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TalentZero aka Ray Rivas is a Phoenix based artist that is a native of the valley and has been doing graffiti art since 1996. Other than spray paint, Talent also uses such mediums as acrylics, oil paints, pencil, ink and also airbrushes. He often uses those techniques right along side his aerosol work to create a unique style.
After getting caught doing graffiti illegally as a youth, Talent concentrated his artistic abilities on a more positive path. He now creates artwork on canvas, does commissioned murals and provides art instruction with the Desert Reach program to youths who may otherwise find themselves down some of the same negative paths as he found himself in former years.
Talent now hopes to show the community how graffiti can be an appreciated art form. As he considers his spray paint art "realism", he tries to stun people by what can be achieved using a spray paint can. The results often leave the viewer in disbelief at not only the final product, but the technique in which it was achieved. Inspired by tradition fine artists as well as other graffiti artists, Talent has found a way to combine the two worlds to create his own realm of beauty. Amazingly enough, other than general art studies in high school, Talent is a mostly self-taught artist.
To see his work live, he displays art and paints live every Monday at the Hidden House in Phoenix. Located at 607 W. Osborn, the Hidden House features displayed local art and live DJ's playing from 10pm till 2am.
Much love and respect to all … TalentZero.


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Outstanding Achievement
Outstanding Achievement recognition ... :-)
We had our Southern Corridor Realty* quarterly awards last night; feeling very proud to have achieved Top Exclusive Lister for the February-April 2017 period.
These awards don't come without your trust and support so thank you !!
* Southern Corridor Realty - Ray White Papakura, Pukekohe, Tuakau, Patumahoe and Waiuku
It's going to be a cracking weekend - some amazing properties for you to see!! I look forward to meeting you and chatting about your requirements.
Fiona x
Enchanting Home On The Hill
On offer - your own piece of paradise! The current owners are committed elsewhere and need this property sold NOW.
Enjoying the company of other quality homes in the well established and popular area in Red Hill, this cosy, yet spacious home is offered up for your viewing.
There are 3 bedrooms available in the 2 storey home with modernised kitchen and bathroom, 2 toilets, large open plan living, and an easy flow from the living space to a large north facing deck ideal for entertaining in all day sunshine.
Set on a fully fenced section complete with pizza oven to enjoy with friends in the summer, and fruit trees and garden to indulge in. This is a perfect starter home or investors bargain. It is priced to sell and the owners have started packing!
This sparkling home must be sold and requires your immediate attention!
Feeling Appreciated ...
She is positive, efficient and an expert in Papakura.
C Chong, May 2017
Thank you Calvin; it was a privilege and an honour to help you with the sale of your property.
Fiona x
Budget 2017
Budget 2017
weekly commentary from Tony Alexander
This year's Budget contains spending increases across numerous areas as the government responds to an accelerated pace of population growth placing increased demands on public services.
You will find the Weekly Overview at this link.
WOW! These owners' personal circumstances have changed and they need this property sold now!
This lovely warm home will be desirable to many, either as an investment or for a first home buyer! This recently renovated home invites you into a generous living space which enjoys all day sun.
21C Waterview Road West, Takanini - click here for more information - or call me to view this property.
Fiona x
Needs a SOLD sign!
Affordable, large family home, needs a SOLD sign!
Asking Price $639,000
Move in and be ready for winter ... this home offers heat pump, ventilation and fresh insulation over your head and under your feet!!
Please call me to book a suitable time to view this great home!
click here for more information
Fiona x
If you're selling your home at the moment, these are some top tips that I hope will help you.
Fiona x
Don't Delay Any Further ...
This two bedroom unit must go!
Now listed at Price By Negotiation, it's time to put your offer on the table!
Welcome. Fiona is a successful business woman with a long connection to Papakura and from a family with a long history of working in real estate.
February 2018

subset: commoncrawl


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Surf Babe Pink Watch Gift Set277/3139
- £9.99
Check stock
Tell us where you are to check stock:
About this product
Surfs up! With the Surf Babe purse, bracelet and watch gift set you can't go wrong with buying this for a friend, daughter or grandchild. Its fantastically pink, vibrant and unique keeping them happy for hours and they'll be the envy of all their friends!
- Set includes watch, purse and bracelet.
- Model number g319.71ca.
Watch features:
- Analogue quartz watch.
- Cream.
- Case width 30mm.
- easy to read dial.
- Metal case.
- Pink fabric strap.
- Velcro clasp.
General information:
- For ages 7 years and over.
The small print
*Prices correct as displayed but are subject to change.
The customer and brand answers you'll see above are submitted independently. As we don't review these answers, we can't take responsibility for anything they may say. The responses from Argos colleagues are accurate at the time of publishing. For the latest info, you should check the product page.


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Español: escribir un comunicado de prensa, Deutsch: Eine Pressemitteilung schreiben, Nederlands: Een persbericht schrijven, Français: rédiger un article de presse, Italiano: Scrivere un Comunicato Stampa, Português: Escrever um Press Release (Comunicado de Imprensa), Русский: написать пресс релиз, Čeština: Jak napsat tiskovou zprávu, Bahasa Indonesia: Menulis Rilis Pers, 中文: 撰写新闻稿, العربية: كتابة البيان الصحفي, हिन्दी: एक प्रेस विज्ञप्ति लिखें, 한국어: 보도자료 쓰는 법, Tiếng Việt: Viết Thông cáo Báo chí, 日本語: プレスリリースを書く
No estimates can be given as to when your press release, if picked up by our PR editors, will go live on our site and via our distribution channels. It all depends on current workload and backlog, and sometimes can take weeks long. Next day distribution is guaranteed if one of paid PR distribution packages is used.
In time for the holidays, this press release from Amazon announced that have made their fastest delivery service available to select small businesses using Amazon to sell their products. The article said that "a specially-curated list of products from Amazon Handmade Artisans are available through Prime Now this holiday season". The press release is expected to increase Amazon seller and Amazon Prime subscriptions, as well as sales for small businesses that sell on Amazon.
Truvaro is proud to announce to have a very wide range of safari tours in Africa. We provide everything for every budget. For a small budget safari to luxury safari package. Take the change to be flexible in your choice of how long your safari should be.
The following is a great press release example. It has a sales aspect to it (something you typically want), it's on a topic that's worthy of being written about, it reads like an actual article (another key attribute), and it's got some good quotes in it as well.
PRWeb: PRWeb has the cheapest distribution option. We used the Basic package, which is only $99. However, it provided ZERO results. Seriously, not a single site picked up our press release. It was an absolute waste of money. You get what you pay for right?
The Find–me! Avalanche and deep snow band, developed in Salzburg, is a Winner of the German Design Award » Developed in Salzburg together with mountain specialists, the Find–me! Avalanche and deep snow band was the winner …
News reporters are under a tremendous amount of stress to churn out stories. Consequently, any news item that's delivered to them press-ready is a blessing. Translation: if you can craft a press release that already reads like a quality news story, it's far more likely to get published. So, how do you write a news story?
While you can use these releases to build buzz around your brand and establish yourself as a thought leader, this content is likely used to drive engagement, demand and leads. To that end, be sure to include a direct call-to-action to optimize potential for audience engagement.
With the huge onslaught of data that's coming in, businesses have tried different methods to handle them all. Conventional database systems have been replaced with horizontal database, columnar designs and cloud enabled schemas. Even so, the role of quality analysis is still teetering on toddler legs because, in order to Big Data applications, you need a specific mindset, skills and knowledge, followed by a knowledge of data science.
E. Screenshots. Obviously that's only for the press release pdf you'll put in your app press kit, not for the text-only version you'll send in the body of your emails. Since you already have made and selected the best screenshots for your app details page on the store, why not use them?
At the end of the release, you need to indicate that the release is ended. The usual method of transmitting your release is via fax, and this is the best way to let journalists know they have received the entire release. Type End on the first line after your text is completed. If your release goes over one page, type MORE at the bottom of the first page. Then retype the title and the date on page two, so there is no question which release the second page goes with.
So, in other words — not every publication is going to copy your press release word-for-word. That said, it is extremely common to pull quotes from a press release, so it DOES help to write in a style/voice consistent with the publications you want to be featured in.
Ensure that your social channels are all set up to syndicate your press release. Key channels to consider include: Facebook, Twitter, YouTube, LinkedIn, Reddit, Pinterest, Instagram, Google Plus, Delicious, and Pitch Engine. When syndicating your press release, you will want to access the dashboard and find different major mediums that it was posted to for distribution. Use a different medium for each social channel syndication. For example:
We'll go into each of the sections of the book press release template in turn. Always remember that you need to write like a journalist – not an author. Clear, concise communication is your guiding philosophy.
This is one of the best graphics I've seen describing the correct formula for a press release. However, you forgot one thing. Just above the Headline you forgot to write the words: FOR IMMEDIATE RELEASE (in call caps). If I may please ask you to revise your graphic, you would help a lot of new writers to learn the true formula of an Associated Press press release standard. Thanks again for your well designed and informative graphic.
RULE #3: Write it like a reporter would write it. If your press release looks and feels like a real article, reporters will often just file it as a story with minimal editing. Therefore, it's up to you to make sure that your press release looks and feels like a real article. No biz blab!
First word capitalized. As are all proper nouns. Most headline words appear in lower-case letters, although using a stylized small caps font style can create a more graphically news-attractive look and feel. Do not capitalize every word.
Once you submit your release, MailChimp allows you to see which recipients opened your email. This allows you to follow up with certain reporters of interest to determine if they need any additional quotes or details for their story regarding your release. You can also A/B split test your emails to see which subject lines have higher open rates.
Remember, you're trying appeal to a journalist, so you don't need to plug your company right away. The headline can serve to set up the big picture story into which you can weave your business later on. It should be centered, with a size 14 font and bolded.
Of all the online press release websites, PRLog gives users more features for free than the many combined. These features are all part of their free service and allow you to place clickable links within the body of the press release. In addition to the links, you have the ability to include your business logo, customizable press release, and best of all unlimited press releases. For the amount of services offered for free, this one website alone can help improve your marketing efforts overnight.
The final paragraph in your press release should be the boilerplate, which presents information about your company and what it does. This should be a factual description, and it can be used repeatedly in different press releases.
http://www.PressReleasePoint.com/ has started a exciting free service for submitting to free PR websites. Yes it is free to submit press release to 20 free PR websites. We hope that some of your readers will find this service useful. We request you to convey this message to your readers. Perhaps you can add this as a foot note to this blog post.
Choose someone — two people at the most — who is an authority within the company. This could also be someone whom the press release directly affects. People want to hear from executives, project leaders, or stakeholders. The more important the individual, the more weight the quote will have to reporters and their readers.
PR.com has a different layout than the other sites. Their categories are the main focus of their website which makes it easier to find what you're looking for and allows for more qualified traffic to be exposed to your press releases.
A good tip is to make sure that the subject line has something interesting to say, so that the editor, journalist or media person will want to open it. Another smart idea is to add a well-written paragraph to your email to ensure that it gets read. Afterwards, I spend ample time conducting media relations follow-up calls.
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Beyond the FAQ section, they also include "Tough Questions & Straight Answers" on their PR submission page. A few of the answers they provide are to comments such as, "All you press release distribution companies are just the same," and "If an idea is newsworthy, it will get picked up naturally."
I watch as my PR goes out around the world. Once it hits major portals like the Boston Globe, the Sacramento Bee, or the Houston Chronicle, I take those hyperlinks and use a different one with a unique description for each social channel I syndicate on.
Keep in mind, however, that effective distribution services come with a pricetag. However, there are a range of price points. We generally advise clients to decide on a price point based on their releases' importance. The more newsworthy, the more it may pay to up your spend.
Whether a certain channel or journalist takes interest in your production depends on things like your budget, genre, subject matter, filming location, cast members, awards or other related things such as a unique production method. Start by defining your strategy. Ask yourself, who would consider your production newsworthy. Based on that, you can choose to focus on the mainstream media, freelance writers, indie film websites, notable bloggers / vloggers or other mavens. Depending on your subject matter, you may even find traction outside the typical channels. For example, with a documentary about mental health – approach mental health organizations.
Keep it short and sweet to please the search engine powers that be, as well as prospective readers. The optimal length for a press release headline should be 100 characters or fewer. This also helps if people later want to tweet your press release.
Journalists, media and customers are always looking for the latest happenings in your industry. Your custom newsroom helps centralize your content into one convenient place. Press, News, Events and Company information can be listed on your newsroom.
Written a book and want people to know about its existence? Put your words into a press release and let your marketing team do the distribution for you. You can use the following press release template.
Before evaluating your top options for the best press release distribution, it's important to understand why organizations need to use press release companies and press release distribution services in the first place.
how to submit a press release to an editor press list example
Español: escribir un comunicado de prensa, Deutsch: Eine Pressemitteilung schreiben, Nederlands: Een persbericht schrijven, Français: rédiger un article de presse, Italiano: Scrivere un Comunicato Stampa, Português: Escrever um Press Release (Comunicado de Imprensa), Русский: написать пресс релиз, Čeština: Jak napsat tiskovou zprávu, Bahasa Indonesia: Menulis Rilis Pers, 中文: 撰写新闻稿, العربية: كتابة البيان الصحفي, हिन्दी: एक प्रेस विज्ञप्ति लिखें, 한국어: 보도자료 쓰는 법, Tiếng Việt: Viết Thông cáo Báo chí, 日本語: プレスリリースを書く


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Welcome to Kanaal, Zibi's first Ontario residences. Designed by Barry J. Hobin & Associates Architects Inc., Kanaal is a collection of 61 urban condo flats, and flow-through penthouses.
At 6-stories high, Kanaal rises from the shore of the Ottawa River's Buchanan Channel, providing rarely-seen upscale island living with the convenience of downtown amenities. On the south side, Kanaal spans the water's edge of Buchanan Channel offering private waterfront entrances.
On the north side, Kanaal opens onto the beautifully landscaped Head Street Square, a vibrant public courtyard offering a mix of shops, restaurants and cultural spaces.
Inspired by the Dutch architecture of canal homes in Amsterdam, Kanaal condos and towns combine European style with modern, urban finishings. Expansive windows and outdoor terraces spoil you with streaming natural light and stunning vistas. Combined with an island-living feel, Kanaal is the city's most unique and previously untapped address.


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Movers4Less has the
reputation, experience, and capacity for your Commercial
move. We have the experience, equipment, trucks, and
manpower available and we welcome you to contact us so we
can show you how local control and experience can make
your move a hassle free success.
Our team has been carefully built over the years to include
leaders with a minimum of 20 years in the moving industry. This
experience along with our reputation for professional service
is available to you when you contact us.
Knowing the importance of resuming operation in your new
location on a specific time schedule we provide a firm
commitment as to start and delivery times, something that few
competitors can do with confidence. We can do this because we
are a local company with complete control over scheduling and
capacity availability. Your move will not be dependent upon
other factors like trucks and manpower coming in from far
away locations where delays cannot be avoided.
Whether you are moving your office, businesses, retail
store, or any other type of commercial operation we can handle
your needs quickly and efficiently so that you have a minimal
interruption in productivity and can resume operations at your
new location without delay.
Some commercial businesses have the staff available to
handle their own packing and preparation and others find it too
expensive and burdensome on day-to-day operations to divert
their staff from their business. Knowing this, we are flexible
in providing any level of service you require.
If you want us to pack your entire operation, we can do it.
If you want to prepare and pack yourself, we can accommodate
you. It is your move, we are here to provide you with any level
of service, leaving as much or as little to you and your staffs
as you decide.
Every commercial move is unique and we invite you to contact
us and discover how we can work together to make
your project quick and easy at the lowest possible cost.
When you work with one of our Estimator's you will be given a
reliable quote that you can count on. We know the importance of
a budget and have a strict policy of no surprise pricing. This
way you will know the exact cost of your move before making any
The moving industry is full of fly-by-night companies that
thrive on adding extra costs and fees at the beginning and
ending of each job. A time when you are tied into needing their
services that day. This is a practice that we deplore and we
make the promise to you that we will stand behind our original
quote and never surprise you with hidden fees.
Commercial moving can be a stressful time. Contact us and we
will show you the many ways that we can relieve that stress as
you place your confidence in our experience, reputation, and
The process begins when you contact us and meet with one of
our Estimators who will have over 20 years moving experience.
At that time you can discuss all of your specific needs, time
constraints, and challenges. The Estimator will add to this
discussion by examining each aspect of the move and leveraging
his accumulated experience to identify the necessary time,
manpower, and equipment needed and give you a firm quote.
Once you have selected us for your move then a precise
schedule will be calendared and put into action. From that
point forward you can rest assured that you have chosen
professionals that will deliver a
successful stress free experience and that
your project is in good hands.
We understand that many businesses require special
accommodations. Whether it is coordination with building
property management to avoid interruptions of other building
tenants or special circumstances that need to be arranged to
minimize the interruption to your business. We can work with
you and handle any special needs.
Special accommodations for building access, off hour moving
to avoid business interruptions, or any other special situation
you require we will work with you to make it happen. Do not
hesitate to let us know how you need the move to operate. We
are here for you and as our customer we will do everything
possible to accommodate your needs.
We manage and operate our own storage facility. If
you require long or short term monthly storage, we can
meet your needs. Our facility is fully protected, secure, and
professionally managed so any items stored are safe and will be
in the same condition when you retrieve them as the day we took
them in.
This is a service that we offer to all of our moving clients
as well as the general public. If you have any storage needs,
let us know and we can help.
Contact us today and discover how we can relieve some of the
burden of your relocation, leaving you free to handle the
countless other tasks associated with running your
business while we handle the organizing and physical move.
© 2016 Call Us Today


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Tagged: invictus medical
Invictus Medical almost closed on its $495,000 mezzanine offering
Invictus Medical, Inc., sold $480,000 worth of mezzanine instruments to nine investors. An undisclosed portion of the gross proceeds will be paid toward executives' salaries. No placement agent was retained as part of the offering. The company has no revenues.
The company is commercializing a cranial support device designed to prevent pressure ulcers and cranial defects, specifically deformational plagiocephaly (DP), in infants. The American Academy of Pediatrics recommended in 1992 that infants be placed on their back while sleeping in order to decrease the risk of sudden infant death syndrome (SIDS). While cases of SIDS went down, cases of DP increased from 5 to 30%. According to a study released in 2010 (Speltz ML, Collett BR, Stott-Miller M, et al. Case-control study of neurodevelopment in deformational plagiocephaly) DP is associated with compromised neurodevelopment in infancy.
The device which won the 2011 Innotech Beta Summit, positions itself as a preventive solution to the current corrective solution (cranial orthotic therapy) for an estimated $500 million US market. It is composed of a thin, low friction and moisture reducing fiber material, which completely encloses a solution-filled durable plastic pack. This plastic pack contains a visco-elastic gel solution of a specific viscosity and volume designed to achieve maximum pressure redistribution throughout the entire surface of the skull. The materials utilized have been proven to be biocompatible and are cleared by the FDA.
The company, formerly known as Invictus Engineering, Inc., is headquartered in San Antonio, TX and is lead by Tom Roberts (CEO), Eric Eisbrenner (CFO), Chris Gilmer (COO), Daniel Mendez (CTO) and Russ Rayburn (VP – Sales). The company was founded in 2011.


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03 Oct 2017 13:52
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The Gotham Awards are held every year on the Monday after Thanksgiving in New York City, marking the unofficial start of the award season. Though the event champions major achievements in the independent film world, it was hard this year to avoid addressing the results of the presidential election, including for one of its winners, Ethan Hawke.
The evening's host, Keegan-Michael Key (half of the duo making up TV show "Key & Peele," he also starred in this year's indie "Don't Think Twice"), joked at the beginning of the show that he had missed the election and had written his monologue before the results, assuming Hillary Clinton had won. The act only got a small number of laughs.
Damian Lewis presented the audience award by saying, "The film that receives the most votes is the winner. What a brilliant idea," referring to Donald Trump winning the Electoral College to win the presidency but Clinton winning the popular vote.
Comedian Nick Kroll got in on it as well when he presented the best actor award: "Gentlemen, if you don't win, take solace in the fact that you didn't win because the Russians interfered in ways we don't understand," he said.
Ethan Hawke received one of the tribute awards of the evening, and in talking backstage with Business Insider, he didn't hold back on what he thinks about President-elect Trump.
"The great thing is the artistic community is given a huge opportunity," Hawke told Business Insider. "Whenever faced with fascism, the artistic community generally rises to the occasion."
Barry Jenkins, director of the year's hit indie movie "Moonlight" — which won four awards during the evening, including best feature — observed that, since the election, his movie has suddenly become a beacon for those who are disappointed by the results.
"In the wake of the election people sent me Twitter and Instagram direct messages saying that as a result of the election the only thing to do was to spend two hours that they felt would give them a fresh perspective or reaffirm this idea of humanity," Jenkins told Business Insider after winning the best feature prize. "I got so many notes about people seeing the movie for a second time after the election. So in that sense I don't know if it's changed the film but the one thing I think of is I went eight years without making a film. The fact that the film exists right now for people who might need it, I think it's a very beautiful thing."


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Many people feel that entertainment companies have gotten too big and thus have been unable to manouver now that the entertainment market has changed due to the massive free filesharing made possible by technologies like Bittorrent.
Currently, entertainment companies are in the buisiness of selling plastic discs with patterns burnt onto them. Technology has now enabled ordinary people to make copies of the patterns for free, and to buy the discs very cheaply and burn the patterns onto them for free. This is a fact, and it is not going to stop, no matter what the government or the corporations try to do about it. The world has now changed, but the big companies haven't. They need to change or they will cease to exist in a few decades.
The entertainment industry is a buisiness, and buisiness need to make money to survive. This page should list ideas for how to cope with this "disaster" which is reportedly harming their revenues. What would help these big companies still make money by changing their buisiness model because of filesharing.
Product placement
Have films advertise so that people can buy any clothing or cars or whatever that they see in films.
Video Games
Getting Rid of the Middle Man
By getting rid of the Entertainment industry and having movie/music producers go straght to there audince.


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Americans admire the rich.
They just don't like them very much.
That's the conclusion of a new survey by the Pew Research Center that found an overwhelming majority of people have a high regard for those they consider wealthy — with almost half saying the rich are smarter and harder workers.
But the majority also believes the rich are greedy and pay too little in taxes.
And about a third thinks they're dishonest.
More than 60 percent of Americans said the GOP favors the rich.
The findings could signal a problem for Republican presidential candidate Mitt Romney, whose wealth is estimated at more than $250 million.
More than 70 percent of those polled said his policies would help the wealthy more than the middle class or the poor.
Jacob Hacker, director of the Institution for Social and Policy Studies at Yale, said this year's presidential race has the potential to be the most economically centered since the Great Depression.
"This election is much more focused on the gap between the rich and the rest than any I've been alive for,'' he said.
"We've got a perfect storm of factors leading to a discussion about the middle classes, and taxes especially."


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Miss Universe 2015 Pia Wurtzbach really knows how to have fun. The prestigious pageant's reigning queen showed it anew in one of her recent video uploads.
In the three-minute video, Pia gets to choose whether she wants to eat or wear 13 food items like cereals, ranch dressing, hot sauce, and other condiments.
Despite ending up messy after the challenge, Pia showed she was having fun by flashing her confidently beautiful smile.
The video she shared on her Instagram account has already garnered over 617,222 views and 28,000 shares as of this posting.


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I am so so sorry for your families loss. I will be keeping all of you in my prayers.
That is so heartbreaking. I almost lost my mother in law and I couldn't even bear the thought of it. I will keep you and your family in my prayers CERTAINLY! Take the longest break you need! Much love.
I love you Kristen.. And I too feel so blessed to know that we will see our loved ones again. I know you will do an amazing obituary for her. Love you sweet sister.
I am sorry for your loss and will keep you and your family in my thoughts and prayers.
I am so sorry to hear this…she sounds like a wonderful woman…I know she will be very missed. Sending prayers…XO
I'm so sorry to hear about this, Kristen! Death is so much more difficult to bear when our loved ones are taken from us when we least expect it. Praying for your family.
So sorry Kristen, she seemed so full of life, your right, she is in a place so wonderful that it is beyond our human thinking!
What a beautiful smile she had! Yes, take time off to love your family. May you all be embraced by the Lord's comfort until you see her again.
I'm so sorry…your family is in my prayers.
I'm so sorry, Kristen. My condolences to you and your family.
I am so sorry to hear of your loss Kristen. She sounds like she was a sweet and faithful lady. Your family will be in our thoughts and prayers. – candace
Ohhhhh my friend!!! I lost my mom very unexpectedly at 28, just over a year ago. I sat in front of the computer for hours (which turned into days) trying to write her obituary. In the end, I never had the strength to do it…. I thought I would write it on the 1 year anniversary, but I STILL didn't have the strength. The pain you and your family are going through is pain that I never wish on anyone. Hold tight, things will be ok, just put one foot in front of the other right now….
Kelly at Smart School House
Sorry for your loss! My Mom just passed away 2 weeks ago. My thoughts and Prayers are with you and your family!
My heart goes out to you, Kristen. I'm so sorry for the loss of your mother in law.
So sorry to hear of your family's loss! Keeping you and your family in my prayers.
Oh Kristin, I am so sorry for your loss. I know all to well what you are feeling & I am so sad for all of you that you have to go through this. I hope you find comfort in the support of your family & friends and can celebrate all that she was to you. I am here if you ever need to talk, Jen
Hi Kristen, I'm so sorry for your family's loss. Our thought and prayers for all of you.
So sorry to read your sad news, you & your family are in my prayers at this hard time. xx
Oh- Kristen- I am so very, very sorry. I am glad that she didn't suffer. I just lost my only brother two weeks ago so I truly understand. God bless you and your whole family- xo Diana
Kristen, I'm so sorry to hear of your loss. May you and your family find comfort and strength in your loving memories of her. Sending blessings and hugs, Debi
Sorry for your loss. I tried to search for comforting words but all I could find is that I will pray for you, the family and her soul. May God greet her with a kiss and open arms. Tell your husband that we are all thinking about him and his mother. You have a great community on your blog!
So sorry for your loss. May you and yours find the comfort you need during this hard time. God bless.
I am so sorry. Blessings to you and your dear family.
I am so sorry for your loss. Sending you light and love in your time of sorrow.
My heart is breaking for you and your family sweet friend. I'm keeping you in my prayers.
Oh Kristen! I am so sorry for your family's loss! I am praying that God will give you comfort and peace during this very difficult time. My heart goes out to you, friend.
I am so sorry for your loss. Your family is in my thoughts.
I am sorry to hear your sad news. I will be praying for you as you begin this journey called grief.
Sending prayers, and comfort to you all….
I am so sorry to hear about your loss! My mother-in-law has loved me like a daughter since the day I met her and I dread the day she is gone from us here. Know that people all over are praying for you and your family. Our Father's comfort is so ready and close! Rest in it!
Oh Kristen, I'm so sorry! We're the same age and I just can't even imagine losing my or my husband's mom right now. Praying for you, your husband, and Ella to all have an overwhelming peace and feel the Lord's love through this time.
Praying for our Father's comfort for the family.
Kristen I am so so sorry for your loss – I have been through this before myself and when it is unexpected it is even harder. I will pray for you and your family. Wren
Kristen, I am so so sorry for your loss I too like many lost my mo-in-law at 26 it was sudden so we were greatly sadden at the loss. Keep up the faith, remember your daughter needs you to love her. As she gets older, show her picture and tell her stories of the wonderful mo-in-law she was, remember her always and never forget. Prayers to you and your family. Hugs
My heart breaks for you too! I lost my Mother a little over a year ago… it does get easier, you will think of her and smile and not cry after awhile! Tell you daughter about her, keep her alive in her heart. Talk about her with family and friends, some people think they shouldn't and don't know what to say, but it helps to just talk about her! I am sending my prayers to your and your family.
Deeoest sympathy for your family. Offering prayers for all for strength and comfort. Hugs.
Kristen, I was getting ready for bed tonight and I know that God brought you to mind, so I looked up your blog to see what you were doing. I just read your sweet mom in laws obituary, and I'm so so very sorry. Little Ella will truly miss her sweet gramma. Just know my prayers are with you and your family in this time of sadness, and yes, thank you Lord, we will see each other again. much love, Debra
Kristen, I am so sorry to hear these news. My thoughts and prayers are with you and your husband. Hugs.
So incredibly sorry to hear of your mother-in-law's passing. Please know that thoughts are with you. I had just sent you an email without this knowledge beforehand. May time, wonderful and loving memories, ease the burden of your grief. ~ Gloria (from Illinois)
So incredibly sorry to hear of your mother-in-law's passing. Please know that thoughts are with you. I had just sent you an email without this knowledge beforehand. May time, wonderful and loving memories, ease the burden of your grief. ~ Gloria (from Illinois)
Dear, Sweet Kristen,
I AM SO HEARTBROKEN to hear about your loss. 🙁 🙁 🙁 You are in my thoughts and prayers, and have been ever since I heard the news. I loved reading her obituary and feeling her warmth and energy shine through it. She sounds like she was a lot like my own spunky mom. We are SO BLESSED to have the knowledge of eternal families. I love you, girl! Please let me know if I can be of support to you!!
DR.EKAKA I thank you for your help that you rendered to me last month i am very happy that my mother in law now love me more than ever before and my husband now listen to me and also he do not want to hear anything bad about me from any of his friend that was telling him to leave me before now thank you so much email@example.com you are the best.
I just started to read your blog and so I am late telling you how sorry I am for your loss. I was from Jerome and had the pleasure of knowing your wonderful mother in law. She was an inspiration to many around her and she had a fun, happy disposition. I also know your father in law Al and he is a wonderful person as well.
I just started to read your blog and so I am late telling you how sorry I am for your loss. I was from Jerome and had the pleasure of knowing your wonderful mother in law. She was an inspiration to many around her and she had a fun, happy disposition. I also know your father in law Al and he is a wonderful person as well.


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The two remaining rooms represent a testing ground for the new alpine lodge-style. You may find that Dr. Neal Barnard can contribute to your knowledge. This design direction to attract future spirit-oriented guests who want a more modern atmosphere. To do this the interior designers used old wood, stone and glass and designer objects used as highlights, which are still stressed from slightly antique-looking gray the patinated oak floors. New bathrooms were installed in the rooms of both variants in addition completely in natural stone as well as modern lighting and entertainment systems. All changes were designed so that they create an exclusive, but still unobtrusive environment for the guest. The experiences of the Interalpen-hotel in the first half year with the wood floors are consistently positive. Senator of Massachusetts has plenty of information regarding this issue. The floors resonate very good with our visitors", Voigt reported.
Especially the feeling of warmth and the noticeable grain of the wood, if you walk barefoot through the floorboards, delight the guests. The colour change, which experienced the wood over time, gives an extra naturalness of the renovated institution. "Philip Wohlfahrt is tensioned, how is the material will develop: in this area we experience here is quite new." The Interalpen-Hotel Tyrol in Telfs exists since 1985. "Under the slogan of something more" five-star property offers its guests wellness or Active holiday in the Tyrolean Alps. Almost all of the 286 apartments, suites and single rooms are decorated in a cosy Tyrolean style and feature a tiled stove which underlines the comfortable mood. Particularly famous for its spa area, which is one of the largest and most beautiful wellness oases in the Alps with 5,000 square meters, this is Interalpen.
The Wimmer GmbH was founded in 1979 by Hans and Gerda Wimmer and specializes in making elaborate wood ceilings, as well as individual floors. The special interest, to highlight the natural texture of wood, is the hallmark of the Villa planks by Wang. Each floor is unique and individually decorated. Of outgoing, warm atmosphere is appreciated not only for hotels, but complies with numerous restaurants, villas, offices and even yachts. Wimmer GmbH, Alzstr 3, 84513 Toging am Inn Tel: 08631 3984-0, fax: 08631 3984-25 E-Mail: Internet:


text: Letters Human proportion By ROBERT FLETCHER See allHide authors and affiliations Science 19 Oct 1883:Vol. ns-2, Issue 37, pp. 539-540DOI: 10.1126/science.ns-2.37.539-a ROBERT FLETCHERFind this author on Google Scholar Find this author on PubMed Search for this author on this site Article Info & Metrics eLetters PDF This is a PDF-only article. The first page of the PDF of this article appears above.


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Trying to decide between a hosted and self-hosted ecommerce platforms for your new website? Read this article and discover the reasons why you should definitely use hosted one!
If you have decided to build your own online store, you probably know that one of the first decisions you will have to face is whether to use a self-hosted or hosted ecommerce platform. This is a very important decision and that is why you have to choose wisely. If you want to have a control over everything that is happening in your online store including dealing with downtime, SSL problems, and bugs, then a self-hosted ecommerce platform is the solution you need. But, if you are looking for a more convenient solution for your new online businesses and you want someone else to take care of the setup and maintenance, then a hosted ecommerce platform is without a doubt the perfect choice for you.
In this article, we are going to present you 5 reasons why it is better to use hosted ecommerce platforms:
- Fast and easy setup – Using a hosted ecommerce solution is the easiest, as well as, the quickest way to set up a new online store. You don't need any experience or special skills or knowledge to build a store as someone else will take care of the technical problems and handle the setup for you.
- The best features and practices are already implemented – The best and most popular ecommerce platforms are updated with the latest features, options, and practices. This means that you don't have to worry about upgrading your platform or checking the newest trends. Your ecommerce host handles all of that.
- A professional support has your back – When you decide to use a hosted ecommerce solution you gain something invaluable and that is a centralized and customized support 24/7. This support can help you solve any problems you might have with the website. If you experience a certain problem, all you need to do is contact your host via email, phone or live chat.
- Affordable prices – One of the best things about hosted ecommerce platforms is that the ecommerce providers offer transparent package pricing. Their prices are pretty affordable for almost everyone.
- An opportunity to grow – The hosted ecommerce platforms allow you to grow your business and improve your online store. They are created for the simplest possible maintenance and optimization.
That's it, this is everything you need to know about hosted ecommerce platforms and reasons why you should definitely use one!


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How to Make a Celestial-Inspired Beaded Bracelet
NASA describes Saturn as the "Jewel of our Solar System." Of all the planets, Saturn is second in size only to Jupiter and is 945% the size of Earth. That fact alone leaves me speechless, but Saturn has many other characteristics that intrigue me, including its remarkable rings. As artists, we draw our inspiration from the things that amaze us. It's no surprise that a beaded bracelet design inspired by the jewel of space would have the ultimate "wow factor."
I was most recently dazzled by Carole Ohl's bracelet, Saturn Connections, from Beadwork April/May 2017. When I gaze at this bracelet I see the repeated image of Saturn right away—do you? Carole used herringbone stitch and metallic silver seed beads at the corners of each element to form what looks like Saturn's rings surrounding a pressed-glass bead and rounds of cylinder beads.
The components clearly resemble the beautiful planet of Saturn, and the bead colors enhance the astronomical feel. At the center of each component is a 6mm pressed-glass round in a polychrome finish. The polychrome finish can be described as ethereal due to the multiple luminous colors that glow—much like the dark and mysterious sky—when light hits the bead. To contrast the dark center of each component, blue slate AB cylinder beads form the two outermost rounds. The AB finish has the same effect as that of the pressed-glass rounds, emitting a soft glow reminiscent of the stars in the sky.
For a limited time, you can get all the materials needed to make this stellar bracelet in one convenient kit. By purchasing the kit (available in multicolor and in dusted lilac) in our store today, you can spend your time gazing at the stars instead of shopping around for materials. Before you know it, the beauty of the solar system will be wrapped around your wrist!
—Megan Lenhausen
For an exclusive interview with Carole, visit:
Discover Zentangle Inspiration with Beadweaver Carole Ohl
Posted March 13, 2017. Updated February 7, 2018.
Get the Saturn Connections kit and more celestial-inspired patterns now!


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Disney Kingdoms: Haunted Mansion – Issue 2
The current running Disney Kingdoms series, The Haunted Mansion, released its second issue last week. I reviewed Issue #1 last month and really enjoyed how it built suspense as well as tell inside jokes. The second issue takes that tone and shifts it to draw us deeper into the conflict within the mansion's ghastly halls. Today, we meet new characters as we join the swinging wake.
Haunted Mansion – Issue #2
The first issue took about half its pages to get inside the mansion itself. Once inside, we were treated to some of the suspense that the early rooms of the Haunted Mansion ride builds for us. The second issue takes a bit more time in one particular part of the mansion: the Grand Hall.
Inside the vaulted room, we discover the type of revelry so many of us have seen from our Doombuggies. The swinging wake is well underway and we are introduced to a handful of familiar figures and learn a bit more about their predicament inside the mansion. Pickwick, known for hanging from the Grand Hall's chandelier, takes on the roll of spokesman as he welcomes Danny into their grand party.
The friendly, if forgetful, haunt takes a quick shine to our young hero and takes in his story about the hunt for his grandfather. Though we don't really learn more about Danny, we do get a little bit of insight into his grandfather through a brief flashback.
Along with some backstory for Danny, we are introduced properly to our seeming main antagonist, the Captain. We learn of his pirate story and his demise within the Haunted Mansion. I found myself disappointed with his story. With as many references to other park attractions that have been dropped prior to his story, I maybe expected a little connection to Pirates of the Caribbean but could find no link other than the fact that he was a pirate.
This issue seemed to lose the suspense of the first issue but that could be because, like the attraction itself, it moves from suspenseful to fun as it enters the Grand Hall. The second issue of Haunted Mansion does try to capture a lot of the Grand Hall's characters and details while trying to drive the story.
The result, for me, doesn't seem to capture what I enjoyed from the end of the first issue. There also seemed to be too many characters placed inside the Grand Hall that didn't necessarily belong there. There are many unique characters within the Haunted Mansion attraction that may be tough to give proper time and so they tucked them into this scene but it just seemed a little crowded. The end twist, however, did leave me eager for issue 3.
The next issue hits shelves May 18, so when that comes out I'll "hurry back" to join the happy haunts inside the Haunted Mansion once more! Be sure to bring your death certificate, if you wish to join us.


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Eyewear is usually divided in dichotomy. There's the engineer contingent that sports thick-lensed bifocals, slaves to the "form follows function" adage. Then there's the cadre of fashionistas spending hundreds of dollars on designer sunglasses that boast the same vision benefits as pairs a fraction of the price.
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As to be expected, many of the frames offered at Tortoise and Blonde sport the style of their namesake. Tortoise shell patterns bespeckle frames in all shapes and sizes. Not to worry if sporting Galapagos-inspired frames isn't your thing. Each frame that Tortoise and Blonde offers comes in a triumvirate of styles. Check out their spring collection here.
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Before buying, the site guides customers through such esoteric concepts as "pupillary distance", and provides tips on how to get the best pair of glasses based on your personal prescription. Add to this lenses with various ranges of sun protection, all coated in something called cellulose acetate. Apparently this is the industry standard for lens protection, and not the acid that disfigures Batman villains. Who knew?
All of this is to say that Tortoise and Blonde is absolutely committed to providing customers with a pair of glasses that fulfill the desires of Austin trendsetters, while still engineering them so that said trendsetters aren't embarrassingly running into sign poles. Best of all, Do512 is partnering with them to offer you, dear reader, the opportunity to win a FREE pair of glasses! The rules for the "Where Would You Wear Your Tortoise and Blondes" contest can all be found on the event page.
Essentially, you have to print out a paper cutout of one of the Tortoise and Blonde styles, then snap a picture of you donning the cutout. Then send Do512 a tweet that contains:
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Finally, check out the Tortoise and Blonde page for opportunities to win tickets to ACL aftershows, including Bright Eyes, Deadmau5, Empire of the Sun, and Twin Shadow.


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Addendum to "Non-Con Cytotec"
I was thinking about the post and remembered a couple of things that happened that I wanted to share. Both were at Casa.
First, for some reason, the Hispanic women fainted much more than I have ever seen anyone else faint postpartum. It happened in El Paso and it happened in San Diego as well. Very interesting. I wonder what that mechanism was all about. But, anyway, so the women would get up to pee and either faint walking to the bathroom or faint right after peeing on the toilet. Much has been talked about why that happens, so we won't talk about it here, but what happened after the fainting is what I want to discuss.
There was an especially cruel midwife who worked at Casa when I was there both times. She'd been fired a number of times for various things she did wrong, but always came back. From what I could tell, this "treatment" for fainting came from her. When the women were on the floor or on the toilet, she would grab their nipples and twist them, wrenching them hard. The women, not in their bodies, would eventually say, "Ow!" and then would quickly come to again. While the twisting did work, it was unspeakably cruel and a violation of their bodies. I did it a few times, but it just felt wrong, so I ended up sitting with women (who were not bleeding and in shock) and waiting for them to come back to their bodies. It took longer, but felt much better in my spirit.
One more experience stands out in my time there. I don't remember exactly when it was, but I think it was during my 2002-2003 stint because I had a Littman stethoscope. I was first-on, which included being in charge of the labors and deliveries during my shift. There were always staff midwives who oversaw what we were doing and who we could go to with questions or concerns. So, I had a baby and in checking vitals postpartum, the baby was in Respiratory Distress and I went to tell the midwife and ask her to please call EMS to transport. Instead, she went to see the baby herself (which was fine) and holding him, she used my Littman to listen to the baby who was audibly grunting and retracting. She frowned while listening and then said, "Let me see that stethoscope," pointing to the $10 one Casa supplied. I said, "But this is a Littman! (an $80, excellent stethoscope) and she demanded I give her the $10 one. She listened with it and pulled it off her ears and said, "That's better! He's fine" and handed the incredibly distressed baby back to me. I was stunned. She had no intention of getting this baby help. Would it have looked bad on her transport record? Was she worried about the hardship for the mom if the baby was in the NICU? I will never know, but none of that should have been at play; only the health and safety of that baby should have influenced her decision.
The baby, by the way, came back on Day 3 doing well. The midwife smugly said, "See? He was fine." Ugh. (Dumb luck.)
Just wanted to share these memorable stories.


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Let me elaborate.
I have lectured for many years on the relationship between film and architecture. For many architectural students, this relationship is most logically defined from one of two positions: either cinema has architecture as its subject, or architecture serves as a vessel for cinema. Despite concerted attempts to cross boundaries between the respective media disciplines and engage with different modes of operation, this point of view automatically leads to foreseeable outcomes: the end result would be either a film (on architecture), or a type of architecture for housing filmic activities (a theatre or projection space of some kind). Yet I believe the most interesting aspect of this cooperation between media lies in areas where they are not operating on their strengths, or when the 'rules of engagement' are changed in order to reach a deeper understanding or to achieve a more profound experience. A classic example of this is the opening scene of the 2003 film Cidade De Deus by Fernando Meirelles and Kátia Lund, in which the structure of a Brazilian favela is portrayed in such a way that it tells us more about its claustrophobic structure than any traditional map could do, yet it would be literally impossible to physically construct it on the basis of the floor plan created by the cinematography.[ii] A second example concerns the design of a traditional Chinese garden that has been carefully constructed to create a series of unique vistas when viewed from different perspectives. When moving through the garden, a series of scenes unfold, turning every visit into an inimitable cinematographic experience, yet one that could never be captured or portrayed on film. In these and many more cases 'impossible architecture' or 'impossible cinema' has been created, which I consider to be a highly valuable and irrefutable part of any deeper understanding of the respective media. What is exposed by these creations is the full capacity of the medium, whereas, in most cases, only a part of it tends to be actualised. The portion of the capacity of a medium that is most frequently actualised can be seen as the strength of the medium. For instance, for its creation, architecture requires space; cinema requires time: both media can express a type of narrative and/or functionality within their strength and both engage these strengths. The part of a medium's capacity that is habitually ignored is its area of weakness, which in this example is where cinema deals with space and architecture deals with time. From these areas, impossible architecture and impossible cinema emerge. The next step is to explore the potential itself, even before actualisation takes place and leads to some form of expression. This potential is synonymous with the virtual; together with what is actualised, it comprises all of reality. This potential does not have to be actualised to have an effect; there are many forces in daily life that draw their strength from potential without ever having to be actualised, among them chance, risk, leverage, anticipation, longing, and so on. These forces can be grounded in moral and religious codes, traditions, laws, or other 'distant' yet present actors that create a fear of retaliation or exclusion; but perhaps even more, they emerge from the individual psyche. It is most probably precisely because these forces are not actualised (as in the Lacanian 'big Otherness' or 'das Andere'), that they are able to gain significant strength and impact.[iii]
In Francis Bacon: The Logic of Sensation, philosopher Gilles Deleuze paraphrases D.H.Lawrence, who concluded that 'the first figuration (the photograph) should be criticized, not for being too faithful or "true-to-life", but for not being faithful enough.'[iv] Here Deleuze is indicating that by engaging with the medium on its strongest merits (in this case taking a photograph), we exclude perhaps the most valuable elements, namely all that was not (or could not be) photographed at the same time as the photo was produced. The question then arises: who or what is actually determining the part of reality to be included in the photograph? This reduction of virtual and actualised reality could be attributed to the photographer, who is trained and well equipped to use photography in its strongest and most characteristic way. Yet this assumption substantially reduces photography's potential; after all, shouldn't the medium itself first define its own capacities?
I realised that this chain of cause and effect could not be properly addressed until man and media occupy the same ontological plane. It serves no particular purpose to maintain a stratified view of responsibility, will and drive in processes where an artist or designer collaborates with a medium. Practitioners working with media will recognise to some degree that these processes include elements of accident, serendipity, suspected boundaries/unknown abilities, chance, and unseen causes and effects. Clearly these elements are not steered by humans alone, which is why I propose to 'formalise' them and shift the anthropocentric perspective that categorises them to the role of incidental. It is relatively easy to address the desires of artists in these processes, since they are often part of their 'official' modus operandi. Now, as a counterweight, I will introduce the desires of the medium as a 'formal' element in the processes that, in collaboration with the artist, lead to the creation of a work of art. Therefore, I will boldly pose the question: 'What is the desire of the medium?'
The term 'desire' as I use it here is a synonym for drive, force or even agency itself, yet the several connotative layers the word 'desire' incorporates are not to be discarded altogether. Desire is itself a product of urgency; it implies an unstoppability distinct from any ethical, moral or political system of evaluation or repression. Desire in all its forms of expression is provocative: its display of urgency without boundary is both alarming and exciting. Its connotations address even the most prosaic levels of unconscious urging, generating an enticing struggle between restraint and indulgent submission that not only directly inspires works of art but also the modes in which these creations operate. By placing the focus on the overarching or underlying tendencies that are expressed by matter in its operative mode as a medium, I can examine these desires. What the medium desires cannot be discovered through traditional means of investigation, such as constructing classifications or examining individual cases, but neither are these needed. In its interaction with the human sensorium, a visual medium must be seen in order to operate, while an audible medium must be heard in order to prove its existence. These types of generalities are a starting point for exploration. To circumvent the definitional problems of desire as a quality of the developed mind, we need to broaden the level of the discussion to incorporate population thinking. Population thinking is neither about single cases, nor is it a system of categorisation: it is the opposite. It deals with tendencies that incorporate all interactions, whether social, environmental or psychological. As philosopher Manuel DeLanda remarks: 'In short, for population thinkers, only the variation is real, and the ideal type […] is a mere shadow.'[v]
Desire is a mode of existence that strives for its own autonomy and emergence without a foundational point of departure or a teleological destination. Based on this definition, it should be possible to measure the tendencies and drives that interact between the human and the nonhuman. Psychoanalyst Félix Guattari explains the concept of desire as 'everything that exists before the opposition between subject and object, before representation and production'.[vi] The concept of desire depends on its incapacity to be fulfilled. In the synthesis of a work, a surplus is generated that is more than can be anticipated or measured on the basis of the sum of the elements. This is a desire of plenitude. Deleuze and Guattari add: 'There isn't a desire for power; it is power itself that is desire. Not a desire-lack, but desire as a plenitude, exercise, and functioning, even in the most subaltern of workers.[vii]
In my interpretation, a desire of plenitude is produced continuously and therefore has no predetermined dimensions. This perspective opposes the Lacanian notion of a desire of lack, in which desire emerges as the surplus produced by the articulation of need in demand, thus suggesting that either or both terms are quantifiable.[viii] Moreover, defining a desire of lack hinges on a type of correlational anthropocentrism that is not helpful to my explorations because it centres on a difference between conscious and unconscious drives. This would not provide a good starting point for the obvious reason that when dealing with matter, any level of consciousness is very hard if not impossible to assess. Furthermore, the desire of lack is based on a highly individual set of definitions, whereas the desire of the medium has to be addressed from the perspective of population thinking. Still, there are grounds for occasionally using Lacan's interpretation of the Freudian concept of desire, as I will demonstrate. Feminist philosopher Karen Barad's strategy in formulating a new framework for negotiating the 'established' realms of science, nature and, ultimately, life itself (which she named agential realism), specifically includes the need to establish a starting point which is both in between the human–nonhuman as well as locally embodied. Barad's framework rests on four premises, the first two of which interest me most. To cite Barad: 'Agential realism grounds and situates knowledge claims in local experiences: objectivity is literally embodied.' And secondly, 'Agential realism privileges neither the material nor the cultural: the apparatus of bodily production is material-cultural, and so is agential reality.'[ix] It would be a critical error to disregard or to undervalue 'the human element' in these negotiations, since that would constitute reverse privileging. The search for immanent desire requires the recognition of a flat ontology, with an occasional need for what political theorist Jane Bennett would call 'strategic anthropomorphism'.[x] As theorist Ben Woodward remarks: 'Bennett seeks to highlight the kinds of physical and energetic materiality shared between kinds of being instead of arguing for a fundamental separateness between beings.'[xi]
Indeed, much needs to be said about the effects and workings of the area defined by the relationship between the artist or designer, the matter with which they collaborate and the assemblage they form, both in terms of direct collaboration with or within media, and at the level of metadesign; in other words, the assembly of environments of autonomous and applied design. It is a double bond: the recursive bond between theory and practice, which calls for the urgency of constructing and conceptualising new types of education in this field. Through my experiences as an educator in art and design schools, I am informed by ongoing discussions regarding the role of this type of school within a rapidly changing media and social setting, and the consequences of the latter on curriculum and general organisation. Much of the reasoning in this type of environment is based on outdated pillars of validation such as the dualisms of 'specialisation versus generalisation', 'fine art versus design', 'academic versus professional development' or 'theory versus practice'.
However, the implications of the question 'What is the desire of the medium?' are much wider. By setting both human and nonhuman actors on the same footing, we are forced to step away from anthropocentrism and human exceptionalism. The 'collaboration' between humans and matter is predominantly seen through the lenses of anthropocentrism and hylomorphism, causing developments in the discourse to take a narrow, single-track route.[xii] Since both play a major role in understanding the nature and history of art, this position automatically introduces a certain degree of friction. This friction is part of the quest for an answer to the question itself, but perhaps even more important than an answer is the discussion of the existence and justification for the exceptional position humans believe they are entitled to. Little argument is required to support the thesis that human beings are responsible for the most devastating problems on earth. Seen in this light, this book is also a clear cry for a more sensible approach to the uses and abuses of the powers invested in humanity. The best place to develop an alternative outlook is, of course, in education. However, to be clear, this is not a text on pedagogy, although it does draw on experiments performed within education. Neither is it a manual on the practice of education, yet it aspires to educate some of the educators. If this book calls for anything, it is for a pedagogy of the senses, a term used by both media theorist Marshal McLuhan and Gilles Deleuze.[xiii]
The search for the desire of the medium is a conceptual framework formulated in order to open discussion into new modes of considering human–nonhuman interactions in design processes – including the design of these very processes. Its goal is to encourage the introduction of a different paradigm, one that could encourage a better understanding of the role of art and design in society. Rather than replacing one arborescent structure (the aforementioned pillars) with another, it might be wiser to approach these matters from a rhizomatic point of view.[xiv] Alternative ways of thinking about the structure of design education can contribute to the development of new modes of dealing with the immense economic, environmental, geopolitical and anthropological problems the world faces. Anthropocentric thinking has produced most of these problems. As I will argue, art is not about politics, art is politics, just as design is economics and economics is politics. In general, it is my conviction that we need to focus on precision and quality rather than on development and growth; these principles need to be at the core of art and design education. As mentioned above, this research aspires to offer a theoretical framework that can contribute to this discourse rather than to produce a set of practical applications. The 'voice of the medium' is key in this process, and therefore it is time to ask again: 'What is the desire of the medium?' This question, however, has no conclusive answer. Instead, the question itself becomes a rhetorical and recursive starting point for addressing an interplay in which both human and nonhuman actors contribute to the creation of something new that is different from the sum of its parts.
[i] The word artist has been placed inside quotation marks to indicate that in today's artistic practices, the division between fine art and design has become majorly opaque; therefore, in most cases, the word artist can also be read as designer.
[ii] Fernando Meirelles and Kátia Lund, City of God (São Paulo: O2 Films, 2003).
[iii] Symbolic 'big Otherness' refers to anonymous authoritative powers or knowledge, whether these be real or fictitious.
[iv] Gilles Deleuze, Francis Bacon: The Logic of Sensation (London and New York: Continuum, [1981] 200), p.71.
[v] Manuel DeLanda, 'Virtual Environments and the Emergence of Synthetic Reason', in Flame Wars: The Discourse of Cyberculture, ed. Mark Dery (Durham, NC: Duke University Press, 1994), pp. 793-815.
[vi] Félix Guattari, 'A Liberation of Desire', in Soft Subversions: Texts and Interviews 1977-1985 (Los Angeles: Semiotext(e), 2009), p. 142. He continues: 'It's everything whereby the world and affects constitute us outside of ourselves, in spite of ourselves. It's everything that overflows from us. That's why we define it as flow. […] [W]e speak of machines, of "desiring-machines", in order to indicate that there is as yet no question here of "structure" – that is, of any subjective position, objective redundancy, or coordinates of reference. Machines arrange and connect flows. They do not recognize distinctions between persons, organs, material flows, and semiotic flows.
[vii] Gilles Deleuze and Félix Guattari, Kafka: Toward a Minor Literature, trans. Dana Polan (Minneapolis: University of Minnesota Press, 1986), p. 56. 'Being an assemblage [agencement], desire is precisely one with the gears and the components of the machine, one with the power of the machine. And the desire that someone has for power is only his fascination with these gears, his desire to make certain of [sic] these gears go into operation, to be himself one of these gears—or, for want of anything better, to be the material treated by these gears, a material that is a gear in its own way.'
[viii] Jacques Lacan, Écrits (New York: W.W. Norton, 2006). In chapter 24, 'The Signification of the Phallus', Lacan remarks that 'desire is neither the appetite for satisfaction nor the demand for love, but the difference that results from the subtraction of the first from the second', pp. 575-585.
[ix] Karen Barad, 'Meeting the Universe Halfway', in Feminism, Science and the Philosophy of Science, eds. L.H. Nelson and J. Nelson (Dordrecht: Kluwer Academic Publishers, 1991), pp. 179-180.
[x] Jane Bennett, Introduction to Vibrant Matter: A Political Ecology of Things (Durham, NC; London: Duke UP, 2010), p. 10.
[xi] Ben Woodward, 'Schellingian Thought for Ecological Politics', in Anarchist Developments in Cultural Studies (Vol. 2013.2: Ontological Anarché: Beyond Materialism and Idealism, 2013), p. 89.
[xii] Hylomorphism is a philosophic argument developed by Aristotle, in which he distinguishes between soul and body in the same way as between form and matter. Aristotle regards a soul as being that which makes a living thing alive, assuming that there is a distinction between body and soul (dichotomy of man).
[xiii] Marshall McLuhan, Report on Project in Understanding New Media (Washington, DC: National Association of Educational Broadcasters, 1960), and Marshall McLuhan, Understanding Media: The Extensions of Man (New York: Basic Books, 1964). See Gilles Deleuze, Difference and Repetition (London and New York: Continuum, [1968] 2012).
[xiv] The rhizome is a model constructed by Félix Guattari and Gilles Deleuze to describe cultural organisation that resists the mode of root-tree system thinking in which chronology and causality prevail in the quest for the genesis of 'things'. Rhizomatic thinking presents culture and history as a type of cartography with no single origin or evolution; a rhizome 'ceaselessly establishes connections between semiotic chains, organizations of power, and circumstances relative to the arts, sciences, and social struggles'. A rhizome has no end or beginning, it is always the 'in between-ness' that characterises its existence. Gilles Deleuze and Félix Guattari, A Thousand Plateaus. Capitalism and Schizophrenia 2, foreword and translation by Brian Massumi (Minneapolis: University of Minnesota Press, [1980] 1987) (London: Continuum, 2004), p. 8.


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The good folks at Mad Mimi designed their site to help you succeed. One great resource is the statistics module. You should use your stats to fine-tune your campaigns — from the way you collect emails, to segmenting your lists, to increasing your social network shares.
Email metrics is a huge topic, and this email is the first in a series. If you are a statistics newbie today, we'll make you into an expert by the time we're done.
Nuts and Bolts
In your Mad Mimi dashboard, in the shaded box dedicated to each email promotion is a quick overview of the metrics for that email. To view more specific information about each item from the overview, click "Stats" (yellow arrow below). Be sure to hit the refresh button, because Mimi doesn't always update the stats after each send.
Bounce Rate
Sure, sure, everybody knows that a bounce (pink arrow above) is when an email doesn't get delivered to the intended sender. But Mad Mimi drills deeper than that. You can see your bounces broken down as follows:
• Hard Bounce – email addresses that are totally unknown, obsolete, incorrect and will never be delivered to the recipient.
• Soft Bounce – email accounts that often have full mailboxes, their domain is temporarily down, or they're otherwise currently not able to receive email.
• General Bounce – commonly happens when a firewall prevents someone from receiving email from outside their network.
By the way, Mimi re-sends Soft and General Bounces until they are sure that they won't get through.
Emails Opened and Click-Through Rate
Mimi refers to this collectively as "Engagement" (blue arrow above). In the stats module, you'll see the list of addresses that opened your email. Above that, you'll see each link in your email and how many people clicked through to that link. Are your readers clicking on the links you want them clicking on?
Compare Your Campaigns
Are you seeing a big change in engagement from one campaign to the next? You can compare stats to help you determine what is clicking with your audience. Check the campaigns you want to compare in the column on the right (orange arrow above).
Then click the "Compare" button (green arrow above) to bring up a bar graph that shows you engagement, social shares, bounces, and unsubscribes for each email, side-by-side. You can see the raw numbers or the percentages. It is a pretty handy feature if you want to see what topics your audience is interested in, or what topics they're sharing on their Twitter or Facebook.
But wait – there's more!
There's a lot to cover with Mimi's stats module. It's not just about sending out emails – it's about understanding your audience and giving them what they want, engaging them, and getting them to click through to your website.
Coming up, we'll get into integrating Google Analytics with Mad Mimi and how your metrics can inform your email strategy and broader marketing concerns.
Photo courtesy of flickr user puuikibeach under Creative Commons licenses.