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The Hard Man
by Tom McGrath and Jimmy Boyle
King's Theatre, Edinburgh, 31 March – 9 April 2011
King's Theatre, Glasgow, 12 – 16 April 2011
Eden Court Theatre, Inverness, 21 – 23 April 2011
His Majesty's Theatre, Aberdeen, 26 – 30 April 2011
Dundee Rep Theatre, 3 – 7 May 2011
cast list | reviews | photographs | flyer
Cast List
Alex Ferns
Nicky Elliott
Iain Robertson
Paul Morrow
Stewart Porter
Alison O'Donnell
Cara Kelly
Percussionist – Chris Wallace
Directed by Phillip Breen
Designed by Max Jones
Lighting Designer – Tina MacHugh
Sound Designer – Graham Sutherland
Fight Director – Renny Krupinski
Wardrobe – Jackie Holt
Casting Director – Morag Arbuthnott (for EH7 Casting)
Production Manager – Fiona Fraser
Company and Stage Manager – Colin Sutherland
Deputy Stage Manager – Hilly
Assistant Stage Manager – Beth Rennie
Set construction – B Scenic
Produced by Scottish Theatres Consortium
Click here to read read
Phillip's article for The Scotsman, about meeting sculptor and
playwright Jimmy Boyle, and his introduction to the 2011 printed edition of The Hard Man.
The Scotsman
by Joyce McMillan
It's a measure of the greatness of Tom McGrath's 1977 play The Hard Man that it never quite fulfils any of the stereotyped expectations aroused by its title, and its subject. Co-written by McGrath and Jimmy Boyle - then only recently released from Barlinnie Prison, where he had been serving a life sentence for murder - it certainly offers a fictionalised version of the story of Boyle's early life, as a violent "enforcer" in Glasgow's criminal underworld.
Yet the play's style is more musical than narrative, swerving through the story of its fictional antihero, Johnny Byrne, in a series of short, violent scenes counterpointed by a chorus of comment from two Gorbals women. In the second half, it begins to explore Byrne's experience of imprisonment, and the extreme brutalisation he underwent in a "cage" at Peterhead, in a way that is expressionistic and almost mystical; like a musical piece that begins with a great thunder of rhythm and energy, but gradually shifts into a sombre and meditative key, still punctuated by violence, but increasingly threaded with a possibility of shimmering stillness.
The play, in other words, is neither a conventional glamorisation of violence in the guise of a crime story, not a straightforward naturalistic condemnation of Byrne's crimes and their impact. Instead, it attempts the most difficult thing of all, a deep exploration of Byrne's impulse to violence, of the way his brutality is mirrored by the licensed thuggery of the criminal justice system, and of his slow discovery of a possible life beyond that cycle of violence.
And it's a tremendous tribute to the intelligence and thoughtfulness of Phillip Breen's new production of the play, for the Scottish Theatres Consortium, that it remains true to that complex rhythm in McGrath's work, rather than trying to simplify or popularise it. Max Jones's set and Tina McHugh's lighting create a simple arena for Byrne's story, at first overlooked by tenement windows, later veiled in a growing darkness pierced by sudden shafts of light.
Graham Sutherland and percussionist Chris Wallace generate a strange, resonant soundscape, with an eerie edge of spiritual energy; and Alex Ferns, as Byrne, gives the performance of a lifetime, as a man struggling from an instinctive drive towards survival and dominance in a rough environment, towards a life of thought and self-reflection, full of new possibilities.
McGrath's play ends at the beginning of this new story, in the moment when Byrne first creates his own extreme protest against the conditions at Peterhead, and if Breen's production has a fault, it lies in a slight failure to pace and orchestrate that ending so that its full meaning reaches the audience. For most of its length, though, the production is almost flawless, with Iain Robertson and Nicky Elliott moving seamlessly and significantly from their early roles as Byrne's violent henchmen to their later ones as baton-wielding prison officers, and Cara Kelly and Alison O'Donnell turning in fine performances in McGrath's thoughtful cameos of the women in Byrne's life. The Hard Man is not - and is not intended to be - an easy show to watch. Even 34 years on, though, it still seems like a cutting-edge attempt to get beyond conventional attitudes to the deep seam of violence in Scottish life, and to transcend that toxic mixture of hero-worship and hatred that still dogs former criminals like James Boyle today, and returns to haunt our national conversation, every time his name and his story are mentioned.
The Guardian
by Mark Fisher
When Tom McGrath died two years ago, he was commemorated for many things: editor of International Times, counter-culture poet, founder of two Glasgow theatres and musical director for Billy Connolly. Less certain was his legacy as a playwright. Laurel and Hardy, his tribute to Stan and Ollie, was still going strong, but there was a suspicion that much of his work was right for the moment, as befits a jazz man, but didn't necessarily stand the test of time.
The likely exception was The Hard Man and here, in its first major revival in 30 years, we get to see why McGrath is so hard to pin down as a playwright. Based on the life story of Jimmy Boyle, the play's co-writer, who was locked up in the special unit of Barlinnie prison at the time, it is a study of a brutalised man in a brutalising system. The intervening years have brought many more portrayals of gangland thuggery, but this one still stings with its vision of unremitting violence.
What's fascinating is the way McGrath constantly undercuts what could be a conventional bio-drama to create something idiosyncratic. Much of it, in Phillip Breen's handsome production, is set to a live score of cymbal ticks and drum rolls, turning the everyday dialogue into syncopated jazz poetry. The short scenes, which vary from the banal to the lyrical, are like impressionistic fragments of a collage. Even when the drama is at its most intense, a character will turn to the audience, with a magpie-like nod to the musical hall, to explain what's going on.
It is eccentric and a little unwieldy, but also a period piece that makes the period seem a more interesting place to be. As Johnny Byrne, a thinly disguised portrait of Boyle, Alex Ferns is a baby-faced gangster who proves himself unbreakable. What sets this "gentle terror" apart is his intelligence, an ability to see beyond his own situation even as he is taking a blade to the face of some hapless credit defaulter or beating up his girlfriend.
He is not a pleasant character, but neither is the world he inhabits. Without apologising for him, the play shows how a man can be a respected success in a disenfranchised underclass while battling with a state system that seems no less violent in its means. Pummelling and bleak, this testament to the spirit of survival still carries a grim force.
The Herald
by Neil Cooper
The jungle drums are pounding from the off in this long overdue main stage revival of Tom McGrath and Jimmy Boyle's 1977 reimagining of Boyle's life and crimes.
As seen through the figure of Gorbals gangster Johnny Byrne, what emerges in the first half of Phillip Breen's production is a music-hall sketchbook of cartoon dead-end kids and choreographed violence counterpointed by old time dancehall classics as Johnny and his gang take over the neighbourhood. All this is punctuated by out-front monologues that point up the links between crime and economic disenfranchisement, with a pair of gossipy wifies making up a back-street chorus.
After such a stylistic whirlwind, the second act's stark change of pace highlights the tedium of Johnny's incarceration, as it focuses on his own brutalisation. Out of this comes a sense of enlightenment he could never find on the mean streets in a voyage of discovery at odds with the cage he's in.
If some of the play's didacticism dates things, it's more than made up for in terms of energy and bravura. Alex Ferns in particular is possessed with a ferocious urgency as Johnny, who moves from wild-eyed thug to a near Buddah-like deity. There's strong support too from Nicky Elliot and Iain Robertson as Johnny's feral henchmen, while Stewart Porter plays a series of chilling enforcers on both sides of the law.
It is driven along by off-stage percussionist Chris Wallace, whose jazzy rhythms take a more ritualistic turn as Johnny's mind opens to a world of possibilities. The final image of Johnny, naked and covered in his own excrement, is of angry defiance in a violent world.
The News of the World
The Daily Record
by Chiara Pannozzo
It couldn't be described as anything less than a meeting of minds when celebrated Glasgow playwright Tom McGrath collaborated with revered Glasgow gangster Jimmy Boyle to pen a fictionalised version of the gangsters life. Having originally premiered to great acclaim at the Traverse Theatre in the late 1970s, the 2011 interpretation aims to be an increasingly powerful production. Directed by Phillip Breen, whose previous works include The Caretaker and The Shadow of a Gunman, The Hard Man is destined to have you re-evaluate your perceptions of what a gangsters life truly entails.
The play itself is based in and around Clydeside, charting a series of events that support Johnnie Byrne (Alex Ferns) in his quest to make a living from a life of crime. The set design was simple, yet undeniably representative of Glasgow in the 1960s. Two tenement blocks, complete with the obligatory sandstone and sash windows, reminiscent of what still stands on the streets of Glasgow today, provided the backdrop for the actors to guide us through Johnnie Byrne's life. The lighting throughout the first half of the production was characteristic of unsavoury activity, using dark tones to create an atmosphere of unrest. In contrast, what came after the interval was a cavernous stage, with lighting that was stark and bright, conveying a sense of examining Johnnie's life, where the luminous strip lights left no room to hide from reality.
Ferns gave a memorable performance as the gangster, more locally referred to as 'The Gentle Terror'. His movements and pitch were entirely fluid and his portrayal of an animalistic gangster was terrifyingly convincing. Supported largely by his two brothers, (Nicky Elliot and Iain Robertson) in the first half of the production, Elliot and Robertson showcased their talents by taking on a number of roles throughout the production, at times abandoning their sibling duties to become the very people intent on ensuring justice was done.
There were a number of impressive monologues throughout The Hard Man, where the audience were given an insight into what the characters were really thinking. Through his monologues, Ferns tried on a number of occasions to justify his behaviour, challenging us to see the world through his eyes. A number of scenes were performed in slow motion, where the actors demonstrated their ability not only to speak in Glasgow tongue, but to slow down the swing of a punch, and the thrust of a kick.
The Hard Man is a production that leaves you questioning your values. Very few of us come into contact with the themes of violence and hardship that run through this play, leaving us ill equipped to cope with them. However, in a society which is becoming increasingly immersed in such difficulties, productions like The Hard Man are less likely to age. The themes in this production are as relevant now as they were in the 1970s, and when acted out by the quality that was on stage tonight, this production could be considered timeless.
by Keith Paterson
Thirty years have passed since the last revival of The Hard Man by Jimmy Boyle and Tom McGrath. There was a concern that the play, important in its day, could have dated. However, apart from some clumsy dialogue, the piece remains powerful and shocking. That is as much to do with the carefully judged intense production by Phillip Breen.
The first act charts the bloody path that this intelligent man chooses for himself and later the tables are turned as we see institutionalised violence at work. Johnny tastes his own medicine at the hands and the truncheons of sadistic prison warders. There really is no reasoning for either variety and the play does not seek to make a case or profer excuses but rather presents the story, using a variety of theatrical devices including vaudeville, music and out front narration.
The play is uncomfortable to watch as the initial instinct to admire the vibrant choreography at play, gives way to distaste as the denouement of each sequence ends in a slashing or a stabbing.
Alex Ferns is impressively commanding as Johnny Byrne, the fictionalised version of Boyle, particularly in the cage scenes.
The supporting cast is strong and the percussive score which underpins the production is impressively played by Chris Wallace.
In some ways, the worrying aspect is that after 3 decades the play remains so relevant as the mindless, brutal violence continues to blight society and like McGrath and Boyle, nobody seems to have an answer for stopping it.
by Alex Eades
Stepping off a train onto a foreign platform can, even to the most experienced traveller, spark a youthful sense of adventure. For a blink of an eye, Ayr can seem like an untouched, mystical wonderland with potentially endless opportunities lurking around every corner....okay, perhaps that's going too far.
But when my feet hit the cold, damp concrete of Glasgow Central Station, I can't help but notice a stabbing feeling of dread deep within me. To say that my relationship with Glasgow is a rotten one is a truly wild understatement. It resembles that of a small, pram bound child and a rottweiler with syphilis.
But there are many stories to tell of this wild town, for good, evil and sometimes a bit of both. Tom McGrath's 1977 play, The Hard Man, a fictitious account of the notorious Jimmy Boyle's life of crime on the streets of Glasgow, is perhaps one of those that is a bit of both... perhaps.
McGrath was fascinated by the violence of Laurel and Hardy, with his first play being about those two lovable screen legends. With The Hard Man, all the laughs are set aside and the violence becomes the main topic of conversation.
With this new production, the influences of those movies are everywhere. The rhythm, the beat and even the occasional laugh. The fights are choreographed into something of beauty. Of something to be seen and admired. Much like the criminals themselves.
The themes of violence, power, corruption and debt are abundant throughout and hit home with a mighty sucker punch here in 2011.
The performances are fantastic, with Alex Ferns bringing an ice cold menace to the lead role that you could feel right at the back of the Kings. There were times that I thought he was going to leap off the stage and begin a murderous rampage. Truly unnerving and utterly brilliant.
Powerful, violent, bleak and Gobsmacking, this is one cracking show. Though you may not want to walk home alone....especially if you're Glasgow bound
TV Bomb
"If it takes a lifetime to kill a man with his debts, it doesn't make it any less of a murder". Tom McGrath's 1977 text The Hard Man, which he wrote in collaboration with Scottish hard man Jimmy Boyle, couldn't have foreseen how relevant that line would appear over 30 years later. Director Phillip Breen presents a fierce, stylised account of gang culture in Glasgow, mirroring the brutality, violence and sadism McGrath set to map out.
Fictionalising the life of Jimmy Boyle, the play sees petty thief and criminal Johnny Byrne (Alex Ferns) fall in with gangsters and mob bosses. Together with his sidekicks (Nicky Elliot and Iain Robertson), they take what they want, do what they want, and give a Glesgae smile to anyone who says otherwise. After Byrne is convicted of murder however, his animalism and lust for violence are the only things which keep him alive.
"Violence is an art form". Addressing the audience, Byrne seems to sum up this production quite well. From the stylised slow-motion fighting sequences overlaid with Nat King Cole songs, to the punchy and fluid scene changes motored by a constant percussive soundtrack, the glamorisation of Byrne's hunger for violence enthralls and unsettles. Yet for all his asides and attacks on the middle-classes, Byrne's sophistication is borne out of the occasional reference to the superego or Oedipus, reflecting not only a depth to his belligerency, but an awareness of his ability to confront social class structures. While the play is, at times, let down by a certain level of predictability, it's made up for in Ferns' hypnotising performance as a man constructed out of an inherently flawed social system. And while he maims and punishes the debtors who come to him a month late, he himself is a man left short: by the lack of social values and moral structures which have conned him out of anything other than a reckless and self-destructive existence.
Lothian Life
by Ros McKenzie
"The animal is thinking…" Words used and repeated by hard man Johnny Byrne as he paces his prison cell and tries to figure out just how he can hold his own and extract revenge in a brutal prison system. This animal is thinking… forced by Alex Ferns' remarkable performance to face the realities of violence and poverty as depicted in Tom McGrath and Jimmy Boyle's revived 1977 play. "The Hard Man" was a sensation in its day, based on the early years and imprisonment of Jimmy Boyle, said to be the most violent man in Scotland. At the time Boyle was still in prison, and the play's final scene of defiance and despair, a life caught up in shit, seemed to suggest no hope, no redemption. With hindsight we know differently. Boyle became a successful artist, married his psychiatrist, embraced a middle class lifestyle, became actively and positively involved in the community, and well and truly left behind actual poverty and the poverty of ideas, aspirations and opportunities that had fuelled his huge anger and his frantic brawl for survival.
The play is as vibrant and relevant today as it was over 30 years ago. Then it was performed in the intimate space of the old Traverse Theatre; we the audience sat round the action, looked straight into the crazed eyes of Johnny Byrne, smelt the sweat and almost had to dodge the punches. There is a whole different feel to viewing the play onstage at the King's Theatre. Our role as outsiders is emphasised. The stage setting is vast and dark, alienating those onstage from life beyond, kept on the fringes, never expecting to be absorbed into mainstream society and surviving by a different code. There is a Greek chorus of sorts in two stairheid Gorbals' wifies keeping us abreast of the latest violence with their gossip. Acts of violence are stylised into almost balletic sequences, ritualised brutality that is part of the culture. .But then in Act 2 comes the killer reversal. Those on the side of law – the prison guards – are seen to be as vicious and violent as the inmates, and for them there are no excuses, no social imperatives. Paisley, Johnston and Renfrew, three sadistic officers sharing their names with three Scottish towns, played by the same actors as those who were with Byrne in his youth. What, after all, was the difference? The action framed onstage is part of our lives, our towns, our society. Alex Ferns gives 110% in his performance and totally makes the part his own. There is intelligence, cunning, defiance, courage, ruthlessness, and absolutely no compromise in Byrne's character and all these qualities shine through in Fern's amazing performance. This revival by Scottish Theatres Consortium rings as true today as 30 years ago.
Onstage Scotland
by Michael Cox
One of the most clichéd statements in the English language is that truth is stranger than fiction. Interestingly, what The Hard Man offers is fictionalised truth.
Co-written by Tom McGrath and Jimmy Boyle, the play is a dramatic account of Boyle's exploits in the Glaswegian crime scene and subsequent imprisonment.
Whether any of the events are true or not is almost a moot point: the play is much more interested in posing questions than in supplying answers.
Act one follows the rise and fall of Johnny Byrne. His ascent in crime is presented vaudeville-like, with a few actors playing multiple 'larger than life' roles, and clever staging that is almost always entertaining. Act two walks a much harsher path, following Byrne's incarceration and the demeaning penal system of which he becomes a part.
With such an ambitious production, one could have been forgiving had director Phillip Breen managed to drop a few balls. Instead, he has created a riveting production that is almost flawless in its execution. For a play that is set firmly in the past, the action consistently feels modern and relevant. It is well designed, skilfully staged and contains brilliant performances from the ensemble.
However, for such a production it is vital that the right performer be cast as the lead, and it is here that Breen plays his ace. Alex Ferns is able to play the comedy and drama with equal weight, and he pulls off the near-impossible task of making a revolting animal into a tragic hero. His depiction of Byrne is enthralling from the start, and his performance lingers long past the curtain call.
There are many reasons why the current production of The Hard Man could have failed, but instead what has emerged is without question one of the year's best productions. Exhilarating, chilling and thought-provoking, this should not be missed.
Informed Edinburgh
by Domenica Gouto
The Hard Man – playing at Edinburgh's King's Theatre this week is much like the violence it portrays: disturbing, unpleasant, yet still fascinating to watch.
Phillip Breen's production of the ground-breaking play by Tom McGrath and gangster-cum-artist Jimmy Boyle has a suitably fast-paced, edgy feel, forcing the audience to contemplate the roots of violence, even as it depicts its hideous effects.
A fictionalised account of Boyle's own life of crime, the play traces the rise of "hard man" Johnny Byrne from petty thief, terrorising the streets of Glasgow with his brothers, to criminal overlord running an illegal money-lending operation throughout Gorbals. It then offers an unsettling glimpse into his time in prison, serving a life sentence for a murder he is adamant he did not commit, and the brutal power struggles that he engaged in with the prison officers.
No doubt Boyle's involvement helped lend the work its gritty, authentic feel, enhanced by the script's sharp, witty writing and solid dose of hard-edged black humour. The production strikes a fine line between highlighting the poverty, alienation, and desperation that allow the creation of a culture of violence, without going so far as to justify or celebrate that violence. Indeed, even as scenes of vivid brutality are enacted on stage in stylized slow motion, with surreal musical accompaniment, these actions are meant to shock, not delight the viewer.
The story and setting are brought vibrantly to life through strong performances by all the cast. Many of the actors involved play multiple roles, yet the switches are seamless, and each character comes across distinctly.
Alex Ferns delivers a magnetic performance in the central role of Johnny Byrne, infusing the so-called "Gentle Terror" with a mix of egoism, sly wit, and underhanded cunning that renders the man as intriguing as he is repulsive. It's a demanding, extremely physical role that visits some dark places, yet Ferns delivers a unflaggingly high-energy performance that is the beating heart of the show.
Perhaps the most compelling element of the show is the realisation that such brutality is not confined solely to the criminal underworld and its denizens; instead, it's a distressing element of the very system set up to eliminate such tendencies in society. The Hard Man premiered in 1977, but, rather alarmingly, it hasn't lost any of its relevance today. Violence is still frighteningly prevalent even within mainstream society, as are the conditions which lead to its acceptance. For this reason, the play provides audiences with a valuable reminder that this Glasgow gangsterland of the 1960s is not as distant from our current reality as perhaps we'd like to think.
Cara Kelly. Photo © Pete Le May
Nicky Elliott, Alex Ferns, Iain Robertson. Photo © Pete Le May
Alex Ferns, Nicky Elliott, Stewart Porter. Photo © Pete Le May
Iain Robertson, Nicky Ellitott, Stewart Porter, Alex Ferns. Photo © Pete Le May
Iain Robertson, Nicky Ellitott, Stewart Porter, Alex Ferns. Photo © Pete Le May
Cara Kelly. Photo © Pete Le May
Alex Ferns. Photo © Pete Le May
Alison O'Donnell, Alex Ferns. Photo © Pete Le May
Alison O'Donnell. Photo © Pete Le May
Alex Ferns, Paul Morrow, Nicky Elliott, Iain Robertson, Alison O'Donnell. Photo © Pete Le May
Alex Ferns, Paul Morrow, Nicky Elliott. Photo © Pete Le May
Paul Morrow. Photo © Pete Le May
Alison O'Donnell. Photo © Pete Le May
Alex Ferns. Photo © Pete Le May
Iain Robertson, Alex Ferns, Nicky Elliott. Photo © Pete Le May
Alex Ferns. Photo © Pete Le May
Paul Morrow, Alex Ferns. Photo © Pete Le May
Paul Morrow. Photo © Pete Le May
Alex Ferns. Photo © Pete Le May
Alex Ferns. Photo © Pete Le May
Stewart Porter, Nicky Elliott. Photo © Pete Le May
Alex Ferns. Photo © Pete Le May
Iain Robertson, Alex Ferns, Nicky Elliott. Photo © Pete Le May
Iain Robertson, Alex Ferns, Nicky Elliott. Photo © Pete Le May
Nicky Elliott, Alex Ferns, Iain Robertson. Photo © Pete Le May
Alex Ferns. Photo © Pete Le May
Set design by Max Jones. Lighting by Tina MacHugh. Photo © Pete Le May
Set design by Max Jones. Lighting by Tina MacHugh. Photo © Pete Le May
Set design by Max Jones. Lighting by Tina MacHugh. Photo © Pete Le May
Flyer design by Pete Le May
cast list | reviews | photographs | flyer | return to top


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Kamal Haasan starrer Uttama Villain is all set for a mega release on 1 May. sources say that it would be out in 1500 screens across the globe. In Chennai alone, it would be released in over 60 screens.
Directed by Ramesh Aravind, the movie stars Kamal Haasan, Jayaram, Andrea, Pooja Kumar among others in the cast.
Produced by Thiruppathy Brothers, it has music by Ghibran. Veteramn filmmaker K Balachander, who passed away recently had acted in the film. Interestingly Eros Internationals will releasing the same in a grand manner in Tamil.

subset: commoncrawl


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Guest Post from Melissa at Literary Book Gifts
I recently came across this wonderful site full of interesting and unusual gifts for book lovers – naturally I was taken with the idea, and thought many of you would be as well. (I'm getting myself a typewriter one…) I've asked Melissa to tell us a little more about her work, and she has kindly offered us all a discount to use in the run up to Christmas – thank you!
Literary Book Gifts is a store focused on showcasing books on t-shirts and tote bags. Each item in the store makes for an amazing gift for any writer and reader. Whether your favourite novel is Robert Louis Stevenson's Treasure Island or F. Scott Fitzgerald's The Beautiful and Damned there is something in the collection for every book lover!
I try to keep the collection well rounded. I think that lesser known titles have a place alongside works from more popular authors. For example the The Hound of the Baskervilles is a lesser known work by the famous Sir Arthur Conan Doyle, but I believe it deserves a spot in the collection alongside his better known work, The Adventures of Sherlock Holmes.
I was inspired to start designing bookish items because I love the idea of being able to see, visually, someone else's tastes. I believe that self expression is an important part of our day-to-day life. When we talk about our opinions, we share our tastes, likes, and dislikes with others. I think that is an important aspect of the human experience. I love reading, but I also love talking about the ideas inside of the books with others. I hope some of these designs, or even just the store itself helps spark some conversation between readers, writers, and anyone who enjoys a good story.
Use the special coupon MrsAverageEvaluates20 for 20% off at Literary Book Gifts.
It does not expire, so use it as many times as you like!
Remember that items coming from overseas may be subject to tax which you pay once it reaches the UK.


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Painted for Galerie Australis, South Australia, 1999
Kathleen Petyarre was born in c.1938. She is one of the famous Petyarre sisters, a group of seven sisters who have become well known Indigenous artists. Kathleen is one of the most well known and recognised sisters, as well as, Gloria Petyarre, Ada Bird Petyarre (passed away), Myrtle Petyarre (passed away), Nancy Kunoth Petyarre (passed away), Violet Petyarre and Jean Petyarre. Kathleen is from Atnangkere, an important water soakage found in the Utopia region in Central Australia and is from the Anmatyerre and Alyawarre language groups.
Kathleen was introduced to modern art mediums during a community project held at Utopia in 1977 which introduced the women of Utopia to silk batiks. This was such a great success that the silk batiks were exhibited around Australia and through Eire and Scotland. The whole collection of 88 silk batiks was later acquired by the Holmes a Court Collection. In 1988-1989 a further community project was held at Utopia where the women were introduced to acrylic paints and canvas, for many, this was just the right platform and an explosion of creativity ensued.
Kathleen's artwork directly relates to her country and Dreamings which include women hunting, emu, dingo and mountain devil lizard. She is most well known for her paintings titled "Mountain Devil Lizard Dreaming" and "My Country – Bush Seeds". She typically uses traditional colours such as white, black and various hues of brown. Her paintings are minimalist and completed by layering and very intricate and precise dotting.
In 1996 Kathleen was awarded as the overall winner of Australia's most prestigious art award in the 13th National Aboriginal and Torres Strait Islander Art Award. That same year she was also awarded the National Aboriginal and Torres Strait Islander Heritage Commission Art Award at their 3rd presentation.
Through 1997 and 1998 Kathleen was further recognised for her talent and won several other awards, she was also a finalist in the 15th National Aboriginal and Torres Strait Islander Art Award. Kathleen has a reputation as one of the most original Indigenous artists and the collectability of her paintings is confirmed by her status within the 40 most collectable Aboriginal artists of all time. Her paintings are regularly featured in national and international exhibitions through highly esteemed galleries and museums. Her artworks including her silk batiks are held in several collections worldwide.
In 2001 a book titled "Genius of Place" sharing the story of Kathleen Petyarre coincided with a solo exhibition of her paintings with the Museum of Contemporary Arts in Sydney. In this book Kathleen shares a detailed explanation of her Dreaming stories and the basis for her paintings. Over the last decade Kathleen's artworks have taken a bolder style whereby she uses clusters of larger dots and stronger lines alongside her typical fine textures. These more recent works have had mixed reviews with some saying they are less refined whilst others consider it a logical artistic development towards a more powerful and dramatic mode of expression.
Kathleen Petyarre is one of the most sought-after living Aboriginal artists, she has been repeatedly nominated by the Australian Art Collector Magazine as being among the "Top 50 Most Collectable Artists in Australia" and the Australian Indigenous Art Market considers her the 34th most collectable artist.


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Standards, Vol. 1, a knockout disc played by supreme multi-instrumentalist Chris Greco together with a tight three-man backing group is a sublime slice of different facets of jazz. They range from numbers written by Thelonious Monk, Sonny Rollins, Wayne Shorter, Charles Mingus, and Dave Brubeck. Greco leaves his stamp on all nine tracks with some extremely impressive playing, and he is equally at home on all his instruments. His modern interpretations of some old favorites and newer material is flawless. If Greco and his group haven't been snapped up by a major US record company then something is terribly wrong, they deserve world-wide exposure. It's a real ear-opener and essential listening.
An award-winning composer, performer, and woodwinds player Chris Greco is shaped by many influences, including American jazz music, folk, rock, non-western, and the western/European music traditions. His studies as a composer and multi-instrumentalist were completed in Los Angeles, and he currently maintains an active performance itinerary as a jazz artist and recitalist, engages in a wide range of research, is an associate professor of music at Benedictine College, and continues to follow a musical path of discovery and accumulation.
This story appears courtesy of Kari-On Productions.
Copyright © 2020. All rights reserved.


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Can I just say that I had a lot of fun doing the one for my girls. Next step is to get them hanging on the wall so the last step of getting artwork hanging can happen.
Here is the one for our little boys room, much more manly then his sisters' board.


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Sturdy Japanese wood and lacquer clothing chest tansu with lock bar, late Edo period, c. 1800-1868. Bold, wonderfully rendered metalwork throughout. Chest fashioned of sturdy cypress and warm kiri (paulownia). Roomy drawers offer generous storage. Impressive highly detailed cabinet at center offers additional space for valued keepsakes. A functional and eye-catching piece and a stunning addition to any room. Very good condition. Dimensions: 36 high, 35 wide, 18 deep.
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The living deadYou do not belong to them,
but they belong to you,
all those you loved and always missed,
who gave their love
and you could never do without,
which is why they will never leave you
but protect you and be with you always
to such an extent that you and they are one.
You are like them, eternal in your love,
more loving actually than when they were alive,
as you will be when you are gone,
more loving afterwards than when you were unknown
but for your physical appearance and trivialities,
while you and they belong to timelessness,
which will be your dimension more and more
the further you go on, insisting on your love
in spite of all the brutal deaths around you
and the wickedness of mundane man,
who always shattered and destroyed your life,
while you will all the same go on
and fool them all by carrying on your love
in company with all the living loving dead.
Poetry by Laila Roth
Read 338 times
Written on 2017-07-15 at 14:24
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text:
The Washington Redskins agreed to bring their training camp to Richmond, VA, starting in the 2013 season. Construction of the new facility began early that same year. With an accelerated completion schedule, mechanical contractor ColonialWebb wanted a team they could trust to get the project's equipment, controls, and airside needs met on time and within budget. They turned to ACES, Inc…
With scheduling such an important aspect of this project, the general contractor, Hourigan Construction, decided to utilize two of ACES, Inc.'s sister companies for commissioning, testing, and balancing. MSTB, Inc. and MSTB Cx Group worked with the Hourigan, ColonialWebb, and ACES teams to keep an open line of communication and ensure the project stayed on track.
The HVAC system in the building uses Daikin Applied Packaged Rooftop Units (RTUs) serving Variable Air Volume (VAV) boxes throughout the space. The outside air is pre-treated with Energy Recovery Ventilators (ERVs) manufactured by Loren Cook. Using an energy recovery wheel, the ERVs help to reduce the building load by transferring energy from the exhaust airstream to the outside airstream. Another energy-saving measure was the use of modulating electric heat by utilizing SCR Control in the VAV boxes. By reducing the load on the HVAC system and modulating the electric heat, the owner is able to save energy and reduce operating costs.
The Alerton Controls Building Automation System (BAS) is web-based and allows for access from any secure Internet connection. The BAS utilizes control strategies, such as demand control ventilation and supply air temperature reset, for energy savings. The system has complete floor plan graphics, as well as graphics for the individual HVAC equipment, allowing for improved accessibility if troubleshooting is needed. During a performance malfunction, the the Alerton system emails and texts critical alarms, which can be picked up at a desktop, smartphone, or similar, Internet-enabled digital device.
The opening of the Redskins Training Camp set an NFL record for highest attendance in its first year, with over 165,000 fans in attendance. When the Redskins are not using the facility, it doubles as a Bon Secours Sports Medicine Facility. The Redskins have brought immense excitement to the Richmond area with their training facility, and ACES is honored to have been a part of the facility's success.


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What Is Intrauterine Insemination (IUI)?
IUI is a procedure that places sperm inside a woman's uterus to facilitate fertilization. The goal is to increase the number of sperm that are able to reach the fallopian tubes to increase the likelihood of fertilizing an egg cell.
Prior to IUI, sperm cells are "washed" and concentrated and are then placed throughout the cervix and directly into the uterine cavity around the time that a woman is ovulating.
When Is It Used?
IUI may be incorporated as part of fertility treatment under the following circumstances:
- Male factor infertility
- Unexplained infertility or subfertility
- Donor sperm for single parents by choice or LGBTQIA+ parents
- Cervical problems
- Sexual dysfunction, such as painful intercourse, erection or ejaculatory problems
What Do I Need to Know?
IUI is an outpatient procedure performed in the office and does not require medication or pain relievers. The process is comparable to what a woman experiences during a routine well-woman PAP examination.
- While lying on an exam table, the patient places her legs into stirrups, and a speculum is placed into her vagina.
- A vial containing a partner's (or donor's) sperm is attached to a long, thin, flexible tube (called a catheter).
- The catheter is passed through the cervix and sperm is placed into the uterine cavity.
After insemination, the patient should lie back and relax for a short time. Once the procedure is complete, she can return to normal light activities.
Information Source: Mayo Clinic
Get in Touch With Us
If you'd like to learn more about growing your family with OC Fertility, fill out our contact form, and we'll be in touch shortly.
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Learn more about our Patient-Centered Approach to Care or schedule a new patient consultation.


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A total of 21,014 residential units, including apartments, villas and townhouses, had been completed during the third quarter of 2018 and this year the number of new homes is likely to hit 47,500, said a report by Property Finder, the UAE's pre-eminent real estate portal.
The increased amount of completed projects is unprecedented and in the short-term the new inventory will help tenants to negotiate for more competitive rents.
As of October 2018, there were 14,707 residential units with a 95 to 99 per cent completion status with expected completion by the year's end. However, only 1,187 of those units were completed by the end of 2018.
The remaining 13,520 units would likely be completed in the first half of 2019, stated the "Property Finder Trends" report. In addition there are the projects slated for 2019 completion to add to this spillover stock.
Property Finder research found 33,982 residential units under construction in Dubai with a completion status of at least 65 per cent with completion dates scheduled throughout 2019.
Read More
Cost of Living to Fall in UAE Due to Declined Rents, Oil Prices
Rent Defaulters in Dubai Can Lift Travel Ban by Paying the Debt at Airport
Accounting for the 13,520 units that were scheduled to complete in 2018 to the figure slated for completion by the fourth quarter, 47,502 residential units are expected to be completed in 2019, it added.
However, the year-on-year drop in prices due in part to the amount of additional supply and subdued demand means we can expect more price declines in 2019, stated the UAE portal in its report.
According to Property Finder, this bodes well for long-term renters who will find home ownership more affordable now.
"While many believe we are in a slump and property prices will go back to pre-2016 levels, the reality is that with the considerable amount of supply already released into the market, and the upcoming supply through 2022, the prices we are experiencing today are the new normal," remarked Lynnette Abad, the director of Research and Data at Property Finder.
"We can expect prices to decline further in 2019 as the market absorbs the immense amount of supply that came in 2018, and what will complete in 2019," he added.
Some of 2018's notable handovers include 3,761 apartments and serviced apartments in Business Bay. The Burj Khalifa area saw 2,015 apartments added.
Additionally, 394 villas were completed in Dubai Properties' Arabella project in Mudon. Jumeirah Village Circle saw 2,228 apartments and townhouses completed.
Overall, the southeast and southwest parts of Dubai are seeing the most activity with ongoing developments such as Reem's Mira Oasis, which will have 1,393 units in three phases once it is complete, said the "Property Finder Trends" report.
Remraam saw the addition of 2,641 units by Dubai Properties. Town Square by Nshama saw 231 apartments and 730 townhomes released in Hayat earlier in the year.
Motor City saw the completion of 137 villas in the Casa Flores project, 136 units in Eden Apartments, 95 townhouses in Casa Familia and 269 apartments in Oia Residence, it added.
Via SyndiGate.info
Copyright 2020 Al Hilal Publishing and Marketing Group


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HERNO Cap Sleeve Down Vest (Olive Green)
$ 425.00
Cap Sleeve Down Vest
Color: Olive Green
A perfect interpretation of Herno's innovative mood, this ultra-warm down vest is styled with cap sleeves for a striking update. Herno's down is produced with one of the most innovative padding techniques which makes them extremely light, soft and appealing.
- Body 100% Nylon, Lining 100% Nylon
- Padding 90% Goose Down, 10% Goose Feather
- Medium Insulation
- Injected with ultralight goose down
- Boatneck collar
- Press-stud closure at front
- Logo plaque at back collar
- Welt pockets at waist
- Tonal stitching
- Silver-tone hardware


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Short for PCI extended, an enhanced PCI bus. PCI-X is backward-compatible with existing PCI cards. It improves upon the speed of PCI from 133 MBps to as much as 1 GBps.
PCI-X was designed jointly by IBM, HP and Compaq to increase performance of high bandwidth devices, such as Gigabit Ethernet and Fibre Channel, and processors that are part of a cluster.
IT Solutions Builder TOP IT RESOURCES TO MOVE YOUR BUSINESS FORWARD
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Report: Verizon's Go90 Nears Launch
Go90, Verizon's ad-supported "mobile first" OTT video service is inching toward its commercial debut, with a launch expected in the "coming days," Bloomberg reported Tuesday, citing a person familiar with the situation.
Verizon has not revealed a launch date for Go90 and didn't comment on the Bloomberg report, but it has said previously that the service is poised for a late summer debut.
In the meantime, Verizon has announced several content partners for Go90, including Discovery Communications, Vice Media, Scripps Networks Interactive, ACC Digital Network, Campus Insiders, CBS Sports, ESPN, 120 Sports, Awesomeness TV, and AOL, which Verizon acquired in June and brings with it key programmatic advertising technology.


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Risbygate Sports Club
Bowen Clinic
Hello, my name is Anita Costello and I offer Pain & Stress Relief at the Risbygate Sports Club in Bury St Edmunds. I am passionate about helping people achieve their health goals and use my therapies as a way to make people feel better, faster.
With a sporting background myself, I understand the frustration of not being able to achieve all that you want to – whether that's training, work or sports – if you're limited by an injury. Helping people get back on track is what I do best.
Complementary therapies
Complementary therapies helped me regain my health from a debilitating illness 21 years ago and this prompted me to become a therapist. I am fully qualified in Bowen, Reiki, Hopi Candles therapy, Indian Head and Holistic Facial massage. Qualified as a Bowen Therapist since 2001, my ongoing training includes specialist Sports Injury and Cerebral Palsy/Autistic treatment and Back Pain. I founded the Bowen Children's Clinic in 2005 and have worked with the war victims in Bosnia.
Currently I work voluntarily with Combat Stress and Help the Heroes.
Member of Bowen Therapist Professional Association
I am a member of BTPA (Bowen Therapist Professional Association). BTPA provides standards of professional excellence and a code of practice for the protection and benefit of the public and members. I am a member of the Complementary and Natural Healthcare Council. CNHC is the UK regulator for complementary healthcare practitioners and I am bound by their Code of Ethics. My approach is client centred and my aim is to restore and maintain your health and well-being and alleviate back pain.
For more details about the therapies that I can provide visit my website at: anita4bowen.co.uk


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Free business counseling offered May 15
CHILTON - The UW Green Bay Small Business Development Center will offer free one-on-one business counseling sessions from 8:30 a.m. to 4 p.m. May 15, for new and existing Calumet County businesses and entrepreneurs. Sessions are held monthly at the Calumet County Courthouse, 206 Court St.
An appointment is required for individual sessions and can be made by contacting Mary Kohrell, Community Economic Development Director, at 920-849-1680 or firstname.lastname@example.com.
Read or Share this story: https://post.cr/2rs8i8k


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WesternZagros Resources has started drilling operations at the Mil Qasim-1 well on the Garmian Block in the Kurdistan Region of Iraq.
Mil Qasim-1 is located three kilometers to the south-east of the Company's Sarqala-1 discovery well. Mil Qasim-1 is targeting the prospective Upper Fars interval that exhibited numerous oil shows, including oil to surface in the drilling mud, while drilling the same interval in the Sarqala-1 well. The planned total depth is approximately 2,400 metres.
"This is the first well to be drilled on the Mil Qasim structure, which we believe could potentially be developed jointly with Sarqala," commented Simon Hatfield, the Company's Chief Executive Officer (pictured). "With an independently audited mean estimate of 106 million barrels of prospective oil resources at Mil Qasim, we're excited to explore this structure, which is also the second of the three wells that make up our objective of discovering 800 million barrels of oil by mid-2012."
Drilling Mil Qasim-1 fulfills WesternZagros' work obligation under the first exploration sub period of the Garmian PSC. As Operator of the Garmian Block, WesternZagros is currently funding 100 percent of drilling operations until such time as a third party participant is assigned a 40 percent working interest in the Block by the Kurdistan Regional Government. The Company expects the gross costs associated with drilling and testing operations to be in the range of US$30 – 35 million. The delay in spudding this well was to ensure the drilling contractor met the Company's operational requirements.


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Kookai Oyster Blazer
With its classic collar and gold tone buttons, the blazer features two front functional pockets with a slightly oversized & relaxed fit.
Pair with our Oyster Belted Shorts for the perfect combo!
Size on Tag: 38
Recommended: large 8 - 10
Please book for the date you are WEARING the garment, the return date is based off this. We aim for our garments to arrive at least one working day before your event, USUALLY more.


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Honour board - Roll of Honour 1914 - 1918
From the Collection of Telstra Museum, Melbourne 375 Burwood Road Hawthorn 3122 VIC
- Handpainted paper on linen honour board, perspex glazed with a wooden frame.
- 1364
- pmg, postmaster general's department (pmg), world war 1, ww1, postal workers, honour boards
- An honour board commemorating Victorian Postmaster General's Department workers who served in World War 1. A total of 3,726 employees of the Postmaster General's Department enlisted in the Australian Imperial Force during World War 1. This represented about one in every five of the total number of men employed by the Department. Many other employees volunteered, but were rejected for health or other reasons, whilst men in key positions could not be spared. This board was displayed at the Spirit of ANZAC Centenary Experience, Melbourne, in February 2016.
- 1920
- An unusual example of honour board that is handpainted on paper and is comprehensive in including the names of those who served from Victoria. The museum holds a black and white photograph dated 1919, that shows an image of the honour board in progress, with only half of the names present.
- 1 May 2018 at 3:12PM


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Orders are processed within 2 business day from submission.
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Orders shipped out may be subject to import taxes, customs duties, fees, and/or VAT (Value Added Taxes) levied by the destination country. You are responsible for paying any taxes, duties, customs fees, and/or VAT charged by your government, as Thorplug has no control over these charges and cannot predict what they may be. Please contact the local customs office in the relevant jurisdiction for additional information on customs policies or duties.
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Customs clearance procedures and inspections can cause delays beyond our original delivery estimates. Thorplug is not responsible for delays in shipping caused by extraneous factors (such as weather, inspections, incorrect addresses, labor disputes, and/or transportation problems). We cannot be responsible for lost or damaged packages.


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"The art is to make technology look convenient, rather than overwhelming," says Dattatri Salagame, Head-Digital Business of Robert Bosch Engineering and Business Solutions. The company is on a 'everything-connected' quest. And leading Bosch businesses in digital adoption is Dattatri Salagame.
At Beyond Mobility 2.0, a biennial flagship event from Bosch showcasing connected products and solutions in the mobility space, Salagame sat down for a tête-à-tête with ETCIO.com. While Salagame spoke about how connected products could help change the business model, he also delved deep into the roadblocks in Indian scenario and the possible solutions, and the answer to the tech's skill gap.
What new digital initiatives have you planned at Bosch?
There is stated mandate: 100% of our products will be connected. We not only connect products that we already have, but in future we don't develop anything which is not connected, not cognizant. The big mandate is bring lot of automation in our manufacturing so that there is huge productivity gain. Second, connect your products, collect data and see if there is an opportunity to change the business model. The journey started two-three years ago, therefore we have gathered huge experiences around it. We are a software company as well, so for doing this we have IoT, Industrial IoT platforms, connectors, edge devices, CoE.
Second mandate is take this advantage to the external market. It is not just about offering software services, but about offering business redesign-as-a-service. Because digital is not just technology service, but about helping your clients redesign their business. That is how we approach digital.
The IT layer exists in some form and shape. Without good ERP you can't generate balance sheet, can't report it to shareholders. So to try compliance in your organization, you need consistency, connected transaction. Digital is about going beyond ERP, that is operational technology. ERP looks at how much you've produced on a machine, it doesn't collect data of what's happening in a machine, whether it is healthy or not. If machine shows sign of not being healthy, then I should contact maintenance. OT and IT platforms have a connectivity protocol. Our platforms have seamless connectivity to ERP.
How can advanced analytics and AI help innovation?
Stage 1 would be to connect and then collect the data. The industry is in the process of connect and collect, so you connect to the machines and collect a lot of data. Having collected the data, you do the analytics and then get into the world of artificial intelligence. When you get into machine learning you start predicting what could happen next. How accurate is the prediction depends on the algorithm and how do you make your algorithm learn. That is where your differentiator comes in. Once this wave of connect-collect passes, industry will move towards interpreting this data and bringing intelligence out of it. So there are huge benefits. For instance, take quality inspection at a line, at the end you inspect your product for quality. Even today, it's manual inspection. Imagine replacing this with a high definition camera, collect the images, trying the system for a period of time. If the prediction capability exists upto 95%, it is as good as human beings.
What are the roadblocks to implementing this vision in the Indian scenario?
When you look at an Indian scenario, there are large companies, multinationals, and SMEs, which constitute the bulk of Indian manufacturing, from a production point of view. For SMEs, the cost of acquiring technology and maintaining it, is prohibitive. For instance, if I deploy a state of the art software in their premises, you would need a server room with a personnel for its maintenance, IT professionals and buy software licenses, which is disproportionate to their outcome. Hence, you have to climb this barrier of cost of ownership of technology and talent.
For the Indian industry, we are thinking: Can we commoditize what is high-tech? When you convert this into a subscription-based model, you are making it affordable. A SME cannot invest in developing an algorithm for AI. When the AI algorithms are pre-developed, while on the cloud, delivered to them as outcome while on subscription basis, the affordability goes up. That's the route we are taking.
How can the skill gap be addressed?
Skill gap is huge, but how do you overcome it? One way is training, which is organic, and the other way is innovate on usage. For instance, millions of people used to code. With the advent of code generators, it simplified coding. The technology always comes with a huge expectation of: How do I learn?
The first stage is: Make technology so usable and simple, that the skill difference for usage is minimum, so you are actually not making them as data scientists. Bring them upto speed for using primarily. A decade or two ago, when SAP was implemented, everybody was trained. But a shop floor employee, doesn't need to be trained for SAP, but has to be trained on usage of two-three transactions, relevant to him. The art is to make technology look convenient.


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- A bloom that once sat latent and waiting deep inside a buried bulb. Now reaching towards the skies, opened to the Light, bearing all she holds within. #lovebulbs #feelthemusic #lovealters #stayinginaweThe circumstances of your dying do not negate the beauty of your living. They do not invalidate the truth of your love. Nor the purity of your soul. #lovealters #feelthemusic #stayinawe #love #justloveWe can be broken and whole. There is freedom when we can feel whole despite our brokenness. When form breaks, one reality disappears. But we are still here. We can still love. And love is all there is. Beautifully broken and open to grace. #broken #beautifullybroken #feelthemusic #grace #loveunboundSummer leaves so suddenly. Giving way to the darker half of the year, revealing the door to the inner worlds. Where winter's sustenance will be found. ....Right now. The winds. They have some story to tell. #gardengates #recalibrate #feelthemusic"Coordinate on Love, calibrate on Truth and activate your Faith in the way of your soul." New (old theme for @nourishingstorm ) post on the beelog. Thought maybe I'd start posting here that I posted there. 🤓🕸💜 #activate #blogSometimes I use my planner for divining. Flip to a random old page (where I sometimes sketch out readings - mostly with @the_wild_unknown like seen and quoted here). A lot of times, it just confirms what I already know. This bit I hope you all who stopped to read this know as well. "The future is infinite and it is yours". #thewildunknown #tarot #feelthemusic #threeofwands #wheeloffortune
Tag Archives: energy shift
Collective Evolution: Finding Our Heart
A post from November of last year for my fabulous friends at PsychicsForetell. Lately it seems that everyone I speak to is feeling a shift in energy. Some feel it is a global awakening. Some read it as apocalyptic. Some … Continue reading
Posted in Live and Learn, PsychicsForetell, Uncategorized, Vibes, Yoga Tagged chakras, ego, energy shift, evolution, heart centered, PsychicsForetell, sankhya, yoga Leave a comment


text: At present, China's economic and social development is restricted by many factors, such as environmental pollution and the supply of energy, land resources and water resources. Compared with traditional terrestrial photovoltaic (PV) systems, floating PV systems can save a lot of land and water resources and obtain higher power generation efficiency. Although the academics have reached a general consensus about the advantages of floating systems, very few in-depth studies focus on the specifications of floating PV systems. Therefore, this study first discusses the development of PV technology, then studies the power generation efficiency of floating PV systems, and finally comprehensively analyzes the advantages and potential of floating PV systems in China.


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Often regarded as one of the best handling cars in its class, the Focus offers a high level of driving dynamics thanks to its control blade rear suspension. In top range models, the Focus also comes packed technologies such as Microsoft Sync, City Safety braking system and a park assist system which does the tedious task of parallel parking for you. The Focus is powered by a new 1.5 liter Ecoboost engine, replacing the 1.6 and 2.0 liter naturally aspirated engines.
The 2016 Focus Titanium+ is packed with revamped technologies and a new engine that could lure you into choosing the underdog of the local compact sedan segment. The Japanese may have dominated the said class but, Ford is determined to fight back with the 2016 Focus. With its aggressive exterior, improved infotainment, upgraded tech, enhanced handling and a new engine, the Focus seems ready to take on the challenge and be the segment's dark horse
Read more: http://www.autoindustriya.com/car-reviews/2016-ford-focus-1-5l-titanium.html


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There he stood. At the head of a line that was finally getting shorter. A line of fanatics all waiting to see him. A rock star in the world of social media -- Chris Brogan.
So there I was, with my wife Susan, patiently waiting for our turn to step in. Camera out and ready to snap. My mind racing on what I was going to say.
Now please understand I am a huge fan of Chris Brogan. Maybe borderline groupie? Um, no. But, I definitely like and respect him tremendously. And here he was in front of me at InfusionCon last week. An event with Chris, myself and about 1,400 other on-fire entrepreneurs.
Wait a minute; never heard of Chris Brogan? Silly you. If you're a serious entrepreneur wanting to impact the world, you need to know Chris. He will help you build a strong relationship with your customer. So pick up one of his books; check his website, or just stalk him like I did.
Either way, he's the man.
So back to my story...
Standing there. With my wife. Waiting to make our move.
Suddenly, the man in front of us is done, and voilà -- we're up.
Moving in quickly, not wanting to take up more of his time; I introduce myself, thank him for being there and ask for a quick picture. He asks what I do and I give my usual -- "I'm an entrepreneur; I write about entrepreneurs on Forbes; and I help entrepreneurs get "unstuck".
Then he hits me with this nugget:
"Hey, wait a minute. I know you. I've been following your tweets all morning. You're doing a good job communicating with everyone. And hey, you're good looking. Did you lose weight? But you need to change your profile picture. You look better in person then you do in your picture."
Dumbfounded; I don't remember what happens next. But Susan snaps a quick picture of us; we trade a couple of follow up pleasantries (whatever those are), and then Susan and I hit the road.
Me? Shaking my head at what just happened. Now you see, it's really cool when the people you look up to actually know who you are. I mean seriously, I know Chris isn't like Donald Trump or something, but so what. Close enough for me.
But more important, after shaking off the stun gun, I realize Chris just gave me a lifetime of wisdom in 30 seconds. And no, it's not about losing weight.
So here's what I learned, and am passing on to you, in my 30 seconds with Chris Brogan:
Who was it that said we live in a world where there is 10 of everything? Want to buy some ketchup at the store? 10 choices. Need to grab some dinner on the way home from work? 10 stops along the way. Want to buy a new laptop for your business? Oh boy, don't even go there.
The point is you've got to do something to stand out. To be different. They don't call it a UVP (unique value proposition) for nothing. Look at my friend Dave Mayer. The guy runs up and down the streets at the Tour de France in a silly bottle-boy suit. But guess what? That one move got him on international TV; got him an introduction to Bill Walton, and has basically rocked his entrepreneurial world ever since.
So, how did I stand out in Chris' eyes? Thought you'd never ask...
You want the big secret to social media? It's worth 10 million bucks if you get it right. Do you want it? Are you sure?
That's it. That's the secret sauce. Now why in the world we make it so complicated is beyond me. All I was doing on the morning Chris noticed me was having a lot of conversations with people on Twitter. Oh, and using the official event #ICON12 hash-tag to do it.
So many entrepreneurs and businesses do not get this. They're still thinking we're in the 1950's with broadcast TV. Except now there are just more channels to broadcast over.
Twitter. Email. Facebook. Whatever.
Stop broadcasting your "we-we" messages will you! Seriously. People don't care. Start having some conversations instead. Open up. Ask some questions. Be conversational.
It works. And it works incredibly well if you do it right. Oh, and one last thing I learned ties directly to this...
Now admittedly, Chris telling me my profile picture was no good hurt my little feelers. Of course, I got over it. But, he's right. You've got to put up a decent picture of yourself.
Oh, and did you catch that? A decent picture of yourself. Listen, here's the deal: If you own a small business, you're the brand.
No, wait a minute. You're not listening to me.
You are the brand.
So please, take down that silly picture of your logo on Twitter (or Facebook, or whatever) and stick up a pretty picture of yourself.
People don't want to connect with abstract things. People don't want to have a conversation with a logo or a picture of your building. They want to connect with other people. Yes, people like you. So, if your profile picture out there in the social media world stinks -- do something about it. Like today!
We can do this folks. As entrepreneurs, we can do these 3 simple things I learned from Chris. Will it always be easy to "stand out", "focus on conversations", and "sharpen your image"? No. But so what. If it were easy, everyone would be an entrepreneur.
So Chris.... on behalf of entrepreneurs everywhere -- I thank you for your wisdom. I thank you for flying all over the world to share it. And I thank you for spending 30 seconds with me and giving it straight to my face.
I love you man... :-)
If you don't know me, I'm Eric.
Husband, father & life-long entrepreneur...
If you're an entrepreneur, let's hook up. Seriously. Here's a killer formula:
Your Wisdom + My Wisdom = More Success.
My email is: eric at mightywisemedia dot com. Shoot me yours right here and let's connect, okay? Together we can really nail this thing. :-)
(You can find me hanging out at Mighty Wise Media or on Twitter @MightyWiseMedia.)


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In an interview with Yemi Alade that has gone viral online, Hot Fm's 98.3 Abuja Oap , Misi made a comparative analysis of Tiwa Savage vs Yemi Alade.
She claims Tiwa cant really sing even though she has nice tunes and she dances to her tunes but that Yemi Alade has a stronger vocal range.
Yemi Alade responded; Gracias.
There have been an unspoken cold war between the two artistes and this latest development has added more gasoline to the fire. There is currently an online debate between fans of the two most popular female artistes in Nigeria Music.
Watch the Video below.


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Orders are dispatched from the UK within 2 working days of receiving your order. Please allow 3-5 working days for your order to arrive once dispatched. Contact us immediately if your order does not arrive within the stated time period.
Some items will be shipped directly from the designers; you will receive an email confirming this. As all our designers are based in EU, the delivery time is slightly longer and will take an extra 2-3 working days to reach you.
Ordering from outside UK – Please note that some items sent overseas may be liable to import fees or custom charges – please check with your local authority what is allowed and what are the charges. It is the customer's responsibility to pay these charges.
Packaging – we care about the environment and are passionate keeping packaging materials to the minimum. We always try to re-use the boxes and other packaging materials.
If for any reason you are not entirely satisfied with your products, then we will accept returns within 14 calendar days from receiving your items. We ask that you email us if you do feel you'd like to send your order back. For any refunds the products must be unused, undamaged and in the original packaging.
We cannot cover return postage costs. Please note that the parcel is your responsibility until it reaches us, so please obtain proof of postage from your post office.
In the unlikely event that you receive broken or damaged goods, we require you to photograph the damage and send us an email. We hope this is never the case but we will do everything we can to resolve the issue offering you a full refund or exchange.
We aim to process all refunds within 5 – 7 days, at which point you will receive a confirmation email.
Postage costs are non-refundable, if you receive a refund it will have the postage costs deducted.
If you have any concerns or questions about the delivery or returns, please feel free to contact us.


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Drugs giant Alexion Pharmaceuticals has announced it is to construct a new €100 million manufacturing facility in Athlone which will create 50 new jobs.
The US-headquartered Alexion Pharmaceuticals is to build a new biologics manufacturing facility in Athlone, alongside its existing site.
Biologic treatments are developed by isolating naturally occurring sugars, proteins or other genetic material as opposed to chemically synthesised drugs.
"Ireland is a key location for Alexion's global operations and we are committed to further developing our manufacturing facilities in the country to support increasing production needs of our highly innovative and life-transforming therapies."
Julie O'Neill, Alexion's Executive Vice President of Global Operations
Alexion first came to Athlone in 2014 and the current site there houses a vial fill-finish facility.
Alexion is also currently constructing a large-scale bulk biologics manufacturing facility at its Dublin site in College Park.
Between its facilities in Athlone and College Park, Alexion currently employs over 250 people in Ireland, and expects to continue to grow to almost 500 employees by the end of 2019.
Alexion has announced investments totalling €600 million in Ireland since 2014.
Upload your CV to apply for as many jobs as you like.upload your CV
CareerWise Recruitment. EastGate Village, EastGate, Little Island, Cork.
Phone: +353 (0) 21 206 1900
Email: email@example.com


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William H. Thielen was born March 18, 1954 in Pierre, South Dakota, where he grew up. He did his undergraduate studies in painting at Northern State University, Aberdeen, South Dakota from which he received a B.S. in Art in 1977 with a major in Painting and minors in Fibers and Sculpture. At that time Thielen realized that in making his art he wanted a broader base from which to draw. He, therefore, enrolled in graduate studies under M. Joan Lintault at Southern Illinois University Carbondale. He received his M.F.A. in Fibers in 1980.
Just after completion of his terminal degree, the artist accepted an invitation to
be a multimedia panelist in Fibre-
Mr. Thielen has received purchase awards from the Evansville (Indiana) Museum of
Art and Science in 1993 and the Mitchell Museum, Mt. Vernon, Illinois, in 2002. He
has also received merit awards from the 31st Annual Quincy Show, Elizabeth Sinnock
Gallery, Quincy, Illinois in 1981; the Alexandria Fine Arts Annual, Visual Art Center,
Alexandria, Louisiana in 1982; the Self-
In 1984 he was one of ten artists chosen from an international pool to participate in the Interchange Program at the Banff Center for the Arts, in Banff, Alberta, Canada. This collection of emerging artists spent the summer studying with artists from the U.S., Canada, and Europe, including Francoise Grossen, Gary Trentham, Ritzi and Peter Jacobi, Mildred Constantine, Mariette Rousseau, Patterson Sims, and Judy Pfaff.
In 1984-
In 1990, Thielen was one of only five artists chosen from a national pool in the
"Big Art" competition of the Arts Festival of Atlanta. His work was reproduced on
a 12-
More recently, in 1992 and 1997, the artist was awarded an Expansion Arts Grant by the Southern Illinois Arts Council in conjunction with the Expansion Arts/Access program of the Illinois Arts Council.
The artist has conducted visiting artist lectures/critiques at:
Southeast Missouri State University, Cape Girardeau, 2009
Western Kentucky University, Bowling Green, 2009
Southwest Missouri State University, Springfield, 2001
Western Illinois University, Macomb, 1998
Lockport Gallery, Lockport, Illinois, 1996
Eastern Kentucky University, Richmond, 1994
Vincennes University, Vincennes, Indiana, 1991
Truman University, Kriksville, Missouri, 1989
Illinois Wesleyan University, Bloomington, 1988
From 1990 to 2000, he was an active member on the Board of Advisors for the Gallery of Contemporary Art in New Harmony, Indiana.
In 1995-
Thielen was a guest critic for the "Fall Arts Preview" in the Nuvo Newsweekly of
Indianapolis in its September 14-
Reviews of Thielen's works have been published in the New Art Examiner (Sep., 1990), Art Week (June 1, 1985), the Los Angeles Times (June 4, 1981), Fiberarts magazine (July/Aug., 1985 & Sep./Oct., 1981), and numerous regional newspapers. His work appeared in Soft Sculpture by Carolyn Vosburg Hall (1981, Davis Publications, Worcester, MA).
In 2002, the artist's work was included in a invitational exhibit at Gary Snyder
Fine Art in New York, titled "Five Hundred Abstract Works on Paper, 1922-
William H. Thielen is currently a full-
Copyright© 2011 -


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Women's Football News
Newcastle Utd trimmed Bradford City's Northern Division lead to four points with a 3-3 draw against Huddersfield Town. Leeds Ladies meanwhile ran out 4-0 winners away to Mansfield Town thanks to a Shelbey Morris brace, Rachel Ackroyd and Cara Mahoney.
One match managed to survive the weather in the Midland Division, Stoke City winning 4-3 away to FC Reedswood. Francesca Curteis netted twice along with Eleanor Walker-Smith and Amy Whieldon to help Stoke go third in the table.
Sasha Kelly and Gemma Abela each netted twice for Southern Division leaders West Ham Utd in their 4-0 victory over Tottenham Hotspur. Charlton Athletic stay second after beating Crystal Palace 4-2 through Clare Rogers, Hope Nash, Kylie Manktelow and an own goal. Brighton & Hove Albion are in third following their 4-1 win against Queen's Park Rangers and C & K Basildon triumphed 3-1 at Bedford Ladies with goals from Nicole Farmer, Kirsty Knight and Lucy Wyatt.
Liverpool made it six wins out of six at the top of the FA WSL Development League Northern Division when beating Sunderland 3-1. Ellie Stewart, Claudia Walker and Katie Zelem were on target for the Reds. Chloe Adams, Grace Vella and Aisha Yallop scored the goals as Manchester City defeated Notts County 3-0 and Aston Villa won 5-3 against Doncaster Rovers Belles thanks to Lowri Walker (2), Natasha Baptiste, Beth Merrick and Amy West.
Arsenal held on to the leadership of the Southern Division with a 4-2 win away to previously unbeaten Yeovil Town, Evie Clarke scoring twice along with Frances Steele and Aylsha Stojko-Down. Chelsea are a point behind in second place after beating Reading FC Women 4-0. Amy Makewell (2) and Madison Scheffer were on the scoresheet as Watford defeated Millwall Lionesses 3-0.
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So how do you know how much water you should be drinking to help prevent headaches and dehydration? That is somewhat subjective. Everyone is different, as our bodies widely vary. No two people are exactly the same. To tell a 5'2", 115 pound female that she should be consuming the same amount of water each day as her 6 foot, 285 pound male counterpart does not sound reasonable. So the general statement of consuming eight 8 ounce glasses of water a day is too broad and generalized to work for everyone. Some suggest a more realistic version of it by saying to take your weight in pounds and divide that number in half, and that number is how many ounces you should drink each day. As a better, more individualized guideline, pay attention to how you are feeling and your urine. If you feel thirsty, fatigued, foggy headed, getting muscle cramps, headaches, or have dry skin, you probably need to consume more water. If your urine is not clear or very pale yellow, then you should drink more water. When your urine is bright yellow, it means that you do not have enough water in your system to flush out your body's waste materials.
Does the thought of constantly drinking water all day sound daunting to you? I will let you in on how I help keep myself hydrated and what my water consumption throughout the day looks like. Drinking enough water and staying hydrated does not need to be a difficult or daunting task. This is what I do for most days:
- I keep a glass of water by my bed at night. If I wake up in the middle of the night and my mouth feels dry or if have to go the bathroom, I take a sip or two of water.
- When I wake up in the morning, I finish that glass of water.
- After I have breakfast, I take my daily supplements and vitamins and wash them down with another glass of water. (If you don't take any, rinse your palate with a glass of water either with or immediately after your eat your breakfast).
- Before I leave for work, I fill up my water bottle. (Most water bottles are between 16 ounces to 20 ounces.) My goal while at work, it to consume that entire water bottle by lunch time. I keep it close by and in quick reach of me at all times.
- Once that water bottle is empty, I refill it. I then make it my goal to finish that entire bottle of water by the time I get home. Sometimes even if that means I am drinking it on my drive home. The point is to finish it before I walk in my front door.
* If you go through your water bottle faster, always refill it as soon as it is empty and have it in reach to consume throughout the day.
- If it is a night I am working out after work, I drink another glass of water before I leave and refill my water bottle to take to the gym.
- Depending on my workout, I drink throughout the hour session and set the goal to consume the entire bottle of water, if not more, by the time I get home.
- On nights that I do not work out, I drink a glass of water before dinner and I usually will have another glass after I finish doing the dishes. (That is two more glasses of water in the evenings).
- I try to drink at least a half glass of water about 45 minutes before I go to bed as well. Then refill my cup to keep by my bed at night again.
If you do not care for the taste of plain water, try adding fresh slices of fruit into your water. A lemon or lime slice is very common, but a slice of orange, cucumber, a sprig of mint, or even some fresh berries or a few small chunks of watermelon can add a nice little flavor to your water while still keeping it healthy. Caffeine-free teas are another great way to consume water with some flavor. Try to avoid anything with added sugars, carbonation, and caffeine, as they will all aid in dehydrating you.
The main point to helping you stay hydrated is to keep water nearby at all times and drink it frequently. If you ever feel thirsty, you are dehydrated. If you keep yourself well hydrated, you will find that you may have fewer headaches, if any at all. You may even feel more energized, can think more clearly, have healthier looking skin, and get sick less often. Just some of the many benefits of staying hydrated!
Cheers to consuming water and preventing those nasty headaches!


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IgadI is a full spectrum Cannabis Company dedicated to creating the ultimate experience by producing High Quality Products through Transparency and Education. IgadI demonstrates a devotion to innovation by applying scientific knowledge to each product line to create a unique and educational experience for our customers.
IgadI's Headquarters in Tabernash, Colorado showcases the largest observable marijuana grow in the world. This state of the art grow features a waiting room with viewership into the three stages of expert plant cultivation. The retail space includes a view into our professional edibles kitchen in addition to providing educational information on all of the processes occurring behind scenes at the IgadI facility.
IgadI operates every license available in the Colorado market and produces a variety of product lines including Gummies, Baked Goods, Concentrates, and Cartridges. Our products are available all over Colorado from Denver to the Western Slopes. Whether you get our products from an official IgadI Location or any of our dispensing partners around the state we hope that you have an amazing cannabis experience and we look forward to re-imagining cannabis with you.
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From vitaminwater to the Victoria's Secret Fashion Show, Full Picture Public Relations & Marketing creates custom media campaigns for some of the highest profile brands in fashion, lifestyle, and entertainment. Full Picture's diverse public relations and marketing team is a cultural nexus of expertise, positioning its clients as the leaders of "what's next" in fashion, style, branding, entertainment, and media.
Our Entertainment division combines innovative formats with talent to execute original programming, capitalizing on the company's extensive experience and relationships in entertainment, fashion, and beauty. Full Picture co-created and executive produces the seven-time Emmy-nominated, PGA-nominated, and Peabody Award-winning series Project Runway.
Full Picture's Strategic Management & Licensing division matches top talent with unique initiatives in fashion and entertainment. We use our extensive contacts across the media, retail, broadcast, and digital industries to maximize commercial opportunities.


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Here all the information about the metro station Akademicheskaya (russian: Академическая ) In Moscow. Nearby streets, land transport routes to the Akademicheskaya, the location of the surrounding railway platforms - all this can be found in the sections of this page. In filed under "Infrastructure" and "Organization", collected addresses and contacts of institutions located near the metro station. Also, for the possession of the necessary navigational information, you can find the location of the metro station Akademicheskaya on the map of Moscow.
Bus stop
Akademicheskaya - quite near
Bus stop Cinema
Ulan-Bator - 340 meters
Bus stop Street Ivana Babushkina - 440 meters
Bus stop Tekhnikum - 470 meters
Bus stop Shop
Morozko - 480 meters
Bus stop Street Ivana Babushkina 6 - 580 meters
Bus stop Street Shvernika - 620 meters
Bus stop Street Dmitriya Ul`yanova - 640 meters
Bus stop Street Kedrova - 650 meters
Bus stop Novocheremushkinskaya street - 720 meters
Rail station Nijniye Kotly - 3 100 meters
Rail station ZIL - 3 700 meters
Rail station Kolomenskoye - 4 900 meters
Rail station Moskva-Tovarnaya-Paveletskaya - 5 km. 400 m.
Rail station Moskva-Sortirovochnaya - 6 km. 0 m.


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Tuesday, January 29, 2008
Singapore Dollar vs. US Dollar showing projected peak in July 2008.
As can be seen in the chart below, the forecast from the winter of 2007-2008 for the peak in the Singapore Dollar Vs. the USA in July 2008 was exactly correct.
5 comments:
- AnonymousMon Nov 03, 12:28:00 PM PST
Your analysis is very intringing and correct. I would like to understand your analysis.ReplyDelete
Why do you have more analysis?
Can you be contacted by e-mail?
- AnonymousMon Nov 03, 12:31:00 PM PST
Your analysis is very intriguing and correct. I would like to understand your analysis.ReplyDelete
Why don't you post more comments?
Can you be contacted by e-mail?
Well, the site is just a hobby at this time, I have had dozens of hits on market turns over the past decade using this oscillator.
I may post some more projections in the near future. I think this market sell-off will likely go down into mid 2011, in line with Martin Armstrong's pi cycle, I have some long term projections in agreement with the 8.6 year pi cycle.
At this time I am just communicating through this site.
- AnonymousTue Nov 04, 07:14:00 AM PST
Thank you for your fast answer!ReplyDelete
How does your oscillator work? How can I understand it?
The Pi Cycle have been correct.
Don't heistate to post more projections.
- AnonymousTue Aug 24, 11:34:00 PM PDT
Hi, Russ. I wonder if you could update the singapore dollar chart. TIA.ReplyDelete


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well it snowed yesterday, I only know this because I was feeling a little better and got up for my 9am class. By 11.30 ish it had turned to slushy rain, one good thing about getting up so early is that you can go for breakfast after class – I went to Monster Mash with Sarah :).
– but it's looking like it will definitely be a cold winter. Consequently I'm so glad I started this while lying in bed on Thursday –
It's raining again now – which isn't quite so exciting, but it is a pretty good excuse to curl up in bed and finish the other sock.


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ACSSJ Exchange
Association of Colleges of Sisters of St. Joseph College Exchange
Avila University is one of nine universities in the U.S. that is sponsored by the Sisters of St. Joseph and is part of the Association of Colleges of Sisters of St. Joseph. As an Avila student, you are able to study away, for a semester or a year, at one of these other institutions at no additional tuition cost. That is, you pay your Avila tuition and are then able to study away at one of these eight universities. For more information or questions, inquire here:
Chestnut Hill College Philadelphia, PA
College of Our Lady of the Elms Chicopee, MA
Fontbonne University St. Louis, MO
Mount Saint Mary's University Los Angeles, CA
Regis College Weston, MA
St. Catherine University St. Paul & Minneapolis, MN
St. Joseph's College Brooklyn & Patchogue, NY
The College of Saint Rose Albany, NY
What is ACSSJ?
The Association of Colleges of Sisters of St. Joseph (ACSSJ) draws together nine colleges and universities founded by the Sisters of St. Joseph to articulate and further the contemporary expression of the educational mission and legacy of the Sisters of Saint Joseph. The Association fosters collaboration among all the member institutions, provides resources for the faculty, staff and students at member colleges and universities and encourages mission integration on each campus.
What is this student exchange program all about?
The Association of Colleges of Sisters of St. Joseph hosts a student exchange program in which any student from one campus may visit another campus for a semester or a year. Students may travel to another part of the country and attend another college for a semester or a year while leaving most of their financial aid package intact on the home campus. Tuition costs remain the same as on the home campus; residence costs are those of the host campus.
Why study away through this exchange program at another Sisters of St. Joseph institution?
If service to others is important to you, you'll be in good company at an ACSSJ school! You'll find ample opportunities to volunteer in the surrounding community, perhaps serving a meal at a homeless shelter or spending an afternoon reading to young children. You might even do such things in a foreign country as part of an international mission trip. Whatever you do, you'll return to a supportive, caring community, one committed to educational excellence and making the world just a little bit brighter.
What are the costs?
Tuition will be billed and paid to the home campus according to the home campus tuition costs. Room and board charges are billed and paid at the home campus, but according to the rates at the host campus. Room and board amounts are then forwarded to the host campus. Special course fees are billed and paid at the host campus according to host campus rates.
How long may I stay?
Students may participate in the exchange for one or two semesters. The two semesters may be on one campus or a semester on each of two different campuses.
Can I use my Avila financial Aid?
Since the student still pays tuition and room and board to the home campus, most of the student's financial aid package remains intact. Students must follow the financial aid procedures of their home campus which will also determine their eligibility for financial aid.
Whom do I contact for more information?
The Student Exchange Coordinator and the Registrar on each Association member campus have information about this program. The list of Student Exchange Coordinators for each member campus can be downloaded from the word doc below or seen in the pdf here.The Association of Colleges of Sisters of St. Joseph office can be reached at (317) 721-1153.
How do I register?
Those who are accepted by the host campus will receive from the host campus the ACSSJ Registration form, a health form and information about housing on the host campus. Students complete these forms and return them to the Student Exchange Coordinator on the host campus along with an official transcript. The Student Exchange Coordinator on the home campus will assist the student with these various forms. After the registration is confirmed by the host campus, the student sends a copy of the registration to the Student Exchange Coordinator on the home campus. Because the student's tuition is paid to the home campus, students who stay for a second term at a host campus must send their registration form to the Student Exchange Coordinator at their home campus for processing. Do not register directly with the host campus. After completing the courses on the host campus, the student requests that an official transcript of the work completed on the host campus be sent to the registrar on the home campus.
Are there deadlines for the application?
Students who wish to participate in the exchange during the Fall Semester must apply by April 10. Those participating for the Spring Semester must apply by November 10
For more information on the application itself, please go to ACSSJ and scroll down to the bottom and follow the steps on "Student Exchange Program Application Form." If you have more questions please contact the Avila Student Exchange Coordinator and the Registrar.