text:
Bacon-Wrapped Pork Loin Chops
$37.99 - $59.99
Additional Information
Product Details
"Can't-get-enough" pork chop satisfaction pairs up with savory, taste-tempting bacon.
Please allow an additional 4 - 6 days for delivery.
- 6-oz. each
- Hand-cut, premium boneless Pork Loin Chop
- Wrapped with exceptionally-flavored bacon
- Two hearty favorites in one delicious combination
Please allow an additional 4 - 6 days for delivery.
Additional Information
Ratings & Reviews
Bacon-Wrapped Pork Loin Chops is rated out of 5 by 11.
Rated 1 out of 5 by joel from terible mostly fat not worth the money don't buy get Crisco its cheaper and tastes the same
Date published: 2017-02-05
Rated 2 out of 5 by Dee from A little too tough I did not like these at all. The pork was a little too tough.
Date published: 2017-01-10
Rated 5 out of 5 by Rene Lopez from Great taste I love the combination of bacon and pork. The whole family were satisfied.
Date published: 2016-12-14
Rated 5 out of 5 by Patty gindro from Ex a great find. Ex a great find.
Date published: 2016-06-01
Rated 1 out of 5 by James Leach from Tough It was a very tough piece of meat
Date published: 2016-05-17
Rated 5 out of 5 by david sharp from very good great price and wonderful taste we cooked them in the oven,grill in 30 minutes on each side at 375 tempature for medium rare and they turn out great and juicy
Date published: 2016-04-21
Rated 4 out of 5 by maryann from good item Very happy with this purchase a good holiday meal.
Date published: 2016-04-12
Rated 5 out of 5 by Joyce Gervais from A Great Find The Bacon Wrapped Pork was really good. It was nice and tasty with every bite.
Date published: 2015-12-15
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Question & Answer
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Sponsored Content


text:
Innovation Awards 2020
Finalists Announced
EDGE 2020 Goes Virtual

eWeek Names NetSuite #1 Enterprise CRM Product of 2004

Sydney, 7th April 2004 – Net Return announced today that eWEEK magazine has named its NetSuite 9.0 on-demand service the winner in the CRM category in eWEEK's Fourth Annual Excellence Awards program. Products such as Microsoft CRM, Siebel On-Demand, and Salesforce.com didn't make it to the finalist list in the CRM category. For more information: http://www.eweek.com/article2/0,1759,1561627,00.asp.

eWEEK evaluators said in bestowing the Excellence Award to NetSuite: "In a crowded field of entrants in the CRM category, NetSuite 9.0 emerged the winner by providing broad value and appeal in a market that is quickly and constantly evolving… The highly customisable interface and easy management won points during judging, as did the availability of graphical summaries of sales data."

With more than 7,000 customers (20 of whom are in Australia), NetSuite is the world's most popular on-demand integrated CRM/ERP solution. In January, NetSuite won the coveted "Willy Award" presented to the Best Hosted CRM Application for 2003 by SellMoreNow.com.

Stuart McLean, managing director of Net Return (the exclusive distributors of NetSuite in Australia) said: "This award is another indication that CRM applications are maturing from simple forecasting tools to real enterprise applications that span order management, e-commerce and back-office functionality."

NetSuite is hosted in Australia with Telstra and delivered as an on-demand service, so there is no hardware to procure, no large, up-front license fee, and no complex set-ups.

NetSuite enables companies to manage all key business operations in a single, integrated system, which includes customer relationship management; order management and fulfilment; inventory management; finance and e-commerce and Web site management; and employee productivity.

- ENDS -

About Net Return
Net Return pty ltd, is an Australian online services company and is the exclusive distributor of the NetSuite and NetCRM online business application for small to medium businesses in Australia and New Zealand. Net Return also provides online services to corporations and governments to develop integrated and effective online solutions that deliver a measurable return. Net Return's clients include: AGL, AMP, AusAID, Australian National Training Authority and Commonwealth Bank of Australia. For information about NetSuite visit: www.netsuite.com.au; for Net Return visit: www.netreturn.com.au.

About NetSuite, Inc.
Founded in 1998, NetSuite, Inc. is a leading provider of ERP and CRM application software for small and mid-sized businesses. The company's products include NetERP, NetCRM, NetSuite, and Oracle Small Business Suite. The company is the largest application service provider of mid-market business applications with over 7,500 companies using its products. The company's products have won many industry awards, such as the PC Magazine Editors' Choice Award in 2003. The company's investors include Larry Ellison. For more information visit www.netsuite.com.

Contact: Nigel Turner tel: 02 9779 0148/0422 513 803 e: email@example.com

subset: commoncrawl


text:
Pre-diabetes is an early mild form of Type 2 Diabetes, where the blood has higher levels of glucose than normal, but not yet high enough to be considered to be diabetes. Pre-diabetes has the proper medical name of
... More »
Misdiagnosis: Pre-Diabetes
Undiagnosed Pre-Diabetes: The main issues with misdiagnosis of Pre-diabetes is that it remains undiagnosed in many people. Early
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Related Disease and Condition Topics
Read about these diseases and medical conditions related to Pre-Diabetes:More Diseases »
Note: This site is for informational purposes only and is not medical advice. See your doctor or other qualified medical professional for all your medical needs.


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Casa ole red sauce recipes
Recipes / Casa ole red sauce recipes (1000+)
Casa Ole Green Sauce
3383 views
Casa Ole Green Sauce, ingredients: 1 c. Flour, 2 tsp Dry Mustard Pwdr, 1
Creamed Shrimp Italian Red Sauce
1094 views
Shrimp Italian Red Sauce, ingredients: 2 or possibly 3 c. red sauce (already prepared
Keftedes With Red Sauce
1436 views
1 lrg Egg, 1/2 tsp Dry oregano Red Sauce see * Note Extra-virgin extra virgin olive oil
Layered Polenta And Red Sauce
968 views
possibly Garlic-Basil Red Sauce Or possibly Roasted Red Sauce (see separate recipes), 3/4
Beer-Boiled Shrimp & Red Sauce
2387 views
tarragon leaves, water, , FOR RED SAUCE, 1 btl chili sauce, 1/4 tsp grated horseradish
Almond Red Sauce
1009 views
Almond Red Sauce, ingredients: 1/2 c. Slivered Almonds, Toasted, 1 x Clove
Basic Red Sauce
1500 views
Basic Red Sauce, ingredients: 1/4 lb grnd beef, (1/4 to 1
Chayote And Corn Stuffed Chilies With Red Sauce
1369 views
Chayote And Corn Stuffed Chilies With Red Sauce, ingredients: 10 lrg Fresh long green
Clams in Red sauce with Bacon
482 views
to follow recipes sometimes but whats brush. Clams in a Red Sauce with Bacon 3-5 sliced
Braised-Beef Soft Tacos with West Texas Red Sauce
683 views
a large saucepan or skillet. Add the red sauce (recipe follows) and stir well to combine
Groups / Casa ole red sauce recipes (0)
Condiments, Sauces, and Seasonings
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world. Share your recipes for hot dishes, pasta salads, sauces, condiments, or anything
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Sauces, Salads, Spreads and Dips, Sauces to cover , special category: Low sodium recipes
Tomato Harvest
42 members
as vegetable. Recipes using tomatoes : salads, salsa, sauces, pasta, pizza, casseroles
Themes / Casa ole red sauce recipes (0)
How To and Hints, Tips & Tricks, .....
not the place for recipes even if they have "How "How to Make Greek Garlic Sauce" would
July 4th Recipes - All American Food!
Food!, Spice up this 4th of July with recipes sure to keep family and friends coming back
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food and festivities. These French inspired recipes are sure to be a hit anytime
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Potential clients that ask us for an appraisal of their Tauranga property can visibly see from the outset that we want to engage and understand what their property has to offer, how it is configured and what special points about the property are going to appeal to buyers. The appraisal stage of the process is extremely important not only to get the value right but for us to demonstrate how keen we are and ability to deliver from day one. Potential clients will also see that we are friendly and will be able to relate to all buyers, one of which who will ultimately commit to the purchase.lets talk
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This guide explains how to engage individuals with dementia and their caregivers with art. The methods can be used with groups or one-on-one, and can be adapted for various settings, from art museums and galleries to care organizations and private homes. These foundations can help to create meaningful experiences in any environment.
Engagement with art can have significant benefits for people with dementia and their caregivers. This is true whether the experience involves looking at and discussing art or creating art. In both cases, art can be used as a vehicle for meaningful self-expression. Indeed, engagement with art, through close looking and discussion, offers a person with Alzheimer's disease the chance to:
In addition to the above benefits, caregivers also gain from art experiences by exploring their own interests in art while the person in their care is present, safe, and engaged. In some settings, such as museums and care organizations, they can interact socially with other caregivers, share stories, and learn in a supportive environment where they are relaxed both physically and mentally.
Furthermore, their relationship with the person in their care may be enhanced because art programs provide singular opportunities for communication and connection. Finally, participants learn about each other in a new context and gain new insights into each other's ideas and interests.
Definitions of art vary greatly among theorists, philosophers, art historians, artists, and art educators. Indeed, one of the aims of individual artists and one of the primary characteristics of modern and contemporary art movements is the constant redefining of what constitutes art. Getting a sense of what is meant by "art" is important, regardless of how open-ended we leave that definition, since our concept of art dictates what objects or images will be discussed and how participants will engage in these discussions.
Overall, in this book, our use of the terms art, the arts, or artworks refers to works generally included in the categories of visual arts—namely, sculpture, painting, drawing, prints, film, photography, architecture, design, and multimedia projects. All of these mediums are represented in MoMA's collection and whether on exhibit in the galleries or accessible online are freely labeled "art." They can all be used to spark engagement and discussion.
The most essential steps for preparing an art-looking experience are listed below and explained in detail on the following pages. A sample module for a museum program is included in this section.
Select a theme that is appropriate and relevant for individuals with cognitive impairment but that captures the interest and imagination of all participants. Your theme should be general enough to be accessible for everyone and appropriate for an adult audience.
Possible themes include:
You could also focus on a single artist (such as Pablo Picasso or Vincent van Gogh), an art movement (like Impressionism or Cubism), art from a geographical region (South America or Europe, for instance), or art from a certain time period (such as the Renaissance or the nineteenth century).
If you are working with individuals or a group that you know—or if you learned of their interests in Advance—try to choose a theme you think will pique their interest.
Once you have selected a theme, choose four to six relevant works. It is possible that you might not fit all the works within the allotted time, but it is better to be prepared with too many works than not enough. You may select the theme and the works simultaneously. You might have certain works in mind that you want to talk about, and you might select a theme that accommodates those works. You can create positive and purposeful experiences with almost any work of art. Choose works that you find interesting, that you are comfortable speaking about, and that you think will engage the audience. You can focus on just one medium (such as painting, sculpture, or photography) or present works in different mediums.
If you will be viewing original works in a museum or gallery, be aware of their scale and how they are installed. Very small works may be hard for a group to see, and works that are installed close to others may be difficult to focus on. Also keep in mind where the works are in relation to one another and the level of mobility of your group.
The sequence in which you view the works should offer a helpful way to connect them in the context of the theme you have chosen. It should be coherent in terms of the thematic connection between one work and the next and the location of works relative to one another (if using original works in gallery spaces). If the works are scattered throughout a museum or gallery, their various locations will influence the sequence. It may simply be chronological, from the oldest work to the newest or vice versa.
The order will also depend on the questions you plan to ask and the ways you will link the works to each other. As a rule of thumb, it is often better to begin with works that are simpler in composition and move to those that are more complex or to move from more figurative works to those that are more abstract. Alternatively, you can begin with works that fit your theme in a literal fashion and move toward those that relate more metaphorically or conceptually.
While selecting the works and determining the sequence, ask yourself:
Using online resources, exhibition catalogues, wall labels, and books, research the works and the artists that you will be discussing. Look into each artist's practice, the time period in which he or she lived and worked, and information regarding any movements or artist groups he or she was a member of. You can also include information about the subject matter, quotations from the artist, or quotations from contemporary critics about the work or the artist's general style. Of all this information, select a few main ideas that are relevant to the work and your theme and are conducive to conversation. Settle on a limited number of points for each work (three or four); this will help you avoid lecturing and encourage a wider range of participation.
Art-historical information should be used throughout the discussion to strengthen participants' understanding and appreciation of the work and help place the work in the context of developments in art and world history. When discussing a work, always share the information typically found on a museum label with your participants—the name of the artist, date of the work, and materials used. This can be done at the beginning, the end, or at a relevant moment during the discussion. You can give the title of a work as a way to encourage further discussion. You might say, "Picasso titled this work Girl before a Mirror," and then follow with, "Does knowing the title change the way you think about the work? How?" Provide additional information during the program as it becomes relevant based on participants' responses. For example, if you're looking at Broadway Boogie Woogie by Piet Mondrian, and someone says, "This looks like a map of Times Square," you could mention that when Mondrian painted this picture in 1942–43, he had recently moved to New York City.
Remember that this is a conversation and not a lecture. Your goal is not only to provide art-historical facts but also to encourage the participants to engage in a discussion and share their own opinions. Sharing art-historical information can validate participants' responses and spark new conversation.
Prepare three to five questions to frame the discussion of each work as it relates to your theme, knowing that when you are actually in front of the work you will inevitably ask many more questions based on participants' responses.
Below are some helpful tips to keep in mind throughout the discussion:
It is essential to use inquiry-based techniques to facilitate the experience. That is, do not lecture or continuously provide information but rather ask questions to allow participants to reach their own interpretations through a lively discussion. In order to understand what types of questions to prepare and ask, it is important to familiarize yourself with the different parts of a discussion: Observation, Description, Interpretation, Connection, Small-Group Conversation, and Summary. While the framework for discussing a work of art that follows is designed for a group, it can be easily adapted for a one-on-one conversation. For an example of how this method can be applied directly to a specific work of art see In Front of London Bridge.
Invite participants to approach the work and take a close look before they take their seats. Make sure each participant has an unrestricted view of the work. Tell the group that the first step is to look closely, and provide a timeframe for this observation.
Participants should have adequate time to look at the work and not feel like they are being rushed. Encourage them to take a "visual inventory" of the work of art quietly, focusing on it and noticing details for about one minute.
Next, begin to describe the work as a group to establish a fundamental understanding of what is being seen. It is useful to start by simply listing what everyone sees. Description rests upon the exploration of the formal properties of the work, as well as naming recognizable subject matter. Touch on:
This process allows a wide range of participation and will benefit future interpretation. If participants immediately interpret the work, ask them which visual clue led them to that idea. Once you feel that the group has thoroughly described the work, summarize all the elements mentioned and point out any important details that have been missed.
Now you are ready to interpret the work. Interpretation rests on assigning meaning to various elements of the work and thinking about its overall significance. Responses can vary widely. Encourage breadth and variety, and use ideas generated to expand the conversation. Ask questions that prompt participants to reflect on what is not clearly visible in the work but perhaps merely suggested. Touch on:
Follow your inquiries with deepening questions, such as, "Could you say a little bit more about that?" or, "What do you see that makes you say that?" Balance your questions by sharing art-historical information relevant to the responses you receive from the group to validate individual interpretations, make connections, and encourage further discussion.
Allow for a wide range of interpretive freedom. Repeat remarks and link ideas. Enable participants to come to their own conclusions, instilling in them a sense of pride, accomplishment, and a deeper understanding of the work.
Encourage members of the group to connect the works to their life experiences. This process will help the participants gain new insights and will make the works more relevant to them. Ask if the participants like the works, and feel free to share your own opinions, making it clear that your remarks are subjective. There are various ways of making connections to:
When working with a group, conversations in smaller groups provide a chance for individuals to share stories and connect on a more personal or imaginative level to the work. This activity also gives participants who are more reticent in the larger group a chance to engage on a more intimate level.
At some point during the program have each pair of participants (the person with dementia and his or her caregiver) join one or two other pairs (for a total of four or six people in each smaller group). It is best to do this toward the middle of the program. Make sure to go through the observation, description, and interpretation phases before initiating the Turn and Talk.
Tell the groups to discuss a particular idea or theme that relates to the work of art. Your prompt should be straightforward and appropriate to the participants' cognitive abilities. The discussions should last no longer than ten minutes. At the end of the period bring everyone back together and encourage participants to share their conversations with the whole group.
Toward the end of the discussion of each work (and at the end of the program), bring together the various threads of conversation, summarizing and synthesizing the points you have touched on. Thank the participants and open up the discussion to final comments.
We have included a list of questions for different parts of the discussion of Derain's London Bridge, the first work in our example program, The City in Modern Art.
Before we begin our discussion, why don't we take a minute to look closely at this painting?
What are some recognizable buildings or structures in this painting?
Where is this scene? Indoors or outdoors?
Are the artist's brushstrokes visible? If so, describe them.
What colors do you see in the water? What about the sky?
What is the overall feeling you get from this London scene?
Why do you think Derain chose to paint this bridge?
Do you think it held special meaning for him or that he saw it often?
Why do you think the water is painted green and yellow?
What time of day do you think this scene represents?
What title would you give this work? Why?
How does this scene relate to your experience of the city?
The most prominent aspect of this work is the bridge. When you think of bridges, is there one in particular that comes to mind? Why?
Is this a place you'd like to visit? Why or why not?
Can you think of other artists who painted city scenes? How do they compare?
Certain facilitation strategies can help create a supportive environment.
Throughout the program be sure to:
The communication strategies below address the specific needs of individuals with dementia.
If you are working with a group it can be difficult to balance the interests, abilities, and personalities of each of the participants. Below are a few tips that will help keep the entire group engaged and involved.
Inevitably, challenging situations will arise, whether you are working with a group or one-on-one. Consider what you might do if the following scenarios occur: a participant is very enthusiastic and starts monopolizing the discussion; a participant makes a comment that seems to have little to do with the artwork being discussed; several people in your group seem reluctant to speak no matter what strategy you use to draw them out; a caregiver and a person with dementia keep having side conversations; a participant repeats the same point during the entire program. There are many ways to handle these different scenarios, but in all cases you should take into consideration the following when responding to the situation:
After the tour, you might feel that you could have handled a situation better than you did on the spot. Do not be too hard on yourself. Learn from each experience and strategize how you will handle similar situations in the future.
Overall, your enthusiasm and sincerity will lead to positive experiences. Being well prepared and constantly aware of the dynamics at work one-on-one or in the group will go a long way in creating a positive atmosphere and a great interaction.
For an upcoming tour at MoMA, we selected the theme The City in Modern Art.
For our tour, we chose five paintings:
Because our tour focuses on a specific type of landscape (cityscape), we purposely selected works by artists who worked at different times and were from various geographical regions. The works present an interesting overview of several key styles and techniques while showing very different interpretations of the modern city. These points offer intriguing opportunities for discussion and allow participants to tap into their own lives and experiences.
We decided to use a chronological sequence for our selected works. Doing so allows us to organize our discussion through a logical progression in time. In addition, this arrangement progresses from a concrete, representational image to more abstract compositions. It also allows us to discuss developments in the history of modern art through various artists' depictions of similar subject matter.
Here is some information about each work that we plan to bring into the conversation at appropriate times.
Derain was a member of the French movement that came to be known as Fauvism. The Fauves, or "wild beasts," were known for their unbridled use of color. Their disregard for the natural coloring of objects shocked their contemporaries. In this painting, Derain applies wild color in his depiction of the heavily trafficked London Bridge, with multiple boats and barges in the River Thames below. Derain was encouraged to visit London in the early 1900s by the dealer Ambroise Vollard. While there he painted many different views of the city, focusing mainly on the various monuments and bridges along the Thames.
Street, Dresden, by Ernst Ludwig Kirchner
Kirchner was a member of the German Expressionist group Die Brücke (The Bridge). The artists of Die Brücke explored the emotional effects of color and composition in the depiction of contemporary life. Through the use of bright, unrealistic colors, Kirchner energized this scene of Königstrasse street in Dresden.
Boccioni was a key figure of the Italian Futurist movement. This group of motivated writers, musicians, and visual artists sought to abandon the air of nostalgia that they felt was restricting Italian society. They encouraged their compatriots to embrace the infinite potential of the future powered by technological advancements and humans' will for change. Boccioni uses "lines of force" to communicate this idea of progression in his dynamic composition of a city being built.
Lawrence's family was one of the thousands of African American families to migrate to the North around the time of World War I. They eventually settled in New York City's Harlem neighborhood, where Lawrence began taking art classes. In 1940 he began The Migration Series, a multipanel series of images that narrates this great migration in American history. Each panel was worked simultaneously, resulting in a uniformity of palette and similarity in overall composition among the sixty panels.
Through the course of his career Mondrian abandoned representation to focus on the depiction of "pure" forms. For Mondrian this meant the exclusive use of primary colors and geometric shapes. In 1940 he moved from London to New York City. There he joined a vibrant society, constantly in flux. He was influenced not only by the rhythm of city life but also by the syncopated beat of jazz music.
At Kirchner's painting we invite participants to imagine a busy street in New York City and think of how they would depict it. What medium would they use? What colors and techniques? How would those choices relate to the overall feel of that busy street?
At Jacob Lawrence's work, we discuss societal transformations in the United States in past decades, including shifts in public policy and initiatives in social reform.
The first activity is more imaginative, while the second relates to participants' personal histories. We do not necessarily do two activities in one tour, as they may take a long time. We've included these examples to demonstrate the variety of opportunities for integrating a small-group conversation. In addition, it always helps to have several activities prepared and to introduce the relevant ones based on the overall dynamics of the participants and the tour itself.
If you are interested in reproducing images from The Museum of Modern Art web site, please visit the Licensing page (www.moma.org/licensing). For additional information about using content from MoMA.org, please visit About this Site (www.moma.org/site).
© Copyright 2009 The Museum of Modern Art


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The tornado damaged several houses but completely flattened the house belonging to the Lee family. They were at work when the tornado hit but their dog Kiran was home alone.
Firefighters searched for the dog but could not find him so the Lees came back the next morning to looki for themselves.
They heard a whimpering when searching what was left of the bedroom and found the dog trapped behind a collapsed bedroom wall.
The fire department returned and set a very excited dog free to see his family again.


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As of tomorrow I will have been home for three weeks. It's been exhausting and action packed! I've been brunching and dinnering and partying and working and generally trying to keep myself busy.
Today I had my first paid article in ages "published" on a web site! My friend Jamye got me the gig. It's supposed to become a recurring column and I'm hoping I didn't screw it up by completely freaking out when I saw the image they'd run with the piece. The title is "Aging Gracelessly" and this is what they chose:
Uh, yeah. No. Nothing about my first person musings relate to this particular scenario. Nor am I interested in making fun of old women. I mean, I can make fun of myself. (You'd better not, but I can!) I'm not trying to be cruel to my, ummm, peers. They changed it, thank goodness. Go read it and see!
Anyway, back to my insanity. I celebrated Halloween a full seven times: The Haunted Halloween Bus in New Jersey, working the door at Honk, an oddball costume party at Coworkrs work share space (with DJ Spooky and a bunch of Orthodox Jews), the Nobot Heart party (in protest of the overpriced Robot Heart rave), working the door at Rubulad, Burning Man Happy Hour (where Pinky and I shared second place in the costume contest before we lost our prize at Dorian Gray) and Halloween itself, which featured a mad dash through the parade to catch up with the Kostume Kult float, followed by a stressful taxi ride to the Gene Frankel Theatre to emcee Ghostlight 2: The Haunted East Village, and finally, after taking down the decor at the theatre, catching the final few hours of KK's big bash. By the time I went to bed Friday morning I was done! And didn't even leave the house all day Friday. Check out Pinky and me in our gray scale ensembles!
It only took us a year to finally realize these costumes!
I've been making the tiniest bit of progress in cleaning out my storage space in an effort to return it to a functional costume closet. I brought up three boxes of…stuff…and unpacking them has been pretty damn depressing. Framed photos of my former life (my dad, standing, my husband, my cousin and her husband, my sister and her husband, all three of which are no longer husbands), more and more of the art nouveau boxes I collect — more and more all kinds of boxes, actually — which I've been cramming into my display case. I have plans to paint my walls. I want to hang the photos that don't make me sad and all of the art that's currently sitting on the floor. Moving back into my apartment has been a four-year-long process. I wish it could all just be finished already!
Oh, and I had another date tonight. It wasn't…horrible. He was very aggressive about "booking" the date, even though I told him I was "skeptical." Well, dinner was nice. He bought. But he's a banker. A Republican. And 60. And he wore baggy khakis. Ack. When he said he'd like to see me again I told him it would be like taking money (or eating another dinner) under false pretenses. I did my best to talk him out of it, asking when he last stayed up all night on drugs or umm, partied at all. He told me that he was at Woodstock, which I'm guessing was to assure me he was, indeed, "cool." I said I wasn't talking about things he was interested in doing 30-plus years ago but, like, last weekend. He would not be dissuaded. In fact he practically insisted. Quite the salesman. However, I think I may have to tell him no. Is that awful of me? I mean, let's be serious. A 60-yeard-old Republican banker? I just can't. Not even for a free meal.
Okay, I gotta get some sleep.


text:
Immortal - Book 2: Chapter 17
To the Defence of Home
Book 2: Golden Lock of the Eight Gates
Chapter 17: To the Defence of Home
"Da shixiong, why are you back so quickly?"
Zhong Shan heard Tianling-er as he walked out of the lobby.
Outside the lobby, stood Tiansha in front of Tianling-er. Behind him were eight others, including Yunqian.
Tiansha gazed at Beiqingsi as she came out with Zhong Shan.
"Hao San has died so we came back here." One of the disciple said.
"Hao San is dead?" Beiqingsi asked as she walked out.
"He's dead. His time is up. He died between 9 and 11 pm at the foot of a hill." Tiansha spoke with eyes focused on Beiqingsi.
Beiqingsi slightly frowned upon seeing the expression on Tiansha's face.
"What happened to Hao San's body? Didn't my dad say that anyone who brought back his body to the School will receive a level four pellet?" Tianling-er asked immediately.
"Level four pellet? Hao San's body is worth much more than that. At the time, there were more than five people who were already at the Nascent Soul Stage there." Someone behind Tiansha said.
"Nascent Soul Stage?" Tianling-er widened her eyes. There were even people at the Nascent Soul Stage chasing after one who was only at the Xiantian Stage?
At the present, only Zhong Shan knew just how valuable Hao San was; he had learned from the newly acquired <Establishing A Heavenly Imperial Court>.
"Qingsi, the Grandmaster let me accompany you to go to the Eight Gates Mountain. Let's go now." Tiansha abruptly spoke.
"It's not necessary. I can go by myself, the Eight Gates Mountain isn't too dangerous." Beiqingsi spoke after a moment of thought.
Tiansha frowned but continued to insist, "The Grandmaster must have his reason for me to go with you. Besides, we will pass through the Eight Gates Mountain on our way. It's better that we can take care of each other on the road."
Beiqingsi thought again and turned to look at Zhong Shan. She was a little reluctant but eventually nodded.
Tiansha clearly saw the change in Beiqingsi's expression, why did she turn to look at that man? Tiansha dubiously looked at Zhong Shan, the new disciple of the Kaiyang School. Why did Beiqingsi look at him? There was a flash of coldness in his eyes but he hid it very well. He instantly turned to nod at Beiqingsi.
However, Zhong Shan had clearly noticed the change in his eyes. He didn't show any emotion on his face yet he made a note of it in his mind.
"Da shixiong." Tianling-er looked at Tiansha, wanting to say something.
At that moment, Tianling-er didn't know what had come over her. If it was in the old days, she would definitely ask to go with them. She would have mentioned it right away since Zhong Shan was not against it. But, she hesitated. She glanced at Zhong Shan and stopped herself from asking. She didn't even know whether she was hoping Zhong Shan would prevent or encourage her to go.
"Ling-er, you want to go with us?" Yunqian asked with a smile.
Both Tianling-er and Tiansha frowned.
Tiansha didn't want her to go. He didn't want Beiqingsi to see the admiration that Tianling-er commonly displayed. As for Tianling-er, she looked at Zhong Shan again with a frown, then she nodded positively.
Zhong Shan didn't stop her. He remained calm, but suddenly, his pupils shrunk for a brief moment.
"Ling-er, you stay here and help me with something." Zhong Shan suddenly asked.
"Uh?" Tianling-er suspiciously looked at Zhong Shan.
Everyone else also looked at Zhong Shan. Was he going to use osmanthus cake again to entice her to stay?
Tiansha, for the first time, thought positively of Zhong Shan after hearing his suggestion and further urged, "Yeah, Ling-er, it's better you stay here to help out Zhong Shan."
Beiqingsi also looked at Zhong Shan with doubt.
"Is it very important?" Tianling-er asked.
"En, I can't handle it without your help." Zhong Shan nodded and said in a low voice.
Looking at Zhong Shan, Tianling-er nodded, "Alright."
Before she met Zhong Shan, she would never miss such a great opportunity to be near Tiansha even if it meant being scolded by her father. Yet now, she was willing to stay as if she wasn't interested in Tiansha at all. As both Zhong Shan and Tiansha had asked her to stay, she agreed.
On the other hand, Tiansha became suspicious after seeing Tianling-er agree to stay so willingly. He frowned, feeling as if he had somehow lost something. He looked at Zhong Shan, but couldn't figure it out.
Tiansha was puzzled, but he looked at Beiqingsi and spoke, "Then, let's go now."
"En." Beiqingsi nodded, then bid goodbye to Tianling-er and Zhong Shan and flew away with the others.
Tianling-er felt a little sad as she watched Tiansha fly away, but it didn't bother her too much. She turned her head to look at Zhong Shan.
"Zhong Shan, what's the matter?" Tianling-er asked naturally.
Zhong Shan was a bit confused seeing the calmness of Tianling-er right now compared to the screaming and yelling last time.
"There are several very high levelled people heading to my old home to look for trouble. I may not be able to defeat them. You take care it for me when the time comes." Zhong Shan said.
"No problem. If they are looking for trouble with you, it's the same as looking for trouble with me. I will take care them." Tianling-er spoke with confidence.
Zhong Shan smiled. "Good. Then let's go now."
While Zhong Shan was facing Tiansha and his group, something happened inside the Zhong residence back at Xuan City in Da Kun Kingdom.
As the shadow double Zhong Shan was practicing inside his room, a white dove suddenly flew into the yard.
He frowned slightly when he heard the sound of the dove. He opened the door and walked over to the dovecote, taking a piece of paper from the dove's leg.
"The elders of the Zhao family, Qian family and Sun family have all arrived at Xuan City."
He could tell that something bad was going to happen from just that short line. Since Xuan City, though close to the capital, was basically within Zhong Shan's sphere of influence. The royal family and the other four great families didn't have a strong presence in the city. What were they up to if the three elders arrived there at the same time? There was a great possibility that they were scheming against the Zhong family.
Looking at the sky outside the yard, the shadow double squinted and lightly sneered.
This was the reason that Zhong Shan suddenly asked Tianling-er to stay.
In the evening, three days later, Zhong Shan, with machete on his back, arrived at the gate of the Zhong residence.
All the servants were stunned to see Zhong Shan, then remembered their manners. Everyone bowed to Zhong Shan as he walked into the residence.
Tianling-er followed Zhong Shan, curious at the many servants all bowing to Zhong Shan.
Soon, Tianling-er saw a five stories high pavilion not too far away.
"Zhong Shan, there's a tall building over there? Let me go see." Tianling-er called out.
"En." Zhong Shan nodded and accompanied her towards the pavilion.
The servants were shocked to hear a girl call their master's name, but no one dared to say anything.
Zhong Shan waved his hand to send all the servants away when they reached the pavilion.
Tianling-er swiftly climbed up as Zhong Shan walked to a corner. A black shadow at the corner merged into Zhong Shan's body in a flash. The two Zhong Shans had become one.
Zhong Shan called out to the housekeeper not too far away, "Get the Tianxiang Courtyard ready. A special guest will be staying there."
"Yes, sir." A housekeeper, in the distance, nodded and answered.
Then, Zhong Shan went up to meet Tianling-er, who had already reached the top level and could see the busy streets of the entirety of Xuan City. Tianling-er was quite happy with it.
She immediately spoke to Zhong Shan when he came up, "Zhong Shan, where are your enemies? I'll go take care them."
Zhong Shan shook his head and smiled, "They will be here in a few days. Then it's not as simple as taking care them, it will be a life-and-death battle."
"Oh." Tianling-er nodded and seemed to realize the seriousness of the matter.
At dinner, Tianling-er once again tasted gourmet food. Compared to the Kaiyang School, the food here was much more delectable. If would be so much better if the Kaiyang School was located here.
Zhong Shan went back to a small courtyard after sending Tianling-er back to her quarter. He quickly reviewed the newest information that had just arrived.
Three strong men, though their exact strength was unknown, had all entered immortal schools 52 years ago and were at advanced stages.
There was a series of knocks on the door.
Zhong Shan frowned, looked at the gate at the other side of the yard, and asked, "Who is it?"
"Master, there's a visitor with the gold token." The voice of the housekeeper came from outside the gate.
Gold token? Zhong Shan had issued gold, silver, and bronze tokens to different people. Gold token? That would be the highest type, who was this?
Zhong Shan put down the information in his hand, walked across the yard, and opened the gate. Outside, there was a black robed man, wearing a large bamboo hat, standing behind the housekeeper.
"You can leave." Zhong Shan said to the housekeeper.
"Yes, sir." The housekeeper answered and quickly left.
"Anhuang, come in." Zhong Shan told the black robed man.
"Yes, master." The man responded immediately.
Zhong Shan shook his head, Anhuan was still calling him master, but didn't say anything about it.
When they were inside the yard, the man then took off his big hat.
"It's hard to imagine that there would be a day that you would come through the door." Zhong Shan closed the door and laughed.
"The master's house has so many traps, I can only come through the door." Anhuang obediently replied.
Zhong Shan gave up on lightening the mood and led him into the room.
"Master, I have received news lately that the Zhao, Qian and Sun families are trying to hurt you." Anhuang said in a low voice.
"It's true. If I haven't reached the Xiantian Stage, they would've just let me die of old age. But now that I've reached Xiantian, with a lifespan of two hundred years, the great families will certainly feel scared." Zhong Shan spoke with a frown.
"Master is too strong, so the three families are anxious to move in." Anhuang said.
"Three families? It's more than that. This time, it will be more than three families. The Li family and the royal Su family will definitely send people over as well." Zhong Shan said wisely.
"Master, should we stay away from them for the time being?" Anhuang asked.
"Stay away for the time being? We will see then. I spent a lot of effort to build the Zhong residence here, I won't give it up unless it's absolutely necessary." Zhong Shan deepened his voice.
"En." Anhuang nodded.
"Since you're here, rest here for some time. That Tianling-er at the Tianxiang Courtyard, stay away from her." Zhong Shan instructed.
"Yes." Anhuang nodded.
"Master, do we need to mobilize the An Ye Tang?" Anhuang asked again.
"It's time for An Ye Tang to show its power now. In a few days, I'll come up with a list of names for you. Wait for my order. I'm still missing something right now." There was frost glittering in his eyes.
"Yes, sir." Anhuang nodded.


text: The really effective answer in removing smoke, soot and tar stains caused by wood, coal and gas fires from brick, stone, concrete, marble and other hard surfaces. It does not normally remove discolouration caused by weathering or natural impurities. Do not use on any decorated or painted slate or stone. Fireplace Cleaner eliminates the need for harsh damaging acids. Brisk brushing creates a foam which cleans smoke stains right down to the pores, without damage. We recommend Brick & Stone sealer once the fireplace has been cleaned to protect from future staining.


text:
The Mahindra TUV300 compact SUV is lined up for a launch on the 10th of September, 2015. A new rash of spyshots, showing the vehicle completely uncamouflaged has arrived onto the interweb. The spyshots were captured in Bikaner, indicating that the compact SUV could be on a photo shoot, which invariably takes place ahead of the official launch. The TUV300, as seen through the spyshots, retains a butch stance with boxy lines all around.
Despite its sub-4 meter length, the SUV retains an imposing heft. Tall and brawny, the TUV300 could be the bruiser, or even the bad boy among the compact SUV pack. Mahindra has already been harping on the big street presence of the vehicle, attributing the design philosophy behind the TUV300 to a battle tank no less. The vehicle will pack in a new engine, dubbed the mHawk 80. Twin airbags and ABS+EBD will be offered on the top end variant.
80 here, is likely to stand for 80 KW, or about 107 Bhp, the power output of this new turbo diesel engine. Word on the street suggests that this motor could be a reworked version of the Quanto's 1.5 liter, twin turbo diesel engine. A five speed manual gearbox will be standard fare, while an AMT option is likely to be served up in due course of time. The vehicle will be rear wheel driven, with a 4 wheel drive option eschewed at the moment.
Ostensibly, Mahindra wants to keep the four wheel drive layout away from the TUV300, at least initially, as such a variant could eat into the sales of the Mahindra Thar. However, the platform on which the TUV300 is based is four wheel drive ready. The body on ladder SUV will seat seven, in a 2+3+2 layout, and the last two seats will be fold-able, front facing units situated at the rear. This area will also double up as the boot.
[Images courtesy Team-BHP]


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Working from my design studio or joining your team for workshops, training or a live event, I can help you present everything from abstract concepts to stories and processes in a meaningful, visual way.
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Use visual thinking to tackle problems, challenge ideas, and demonstrate concepts to collaborators, stakeholders and customers.
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Capture and present information and stories in a simple, clear way, and offer your audience an engaging and memorable experience that ignites conversation.
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Demystify research, share a story or vision, and inject life into serious subjects with digital and hand-drawn illustrations that cater to your audience.
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Are you an innovation or service design company? I work with a number of agencies to provide the visual support they need, including:
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While every business challenge and project is unique, my process is consistent to make sure that you create real impact through your work.
We'll kick things off with a conversation to help me understand what you want to achieve and why, and define the outcomes of your project. While I enjoy being involved from the start of the creative process, I can come aboard at any stage to contribute ideas and provide fresh direction.
Once the project is completed, you'll receive your licensed images, illustrations or material to use as agreed.
Sounds good? Get in touch and we can have a chat about your project or event idea.
Book me for:
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Book now
Plantage Middenlaan 48 1018 DH Amsterdam Netherlands
Area: Artis Zoo
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Book online or call +39 041 8624040
view info & map
Property Location
With a stay at The Lancaster Hotel Amsterdam, you'll be centrally located in Amsterdam, steps from Hollandsche Schouwburg and within a 5-minute walk of Dutch Resistance Museum. This eco-friendly hotel is 0.3 mi (0.5 km) from Hortus Botanicus and 0.3 mi (0.6 km) from Artis.
Stay in one of 122 guestrooms featuring LCD televisions. Complimentary wireless Internet access keeps you connected, and cable programming is available for your entertainment. Private bathrooms with showers feature complimentary toiletries and hair dryers. Conveniences include phones, as well as safes and desks.
Make use of convenient amenities such as complimentary wireless Internet access, gift shops/newsstands, and tour/ticket assistance.
Satisfy your appetite at The Birdhouse, a restaurant which features a bar and a garden view. Buffet breakfasts are available daily from 7 AM to 11 AM for a fee.
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Featured amenities include dry cleaning/laundry services, a 24-hour front desk, and multilingual staff. Self parking (subject to charges) is available onsite.


text:
…and now I can see how amazing this day was.
I thought it was a bad day. In some respects, it was. My temper was short. My mind was occupied, attention elsewhere. I didn't get a shower or do much of any self-care today. I was primarily concerned with my goals, most of which I didn't even accomplish.
However, two things became glaringly obvious to me, after all was said & done.
One, that my T-bug (4.5) is brave.
We don't watch much Disney here (personal preference), but one of the three Disney movies she's seen is Brave. She loves Brave. She likes to tell me that she is brave.
I didn't used to believe her, tho I smiled & nodded & agreed because I actually really want her to be brave (which I am not).
Then today, she was hitting the baseball I kept tossing to her in the backyard. We don't do it often enough, but she loves it. She has a padded tee-ball bat & a real baseball from our local pro ball team. It's hard.
She made contact (which she actually does frequently, because she's just seemed to have taken to baseball), but instead of sailing out to the yard as usual, the ball popped up & hit her in the nose.
I watched it happen. She was stunned, telling me she was ok even as the tears suddenly poured over her shocked face.
A few hugs later, she was still sniffling as I turned to tend NBG (2) for a minute. Then T-bug blindsided me by saying that she was ready to hit the ball again. That she needed to do it because she is brave.
And, Folks, she is. She hit that ball several more times because she loves to hit, & she will not let fear of pain stop her from doing it.
That rush of awed respect I experienced was worth every less-than-perfect moment today.
(On a sidenote, she's really figuring out proper batting position.)
Two, as if all that's not enough & I'm not already blessed beyond reason, I realized that NBG has suddenly had a huge jump in vocabulary & communication. I'm talking, Huge.
Suddenly, the past couple of days filled with horrifying meltdowns of toddler proportions is making a lot more sense. It's finally understandable, what we've been going through. She's in the middle of an epic developmental leap, & oh my gosh, she's an audible learner (just realized that today, too).
She's exhausted, maybe overloaded, but she doesn't want to stop taking in the info so as to sleep instead. Ugh. Poor baby.
It was tonight, as I was trying not to lose my cool during the second attempt at bedtime, that I realized I could understand nearly everything she was saying. It was coherent, concise, & intelligent.
Once it hit me, I realized I needed to get her talking. I try to ask questions whenever I don't understand their words or behavior or when I catch myself getting upset. Tonight, she was all in; more words, less whine; better sentence structure, less garble.
She is finally breaking the barrier between toddler & preschooler. She's growing up. She's amazing. Less and less like that little baby to whom I've been so accustomed.
Tonight still required a third bedtime attempt, at least for NBG, but neither of us was miserable while we figured out what was going to help her get some zzzz's.
Because I can honestly say…
Today was a good day. An amazing day. One I won't forget.
I got to tell my eldest that yes, she really is so brave, & I'm so beyond proud of her. I got to experience true respect for her as a person, not as a child from an adult perspective. She has character, & I believe it's a good one.
I also got to marvel at the mind that is peeking out of my youngest child while connecting deeply with her instead of sacrificing a little more of our relationship to selfish frustration or stress. She is almost done being a baby, & I'm going to miss this time more than I can say. I needed the reminder to pay attention. (Besides, she may be smarter than me. Attention is probably a good idea.)
No, I wasn't impressive today at all.
My girls, however, were amazing.


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Bookworms and brainy bisexuals everywhere were saddened yesterday when it was announced writer Gore Vidal had passed away at age 86.
His third novel, The City and the Pillar, was published in 1948 and outraged conservatives due to its depiction of a same-sex relationship.
Vidal eventually branched out to screenwriting, penning Suddenly Last Summer and Is Paris Burning?
His uncredited work on the script for Ben Hur would later generate controversy when Vidal analyzed the homoerotic subtext of his writing in the documentary The Celluloid Closet.
Another Vidal project that will live on in infamy is the semi-pornographic 1979 film Caligula. Co-financed by Penthouse founder Bob Guccione, Caligula detailed the fall of the Roman emperor and featured A-list actors along with unsimulated sex. After the film was rewritten numerous times and more sex scenes were added, Vidal and director Tinto Brass publicly disowned the final product.
In 2005, Vidal was approached by artist Francesco Vezzoli to take part in a faux trailer for a non-existent remake of Caligula. Vidal agreed and delivers the introduction to the fake film. The trailer stars Courtney Love as Caligula, Milla Jovovich, Benicio Del Toro and the star of the original, Helen Mirren. Trailer for a Remake of Gore Vidal's Caligula is engagingly absurd, but it was a hit and had a screening at New York City's Whitney Museum in 2006. The trailer serves as a teaser for what could have been had Vidal's original script been produced unedited.
For more on this trailblazer, Read Matthew Hays' obituary and his 2011 interview with Vidal.


text: I had a great time with the accountants and auditors of the Como Discussion Group on the evening of Thursday, 15 October, 2015. The venue at the Royal Perth Golf Club was just beautiful. I was so impressed the groups' level of SMSF knowledge and their engagement in the presentation was fantastic. I even had Troy come up to talk about the relevant Court cases to show where estate planning had gone badly wrong. Many thanks to Lesley McKay for organising the evening and to the Como Discussion Group for being so welcoming.


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And it requires, in many cases, historical shooting in the sense that you have to
follow a story for quite some time before you get enough material to use for the particular
broadcast. Situation comedy you could plan in advance and set up your props and your actors
and run through it very quickly. There's still plenty of trouble, don't misunderstand me --
anything you do in the way of a television broadcast requires a lot of advance planning and
it's costly. The least expensive thing to do, I suppose, is a talk show where you put people in
front of a camera and talk. This kind of programming is referred to in a pejorative sense as
"talking heads." Producers try to avoid them. I think they are overly sensitive to it. If you
have something interesting to say, I have no trouble watching a person and listening to what
he's saying. I don't have to have it illustrated. In fact, I can pretty well illustrate with
experimental tests that showing something related to what the person's talking about can
distract and interfere with the passage of information that's being reported by the spoken
That's very interesting. Do you have a specific thing you're thinking of, or a specific case
you could tell me about?
Well, you have a lot of examples on the evening news. If they're talking about
taking care of the Kurds, you'll see the suffering going on in the picture, and to the extent
that those are dramatic pictures, they simply blur the movement of information that's being
talked. And now there are some -- obviously -- some occasions when, if you're talking about a
disaster and describing the extent of the disaster, it reinforces the story to have pictures
doing that. But I think pictures are used to the extreme in evening news. I think that a
thoughtful newsman or newswoman on camera can convey the story better than intercutting
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text:
Diabetes affects your body by preventing it from producing the necessary amount of insulin. As a result, your blood sugar level may spike or plummet dangerously. This may seem like something that is not very hard to manage, but it is in fact quite difficult. If you struggle with managing your diabetes, consider how the below advice may help you manage your own case of diabetes.
Walnuts add a touch of nutrition to your salad. Consuming walnuts can help with diabetes management because they have monounsaturated fats, which can decrease insulin resistance in cells. In addition, they contain antioxidants, minerals, omega-3s and vitamins. They also boost your energy and taste delicious!
You have to carefully choose the food you eat if you suffer from diabetes. Blood glucose levels are affected differently by various foods, so it is necessary to keep close tabs on your food choices. Large meals may call for large insulin doses, and a snack requires less. If you are careful about what foods you do and do not eat, you will be able to better manage your glucose.
Smoking is especially hazardous to your health if you are diabetic. Smoking is unhealthy for you as it is, but when combined with diabetes it can lead to dangerous spikes in your blood sugar level. If you need help to quit, ask your doctor for suggestions.
Remind yourself consistently why you manage your diabetes. Think about the things in your life that you enjoy doing, what are the things that keep your from doing it and what should you do to help with that. This can help you keep yourself focused on the positives in your life and motivated in the management of your diabetes.
Hypoglycemic individuals ought to speak with a physician about whether they should take glucose pills. These tablets are very portable and provide an instant method for increasing your glucose level.
Instead of depriving yourself of your favorite foods, look for ways to make them healthier. Diets that are too restrictive can lead to great difficulty and failure. Many people believe they must completely get rid of many of their favorite foods. Others will continue to eat their favorite, unhealthy foods. The intelligent solution is to make reasonable substitutions to your favorite dishes. Lots of foods are converted into diabetic-proof favorites with small ingredient alternatives.
Although you may have little appetite and feel ill, as a diabetic you must continue to help your body by consuming healthy foods, and by tracking your blood glucose levels. You can feel dehydrated during long cycles of low glucose, so be sure to drink fluids at this time.
A common misconception regarding diabetes is that the diabetic is not allowed any sugar. While sugar should be strictly moderated, you don't have to ban it from your diet altogether. You can still enjoy some of your favorite sweet treats, just in moderation. Sweets are usually packed with carbohydrates, so be sure to stay away from other carb-heavy foods on days that you know you'll be eating dessert foods.
Do not allow living with diabetes to become a complicated thing. Focus on the tips you've read in this article, in order to make living with diabetes a simple day-to-day routine that you can easily incorporate into your life. If you can follow these tips, you're on your way to wellness.


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Six of the most common reasons you just can't break free from those blemishes.
1. Believing beauty rumours
It's tempting to click on every single home-remedy 'miracle' cure that social media tries to throw at you, but changing your skincare routine every three days to try the latest hyped product can leave your skin confused. It's as ineffective as yo-yo dieting; your body needs time to adjust and settle into a new routine. Plus, most of those beauty myths are just that anyway.
2. Ask a friend
While it's good to seek support from your friends, remember that everyone's skin is unique. Just because one friend found a solution, doesn't mean it'll work for you. We're all different, so go and see your GP or a professional dermatologist, not your BFF.
3. Picking at spots
We know it's so hard to resist, but picking and scratching at blemishes can make them much, much worse. Not only do you risk spreading bacteria - worsening the blemish and causing more of them - but the damage to your skin could leave permanent scars.
4. Not cleansing properly
Cleansing needs to be taken seriously. If you suffer from acne, a regular face wash just won't cut it. A gel, cream-based or micellar wash tailored to your skin type should be applied twice a day.
5. Not knowing your skin type
Speaking of skin type...do you know yours? Many people make the mistake of thinking that all acne-prone skin is oily, but this isn't the case. Using the wrong products for your skin type could be exacerbating the acne.
6. Impatience
While a lone blemish can be treated overnight, a more serious situation will take more time. Think of your skin like your body: when it's sick, it needs time to recover while being treated. Stay patient, keep at it and you'll reap the rewards.


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Dear Readers,
This is AYIBA's fourth issue and closes out our first year of publication!
This issue is a collection of stories that celebrate the richness, uniqueness, dynamism and complexity of African culture and heritage. We have Proudly African pieces, which showcase Mosotho and Cape Verdean culture, features from Yagazie Emezi, blogger extraodinaire and Ikenna Azuike, host of the satirical news program, What's Up Africa.
We also have fun pieces that can be useful this holiday season. Learn how to dress in style for the holidays with tips from personal shopper, Tarila and try out the drink recipe for Zobo with your family. There is so much variety in this issue from book reviews on Open City and Ghana Must Go to short stories and photography.
The Pride Issue is full of exciting, inspiring and fun reads. Enjoy reading it and share your favourite pieces with friends!
The AYIBA Magazine team wishes you a Merry Christmas and a Happy New Year!
Eyitemi Popo,


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The great thing about these club "battles", as we used to call them, is that you get to see the latest work that your friends down the road are doing. With many established and talented workers Nantwich CC have always come up with some great work and tonight was no exception. Now that we have simultaneous projection for the prints and we were hosting the event I got to see everything beforehand and it was clearly going to be a closely contested but interesting evening.
What made it more so was some sure-fire judging by Adrian Lines MPAGB FBPE EFIAP ARPS. He was delayed by the Easter traffic but still there was no doubt that he would get through our 60 offerings with time to spare. His expert knowledge of the things to watch in taking and in processing your images, if you want them to win club competitions, was greatly appreciated by the members.
Nantwich led at half-time after the prints had been judged but Crewe pulled ahead on the PDIs finishing 8 points up on Nantwich. That is close, as might be expected with two clubs so closely matched.
We look forward to meeting Nantwich again at the Five Towns Competition in September and, of course, in a year's time for a return match of tonight's competition.


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FREE: Amazon Associate / Affiliate Marketing Tutorials
Learn about the free Course here
Five Great Tips to Earning Income With Amazon
Amazon offers an endless array of products for consumers to buy. When you are a member of the Amazon Associate Program, you have the opportunity to earn income, and if you use these 5 tips, you'll be able to earn income, so let's have a look.
1 Choosing a Niche is Key
The very first thing you have to do is decide what your niche will be. This is by far the most important decision you will make. Once you decide on a niche, you can begin to move forward with your passive income generating strategy.
That is because it is a lot easier to make money through Amazon affiliate program when the people that reach your website or blog are looking for a specific product that your website talks about and then of course also offers the product. When you offer a wide selection of products, it is difficult because you do not rank as well in the search engines and you don't have the same targeted traffic arriving at your site.
2 Use Your Content to include Links to Products
About 50% of income made on Amazon is made through text links placed within the content on the page. Simple text links have proven to be the most effective way to get visitors to click. Web surfers trust the content on web pages more than any other area of a site, and so they are much more likely to click these links than they are to click graphic links.
3 Product Images Should be Clickable Links
Product images that click through to the affiliate make up about 15% of total Amazon income, and this is relatively easy to do using HTML code.
4 Create Several Links to Amazon.com
The more links you create to Amazon.com the better. Every link inside your article or content is another opportunity to bring a potential customer to the product and that's an opportunity for you to make a commission.
5 Highest Conversion on Product Reviews
If you do a high quality product review of the products in your niche you will get a much higher click thru rate and this means you can increase sales and therefore the amount of commission you earn.
Learn more about the free course: here
Five great tips to start to generate earnings as an Amazon Associate
Amazon Associate (Affiliate) Program can generate significant revenue. But it's not always as easy as posting a link and earning money. Here are 5 of the best kept secrets to increase your Amazon Affiliate earnings.
1 Traffic is Important
Of course, there is more than just the traffic factor, but it is an important one. After all, if you don't have the traffic levels you are not going to make money. Amazon pays between 4% and 8.5% with the average payout being 6%, so you can see that having adequate traffic is important. Consider how you are going to bring this targeted traffic to your site and get them to click through on your Amazon link.
2 Diversify
It is a good idea not to put all your affiliate efforts into one product. After all, Amazon offers you an endless array of products to choose from. Instead, consider what group of products could be used with your current niche and promote a diversity of products. However, don't spam your blog posts with too many links.
3 Always be Transparent
Never try to trick your readers into clicking links just because there is the potential for you to be paid a commission. Obviously, you can't label all your affiliate links as such, but you should make some attempt to be transparent. For example, at the end of the blog you could post a disclaimer that your links are associated with the Amazon Affiliate Program (or any other affiliate for that matter). It is all about honesty and your readers want to know that you are being honest and transparent. How that looks on your blog is up to you, but remember just how important it is.
4 Combine Revenue Streams
Don't be afraid to combine different affiliate programs that will work in your niche. Of course, focusing on your Amazon Affiliate is important but that does not mean you can't include other affiliates products that fit nicely. What you do need to do is read the rules of each of your affiliate products. Some do not allow combining so know what the rules are.
5 Always Track Your Results
Amazon Affiliate Program offers tracking through their statistics software. This is a very important tool to help you know what is selling and what is not. There are other tracking programs. Google Analytics is a popular choice and it's free. Using this type of software will help you be more successful as you will stop wasting your time on what doesn't work.
Would you like to learn more about Affiliate Marketing opportunities allowing you to work from home and generate an income? You can access a free training on how to become an Amazon Associate (Affiliate) here.


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Satya Bliss Natural Stick Incense 15 grams
Superior Agarbatti Masala Incense
Satya Bliss Stick Incense is part of the Satya Yoga Series. Bliss is an amazing mixture of floral, fruit and spice - all powdery soft.
Made by Shrinivas Sugandhalaya, Satya Bliss is a Masala Incense. Masala incense is made in a method which uses natural resins and a complex combination of oils and herbs that are combined together to form a dough-like mixture. This mixture is then rolled on to bamboo sticks. The result is a far superior incense as compared to other sticks which are just dipped in perfume oils. Each box is 15 grams, or approximately 12 sticks, and comes in an eco friendly pack.
Any information on this web site is provided for informational purposes only and is not intended as a substitute for the advice provided by your physician or other healthcare professional. You should not use the information on this web site for diagnosing or treating a health problem or disease, or prescribing any medication or other treatment.


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To the Editor:
Last week, Alexandria's GenOn (formerly Mirant) power plant permanently shut down. How did this happen?
It happened because the city and its citizens were committed and persisted over 11 years to make it happen. And, yes, recent market conditions also contributed to the plant's demise.
Yet, the story is more complex. Early on, Poul Hertel and I brought to the city's attention public health issues associated with the facility's polluting emissions, including producing a report citing health effect studies from those emissions and likely dispersion problems at the plant. We first discussed our concerns with City Councilman Paul Smedberg. Throughout the years, he consistently led the issue with the council as more scientific-based information aggregated, especially the preliminary study demonstrating that the plant was exceeding its permitted sulfur dioxide limit.
Mayor Euille evaluated the developing science base, realized the public health threat to Alexandrians and directed then City Attorney Ignacio Pessoa to pursue the issue. The city Environmental Services Department immediately pushed ahead, determining that a much larger scope of pollutants was affecting Alexandrians' health.
Meanwhile, concerned residents held a meeting to discuss the plant's emission effects on public health and, in particular, on those living near the plant. Throughout the 11-year trajectory, a critical mass of citizens wrote letters, attended and spoke at state air board meetings in both Richmond and Alexandria, supporting city staff's ever developing science and engineering findings regarding the issue.
The city environmental staff's Bill Skrabak, Lalit Sharma and Khoa Tran maintained their efforts as critical partners. After waiting for late arriving documents, they stayed up all night to prepare for state air board meetings and were in Richmond the next morning, adroitly defending Alexandrians' health through definitive scientific analyses.
With the mayor's appointment of the Mirant Community Monitoring Group (MCMG), chaired by council members Del Pepper and Paul Smedberg, the citizen / city alliance continued and investigated ongoing issues of concern with staff, Mirant and Virginia Department of Environmental Quality (VDEQ) representatives.
There were difficulties and disappointments throughout the years. The city, in its attempt to rezone the plant property, lost in court when Mirant sued. The federal Department of Energy, due to needs for electric reliability, ordered the plant to run, even though it was exceeding national environmental standards. We struggled … but we persisted.
There were advances and successes also. The VDEQ mandated the plant to close, based on a scientific study showing the facility's multiple exceedances of national air quality standards. The City / Mirant Agreement, stipulating that Mirant invest $34 million in pollution controls at the facility, was signed and activated.
So, how did it happen that the GenOn power plant closed last week? Who did it?
We did. Through the committed efforts of Mayor Euille, council members Paul Smedberg and Del Pepper, City Attorneys Ignacio Pessoa and, recently, Chris Spera, the city environmental staff and the Alexandria community, we all did it together.
This long-sought achievement by so many is worth celebrating.
Elizabeth Chimento


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The network of community groups committed to the care of the environment, greener living and development of the local economy in Berkshire
Get Involved
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Conservation Volunteering
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Environmental Education
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Recycling and More from Less
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Travel and Getting About
Contact Us
Newbury Community Furniture Project
The Newbury Community Furniture Project (CFP) provides furniture, household goods and toys at low cost to people in need in Newbury and the surrounding areas. The project is able to do this by collecting furniture and other items donated by local people. The CFP is a voluntary organisation with a board of trustees and a small team of employees. Much of the work is done by volunteers. Open: Monday - Saturday 9.00 am - 5.00 pm
Tel: 01635 43933 Email: email@example.com
Newbury Farmers' Market
Newbury Farmers' Market takes place from 10 am - 2 pm on the first and third Sunday in the month at Market Place, Newbury. A wide range of produce is available - seasonal fruit and vegetables, locally reared meat and poultry including organic and free range.
For further information visit
Newbury Friends of the Earth
Although a small group, we nevertheless enjoy excellent media coverage in the local papers, BBC Radio Berkshire and on Meridian TV.
New members very welcome. Please contact Charlotte Dickinson at firstname.lastname@example.com
RENEWAL Community Project
The RENEWAL Community Project is based around the urban stretch of the river Lambourn as it flows through Newbury. The three year project aims to involve the community in the history and wildlife of the river and carry out practical conservation tasks. We are organising a busy programme of events for adults and children, as well as an art project for schools and a gardening competition for residents. We are funded by The Heritage Lottery Fund and our partners include West Berkshire Council, Natural England, Newbury Town Council and the Environment Agency.
For more information see
Contact: Lesley Atkinson, e-mail firstname.lastname@example.com or phone: 01635 500890
Town Mills, Kennet & Avon canal
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To those not familiar with a tradition in Hawaii that celebrates our neighboring country of Japan, let me introduce you to it through this painting, part of my gecko series. "Musubi" is a sushi that incorporates the wonders of "Spam", a Hawaiian and American food "delicacy", into a mini meal of exotic delight. This is a perfect prop to inspire the antics of a couple of playful Hawaiian geckos that have wandered atop a local sushi bar counter.
This little guy will do anything to impress. He is really "on a roll" and so is she! Flaunting his acrobatic finesse, we see him man-oeuvre his way across the counter using a couple of fine looking chopsticks. It's just like a tabletop circus act. Meanwhile, this sweet little female admirer sits all cozy on her warm little "musubi" seat. Shy, but amused, she has this guy ready to do whatever it takes to keep her attention!


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Cryptocurrency explained
Bitcoin explained
Blockchain explained
Ethereum explained
Litecoin explained
Monero explained
Ripple explained
How cryptocurrency is changing the world
What is mining?
Introduction to soft forks and hard forks
What are Initial Coin Offerings (ICOs)?
What are digital wallets?
Is cryptocurrency regulated?
Blockchain in action
Introduction to Block Explorers
Public and private keys
Cryptocurrency exchange – what is this?
Introduction to cryptocurrency trading pairs
Know your bulls, whales and bears
Introduction to cryptocurrency transaction fees
Cryptocurrency transaction speeds
The importance of Do your own research (DYOR)
Cryptocurrency volatility
Understanding cryptocurrency charts
Introduction to Block Explorers
Block Explorers – Nope, it's not a Minecraft add-on.
A Block Explorers is an online blockchain browser – it registers and displays the contents of transactions, transaction histories and balances of public addresses. If you're wondering what a public or private address is, we're going to look into that in more detail later on in a dedicated lesson.
So, now you know what a Block Explorer is – but why does it matter?
Block Explorers 101
Block Explorers are examples of decentralised websites. That means that all information comes directly from the blockchain, as opposed to a centralised database. In fact, the only thing centralised parties control at all are the front-end aspects of the website! The open source nature of Block Explorers also means that if one is shut down, another can be built in its place with relative ease.
Block Explorers come in many different flavours. Most of the best known are powered by the Bitcoin and Ethereum blockchains. The former has many website options, including blockexplorer.com and blockchain.info; while the latter has websites such as etherscan.io.
What these sites have in common is the ability to view blocks as they are being mined in real-time. Every transaction can be viewed and all data relating to it is made accessible. For advanced users, who already know about these blocks and understand their full significance, this is extremely valuable.
The relevant data includes:
- The block's 'reward'.
- The device used to mine said block.
- The 'difficulty score' of each block (how hard it was to mine).
- The byte size of each block. This is capped at 1MB for Bitcoin, but it varies for other cryptocurrencies.
- The constituent transactions of each block, which includes the amount sent and received, public addresses of senders and recipients, fees and confirmations – amongst other things.
What is a Block explorer good for?
Of course, knowing what a Block Explorer does isn't the same as knowing why it's important.
These websites have a variety of uses for the crypto-conscious user. By using a Block Explorer, you can:
- Check address balances.
- Track coin transfer histories.
- Keep an eye on transaction acceptance.
- Monitor other statistics and variables.
Decentralised websites also have other applications which are worth exploring.
Decentralisation in action
Block Explorers aren't the only example of decentralised websites and applications (dApps). Other popular dApps include Steem (steem.io), a social media and blogging platform built on top of the Steem blockchain.
Contributing quality content to Steem and helping expand the community rewards you with a variable quantity of the platform's cryptocurrency – the Steem dollar. If the server goes down, it won't have too much impact – Steem's open API means anyone can develop a new website or dApp on top of its blockchain.
Blockchain – as impressive as it is – may eventually simply for lighting the spark that led to mass decentralisation. Block Explorers are just one example of those sparks.


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James Steele
Mon-Fri: 3PM - 7PM
A friend of mine sent this to me from a press release a while back and altered the beginning. I am not good at writing about myself so this is what I have...
James Steele is back in Orlando and hosts afternoon drive on FM 101.9. You can also hear his voice on a number of stations throughout the country. Steele is an award-winning radio producer and personality who has received multiple accolades for community service, charity events, and branding campaigns.


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I never have time during the week to make myself more then boiled eggs or something resembling that simple, so on the weekend I like to make something that takes a little more effort. Saturday morning was an egg scramble with onion, mushroom and peppers, bacon, sliced avocado and sauerkraut. I've been trying to add in sauerkraut to my morning meal as much as possible for a good dose of probiotics without having to take probiotic supplements.
Last week I made my first 'paleo' dessert', Pumpkin Gingerbread Cake with Maple-Vanilla Frosting, from Melissa Joulwan's website – The Clothes That Make The Girl. It was a big hit at home as well as at the gym where I brought some sweet samples for my hardworking weightlifting family (or at least the ones that were there when I brought them in!). These were quite worth the considerable effort it took to make them. I found them a little labour intensive considering the long ingredient list, trying to make sure the frosting was the right consistency and waiting forever for the cake to cool down. I have to admit I was a little impatient making the frosting so it ended up being a little too runny and I had to cool it down in order to get it the right consistency, but again, well worth all the effort! Actually, I wish I had one now…
Sunday nights are often a crapshoot around my house as to whether or not we end up eating a healthy meal or ordering out due to laziness. Often cooking up something wins because we're cheap and don't want to spend the money, and that was the case last night. It couldn't have been easier considering we had plenty of leftovers from the end of the week and we threw together a toss salad with balsamic dressing.
Finally, in anticipation of a cold week ahead, I roasted some butternut squash and onion to make soup. I always find myself longing for a bowl of steaming creamy soup. However, considering diary is a big no-no for me (even as a cheat its a no-go as I'm allergic) a nice blended butternut squash soup is perfect! I'll share later in the week!
Here's to a week of eating real food!


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Safecracker Dom Hemingway (Jude Law) is released after spending 12 years in prison and seeks payment for refusing to rat out his boss Ivan Fontaine (Demián Bichir). He reunites with his best friend Dickie (Richard E. Grant) and they travel to Fontaine's villa in the French countryside. Dom flirts with Fontaine's Romanian girlfriend Paolina (Mădălina Diana Ghenea) and becomes angry that he spent 12 years in jail for Fontaine. He begins to mock Fontaine and storms out. At dinner, he apologises and Fontaine presents Dom with £750,000.
They spend the night partying with two girls, one of whom, Melody (Kerry Condon) strikes up a conversation with Dom. When the group go driving in Fontaine's car, they crash into another car. While unconscious, Dom has a vision of Paolina asking for his money. He wakes up, resuscitates Melody, and finds Fontaine impaled on the car's fender. Melody tells Dom that, because he saved her, he shall gain good luck when he least expects it.
Dom and Dickie head back to the mansion, where they find Paolina has taken Dom's money, but they see her leaving in a car. Dom runs through the forest and into the road, where he is almost hit by Paolina. She asks him if she strikes him as a woman who wants to be poor, and drives away.


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Experiencing A Fountain Hills Water Damage Issue?
If you came to this site, it could be because you and/or your family have come home to water damage in your house. This is a major unexpected emergency situation that needs to be handled quite fast. Our company suggests that you at once phone Water Damage Pros dialing the emergency hotline phonenumber at the top of the screen. We will be able to answer each one of your questions and concerns.
It is simply preferable when you contact us PRIOR TO you call your own insurance company. They could make an attempt to warn you that you are required to contract with one of their selected firms. DON'T allow the insurance company to bamboozle you!
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Until you swiftly extract the unwanted water, you might swiftly establish a hazardous mold and mildew dilemma, or perhaps even structural issues.
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Water Damage Fountain Hills
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Water Damage Fountain Hills Pros responds instantly to repair the fire, smoke, & soot harm problems. This includes cleaning your home's contents and belongings. Our company can moreover remove fire and smoke smells by making using of deoderization methods.
- Fountain Hills water damage owing to a defective sump pump?
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Mold may possibly be a bad, even fatal, health peril. It can quickly spread throughout the entire structure once it starts. We incorporate industry approved and proven mold remediation procedures along with best available hardware, and know how to help you.
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I find the lyrics of this song piercing as well! How poignant that a little boy has toy soldiers that might one day represent where he might be as a soldier. The same could be said of many video games that translates kills into "scores" and thus degrade humanity.
It is a struggle to deal with guns and violence in our world. As parents, we determined to not have any guns in our home but I am pleased to know that our country has historically often stood for the right things in defense of our freedoms. Using weapons and military solutions are best deployed after ALL other efforts have been exhausted and in more recent times, our reliance and even over confidence in our superiority have duped us into destructive episodes. In 2009, I visited Belgium in research for a book and found something interesting:
One of the memories of visiting Belgium was when saw Europeans dressed up as Americans in World War II uniforms at a celebrations in Brussels. If imitation is the ultimate form of flattery, then seeing and hearing the Belgians talk about how grateful they still are seventy years after liberation that confirms the importance of teaching each generation the history of our heroes. Quiet the i-pads and "smart" phones long enough to share some memories even risking the accusation of boredom from another generation. If you have something you can share about your own life or a family member that will be significant to the next generation it is important to do so. If you don't talk about it, those lessons will be lost forever. The people of Europe will never forget June of 1945, when young Allied Forces climbed up the stone wall cliffs of Normandy to start their liberation from the Nazis. Personally, I am grateful that they had and used deadly weapons even though every life lost both of the enemy and of our own is a tragic loss.


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Should You Take a Dysfunctional Family Case Over the Holidays or at Any Time – What does it Take?
- Do you know the right caseload mix you must have to handle these very heavy care families?
- Do you have 5 years of geriatric care management practice, a master's degree to understand and work with them???
- Do you have the business model to realign your caseload for both light & Heavy cases?
- Can you increase your staff to do it?
- Do you know aging family dynamics or do you have a staff member who does?
- Have you done a financial forecast to handle them?
- Do you know how many heavy cases you can handle?
- Do you have care managers who can work with complex dysfunctional families?
9.Are you ready to be fired and have an account receivable problems that come with these cases?
Watch this video below on the decision.
Find out more in Emily Salz and and Lynn Hackstaff's chapter Family Conflicts, Dependence and Mutuality : Care Management and the Dysfunctional Family. Handbook of Geriatric Care Management 4th edition.Jones and Bartlett