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User-Agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.7.6) Gecko/20050323 Firefox/1.0.2 Fedora/1.0.2-1.3.1
Description of problem:
even with
alias ieee1394-controller ohci1394
in the /etc/modprobe.conf file, when running kudzu, the system hangs.
If the module directory /lib/modules/2.6.10-1.770_FC3smp/kernel/drivers/ieee1394 is removed or renamed, then kudzu does not hang the system.
Version-Release number of selected component (if applicable):
kudzu-1.1.95-1 kernel-smp-2.6.10-1.770_FC3
How reproducible:
Steps to Reproduce:
1. Boot to runlevel 2
2. /etc/init.d/kudzu start
Actual Results: System hangs.
Expected Results: New hardware is checked and prompt is returned.
Additional info:
Hardware is Tyan Thunder 2500 motherboard, Nvidia GForce4 Ti 4200.
This motherboard is a Serverworks III HE chipset with LSI SCSI.
Possibly related, cups also locks the system.
The system boots fine and runs X fine if kudzu and cups are not loaded.
The motherboard does not have ieee1394 at all.
running kudzu -s does not help. noacpi does not help.
[root@localhost ~]# lspci
00:00.0 Host bridge: ServerWorks CNB20-LE Host Bridge (rev 22)
00:00.1 PCI bridge: ServerWorks CNB20-LE Host Bridge (rev 01)
00:00.2 Host bridge: ServerWorks CNB20HE Host Bridge
00:00.3 Host bridge: ServerWorks CNB20HE Host Bridge
00:01.0 SCSI storage controller: LSI Logic / Symbios Logic 53c1010 Ultra3 SCSI Adapter (rev 01)
00:01.1 SCSI storage controller: LSI Logic / Symbios Logic 53c1010 Ultra3 SCSI Adapter (rev 01)
00:02.0 Multimedia audio controller: Ensoniq ES1371 [AudioPCI-97] (rev 09)
00:07.0 Ethernet controller: Intel Corp. 82557/8/9 [Ethernet Pro 100] (rev 08)
00:0f.0 ISA bridge: ServerWorks OSB4 South Bridge (rev 4f)
00:0f.1 IDE interface: ServerWorks OSB4 IDE Controller
00:0f.2 USB Controller: ServerWorks OSB4/CSB5 OHCI USB Controller (rev 04)
01:00.0 VGA compatible controller: nVidia Corporation NV25 [GeForce4 Ti 4200] (rev a3)
[root@localhost ~]# lsmod
Module Size Used by
autofs4 21829 0
i2c_dev 13249 0
i2c_core 24513 1 i2c_dev
sunrpc 135077 1
nvidia 3927580 12
md5 8001 1
ipv6 236897 10
raid1 19393 1
ohci_hcd 24277 0
snd_ens1371 26529 1
snd_rawmidi 26849 1 snd_ens1371
snd_seq_device 12237 1 snd_rawmidi
snd_ac97_codec 68513 1 snd_ens1371
snd_pcm_oss 51573 0
snd_mixer_oss 21313 1 snd_pcm_oss
snd_pcm 89541 3 snd_ens1371,snd_ac97_codec,snd_pcm_oss
snd_timer 27077 1 snd_pcm
snd 54821 10 snd_ens1371,snd_rawmidi,snd_seq_device,snd_ac97_codec,snd_pcm_oss,snd_mixer_oss,snd_pcm,snd_timer
soundcore 12961 1 snd
snd_page_alloc 13509 1 snd_pcm
gameport 8513 1 snd_ens1371
e100 35905 0
mii 8641 1 e100
floppy 56913 0
dm_snapshot 20709 0
dm_zero 6465 0
dm_mirror 24861 2
reiserfs 228757 7
dm_mod 57925 9 dm_snapshot,dm_zero,dm_mirror
sym53c8xx 73689 5
scsi_transport_spi 17473 1 sym53c8xx
sd_mod 20545 8
scsi_mod 115777 3 sym53c8xx,scsi_transport_spi,sd_mod
An update has been released for Fedora Core 3 (kernel-2.6.12-1.1372_FC3) which
may contain a fix for your problem. Please update to this new kernel, and
report whether or not it fixes your problem.
If you have updated to Fedora Core 4 since this bug was opened, and the problem
still occurs with the latest updates for that release, please change the version
field of this bug to 'fc4'.
Thank you.
The kernel kernel-2.6.12-1.1372_FC3 panics with the message
insmod: error inserting /lib/raid5.ko: -1 Unknown symbol in module
I don't have a /lib/raid5.ko file. The closest appropriate file is
Do this (in order)
ls -l /boot/initrd-2.6.12-1.1372_FC3.img
mv /etc/modprobe.conf /etc/modprobe.conf.old
rm -f /etc/sysconfig/hwconf
mkinitrd /boot/initrd-2.6.12-1.1372_FC3.img 2.6.12-1.1372_FC3
ls -l /boot/initrd-2.6.12-1.1372_FC3.img
(the output from the two ls's should be different if my theory is correct).
This bug has been automatically closed as part of a mass update.
It had been in NEEDINFO state since July 2005.
If this bug still exists in current errata kernels, please reopen this bug.
There are a large number of inactive bugs in the database, and this is the only
way to purge them.
Thank you.
I was unable to upgrade the kernel as the system became very unstable.
I was completely unable to install Fedora Core 4. I even tried doing and install
using a different hard drive controller, but that didn't work either. Fedora
Core 4 will simply not install on my motherboard.
I have gone back to fedora core 3, and with a masive up2date, I have no problem
with kudzu or cups.
I am still disappointed about Core 4, but the issue with this bug is no longer
ok, please file a separate bug about any fc4 issues.


text:
Corinthian Using Rowan Felted Tweed
Corinthian Using Rowan Felted Tweed
Isn't it amazing how a simple striping sequence can look so stunning? Martin Storey designed this piece for Rowan's New Vintage DK collection, using his classic sense of style. Using one shade for the main stripe and alternating two colors for the secondary, he creates a visual illusion of depth. But one thing's for sure—the generous coziness of Corinthian is no illusion!
This shawl is knit in three shades of Rowan Felted Tweed—one of our favorite yarns of all time. Felted Tweed is on the finer side of DK-weight and blends merino wool with alpaca and viscose. As a result, it has softness and spring, drape and luster—and so many color options for some truly beautiful stripes!
19"/48cm wide x 78"/198cm long.
Rowan Felted Tweed (191 yds / 175m) 4 skeins of Color A, 3 skein of Color B & 2 skeins of Color C.
Shown in 170, Seafarer (A), 191, Granite (B), & 177, Clay (C).
US 6 (4mm) needles.
21 sts & 34 rows= 4"/10cm over pattern using US 6 (4mm) needle.
Rowan New Vintage DK. Soft cover; 113 pages; 14 designs.
4 skeins of 170, 3 skeins of 191, 2 skeins of 177.
4 skeins of 159, 3 skeins of 194, 2 skeins of 197.
4 skeins of 172, 3 skeins of 184, 2 skeins of 190.
4 skeins of 192, 3 skeins of 199, 2 skeins of 185.

subset: commoncrawl


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Guttman realizes that because of the new international enterprise model, staff from all across an organization are operating collectively, and because there is no hierarchy which can provide discipline, worker conflict tends to generate far more often. If you see these issues in someone at an interview, it really is a protected bet to guess that this particular person will most likely make a good manager for your organization. And then convince a sales manager that business development sounds so a lot greater.


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Oops, it looks like for a brief few hours PS4 and Xbox One cross-play was available in Fortnite. Now, Fortnite developer Epic Games says that feature was actually a bug, which the studio is referring to as a "configuration issue" that it says it has fixed.
Console cross-play opens up games' player bases so friends who don't have the same system can game together. For a survival shooter/fort defence game such as Fortnite, playing with friends can mean the difference between victory and, well, carrying three AFK strangers to victory. The problem is, even for games such as Minecraft and Rocket League that offer cross-play between PC, Xbox One, Nintendo systems and mobile phones, Sony almost never wants to play along. With its PS4 dominating the video game console market, Sony has been resistant to fans' calls to allow cross-play with Xbox One and Nintendo Switch.
Fortnite lets PC and PS4 players game together, but has announced nothing more with regard to cross-play. So starting two days ago, when Fortnite players on PS4 reported encountering Xbox One players in-game, it came as quite a shock.
A player named PRE_-CISION-_ was among the final five survivors of Fortnite's Battle Royale mode when he was killed by a player with a pretty unconventional name for PS4. Over Reddit private messages, he told me, "I noticed the gamer tag of this dude had a space in it, which was bizarre. I figured it was just the game glitching out so I searched for his tag with an underscore on Playstation Network without any luck." He booted up his Xbox One and typed it in there, "for the hell of it," he said. Immediately, he found the player, whose achievements indicated that he owned Fortnite. After reaching out to the player, PRE_-CISION-_ says he confirmed the identities matched.
On Reddit, another player posted a picture of himself playing against his kid with the PS4 hooked up to one TV and the Xbox One hooked up to another. It was a charming picture, but raised a lot of questions among the community — why wasn't this great feature announced? Was it a mistake?
Over email, a representative from Epic Games confirmed to Kotaku that, "We had a configuration issue and it has now been corrected." It looks like these brief glimpses of the big, beautiful world of cross-console play were total accidents. But since allowing cross-console play seems to be so easy that a company like Epic can do it by mistake, a lot of players are now asking why the hell there are so many roadblocks to getting the feature.
In a recent interview with Eurogamer, Sony head of global sales and marketing Jim Ryan described Sony's stance against cross-console play as "a commercial discussion between ourselves and our stakeholders" and "not a profound philosophical stance". (Microsoft declined to comment for this article and Sony has not responded to a request for comment). Ryan added, "To my knowledge, there is no live conversation [about cross-console play] ongoing at the moment."
That's unwelcome news for PS4 players who want to game with their friends on Xbox.
"I've been keeping up on the news of crossplay and felt this was a game changer, the world could exist with both major console networks happily together," PRE_-CISION-_ said.


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Mexicon 6: The Party
Wikidot is dying. This site has moved to http://fancyclopedia.org
A party/convention held in Stevenage, UK in 1994 to celebrate the 10th anniversary of Tynecon II: the Mexicon. The attendees voted to end the Mexicon convention series and to donate the remaining funds (£1400) to a Mexicon Foundation (later renamed the Mexicon Hat). A fanthology of the same name was created for the event.
http://news.ansible.co.uk/a83.html#01 (IA) Dave Langford conrep
|This is a convention page. Please extend it by adding information about the convention, including dates, GoHs, convention chairman, location, sponsoring organization, external links to convention pages, awards given, the program, notable events, anecdotes, pictures, scans of publications, pictures of T-shirts, con reports, etc.
Wikidot is dying. This site has moved to http://fancyclopedia.org
page revision: 14, last edited: 11 Feb 2019 04:03


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How to Edit MOV Video Files with Mac MOV Editor
Q: " I have a couple of movies that I took with my Kodak camera and when I upload them they play as .MOV files and I try to edit them like cut or trim some of the video I don't need. and adding same transfer effection between the videos. can anyone suggest an greate mov editor for mac to edit my videos, I'm using an Mac OS." -- Question from Willie J.
Here I am glad to recommend a greate MOV editor for Mac - iOrgsoft video Editor for Mac. It is a powerful Mac video (.mov, .dv and .mp4) edit/split/cut/trim/crop/join/adjust/convert too for you to edit mov on Mac. It can help you split/cut/trim MOV, DV, MP4, AVI/DivX, MPG(MPEG-1 and MPEG-2 ) or WMV/ASF file into smaller video clips on Mac OS. Preview is allowed when you select the section.
Note: If you are using Windows and want to edit .mov files, you can refer to Video Editor for Windows here. Just download the MOV Editor below and follow the step-by-step tutorial to learn how to edit mov on Mac OS.
Step 1: Import MOV files to Mac MOV Editor
After launching, drag and drop your MOV videos to the video track. You can also add photos and music to add more fun to your home video editing.
Step 2: Edit MOV Files on Mac
In this Mac MOV video editor, you just need to click the button on the toolbar to trim, crop, rotate videos and add voiceover to your videos.
You can also set the video brightness, contrast, saturation and video volume by clicking "Effect" button. You can see some sliders in the effect window. Just drag them to adjust the corresponding option and preview the result on the preview screen.
Step 3: Share edited MOV video
With this MOV Editor for Mac, you can share your masterpieces with family and friends, on YouTube or on devices such as the iPhone, iPod, PSP, PS3, Zune, Wii, etc. Or just save them on your hard drive disc for further use.
This Mac MOV Editor provides so many functions to let you customize a result you like. Have a try and you must find what you want.
Related Articles:
- Video Tools
- DVD Tools
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- Security Tools
- Mac Video Tools
- Mac DVD Tools
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MXF to MOV | FLAC to MP3 | AVI to MOV | FLV to MOV | MOD to MOV | MTS to MOV | MXF to AVI | MXF to FCP | MXF to iMovie | TOD to MOV | VOB to MOV | MTS to MP4 | FLV to MP4 | MKV to MOV | MTS to DVD | Lockdir | MP4 Editor | FLV Editor | MKV Editor |


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Release Blitz & Giveaway for Born to Ride: A Clubhouse Collection by Kasey Millstead, Nina Levine, Lila Rose, Carmen Jenner, Jani Kay, Bella Jewel
Labels: Bella Jewel, Carmen Jenner, Giveaway, Jani Kay, Kasey Millstead, Lila Rose, Nina Levine, Release Day Blitz · Posted by Unknown at 6:00 AM
Title: Born to Ride: A Clubhouse Collection
Release Date: May 5, 2014 - Available for a Limited Time Only!!
6 Biker Books from some of today's bestselling authors in 1 Unbelievably Awesome Collection!
FIGHTING TO STAY – Kasey Millstead
STORM – Nina Levine
ANGELS IN LEATHER – Bella Jewel
WELCOME TO SUGARTOWN – Carmen Jenner
HOLDING OUT – Lila Rose
RYDER- Jani Kay
Buy the Book
(1) Limited edition Born To Ride paperback and (6) $5 Amazon Gift Cards
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Telugu Animated Rhymes Vana voche for Children #TeluguRhymes
Vana Voche is the description of the things that happened in the life of a kid, in the form of a rhyme. Kids would wait for the time when rain comes (Vana Voche), but something different has happened to one of them. This small episode is nothing less than a drama. The rhyme ends with unexpected turn… but would make us laugh at the end. Do share with your friends if this little rhyme has found a place in your heart. #TeluguRhymes #KidsSongs #TeluguNurseryRhymes


text: There are lots of fantastic tunes that you can play using your acoustic guitar, but sometimes it may be difficult to choose something, so how can you make the right choice? We will give you a few simple recommendations on that in this article. Make the list There are lots Continue Reading


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So because it seems I've still yet to grasp the concept of taking a break, I've signed myself up for a few gigs before I get properly stuck into City of Angels!
First up on September 24th is The Story of Bart at the London Hippodrome. West End Star John Barr will be taking on the role of Lionel Bart telling you his story, joined by some very special guests performing Bart's most unforgettable hits as well as one or two songs you haven't heard before.
Next up on October 27th is Peter Polycarpou's Laugh and Be Happy at the Crazy Coqs, Brasserie Zedel. Having performed in several previous incarnations of this evening of Randy Newman's songs alongside the glorious Poly, I can assure you it's a gorgeous evening (and the venue is bloody beautiful. And does cracking cocktails...!)
Links to book for the concerts are below; a very special prize to those who book both...*
*If your idea of a special prize is my undying gratitude.
John Barr sings Lionel Bart at the Hippodrome
Peter Polycarpou's Laugh and Be Happy at the Crazy Coqs
Alexander Bermange and guests at the Pheasantry
It's a (critical) Dogfight
So I've been thinking. Thinking a great deal about the critical response to Dogfight, which has polarised newspaper columnists and bloggers alike in a way that no other production I've been involved in has done. Yet, this is the first time I've felt able to read reviews with genuine detachment; for I have never in my career felt so certain I was a part of something really special. A sentiment I can quite confidently state was felt across the board, by all involved in the production. It may sound arrogant to say so... But sometimes, you just know. It's in your heart, your gut and in the atmosphere of sheer joy that pervaded our rehearsal room from day one.
And so, to the critical response (spoilers ahead, for those yet to visit; fair warning!) I'm also assuming those reading hold a degree of familiarity with plot and characters.
For every five star review, every man and woman out there who adored the show, praised it to the heavens as the charming, funny, powerful, heartbreaking piece of theatre we all felt it to be; there was another who would damn the production with faint praise, for reasons frequently related to an inability to get past the misogyny they perceived the piece to be condoning.
I am a woman who proudly identifies herself as a feminist. The Everyday Sexism project, the many, many high profile women (and men) who publicly support feminism; even Beyonce's swiftly iconic turn at the VMA's recently, are all a cause for celebration. There is a very real turning of the tide happening, to my mind, as both sexes reclaim a word long stigmatised and begin to call bullshit when they smell it.
However, to those who have instantly cried misogyny at the premise of the show, who have bemoaned the marines' treatment of the women and claimed their behaviour is swept under the carpet with uncomfortable ease; I can't help but wonder if this is in some part a kneejerk reaction, maybe stemming from a sense of obligation to unequivocally condemn any and all bad male behaviour, without necessarily taking the time to try to contextualise and understand it?
Well, before you cry off with her head, let me attempt to do just that...
We are talking about a group of marines, a mere thirteen weeks into their training, about to be packed off to a country they know next to nothing of, many, many miles from home. A group of boys, some not even out of their teens. A group of scared children, the majority likely fairly uneducated, who have been drilled into turning a blind eye to the humanity of anyone but their military comrades. For how else can you demand of a group of teenage boys that they travel halfway around the world and kill with zero compunction?
They are males of the early sixties. Of Kennedy's era (the majority of the action of Dogfight occurs the day before Kennedy's assassination) the foreshadowing of which casts a desperately sad pall over their belief in their own invincibility. This was a time when equality between the sexes was not even close to being a reality. A time when Americans truly believed they were untouchable. A day later, that belief would implode and the slow erosion of the USA's unshakeable idealism would begin.
I am not condoning the men's treatment of the women of the piece, nor the revoltingly cruel nature of the dogfight itself, but neither am I able to entirely condemn them for it. It can arguably be viewed as one more step on their road to dehumanisation, of themselves and of others. I mean, this stuff actually happened, people. The dogfight was a very real marine tradition. It ain't pretty, but it's true. Shouldn't theatre, any art in fact, shine a light on the bad as well as the good?
To those concerned for the (assumed) terribly fragile feelings of those of us cast as 'ugly', I do think it worth quoting the authors' note in the script - 'the only requirement is that the audience not identify the women chosen as conventionally attractive within the context of 1963 America' (there's that magic word again, context...) Plus; jeez, we're actors. I could write all day about the sheer fun involved in playing someone who is not exactly the girl next door!
What troubles me about the hand wringing response from some quarters to the female characters is that it feels, quite frankly, almost patronising. There seems to be a willful blindness to the fact that for my money, almost all of the female characters are stronger, brighter and often more in control than their male counterparts. A fact that perhaps, just doesn't fit the narrative some seem determined to take from the show.
Rose is, by far, the most intelligent character onstage. When alerted to the true nature of the dogfight, she doesn't opt for a quiet exit, tail between her legs; instead, this shy, bright girl barely out of her teens takes a swing at her date and publicly, furiously and articulately, calls him out for his asshole behaviour. Even the song 'Pretty Funny', perhaps her lowest personal point in the show, steers clear of being entirely self pitying. She grits her teeth, refuses to shed another tear, reminds herself that tomorrow she'll 'forget to even care'. When Eddie returns to make inarticulate amends, she again calls him out on every ignorant statement he utters, every second of bad behaviour, never once letting him off the hook over the course of their evening together, opening his eyes to his own essential decency in the process. Rose is no feeble victim.
To Marcy; a woman of little education but ferocious street smarts. She is in control of her role in the dogfight and of the financial transaction involved every step of the way. Boland can insult her all he wants; she still walks away with a stomach full of free food, booze and a wad of cash. She tears into Rose's naivete in the process, expressing feminist opinions before such opinions were printed on banners and waved on marches up and down the country (albeit in slightly less fruity language, ahem). For my money, future Marcy goes back to school, gets stuck into women's lib, becomes a beloved of the oppressed, Mrs Madrigal type, taking in future Roses, growing pot on the roof. Marcy is a survivor, through and through.
Ruth Two Bears, a woman of few words (but Christ, can she pick them). Does she slink out in embarrassment on learning of the true nature of the evening? No. She calmly pours her drink over her date's head, makes her feelings crystal clear with one choice insult and (God, I hope) heads off with Marcy to continue drinking and shooting the stoical shit way into the night. More the behaviour of one utterly self possessed than one victimised.
Mama; a single mother, taking no nonsense from anyone, kind, caring, having single handedly raised Rose whilst running a business. Helpless female? What do you think?
Suzette, who seems to be having a rather glorious night with the drunken Fector. Even Chippy, who senses which way the wind is blowing and wrests back control of the situation in the whorehouse, realising it's safer and wiser to consent to one more john and be paid for it than risk the choice being taken from her. It's a terrible corner to be backed into, but she has the smarts to find her way out of it as best she can.
These women are victims of their circumstances, absolutely. However, to label them all simply as 'victim', to feel nothing but pity for them, is to deny them their strength. It's demeaning. It's reductive. I think it's inaccurate. In an outraged attempt to defend these 'pitiful' women, you do them the grave disservice of implying they are incapable of defending themselves.
The characters I truly pity in this show are the men. The BOYS. The boys who will never come back from a war they don't understand. The boys who don't know any better. The boys who cling to the mob mentality and to each other because it's the only thing that makes them feel safe, validated, powerful. The only thing that makes them feel like 'men'.
Now, let me make it very clear that I am not calling into question anyone's right to respond to a production however they see fit. It is purely the nature of the negative responses that has interested me and prompted me to scribble down my thoughts on it all, as it has so often come down to 'I dislike the men's behaviour, therefore I dislike the show.' Do you have to like the characters in a work of fiction in order to be able to see any artistic merit in it? Do you like how Richard III behaves? Medea? Do you see my point?
I'm genuinely asking. This blog is not the railing of an actor concerned their work has gone unappreciated and I sincerely hope it doesn't read that way. I am genuinely, deeply fascinated by the passionate responses, both for and against, that Dogfight has elicited. I guess I just wanted to throw my hat in the ring and become a part of the conversation. She loves a good debate...!
I'll finish by saying that for me (and I think I can safely say, for the entire company), working on this show has been one of the greatest joys of my life. I've never worked with a happier, more supportive group of people, or felt more creatively satisfied. I'm amazed and delighted that a production that has brought such happiness to the lives of all involved has hit such a nerve with audiences, for better or worse.
Below is a selection of quotes from reviews; both positive and negative, in the interests of fairness!
Curious as to what all the fuss is about? You have two weeks to find out.
15/9/14 UPDATE - Since writing this blog, a number of further articles have been written in regard to our production; links to which are included below, for those interested!
Dogfight; offensive or outspoken? - Paul Taylor, The Independent
Man bites dog as Dogfight actor hits back at critics - Mark Shenton, The Stage
Theatre Thought: Dogfight at Southwark Playhouse - Katie Brennan, Bloody Hell Brennan
Dogfight – Misogynistic, Or Just A Show About Misogynists? - James Waygood, Grumpy Gay Critic
Get Nate to school
So I'm squeezing in a gig amidst the Dogfight run; for which if you haven't already booked tickets, please do. This show is f'ing beautiful, if I do say so myself. Laura Jane Matthewson and Jamie Muscato are bloody astonishing in the lead roles and the rest of the company are also nauseatingly talented and a joy to work with. Possibly the happiest rehearsal room I've ever been in. Already very proud of this one.
Anyway, back to the point of this post! This gig is in aid of raising funds for an eleven year old chap called Nate Leung to attend Sylvia Young's performing arts school. This guy is the most enterprising eleven year old I've ever come across; as well as gathering an impressive crowd of West End performers for this gig, he's been taking warmups at various productions across the West End, selling handmade loom band bracelets to West End performers and has set himself many more challenges to raise the fees required. You can find out more about his progress and make a donation on his fundraising page, link below.
I'm incredibly impressed by his drive and determination (he's eleven for Christ's sake. ELEVEN. Hats off.) It's already shaping up to be a great gig and it would be lovely to see some of you there. It's on Sunday, August 17th at Cecil Sharp House, 7:30 start. Tickets can be purchased by calling 0203 737 3066. Please bear in mind that tickets cannot be purchased on the door, so best get in quick!
Nate's fundraising page (inc. ticket info)
Hi folks,
So my next role is in a show that in all honesty, I'd never even heard of before getting a last minute call to audition for it....!
However, having spent some time getting to know Dogfight, I'm now hugely excited to be a part of the European premiere production at the Southwark Playhouse. Based on the movie of the same name and set in 1960's San Fransisco, it tells the story of young marine Eddie and Rose, the waitress he enlists to win a cruel bet on the night before he and his friends are deployed to Vietnam.
I don't want to give away too much about how Marcy (aka yours truly) fits into the story; suffice it to say that she's about as far removed from any of the roles I've previously played as it's possible to get! I can't wait to get stuck into rehearsals and the gorgeous score by Benj Pasek and Justin Paul.
The production runs from August 8th-September 13th. Given that tickets for In The Heights at the same venue were like gold dust recently, I'd advise booking sooner rather than later!
Hope to see some of you there. I'm most looking forward to getting my hands on her teeth. You'll understand if you see the show....
link to tickets
Next few gigs
Here's where you can find me lurking and warbling for my supper over the next few weeks.....
First up is Emerging Artists at the Crazy Coqs, Brasserie Zedel, this Saturday June 7th. Following last November's successful launch (as part of the inaugural London Festival of Cabaret), Emerging Artists features British-based writers and performers presenting original work in their own unique way. Each evening will introduce a new talent from the world of songwriting, performing, and musical theatre. I'll be performing a comedy number (hooray! For once I don't have to cry on cue, ha!) by Victoria Saxton and Julian Blakemore. It will be my first time performing at this gorgeous venue, very much looking forward to it.
Next, one for you North Walian folk; on Saturday, June 14th I'll be performing alongside Leanne Jones, winner of BBC's The Voice and some familiar faces from We Will Rock You casts past and (just) present, at Snowdonfest, Gwydir Park, Llanrwst. There'll be loads going on from 12pm onwards, so come and make a day of it! I might just be resurrecting my Killer Queen past.... Can't wait!
A reminder that you'll find me back at West End Fest on Sunday, June 29th. If you're at all interested in all the glorious Broadway musicals yet to make it to London, you won't want to miss it...
Then on July 13th, you'll find me back at what is starting to feel like a regular haunt, the St James Studio. Ill be appearing in a concert production of The Confession Room, an original British musical about a group of people who come together to spill their most embarrassing secrets and stories. There are some fantastic West End faces lined up to take part, don't miss out!
More lining themselves up, but this will do you for now. Mainly because my brain might start bleeding if I think much further ahead. Anyone want to invent a microchip that will download song lyrics straight to my brain....?
Links to tickets
Emerging Artists at the Crazy Coqs
West End Fest
The Confession Room
Giving up the Ghost
First of all, a disclaimer...
I have gone back and forth for days about publishing this post, because I am not in the habit of making my personal life public. The relationship I have with social media has always been and will likely continue to be an uneasy one; whilst I'm aware that part, if not most of the attraction for those that subscribe to the likes of twitter is the desire for an insight into the personal lives of those they watch on stage or screen, the expectation that we can, should and will bare our souls to strangers, publish our thoughts and actions no matter how trivial, troubles me. Surely we should all be out there simply living our lives as best we can, rather than obsessively documenting a glorified, 140 character version of it for the edification of strangers?
However; now my time on Ghost is at an end, having thought long and hard about it I feel I'd like to try to explain a little of what this particular show has meant to me and why. A thank you of sorts, I suppose, to those who gave me this opportunity, to the wonderful companies I've worked with these last couple of years and to you, the audience, for showing up and sharing in the story. For without you, truly, there is no story.
Just short of four years ago, I lost my boyfriend to suicide. There is simply no way to put into words the impact of a loss like that in the lives of those left behind. Your world comes crashing down around you and you are left staring at its shattered remains, mutely wondering how to begin to put the pieces back together. Wondering if there's any point even trying, when the most essential piece is suddenly gone.
I remember the down the rabbit hole feeling of looking over my shoulder at home and almost shouting to him that I'd found the missing blender (earth shattering information after a recent disastrous attempt to hand-blitz breadcrumbs). Catching myself, realising it was one more useless piece of information he'd never know, was akin to being punched in the stomach. I'd regularly pick up the phone to call him. I wanted nothing more than to curl up in his arms and rant about just how fucking terrible it all felt; trouble was, the very person I was longing for, the only one who's comfort I really wanted, was himself the reason for this indescribable grief. It made no earthly sense.
Not a day goes by when I don't think of him. I wonder about the man he would be today, the dreams he might have achieved, the lives he would have touched. The fact that I will never share another day with him, never see him growing older and wiser, never see my soulmate again; well, that's a brick wall I'm still running into from time to time today. His death has been the single most devastating experience of my life. For a long time, I pretty much just gave up.
But... The wonder of what I am lucky enough to do; the wonder of theatre, of storytelling, is in its capacity to take us both away from ourselves and into our deepest self at the same time. To allow us to tear a hole in our hearts and souls, examine what we find; our most unspeakable hopes and fears, truths and deceits, our glories and our shame and offer up what we excavate as truthfully as we can, that those watching might see elements of their truth reflected back at them, might even come away having gained something.
What I do for a living has long been an emotional outlet for me. And it has helped to keep me alive through this loss; alongside the unstinting, irreplaceable support of friends, family and colleagues, who have shown me more kindness and patience than anyone could possibly deserve. It has allowed me to unleash the grief I was all but drowning in day to day and miraculously, connect with rooms of living, breathing people who were willing to share in that journey.
No role has ever been closer to my heart than that of Molly Jensen, for what I assume by now are obvious reasons. I have never so wholeheartedly identified with a character in my life. As well as being a professional gift, she has been a personal godsend. Through her strength, courage and fortitude in the face of tragedy I have been able to explore my own grieving process and feel I have, finally, truly begun to move forward. It is no exaggeration to say that this show has helped me to heal and believe I could put my life and my heart back together. Granted, the pieces fit very differently now, but fit they do.
I shall miss Ghost and the woman I've had the privilege of playing with all my heart. I suspect roles that mean this much to you, both as actor and as human being, are a once in a lifetime piece of good fortune. But whether that proves to be right or wrong, I can continue in this profession a happy woman. My love for this particular job? I will sure as hell be taking it with me.
P.S. Alex Holland is far, far from being just a postscript in my life story. I could sit here and write about the man he was until the end of time and not come close to capturing the endless reasons he was so loved by so many. The best possible insight I can offer anyone is to allow him to speak for himself. Check out the link below.
Giggidy giggidy gig gig gig.....
A few more gigs for you!
Upcoming gigs
So I'm finally home in London and back to my more or less usual routine of gigging whenever I can!
First up on Sunday April 13th at the Leicester Square theatre is Words Shared With Friends, a launch concert for the upcoming album of the same name. With music by various composers and lyrics by Robert Gould, the album features vocals from myself as well as a host of other West End performers and will be available for purchase from April 14th.
The live show will include songs from the album plus some special bonus material – and will include some world premieres! My Lands Shore fans will want to check it out...
Next up on Sunday April 27th at the St James Studio is West End Switched Off, again a launch concert for the upcoming album of the same name. This is set to be the first in a series of albums that arrange musical theatre songs that you know – and a few that you may not – into unheard acoustic, 'unplugged' covers, collaborating with a wealth of talented musicians and performers. The night will give the audience the chance to have an up-close and personal experience of some of the never before heard tracks on the album before the official release.
The St James has fast become one of my favourite cabaret spots in London so I'm delighted to be performing there again alongside some amazing talent!
Check out the links below for more information and to purchase tickets. Hope to see some of you there!
Words Shared With Friends
West End Switched Off
For Joanna, chapter 2
After a hugely successful concert last year we have come round to FOR JOANNA - CHAPTER 2.
On Sunday, Nov 10th on the Battersea Barge, we'll be providing an afternoon of music inspired by a wonderful lady who was cared for by the St Christopher's Hospice and in her name we are raising money for the charity.
An array of West End Performers are singing including myself, Jack Shalloo, Julie Atherton, Jennifer Tierney, Andy Coxon, Katie Paine, Stevie Tate Bauer, Owain Williams, Matt Elson, Andrew Bryant, Caroline Deverill, Charlotte Myers, Lauren Varnham, Brian McCann, Sabrina Aloueche, Thomas Sutcliffe, with more to be announced.
As last year, it promises to be a special day and you don't want to miss it!
Doors open at 1.30pm, show starts at 2:00pm. I'm reliably informed that tickets are almost sold out already, so be quick if you fancy coming along!
To book tickets, click here
Ghost Is Dancing update!
For the last 5 months 12 terrified technicians from the Ghost touring company have been taught to dance by 12 professional dancers from the cast all in aid of the BBC's Children in Need Appeal.
On Sunday 3rd November they will demonstrate their skills in front of a panel of Judges as part of a grand charity fund raising gala at the Mayflower theatre, Southampton. With a star cabaret, charity auction and lots of surprises this is the one charity event of the year that you wouldn't want to miss.
Tickets for the show can now be purchased via the Ghost Is Dancing website. I promise this is going to be a brilliant event, do come along if you can make it! You can also sponsor our amazing couples; check out the rehearsal footage which will be posted over the coming weeks and pick your favourite...!
Anything you can spare will be much appreciated, it's for an amazing cause. If Whoopi Goldberg can spare the time to record a good luck message for us (legend) then I'm sure we can all find it in ourselves to spare a few quid!
Please, please help us get #ghostisdancing trending; retweet for your lives! x
Buy tickets
You can also keep up to date with the latest news by following us on facebook and twitter


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GI leader to know: Dr. A. Steven Fleisher of MedStar Franklin Square Medical Center
A. Steven Fleisher, MD, is the gastroenterology chief at Baltimore-based MedStar Franklin Square Medical Center.
Dr. Fleisher is also the director of interventional endoscopy at MedStar Franklin Square Medical Center's Center for Digestive Disease.
He specializes in treating biliary system and pancreatic diseases.
Dr. Fleisher is an American Gastroenterological Association fellow and American College of Gastroenterology member.
Baltimore Magazine named him a "Top Doctor" in 2015 and 2018.
More articles on gastroenterology:
5 must-read articles for GI physicians this week: Jan. 17-23
Sanford Health opens Center for Digestive Health — 4 insights
Colorectal Cancer Alliance awards $625K to fund CRC research — 6 insights
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What is Weak Erection / Impotence / Erectile Dysfunction / ED ?
Impotence or erectile dysfunction is the inability to obtain or maintain an erection that is rigid enough for complete sexual intercourse, provided that this occurs in more than 50% of attempts.
This means that if failure of erection occurs every once in a while, less than 50% of attempts, it is not considered as impotence or erectile dysfunction.
ED is almost 100% treatable!


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Indira IVF Hospital Turn Hope into Happiness
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Growing the family and having a baby is one miraculous and beautiful experience. This is not just about delivering a baby but delivering a part of you. And, the moment you see that tiny little creature, you forget all your worries. With welcoming the baby in your life, you welcome happiness as well. And, the motive of Establishment Indira IVF in Amravati, IVF Centre/Centre in Amravati, IVF Treatment in Amravati,IVF Hospital/Clinics in Amravati, we create such more and more happiness around the world. The year was 1988 and the location was Udaipur, Rajasthan India when this dream turned in reality in a two-room clinic.
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We are coming up to Remembrance Day and, as ever, we will start seeing poppies everywhere in the coming days and weeks.
Most will be wearing the traditional red poppy, but becoming more popular each year is the alternative white poppy.
Whilst some may only be just becoming aware of the white poppy, it has actually been around for the best part of 100 years and those who wear it, whilst still wanting to mark Remembrance Day, want to get a slightly different message across.
Here is everything you need to know…
The White Poppy stands for
- Remembrance for victims of all wars, not just those in which the British Armed Forces were involved, and not just the wars resigned to history;
- A commitment to peace and;
- A refusal to celebrate or glamorise war itself.
The Royal British Legion is responsible for the distribution of poppies and they are made to commemorate the members of the Royal Armed Forces who died in war.
However, the Peace Pledge Union who are responsible for the distribution of White Poppies explain that they differ from the Royal British Legion in that they recognise and commemorate the victims of all wars, such as the civilians killed in the bombings of Dresden, Hiroshima, Baghdad and Kabul.
They are also working to change the way people commemorate and think about war with the white poppy.
The use of the white poppy began in 1926 for people who wanted to promote the end of all war.
The Co-operative women's guild sold the white poppy from 1933 and in 1934 the Peace Pledge Union began distributing the alternative commemoration symbol.
The Royal British Legion has no official standpoint on the white poppy and insists that whether you wear a red, white, both or none at all, as it is a 'matter of choice.'
The Peace Pledge Union want to promote the idea that there are better ways to resolve conflict than through war and violence.
They also want to curb the attitude towards commemoration of war, which paints war as noble and worth celebrating.
You can wear the white poppy around the same time you would normally wear the red poppy, for Remembrance Sunday and Armistice Day, around November 11 each year.
The Pledge Peace Union are responsible for the distribution of the white poppies and you can buy them online through their website, but you will also see the alternative pop up in stores.
Online, they will cost you £5 for a five-pack or you can buy as many as 100 for £60.
MORE: Hospital reveals Spotify playlist with songs that have the perfect beats to perform CPR
MORE: JustGiving scraps 5% fee for fundraisers launched after disasters and terror attacks


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The Wire in widescreen HD
Posted December 3, 2014 into Telly by John Birmingham
HBO is releasing the series remastered for widescreenHD. Really interesting bit here at David Simon's blog, or interesting for those of us who make our quids by telling stories, about the power of story telling form. I would have thought that reframing a show like The Wire for wide screen was purely a matter of making it awesomer. But no. There are compromises:
... Over the past several months, looking at some of what the widescreen format offered, three things became entirely clear: First, there were many scenes in which the shot composition is not impaired by the transfer to 16:9, and there are a notable number of scenes that acquire real benefit from playing wide. An example of a scene that benefits would be, say, from the final episode of season two, when an apostolic semicircle of longshoremen forms around the body of Frank Sobotka. Fine as far as it goes, but the dockworkers are all that much more vulnerable, and that much more isolated by the death of their leader when we have the ability to go wider in that rare crane shot.
But there are other scenes, composed for 4:3, that lose some of their purpose and power, to be sure. An early example that caught my eye is a scene from the pilot episode, carefully composed by Bob, in which Wee Bey delivers to D'Angelo a homily on established Barksdale crew tactics. "Don't talk in the car," D'Angelo reluctantly offers to Wee Bey, who stands below a neon sign that declares, "burgers" while D'Angelo, less certain in his standing and performance within the gang, stands beneath a neon label of "chicken."
That shot composition was purposed, and clever, and it works better in the 4:3 version than when the screen is suddenly widened to pick up additional neon to the left of Bey. In such a case, the new aspect ratio's ability to acquire more of the world actually detracts from the intention of the scene and the composition of the shot. For that reason, we elected in the new version to go tighter on the shot in order to maintain some of the previous composition, albeit while coming closer to our backlit characters than the scene requires. It is, indeed, an arguable trade-off, but one that reveals the cost of taking something made in one construct and recasting it for another format. And this scene isn't unique; there are a good number of similar losses in the transfer, as could be expected.


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- Roma Futures is a Roma led organisation that exists to serve all people of Roma heritage based in South Yorkshire.
- Roma Futures focuses attention on and supports the social inclusion of Roma communities residing in the Sheffield City Region.
The group shall be managed by a committee who are appointed at the Annual General Meeting (AGM) of the group.
In order to carry out the purposes of the group, the Committee have the power to:
- raise funds, receive grants and donations in order to carry out the work of the group
- organise exhibitions and events that promote, document and maintain Roma history, culture and language
- run training and educational activities and offer meditation and advocacy services
- co-operate with and support other charities and organisations with similar purposes
- employ staff and/or engage consultants to carry out the purposes of the group
- The group shall have a membership. People who support the work of the group and are aged 18 or over, can apply to the Committee to become a member. Once accepted by the Committee, membership lasts for 3 years and may be renewed. The Committee will keep an up-to-date membership list. Membership confers the right to vote at the AGM.
- Members may only be elected to membership at the AGM unless co-opted by the Committee.
- A member must be proposed and seconded by either a Committee member or existing member in order for membership to be agreed. The decision is made by majority vote at the AGM.
- The Committee may remove a person's membership if they believe it is in the best interests of the group. The member has the right to be heard by the Committee before the decision is made and can be accompanied by a friend. The Committee's decision is final.
- The AGM must be held every year, with 14 days notice given to all members telling them what is on the agenda. Minutes must be kept of the AGM.
- There must be at least 5% of the membership or 3 members, whichever is the lesser number, present at the AGM.
- Every member has one vote.
- The Committee shall present the annual report and accounts.
- Any member may stand for election as a trustee.
- Members shall elect between 3 and 10 Committee members to serve for the next year. They will retire at the next AGM but may stand for re-election.
- The trustees form the Management Committee.
- Committee must hold at least 3 meetings each year. At their first meeting after the AGM they will elect a chair, treasurer and secretary. The Committee may act by majority decision.
- At least 3 Committee members must be present at the meeting to be able to take decisions. Minutes shall be kept for every meeting.
- The Committee may take decisions by agreement using email provided these do not conflict with this constitution or the law
- If Committee members have a conflict of interest they must declare it and play no part in subsequent discussion of that matter
- During the year, the Committee may appoint up to 2 additional Committee members. They will stand down at the next AGM.
- The Committee may make reasonable additional rules to help run the group. These rules must not conflict with this constitution or the law.
- Money and property must only be used for the group's purposes.
- Committee members must keep full and accurate accounts. The most recent annual accounts can be seen by anybody on request.
- Committee members cannot receive any money or property from the group, except to refund reasonable out of pocket expenses.
- Money must be held in the group's bank account. All transactions must be authorised by 2 Committee members or in the case of small (<£50) amounts, be paid and accounted for through petty cash.
If the Committee members consider it is necessary to change the constitution, or wind up the group, they must call a General Meeting so that the membership can make the decision. The Committee must also call a General Meeting if they receive a written request from the majority of members. All members must be given 14 days notice and told the reason for the meeting. All decisions require a two thirds majority. Minutes must be kept.
- Winding up – any money or property remaining after payment of debts must be given to a group with similar purposes to this one.
- Changes to the Constitution – can be made at AGMs or General Meetings.
- General Meeting – called on written request from a majority of members.
- The Committee may also call a General Meeting to consult the membership
This constitution was adopted on 22nd October, 2018 by the people whose signatures appear below. They are the first members of the group and will be the Committee until the AGM, which must be held within one year of this date.
Signed Print name and address
|David Vanderhoven
|Philip Brown
|Miroslav Kandrac


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A Leprechaun's Gold
Aed clambered over a gnarled root, and gazed at the entrance to Underhill. His home. Sugar milk, honey cakes and a soft bed of moss waited beyond the Door.
He touched his pocket. Without his gold coin, he could not pass the Door. Nor would any of his kin let him in. The Folk were an unsympathetic lot.
Aed leapt into the air and caught a tree branch in his nimble fingers. Ears perked, he leapt from tree to tree, in search of the coin thief he'd tracked since waking. Caught sleeping and robbed … by a human. He'd never live the shame down.
Distracted, Aed missed a branch and crashed to the forest floor. Muttering curses, he stood and thrashed dirt from his trousers. All his noise almost masked the shushing steps behind him.
Aed leapt just as a massive paw swiped, and caught his shoe. He snagged a branch, pulled himself up. He huddled, shivering against the tree, and glared at the forest lion.
The beast sniffed Aed's shoe and licked her chops, then turned and strolled back into her lair.
Aed shivered again. Without his coin, he couldn't turn invisible or see in the dark. In the night, he would be at the mercy of owls, rats and worse. He resumed leaping through the trees, toward his thief.
A gangly man, covered in tangled, black hair, blundered through the forest. A satchel bounced at his side. Inside, Aed's precious coin glittered.
Aed stretched out on a branch, hands behind his head, and whistled.
The thief looked up and grinned when he spotted Aed. "Ah, manikin. Looking for your coin?"
"T'will bring you only trouble." Aed tapped his shod foot. "For wherever you spend it, it will return to your pocket. You'll be accused of thievery and witchcraft."
The thief smiled. "I'm not looking to spend it. You want you're coin back, take me to Underhill." He glanced around and grimaced. "I can't find it myself."
Aed's stomach twisted. Worse than his kin discovering he'd lost his coin; if he brought a human to Underhill, they might well throw him to lions. An idea struck him, but he hid his smile behind a look of consideration. After a moment's thought, he nodded. "We have an accord. Follow me."
The thief crashed through the undergrowth while Aed leaped overhead. They reached the cave, and Aed pointed. "Underhill is there."
The thief gazed into the dark with a covetous look, then turned to Aed. "Come along then."
Aed hopped to the man's shoulder, and tried to still his shaking limbs. Forward, into darkness thick with the smell of beast.
"Wouldn't be tricking me, would you?" the thief whispered.
Aed said nothing. Two yellow eyes loomed from the darkness, and the beast pounced. Aed jumped clear, and tumbled to the undergrowth, heart hammering away. The thief screamed for long minutes, then the only sound was the lion feasting. Aed waited, then crept into the cave.
His coin lay on the ground, and the lion asleep over her kill. Aed snatched up his coin, and bounded away, back to Underhill and home.


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Common terms and phrases
beauty beneath blessing blest bliss boast bosom breast breath charms Cowper dear death declension deep delight divine dream Dryope dwell earth ease ev'ry eyes fair faithful fame Faunus fear feel fill'd flame flow'rs gentle George Henry Lewes Gilpin glory grace grove hand happy hear heard heart Heav'n hope hour John Gilpin John Throckmorton labour Lady lambs light live Lord lyre mind Mundesley Muse Nature never night nymphs o'er OLNEY HYMNS once pain pass'd peace Phoebus pleasure poet poet's pow'rs praise pray'r prove repose rest sacred scene seek seem'd shade shine skies smile song soon sorrow soul sound stamp'd sweet sweet oblivion taste tears telescopic eye thee theme thine thou art thou hast thought Thyrsis toil touch'd treasure truth Twas Unwin verse virtue William Hazlitt wind wisdom wish youth
Popular passages
Page 85 - JUAN FERNANDEZ. I AM monarch of all I survey, My right there is none to dispute, From the centre all round to the sea, I am lord of the fowl and the brute. Oh solitude ! where are the charms Better dwell in the midst of alarms. That sages have seen in thy face
Page 325 - for a closer walk with God, A calm and heavenly frame ; A light to shine upon the road That leads me to the Lamb I Where is the blessedness I knew When first I saw the Lord ? Where is the soul-refreshing view Of Jesus and His word ! What peaceful hours I once enjoyed ! How sweet their memory
Page 332 - xiii. 1. THERE is a fountain fill'd with blood. Drawn from Emmanuel's veins ; And sinners plunged beneath that flood Lose all their guilty stains. The dying thief rejoiced to see That fountain in his day ; And there have I, as well as he, Wash'd all my sins away.
Page 325 - he dearest idol I have known, Whate'er that idol be, Help me to tear it from Thy throne, And worship only Thee. So shall my walk be close with God, Calm and serene my frame ; So purer light shall mark the road That leads me to the
Page 133 - once again. Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa round, And while the bubbling and loud-hissing urn Throws up a streamy column, and the cups, That cheer but not inebriate, wait on each, So let us welcome peaceful evening in. Not such his evening, who with.
Page 208 - Shall steep me in Elysian reverie, A momentary dream, that thou art she. My mother ! when I learnt that thou wast dead, Say, wast thou conscious of the tears I shed 1 Hovered thy spirit o'er thy sorrowing son, Wretch even then, life's journey just begun t Perhaps thou
Page 209 - Thy constant flow of love, that knew no fall, Ne'er roughened by those cataracts and breaks, That humour interposed too often makes ; All this still legible in memory's page, And still to be so to my latest age, Such honours to thee as my numbers may ; Adds joy to duty, makes me glad to pay
Page 167 - of time, Although it grieved him sore, Yet loss of pence, full well he knew, Would trouble him much more. 'Twas long before the customers Were suited to their mind, When Betty screaming came downstairs, "The wine is left behind." God lack ! quoth he, yet bring it me, My leathern belt likewise, In which
Page 156 - Charms more than silence. Meditation here May think down hours to moments. Here the heart May give an useful lesson to the head, And learning wiser grow without his books. Knowledge and wisdom, far from being one, Have ofttimes no connection. Knowledge dwells Wisdom in minds attentive to their own. In heads replete with thoughts of other men
Page 113 - BOOK II.—THE TIMEPIECE. OH for a lodge in some vast wilderness, Some boundless contiguity of shade, Where rumour of oppression and deceit, Of unsuccessful or successful war, My soul is sick with ev'ry day's report Might never reach me more ! My ear is pain'd,


text:
His *** happens all the time. Someone sends a package signature required.
I signed up for their internet thing so I get a window of when to expect the package so I can be on the lookout. I am deaf and can't hear anything at all no knock nothing and have a monitor set up to use as a doorbell. Every time I leave notes to please knock for ten seconds so I have time to see the light when it flashes. It's got a few second delay you know!?
It's not perfect. Every time they ignore it and leave the note saying I wasn't there when I am there! I can't stare at the door thing EVERY SECOND FOR THREE TO FOUR HOURS and they ignore my note. Tonight they came and left so fast and the door light never once went off.
The last time I saw the light and i ran to the door to get my package from him but he is RUNNING AWAY and then is in the van and SPEEDING AWAY as I'm flailing my arms yelling please come back. It's a Friday and i needed the thing for a Christmas party you know? They won't come back. I chat with someone online and they tell me to give them a phone # and someone maybe will call me.
I'm deaf and have no phone and I'm alone. That's it. Nothing they can do. Monday only.
I was and am so constantly pissed at UPS but with AMAZON they use it all the time you can't choose.
F them. They don't give a *** ABOUT DEAF people.
Reason of review: Poor customer service.
Preferred solution: Let the company propose a solution.
UPS Cons: Delivery, Poor customer service, Customer service agents.
Honestly, your situation is unfortunate, but blaming the delivery driver is not the way to solve it. Your best bet is to rent a private mailbox somewhere, so that you don't have to worry about being there for your deliveries.
With a private mailbox, the business will sign for and receive all your packages, and then you can pick them up at your own convenience. Also, if you are home all the time, you may want to consult the company or whomever is sending these packages, and request that they remove the signature required; or, more specifically, choose the option of shipper release, which has the driver leave the package at the door.


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Situated alongside the town walls and overlooking South Beach, the
4 Star Guest Accommodation has magnificent views across Carmarthen Bay towards the
islands of Caldy and St Catherines, and on a clear day, the north
Devon coast.
to the beautifully sandy South Beach is just across the road..
A two
minute level walk will take you into the charming walled town of Tenby
with it's wide selection of shops, bars and restaurants.
Run by
proprietors Peter and Julie Andrasko who took over in April 2004.
left a traditional country inn in the heart of Dartmoor National
Park, and with the help of their staff they take great pride and
care in looking after their guests, a warm welcome is always
assured. We have been recognised by the Welsh Tourist Board and the
AA with a 4 Star Grading
Click the pictures
for a larger shot
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Click here to view our rooms and luxury bedrooms


text:
Alison Gledhill
- Position: SES Officer
- Email: email@example.com
- Phone: +44(0)113 343 6586
- Location: 7.09 Worsley Building
Student Education Support officer, providing administrative support to the SES team through MBChB electives and visiting electives.
Full responsibilities
- Provides full clerical support for the Undergraduate Electives module, including course management team meetings, planning, assessment, budget and risk assessment.
- Administrator for visiting elective students.
- Administrator for the School's scholarships and bursaries, travel and travel hardship.
- Provides support for the Intercalated Fair and administration for the Intercalated awards and scholarships.
- Provides full clerical support to the International Officer (Dr Dessoffy) and careers advisor (Helen Steele)
- Administrator for the Students without Borders programme.
Research groups and institutes
- Leeds Institute of Medical Education


text:
So this morning I was updating a couple plugins in one of my wordpress sites when I accidentally clicked another link in the middle of the process. When that happened I received the message "Briefly unavailable for scheduled maintenance. Check back in a minute.". I waited a couple minutes but the error would not go away. After some snooping around I discovered that my .maintenance file had not been deleted from the sites main root directory. A simple FTP and deletion of the file got my site back online!
Hope that helps someone out!


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Know more about this business than we do? Cool! Please submit any corrections or missing details you may have.Help us make it right
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Today, with 3,100 employees across the country and a wide range of online and mobile services, we can be there...
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Catic is located at 330 Whitney Ave Ste 320 in Holyoke and has been in the business of Title And Trust Companies since 2007.
Catic is located at 55 Bobala Rd, Holyoke, MA. This business specializes in Title Companies.


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Jenny McCarthy
Jenny McCarthy
Jenny McCarthy Leaked Naked (14 Photos)
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