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Aluminium profiles, silicone foil, artificial neural network (ANN), computer, stepper motor, 3D-printed connection parts
System_0/1 is a space installation that tries to predict randomness. The installation constructs a coincidence and a learning process investigating the interaction of these two systems. It examines the distinction between process and display and makes the process of learning visible within a system. The goal of the system is to show how new information can be generated from different systems. For this purpose, a connection is established between an artificial neuronal network and a random generator, which becomes a model for the integration of randomness into an artificial neuronal network.
For this purpose, a connection is established between an artificial neuronal network (ANN) and a random generator, having a model for the integration of randomness into an ANN as the outcome. The artistic work examines in a physical process how the influence of randomness in iteration affects a self-learning system. In other words, how a contingency factor influences a 'non-trivial machine'.
The installation ''System_0/1'' examines the relationship between an artificial neuronal system and randomness. It consists of two arranged systems (System_0 / System_1). Each of the two systems consist of a combination of motors, which can move an 'actuator' vertically arranged in a square. An elastic foil is stretched between the actuators. The 'actuator' measures the tension of the foil with a linear potentiometer, which varies between two springs.
System_0 functions as an input system for the artificial neuronal network. A self-referential coincidence evolves out of the material.
System_1 consists of the process of adapting an artificial neural network, which processes the influences of System_0 into a self-learning simulation.
The system develops (learns) a generative output from the material. The stimulation of randomness becomes the process of the installation. A resulting surface consisting of four linear guides arranged in a square and a foil stretched between them results in a random function which is determined by the residual stress of the foil.
This is measured by a linear potentiometer. In order to excite the system´s behaviour, the information is taken from the residual stress of the System_0. The random values of System_0 flow into System_1 as entropy source. In iterations, the 'System_0/1' is checked for the function from the System_0 by means of the random value resulting from the material. The learning process of the ANN is represented by the adjustment and checking of the input information on System_1. This results in a system (System_0/1), making the interaction between randomness and learning visible. The installation´s goal is an investigation of complex interactions of entities in a kind of encapsulated space.


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A Rishon Letzion man convicted of committing sexual acts on a female student during math tutoring sessions allegedly sexually assaulted multiple female students at a Tel Aviv school where he was working as a substitute teacher.
Shaul Shamai, 49, was accused in February 2016 of committing sexual acts on a then 12-year old girl he was tutoring in math. Before he was convicted in April 2017, Shamai began working as a substitute 2nd grade math teacher at a school Tel Aviv, despite lacking a teaching certificate, and even as his trial for sex crimes against a 12-year old girl was underway.
In January 2017, nearly a year after the complaint was first filed against him for his indecent behavior during tutoring sessions, Shamai was approached by the school's principal to provide a police record, to ensure that he had not history of sex crimes or crimes against children.
Despite the pending case against him, Shamai obtained clearance from the police and was employed as a substitute teacher.
During his time as a substitute teacher, Shamai allegedly sexually assaulted multiple students, and roughly two weeks ago, Shamai was arrested.
Shamai's arrest was prompted by a complaint from the parent of one female student to school officials, claiming that Shamai had touched her daughter in an explicitly sexual manner. The school notified police of the complaint, which was followed by similar complaints from three other female student's Shamai had taught.
A court order barring publication of Shamai's name had been set to expire on Wednesday, but an appeal by his attorney delayed its expiration until Thursday.

subset: commoncrawl


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By Guest Contributor: Lakshmi Gandhi (@LakshmiGandhi)
Lakshmi's recaps for "Quantico" episodes 1-7 can be found here. Future recaps will appear on Reappropriate every Monday morning! As with reading any recaps, please be wary of spoilers.
"In light of recent world events, the following drama contains particularly impactful subject matter."
Those words flashed across the screen in the opening moments of this week's episode of 'Quantico,' a show that can be triggering at the best of times and becomes even more so in light of Friday's horrific terrorist attacks in Paris. After all, it would be hard to fault anyone for skipping a show built around solving the mystery of who decided to blow up New York's Grand Central Terminal after watching a weekend's worth of news updates from France.
(It also should be noted that while CBS decided to temporarily pull new episodes of 'Supergirl' and 'NCIS: Los Angeles' because this week's episodes had themes that closely resembled the events in Paris. Both 'Quantico' and 'Homeland,' two shows in which terrorism is a central theme, decided to stick with their original broadcast schedules.)
But back to our world of ridiculously attractive fictional FBI recruits. When we last left Quantico-land, Alex was struggling to lead Agent Ryan Booth to safety after he was shot while escaping a Queens row house-turned-terrorist cell. Sunday's episode begins with a shot of an FBI control center buzzing with activity as they try to track Alex Parrish down.
Continue reading "'Quantico' Recap: Season 1, Episode 8, "Over""


text: Culture April 1, 2016 Study: Women are Biased AGAINST Short Men Our systems – and women – are tough on short men, studies show. By Jon Miltimore 2 ¼ min Researchers concluded that short men face statistically significant handicaps in the areas of education, occupation, income, and the ability to attract women. A study released in March, conducted by BMJ, a healthcare knowledge provider based in the United Kingdom, analyzed five criteria: education, degree level education, job class, annual household income, and Townsend deprivation index. The researchers concluded that short men and overweight women were less likely to succeed in life. They said the study provides "the strongest evidence to date that overweight people, especially women, are at a socioeconomic disadvantage - and that taller people, especially men, are at a socioeconomic advantage." Readers can check out BMJ's press release here and view the video below for more information. Now, readers might point out that these results are neither counterintuitive nor new. And they'd largely be right. An American Psychological Association study published in 2004 showed a strong correlation between men's height and their income potential. In her 2010 book Marry Him, author Lori Gottlieb cites research from MIT's Dan Ariely that found a man five feet four inches tall would have to make $230,000 more per year to have the same appeal, statistically speaking, as a man six feet tall. The larger issue, perhaps, is determining whether society is bestowing benefits on taller men and punishing heavier women primarily because they are tall or heavy, or because of another corollary (such as confidence). Why does it matter? Because it stands to reason that in a society that is taking the notion of equality to what some might find an excessive degree, short men could soon make the case that they are a victim class. Short men, after all, have no control over their height. And while they have little recourse in making themselves taller, they can improve their situation by earning more income. But that task is made more difficult if short men are facing systemic discrimination. Is it absurd to believe that the government might eventually take corrective actions to level the playing field for short men? I'll admit that it sounds a little crazy. But hey, so does a lot of the stuff happening in the world today. -- Jon Miltimore is the Senior Editor of Intellectual Takeout. He is the former Senior Editor of The History Channel Magazine and a former Managing Editor at Scout Media. Follow him on Facebook and Twitter. Jon Miltimore Jonathan Miltimore is the Managing Editor of FEE.org. His writing/reporting has appeared in TIME magazine, The Wall Street Journal, CNN, Forbes, Fox News, and the Washington Times.


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A loyalist of GJM chief Bimal Gurung was arrested in Kalimpong district of northern Bengal hills on Sunday in connection with cases of rioting and arson, police said.
"Bibat Subba was arrested from his residence at Rai Bahadur Compound in the Mangaldham area on Sunday. He is involved in the arson at a wine shop on July 5 as also in cases of rioting," a police officer said.
He will be presented in court on Monday.
Gurung, against whom charges have been slapped under the Unlawful Activities Prevention Act, has been underground for over two months.


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Social Work Continuing Education Information and Facts - Education - Continuing EducationSocial Work Continuing Education Information and FactsВ В by A Aaronson
in Education / Continuing Education В В (submitted 2011-03-29)
It takes a unique type of man or woman to dedicate their career and professional life to social work. Continuing education and maintaining current licenses is just a small part of their position, but is an essential step to keeping their accreditation up-to-date. This article outline a few of the key points about continuing education in the field and why it is so important for the individual to stay abreast of the information and license renewal.
As someone that is employed in the field of social work, continuing education is your responsibility. You can look to education boards and even your employer for direction, but the ultimate task of applying for and maintaining current licensure in your field is completely up to you. Individual requirements vary according to jurisdiction and you must take the time to make yourself aware of what these particular requirements may be.
For many men and women keeping up with license renewal for social work, continuing education involves taking certain courses along the way. Keep in mind that not all courses are created equal and you often get what you pay for. Be wary of courses that advertise dramatically reduced fees or do not offer to provide attendance records to licensing boards. Once you complete a course you should receive a signed certificate indicating your successful completion, attendance records for every day that you were present, as well as proof of qualification of instructors, consultants, and other educational personnel. All of these items are important to present to the licensing board when validating or renewing your social workers accreditation. Once again, all of these requirements are the responsibility of the social worker and must be kept track of by the individual that is looking to advance their education and renew their license.
There are a number of other things that help set some courses far above and beyond their competitors. It would be in your best interest to choose continuing education that offers a lot of assistance from other social workers in the program, provides evaluation forms and procedures that are easy to understand and learn from, and offers relevant content with a general outline or syllabus. The social work continuing education course should also state the educational goals and learning objectives, with tangible ways of evaluating progress as the course unfolds. There are a number of online courses also available that are convenient to attend and easy to pay for. These may be viable options for busy professionals with numerous home and career commitments.
It is important to keep all of these factors in mind when considering social work continuing education. Be responsible for keeping yourself aware of the requirements of license renewal and choose a course that exceeds the Association of Social Work Board's Approved Continuing Education requirements. In this way, you will keep yourself on track in a fulfilling career for years to come.
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Book of Life: Guillermo del Toro Talks Loving "Lost Causes"by Joel D Amos at . Updated at . Comments
For producer Guillermo del Toro, The Book of Life -- starring Channing Tatum, Zoe Saldana and Diego Luna -- was an important movie for him to produce. It was the brainchild of a director from his homeland of Mexico, Jorge R. Gutierrez, and was a love letter to that country's traditions, culture and the people that make up the past -- but was still quite universal in scope.
As seen in The Book of Life trailer, the film centers around the Day of the Dead, but that is merely the vehicle for telling a story that is also quite the fairy tale and timeless romance -- all features that compelled del Toro to add the film to his jam-packed schedule.
"The thing that is important to know is the Day of the Dead is about life. It's Carpe Diem, seize the day with mariachis. The guys that came before telling us, 'You have to live.' It's an emotional connection to the people that came before you," del Toro said.
The subject of death is handled so beautifully in the film as in it's a connection to the past that truly allows us to see the future. Del Toro has many fond memories of living the film's themes.
"When I was a kid on the Day of the Dead, my grandmother and I would clean the grave of my grandfather in the morning, make it all nice. We spent the day talking about people that weren't with us," del Toro said. "The secret to talking about death is that you are talking about life. That is the message of the movie and it is an incredible and vital one."
The Book of Life was not the first pitch the legendary filmmaker had heard over the years that dealt with this subject, but it was the only one that came from the heart. "I heard many, many Day of the Dead pitches and I didn't like it because they were all coolly calculated things and none of them felt personal. And I met with Jorge and I immediately connected to it because it was personal to him," del Toro admitted.
Even more importantly, he wanted to produce the movie to protect it. "One of the reasons I was interested and the things that make the movie great are the things I knew were going to get us a lot of 'no's' from the studios. For me, lost causes are the only ones worth fighting for," del Toro said.
Del Toro was a fan of Gutierrez's from his work on El Tigre and when he finished The Book of Life script and met the man, he signed on immediately. "What was evident was this movie was his soul. He was not doing this to make money or to buy a corvette or a house in Malibu. He was doing it to breathe. It was his life. Those are the movies I want to produce, the ones that mean that much to the director."
As they went from studio to studio, del Toro was right -- the no's came fast and furious. One of the reasons was because of the look. The characters are animated wooden puppets, essentially. And they feel incredibly authentic to Mexican culture.
"The thing that made it great was the thing that we kept getting no, no, no's for. I kept telling Jorge, we're getting 'no' for the right reasons, which means we are preserving what makes the movie special," del Toro said. "We felt we needed to protect the spirit of it and we could make concessions -- tweak it here, tweak it there, but not touch the heart of the movie."
Then they went to Reel FX and Fox, and they got it -- immediately. "We connected on a visceral level," he reported.
Del Toro said that Reel FX and Fox bucked the norm in Hollywood. "You hear it all the time, 'Bring us something new and fresh.' Then you show up and it's like you brought them a dead rat," he said and laughed.
"The usual stuff in animated movies, they homogenize their look and the emotion feels pre-fabricated. I knew we were coming from a genuine place to embrace a culture. This movie is a miracle that we got it made."
The Book of Life features some fantastic music throughout, including a mariachi version of I Will Wait by Mumford and Sons, Do You Think I'm Sexy by Rod Stewart and even Creep by Radiohead. But, there are also original songs -- one sang by stars Diego Luna and Zoe Saldana as the star-crossed lovers let their feelings be known.
"Their voices are unadorned. They are not super-processed," del Toro said of Luna and Saldana's pipes.
The song, I Love You Too Much, is delivered in a classic manner, one that del Toro admitted he did himself when he was wooing his wife. "I serenaded my wife for many years. I stood by the balcony with the mariachi and you go, 'Here we go,'" del Toro said.
"Diego has that purity, that simplicity. The movie is a marriage of high technology and sophisticated storytelling with an emotional directness and cleanness and simplicity that makes the fairy tale feel ancient and oral tradition and the singing needed to feel that way. When he sings under her balcony, I Love You Too Much, we wanted it to be the simplest thing ever. We didn't want the orchestra to start it. It was a guy saying, 'This is how I feel.'"
One thing that is also brilliant about the film is that it is framed by a narration by Christina Applegate as a museum tour guide telling the story to some children.
"What was important was to make it about a beginning and an end that feels ancient -- you need a narrator. You need a root to The Book of Life -- the power of Mexico," del Toro said.
It leads to a universality of the film. "One of my favorite moments in the movie is the line, 'What is it with you Mexicans and death?' That's a question an audience member could have anywhere, in China, Italy, anywhere. But the power of it is to bring it full circle the way that Princess Bride comes full circle and it now is much more meaningful. It's beautiful. It's the essence of the movie."


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In most Space operas, space wars involve battleships, fighters, energy shields, missiles , bombs and lasers (and sound in the vacuum of space).
This largely mimics how planes and mother ships were used during WWII.
This of course is needed for some impressive battles but in reality if we reach that level of technology, I think that anything other than lasers would be useless. No missiles, no fighters, no railgun, no bombers. I want to describe a space battle that is realistic in a world were powerful lasers are a reality.
What kind of tactics would be used?
In theory a laser has infinite range but in practice, it is not a straight line but a cone of light. After a certain distance, the cone is so wide that the laser is not damaging anything. So lasers have a range.
Lasers are also blocked by solid objects like asteroids, moons and planets.
Given those parameters, it looks like space war would be a very boring but highly strategic game of placement, trying to stay out of range of your enemy's laser, hiding behind asteroids, moons and planets.
Most importantly, HAVING THE BIGGEST GUN is a huge advantage. By that I mean that if your laser has an effective range of 5 light minute, and your opponent only has a laser that can shoot at 4 light minute, he can almost never harm you and you can easily defeat his entire army.
This is very similar to how pre airplane naval warfare operated. Ships had canons and trying to not be in range of your opponent was the most important thing. Weather and sea conditions added some randomness that is not even present in quiet emptiness of space.
Of course AI would be way more efficient than humans so space ships would be crewless. They would basically just be lasers with some energy source floating in space.
Can you see any use for fighters and projectile in this context? I don't see any but may some of you can come up with interesting use cases to spice up this realistic but boring way of fighting in space.
Fighters, missiles,bombs, railguns are obsolete?
Projectile based weapon in space have the following disadvantage:
-they create recoil when you use them which could be significant for rail guns for example. Laser also create a recoil because photons have momentum of E/c but that is orders of magnitude less
-projectiles have a limited number of use, once you run out of missile or rail gun pellets, you are screwed. Restocking in space is inconvenient and expensive
-projectiles are relatively slow in the context of space war where targets can be easily hundred of thousands of miles apart and can therefore easily avoided
-they can also easily be deflected/destroyed by any laser weapon
-they would certainly be less effective than a sustained laser beam concentrated on a small area to pierce energy shields Laser on the other hand offer all those advantages:
-they are quasi unlimited in number of times you can use them (you are still limited by the amount of energy you can generate) but since you are just converting energy to light, this is way more efficient than carrying missiles or throwing kinetic energy at your target.
-they move at the speed of light so impossible to avoid them, by the time your sensors see them, you have been hit.
-they can focus an enormous amount of energy on a small surface and therefore have more piercing power
Close combat as is pictured in most space opera also makes no sense if you have a weapon that travels at the speed of light.
If you are within a few light seconds (within 500,000 miles) of each other then you can consider that you are in close combat. Having a small fighter even travelling at 10,000 miles per hours is quite useless. Also forget about having a human piloting it, the amount of Gs it would be subject to would turn Han solo into meat pie.
I see no reason for small fighters to exist. Can you still see any use for fighters and projectile in this context?


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Remote Sens., Volume 10, Issue 2 (February 2018) – 201 articles
- Issues are regarded as officially published after their release is announced to the table of contents alert mailing list.
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Cover Story (view full-size image) Estuarine water quality is not static, but rather fluctuates on daily to interannual time scales [...] Read more. Estuarine water quality is not static, but rather fluctuates on daily to interannual time scales depending on the forces driving it. Identifying the drivers of water quality across estuaries has been an elusive goal of researchers and managers. Doing so requires a time series of frequent and synoptic sampling to capture short- and long-term variability over a large area. All 11 National Estuary Program (black outlines) estuaries of the US Gulf of Mexico were mapped for a water quality proxy (Rrs645), representing turbidity, from 2000–2014 using near-daily MODIS satellite imagery. These whole-estuary time series of water quality were then compared with observations of eight environmental drivers on weekly to annual time scales. Statistical relationships identified wind speed (bottom panel example) as the most consistent driver of water quality variability across estuaries and time scales. View this paper
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Where do professional rockers rock? That's what I asked the cast of Rock of Ages, who rock Broadway eight times a week. Find out where they go and why on their one night off, before the show, and when the curtain comes down. Here's our list: Where They Rock Off-The-Clock.
Tag Archives: Justice
French Electro-Rockers Justice Wind Down Their World Tour
Gaspard Augé and Xavier de Rosnay, known collectively as Justice, have spent the entire year touring with over eighty documented dates they've played since January—and they've got a few weeks on the road yet to go. Despite the exhaustive schedule, the pair doesn't appear fazed. In fact, they seem downright invigorated to go out with a bang and get back in the studio to embark on album number four. Says de Rosnay, "Right now, we can't wait to make new music." As their Audio, Video, Disco song says, it's "On'n'On" for this talented twosome.
Known for their production-heavy live performances featuring elaborate effects (think lasers and smoke machines) and their distinctive rock- and indie-influenced tunes, the French electronic duo brought the house down in New York last night at Hammerstein Ballroom. But, before this, Friday evening they DJed for a fan-filled audience at the SiriusXM studio, a set that aired to Electric Area (channel 52) station subscribers and can now be enjoyed after the fact on demand.
These Grammy award-winning guys, fortunately for me, took time post spin session to talk shop. de Rosnay held court while Augé stayed pretty much mum, smoking to the side but still listening intently. de Rosnay also smoked, but revealed a great deal about the past several months, from their reverence for North America to a violently funny festival faux pas, from their writing-performing process to the reasons why they have no interest in being rockstars.
Have you performed live DJ sets via radio before?
We do [them] when we think it makes sense. I think we've done [this] maybe once or twice before. This type of music is meant to be played in clubs, where there's no light and everybody's drunk, and nobody's looking at you. So, it's a bit complicated, but it was fun.
This is your third return to the U.S. in a single year. What's it been like to be back a bunch, especially after a rather lengthy hiatus away from the States for a few years prior?
I'm going to tell you a secret: if we could only tour North America, if it was just that, [we'd be satisfied]. It's more fun than the rest of the world. We have fun playing everywhere, but all the times we come to tour in North America, it's a bit different. Doing North America is like doing a world tour in three weeks. North America is the only place in the world that, in the span of three weeks, you can have the winter, the summer, the countryside, the bigger cities, and tons of different people, situations, climates, and environments. That's why we finished the tour here. We didn't have to come back again, but we thought, "Okay, let's finish [this tour] with something that is really fun."
We appreciate it! So, how was/is it being away from home so much?
Actually, it's fine. We were never homesick. We make sure we come back home, like, every three weeks. The way we organize our time is, generally, we [tour] for one year like this and then we stop everything and stay home, like, one, two, three years. I don't know how long it's going to take this time. By the time we spend that much time in the studio and at home, we want to tour again, which is great. On tour, we want to go in the studio. So it's good that we can alternate. It's good to [do] things one thing at a time.
What's your favorite thing about touring, apart from America?
Just to play music for people and be in front of people and see the immediate reactions. Which is very basic. That's cliché. But that's the reason people tour. When [people] enjoy it, it's great. It's still amazing, still so prized for us when it works well when we play shows. Because we make this music in a small studio in Paris, at the moment we do it we can never imagine what it's going to do. When we make music, we often ask ourselves, "Who is going to listen to this music?" It's not always very obvious.
When you're not onstage during touring, how do you spend your time on the road?
The first six months we were always rehearsing and working on the show, just to make it good, you know? It takes time for us to learn to perform this music. That's the big paradox of being on tour: you have a lot of time off, but, at the same time, you don't have time to do anything constructive. It's really hard for us to even read a book or watch a movie.
Do you write lyrics from the road?
We focus on one thing at a time, to keep pleasure intact. We tour and don't work on any music at all. Then we can't wait to work on music again. If we were [touring and writing] at the same time all the time, we would probably get sick of either touring or making music. We love making music together. We love to be in our studio. We like to keep it fresh, so we don't do anything while on tour.
Any ideas the direction you'll go for the next record?
We have a clear idea of what we want to do, yeah.
Wanna share?
No. [Wry smile]
Any funny stories you can relay?
There's so many funny stories, but what we find fun may not be fun for everyone. The rat is the only funny story I can think about. When [Augé] killed a rat at a festival. He got scared, freaked out, killed him.
With a kick.
That's so sad! Did he go flying?
Yeah. And then a girl or guy was complaining, "What did you do to my rat?!"He was a pet.
Where was the rat?
We can't say the name of the festival.
No, I mean, was he onstage with you?
Yeah, he was with us! [Laughs] No, he was in the audience, just enjoying the show, you know? How could we know? Who picks a rat for a pet?
Gruesome. Let's switch gears. Who are you currently into musically?
We like "Elephant" by Tame Impala—an Australian band. At the moment I listen to this song 200 times a day by the Zombies, called "This Will Be Our Year," which is great.
I'll definitely check out both bands. So, can you tell me more about the music video for "New Lands"? It's savage. I like it.
Thank you. We were in Australia in January, watching television, and they have this sport called footy. It's like football but more violent. It's like a blend between football, rugby, and street fighting. We thought it was great, actually. It made us think of this Japanese anime called Cobra. In one episode, this guy plays this sport that's set in the future. He plays, like, "rugbowl," a blend between fighting, rugby, football, and baseball. We thought it would be great to make a video with some sort of violent futuristic sport.
Fascinating. Well, you did it and it's dope. Congrats. One final question. Last time we interviewed, I asked you what it felt like to be rockstars. You denied this classification. Do you believe you're rockstars now?
Yes, now we feel completely like rockstars. [Laughs] If it only took greasy hair to be a rockstar, it would be so simple. When you look at [rockstars], they don't really make you want to be like them. All the [rockstars] I can think of anyway, I don't want to be like them. It doesn't look very fun. To be honest, we're in a very comfortable position. Being able to touch what we believe is quite a large amount of people by making the music we do, without being overexposed as persons, and without having any pressure from anybody, [is the scenario we prefer]. When we make a record and give it to our record company, nobody checks it. We don't have to compromise. And, we don't have to be everywhere. We are quite underexposed and, at the same time, able to do all these things. We don't really want that to change.
Photo by Paul Heartfield
BlackBook Tracks #5: Vive La Fête
Now that you've recovered from your Fourth of July celebrations, let's talk about how tomorrow is Bastille Day. France totally puts America to shame when it comes to partying for the sake of national pride, so it's time to do it all over again. Here are some coups de Coeur for la fête nationale.
Pravda – "Je Suis French"
The name of the song explains everything in this electro-punk take on national identity.
Phoenix – "Napoleon Says"
An old but good one from what the rest of the world sees as the reigning kings of French rock. They're due for a follow-up to the hugely acclaimed 2009 album Wolfgang Amadeus Phoenix, but the back catalogue is always worth revisiting.
Housse de Racket – "TGV"
This Parisian electro-rock duo alternates between French and English lyrics, and this highlight from sophomore album Alésia sees them embracing their mother tongue. They're also known for incorporating "La Marseillaise" into their live show.
The Aikiu – "Pieces of Gold"
This song has gone viral recently, thanks to a music video featuring porn made SFW. The bright and breezy track also deserves it on its own merit.
Yuksek – "The Edge"
France's best-kept secret is Yuksek, electro-pop artist extraordinaire. His latest single "The Edge," released this week, exemplifies his brand of dance music for both head and hips.
We Are Knights – "Tears"
Under chilled-out production and hazy vocals, the beat keeps this song as assertive or laid-back as you want to hear it.
Yelle – "Mon Pays"
Despite singing strictly in French, Yelle have always had a healthy audience in America. Even if you can't understand what Julie Budet is singing about, her tone effortlessly communicates everything against a background of glittering synths.
Anoraak – "Long Hot Summer Night"
This song sounds exactly like its title, all lingering warmth and hints of romance.
Justice – "New Lands"
The latest single from the irreverent Parisians was just graced with one of the best music videos of the year so far, if you're into futuristic sports.
Make The Girl Dance – "Tchiki Tchiki Tchiki"
The trouble-making dance production duo takes on surf-rock and it totally works.
Joe Dassin – "Les Champs Elysées"
Pourquoi pas?
Lineup Announcement Roundup: Austin City Limits, Holy Ship!!
If sweating it out with barbecue sauce stains all over your shirt while trying to take in the dozens of bands around you or dancing on a really big boat in the Bahamas sound like your bag, tonight's festival roundup will be particularly appealing. Austin's end-of-festival-season blowout Austin City Limits announced its lineup with some notable overlap with Lollapalooza and a stacked roster of eclectic acts all three days, starting at the top with headliners The Black Keys, Florence + The Machine, AVICII, Neil Young & Crazy Horse (get ready to sing some classic American folk songs!), Jack White, The Roots, Red Hot Chili Peppers, The Avett Brothers, Weezer, M83 and Iggy & The Stooges.
Other notable ACLiens include a reunited Afghan Whigs on their world domination tour, soul-revival upstarts Alabama Shakes, Childish "Donald Glover" Gambino, BASSNECTAR, The Shins, Los Campesinos!, Gotye, Tegan & Sara, Zola Jesus, BlackBook artist to watch Michael Kiwanuka, Willis Earl Beal, Gary Clark Jr., The Weeknd and First Aid Kit, with plenty more here. 3-day passes for ACL are already sold out, but you can get single-day passes for $90 a pop.
If you'd rather dance on a boat to Diplo and Digitalism, electronica festival and cruise Holy Ship!! (with TWO exclamation points) returns with a host of DJs and dance acts including the aforementioned Mad Decent mixmaster and Hamburg house duo, as well as Major Lazer, Justice, Knife Party, Boys Noize, Skream and Benga, Busy P, Crookers, Dillon Francis and 12th Planet, with pletny more names on the site.
ACL will take place October 12th – 14th in Austin's Zilker Park; Holy Ship!! will host a pre-party in Fort Lauderdale on January 3rd, 2013 and be on the high seas aboard the MSC Poesia January 4th – 7th, 2013, just in time for you to fully decimate any hopes of maintaining a New Year's resolution. Watch footage from last year's cruise below:
Is This Leaked Lollapalooza Lineup on the Level?
Is the 2012 Lollapalooza lineup set in stone? If this grainy snapshot of a piece of paper is to be believed, then the annual music festival will be headlined by the Red Hot Chili Peppers, the Black Keys, Black Sabbath, Jack White and Florence + The Machine, with The Shins, At the Drive-In, Justice, The Weeknd, Sigur Ros, and more swooping in for the supporting time slots. It could be completely b.s. — again, it's a grainy snapshot of a piece of paper — but the lineup seems very appropriate to Lollapalooza's big tent appeal, and some of the acts have already been hinted at through promotion on Chicago's transportation system. Check out the full (rumored) lineup over at Pretty Much Amazing.
There may be one fly in the ointment: Black Sabbath previously cancelled a summer tour due to guitarist Tony Iommi's lymphona treatment, and because drummer Bill Ward had previously expressed reluctance to do the reunion without being fairly compensated. But as this Rolling Stone report notes, Sharon Osbourne said that the band would be playing one American show in August — and, as it turns out, Lollapalooza happens to be American, a show, and in August. There's your smoking gun if there ever was one. At any rate, we'll know by Wednesday when the lineup is officially announced. There will be all sorts of fun to had at the festival regardless of who's playing, as you can see below.
Justice On Their New Album 'Audio, Video, Disco'
After bursting onto the scene with their first album, † (alternatively known as Cross), Justice's Gaspard Augé (right) and Xavier de Rosnay (left, with his grandmother) haven't stopped making appealing, upbeat electro-pop. The Grammy Award–winning duo blends indie rock with dark disco beats, a combination that's seduced audiences since the moment Justice's debut single, "D.A.N.C.E.," first appeared.
Although they've toured the world, collaborated with clothing label Surface to Air, and released a concert documentary (the punny A Cross the Universe), Augé and de Rosnay thrive on spontaneity, and have few plans for the future save for a general notion of putting out new records they love. With their latest album, Audio, Video, Disco, they confess, "We didn't try to make our own revolution and we didn't try to repeat something either, we just made a natural followup—it's the accumulation of everything we've heard and seen since we were kids." There's definitely a hint of '70s glam rock in the mix, but they insist that "the backbone of the record is really modern."
Often deemed the successors of fellow French electro masters Daft Punk, Justice's new album proves they're beyond living in the shadows. As if to tear their fans asunder, they say, "We're not pop artists, but the music is very pop in a broad way. We're not club people"—no matter how many bodies they get moving on dance floors around the world. Justice would love nothing more than to play the Red Rocks Amphitheater in Denver, "Just to be playing out there in the mountains. It looks amazing." Now that's a show we'd like to check out.
Keith Schofield's Genius Justice & Lenny Kravitz Video
The new music video for Justice's remix of Lenny Kravitz's "Let Love Rule" is the kind of clip you would have imagined on those Spike Jonze and Michel Gondry music video anthologies you used to show girls in your dorm room to make them think you were an interesting person. It features a sight gag (kicks in around the 1:30 mark) so random and ingenious that it reminds me why some people are creative and others not. In this case the creative person is music video director Keith Schofield, an American music video and commercial director who's been producing some of the cleverest work in any visual medium, period.
Schofield is the mad scientist behind last year's cunning ode to cunnilingus (and other X-rated pursuits), the promo for Diesel's XXX parties, which won the filmmaker a Silver at the 2009 British Television Advertising Awards. His videos (more of which can be viewed here) are playful vignettes tailored to a generation of quick-fix YouTubers who crave that three minutes of never-seen-that-before gleeful entertainment. But imagine what he could do with a whole script. Someone get Charlie Kaufman on the phone, quick.
Justice's Gaspard Augé Defends Against Stalkers & Pukers
French electronic duo Justice recently completed the kind of road odyssey that comes only when people really, really love your music. They've spent the better part of two years raining distorted bass lines and chainsaw synths over sweaty, hysterical fans around the world, and now that they're settled back in their native Paris, a visual relic has emerged from the debris. A Cross the Universe is a CD/DVD compilation that features a live recording of a San Francisco concert, but even more notably, a film documenting their March 2008 US tour. The movie doesn't chronicle their performances in typical concert-doc fashion so much as offer up fly-on-the-wall glimpses of backstage mayhem and tour-bus depravity. Gaspard Augé of Justice dialed in to describe some of the bloodier moments on tour, reveal some preshow rituals, and explain why despite the religious iconography, they're anything but godlike.
The DVD was the last three weeks of the tour, but how long was the tour? I guess we played more than 150 shows, and it lasted for one year and a half.
So how many shows is that a week? It depends, we had a schedule from time to time, but it was about four or five a week.
What do you guys do on the nights when you're not playing shows? We're just sleeping on the bus in between towns.
After your shows, are there any quiet nights when you guys don't party, you just go back to the bus and go back to sleep? We always had to leave right after the shows because we had to go to the next city, so we had to keep quiet, but we had some fun moments.
Do you remember maybe one night that was the most memorable? It's a bit blurry you know, but I guess you can see some of it in the DVD.
Have you watched something on the DVD that you don't remember happening? Yea, kind of, we were a bit surprised afterwards when we got to see the final edit. But we've been working on it too, so we didn't have to censor the directors, because we knew that we couldn't take back activities.
When you were editing, was there stuff you left out on purpose, that you didn't want people to see? Yea, but the directors shot 200 hours of footage, so there's just a very small part of the reality that we're showing. But it's mainly true to the fact that we had to push some directions, and to do a bit of the caricature of who we are. But I guess there were just a few outtakes that we couldn't use, just to respect some people's privacy.
Were you trying to portray a specific image of Justice? No, because it's just kind of avoiding the two main concerns of music documentaries. We didn't want to talk about music, because we've only done one album, so it was pointless to talk about music, and as we are not famous as characters, we are kind of not very present in the DVD, just to make the story more entertaining. And so we could have made a DVD to our own glory, but it would have been very boring, and so far it was way more relevant to just take a piece of that. We just wanted to do everything that was entertaining, even at our own expense.
What do you think about the craziness of touring? I guess it's just part of the touring process, because when you're a child, you kind of fantasize the pieces of the touring life, and then when you're doing it, you just realize that everything was true, but it's not only your fault, it's the process of touring that creates all the pieces. The tour was a great experience. We learned a lot about people, especially girls.
Are girls puking on your bus a common experience? Eh, no, it's not that common, but at least it was funny enough.
Is there a lot of vomit on tour? No, not that much.
Have you ever found a girl on tour that you've been attached to and didn't want to leave, or are there so many of them? Of course we did meet some great people, but it's kind of hard to have a relationship when you're always away.
Was there one time when you just wanted the tour to be over? No, because it's not the worst job on Earth. Now we stopped everything, and it's kind of cool to be back home, but touring is exciting as well.
Are you looking forward to going back? No, not really. We're just going to step back for a bit and make some new music.
When you're on stage, and your hands are in the air, and thousands of people's hands are in the air with you, do you ever feel godlike? No, because we don't really relate to the music we are doing, we are not frontmen. We are not singing or playing guitar. We are just happy that the music we create onstage is efficient. People scream when you raise your hands, so at some points you have to do it, but we are kind of shy people, so sometimes it's a bit violent to go on stage in front of other people. You always kind of get away with it, but it's kind of frightening at some points.
What about the moment in the film when you guys are covered in blood? We have a stalker on tour, a guy who was harassing us, so at some point he was very drunk, and came to us and starts to beat up our friend and stuff, so finally he got bottled by Xavier.
Over the head? Yea, it was a bit violent, and so the security staff called the cops, and finally we didn't get any charges because it was self-defense, but we got kind of scared that we wouldn't be able to come back to the States.
What is your most favorite city to play in? I guess the Montreal and New York shows were really amazing. Just because the crowd was amazing, and we were kind of happy after the show we did.
Did touring the US make you consider moving here? No, not at all. We want to avoid the cliché of the band that moves to LA to make their second album.
And what about the food in the U.S.? The food was okay because it's kind of impossible to eat late at night in France, so we were really happy to always find something to eat.
Is it hard to eat healthy when you're on the road — do you try? Yeah, its kind of hard. I guess we gain weight and stuff, because we always have the same rider, and so we always end up with the same sandwiches, so we eat the same stuff every day.
Did you get to make the rider yourself? Yeah, very simple sandwiches and two bottles of alcohol, rum and vodka. We have this ritual before the shows, a shot of rum and Tabasco.
Do you ever drink a lot before you go on? No, we just need to drink a bit to get in the party mode. It's hard to get excited every night, so we need some rum.
Justice & Yelle Prove the French Do It Better
A few years back, it was penguins who ruled the documentary roost. Then came docs about Iraq. I predict the next trend in nonfiction filmmaking will have something to do with the economy, but until then, following French electro acts on tour looks like the subject matter du jour. Watching the trailer for the new Justice tour DVD A Cross the Universe made me giddy with jealousy as well as forcing an unwelcome life-path reconsideration. The doc was shot by So Me (the man responsible for Justice's brilliant "DVNO" video), while the Ed Banger boys toured their breakthrough album †. Another documentary, C'est L'Amerique, featuring BlackBook favorite Yelle, is also in production; this one's by Yoann Lemoine, who, beginning ten days ago, is following the French singer around the US and Iceland (and also shot her newest video for "Ce Jeu." Combined, the teasers show that the French are effortlessly cooler than we are, and they probably have more fun in this country than we do. Because when it's all said and done, they get to leave. Videos after the jump.


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Exhibitions Gallery Auckland is very excited to invite you to the opening of Shane Hansen's first solo exhibition at Exhibitions Gallery in Auckland at 19A Osborne Street in Newmarket on Tuesday 6 December at 6pm.
Come and meet Shane at the opening! The exhibition runs until 14 January 2017.
Tohu and Aronui Wines are proud to be sponsoring their award winning wines on the night along with their cheeky, delicious Tutu New Zealand cider.
Shane Hansen
Tainui Ngati Hine, Ngati Mahunga
Shane Hansen likes a strong, clean line. His creations spring from a world of bold colours and optimistic clarity, a pop-art invitation to a feel-good New Zealand celebration. Shane is of Maori, Chinese, Danish and Scottish descent, which is reflected in his art as he navigates his way on a journey of cultural discovery and self acceptance. He describes his work as his therapy, kai for the mind and soul.
In 2010 Shane was selected along with 5 other Maori artists to provide authentic Maori designs to be used for the Rugby World Cup 2011. His designs are being marketed and sold worldwide in the build-up to and during the RWC 2011. He sees this as an amazing opportunity to promote Aotearoa and his Maori heritage to a global audience.
"An artist is what I am. Its taken me a few years to get here, but now I have arrived. My journey has just begun and I want others to come with me. I love doing what I do, I love being who I am. My family is my life and so is my art."
RSVP with numbers to email@example.com or phone Ngaire on (09) 523 5560.
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Maserati GTS with High detailed exterior and low-poly interior. Completely UVW mapped model with single texture map. Comes with 12 skin variations. Rendered with 3dsmax and finalrender Physical sky. Reflection is achieved through Raytrace map in the reflection slot. This model has all the necessary details and the advantage of low poly, so you can populate your scenes easily.
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i noticed you removed the monro vauxhall ?????
and thank you Admin..
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Soooo…. It is true. Jack retweeted my video… I hope Him and all of You like it.
No video today, becouse i'm still sick, got no voice. I sound like a old creaking door.
To all newcomers – Welcome. I hope you will stay for longer. Small channel but I guess eberybody will find something interesting for them selfs.
We got here some memes, parodies, songs and remixes. Check out other stuff with Jacksepticeye, I think some of them are pretty interesting.
As always – share, like and comment. Smash that notification button. You will not regret it.


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Patient Testimonials
"Tsang Dentistry is a wonderful and welcoming practice. I loved how the staff were very knowledgable in the field. I liked how they took the time to explain what was going on with my teeth all while maintaining a positive demeanor. They were quick and efficient. I definitely recommend them as a dental practice." - Tenny B.
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Back in the Pacific time zone after a week in the Eastern. The Dog got us up early (OK–sort of early) to get out on the street. It rained while we were away, and it was surprising as always to encounter our verdant November autumn, fall colors overlaying the greening streets and hills.
Autumn, Rampant and Verdant
Berkeley Autumn
By our effete bayside standards, tonight counts as a cold night. The temperature is dropping into the 30s here and below freezing in places farther from the water. For the next couple of days, anyway, we won't be getting out of the 40s here. The scene above is from several days ago. The high was probably in the low 60s, perhaps the last day of a prolonged beautiful dry warm autumn. It already seems like that season is over.


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"Not all those who wander are lost." J. R. R. Tolkien
Who is Hobo Joe?
Hobo Joe is a fictional series that will be appearing periodically on Tripoart.com
Joe is a young guy who recently got kicked out of his family's house because his terribly chosen friends stole and destroyed many of his dad's favorite irreplaceable possessions during one of the most insane parties of Joe's young life. Now he has to learn to live and survive on his own. He's smart and resourceful but also likes to live life like a wild man. Where will Joe's journey take him next?!
This series is based on survival, partying and the interesting and whacked out characters encountered during Joe's travels. It is filled with adult themes, therefore it may contain vulgarity, drug/alcohol use, and sexual scenarios, please don't continue to read if you are easily offended by this type of content.
Part Three – Welcome to Amish Country
Part Five – The Brent Hill Keeper Job
Part Seven – On The Boat With Billy Bob
This is Part Two of Hobo Joe:
Day Two – The Crow
I found broken up leaves and various bugs crawling all over my body as I opened my eyes and realized I was in the woods safely resting in my Hobo refuge. I slept well. Not like in my own bed, but I had an immense feeling of liberation and knowing that anything was possible. I was alive, I was dry, I was hungry.
I dug into my pockets, found a little bit of granola and started to have breakfast. Warm water, granola and a couple of tasty insects, that's the true breakfast of champions for a Hobo hahah!
I'm free of responsibility, but I don't want to be a lazy hermit living in the woods who doesn't interact with other people. I want to do something with my life, something amazing. I want adventure. I am young and healthy, so I filled my pipe up and had a smoke as I thought about all these interesting things.
The smoke calmed my nerves and allowed me to think more clearly.
Ok, what are my options?
- I could go to a homeless shelter and live alongside other Hobos, eating disgusting gruel every day and probably catch some kind of obscure disease while hooking up with crazy street babes.
- I could join the military and serve my country as a soldier while risking my life and sanity in the process. Many of my friends were fighting overseas and told me stories of murderous devastation. Should I join their ranks?
- I could go to college. But just the thought of school made my stomach turn and my head ache. I think I would rather die in the heat of battle getting my head blown off, than die of boredom listening to some know-it-all college professor giving several-hour-long lectures every day for six long years.
- I could learn how to juggle or walk the tightrope and join the Ringling Brothers and Barnum and Bailey Circus. That would be pretty fun, but I have very little circus abilities and the Brothers might feed me to the lions if I screwed up one of the performances.
- I could travel the world as a wandering Hobo, and live each day to the max as if my life was a story in one of those Best-Selling Comic Books or a Big Hollywood Movie. Each day like a new chapter and I have the power and control to do whatever the fuck I want to do.
I can't stand strung-out bums, authority figures, annoying-ass lectures, or violent lions so my only choice is to travel!
Right then I decided I was going to wander the world and do as much insane shit as possible. I will go to every continent and ocean. I´ll sleep with the world's most exotic women and do it all while high on the best herb, it´s the only way! I´ll swim with blue whales, surf with great whites, and travel to the moon on a rocketship if I can find a way to get there!
My resolve is absolute and nothing is going to stop me or get in my way. As I thought of these awesome ideas, I heard the rumble of thunder in the distance and a squawking crow flew above me and landed on the branch of a huge oak tree just a few meters away.
I looked at him and he at me. We locked eyes for a moment. His body was big and black, streamlined and beautiful, like a stealth fighter jet that just landed, poised to make its next flight. His presence intimidated me but it also puzzled me and filled me with wonder.
He shuffled his feathered body a bit, moved his head around from side to side and each time he turned he looked directly at me with his piercing eyes of blackness. Then he spread his wings, waved them in the air several times and with a quick jump he flew off. Loudly squawking, " Yaww, Yaww, Yaww, Yaww, YAWW," while rustling the leaves beneath us.
My spine began to shiver, I felt electricity on my fingertips and I knew it was meant to be. His appearance was a sign from the Universe and I had an obligation to accomplish my mission! I took another deep hit from my pipe, the smoke filled my being and I felt more alive than ever before.
I collected my stuff and hiked to town. The first place I went to was the library. There were some computers there with internet access so I did a little research. The librarian gave me some food. She knew I was hungry 'cause my stomach loudly growled when I walked in and saw her eating. She was a nice lady and gave me a piece of her sandwich. I ate it as I surfed the web.
The three options I saw online for a wandering Hobo were:
A. Couchsurfing – which is like a free couch set apart in stranger's living rooms
B. Housesitting – which is where you take care of peoples pets as they travel abroad
C. Hitchhiking – which is waiting on the side of the road with your thumb sticking out, hoping and praying that somebody stops and gives you a free ride
I decided to go hitchhiking as far away as possible, and figure things out while I was on the road. I drank a bunch of water in the bathroom, washed up, and headed out for the highway, waving goodbye to the sweet librarian.
I walked from the library to the highway. It was a perfect day to go hitchhiking; nice and bright and sunny.
When I reached the highway, many cars passed me by as I held out my thumb. I know I probably looked like a bum but I was young and innocent looking too, a handsome guy with a happy hippy style.
Several 18-wheeler trucks passed me honking their loud obnoxious horns as they steamed ahead with a mighty force. Some families riding station wagons. SUV's and fancy sports cars, they all flew past, ignorant to my quest!
Then after a while an old jalopy slowed down and crept up beside me. The engine was making a dreadful sound, but this was the first person to stop and the first time I ever attempted to bum a ride.
The car was a mustard yellowish-green color, probably older than me and the driver was a skinny black guy.
He rolled down his window by hand and said, "Yo where you going dude?" displaying big white teeth as he grinned.
"I'm not sure, I'm just going," I replied, he seemed like an alright guy.
"Well I'm driving down to Ohio to make a delivery you can come if you like."
"Sweet!" I said smiling as I jumped into the jalopy.
When I got in I noticed empty beer bottles on the floor and rolled up pieces of trash. I looked in the backseat, there was a big oven stove sitting on the seat.
"That's what we're delivering and you can help to load it in the house when we get there ahite."
"Sure cool man, I'll help, whatever you need!"
"My name is Freddy, you want a beer?" he said smiling.
"Yes please, I'm Joe, I'm pretty thirsty, been outside all day in the hot sun, nice to meet you Freddy!" I said as we shook hands, happy to have a drink.
He pulled out a bottle of beer from underneath his seat and smoothly opened it with a shiny titanium ring he wore on his right hand. Snapped the cap, it popped right off, and I started sipping the warm brew.
Freddy had on an old Wu-Tang Clan T-shirt, baggy pants, a black baseball hat and he was bobbing his head up and down to the beat of the hip-hop music that was playing on the stereo.
There was a track on without any lyrics, just the rhythm and the beat.
We cruised down the wide-open highway while drinking beer and Freddy started to rap:
"Uh Uh Uh Uh Uh
Fo Sho – Fo Sho – Fo Sho
Yo yo Yo little white boy, what tha fuck!
I bet you wished you owned your very own pickup truck
But insteads you iss here wit me
Tha baddest motha fuckan MC from another Galaxy
Tha greatest master of every spec-tac-u-lar ceremony!
And we's riding around in tha Royal Jalopy!
Who you is?! – Where you goin?! – Where you from?!
You betta not be a little lazy bum
Nahhh, you look like a cool tripped out hippy
And yous gonna help me wit this cul-in-ar-y delivery
Instead a bein in tha back – smokin that weeed
Yo Yo Yo Yo Yo Yo Yo Yo"
And on and on and on he went, rapping away like a lyrically enhanced madman, I loved it! I also started to bob my head up and down. I liked Freddy, he understood me better than anyone else that I ever met. Then he challenged me:
"Yo little white boy sing me a song, let me hear your flow
Yo Joe let's – Go Go Go Go Go Go Go!"
I cleared my throat and rapped:
"Aaaauhhhuummmm yeah yeah yeah yeah
What's up, This is it, This is me
Last night I slept underneaths a big ass tree
I ate bugs and leaves and smoked a J
Then a crow landed on my tree branch and I was like Hey!
I wasn't afraid
All I could do was chew
My worms and I shared one with the squawking crow too!"
We both laughed, this was fun, we really bonded through our raps like brothers. Then he looked at me with a serious face and asked, "How'd them bugs taste Joe?"
When we reached Ohio I was excited to be in a new state. For me, it was like a new life filled with new opportunities. I had a new friend and was about to meet his family, that was really cool.
We pulled up to the house after dusk, laughing and rhyming. Freddy stopped and parked the car and I saw his cousin standing on the front steps. I was blown away. She was a huge black woman dressed in fluorescent-pink skin-tight pajamas. Her breasts were bigger and rounder than two fresh watermelons, her thighs thicker and darker than tree trunks, and her ass was almost as wide as the royal jalopy!
"It's about time you done showed up Freddy! Where my stove at?!" she said in a high pitched twang, which simultaneously bent thousands of blades of grass on the front lawn.
"Hey Sheneis, it's right here don't worry, I picked up Joe and he gonna help with the installation, right Joe?" he said assertively, waving me over.
"Yes, yes yes sir," I said while staring at his cousin.
Sheneis looked like she could snap my scrawny neck with one quick movement of her huge voluptuous body. But at the same time she turned me on more than any other woman I have ever known, so strange!
I opened the side door of Freddy's mustard jalopy and started to yank out the stove. It was pretty freakin heavy, but I managed to get a hold of it and I hauled it up the stairs and into Sheneis's house. She held the flimsy screen door open for me as I passed into her home. She stared at me like I was an alien walking through her house and I saw her looking at Freddy silently saying, "Who the hell is this white boy?!" with her big beautiful dark eyes.
"So how you been?" Freddy asked her.
They chit-chatted as I carried the stove through her little house and into the messy kitchen. There was food all over the place; leftovers, boxes of cereal, wine bottles, my kind of place hehe. I think my stomach growled again when I saw all the food and wine.
Freddy came in and we worked together to quickly set up and install the new stove. Sheneis was really happy with our work so she cooked a big meal for us all, it was amazing! Baked chicken, mashed sweet potatoes, and fresh greens. I ate every bite like a hungry wolf, then we started drinking wine and I shared some of my bud with them too!
We sat around the living room, the three of us, hanging out, telling jokes, listening to R&B music. They were really nice people. And they didn't ask me about my past or anything, which was good, 'cause I didn't want to mention that I got kicked out of my family's house the day before.
"Well, I'm beat, I'm going to bed dudes," said Freddy. "I got a lot a shit to do tomorrow, so you children behave yoselves, thanks for your help Joe."
"Goodnight Freddy!" Sheneis and I both said.
And with that Freddy retired to one of the little bedrooms, we both watched as he left and closed the door. I sat alone on the sofa with his super-sexy cousin Sheneis. As soon as Freddy left she put her hand on my chest and looked deeply into my eyes saying, "You is the cutest white boy I done ever seen, let's smoke some more weed Joe!" At that moment, she sounded like a happy little school girl!
I filled my pipe and we started to smoke together. In between hits, I kissed a black girl for the first time in my life and it was wonderful! I won't go into all the juicy details of our encounter, but we connected in a very strong way that night and talked about everything…
I laid atop her big heavenly bosom, feeling my problems and worries melting away as if they didn't exist anymore and nothing in the whole world mattered. I felt like a baby back in the womb; a rebirthing. Sure we both had a strong sexual attraction for each other but it was deeper than that. As I laid there she began to hum an ancient African tune, soothing my damaged soul and I slept upon her warm body, entering into joyful dreams of ebonic pleasures…
Thanks for reading Part Two of Hobo Joe, hope you all enjoyed it, click Here to read Part Three!


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In some countries rain is an everyday issue. In others countries, like here where the rain is not that usual, a rainy day is a day to cool down from the routine, a great excuse to lay off, relax, watch tv, go to the movies… or in my case get outside and venture out!
Categories: Uncategorized


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- David Peters
Ocean Sounds Festival
Saturday January 19 2019 12:00 pm - 10:00 pm
Ocean Sounds Festival
Picnic rugs, smiling friends, stunning local wines, gourmet food, the summer-sun softly setting over the ocean, and some of Australia's most amazing live music.
Welcome to Ocean Sounds Sunset Concert at Churchill Island.
Ocean Sounds is a family-friendly, music-lovers' all-day concert that will take place at beautiful Churchill Island (just off Phillip Island), Victoria on Saturday the 19th January.
As well as a stellar musical line-up, Ocean Sounds will also showcase local wines and cheeses and gourmet food vans.
Attendees are encouraged to bring their picnic rugs, friends, good vibes and to enjoy a memorable experience of quality music in a relaxed, atmospheric and picturesque environment.
Tickets on sale Friday 26th October. www.oceansoundsfestival.com.au
Ocean Sounds is presented by the good-vibing folks behind The Hills Are Alive and NYE on the Hill festivals.


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What if they shut down a government and no one noticed?
To be fair, there are a couple things about that statement that don't fit. First of all, the government has not "shut down" – it has just cut back on a few things while our friends in Washington, D.C., argue about a wall.
Second, we're living here in western Ohio where we don't notice the federal government all that much on most days – well, unless you happen to work at Wright-Patterson Air Force Base. I guess that if this goes on much longer and things start happening like tax returns being delayed, people here will notice things are different in a hurry.
I will say that we have noticed one thing: it's really embarrassing when your duly elected leaders act like a bunch of pre-schoolers fighting over a box of Legos. (Hey, maybe that's how they could build the wall!)
Is it just me, or does holding the entire nation hostage while two sides fight over one issue seem like a really stupid way to run a country?
Since 1980, there have been 22 government "shutdowns." Most of them were short affairs, but 10 have resulted in what is called furloughs for government employees. This is a nice way of saying non-essential government employees (how would you like to be classified as "non-essential?) aren't getting paid, but a lot of them are still required to work. I get a little bit nervous when people like air traffic controllers and airport security people aren't getting paid. Hey! Pay those people! Keep them happy.
This has resulted in claims by one side that we could have federal employees leaving their jobs like so many rats leaving a sinking ship. This is not going to happen. They have good jobs, and they know it; they will get all their back pay eventually, and they know it; there just aren't that many comparable jobs out there that are easy to find, and they know that, too. It's a hardship, and it's reprehensible that our fearless leaders are willing to use their employees as pawns in their little games, but the workers will survive.
And as for the wall – you know, there's already a lot of wall there. Do we need more walls and bigger walls and billions of dollars worth of walls? Everyone seems to disagree, but it should be decided by elected representatives working together to find a solution without this kind of high-level extortion. Look at it this way: people are being sent home from their jobs because of an argument over how to keep people who want jobs out of the country by people who aren't doing their jobs.
There have been all kinds of hardships due to this shutdown. Why, just the other day President Trump invited the Clemson football team to the White House for dinner and had to feed them fast food because the White House chef is a non-essential government employee. This caused quite an uproar among my brethren in the media. It was not such a big deal for most of the football players who probably thought a chance to eat as many cheeseburgers as they wanted was a pretty cool thing.
I think we need to rewrite whatever law it is that makes these "shutdowns" such a regular occurrence. My suggestion is that the government allow us, the people, to determine what federal jobs are essential. Personally, I think all federal jobs are essential except for people who work at the White House and people who work on Capitol Hill. When the government shuts down, they would be the only people who wouldn't get paid. Plus, we'll add a little amendment to the bill when no one is looking that says non-essential employees who are not paid during a shutdown will not be eligible for back pay. That would change some attitudes.
Maybe we could throw the Supreme Court in there, too – just in case Congress and the White House are especially obstinate and immature. You can bet the injunctions would be flying around in a hurry if that were the case.
I imagine if you're a Republican, you're saying this is Nancy Pelosi's fault, and if you're a Democrat, you're saying this is Donald Trump's fault. I have to say they look like equal opportunity numbskulls to me. Everyone wants to be the tough guy and doesn't want to lose. As it turns out, the ones who end up losing are the people they are supposed to be serving.
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Mess-Free Sensory Fall Leaf Painting
The other day at Learning Ship Christian Preschool they did this mess-free sensory fall leaf painting activity! It is a wonderful idea and a great way to explore the changing colors that happen with the Fall season in a manner that engages the senses.
It is always magical for children to watch as leaves change color and now they can make it happen right in front of their eyes thanks to this hands-on Autumn art idea!
Learning Ship Christian Preschool
How the Mess-Free Sensory Fall Leaf Painting Activity Works
The paper leaf cut-out is put on a plastic plate with a bit of paint atop it and then put inside a resealable bag (like a Ziploc-brand bag). With the paint sealed away little hands don't get messy! This way kids can have fun moving the colors around with their fingertips and watching as they blend and change without having any mess be made! Once they are done then the paper leaf cut-out can be removed from the bag, dry, and then be hung-up or taken home by a student to share with their family!
Click Here for More Ideas!


text: Three people are in custody after a stolen motorcycle was found in Dowagiac. The Cass County Sheriff's Department tells our newsroom that around 3:30 Saturday afternoon, Deputies were investigating a stolen motorcycle complaint in Cassopolis. A short time later a Deputy on patrol in the Dowagiac area located the stolen motorcycle at the Marathon gas station at M-51 and M-152 intersection where an adult male was taken into custody. Also at that time a vehicle that was also involved in stealing the motorcycle was located at the gas station which was reported stolen out of Kansas. An adult female and juvenile female were taken into custody as well. The adult female and adult male were taken to the Cass County Jail and the juvenile female was turned over to Probate Court. The incident is still under investigation and they report additional charges may be pending.


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Hotels in cornwall
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Choose your wager between $2 and $10. The object is to get your little man as far around the board as possible in eight spins -- and ideally to the middle square, where a 50,000x wager payout awaits.
Unfortunately, the game also ends when the adventurer lands on a "death square"; Crypt Crusade is a bit nasty in this regard, as the player has a 1/3 chance of losing on his/her very first spin.


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Welcome To Greece Holidays and Tours Packages
Holiday in Greece Incredible culture, ancient history & an unforgettable experience, enjoy it all with Greece holidays. With the numerous islands, gorgeous beaches, spectacular nature, warm & sunny weather, a holiday in Greece is sure to offer tourists with a memorable vacation. Greece packages include a visit to Santorini, a cluster of volcanic islands. Thera - the largest island has become a popular tourist destination in Greece.


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5-Steps Guide TO Buying A Residential Property In New York
When you buy a property, you invest your years of savings on it. Many people buy it from the family money they have inherited. Whatever the source of money is, it is certain that it has savings from you or your parents or grandparents. People start to look for a house with a lot of aspirations of moving into a better place and into a better neighborhood. The research is important, but you should know where ...Read more ›


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Exclusive Escape
Exclusively yours. Experience Naladhu Private Island Maldives all to yourself for the holiday of a lifetime.
For inquiries: firstname.lastname@example.com
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- The rate is inclusive of 10% service charge, 12% goods & services tax (GST), and green tax of USD 6 per person per night.
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