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In 1314, Louis, duke of upper Bavaria, a scion of the house of Wittelsbach, was elected king of Germany. He was subsequently crowned as emperor in 1328, and held this title until his death in 1347. Because of his successful career and the subsequent importance of the Wittelsbach family in Bavarian and German history, Louis has received enormous scholarly attention. By contrast, Frederick the Fair, the Habsburg duke of Austria and Styria, who was also elected king of Germany in 1314, has received very little attention from scholars. This has been due to many factors, not least the fact that he was seen by contemporaries and later supporters of the Habsburg dynasty as a failure. In an effort to redress this imbalance in the scholarship, the University of Bonn hosted an interdisciplinary conference in November 2014 on the occasion of the 700th anniversary of Frederick's royal coronation in this city. The volume under consideration here is the product of that conference.
Comprising fourteen essays from a range of disciplinary perspectives, the book begins with a brief forward by Professor Dr. Matthias Becher of the University of Bonn, which explains the purpose of the conference and volume. The first essay of the text is also by Becher, who provides a political background to the double election of Louis and Frederick and the contending parties backing these two candidates. Becher emphasizes that the lack of fixed rules regarding which princes had the right of election led to more voters than were allowed. Becher then turns to the years-long struggle between Frederick and Louis to gain the upper hand in Germany, which concluded with Louis' victory at Mühldorf on September 28, 1322. This battle, however, proved indecisive despite the capture of Frederick on the field, because the younger Habsburg brothers continued the fight, and Pope John XXII (1316-1334) excommunicated Louis. Ultimately, Louis and Frederick made a novel agreement at Munich in September 1325, which established a double kingdom, in which the two men jointly held the royal office until Frederick's death in 1328.
The second article, by Andreas Büttner, focuses on comparing the rituals used in the crowning of Frederick and Louis in 1314. According to a hostile Bavarian source, Frederick was elected in a field while standing on a beer keg, into which he subsequently fell. The partisans of Frederick tended to downplay the location of his election and to emphasize, instead, that he had been crowned legitimately because it was the archbishop of Cologne who placed the crown on his head. By contrast, the partisans of Louis focused on the fact that he was crowned in Aachen, the traditional locus of royal coronation ceremonies. Because of the highly partisan nature of the elections and coronations of the two rulers both when they took place, and in the subsequent representation by contemporary writers, Büttner concludes that the ceremonies involved in these acts had little impact on political reality. However, the chaos caused by the double election did have an important long-term impact of pushing the German princes to codify the rules for royal elections more carefully.
The third essay, by Matthias Schmoeckel, turns from the question of the ritual aspects of the double election to consider the contemporary understanding of royal elections in canon law. In this context, Schmoeckel raises three main questions: who was being elected rex Romanorum, who had the right of election, and when is an election legitimate? He begins with a survey of the scholarship regarding canon law treatments of royal elections, and then concludes that canon law did exercise some influence on royal election law in the thirteenth century, but that further investigation is required before detailed conclusions can be drawn on this point. He then turns to the legal problems inherent in holding an election for king, including the place and time when an election should take place, whether a coronation in Aachen was a legally constitutive act, what meaning was held by the crown, and the importance of papal confirmation. Schmoeckel concludes with a call for more research on all of these questions.
Albert Gerhards, in the fourth essay, also considers an ecclesiastical perspective by asking how prayers for the king and the kingdom were transformed into a coronation ritual. He provides a brief survey of Roman, Byzantine, and German coronation rituals. He then turns his attention to a discussion of the Aachen coronation ritual, which survives in a fifteenth-century manuscript, but which was first issued in 1309 for the coronation of King Henry VII (1308-1312). This coronation ritual was itself based on the 980 revision of the German-Roman pontifical originally produced at Mainz for King Otto I (936-973).
The next three essays are concerned with various aspects of Habsburg familial and political policy. In the first of these Gerald Schwedler focuses on the corporate and dynastic self-conception of the Habsburgs. He notes the embarrassment of early modern adherents of the Habsburg dynasty about Frederick the Fair, which has continued to bedevil scholarly treatments of this king up to the present. Most scholarship has considered, instead, the close cooperation of the members of the Habsburg family to secure the interests of their dynasty as a whole. In order to examine this aspect of Habsburg familial dynamics more closely, Schwedler considers five case studies dealing in turn with the transmission of the duchies of Austria, Styria, and Carinthia by King Albert I (1298-1308) to all of his sons jointly, the effort by Albert to establish his eldest son Rudolf as king in Bohemia, the negotiations between Albert and Philip IV of France for a marriage between Rudolf and Philip's daughter Blanche, the marriage negotiation with King James II of Aragon for a marriage between his daughter Isabella and Frederick, and finally the joint rule of Frederick and Louis after the Munich agreement.
Christian Lackner then discusses the question of whether Frederick the Fair was the first "Austrian" Habsburg. The scholarly consensus has been that the failure of Frederick's royal aspirations led to a new focus by his successors on the eastern lands of his family that up to that point had served mainly to provide resources for aspirations further west. Lackner offers a reconsideration of this model by focusing on Frederick as the prince of the former Babenberger lands, and considers Frederick's itinerary as illuminated through the charters that he issued as king. This itinerary highlights Frederick's effort to transform Vienna into a princely seat comparable to the Wittelsbach center at Munich. In addition to this focus on Vienna, Frederick also altered the policy of his father and elder brother of bringing in foreigners, mostly Swabians, to administer his eastern lands and relied more on local men. On this basis, Lackner concludes that Frederick, himself, can be understood as the first Austrian Habsburg, not because of his failures but rather because of his own policy choices.
The final essay in this group, by Stefanie Dick, considers the question of noble marriage as a politically effective tool through an examination of the relationship between Frederick and his wife Isabella. Dick begins with a general overview of the practicalities involved in arranging noble marriages. She then turns to a chronological examination of the negotiations between the Habsburgs and King James of Aragon to arrange a marriage with Isabella, pointing to the advantages that accrued to both sides. After their marriage, Dick argues, Isabella took an active role in supporting Frederick's goals, particularly by providing access to the Aragonese court and through her father, to the papacy as well. Dick points to the large collection of surviving letters that passed among Frederick, Isabella, and James II, which dealt extensively with both personal and political matters. She concludes that Frederick and Isabella epitomized the benefits that could accrue to both partners in an effective political couple.
The next two essays deal in turn with the role played by Archbishop Henry II of Cologne and the northern magnates in the election of Frederick, and Archbishop Henry's effort to use the coronation of Frederick to reinforce the long-standing claims of his see to hold the exclusive right to crown German kings. The first of these essays by Manfred Groten begins with a detailed account of the political relationships among the major magnates of the Northern Rhineland, including the archbishops of Cologne, the counts of Jülich, Berg and Geldern, and the city of Cologne. Archbishop Henry II was the son of the minor count of Virneburg and made his early career at Trier. While there, he joined in the struggle against the archbishop of Cologne that culminated in the battle of Worringen in 1288, in which virtually all of the northern magnates as well as the citizens of Cologne participated. Because of this blemish on his career, namely in fighting against a seated archbishop, Henry of Virneburg's election as archbishop of Trier was disallowed by Pope Boniface VIII. Henry was, however, elected as archbishop of Cologne in 1304. But the echoes of Worringen continued on throughout his episcopate. As a result, the political forces that were set in motion while Henry was a young man continued to play a role during the contested election of 1314. In particular, Archbishop Henry's strong support for Frederick the Fair alienated him from the northern counts, who supported Louis. This hostility between the archbishop and the counts was the main reason why Frederick was denied entry to Aachen for his coronation and Louis was admitted. In addition, the rights gained by the citizens of Cologne after Worringen meant that they were unwilling to bow to the archbishop's demand that Frederick be allowed into the city to be crowned in the cathedral. As a consequence, Frederick had to go to nearby Bonn to be crowned in a church there.
The second essay in this group, by Peter Kurmann, is focused on Archbishop Henry's role as the donator of the Three Kings Window in the high choir of the Cologne cathedral. The completion of the choir in 1322 was a high point of Henry's episcopate, and Kurmann seeks to tie this particular act of patronage to the long-standing effort by the archbishops of Cologne to fortify their role as the crowners of German kings. Kurmann provides a detailed architectural and art historical survey of the various elements of the artistic program introduced by Archbishop Henry, and draws comparisons to contemporary sculpture and glass work in other churches, including those in Rheims and Strasbourg. Kurmann concludes on the basis of his analysis of the windows and sculpture that Archbishop Henry did, indeed, seek to enshrine the rights of the archbishops of Cologne to crown Germany's kings into the fabric of his cathedral church.
The following essay, by Claudia Garnier, is focused on the use of symbolic communication by Frederick, Louis, and their adherents to emphasize the legitimacy of their side and the lack of legitimacy of the other. Drawing on a considerable body of scholarly research on symbolic communication, Garnier argues that symbols, signs, and rituals served important roles in the process of creating legitimacy, but that these often are lost to historians because they were part of non-written cultural practices. She states that these oral and visual rituals and signs usually were only consigned to writing in the context of the new installation of a ruler, or during a conflict. Drawing on this background, Garnier argues that diplomatic interactions between contenders could be manipulated to achieve particular ends, and that the possibility of variable interpretations of a particular sign or act could lead to violence, as happened in the case of the murder of King Albert I in 1308 by his nephew John. In turning to Frederick the Fair, Garnier emphasizes that particular actions also were interpreted differently by contemporaries depending on their partisan bias. Thus, for example, Frederick's display of humility following his defeat at Mühldorf was depicted by Bavarian chroniclers as abject humiliation and surrender, whereas Austrian chroniclers have nothing to say about this matter at all.
The importance of symbols and the choice of terminology also is emphasized by Florian Hartmann in his discussion of the epistolary practice of royal chanceries in the period of the double-monarchy. Hartmann begins by observing the increasing importance of rhetoric in chancery letters over the course of the twelfth century. Chanceries often drew on Italian forms leading to an increasing level of standardization across Europe, with ever stricter adherence to the ars dictaminis. The standardization became so complete that by the early fourteenth century variations from the standard form threatened either misunderstandings or were purposefully intended to cause insult. Working in a chancery required considerable training and knowledge of all of the possible appropriate addresses for all possible recipients. So the question raised by Hartmann is how the chanceries in Germany dealt with the novel problem of having two competing kings, and subsequently a double monarchy. He suggests that many chancery personnel, who trained in Italy, may have been able to resolve this problem by drawing on the experience in Italian cities of having competing centers of political power. Hartmann tests this thesis in a detailed examination of the Munich agreement between Frederick and Louis, and concludes that Italian models are apparent.
Sandwiched between the studies by Garnier and Hartmann, Martin Clauss examines the relationship between Louis and Frederick before 1314 and then during their struggle for the German throne. The two were first cousins, and Louis was between 3 and 7 years older than Frederick. They are known to have spent some time together at Albert I's court in Vienna, and the scholarly consensus has been that they had a close relationship, and even studied Latin together. But there are very limited sources to support this close relationship, and these sources are quite late. The two men did engage in a military conflict in 1312-13 over their competing jurisdictions in lower Bavaria. This conflict came to an end with Louis' victory at the battle of Gamersdorf. Although Frederick was not present at the battle, the victory raised Louis' profile in Germany, and according to Clauss, it was this victory that encouraged the Luxemberg family to support the candidacy of Louis for king, after their own candidate, John of Bohemia, bowed out of the election. After considering their early history, Clauss then turns to the battle of Mülhdorf and asks why Louis did not execute Frederick after capturing him. Clauss does not answer this question definitively, but points to the ongoing resistance to Louis by Frederick's younger brothers as well as the papacy. After considering all of the evidence, Clauss concludes that whatever their early relationship may have been, the decision by Frederick to seek the throne ultimately led to Louis' own coronation as king.
The final two essays in the volume focus on art historical questions with a focus on the patronage of art by Frederick the Fair. The penultimate study, by Christian Freigang, begins with a review of the literature regarding the question of what the term Hofkunst actually means, concluding that this is artwork based at court or patronized by courtiers. Freigang then emphasizes the limited nature of Frederick's artistic patronage, even taking into account the monasteries that he founded, and argues that there are no clear styles associated with him. Instead, Freigang argues that the sites patronized by Frederick are better characterized as being part of a general southern-German style. Freigang then looks somewhat further afield and points to the French kingdom where major magnates such as the duke of Berry had a chambre de comptes that was focused on organizing artistic and architectural projects under the control of a building master. Similarly, King Charles V of France (1364-1380) maintained a master general of royal works on his payroll. Freigang concludes that a similar level of artistic patronage is not seen in the empire until the reign of Emperor Charles IV (1355-1378).
The final essay in the volume by Harald Wolter-von dem Knesebeck takes a closer look at the works of art that can be seen as associated with Frederick the Fair. He argues that the variability that we see in the written sources about Frederick is reproduced in the artwork that touches upon him. There are no surviving representations of Frederick being crowned, as there are for Louis. However, Frederick is presented in an idealized form, in one portrait, as a suppliant, and in another portrait as a stylized ruler in a manuscript of a text known as the Chronicle of the 95 Rulers. The author adds that most of Frederick's building activities were confined to personal residences in Vienna. The surviving elements of the funerary architecture associated with Frederick shows as much influence of Isabella as it does of his own. In sum, the limited artwork associated with Frederick does not provide a much closer understanding of him than do other aspects of his reign.
As a group, these essays provide a number of useful ways of considering, or reconsidering both the double election of 1314 and Frederick himself. However, these insights are rather peripheral in nature and leave many of the central historical questions regarding Frederick unasked, much less answered. What, for example, were Frederick's policies as king? How did he conceptualize the royal office? How did he conduct diplomacy both within and outside of the German kingdom? How did he attract and maintain allies? Of particular importance for a study that has Krieg in the title: what was the nature of warfare in early fourteenth-century Germany, and how did Frederick conduct his military campaigns? What were the resources available to Frederick to wage war and to govern? What role did the king have in the maintenance of the law and the provision of justice? What relationship did Frederick have with the cities? Did Frederick have an urban policy? These questions and many more remain to be asked, and it is to be hoped that future conferences and collections of essays dealing with this period of German history will begin to fill in these many lacunae.


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Snakes Alive - 10% off
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From the 10th April 2011 Snakes Alive has been managed and owned by LizardLinks UK, a family company run by Daniel, Peter and Susan Hepplewhite.
Read more about the humans...
Snakes Alive was set up in 1996 and was one of first companies offering interactive children's parties with a variety of reptiles. The company was originally run by Glen Cousins and his wife Maureen. In this time they accumulated many reptiles and established a wonderful reputation performing children's parties, animal hire for photo shoots and educational talks. As they wished to retire they happily sold the business and their animals to Lizardlinks UK. This transition featured on the Channel 5 documentary series 'Essex Jungle' (episode 4) which aired April 2011.
Lizardlinks UK was set up in 2008 originally offering reptile, amphibian, insect, parrot and small animal boarding image_placeholder for those that require specialist animal care when on holiday or for respite periods. However, as our private collection of interesting exotic animals grew we found more and more people curious about our collection and thus decided to branch into providing animals at events, displays and parties. When Snakes Alive approached us about buying their business it was ideal as we were gaining more events and required a wider range of reptiles that were used to being handled and being based in Essex meant we could also uphold continuing arrangements.
Read more about our services...
Snakes Alive are well known and reputable in the local area and are active members of the Essex Reptile and Amphibian Club (ERAC). If you are keen reptile enthusiasts or novices with a mind to owning reptiles please feel free to join us at our next gathering to meet like minded people, share experiences and enjoy our various informational talks.
Read more about Essex Reptile and Amphibian Club...
Snakes Alive holds full public liability insurance to the value of £10 million and CRB checks have been made against all members of staff. You may request a copy of our Risk Assessment if desired.
We also obtained a Performing Animals licence to provide greater peace of mind for our clients that our animals and premises have been inspected by the local authority and animal welfare inspector. Whilst the local authority had not requested this from our business we still felt that as the industry is somewhat unregulated and featured in the media recently this was the best way of ensuring the legitimacy of our business and care of the animals we use.
Address and Contact Details
- Barleylands Farm Park, Barleyalnds Road, Billericay, Essex, CM11 2UD
- Opening Times: Please check website for details

subset: commoncrawl


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Added: 20.02.2018
Duration: 10:60
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Subsequent research focused on developing methods for coating islets that have dead tissue attached to them. This required the development of new polymers and new techniques. Randy Dorian was added to the team at Davis in 1991 for these purposes. Taking the work in a new direction, Randy developed methods to purify alginate sufficiently to prevent a foreign body reaction (click here to read about these methods). He then worked at UCD and at the Metabolex corporate laboratory on improved methods for fabrication of coatings using the new polymers. Several methods for fabricating coatings were invented and tested in diabetic mice.
In 1993 a greatly improved method (coating & overcoating) was developed by Randy Dorian and Kent Cochrum. It was found by microscopic examination to produce better than 99%+ coating efficiency, and islets protected by this method function in diabetic mice. A dog made diabetic by total surgical removal of the pancreas (pancreatectomy) was implanted using dog islets coated by this method in March 1993; no drugs were used. The figure to the left illustrates the results. (Cochrum, K., Jemtrud, S., and Dorian, R., Successful Xenografts in Mice with Microencapsulated Rat and Dog Islets. Transplant Proc, (1995) 27, 3297-3301) Coated islets were introduced on three separate days over a two-week period into the peritoneal cavity. After allowing the coated islets to acclimatize, insulin injections were slowly reduced to zero. The dog has maintained a euglycemic state to the present, more than six years later.
Several patents have been obtained by the University of California on these technologies. One covers alginate purified to make it "bioinvisible." Others are focused on methods of making thin coatings, including electrostatic droplet formation ("coating") and overcoating with a spinning disk ("overcoating") The van de Graaf generator used to make the small capsules is shown to the right.
A major deficiency of this experiment is that it cannot be proven that the implanted coated islets were the cause of the diabetes cure because they cannot be completely removed. However, this work has been reproduced at an independent laboratory at UCLA (Maniyama, M., S. Arita, et al. (1999). ?Biocompatibility Assessment of Alginates for Islet Microencpasulation.? Cell Transplantation 8(2): 176).


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Test your luck with this memory game. Too easy? Try choosing a different difficulty level.
Play more memory games!
Learn more about Ireland and the history of St. Patrick's Day
Photo credits: Shootzpics, Dreamstime; Destina156, Dreamstime; Daniel Hurst, Dreamstime; Rabidbadger, Dreamstime; Martin Malchev, Dreamstime; Michael Flippo, Dreamstime; Jason Stitt, Dreamstime; Maggie Molloy; Dreamstime


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Food Waste Friday keeps me responsible & accountable for my family's food & finances…thanks to The Frugal Girl!
My husband found this shortly after last week's food waste post. What a good man; he turned it over so I couldn't miss the bad spot since he knew I needed to take a picture of it.
We also had a few meatballs left over that just never got eaten. No excuses.
I don't have any real success stories to share. It was a very fun & busy weekend, so hubby did the basic grocery shopping & I never did a menu plan for the week. Still, we haven't had to pick up any take-out since we've been able to eat full meals from the freezer all week!


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Alternator Rebuild
We are presently able to rebuild Balmar 6-series and the entire line of Electromaax
alternators. Our rebuild process starts with an active full load bench test at
14 volts to determine the actual capability of the alternator, followed by a
test of the regulator to determine if it needs replacement.
We then do a full dissassembly of the alternator, beedblast the frame to a new
finish and do a high pressure wash of all parts. As the alternator is reassembled
it gets new bearings, new brushes and brush assembly, if needed a new 14.1 volt
regulator and our proprietary D+ pcb and new rear cover.
Some additional steps include peening the front bearing into place to keep it from
walking into the alternator, Surfacing the rear frame at the rectifier mounting
point for better heat transfer.
A typical rebuild that would include new bearings, new brushes and holder, new
rectifier, new regulator and our full D+ and rear cover upgrade would have a
retail cost of $339.00 fob Eliot, Maine and be warranteed for one year.
Simply print this rebuild request form, fill it out and put it with your alternator
and ship it to the address on the form. Turnaround time is typically three days.
Be sure to include and email address and we will keep you informed as to its progress.
Below are before and after photos of a few parts of a recently rebuilt and upgraded
that was originally assembled by one of our competitors. Unfortunately none of these is a one time instance. We have seen these many times already.


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Two-level article list?
Hi all,
Yes. It is easily done with keywords - one for each category.
Jorgen Brenting
Keywords? How?
The main thing I'm having trouble with is that some articles have a category (so they need to be listed at level 2, with the category at level 1), while others don't have a category (so the article itself needs to be at level 1). Also, the category names themselves are not linked to anything; there's no 'portal' page for each category.
John Cesta
No matter how I figure it, the only way to achieve anything with keywords is to use the actual keywords in the script. When I write the script, I have no idea what the categories are; plus, I don't want to write code for every single category.
You can't write one script that will come up with a multi-tiered loop. You have to write several loops, and manually add a new loop when you add a new category.
Martha, I don't know how to write a single generic script that will do what you want. I think what you'd like is a script that you could "set and forget," that is, it would account for any articles and categories that you may need in the future.
Thanks, Mark & tk. I was trying to reproduce an existing layout (which uses frames //shudder), hoping it would make acceptance easier. If I were designing the site from scratch, there wouldn't be any categories, or there'd only be a few of them. They're not exactly helping navigation or anything, and numerous studies have found that people have trouble with multi-level navigation.
Fog Creek Home


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Our gin truffles are made with a fresh cream and a splash of lemon juice. Blended with milk or white chocolate to make a delicious treat for the gin enthusiast.
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I have a small, but growing collection of nightscape photos. Nightshots of Amsterdam in the Netherlands,
Las Vegas, Nevada, Cusco, Peru and Detroit, Michigan are available. I also have sunset photos
of Joshua Tree National Park, Lake Michigan, and Cairo, Egypt. Return to this page again to see new phots as they are added.
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Certificate Program in Sales Management
- India's first certificate program in sales for young Indian graduates and postgraduates
- A 4-month program to build a deep understanding of the Sales function
- Builds skills to sell effectively to trade & manage a channel sales operation
- Enables learners to conduct enterprise sales & manage key accounts
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100% Placement at Top Companies
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Graduates & Post Graduates from any stream can apply. You should be under 28 years of age and can have a maximum work experience of up to 30 months
This is a residential program in Bangalore, and all students are requested to make arrangments for their boarding and lodging within the vicinity of NMIMS campus, Bengaluru. Please contact the program advisor at firstname.lastname@example.com or call us at +91 7303260260 for any further queries.
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The Selection process consists of an aptitude test and a personal interview. Test requirements are waived for applicants on submission of a valid NMAT/CAT/XAT or other public aptitude test score. Interviews are conducted by our panel via Skype or Google Hangout
The Program Fee is INR 1.77 lakhs (inclusive of 18% GST). Candidates will also have to make provision for boarding & lodging expenses in Bangalore for the duration of the program.


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If you have something big and bulky to get rid of, you can book a bulky waste collection.
Seniors and concession card holders are eligible for one free bulky waste collection per year.
Other households can access this service for a fee.
To book a bulky waste collection:
Collections will normally be provided within two weeks of a booking, subject to demand.
To be eligible for the free service a resident of the household must hold either:
You'll have to show your concession card and proof of address to access the service.
One free collection per household is available to eligible concession card holders each year.
Each item must weigh no more than 46kg and must be able to be lifted and handled by two members of staff.


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There's a lot to be said for going to a literary festival to hear a talk from a famed and lauded author, a grizzled ink-smith who has survived the long haul in the challenging world of literature. Of course there is. It's a thrill to see and hear from a writer whose face you know, whose work you've been following and whose characters feel like part of the family.
But, equally, there can be a different thrill in hearing from a young author still in the foothills of their career; still caught up in the excitement of their first excursion into professional writing.
Libby Page is such an author. She's very new. "The Lido" is her debut novel. It was her first attempt at writing a novel. Her appearance at the Swindon Festival of Literature was her first appearance at a literary festival. She's more than new. She is new-new.
The book is about a local community's campaign to prevent the closure of a Lido in Brixton led by a 20-something reporter and an 86 year old widow. The tale is based on a the real Brockwell Lido in South London which was closed for a number of years but eventually reopened thanks to the efforts of the local community there.
Page believes that places like these, pools, libraries and similar spaces, are essential to the vitality of the community. She practices what she preaches as well, being a keen patron of her local Lido and tends to plans holidays and excursion on places where there is the opportunity for open air swimming.
Her passion for writing, during her onstage conversation with Josie Cowgill, was unmistakable. She's been signed two a two-book publishing deal (she's currently working on the first draft of her second book) and 'The Lido' is to be potentially made into a film.
But mainly she's excited to be able to have left her job and concentrate on writer for a living. It's quite clear that writing is the passion that fires her and she seemed alight with joyous disbelief that the possibility of doing so professionally has been made real.
And the audience at the Art Centre last night were able to see her near the start of her excellent adventure.


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If your order has not yet been processed and shipped, then absolutely! Just open a new ticket and select the "change my order" option, tell us what you ordered, what you need to change, and your order ID if you have that handy, and we'll make that change for you.
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Henry Sedgwick Quotes
Henry Sedgwick
Welcome to Quote Meanings. This page lists the Henry Sedgwick quotes we have in our database and soon will provide users a means to discuss the meanings of quotes listed here. You don't even need to sign up.
We think so because other people all think so; or because after all, we do think so; or because we were told so, and think we must think so; or because we once thought so, and think we still think so; or because, having thought so, we think we will think so.
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Porcelain + Jamie
There's something beautiful about simple genuine love, and following your heart.
Porcelain and Jamie flew across the world all the way from Nebraska with just fifteen of their closest people and had a low key relaxed elopement in Flaxmill Bay, Coromandel. They told us of their many adventures together; so it only felt fitting to them to have a travel theme for their wedding.
Jamie grew up in Coromandel. His family owned many acres of land (most of it in native New Zealand bush) and the most incredible 'kiwi bach' with its wooden interior, tons of charm and childhood memories. He gave us a tour of his families' land and we loved getting to know them in this place that they held so dear.
Their wedding - much like them - was relaxed, thoughtful, meaningful and fun: A cute little marquee was put up on the lawn of their favourite cafe. Their friends and family all pitched in with the reception setup, and there was a lot of laughter and excitement in the air.
The wedding ceremony was held at Shakespeare Cliff Reserve, under a giant Pohutukawa tree. This spot had stunning vistas of Flaxmill Bay, but all eyes were on them. They shared very personal and meaningful vows, along with the story of their journey so far, and finished with the promise to be by each other's sides forever... there wasn't a dry eye in sight.
The afternoon was spent, playing with their guests in the summer sun, before going on an adventure together for the photos at sunset.
We loved being a part of this incredible celebration; rich with laughter, fun and simple genuine love. We hope you love it too.


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That's a common question and we understand the urgency of one's budget but asking a developer this question is not the way to start. Instead, explain your budget then ask, "How much can I get?"
Let me tell you a story.
Once long ago we were asked to compete for a complicated e-commerce website. We listened carefully to the new client explain their ideas. They wanted a new site to sell their high-end products online. They named imprecise targets like "world-class", "fashion styling," and "we expect to grow over time." We tried to get more measurable goals but they just couldn't articulate them. Nor did they reveal how much money they intended to spend.
After making guesses we wrote the best bid we could. It turns out that second developer bid about half of our price and a third bid five times as much!
These bids varied wildly but were all reasonably priced in their own way. How can that be? All three of us guessed about what the client really needed. The high bidder included expensive, time-consuming development processes that they hoped would be appropriate (and might have been if the budget was available.) The low bidder planned to cut corners because they guessed that's all the client would be able to afford.
Since the customer didn't articulate concrete expectations all three of us bidders had to make these guesses. In the end our firm won the job because we guessed closest to the price the client was secretly hoping to pay. But to be fair the other firms might also have produced fine sites for the same price if only they had known that's what was expected.
If the client had just revealed their budget up front they would have gotten three good bids to choose from instead of just one.
Moral: Don't hide your budget — web developers aren't mindreaders.
An expensive developer produces better results faster than a budget developer. Total costs are often lower with a more expensive developer.
We've often heard of the 4-hour developers. Want copy replaced? "4 hours." Want a new page added? "5 hours." Well, if the 4-hour developer charges you $50/hour and we can do it in one hour, you'll see why the hourly rate doesn't matter in the end.
And the result is more professional and maintainable which reduces your ongoing costs as well.
Moral: Don't choose professionals by their hourly rates — look instead at the total project cost.


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SCOTLAND 2018 line up
Guy Grieve
Author, adventurer, entrepreneur and scallop diver
Guy Grieve is an adventurer and entrepreneur whose fight for sustainability has led him to start up a multi-award winning ethical fishing company on the Isle of Mull. He skippers the family fishing boat, Helanda, and dives for king scallops that are prized by chefs throughout Britain. Call of the Wild, My Escape to Alaska, his first book, was inspired by the year that he spent living alone in a cabin he built in the wilderness of the Interior of Alaska in 2004-05. He has gone on to present a number of television programmes as well as writing for various national publications. His latest book Sea Legs charts the year he and his family spent sailing from Venezuela to Scotland, via the Caribbean. Guy Grieve lives on Mull with his wife and two sons.
mark SHAyler
Why its not sufficient to do things better, we need to do better things
Mark Shayler runs a branding and consulting agency called This is Ape. He's worked with over 1000 companies and has introduced new products and services, helped companies float on AIM, developed new business models, new ways of building, and has written a colour-by-numbers DIY guide to disruption Do Disrupt: Change the status quo or become it. He works with big companies (no, even bigger than that) to disrupt what they do in ways that generate more income, do less harm and ensure they will be here in 20 years time.
Mark gives talks around the world and his workshops are short, sharp, pointy, adrenaline filled and inspiration fuelled. They disrupt what you are doing and get you pointing in the right direction. At WWW 2018 he'll be doing just that – with a dram of whisky in his hand.
Chief Happiness Officer and Founder of WE Factory and Meal at Work
Veronica Fossa is an Italian entrepreneur, a workplace food designer, a writer, and a curator who has been recognised in 2017 as an Emerging Young Social Innovator by Ashoka.
She is the founder of WE Factory, the first workplace food culture design studio. She also started Meal at Work, an eating format for organizations that aims to disrupt toxic workplace food cultures. She has over 10 years of international experience working with agencies, grass roots organizations, and movements across Finland, Sweden, Russia, Denmark, Iceland, Estonia, and Italy based around connecting people.
Her work has been featured on international media including Il Corriere della Sera, MOLD, and L'Officiel. She regularly speaks about happiness at work, community-building, food culture and experience as a catalyst for social change in the workplace. Lately, she has been sharing some of her ideas, speaking at places like TEDx, Chiang Mai Design Week, Tallinn Design Festival, and Design Thinking Camp.
vimla appadoo
Service Designer at FutureGov + Young Digital Leader of The Year 2018
With a background in social good and social innovation, Vimla is currently using her skillset as a Service Designer at FutureGov to focus on public sector transformation and what it means to solve 21st century problems with a digital mindset.
Vimla has represented the UK tech sector on international trade missions and has spoken on international stages on topics ranging from innovation, empathy and inclusion. A TedX speaker and inclusion champion, Vimla was voted a Top 50 Future Leader in 2016 and Young Digital Leader of the Year 2018.
Vimla will be running a talkshop that will explore not just how to use Service Design to work better with clients, but how to build better teams and company culture.
Mike Coulter
Tiny Habits® Workshop
After an award-winning career as an advertising copywriter, Mike Coulter was an early, very early, adopter and advocate of social media. (He was the 11,700th person to spot the potential of and sign up for Twitter in 2006.)
More recently he was Creative Director on the hugely influential 'Side Projects Report' from The Do Lectures, which was the catalyst and inspiration for him to train and qualify as an enthusiastic evangelist, ambassador and coach for Stanford University Professor BJ Fogg's ground-breaking Tiny Habits method of behaviour change. (Mike is one of only few officially recognised TH coaches in the UK.)
At WWW, via a 'walking workshop'; Mike will take you through the Tiny Habits® Method, explain how emotions create habits, why we should all believe in baby steps, why he considers Tiny Habits a 'Superpower', and help you explore, design and nail a bunch of new positive habits in your own life.
Giving examples of how Tiny Habits has had a massive impact in both his personal and professional world's, we think you'll enjoy and benefit enormously from Mike's engaging, evangelical style.
What people who've worked with Mike say:
– 'Mike is a genius at understanding human behaviour' – David Hieatt: Founder, The Do Lectures
– 'Mike was the first person I knew who spotted the potential of the internet. Later, he was the first person I knew to bang on about social media. Today, he's the first person I'd recommend to help you, be you' – Mark Waites: Co-Founder, Mother.
_ 'Mike Coulter has more ideas in an hour than most agencies have in a week. Clever man.' – Phil Adams: Planning Director, Blond Digital.
You can find out more about Mike here; on Medium, Linkedin, Twitter and Instagram.
Talk shop with TASH
head of school + programme leader MA Digital Experience Design +Digital Management at hyper island
Lets get our heads in the clouds while keeping our feet on the ground, an interactive TalkShop where we will mentally (and maybe physically) bridge those self made barriers and explore the power of team...
Tash Willcocks has over 20 years of experience shaping future changemakers in the creative industry. She was previously programme leader of the BA and MA Graphic Design course at Salford University, and now facilitates the learning of worldwide postgraduate students that join the MA Digital Management and MA Digital Experience Design programmes at Hyper Island, along with heading up the Masters across Europe.
Alongside this she has a growing interest built through her learnings with the students at Hyper Island around habits, innovation and how your brain can be a help or a hinderance.
She has spoken about this at recent events such as TedX MCR, Creative Mornings Gothenburg, Innovation hub Enterprise City & Crft and been interviewed/written articles around collaboration/ethics for publications such as Forbes & Creative Review.
Parallel to disrupting design education, she has acted as an album creative for the band Elbow, carried out Skateboard design collaborations with Linder Sterling and designed for BBCs tomorrows World and more fun design thangs. Her popular daily typographic project, 'Mundaneaday' is now it its fifth year, and its demand has expanded her portfolio from digital back to physical including the commission of large scale hand-lettered murals in studios around UK. She built up MapMyMCR, a growing online map of illustrated buildings and their narratives which is being developed to incorporate additional cities.
Collaborations are a core feature in her working, and being part of Generic Greeting and BLAB helps enable this to grow. Having Cornish roots she's a friendly little creature and is usually happy to be seen talking at events/the bar so say hello.
With Love Project
The With Love Project is the brainchild of two Manchester creatives who set out to find and document people who produce things with a passion and purpose.
Photographer Rob and Art Director Chris started out to produce a small book focussed around five people, asking them one single question: "Why do you do what you do?" Nearly 60 makers, producers and manufacturers later they've published three books, produced two short films and have set up a creative studio producing content rich campaigns for British brands.
What started as a side project has become a fully fledged business in its own right. The creative studio now work with, and champion producers, makers and manufacturers who produce things with a passion and a purpose.
Bothy project
Bothy Project is a network of small-scale, off-grid art residency spaces in distinct and diverse locations around Scotland. Bothy Project offers opportunities to stay, work and study in simple shelters designed to optimise exposure to their unique settings. One of which is on the grounds of our basecamp Inshriach House. Luke Collins heads up Bothy Project and will join us to share some bothy stories around the evening campfire. Each of the three bothies is unique and were designed in collaboration by artist Bobby Niven and architect Iain MacLeod with conceptual and practical assistance from other artists, makers and designers.


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Boundaries Sees Wider Release February 24th
After releasing their debut full length last March, Memphis death metal outfit Prophasis are pleased to announce that they have signed to Imminence Records. On the signing bassist Ryan Katka stated, "It's nice to finally be a part of something where the people are so friendly and take such a positive approach to the music and the band as a whole." Guitarist Cody Landers added, "It's awesome to have professional support, as well as a platform to share our passion with others who enjoy it." With the signing announcement, the band's full length debut, entitled Boundaries, will see a wider release on February 24th. While the album is already available from iTunes, AmazonMP3, Google Play, and Bandcamp, it will be added to all streaming services and the rest of the digital stores worldwide along with a Bandcamp exclusive bundle with To Be A King.
RIYL: After The Burial, Chelsea Grin, The Black Dahlia Murder, Thy Art Is Murder
Prophasis are currently hard at work on their label debut EP that promises to be faster and more melodic while featuring a darker more focused sound that adds more of a melodic death metal influence into the band's sound. On the current songwriting process vocalist Alan Ervin states, "The current songwriting process for this EP compared to the process of Boundaries is different in that, before it was mostly Brad (Wickham) coming up with drum ideas and Cody coming up with the riffs, whereas now we have more ideas coming from everyone on everything from song structure to drums to riffs." With Cody adding, "This time around Ryan has had the chance to show that he can also be very valuable to the writing process now that he has been in the band during the pre-production process. It's becoming more of a collaborative effort." The band is expected to release the EP and do some regional touring later this year.
Boundaries (February 24th)
1. Presage
2. Allegiance
3. Cultural Misanthropy
4. Exodus Of Rationality
5. Sigil
6. Sightless
7. Boundaries Of The Mute (Feat Cody Black of Throne)
8. Propaganda
9. Indoctrine
10. Dynasty Malfunction
11. Tenebris Propheta (Dark Prophet)
12. Obsidian (Feat Jake Wolf of Reflections)
About Prophasis:
Death metal outfit Prophasis was formed in Memphis, Tennessee in June of 2012 when two members from a former local Memphis band decided to start up a new project. After creating some demos, word got around and eventually the drummer/guitarist duo found a full band that consisted of Alan Ervin on vocals, Brad WIchham on drums, Cody Landers on guitar, and Ryan Katka on bass. After playing plenty of shows in and around Memphis while also playing two out of town shows in Tupelo, MS, the band released a full length debut album on March 18, 2014. The album, entitled Boundaries, serves as the first chapter of a band that has quicken climbed up the ranks and caught label interest. In February of 2015, Prophasis announced that they had signed with Imminence Records and are working on a brand new EP.


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Oakley week in a nutshell: A gather of the team, get everybody together, have a great time, promote the brand and their partnership with Mammoth and put together some kickass content.
The duo Stale Sandbech and Spencer Whiting aka Gimbal God trekked up the 395 highway to Mammoth for Oakley week. The Mammoth park team built a modified double mini pipe fully equipped with rails, extensions and featured a gap in the spine. Check out the episode above and watch the Stale and the Oakley team mob the mountain.


text: By Choe Sang-Hun Published 1:16 pm, Friday, April 6, 2018 Photo: Chung Sung-Jun / Getty Images Image 1of/1 Caption Close Image 1 of 1 Supporters of former president Park Geun-hye participate in a rally in front of a Seoul courthouse. Supporters of former president Park Geun-hye participate in a rally in front of a Seoul courthouse. Photo: Chung Sung-Jun / Getty Images South Korea's ousted president gets 24 years in prison 1 / 1 Back to Gallery SEOUL — Park Geun-hye, South Korea's impeached and ousted president, was sentenced Friday to 24 years in prison on a variety of criminal charges, in a case that exposed the entrenched, collusive ties between South Korea's government and conglomerates like Samsung. A three-judge panel at the Seoul Central District Court also ordered Park to pay $17 million in fines, in a ruling that marked a climactic moment in an influence-peddling scandal that shook the country's political and business worlds. Park's conviction on bribery, coercion, abuse of power and other charges was the first lower-court ruling on a criminal case to be broadcast live in South Korea. She is the country's first former leader to be arrested and convicted of crimes since two former military-backed presidents were found guilty of sedition and corruption in the 1990s. Park did not appear in court for her case Friday. She has refused to attend any court hearings since October, staying in her solitary prison cell, complaining of poor health and insisting that she is the victim of a political conspiracy…. [Read full story]


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Movie Review: The Summit
On August 1st, 2008 25 climbers made the journey to the top of K2, the second highest peak in the world also known as the Savage Mountain. Between the fourth camp and the summit is an area known as the "death zone" where the high altitude mixed with an unpredictable ice shelf called the Serac makes the possibility of death almost a certainty. Statistically, one in four climbers that make the ascent perishes. The odds were not in this expedition's favor; 11 of the 25 died. The weather was perfect, the climbers were experienced. What happened at the top of that 28-thousand foot peak?
The Summit, a documentary directed by Nick Ryan, attempts to shed light on the dark tale. With the cameras rolling at the beginning of the final ascent, the film portrays the climb to be under excellent conditions: no wind, no snow, hardly any clouds. After the first events of misfortune occur the story jumps back to three months before, when the expedition first began.
From there on the scenes no longer make sense as too many sides of the same story are presented parallel to that of the first climber, Walter Bonatti, who also experienced tragedy and disgrace at the expense of the hike. Despite his story and admiration for the mountain being similar to the 2008 climbers', Bonatti's addition into the film adds just another name and voice to an already crowded documentary.
The Summit tries to explain why these extreme hikers have chosen a hobby that could result in serious injury or even death. Opening with a birds-eye view of the awe-inspiring Karakoram Mountain Range, the cinematography of the film is shockingly beautiful; the audience actually feels as though they are at the summit of K2. It is impossible to witness such a landscape and the joy the hikers feel at conquering the climb and not yearn to experience it as they did.
However, at such high altitude with several climbers going hours without proper provisions, medical aid, or peace of mind, mental stability is called into question. Stories changed several times, particularly that of Marco Confortola, one of the climbers forced to spend a night on the summit, losing all of his toes to frostbite. Then there is Wilco van Rooijen who spent 60 hours in the death zone, resulting in temporary sun blindness and frostbitten toes. Pemba Gyalje, a Sherpa with considerable experience, and Cecilie Skog, a Norwegian climber, were among the few to reach the summit and return to camp three, Cecilie making it not long after nightfall and the death of her partner and husband.
Questions of what happened to cause so many fatalities were posed to these people, with the most emphasis placed on what happened to Gerard (Ger) McDonnell, an Irishman, who spent a treacherous night on the peak and later went missing while attempting to save a group of stranded Korean climbers. His brother and wife are narrators throughout the documentary, but eventually seem cruel as they forcefully (and on camera) examine each survivor's story about what happened to Ger, causing visible distress.
At this point the audience cares about the survivors being mentally abused. The Summit does a decent job of getting viewers to care about the hikers. With stories about past successes and strong relationships formed at the foot of other mountains. As they relay their accounts of the events, the memory still brings several to tears and stops others from their narration.
All the interviewing and interrogating shown within the documentary revealed a series of events that included people falling sick, tents flying away and supplies not being packed that led to 11 peoples' death. Of course, from the first few scenes it is obvious that people are not doing what they were told as they impatiently tried to pass each other and ended up leaving fellow climbers behind. Suddenly the mystery of the mountain seems strikingly obvious.
The Summit attempts to look into the mind of both the hiker and the family member; one caught up in the adrenaline and the other supportive but terrified. Needless to say, this is an ambitious and incredibly confusing place to see. The Summit definitely set its sights too far up the mountain with its inability to cohesively string all the hiker's stories together.


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The thing about being dead, when it happens, you can't do anything about it anymore. Sure, you can try to get out of it if you think it's possible, but more oven than knot, your gonna know your dead when your not breathing anymore, and that's when reality comes into play.
If your dead for the first time, you'll know, so you should get ready for it. Make sure your mind is free from all the distrakshins that come into play when you factor in all the things that go into death. It's lots of stuff, like pain and fear. Pain and fear, for most of us, that's like the thing we are afraid of the most since it hurts.
In conclusion, your death isn't just the end. It's also the beginning of a new journey called the afterlife where your credit cards won't work no more and your rims won't get you nothing in no pawn shop. That's why you should have fun now since it's not going to come back ever again.
Always use a condom. Don't be dumb.


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Name: Love trap album susheela raman
File size: 933mb
Language: English
Rating: 2/10
Find a Susheela Raman - Love Trap first pressing or reissue. Complete your Susheela Raman collection. Shop Vinyl and CDs. Susheela Raman Love Trap Review. Album. Released And on the basis of this lovely second album she's likely to win many more. Producer Sam Mills. Susheela Raman - Love Trap - fusion-jo.com Music. Includes FREE MP3 version of this album. This item:Love Trap by Susheela Raman Audio CD $
Find album reviews, stream songs, credits and award information for Love Trap - Susheela Raman on AllMusic - - An outstandingly interesting sophomore. 5 Jun Susheela Raman's debut album Salt Rain established her as a major new British star, thanks to her slinky, highly personal blend of Indian. 28 Jun Sam Mills, (Susheela's husband) who produced the award-winning Salt Rain also came on board to produce Love Trap and the album was.
24 Jun Listen to songs from the album Love Trap, including "Love Trap", "Sarasa", " Amba", and many more. Buy the album for $ Songs start at. Listen free to Susheela Raman – Love Trap (Love Trap, Sarasa and more). 11 tracks Do you know any background info about this album? Start the wiki. We liked this remix so much we decided to make it a staff pick. Raman's album Love Trap began moving her away from classic Indian music, and the Quel. Love Trap, an Album by Susheela Raman. Released June 24, on (catalog no. ; CD). Genres: Indian Pop. 14 Aug Usually, I love conceptual issues, but this time it's not working at all. So I'm just going to write about this album, Susheela Raman's second solo.


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Is it a Good Time for Our Governmental Unit to Conduct a Federal Tax Self-Assessment?
The Internal Revenue Service office of Federal, State & Local Governments (FSLG) has developed a self-assessment tool as a resource to help governmental entities understand and comply with the complex nature of their federal tax responsibilities. FSLG helps coordinate activities with IRS offices to work with governmental employers to resolve tax problems.
FSLG developed the self-assessment tool as a result of its identification of a number of common errors for governmental employers. Some of these errors include:
Totals shown on Forms 941 or Form 944 do not reconcile with totals on Forms W-2 and W-3, or between these forms and the accounting records.
Forms W-9 and W-4 are not being used or are not being updated when necessary.
Failure to backup withhold on payments to vendors when required.
Failure to correctly complete or file Forms 1099.
Failure to apply accountable plan rules to expense reimbursements and allowances.
Incorrect or missing employment tax deposits.
Failure to follow electronic filing requirements.
Misclassification of certain groups of workers as independent contractors, instead of as employees.
Failure to pay and withhold Medicare-only tax on rehired annuitants.
Failure to include taxable noncash benefits in employee wages.
Failure to correctly apply withholding rules to election workers and public officials.
FSLG also works with the Social Security Administration to educate governmental entities on Social Security and Medicare issues and the terms of the Section 218 Agreement that the state in which the governmental entity is located has with the Social Security Administration. A Section 218 Agreement is a written voluntary agreement between a state and the Social Security Administration to provide Social Security and Medicare Hospital Insurance, or Medicare-only coverage, for employees of state and local governments. Wisconsin has a Section 218 Agreement. It is important for a public entity to know if its employees are subject to a Section 218 Agreement because a mistake in classification of a group of employees can result in significant penalties.
The FSLG self-assessment tool is an excellent resource for governmental entities. Should you have additional questions regarding the tax responsibilities a governmental entity has, our attorneys are ready to assist you.
If you have questions regarding the above, please contact Mary Ellen Schill, the author of this article, or any of the attorneys in the Employment, Benefits & Labor Relations Practice Group of Ruder Ware.


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Tweedeling (translated: Divided) is about the feeling of missing. The missing of something or someones presence and the memory of this.
It is originated out of the (literal) physical distance between me and my disabled sister. Due to her disability, I have the need to control her well-being. This is only possible when I'm with her.
I did not want to break our patterns of life in function of this project, but let them consiouly continue the way they were. I started searching for her in my own immediate environment and found her in a photo album in my house, which I have once received from my parents. After scanning all the images that my sister and I can be seen together, I started focussing on the parts where we touch eachother. Because this is only possible when you are together, which was not the case at that very moment. Touch has become in this way a symbol of being together. A way so I do not need to mis her.
In my work, I try to make the viewer aware of his own touch by using transparent, fragile, 9 grams, Japanese paper. The pages go from the inside to the outside or from the outside to the inside, depending on what the viewer wants to do with it. With this I suggest the act of embracing or releasing. The touch between my sister and I that I am concentrating on is only visible when the left and right sides are folded together and the pages overlap. This overlap brings sharpness to the specific parts of the image where the actual touch occurs.


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We all are familiar with backpacks. Right from our first day of school but to the last day of the college, the weights of the bags keep increasing. The bags are no doubt great tools to carry books, notebooks and other utilities. But due to the ever increasing study and homework load, the bags on the shoulders of little kids are getting heavier and heavier every day.
The ever increasing weights of these backpacks are becoming a matter of concern for the parents and experts alike. According to researchers who did a study on the current load on the kids they found children suffering from fatigue and noticed that the load puts adverse effect on the posture of children. Apart from the effect on posture, the backpacks also result in shoulder pain and back pain in many kids.
Many adolescents too complain about back pains and usually we associate this with their day to day activities like participating in different sports or their hectic schedule but we often do not think it could be due to the heavy bag on their back. Since the correct reason behind the problem is not identified and taken care of, this ordeal keeps continuing until a lot of damage has been done.
As heavy as the backpack, the effect is also as adverse and you may not know but these heavy backpacks can lead to musculoskeletal problems. The problem is even worse with those kids who carry their bags only on one shoulder. The side-effects most commonly seen are:
- Pain in the shoulder, back and neck.
- Fatigue.
- Development of poor posture.
- Strain to the neck.
Some children also develop long-term effects like:
- Chronic pain in neck and shoulders.
- Spinal damage giving rising to problems like Kyphosis or hunched back
- Scoliosis (spine bent sideways).
- Back pains and muscle spasms.
- Breathing problems due to the pressure put on the lungs as a result of the forward/sideways bent posture.
Major issues like chronic back pain, imbalance or if your child has a medical issue like scoliosis can result in making the pain too much for them to bear. The spine is made of bones layered with a growth center and points where the bone grows and takes place as per the age of the person. Excess weight on the shoulder and back can immensely effect this growth leading to abnormal growth of the bones.
So how can we resolve this problem? While we cannot reduce the books but we can deal with the backpack and make it easy on their body. While selecting the backpack make sure it is not bigger than required because the bigger the bag the more place to carry and the stuff inside will also make the bag sag backwards putting excess weight on the shoulders to carry it. Make sure the strap is wide and padded and always take adjustable straps so you can adjust them to your child's posture. Visiting a Tampa Chiropractor from time to time can be also very beneficial.


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The United States of America is my home and I am proud and forever grateful that President Trump is doing his job trying to secure our borders.
Anyone who feels that illegal immigrants should be allowed to come in without any consequences are probably the same people who have gates, and lock their doors to their own home. If someone illegally entered their home, I doubt they would house and feed them very long — if at all. They would probably call the police to have them removed.
Why wouldn't they let them stay free-of-charge, especially if they have children? It is because it is their home. It doesn't matter if they have more money or material items than the people who entered their home illegally. It is their home and people should just not enter if they were not invited. Whether it is their private residence or the United States, it is illegal.
I stated at the beginning the U.S. is my home and I want illegal immigrants stopped. No need to separate children from parents — send them all back immediately. Parents of children who willingly and knowingly break the laws are not good role models for children. Teaching your children to disobey law the is another reason children have no respect for authority.
Allowing these illegals to stay in the U.S. is a slap in the face of the immigrants that come here legally. What part of illegal do these people not understand?
I will be watching the news for when all these people who are against enforcing the illegal immigrant laws to open up their own home to these illegals. I know that won't be happening.


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Stanwood (SHS) Class of 2000 Alumni List
Help us Update the Stanwood 2000 Class List by adding any names missing from the list below:
Registered Alumni
2000 Class List
- Austin Anderson
- Dustin Bankson
- Crystal Cummings
- Misty Eastwood
- Eric Flones
- Jason Harris
- Lisa Hawk
- David Hayes
- Stephanie Jessen
- Todd Johns
- Harvin Jon
- Crystal Jorgensen
- Rena Kane
- Natalie Mebust
- Trisha Nash
- Nicholas Pine Nelson
- Crystal Robbins
- Elisha Schweigert
- Brandon Snyder
- Daniette Stites
- Jonathan Thomle
- Nick Thompson
- Scott Weatherholt
- Jonathan Woods
Know Stanwood Class of 2000 graduates that are NOT on this List? Help us Update the 2000 Class List by adding missing names.
The most popular movie of 2000 was How the Grinch Stole Christmas which has grossed over $260,044,825 since its release. The TV series Who Wants to Be a Millionaire was the most popular show of 2000.
Reunions and Stanwood High School News
More 2000 alumni from Stanwood HS have posted profiles on Classmates.com®. Click here to register for free at Classmates.com® and view other 2000 alumni.
If you are trying to find people that graduated in '00 at Stanwood High in Stanwood, WA, check the alumni list below that shows the class of 2000.
Stanwood High School alumni can relive their experiences from high school by sharing memories and pictures, reconnecting with those alumni listed, and more.


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Cruise and Maritime Voyages offer exceptional value cruising holidays aboard 5 stylish, smaller to medium sized ships combining attentive and friendly service with stylish entertainment, delicious cuisine, daytime activities and guest speakers and craft programmes on most sailings. These smaller to mediumsized ocean liners are accessible to more ports of call than larger resort style ships, offering more varied and interesting itineraries.
2017 brought another exciting year with the addition of the impressive Columbus to their expanding fleet of 5 traditional cruise liners. Carrying around 1,400 guests Columbus will line up alongside Magellan, Marco Polo, Astoria and Astor, as CMV's new flagship. Refitted in August 2015 with further upgrading in April 2017, she will be truly impressive and well suited to those who prefer smaller ship benefits and a more traditional experience.
THE BENEFITS• A range of 3*, 3* Plus and 4* smaller to medium-sized cruise vessels
• Traditional smaller ship – British cruise experience
• Predominantly British cruise passengers with onboard currency in Sterling (Australian dollars aboard Astor)
• 95% guest satisfaction rating
THE EXPERIENCE• Exceptional value scenic cruising
• Traditional British cruise experience
• A range of British and International cuisine
• Adult-only cruises (excluding Astoria) and multi-generational cruises on Columbus and Magellan
Contact Us!
To create your own perfect holiday and for our latest special offers, please contact our travel agent.Enquire Now !


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Helen Peters' parents are both members of CPRE Sussex and were part of the local Lewes Branch campaign against the development. In 2011, following vociferous local protests, South East Water finally shelved the plans.
Helen Peters wrote a 10 point guide on how to fight for green issues you care about in Guardian's children's book section. "The main character, Hannah, discovers that her local water company wants to flood her family's farm and turn it into a reservoir. Hannah is determined to save the farm, but how can a 12-year-old girl and her friends defeat a big company with powerful arguments on its side? Well, here are 10 things you can do, whatever your age, if you have an environmental issue you care passionately about," wrote Peters.
She also published this charming gallery of her life growing up on Plashett Park Farm.


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Burnsville High School and Burnsville Alternative High students are invited to support the Movember campaign, which will raise funds for the Movember Foundation's Men's Health Programs. Teachers at Burnsville High School volunteered to support this campaign by sporting a new beard/mustache style for the month of November. During the lunch periods of November 17-21, students can vote in four different categories:
Most Intimidating Mo.
Most Dignified Mo.
Mo that Needs To Be Shaven Immediately.
Mo we Love So Much It Must Stay Until Friday, December 5.
Each vote will be $.25. Students can vote for multiple teachers or a single teacher multiple times. Students can vote as often as their bank account allows. Funds raised will go to charities that support men's health and mental health issues. At the end of Movember, money will be counted and the teacher with the mo' money in each category will be "honored." Winners will be announced on November 25.
Pick your teacher and pick your mo, just don't pick your teacher's mo. Find some quarters and let's help raise awareness of issues affecting men's health.
If you have questions, please see Mr. Burk at the Senior Campus or Mr. Riggs or Mr. Krebs at the Main Campus.


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I'm loving the new trend of layering die cuts and chipboard elements. I find it gives so much dimension to a layout and it is really easy to do. Plus it is so easy to do. The one tip I have is when possible, pop dot some of the die cuts if you are using a few couple (like I did with the green sleeping bag). I find it gives them a little more depth. I also added glossy accents to the glass shade of the lantern to give it a shiny look like glass.
Supplies: Patterned Paper:October Afternoon - Campfire Collection ; Cardstock: Bazzills; Embellishments: October Afternoon - Campfire Chipboard and Die Cut Elements; Tools: Dymo Label Maker.


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About Us
Our Vision
Donors and Supporters
Support Us
Education and livelihoods for girls and women
From Childhood to Livelihood
Everyone supports returnees
Training and enterprises for deaf youth
Health Awareness and Livelihoods
Alleviating poverty in Western Nepal
Disabled youth rights
Hearing assessments in primary schools
Berhan Lehetsanat
Association for protection and promotion of human rights
Deaf Development and Information Association
Kiran Society
Nepal-Disabled Human Rights Centre
Mozambican Association of Disabled Youth
Ephphatha school for deaf children
Social Development and Education Trust
Seva in Action
News & Events
Nepal Earthquake Donations
Ockenden International Prize
Zero Tolerance to FGM
DDP Accounts for year ending March 2018
DDP Accounts for year ending March 2017
Annual Review 2016
DDP Accounts for year ending March 2016
Annual Review 2015
DDP Accounts for year ending March 2015
Annual Review 2014
DDP Accounts for year ending March 2014
DDP is 21
Inclusive Practices in Schools
Gallery 1 Burundi
Gallery 2 (in development)
Contact Us
Working with disabled people and their organisations in developing countries
DDP Accounts for year ending March 2016
DDP Accounts for the year ending March 2016 are available. Click to download.
Ways of Giving


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Since moving to Switzerland a few years ago I've spent a great deal of time travelling around my new home. It has been an eye opening experience, with its wonders a constant source of surprise. My entry for Rhino Car Hire's Travel Your Way competition focuses on Switzerland, and the means of transport I've used to discover its incredible landscapes.
Travel By Air
Cable-cars, gondolas, aerial cableways – do these forms of transport fall under travelling by air? I'm not so sure, but they're not on the ground so I don't know how else you could categorise them. Common forms of transport in Switzerland, they excite me like no other. Onward to the top of a mountain! They more often than not lead to mystical and magical places, transporting you to another world. There really is no feeling like it.
Travel By Road
The mountain passes of Switzerland offer some of the most picturesque driving routes anywhere in the world. Carving their way through valleys and over summits they really are a triumph, a pleasure to behold. To me the open road signifies freedom, the freedom to explore and discover. And there aren't many better roads than those in the Swiss Alps.
Travel By Rail
Some of the world's greatest journeys are by rail, and in few places is this more apparent than Switzerland. Traversing seemingly impossible paths through the Alps the Swiss railways take travellers to otherwise unreachable destinations, though unbeatable landscapes. Whether it's your bog standard train, a rack or cog-wheel railway, you can be sure that the view out of the window will hold your attention for the duration of your trip.
Travel By Water
As a landlocked country you might expect to have to search long and hard for travel by water in Switzerland. But there are so many beautifully clear, pristine lakes that you're spoilt for choice. The unique views available by boat are more than worth the effort, and there really is something especially peaceful about being out on the water.
Thanks to HeyJude over at Travel Words for nominating me for this competition. Here are my five nominations – the closing date is 31st October so unfortunately there's not much time to get your entries in!
1. Kan at Kan Walk Will Travel
2. Tina at Travels and Trifles
3. Charles at Charles Schnyder Photography
4. Thatiana at Never Clip My Wings
5. Lucy at On The Luce
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- Post-Processing in Lightroom: Fixing Vertical Distortion
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"Extend Allscripts to The Point of Care Using CareWatch!"
The CareWatch cwExchange interface for the Allscripts application allows automatic, bi-directional telephony EVV (Electronic Visit Verification) information to be exchanged between CareWatch and the Allscripts billing and scheduling back-end application using the powerful Allscripts Rhapsody interface engine.
CareWatch synchronizes key information pertinent to the visit in an almost real-time manner. This allows the caregiver to have the most up-to-date information available to them when they call in to document the visit.
Extends Allscripts to the Point-of-Care
CareWatch extends your Allscripts system right to your patient's home at the point-of-care. By using the patient's home telephone as your input device, there is no need for expensive hand-held devices or smartphones. However, should a patient phone not be available, CareWatch has solutions for that too.
Good, Clean Visits
All visits go through a QA Process to ensure that they are correct and billable. CareWatch looks for certain exception criteria that would prevent that visit from being billed. These exceptions can cause the visit to not be sent to Allscripts until they are corrected. Only visits with accurate and complete data are sent to Allscripts.
One Point of Data Entry
Information is entered where you do it today – in the Allscripts system. With the cwExchange for Allscripts interface, there is no need for duplicate entries and the risk of errors.
Primary Capabilities:
• Imports changed employees, patients, schedules and patient care plans into the CareWatch system automatically.
• Sends completed visit information, including care plan results, to the Allscripts Telephony Verification queue so that the completed visit can be verified, attended and billed.
• Delivers visit information within minutes of the visit being completed.
Standard Features:
- Allow visit verification using the patient's phone, the caregiver's GPS capable smart phone, the Carewatch EVV Token or a combination of these.
- Utilizes full capabilities of the Carewatch Quality Assurance Rules Engine to hold visits based on different rules for each visit type:
- Data quality and completion
- Critical care items
- Visit duration
- Paper Documentation requirements
- Unmatched visits to schedules
- Specifically identified patients or caregivers
- Maintains a full history of all visits to a patient including changes to notes and visit data to be used in audits.
- Customizable caregiver rules (allow changes in visit times, perform different types of tasks, collect metrics …)
- Includes caregiver performance indicators on a per visit basis. (early, late, long, short, completeness of care plan, changes made to start and/or end times)
- Integrates voice and text-to-speech messaging for caregiver notification of events, alerts or visit notes.
- Logs all changes made in the Companion. (who, why, what, when)
- Logs all access to each Companion screen (who, what, when)
- Supports two factor login and configurable password complexity rules for the Companion.
- Matches visits to schedule based on flexible rules.
- Monitors schedule status. (arrived, departed, early, late, missed, long visit, short visit)
- Includes a full suite of patient, employee, visit and schedule reports including a Patient Detail Report that can be used for archiving all information about visits.
- Supports actual times or billing unit time (15 minutes)
Extended Features for Allscripts:
- Transfers data to Carewatch based on changes made in Allscripts with schedules, care plans, patient and care givers data.
- Transfers completed visit data to AllScripts which including care plan results and metrics entered by caregivers at the point of care.
- Allows care plans to be different per scheduled visit as defined in Allscripts.
- Support synchronization of "Made" visits.
- Supports flexible rounding and visit overlap rules.
- Flexible mileage and travel time rules sourced in Allscript or Carewatch or even mixed. Optionally integrates to the Carewatch Routes Calculation Engine.
- Allows you to schedule and manage visit types not maintained in Allscripts (administrative visits, non-billable, non-scheduled)
If you would like a live demo, please send us the following. One of our agents will contact you shortly.
[mc4wp_form id="1198″]


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This Is Us fans have been in a frenzy ever since a promo for the season finale of the show was released featuring Milo Ventimiglia as an older version of Jack Pearson. The promo (via YouTube) for the Season 2 finale, "The Wedding," shows Jack Pearson in the present day, sporting gray hair and glasses, just in time for his daughter Kate's (Chrissy Metz) wedding. In the clip, Jack looks at his widow Rebecca (Mandy Moore) and says, "Where'd the time go, Bec?"
Now, This Is Us producer Isaac Aptaker wants to set the record straight to make sure fans know upfront that there will be no wacky twist to accompany old man Jack's surprise cameo. In an interview with Variety, Aptaker says the Pearson family wedding, which takes place at the clan's vacation cabin, will offer a glimpse of "what could have been."
Aptaker acknowledged the look at a present-day Jack but made it clear the show is not doing any "b.s. where Jack has secretly survived."
Aptaker told Variety, "We're not playing any games, but I will say that seeing him was one of the most visceral punches that I think we ever had. It's so powerful and poignant and haunting and tragic all at once."
Many This Is Us fans have speculated as to why Jack Pearson, who died in 1998, is shown as an old man in "The Wedding" episode set in 2018. Some fans think it is a dream sequence, while others hope Jack's death itself was a bad dream. Aptaker told Variety the goal for the This Is Us season finale was to show how the Pearson family can balance their tragic past with hope for a happy future.
"It's about how a family can experience an incredibly, incredibly tragic loss and still fight through it and move forward and find happiness and joy," the This Is Us executive producer said.
"They can remember the man they lost and still live the lives he would have wanted them to live — lives that just aren't about grieving him."
This Is Us star Milo Ventimiglia recently weighed in on his character's cameo as an old man. In a Today show interview with Megyn Kelly, Milo praised the This Is Us writers for creating such a beautiful season-ending moment for fans of the series.
"Again, in true Dan Fogelman [fashion], as well as the rest of our writers — we have the most amazing writers on our crew — they have built this beautiful idea of giving the audience an aged version of Jack. Even though we saw Jack pass, it doesn't mean that I, Milo, will leave the show. There's no Ned Stark happening, nothing like that," the This Is Us star said.
One year ago, This Is Us producers dealt with a bit of unexpected backlash after the Season 1 finale left viewers hanging with a scene about Jack and Rebecca's decision to take some time apart after a blowout fight. Producers banked on the fact that fans would care more about the separation storyline than the story behind Jack's untimely death, so this time around, it sounds like there will be no fake-outs.
You can check out the promo for the This Is Us Season 2 finale, "The Wedding," below.
The This Is Us finale airs Tuesday, March 13 at 9 p.m. ET on NBC.


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The conference is organized specifically for business, operations & technology strategists at work in industrial organizations. Job functions and titles include: control and automation engineers, line of business managers, IT architects, operations management & staff, maintenance & reliability management & staff, project managers, and chief digital officers.
Learn how to formulate, implement and manage your digital manufacturing strategies through:
Enabling technologies
Business process innovation
Organizational alignment
As we confirm speakers for September, here's a look at some of our past digital manufacturing experts:
Returning again for 2018, you won't want to miss:
Stay on the cutting edge with your maintenance strategy. Learn how facilities at the forefront of digital transformation are using prescriptive maintenance to not only predict machines' maintenance needs and recommend corrective courses, but also implement these changes autonomously.
Plenty of networking opportunities are available from a speed networking session to roundtable discussions to receptions. Network with:


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Food review: Canvas
Canvas has already established itself as one of our favourite music venues in Bournemouth, but we thought it was time to delve a little deeper and check out their food offering – send in the cavalry! (Review continues below gallery… drool…)
As the wife and I climbed the stairs from the entrance, we were struck with a sense of déjà vu – that's because we'd climbed the same stairs when the venue first opened as Jalarra. We thought it was a great space then, but the Canvas team has definitely put their stamp on it. The bar has shifted and extended to prevent long queues for drinks, and the general décor has a chic finish with industrial undertones. All in all it's definitely one of the more classy establishments you'll find in town.
As we sat down and checked out the cocktail menu, we clocked the happy hour selection and went for their rum based 'Perfect Storm'. I'm quite fussy when it comes to cocktails – I don't think a lot of places get them right (lack of alcohol content being the main issue).
Although the Canvas cocktails didn't pack the punch I'd need to rave about them, I could at least taste the alcohol and they were extremely refreshing. It's definitely one of the few places I'd go Bournemouth specifically for their happy hour offer.
With drinks sorted, we turned our attention to the food options. What I like most about Canvas is that they've gone with a minimalist approach, with a simple choice of pizzas or platters.
Now I make no secret of my pizza obsession, which I thought might give Canvas an unfair advantage – so in the struggle for impartiality (and to give you all an honest review) we opted for the platters. The sacrifices we make for you guys!
The cheese options were Old Winchester (a cross between cheddar and parmigiano), Melusine goat's cheese, Goddess (a semi-soft cheese washed in Somerset cider brandy), Bath Soft (mushroomy and creamy), Dorset Blue Vinny and Buffalo mozzarella, and the meat selection consisted of Bresaola (cured Italian beef), Speck (cured pork leg), Prosciutto Crudo Parma, Coppa (neck of hog), Salame Felino and Chorizo Serrano.
In order to do a full review, we did the only thing we thought was right and ordered the lot! As you'll see from the photo, it was presented on a large tray with ciabatta, stuffed peppers, olives, oil with balsamic glaze, apple and cider brandy chutney and cornichons. A veritable feast, I'm sure you'll agree.
Just as we were about to tuck in, our friendly and knowledgeable waiter used his psychic powers to read my mind and offered us some Shiraz to accompany the food – top marks!
As the evidence shows, we devoured what was before us and thoroughly enjoyed every last morsel.
Canvas may not offer an extensive menu but what they do offer has been carefully selected and well thought out. Quality, not quantity!
So whether it's a cocktail after work, a sharing meal for two, a pizza before a live act or a number of platters for a large party, Canvas has got you covered!
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