise at Pioneer Elementary School in West Chicago.
The school will be the first to have part of its library transformed into a library nook as part of the league's Your Library Nook initiative.
The project will create a comfortable, welcoming place for students to read that features new furniture, shelving, decorations, reading materials and games. It is expected to be completed during the 2014-15 school year.
"We know if you don't have that place where they can feel safe and curl up with a good book, they're not going to fall in love with reading," said Sarah Clark, communications vice president of the Junior League of Kane and DuPage Counties.
Part of a national association, the league is open to women of all ages and provides leadership training and service opportunities.
The focus of the league in Kane and DuPage counties is literacy, Clark said.
For the Your Library Nook initiative, league members wanted to help students from lower socioeconomic backgrounds in particular. They looked at schools with the most students in free and reduced lunch programs and determined Pioneer Elementary would be a perfect fit for the project, she said.
At Pioneer Elementary, students are already excited to go to the library, but the idea of increasing that excitement is attractive to school leaders, Principal Gloria Trejo said.
"We want literacy to be an opportunity," she said. "We want students to see this as an opportunity, not a task."
Trejo and librarian Robin Harwood have worked closely with the league to develop a plan that fits the needs of the school, Trejo said.
About 93 percent of the school's students come from low-income households, according to its 2013 Illinois School Report Card.
Many school parents work two jobs to make sure the daily needs of their children are being met, she said.
That makes it especially important for the school to play its part in meeting the literacy needs of its students and providing support to parents for promoting reading at home, Trejo said.
The Your Library Nook project is being funded entirely through donations. Of the $10,000 needed to create the nook, $3,000 has been raised, Clark said.
Part of that support came from the league's annual Spring Fling event, which many school and district staff members attended.
While the Your Library Nook initiative at Pioneer Elementary will only transform a corner of the library, the league will donate plans for the rest of the library that school leaders can use for any future projects they decide to pursue, Clark said.
The league also will donate reading materials for a few years after the project is completed and participate in the school's literacy programming for families, such as its Literacy Nights.
Following the project at Pioneer Elementary, league members hope to expand the initiative to other schools in the area, but they also want to continue their relationship with Pioneer staff, whom were phenomenal partners for the project, Clark said.
"They just poured their heart into it, and that's just been so invigorating for us," she said.
Visit jlkd.org/nook to donate to the Your Library Nook initiative.

subset: commoncrawl


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BUCKEYE BUZZ: This is just tip of iceberg for Meyer at OSU
- Written by MATT HAMMOND
Those cynical college football fans that thought Urban Meyer may have lost his touch at the end of his Florida coaching days have been abruptly silenced this season.
All Meyer has done in his rookie campaign at Ohio State is transform a group that went 6-7 last year into a team that is undefeated and ranked fourth in the country headed into the season finale Saturday against rival Michigan.
In a single word, he has been brilliant.
Meyer has injected fight into a team that lacked it last year. He has made the most of a roster that lacked high-end talent and depth.
A team that faltered in close games a year ago has found a way to win tight games this fall.
Intense and passionate about his players, Meyer demands excellence and it shows in the product he puts on the field. He is honest when he talks about guys that have bought in and those who still have work to do.
His players play with the same confidence and edge that embodies their coach.
What has to be scary to the opposition is that Meyer is just getting started. The Buckeyes are 11-0 despite having little depth on the offensive line, few weapons at receiver and a linebacking corps so thin that Zach Boren had to move from fullback midway through the season.
The recruiting class he will sign in February will be his first full class and his headed toward a top-five ranking. It should help address the depth issues and start to give Meyer the type of talent he was accustomed to when he won two national titles with the Gators.
The main concern among fans when Meyer when took the OSU job last November was his health. By all indications, he has held up well.
As long as that continues, there should be many more seasons like this one in Columbus.


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Author | Speaker | Motherhood & Parenting Expert | Licensed Psychotherapist
Learn how to Adjust to Life Changes from a Psychotherapist and Motherhood Expert
Debra Gilbert Rosenberg, LCSW is a nationally-recognized psychotherapist and motherhood expert who focuses on helping mothers feel good about themselves while adjusting to motherhood. She has written "The New Mom's Companion: Care for Yourself While You Care for Your Newborn," to help first-time mothers adjust to the many emotional, relationship, identity, and physical changes that accompany motherhood, and "Motherhood Without Guilt: Being the Best Mother You Can Be and Feeling Great About It," to help mothers become more self-accepting and confident about their motherhood.
Debra, a motherhood expert, conducts new mothers' support groups in Chicago's Western Suburbs. A renowned parenting speaker and author, Debra offers lectures and workshops, writes for specialized parenting publications, and is a regular guest on TV and radio programs.
A licensed psychotherapist, she currently maintains a private practice in adult psychotherapy in Oak Brook, Illinois, and teaches sociology courses at Dominican University in River Forest, Illinois.
If you are looking for support, or for more information, contact Debra.
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CHICAGO -- John Rung was named president of Shaw Media and elected to its Board of Directors at the company's annual meeting on Thursday.
Rung, 50, was previously Senior Vice President and Chief Operating Officer of Shaw Media. He will continue to serve as Publisher of the Northwest Herald, Shaw's flagship publication in Crystal Lake.
The Daily Chronicle is owned by Shaw Media. The company publishes more than 80 print and online titles in Illinois and Iowa.
The appointment of Rung to be the first person from outside the family to serve as president of Shaw Media is an important milestone, said Tom Shaw, CEO of Shaw Media.
"John has demonstrated the ability to thrive in a highly successful, professionally managed family-company environment," Shaw said. "We believe that our unique business and family legacy will be in capable hands."
Rung has been with the company 16 years and has served in a variety of management roles. As president, he will be the principal operating officer of the company, responsible for all of its operating activities.
Shaw, 65, has been with the company 43 years, and is a fifth-generation member of the family that has owned and operated Shaw Media for 162 years. Shaw was elected president and CEO in 1993, and will continue as CEO in the role of the corporation's principal executive officer, supervising its business and affairs.
"I am excited to take on this responsibility and I thank Tom Shaw and our Board of Directors for their faith in our leadership team," Rung said. "Shaw Media has a storied past and an exciting future. We have a talented team of people who are committed to growth through excellence. Shaw's proud legacy will continue."
Rung resides in Johnsburg with his wife and three children. Shaw resides in Dixon with his wife and the youngest of their six children.


text:
For Making long description short see my case:
path: "../defult123/test.txt"
my code: ofstream fout("../defult123/test.txt",ios::out);
Here in "defult123", "default" is static but "123" is dynamic .So Basically
path should be written as: "../default***/test.txt"
So how can i access this dynamic path for writing in test.txt file.
so should be working ??
ofstream fout("../default*/test.txt")
or,do i have to list directory fist then check for folder named "default" in sub folder? if so then how do i do that?
please be a help....


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This image released by Fox Searchlight shows Michael Fassbender, left, Lupita Nyong'o and Chiwetel Ejiofor, right, in a scene from "12 Years A Slave."
ASSOCIATED PRESS Enlarge
This image released by Fox Searchlight shows Benedict Cumberbatch, left, and Chiwetel Ejiofor in a scene from "12 Years A Slave."
associated press Enlarge
It's true that the Oscar race is all but over. This movie awards season will belong to 12 Years a Slave.
The stunning and tragic true story of a free black man sold into slavery in the pre-Civil War South, 12 Years a Slave is guttural, raw, and necessary to the moment, the kind of film that merits critical accolades and industry trophies.
Despite a few flaws, the film is bulletproof, artistry of visceral impact more than technical success.
Written by John Ridley and based on Solomon Northup's 1853 autobiography, 12 Years a Slave begins in the happier moments of the author's life, as a loving husband and father of two in upstate New York.
Directed by Steve McQueen.
Screenplay by John Ridley, based on the autobiography.
A Fox Searchlight release, playing at Cinemark Franklin Park and Levis Commons.
Rated R for violence, cruelty, some nudity, and brief sexuality.
Running time: 132 minutes.
Critic's Rating ★★★★★
Cast: Chiwetel Ejiofor, Michael Fassbender, Lupita Nyong'o, Paul Dano, Paul Giamatti, Benedict Cumberbatch, Alfre Woodard, Brad Pitt
★★★★★ Outstanding; ★★★★ Very Good; ★★★ Good; ★★ Fair; ★ Poor
Days later the well-read, well-spoken, and talented violinist is drugged and sold into slavery by two white con men posing as traveling circus performers while his family is away on a trip. It's a hellish nightmare come true.
The unimaginable odyssey of Solomon (Chiwetel Ejiofor) begins in a dark jail cell, where his protests of being a free man are met with beatings, then aboard a slave boat, where he is shackled with other kidnapped black men and women being shipped to the South. And it ends with him in the custody of a vicious Louisiana plantation owner named Edwin Epps (Michael Fassbender), where he is finally rescued more than a decade after his ordeal and restored to the arms of his loving family.
In the long years between those moments, Solomon experiences the savage cruelty of Christian white men and women — Bible-quoting slave owners whose dehumanizing views of blacks as animals is necessary to reconcile their despicable deeds with their religious faith.
Solomon watches others perish at the hands of these butchers, and he bears the scars on his back of their repeated whippings. His initial instinct is to fight back but he learns from his own pain and blood that to survive he must repress his rage and do as he is commanded.
Solomon also is stained with the blood of fellow slaves, by his own actions and inaction.
When a tortured slave named Patsey (Lupita Nyong'o) begs Solomon to drown her and end her misery of beatings and punishment, he refuses, which makes the consequences of his decision all the more troubling and excruciating to watch.
Solomon is a stoic hero who possesses contradictions and unflagging resolution. Ejiofor (Children of Men, American Gangster) explores the rich substance of the character and delivers a tour-de-force performance that never stoops for easy empathy, but forces us to look into his eyes to see the pain. As Solomon stands alone, nearly broken by the length and weight of his circumstances, director Steve McQueen holds the camera close to Ejiofor's face for a minute or longer as the actor stares squarely at us, breaking the barrier between audience and film. There are no tears or anguished cries, just intense silence. It's an uncomfortable and effective moment that challenges us to peer deep within ourselves.
Equally mannered in his performance is Fassbender, reining in a villainous role that could have spiraled into cartoonish levels of vile behavior. Solomon is complicated, but Epps is straightaway evil, a contemptible wretch wrapped in self-righteousness, whose harsh view and treatment of his human "property" is far more representative of his troubled soul than his Sunday Bible readings.
Fassbender plays such intolerable cruelty as he should: actions belonging as much to the era as they do moral failings. Yet, even under different circumstances of time and place, it's difficult to envision Epps as being anything other than humanity's great shame.
Similarly evil is his sadistic wife, Mistress Epps (Sarah Paulson), who endures her husband's infidelities with Patsey by punishing the slave. Paulson's icy wrath is formidable and Nyong'o, in a remarkable debut, delivers the film's tears and sadness.
Familiar names in this tremendous ensemble effort include Paul Giamatti as a heartless slave trader and Paul Dano as a sadistic slave master named Tibeats, who pushes Solomon too far. Benedict Cumberbatch plays a more kindly Louisiana plantation owner named Ford who is the first to purchase Solomon and then is forced to sell him to Epps to protect him from the vengeful Tibeats.
The most-recognizable face is Brad Pitt, who is little more than a distraction in a small but pivotal role as a Canadian carpenter hired by Epps and empathetic to Solomon's plight. Sporting a graying beard and era-appropriate wear, Pitt is still an out-of-place celebrity in a period piece occupied by character actors and unknowns, and his presence jolts us out of the film's time and place.
12 Years a Slave is unflinching and uncompromising in its depiction of human brutality. Django Unchained offered its own stylized blood and savagery onscreen, but the fictional nature of Quentin Tarantino's film kept the inhumanity at arm's length. It was also Tarantino being Tarantino. 12 Years a Slave, by virtue of its authenticity, is far more horrific, intimate, and necessary.
The bleak drama is not without blemishes.
The film can be cold and clinical, a vile history lesson told to a classroom and not shared by an audience, unlike the devastating humanity of Schindler's List, which best mirrors the 12 Years a Slave's gut-punch intensity.
McQueen applied the same clinical approach to his 2011 drama Shame about a struggling sex addict played by Fassbender, a film also uncomfortable to watch and distant from its subject.
But in the totality of this extraordinary work, 12 Years a Slave's imperfections scarcely matter.
It's not a perfect movie, but a film this powerful doesn't need to be.
Contact Kirk Baird at email@example.com or 419-724-6734.
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Facebook criticised over decision to stop public privacy votes
Facebook is set to remove the ability for users to vote on changes to its data privacy policy, in a move that has angered campaigners, according to BBC News.
In an email to all members, Facebook said it wanted a "more meaningful" way for users to give feedback.
The site has also proposed combining information across its other services, such as photo-sharing app Instagram.
Facebook said a vote into the changes could take place, but more than 300 million users would need to participate.
Under the site's rules, votes have an effect only if 30 per cent of the user base has taken part. The site recently announced its one billionth sign-up.
A campaign opposing the changes and calling for more transparency has been launched.
The Our-Policy.org website is urging users to comment on the announcement in order to trigger a user vote on Facebook's plans.
Under current rules, if there are 7,000 comments on an issue it will be voted upon. At the time of writing, 3,000 members had commented.
In explaining the changes, Facebook said it was looking for ways to more "effectively engage" with its users over changes to the network.


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Dave's Rating:
Goes south
"The East," a radical organization of like-minded eco-activists led by the charismatic, shaggy Benji (Alexander Skarsgard) and the intense Izzy (Ellen Page), is on a mission to catch and stop terrorists. But the terrorists they're after aren't religious zealots, they're big corporations that destroy the planet and human life in the pursuit of staggering profits. In the pursuit of eco-justice the earnest agitators employ some terrorist tactics of their own, destroying homes with sludgy oil and poisoning corporate evildoers. They also live together commune-style in an abandoned house, bathe infrequently ("You smell like soap" is an accusation with these folks) and eat food out of dumpsters. They're true believers who could use an image consultant.
What they get, instead, is Sarah (co-screenwriter Brit Marling), an undercover operative whose job is to infiltrate groups like these, assess their threat level and report back to her employer (an excellently ice-cold Patricia Clarkson). Sarah joins the crew, hides her cross necklace, eats the garbage-donut and helps plan "jams," the counter actions designed to interrupt The Man's business as usual. It's a premise loaded with implications for the world outside the theater, one tailor made by/for Marling and her behind-the-scenes collaborator, writer-director Zal Batmanglij (they also worked together on the spooky religious cult drama Sound of My Voice.) Their mini-collective -- which includes writer-director Mike Cahill -- is interested in outsider stories, but this time around they're working with a relatively bigger budget and what feels like a more intrusive presence on the part of Fox Searchlight, the studio that released Sound of My Voice and Marling and Cahill's Another Earth.
The East is, at its core, a standard crime/political thriller, but one with plenty of moral ambiguity and spiky issues approached from all angles. It initially impresses with its willingness to ask tough questions and you can thank Marling and Batmanglij's desire to tell different sorts of stories for that. But in the process of reaching a wider audience the film shifts gears awkwardly, tying up character arcs and plot lines in a series of neat packages that feel absolutely nothing like what's come before from this creative team. Along with payroll for stars like Page and Skarsgard and a deeper collaboration with a big studio comes a disheartening stumble, one that defuses the hotter topics the film wants to address. Worse, that kind of tidiness lets audiences off the hook the same way a kill-the-bad-guy B-movie would, throwing cold water on provocation: the threat is over, those fictional people fixed it peacefully, maybe someone nice and brave will do the same thing to Monsanto, let's go get some frozen yogurt. Now if only life were more like the movies.
68 out of 100 Metascore®
Read other critic reviews
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Songs about butts.
Death to the patriarchy.
Stay home.
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Welcome to Super Castles Central Coast - Jumping Castle Hire Central Coast - Jumping Castle Hire Sydney - Jumping Castle Hire Newcastle
South Sydney
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North Sydney
Inner Western Sydney
Western Suburbs Sydney
Northern Beaches
Lower North Shore
Upper North Shore
Sydney Hills District
Central Coast
Newcastle - Hunter Region
Minions Large Banner Jumping Castle
This castle is a combo with External slide, basketball hoop, jumping area & climb to top of slide
Rental Price
A small delivery fee may apply depending on your location but we try to keep this to a very minimum, we can advise during the booking process.
8.0m(L) x 5.0m(W) x 4.8m(H) (requires a space of 8.6m x 6.0m x 5.0m)
Additional Info
Maximum Weight Capacity: 400kgs, approximately 10-12 children at a time (weight dependent).
Please ensure there is an access space of 0,9m to get the castle through & advise of any steps / slopes in the booking process
Jumping Castle Hire Sydney, Jumping Castle Hire Central Coast, Jumping Castle Hire Newcastle
Jumping Castle Hire Sydney Western Suburbs
Price: From $220
Suitable for: Adults & Children
Available Overnight for an extra $80
All Rights Reserved 2018


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Betty Leora Alcox age 76 of Redwood Falls passed away Saturday, March 16, 2013 at Seasons Hospice.
Funeral services will be at 1:00 p.m. Wednesday, March 20 at Gloria Dei Lutheran Church.
Visitation is one hour prior to services at the church on Wednesday. Interment is in Olivia City Cemetery. Online condolences may be sent at www.stephensfuneralservice.com. Stephens Funeral Service – Redwood Valley Funeral Home is assisting the family with arrangements.
Betty Leora Alcox was born October 26, 1936 at Willmar, MN to Glen and Annie (Moncur) Alcox. She lived most of her younger life at Olivia. Betty attended school at Olivia and All Saints Episcopal School for girls at Sioux Falls, SD. She attended the DAC at Olivia. Betty participated in Special Olympics for many years and won numerous medals. In 1986 she moved to Redwood Falls to be near family. Betty worked at SEI as long as she was able. She was a special person and stayed a child at heart all her life. Family was so important to Betty, especially the babies and children. She taught us many lessons in life. We were lucky to have had her for so long. Thanks Betty.
Betty is survived by her sisters: Janet Bratsch of Renville, Mary Lou Hildebrandt and Vicki (Larry) Mertens, both of Redwood Falls; nieces and nephews: Joann (Bob) Cramer, Dick (Liz) and Larry (Sherrie) Bratsch, Rodney J., Doug (Paulette), Jim (Barb), and Dan (Deb) Hildebrandt, Mary (Gene) Luckhardt, Deb (Greg) Price, Dawn (Rick) Jansen, David and Chad (Nichole) Mertens; many grand and great grand nieces and nephews. She is now united with Bob and Annie Swenson, Glen and Edith Alcox, brothers John and Rawliegh Alcox, nephew Ronald Bratsch, great niece Samantha Price, great nephew Jeff Hildebrandt, and brothers-in-law Orvel Bratsch and Rodney Hildebrandt.


text: Hi all,I am having to get an medium format slr system and am just looking for a bit of help or any compelling reasons to get one over the other. (my budget is quite limited)HiIf you can rent MFD systems where you live do it. Try them all if you can with at least Hasselblad H2 and the Mamiya 645 AFDII. In the past week there has been a lot of big news in MFD!! Now there is talk that Mamiya & Phase may merge or work together? But really find a system that you like the look & feel of.Thanks Denis


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Photos of the North Shore
We love living on the North Shore, with all of its rugged beauty, wildlife, and roadside attractions. The ever-changing weather and our unique location bring out an adventurous and can-do spirit in the people who live here. To celebrate that, we've created a gallery of images taken along the shores of Lake Superior and in Grand Marais by professional photographer,
Max Haynes
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As part of our Spotlight on Dance, here is a list of dance schools in Los Angeles and New York City. Each listing includes the school's specialties as well as their location and contact info. If you would like to suggest additional schools for future editions of this list, please email firstname.lastname@example.com.
Los Angeles
3rd Street Dance, 8558 W. Third St., Los Angeles, CA 90048, 310-275-4683, firstname.lastname@example.com; www.3rdstreetdance.com; Over 20 years in Los Angeles. Private lessons also available. Ballroom, Latin
The Academy of Dance and Performing Arts, 5700 Corsa Ave., Ste. 106, Westlake Village, CA 91362, 818-889-1515, email@example.com; www.academyofdance.us; Pre-school to professional. Also has competition squad. 30 years in Los Angeles. Ballet, Jazz, Tap, Lyrical, Hip-hop, Musical Theatre
Academy of Music and Dance, 72 W. Bellevue Drive, Pasadena, CA 91105, 626-768-2614, www.pasadenadanceclasses.com; Offers dance classes, music lessons, voice and theatre for ages 18 months through adult, emphasizing small class sizes. Features live video feed into all classes. Also Mommy and Me classes. Other location: 3858 E. Colorado Blvd., Ste. 200, Pasadena, CA 91107, 626-795-0055. Ballet, Jazz, Tap, Lyrical, Modern, Musical Theatre
Agoura Hills Dance and Performing Arts Center, 5015 Cornell Rd., Agoura Hills, CA 91301, 818-991-8883, firstname.lastname@example.com; www.agouradance.com; Pre-dance to professional. All ages. Ballet, Jazz, Tap, Lyrical, Hip-hop, Musical Theatre
Alohi's Polynesian Dance Studio, 10707 La Mirada Blvd., Whittier, CA 90604, 562-693-2211, firstname.lastname@example.com; www.alohis.com; Offers a variety of authentic island dances, consisting mainly of Tahitian and Hawaiian. Ages 3 and up as well as beginner classes for adults. Ongoing enrollment. Jazz, Polynesian
Anaheim School of Ballet, 280 E. Lincoln Ave., Anaheim, CA 92805, 714-520-0904, firstname.lastname@example.com; www.anaheimballet.org; The resident ballet company of Anaheim. Pre-dance to professional. Offers an educational outreach and scholarship program. Ballet, Jazz, Tap, Hip-hop,
Anisa's School of Dance, 14252 Ventura Blvd., Sherman Oaks, CA 91423, 818-908-8008, firstname.lastname@example.com; www.anisadance.com; Wide variety of dance and fitness classes. All ages. Also a parent and me class. Ballet, Jazz, Tap, Latin, Modern, Hip-hop, Belly Dance, Hula
The Arte Flamenco Dance Theatre & Dance School, 230 W. Main St., Alhambra, CA 91801, 626-458-1234, email@example.com; www.clarita-arteflamenco.com; All dance forms from basic to professional. Specializes in Flamenco. Ages 3 to adult. Workshops taught by international performing artists, after school programs, and professional performance opportunities are available. Ballet, Jazz, Tap, Latin, Hip-hop, Polynesian
Arthur Murray Dance Studios, 262 N. Beverly Drive, Beverly Hills, CA 90210, 310-274-8867, www.arthurmurray.com; Private, class, and practice lessons. Other locations include: 231 1/2 N. Brand Blvd., Glendale, CA 91203, 818-242-5672; 5199 E. Pacific Coast Hwy., Ste. 100B, Long Beach, CA 90804, 562-986-4496; 4633 Van Nuys Blvd, Sherman Oaks, CA 9140, 818-783-2623. Ballroom, Latin
Athletic Garage, 121 Waverly Ave., Pasadena, CA 91105, 626-229-9769, firstname.lastname@example.com; www.athletic-garage.com; Dance and fitness classes for all ages and levels. Ballet, Jazz, Tap, Latin, Contemporary, Hip-hop
Ballet Arts School of Dance, 31308 Via Colinas, Ste. 101, Westlake Village, CA 91362, 805-495-7940, email@example.com; www.balletarts.org; Founded in 1962. Emphasis on dance as a performing art. Formed the Conejo Civic Ballet Company. Ballet, Jazz, Tap, Modern, Hip-hop
Ballroom Dance Academy, 817 N. Highland Ave., Los Angeles, CA 90036, 323-467-0825, email@example.com; www.ballroomdanceacademy.com; Offers group classes as well as private dance lessons, choreography for wedding couples, dance parties, and entertainment for corporate events and private parties. Ballroom, Latin
BeSpun, 1636 N. La Brea Ave., Los Angeles, CA 90028, 323-463-7786, www.bespun.com; Female owned and operated fitness studio featuring pole dance and Angela's Joyride (a dance-type workout on an indoor cycling bike). Group, private classes, pole parties, and workshops available. Pole Dance
Belly Dance and Brazilian Samba Dance, 6755 Hollywood Blvd., 2nd Fl., Hollywood, CA 90028, 323-646-7731, www.sambadancesuperstar.com; Offers free introductory Brazilian Samba class. Latin, Belly Dance
California Dance Academy, 9759 Mason Ave., Chatsworth, CA 91311, 818-341-0525, www.californiadanceacademy.com; Introductory through professional level. First class is always free. Ballet, Jazz, Tap, Ballroom, Modern, Hip-hop
California Dance Arts & California Contemporary Ballet, 4490 Cornishon Ave., Ste. 6, La Canada, CA 91011, 818-790-7924, email@example.com; www.dancenowacademy.com; Specializing in classical and contemporary ballet, but also has adult, children, fitness, and elective classes. Also a summer program and a Career Preparatory Training Division for serious dancers. Ballet, Jazz, Contemporary, Modern, Lyrical, Hip-hop
City Ballet of Los Angeles School, 152 W. 11th St., Los Angeles, CA 90015, 323-292-1932, firstname.lastname@example.com; www.cityballetofla.org/theschoolb.html; Mission is to sustain a dance institution that reflects the economic and racial diversity of LA. Work is a mixture of classical and contemporary. Tours with an urban outreach program and has a full scholarship program. Ballet, Modern, Dance History, World Dance
The Classical Ballet School, Studio 9, 5920 Shoup Ave., Woodland Hills, CA 91367, 818-610-1091, email@example.com; www.classicalballet.com; Trains dancers in own teaching method based on Cecchetti method. Private and targeted sessions available as well as group classes from child to adult. Ballet, Jazz, Tap, Latin, Modern, Hip-hop, Musical Theatre
Conjuctive Points Dance Center, 3631 Hayden Ave., Culver City, CA 90232, 310-836-3962, firstname.lastname@example.com; www.culvercity.com/dance/index.html; Beginner to professional. Pre-dance to adult. Ballet, Jazz, Tap, Ballroom, Latin, Modern
Creation Station, 10746 Jefferson Blvd., Culver City, CA 90230, 310-839-8999, email@example.com; www.creationstationdance.com; Classes reflect commitment to promoting high self esteem. Creative dance and movement program for toddlers to teens. Other CA location: 6501A Platt Ave., West Hills, CA, Ballet, Jazz, Tap, Contemporary, Lyrical, Cheerleading, Musical Theatre
Crenshaw Yoga and Dance, 5426 Crenshaw Blvd., Los Angeles, CA 90043, 323-294-7148, firstname.lastname@example.com; www.crenshawyogaanddance.org; Yoga, dance, and nutrition education. Ballroom, Modern, African, Afro-Caribbean, Burlesque Ballet
Dance562, 4146 Elm Ave., Ste. 5, Long Beach, CA 90807, 562-417-6112, firstname.lastname@example.com; www.dance562.com; Partner dance instruction and wedding first-dance instruction in Long Beach and surrounding communities. First lesson free. Ballroom, Latin
Dance Alive, 865 Via de la Paz, Ste. 196, Pacific Palisades, CA 90272, 310-454-5335, email@example.com; www.dancealive.com; New system that focuses on ultimate life fitness. Trains body, emotions, and mind to work as a healthy team. Movement
Dance Arts Academy, 731 S. La Brea Ave., Los Angeles, CA 90036, 323-932-6230, email@example.com; www.danceartsacademy.com; Professional training in all dance disciplines. Also offers workshops and master classes. Ballet, Jazz, Tap, Latin, Modern, West African, Movement, Irish Step
Dance Dimensions Performing Arts Center, Westfield Promenade, 6100 Topanga Canyon Blvd., Woodland Hills, CA 91367, 818-999-3262, www.mydancedimensions.com; Full-service studio offering classes for children, teens, and adults. Outreach program performs throughout the year. Two recitals a year. Summer and winter camps during school breaks. Ballet, Jazz, Tap, Latin, Contemporary, Hip-hop, Broadway, African, Belly Dance, Bollywood
The Dance Doctor Studio, 1440 Fourth St., Santa Monica, CA 90401, 310-459-2264, email@example.com; www.dancedoctor.com; Specializes in wedding dance preparation. Jazz, Ballroom, Latin, Hip-hop, Country, Belly Dance
The Dance Factory School of Performing Arts, 28901 S. Western Ave., Ste. 113, Rancho Palos Verdes, CA 90274, 310-519-3600, firstname.lastname@example.com; www.dance-factory.com; Family oriented, positive atmosphere. Classes for the beginner through the National Champion Company dancer, child through adult. Yearly recital and competitive dance team. Ballet, Jazz, Tap, Ballroom, Lyrical, Hip-hop, Musical Theatre, Acrobatics
The Dance Family Studio, 25 N. Allen Ave., Pasadena, CA 91106, 800-363-0306, firstname.lastname@example.com; www.thedancefamily.com; Founders, Francisco and Stacey Martinez, head the California Ballroom Teachers Academy. Classes, boot camps, teacher training, cruises. Ballroom, Latin
Dance Forever Studio, 1611 S. Catalina Ave. #L30, Redondo Beach, CA 90277, 310-540-6285, firstname.lastname@example.com; www.danceforever.org; Specializes in children, offers jazz and hip-hop to ages 3 and up. Ballet, Jazz, Tap, Contemporary, Lyrical, Hip-hop
Dance Garden LA, 3407 Glendale Blvd., Los Angeles, CA 90039, 323-660-4556, email@example.com; www.dancegardenla.com; Diverse dance forms for a diverse group of people. Specializes in Middle Eastern Belly Dance. Classes for all level and ages. Latin, Belly Dance, Afro-Brazilian, Persian, Bollywood
Dance in Motion, 22776 Ventura Blvd., Ste. B, Woodland Hills, CA 91364, 818-222-2085, firstname.lastname@example.com; www.danceinmotion.net; Classes, summer camp, dance team, wedding dance prep. Two recitals a year. Ballet, Jazz, Tap, Ballroom, Latin, Hip-hop, Belly Dance
Dance of the Devine, 2611 Beach Ave., Venice, CA 90291, 310-781-0763, email@example.com; www.danceofthedivine.org; Belly dancer Jacqui Lalita, known for her passion and playfulness, leads weekly classes to uplift and inspire. Belly Dance
Diamond Dance Academy, 24825 S. Western Ave., Lomita, CA 90717, 310-530-3400, www.diamonddanceacademy.com; Classes for ages 2 to 18. Ballet, Jazz, Lyrical, Hip-hop, Movement
Esencia Flamenca Dance Company and School, 324 Redondo Ave., Long Beach, CA 90814, 562-761-1618, firstname.lastname@example.com; www.1esencia.com; Non-profit dance company focused on promoting the art of Flamenco dance and music. Latin
Elite Dance Studios, 29457 The Old Road, Castaic, CA 91384, 661-295-7774, firstname.lastname@example.com; www.elitedancestudios.net; Classes for all ages and levels. First class free. Ballet, Jazz, Tap, Hip-hop
Fusion Dance Studio, 22236 Palos Verdes Blvd., Torrance, CA 90505, 310-540-6401, www.fusiondancestudio.com; Classes for adults and children. Has annual recital and choreographer showcase. Ballet, Jazz, Tap, Hip-hop, Acro, Movement
Garri Dance Studio, 3715 W. Magnolia Blvd., Burbank, CA 91505, 818-846-4390, firstname.lastname@example.com; www.garridance.com; Established in 1958. Dance, acting, and music lessons. Ages 2 years to adult. Ballet, Jazz, Tap, Contemporary, Hip-hop, Musical Theatre, Hula
Genie Nakano, 12627 Manor Drive, Hawthorne, CA 90250, 310-644-1186, email@example.com; www.genieyogini.com; Genie Nakano teaches Middle Eastern style dances and yoga. Belly Dance, Bollywood
Heartbeat House Dance Workout Studio, 3141 Glendale Blvd., Los Angeles, CA 90039, 323-669-2821, email@example.com; www.heartbeathouse.com; A dance workout studio offering an eclectic mix of ethnic, non-ethnic, traditional dance, fitness, yoga, martial arts, and kids classes. Ballet, Jazz, Latin, Hip-hop, African
Hermosa School of Dance & Music, 1151 Aviation Blvd., Hermosa Beach, CA 90254, 310-318-6260, www.schoolofdanceandmusic.com; Music and dance classes. Preschool to Adult. Also a competition dance team. Other location: 633 N. Pacific Coast Highway, Redondo Beach, CA 90277, Ballet, Jazz, Tap, Ballroom, Latin, Hip-hop,
Halau Hula a Kawika laua'o Leinani, 944 N. Diamond Bar Blvd., Diamond Bar, CA 91765, 909-396-4775, www.kawikaleinani.com; Professional, authentic Polynesian dance troupe that performs songs and dances from Hawaii, Tahiti, Samoa, New Zealand, Tonga, Hula
Hollywood Dance Center, 817 N. Highland Ave., Hollywood, CA 90038, 323-467-0825, www.hollywooddancecenter.com; Ages 4 and up. Ballet, Jazz, Tap, Ballroom, Latin, African, Bellydance, Irish Dance
Hollywood Dance Company, 6755 Hollywood Blvd., 2nd Fl., Hollywood, CA 90028, 323-463-8865, email@example.com; www.hollywooddancecompany.com; Rick Heiman teaches an advanced contemporary class, Limon/Horton based, with an emphasis on flow, musicality and moving with power. Dancers for future performance projects may be recruited from classes. Contemporary
International Dance Academy of Hollywood, 6755 Hollywood Blvd., 2nd Fl., Hollywood, CA 90028, 323-463-8865, firstname.lastname@example.com; www.idahollywood.com; Classes, workshops, and a summer intensive. Ballet, Jazz, Ballroom, Latin, Modern, Belly Dancing, Bollywood
Isabelle's Dance Academy, 1334 Lincoln Blvd., Santa Monica, CA 90401, 310-392-3493, email@example.com; www.isabellesalsa.com; Specializes in salsa, Argentine tango, and fitness pole dancing classes. Latin, Pole Dance
Katnap Dance Center, 12932 Venice Blvd., Los Angeles, CA 90066, 310-306-7069, www.katnapdance.com; Beginner through professional levels, special children's program, exercise and fitness stretch, Ballet, Jazz, Tap, Latin, Modern, Hip-hop
Kumaras Center for the Arts & Etiquette, 1616 W. Magnolia Blvd., Burbank, CA 91506, 818-848-9333, email@example.com; www.kumarasarts.com; Dance, fitness, energy, kids classes, workshops, wedding & quinceanera prep, etiquette & summer camp classes. Ballet, Jazz, Latin, Hip-hop
L.A. Dance Experience, 1941 Westwood Blvd., Los Angeles, CA 90025, 310-475-1878, firstname.lastname@example.com; www.ladanceexperience.com; All levels. Wedding dance prep. Parties and workshops. Ballroom, Latin
Let's Dance L.A., 17 S. First St., Alhambra, CA 91801, 626-227-2572, email@example.com; www.letsdancela.com; Flexible program, pay as you go, special events, Ballroom, Latin
Long Beach Ballet Arts Center, 1122 E. Wardlow Road, Long Beach, CA 90807, 562-426-4112, firstname.lastname@example.com; www.longbeachballet.com; Comprehensive classical ballet program includes a children's division, adult division, a professional academy, and a performing company, Ballet, Contemporary
Long Beach Dance Centre, 5107 E. Ocean Blvd., Long Beach, CA 90803, 562-438-1557, www.lbdance.com; Classes, parties, private lessons, wedding dance prep, Ballroom, Latin, Hula
Los Altos Dance Center, 5531 E. Spring St., Long Beach, CA 90808, 562-429-7486, firstname.lastname@example.com; www.losaltosdance.com; Classes for ages 3 to adult. Recital, Ballet, Jazz, Tap, Hip-hop
Los Angeles Ballet Academy, 18138 Sherman Way, Reseda, CA 91335, 818-780-6126, firstname.lastname@example.com; www.theatricsdance.com; Classes from preschool to adult. Strength building, flexibility, focus, creativity, and love of movement for boys and girls. Ballet, Jazz, Contemporary, Modern, Hip-hop
Los Angeles Ballet at the Los Angeles, 11755 Exposition Blvd., Los Angeles, CA 90064, 310-488-8890, firstname.lastname@example.com; www.losangelesballetschool.com; Beginner, intermediate, and advanced students, ages 7 to 19. Also classes in variations, repertoire, Pilates, and men's technique, Ballet, Jazz
Los Angeles Steppers Connection, 159 N. Market St., Inglewood, CA 90301, 310-895-5712, firstname.lastname@example.com; www.mylasc.com; Chicago style stepping. Classes taught by experienced, patient instructors who have fun while teaching the class. Students learn at their own pace. Ballroom, Latin, Stepping
Lumina Academy of Pasadena, 1054 N. Allen Ave., Pasadena, CA 91104, 646-296-2812, firstname.lastname@example.com; www.luminaacademy.com; Teaches cultural dances from all over the world taught by instructors from different countries who want to share their native culture. Ballet, Latin, Belly Dance, Country Line Dance
Media Dance Center, 237 E. Palm Ave., Burbank, CA 91502, 818-972-9692, email@example.com; www.mediadancecentre.net; Carries the traditions of classical Russian ballet for three generations. Rooted in a 75-year legacy of Ballet Russe de Monte Carlo and Pacific Ballet Theatre. Ballet, Jazz, Tap, Latin, Modern, Hip-hop
Millennium Dance Complex, 5113 Lankershim Blvd., North Hollywoodm CA 91601, 818-753-5081, email@example.com; millenniumdancecomplex.com; Professional dance center catering to the artistic community of the greater L.A. area. All levels, children to adult. Weekly master classes. Ballet, Jazz, Tap, Contemporary, Hip-hop
MNR Dance Factory, 11606 San Vicente Blvd., Los Angeles, CA 90049, 310-826-4554, firstname.lastname@example.com; www.mnrdancefactory.com; A place for dancers and their families to grow up. Also a dance team, Mommy and Me classes, and a summer intensive. Ballet, Jazz, Tap, Modern, Hip-hop, Musical Theatre
Marat Daukayev School of Ballet, 731 S. La Brea Ave., Los Angeles, CA 90036, 323-965-0333, email@example.com; www.maratdaukayev.com; Serious ballet training for girls and boys in the St. Petersburg style. Ballet, Movement
Ography Dance Studio, 6767 W. Sunset Blvd., Ste. 15, Hollywood, CA 90028, 323-957-1515, firstname.lastname@example.com; www.chopperdanceblog.com; Open classes for beginners to advanced students. Hip-hop
Pacific Arts Ballet, 10604 W. Pico Blvd., Los Angeles, CA 90064, 310-384-4921, email@example.com; www.pacificartsballet.com; Ballet and creative movement in the young children's program. Ballet for students 5 years and up in the Academy Program. Uses the newly developed ABT curriculum. Flamenco also offered. Ballet, Latin
Pacific Studio for Dance, 1123 N. Pacific Ave., Glendale, CA 91202, 818-240-2393, firstname.lastname@example.com; www.pacificstudiodance.com; All levels, preschool through adult. Also offers workshops and classes in guy-tech. Performance in annual concerts, National Dance Week celebrations. Ballet, Jazz, Tap, Hip-hop
Palos Verdes Ballet, 26 A Peninsula Center, Rolling Hills Estates, CA 90274, 310-377-6663, firstname.lastname@example.com; www.palosverdesballet.org; All levels. Company opportunities. Adult Division. Also offers Pas De Deux classes. Instruction by guest and master teachers as well as regular staff. Ballet
Peninsula School of Performing Arts, 2325 Palos Verdes Dr. W., Palos Verdes, CA 90274, 310-375-1398, email@example.com; www.pspadance.com; Classes and workshops for adults and children. Other location: 700 Silver Spur Rd., Rolling Hills Estates. Ballet, Jazz, Tap, Latin, Acrobatics
Penny Lane Dance Academy, La Reina Place, 14622 Ventura Blvd. #204, Sherman Oaks, CA 91403, 818-981-1414, email@example.com; www.pennylanedance.com; Variety of class formats for different ages. Also offers Mommy and Me classes, Pop Idol classes, Pilates, adult classes, and classes for boys. Ballet, Jazz, Tap, Hip-hop, Musical Theatre
Pole Position Fitness, 3252 E. Willow St., Long Beach, CA 90803, 526-930-1223, email@example.com; www.polepositionfitness.com; Pole and chair dance lessons on a weekly basis. Classes are extremely flexible. Pole dance
Private Ballet Los Angeles, 323-839-5631, firstname.lastname@example.com; www.privateballetla.com; Private and weekly group classes at various private studio spaces with ballet teacher Michael Cornell. Ballet
Rosalba Belly Dancer, 9854 National Blvd. Ste 347, Los Angeles, CA 90034, 310-993-0250, email@example.com; rosalbabellydance.com; Rosalba teaches and performs at various concerts, weddings, and corporate events. Belly Dance
Santa Monica Hip-Hop Dance, 2901 Ocean Park Blvd., Santa Monica, CA 90405, 310-636-8088, email@example.com; www.hiphopdancer.com; Classes with Lisa Kellogg combine hip-hop with pop and street dance. Hip-hop
Sassy Dance Workout, 345 N. La Brea, Ste. 208, Los Angeles, CA 90036, firstname.lastname@example.com; www.sassydance.com; Currently, studio is closed while owner in living and working in Morocco. Latin, Belly Dance
A Step in Time School of Dance, 4505 Las Virgenes Road, Ste. 102, Calabasas, CA 91302, 818-880-8152, email@example.com; www.astepintimedance.com; Well-rounded education for all ages in the American Ballet Theatre curriculum. Ballet, Jazz, Tap, Hip-hop, Acrobatics
Tango Academy of Pasadena, 57 Palmetto Drive, Pasadena, CA 91105, 626-963-8020, email@example.com; www.tangoacademypasadena.com; Authentic Argentine Tango instruction taught exclusively by Argentine instructors. Latin
Tap Academy Dance Classes & Studio Rentals, 1334 Lincoln Blvd., Santa Monica, CA 90401, 310-828-4904, email@example.com; www.tapacademy.bizland.com; Committed to teach the original American art form of tap. Tap, Latin, Belly Dance
Time 4 Class, 9713 Lurline Ave., Chatsworth, CA 91311, 818-700-1756, firstname.lastname@example.com; www.t4cstudio.com; Dance and fitness studio that offers dance classes for ages 3 to adult and fitness classes for teens and adults. Ballet, Jazz, Tap, Hip-hop, Musical Theatre
West Adams Studios, 1879 W. Adams Blvd., Los Angeles, CA 90018, 310-938-9927, email@example.com; www.westadamsstudios.com; Dance, fitness, and music classes. Ballet, Jazz, Ballroom, Latin, Modern, Hip-hop, Belly Dance, Burlesque
Westside School of Ballet, 1709 Stewart St., Santa Monica, CA 90404, 310-828-2018, firstname.lastname@example.com; www.westsideballet.com; Training in classical ballet for all ages and levels of dancers. Ballet
New York
Alvin Ailey American Dance Theatre, Joan Weill Center for Dance, 405 W. 55th St., New York, NY 10019, 212-405-9000, www.alvinailey.org; Founded in 1958 by Alvin Ailey and a group of young African-American modern dancers. Today, led by Artistic Director Judith Jamison, the company is one of the most acclaimed international ambassadors of American culture, promoting the uniqueness of the African-American cultural experience and the preservation and enrichment of American modern dance. Private and group classes available. Ballet, Jazz, Tap, Latin, Modern, Hip-hop, Horton, West African, Afro-Caribbean
American Ballet Theatre, 890 Broadway, New York, NY 10003, 212-477-3030, www.abt.org; One of the world's most revered and innovative dance companies. Training combines scientific principles with elements from the classic French, Italian, and Russian schools. Ballet
Ballet Hispanico School of Dance, 167 W. 89th St., New York, NY 10024-1901, 212-362-6710, email@example.com; www.ballethispanico.org; Classes for ages 2-21. Focused on exploring, preserving, and expanding the passion and joyous theatricality of Latino dance through the work in its three core divisions: the Company, the School of Dance, and Primeros Pasos. Ballet, Jazz, Contemporary, Latin, Hip-hop, Afro Caribbean, Spanish
Broadway Dance Center, 322 W. 45th St., 3rd Fl., New York, NY 10019, 212-582-9304, email@example.com; www.bwydance.com; Over 200 different classes weekly in a 23,000 square-foot state-of-the-art facility, more than 80 members of the faculty. Classes, programs, workshops for all ages. Ballet, Jazz, Tap, Hip-hop, Theater, African, Belly Dance
Capoeira Angola Center of Mestre Joao Grande, 104 W. 14th St., 3rd Fl., New York, NY 10011, 212-989-6975, email@example.com; www.joaogrande.org; Classes and workshops in an ancient African martial art and dance. Capoeira Angola
Corvino Ballet, 451 W. 50th St., New York, NY 10019, 212-247-2564, email@example.com; www.corvinoballet.org; Classes, workshops, and a company. Ballet
Dance Center of New Amsterdam, 280 Broadway, New York, NY 10007, 212-625-8369, firstname.lastname@example.com; www.dnadance.org; Open, ongoing classes, beginner through professional levels. Ballet, Jazz, Contemporary, Modern, Hip-hop
DanceSport-Paul Pellicoro, 22 W. 34th St., New York, NY 10001, 212-307-1111, firstname.lastname@example.com; www.dancesport.com; New York's largest Latin and Ballroom studio. Private lessons, group classes, nightly practice dance parties. All levels, all ages. Ballroom, Latin
Dance Theatre of Harlem, 466 W. 152nd St., New York, NY 10031-1814, 212-690-2800, www.dancetheatreofharlem.org; A cultural, social, and educational institution committed to providing young people of diverse backgrounds with an opportunity to receive training in classical ballet and the allied arts. Company, ensemble, school program, adult program, education and outreach program. Ballet, Jazz, Tap, Latin, Modern, African, Irish step
Dance Manhattan, 39 W. 19th St., 5th Fl., New York, NY 10011, 212-807-0802, email@example.com; www.dance-manhattan.com; Private lessons, group classes, one-day crash courses and workshops, wedding lessons. Ballroom, Latin
Fred Astaire Dance Studio, 174 W. 72nd St., New York, NY 10023, 212-595-3200, www.fredastaireny.com; Other locations in Manhattan: 303 East 43rd St., 212-697-6535 and 328 E. 61st St., 212-209-2410. Dance socially, dance for your wedding, dance competitively, Ballroom, Latin
Haila Strauss Dance, 212-388-7967, www.danceforactorsandsingers.com; Special dance workshop for actors and singers, audition preparation, private instruction, basic dance for teens. Ballet, Jazz, Musical Theatre
Harkness Dance Center, 92nd Street Y, 1395 Lexington Ave., New York, NY 10128, 212-415-5500, www.92y.org/harkness, A historic home of modern dance celebrating its 75th year. Classes for all ages and levels, dance therapy, a dance education laboratory, social dance parties, and a dance festival. Ballet, Jazz, Tap, Ballroom, Latin, Modern, Hip-hop, Belly Dance, Afro Caribbean, Middle Eastern
Isadora Duncan Dance Foundation, 141 W. 26th St., 3rd Fl., New York, NY 10001-6800, 212-691-5040, email@example.com; www.isadoraduncan.org; Company performs Isadora Duncan's repertoire. Offers certification programs, teacher training, classes and workshops for children through professional levels. Modern
Joffrey Ballet School, 434 Avenue of the Americas, New York, NY 10011, 212-254-8520, email@example.com; www.joffreyballetschool.com; Founded in 1953 to develop and train professional dancers. Only school in NYC that includes serious training in both classical and contemporary ballet. Also has child and adult programs. Ballet, Contemporary, Modern
Jose Limon Institute, 890 Broadway, 6th Fl., New York, NY 10003, 212-777-3353, email@example.com; www.limon.org; Rich in movement dynamics, expression, and musicality, studying the legacy of Doris Humphrey and Jose Limon. Professional studies, summer programs, workshops. Ballet, Contemporary, Modern
Manhattan Movement and Arts Center, 248 W. 60th St., New York, NY 10023, 212-787-1178, firstname.lastname@example.com; www.manhattanmovement.com; Adult open classes in all dance disciplines as well as fitness; a children's program of dance, movement and rhythm, fitness, music, art and martial arts for ages 6 weeks to 16 years; dance workshops and performances. Has a 160-seat theater and is the home of the Manhattan Youth Ballet. Ballet, Jazz, Tap, Contemporary, Hip-hop, Musical Theatre, Egyptian
Martha Graham Center of Contemporary Dance, 316 E. 63rd St., New York, NY 10065, 718-681-2560, email@example.com; www.marthagraham.org/center, Longest continuously operating school of dance in America. Classes taught by faculty who worked with Martha Graham and who are or have been members of the Martha Graham Dance Company. Professional training, open classes for non-professionals, intensives, and a teacher training program are offered. Ballet
Mary Anthony Dance Theater, 736 Broadway, New York, NY 10003, 212-674-8191, www.maryanthonydance.com; Variety of classes for all levels to help you get the true education of what dance is about. Ballet, Jazz, Tap
Merce Cunningham Dance Company, 55 Bethune St., New York, NY 10014, 212-255-8240, email@example.com; www.merce.org; Dancers are trained in the Cunningham dance technique. Open Program, Professional Training Program, or International program. Summer intensives and an educational outreach available. Also offers classes for teenagers 13-17 who have some prior dance training. Modern
The Paul Taylor School, 551 Grand St., New York, NY 10012, 212-431-5562, email@example.com; www.ptdc.org; Classes and intensives focused on the Taylor style. Modern
Peridance Center, 890 Broadway, 6th Fl., New York, NY 10003, 212-505-0886, firstname.lastname@example.com; www.peridance.com; Classes and workshops for all levels and all ages. Ballet, Jazz, Tap, Latin, Hip-hop, African
Razz M'Tazz Dance Company, P.O. Box 1042, New York, NY 10009, 212-615-6475, www.razzmtazz.com; Workshops and classes for all levels. Latin
Sandra Cameron Dance Center, 199 Lafayette St., New York, NY 10012, 212-431-1825, firstname.lastname@example.com; www.sandracameron.com; Over 80 classes a week in social dancing from basic to advanced level. Also has master classes and workshops. Ballroom, Latin
Rebecca Kelly Ballet, Appleby Foundation, Inc., 579 Broadway, Ste. 4B, New York, NY 10012, 212-431-8489, email@example.com; www.rebeccakellyballet.com; Besides the contemporary ensemble, there are classes for teens, intensives and workshops, youth performance program. Ballet, Contemporary
Roy Arias Dance Studios, 300 W. 43rd St., Fifth floor, New York, NY 10036, 347-273-1536, email@example.com; www.ariasdancenyc.com; Open classes for all levels. Also a junior dance program. Ballet, Jazz, Tap, Ballroom, Latin, Modern, Hip-hop, Break Dance, Theatre Dance
School of American Ballet, 70 Lincoln Center Plaza, New York, NY 10023-6592, 212-769-6600, www.sab.org; Official training academy of the New York City Ballet, established in 1934 by George Ballanchine and Lincoln Kirstein. The premier ballet academy in the U.S. Admission by audition only. Ballet
Shall We Dance, 137 Duane St., Ste. 5A, New York, NY 10013, 212-608-1255, email@example.com; www.shall-we-dance.com; Workshops for all levels. Ballroom, Latin
Steps on Broadway, 2121 Broadway, New York, NY 10023, 212-874-2410, firstname.lastname@example.com; www.stepsnyc.com; The School at Steps offers a training program for ages 2-18, while the studio offers open classes for beginners through professionals. Ballet, Jazz, Tap, Ballroom, Latin, Contemporary, Hip-hop, Theatre Dance,
Stepping Out Studios, 37 W. 26th St., 9th Fl., New York, NY 10010, 646-742-9400, www.steppingoutstudios.com; All Latin and Ballroom styles, all levels. Open classes, workshops, once-a-month free dance parties, wedding dance instruction, a LGBT dance program, college and high school programs, competition, and teacher training. Ballroom, Latin
Inspired by this post? Check out our audition listings!


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Puppies and kittens falling asleep
July 4, 2013
Is there anything cuter than a sleepy puppy or kitten. Well here is a compilation of them falling asleep right before your eyes!
Click Here For The Most Popular On Sunny Skyz
Little Girl Lip Syncs 'Girls Like You' With Daddy And It's The Cutest Thing Ever
Teacher Finds Messages On Her Student's Pencils
Couple's Maternity Shoot In A Pumpkin Patch Has A Terrifying Ending
This Is Brilliant. Students Use A Shared Google Doc To Take Lecture Notes
Three Sisters Are Going As The Hocus Pocus Witches For Halloween
Street Musician Gives His Earnings To A Homeless Man, Then Is 'Blown Away' By What Happens Next
Little Girl Lip Syncs 'Girls Like You' With Daddy And It's The Cutest Thing Ever
The Incredible Moment This Man Finds His Dog In The Streets 3 Years After He Lost Him
Athlete With Cerebral Palsy Learns He's Been Signed By Nike
Barbershop Quartet Mixes Comedy With Cover Of 'All Star' By Smash Mouth
Werewolf? Man Films Enormous Wolf During Late Night Drive


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[ The Types Forum (announcements only), http://lists.seas.upenn.edu/mailman/listinfo/types-announce ]
[ We apologize for multiple copies ] *********************************************************************** 2nd Call for Papers 3rd International Workshop on Automated Specification and Verification of Web Systems (WWV'07) San Servolo island, Venice (Italy) December 14, 2007 http://wwv07.dimi.uniud.it/ IMPORTANT DATES Abstract Submission October 14, 2007 Full Paper Submission October 21, 2007 Acceptance Notification November 12, 2007 Camera Ready November 23, 2007 Workshop December 14, 2007 SCOPE The increased complexity of Web sites and the explosive growth of Web-based applications has turned their design and construction into a challenging problem. Nowadays, many companies have diverted their Web sites into interactive, completely-automated, Web-based applications (such as Amazon, on-line banking, or travel agencies) with a high complexity that requires appropriate specification and verification techniques and tools. Systematic, formal approaches to the analysis and verification can address the problems of this particular domain with automated and reliable tools that also incorporate semantic aspects. We solicit original papers on formal methods and techniques applied to Web sites, Web services or Web-based applications, such as: * rule-based approaches to Web site analysis, certification, specification, verification, and optimization * formal models for describing and reasoning about Web sites * model-checking, synthesis and debugging of Web sites * abstract interpretation and program transformation applied to the semantic Web * intelligent tutoring and advisory systems for Web specifications authoring * Web quality and Web metrics * Web usability and accessibility * Testing and evaluation of Web systems and applications The WWV series provides a forum for researchers from the communities of Rule-based programming, Automated Software Engineering, and Web-oriented research to facilitate the cross-fertilization and the advancement of hybrid methods that combine the three areas. LOCATION WWV'07 will be held in December in the convention centre of the island of San Servolo, Venice, Italy. SUBMISSION PROCEDURE Submissions must be received by October 21, 2007. In addition, an ASCII version of the title and abstract must have been submitted by October 14, 2007. Submitted papers should be at most 15 pages in the Electronic Notes in Theoretical Computer Science (ENTCS) style, and should include an abstract and the author's information. See the author's instructions of ENTCS style at http://www.entcs.org. PUBLICATION Accepted papers will be published in a preliminary proceedings volume, which will be available during the workshop. After the workshop, the final proceedings are going to be published in the Elsevier series Electronic Notes in Theoretical Computer Science (ENTCS, ISSN: 1571-0661). INVITED SPEAKERS Paolo Traverso ITC-IRST, Italy Joost Visser Software Improvement Group, The Netherlands PROGRAM CO-CHAIRS Santiago Escobar Technical University of Valencia, Spain Massimo Marchiori University of Padova, Italy WORKSHOP CHAIR Demis Ballis University of Udine, Italy PROGRAM COMMITTEE Jesus Almendros University of Almeria, Spain Maria Alpuente Technical University of Valencia, Spain Uwe Assmann Linköpings Universitet, Sweden Demis Ballis University of Udine, Italy Gilles Barthe INRIA Sophia-Antipolis, France Tevfik Bultan University of California, Santa Barbara, USA Santiago Escobar Technical University of Valencia, Spain Moreno Falaschi University of Siena, Italy Nora Koch Ludwig Maximilians Universität München, Germany Temur Kutsia RISC Linz, Austria Massimo Marchiori University of Padova, Italy Tiziana Margaria University of Potsdam, Germany Catherine Meadows Naval Research Laboratory, USA Sebastian Schaffert Salzburg Research, Austria


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NH's high risk insurance pool extended due to Obamacare problems
November 18. 2013 10:53AM
CONCORD - Insurance Commissioner Roger Sevigny announced Monday that he will order the high-risk pool to remain open for people who have been denied health insurance, citing uncertainties of whether risk-pool members will be available to enroll in the Obamacare insurance marketplace on time.Sevigny said he will order the high-risk pool to remain open into 2014, until guaranteed, subsidized coverage is available through the federal marketplace."Many in the high-risk pool require medical care on an ongoing basis, and many have not yet found substitute coverage for next year. These people need to know for certain that they will have coverage in January of 2014, and cannot wait until the last minute to enroll through Healthcare.gov," Sevigny said.In a statement issued Monday morning, the New Hampshire Insurance Department cited technical difficulties with the Healthcare.gov website, which serves as New Hampshire's health insurance marketplace.The high-risk pool, which is operated by New Hampshire Health Plan, was scheduled to close on Dec. 31. Risk-pool members and their brokers are concerned they will not have coverage in 2014, the Insurance Department said."The Legislature authorized me to order the extension of high-risk pool coverage if necessary, and given the operational problems with the federal marketplace, I believe it is prudent to do so," Sevigny said. He expect to issue a final order later this week.


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Week In Tweets: Lady Gaga Addresses Haters, Kim K. Defends Weight Loss, Tyler Gets A 'Happy Ending'
Week In Tweets: Nov. 17 – Nov. 22, 2013
It seems like the stars were feeling extra froggy this week. With her ARTPOP album in heavy rotation and earning mixed reviews, Lady Gaga addressed her critics. Meanwhile, K. Michelle clapped back at those cracking jokes about Camel Toe Gate. And Justin Bieber cooly responded to media scrutiny. Click through for the best and randomest celebrity tweets of the week.


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DAKAR, Senegal (AP) — Guinea's opposition leader Cellou Dalein Diallo said on Tuesday that he doesn't believe the country's legislative election can be held next week, citing flaws in the voter roll which he says will take too much time to fix.
His critical assessment contrasts sharply with that of the United Nations special envoy to the region, who mediated a six-hour-long session Monday between the country's warring opposition and ruling party, and who told reporters upon returning to Senegal that he remains confident the election will go ahead on Sept. 24.
"The date of the election is still Sept. 24," Djinnit said at his residence in the Senegalese capital. "As of today we are a few steps away from the election. Nothing permits me to say otherwise."
The U.N. has so far mediated 13 meetings between the two sides in an attempt to return the West African nation to constitutional rule. The country's last parliamentary elections were held in 2002, and were first rescheduled in 2007. The repeated delays have spanned three presidents and have left the nation without a functioning legislature.
At the Monday meeting, the National Independent Electoral Commission agreed to many of the demands of the opposition, including agreeing to publish and post the voter list in precincts across the nation, a process which Djinnit said will be completed by Thursday. He said the election body also agreed to split polling stations that had 1,000 or more registered voters into two or more voting bureaus, in order to reduce the waiting time.
But Diallo, who came in second in Guinea's presidential election three years ago, and who heads the largest opposition party, said it is not physically possible for the election commission to accomplish all the changes they had demanded in time for the vote to be held.
"No, it's not possible. I don't see how the CENI (the election commission) can take care of all the issues we have raised," said Diallo in a telephone interview Tuesday with The Associated Press. "When we had our meeting on Monday, the international community finally recognized that there are serious problems. ... I don't think these mistakes can be corrected by the 24th. ... the CENI doesn't have the capacity to do so. They are weak. And they are not working in good faith," he said, alleging that the ruling party has a stranglehold on the commission.
Guinea, a nation rich in mineral resources, including the world's largest repository of bauxite, has been ruled by strongmen since its independence from France in 1958. The country's first democratic election in 2010 failed to bring stability, after the vote took on an ethnic dimension.
Since then, the country's capital has been repeatedly immobilized by violent protests pitting the opposition, primarily made up of people from the Peul ethnic group, against the country's mostly-Malinke security force, the same ethnicity as Guinea's president.
"We hope that these ethnic considerations are put aside during the campaign, and during the electoral process — and beyond. We wish — we hope — that Guinea will orient itself toward reconciliation and unity," said Djinnit. "Guinea must move forward."
Associated Press writer Boubacar Diallo contributed to this report from Conakry, Guinea.


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Each year, the Center for Responsive Politics analyzes the finances of the members of the U.S. Congress, revealing those with the highest and lowest net worth as well as their investments, liabilities and other sources of income.
Senators and House members are required to file annual disclosures of their holdings and investments, which reveal where they are placing their money. The disclosures do not list specific figures but provide a range of values for individual holdings—for example, one asset could be listed as "between $1 million and $5 million." Assets listed here are ranked first by the number of members currently invested in each stock and then by the maximum collective value of their holdings in the case of a tie.
Recently, several high ranking members of Congress have been criticized for their stock purchases and have been accused of insider trading, allegations they deny. However, it is likely interesting for investors to know which stocks their lawmakers have personal interest in.
So, which stocks are the most widely held by members of the Congress? Click ahead to find out.
By Paul Toscano and Eamon Javers
Posted 15 Nov 2011


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I hate to make a pinhead out of City Councilor Konnie Lukes, especially during the holiday season when we all should try to be nice to each other.
But she leaves me no choice. She is behind a City Council resolution that would keep Worcester on the sidelines while the state�s potential billion-dollar medical marijuana industry takes off.
Voters, as you are well aware, overwhelmingly passed a referendum in November to legalize medical marijuana use in the state.
The new law calls for at least 35 dispensaries to be opened across Massachusetts next year, and the possibility that one of those dispensaries could be here in the city has Ms. Lukes blowing righteously like a steamboat.
She is asking the City Council to hold off taking any local action on the issue until the federal government, which outlaws marijuana, changes its mind.
I know what you are thinking. The feds cannot come together to give middle class families a needed and deserved tax break, so how soon do you think they are going to get around to repealing their anti-pot smoking laws.
Ironically, Ms. Lukes� gruff and chronic contrarian disposition, which throughout her political career has resisted all attempted remedies, makes her an ideal candidate for a medical marijuana prescription under the law.
Of course, besides making Ms. Lukes a more tolerable parliamentarian, a Worcester-based medical marijuana dispensary would create lots of good vibes in the city.
Here are a few of the reasons why not just having a medical marijuana dispensary in the city, but locating it at City Hall, would be a big hit.
�Everyone now and then needs friends in high places, and a marijuana dispensary at City Hall would allow some residents to start believing that the place has more to offer than just politicians blowing smoke.
�It would bring people downtown. Over the years, the city has tried countless ways, including the perennial and expensive remodeling of the city center, to draw people to downtown. None of this, with The Hanover Theatre being perhaps the one wonderful exception, has worked. I guarantee you a marijuana dispensary would be a huge draw.
�It would spur economic activity. The challenge, of course, is not just to bring people downtown, but to have them support the businesses located there. A City Hall marijuana dispensary downtown would stimulate activity in the food business, because as we know, smoking a joint brings on the munchies.
�It would help bring neighborhoods together. Because a lot of professionals and well-to-do individuals indulge (for medical purposes, of course), residents from all over the city would converge on City Hall to fill their marijuana prescriptions. What a wonderful opportunity that would be for Dr. Roach from the West Side and Mary Warner from the PIP shelter to share life stories.
�It would put City Clerk David Rushford back on the path to a dignified retirement, following the bum�s rush city councilors made on the wedding gigs he has been presiding over at City Hall for years. A marijuana dispensary would offer him a new opportunity to build a gold star, independent contracting business in his office.
�It would help cement the city�s image as a genuine, rather than a hypocritical advocate for local tokers. The City Council, as you might recall, voted this year, to allow a hookah bar at Union Station, despite the city�s standing ban on smoking in public buildings.
�But perhaps the best reason to have a marijuana dispensary at City Hall is that we would no longer have to scratch our heads at the reasoning behind some of the loco decisions the chronically-confounding City Council makes.


text: IN THE BAR: Jazz Jam – Tickets – The Washington House – Sellersville, PA – July 31st, 2018 IN THE BAR: Jazz JamTue, July 31, 20188:00 pm The Washington House Reservations https://www.st94.com/event/1683106/ Share On Facebook Share On Twitter Share This Event Sync event to iCal Sync event to Google Calendar Matt Roman Website Facebook Twitter Links Enjoy a live Blues & Jazz Jam led by Matt Roman of Kind Of Blue on the last Tuesday of every month. Venue Information:The Washington House136 N Main StSellersville, PA, 18960 There are currently no videos. Check back soon.


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Dancing With The Stars Friends Help With Jacoby Jones Foundation Charity Event
Last night in New Orleans, LA, Jacoby Jones held his annual Basketball Foundation Charity Event to help underprivileged children. He invited his NFL friends to help out. His fellow costars and friends from Dancing With The Stars Cheryl Burke, Val Chmerkovskiy, and Aly Raisman and family also made a showing to help with the charity event (if there was anyone we missed, let us know). Below are a few pictures. Cheryl Burke also took pictures if you'd like to see more here. Another game will take place today if you are in the area and are interested in attending.


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2 riding scooter dead after Salisbury crash
2 riding scooter dead after Salisbury crash
Two young adults riding a scooter are dead after a crash involving three vehicles Thursday morning.
James Dillon Logan, 18, and Dillon R. Robertson, 19, were hurt in the crash, which happened around 5 a.m. on Jake Alexander Boulevard, WCNC reported.
The crash involved the scooter, a Jeep and a delivery truck. The crash began when the scooter and Jeep collided while the Jeep was turning onto Jake Alexander Boulevard, Salisbury police said.
The scooter slid into the oncoming lane and under the delivery truck, police said. The truck dragged the scooter several feet before stopping, police said.
The truck driver was cited for not having an operator's license.


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Bajaj's appetite for KTM stock seems to be never-ending, though slow in digestion, as the Indian company has acquired another 1.21% of the Austrian motorcycle maker. Gobbling up shares from other minority holders on the open market, Bajaj now has a 39.3% interest in KTM, while majority shareholder CROSS continues with its 50.1% stake.
CROSS has made it clear it intends is to remain the majority shareholder, and has no plans of selling-out its position to the Indian company (or has it?). So, no corporate takeovers just yet, but a continuation of an interesting move by Bajaj in investing with KTM.


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Man allegedly attacked neighbor, police and snapped dogs' necks
COLERAIN TOWNSHIP, Ohio (WKRC) - A Colerain Township man is facing seven felony charges after police say he attacked and killed his dogs after assaulting his neighbor. On top of that police say he attacked and spit on three officers.
Officers say Jamal David approached his neighbor's girlfriend who was outside with her own dog The woman called 911.
"I was letting my dog out to use the bathroom and he (David) comes over and he tried to like push me away from my dog and tried to like put his hands on me," said the caller.
She describes as acting crazy as he turned on his own dogs.
"The guy ( David) starts cussing at me and then I hear (dog whimper/scream) and the dog is dead. It's dead in his arms and he throws him out in the street and stomps the other one's head," said the caller.
When police arrive Colerain Township Detective Mark Stockmeier says it took several officers to get David under control.
"Once we got him in handcuffs he became very irate and started shouting profanities and words we were not able to understand," said Det. Stockmeier. "As we attempted to get him into the police cruiser he was kicking and spitting, he had to be maced a few times, he spit on three different officers."
David mumbled a few words before a judge Tuesday. David's attorney says David doesn't have a criminal record and moved to the Colerain Township from the Bahamas three years ago.


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Bridge work challenges boaters at site of NY wreck
WHITE PLAINS, N.Y. (AP) — The barge that was involved in the Hudson River collision that killed a bride-to-be and her fiance's best man is just a hint of the heavy construction traffic that will challenge boaters during the building of a new bridge in the New York suburbs, experts said Monday.
At times during the next few years there could be 90 barges in the river as part of work on the $3.9 billion Tappan Zee Bridge project, said Lt. James Luciano, commander of the Westchester County police marine unit.
That would be in addition to the temporary platforms that are being built and the two permanent side-by-side spans.
"It's going to be a mess for a long time," said Rockland County Sheriff's Department Chief William Barbera.
The wedding party's speedboat hit a barge Friday night, killing Lindsey Stewart of Piermont and Mark Lennon of Pearl River, both 30, and injuring four, including the groom, two weeks before the wedding.
The barge was one of three in the area, all properly moored and lighted, said Coast Guard spokesman Charles Rowe. The barge's illumination is part of the investigation, Rockland County Sheriff Louis Falco said Sunday.
But investigators believe, based on witness accounts, that the man piloting the speedboat, Jojo John, may have been intoxicated, Falco said.
He is charged with vehicular homicide in the death of Stewart, the bride-to-be, whose body was found Sunday. Her funeral was scheduled for Thursday at the church in Pearl River where she would have been married.
District Attorney Thomas Zugibe said Monday that a grand jury is being assembled and he is seeking upgraded charges, apparently based on Sunday's recovery of Lennon's body. He was to be the best man at Stewart's Aug. 10 wedding to Brian Bond of Piermont.
Stewart died from both drowning and severe head injuries and Lennon also drowned but had only minor bodily injuries, the county medical examiner said Monday.
Bond and John were still hospitalized Monday. The names of the other two survivors have not been made public on the ground they are witnesses.
Falco said authorities on Monday began a reconstruction of the accident. Barbera said that would involve a crime scene unit taking photos and measurements.
The sheriff's office said it was awaiting the results of an alcohol test on John's blood. He has a previous arrest on a drug possession charge and another on a conspiracy charge, Barbera said.
A call to John's lawyer was not immediately returned.
Rowe said wide-ranging measures have been taken to help get boaters safely through the busy construction area. Safety zones have been established, restricting construction vessels to specified areas around the bridge, and boaters have been notified.
The number of construction vessels will ebb and flow, he said, "but the vast majority will be there only during daylight."
Barges are more likely to be stationary, and Rowe said they have to be lighted "in such a manner that they are visible from one nautical mile away (about 1.15 land miles) no matter the direction of approach."
The speedboat in Friday night's accident was crossing the river from west to east, from Piermont to Tarrytown, about 30 miles north of Manhattan.
The safety zones will not be changing even as construction vessels multiply on the river, Rowe said.
"The safety zones are big enough to accommodate all the construction," he said. "They were established early on and we've published them on our website and out to mariners in various ways."
Rowe said boaters can be confident that the main channel of the river will always be open because "it's a vital shipping channel, with oil tankers and container ships, and it can't be obstructed. It's marked by buoys and it must be kept clear at all times."
He said boaters should simply approach the construction zone the way they would on a highway, "keeping your speed sensible."
As for enforcement, he wouldn't give specifics of Coast Guard deployment, but said, "Were I a mariner, I would be sure I follow the rules of the road in the vicinity of the Tappan Zee Bridge."


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ABEL email@example.com_current.manitoulin_expositor 2004-05-12 published
Nellie LACOMBE
In Loving Memory of Nellie (ABEL) LACOMBE who passed away on Wednesday May 5, 2004 at the Sudbury Regional Hospital, Laurentian Site.
Wife of Hector LACOMBE predeceased 2003. Grandmother of James MIIGUNN and dear daughter of Angus and Margaret (DEBASSIGE) SHAWANGONABE, predeceased. Dear sister of Aggie ABEL of Sault Ste Marie, Michigan, Evelyn BISSCHOPS and Ursula ABEL both of Sudbury, Jessie RYCKMAN of Nobel, Simon ABEL and Don ABEL both of Michigan and the late Stella ROBILLARD. Nancy BAIN, Marjorie ABEL, Mary ABEL, Sylvester ABEL, Eugene ABEL, Paul ABEL all predeceased. Sadly missed by many nieces and nephews and Ursula ABEL. Rested at the Jackson and Bernard Funeral Home 233 Larch St, Sudbury Funeral Prayers in the R.J. Barnard Chapel Saturday, May 8, 2004 at 11: 30 am Cremation at the Parklawn Crematorium
A... Names AB... Names ABE... Names Welcome Home
ABEL - All Categories in OGSPI


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Chapman feeling comfortable in return to Miami
MIAMI -- Pitching in Miami is special for Reds closer Aroldis Chapman.
The Cuban defector enjoys playing in front of crowds filled with his fellow Cubans, and the lefty will have the opportunity to do that over the next three days.View Full Game Coverage
MIAMI -- Pitching in Miami is special for Reds closer Aroldis Chapman.
The Cuban defector enjoys playing in front of crowds filled with his fellow Cubans, and the lefty will have the opportunity to do that over the next three days.View Full Game Coverage
"The first thing I look for every time the schedule comes out is when we play the Marlins in Miami," Chapman said.
Chapman, who tossed a third of an inning of scoreless relief at Sun Life Stadium in 2011, has not been able to play in front of his fellow countrymen as often as he would like. But the 25-year-old is excited about potentially taking the mound against the Marlins this series.
"I'm happy to have the opportunity to play here in Miami where there are so many Cuban fans," Chapman said. "It's great to know there are so many people like you in the stands."
Chapman makes his offseason home in Miami and is excited to have the opportunity to be home after leaving the city in February for Spring Training. He enjoys Miami's culture and nightlife, citing Mango's in South Beach as a favorite hangout.
Another thing Chapman enjoys about being in Miami is an opportunity to see fellow Cuban Adeiny Hechavarria. Chapman has known the Marlins shortstop since the two were young baseball players in Cuba.
"We know each other since we were kids in Cuba," Chapman said. "It's great to see him, especially since we have known each other for so long. I am older than he is, so we never played on the same team. But we have known each other since we were kids, so it's always good to catch up with him."
While Chapman looks forward to his annual trip to Miami, he is even more excited to be anchoring the Reds' bullpen. The left-hander entered Spring Training working as a starter, but ended up back in the bullpen by Opening Day.
"I am happy because that is what I wanted," Chapman said. "They wanted to see how it would work with me starting, but I am happy that I am closing games."
When he originally signed with the Reds, Chapman preferred to be a starter over a reliever because he had been a starter in Cuba. But that all changed after having a chance to pitch late in games over the past few seasons.
"Having the opportunity to close, I really got to know what it was like and I feel very comfortable closing," Chapman said. "I didn't want to pitch in relief at first because I had always been a starter. But now that I have had the chance to close for a couple of years, I really enjoy it."
Despite having a preference to close, Chapman believes his time spent working as a starter this spring helped him develop his secondary pitches. That is something the young flamethrower feels will make him a better pitcher now and in the future.
"I worked as a starter and that forced me to add pitches so that I could pitch more innings," Chapman said. "I work less now than if I was starting, but I have the other pitches to use if I need them. They are helpful now, but will be even more important later in my career if my velocity starts to go down a bit."
David Villavicencio is a contributor to MLB.com.


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A judge today increased bond to $100,000 for an insurance executive from Westmont accused of secretly making nude videos of ESPN reporter Erin Andrews.
Michael Barrett was in U.S. District Court in Los Angeles on Friday to face one count of interstate stalking.
Barrett's attorney David Willingham says his client has posted bond. Barrett was initially free on a $4,500 bond.
The 48-year-old Barrett is charged with making videos of Andrews through the peephole in her hotel room door, and federal prosecutors say he uploaded to the Internet nude videos of other women also made through peepholes.
Prosecutors say Barrett tried to sell the Andrews videos to celebrity gossip site TMZ.
Barrett is scheduled to be arraigned in the same courtroom Monday.
--The Associated Press