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Upcoming Interviews & Events!
Mark your calendars! J.L. Kimmel is an upcoming guest on a couple radio shows and will be presenting her new workshop in the upcoming months! February 4, 2014 @ 8:10 AM EST Interview on Ray Carr Radio Show, Cincinnati OHIO. Listen here! March 1, 2014 @ 12:00 PM to 1:00 PM EST Soul Talk with Jeremy McDonald on Blog Talk Radio. Listen here! March 20, 2014 – 5:00 – 7:00 PM Barnes & Noble Holmdel NJ, Book... Read More
J.L. Kimmel Interview on This Week In America
Ric Bratton, host of This Week In America, interviews J.L. Kimmel about The Yawning Rabbit River Chronicle and the awards it has received. Listen here! Read More

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text: in Video 3D Pen, 3Doodler – New Technology by dak February 25, 2013, 1:33 pm 63 Views 3D Pen, 3Doodler – New Technology Share this:TwitterFacebook What do you think? 0 points Upvote Downvote Total votes: 0 Upvotes: 0 Upvotes percentage: 0.000000% Downvotes: 0 Downvotes percentage: 0.000000% See more Previous article The Cold Pole – minus 71,2 degrees Next article How to Make Action Films – Very Interesting Leave a Reply Cancel replyYour email address will not be published. Required fields are marked *Comment Name * Email * Website Notify me of follow-up comments by email. Notify me of new posts by email. This site uses Akismet to reduce spam. Learn how your comment data is processed. Next post


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For those of us working with brands, the question of whether or not it is getting harder to get coverage is an important one. As digital PR continues to evolve, just keeping up can feel like a challenge.
With help from some key PR influencers, our new infographic addresses some of the most common concerns about the present and future of the digital PR industry.
Digital PR: Is it getting harder?
Is digital PR getting harder? In some ways yes, but it's not all bad news. Stay committed to good storytelling and embrace change – it brings a broad range of new and exciting opportunities.
For those of us working with brands, the question of whether or not it is getting harder to get coverage is an important one. As digital PR continues to evolve, just keeping up can feel like a challenge.
With help with some key PR influencers, we guide you through some of the biggest challenges in digital PR and show you how to turn them to your advantage.
Things that once seemed new, now seem old
What's the problem? With so much great content out there, it's getting hard to surprise audiences with something new.
Make it work for you Embrace new technologies like AR, VR and chatbots, but to keep those links flying in, focus on getting creative with existing formats. If you have to spend time on refining that angle or money on sourcing that quality data, do it and stick with strong stories that are authentic to your brand and your target audience.
New definitions
"Has public relations really changed or is it that we just have various new definitions for what is essentially traditional PR?"
New Tools
"The arsenal of tools available to the modern day PR professional makes tracking this work far easier!"
New challenges
"Dark Social, that is a whole new barrel of giggles for modern PR folk."
Andy Barr, Owner, 10 Yetis
More background noise
What's the problem? With new agencies sprouting every five minutes and 400 hours of video shared every one, competition is stronger than ever.
Make it work for you For standout content embrace creativity, weirdness and trends. Make the most of your in-house talent. If you make great video content, work tirelessly to stay up-to-date with trends and refine your skills to build your reputation in that area. Obvious but effective.
More Noise
"Everybody has the ability to access so much material instantly without going through traditional media channels, filtered by 'professionals'
There's an opportunity for PR people to get their content directly to audiences without going through filters."
Quality not quantity
"The challenge is to find out how our stories are best received. It's not (just) about quantity, it's about quality."
Mike Love, PR Adviser, Burson-Marsteller
More channels and platforms
What's the problem? As audiences flock to more channels and platforms every day it can be hard to know where to invest your time and energy
Make it work for you Rank social networks according to where the brand's audience currently is and where they are likely to be in the future. Don't just look at numbers but at engagement, demographic patterns, organic activity, alignment with the core product and content.
Be Flexible
"Modern relations practitioners must be able to work across all forms of media, and paid and earned."
Reputation counts
"Media relations is making way for influencer relations. Journalists are working with influencers that have built their own networks on reputation."
Be persistent
"Be absolutely persistent in your prospecting – but not annoying."
Stephen Waddington, Partner and Chief Engagement Advisor, Ketchum
Harder-to-impress journos
What's the problem? Journalists are so bombarded with pitches and requests (see Challenge 2) that it's hard to get a response – let alone a feature.
Make it work for you Nearly 25% of email pitches are rejected by journalists for being too impersonal [Cision]. Personalise your emails and target your content so it's relevant to your chosen site and its audience. Ask contacts if there are any specific topics they want covered and shape your campaigns and content around their needs.
How can you impress journalists with so much noise?
Quality PRs
"More and more PR pros are chasing fewer and fewer journalists. Journalists are being swamped with 'spam' press releases."
Thorough research
"It's time the PR industry took their research more seriously and tailored their pitches."
Look Sharp
"90% of what is distributed needs to be cut out and the other 10% sharpened up."
Michael Davies, Director, Roxhill Media
Jaded audiences
What's the problem? As content online gets ever more varied, authentic and often bizarre – audiences have more or less seen it all.
Make it work for you Packaging your content in the right way works and promoting it innovatively helps but it will all be for nothing if the angle doesn't work. Finding a strong, unique angle may take time, but it is time well spent. Gather your whole team together and try out some new brainstorming techniques. Our current favourite is the 'hat' or parallel-thinking method.
How do we surprise jaded audiences?
Target practice
"By being able to target particular demographics, we're still able to 'shock and awe'."
Shock tactics
"If all you're trying to do is shock someone, you first need to select an audience that will react to seeing such a thing."
Mystic PRs
"By segmenting your audience, you're able to more accurately predict how people will react."
Quentin Langley – Author of Brand Jack, Chair of Global Affairs Committee PRSA
We're so busy!
Technology has created a fast-paced 24/7 environment where PR pros are under pressure to be flexible and strong in multiple areas.
Make it work for you Try partnering up with other people to help bolster each other's skillsets and take off some of the pressure. Social media and digital have made things more complicated but have brought infinitely more value – making PR far more credible as a discipline.
How can we work efficiently when we're so busy?
Think Holistic
"At JBH, we think about PR holistically – we no longer see it as a separate discipline with different objectives."
Work Together
"PR is now so closely aligned with SEO, social and influencer marketing, it makes sense to combine strategy and activity…"
"… This can provide brands with more opportunities to repurpose content and campaigns – plus it can lighten the workload!"
Jane Hunt, Marketing Director, JBH
We're drowning in data
We know the importance of an analytical approach but it's hard to know where to find tools that pull the PR value out of all the data.
Make it work for you It already is! Today we hear news in real time and have access to everything we could possibly want to know about audience trends and behaviours. No one has time to analyse it all – pick three metrics (e.g. backlink profiles) that correspond to your goals and check on them religiously.
Is PR becoming more data driven?
Driven by data
"PR is becoming more scientific and data driven – a good thing. Content needs to be relevant, with clear benefits and actions"
Track stars
"PRs are now starting to track the effect of their output and feed this back into doing things better."
Maud Davis, PR Trainer and Consultant, mauddavis.com
Our job roles are changing
What's the problem? We're all under pressure to learn more skills, our roles are entangled and everyone is stepping on eachother's toes.
Make it work for you No one can do it all. Work with your strengths and listen to new professionals as well as those from other disciplines. Accept help and offer yours to others. Stay receptive to change, no matter how long you've been in the industry.
How can we adapt to our changing roles?
Age v Beauty
"Time served is the typical measure of competence in public relations – a lousy metric in a business moving so quickly."
"I've 20 years in practice but my social media listening skills are a work in progress and I'm not great at visual community management."
Continuous learning
"Practitioners need to invest in continuous learning – pushing themselves to learn new things wherever possible."
Stephen Waddington, Partner and Chief Engagement Officer, Ketchum
Happy link-building!
Post published on Thursday September 21, 2017


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UPDATE: Technical Difficulties With Basketball Broadcast
UPDATE: The Kitsap Sun is experiencing technical difficulties in our attempt to stream video of tonight's North Kitsap-Port Townsend game live on the Web. We're working on the problem and hope to join the game in progress later tonight. Check back regularly.
Can't make it to Poulsbo for tonight's Olympic League boys basketball showdown between North Kitsap and Port Townsend? Don't worry, you can watch it live on your computer.
The Kitsap Sun will be streaming live video from tonight's 7 p.m. game between the Vikings (12-2, 10-1 Olympic League) and the Redskins (14-1, 10-1). North Kitsap and Port Townsend are tied for first place in the league standings.
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It was apparently a first for Iraq: Dohuk's Association of Short Statured People held a beauty contest for the much smaller women in the province. Well attended by all walks of Dohuk society, the contest featured five entrants competing for the title of Miss Petite Dohuk. The eventual winner was 25-year-old Shayan Hassan, who is 129cm tall and weighs 35 kilograms, and who won when she managed to get almost half of the public there vote for her. Hassan, who works in the local Department of Health thanks to a quota for special needs individuals, is also one of the original originators of the contest. NIQASH spoke to her about the kinds of problems very short people have in Iraq and how she has overcome them.
NIQASH: How did this contest come about?
Shayan Hassan: I submitted an idea to the head of Association of Short Statured People and he was very enthusiastic. He also helped to encourage more contestants to take part.
NIQASH: How did your family react when you entered a beauty contest? After all, it's hardly usual in Iraq.
Hassan: At the beginning, I was a little embarrassed. But my family was very encouraging, especially my father. My friends in the association were also very encouraging.
NIQASH: And why do you think you won?
Hassan: I think that, although there were others who were taller than me, my height and weight mean I am quite balanced. It was a lovely feeling to win. I started crying.
NIQASH: Beauty queens usually do charity work too. Are you planning anything like this?
Hassan: I like the idea of working on charities where one can help children or people with special needs. I'd also really like to make more people aware of the plight of short people and their suffering. I want to encourage them to leave their homes, to mix with people and to abandon their fear of being taunted and of being given strange looks. I'm hoping that the local government and civil society organisations can help us with this. The Association of Short Statured People has suggested the idea to some local companies and we're hoping to get some support from them too.
NIQASH: What kinds of problems do short people face in Iraq?
Hassan: In the past I used to be so embarrassed going to school. My fellow students would look at me strangely and I always wished desperately to be a bit taller. But I've accepted who I am and I've learnt to deal with being short. In Iraq's cities people have started to accept short people but in many rural areas and in villages, they still see us as abnormal. I really hope that this will change some day.
NIQASH: You have your job through a special quota. Do little people have problems getting employment in Iraq?
Hassan: That's one of the biggest problems for Iraq's little people. People make fun of them and laugh, especially out in the rural areas. There's also a lack of suitable facilities at Iraqi schools so a lot of them just don't complete their education. The Association is trying to change that by getting little people some rights in the law. Now they receive monthly wages and they get free health care.
In Iraq, the majority of little people simply live inside their homes and they rarely go out on the streets. They get a lot of harassment when they do. It's also very hard to get a driving license, which one needs in Iraq, or a car that suits a little person's needs. It's also really hard to get married. Little women usually marry little men. It\'s very rare to find them married to ordinary sized people. In Dohuk, six little people got married and the local government gave them IQD6 million (around US$5,000) to support them. But getting married is very difficult for little people.
NIQASH: So there is a lot of discrimination?
Hassan: Oh yes. Some little people with strong personalities may be seen on television or doing charity work. But really most of them are prisoners in their own homes because of the way people harass them and look at them when they do go out on the street. Iraq is still a relatively conservative society.
NIQASH: Winning this competition must be a step in this direction?
Hassan: Yes, I felt as though I somehow overcame this other person who lives inside me. That person was afraid to face society and to stand in front of a camera or an audience. I used to be afraid of the way people looked at me and how they whispered when they saw me. But when I stood at the front of that theatre I felt so confident – especially when I heard the audience saying nice things about me. I have come to realise that I can play a useful and productive role in my own society.


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Empowering faculty with updated strategies and tools to meet the needs of our diverse learners.
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This fully online four-course certificate prepares you to design and teach eLearning courses. Both new and experienced faculty will benefit from these practical courses essential for successful teaching in the online environment, from eLearning design principles, alignment principles, building community, and creating media and incorporating technology. The culminating project will be the completion of a course in online or hybrid format that meets Department of Education Distance Learning standards and will be peer-reviewed. It counts for a total of 12 CEU (Continuing Education Units). Each course is 32 OSPI clock hours.
Renton Technical College's Certificate in eLearning Design & Development has forged a partnership with City University of Seattle that allows eLearning Certificate graduates to transfer the courses in as direct equivalencies of graduate-level coursework in the M.ED. in Adult Education or the Ed.D. in Leadership. What this means is that the eLearning certificate will dramatically reduce your master's or doctoral degree time-to-completion, saving you time and money. For more information on this unique opportunity, please contact Dr. Pressley Rankin for the M.Ed. in Adult Education program and Dr. Joel Domingo for the Ed.D. in Leadership Program. See a blog post featuring a graduate of our program who then earned her master's at City University: Student upgrades her technical college certificate to a master's degree.
Register here (cost: $175 per course).
Questions? Contact the RTC Faculty Learning Express: firstname.lastname@example.com
WINTER: January 20, 2021 – March 3, 2021 (6 weeks)
- W001: Course Design and Implementation: This class will focus on creating course design for student success. From navigational concerns to alignment of course and unit objectives, students will begin the process of course layout. 3 Continuing Education Units.
- W002: Reaching Every Learner: This course will explore ways to keep our diverse and busy adult students engaged and motivated by creating pathways to success. Utilizing a variety of readings and activities, students will discover methods for creating an effective and relevant online class. 3 Continuing Education Units
SPRING: April 21, 2021 – June 2, 2021 (6 weeks)
- W003: OER and Information Literacy: This course covers how to find and evaluate information, Open Educational Resources, and understanding copyright law. 3 Continuing Education Units.
- W004: Media Creation and Final Project: This class will focus on ways to make use of current technology tools, apps, and websites for your subject. Students will also create their own personalized videos for the flipped, hybrid or online class. The Culminating project will be a completed online or hybrid class made available in the Canvas format. Each final project will reflect the main components of the certificate courses. The projects will be peer-reviewed. 3 Continuing Education Units.
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Do I have to be a community college teacher to enroll?
No. The program focuses on teachers of diverse adult student learners, but it is open to anyone interested in this subject. It is a basic course in elearning that could be useful for any educator.
Do I have to be a US citizen to take this?
This course is open to anyone, and we welcome participants from other countries.
How much time commitment is expected for the courses?
Each course is worth 3 Continuing Education Units, which is equivalent to about 4 hours of classwork time a week.
What if I need to miss some time during a course?
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- Demonstrate knowledge of various pathways to learning
OER and Information Literacy
At the end of this course, you will be able to:
- Navigate the web and locate materials and information related to your subject matter.
- Demonstrate knowledge of copyright law as it relates to eLearning
Media Creation and Final Project
At the end of this course, you will be able to:
- Create your own videos for an eLearning course
- Make use of current technology tools in an online course
Each participant will have a Canvas shell to use to create their own final project course. Your final project will be the completion of an online or hybrid course in the Canvas format. These shells are Renton Technical College course shells made available to you and will remain active and usable by you one year after you have completed the certificate. If you would like to use them at your own institution or independently, you can easily import the course material into another course shell outside of Renton Technical College.
Instructor Information
Dr. Liz Falconer has been an educator for over 30 years, working in Japan and the US, and has taught in a wide variety of classroom environments, has facilitated three popular Canvas MOOCs on hybrid teaching, and has extensive online and classroom teaching experience. She is also a Quality Matters master reviewer and helps facilitate state-wide QM courses. Fascinated with the challenges and opportunities our internet world is providing, she encourages educators to tap into their personal creativity. Her teaching is informed by her work in storytelling and movie-making.
Liz holds an MA in Japanese Pedagogy and a doctorate in International Education from the University of Iowa. She is Director of Innovative Teaching and Learning at Renton Technical College and is the designer and coordinator of RTC's Continuing Education courses for faculty. In her spare time, she goes swing dancing with her husband John.
Batholomew Kimani began teaching Precision Machining Technologies at RTC three years ago and has been a vocal advocate for hybrid courses in technical trades programs. His professional passions are grounded in equity and inclusion where he is actively engaged on campus with various initiatives including Guided Pathways, Men of Merit, Faculty and Staff of Color Network, Faculty of Color Mentorship, and Strategic Enrollment Management.
Batholomew is a graduate of the eLearning Design and Development Program at RTC and is currently taking advantage of the program's partnership with City University to earn his Doctorate's degree in Organizational Leadership. He holds a BS and MS in Material Science Engineering from Washington State University, is a Quality Matters peer reviewer, a lean manufacturing Six Sigma - Green Belt practitioner, and a certified Project Management Professional from PMI©. When not at work, Batholomew loves spending time with his family, traveling, long-distance running, hiking and playing soccer.
Mitzi Philpott, M.Ed. began her journey as a college instructor over 17 years ago teaching computer applications face2face courses at Renton Technical College. It was fall 2001 quarter when she enrolled in her first online class called WAOL Teaching Online: Planning for Success and was hooked. The following quarter, she developed and began teaching computer applications online course using Blackboard. She has taught business math, business writing, computer applications, human relations, job search and keyboarding as hybrid classes in Angel and currently in Canvas. Mitzi is a business technology instructor at Renton Technical College and Green River Community College. She successfully transformed the Office Assistant/Receptionist Program at RTC from the traditional face2face format into an interactive hybrid format with a student-focused environment in Canvas.
Mitzi Philpott is a graduate of the eLearning Design and Development Program and was one of the first to take advantage of the program's partnership with City University to earn her Master's degree in Adult Education. She also holds a BS in Business Administration from Northern Arizona University. Mitzi is a Quality Matters master reviewer. She is enthusiastic about fitness and is an ACE Certified Group Fitness Instructor teaching basic power yoga, yoga-pilates and kickboxing. She enjoys activities such as boating, kayaking, river rafting, waterskiing, hiking, snow skiing, walking her dogs and walking for causes.
Yueh-Lin Chen has 20 years of professional experience as a librarian at public libraries, college libraries and special library settings. She is very familiar with the information retrieval behaviors and information needs of people with diverse cultural and educational backgrounds and is very interested in working with them to effectively retrieve useful results. She holds a Master in Library Science from Queens College, City University of New York; and a Master of Science in Information Management from iSchool at University of Washington.
Currently, she is employed at both Renton Technical College Library and McCaw Foundation Library at Asian Art Museum – Seattle Art Museum. When she is not at work, she likes to travel, cook, paint and learn new languages.


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"We hold these truths to be self-evident, that all men evolved differently, that they are born with certain mutable characteristics, and that among these are life and the pursuit of pleasure."
This mural, my final painting in Kathmandu, is an aesthetic culmination of the images, objects, and ideas I have been most compelled by while in Nepal. As previously described, the wooden doll, one of thousands carved by mountain villagers and sold here in the city, acts, within my current learning, as an icon of historian Yuval Harari's "Imagined Realities" . The glowing symbol is the ancient Tibetan Infinite Knot, the sole object in my previous mural, available here: http://jonnypopovichart.com/…/81197443-mural-ii-the-infinit…. While there are conceptual underpinnings; the combination of these two is not driven exclusively by metaphor. Rather, above all others, the supreme motive is always visual harmony.
In my last primitive doll drawing, and my Hanumon mural before that, I've talked about Harari's idea that "in order to establish vast, complex organizations, it is necessary to convince many strangers to cooperate with another. And this will happen only if strangers believe in some shared myths." This ability to believe in shared myths, more so than tool-making or intelligence or the mere existence of language, is what truly separates us from all other species, including other (extinct) human species. The opening quote at the top is Harari's revision of America's Declaration of Independence, a "mythical cooperation manual for millions", as he puts it, altered to reflect biological objectivity instead of the imagined orders that actually underpin it. In this case, the Declaration of Independence is the originary myth that, in conjunction with others, sustains the American Empire. So, how do you cause millions of people to believe in an imagined order, such as Christianity, capitalism, democracy, laws, human rights? "First," he writes, "you never admit that the order is imagined. You always insist that the order sustaining society is an objective reality created by the gods or by the laws of nature. People are unequal, not because Hammurabi said so, but because Enlil and Marduk decreed it. People are equal, not because Thomas Jefferson said so, but because God created them that way." Additionally, it is crucial to "educate people thoroughly. From the moment they are born, you constantly remind them of the principles of the imagined order, which are incorporated into anything and everything. Fairy tales, dramas, paintings, songs, etiquette, politics, architecture, recipes, fashions." (made me wonder what subliminal motives I've been instilled with when making art, and what subliminal orders my art may convey). "For example, today people believe in equality, so it is fashionable for rich kids to wear jeans, which were originally working-class attire. In the middle ages people believed in class divisions, so no young nobleman would have worn a peasant's smock." Where it gets increasingly interesting to me, is to consider the extent of the idea that "the imagined order is embedded in the material world." He describes how individualism - the idea that every individual has their own intrinsic worth irrespective of other's views - is reflected in modern architecture, where houses are divided into many small, private rooms "so that each child can have a private space for maximum autonomy", and "cannot help but imagine himself 'an individual.'" he contrasts this again to Medieval times, where individualism did not dominate. Noblemen taught their children that their worth was "determined by social hierarchy and what other people said about them," and they usually slept "alongside many others in a large hall."
I find it fascinating to look around and scrutinize my immediate surroundings through this lens. Your city, your home, your clothes, your preferences, manners, etiquette of strangers, advice of friends - what fundamental imagined orders underpin them? Simply believing that having a wide variety of life experiences, or "following your heart," he argues, is basically Romanticism at work, and was hardly a common belief throughout history. Our most cherished desires as Westerners are "shaped by Romantic, capitalistic, humanist myths", and therefore "our personal desires become the imagined order's most important defenses." A key point to this concept is that the orders are not generated for the health or wellbeing of you, the individual. I think we all might agree that the market, for example, does not have our personal best interests at heart. But what if our own best interests don't even have our best interests at heart? How often are your personal desires benefitting society, or the market, or Coca-cola, more than yourself?
Thus I'm convinced that by grasping the potency of our abstract thinking, both individually and as a global collective, as seen through these pervasive examples, we can understand how we may have equal capacity to change our experience for the better. We can apply this ability, perhaps most prudently, to our own thought patterns. Reframing stress by understanding this boundless abstract thinking, which I learned from Andrew Bernstein and wrote about prior, has been enormously beneficial for me.


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Want to become a county queen in the states of Missouri, Iowa, Nebraska & Kansas with a friend, cousin, or daughter? We have a wonderful summer special going on right now!
If you sign up with the link below the cost of the county titles will be 2 for $200. Hurry and claim your county queen title now to ensure your spot to compete at the state pageant June 2020!
Our Age Divisions are as of January 1, 2020:
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-Mrs. 22-35 (Married)
-Elite Ms 36+
- Special Ends July 10th at 11:59 pm C.T.
- Must sign up with another queen (Message me to see if other queens dont have a partner to sign up with)
- Must enter the correct age division.
- Must pay the fee before July 10th at 11:59 pm C.T.
For More information please email Holly at firstname.lastname@example.com


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Embassy Events
By Julie Lee
Staff Reporter
Cities, people, and landscapes of the majestic Morocco are now being introduced to the local Korean people in the form of acrylic paintings by Moroccan envoy's spouse serving in Seoul.
A total of 32 acrylic paintings of Moroccan artist Amal Lahlou, wife of Moroccan Ambassador to South Korea Mohammed Chraibi, are presently on display at the Raemian Gallery in Unni-dong near Anguk Subway Station in Seoul.
Dubbed "Colors of Morocco" her solo exhibition opened on August 5 (Tuesday) and will run until August 14 (Thursday), 2014.
The opening reception, held at 6:30 p.m. on the first day of her exhibition attracted over 100 guests both local and international.
Among the guests were many top foreign envoys and their spouses.
"I called it 'Colors of Morocco' because I used lots of colors and Morocco is very colorful country," she said. "And here I start with Rabat and Rabat is the textile city."
The Moroccan artist said that there are three parts of her exhibition – City of Morocco, People of Morocco, and Landscape of Morocco.
"There is 'city of Morocco' so we have many cities of Morocco and here we have 'people of Morocco' and after that we have 'landscape of Morocco," she explained.
"Here we start with Rabat. Rabat is the capital and after that I have Marrakech the pink city," she added. "So all the city is pink and it is very interesting city."
She said that Marrakech is touristic destination and a number of tourists visit Marrakech.
The second city she introduced is Essaouira, which used to be a part of former Portuguese colonization.
"And here we have Ouarzazate," she went on.
She said that Ouarzazate, not far from the desert, is the city of movie making, and many famous movies are produced in the city.
"Gladiator" was filmed in Quarzazate, according to the artist.
She said that tourists and travelers can see very famous Arabic architecture in Meknes.
Asked about the purpose of her exhibition the artist said that she wanted to introduce Morocco to the local Korean people as the travel destinations.
"My goal is to give an idea to our Korean friends what is Morocco and what's happening in Morocco," she said. "So I have chosen exhibition and talking about Morocco and many Moroccan cities."
"I'm talking about many cities — Rabat, Meknes, Marrakech, Essaouira, Fes, Ouarzazate, and Tetouan — all are very important cities in Morocco," she continued. "And also I am taking about Moroccan people and landscapes and other destinations of Morocco like Casablanca."
She explained that her exhibition can give people an idea what is Morocco and an idea of why Morocco is tourist destination.
"So many people go there to discover Morocco," she stressed. "For examples, Casablanca as you know means white city and Marrakech is pink city, so these cities are different from the others."
Her interest in arts harks back to her early childhood.
"When I was young I was always drawing," she said. "My son is also a designer,' she said.
She emphasized that as the wife of Moroccan ambassador representing the Moroccan country she wanted to give an idea of the North African country to her friends, particularly to the Koreans.
She pointed out that bringing artists from Morocco to Korea is so difficult for hotels and for other logistic reasons.
"So I decided to do this myself," she said. "Preparation for this exhibition took me six months since January this year and "It's my first solo exhibition in Korea."
Regarding her future plans she said that she would participate in a group international exhibition to be held at Hanyang University in Seoul on August 27, 2014.
The group exhibition will be joined by some 40 other artists, according to the Moroccan artist.
The Raemian Gallery is located at 114-2 in Unni-dong, Jongno-gu, Seoul, Korea. Exit No. 4 of Anguk Station of Subway Line No. 3 is the nearest stop. It is opposite of Hyundai Building & Changdeok Palace and Raemian phone number is 02-765-3304.
ST Photo Gallery
Embassy Events
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Nayan Sthankiya's Photo Features New
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Gift vouchers
For an unforgettable holiday at Simonbauerhof
Would you like to give your loved ones a special treat? Then you've come to the right place with vouchers for a great holiday at Simonbauer. Because you are not only giving away an exclusive holiday experience, but also quality time to enjoy.
Please contact us, we will be happy to advise you on the scope and details of your voucher.


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New York Supertalls
View Single Post
Feb 15, 2012, 12:23 AM
Registered User
Join Date: Jun 2010
Location: New York City
Posts: 2,106
Originally Posted by
We could just finish the Metlife North Building. Would be be the tallest art deco skyscraper in the world, succeeding the ESB like it was suppose to. The existing structure would need to be strengthen in order to bring the roof height from the 1,400s to 1,500 or 1,600s in feet and up to 2,000 feet via a spire. New York would finally have the tallest roof height in the U.S. if that were to happen and the title would go to a greatly designed building as 432 Park is not exactly what you would called good architecture.
It was built to have 110 floors not 130. At best it can reach 1,700 feet, and 2,000 feet is impossible. Again we don't want 2,000 feet skyscrapers. It is only going to be empty like the skyscrapers in China and Dubai. We don't want empty skyscrapers. We want ours to be full. So no this won't happen. Besides America doesn't care about skyscrapers anymore. Most Americans want more mass transit. We don't want a good view we want more ways to move around. If you guys like it so much you can move to China, you can move to Dubai. Just stop complaining.
Last edited by Steely Dan; Feb 23, 2012 at
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Fabian Tillmans
PhD Candidate
- firstname.lastname@example.com
- Visitor AddressRealfagbygget, Allégt. 41
- Postal AddressPostboks 78035020 Bergen
PhD within the Syn-Rift Systems project led by the UiB Basin and Reservoir Studies Group.
I investigate Late Jurassic syn-rift stratigraphy on the Lomre-Uer terraces (located north of Troll field) on 3D seismic reflection- and well data. The aim is to improve the understanding of how evolving structures and environmental controls influence the location, architecture and composition of turbidite deposits in active rift basins.
Methods comprise attribute mapping of seismic geomorphology, tectonostratigraphic modeling and kinematic fault analysis in Petrel, Geoteric and Paleoscan.
Fields of competence


text:
Yesterday, I told you about my new Love with Food subscription box. Saturday, I received my second box. Check it out!
When the box arrived, Sophie was anxious to help me get it open {despite the fact that the box does not include dog treats!}.
We've already tried most of them, but not all:
Pretzels and mustard will make a yummy snack!
On Saturday, I opened the mailbox after returning from my second ever 5-mile run. Inside was the Love with Food package. This was perfect timing because this delicious Peanut Butter Cookie was enough to hit the spot post-run! Nutrition facts from Sun Flour Baking website: 160 cal, .8g fiber, 2g protein.
This made a good Monday mid-morning snack! I love to have samples like this instead a whole box of cookies in the house! Nutrition facts per Sun Flour Baking Company: 150 cal, .5g fiber, 1.3g protein.
Trying to decide: Eat these as a snack by themselves, add them to oatmeal with some chocolate chips (chocolate cherry oatmeal!) or sprinkle them on a salad? So many options!
Oh Dear Lord, these candied peanuts are insanely good! The "sample" size was a whole 2.5 servings. Rob and I split them. Good thing, because they were easily devoured!
Whew! Do these little candies have a kick! They're spicy – that ginger kinda spicy. They are touted as great for travel because ginger is supposed to ease motion sickness. No wonder when I had a tummy ache as a kid my dad told me to drink ginger ale! The funny thing is that I always drink ginger ale when I fly, too. Not because of motion sickness, but more as a treat. I rarely buy ginger ale myself, so it's kind of nostalgic and comforting. 🙂
At only $10 ( +$2 shipping) per shipment, I think I'm going to continue on with the Love with Food subscription box for a while. This is fun!
And here is a special savings for you if you want to give it a try!
What fun treats do you bring with you when you travel?


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By The Hip Hop Writer
Hip Hop Vibe Staff Writer
With his Something From Nothing: The Art of Rap, Ice T found a way to unite a number of hip hop artists. The documentary is now in theaters and Ice T finds himself making his media rounds. Nearly three decades ago, Ice T began his rap career, helping to solidify West Coast hip hop and introducing the world to gangsta rap.
Ice T quickly became "public enemy number one" with his harsh lyrics and then naming himself the Cop Killa. However, Ice T eventually toned things down and eventually portrayed the role of law enforcement. For well over a decade, Ice T has played in NBC's "Law & Order: SVU," gaining a new fan base with the role.
Much like many other rappers who have transitioned into acting, Ice T is still in touch with the hip hop community. The Art of Rap was only the latest project Ice T put together for hip hop and it has been met with strong reviews. Ice T recently spoke to Angie Martinez for Hot 97 about his documentary.
Watch the entire interview below:


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The other day I was asked a very good question, and this is an excellent opportunity to answer it, for several reasons. One, I'm in a blogging mood. Two, I've actually started writing myself. Three, since I've started writing too, I'm thinking analytically about the process of publishing, something I haven't done in years -- and this was the meat and potatoes of the question put to me, which was this:
What does it take to edit, format and publish a book from the time an author hands over the writing to the moment when readers can buy it online?
That's a highly astute question! Let me see if I can put the process into perspective here ... and at the same time show off a little of the art I did as a cover artist for one of the other ebook publishers, while I was working with them in 2010 and 2011. (Incidentally, if you want to see the large-size images, you'll find them on the Book Covers Gallery on my main website.)
Here goes...
The publishing process all starts with an evaluation of the quality of the work that's received by an editor or publisher. Some writers are good enough to deliver what I call "bulletproof copy." This is work that's virtually good enough to go when it lands on my desk. Mel Keegan falls neatly into this bracket, but he's the exception, not the rule. It's far more usual for a writer to need at least a degree of "remedial" editing to get the work fully up to speed.
"Remedial" editing is just what it sounds like: a tidy-up job. Very few writers have grammar that is 105% perfect, 110% of the time. Even fewer writers will be able to hammer out a denouement that is flawless, or close to it. And even fewer will be able to achieve crystal clarify of exposition every time, all the time. A good editor will go through and make recommendations for how a work should be massaged to get it to the point where the reading experience will be highly pleasurable. And let's face bald facts: the writer is trying to please the reader, because they want to sell copies of not just this book, but their next one, too!
So if you're a writer just finishing a book, you might want to bounce it off a couple of reliable "beta readers" before sending it to a professional editor, to get some perspective. The better the work is before you send it in, the better your chances of selling it!
Some writers ... those with many years of experience ... will be able to do all this in their own heads, or perhaps somewhere between their eyeballs, fingertips and computer screens. Let's say you're already darned good and you're sure of the veracity of the work. Next job? Copy editing. Here's where sharp eyes and vast amounts of concentration come into play, and it's true that the more human eyes on the job you have, the better the result will be. Copy editing and proof reading are about scanning on the most minute level, looking for typos (typographical errors), spellos (spelling errors which will elude the spell checker), and grammos (grammatical errors). Even if you known the difference between words like discreet and discrete, and compliment and complement, you fingers can type the wrong one on autopilot, and no spell checker will pick it up. Then there's rhyming typos, and near-mis typos ... like to and too, and the and thee and three, and about a thousand more...
Proofread till you think you're done. Then proof some more. Recruit your friends and relatives to proof for you. As a last resort, high a freelance editor or "proofie" to look at the work when it's as good as you can get it. They'll charge a fee, so make sure the work is very good before you send it to them. A freelance can either heavily correct four pages per hour, or triple-check 25 pages an hour. If the manuscript is problematical when you hand it to an editor, it could cost you a lot of money to get it up to speed...
(And here, it's worth asking the key question: are you sure about your grammar and technical skills? I mean, are you dead sure? Do you know for a fact you have a strangle-hold on the vagaries of the English language, or are you still playing it by ear, taking the occasional shot in the dark, and hoping to score? If you're not so sure of your English technical skills that you can do this stuff with your eyes shut, ask a good freelance editor to look at a few pages for you. Don't submit pages that have been corrected by someone else -- send your own words, just as you write them. If they come back heavily annotated, you'll know it's time to hit the books and learn this trade before you try to sell your work.)
If you do have to hit the books ... don't worry. It's all part of the process. Every writer, bar none, has to go through this. You'll get through it too, and you can enjoy the journey. The bottom line will be the same: you'll become a good writer who's ready to go pro. It'll soon be time to submit your work to an editor -- or, time to go idie, if you've caught the DIY bug. And let me assure you right here, there is nothing wrong with going indie! It can be a lot of fun, and if you do it right, it can be lucrative, too. The only thing readers demand of you is complete professionalism, so you'll need to gird your loins and give them what the want: 1) a top-notch story. 2) Good writing skills. 3) "Proper" book packaging. 4) A lovely cover that will catch their eyes in a catalog. (The eye-catching cover is essential, because if you don't catch the eye in the catalog, readers won't even be reading your sample chapter.)
So the next step in this logic chain is packaging. Once you've reached the point where you firmly believe the body of the work is polished till it shines, it's time to get it into a shape that's acceptable at market. To quote Han Solo, this is where the fun begins.
You might think packaging starts with the cover ... and you'd be dead wrong. Your first question needs to be this: "Who'll be reading this book, and what will they be reading it on?" It's true to say that about 75% of your readers will be reading on a Kindle! So you can let Kindle worry about packaging the product. Make sure you get the "front matter" right, and do a top-notch html file for upload to them, and they'll take care of the rest. But if you only release through Kindle, you're losing twenty out of every potential hundred bucks. It's worth going the extra distance and producing at least two other file formats: epub and pdf.
Everyone in the world can make a pdf these days, so I won't even go there; but epub is still new enough to be worth talking about. Even now, it's a marginal format -- meaning, fewer people are using it than ought to be ... because it's not only better than pdf, it's far, far better than pdf, and if the format is properly promoted in the near future it won't go the way of Betamax! If it does, I'll be grinding my teeth, because epub is the perfect format for any device I own (BeBook, Android tablet, smart phone, laptop, desktop) while pdf gives me no end of headaches on the BeBook and 7" Android tablet ... and on the phone, phhhtttt. Forget it. Phones hate pdfs. Yet most people (up to 80%, according to the forecast) will be reading on phones inside the next few years!
So here's a tip: don't get too cheap. Spend forty or fifty bucks or so, and get a proper program to make proper epubs. Play a hunch, and guess that there's going to be gajillions of readers like me in the future, who're more and more predisposed to using only epubs because pdfs are just too much hassel ... and we love to read on our phones. So long as you have a program to make the epub for you, you have no problems. The file will be fully professional -- which is what readers demand. If you try to use one of the online "converters" ... well, they're free. That's about all you can say for them. The product? Crap. Sorry, guys.
Now you're cooking: the book is well thought out and plotted, well written and edited, proofread to death; you've done your html for upload to Kindle, your epub and pdf making software is on standby. Now -- now! -- is the time to think about your cover art. And this is where someone like me comes into the picture.
There are artists out there everywhere, and a lot of them are very, very good indeed. The only thing you need to make sure is how much they're going to charge, and if their work is what you want/need. As a hint, or tip, don't pay an arm and a leg, because there are artists who'll deliver fantastic stuff for under $50 -- even under $40; and if you'll take an "off the peg" or "ready to go" piece of work, you can get out of this particular wood for under $30! A red hot tip? Unless you're as sure of your artistic skills as you are of your grammatical skills, don't try to do the cover yourself. Its another of those instances where getting too cheap will hurt you in the long run, because ... well, now you're tickling the wonderful world of marketing books, where having a great cover is one of the concrete ground rules. I'm only going to say a quick few words about marketing books, because this was't part of the original question!
The original question was about what goes into getting a book from the submission copy to the point of release, but What Happens Next is an even bigger story. For instance, it's easy to whack your book onto Kindle, but here you are now, with a fantastic epub and pdf ... what next? You'll need a website and/or blog to sell them. You'll also need a file server to deliver the books and track sales, and pay you. Good news: anyone with PayPal can get a Payloadz account, and this answers almost every question you have about file serving and tracking, in one hit. A website? Well, give some serious thought to using a Blogger blog like this one! Whack your "buy" buttons into the margins as "gadgets," and run your blurbs and covers in the posts. Umm ... duh. But what about getting into those other stores, like Apple iBooks, and B&N Nook, and Kobo, Sony, and so forth? Well, up to very recently I'd have had to say that Smashwords was the best way to go. They're an aggregator, or accumulator -- meaning, they take in books at one end from writers and indie publishers, and they hose them into the big online stores, like the aforementioned. But...
It is nooooo secret that Smashwords can, and does, drive saints to drink. There's a thing the boss, Mark Coker, calls the 'meatgrinder.' I've had reason to call it 'the sausage machine,' because it can make you feel like you've been through a garbage grinder yourself! It's the conversion engine at the heart of Smashwords that takes in the trim, spruce .doc file you submit and (theoretically) converts it into html, pdf, epub, mobi and so forth. When it works, it's a dream. But it doesn't always work, and when it doesn't, you get error messages about things that don't actually need fixing ... a book can wind up 'caught in the machinery' for months. Mel Keegan's Flashpoint was caught that way. It went into the big online stores (other than Kindle) four months late, and there was not one thing we could do to get around this. In all fairness, I'll admit that 80% of the time the Smashwords engine works just fine. But when it chooses to hiccup (or barf, as Dave says), it's the most infuriating process in the world. And it turns out, you have an option. Read on!
Lately, Lulu has branched out into ebooks. Not only that, but Lulu will put you into a lot of the same stores that Smashwords reaches ... moreover, somehow (and I have no idea why), the sales at Nook and so forth tend to be a leeeetle but better via Lulu than via Smashwords. But here's the big thing: the process of getting to Nook and iBooks via Lulu is very, very easy. You send them a pdf and they do the rest. There's only small downside: the epub file will have unjustified text. Before you have the heebie-jeebies about this (too late, right?) it's a good idea to do some research not only into the devices people will be using to read, but also into the software they'll be reading in. One of the most popular epub readers -- free and downloaded hundreds of thousands of times -- is known as Moon Reader. And no matter how brilliant your epub is, Moon Reader will not display justified text. So, before you ditch Lulu as an avenue to get you easily, painlessly, into the ebook stores, think about the number of people who're reading on Moon Reader. Ahhh....so.
Now that you have have your stock and distribution figured out, you're ready to start marketing ... and you'll be asking, "How do I sell books?" That really is another question, and not one I'm going to tackle here, because it's way outside the scope of the original question. However, Mel Keegan has written a fantastic article on this subject, which is about to appear in a book, some time in July 2012. When that book comes out, I'll return to this post and update it with the url.
So ... how long does it take to go from Finished Book, to In-store and Earning? This depends on how much editing you need to go through, how long the book is, how many proofreads you can organize, how exacting you'll be with the cover art, and if you go smoothly through the process of upload to the engines which get you into the stores. Kindle takes just a couple of days to get a book into the catalog ... on the other end of the scale, if you decide to publish in paperback too, you'll need to format everything, then order a physical proof for delivery by mail, give it the OK, or correct it and go to another proof, and so forth. Paperbacks are a different animal, and a complex one, which might account for why the vast majority of publishing these days concerns ebooks! If you can organize reliable editing and proofreading, and you know what you're doing with the software, you can get through a normal-length book in a month or so. That's a book of something like 80-100,000 words. Longer books simply take more time. An artist should be able to deliver a finished work in anything from a few days to a week, depending on what complexity you're asking for. Then, entry to the Kindle catalog takes a couple of days, and getting to B&N, iBooks et al via an aggregator can take from a few days to a few weeks.
Then the marketing starts ... and as I said, I won't tackle that here, but will wait till the book for which MK has recently written a very good feature is released, and will return and update this with the url.
Hope this has been useful!
Jade, July 22
Sunday, July 22, 2012
From manuscript to bookstore ... a route map to get you there!
Labels: book covers, publishing, writing


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New Year
Well it's a new year and I have tons of things to get done. I am taking another class through SVS to improve skills before continuing with the book I am working on. I have already gotten tons of help. I haven't done much drawing this week but have worked on more planning. I have a bundle of related illustrations that I did major work on months ago that I would like to finish up in the coming weeks. Last night I was able to get lots of layout organization done for the book. I have a contest coming up that I have done design work for already, but the finished piece will take time.
In other news, I found my missing sketchbook! And with it was another missing sketchbook I didn't even miss. When I did my count of all the drawings from last year I knew something was missing. Now I have counted all the drawings in the two missing sketchbooks and found an exact 100! What a funny number to find. So no the final count for last year is 791. Including the above sketch. I am thinking of using that one for an upcoming color challenge.
Thanks for reading and Happy New Year!
Thanks for stopping by. I'm a published illustrator working on getting better every day. My goal for my work is for it to be charming, bright and endearing. I share my ongoing work progress online because I welcome all the encouragement and feedback I can get as I try to improve my skills. I currently have a children's book project that I am nearing the end of.
February 2017


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Sunday, October 1, 2017
Write31 ✽ Welcome to 31 Days of Etsy!
To those of you who may be new here, I want to say hello! Saved by the grace of Jesus Christ and blessed to be a child of God, I'm Bri, a 20 year old daughter and older sister to 8 here on earth, and 4 waiting at the throne of the King. I'm happiest digging into God's word, creating beautiful things, enjoying the out-of-doors, connecting one on one with loved ones, and serving others. I have a desire to help orphans and those with special needs, and I love autumn, coffee, soft blankets, candles that I can never bring myself to burn, inspiring quotes. I've been told that when I described myself as "random, consistent, confusing, and wordy", that it was spot on me, if that gives you any idea of what it is like to know me; and I run the Etsy shop, Under the Tapestry!
For those of you who don't know Write 31 Days, it's a challenge for bloggers to post once a day every day in October on one topic, and all the people participating in it link up at the official site :). This is my second year participating in Write 31 Days, the first being with my Romans 12 series in 2015. That year was such a wonderful time of digging deeper into Romans 12, of sharing and discussing the posts and verses with my friends, and of really pushing myself to post every day. I really did enjoy it, and I can't wait to share with you all this month, as well!
I've decided my theme this month will be all things Etsy or crafting related! I've got all kinds of ideas; Etsy item collections to share with you -scripture pieces, Thanksgiving and Christmas items, my favorite listings I've seen from other's shops; reviews and links to some of my favorite shops; some compilations of tips I have learned selling on Etsy myself; and I have some personally created patterns I want to share with you for free this month, and behind-the-scenes snippets! Also -comment on this post or follow my blog to let me know that you are interested in this series, and if the interest is high enough, I may just have a giveaway coming later this month!
And y'all; I made my own BLOOOOOGGGGG BUTTOOOOONNNN!!! All by my own self. I tried that a few years ago and spent a miserable two days fighting it before a coding friend was like, "Really? Oh Bri... send my the image, and let me make it." And then she was done. Ha! But I used Amy Lynn's tutorial this time, and I got it the very first try, and yes, I was so thrilled :D. So if you'd like to share my button, it's the (working!) one right under my profile :)...
"She puts her hands to the distaff, and her hands hold the spindle." -Proverbs 31:19
2 comments:
It is so exciting to read a new post on your blog! I look forward to reading your posts daily in this series, because I love supporting Etsy shops! And lovely job on your blog button! I tried to make one once, and...yeah, it didn't work out too well. ;)ReplyDelete
Thank you, Abi! I know I've been a bad blogger lately :P. Life has gotten to me and I've not made blogging a priority just because there was SO much I could have blogged that I knew it would take over. But I'm thrilled to be writing again, even if it's not my regular life posts :).ReplyDelete
You should totally try the tutorial I linked to, it was awesome. Haha!
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