text:
Intolerant of Krishna's flirtatious behaviour with other girls, Rādha deviates from ronde dance and complains all her feelings to her friend. Even in her complaining that Krishna is cheerfully irresponsible – blithesome Krishna, for his prema, love divine. aklesha keshava, she extols Krishna's enrapturing nature.
विहरति वने राधा साधारणप्रणये हरौ
विगलित निजोत्कर्षादीर्ष्यावशेन गतान्यतः।
क्वचिदपि लताकुञ्जे गुञ्जन्मधुव्रतमण्डली
मुखरशिखरे लीना दीनाप्युवाच रहः सखीम्॥ २-१
पदच्छेद - विहरति वने राधा साधारण प्रणये हरौ विगलित निज उत्कर्षात् ईर्ष्या वशेन गत अन्यतः
क्वचित् अपि लता कुंजे गुंजत् मधु व्रत मण्डली मुखर शिखरे लीना दीना अपि उवाच रहः सखीम्
2-1. harè= by Krishna; saadhaaraNa= general [fairly, in a fair and square manner]; praNaye= in lovingness [Krishna, whose love is equipoise in respect of other milkmaids and herself]; vane viharati = in woodlands, while pleasure-tripping; vi galita= muchly [steeply,] slithered; nija= one's own [Rādha's]; utkarSaat= by her superiority complex, [privilege]; iirSyaa vashena= begrudge, by control of [overtaken by]; anyataH gata= elsewhere, gone; raadhaa= Rādha; kvachit api= somewhere, even; gu.njat madhuvrata= humming, honeybees, swarms of; maNDalii= spiralling; mukhara= with noise; shikhare= at spire [of bower]; lataa ku.nje= in tendrils, of bower; liinaa= steeped in; diinaa= forlornly [Rādha]; rahaH= in solitude; sakhiim = to girlfriend; api uvaacha= even, said.
Steeply slithered is Rādha's privilege, for Krishna's love is equipoise in respect of all other milkmaids and herself, thus some grudge overtook her when he is pleasure-tripping with others, hence she has gone elsewhere, somewhere into a bower of tendrils noisy with the humming of swarms of honeybees spiralling at its spire, and when she steeped into that bower she forlornly said this to her girlfriend, in solitude. [2-1]
She became a forlorn one as the humming noise of bees is increasing her passion for Krishna, bhramaraiH kaamoddiipita; hence, unable to endure it she has become somewhat a forlorn one, who otherwise is a resolute girl.
Again the word rahaH sakhiim uvaaca is sometimes said as ' she told her secrets...' etc. But whole world knows what her secret is, i.e., to have Krishna for herself... Hence, it is - said in solitude - what she is going to say is not to be heard by others... even if someone is going to eavesdrop she/he shall presume it as the humming of bees, as she is going to tell next aSTa padi in a tune and wording almost like the buzz of bees.
Then, diinaa api forlorn one, even so; even so she became a forlorn one by losing her pride, she got guts in regaining it - cf., Rāmayana, 4-6-23, tataH saH raaghavaH diinaH sugriivam idam abraviit... even if Rama became a forlorn one, he spoke to sugriiva self-confidently.
In this verse it is vipralambha sringaara, as Rādha is intolerant of Krishna's separation; rasavad alankaara - as she is ecstatic; shabda alankaara called varNa anupraasa; naayika -prauDha; metre - hariNi.
अ प - ५ - मधुरिपु रत्न कण्ठिक
संचलदधरसुधामधुरध्वनिमुखरितमोहनवंशम् ।
चलितदृगंचलचंचलमौलिकपोलविलोलवतंसम् ।
रासे हरिमिह विहितविलासम् स्मरति मनो मम कृतपरिहासम् । धृवम्॥ अ प ५-१
पदच्छेद - संचलत् अधर सुधा मधुर ध्वनि मुखरित मोहन वंशम् चलित दृगंचल चंचल मौलि
कपोल विलोल वतंसम् रासे हरिम् इह विहित विलासम् स्मरति मनो मम कृत परिहासम्
a pa 5-1. sa.ncarat or sa.nchalat= pulsating; adhara= from lips; sudhaa madhura= with ambrosial, sweetness, [lusciousness]; dhvani= by melody; mukharita= sounded, fluted; mohana= causing delight, or, mohana named; va.nsham= ba,mboo flute; chalita= flitting; dR^ik a.nchala = eye, ends - sidelong glances; cha.nchala= swaying, nodding; mauli= head, or half-crown, or peacock feathers; kapola = on cheeks; vilola= dangling, swaying; vata.nsam= knobby ear-hangings; [next stanza is a reprise in next foots]; iha= here; raase= in ronde dance; vihita vilaasam= having, frolics; kR^ita= made; parihaasam= fun of me, or, uncared-for, with blithe indifference towards me; [api cet = even, though]; mama manaH smarati= my, heart, reminds; harim= of Krishna [alone.]
a pa 5-1. hè sakhii; raase vihita vilaasam= in ronde dance, one who is having, frolics – one who frolicking with others in ronde; kR^ita parihaasam= one who is making, fun of me, or, uncared-for, one with blithe indifference towards me – one who has utterly ignored me; [api cet = even, then]; harim= of such a Krishna [alone]; mama manaH iha smarati= my, heart, even now in bower, reminds me; sa.ncarat or sa.nchalat= pulsating; adhara= sudhaa madhura [dhvani] = from lips, with ambrosial, sweetness, [lusciousness of melody]; mukharita= sounded, fluted; mohana= causing delight, or, mohana named; va.nsham= bamboo flute; chalita= flitting; dR^ik a.nchala = eye, ends - sidelong glances; cha.nchala= swaying, nodding; mauli= half-crown, or peacock feathers – one who has got such a crown; kapola vilola vata.nsam= on cheeks, dangling, swaying, knobby ear-hangings – one who has such earhangings; such a harim; mama manaH smarati= my, heart, reminds me; iha= now, even after my leaving him and coming into this bower.
"Upon whose head a diadem of peacock feathers, nodding with every nod of his head to every bar of his tunes, is there; upon whose eyes sidelong glances, flitting from one maid to the other only to observe their observation of his fluting fugues, are there; upon whose cheeks his ear-knobs delightfully sway with every tenor of his fluting, him my heart recollects... but, here he is frolicking in ronde dance, blithely making fun of me... albeit, my heart reminds me of Krishna alone... [a pa 5-1]
This is the nakha-sikha paryanta varNana - depiction from toe to top. Here it is reversed to sikha-nakha paryanta varNana - top to toe, later adopted by poet bilvamangala in his shrii krishna karNa amritm.
चन्द्रकचारुमयूरशिखण्डकमण्डलवलयितकेशम् ।
प्रचुरपुरन्दरधनुरनुरञ्जितमेदुरमुदीसुवेशम्॥ अ प ५-२
पदच्छेद - चन्द्रक चारु मयूर शिखण्डक मण्डल वलयित केशम् प्रचुर पुरन्दर धनुः
अनुरंजित मेदुर मुदीर सुवेशम् । रासे हरिमिह...परिहासम्
a pa 5-2. chandraka= plumage of peacock; chaaru= beautiful; mayuura= of peacock; shikhaNDaka= tail, plumes with eyelike markings; maNDala= with a bunch of; valayita= enwreathed; kesham= [blackish] hairstyle; prachura= expansive; purandara dhanuH= Indra's, bow = rainbow; anura.njita= decorated with, with a wraparound; medura= thickly; mudiira= [like] cloud; su vesham= with beautiful, attire; reprise: raase harimiha ... parihaasam= as above.
"Upon whose blackish hairstyle a splendid wreath of peacock-plumery with moonlike markings is there; upon whose sapphirine body a spectacular ochry golden silk attire is there with which he takes after a cerulean cloud with a wraparound of a expansive rainbow... him my heart recollects... such as he is, he is frolicking here in ronde, blithely making fun of me... albeit, my heart reminds me of that Krishna alone... [a pa 5-2]
There are two concepts here. One, any seen peacock is reminding her of Krishna as he has peacock plumes in his crown. The other, every cloud is appearing like him, as blue-black, cerulean hue, is common to both, and common are the colourful rainbow on a cloud and rainbow-like attire on this boy. Hence she is in a fit of the blues.
गोपकदम्बनितम्बवतीमुखचुम्बनलम्भितलोभम् ।
बन्धुजीवमधुराधरपल्लवमुल्लसितस्मितशोभम्॥ अ प ५-३
पदच्छेद - गोप कदंब नितंब वती मुख चुंबन लंभित लोभम् बंधु जीव मधुर अधर
पल्लवम् उल्लसित स्मित शोभम् - रासे हरिमिह ... परिहासम्
a pa 5-3. gopa= milkmaids; kada.mba= group of [samuuha, brindam, nikurambam, kadambam - amara kosha; not Kadamba tree]; nita.mba vatii= with beamy buttocks, women having them [gagana jaghana]; mukha= face; chu.mbana= in kissing; la.mbhita= that which is acquired [his own interestedness]; lobham= interested in, curious; ba.ndhujiiva= bandhuuka flower, a rosy red flower; madhura= dainty; adhara= lower lip; pallavam= tender leaf like; ullasita= beaming; smita= smile; shobham= by which he is shining forth; reprise; raase harimiha ... parihaasam= as above.
"Upon whose face an air of curiousness, in making the hosts of beamy buttocked milkmaids to kiss, is there; upon whose face dainty and leaflet like lips that resembles the roseate bandhuuka flower are there; upon which lips a beaming smile is there, with which he ever shines forth, him my heart collect... but, he is frolicking here in ronde, blithely making fun of me... yet, my heart reminds me of Krishna alone... [a pa 5-3]
Please read the word mukha as face, but not as mouth, since mouth's function is different from that of lips, insofar as kissing is concerned. Whenever Rādha sees a Bandhuuka flower, a rosy red flower, Krishna's delicate lower lip is coming to her mind, but unavailable is his face, as other round-bottomed girls are invading it. Then why not Rādha follow the suite of other girls? How can she do so, when others are mobbing him? Moreover she wants him, only for herself, without any sharing or partaking. Then the friend may question her, asking 'why you are after that boy when he is after those many?' For that Rādha's answer is: 'He is fully interested in me... none else... la.mbhita lobham... but he acquired an interestedness, created by those girls, when all those girls forcibly dragged him away, so allowed them to kiss his face... hence, I extol him and his attributes, as he really belongs to me...'
Round-bottomed milkmaids... ni.ndaa vaacaka... Rādha is sneering at other girls for their ungainly physique, as Rādha herself is the most beautiful girl.
विपुलपुलकभुजपल्लववलयितवल्लवयुवतिसहस्रम् ।
करचरणोरसि मणिगणभूषणकिरणविभिन्नतमिस्रम्॥ ५-४
पदच्छेद - विपुल पुलक भुज पल्लव वलयित वल्लव युवति सहस्रम् कर चरण उरसि
मणि गण भूषण किरण विभिन्न तमिस्रम् - रासे हरिमिह...परिहासम्
a pa 5-4. vipula= immense; pulaka= with frisson; bhuja pallava= arms, tender leaf like; valayita= encircled [embraced]; vallava yuvati sahasram= cowmen, maids, thousands [and thousands of milkmaids]; kara charaNa urasi= on hands, feet, chest; maNi gaNa bhuuSaNa = jewels, sets of, jewelry; kiraNa= [by that jewelry's] shaft of light, [luminosity]; vibhinna tamisram= dispelled, darkness [gloom]; raase harimiha ... parihaasam= as above.
"Upon whose chest, hands and feet an assortment of jewellery is there that dispels luminosity, especially when hosts of milkmaids embrace him with their leaflet like frissony arms, just to dispel darkness around, him my heart recollects... but, here he is frolicking in ronde, blithely making fun of me... yet, my heart reminds me of such a Krishna alone... [a pa 5-4]
The word tamisram is not the darkness of night alone, but the general darkness, gloom, ignorance etc., as in tamasomaa jyotir gamayaH. A single ray of light from his jewellery is enough to dispel any kind of darkness, then what more can be said of his total jewellery and about himself. Thus the ignorance of all the other milkmaids is dispelled, call them as sages and saints of Ramayana times, as you may, as a kind of deliverance.
On Rādha's side, she is remembering their starting time episodes. When they started homeward the night was falling, and the pathway was darksome. Krishna played her along till she came very near to him. But when she neared him all the darkness around them is dispelled only because of the luminosity of his jewellery, and she was prudish to be with him in broad daylight like resplendence. She ran away into darkness. But he is already there with his luminosity and it was inescapable for her to avoid him, in many an attempt. In the meanwhile other milkmaids came and carried him away, and she is disgruntled, and now she is grunting about it.
जलदपटलवलदिन्दुविनन्दकचन्दनतिलकललाटम् ।
पीनपयोधरपरिसरमर्दननिर्दयहृदयकवाटम्॥ ५-५
पदच्छेद - जलद पटल वलत् इन्दु विनिन्दक चन्दन तिलक ललाटम् पीन पयोधर
परिसर मर्दन निर्दय हृदय कवाटम् - रासे हरिमिह ... परिहासम्
a pa 5-5. jalada paTala calat or valat indu = in clouds, crowds of, moving, moon; vi nindaka= verily, deploring - look down on; chandana tilaka= sandal paste [mark on forehead]; lalaaTam= one with such a forehead; piina= busty; payodhara= bosoms; [maNDala= area, bust] parisara= nearby, closely, tightly; mardana= on rubbing; nir daya= without, mercy - implacable; hR^idaya kavaaTam= -heart [chest,] door; raase harimiha ... parihaasam= as above.
"Upon whose forehead a roundish mark of sandal paste that always spurns roundel moon moving in the crowds of clouds is there; upon whose chest busty milkmaids tightly rub their bosoms, making it hardened and a strong-doored-chest encasing his implacable heart… him my heart recollects… but, he is frolicking here in ronde, blithely making fun of me... albeit, my heart reminds me of Krishna alone... [a pa 5-5]
The moon moving in clouds is reminding her about the round sandal-paste mark on Krishna's forehead. The moon may not be moving in clouds as in shaakhaa-candra nyaaya, but Krishna's head is definitely and constantly nodding while piping his flute. Then his face is like a mass of clouds, and sandal mark on forehead is brilliant than the semi-visible moon in clouds. Though he is boy his chest is so hardened to keep his all-loving heart in a strong-doored strongroom. From his childhood his chest is rubbed against busty bosomy breasts, either of women of vraj, or of demoness puutana from madhura. Hence this boy is calculatingly entertaining unassuming milkmaids, but heedless of Rādha, as her claim is for ownership of the very same boy, and hence Rādha is with this discontentment, yet not able to forget him.
मणिमयमकरमनोहरकुण्डलमण्डितगण्डमुदारम् ।
पीतवसनमनुगतमुनिमनुजसुरासुरवरपरिवारम्॥ ५-६
पदच्छेद - मणि मय मकर मनोहर कुण्डल मण्डित गण्डम् उदारम्
पीत वसनम् अनुगत मुनि मनुज सुर असुर वर परिवारम् - रासे हरिमिह ... परिहासम्
a pa 5-6. maNi maya= gems, full with; makara= crocodile; manohara= heart-stealing; kuNDala= knobby ear-hangings; maNDita= decorated, [illuminates as in 3 decorate (an initial letter, a manuscript, etc.) with gold, silver, or brilliant colours etc.]; gaNDam= one with such jawlines; udaaram = a glorious one; piita vasanam= ochry silks, clad in; anu gata= in tow, followed by; muni= sage; manuja= human; sura= gods; asura= demon; vara parivaaram= best, followers, fraternity; raase harimiha ... parihaasam= as above.
"Upon whose jawlines crocodile-like ear-hangings will be swaying, illuminating his sapphirine cheeks with every libration of his flute; upon whose sapphirine body golden ochry silks with brilliant colour are there as puNya vastra, vestire sancta; my heart recollects such a glorious one with a best fraternity of gods, demons, and men following him… but, he is frolicking here in ronde, blithely making fun of me... yet, my heart reminds me of Krishna alone... [a pa 5-6]
Here his followers are said in singular, but we usually take it as plural for generalisation. In singularity they are: among gods it is Sage naarada; among demons it is Emperor Bali; among humans it is Bhiishma pitaamah, where all the three symbolise 'surrendering, forfeiture, dedication...' naarada is an out-and-out dedicatee of Vishnu and his incarnations, Emperor Bali is a non-naysayer, and Bhiishma is renowned for his forfeiture of a vast kingdom for the sake of one solemn promise. Of course, Rādha as an illiterate 'thumb-impression' girl may not know all these things, but the poet knows, and hence he puts these expressions on her tongue, since she too is no less a devotee. She as a poor girl from a hamlet may not have kingdoms to forgo like Bhiishma, forgo spheres of worlds like Bali, and utmost scriptural knowledge like Narada, But she is female and female's body and soulalone are her property or possessions, which she wants to surrender unto Supreme Being.
विशदकदम्बतले मिलितम् कलिकलुषभयम् शमयन्तम् ।
मामपि किमपि तरन्गदनङ्गदृशा मनसा रमयन्तम्॥ ५७
पदच्छेद - विशद कदंब तले मिलितम् कलि कलुष भयम् शमयंतम् माम् अपि किम् अपि तरंगत्
अनंग दृशा मनसा रमयंतम् - रासे हरिमिह ... परिहासम्
a pa 5-7. vishada= serene; kada.mba tale= at kadamba tree, base; militam=mingled, arrived at; kali= praNaya kalaha = niggling in romance/ Kali, the fourth era; kaluSa= manaH kaaluSya= blemish; bhayam = fear; shamaya.ntam= mollifier; kim api tara.ngat = a little, roving; ana.nga dR^ishaa manasaa = with Love-god's, look [with passionate looks], with such intentions; maam api= me, even; ramaya.ntam = he who has exhilarated; raase harimiha ... parihaasam= as above.
"Upon whose face there are roving eyes that intentionally flit with passionate looks; upon him my heart recollects for he is a mollifier of niggles in romance who earlier used to come to the base of a certain serene kadamba tree just to exhilarate me... but, now he is frolicking here in ronde, blithely making fun of me... albeit, my heart reminds me of Krishna alone... [a pa 5-7]
kadamba tale militam: He who is mixed up or mingled in the darkness at a peaceful kadamaba tree, pre-set by me, only to hoodwink me; kali kaluSa... one as above, and the other is the mollifier of the blemishes of Kali era, the fourth era; drishaa, manasaa ca - not only by his gracious looks but with his kind heart also; maam api - even me, as I deserve supreme love and affection of the Supreme, as none other can exhilarate me; lokottara prema arhiNii - raadhika, hence I reminisce about him...
श्रीजयदेवभणितमतिसुन्दरमोहनमधुरिपुरूपम् ।
हरिचरणस्मरणम् प्रति संप्रति पुण्यवतामनुरूपम्॥ ५-८
पदच्छेद - श्री जयदेव भणितम् अति सुन्दर मोहन मधु रिपु रूपम्
हरि चरण स्मरणम् प्रति संप्रति पुण्यवताम् अनुरूपम् - रासे हरिमिह ... परिहासम्
a pa 5-8. shrii= shrii suukti= sacred saying; jayadeva bhaNitam= by jayadeva, said; ati sundara= most, beautiful; mohana= enrapturing [physically rapturous to milkmaids, divinely to whole of the world]; madhu ripu= Madhu, the demon's, enemy's Krishna; ruupam = form; puNyavataam= pietistic people; hari charaNa= at Krishna's, feet, or, Krishna's, comportment – in conducting raasa liila etc; smaraNam prati= towards cogitation; samprati= presently [in this kali yuga]; anuruupam = befitting saying/poem; raase harimiha ... parihaasam= as above.
"Upon whose beautiful and all-enrapturing form a sacred saying is said by Jayadeva, a befitting saying for pietistic people to cogitate over the feet of Krishna in this Kali era, him my heart recollects… but, he is frolicking here in ronde, blithely making fun of me... albeit, my heart reminds me of Krishna alone... [a pa 5-8]
The last line of reprise is generally removed in this verse, as it will be confusing whether Rādha is saying this, or it is the poet's saying. But if read with next verse, it is Rādha's dialogue that is continued.
गणयति गुणग्रामम् भामम् भ्रमादपि नेहते ।
वहति च परितोषम् दोषम् विमुञ्चति दूरतः ।
युवतिषु वलस्तृष्णे कृष्णे विहारिणि माम् विना
४पुनरपि मनो वामम् कामम् करोति करोमि किम्॥ २२
पदच्छेद - गणयति गुण ग्रामम् भामम् भ्रमात् अपि नेहते वहति च परितोषम् दोषम् विमुंचति
दूरतः युवतिषु वलत् तृष्णे कृष्णे विहारिणि माम् विना पुनः अपि मनः वामम् कामम् करोति करोमि किम्
2. hè sakhii= oh friend; mama manaH vaamam= my, heart, is divergent; maam vinaa= me, without [leaving me out]; vihaariNii= frolicking; yuvatiSu= among damsels; valat tR^iSNe kR^iSNe = one over, ambitiously [involved] in such a Krishna; [mama manaH= my, heart] punaH api= again, even [repeatedly]; kaamam= abhilASa= desire; karoti= doing [inciting]; guNa graamam gaNayati= [his] traits, group of [lot of,] reckoning; [mama manaH= my, heart] bhramaat api= by mistake, even; bhaamam nehate= resentment, thinks not; doshham duurataH vimu.nchati= error, distantly, discarding; [mama manaH= my, heart] paritoSam vahati ca= gladness, bearing up, also; kim karomi= what, I should do.
"My heart is diverging from my control, oh, friend, inciting repeated desire in me for that Krishna alone, though he is overambitiously frolicking with other damsels leaving me in lurch; discarding his errors distantly my heart is reckoning a lot of his noble traits alone… it does not think of resenting him even by mistake; more so, my heart bears up gladness on thinking about him... what am I to do... [2-2]
vaamam - mutually contradictory states of mind; gladdening in an unbefitting time; though he is erroneous, thinking that he does not err; though he has no inclination in her, presuming that he is absolutely predisposed towards her - all these are vaamam- leftish states.
The mood of heroine is known as utkaNThita - heroine in ecstasy. In verse of bharata muni uddaapanamanmatha mahaa jvara vepamaanaam romaa.ncaka kaNTakitam a.nga ka.mpam a.ngakam aavaha.ntiim | sa.mveda vepadhu ghanotkalika akula a.ngiim utkaNThitaam vadati taam bharataH || She who is in high fervidity of lovesickness, limbs in frisson, anguished, quivering, highly ecstatic, her bharata muni calls tkaNThita naayika. Though these songs of Jayadeva peripherally appear as just wordplay and singable songs, they are replete with moods, gestures, and postures etc of dance forms, as contained in naaTya shaastra, the treatise of dance of bharata. Let's load them later.
There is no reason or motive as to why she should love Krishna; hence alankaara is vibhaavana alankaara; though he is frolicking with other girls she is all praise for him, hence viSeSokti alankaara; in other places there is yamaka alankara; hariNi - is its metre.
In next song every expression is from the viewpoint of Rādha in a sort of self-eulogy. For e.g. statements like madana manoratha bhaavitayaa will mean - 'she who is having a desire'; mR^idu madhura smita bhaaSitayaa- 'she who talks dear and softly'; kR^ita pari rambhaNa chumbanayaa 'she who had kisses after a bracing embrace' etc. In summary, these roundabout sayings mean: 'because she, who had such and such experience, or faculty, is eligible even now to get his love. So, make him to take delight in me...' Here these 3rd per. are reduced to 1st per. sing, as far as possible
अष्ट पदि ६ अक्लेश केशव मङ्जरी तिलकम्
निभृतनिकुञ्जगृहम् गतयानिशिरहसिनिलीयवसन्तम् ।
चकितविलोकितसकलदिशा रतिरभसभरेणहसन्तम् ।
सखि हे केशिमथनमुदारम् ।
रमय मया सह मदनमनोरथभावितया सविकारम् धृवम्॥ ६१
पदच्छेद - निभृत निकुञ्ज गृहम् गतया निशि रहसि निलीय वसन्तम्
चकित विलोकित सकल दिशा रति रभसभरेण हसन्तम् सखि हे केशि मथनम्
उदारम् रमय मया सह मदन मनोरथ भावितया सविकारम्
a pa 6-1. he sakhi= oh, friend; udaaram= [let that] beautiful one, or a bountiful one – Krishna; keshi mathanam= demon keshi, the subjugator of – Krishna subjugated that demon by beguiling, hence keshi mathana came mean – a habitual beguiler; madana manoratha bhaavitayaa = for love, heart seeking, one who with such thinking – I who am longing for love of that Krishna, as my heart is filled with love for him; mayaa saha= me, along with [in me]; sa vikaaram= with all, his actions – when applied to applicable to Krishna, nakha kShata aadi naanaa sRingaara vikaaraiH; or, when applied to Rādha - while I show all vikaaraaH - stana naabhii muula prakaTanam ityaadi cheSTaaH during our union; ramaya= so, you make him to take delight [in me].
Because, once he met me in this way:
nibhR^ita= lonely, silent; niku~nja= bower, gR^iham= in such a cabin - alcove; gatayaa= one who has gone [Rādha -when I have gone into an alcove]; mayaa saha= me, along with - he who is besides me; nishi= in night; rahasi= secretly; niliiya= merged, hiding; vasantam= on who is already staying there; chakita= startled [when I was startled]; vilokita sakala dishaa = [I who was] seeing around, in all, directions; mayaa saha= me, along with; rati= intimacy; rabhasa= hastiness; bhareNa - or - raseNa= he who is filled with, who is agog; hasantam= one who is smiling; keshi mathanam= demon keshi, the subjugator of – such a Krishna; madana manoratha bhaavitayaa = for love, heart seeking, one who with such thinking – I who am desirous, as my heart is filled with love for him; my mind and heart are eager for his love]; mayaa saha= me, along with [in me]; ramaya= you make him to take delight [in me].
"One night when I have gone into a prearranged lonely alcove I was startled for his truancy and started to see all around for him... but that bounteous pleasure-giver was already there, coming earlier and hiding in the darkness... then he suddenly appeared from nowhere startling me again, but smiling wryly with all his lustful comportment… then he, filled with hastiness for an exigent intimacy, met me... oh, friend, why don't you make him to take a similar delight in me even now, when my heart and mind are filled with lustful longing for him... [a pa 6-1]
keshi madhanam - Krishna beguiles the demon keshi in order to eliminate him. A beguiler must be capable enough to get his things done, so Krishna's vancakatva, saamarathya are suggested here. He beguiles everyone who goes on a wrong track, only to bring him to the right path. In this verse he is said to be hasantam - laughing at her for not finding him who is already at her side, suggests that he beguiles anyone, if he/she seeks him for their ulterior motives.
प्रथमसमागमलज्जितया पटुचाटुशतैरनुकूलम् ।
मृदुमधुरस्मितभाषितया शिथिलीकृतजघनदुकूलम् ।
सखि ... सविकारम्॥ अ प ६-२
पदच्छेद - प्रथम समागम लज्जितया पटु चाटु शतैः अनुकूलम् मृदु मधुर
स्मित भाषितया शिथिली कृत जधन दुकूलम् सखि ... सविकारम्
a pa 6-2. prathama samaagama lajjitayaa = during first, meeting [I who was] bashful; paTu chaaTu shataiH = capable [with reassuring words], good words, hundreds of; anukuulam= agreeable [he made me agreeable to him]; mR^idu madhura smita= softly, sweetly, smiling; bhaaSitayaa= one who is speaking [Rādha, myself]; shithilii kR^ita= collapse, made to [stripped down]; jaghana= hip; dukuulam= silk dress; sakhi - savikaaram= reprise, as above.
"I was very bashful on my first tryst… but saying hundreds of reassuring good words he brought me round… then, I was speaking softly, sweetly and smilingly, unaware when my silken dress slipped from my hips... then he, filled with hastiness for an eager intimacy, met me... even now, oh, friend, why don't you make him to take suchlike delight in suchlike me, when my heart and mind are filled with lustful longing for him... [a pa 6-2]
prathama samaagama lajjita - damsels are bashful, silent, and uncertain in fist tryst, na uktaH kasmaat it nava vadhuu ceSTitam cintayantii pascaattapam vahati taruNii premNi jaate rasaj~nayaa... bharata muni
paTu caaru shataiH anukuulam - hero has some techniques of speaking good and soft words in first meeting - prathamam iha deyam puuga puSpaadikam syaat mridu madhu vacobhiH vojayet tat sannidhaanam...
shithilii kR^ita - antarbhaavita Nic` - the silk dress collapsed on its own, neither Rādha nor Krishna are responsible for it - kaante talpam paagate shithilitaa niivii svayam bandhanaat... bharata muni
jaghana dukuulam - it is already a slippery silk sari, just tied with a simple knot while a golden girdle string - mekhala - is helping it to remain on her hips. But when the heroine has seen Super hero - naakaya uttama - her ecstasy made that knot to loosen and girdle string to unfasten - niivii ca skhalati sthitaa api su dhR^iDham kaamengite yoSitaam...
किसलयशयननिवेशितया चिरमुरसि ममैव शयानम् ।
कृतपरिरम्भणचुम्बनया परिरभ्य कृताधरपानम् ।
सखि ... सविकारम्॥ अ प ६-३
पदच्छेद - किसलय शयन निवेशितया चिरम् उरसि मम एव शयानम्
कृत परिरम्भण चुम्बनया परिरभ्य कृत अधरपानम् सखि ... सविकारम्
a pa 6-3. kisalaya= tender grass, lawn; shayana= as bed; niveshitayaa= placed in [on reposing me]; chiram= all the time; mama urasi eva= on my, chest, only; shayaanam= he who reposed on it; kR^ita= on making; pari rambhaNa= bracing, embraces; chumbanayaa= with kisses; pari rabhya= in besetting manner, hugging [graspingly]; kR^ita adhara paanam= done, lower lip, swilled; sakhi … savikaaram= as above.
"Reposing me on a bed-like lawn he reposed on my chest all along... making bracing embraces he kissed and swilled my lips graspingly... then he, filled with hastiness for an intimacy, met me... even now, oh, friend, why don't you make such excited Krishna to take a similar delight in suchlike me, when my heart and mind are filled with lustful longing for him... [a pa 6-3]
The first embracing is called kShirra - niira aalingana - milk-water embrace, also called tila-tanDula - gingelly seeds and rice embrace. And kRita parirambha cumbanayaa - is called jaghanopa shleSa - karajadana kR^ityam cumbanam vaa vidhastsuH | kathayati jaghanopa shleSam enam muniindraH || Then the kissing is called samauSTa - cumbostavam nR^ityati yatra naarii proktam samauSTam kavibhiH puraaNaiH ||. And then the type of kissing said in - parirabhya kR^itaa adhara paaanam - is called lalaaTika - sa aananda bhaavam shrama miilita akSham lalaatikam tatva vido vadanti ||
अलसनिमीलितलोचनया पुलकावलिललितकपोलम् ।
श्रमजलसकलकलेवरया वरमदनमदादतिलोलम् ।
सखि ...सविकारम्॥ अ प ६४
पदच्छेद - अलस निमीलित लोचनया पुलक आवलि ललित कपोलम् श्रम जल
सकल कलेवरया वर मदन मदात् अति लोलम् - सखि ... सविकारम्
a pa 6-4. alasa= tired; thereby;nimiilita= slouching; lochanayaa= with eyes [rather, eyelids, and such as I was]; pulaka= tingles; aavali= a series of; lalita= delicate; kapolam= cheeks [of Krishna, or of Rādha]; shrama jala= strain, water [sweat]; sakala kalevarayaa= whose whole, body is, [such as I was]; vara madana madaat= utmost, love-god [passion,] by intemperance; ati lolam= wholly, swinging - that Krishna - let him take delight in suchlike me; sakhi - savikaaram= as above.
"I was tired then, hence my eyelids were slouching; his delicate cheeks too experienced a series of tingles; then whole of my body was wet with sweat, while his body too was highly vibrating with passionate intemperance; such as we were, we first met... while he, filled with hastiness for an exigent intimacy, met me..., oh, friend, why don't you make such a passionate Krishna to take similar delight in suchlike me even now, when my heart and mind are filled with lustful longing for him... [a pa 6-4]
By the slouching eyelids, the type of kissing is called - anaghR^iSTa cumbana -...yatra lolaa aakhyaatam rasaj~naiH anghR^iSTa sanj~nam || And by embracing his love, Krishna is said to have lovely tingling on his cheeks and it is called saattvika vikaara -which is of eight kinds as bharata muni says: svedaH kampaH atha romaancaH svara bhangaH atha vepadhuH | vaivarNyam ashru pralayau iti aSTau saattvikaaH smR^itaaH || - sweating, thrilling, shivering, voice fading, wobbling, colour fading, tears of happiness, or tearless state these eight are temperate moods...
कोकिलकलरवकूजितया जितमनसिजतंत्रविचारम् ।
श्लथकुसुमाकुलकुन्तलया नखलिखितघनस्तनभारम् ।
सखि ... सविकारम्॥ ६-५
पदच्छेद - कोकिल कल रव कूजितया जित मनसिज तंत्र विचारम् श्लथ कुसुम
आकुल कुन्तलया नख लिखित घन स्तन भारम् - सखि ... सविकारम्
a pa 6-5. kokila= kokila, black singing bird; kala rava= inexplicable, cooing; kuujitayaa= one who cooing like that [myself]; or, kokila= like koel; kalaraa= like a pigeon; kuujitayaa= calling / cooing –I who has such faculty; jita = one who conquered, mastered; manasi ja = mind, born one [Love-god]; ta.ntra= treatise [of Love, kaama shaastra]; vichaaram = one who can ponder over such lovemaking treatises [Krishna]; shlatha kusuma= slithered, flowers –flowers slipped from my braid; aakula kuntalayaa= tousled, braid [my hair tousled]; nakha= by nails; likhita= written, scratched; ghana= busty; stana= bosoms; bhaaram= I who had to bear the weight [of such bosoms and that of Krishna on such bosoms]; sakhi - savikaaram= as above.
"I was cooing and calling like a koel or a pigeon when that prodigy in every treatise of lovemaking was further examining the possibilities of taking further delight in me, while flowers from my braid slithered, hair tousled, and I was slumping under my nail-scratched buxomy bosoms upon which he is reposing… all this in the good old days… even now, why don't you make him to take delight in such a beddable ladylove like me, when my heart and mind are filled with lustful longing for him... [a pa 6-5]
The type of scratching with nails is called panjakaja patra - according to sringaara shaastra. Actually 'beddable' is considered seductive or sexually attractive - adj. colloq. Here, she served like a bed to her inamorato.
चरणरणितमनिनूपुरया परिपूरितसुरतवितानम् ।
मुखरविशृङ्खलमेखलया सकचग्रहचुंबनदानम् ।
- सखि ... सविकारम्॥ अ प ६-६
पदच्छेद - चरण रणित मनि नूपुरया परिपूरित सुरत वितानम् मुखर
विशृंखल मेखलया सकच ग्रह चुंबन दानम् - सखि ... सविकारम्
a pa 6-6. charaNa raNita= by feet, made to jingle; mani nuupurayaa= gemmy, anklets; paripuurita surata vitaanam= fulfilled, copulation, with a group of [bandha bheda sahita ratim]; mukhara= while [anklets are] jingling; [next] vi+shR^i.nkhala= unfettered, fallen down; mekhalayaa = girdle-chain-set; sa kacha graha= by, hair bun, on grasping; chu.mbana daanam= kiss, one who gave as a gift; sakhi - savikaaram= as above.
"My gemmy anklets that usually jingle with every footstep of mine are made more jingly when he copulated with me in different conjoining postures; and when my girdle-chain-set has fallen down in that act, then he grasped my hair-bun to give a dole of kiss... such as we were we met to the content of our hearts... why don't you make him to take delight in suchlike me, even now, when my heart and mind are filled with lustful longing for him... [a pa 6-6]
The expression surata vitaanam - is many kinds of unions, namely indraaNi bandha etc., explained by vaastyaana kaama suutra-s, possible only for yogis or experts in sringaara shaastra. The girdle-chain-set is not an exaggerated expression, where that girdle ornament contains festoons of golden strings, ranging from a set of three to hundreds. Please see Seetha's Marriage, siitaa kalyaan in Ramayana, where each type is detailed. And making this sort of girdle-chain to fall without unfastening is called prenkhollikita vipariita rati - where vipariita rati - is not a crude type, but again a climatic and masterly act.
Caveat: All this stuff, like masterly acts, climatic union etc., will be good for reading and listening. Better limit them up to that stage. Trying to implement these things, on purchasing cheap books sold on railway platforms, or deducing from such half-baked translations like these, would be harmful, and we are told that a threat of death looms on one's head, if these yogic practices are practiced, without proper knowledge. Just construe that Krishna is a supramundane bhogi and yogi, and salute him. One cannot be a yogi unless he is a bhogi. That's all.
रतिसुखसमयरसालसया दरमुकुलितनयनसरोजम् ।
निःसहनिपतिततनुलतया मधुसूदनमुदितमनोजम् ।
सखि ... सविकारम्॥ ६-७
पदच्छेद - रति सुख समय रसा अलसया दर मुकुलित नयन सरोजम् निःसह
निपतित तनु लतया मधु सूदनम् उदित मनोजम् - सखि ... सविकारम्
a pa 6-7. rati sukha samaya= union, joy, at time of; rasaa alasayaa= by delight, relaxing; dara= a little; mukulita= closed; nayana= eyes; sarojam= lotuses; niHsaha= weakened; ni patita= down, fallen, reposing on lawn; tanu= body; latayaa= creeper plant like [myself, and with me]; udita= arisen; manojam= mind born, Love-god, passion; madhu suudanam= Madhu, the demon, subjugator, Krishna; sakhi - savikaaram= as above.
"When I with my creeper-plant-like body was reposing on lawn, relaxing delightedly with union-time-joyousness, he too reposed on lawn as he was weakened and his lotusy eyes were half-shut… but, he again sprang up as passion for me sprang up in him again… such as he was, why don't you make him to take delight in me even now, when my heart and mind are filled with lusting love for him... [a pa 6-7]
Here the heroine is utkanThita - ecstatic one, lustfully waiting for the arrival of hero. na eva aagataH samuciteSu api vaasareSu; viraha jvara taaita angiim utkanThitaam vadati taam bharata kaviindra... bharata muni.
श्रीजयदेवभणितमिदमतिशयमधुरिपुनिधुवनशीलम् ।
सुखमुत्कण्ठितगोपवधूकथितम् वितनोतु सलीलम् ।
सखि ... सविकारम्॥ अ प ६-८
पदच्छेद - श्री जयदेव भणितम् इदम् अतिशय मधु रिपु निधुवन शीलम्
सुखम् उत्कण्ठित गोप वधू कथितम् वितनोतु स लीलम् - सखि ... सविकारम्
a pa 6-8. shrii= shrii suukti, good saying, or, one who reveres the feet of Goddess LakShmi; jayadeva = [such a] Jayadeva; bhaNitam idam= said, this one; atishaya= by far; madhu ripu= Madhu's, enemy - Krishna's; nidhuvana shiilam= romances, having accounts of; sa liilam= having, romantic frolics [of Krishna]; utkaNThita= one who is ecstacised - Rādha, gopa vadhuu= milkers', damsels – milkmaid Rādha; kathitam= told by her, or told thru her; [vaH= for all of us]; sukham vi tanotu= blessedness, amply, pass around; sakhi ... savikaaram= as above.
"Let this song that contains the accounts of Krishna's romantic frolics, as narrated by me, an ecstasied milkmaid called Rādha, and as penned by a worshipper of Goddess LakShmi called poet Jayadeva, broadly pass blessedness all round, for all of us… such as I am a well-wisher of one and all, I am wishing now to get Krishna to my side… oh, friend, why don't you make him to take delight in me even now, when my heart and mind are filled with love-longing for him... [a pa 6-8]
Some sentences are ellipted in the above song for summing up for the subtext. This song will not heard, in general, as it is loaded with some 'nakedness' in expression, and peripherally it sounds 'bad' and no singer can go on singing for the sake the praise of alankaara or sringaara shaastra contained in it. Hence it is ill fated to be sung. If at all it is sung, it is singable in guNa kriya raaga, eka taala, again both are unknown tunes and rhythms in these days, and none sings them in the tunes suggested by the poet-singer-dancer Jayadeva these days.
हस्तस्रस्तविलासवंशमनृजुभ्रूवल्लीमद्वल्लवी ।
वृन्दोत्सारिदृगन्तवीक्क्षितमतिस्वेदार्द्रगण्दस्थलम् ।
मामुद्वीक्ष्य विलज्जितम् स्मितसुधामुग्धाननम् कानने ।
गोविन्दम् व्रजसुन्दरीगणवृतम् पश्यामि हृष्यामि च॥ २-३
पदच्छेद - हस्त स्रस्त विलास वंशम् अनृजु भ्रू वल्लीमत् वल्लवी बृन्द उत्सारि
दृक् अन्त वीक्क्षितम् अति स्वेद आर्द्र गण्ड स्थलम् माम् उद्वीक्ष्य विलज्जितम् स्मित
सुधा मुग्ध आननम् कानने गोविन्दम् व्रज सुन्दरी गण वृतम् पश्यामि हृष्यामि च
2-3. he sakhii= of, friend; maam ut viikShya= me, up, seeing [seeing me by raising his neck, make sheep's eyes at with goggling eyes, this repeats with every action of Krishna]; hasta srasta= from hand, slid; vilaasa va.nsham= playful, mohana vamshi, the Flute; an + R^iju= not, straight, awry; bhruu= eyebrows; valliimat= wiry; vallavii bR^inda= milk maids', throng of; ut saari= up, flowing - raising head to catch a glimpse of Rādha over the heads of milkmaid gang; dR^ik a.nta= eye, up to end - sidelong glances; viikShitam= one who is casting out; ati sveda aardra= one with - much, sweat, moist; gaNDa sthalam=on cheek, places; maam ud viikShya= me, on goggling; vi lajjitam= verily abashed; smita sudhaa mugdha aananam = he who has smile, called nectar, on his pretty, face; kaanane= in woodlands, of Brindavan; govindam= at Krishna; vraja sundarii gaNa vR^itam= by Vraj, belles', mob, surrounded by; pashyaami hR^iSyaami ca= I have seen, I am delighted, also.
"Oh, friend, when he was frolicking as he like with the flocks of milkmaids, I suddenly entered the ronde… then, on goggling me his playful flute mohana vamshi slid from his hands, his wiry awry eyebrows raised, and he started to cast sidelong glances at me, as he is abashed to be among the throngs of milkmaids… then, his cheeks became moist with sweat to see me suddenly… thus, I saw him, whose face is pretty and whose smile is nectarean, in woodlands of Brindavan… but to see him surrounded by mobs of belles of Braj, I must be delighted - Really? [2-3]
Words of Rādha like 'I am delighted, or, I am happy etc', are not in appreciation, but they are her snappish words with jealousy and derision.
In another way: bR^inda= groups of belles; utsaari= to ward off, in dispelling; dRiganta viikShitam= with sidelong looks, he who is seeing; meaning that, "when I suddenly gone into ronde, he started to cast sidelong glances at other milkmaids to go away, as he was abashed to be in their company, while I was present... and such as he was, now why doesn't he come now, when I long for him?" - This is according to her ownership's viewpoint, as he solely belongs to her.
vipralambha - sringaara; diipaka - alankaara; naayaka -dakShiNa; lalaaTaanupraasa; paancaalii riiti; shaarduula vikriiDitam is its metre.
दुरालोकस्तोकस्तबकनवकाशोकलतिका ।
विकासः कासारोपवनपवनोऽपि व्यथयति ।
अपि भ्राम्यद्भृङ्गीरणितरमणीया न मुकुल ।
प्रसूतिश्चूतानाम् सखि शिखरिणीयम् सुखयति॥ २-४
पदच्छेद - दुर् आलोक स्तोक स्तबक नवक अशोक लतिका
विकासः कासार उपवन पवनः अपि व्यथयति अपि च भ्राम्यत् भृङ्गी रणित रमणीया
न मुकुल प्रसूतिः अपि चूतानाम् सखि शिखरिणी इयम् सुखयति
2-4. sakhi= oh, friend; dur aaloka= impossible, to see round; stoka= small; stabaka= bunches; navaka= new ones; ashoka= of ashoka trees; latikaa= creeper, twigs; vikaasaH= blooming; kaasaara = having lakes; upavana= fringe lands; pavanH= gentle wind; api ca= even, also; vyathayati= distressing; api ca= and, also; bhraamyat= whirling; bhR^iN^gii= female honeybees; raNita= sounded by them, their buzzing; ramaNiiyaa= beautiful; shikhariNii= having apexes; iyam chuutaanaam= this, of mango trees; mukula prasuutiH= folded, offspring - unblown buds; api = even that; na sukhayati= not, comforting.
"Oh, friend, for a lonesome girl it is impossible to see around this environ... this gentle wind that glides upon the lakes and their fringe lands making new twigs of ashoka trees to bloom is distressing... even the beautiful apexes of mango trees that have unblown buds, on which female honeybees are whirling and whirring, they too, are uncomfortable for me to see... [2-4]
kaasaara upavana in this the wind is gliding upon the lakes, hence it is cool, and when it is blowing gently on fringe lands, it is getting fragrance, and when it is circling around tress, twigs, and flowers, it is further cooled and collecting those flowers fragrances. But it is wholly torrid for her. Why wind alone, whole environs is dullish, gloomy and feverish. In mukula prasuuti the vernal mango trees are distressing even when their buds are in the process of parturition, and who knows what they will do when they are fully flowered.
alankaara - samuccaya, lalaaTaanu praasa; vipralambha sringaara; riiti - maagadhi; vritti/chandas - shikhariNi; and the beauty of composition is in including the name of the metre of poem, namely shikhiriNi, in the song itself. Some have understood this shikhiriNi as mountain.
साकूतस्मितमाकुलाकुलगलद्धम्मिल्लमुल्लासित ।
भ्रूवल्लीकमलीकदर्शितभुजामूलोर्ध्वहस्तस्तनम् ।
गोपीनाम् निभृतम् निरीक्ष्य गमिताकाङ्क्षश्चिरम् चिन्तयन् ।
अन्तर्मुग्धमनोहरम् हरतु वः क्लेशम् नवः केशवः॥ २-५
पदच्छेद - साकूत स्मितम् आकुला आकुल गलत् धम्मिल्लम् उल्लासित
भ्रू वल्लीकम् अलीक दर्शित भुजा मूल ऊर्ध्व हस्त स्तनम्
गोपीनाम् निभृतम् निरीक्ष्य गमित आकाङ्क्षः चिरम् चिन्तयन्
अन्तः मुग्ध मनोहरम् हरतु वः क्लेशम् नवः केशवः
2-5. hè bhagavad jano= oh, god-loving people; saakuuta= with inner meaning; smitam= having smiles; aakulaa aakula= thrills and throbs; galat= slipping; dhammillam= hair bun; ullaasita= up raised; bhruu valliikam= eyebrow, wiry ones; aliika= artfully; darshita= showing; bhujaa muula= shoulder, corners - armpits; uurdhva hasta= lifting up, arms; stanam= bosoms; gopiinaam= of milkmaids mugdha manoharam [yathaa tathaa]= simple-minded, heart-stealers [milkmaids]; [ceSTitam= acts of those milkmaids]; nibhR^itam= secretly; niriikShya= on seeing; antaH= innerly [in his heart]; gamita= relieved, got rid of; aakaa~NkShaH= longings; ciram = for a long time; cintayan= thinking; navaH= ever new; keshavaH= Krishna; vaH= our; klesham= despairs; haratu= steal away.
"Oh, god-loving people, he whose smiles imply something is seeing milkmaids who are with thrilling and throbbing, by which their hair buns are loosened and braids slipping repeatedly; they are raising up their arms as though to tie up their plaits, in doing so they are artfully showing are their armpits and bosoms repeatedly, in doing so, their see-sawing curvaceous eyebrows also confirm their desire for him, and he on seeing these wilful acts of simple-minded beauties of Brindavan, he got rid of his longings, for he satisfied them to their content, and stayed there thinking for along time, such as he is, he that ever-new Krishna shall deprive us of all of our despairs... [2-5]
This verse will not be found in other recensions, but available in south. nava Krishna - ever-new Krishna, kShaNe kShaNe yat navataam upaiti tat eva ruupam ramaNiiyataayaaH whoever/whatever gets newness minute by minute that is the name of beauty. Here Krishna himself is that newness, and he is becoming, new, newer etc., only by these simple-minded acts of milkmaids. subhaaSitena giitena yuvatiinaam ca liilayaa | ceto na bhidyate yasya sa vai mukto athavaa pashuH || 'he who remains unperturbed by good sayings, or by music, or by the lovely acts of womenfolk, he must be a saint or a beast...'
naayaka vidagdha; samuccaya - instrument; alankaara aashiis; sharduula vikriiDita - its metre. With this end benediction the poet is concluding the second chapter.
इति श्री जयदेव कृतौ गीतगोविन्दे अक्लेशकेशवो नाम द्वितीयः सर्गः
Thus, this is the 2nd chapter, aklesha kevashavam, in giita govindam of Jayadeva.
|Previous sarga
|Next Sarga
2003, Desiraju Hanumanta Rao, Revised: Oct 08


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Software version 1.0.7.001 ready to be put on air for all PACE HDPVR STBs (Digicomp serial nos. 60xxxxxxxxxx) in the field to enable charging of VoD contents post launch.
- Free Category currently available under Showcase->Video On Demand will be replaced with upto Five categories (Premium, Economy, Value, Deal of the Week & Free)
- Every content currently showing a Download option under Free Category will now show "Buy & Download" option even if Price of an event is 0 (Zero, only under Free category).
- The new software will add Impulse Pay Per View (IPPV) functionality for every content available under 5 different categories in VoD Catalog to enable charging of VoD post launch.
- Price of every content is displayed on the Film card at the time of download. Also the validity that is the expiry date of the content will be displayed under download manager post successful download of the content. The content downloaded post expiry date will automatically get deleted from download manager irrespective of whether the content has been viewed or not (even if it is locked).
- Upto 50 assets can be purchased on a box and last 50 transactions for purchased/downloaded content can be seen in Purchase History Page.( green button in Download manager box)

subset: commoncrawl


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Tel: 01254 282777
Fax: 01254 282794
Roman Road Health Centre
Fishmoor Drive
Complete this form to contact us via the website:
Tel: 01254 282777
Fax: 01254 282794
Roman Road Health Centre
Fishmoor Drive
Complete this form to contact us via the website:
The symptoms of coronavirus are:
The symptoms are similar to other illnesses that are much more common, such as cold and flu and it does not necessarily mean you have the illness.
NHS 111 has an online coronavirus service that can tell you if you need medical help and advise you what to do.
Use this service if:
Do not go to a GP surgery, pharmacy or hospital.
Information for the public is available at gov.uk/coronavirus and https://www.nhs.uk/conditions/coronavirus-covid-19
Like the common cold, coronavirus infection usually occurs through close contact with a person with novel coronavirus via cough and sneezes or hand contact. A person can also be infected by touching contaminated surfaces if they do not wash their hands.
The risk of being in close contact with a person with coronavirus or contaminated surfaces is very low at the current time.
Everyone is being reminded to follow Public Health England advice to:
You can find the latest information and advice from Public Health England at www.gov.uk/coronavirus.


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Dec 16, 2019
Hey Girlfriend!
This episode I talk about what it looked like for me behind the scenes as I had to get real with myself and let go of things that were not bringing me joy. I give you some tips on how I did this in hopes that you can do the same if you are in the same position.
You can let go of things and still be...
Dec 9, 2019
Hey there gals!
Are you so overwhelmed by the amount of dreams or goals you have? Maybe you really want to see your dreams come to life but you are overwhelmed on how to make them happen. This episode is for you sis. We talk why you aren't taking action and 3 steps to take you from sitting to making moves towards those...
Dec 2, 2019
Hey there gals!
So here is the deal, I see you. This episode is for you if you are Type A and have a hard time slowing down. Always on the move, always starting something new, hitting the goal and on to the next.
It is time to stop, slow down, celebrate your accomplishments & perfect your craft.
Tag me in your IG...
Nov 26, 2019
Hello there and welcome back to The Mindy Mission Podcast!
Today we discuss why being busy is a choice. I hope this episode meets you where you are and allows you to feel seen and heard.
Remember YOU have the power to change, YOU have the power to choose. Busy is a choice sister.
Tag me in your IG story & let me know...
Nov 18, 2019
With it being one year since the podcast launched, we are relaunching some of our favorite conversations and episodes that have launched over the last year.
This conversation with Preston Pugmire was one of my favorites. If you haven't listened to it, take the time. If you have, listen again. You will love what you...


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Inbound marketing can dramatically impact your company's business. In addition to driving traffic to your website, a well-orchestrated inbound marketing campaign will help your business rise above your competitors. However, inbound marketing is not without its problems and challenges. Knowing these challenges can help you develop realistic expectations and increase your odds of success for your campaign. Below is a look at the top five challenges with inbound marketing and some strategies to help you address those challenges.
Challenge #1: Inbound marketing is time-consuming
Most of the fundamental elements of inbound marketing require time and patience to implement. Inbound marketing is not an overnight game. There is no switch to flip in order to start flooding your business with leads and customers. Instead, we are building a foundation of great content to attract, convert, close, and delight your prospects and customers. The process simply takes time and resources to execute well. Here are a few examples of common inbound marketing tactics and why it takes time to implement and develop.
- Search Engine Optimization (SEO): Effective SEO requires a well-designed website, dependable web analytics, a sitemap, great backlinking strategy, and other elements that require time and sustained effort in order to produce results. SEO can be one of the most effective marketing tactics, but it doesn't happen overnight. You have to continuously make changes and optimize.
- Social Media Marketing: Marketing your business through social media requires a long-term commitment from a social media specialist who will develop your networks and cater to their buying preferences. In most cases, social media, at least initially, should be viewed as a branding tool. Outside of paid advertising, social media is a way to get and stay in front of your prospects and deliver great content. It's a process of establishing a relationship that eventually could turn into closed business. If you're getting into social media marketing (outside of advertising) and expecting to start selling to your followers immediately, you're probably in for a rude awakening. You have to put in the time and effort in order to build those relationships.
- Email Marketing: Mass emails simply do not work anymore. They are too generic, people tune them out, and they really don't get opened. In order to get a good return on your email marketing campaigns, you need to really understand your contacts, their interests, and the content that they want to see. A/B testing and segmenting your contacts into well thought out lists is the key to great email marketing.
Challenge #2: Results take time to achieve
"Inbound marketing is an ongoing methodology; it always requires more time from you because it becomes more and more complex with time. Because results take time, patience is required. Before signing any contracts that involve the implementation of inbound, you should be aware of the time involved."
- Martha Madero Gonzalez, Forbes Agency Council
If you expect stellar results overnight, then inbound marketing is likely not the answer for you. While inbound marketing techniques can produce impressive results over time, the waiting period can be frustrating if you were expecting to generate fast results from your marketing initiatives. Many businesses like to add some pay-per-click advertising to their inbound marketing campaigns, at least initially, so that they can start producing immediate results while the inbound marketing starts to take hold.
Challenge #3: You need a talented team
Top-notch marketing results are difficult to achieve without top talent. There are so many moving pieces with an inbound marketing campaign and relying on one jack-of-all-trades to develop your plan, create your content, deliver it across your different channels, and also measure and learn from the data and analytics collected, is just too much to ask. There are also sub pieces to each campaign that need to be taken into account - do you really want one person doing all of your copy writing, design, strategy, development, and reporting? How many people are really skilled enough to do all of that at a top notch level? Very few. Typically, a great copywriter is not a great designer and a great developer is not who you want writing blog posts (and so on), A great team should consist of skilled people that focus on what they're best at, not pushed into a position where they have to execute on a piece that they're average (at best) at.
Challenge #4: You need the right tools
While inbound marketing is really all about earned media - you are earning your visitors, leads, and customers through your development of great content - in order to really execute on your plan, you have to have great software behind you. That means investing in scalable resources and tools that help you get more done in less time. While we are a HubSpot Partner Agency and always recommend using HubSpot tools (even if it's just the free tools), the point is really about using the right tools to get the job done. Here are tools that you need to have in your arsenal, whether you use HubSpot or not:
- CRM - you can't know how to market your products or services if you don't know who you're marketing them to! (PS HubSpot's CRM is completely free and awesome!)
- Social media marketing publisher (with calendar, monitoring, and social scheduling tools)
- Email marketing tool that integrates with your CRM so you can send targeted emails to specific groups of your contacts
- Marketing automation tool so that you can nurture your leads without having to rely on sending a personal email every single time (that's how prospects fall through the cracks!)
- Analytics tools (more than just Google Analytics)
- Blogging platform with optimization tools to ensure you're getting all the SEO benefit you can out of it.
- Great content management system (CMS) in order to host your website as well as landing pages and thank you pages.
- Website chat software - this really isn't an option anymore. People are demanding chat functionality from our websites now. If you don't have a chat option on your website, you're way behind!
Challenge #5: Too Much Data
With an inbound marketing campaign, one of the best (and worst) things is the fact that there is a seemingly endless amount of data. Everything (when done right) is trackable, but the challenge is understanding which data is most important and what it actually means. It also means taking the time to really dive in and understand which data is an anomaly and which should be acted upon. There is a lot of information that you'll take in with your inbound marketing campaigns and the difference between a very successful campaign and an unsuccessful one can very likely come down to your ability to understand and use the data that you're tracking.
How can you overcome the challenges of inbound marketing?
So that last piece may have sounded a little negative, but it's really no secret that inbound marketing is effective and a must for most businesses. The problem is overcoming some of these challenges in order to make inbound marketing work for your company or organization. Here are three steps you can take to help overcome the challenges that accompany inbound marketing:
1) Establish realistic expectations
"By setting the right expectations with clients, we not only help them understand how this marketing method impacts their results but also how the significance of certain variables can impact their inbound strategy as well."
- Jon Simpson, Forbes Agency Council and Owner of Criterion.B
Educating stakeholders and staff about inbound marketing is often the key to garnering long-term support for your initiatives. In particular, make sure that you tell your team that it can often take weeks or months to generate results. Provide them with examples of some of the strategies you have launched and invite them to join you as you monitor your company's increase in traffic, leads, and customers. Setting the right expectations from the start can set your campaign up for success.
2) Make inbound marketing part of a comprehensive marketing plan
For many businesses, inbound marketing should be part of a larger, more comprehensive marketing strategy that also features outbound marketing tactics. By including paid advertising, 1:1 email marketing, and other outbound techniques, you can enjoy some "quick wins" as you wait for your inbound marketing efforts to pay off.
3) Update your website
"You must design your website so that your customers have a consistent, compelling experience, no matter what device is used to access the site. Responsive design is the answer."
- Sarah Greesonbach, Business 2 Community
First, if your website is not mobile responsive in 2018, you have much larger problems than launching an inbound marketing campaign. If this is the case for you, the very next thing you should do is to make a call to either your website development team or an agency to get a new website built. A stellar website is the cornerstone of an effective inbound marketing campaign. Trying to launch an effective inbound campaign with an outdated website is about as effective as trying to apply a fresh coat of paint to a crumbling building with holes in the walls. You can prime your organization for inbound marketing success by giving your website a facelift to ensure that it is responsive, easy to navigate, and content-rich.
What is the best way to achieve inbound marketing success?
Clearly, there are many benefits to developing an inbound marketing campaign. However, achieving results takes time and many businesses do not have the time or resources needed to develop an effective long-term plan. The best way to achieving success with your inbound marketing campaign is to either build out a great team and a great strategy or to hire an agency for all of that. A top-notch marketing agency will have the resources and expertise to develop and launch a strategic inbound marketing plan for your organization. They can also optimize your website and help you maximize your inbound marketing campaign's ROI.
We invite you to contact us at HIVE Digital Strategy to learn how we can help you achieve inbound marketing success. Our team of dedicated inbound marketing specialists has the tools and expertise to help you drive more traffic to your website and shorten your sales cycle. We look forward to becoming your trusted resource for all of your marketing needs!


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Electrical Services in Raleigh
Providing High-Quality Work, Every Time
From keeping the lights on to powering up essential appliances and devices, homes and commercial buildings depend on electricity now more than ever. When something malfunctions or causes you to lose power, enlist the help of CMC Electric. Our licensed, professional electricians are available around the clock for all your needs. Residential or commercial, large or small—we always accomplish the job to your satisfaction.
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- Licensed & Insured – A license is the basic qualification any electrician needs to have. A license is a guarantee that your electrician has the education necessary to work on your electrical system. There are different kinds of licenses that electricians can have, so make sure to have your electrician show you their license. Also make sure the kind of license they have matches up with the kind of work they're going to do.
- Reviews & Recommendations – With the internet, it's now easier than ever to see what kind of quality level a potential electrician is likely to provide. With websites like Angie's List and Yelp, it's now possible for people to leave feedback on the quality of the electrical services they received. The more reviews, the better.
- Communications & Service – When you start talking with a potential new electrician, take a moment to observe their communication style. Are they responsive to your requests? Are they detailed in the information they're giving you? Or are they acting like they don't want anything to do with you. Don't settle for an electrician that doesn't value your needs. If they can't spare the time to send a message back quickly, they probably aren't going to provide the best level of service.
- Overall Value & Fair Pricing – Don't get caught overpaying for your next electrical job. Not every electrician has your best interests at heart, and that's why it's so important to compare several of them before making a decision. Look at what kinds of rates different electricians are charging for their services so you can see what you should expect to pay for a particular service.
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To learn more about our maintenance program and other electrical services in Raleigh, contact us at (919) 694-4454. We also serve Clayton, Durham, Fayetteville, and Chapel Hill.


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This content has been marked as final. Show 8 replies
Re: Maternity Swimwearsdanil Jan 20, 2009 7:43 PM (in response to angelam7)get thee to india...marry a prince in the rag business...and you'll be fine
Re: Maternity SwimwearLUCKIEST Jan 20, 2009 7:48 PM (in response to angelam7)
Maternity Swimwear, Welcome
New members, read this first
bySBOCTeam at Jan 20, 2009 10:20 AM
your profile. Giving some background about yourself helps other
Community members when trying to answer your small business questions.
Its a quick and easy way to promote your business too. Complete your
profile today!
Re: Maternity Swimwearangelam7 Jan 20, 2009 10:09 PM (in response to LUCKIEST)I appreciate your reply, but I do not have any information to add to my profile as of yet. I am just getting started and needed some help to send me in the right direction. I am hoping to get this going as soon as possible. Thanks. Angela
Re: Maternity SwimwearLUCKIEST Jan 21, 2009 9:39 AM (in response to angelam7)Maternity Swim wear
Information like the name of your business, Your name and location.
Two suggestions. Develop both a Business and Marketing Plan, and Visit SCORE.
SCORE is FREE both in person and online. LUCKIEST
Re: Maternity Swimwearangelam7 Jan 21, 2009 9:59 AM (in response to LUCKIEST)Thank you for your reply. I do not have any of those yet. I am still working out the kinks. I will visit score and see what they have to offer. I will post all of my details as soon as I get them figured out.
Re: Maternity Swimwearsdanil Jan 21, 2009 7:08 AM (in response to angelam7)gottex is a large manufacturers of swimwear...maybe they want to add your maternity designs if they're good...you can probably learn a lot there...it sounds like with your experience that may be a start...relocate if you must...I've visited Ohio when calling on department store years ago.
if you want to go another route...get yourself a subscription to women's wear daily...in the back is everything you need and buy W too
Re: Maternity Swimwearsdanil Jan 21, 2009 7:11 AM (in response to angelam7)here's another suggestion...visit department stores...they buy direct these days...show the buyer of maternity swimwear your designs...they will help you...years ago i called up the buyer of bloomingdales and they wanted to run with my product and help with development.
Re: Maternity Swimwearangelam7 Jan 21, 2009 9:57 AM (in response to sdanil)Thank you so much!!!! That information gives me somewhere to start. It was very helpful.
Go to original post
Reply to original post
I have designed a line of maternity swimwear. I have my portfolio finished and am not sure what to do now. I would like to find a manufacturer that will make my designs for me but am not sure where to start. I live in Cincinnati, Ohio and am looking for someone close if possible. Can anyone help me?


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Question: Help! USC plays Cal on the same night as the Rolling Stones concert, and I have tickets to both! What should I do? Also, do you have any more details about House that you could share?
Answer: First off, I think you should attend the Cal game for the simple reason that yours truly will be in attendance. Who would you rather meet, Mick Jagger or Mick Ausiello? Secondly, it sounds like House may be bringing on a new love interest for Dr. Crabass. A casting call has gone out for a woman in her early forties to play the role of Julie Whitner, a wheelchair-bound researcher at Princeton-Plainsboro who locks horns with House.


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By buying this product you can collect up to 9 loyalty points. Your cart will total 9 loyalty points that can be converted into a voucher of 0,09 €.
Mother-of-pearl peina of an original round and elongated design that will give a touch of style to its most original collection. Ideal for both the fair and flamenco dancing.
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About the first muse I have ever had.
About the first muse I have ever had.
by Joel Roderick Bisson19 Aug 2015
The words betray the meaning
Behind the screen of pictures
The films inspired by my words
The novel itself is still burning
I have this lit flame for you
The meaning of my poetry, prose
Is that it's a lifestyle I chose
And I Love You, you said, I heard
It leaves me with desire yearning
I want you to be mine and because
You Love Me and want to be Mine
So I write the stories that tell
Of A time when I saw you and fell
For your eyes have such a warmth
And your voice is that of an angel
I've Loved you with such a depth
And breadth of my very own being
Soul is full of vast emotions
Running through streams of a river
That runs together into an ocean
Of dreams, hopes and aspirations
That one day, you would be mine
I want to tell you this because
I want you to tell me a little tale
About the time I smiled and you saw
Me there smile so you smiled back
I know that you're crush did exist
My heart was so fast like an attack
I know and believe in what I saw
You with hopeful gleam in your eyes
And I want to write you this poem
For you I name the stars in the skies
And cherish the words I Love You Joel.


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About Us
With a great mix of stores, plenty of parking and family-friendly facilities West Ryde has all your shopping needs covered in one convenient location.
Address: 14 Anthony Road, West Ryde NSW 2114
By Car
West Ryde Marketplace is located at 14 Anthony Road, right opposite West Ryde train station.
By Public Transport
The centre is easily accessible by train or bus. For your quickest route to the centre, please visit www.131500.com.au
West Ryde Marketplace has an undercover carpark with 2 hours free parking available. Entrance to the carpark is off Market Street.
Carpark Charges
0-2 hours - FREE
2-3 hours - $3.00
3-4 hours - $6.00
4-5 hours - $15.00
5+ hours - $20.00
There is also additional parking available Monday to Saturday in the council overflow carpark in Anthony Road.


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Property Location
A stay at Best Western Hotel de Verdun places you in the heart of Lyon, walking distance from Place Carnot and Textile Museum. This hotel is within close proximity of Lyon Catholic University and Saint Martin d'Ainay Abbey.
Stay in one of 27 guestrooms featuring flat-screen televisions. Complimentary wireless Internet access keeps you connected, and satellite programming is available for your entertainment. Bathrooms have showers and hair dryers. Conveniences include phones, as well as safes and desks.
Quench your thirst with your favorite drink at a bar/lounge. Buffet breakfasts are available for a fee.
Business, Other Amenities
Featured amenities include a business center, a 24-hour front desk, and luggage storage.


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Royle Family star Ricky Tomlinson will undergo heart surgery on Friday.
The 68-year-old actor broke the news publicly on the day he launched an awareness campaign to encourage one million men to check the health of their hearts.
Ricky Tomlinson is promoting free checks in selected pharmacy outlets to determine the risk of a man developing heart disease and advice on lifestyle changes.
Ricky, renowned for his role as couch potato Jim Royle, said: "Checking your heart is so vitally important. I know lots of men, me included, aren't keen on getting checked out but a simple heart check takes a few minutes and really could detect early signs of heart disease.
"I'm keen to get a million men having their hearts checked out so they shouldn't have to go through what I've got to go through with the surgery."


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X15 Media Showcase to Bring the Best of Xbox One to You
Plus gamescom 2015 highlights.
I was this close to calling this one "X15 Media Showcase Gonna Give It To Ya'," but I was afraid the message might get lost somewhere.
In any case, Xbox has had a busy week over in Germany for gamescom 2015. So before getting to the big news (at least, big if you're going to be in Toronto later this month), here are a few highlights.
First up, there is the announcement of a third season of content for the Xbox One-exclusive combo-driven fighting game, Killer Instinct. And as part of that third season is a most unexpected — yet all-too fitting — new addition to the roster:
Hot on the heels of the recently-released Rare Replay that brought the brand back into the spotlight comes one mad, bad, and crazy toad — Battletoad, that is, as Rash makes the leap from Ragnarok World to take on whatever the evil corporation UltraTech has to throw at him. At the end of the trailer, Rash notes that "these cameos are killer." Simple wordplay on the game's title, or a hint that the toad-ally tubular trio are ready to take on a starring role again? You be the judge.
The third season doesn't hit until March 2016, but if you've bought either Rare Replay or any prior Killer Instinct content, you can get mad, bad, and crazy yourself until September 8th with a sneak preview.
Next up: Things have been quiet with the focus of my #2 moment from the 2014 Electronic Entertainment Expo press conference… that is, until now.
Scalebound, or what I called a cross between Mega Man and How to Train Your Dragon, is on its way towards a 2016 release from PlatinumGames and director Hideki Kamiya.
In Scalebound, you will experience the journey of a young loner named Drew, who is pulled into the strange, beautiful, and dangerous world of Draconis – where he is bonded to a fearsome and noble dragon, Thuban, the last of his kind. These two lone-wolf heroes, thrown together by fate, must learn to fight as one to defeat the powerful enemies that threaten Draconis, Earth, and a vast universe of parallel worlds.
It is in this Xbox One-exclusive title that you'll work with your ferocious companion to take down monsters and armies alike as you explore the world of Draconis. What's more, you can customize your dragon, starting with such shapes as winged serpents, four legged tanks, and more and evolving their appearance, as well as unique attacks and abilities.
On top of all that, there's also a four-player co-op mode that Platinum is keeping details under wraps on for now. Maybe you can even form your own "Riders of
Berk Draconis"?
Last on my list of gamescom highlights is that Xbox One backwards compatibility is coming in November. Over 100 Xbox 360 titles from such companies as 2K, Bandai Namco Games, Bethesda, Capcom, Codemasters, Deep Silver, Disney Interactive, Electronic Arts, Koei Tecmo Games, Majesco, SEGA, Square Enix, Ubisoft, and Warner Bros. will be available to play from the comfort of your current-generation console, complete with all the new features it provides.
For more details on these announcements and more (including Mafia III, Crackdown 3, and Halo Wars 2) from Xbox at gamescom 2015, just click here.
Now for the headline news…
From 6 to 11pm local time on Wednesday, August 19th, Xbox fans will have the opportunity to converge and gather at the Sound Academy at 11 Polson St. for the X15 Media Showcase. Those who can't make it all the way there will find a shuttle service available starting at 5:45pm to and from Union Station.
And in case you weren't sure? Yes, this is for the general public.
With the promise of more than 100 consoles and over 30 developers, there will unquestionably be a lot to see there. There are no exact specifics on the lineup, but I'm told that "all our big upcoming titles like Halo, Forza, Tomb Raider, and Fable" will be there, as well as some "great" third party and [email protected] titles. Among the developers there will be some for Rare Replay, so it seems likely that will be on hand for anyone to try out as well.
And who knows? Maybe some cool stuff announced at gamescom 2015 will be there; if not some dragon-riding, maybe there will at least be a chance to get mad, bad, and crazy?
That last bit is pretty much conjecture on my part, but either way, it isn't to be missed.


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Cropped jeans are wonderfully versatile. They're ideal when the weather cant quite make its mind up as they show a little skin but not too much. This pairs black denim finish will look great paired with a sleek white blouse and slides when the sun is out. Because they are a classic, they wont go off trend either.
- Jeans
- Cropped
- Casual
- 98% Cotton, 2% Elastane
- Machine washable
Model is 177cm/5ft10 and is wearing a UK size 16


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Harking back to the golden era of Hollywood with an eye-catching retro font, wall art and colour scheme, Matinee caught my eye on a recent jaunt down Addison Road. With the very name clueing you in that this spot is designed for afternoon performances, I was pleased to slide in after 2.30pm and still be able to eat either breakfast or lunch.
The décor is theatrical, from the central glossy burgundy-tiled table surrounded by green velour chairs, to two dramatic art deco triple ring chandeliers with long burgundy fringing.
The same colour carries through onto a cushioned leatherette banquette, running along a concrete back wall, with an all-singing, all-dancing mural. While some say the space channels the Greek-Australian milkbars of my childhood, I certainly don't remember any that looked quite like this – well, except in American movies.
Instead I'd describe the combined counter and kitchen as something like a classic art deco cinema's candy bar. It adds some lovely curves into the high-ceilinged, industrial space, with its exposed fittings and roughly hewn concrete.
Coffee - their own Matinee roast - pushes the envelope of not burnt in my Latte ($4) and challenges my usual practice of not adding sugar. I eventually relent with a quarter teaspoon of raw hipster sugar, and it's better, with good acidity at the front and a dark rumble in the rear. I'm more excited by the house-made Habanero Sauce ($15/bottle) delivered to my table without me needing to ask for it.
It's just the ticket to give my muddy Pork Cassoulet ($20) some clarity. This dish has a quite lot going on. While the coffee-rubbed pork shoulder is plentiful, it's a bit dry and stringy. It sits in a thick, tomato-heavy stew dotted with diced carrot and mushy borlotti beans. I really prefer white beans, like butter beans or cannellini beans in this dish. The cassoulet garnished with an equally hectic array of poached eggs, blobs of basil nut pesto, a dusting of parmesan crumbs and goats' cheese, along with a slice of buttered sourdough that is gone much too quickly. The basil pesto is, to my palate, a mistake.
On my follow-up visit, Donna Summer is blasting out Bad Girl, which, with the retro colours, gives the space a last days of disco vibe. It's stinking hot, so I sit outside at a bright orange table, to catch whatever skerrick of breeze is flowing down Fotheringham Lane. Service this time is slower off the mark, but affable enough when my menu does finally arrive. My Creaming Soda ($6) is served with ice and a metal straw, though it's too sweet to really be refreshing. While the waitress was unable to tell me whether the soda syrup was house-made, the drink is low on fizz and has an interesting flavour.
With owner, Charles Cameron, coming out of Brewtown, hitting up the sweets seemed important. The menu is full of American favourites like key lime pie, pecan pie, and pretzels. While the Cinnamon Pretzel ($5) didn't look too fancy, and certainly wasn't helped along by it being a hot day, it ate with a certain nostalgic charm that reminded me of a chewy version of hot, buttered cinnamon sugar toast.
Expecting a sugar-overload, the Belgian Waffle ($18) surprised me with judiciously applied tangy, lime and honey buttermilk ricotta, lovely spears of caramelised tart pineapple and a dusting of pistachio, freeze-dried raspberries and toasted coconut flakes. It was only the waffles themselves that were a bit sugary and cakey. However after Thomas Keller (at his restaurant Bouchon in Las Vegas) showed me that Belgian waffles could be as light and airy as their thinner American counterparts, I've been a tough critic.
23-29 Addison Road, Marrickville
Ph: (02) 9519 7591


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Go Daddy Auction Picks 7-25-16 Powered by ExpiredDomains.com
Some 5N.coms on the list today, they all have a 0 or a 4.
A lot of brandables on the list, I like MegaShield.com and I like Bonata.com. Ganzen.com may interest some, looks to be geese in Dutch from a quick Google search.
Disclosure: Links are affiliate links.


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With above 250, 000 new noxious programs being detected every single day, there's not any shortage of risky risks stalking inside the web world. On-Access is a real time scanning characteristic, meaning it can be watching all changes to data when info is being processed in and away for the computer system. The reduced impact of ClamWin arrives in least in part that there is going to be no real time scanning, consequently users of ClamWin should be well versed in secure research.
The installed anti-virus can end up being used to be a scanner designed for transferred documents between completely different operating systems . The mail rated antivirus module is without question, as the name advises, dedicated to current scans of inward bound messages. Within just this section is located the Kaspersky Secureness Network , which usually utilizes a cloud-based understanding bottom in scanning applications and websites . Cybersecurity is not a trick and everything approach of vicious software is without question in existence to get you, so take a glimpse at CBR's list of the ideal no cost antivirus security software program . Various goods provide equipment for getting rid of inconsistant secureness software program and advise standard constructions . Founded in 2005, IObit provides a host of products crafted to help in optimal LAPTOP OR COMPUTER performance, function and reliability . Webpage – G Data G Data has been around the business intended for 20 furthermore years and demands to have the ideal computer virus recognition costs of all anti virus products.
They will do possess software that seems to work, but the program consumes most of it is time exhibiting pop-ups and interesting in brilliant ways to irritate you in to buy additional from these people. AV-Comparatives, a single of the most famous independent firms that are experts in testing antiviruses put BullGuard through a series of difficult studies. About the whole, malware computer software takes away malware programs through a series of scans , quarantines, and eliminations. Avira offers antivirus security software solutions just for Windows , macOS , iOS , and Google android . The antivirus application that comes with Windows , called Windows Defense , is just a basic program that does not deliver comprehensive proper protection .
Therefore many antiviruses , so little time – that's probably what you're considering if that you simply new to this kind of. The weeknesses study investigations to be sure the courses and software are all current, and in the event that not, Bitdefender gives a secure url to download the latest editions. Both Norton and Kaspersky have received convenient testimonials from big PERSONAL COMPUTER sites, and the two are throughout the same value for a year's certificate. I prefer just how some anti virus courses carry out tell you in the event that a internet site has a poor protection ranking though. An excellent document antivirus security software component allowed to search within in real time most the data files opened, kept or perhaps run in the laptop .
When pitted against A-V Comparatives' spyware and safeguards check, AVG obtained 99. Eight percent in an internet check out against nearly 34, 1000 products and 98. Main percent high street. Pre-installed of all pcs, the Norton brand comes with been around for many years while one of the virtually all recognizable brands in antivirus security protection software steve-kitchen.tribefarm.net.
Bullguard may not really be mainly because famous while the big market players, although it's positively a single of the very best anti-virus application in the environment. AVG Ultimate defends House windows , Android , and Mac pc equipment together with the features found in AVG Net Protection , and it gives AVG TuneUp computer software , which in turn assures the equipment are running just as effectively while possible. Whatever claims being antivirus computer software swiftly gets kicked out from the iTunes App Store . The antivirus software provides timely protection, record scanner, and web-surfing safety. Selecting one of many better-known rated antivirus brands may not be the ideal choice either; it's really difficult to removal Norton via a PERSONAL COMPUTER , one example is.
These kinds of typically come with three or more user licenses and consist of added safeguards features like private data operators, safe bank features, VPNs and cellular reliability . Although prevalent sense should be your 1st line of security against or spyware and online hackers, a trustworthy antivirus formula may save from when practical fails.


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There are many ways to get between the upper and lower towns of Quebec City. You could drive; you could take the bus; you could even take a cable car. On June 16th this year, everybody took THE STAIRS.
The "Super Challenge" is a 19km event which encompasses road running around beautiful Quebec and some 3000 stairs.
First place in the men's event was claimed by Quebec local Maxime LeBoeuf in a time of 1:16:22, while the women's event was won by Marianne Boivin in 1:31:11. A shorter 13.5km "Challenge" event also attracted over 1000 participants.
Quebec Staircase Challenge is an event with many unique characteristics, including the exciting way in which the race is split into three timed categories. The race winner is of course the athlete who finishes the entire race in the fastest time, but awards are also given to the "Best Climber" and "Best Sprinter".
The formidable "Cap–Blanc" features the final 398 stairs of the course, with all participants timed from bottom to top of this staircase to determine the "Best Climber" award. From the top of Cap-Blanc, participants were timed for the ensuing 1.5km sprint to determine the "Best Sprinter".
Start hitting the stairs now, and be ready to step up for next year's Quebec Staircase Challenge.
16 June 2013
Quebec, Canada
It was a great day in paradise for Japan, as Yuki Kawauchi won the Gold Coast Airport Marathon and fellow Japanese native Yukiko Akaba took out the women's marathon event. Both winners set course records on a day when the Gold Coast Airport Marathon featured a record number of competitors.
Some 26, 000 people turned up to celebrate the 35th running of the Gold Coast Marathon weekend, with participants in the full marathon, half marathon, 10km and 5.7km walk events enjoying a typically great Gold Coast event.
Every year event organiser's deliver a beautiful mix of relaxation and excitement to competitors and 2013's race weekend once again proved that Gold Coast is one of the world's premier, runner friendly events.
The event course gives participants the chance to experience everything that's great and famous about the Gold Coast – spectacular beach views, amazing high rise architecture, an atmosphere that's as warm as the weather and much, much more.
6-7 July 2013
It's therefore little wonder that many competitors reward themselves by adding a short (or not so short) holiday in the Gold Coast on to their race weekend experience.
If you like fun, if you like sun and most of all if you like to run, get to the Gold Coast for a world beating event in a world beating destination!


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"I Gotta Guy" with Atrial Fibrillation (AFib)
Increasing cases of Atrial Fibrillation, also known as AFib, are being diagnosed every year. Therefore, you will likely see more clients with a history of AFib. We as field underwriters should be prepared to recognize AFib, symptoms, and types of treatment.
AFib is an irregular and often rapid heart rate that commonly causes poor blood flow to the body. During AFib, the heart's two upper chambers (the atria) beat chaotically and irregularly out of coordination with the two lower chambers (the ventricles). Simply stated, AFib is the heart being out of normal rhythm.
Signs of AFib may be racing heartbeat, heart palpitations, fluttering in the chest, chest pain, shortness of breath, and fatigue when exercising. Of course trained medical personnel would make the final diagnosis. AFib is usually determined by an electrocardiogram and other cardiac testing. Having AFib increases the chances of having a stroke by five times over not having an AFib diagnosis. This is why it is important to have wellness exams or to seek treatment when signs and symptoms appear.
Atrial Fibrillation can occur in several patterns:
- Intermittent (paroxysmal). The heart spontaneously returns to normal rhythm. The episodes may last from seconds to days.
- Persistent. The arrhythmia (rhythm) does not convert to normal without medical treatment or cardioconversion (electrical treatment).
- Permanent. The heart is always in AFib. This may be treated in multiple ways, including surgical intervention such as implanting a pacemaker or defibrillator to maintain normal rhythm.
These forms of AFib are commonly referred to as mild, moderate, and chronic, respectively.
Medications often seen for treatment of Atrial Fibrillation include:
- Rythmol
- Cordarone
- Pacerone
- Beta-blockers
- Calcium channel blockers
- Digoxin (or Lanoxin)
- Dofetilide
- Blood thinners such as Warfarin (Coumadin), Eliquis, Plavix, aspirin and other medications to prevent blood clot formation.
The main objective is to convert the heart into a normal rhythm. This is often documented for medical and underwriting purposes by reviewing all electrocardiograms during and after AFib diagnosis.
For more information on Atrial Fibrillation (AFib), two good resources are the American Heart Association website and the Mayo Clinic website.
Potential impact on underwriting
Cases in which the insured applicant has mild AFib with well-documented control of the condition may be considered for Standard to Table Two. After two years we may also see the chronic or hard-to-control AFib cases ranging from Table Five to decline.
This is why you should try to obtain all the medical information possible in order to obtain the best offer possible and the policy delivered to the client in the faster possible time frame. Utilize the underwriting and case processing services of the CreativeOne Life Team to help you find the best policy for your AFib cases.
Check out previous articles in the "I Gotta Guy" series:
- Not Financially Justified?
- Family History
- A Rated Case
- Prostate Cancer
- Metabolic Syndrome
- Ulcerative Colitis
- Abnormal Liver Function
- Lymphoma
- Sleep Apnea
- High Cholesterol
Related terms: Case Studies, Life, Underwriting


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Q: Are you wondering what the benefits are in buying renters insurance?
Q: Do you think it's just another way for the big insurance machine to get your money?
Unlike other kinds of insurance such as auto or homeowners, renters insurance is an affordable way to protect one's assets, get legal assistance against lawsuits and offer medical help for guests. So, before you discount it as just another household expense, weigh the costs. Renters insurance offers a lot of benefits that you will want to take advantage of.
Renters insurance offers coverage for fire-damaged, stolen and lost property items. Insurance companies ask you to figure out what your possessions are worth. This information is used to determine how much insurance you would need to replace these items in the event of a loss. A tenant should include possessions such as furniture, clothing, jewelry, kitchen items, electronics, books, etc. in this estimate. Therefore, with renters insurance you can rest easy in your rental knowing that if something happens to your computer, you'll be covered and able to get a replacement.
Assistance with law suits is another benefit of renters insurance. Under the coverage of liability, this insurance offers you legal aid against any lawsuits you might incur. So, if your dog bites the neighbor and they sue you, you get an attorney who will help you fight or negotiate a settlement. It's also important to note that liability coverage is worldwide. As a result, no matter where you go, you will be covered by it. The liability coverage would also benefit the tenant in the event that they cause significant damage to the apartment itself, such as a fire in the kitchen.
A lesser known benefit of renters insurance is medical coverage. No, it's not coverage for you or anyone who lives in your household. This coverage extends to your guests regardless of liability. It means that if your great aunt comes for a visit and falls down the stairs because she's wearing slippery shoes, your renters insurance will help pay for her doctor's bills, up to the limits stated on your policy. This aspect of renters insurance not only helps you care for your guests, but also helps maintain your relationships.
Peace of mind is the last benefit of renters insurance. Whether you use it or not, the fact that you know it is there will help take a load off your mind. You won't have to spend hours worrying what will happen if you get robbed or involved in a fire. If you are a worry wart by nature, you'll enjoy this benefit because it will allow you to get the sleep you need at night or at least give you one less thing to worry about.
Renters insurance is the kind of coverage that can give you a safety net in different areas of your life. For those of you who are on a budget, you will be happy to know that renters insurance is affordable. You can get it for under $168 annually, which translates into around $14 per month or less. This figure is probably less than what you spend every month on your morning coffee. Therefore, renters insurance is definitely an expense you should consider getting if you rent the place you live in.
Not registered yet? Click here to signup for a landlord account!
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Tel: 0 800 881 882 4
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