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Website Development Projects
For Teaching Sedimentary Geology
Stratigraphic Up Tutorialby Diane Burns, Eastern Illinois University
This module presents several ways of determining the younging direction within layers of rocks. Each page focuses on a specific stratigraphic up indicator and contains several images plus descriptions that explain how this indicator can be used.
Using Physical Models to teach Sedimentary Geology
Tom Hickson, University of St. Thomas
Physical models have formed the basis for numerous classic ideas in sedimentary geology, from G.K. Gilbert's first flume experiments to full-scale sedimentary basin-filling models at the St. Anthony Falls Lab and elsewhere. Physical models can be used to develop fundamental intuition about sedimentary processes, quantitatively constrain sedimentation rates, and test numerical models of sedimentation. In sedimentary geology courses, physical models can serve as the basis for short, in-class demonstrations or for full-blown course projects.
For Teaching Geophysics
Teaching Activities
Jeffrey Nunn, Louisiana State University
About Teaching Methods or Tools
David McConnell, North Carolina State University
ConcepTests are conceptual multiple-choice questions that focus on one key concept of an instructor's learning goals for a lesson. When coupled with student interaction through peer instruction, ConcepTests represent a rapid method of formative assessment of student understanding.
Lecture Tutorials
Karen Kortz , Community College of Rhode Island, and Jessica Smay, San Jose City College
Lecture Tutorials are short worksheets that students complete in class to make lecture more interactive. They are designed specifically to address misconceptions and other topics with which students have difficulties. They pose questions of increasing conceptual difficulty to the students, cause conflict with alternative conceptions, and help students construct correct scientific ideas.
Structured Academic Controversy
Claudia Khourey-Bowers, Kent State University
Structured Academic Controversy is a type of cooperative learning strategy in which small teams of students learn about a controversial issue from multiple perspectives. The structured academic controversy technique is designed to engage students in controversy and then guide them to seek consensus.
Teaching with Google Earth
Glenn A. Richard, Mineral Physics Institute, Stony Brook University
This module provides detailed instructions for bringing rich imagery and interactive information into the classroom.
Teaching Urban Students
Wayne Powell, Brooklyn College, City University of New York
Teaching urban students presents some unique challenges and opportunities. This module presents some reasons for teaching differently in urban settings than one would otherwise, and offers examples of how to engage an urban population in learning geoscience.
Jigsaws are a cooperative learning method that allow students to explore one data set in depth, then to teach their classmates about it and to learn about related data sets from their classmates.
Guided Discovery Problems
Ann Bykerk-Kauffman , California State University - Chico
Through intriguing puzzles to solve, structured hands-on activities, carefully worded leading questions, crucial hints, and just-in-time presentations of information, guided discovery problems escort students step-by-step through the discovery process, giving them a tantalizing taste of scientific discovery.


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What does the system info screen now say? I made the same mistake. What would be nice, is a hack to set the days to 0 instead of 180....assuming this would work. We might need to change the start date as well.
When superpatch-67all was introduced, (Thanks NutKase), I applied it to both of my Hughes systems. They are running 6.2-01-2-351. Before I implemented cron with FakeCall40.tcl both units had phoned home.
In this post and others members talk about the problems of this and the addition of certificates for the HMO/MRV features, with a six-month deadline.
On my systems the phone-home added 2 entries in MFS:
On the System Info screen it indeed added certificates with a 6 month expiration.
To get rid of these I just Rubbished / Nuked them out of MFS. My two systems are working great and HMO/MRV have no problems.
Any (right, wrong, dumb idea) comments or discussion about this would be appreciated.
What does the system info screen now say? I made the same mistake. What would be nice, is a hack to set the days to 0 instead of 180....assuming this would work. We might need to change the start date as well.
Last edited by BigYellowDog; 06-25-2005 at 04:03 AM.
I did some testing, and I don't believe the certificates are that big a deal. I nuked the object ids and they went a way. I forced another call to the mothership (ok, maybe I shouldn't have, but I wanted to test) and the certificates appeared again. The 180 day expiration reset. Also, the certificates seem to control two added servers to the "Music and Photos". The first being Best Buy New Music and the second being Legends. When the certificates are deleted, these servers are removed. After the call to the mothership, the servers were added back. I assume, but can't validate, that when the expiration time comes, these two servers will simply disappear. Will they be replaced by other servers? I don't know. Will HMO be completely disabled at that time? I don't know. As long as you delete the certificates before the expiration date, I'm guessing you will be OK.
After I Nuked the two certificates in mfs under /State/Keyring everything
on the System Info screen was back the way it was before the call.
Music and Photos have always been the same, reguardless of the call.
I think the 2 Certificates obtained during the call actually effected my MRV
between two systems. Before I got rid of them, the units would have to be
"named" every 2 to 3 days to communicate. The units would show up in
Now Playing, but as the service number. After I ran the naming script, they
would be back for a few days.
Since Nuking the Certificates all as been well, going on 2 weeks without
any problems.
Sounds great. I figured out why my other servers disappeared...it was related to a bad backup and restore that I was doing in combination with your recommended fix and the fix is quite easy. The good thing is, that if you happen to accidently call home again, it will give you another full 180 days to nuke the objects.
LanMan - Your previous post seem to describe my situation exactly. I let the 6.2 upgrade via slice to call in once before loading Fakecall on both Tivo's. In my /state/keyring I have certitifcates dated from the date I upgraded. My MRV works fine but it drops every 1-3 days and I need to rerun setmrv. I have set it up as a cron job but would like to fix the problem.
Can you tell me how to "rubbish" the certs from /state/keyring as you detailed? I have looked at modifying some of the tcl scripts but frankly I am no programmer and fear I would simply muck something up.
Not knowing anything about mfs let alone how to write a .tcl script I
modified set_mrv_name_67.tcl, line 39 to include SP_4|SP_5 .
Worked in my case. That way, anytime I name the unit it wacks the
unwanted certs.
Thanks a bunch LanMan for your mod to NutKase's setmrv script - that did the job. Hopefully it will be the long term answer for my Tivo's as well.
I have the following two items still in the keyring area - they do not appear on my other Tivo. Only differences in the units - one is RCA the other is Hughes - the other is I did the upgrade to 6.2 via slices from slightly different builds of 4.x. The data would indicate these are sitting here from the earlier 4.x install. Not sure if they should be there - they do not seem to be causing a problem though .
6049Ant-199806 tyDb 653976 04/04/05 20:43 112
IL12488-199806 tyDb 653975 04/04/05 20:43 112
I found RubbishObjectByFsId commannd in tivosh. Works like a champ. ... if you want to manually do it. But, it looks like the same thing can be done by running setmrvname script again.
I do really like the set_mrv_name_67.tcl change. Any chance this might whack more than we want?
Last edited by BigYellowDog; 07-01-2005 at 03:44 AM.
Only what you tell it on line 39...........
One other note. As described many many times, I put a route in my rc.sysinit.author so that my devices don't phone home over my dsl connection.
route add -net 188.8.131.52 netmask 255.255.255.0 reject
I figured that. I just wasn't sure if anything else would pop up in the tree beginning with the same few letters.
Attached is a tcl I wrote to delete a specific mfs object id.
I take no responsibility if you are forced to rebuild your tivo after using it however.
This is my first tcl program and I cut and paste code from others and tweaked from there, so it might not be the best written script.
Edit: I guess the script is worthless since it does the same thing as RubbishObjectByFsId, but it was a good exercise nonetheless.
Last edited by BigYellowDog; 07-03-2005 at 09:31 PM.
The script worked for me. I had some trouble getting fixsub configured to run automagically. Once I got that working, I blocked the two local IP addresses via my hardware firewall and did phonereset.tcl to prevent any accidental call completion.Originally Posted by BigYellowDog
The script above has one typo in the error text to include an object id. I applied the fix to both DTivo's, verified via System Information that the 180 expire was gone. Rebooted and after boot, verified that the expire was still gone.
Hopefully all will be well!
Homer Out
Last edited by Homer S; 07-19-2005 at 08:59 AM.
DSR-7000/17 and HDVR2 both stuffed, hacked and superpatched via USB 2.0 ethernet (now fakecall'd)
Originally Posted by LanMan
Should I write it like this:
if { [regexp {^(NAMETABLE|TIVOVID|MRV)} $name] } { SP_4|SP_5
This would do the trick. NAMETABLE|SP_4|SP_5|TIVOVID|MRV

subset: commoncrawl


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Hi Jundo,
Thanks for setting things straight on Keizan.
Lack of the need to regularly perform or rely upon these practices in the west is no doubt attributed to the fact that Zen is not as much of a part of the culture yet. In the future, should Zen be as widely practiced here as in Japan, I'm sure there will be more need/demand for such services. Making it an unavoidable change for our Zen groups as well.
I can't even begin to imagine how mentally and physically exhausting this must be!Jundo wrote:
When I was back in the city (Ishinomaki) yesterday that suffered 10,000 dead (!!) in the recent Tsunami, I visited a Soto Zen temple there and met briefly the head priest. He had performed so many funeral for his parishioners who had died in the flooding.


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Protecting and Restoring Our Wilderness Legacy
When Spanish settlers first arrived in New Mexico four hundred years ago, they described rolling hills of auburn grass and cacti that came up to the stirrups of mounted horsemen. Later, Aldo Leopold, "the father of Wilderness", wrote of this land of unparalleled biological diversity that the "…oak-dotted hills, …pine clad mesas, and lazy trout streams …come near to being the cream of creation."
Sadly, today most of the rolling grasses are gone, the streams have long dried up, and many of the speckled mesas and hills have been sacrificed to economic development and motorized recreation. These lands, once treasured as some of the wildest in the west, are quickly dwindling.
There are well over 4.5 million acres of potential Wilderness in New Mexico. Aggressive wilderness advocacy campaigns are necessary to create the public demand to permanently protect these areas as Wilderness.
The New Mexico Wilderness Alliance is implementing an aggressive grassroots organizing and media outreach strategy to invigorate traditional supporters of wild lands protection, convince non-traditional constituencies of the values of Wilderness preservation, and motivate a new generation of Wilderness advocates. At the same time, we are working to provide interim protection for these wild places so that they can still be protected for future generations.


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Friday, May 21, 2010
The Afterlife: Babies vs. Angels
My six-year-old son Cracky was staring at his sister as she breastfed the other day.
"I wish I was a baby," he said.
"So you could breastfeed?" I asked, stating the obvious.
"Yeah. And so you could hold me like that. I wish me and Gracie were both babies."
"That would be a lot of work for me!"
"I wish when we died we could come back as babies," he added.
"There are actually some people who believe that's exactly what happens," I said, surprised that my son had come up with reincarnation all on his own.
"Sure. Some Buddhists believe in that. It's called 'reincarnation.'"
"Reincarnation? Jesus thinks when you die, you're dead."
"Um, I think he actually thinks you go to heaven when you die," I said, trying to stifle a laugh.
"What's heaven?"
"I think it's some place in the clouds where you get to go and live when you die."
"Do you get to be a baby?"
"I don't know. I don't think so." I cocked my head and thought it over. I half-considered telling him you get to be whatever you want when you go to heaven, or that you get 40 virgins, but I figured I shouldn't say too much about something I really didn't know for certain.
"I want to come back to earth and be a baby. And I want you to come back and be a baby too. Maybe we can both come back and be babies at the same time?"
"Maybe we can. The Buddha believed that we never die."
"Because we come back as babies?"
"Well, that's one way. Will you remember when I die, that I'm not really dead? That I'll live forever?"
"Yep. You'll be somebody's baby somewhere."
29 comments:
If Cracky writes a book someday, I'll buy it.ReplyDelete
And I like his version of the world. Babies-1, Angels-0.
That's so sweet, and not in a way that makes me want to gag, at all. I feel all warm and fuzzy now, and I kind of want to hug someone. He's such a great boy.ReplyDelete
I hope so much that, when she starts talking more, my child inspires me the way your child inspires . . . well . . . me.ReplyDelete
I want to come back as a sloth... frankly, I need the rest.ReplyDelete
If Tiebtan monks show up in your town -- they are looking for Cracky.ReplyDelete
If Tiebtan monks show up in your town -- they are looking for Cracky.ReplyDelete
Is there anything more benevolent than to wish upon someone that they be somebody's baby when they die?ReplyDelete
He's so sweet. I think he's going to grow up to be a famous philosopher.ReplyDelete
I don't know if it's because I'm in a "funny" mood right now (funny meaning sensitive) but this made me cry. I'm sobbing right now. That kid is awesome. For real. BTW, I never comment, but I do read all your posts and simply adore you and your life. And your writing.ReplyDelete
someone's baby...i like thatReplyDelete
He's such a sweet boy.ReplyDelete
That is really a wonderful thought on his part. And very wise of you to leave his afterlife options open by not defining too much!ReplyDelete
I'm with Robert. Sloths are my favorite animals.ReplyDelete
The uncluttered mind of a child.ReplyDelete
Snuggle him up.
Jesus vs. The Buddha as a topic cracked me up.ReplyDelete
I <3 Cracky and the fact that he is so spiritual. I think in Buddhism, aren't babies born with the purest hearts and minds? I think that's why children are extra wonderful.ReplyDelete
The "somebody's baby" reminds of that Fast Times at Ridgemont High song and now it will be stuck in my head all day! Yippee.
Hi Mandy,ReplyDelete
Thank you for sharing.
That Cracky! He's a deep thinker!ReplyDelete
- AnonymousMay 22, 2010 at 10:54 PM
So interesting. I wonder what other introspective thoughts he has running around up there in that little head.ReplyDelete
Cracky's going to drive his teachers crazy. He is going to be too smart for them.
(I wish I was a baby, too.)
This makes me want to hug something...ReplyDelete
I think that Cracky is already a wise sage. And I think the fact that he wants to come back as a baby has a lot to say about the kind of mother you are. Wanting to be a baby again may have a lot to do with the type of love he has received so far. So well done - on all counts!ReplyDelete
Cracky is way too old for 6 years.ReplyDelete
haha awwww that's some pretty grown up convo right there. At that age I was thinking of only killing the Decepticons with my kick ass Transformers. And none of them got to be babies whatsoever because they were mean.ReplyDelete
Freaking adorable.ReplyDelete
He totally made Buddha look like a moron.
Or at least a baby.
I am weeping over the sweetness and clearness of the way Cracky sees things.ReplyDelete
I have a feeling, Cracky might have already been here before .. :)
Happy to have found your blog, Candice
He is something special, that's for sure. I hope he has many teachers around him to keep that mind stimulated!ReplyDelete
What a wonderful thought. That was some pretty deep thinking from your little guy :-)ReplyDelete
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Tulsa dentist violated contract
A Tulsa oral surgeon at the center of a public health scare signed an agreement every three years with the state to provide safe care to locked-up juveniles but apparently violated it.
A copy of the contract provided to The Associated Press on Friday by the Oklahoma Health Care Authority shows that Dr. W. Scott Harrington was required to keep clean equipment, properly train assistants and develop a safety policy to prevent communicable diseases.
In March, authorities urged Harrington's roughly 7,000 patients to get tested after finding unsanitary conditions at his two Tulsa-area clinics, including varying cleaning procedures for equipment, needles re-inserted in drug vials after their initial use, drug vials used on multiple patients and no written infection-protection procedure.
Harrington's attorney did not return a message seeking comment Friday.


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Australian National Maritime Museum Highlights
The Australian National Maritime Museum is situated at the heart of Darling Harbour and features an impressive variety of tall ships, defence ships, a submarine, and other boats. Visitors can also explore permanent and temporary exhibtions on subjects that showcase Australia's close links to the sea. From fascinating artefacts, thought-provoking exhibitions and fun activities for kids (and big kids), the museum gives local and international visitors a chance to connect to Australia's maritime past and present in an innovative way.More Info Read Less
Ships, Submarines, Sailboats And More
There are over 10 remarkable vessels that dock at the Maritime Museum, and these can all be visited with your Big Ticket. The jewel in the crown is the HMB Endeavour, a magnificent replica of the original tall ship that was central to one of history's great maritime adventures, Captain Cook's epic 1768-71 world voyage. You can also see big gun ships like the HMAS Vampire, the HMAS Onslow submarine, the HMAS Advance patrol boat, and a variety of unique sailing boats, tugs, lifeboats, trawlers and more.
Exciting Exhibitions
Your Big Ticket gives you access to all exhibitions, permanent or temporary. Among the permanent exhibitions, you'll be able to learn about navigators who charted paths of discovery to Australia, the long voyages undertaken by European settlers, discover Australia's naval heritage, see precious artworks from Aboriginal and Torres Strait Island artists, and learn about the introduction of surfing to down under.
Special Events
You might be lucky enough to board a special voyage on one of the museum's historic vessels. Or you could reach in to the mysterious Cabinet of Curiosities. There's regular opportunities to take a Behind-the-Scenes or Torchlight Tour with a knowledgeable guide. And whatever you do, don't miss the chance to meet Bailey Haggarty, the museum's assistant director of seagull chasing. He's a handsome Border Collie dog, and usually goes for a walk around the museum at 2:30pm.
Waterside Refreshments
Yots Café offers relaxed, open-air café dining with spectacular views of Darling Harbour - you can dine in or takeway. There's also a coffee kiosk that sells snacks and beverages, or you can choose to bring your own lunch - there are picnic tables on the museum's Waterfront Boardwalk, offering lovely water views over Darling Harbour.


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One can look up Unicode Characters with Regular Expressions. On Jan Goyvaerts website I found a RegExp whose meaning I don't understand :
\p{Space_Separator}: a whitespace character that is invisible, but does take up space
So I wonder if I got this right: a
Whitespace Character
- is the 'empty' space between two words, columns, lines, whatever
- it's 'invisible' in so far as it contains nothing than the blank paper ⁄ screen
- it 'takes up space' in so far as the place taken through it can't be occupied through a letter, symbol, anything comparable
According to this I came to the following questions:
- are there 'visible whitespace characters'
- could a whitespace character 'take no space up'
This would be quite the opposite of what is defined. Both make perfectly sense, but then both could describe the same, depending on the point of view: an empty space is visible through the absence of anything displayed there except the blank paper ⁄ screen but then it is invisible as there is nothing to see. At this point I sense a border with Philosophy: How does one measure the amount of Nothingness than through it's counterpart, or so.


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CINCINNATI ENQUIRER / SEARCH: 0 Clayton Mills Twin Twp, OH 45681
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Real Estate | Cincinnati Enquirer Powered by Placester


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Trollbeads Mantra
As artists, we seek to express beauty through all that is magical, mystical and whimsical in the world around us - so that others may find self-expression and enjoyment through our work.
As craftsmen, we seek to create jewelry from nature's finest and most durable materials, constructed of the highest quality - so that our work is considered the standard of excellence.
As an enterprise, we seek to engage with those who share our vision, our passion and ideals, and to transact honestly with all - so that we are known as a company with a soul.


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There is a growing body of research that supports the idea that, regardless of your exercise routine after hours, the more time you spend sitting each day, the higher your risk of heart disease. Evidence suggests your hips, spine and shoulders suffer as well.
"It's important to get up and move around throughout the day," says Julia Henderson-Kalb, a Saint Louis University occupational therapist. "Exercise not only helps with how you feel physically, but it also improves your mind and your memory."
Henderson-Kalb share more about the importance of avoiding sedentary work days:
While it's not always feasible to hit the gym at lunchtime, some small changes to your routine can add up quickly to make a positive impact your health.
Henderson-Kalb suggests these simple habits to help you increase your daily activity in a substantial way.
• Sit on an exercise ball instead of a chair. You'll strengthen your abdominal and back muscles and improve your posture.
• Set an alarm to go off every hour to remind yourself to stand up and stretch. Get in the habit of walking around your office while you talk on the phone.
• Always take the stairs and use the restrooms on another floor.
• Park far away from the entrance to your office building. Wear a pedometer and aim to get 6,000-10,000 steps per day.
• Bring your lunch to work. Not only is it less expensive and can be healthier, but you'll leave time in your day to take a lunchtime walk or exercise break.
• Bring light weights or exercise bands to the office and build an exercise routine into your day. For specific exercises and a demonstration, click here.
Long a leader in educating health professionals, Saint Louis University offered its first degree in an allied health profession in 1929. Today the Doisy College of Health Sciences offers degrees in physical therapy, clinical laboratory science, nutrition and dietetics, health informatics and information management, health sciences, medical imaging and radiation therapeutics, occupational science and occupational therapy, and physician assistant education. The college's unique curriculum prepares students to work with health professionals from all disciplines to ensure the best possible patient care.


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It's the safest method to quit smoking. The major reason is that they turn to be a much safer alternative for the traditional habit of smoking. If you decide that you want to purchase one of these electric cigarettes there are many different version ands makes to pick from, all harbouring the identical effectiveness towrads smoking. I have also tried nicotine gum and nicotine lozenges. Hey, you can't smoke in here, oh, yeah, that is one of your e-cigarettes, isn't it.
This is how these cigarettes work and produce a similar sensation as if you are smoking the true cigarette. I'm a smoker, and also by God I want to see smoke.
Would you say that this could be the most effective scientific break though in addressing the whole addiction issues of quitting the smoking habit. Two packs of flavored cartridges having a choice of strengths. The 'Health' Promise.
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Caring for your
ostomy is an important part of maintaining your
quality of life. You will need to:
You may also
irrigate a colostomy, which helps you control when you
eliminate waste. Irrigation requires your doctor's approval and
Wound, ostomy, and continence nurses (WOCNs) are
available in some medical centers to help you learn how to care for your
This topic covers care for a
colostomy or ileostomy only. It does not cover care
for a
ostomy is a surgical procedure. When a part of the
digestive system is diseased or damaged and not able to work normally, a hole
is made in the abdomen and a portion of the small or large
intestine is brought to the surface of the skin. This
opening is known as the ostomy, and the end of the exposed intestine is known
as the stoma. A
colostomy and ileostomy are cared for in a similar
manner with similar products.
When you have a colostomy or ileostomy, waste leaves the
body through the stoma, the end of the intestine that is attached to the
abdominal wall, instead of the
anus. Since there is no muscle around the stoma, you
are not able to control when waste or gas passes out of the body. An odor-proof
plastic pouch (an ostomy pouch) surrounds the stoma to collect the waste. It is
held to your skin with an adhesive. Pouching systems may be one-piece or
Other accessories may include:
When you have had an ostomy, you are not able to
control waste leaving your body.
When you have had an ostomy, you are not able
to control waste leaving your body. An ostomy pouch collects the waste as it
leaves your body. One exception is a continent ileostomy, in which a pouch and
a valve are made in the lower end of the small intestine (the ileum). The
surgeon then connects the valve to an opening (stoma) in the skin of the lower
abdomen. After this surgery, you can insert a tube into the valve to release
stool from the intestines.
Continue to Why?
You need to
care for your ostomy because:
One reason you need to care for an ostomy is to
prevent skin irritation.
Proper care helps prevent skin
Without proper care, skin irritation can
develop, making it difficult to keep a good seal between the skin and the
Continue to How?
Proper care for your
ostomy includes learning how to empty and replace the pouch and knowing what to watch for.
Some people choose
irrigate a colostomy. Irrigation is a procedure in
which you stimulate and flush the intestines at a regular time to control when
you eliminate solid wastes.
Note: If caring for an infant or child
with an ostomy, the same information and procedures generally apply. But the
ostomy pouch will be smaller and will most likely need to be replaced more often.
Different adhesives may be used to attach the pouch because a child's skin is
more sensitive than an adult's skin. Your wound, ostomy, and continence nurse
(WOCN) will help you learn how to care for your child with an ostomy.
Irrigation is not appropriate for children.
Ostomy pouches can be
drainable or closed. A drainable pouch opens at one end to allow you to empty
it. A closed pouch is disposed of and replaced with a new one as needed.
The pouch fills with waste and gas. It is best to empty the pouch
when it is one-third to one-half full. This prevents the pouch from getting too
full and heavy and pulling off. Many people routinely empty the pouch each time
they urinate.
How often you change your ostomy pouch depends on many things, including the type of stoma you have and what you prefer. Some pouching systems are changed daily. Others are changed every 3 to 7 days. You may need to change your pouching system more often if there is a leak in the pouch or
itching or burning under the barrier. The pouch itself is usually emptied or replaced
after each bowel movement.
If the skin under your pouch is red, irritated, or itchy,
you need to treat your skin. Follow these steps:
If you continue to have skin irritation, consult your
wound, ostomy, and continence nurse (WOCN) or another nurse or a doctor.
Irrigating a colostomy
allows more control over the elimination of waste, because it stimulates the
intestine to function at a regular time. It is typically done at the same time
every day or every other day. If you irrigate, you may need only a cover or pad
over your stoma and may not need an ostomy pouch.
Children do not
use irrigation.
Only a colostomy can be irrigated. You cannot
irrigate an ileostomy.
To irrigate a colostomy, you need to have
all of the following equipment and supplies ready, including:
See a picture of
colostomy irrigation.
A two-piece pouch system is usually used for
irrigation. A nurse or doctor will show you how to irrigate your colostomy. The
basic procedure is as follows.
Getting ready
Preparing the equipment
Here are some things to watch for. Call your doctor if:
An adult should change the pouching
How often you change your ostomy pouch depends on many things, including the type of stoma you have and what you prefer. Some pouching systems are changed daily. Others are changed every 3 to 7 days. You may need to change your pouching system more often if there is a leak in the system or itching or
burning under the barrier.
You should empty or dispose of your pouch when:
Emptying the pouch when it is one-third to
one-half full prevents the pouch from getting too full and heavy and pulling
You should empty the pouch when it is one-third to
one-half full. Doing so prevents the pouch from getting too full and heavy and
pulling off.
Continue to Where?
Now that you have read this
information, you are ready to care for your ostomy. If you have any questions
about caring for your ostomy, contact your doctor or a wound, ostomy, and
continence nurse (WOCN).
Return to topic:
Other Works ConsultedDeitz D, Gates J (2010). Basic ostomy management, part 1. Nursing, 40(2): 61–62.Deitz D, Gates J (2010). Basic ostomy management, part 2. Nursing, 40(5): 62–63.
Last Revised:
October 8, 2012
Healthwise Staff
Medical Review:
E. Gregory Thompson, MD - Internal Medicine & Arvydas D. Vanagunas, MD - Gastroenterology
This information does not replace the advice of a doctor. Healthwise, Incorporated disclaims any warranty or liability for your use of this information. Your use of this information means that you agree to the Terms of Use. How this information was developed to help you make better health decisions.
To learn more visit Healthwise.org
© 1995-2012 Healthwise, Incorporated. Healthwise, Healthwise for every health decision, and the Healthwise logo are trademarks of Healthwise, Incorporated.


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This homemade costume for boys entered our 2015 Halloween Costume Contest.
A word from Jeff, the 'Captain Rex' costume creator:
My family is pretty crazy about Halloween costumes, so the kids need to decide on their costumes early to give me enough time to build them. Luckily, my 10 year old son had his heart... Read more »


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text: I am a sucker for color in the kitchen. My cabinets are colorful, my tiles are colorful and I have a great orange blender. My Kitchen-Aid mixer is chrome but my Pesach one is a beautiful cobalt blue! So that's why I love colorful kitchen tools and these mini rose-shaped colanders caught my eye. I like the raspberry color but it's probably good to have more than one and the kiwi and sun colors also look pretty good! In fact so do the red and the poppy…It's not infrequent that one person in the house will want some grapes or berries and I won't wash to wash the whole bunch. This completely solves the problem – and in such an attractive and inexpensive way. What the heck; I'm ordering all the colors!!


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Master of Health Administration
Jami DelliFraine, Ph.D., Division Director.This program is offered in two formats: executive and residential.
Residential MHA
The Residential MHA program is designed to develop the health care leaders of tomorrow. Students in this program will gain a comprehensive understanding of the health care system including socio-behavioral components and their impact on health care delivery. They will be able to provide an integrated approach to the management of health care professionals and facility operations as well as apply concepts and managerial skills in a variety of areas within the health care system. Students are able to take an elective in the area of their career interests.
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Check out this video: The Fireman - Sing The Changes
Thursday, 27 November 2008
Saturday, 22 November 2008
All You Need Is Love - Acetate
Interesting item out on ebay at the moment:
Beatles All You Need is Love original Acetate
Beatles All You Need is Love AcetateThe Beatles A single-sided acetate All You Need is Love, Emidisc white label inscribed in black ball point pen THE BEATLS 45 MD and the length of the recording 6.39. This is the only known acetate of the full-length recording of this famous 1967 Beatles single, which originally ran for 6 minutes 39 seconds (in comparison with the 3 minutes 40 seconds of the release version). This predominantly instrumental take was recorded on the 14 June 1967 at Olympic Studios in Barnes. It features John Lennon on Harpsichord, Paul McCartney on double bass, Ringo Starr on drums and George Harrison on rudimentary violin. John Lennon adds occasional vocals 'all you need is love' as a guide to where the chorus of the song will be. The end of the song becomes a freeform/chaotic structure reminiscent of other 1967 work in- progress songs such as Only a Northern Song andYou Know My Name (Look Up The Number), with little of the melodic commerciality of the finished record. This acetate documented the state of the recording at the end of the 14th June session, before vocals and more conventional backing were added at their next session on 19th June. All You Need Is Love was subsequently used as Britain's contribution to the first worldwide TV broadcast Our World, on 25th June, 1967.
Wednesday, 19 November 2008
The Fireman: Electric Arguments
Paul McCartney & Youth continue their collaborations as the duo "The Fireman" with their most commercial product yet. You may listen to the whole album over at NPR.
Track listing : Electric Arguments
1. Nothing To Much Just Out Of Sight
2. Two Magpies
3. Sing The Changes
4. Travelling Light
5. Highway
6. Light From Your Light House
7. Sun Is Shining
8. Dance' Til We're High
9. Life Long Passion
10. Is This Love ?
11. Lovers In A Dream
12. Universal Here ,Everlasting Now
13 .Don't Stop Running
Produced By Paul McCartney & Youth
All Tracks written By Paul McCartney
Release Date 24 /11 /2008
On Amazon (UK): A limited edition vinyl album, which also includes a copy of the CD for convenience sake.
Here's the Amazon (US) link.
As ever when there's a new Paul McCartney album out, there are collectible promotional items out. There's not likely to be any commercial single release, but at least two radio promo singles are out. Here's "Sing The Changes":
Here's a promo copy of the album and two promo singles:
I'm sure you know where to look!
Official Fireman site
Sunday, 16 November 2008
Carnival of Light
For Beatles fans across the world it has gained near mythical status. The 14-minute improvised track called 'Carnival of Light' was recorded in 1967 and played just once in public. It was never released because three of the Fab Four thought it too adventurous.
The track, a jumble of shrieks and psychedelic effects, is said to be as far from the melodic ballads that made Sir Paul McCartney famous as it is possible to imagine. But now McCartney has said that the public will have the chance to judge for themselves.
'It does exist,' McCartney says on a BBC Radio 4 arts programme to be broadcast this week. Talking to John Wilson, the presenter of Front Row, the former Beatle confirms that he still has a master tape of the work and says he suspects that 'the time has come for it to get its moment'.
'I like it because it's the Beatles free, going off piste,' he adds.
In the 40 years since 'Carnival of Light' was recorded by McCartney, Ringo Starr, George Harrison and John Lennon in the Abbey Road studios in London, its collection of disparate rhythms has become a kind of holy grail for Beatles obsessives. The track was put together on 5 January 1967, in between working on the vocals for the song 'Penny Lane'.
Once released it should offer proof that the Fab Four, and McCartney in particular, were much more avant-garde in their tastes than many gave them credit for. According to the few who heard the track on the one occasion the recording was played publicly, at a London music festival in 1967, it features the sound of gargled water and strangled shouts from Lennon which vie with church organs and distorted guitar.
'We were set up in the studio and would just go in every day and record,' McCartney tells Wilson. 'I said to the guys, this is a bit indulgent but would you mind giving me 10 minutes? I've been asked to do this thing. All I want you to do is just wander round all of the stuff and bang it, shout, play it. It doesn't need to make any sense. Hit a drum, wander to the piano, hit a few notes ... and then we put a bit of echo on it. It's very free.'
McCartney had been commissioned to create a piece for an electronic music festival at the Roundhouse Theatre in north London by his friend Barry Miles. The event, the Million Volt Light and Sound Rave, was organised by International Times, an underground newspaper. Many in the audience had no idea they were listening to a new Beatles track. Other performers included Delia Derbyshire whose work at the BBC Radiophonic Workshop included jointly creating the theme for Doctor Who.
McCartney, who this month releases his third experimental album of new work under the alias the Fireman, regards 'Carnival of Light' as evidence of how musically adventurous he has always been. For the three other Beatles the track was just an oddity. George Harrison dismissed it as too weird. But McCartney is hopeful it can now be released with the agreement of the group's estate.
'It will help reaffirm McCartney's claim to have been the most musically adventurous of all the Beatles,' said Wilson this weekend. 'He told me he would love to release the track. All he needs now is the blessing of Ringo Starr, Yoko Ono and George Harrison's widow Olivia.'
The piece was inspired, McCartney says, by the works of composers John Cage and Karlheinz Stockhausen. In his book Complete Beatles Recording Sessions, author Mark Lewisohn - who was played the track in 1987 - describes 'distorted, hypnotic drum and organ sounds, a distorted lead guitar, the sound of a church organ, various effects (water gargling was one) and, perhaps most intimidating of all, Lennon and McCartney screaming and bawling random phrases including "Are you all right?" and '"Barcelona!".'
Beatles fans came close to hearing 'Carnival Of Light' in 1996 when it was considered for inclusion in the exhaustive Anthology compilation. 'We were listening to everything we'd every recorded,' McCartney says. 'I said it would be great to put this on because it would show we were working with really avant-garde stuff ... But it was vetoed. The guys didn't like the idea, like "this is rubbish".'
McCartney revealed that George Harrison disparaged sonic experimentation as 'avant-garde a clue'.
Sir George Martin, the Beatles producer who oversaw the track, has described it as 'one of those weird things'. 'It was a kind of uncomposed, free-for-all melange of sound that went on. It was not considered worthy of issuing as a normal piece of Beatles music at the time and was put away.'
Friday, 14 November 2008
Brian's schedules
Some documents that previously belonged to former Beatles' drummer Pete Best have appeared at the upcoming Bonham's auction in London. These are prelimenary booking schedules, presumably from Brian Epstein's office as information for "the boys".
Some dates previously unmentioned by Miles and Lewisohn appear before the June 6th famous "first recording session" at EMI. Not surprisingly, the 3d and 4th of June are spent rehearsing for the imminent recording session - at The Beatles' "home away from home", the Cavern Club.
The whole of the 5th is set aside for the journey to London. A day is also set aside for the journey home, on the 7th.
The booking schedules poignantly end with dates which Pete Best was going to miss. He was fired by Brian earlier in the day and didn't show up for the Riverpark Ballroom gig in Chester on the 16th of August. Filling in for Pete on that date and the next was Johnny "Hutch" Hutchinson, drummer with The Big Three. Ringo made his debut as the new drummer on the 18th at Hulme Hall.
Brian's booking schedule shows that The Beatles were going to play together with Clinton Ford at the Cavern Club on Sunday the 2nd of September, whereas Miles has them sharing the bill with Kingsize Taylor & The Dominoes and The Zenith Six Jazz Band.
Lot description:
Lot No: 532
The Beatles
Beatles concert material,
comprising: a list of Principal Engagements - August/September, together with the original envelope addressed to Pete Best and postmarked 16 AUG 1962*, together with two carbon-copies of a list of bookings for July-August, one sheet annotated by Pete, and a handbill for Joe Brown/The Beatles at the Tower Ballroom, New Brighton, 27th July.
Estimate: £750 - £1000
*Note: The 16th of August 1962 was the day Brian summoned Pete to his office and fired him.
Link to Bonham's Auction
Some dates previously unmentioned by Miles and Lewisohn appear before the June 6th famous "first recording session" at EMI. Not surprisingly, the 3d and 4th of June are spent rehearsing for the imminent recording session - at The Beatles' "home away from home", the Cavern Club.
The whole of the 5th is set aside for the journey to London. A day is also set aside for the journey home, on the 7th.
The booking schedules poignantly end with dates which Pete Best was going to miss. He was fired by Brian earlier in the day and didn't show up for the Riverpark Ballroom gig in Chester on the 16th of August. Filling in for Pete on that date and the next was Johnny "Hutch" Hutchinson, drummer with The Big Three. Ringo made his debut as the new drummer on the 18th at Hulme Hall.
Brian's booking schedule shows that The Beatles were going to play together with Clinton Ford at the Cavern Club on Sunday the 2nd of September, whereas Miles has them sharing the bill with Kingsize Taylor & The Dominoes and The Zenith Six Jazz Band.
Lot description:
Lot No: 532
The Beatles
Beatles concert material,
comprising: a list of Principal Engagements - August/September, together with the original envelope addressed to Pete Best and postmarked 16 AUG 1962*, together with two carbon-copies of a list of bookings for July-August, one sheet annotated by Pete, and a handbill for Joe Brown/The Beatles at the Tower Ballroom, New Brighton, 27th July.
Estimate: £750 - £1000
*Note: The 16th of August 1962 was the day Brian summoned Pete to his office and fired him.
Link to Bonham's Auction
McCartney's hair
Bonham's is currently planning another of their Pop & Rock memorabilia auctions, this one's to be held on the 25th of November in Knightsbridge, London - and if you're after a lock of young Paul McCartney's undyed hair, now is your chance!
This lock of hair was won by the vendor's mother, who was a 12-year-old schoolgirl from Annandale at the time. The competition was organised by Sydney's 'TV Week' magazine. An article in the issue included in the lot gives the background to the competition, in which readers were asked to '...give the best and most original 25-word reason for possessing it (the hair).' The winning entry stated that she '...would like to win a lock of Paul McCartney's hair to prove to my father that the Beatles really do have their hair cut.' The article continues: 'She is now the only teenager in Australia with a lock of hair cut from Paul McCartney's mop-top during his fantastic stay in Australia...Catherine will keep her souvenir by securing it in a blue bow.'
According to 'The Beatles: A Diary' by Barry Miles (Omnibus Press, London 1998), John, Paul and Ringo had their hair cut on 17th June 1964, prior to them playing the final two of six sets (over three nights) at the Festival Hall, Melbourne. It is possible that 'TV Week' acquired the lock of hair on this occasion.
Other interesting items at the auction are a pair of Ringo's skiing gloves, lots of John&Yoko photographs taken by Luiz Garrido from March to June 1969 (sold with copyrights and most of them previously unpublished), a number of early concert posters, hand bills, tickets and autographed photos.
The auction also includes a number of items from the late Spike (from The Goons) Milligan's collection. He was a friend of The Beatles, so some of his lots are also Beatles-related. The auction is called: Entertainment Memorabilia including "The Private World of Spike Milligan"
Link to auction
Thursday, 13 November 2008
German Let It Be VHS
|Beatles Let It Be - German video cassette
McCartney buries Eleanor Rigby claim
LONDON (AFP) — Paul McCartney on Wednesday shot down suggestions that his Beatles song "Eleanor Rigby" was inspired by a hospital scullery maid after a woman claimed the star had sent her a pay slip signed with that name.
"Eleanor Rigby is a totally fictious character that I made up," McCartney said in a statement released to AFP by his publicists.
"If someone wants to spend money buying a document to prove a fictitious character exists, that's fine with me," he said, referring to a forthcoming auction of the document.
His spokeswoman added they had not been able to establish whether McCartney sent the pay slip to Annie Mawson, who is auctioning it off to raise up to 500,000 pounds for a music therapy centre.
The pay slip dates from 1911 and originally came from City Hospital in Liverpool, McCartney's home city.
Mawson, chief executive of the Sunbeams Music Trust charity, said the ex- Beatles' office sent her the document after she wrote to him asking for a donation to help children with special needs.
Explaining how she received the document in 1990, Mawson said: "One day in the post came a brown envelope with a Paul McCartney world tour stamp, nine months after I had written the letter.
"I opened it and inside was this beautiful, ancient document. It was spine-shivering really, partly because he responded in such a personal way."
"Eleanor Rigby" -- McCartney's song about a lonely woman who "died in the church and was buried along with her name/Nobody came" -- appeared on the 1966 Beatles album "Revolver" and was the B-side to the single "Yellow Submarine".
McCartney has previously said the name Eleanor was inspired by actress Eleanor Bron, who starred in the Beatles film "Help!" in 1965 and that Rigby came from the name of a wine merchant.
In the 1980s, a grave was discovered at Saint Peter's Church in Woolton, Liverpool, where McCartney and bandmate John Lennon used to sunbathe as teenagers, bearing the name Eleanor Rigby.
The grave was first mentioned in a book about The Beatles and the Liverpool scene written by former Liverpool band promoter Sam Leach, "Follow The Merseybeat Road" in 1982. Sam wrote to me and told me that he had sent the manuscript to Paul McCartney prior to publication. He got a note back from the then manager of Paul, Steve Shrimpton saying:
"It's a thumbs up from us, but Paul can't quite agree with the Eleanor Rigby piece. We trust the book is selling well."
Wednesday, 12 November 2008
Ringo's first cymbal for sale
I was browsing through the live auctioneers website, doing an article on the new Eleanor Rigby item (follow this link for that) when I chanced upon a special item with an interesting story. Now just how did Ringo Starr's first cymbal from his time with the Eddie Clayton Skiffle group find it's way to a junk shop in Connecticut?
Here's what the auction site said:
Lot #250 from The Fame Bureau: Ringos Starr's first cymbal - A 14" Krut Special (made in England), that has "Richard Starkey 1958" engraved on the back.
The cymbal was purchased from a junk/ old furniture shop in Connecticut owned by a man whose father was a drummer back in the 40's & 50's, who has since past on, and used to live in England back then occasionally and would visit his mother who lived there.
He got this old cymbal at a music store, used it and then kept in an old smelly trunk with some sticks and drumheads. Krut cymbals were manufactured in the '50's by Premier Drum company, and were a cheap line of cymbals that they pushed. The word "Krut" was a marketing ploy by Premier that is "Turk" spelled backwards, to make the drummer believe it might be somehow be related to the Turkish "Zildjian" cymbals. Unfortunately the marketing plan probably backfired, & "Krut" sounded more like "Krud", a more accurate description of the sound of the cymbals.
Ringo's first cymbal, according to the Beatles Anthology, was an old junker that his step father had given him for Christmas sometime between 1956 & 1958.
This kit consisted of an old bass drum, snare drum, cymbal, and a few other odds & ends. Supposedly in 1958, Ringo (then Richard) borrowed 46 pounds from his Grandfather and bought his 1st legit drum kit, an Ajax with single headed toms at Frank Hussey's music store.
Ringo said his first drums were junk that he could play with anything that was available (including firewood).
This certainly fits the criteria of this cymbal, obviously before the Beatles time (where he later played Premier & Ludwig drums, and Zildjian cymbals. In 1958, Ringo (then Richard) was only 18 years old and just starting to gig with the Eddie Clayton skiffle band and play some odd gigs around town, where drummers would often sometimes share kits with the other bands playing.
According to the Beatles anthology, Richard (not owning a car yet) would travel to gigs on a bus with nothing more than a snare, hihat, and top cymbal. He may have just engraved his name on the back to help identify his stuff, (which makes perfect sense, as he was an apprentice engineer at H. Hunt & Son - two of his fellow band mates were a joiner & a lathe operator there).
If you refer to the "Drum Book" on page 31, Geoff Nichols mentions that Ringo used to play Ajax & Krut cymbals with Rory Storm.
Now, you decide if this is a tall tale or if it could be true.
Link to auction
Tuesday, 11 November 2008
Let It Be from BBC
There's a new DVD transfer of the Let It Be movie "going the rounds" in collectors' circles. It's sourced from a video cassette taped from the last screening of the film on BBC in the UK (BBC2 Saturday 8th May 1982, 3:10-4:27pm), and the tape has not been viewed since it was recorded. Here's a comparison of various versions:
Sourced from the official laser disc (USA)
Sourced from an official VHS (Germany)
Sourced from the BBC 1982 screening
Composite:The bigger picture is the german version, blue frame=laser disc, green frame = BBC.
So far, it looks like the german version is the winner, it keeps the colours and is in the correct 16mm aspect ratio. Too bad it has those german subtitles. The laser disc is from the cinema print, which was blown up to 35 mm (it was filmed with 16 mm movie cameras), resulting in a cropped picture. The BBC version is not bad, it looks good on a big widescreen TV because it has a bigger picture size: 931 x 570 pixels as opposed to the other two, 640 x 480 and 618 x 480, respectively. It's a bit more subdued in the colour department, but looks quite lifelike. The thing with how much of the image we're supposed to see is that we would have to second-guess what director Michael Lindsay-Hogg envisioned for the film.
Visit the excellent Beatles Movies site for more info on The Beatles' movies.
Monday, 10 November 2008
David Fishof Ringo Sale
David Fishof, who started the "All Starr Band" series of concerts have disassociated himself from Ringo, and is selling off a lot of personal items from his relationship with Ringo. Of interest are lots of signed items, including concert posters.
After more than 15 years of working with Ringo Starr and producing 8 of his All-Starr tours, David Fishof accrued a more than interesting library of audio and video material. In the spirit of this auction, Fishof agreed to open his vault and share many of these treasures with Ringo's vast and loyal fans and collectors.
Some of the stuff on sale is very reasonably priced.
Backstage Auctions
Friday, 7 November 2008
Macca gets award
Paul McCartney got an award again last night. It was a "special" award created by the organizers of the MTV European Music Awards, because the event was held in McCartney's native Liverpool this year. The "Ultimate Legend Award" was presented by U2's Bono, who gave the Beatle a rather long drawn out introduction - almost nausiatingly flattering Paul. It reminded us of the far better introduction Ellen DeGeneres gave Paul at the 2006 Grammies: "The next performer needs no introduction!" Then Paul simply entered the stage.
That was the time when McCartney lost the "Album of the year" Grammy for which his "Chaos & Creation in the Backyard" was nominated, to U2's "How To Dismantle An Atomic Bomb".
So perhaps Bono was just making up for that.
Yesterday, Paul knew there was no way his "thank you" speech was going to be able to surpass Bono's big build-up, so he simply high-fived audience members he was passing, and then went on to thank Liverpool, his parents Jim and Mary, his brother Mike (who was also there), George, Ringo and John, Britain - and the americans for voting for Obama. The ex-Beatle didn't perform at the event.
Bono and Macca first met up at "Live Aid" in 1985
The two also opened the "Live 8" event together in 2005
Thursday, 6 November 2008
Apple Boutique
Now here's funny picture I found while browsing the Allposters online store: This photo is entitled "Pair of Long Haired Londoners in a Psychedelic Corner of the Beatles' Apple Boutique".
Wednesday, 5 November 2008
Allposter prints
Paul McCartney in Concert, 1989 - Photo
11.2 inches x 14 inches
George Harrison, Royal Albert Hall 1992 - Photo
8 inches x 10 inches
John Lennon and Yoko Ono - Premium Photographic Print
David Mcgough
24 inches x 18 inches
The Beatles in Concert - Premium Photographic Print
Morse, Ralph
40 inches x 30 inches
Click image to buy from Allposters.com
Auction results from Cameo
The Kansas City film that I discussed in an earlier posting went for £4,100 when it went under the hammer at the sale in Reading, England. The buyer was The Beatles' own company, Apple Corps. We're hoping this means Apple has plans for the film... extra footage on the Blu-Ray Anthology series, perhaps?
At the same auction, a worn 1963 first issue of the stereo album "Please Please Me", black & gold labels with 5 tracks credited to Dick James in an E.J Day sleeve fetched £2,000.
Monday, 3 November 2008
Plastic Ono Supergroup
"Peace for Christmas" concert in aid of UNICEF - December 15th, 1969 at the Lyceum ballroom, London.
John Lennon said of this show "I thought it was fantastic, I was really into it. We were doing the show & George (Harrison), Delaney & Bonnie, Billy Preston, all that crowd turned up. They'd just come back from Sweden. George had been playing invisible man in Delaney & Bonnie's band, which Eric Clapton had been doing, to get the pressure off being famous Eric & famous George. They became the guitarists in this. They all turned up. It was again like the concert in Toronto. I said 'Will you come on?' They said 'Well, what are you going to play?' I said 'Listen, we're going to probably do a blues...or "Cold Turkey", which is three chords'. Eric knew that. & "Don't Worry Kyoko" which was Yoko's, which has three chords & a riff. I said 'Once we get on Yoko's riff, just keep hitting it'. It was a fantastic show, it was fantastic....very heavy! A lot of the audience walked out, but the ones that stayed, they were in a trance. They just all came to the front because it was of the first real heavy rock shows...it's only to be expected that some people were disappointed in that we only did two long numbers, but we play 1984 music! I don't know what they want. I'm trying to get it across that the Plastic Ono Band plays the unexpected"
The full line-up for the Plastic Ono Supergroup was:
John Lennon - vocals & guitar
George Harrison, Eric Clapton, Delaney Bramlett - guitars
Klaus Voorman - bass
Jim Gordon, Keith Moon & Alan White - drums
Billy Preston - organ *
Bonnie Bramlett & 'Friends' ** - percussion & brass
* Sadly, Billy's organ was buried in the original recording, and Nicky Hopkins' overdubbed an electric piano in 1971 in New York when the songs from the concert were released on the "Some Time in New York City" album bonus LP.
**'Friends' included: Bobby Keys - saxophone; Jim Price - trumpet; with Bobby Whitlock & Carl Radle), also assisting was 'Legs' Larry Smith (from the Bonzo Dog Doo Dah Band) & Dino Danelli (the drummer from The Young Rascals)
A Beatle on Blu-Ray
Paul McCartney will be the first Beatle to take the plunge into the new market of High Definition TV, when the film from his 2005 US Tour, "The Space Within US" will be released on the new Blu-Ray disc format on the 18th of November.
Directed by Mark Haefeli, the film's centerpiece is the concert at Anaheim, California - when McCartney communicated with two astronauts on board the International Space Station through a live feed up to space. McCartney played "English Tea" for the men. Other songs heard in this film: "Magical Mystery Tour," "Flaming Pie," "Let Me Roll It," "Drive My Car," "Till There Was You," "I'll Get You," "Eleanor Rigby," "Maybe I'm Amazed," "Got to Get You Into My Life," "Fine Line," "I Will," "I'll Follow The Sun," "Good Day Sunshine," "For No One," "Fixing A Hole," "Penny Lane," "Too Many People," "She Came in Through The Bathroom Window," "I Got A Feeling," "Follow Me," "Jenny Wren," "Helter Skelter," "Yesterday," "Get Back," and "Please Please Me".
The film has been out on DVD since 2006 and a shortened version was an A&E Special, but this is your first chance to see it with this clarity.
Saturday, 1 November 2008
Top 20 unreleased Beatles
1. Live at the Cavern, mid-1962: Auctioned to Paul McCartney on August 29,1985, this tape contains 18 songs, mostly covers, including a few of which no Beatles version circulates. Those covers, and the versions on which they were modeled, are: "Hey! Baby" (Bruce Channel), "If You Gotta Make a Fool of Somebody" (James Ray), "Sharing You" (Bobby Vee), and "What's Your Name" (possibly Don & Juan's doo-wop hit of the same title). As McCartney owns it and nothing was used on Anthology 1, however, we can probably assume the sound quality's not too good.
2. "Sheila," October 26, 1962, BBC: Occasionally at their BBC sessions, the Beatles taped numbers that weren't used in the actual broadcast. This cover of Tommy Roe's chart-topping Buddy Holly soundalike "Sheila" is one of them, and though a poor-fidelity live version that the group taped a couple of months later in Hamburg was issued as part of the Star-Club tapes, this would presumably be both better sounding and a better performance. It's likely, however, that the tape was erased or has vanished forever.
3. "Three Cool Cats," January 16, 1963, BBC: Another instance of a Beatles song taped at a BBC session, but not broadcast. There is a version of "Three Cool Cats" from their January 1, 1962 Decca audition that's easily available. But it's a shame this BBC version doesn't survive, as presumably it would be a considerably improved rendition, the group having improved so much in general in the ensuing year.
4. "Hold Me Tight," studio outtake, February 11, 1963: It's known the Beatles attempted an early version of "Hold Me Tight," later redone for With the Beatles, at their Please Please Me sessions. It's likely the tapes (along with about half the session tapes for Please Please Me) no longer exist, but stranger things have miraculously turned up.
5. "Do You Want to Know a Secret," demo tape, early 1963: Billy J. Kramer remembers hearing a demo tape of this song before he covered it for his debut single on March 21, 1963. As he revealed in the liner notes to the CD The Best of Billy J. Kramer & the Dakotas: The Definitive Collection, "I had this tape given to me, and it was John Lennon singing it with an acoustic guitar. On the tape he said, 'I'm sorry for the sound quality, but it's the quietest room I could find in the whole building.' Then he flushed the toilet."
6. "Three Cool Cats," July 2, 1963, BBC: Yet another version of this Coasters cover, taped at a BBC session in July 1963, but—like the one they taped for the BBC in January—not broadcast.
7. "World Without Love," demo tape, circa early 1964: Peter Asher of Peter & Gordon has said he has a tape of Paul McCartney's demo of "World Without Love" without the bridge, before it was covered by Peter & Gordon for a #1 hit.
8. Beatles-Carl Perkins session, June 1, 1964: The late rockabilly great Carl Perkins claimed on several occasions that he and the Beatles recorded in the studio together on June 1, 1964. The songs they did varied according to the account, but they might have included "Blue Suede Shoes," "Honey Don't," "Everybody's Trying to Be My Baby," "Your True Love," "Sawdust Dance Floor," and others. No tape has surfaced, however, and it seems possible that if such a session took place, it might not have even been taped. For while Perkins remembered staying in the studio until almost three in the morning, no Beatles recording session officially ran past midnight until October 13, 1965.
9. "You're My World," studio outtake, June 3, 1964: A strange song for the group to be covering, "You're My World" was not a Beatles original, but a song that had just gotten to #1 in the UK for Cilla Black. As it turns out, however, it's reported that the version lasts just 33 seconds.
10. "It's For You," demo, mid-1964: Cilla Black has remembered getting a demo of this Lennon-McCartney song that she covered on a 1964 single (and of which the Beatles never released their own version), featuring just Paul and guitar.
11. "No Reply," demo, mid-1964: Before the Beatles recorded this for Beatles for Sale, there had been thoughts of "giving" it away to another Brian Epstein-managed act, Tommy Quickly, though Quickly never did release his own version. Colin Manley, who played guitar on Tommy Quickly's unreleased cover of "No Reply," told Kristofer Engelhardt in Beatles Undercover that "I don't think the Anthology 1 version is the demo we heard; it's too complete. I wish it would have been the one we heard. I'd back my life that the demo we used had no middle eight; it didn't have any clue as to the rhythm we should use. It contained the sound of a toilet flushing at the end which we thought was hilarious because it was typical of John's humor. I think we were told it was recorded in a hotel room. We immediately noticed when the Beatles put it on their album Beatles for Sale that it had a middle eight."
12. "In My Life," private tape, 1965: In his 1980 Playboy interview with David Sheff, John Lennon said he probably had an original (presumably home) tape of "In My Life." John's memory wasn't always faultless, but in the same answer, he also remembered having tapes of "Strawberry Fields Forever" and "We Can Work It Out," both of which did turn up. Like "Strawberry Fields Forever," "In My Life" is known to have mutated considerably in the course of its composition—in an early draft, it referred to numerous Liverpool landmarks by name—which could make pre-studio tapes of the song fascinating.
13. "What Goes On," private tape, late 1965: In the April 1966 issue of The Beatles Monthly Book, Neil Aspinall reported that "when Paul wanted to show Ringo how 'What Goes On' sounded he made up a multi-track tape. Onto this went Paul singing, Paul playing lead guitar, Paul playing bass and Paul playing drums. Then Ringo listened to the finished tape and added his own ideas before the recording session."
14. "Love You To," take 1 (studio outtake), April 11, 1966: The most intriguing of the Revolver outtakes known to have been taped is an acoustic version of George Harrison's "Love You To" with Paul McCartney on backing vocals that must have been considerably different in this early form than the Indian-flavored final album track.
15. Paul McCartney home tapes, circa 1966: In the biography Many Years from Now, Paul remembered using a studio in Montagu Square in London to "demo things. I'd just written 'Eleanor Rigby' and so I went down there in the basement on my days off on my own. Just took a guitar down and used it as a demo studio." A very brief snippet of Paul on acoustic guitar singing "Eleanor Rigby" has shown up that might be from this period, but no other such tapes have circulated.
16. "Carnival of Light," studio outtake, January 5, 1967: One of the most legendary never-heard Beatles "songs," "Carnival of Light" was actually an experimental sound collage, lasting almost 14 minutes, made for (and played at) a countercultural media event of the same name at the Roundhouse Theatre in London on January 28 and February 4 in 1967. There's an entire 12-page chapter on the recording in Ian Peel's book The Unknown Paul McCartney: McCartney and the Avant-Garde, for further details. Since it was compared by McCartney biographer Barry Miles to the Mother of Invention's searingly jarring, side-long 1966 Freak Out! avant-garde cut "The Return of the Monster Magnet" in Paul McCartney: Many Years from Now, however, it can be assumed that it's neither too tuneful nor too characteristic of the Beatles, even in their psychedelic period.
17. "Good Night," mid-1968: Beatles engineer Geoff Emerick's memoir, Here, There and Everywhere: My Life Recording the Music of the Beatles (co-written with Howard Massey), mentions that John made a demo of "Good Night" for Ringo that was played back a couple of times in the studio. "It's a shame that this particular tape has been lost to the world, and that nobody will ever hear the gorgeous way John sang his tender little song," wrote Emerick. "In comparison, I really don't think Ringo did the song justice."
18. "Helter Skelter, take 3 (studio outtake), July 18, 1968: Perhaps the Holy Grail of unheard Beatles outtakes is this legendary 27-minute version of "Helter Skelter," at a session also producing ten- and twelve-minute versions. In The Beatles Recording Sessions, Mark Lewisohn noted that "each take developed into a tight and concisely played jam with long instrumental passages." The four-and-a-half-minute edit of take 2 on Anthology 3 lowered expectations, however, as even this truncated version both veered on tedium and was far inferior to the final arrangement, with its dragging tempo and rote blues-rock guitar licks. Explaining why a longer version was not chosen for the Anthology CD compilations in a 1995 Dutch interview (as seen in the bonus disc of the bootlegged director's cut of the Anthology documentary), George Martin was blunt: "I think it gets boring." His elaboration perhaps gave away more than he would have liked about the core philosophy behind the Anthology collections: "In making these records, my consideration has been to put in works that are interesting to the majority of people. Not to Beatle fanatics. And I have to look at the public as a broad, interesting thing. And I don't want to put anything that people are going to say"—here he yawned for emphasis—"'I wonder when this is gonna finish.' And that's what that would do. Now, there are the hardcore Beatle fanatics who would love to have this. But they already have it on bootleg." Most Beatles fanatics love George Martin for what he did with the group, but most could have told him that he was wrong—we don't have it on bootleg, as none of the long versions have ever made it onto that format. (In fact, the over-halved edit of take 2 on Anthology 3 is the only version of "Helter Skelter" from this session to have made it into circulation.)
19. "Etcetera," studio outtake, August 20, 1968: The second most sought-after outtake from The White Album is Paul McCartney's "Etcetera," recorded as a one-take demo by the composer. Recalled by EMI technical engineer Alan Brown as a beautiful ballad, the tape's apparently no longer in EMI's vaults. That could be because Paul, contrary to Brown's estimation, didn't rate the song highly when he spoke about it in Barry Miles's McCartney biography Paul McCartney: Many Years From Now, where he remembered it has having been written with a Marianne Faithfull cover in mind.
20. "The Long and Winding Road," studio outtake, circa late 1968: It's also known that Paul, playing piano, did a demo of "The Long and Winding Road" at some time during the White Album sessions, in advance of it being rehearsed and recorded at the Get Back/Let It Be sessions in January 1969.
Honorable mention: George quits the band, January 10, 1969: The tape was rolling at the precise moment when George Harrison quit the Beatles (for just a few days, as it turned out) during the Get Back/Let It Be sessions—but the discussion/reaction immediately following that moment is missing from the circulating unreleased tapes.
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Kim Majestic necesitaba un nuevo diseño de banner publicitario y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 74 diseños de 23 diseñadores freelance.
Majestic Hotel Tower Dubai- http://www.dubaimajestic.com
Majestic Hotel is one of the few towers conveniently located in the
heart of Bur Dubai. . Guests will find that at Majestic Hotel they enjoy 5 star treatment at 4 star value. The Hotel is highly stylish with warm tones in marble and wood, fine furnishings, impressive paintings, fashionable deluxe
rooms, and luxurious suites. Key features of the hotel are the wide selection of cafés, restaurants and bars, each of which has something unique and original to distinguish it.
Elia 'a celebration of Greek flavours'
Elia offers long-established Greek tastes combined with a unique and alternative presentation of each dish, in the style of the award winning Chef Yiannis Baxevanis. Top ingredients, distinct creativity, great service and an amazingly cozy environment are only a few of Elia's core elements.
TIRQUAZ is a restaurant with an international menu offering buffet breakfast
& lunch and à la carte all day dining, while overlooking the garden lounge
and swimming pool. It is a modern and fresh approach to informal dining with a tempting selection of cuisines and a wide array of menu choices, and an emphasis on healthy eating using organic and fresh ingredients.
Dubai is a 'cosmopolitan' city where people move fast from one place to another. The ad should give the product-place- price info within a blink.
The Special Valentine Deal will reach a broad target (price sensitive) in Dubai and in neighbor city Abu Dhabi since it includes accommodation. The target group are couples ranging from 30s-50s with an active lifestyle.
Elia restaurant targets guests who enjoy casual dining and high quality food.
TIRQUAZ for outside diners.
February Promotions TIRQUAZ & Elia in:
1) Time Out Dubai magazine advertisment: 91 mm by 256 mm (3.58 inch by 10.07 inch) in PDF 300 dpi CMYK mode
2) Special Valentine Deal: only the Dhs 275 offer in emailable flyer W: 850 pixles (7.5 inch) by any height suitable for mailing
The design standards should be applied for the logos and the address, please refer to the sample material "Valentine Final" & "Suite Deal"


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Sugarlime Lane
Orange Leather Binky Clip
Made from real lead free/chrome-free American leather that is buttery soft. Measuring approximately 6-7" long, each leather piece is securely attached to a lead-free clip. Each clip is masterfully designed with a padded insert to protect the fabric it is attached to.
For spots and spills, wipe off excess liquid immediately and let air-dry. If necessary, use warm water and mild-detergent soap, work into a thin lather with a soft cloth, rinse with clean water and buff to restore luster. Do not place clip in washing machine or soak in water. Doing so may compromise the overall quality of the clip. Due to the natural quality of the material, slight stretching or bleeding may occur when this product comes into contact with excess water. Variations are possible due to leather hide availability.
This is not a toy. Inspect clip before every use and discard if damaged. Do not tie around a child's neck and never allow a child to use while sleeping.