text:
The Court of Appeals of Virginia provides appellate review of final decisions of the circuit courts in domestic relations matters, appeals from decisions of an administrative agency, traffic infractions and criminal cases, except where a sentence of death has been imposed. It also hears appeals of final decisions of the Virginia Workers' Compensation Commission. While appeals of criminal and traffic cases, final decisions on applications for concealed weapons permits, and certain preliminary rulings in felony cases are presented by a petition for appeal, all other appeals to the Court of Appeals are a matter of right. The Court of Appeals has original jurisdiction to issue writs of mandamus, prohibition, and habeas corpus in any case over which the court would have appellate jurisdiction, and writs of actual innocence (based on non-biological evidence).
The decisions of the Court of Appeals are final in traffic infraction and misdemeanor cases where no incarceration is imposed, in domestic relations matters, and in cases originating before administrative agencies or the Virginia Workers' Compensation Commission. However, the Supreme Court may review those decisions as well if it finds that the decision of the Court of Appeals involves a substantial constitutional question as a determinative issue or matters of significant precedential value. Except in those cases where the decision of the Court of Appeals is final, any party aggrieved by a decision of the Court of Appeals may petition the Supreme Court for an appeal.

subset: commoncrawl


text:
My Account Public Home Connected Community Lobby Contact Us
This week, Episode #200 with the Toronto Mass Choir in concert.
In keeping with our policy of putting fresh high-quality content into the Connected Community every week, we have added a wonderfully-creative personal video ministry of a talented film maker from Toronto who will add great new videos to the community every week.
Click here to join our FREE Connected Community.
On June 17th, we welcomed Lennox White and his "Thank God It's Monday" video project to our Connected Community as a new regular content contributor.
Every Monday, Lennox releases a short personal video devotional. In the past, he has released 193 such devotionals exclusively to YouTube. Lennox is now sharing his video ministry with TransformingTheChurch.org. For our part, rather than just embedding the YouTube videos in our pages, we will be re-encoding them from their original masters for high-quality streaming from our Adaptive Streaming platform. Also, in the coming weeks, we will be opening a special-interest community dedicated to these devotionals.


text:
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text:
Saturday, 19 November 2011
19th November 2011
13 comments:
I really like your blazer, looks good on you <3ReplyDelete
I love all your looks so much ♥ ♥ReplyDelete
you both so cute! ♥ReplyDelete
Your outfit so cute,I love especially your jacket^^ReplyDelete
love your outfit!xxReplyDelete
I've just discovered your blog and i'm lovin' it hahahReplyDelete
Why have you been interviewed? That's so cool!
Next time i'll go to London I'll ask you for some charity and the cheapest shops in your lovely city...
Did you enjoy churros? A long time i haven't eaten them... and i'm from spain x)
following u!
I love your outfit, and that blazer is supercute :)ReplyDelete
And I also love your friends jumper :)
xoxo, visit my blog :*
That would be so awkward. haha. That's really cool that they thought you were famous though. I would have freaked out. Cute outfit! I love the blazer.ReplyDelete
A Little Burd Told Me..
such an amazing blazer colourReplyDelete
i love your style more than ice cream.ReplyDelete
great, as usual. <3
Your blazer is so gorgeous!! you look lovely:)xxReplyDelete
really awsome !!!ReplyDelete
Beautiful pictures, I like your blog a lot!ReplyDelete


text:
Listening to Rush on the Bush Train Route
CALLER: Thank you. It's awesome to talk to you. Mega dittos.
RUSH: You bet!
CALLER: So I'm out here with about 500 people waiting for the train to go by, shout out to the Klein fire department behind me and just wanted to call and tell you that we're all pretty patriotic here in Texas and we're waiting for the train.
RUSH: It's raining, it looks like.
CALLER: It is raining. But it's just sprinkling right now.
RUSH: What's the temperature?
CALLER: Hang on a second. I'm in the car, 55.
RUSH: Fifty-five degrees. All right.
CALLER: Yes. We got kids, we got old people, we got veterans. We got a veteran I just met, he's listening to you in his earbuds here.
RUSH: With his earbuds, ah! We can imagine what he's doing with his earbuds. Hello, guy, with your earbuds. We know he's listening to the EIB Network. Well, Debbie, thanks for the call. I appreciate it.
This article originally appeared on Rush Limbaugh


text:
useful info
This lovely category contains all those vital bits and pieces you simply can't order without. Click away to your heart's content and all will be revealed - and don't forget to check back here in future, as we'll be adding more information pages to this section in due course.
Customer Reviews our customers simply love our yummy kitchens, have a read through our reviews page to see what they have to say! Delivery the lowdown on all things delivery - what we do, where we go, and when we go there. Oak Kitchen Unit Specifications everything you'll need to know about our quality kitchen units, (kitchen sink excluded!)
Our Brochure clickety-click to visit our brochure request page -- it's deTerrably exciting! Bespoke Kitchens a lovely jubbly world of unique, natural kitchens, ready for browsing. deTerra Kitchens Explained cabinetry confusion? Door discombobulation? Clicky-clicky for detailed explanations & guides
About Us in case you want to know a bit about little ol' us, please click here to read the deTerra story. Current Deals click here for the skinny on deTerra's current offers and delightful deals! Media Coverage deTerra in the glossies!


text:
Miscues the difference as Angels fall to Tigers
Santiago contributes solid outing, but errors costly in rubber match
DETROIT -- Hank Conger was certain the pitch was a strike, so he threw to second on an attempted steal. Conger's throw sailed into center field, so Ian Kinsler went to third. Mike Trout's lob back into the infield floated over the head of Howie Kendrick, so Kinsler darted home. Hector Santiago's throw to the plate ended up in the backstop, so the Tigers scored a first-inning run.
"That was pretty crazy," Conger said. "I looked up, and next thing I know there were three errors on the board."
There would be a fourth error five innings later, when Conger's pickoff throw to first ended up in right field, moved Austin Jackson to second and allowed the speedy center fielder to score on the two-out single Nick Castellanos hit off Kevin Jepsen. And because their shorthanded lineup struggled to get anything going for a second straight day, that was all it took for the Angels to lose, 2-1, on Easter Sunday, while en route to dropping two of three at Comerica Park.
It marked the Angels' first loss while allowing zero earned runs since Sept. 19, 2011, in Toronto.
"It's tough, man," Conger said. "Especially when Santiago throws a good game like that and we're not scoring runs, it's kind of tough when you know that two of those runs you kind of contributed to."
Despite walking a career-high-tying five batters and requiring 119 pitches to record 17 outs, Santiago gave up only two hits and managed to go 5 2/3 innings with only those two unearned runs, lowering his ERA to 3.68 in the process.
But Rick Porcello -- the same guy who allowed nine first-inning runs at Angel Stadium exactly one year ago, and has an 8.34 ERA in nine career starts against the Angels -- pitched seven innings of one-run ball. And after Kendrick notched a two-out single in the ninth, putting the tying run on with his third hit of the game, Raul Ibanez struck out on a 3-2 curveball from Tigers closer Joe Nathan and the Angels fell two games below .500.
An Angels offense that's without corner outfielders Josh Hamilton (left thumb surgery) and Kole Calhoun (sprained right ankle) notched 11 runs and 10 extra-base hits in Friday's win, but combined for three runs on 11 hits in back-to-back losses on Saturday and Sunday.
Given the early struggles of Ibanez (.148/.212/.311 slash line) and David Freese (.143/.197/.196), inconsistency like that is to be expected.
"There's some guys that just aren't on track right now," Angels manager Mike Scioscia said. "Hopefully we'll start to see some signs moving forward now."
It took the perfect storm of events for the Angels to commit three errors on one play, which originated with Kinsler on first and one out in the bottom of the first.
First, there was the 3-2 changeup to Miguel Cabrera that appeared to be a strike and instead led to a walk that made a throw to second useless.
"No doubt in my mind," said Santiago, who was told "good pitch" by Cabrera when the inning ended.
In a situation like that, Scioscia explained, Conger can't wait for an audible call from home-plate umpire Brian Knight. Conger assumed it was a called third strike, then heard differently just as the ball was releasing from his hand, which might have caused an errant throw.
"I was very confident it was a strike, then as soon as I went to throw it, I heard ball four and it caused a slight hesitation," Conger said. "It was bad timing, but it was a poor throw."
The Angels still had a chance to throw out Kinsler at the plate when Trout's throw trickled into Santiago's glove near the pitcher's mound. But the 26-year-old left-hander rushed the throw.
"That was different," Santiago said. "I was trying to cover behind third and I saw the overthrow and tried to sneak up. I saw Kinsler a little down the line and I saw him take off. I don't know where he's at behind me. I tried to make a quick throw and I just pulled it. Another two inches and it's an out."
Kinsler, whose Tigers moved to 9-6, admitted he "got kind of lucky there at the end."
"I've never been a part of something like that, so it was definitely an unusual play," he added.
"That's a play you don't do too much," Santiago said. "We don't practice that one."


text:
Can a Golden Girl do one better than Mr. Make My Day?
A group of Democrats is betting on it following Clint Eastwood's colorful "conversation" with an imaginary President Barack Obama last week at the Republican National Convention.
Fans of Betty White, who endorsed Obama in May, have set up a petition drive at change.org to implore the 90-year-old actress to address the Democratic National Convention.
"Clint Eastwood, the Republican's 'mystery guest' at the RNC, gave a bad name to older Americans everywhere with his absurd and awkward-to-watch introduction of Governor Romney," the petition reads. "You know what? Governor Romney can have Clint Eastwood and his improvisational skills because President Obama has the one and only Betty White!"
As of Monday morning, more than 2,800 supporters signed the petition, and nearly 20,000 "liked" a Facebook group called "Bring Betty White to the DNC."
It's not clear whether White will consider the proposal, but she's known to have embraced social media in the past and she received a tour of the White House earlier this summer.
Petition Calls for Betty White to Speak at DNC
Can a Golden Girl do one better than Mr. Make My Day?


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The GMBC Saturday (VP) rides are longer rides compared to the evening training rides. Routes vary each week and often have significant climbs. Groups (12 or fewer) form based on estimated average speed. The emphasis is on sharing the road and riding responsibly while getting a good workout on the bike. Specifics for each ride (e.g. start time, weather, parking) are announced through the GMBC email list.
Are these rides for me? These rides are recommended for people with some experience riding in a group. Serious effort (within each individual's ability) is expected, but these rides are for anyone who likes a good workout and is able to maintain at least a 15 mph average, i.e. non-racers welcome! The riders regroup at a few key points and usually try to avoid leaving anyone behind. If you want a faster, strictly racer/hammerhead ride, consider the Tuesday Evening Training Ride. Another alternative for both fast riders who want a break from climbing App Gap, as well as riders who prefer a more moderate pace and distance are the Touring Rides (usually on Sundays). Touring rides typically become longer and have more climbing as the season progresses.
Start times vary during the year. Riding with front and rear lights is recommended all season.
Disclaimer: Ride at your own risk. GMBC provides guidance on safe group riding and sharing the road, but assumes no liability. It is your responsibility to know and adhere to Vermont laws.
GMBC is volunteer-based and sometimes volunteers cannot make the ride. This may lead to groups not being formed and the lack of regrouping points on the ride. We encourage you to talk before the ride, form groups, talk about safety and have a great ride!
- Questions? Send John an email


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Big Sis S: Did you know Jesus died and then came back again ?
Me: Yes
BSS: Did you know that was during Easter ?
Me: Yes
BSS: So is he around now or did he again go to heaven ?
Me: He became old, got tired of living here and so went back to heaven
BSS: So what, he is an angel now ?
Unsure Me:Mmmm, I think he became God
BSS: How can Jesus be GOD, GOD is his father, remember Jesus is God's son.
Very unsure Me: Mmmm....
Now exasperated BSS: So what happened to GOD ? Did GOD become something else ? Or is GOD is no longer there ?
Very very unsure Me: Maybe GOD retired.
And with that said, lets have some Chettinad Fish Fry. I had never had Chettinad Fish Fry until a couple of months back. We had brought home, some steak pieces of sword fish and being new to sword fish, wasn't sure what to make of them. D suggested Chettinad Fish Fry which apparently he had at Legal Seafoods and had liked a lot. Of all the recipes on Chettinad Fish that turned up on Google, he said the dry one at Malar's Kitchen Tantra seemed closest to the fish fry he had tasted. I followed the recipe exactly and only skipped the tamarind paste because we are not too fond of that much sourness. I also did not add the eggs, all else was followed to the tee.
The fry turned out to be delicious and since then I have made the Chettinad Fish Fry with Sword Fish and also Tilapia. The pic here is the one with Tilapia fillet.
Read more...
Original recipe here.
Chettinad Fish Fry
The following recipe is for 5-6 pieces of fish
Dry Grind
1 tsp of Fennel seeds
2 Cloves
1" stick of Cinnamon
1 tsp Coriander seeds
3 Dry red chilies
1 tsp Peppercorns
Make a wet paste of
2 cloves of Garlic
1" Ginger
Prepare a marinade with
Dry Masala,
Wet Masala and
little Turmeric
Chili powder to taste
3 tsp Lemon juice
Note: I skipped 1 tsp Tamarind paste
Marinate the fillet of fish or steak pieces of fish in this marinade for 1 - 2 hours
Heat oil in a Frying Pan. I shallow fried the fish so not too much oil.
Add quarter of an onion finely sliced , fry till translucent. Add 3-4 curry leaves. Remove and keep aside
Add the fish pieces and cook till both sides are brown and crisp. Add the fried onions and curry leaves
Serve hot


text:
Derek Paravicini is many things: an incredible piano player, a blind man, an excited talker, a musical savant, and a 30-something with severe autism. [ted_talkteaser id=1808]In today's TED Talk, we get a fascinating peek into how he understands music. Paravicini — who was playing major concert halls at the age of 10 — not only has perfect pitch, that rare ability to recognize and re-create any musical note, but is also able to hear all the individual notes played simultaneously in a piece of music. Paravicini has a memory for an incredible catalogue of songs, and is able to transpose them into any key at will. But while Paravicini has been called "The Human iPod," his longtime piano teacher Adam Ockelford says that this description misses the point.
"Derek, you are so much more than an iPod," says Ockelford. "You're a fantastic, creative musician."
Today's talk brings up many questions…
View original post 1.074 woorden meer


text:
> win
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text:
The death of a 20-year-old woman at an apartment Wednesday is being labeled suspicious and her brother-in-law is being held on $100,000 cash bail on a charge he lied to police investigating the death.
Steven D. West, 21, of 13 Pleasant St., Spencer, was arraigned yesterday on a charge of intimidation of a witness, a broad statute that includes providing false information to police.
He was ordered held on $100,000 bail, though Assistant District Attorney Brett Dillon told Judge Paul Losapio in Western Worcester District Court in East Brookfield that it was too early in the investigation to determine whether Mr. West would face additional charges. He said Mr. West has ties to Indiana and has not lived in Massachusetts for very long. He said Mr. West did not appear to have an out-of-state criminal record.
According to court documents, Spencer police were called to the apartment Alyssa A. Haden shared with Mr. West and his wife, who is Ms. Haden's twin sister, at around noon Wednesday. Town records show her name as Caitlin West.
Police said Ms. Haden's brother, Donald Haden III, had discovered his sister's body. A preliminary police report indicated she had "obvious signs of death" and a small wound on her neck.
Police wrote that she "had lividity inconsistent with the position of the body." Such a discovery could mean the body had been moved.
Ms. Haden had been living with her pregnant sister, brother-in-law and their baby in the three-bedroom apartment. Her name appears on the mailbox, and Dee Rivers, who lives downstairs, said Ms. Haden had moved back in July, since being displaced by a fire at her parents home on Grove Street.
That fire, which was deemed arson, started in her bedroom and killed some family pets. There have been no arrests in that case.
Mr. West was at the scene of that fire and was carrying a cat in a carrier that had been rescued from the home as firefighters quickly brought the blaze under control.
Mrs. Rivers said she was at home Wednesday about noon when Donald Haden III came running downstairs from his sisters' apartment.
"He was yelling, 'My sister's dead, my sister's dead,' " she said, adding that he later told her Ms. Haden was in bed when he went to check on her after concerned co-workers from nearby Price Chopper supermarket called her mother to say the normally punctual cashier was not at work.
"He said he pulled the blankets back and she was purple," Mrs. Rivers said.
While she heard nothing, save the normal sounds of chairs the night before, her husband heard someone leave the three-story house about 4 a.m., which was unusual.
When she encountered Mr. Haden, he asked for her cellphone and she started to head upstairs but he stopped her saying the police had told him no one should go back into the apartment.
"I'm a CNA (certified nurse's assistant)," she said. "I wanted to check to see if I could do anything. I regret not going up there."
After hearing Mr. West was held on a high bail, Mrs. Rivers said she was surprised and does not think that he would have harmed his sister-in-law. She said if police determine Ms. Haden was murdered, "someone else must have done it."
She said Mr. West, who is very heavy, has breathing problems and cannot stand for long periods. He has had trouble finding work because of his obesity, she said, though she believed he had been working recently at a Walmart store.
Mrs. West also worked at Walmart, she said, and Ms. Haden was a popular cashier at the grocery store near their home.
"I'd go in there just to see her," Mrs. Rivers said. "Just to see her smile, she had a smile. If you were having a bad day and you walked into a room where she happened to be, she'd smile and you'd feel better."
The only problems Mrs. Rivers and her husband could recall were a few loud parties when the Wests moved in, along with some frustration because they weren't tidy and often failed to bring out their trash.
"He's a nice kid," Mr. River said of Mr. West.
Court-appointed lawyer Michael Hussey said he had little information about whether the high bail, $1 million surety, was requested because investigators anticipate filing additional charges against Mr. West,
He said his client would have trouble posting a much lesser amount of bail because of his financial circumstances and said, "most intimidation of a witness cases don't involve this set of circumstances."
He said it was unclear to him what Mr. West had done to mislead police and whether the death was "a homicide, some other form of death or natural causes certainly seems uncertain at this time."
Members of Ms. Haden's family, including Mr. West's wife, who is pregnant with her second child, quickly left court after the arraignment, shouting at reporters before driving away swiftly.
Mr. West, a heavy-set man, clad in a black, said nothing during the arraignment. He is due back in court Nov. 12.


text:
With the release of Pentium Pro, Intel introduced a mode called PAE (Physical Address Extension) on its advanced processors. By using PAE, Solaris (Intel Platform Edition) can address up to 32 Gbytes of physical memory. Individual processes are still limited to a maximum of 3.5 Gbytes of virtual address space.
PAE mode enables you to run multiple instances of databases and memory-intensive applications, and to support large numbers of online users on your machine.
It is best to use PCI disk controllers that support Dual Address Cycle (DAC) in your machine because they can transfer data to and from any physical location. Other cards are limited to 4 Gbytes of physical memory, and as a result performance may slow down because the system needs to copy additional memory to transfer data.
Some device drivers are not yet able to take advantage of PAE mode. Sun has tested PCI device drivers written by Sun on x86 based machines with more than 4 Gbytes of memory. Sun's OEM partners intend to test their machines with devices they supply on x86 based machines with more than 4 Gbytes of memory. In some cases however, if you add a third-party device driver to your system, it may become unstable, and panics and data corruption may result. If your system becomes unstable and you need that driver, you must disable PAE mode support.
To disable support for PAE mode, follow these steps:
Reboot your machine.
Interrupt autoboot by pressing the Esc key.
The Solaris Device Configuration Assistant starts.
Press F2_Continue until the Boot Solaris screen is displayed.
Press F4_Boot Tasks.
The Boot Tasks screen is displayed.
Select View/Edit Property Settings.
The View/Edit Property Settings screen is displayed.
Press F4_Create.
The Create Property screen is displayed.
In the Specify Property Name field, type mmu-modlist and press Enter.
In the Specify Value field, type mmu32 and press Enter.
The message "Updating Saved Configuration information..." is displayed on the Updating screen. When the property and value are saved successfully, the View/Edit Property Settings screen is displayed.
Press F2_Back.
The Boot Tasks screen is displayed.
Press F3_Back.
After drivers on your machine are loaded, the Boot Solaris screen is displayed.
Continue booting your machine as you normally would.


text:
Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .
'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'
In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .
Sign up to be notified when new artworks and exhibitions at Martin Browne Contemporary are added to Ocula.
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We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.
Scan the QR Code via WeChat to follow Ocula's official account.


text:
Chief Ouray's acclaim was underpinned by search and sorrow for kidnapped "apple"
His name is as famous today in western Colorado as ever before. Ute Chief Ouray is the namesake of a county, a city, a high school, a school district, a sporting goods store, a YMCA camp, a World War II liberty ship, Mount Ouray in Saguache County, Ouray Peak in Chaffee County and Ouray Electric Light and Power Company, incorporated just five years after the great chief's death in 1880.
In Ute, ouray means "the arrow," drawn from a meteor shower that streaked the sky over Taos, N.M., the night Ouray was born in 1833. But while his name came to represent wisdom, peace and the transformation of the American West, it also memorializes grief and devotion for a lost son.
His only heir, Queashegut, was 5 years old when he was stolen in a fight with Sioux warriors in 1863. Ouray had taken the boy's first buffalo hunt with about 30 Ute warriors, when their camp was attacked near present-day Fort Lupton by 100 Sioux, Ouray would tell his second wife, Chipeta. Black Mare, the boy's mother and Ouray's beloved first wife, had died soon after the child's birth, and he was raised by Chipeta, his nursemaid who married the chief when she was 16 years old in 1859.
Ouray never learned what happened to his son.


text:
From 'American Idol' to Vh1's 'The Voice' to Broadway, Frenchie Davis has been seen everywhere and is making her mark in the industry! Recently Frenchie Davis sat down and got up close and personal about her life and her triumphant journey to stardom!
Sargent: Congrats on your single release! We heard you made it onto the Itunes Charts how does it feel to be on the top 100 your 2nd day on the market?
Davis: It's surreal and amazing an amazing feeling very rewarding not only artistically but academically I did it independently with my own label and I don't know if I have the words yet. I'm excited and so thankful for all the support out there
Sargent: So your single is 'Loves Got a Hold on Me', what made you pick that title?
Davis: My good friend Janice Robinson who wrote that song shortly after my run on 'The Voice'. She reached out to me, and told me 'nobody can sing it like you can', so I gave it a shot. With that and recently falling in love with my partner [made it right]
Sargent: Your fans online seem pretty excited about your project did you expect this sort of response to your own music?
Davis: I didn't know what to expect, it was a huge leap of faith deciding to do this. 10 years after I was on 'American Idol' and I pleasantly surprised by the response, it is really difficult to find words to do justice.
Sargent: Who would your love to work with in the future and collaborate with?
Davis: I love Calvin Harris! He is so awesome-I went dancing this past weekend, 'I feel so close to you' came on and it became a celebration. I love Adele also, she really brought good singing back to today, she's so soulful!
Sargent: We heard you own your own label now do you plan on picking up any artists or is it just Frenchie at this point?
Davis: In the future id love to be helpful to other artists. The public wants diversity and the music needs it.
Sargent: I love the Bald look! That must have been so bold and a hard move! I wish I could do that! What inspired that for you?
Davis: It was a gradual process that took about 10 years. In college it was long and curly. I really didn't plan it, it sort of just happened. At one point I shaved the back and left the top curly. I had a neighbor that I met at a juice bar that I go to found out she was ging to have to cut her hair for chemotherapy for breast cancer. So in order to inspire her, I proposed to do it together.
Sargent: Wow! That's a really great story with a touching meaning behind it! I had no idea, and I commend you on that! Tell us a bit about your emotional challenges during the episode you had to go through during the 2nd season of American Idol? Did you feel you were scrutinized against?
Davis: There was a moment of sadness, and having to smile through it publicly when it was really difficult-was hard for me. I think for a long time I allowed that experience to scare me, and it made me fearful of putting myself out there again. When I had success on Broadway it made me feel safe again without the scrutiny over time I healed and realized that hiding wasn't going to protect me against scrutiny and its ok to take chances even if you're scared. Things are going to hurt and you're going to be scared and you have to keep pushing through and that's the kind of life I want to live and inspire others to live.
Sargent: We loved your Music video! It looked like a really big budget video where was it shot?
Davis: It was shot in Mojave Desert! It was amazing with Brian Friedman and Chan Andre. The dancers were amazing and overall it was a wonderful experience. I was nervous at the time because I never shot a video before. Knowing I was working with Brian because of his caliber, I knew I had to be fierce. I just wanted to nail it, and im really excited about the turnout!
Sargent: Between 'American Idol' and 'The Voice', how would you compare your outcome between the two and the overall experience?
Davis: I don't know if I can really make a fair comparison because of my experience with one wasn't. The format of 'The Voice' and the concept of not having a panel of judges working with you to make you a better artist-is great and a big difference.
Sargent: So what do you have going on now?
Davis: I'm living in the studio. I keep putting on tracks that are going to make people dance and still enjoy singing. Currently I'm finishing up music for the holiday season and in talks about starting a plus size lingerie line. It's definitely something that's needed. Plus size fashion is something that's growing and we have to support each other!
Sargent: How can our readers keep up with you?
Davis: By following me on twitter @frenchiedavis or my official website at: www.officialfrechie.com
Sargent: Great! Thanks! It was such a pleasure speaking with you, and I look forward to your upcoming projects!


text:
If NOT, try one of these:
Disclaimer: this health information is for educational purposes only. You, the reader, assume full responsibility for how you choose to use it.
Copyright 2000-2020 Schmitt Pediatric Guidelines LLC.
Herpes simplex lesion of lower lip, second day after onset.
This is also called a "Cold Sore."


text:
Study on the Guidance Consultants' Training Needs, Based on the 'Support Plan for Socially Vulnerable Groups' in Greece
The present study attempts to investigate the training needs (in terms of guidance, methodology, responsiveness to specific group - target) of Vocational Consulting, who worked in the "Plan Support of Socially Vulnerable Groups," held by the Prefectural Committee for Adult Education (NELE) Larissa from September 2006 until September 2008. Firstly, it investigates the knowledge of the Executive Advisory body to the meaning and role of the Advisory as a science. Subsequently, it investigates the awareness of training needs specifying areas and linking those needs with the requirements of the group and the target which is supported. The analysis of the results and their connection to the research questions suggests that the Consultants consider their role especially important, realizing the essence and importance of the process and, moreover, that a further training in counselling skills is needed. This is a view expressed both by the most experienced executives, who have been involved in the process of training at least once, and the younger executives, who have not ever attended a training program in counselling.
Full Text:PDF
DOI: https://doi.org/10.5296/ije.v4i2.1993
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text:
Module A-22
Falling Chute
The falling chute is especially suitable for the measurement of agglomerates of dry powders or for determining the particle size distributions of free-flowing, coarse-grained materials which you would like to measure without dispersion.
The sample is transported with an electronically controlled feeder directly above the intake funnel of the falling chute, from where it falls directly into the measuring cell and is measured by the laser beam without any dispersion at all. Afterwards, the integrated exhaust system ensures automatic sample exhaustion.
Due to the fact, that the measurement is made without any dispersion, no compressed air supply is required. For exhausting the sample material, an external exhaust system is necessary, which can be ordered as a FRITSCH accessory together with the instrument.
Depending on the sample material, the falling chute is also an option where a compressed air connection is unavailable.
In order to use the FRITSCH Falling Chute you will need the ANALYSETTE 22 NanoTec Measuring Unit (Order No. 22.8000.00) and an exhaust system.
Detailed information about the Measuring Unit NanoTec


text:
SNL tackles Harvey Weinstein accusations with satire - October 15, 2017
Calgary Mayor Naheed Nenshi says he's being targeted by online election bots | Sunday Scrum - October 15, 2017
Finance Minister Bill Morneau's French villa sparks criticism | Sunday Scrum - October 15, 2017
Sisters create camping looks in challenge with Olivia Culpo – 'Closet Raiders' S1 E5 - October 15, 2017
Shift in the Las Vegas shooting timeline raises questions about police response - October 14, 2017
Freed hostage Joshua Boyle on his family's captivity in Afghanistan - October 14, 2017
Dicamba: Another Monsanto Tragedy - October 14, 2017
David Clarke slams Clinton for comparing Trump to Weinstein - October 14, 2017
California pastor reacts to devastating wildfires - October 14, 2017
Op-ed: Trump transforms America while press focus on tweets - October 14, 2017
What to expect at the Sundance Film Festival
Blockbuster documentaries about Hillary Clinton and Taylor Swift are expected to be two of the hottest tickets at Sundance amidst a lineup of indy films.
»»» Subscribe to CBC News to watch more videos: http://bit.ly/1RreYWS
Connect with CBC News Online:
For breaking news, video, audio and in-depth coverage: http://bit.ly/1Z0m6iX
Find CBC News on Facebook: http://bit.ly/1WjG36m
Follow CBC News on Twitter: http://bit.ly/1sA5P9H
For breaking news on Twitter: http://bit.ly/1WjDyks
Follow CBC News on Instagram: http://bit.ly/1Z0iE7O
Download the CBC News app for iOS: http://apple.co/25mpsUz
Download the CBC News app for Android: http://bit.ly/1XxuozZ
For more than 75 years, CBC News has been the source Canadians turn to, to keep them informed about their communities, their country and their world. Through regional and national programming on multiple platforms, including CBC Television, CBC News Network, CBC Radio, CBCNews.ca, mobile and on-demand, CBC News and its internationally recognized team of award-winning journalists deliver the breaking stories, the issues, the analyses and the personalities that matter to Canadians.


text:
You've designed a web app, wrote its code and service worker, and finally added the Web App Manifest to describe how it should behave when 'installed' on a user's device. This includes things like high-resolution icons to use for e.g. a mobile phone's launcher or app switcher, or how your web app should start when opened from the user's home screen.
And while many browsers will respect the Web App Manifest, not every browser will load or respect
every value you specify. Enter PWACompat, a
library that takes your Web App Manifest and automatically inserts relevant
meta or
link tags
for icons of different sizes, the favicon, startup mode, colors etc.
This means you no longer have to add innumerable, standard and non-standard tags (like
<link rel="icon" ... />
<meta name="orientation" ... />) to your pages. And for iOS home screen applications, PWACompat
will even dynamically create splash screens so you don't have to generate one for every different
screen size.
Using PWACompat
To use PWACompat, be sure to link to your Web App Manifest on all your pages:
<link rel="manifest" href="manifest.webmanifest" />
And then either include this script, or add it to an async loaded bundle:
<link rel="manifest" href="manifest.webmanifest" />
<!-- include PWACompat _after_ your manifest -->
<script async src="https://email@example.com/pwacompat.min.js"
PWACompat will fetch your manifest file and do the work needed for your user's browser, regardless of whether they're on a mobile device or desktop.
More details
For supported browsers, what does PWACompat actually do? As of July 2018, PWACompat will load your Web App Manifest and:
- Create meta icon tags for all icons in the manifest (e.g. for a favicon, older browsers)
- Create fallback meta tags for various browsers (e.g. iOS, WebKit/Chromium forks, etc.) describing how a web app should open
- Sets the theme color based on the manifest
For Safari, PWACompat also:
- Sets
apple-mobile-web-app-capable(opening without a browser chrome) for display modes
- Creates
apple-touch-iconimages, adding the manifest background to transparent icons: otherwise, iOS renders transparency as black
- Creates dynamic splash images, closely matching the splash images generated for Chromium-based browsers
If you'd like to contribute more or help with additional browser support, PWACompat is on GitHub.
Try it out
PWACompat is live on Airhorner and Emojityper. Both sites' header HTML can be simple: just specify the manifest and let PWACompat handle the rest.
RSS or Atom feed and get the latest updates in your favorite feed reader!Subscribe to our


text:
Ah! The humble (and occasionally not so humble) remix. In this case, a bunch of 12. The chance for a producer/DJ/bass player's brother-in-law to take theingredients of a track and fuck it all up. Or bring someone untold chart success and a shit load of money. But far more commonly, just fuck it all up.
Now, sometime in the nineties, an East/West employee was dispatched to Cornwall to retrieve a promised and paid-for remix of a Lemonheads track from The Aphex Twin. Caught out by the visit, Mister Twin handed his unexpected guest whatever beat-beep-drill-glitch–stuffed DAT that happened to be nearest to the front door and sent the young buck packing. Under the circumstances, it didn't seem to matter that the appropriate Dando-penned track had never been anywhere near the DAT in question. It had probably never been near the Cornish mad-cap's mixing board either. It was gleefully taken back to London and probably slapped on the b-side of some single or other to ensure it's chart position of, let's say, 26 a few weeks later, reflected kudos secure. The generally scathing, isolationist and knowingly difficult attitude of Richard D. James sort of implies that this was an act of scorn and subversion rather than just him having got up late, missed the call and not got back to anyone, but I s'pose we'll never know. Also in the Nineties, Suede sent one of their brand new Armageddon-themed calls-to-arms, 'Introducing The Band', to Brian Eno who rejigged their new album's two-and-a-half minute, crafted opener into a sixteen minute ambient mess of texture and delays and, kind of, well, nothing. Once again, the token of association rather than the work itself was the pay-off and it was issued on the vinyl of 'The Wild Ones'. On the flip-side (meh-heh…), getting Norman Cook to do a similar job could mean unheralded chart success and exposure - the obvious example being Cornershop's 'Brimful Of Asha', my personal favourite his 1988, Jackson 5-sampling version of Eric B & Rakim's 'Know You Got Soul'. Yeah, so remixes. Anything can happen.
Gloss Drop, Battles' album from which Dross Glop is sourced, is an epilepsy-inducingly busy record. It's truly mighty in places, intricate and unquestionably artful, but it's a bit like the décor in a modern Middle Eastern hotel room. Too many bizarre east-attempts-west abstract shapes and bits of text on the walls; little secondary lights you only discover when you turn off another light… It's not going to lull you to sleep outside of over-riding your brain into the agony of a coma. Many of these remixes simplify and extend the tracks, as is the general agenda with such things. Stretch out every single section and emphasise the kick drum. Make it easier for a DJ to mix it with other, similar tracks and in doing so, accommodate the tribal needs of a tent full of pilled-up wankers at the Big Chi… err.... I mean Secret Garden Party. (Too prosaic and stereotypical-a-view? Oh, I do apologise.)
Anyway, on Dross Glop this is done really well on the whole, probably because the source material is ridiculously rich, and secondarily, because no stems were dished out to the band's drug dealer who happens to quite like a bash at Logic when he's not sleeping, cutting or driving about. This was a responsibility granted only to figures who have gained the band's respect, camaraderie, and significantly, their ear. A nice homespun, organic and lovingly prepared supplement to Gloss Drop. It's the Hugh's River Cottage of art-rock-post-mix records (that's the correct order of these words, right?).
'Wall Street' is well named in that it is a futurist, Tortoise-shaped monolith, all steel and glass and polished marble, that manages to maintain a heartbeat. Gui Boratto turns it into a slightly more pounding futurist, Tortoise-shaped monolith, (all steel and glass and…) that manages to maintain a heart beat, but with added electronic flourishes to act as pacemaker. 'Futura's fairground-gone-wrong-and-sped-up-with-children-possibly-injured schtick is simplified by The Alchemist and made to sound like Wu-Tang with it's martial arts swords as snare drums. Shabazz Palaces also give the creepy death-hop treatment to 'White Electric', but in a more brooding, less bonkers way, whilst Kode9 make the most of 'Africastle''s gorgeous, stuttering chimes. These are worthwhile companions to the originals. They make the record work as a whole, but the real stand-outs here are the ones that kinda go further than the originals – the ones that are more intense.
'Ice Cream' is kinda stoopid in an Add N To (X) way, but irresistible in it's dumbness at the same time – it's sex-starved-dwarf-exasperatedly-pic-axing-the-coal-face noises surviving Gang Gang Dance's overhaul.
The real beast is this: 'Sundome' is the relatively relaxed plateau that ends Gloss Drop. What EYE has done to it is insane. His mix is so dense and ridiculous and brilliant that it frequently disregards time signatures of any kind and just stacks shit up. Noise upon stupid noise. This is the antithesis of what I was saying earlier about remixes for festival tossers. This is a colossally fun-obsessed autistic monster that shows no respect for music really, just for sounds. It has a kind of naïve purity to it because of this. It is stunning and joyous and fucked-up. People may hate it because there's nothing really to cling to but that is where the beauty is.
So, my recommendation is to take one Xanax for every four stones you weigh and wander 'round the most modern shopping centre you can find with Dross Glop in your ears. It'll take about half an hour before you are asked to leave, but it'll be avery special half an hour that you'll only slightly and in some ways regret. Embrace the stoopid, stoopid.
7Didz Hammond's Score


text:
Owl Growler ~ 64oz. Stoneware Gloss Black
$ 85.00
A Wise Choice to Buy an Owl Growler. Why?
Beer growlers are growing in popularity nearly as fast as the craft brew movement itself. Thanks to new laws nationwide, these jugs of joy can be sold in more places than ever—including grocery stores, growler-only dispensaries, and your brewery. Consumers have come to expect your best draught beer to be available to go.
This Stoneware Growler is inspired by old juicejugs and features a ring-style handle that flows nicely right into the jug. It sports a modern hinged closer that will keep your beer fresher for longer over traditional screw-top varieties. Since it's stoneware, these growlers are impenetrable by light, which means UV light won't have any effect on your beer. It will retain your beer's quality as long as it is contained within the jug.
We can custom etch these growlers with your favorite artwork or logo. Please contact us for more information. A wise choice.
Made in U.S.A.


text:
Breakup Girl is back! With a blog! And eCards! And all sorts of awesome!
3 thoughts on "Best Valentine's Day News Ever"
The high cost of obesity? Not exactly.
A must read: http://www.slate.com/id/2184475/pagenum/all/#page_start
I was just going to post the Slate article myself. Good to see accurate news in the MSM. And I really liked the call for federal anti-fat discrimination laws at the very end.
Totally OT:
–> Just saw Nimoy and the Full Body Project on Colbert. Considering Colbert is a satirist, and generally goes for the most egregious position, I was wincing to see it: but it was a really good interview and I used no Sanity Watchers points.
Comments are closed.


text:
A forum about Atari 16/32 computers and their clones. This forum is in no way affiliated with Atari Interactive.
Moderators: lotek_style, Mug UK, Moderator Team
muguk wrote:Right, I've re-uploaded the Mr Music zip file to my site but now has the GFA code extracted into plain ASCII format .LST files so you should now be able to work out what is being read in ..
When it's working .. you might want to work on an .EIT convertor into .MOD format too
NiceGuyUK wrote:Can anyone do a similar doc for Quartet format?
lotek_style wrote:well how far is the project?
Users browsing this forum: No registered users and 5 guests


text:
All prices are in All prices are in USD
Inside of card reads: You deserve a big congratulations!
Card size: 4 1/2" x 6 1/4"
Comes with color coordinated envelope
Printed on premium, recycled cardstock
Made in the USA
Telephone: (818) 361-1142
11851 Glencrest Dr.
San Fernando, CA 91340
All prices are in USD © 2020 Rock Scissor Paper.
Sitemap |
Shopping Cart Software by BigCommerce


text:
Industries Industry Activities
FERC regulates twenty-four operational LNG facilities and is the federal agency responsible for review of new LNG facilities subject to section 7 and section 3 of the Natural Gas Act. Read More
Blanket Certificates
Under a blanket certificate issued pursuant to section 7(c) of the Natural Gas Act, a natural gas company may undertake a restricted array of routine activities without the need to obtain a case-specific certificate for each individual project. Read More
Alaska Gas Projects
The requirements for governing the conduct of open seasons for capacity on proposals for Alaska natural gas pipeline projects; Order No. 2005. Read More
Natural Gas Storage
Natural gas-a colorless, odorless, gaseous hydrocarbon-may be stored in a number of different ways. It is most commonly held in inventory underground under pressure in three types of facilities. These are: (1) depleted reservoirs in oil and/or gas fields, (2) aquifers, and (3) salt cavern formations. Two of the most important characteristics of an underground storage reservoir are its capacity to hold natural gas for future use and the rate at which gas inventory can be withdrawn-its deliverability rate. Read More
The concept of pre-filing is to proactively pursue issues. To go out and go to the states, go to the people who would most be affected by lateral infrastructure. To minimize the issues before an application is ever brought to the Commission.
Gas Pipelines
FERC reviews applications for construction and operation of interstate natural gas pipelines under authority of section 7 of the Natural Gas Act. FERC review ensures that applicants certify that they will comply with Department of Transportation safety standards. Read More


text:
>> return to MICHAEL MCCLURE main page >>
This index includes books and broadsides beginning with McClure's first book through the end of the 1960's…
A. Books and Broadsides
1. McClure, Michael. PASSAGE
Big Sur: Jonathan Williams – Publisher, June 1956
First edition, sewn wrappers, 7.25″ x 10.75″, 12 pages, 200 copies. Cover by Jonathan Williams. Published as Jargon 20. Printed by the Windhover Press.
(Clements A1)
2. McClure, Michael. PEYOTE POEM
(San Francisco): Wallace Berman, 1958.
First edition, folded broadside tipped into folder, 9″ x 12″, 200 copies. Published as SEMINA 3.
(Clements A2)
3. McClure, Michael. FOR ARTAUD
New York: Totem Press, June 1959
First edition, illustrated wrappers, 5.5″ x 8.5″, 12 pages, (750 copies). Published as Blue Plate #2. (Clements A3)
4. McClure, Michael. WE'RE IN THE MIDDLE OF A DEEP CLOUD
(San Francisco): (Wallace Berman), (1959)
First edition, broadside, 3.5″ x 4.25″. Laid into Semina 4.
5. McClure, Michael. HYMNS TO ST. GERYON AND OTHER POEMS
San Francisco: Auerhahn Press, October 1959
First edition, perfect-bound illustrated wrappers, 7.25″ x 10″, 62 pages, (950 copies). Cover illustration by McClure.
(Clements A4, Auerhahn 4)
6. McClure, Michael. FUCK DEATH
(San Francisco): privately printed, 1959
First edition, folded card, 5″ x 3.5″.
(Clements A5)
7. McClure, Michael. !THE FEAST!
San Francisco: The Batman Gallery, 1960
First edition, stapled sheets, 8.5″ x 11″, mimeograph. A working script of the play.
(Clements A6)
8. McClure. Michael. WE ARE IMPERVIOUS AS THE SKIN OF OUR DREAMS
(Los Angeles): (Wallace Berman), (1960)
First edition, broadside, 4″ x 6.25″. Laid into Semina 5.
9. McClure, Michael. THE NEW BOOK / A BOOK OF TORTURE
New York: Grove Press, August 1961
First edition, perfect-bound wrappers, 64 pages, (4,000 copies). Photo of McClure on rear wrapper by Wallace Berman.
(Clements A7)
10. McClure, Michael. PILLOW
New York: New York Poets Theatre, 1961.
First edition, stapled sheets, 8.5″ x 11″, 7 pages. A working script of the play.
(Clements A8)
11. McClure, Michael. SPONTANEOUS HYMN TO KUNDALINI
(New Orleans): (Loujon Press), (Fall 1961)
First edition, broadside, 5.75″ x 9″. An offprint from The Outsider, Vol. 1, No.1.
12. McClure, Michael. DARK BROWN
San Francisco: Auerhahn Press, Winter 1961
— A. First edition, perfect-bound printed wrappers, 6″x 9″, 56 pages, 725 copies.
— B. First edition, hardcover, 6″ x 9″, 56 pages, 25 numbered and signed copies, bound by the Schuberth Bindery.
Printed announcement issued.
(Clements A9, Auerhahn 13)
13. McClure, Michael. MEAT SCIENCE ESSAYS
San Francisco: City Lights Books, June 1963
First edition, perfect-bound wrappers, 84 pages, (3,000 copies). (Clements A10, Cook 41)
14. McClure, Michael. GRAHHR SHEET
(San Francisco): privately printed, (1963)
First edition, broadside, 6.25″ x 2″. According to Clements, copies were given away by the author as tickets at readings in San Francisco and at the University of California at Berkeley.
(Clements A11)
[not in archive]
15. McClure, Michael. TWO FOR BRUCE CONNER
(San Francisco): Oyez Press, 1964
First edition, broadside, 500 copies. Published as Oyez #1, printed by Auerhahn Press.
(Clements A12)
16. McClure, Michael. POERTRY IS A MUSCULAR PRINCIPLE
(Los Angeles): privately printed, 1964
First edition, broadside, 8.5″ x 5.5″. Announces a reading by McClure. Photograph of McClure by Wallace Berman; make up by Robert LaVigne. Beneath the photo is a statement by McClure beginning "Poetry is a muscular principle…"
(Clements A13)
17. McClure, Michael. BLUE-BLACK...
(Los Angeles): privately printed, (Summer 1964)
First edition, broadside, 7.5″ x 2.5″. Contains one-line poem: "BLUE-BLACK SPACE RAINBOW GRAHHR".
(Clements A14)
18. McClure, Michael. THE BLOSSOM: OR BILLY THE KID
New York: American Theatre for Poets, June 1964
First edition, stapled sheets, 8.5″ x 11″, 26 pages. A working script of the play.
(Clements A15)
19. McClure, Michael. GHOST TANTRAS
San Francisco: privately printed, 1964
— A. First edition, perfect-bound illustrated wrappers, 108 pages, 1480 copies.
— B. First edition, hardcover in illustrated dust wrapper, 109 pages, 20 copies signed. Issued with a copy of BLUE BLACK… (see A17) laid in.
Cover photo of McClure by Wallace Berman.
(Clements A16)
20. McClure, Michael. DOUBLE MURDER! VAHROOOOOOOHR!
(Los Angeles): (Wallace Berman), 1964
First edition, broadside, 3″ x 4.75″, (200 copies). Contained in a small manila envelope bearing an altered photograph of Jack Ruby at the point of murdering Lee Harvey Oswalk. Published as SEMINA 9.
(Clements A17)
21. McClure, Michael. LOVE LION, LIONESS
(San Francisco): privately printed, (December 1964)
— A. First edition, poster, 28″ x 22″, 350 copies printed in red and blue in the style of a boxing poster.
— B. First edition, broadside, 11″ x 8.5″, 70 copies printed in black in the style of a boxing poster.
Tickets measuring 5.5″ x 2.25″ were printed for the fictitious event.
(Clements A18)
22. McClure, Michael. 13 MAD SONNETS
Milan: East 128, 1964
First edition, saddle-stapled sheets in printed dust jacket, 8.5″ x 11″, 28 pages, 315 copies (299 numbered for sale). Photographs of McClure by Ettore Sotsass Jr.
(Clements A19)
23. McClure, Michael. THE BEARD
(San Francisco): privately printed, April 1965
First edition, perfect-bound wrappers, 71 pages, 350 copies planned, 330 produced. (Clements A20)
24. McClure, Michael. POISONED WHEAT
(San Francisco): (Oyez Press), April 1965
— A. First edition, saddle-stapled illustrated wrappers. 5.75″ x 7.75″, 16 pages, 576 copies.
— B. First edition, hardcover in printed dust wrapper, 5.75″ x 7.75″, 16 pages, 24 copies lettered alpha through omega and signed by the author. Bound by Dorothy Hawley.
(Clements A21)
25. McClure, Michael. UNTO CAESAR
(San Francisco): (Dave Haselwood), (1965)
First edition, hand-sewn printed wrappers, 6.5″ x 4″, 24 pages, circa 60 copies.
(Haselwood 1)
26. McClure, Michael. DREAM TABLE
San Francisco: Dave Haselwood, 1965
First edition, 30 double-sided printed cards, 2.5″ x 3.5″, 200 sets (30 signed). Each card is printed with a Lion and a Tree ornament on one side and two words on the other.
(Haselwood 5)
27. McClure, Michael. LOBE KEY STILLED LIONMAN LACED WINGED APRIL RAPHAEL DANCE WIRY
(San Francisco): (Dave Haselwood), (1966)
First edition, 24 cards in printed envelope, 2″ x 2″, envelope measures 4.5″ x 5.75″. Each card is printed with four words one side and a hallucinogram on the other. Illustrated by Bruce Conner.
(Haselwood 10)
28. McClure, Michael and Bruce Conner. MANDALAS
San Francisco: Dave Haselwood, 1966
First edition, saddle-stapled printed wrappers, 10″ x 10″, 32 pages, 1200 copies. Illustrated by Bruce Conner. Printed announcement issued.
(Haselwood 11)
29. McClure, Michael. LOVE LION BOOK
San Francisco: Four Seasons Foundation, 1966
— A. First edition, saddle-stapled printed wrappers, 1000 copies.
— B. First edition, hardcover, 40 copies numbered and signed.
Published as Writing 11.
30. McClure, Michael. POISONED WHEAT
San Francisco: Coyote, 1966
First edition thus, second printing, saddle-stapled illustrated wrappers. 5.75″ x 7.75″, 16 pages, 5000 copies.
31. McClure, Michael. MEAT SCIENCE ESSAYS
San Francisco: City Lights Books, June 1966
Second expanded edition, perfect-bound wrappers, 120 pages. This expanded edition contains three essays not found in the 1963 publication: "Phi Upsilon Kappa", "Defense of Jayne Mansfield", and "Reason". (not in Cook)
32. McClure, Michael. THE BEARD
San Francisco: Coyote, 1967
33. McClure, Michael. THE BEARD
New York: Grove Press, 1967
34. McClure, Michael. WAR IS DECOR IN MY CAVERN CAVE
(San Francisco): Communication Company, (1967)
35. McClure, Michael. THE BLOSSOM, OR BILLY THE KID
Milwaukee: Great Lakes Books, 1967
36. McClure, Michael. FREEWHEELIN FRANK
New York: Grove Press, 1967
37. McClure, Michael. HAIL THEE WHO PLAY
Los Angeles: Black Sparrow Press, August 1968
— A. First edition, perfect-bound printed wrappers, 233 numbered and signed copies.
— B. First edition, hardcover, 75 numbered and signed copies, each with an original drawing by the author.
38. McClure, Michael. LITTLE ODES: Jan – March 1961
New York: Poets Press, 1968
39. McClure, Michael. THE SERMONS OF JEAN HARLOW AND THE CURSES OF BILLY THE KID
San Francisco: Four Seasons Foundation with Dave Haselwood Books, 1968
— A. First edition, saddle-stapled wrappers, 6″ x 9.25″, 24 pages, 1200 copies.
— B. First edition, hardcover, 6″ x 9.25″, 24 pages, 50 copies signed.
(Haselwood 17)
40. McClure, Michael. MUSCLED APPLE SWIFT
Los Angeles: Love Press, 1968
41. McClure, Michael. GRAHHR APRIL GRHARRR APRIL
(Buffalo): (Gallery Upstairs Press), (1968)
First edition, broadside, 28.5″ x 21.25″.
42. McClure, Michael. GREETINGS
London: Cape Goliard Press, 1968
First edition, broadside, 11″ x 12″.
43. McClure, Michael. HYMNS TO ST. GERYON & DARK BROWN
London: Cape Goliard, 1969
— A. First edition thus, perfect-bound illustrated wrappers.
— B. First edition thus, hardcover in illustrated dust jacket.
Two titles previously published by Auerhahn Press, published here dos-a-dos. Illustrated and with cover art by Wallace Berman.
44. McClure, Michael. LITTLE ODES AND THE RAPTORS
Los Angeles: Black Sparrow Press, March 1969
— A. First edition, perfect-bound illustrated wrappers, 6.25″ x 9.25″, 43 pages, 1000 copies.
— B. First edition, hardcover in cloth with paper label, 6.75″ x 9.5″, 43 pages, 200 copies numbered and signed.
— C. First edition, hardcover in gold stamped leather, 6.75″ x 9.5″, 43 pages, 26 copies lettered and signed with each with an original drawing by the author.
Cover illustration by the author.
45. McClure, Michael. THE SURGE
Columbus, OH: Frontier Press, 1969
46. McClure, Michael. LION FIGHT
New York: Pierrepont Press, 1969
First edition, 28 cards housed in a hinged plastic box covered in a cream-colored silk drawstring bag with a white satin cord,.
— A. 330 copies numbered and signed
— B. 26 copies lettered and signed
— C. 4 hors commerce copies signed.
47. McClure, Michael. GHOST TANTRAS
San Francisco: Four Seasons Foundation, 1969
First edition thus, second printing preceded by the privately published edition from 1964, perfect-bound illustrated wrappers, 106 pages. Cover photo of McClure by Wallace Berman.
48. McClure, Michael. PLANE POMES
New York: Phoenix Book Shop, 1969
First edition, hand-sewn wrappers with printed label.
A. 100 numbered and signed copies.
B. 26 lettered and signed copies.
49. McClure, Michael. THE SHELL
London: Cape Goliard, 1969
First edition, broadside in a tube.
— A. 250 copies numbered.
— B. 50 copies numbered and signed by the author.
50. McClure, Michael. MUSCLED APPLE SWIFT
Sacramento: Runcible Spoon, 1969
First edition thus, second printing following the 1968 edition by Love Press, side-stapled illustrated wrappers, 350 copies.
51. McClure, Michael. TO JAMES B. RECTOR
San Francisco: Privately Published, 1969
First edition, broadside,
A. trade edition, total number published unknown.
B. 30 copies numbered and signed by the author.
52. McClure, Michael. LIBERATION
Oakland: Mills College Tape Music Center, 1969
First edition, broadside, issued in a large bag labeled "Free," along with 8 broadsides by other contributors.


text:
Contact us
How to find us
Opening hours
Food Festival
In the News
We are an award-winning family bakery in Ludlow with a long tradition of producing traditional English and Continental breads, cakes and pastries.
In September 2013, we won the Baking Industry Award for the Best Speciality Loaf with our Seeded Sourdough. The competition is the pinnacle of baking in the UK, we were delighted to receive the award from Myleene Klass at the Park Lane Hilton.
Our bread is handmade, the old-fashioned way - with a long fermentation process, quality flour, and no flour improvers or artificial enhancers. We use Shipton Mill flour from Tetbury in Gloucestershire, and Bacheldre Mill from near Churchstoke in Powys.
We are driven by quality, and aim to source the best ingredients for the products we make.
We love innovating. As our bakers say, "We reserve the right to come up with something new at a moment's notice."
Visit our shop on Ludlow's main square, and you are sure to find new and interesting new breads and seasonal specials. Price's is always happy to bake to order and can help you cater for events and parties.
S C Price & Sons |
Please find us on Twitter
Tweeting #realbread talk and pictures from odd hours of the day and night.


text:
126.96.36.199 - 17 Dec 2012
Fixes for the H264 export, FBEditor progressor events, RegionFromHWND method.
22.214.171.124 - 29 Nov 2012
Fixed a problem with the events arguments incompatibility between SDK and VS 2010.
126.96.36.199 - 21 Nov 2012
Added properties and methods: FBPlayer.FramesWatched, FBPLayer.ResetFramesWatched, FBExportToMP4Params.MP4Codec, FBExportToMP4Params.AllowStreaming
188.8.131.52 - 1 Oct 2012
Fixed several issues with the frames encoding.
184.108.40.206 - 7 Aug 2012
Fixed a visual problem due to the HideWebCamButton property.
188.8.131.52 - 24 Jul 2012
Added HideWebCamButton property for FBPlayer component.
126.96.36.199 - 16 Jun 2012
Enabled internal cache in FBPlayer when keyframes exist in the movie.
Enabled values greater than 1000 for FBRecorder.KeyFramesFrequence property.
220.127.116.11 - 11 Jun 2012
Fixed keyframes issues.
184.108.40.206 - 24 May 2012
Updated libav dlls. Fixed a problem with the unplugged/disabled sound device.
22.214.171.124 - 23 May 2012
Removed debug info.
220.127.116.11 - 11 May 2012
Fixed the internal problem with the frames.
220.127.116.11 - 10 May 2012
Fixed mouse cursor position after the driver method calls.
Fixed a problem with the driver initialization under Windows 7.
22.214.171.124 - 7 Mar 2012
Added SetMousePointerVisibility method.
184.108.40.206 - 16 Feb 2012
Fixed a problem with the multiple access to the export configuration files.
126.96.36.199 - 8 Feb 2012
A fix for the sound recording inside the RDP session.
18.104.22.168 - 31 Jan 2012
Help updates.
126.96.36.199 - 9 Dec 2011
FBExportToMP4Params: new property - FreeScaling.
188.8.131.52 - 8 Dec 2011
FBExportToFLVParams: new property - AlignIfPadded.
18.104.22.168 - 1 Dec 2011
FBExportToFLVParams: new bool properties - ScaleToPercents and Padding4px.
126.96.36.199 - 23 Nov 2011
SDK Recorder: fixed a problem with the accented letters.
18.104.22.168 - 24 Oct 2011
SDK Editor: added ExportSound and ShowMousePointer properties for FBExportToAVIParams, FBExportToFLVParams, FBExportToiPODParams, FBExportToMP4Params, FBExportToQuickTimeParams, FBExportToWMVParams classes.
22.214.171.124 - 21 Oct 2011
Removed a support for IObjectSafety interface.
22.214.171.124 - 13 Oct 2011
Fixed a hang problem in the sound layer code, removed dependence from the libavencoder.dll.
220.127.116.11 - 9 Sep 2011
Fixed the problem with the position of the Ellipse Highlight for the FBPlayer object.
Fixed Webcam recording. Added the possibility to recover the movie after the recorder crash (VS 2010 C# Player Recorder sample).
Recorder OnError event is fired if DX surface has been lost.
18.104.22.168 - 22 Aug 2011
Fixed the problem with the movie dimensions for the export to MP4 operation.
126.96.36.199 - 9 Aug 2011
Fixed a problem with layered windows on multi monitor systems.
184.108.40.206 - 27 Jul 2011
InsertMovie method may accept -1 as FrameNum argument.
126.96.36.199 - 26 Jul 2011
WebCam code fix. New method SetRecordingRegionPosition for the recorder.
22.214.171.124 - 14 Jun 2011
Added UseNewSoundFormat property. Sound recorder thread priority has been set to high.
188.8.131.52 - 29 Apr 2011
Memory usage optimization, added 'EventsDataBufferSize' property for the player object.
18.104.22.168 - 20 Apr 2011
Fixed sound format in the recorder, added DeleteFramesAndSound method for the editor, install driver from the sdk location.
18.104.22.168 - 5 Apr 2011
Additional export option: MP4.
184.108.40.206 - 9 Mar 2011
Added new libavcodec files for Articulate installer script.
Added ExportSounds property for SWF export.
18.104.22.168 - 28 Feb 2011
FLV encoder fix.
184.108.40.206 - 17 Jan 2011
Player: fixed resize problem.
Recorder: sound fix for Citrix sessions.
Micro Player: watermarks fix.
Recorder: compatibility fixes.
Editor: fixed a problem with LogSys.
22.214.171.124 - 17 Nov 2010
Licence modules updated.
184.108.40.206 - 14 Oct 2010
Editor: fixed: there was a crash when trying to load a movie file with no extension.
22.214.171.124 - 4 Oct 2010
Recorder: fixed DX mode for non standard screen resolutions.
220.127.116.11 - 17 Sep 2010
Editor: added a possibility to insert images from HBITMAP.
Fixed the return value for Movie.Save method.
Recorder: changed GetSoundMute/Volume to do not change value if the line doesn't exist. Fixed AnsiString class for VC++.
Editor: fixed a problem with the SWF batch export when the export dimensions other than the original.
Micro Player: improved file assoc logic.
126.96.36.199 - 30 Aug 2010
Fixed a problem for the movies with very large dimensions.
Added FBR format 2.5 to SaveAsUsingFormat method.
Added two command line parameters for Micro Player - "+au" and "-au".
The first is to setup file assoc in the user's key and the second to remove it.
Fixed a problem in the MicroPlayer with the volume for mpeg2 sound tracks.
18.104.22.168 - 12 Aug 2010
Improved the code for loading cursors.
Editor: CreateMovie method added.
18.104.22.168 - 5 Aug 2010
Added twolame.dll for SDK installers. New sound tracks format from FB.
FBRecorder properties added:
bool UseLowColorDepth;
int LowColorDepth - can be 3 (1 bit per channel), 6 (2 bits per channel), 9 (3), 12 (4), 15 (5), 18 (6), 21(7) or 24;
float FramesPerSec - a user can set set fractional values like 0.1 what means 1 frame per 10 seconds.
Low color depth recording implemented.
MicroPlayer: ability to open FBRs from SDK build 167.
126.96.36.199 - 4 Aug 2010
Fixed a problem with FBR compatibility from SDK 167.
Help updated.
126.96.36.199 - 30 Jul 2010
Recorder: fixed a problem with runtime license for SDK by VS 2005.
Player: new property 'bool DisablePopupMenu'.
SDK VistaCoreSoundAPIWrap dll doesn't use BBLogSystem.
18.104.22.168 - 13 Jul 2010
Editor: fixed problems with the insert video as webcam and with the save selected frames as a new movie for mpeg movies.
SDK Recorder: fixed a problem when recording inside RDP TS and a client has two monitors.
220.127.116.11 - 9 Jul 2010
Fix for TBItmap when assigning a handle in the GetLatestCursor method.
184.108.40.206 - 28 Jun 2010
SDK Editor: added FBBatchExportToSWFParams class for swf batch export params.
Added the new methods for FBMovie class: PrepareSWFBatchExport, IsSWFBatchExportReady, SWFBatchExport.
220.127.116.11 - 16 Jun 2010
SDK FBPlayer: added MuteSound property.
SDK Recorder: fix for windows/process record mode, mouse movements fix, SaveAndContinue and PauseAndSave deadlock fix.
188.8.131.52 - 15 Jun 2010
Licensing modules updated.
SDK Recorder: fixed a problem with mouse/keyboard events for SaveAndContinue and PauseAndSave methods.
188.8.131.52 - 11 Jun 2010
Recorder: fixed a small problem in SaveAndContinue method.
MicroPlayer: sizeall mouse cursor for webcam object.
Micro Player: inverse highlight.
Micro Player: fixed a problem with libavcodec.
188.8.131.52 - 26 May 2010
ApplyEffects fixes for VS2003-VS2010 C#, VB SDK samples.
SDK Editor: hid the help link on ZoomPan options dialog.
Micro Player: fixed a problem with autoscroll, 100% scale and fixed window size.
Micro Player: fixed a problem with unpause video when clicked in webcam.
188.8.131.52 - 4 May 2010
Micro Player: added MovieSpeed property.
18.104.22.168 - 19 Mar 2010
Added GetCursorAsHandle for FBFrames class.
SDK Micro Player: fixed a problem with CopyCurrentFrameBitmap.
220.127.116.11 - 26 Feb 2010
C++ FB Recorder samples (VS 6.0 2003 2005 2008 2010) - recording several monitors at once.
188.8.131.52 - 15 Feb 2010
SDK dlls updated.
184.108.40.206 - 12 Feb 2010
Licensing modules updated.
Fixed the problem with WMV export appeared in the recent builds.
Multi-monitor recording.
Runtime packages usage disabled in BCB samples.
Editor: Help buttons hidden.
126.96.36.199 - 08 Feb 2010
Added ExportToSWFParams.AS3 property.
Micro Player: fixed a problem with full screen mode on startup.
184.108.40.206 - 05 Feb 2010
More SDK samples added.
22.214.171.124 - 18 Jan 2010
More SDK samples added.
188.8.131.52 - 13 Jan 2010 Micro Player: fixed a problem with multiple sound tracks.
Micro Player: fixed a problem with pause image with button.
188.8.131.52 - 29 Dec 2009
CodeGear samples added.
Micro Player: a problem with mouse clicks & highlight has been resolved.
22.214.171.124 - 09 Dec 2009
Licence modules updated (188.8.131.52).
126.96.36.199 - 03 Dec 2009
Licensing modules updated.
Added logs for WinAPI file operations.
Micro Player: initial mouse position fix, pause image for button fix, click to continue fix.
vdisk code: additional FileExists checks.
188.8.131.52 - 04 Nov 2009
Licensing modules updated: version info displayed on the registration form, fixed the overlapping problem with 'Confirmation Code' label).
Changed interval of qt export quality to 1..100
FBQTLibrary.dll updated.
vdisk: messagebox is displayed if vdisk couldn't be created.
Additional information for vdisk added to help to restore it.
More logs for vdisk added.
Micro Player: a problem with text box display time has been fixed, highlight image has been fixed.
184.108.40.206 - 29 Oct 2009
Fixed the problem with PIP-noPIP modes for WebCam in the player program.
DelayBeforeStart property added for FBRecorder.
220.127.116.11 - 22 Oct 2009
Fixed sliders in webcam test window.
18.104.22.168 - 20 Oct 2009
Removed internal compress function from vdisk.
Added a code to drvinstaller to remove driver files on uninstall.
Fixed a problem in vdisk when compressed file has length=0.
Fixed a problem with mouse clicks in Micro Player.
Added additional logs for SDK recorder. Hide MPEG option for FB Recorder.
126.96.36.199 - 14 Sep 2009
Fixed a problem with incorrect color in the paddings for FLV+SWF export.
Changed 0-compression level back in order to be compatible with the previous versions.
184.108.40.206 - 25 Aug 2009
Fixed initialisation problem with the new drawing code.
Added support for MPEG4 in FB Editor, so the movie can be recorded as MPEG4 frames in Boost mode and played back and edited by the editor.
Removed duplicated modes in WebCam formats (Both VIDEOINFO and VIDEOINFO2 contain the same information).
Fixed vdisk compatibility problem with old versions.
22.214.171.124 - 7 Aug 2009
Added CustomSoundTrackMaxInterval property for sdk recorder.
The new licence modules used.
Fixed a problem with fps<1 for sdk recorder.
220.127.116.11 - 24 Jul 2009
Changed custom sound tracks behaviour for custom sound track in SDK recorder.
One more fix for amin/qmax values - in quality mode the minimum qmin is 1, qmax = qmin+1.
Fixed a problem with flv export when quality is 100% (qmin=qmax=1).
Added support for variable keyframes in the libavcodec stub dll. Changed default bitrate to 1500 for flv export.
22.214.171.124 - 9 Jul 2009
Changed result value for AddSoundTrack method.
Added AddSoundBlockByPointer method for SDK recorder.
188.8.131.52 - 30 Jun 2009
SoundInput API demo added into vs 2005 c# recorder sample.
Added sound input level for SDK.
188.8.131.52 - 3 Jun 2009
Fixed a problem in SaveAndContinue method - the whole screen was not captured after this call.
188.8.131.52 - 20 May 2009
Fixed: Mouse highlight is displayed as blue square in SWF export on some screens.
Fixed: Mouse highlight disappears completely in player when second screen is active.
A major cause of corruption during edits seems to have been resolved.
Fixed: Movie title not saved correctly.
Some SWF issues fixed.
Fixed a bug with odd screen sizes causing recorder crash.
ScaleMode property added into IFBExportToSWFParams.
188.8.131.52 - 14 May 2009
Fixed a problem with a non-standard display resolution for FB Recorder.
Added vdisk info for FBR in SDK.
Fixed a problem with 'fit to window' in SDK micro player.
188.8.131.52 - 1 May 2009
Fixed a problem with delayed release in .Net for SDK in QT export.
SWF Controls: scaling option, pause on click, show pause overlay features implemented in single swf templates.
22.214.171.124 - 30 Apr 2009
Fixed a problem in the RGB->YUV converter for QT export.
Fixed a problem when recompressed block is larger for vdisk.
Licence modules 188.8.131.52 used.
188.8.131.52 - 24 Apr 2009
Added sound support for fbr2mp4 converter.
VS2005 cs editor sample: Flv export options dialog implemented.
OutputSizeX, OutputSizeY properties implemented for FBExportToFLVParams COM interface.
Added UseLibavcodec property for FBEditor, qmin, qmax and UseQMinQMax properties for export to flv params, logging flv parameters and sdk version.
126.96.36.199 - 20 Apr 2009
OutputSizePercentXFloat, OutputSizePercentYFloat properties implemented in FBExportToAVIParams, TFBExportToWMVParamsImpl, FBExportToQuickTimeParamsImpl.
Licensing modules 220.127.116.11 used.
Fullscreen fix for MicroPlayer.
184.108.40.206 - 9 Apr 2009
The new sdk licence modules used.
126.96.36.199 - 3 Apr 2009
GetSDKVersion method added, returns SDK version.
GetVersion method added for Recorder and Player ocx controls, returns the file version of the module.
22.214.171.124 - 26 Mar 2009
Fixed bug with HRCheck error message in ConverToIPod.
ConvertToiPod VS2003 VB.NET sample added.
184.108.40.206 - 25 Mar 2009
Added IsConvertToiPodSupported property for SDK editor.
Added FBQTLibrary.dll for SDK installer.
SDK: added FBExportToQuickTimeParams class, CanExportToQuickTime for FBEditor class, ExportToQuickTime and ExportFramesToQuickTime for FBMovie class.
Fixed quality interval for FLV and AVI in SDK export.
'Highlight' feature added into Micro Player.
Added FLVBitrate property for FLV export params in SDK.
22.214.171.124 - 16 Mar 2009
Convert short file names to long in the fix registry function.
Fixed a problem with FBR when file size limit was used.
Fixed metadata, tags and timestamps order in the FLV.
Added three dlls in the SDK installer for FLV.
Fixed recorder problem for 16bit screen color depth.
Fixed windows recording problem (corrupted movie after pause)
126.96.36.199 - 3 Mar 2009
Fixed ZoomPan info for start-end frames for SWF export.
CaptureLayeredWindows property for FBRecorder object.
18.104.22.168 - 23 Feb 2009
SDK: fixed: bitsCount and CompressLevel SDK properties don't have effect.
188.8.131.52 - 20 Feb 2009
Improved WebCam performance for edit operations, hided Configure Format button for upload profiles.
18.104.22.168 - 17 Feb 2009
Added RGB->YUV422 converter for QuickTime export in order to preserve real colors.
the new SdkReg library used.
the bug with ShowFBLogo parameter in Flash export fixed.
188.8.131.52 - 11 Feb 2009
Added 'ExportZoomPanInfo' property for FBExportToSwfParams object.
All the frames that zoom starts and finishes written in a comma delimited string on the first frame.
Added ExportZoomPanInfo property for FBExportToSwfParams object.
Fixed a problem with ZOOM in MicroPlayer when switch back from full screen mode.
22.214.171.124 - 5 Feb 2009
fixed a problem with mouse clicks highlight in MicroPlayer.
Fixed sync problem in the recorder for driver mode.
220.127.116.11 - 30 Jan 2009
Flash export: each frame with changed ZoomPan region contains ActionScript code like: ZoomPan_XPos = 10.0;ZoomPan_YPos = 26.0;ZoomPan_Width = 867.0;ZoomPan_Height = 900.0.
Restored full screen button in microplayer, fixed a problem after resize in microplayer.
Fixed a problem with recording speed in the SDK.
Fixed a problem with the driver under Win2k.
188.8.131.52 - 29 Jan 2009
SingleSwf property added into editor COM class. VS2003cs sample added demonstrating the feature.
ShowMousePointer ptoperty added for FBExportToSWFParams class.
Events are accurate in the recorder using Compatibility Mode, added logs for ResourceUnit, avencoder is compatible with our FLV decoder.
126.96.36.199 - 20 Jan 2009
Fixed a problem with micro player build due to libavcodec changes.
CurDesync property added into Recorder.
OutputSizeX, OutputSizeY, OutputSizePercentXFloat, OutputSizePercentYFloat, ScaleToPercents properties implemented for Editor COM library.
Fixed 'pause in bitmap mode' bug.
220.127.116.11 - 19 Jan 2009
Fixed SetSoundSorce problem in VS2005 recorder sample.
SDK Help - adds FBEditor:GetVersion, FBFrames:GetCursorBitmapHandle, FBEditor:UndoSpace. Updates FBRecorder class, FBEditor class, start and end batch operation, ApplyEffects.
Microplayer: ApplyEffects supported.
added exe export into vs2003 editor sample.
Export Zoom / Pan bug fixed.
Fixed AV problem in FBQTLibrary.dll.
Added logging into the FBQTLibrary.dll
IE only recorder version - fixed a problem with windows with WS_EX_TOOLWINDOW style.
New versions of SDKReg.exe and UpdateModule.dll used.
Fixed a problem with import WMV->WebCam (when vdisk already contains webcam files).
Changed RecordIE key for Acc version to Processes key in order to record several processes, fixed a bug with sound in Micro Player (MP hangs up sometimes), improved Micro Player usability - switching between different zoom modes is smoother.
changes into the SDK FBRecorder due to unicode changes for filenames.
Fixed fadein and fadeout problem for TExt Boxed in Micro Player.
Changes into the SDK FBEditor due to unicode changes for filenames in the editor.
Fixed a problem with GDI handles for only IE ACC version.
Fixed a problem on recording stop (since we have implemented dynamic UNDO).
Added SaveAs for vdisk using unicode.
Added GetCursorBitmapHandle for FBFrames SDK object.
Dynamic FitToWindow in Micro Player.
Added Fit To Window option for EXE export.
Fixed the bug with opening files with JP characters in the names.
Added FLV Bitmap mode for SDK recorder.
New feature - record only IE windows but only for Compatibility Mode.
Added unicode support for filenames.
Added ASF to FBR converter project.
Added version check for QT.
Fixed a problem with the driver when a display is switched off.
Fixed several problems in Micro Player - invalid buttons for ZoomPan+Clipping, a bug on closing file with sound track.
VS2008 sample added.
Added YUY2toRGB converter class.
Fixed a problem in VCPlayer for XP D3D.
Added Scaling option for export to EXE.
Added FBGDIBitmap class for SDK Editor.
Fixed the problem (_ASSERTE: C:\Program Files\Borland\CBuilder6\include\atl\atlcom.h) crashing vs2003 cs editor sample.
Added the option to show Flash export dialog in UI.
Editor dll: fixed AVE bug at flash export.
VS2005 c# sample: more Flash export features, exception handling added.
fixed: successful message was shown when export failed due to an exception.
Added the sample of ExportFramesSequencesToSWF into VS2003 sample.
Fixed bug in ExportFramesSequencesToSWF.
The temp files appearing after ExportFramesSequencesToSWF removed.
ShowPausedOverlay, PauseByClickingOnMovie, StartingPlaybackMode flash options added.
Fixed highlight+clip bug in Micro Player.
Added inverse highlight for Micro Player, fixed jump to highlight object.
Added HighlightMouseClicks property for FBPlayer object.
Added a special check in the SDK recorder for PauseAndSave method.
Added Micro Player langs folder for SDK.
SWF FLV: white rectangle depends on the control bar position.
Implemented a toggleable WebCam button for Micro Player.
Fixed Width/Height proportions for AVI export, added warning message for DivX profiles.
Added GetRealTimeZone method for both SDK Editor and Player, added support for D3D for SDK Player.
Fixed a problem with FBFrames.GetAction
Added GetFrameRealTime and GotoFrameRealTime for FBPlayer
Fixed a problem with highlights in the VCPlayer.
Fixed: the call of GetFrameAction API from .NET failed.
Fixed a problem with SDK empty sound.
Changed XXXDesktopRegion to XXXRecordRegion.
Added the new property ApplyAffects for FBEditor class. User can set it to true to display actual frame images or to false to display green rectangles.
Added DistributeTextBoxes method for FBTextBoxes class.
StartBatchOperations and EndBatchOperations added for FBEditor, MixAndExtractSoundsFrames for FBSounds, GetZoomPanRect for FBEditor.
Fixed a problem with DeleteZoomPan.
OnCurrentFrameChanged event implemented in ocx player.
Added two methods - SetDesktopRegion and GetDesktopRegion for SDK Recorder.
Bug fixed: OnPause event wasn't generated.
FBExportParams.HTMLTemplate might be used as file path to the template.
New frames structure for Micro Player added.
The new parameters for exe export added:
DisableUserInterface - disables all english texts and menus;
Language - allows to select a desired language for EXE. All languages are stored in separate files in theMicroPlayerLangs subfolder. The main file is 'original.txt' - it contains original texts. It should be never removed. These files are in UNICODE encoding.
Fixed a problem with FBExportToFLV class.
Added UseOldAVI10Format property for AVI export params class.
Export to exe and flv added into VS2005 c# editor sample.
Added FBCursorHighlightProps COM object.
GetDefaultFLVParams method added.
Implemented fit to window in fullscreen mode for VCPlayer.
GetDefaultEXEParams method added.
Changed ImportFLV method name.
Fixed a problem in the multi-level undo at the vdisk level.
Added HighlightCursor property for FBEditor class.
AVI import new properties.
Added additional LOCK for FlushOpenedFiles.
Fixed redraw problem in fb editor VS2005 c++ sample.
Recorder sound sync fix, markers list fix in micro player, micro player fullscreen mode fix.
Console debug output commented and misprint fixed in VS2005 c# editor.
A source with the index 0 shown as default sound source in the list in VS2005 c# recorder sample.
SDK Recorder FPS value saved in the recorded movie.
Fixed: the SDK recorded extra sound in the case of record, pause, and stop without unpausing.
OnProgressorEventEx handler sample added.
NoLicence exception handler added into VS editor samples.
ZoomPan rect - only height and width can be changed in the SDK to keep the proportions.
Changed HighlightMouseClicks behaviour. SDK help updated. New properties for SDK sound clips added.
Fixed player and recorder dll versions, included runtime licence in samples, PauseAndSave fix, removed debug dialogs.
Fixed a problem with memory fragmentation.
Removed debug lines from recorder, added two editor methods - ExportFramesSequencesToSWF, DrawCurrentFrame
SaveAndContinue fix. Additional files were included in the installation package.
Samples update.
Additional sound GUI for C# sample. Export sound tracks fix. Import non-standard WAV files fix.
Fixed sound problem under Vista. Removed unnecessary files in samples.
DirectX mode fix.
Fixed Export2FLV, Vista PCSounds+Microphone fix, added ID parameter for progressor. Export2SWF + WebCam fix.
Disabled DirectDraw on Windows Vista. Sound fix for FBPlayer class, new sound clips on Windows Vista.
Samples fixes, FBLog fix, InsertSound fix.
Samples fixes, FBEditor fixes.
Samples fixes, fixed bb capture driver initialization code.
Fixed a problem with old sound tracks in the FBPlayer. Aded transition effect for Images.
Zoom/pan fix, TextBox transition.
FBPlayer zoom/pan support, installer fix, updated help.
XP signed driver, FBEditor FitToWindow and CustomMovieSize features, editor flash export fix.
Vista signed driver, wav sound with compression fix, sample fixies.
Vista properties for recorder were renamed.
Recorder: pause/stop problem, xp/vista sound support, OnError event.
Editor: export mixed tracks, fixed zoom/pan, markers fix.
Fixed a problem with Pause in driver mode.
Fixed InsertMovie method.
Fixed a problem with Pause in driver mode.


text:
As Caitlin Moran puts it, a foolproof way to determine if you are experiencing sexism is to ask yourself: "Is it polite, and is it happening to the men?"
A simple and decisive test, indeed, and one that I am a fan of. But my issue with politeness goes a bit further. And it goes like this: The F-word (feminism, of course) is brought up at the dinner table; a man at the table allies with you immediately; he, too, is a feminist. You grin and bond and, united, you face the rest of the table to show why this movement matters, why it's vital to our society and societies around the world, and he opens his mouth and speaks about the issues as if he's basically a woman himself. Except. Except.
"I believe in feminism, so I don't see why I have to give up my seat on the tube."
And this is where it ends. These so-called allies agree with the core principles of feminism, they support equal rights. But instead of using this a platform to discuss how, and more importantly, why our sex educations were different – why it's seen as ambitious when they ask for a pay rise yet pushy when we do, for instance – the debate turns quickly into a rant about how they do not believe a women should be able to call herself a feminist and have the door held open for her. Apparently, we should choose between one or the other, manners or equality.
At university, a few moons ago, I was going out with a 6ft rugby-playing Robert Pattinson lookalike (lovely). On a late night walk home together from a party, I spotted a girl walking alone ahead of us and started to cross the road. I asked "Robert" if this was something he would usually do.
Robert Pattison Lookalike: Why should I cross the road?
Me: Because it's late and dark and you are a man, which is unnerving when you are walking home by yourself as a woman.
RPLAL: But I would never ever harm a girl. I'm not one of those guys.
Me: But girls don't know that. To them you are 6ft guy walking behind them. If it were me, I'd have my keys between my knuckles.
RPLAL: But why should I have to cross the road?
Me: It shows that you are aware. It's a clear sign that you are not a threat.
RP: Could I not just speed up and overtake her?
Me: I'm going to go ahead and speak for all of us girls just the once, and say that quickening footsteps behind you on a dark street are not at all comforting.
This conversation has stayed with me. It's a prime example of how manners, politeness, awareness and sexism can all come together in an unholy soup of wrongness.
"Why should I cross the road?" Simply, because it's the decent thing to do. It's a way of separating yourself from the men who are to be feared. It's an understanding that you cannot tell what someone might be capable of by looking at them, allowing women to judge people by their actions, not what they are wearing or how they appear. Heck, us girls are asking for the exact same thing.
It is not perhaps a major battle in the fight for equality, but I have seen this aggravate people – usually men – numerous times. If they stand up for feminism, they shouldn't have to physically stand up for us as well.
So, do manners take a back seat if we fight for equality? I do not believe that because I walk through the door before a man then it's fine if I get paid less than him. If someone gives me their seat on the bus, then I don't think that warrants them putting their hand up my skirt. I do believe in manners, but both ways. Of course I will give up my seat for an elderly gentleman, women carrying children or someone who looks like they really need it. I hold the door open for whoever is behind me. I say please and thank you.
My question is: why does this anger so many men? Is it a lack of understanding? As our generation try to redefine our stereotypical roles, do the men who pay attention feel they don't know how to behave anymore? Even female friends I have broached the topic with get irate when they tell me that men hold doors open for them in the workplace – they feel this action puts them 'back in their place' in some way. My question is not so much about the action – but why does it fuel so much anger? What is it about these age-old manners that makes everyone jump to the defensive: is it impossible to be both progressive and polite?
In order for us to progress, we cannot just insert ourselves into a man's world. We need to carve out a world in which the rules are different, while accepting where we've come from already.
My boyfriend holds open the door for me, but that doesn't mean it's his choice which ones I walk through. Shouldn't that be the focus of the fight?
- Beth
P.S A social experiment, if you have the time
I work in a coffee shop that sits in the centre of London's financial district. Almost all of our customers are people taking a break from the office. My new game to pass the time is this: When a man and a woman come into the shop together, I address the women first (stay with me, it gets slightly more fun.) Obviously I have no idea what their working relationship is; I don't know who is more senior, if they have worked together for long, nothing. Therefore I play this game entirely on the basis that one is a man and one is a woman.
I reckon about 92% (yes, that's right) of the time that I speak first to the woman directly, the man will interrupt me. It could be with his own order, her order, a question, anything. But the majority of the time, he will expect to speak first. Some men will then stop, some boulder on, some interrupt me again halfway through the woman's order to ask about blueberry muffins, but the expectation is that they come first. Interesting, isn't it? Not groundbreaking, but I have to say I was honestly surprised at how forceful and how deliberate I had to be for two women to discuss a coffee order before a man interjected. What this says about my original point, I'm not sure – but it feels like it must have some further reaching implications.


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Topic: iOS 5
How to download old versions of apps from the App Store on an older iPhone or iPad that can't run iOS 11
02/08/2018, 12:02 pm
Apple hasn't totally left old iPad owners behind. In addition to still signing the last iOS releases for those devices, you can still download software for them -- assuming you know where to look.
Siri's reliance on Google cut in half with iOS 6
12/20/2012, 08:12 am
Tests with Apple's voice-driven personal assistant, Siri, have found that the service turns to Google for an answer in iOS 6 half as much as it did in iOS 5.
Street test measures Siri comprehension at 83%, accuracy at 62%
06/29/2012, 08:06 am
While the convenience of Apple's Siri comes with searching by voice, a new test has found that Apple's personal assistant is not yet a reliable enough search engine to entirely replace text input with Google.
Apple launches new 'Podcasts' app for iPhone, iPad
06/26/2012, 01:06 pm
Apple on Tuesday launched a new first-party application in the iOS App Store called "Podcasts," devoted to discovering and downloading Internet content.
Apple's new UDID-free tracking tool will increase user privacy
06/08/2012, 03:06 pm
In the coming weeks, Apple reportedly plans to detail a new tracking tool for mobile developers that will better protect the privacy of iOS users than the current system.
Apple to release iOS 5.1 with expanded Siri language support
03/07/2012, 01:03 pm
Apple on Wednesday announced that the iOS 5.1 software update will be available today for the iPhone, iPad and iPod touch, including expanded support for Siri in Japanese.
Apple's 'iPad 3' rumored to have Siri, dual-core A5X chip, 1080p camera
02/21/2012, 11:02 am
A new report offers a picture claimed to be the front glass panel for Apple's next iPad, and also claims the third-generation device will feature Siri voice control, a dual-core "A5X" processor, and a 1080p camera with image stabilization.
Game Center for Mountain Lion to offer cross-platform play between Mac, iOS
02/16/2012, 10:02 am
With the addition of Game Center to OS X 10.8 Mountain Lion, Mac users will be able to play online competitively and cooperatively against gamers who have the same title for iOS.
Apple releases Messages beta for Mac, replacing iChat and integrating with iOS
02/16/2012, 08:02 am
Though the new Mac Messages application with cross-platform support for iOS will be a major feature of the forthcoming OS X 10.8 Mountain Lion, users can get their hands on an early beta immediately.
US NOAA ditches BlackBerry, chooses Apple's iPhone and iPad
02/09/2012, 02:02 pm
The U.S. National Oceanic and Atmospheric Administration is the latest government organization to adopt Apple's iPhone and iPad after ditching Research in Motion's BlackBerry.
iPhone vs. Android a tight race but iPad puts iOS 'way ahead' in mobile OS war
01/24/2012, 07:01 pm
Apple CEO Tim Cook outlined his thoughts on the company's iOS device performance during Q1 2012 and sees iPhone sales momentum closing the gap with rival handsets running Google's Android platform, while iPad and iPod touch are in a league of their own.
iOS 5.1 beta 3 hints Apple is planning deep Facebook integration
01/17/2012, 03:01 pm
Evidence that Apple is building system-wide iPhone and iPad integration with Facebook, like it already does with Twitter, has been found in the latest beta of iOS 5.1.
iPhone 4S call audio issues to remain with new iOS 5.1 build
01/03/2012, 05:01 pm
Some iPhone 4S owners have been experiencing a sporadic yet persistent issue that mutes all audio when a user places a call, and new reports claim that Apple's upcoming iOS 5 build will leave the problem unsolved.
Apple iOS 5 trounces Windows Phone browser in speed tests
01/02/2012, 08:01 pm
An unofficial benchmarking video shows Microsoft's native Windows Phone 7.5 Mango browser lags behind Apple's Safari for iOS in various speed tests, with the Nokia Lumia 800 testbed even being outperformed by an iPhone 4 running iOS 4.3.
Inside Apple's 2011: iOS, Apps & iCloud
12/30/2011, 06:12 pm
This year, Apple hit a new milestone of 250 million iOS devices while shipping its fifth reference release of its mobile platform that now offers a library of half of a million apps that have seen 18 billion downloads, now automated via iCloud.
App downloads up 83% on strong iPhone 4S sales
12/28/2011, 04:12 pm
iPhone app downloads in the U.S. during November saw an 83 percent rise from a year ago, while the aggregate volume of the Top 200 ranked free apps for Apple's handset grew to 5.65 million downloads per day.
Apple explains iTunes Match with video, FAQ
12/26/2011, 09:12 pm
Apple has posted several resources, including an instructional video and answers to frequently asked questions, on its website to clarify its iTunes Match music service.
Launch of Apple's Newsstand in iOS 5 accelerates magazine sales
12/23/2011, 08:12 am
The launch of Apple's Newsstand storefront and dedicated folder in iOS 5 has not only boosted, but also accelerated subscription rates for one prominent magazine.
New iOS build meant to fix iPhone 4S SIM card issues
12/16/2011, 06:12 pm
Apple's recent update to iOS 5.0.1 may have been designed to deal with intermittent "No Service" and "No SIM Card Installed" iPhone 4S messages, is being pushed to iOS 5 users who haven't upgraded to the newest version.
Samsung ramps up A5 production in Texas; iOS 5.0.1 tweak may aid Siri ports
12/16/2011, 02:12 am
Samsung began full-scale production of Apple's A5 processor at a new facility in Austin, Texas, this month, while hackers are claiming that Apple's recent tweaks to iOS 5.0.1 could open up legal ways to port the Siri voice assistant feature to other iOS devices.


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