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Being able to print multi-page documents as a booklet in Downtown Sacramento by adjusting the print settings in any windows application is crucial. Make sure that you save the configuration shortcut for future use.
Booklet Printing Services in Sacramento Explained
For starters, if you're looking for printing services in Downtown Sacramento you'll probably save time, money, and headaches if you hired or called a professional or commercial printer in Downtown Sacramento.
But, if you want to try and go for printing on your own, here's what you should do:
First, open the print dialog box from the application where you are printing for most applications.
Click file and then print or press ctrl + P on your keyboard.
Select your printer from the drop-down menu or selection box and then click properties preferences or printer properties depending on the application.
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Click the printing shortcuts tab select a printing shortcut from the list to use as a base. This is because the shortcut will not save correctly unless you have selected a previously created shortcut. If you're having trouble with this process, make sure to contact your nearest Commercial Printer in Downtown Sacramento.
Paper Quality with Booklet Printing Services in Sacramento?
Next, you're going to want to click the paper quality tab and then select the paper size of the original document. Then, click the finishing tab and finally, click the print on both sides check box.
From here, it's smart to click the booklet layout drop-down menu and then select a binding option change your page orientation if desired.
Let's head over and click the effects tab followed by a click on the 'print document on option' and then select your paper size from the drop-down menu.
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Moving forward, click the output tab from the staple drop-down menu, select fold and stitch to fold and staple the booklet automatically return to the printing shortcuts tab. At RushMyPrints – your areas best Printing Services in Downtown Sacramento, we found that following these steps below really makes the process go smoothly for you.
Here we're going to have you click save as type a shortcut name in the text field and then click OK.
One more time, you'll have to click OK followed by selecting print in order to print fold and staple the Booklet Printing Services or documents according to your settings you desired!
Booklet Printing Services in Marketing For Sacramento
Booklet Printing Services throughout history, have been known to be very successful for marketing, educating and gaining awareness. Especially if you're a startup company that needs a printing service right now.
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Booklets help demonstrate your products and services making purchasing easy.
In this video we will talk about interesting facts about Experian.
Experian Was formerly a division of TRW an automotive electronics giant TRW was originally founded in 1901 as the cleveland cap screw company They started producing screws and bolts and grew to produce many parts for the aviation and automobile industry in the early 1960s TRW started a consumer credit information bureau collecting and selling consumer data and eventually became known as TRW information systems TRW information systems continued compiling data and were the first to start offering consumers direct credit report access in 1986 in 1991 rampant problems started appearing with TRW reported credit data Thousands of people in a town in Vermont had tax liens and accurately reporting against them similar cases started appearing in the entire northeast Forcing the deletion of countless tax liens against the states of Vermont Rhode Island, New Hampshire and Maine Dozens of lawsuits were filed against TRW claiming sloppy procedures to create credit files lack of response to consumer complaints and re reporting previously deleted incorrect data all Cases were settled out of court TRW then created a database known as the constituent relations information systems this systems sole purpose was to gather personal data on eight thousand politicians who held opinions on TRW in 1996 TRW was purchased from Bain Capital and the Thomas H.
Lee Partners for over 1 billion dollars by G us PLC a private group of investors it was then combined with CCN the largest credit reporting company in the United Kingdom G us retained the Experian main for their combined credit services subsidiary In 2010 Experian became the first credit reporting agency licensed credit bureau to go live in India Where it continues to supply reports to the Reserve Bank of India's RBI guidelines currently experiences to grow at a rapid pace in 2011 they acquired a majority stake in Compu tech sa a credit services provider in Colombia they also purchased medical present value verad interative an 8 digital Ltd a and Garlic Ltd expanding their data and marketing reach Experian has also become the second largest reporting agency in the business credit world They provide business credit evaluations for over 27 million small businesses and corporations worldwide These business records are spread over 80 countries That experience services experience reaches across four main geographic regions including North America Latin America UK in Ireland and EMEA Asia-pacific Experience headquarters are in Dublin, Ireland.
They have operational headquarters in Nottingham in the United Kingdom Costa Mesa, California and sau Paulo Brazil Experian PLC is listed on the London Stock Exchange and in a constituent of the FTSE 100 index in March 2011 Experian claimed revenue for the prior year of 4.
2 million currently Experian employs over 15,000 people working in 41 countries Experiences on providing quality data and analytics to businesses to help them better assess risk They possess of massive consumer and commercial Database that they manage to help businesses obtain the best and most up-to-date information They then extract significant extra value with this data by applying their own proprietary analytics and software Contact us today to build an excellent business credit profile and score with experience You.
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Also, studies show booklet printing is a successful and affordable way to reach an audience and gain their trust.
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Why Should Startups use Rush Printing Services in Downtown Sacramento?
Hey it's Dena Tollefson! Welcome tomy studio.
I'm so glad to have you here.
Hey today's topic is going to be reallygreat and I want to just say thank you for joining me.
I'm so pleased thatyou're here.
If you'd like to join in on the chat, I would love tointeract with you.
If you would like to just be quiet you know that works toothat's that's all really good.
So what today's topic is , is it's going tobe about business cards and marketing materials for artists.
When you talkabout business cards there are different different approaches.
One approach isthis- the approach that I use is I have my cards, and I'll just go ahead andhold one of them up, I have my cards professionally done.
I'veused Vistaprint and I've used Zazzle and another approach -and I have done thistoo - I'll be going through that with you today is oh end thank you forjoining by the way the other the other thing I'll be showing you is how to makeyour own cards so I'll talk with you about what to put on your card,why you would want to have a business card how to design it what to includewhat to leave off.
Sometimes what to leave off of the business card can bejust as important as what you put on and then the other thing to talk about wouldbe: little accessories- what kind of things that you can dowith your cards, who you might give your cards to, and why it's super important tohave those business cards.
So let's get started.
So I want to talk alittle bit first about about the cards themselves so a business card really isjust your calling card so what I do on mine, I have on the back here, I'vegot um- oh hey - art mystique yeah you can design your own also youcan design your own card and you can put your original art on it, you can putyourself on it, a picture of yourself is always a really great thing to include.
I'm gonna just start out by just I'm gonna actually you know what I'm going to do-let me stick this Kleenex box on here and see there that way that'll hold itreally well oh we don't have to actually hang on to it and it will focus a littlebetter and art mystique how are you doing by the way that's great okay allright and so um so how I do my business cards is on the back of the card, I willhave a close-up because my work is really super heavily textured.
I'll put aclose-up of one of my paintings on the back and then on the front of the cardso you can when you have your cards made you can either do them as one-sided ortwo-sided I try and take advantage of that back side and figure you knowpeople usually look on the back of it too.
So you're great and you justfinished a painting okay okay excellent excellent so and I'm are you gonna beposting that painting out on YouTube I will be looking to see what yougot when you when you post it.
So on these business cards what it's importantto do is the most important thing on that is your name.
You want to definitelyput your name.
And if you are using for example, an alias or some other thinglike that, a nickname something else like, that tryand include that.
So maybe you're gonna be like "I'm the mysterious painter" andthen it's also nice to have your actual name because that way hey Brenda you gotit posted it's a watercolor cat in polygons oh well that sounds neat that sounds super neat and hey Brenda good to see you by the way.
So on your card if youhave for example a nickname or you're going by a nickname when you're painting, it is a good idea to put your actual name- your full name: first name, and lastname, so that way when people are talking with you they know how to get ahold ofyou and or what to call you when they speak with you.
And the other niceadvantage of doing that is in case you ever change your nickname thenyour regular name should always be hopefully staying the same.
What I dowith my cards, is I also have a little what I'll calla little teaser or a little description and mine says contemporarycolorist oil paintings I include my address I have my studio phone numberand my cell phone number and then I have my email and my website.
Now when you'redoing your business cards, you can put many different things on your card Ihave a photo of me with my work, that's always a good thing.
When you give yourcard to someone it's very important that you somehow identify what it is thatyou're doing or what it is because people will collect business cards andthen they're gonna - and I'll just grab a piece of paper I'm gonna writethis on here so the things you want to include when people collect businesscards if they don't have some way of knowing who it is or what it is thatthat is on the card then they might be like oh I have this card and I don'tremember who this was so a super important thing is that you have yourname which is first and last you can put a middle initial if you like but um butit's it's just super important that you have and thank you all so thank you foreveryone who's joining and any I appreciate any likes that you givethat's always a nice thing - so first and last name are important and thenwhat you need to have so that just is just the bare minimum you can add moreon top of this but you need to have some type of an email address and- hey, ArtJourney With Swapna! Hoow are you? I'm glad to see you.
okay so youremail address so you have to have your name and that could be a nickname alsoif you have a nickname so your email would be so they can contact you andthen optional would be anything like your address your mailing address or howto get ahold of you that way your cell phone number any kind of info about what you doso info about your arch so let's say for example I was a fiber artist or a glassartist something like that then what I could do is I could say you know hereI've got contemporary colorist oil paintings online I could say somethinglike oh I'm oh it's good to hear that you're doingwell yes and it's I guess um it's probably late over by you right now thetime is probably late in the day over here by me it's only let's sayalmost one o'clock so information about your art that is optional to puton there now going back to website, let's say for example you don't have a website.
What could you put there instead? Well you could put your your personal websiteif you have that definitely put that there but you could also put yourFacebook your YouTube your Instagram snapchat anything like that you caninclude those of course on your card so people know how to find you where tofind you that kind of thing but oftentimes why you might be giving abusiness card is because either someone has purchased your art or you have metsomeone let's say that you met someone you know anywhere it's just about teno'clock oh yeah that is late that is late so so your your business card whenyou let's say that you go to a party and you meet someone and they find out thatyou're an artist what's always a nice thing to do is and I'll show you whatI've got here.
Hey ArtLife good to see you.
I saw you yesterday on on the streamwith with Eve so I have a little these little inexpensive card holders I carrythis everywhere in my purse but in case anybody asks then I can justwhip out my card and just hand them a card and that's super important to havethat and I also have I'll show you this little card holder that I use so this isa little I think this was like seven dollars or five dollars something likethat when I ordered my business cards then Iordered them and I got them and just I can have like a little display like thisso let's say for example that you're doing a event where some of your art sohey Chrissy and hey pencil glad to see you guys and also thank you for everyonefor your likes that you're giving it is important to have these little holdersand you can give these in case you have an art exhibit anywhere if you're in aart gallery there's some kind of an art venue where your work is being shownmaybe a restaurant a library anything like that if you have if you get theselittle holders which are easily available at like vistaprint.
Com vistaprint.
Com or Zazzle I have boughtcards from both Vistaprint and Zazzle and wherever you're watching from there willalways be a place where you can buy your cards internationally you can buy cardslocally you can also have a print shop make up your cards but but these twoplaces for example Vistaprint and Zazzle it's super easy all you do is I uploadeda photo I you can choose your print your font you can put you know anything onthe back that you like and typically 500 cards are going to be really reasonablethey'll say like 500 cards for say $10 and it's hard to beat that now the onething is I usually don't ever get the least expensive option they have becauseI don't like the paper what I'll do is I'll get this is a thicker paper and soI'll do an upgrade for the paper and I'll do an upgrade for thethe the surface of the paper so I I want to have something and I am oh and thankyou for saying that yeah see and um and I think that byhaving something in detail because my work is super detailed I can include onthe back of my card something so people can see that Daubismtexture that I'm doing and and you know, shoot it's like the back part back ofthe cards available you might as well use it right and and so thank you Swapnaso I'm going to show you a little bit also of the other marketing materialsthat I use in addition to cards a woman will come back to the cards but here isa marketing brochure or not a brochure it's an oversized postcardso thank you Chrissy this is an oversized postcard that I made when Iwas exhibiting at a college and then I had on the back this was atwo-person exhibit this was in 2014 and so I had all the information on this butwhat I did is I sent these out to galleries that I was interested in and Ialso sent them out to let me get my envelope.
When you order the cards andI ordered the cards and envelopes from the same places.
okay and Chrissy thank you and Iappreciate that you're gonna watch the replay you're so awesome and thanks youguys and thank you for all the likes to by the way so this was a card that Idesigned and this is a painting a large triptych that I had let's see here whatsize is this 48 by 72 so a very large painting this painting ended up beingpurchased by hospital and then I had to add additional panels they wanted thepainting to be 10-foot wide so I was like the largest painting I'd ever donebut this Genesis Hospital in Rock Island Illinois they ended up purchasing the painting butanyway these cards what you can do is you can then get an envelope like thisand I'll just order the envelopes that they when you when you get thesemarketing materials like these oversize postcards then you can just includethose and then you just pop one of your business cards in there because whathappens is if if somebody sometimes people will you know they might not holdon to the card but they may hold on to your business card and what is on hereyou see I have my email address but all the rest of the information is reallyabout the venue and it's about the painting that's shown and so having theactual card then they can see oh here's how I can get ahold of the person here'stheir address and their website and then they're most importantly their email soif they want to get ahold of you and they've got that information and I'llshow you a couple other cards that I did so here's one I did for Canyon RoadContemporary Art who represents me in Santa Fe and this was a two-personexhibit that was done in 2017 with a fellow artist of my fellow artist Kari Rives.
she does a sculpture and then here's another one this was a my soloexhibit at Canyon Road last year and that was so I've got the information soyou can include the information about the venue the name of the gallery thename of the exhibit and then if it's a solo or a group show and then if there'san opening reception in this case there was an opening reception and so and thenhow long and I did a painting demonstration and then I was thereon-site and then I have information about the painting on the other side andthen information here about the gallery but you'll see that there's really noinformation on here about about me or how to get ahold of me so if I send thisfor example to a gallery the only way that they're going to know how to get ahold of me if they're interested in representing me is through thisinformation that I have on the business card so that is super important that youthat should get that and I'll show you one last card that I did this wasAdelman Fine Art,the gallery that represents my originals in San Diego andso this was a group exhibit and it was just a thing showing a little bit aboutyou know the dates that are gonna be held and then the gallery informationbut but again you can see I don't have really my website or anything elsethat's listed here this is just really all about the venueso that's why the card it's all about the card and then these cards againthese cards are really once you have them made and a little template made upthey're they're really easy to reorder or you can just make a new one each timeand then this was through I guess this was a Zazzle this one is Zazzle I thinkthis one is Vistaprint I had some return address labels made up.
Any time youhave an opportunity to put your art on the you know on somewhere and and you'reessentially building your brand but I'm using the same font everywhere and thenI've got as what I'm using also in the cards and then on the I'm including someof my art so here's that and then another one so that way when I'm puttingfor example on the envelope so I can brand it in different ways I can put andI'll just put one of them on now I can put in an address return address herelike so and then and then inside is going to be my card and then a show cardso this is the what I'll put in when I'm doing some materials if there's agallery that I have my eye on that I'm hoping might represent me then what I'lldo is over the years or a matter of months or years depending on how longI'm following them and I'll be sending them things like if I have a new showcoming up or thing like that so so back on the cardsnow that we've talked about how to do the cards so okay okay pencil I'm gladthis has been helpful.
Swapna hugs and kisses to you.
Pencil I am gladto hear that because you know you need to get your little pencil logo going ona card and you can I'm going to show you how you can use your own art so let's solet's get that out here let me show you what you can do if you want it to even aperson does not even have to go and go on to a computer and do this youliterally can do this also just individually and one by one and then thethought might be like okay if I've got a printed one why might I also want tohave one that's made by hand well you can see that the one that's made by handis gonna be so much more personal and it's gonna be unique and individual andit's sometimes nice if you have let's say that a collector bought your work oryou had somebody do something super nice what's really nice and a wonderfulgesture is that you can make your own business cards now I just just as anexample say this was a note from the last thing I did but I just this waswatercolor paper and I literally just cut it out the size of a standardbusiness card and and then that's just a quick note we should talk about what isa standard business card size so let me get my notes back up or the paper backout here and I'll just jot this down here so what you want to do is when youmake your cards make them for whatever country you're going to mostly be doingyour business in you want to make your cards go in that size so in Canada andin the US so here this there's a standard so US and Canadais going to be 3.
5 inches x 2 inches and that is also known as 89 millimeters x51 millimeters so that is a standard size and the reason I recommend that youuse the standard size is first of all they're less expensive to to buy or tomake but when people get it they'll recognize it like oh that's a businesscard you can also get like for example in the US you can get squares you canget kind of long skinny ones that type of thing but I recommend that you staywith your standard size just because it's it's more recognizable then.
In Australia the standard there is see I've got mynotes here 90 millimeters x a 55 in Japan and you can see that each countrykind of has their own standard of what they're using for their sizes Japan thatthe size is 91 millimeters by 55 millimeters pretty close to Australia inRussia and Israel here Swapna with I guess you know India and Mexico the sizethey're the standard there is 90 millimeters by 50 millimeters and thenin the in Europe and in the UK so pencil this is your size here so UK and WesternEurope the standard business card size is goingto be 85 millimeters by 55 millimeters and again if you go to a local printeror if you have them done you know online then they'll take care of those sizesbut just kind of interesting to see you know what sizes are out there so back tothese little cards so all I did here is I just cut out so I had my business cardand then I just cut out and let me grab my little paper here I just drew with apencil drew along and drew the the size just onthis is just some Arches 140 pound paper.
Okay so and if you don't have a businesscard then you can actually go ahead and measure it out so this is three and ahalf by two inches each of those are three and a half by two so here's astandard business card size there's three and a half by two inches otherwiseknown as 89 by 51 millimeters but you can use you know you can use alltemplates and all that kind of thing and get really fancy with your with yoursizes now there's another way the way that I did it yeah you've got 85 by 30yeah okay so pencil you're gonna need 85 millimeters by 55millimeters you've got 35 right 55 is what you went did I write 35 on yourpaper okay no sorry 85 yeah 85 by 55 is what you'll need pencil okay so so whatyou want to do here is you can do like what I did just for this little demo isI had just some watercolor paper you can see where I cut it right there where isthis guy go like that so I had just a little scrap of watercolor paperand then I cut the shapes out and then did that obviously you're not gonna doit on a scrap because you're gonna give it to someone and you want it to be niceokay good pencil thank you okay and and so what you do is you can just cut thatshape out I just cut it out I drew with a pencil a pencil same pencil I drewjust with a pencil around on the back of the card and I just cut it out with ascissor you can also do if you have a if you've got a what do you call it paperpuncher let me get that okay I got him you can also take these and make alittle if you want to make like a little these are just handy if you want to makelike a gift card include something on a gift just a little punch and then youcan put a ribbon or a string through there and you can write whatever youlike but it's kind of a neat little thing to include something that you madebecause we as artists, we have something that other people don't have, and that'ssome creativity to make something that's beautiful or artful.
People doappreciate getting something from us that is going to be done by hands sothese handmade cards what I did here is I just taped this down and I used thehey Madonna and okay so aren't mistake you've made bookmarks for business cardsthat way they went over quite well and it's just cut in a different size andexactly exactly that's exactly how you do it and so I'm gonna just take thetape off so what I did was this is a masonite board and then I used mywatercolors so let me just grab my watercolors out here and I taped off theedge now you have to decide when you do these if you like the look of a whiteedge I kind of like the look or if you like the look of the thing where thedesign goes all the way to the end if you want it all the way to the end youcan still tape it off and then cut it down to size later but that's just gonnabe a personal decision I personally kind of likelittle edge going here so if I'm doing this now how I would do if I was doing abusiness card or I could even do it as a thank you so let's say that I hadsomebody let's say that I'm gonna write a thank you to Madonna so I would justwrite Thank You Madonna let's say Madonna bought a painting or Madonna didsomething special and when I give them it down a a little extra somethinglittle hello and a little something on something handmade and then I would justgo ahead and sign it but it can be just like a little just as simple as a littlethank-you card you can also you know they can be a little place cards thattype of thing but but when you do it like this let's say I was gonna make mybusiness card like this so I'm gonna make sure to write very legibly and thenI'm gonna say I need to say what it is that I'm doing so I need to say forexample that I am an artist I could say I'm an artist or I'm gonna be morespecific and I'm gonna say contemporary colorist as my paintings all right and so then yeah I'm Madonnayes okay so so let's say then I've got data now what I can't wait I need to puton as I need to put that bare minimum of what we need for a the bare minimum isalways your first and last name and a nickname if you have that your email andyour website now I added on here also a little bit of optional information aboutmy arch that's what this would be the contemporary colorist paintings but Ican put on here then let's say I want to put my email so let me put that on there and then I want to also put my website and again if you do not have a websiteeverybody likely will have an email if you don't have a website yet then whatyou can do is you can put your your Instagram handle your Facebook accountyou could put your YouTube anything like that and yeah so pencil, I foundit by doing that following up with people they seem to really respond tothat another thing that I'll do is and I also have greeting cards I don't Ididn't bring an example of a greeting card here but I am greeting cards madeup with my art and on the inside it's just blank inside and then a lot oftimes I'll write a handwritten note if a collector buys something when thegallery sells paintings for me I typically do not know who buys themthey're just they just tell me well they're sold or whatever I don't everknow so so sometimes I'll know a collector and then I might you know sendthem a note but I'm always careful to not infringe on the gallery because Iit's important that relationship that they have with the client is importantand I don't want to circumvent that but these are for things like let's say Ihave a commission or something like that pencil you're talking about you know ifyou wanted to maybe even get you know draw your or paint your pencil in onyour logo you can do a thing like I did here where I'm just including only youknow just a picture and then something on the back but let me show you what wecan do also like let's say for example you have made a painting and it does adda personal touch and that is I think that what people really respond tobecause once someone has bought your work before they they've done studiesand they say that if someone has bought your paintings before they are 40% more likely and I don't I can't quote the name of the of the study but Ihad heard this I don't know maybe five years ago that people are 40% morelikely to buy your work again and you want to really think about thatonce someone has bought either two or three of your works then you considerthem your collector and so let me show you what you can do this is just alittle a little kind of a little sunflower a very abstract littlesunflower edge I made on here but let's say for example you didn't want tochange you know put anything on the front and you wanted it because maybeit's dark colors and maybe the ink wouldn't show up well or you just didn'twant to disturb it and you wanted to give your collectors may be just a aone-of-a-kind little tiny little painting so what would be very importantis that you sign it so I'm gonna put my regular signature right there just veryvery tiny I'll just put that right up there get your signal right signatureright up there and then on the back you can either write you know thank youor you can write you know your business card information that kind of thing soyou can get all of that detail on a white thing that's easy to read on theback so but maybe you're gonna say you know hey thank you so much you know forthe Commission painting that you that you sent me and this is a little card asa thank-you a little mini painting as a thank-you and I'll just say that theselittle mini paintings you can just kind of do these really rapidly and there area lot of fun if you like to do thumbnail sketches we talked in a previouslivestream about how to do a thumbnail sketch and what's kind of fun aboutthese just these little guys is you can do little compositions and they're justfun and hey if they don't come out well just you know don't use them or throwthem away or you know whatever so alright let me grab my watercolor andI'll just show you how easy it is to just make these little abstract cardsI've got some water let me get these all these other materials out of the way andhere's this is just just a bucket of of water I've got another littlecontainer here and you could use a watercolor pencil,you could use acrylicpaint,you could draw, this could be done in graphite.
How ever you like to do,how ever you wanted to decorate these little thank-you cards or they could bebusiness cards but it's really a marketing material if you think about itit's it's just as simple as that every time that you are doing this you want tokeep it within your brand or keep it doing something that looks like yourwork so for example pencil you'd want to be sure to you know somehow include ifyou can if you're doing a thing something and include your pencil logoor if you're not using your pencil logo then of course don't do that all rightso let me just grab a little green and you can just put and and you know justdo literally abstractly whatever you likelet's activate that I kind of like when watercolor is kind of smushy andinteracts with other things so just something you know boop boop boop boopboop and then that cards done we could do another card I'll just do anothersunflower over here let's get some petals going let's get a dark center.
Let's make this let's make this oneI want to just run the water out here to wet this section but they can beliterally just kind of you know abstract expressionist kind of feelings or youcan spend a lot of a lot of detail and you can really go in and you know makeit super super detailed super you know however you want it to look let's get alittle darker color there and then how about some blue out here I like orangeand blue together and just nice and easy just a little flowy thing I'm gonna cover all my white spots sothank you so when we can just kind of make these you know whatever we knowI'll have a request what do you guys have a request for me to make I'll dolast one we'll do as a request I'll just do a little heart over here but bethinking what you want me to do for that onedon't pick anything that's too hard for me though we don't want to be stressfulon a Sunday, right? All right so let's get but put your idea what you want me to doin this on this last one and I'll paint whatever you guys come up with goodlittle orange there so you've made art trading cards the business card wellthank you and you know Madonna you can see how fast these things are gonna makeI mean they're just like SuperDuper fast you know boom boom boom and you're done all right now let's get a little bit ofa blue now what I'll do then is I'll let these um I'll let these dry and we'lljust do a really watery loose background on this one let these dry and then comeback and when they're dry then um it can release the paper or release the tapearound there okaypaint you I'll paint a pencil okay all right I'll try it I'll try it it's achallenge accepted let's go back in with a little bit onthis red one let's go back just deepen that color a little bit okay pencil I'm gonna try a pencil allright so now you can't tease me pencil if I don't make him well.
I knowhe's got abs remember that and then there's a point here so he needs to comedown into some kind of a point and then there's a tip of the pencil andthen he has a very cute face so he's got a big whoops I need a smaller brush herehe's got like don't worry and I'm running out of papersee I didn't plan out my pencil properly but if I remember he also has like somekind of a pink color I think as I thought there was like his eraser maybethere's like something pinkish up at the top something is there something likewe've got a little something up here for his eraser alright and then what we cando is let's say that this was pencils card then you can just have somethinglike pencil connoisseur let's see how we spell connoisseur see oh and if I spellit wrong I can't do that c o n n o i s s e u r and then you could haveyou know email yes blah blah blah blah blah blah blah and then you know youcould do something like that and you could literally just kind ofmake it whatever you want so so that's how those are done and then when theseare dry then I'll just peel the paper off and then and then it's good to goso alright and then here's again this the example of this so I hope that thishas been um found and helpful and I hope that you guys will go out and make somethese are little gratitude cards I hope that you'll make some gratitude card-will call it a gratitude card- make some gratitude cards and have fun that'sreally just these little quick little things they're just a fun littleexpression and they're a neat way to show your collectors that you careyou're gonna call it the Dena connoisseurI like that pencil I'm gonna put that on here Dena Connoisseur there we goall right you guys well this has been wonderful chatting with you and I hopethat you guys have a great rest of your day and so and go out and get thosecards you know it's it's just a fun thing to do and and and I think yourbusiness will grow with it so thank you so much you guys alright and take careand until next time this is Dena and hugs and kisses too.
Review: Are commercial build surfaces worth it?
Copying on HP LaserJet and PageWide EnterpriseMultifunction printers with the Booklet option allows you to print multiplepages on to the front and back of one sheet of paper thatfolds into a booklet.
Place the document face up in the document feeder.
Push in the paper guides until they rest onthe edges of the paper.
From the printer control panel, touch Copy.
If prompted, enter the username and password.
Scroll to and touch Booklet, and then touch the checkbox to select Booklet Format.
Set the Original Size, Sides, and Paper Selection options, and then touch OK.
Touch Copy to scan and print the booklet.
With the printed document, fold the paperto create the booklet.


text: Perfectly situated at the west end of Galveston seawall, and the only private gated resort community behind the seawall on Galveston's West Beach. Diamond Beach is unmatched in location, amenities, and spectacular Gulf views. Less than three miles from Moody Gardens and Moody Gardens Golf Course, and just six miles from Galveston Country Club, the lock and leave flexibility it offers makes it the perfect alternative to a conventional house, with none of the responsibilities. Combined with its collection of residences and penthouses, Diamond Beach is a home away from home you'll never want to leave.

subset: commoncrawl


text:
Benjamin Jowett
theologian, classical scholar, and academic administrator
Benjamin Jowett (April 15 1817 – October 1 1893) was a theologian and classical scholar who became one of the great public figures of Victorian England. He was Regius Professor of Greek at Oxford from 1855, Master of Balliol College, Oxford from 1870, and Vice-Chancellor of the university from 1882.
On the interpretation of ScriptureEdit
First published in the miscellany Essays and Reviews (1860)
- Doubt comes in at the window, when Inquiry is denied at the door.
- [The office of the interpreter] is to read Scripture like any other book.
Evelyn Abbott and Lewis Campbell (eds.) The Letters of Benjamin Jowett (1899)
- Nowhere probably is there more true feeling, and nowhere worse taste, than in a churchyard (p. 244).
- I hope our young men will not grow into such dodgers as these old men are. I believe everything that a young man says to me (p. 250).
- One man is as good as another until he has written a book.
- Logic is neither a science nor an art, but a dodge.
Quoted by Geoffrey Madan (1895-1947)Edit
in his Notebooks (1984) p. 61. ISBN 0192818708.
- We have sought truth, and sometimes perhaps found it. But have we had any fun?
- Learn just enough of the subject [metaphysics] to enable your mind to get rid of it.
- Research! Research! A mere excuse for idleness; it has never achieved, and will never achieve any results of the slightest value.
- In conversation with Logan Pearsall Smith. Reported in Smith's Unforgotten Years (1938) p. 169.
- We cannot seek or attain health, wealth, learning, justice or kindness in general. Action is always specific, concrete, individualized, unique.
- Actually from one of John Dewey's lectures, reprinted in his Reconstruction in Philosophy (2004), p. 96.
About Benjamin JowettEdit
- Jowett, in his day, did probably more than any other single man to let some fresh air into the exhausted atmosphere of the [Oxford] common rooms, and to widen the intellectual horizons of the place.
- H. H. Asquith, letter to Lady Horner, October 26, 1891, quoted in Roy Jenkins Asquith (1964) p. 22.
- First come I. My name is J–W–TT.
There's no knowledge but I know it.
I am the Master of this College,
What I don't know isn't knowledge.
- H. C. Beeching The Masque of B-ll--l (1881), line 1.
- The [Oxford tourist] guide would begin: "This, ladies and gentlemen, is Balliol College, one of the very holdest in the huniversity, and famous for the herudition of its scholars. The 'ead of Balliol College is called the Master. The present Master of Balliol is the celebrated Professor Benjamin Jowett, Regius Professor of Greek. Those are Professor Jowett's study-windows, and there" (here the ruffian would stoop down, take up a handful of gravel and throw it against the panes, bringing poor Jowett, livid with fury, to the window) "ladies and gentlemen, is Professor Benjamin Jowett himself."
- W S Walsh A Handy-book of Literary Curiosities (1893) pp. 640-1.
External linksEdit
|This article on an author is a stub. You can help Wikiquote by expanding it.


text:
Public Safety Home
Emergencies (Main Booth): 718-390-3148
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Anonymous Tips: 718-420-4332 or online form Leave an anonymous message
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Your safety and security is extremely important to us at Wagner College. The Public Safety Office provides 24 hour-a-day patrol protection to the campus. This includes an Officer assigned to the Main Gate Booth 24 x 7. The entire campus is patrolled by Officer's on foot and patrol vehicles.


text:
Listen free for 30 days
Imperial Ambitions
Barsamian, recipient of the ACLU's Upton Sinclair Award for independent journalism, has conducted more interviews and radio broadcasts with Chomsky than has any other journalist. Enriched by their unique rapport, Imperial Ambitions explores topics Chomsky has never before discussed, among them the 2004 presidential campaign and election, the future of Social Security, and the increasing threat, including devastating weather patterns, of global warming. The result is an illuminating dialogue with one of the leading thinkers of our time, and a startling picture of the turbulent times in which we live.
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- Sab London
- 18-12-15
Thoughtful and exceptional insight
Magnificent discussions with Noam Chomsky. Highly recommended as an introduction the hegemony mechanisms of capitalism and imperialism
- 01-12-05
I Must Be A Crying, Anti-American, Groupie
The three negative reviews state that Chomsky: 1) "cries" and "bashes" the "civilzed world," "thinks he's cool," and has "hordes of mindless, gullible groupies;" 2) "drones about 'America- the real enemy;" and 3) is an "idiot" and "danger to the civilized world." A mirror image of these people on the left would say they are Right-Wing, Ultra-nationalistic, likely relgious, gun-toting fundamentalists, anti-gay, anti-choice and blindly patriotic.
I, on the other hand, would just like to point out the kind of vocabulary used by these reviewers compaared to the others who say it was a "great book" because Chomsky "says it as it is." Instead of bashing the Right Wing and the evangelists, these reviewers present clear and logical thoughts of why it is a good book. The others point to 'hordes, idiots, crying, groupies and a repetitive "danger to the civlized world."
Personally, one of the things I liked about the book is that the questions were good and the answers were better. And it was not read, but live. I have listened to this book twice already - because the information is important and I don't have a memory like Chomsky's. His thoughts and resources are truly unique- gathering and presenting information that is hard to come by in this day and age.
Now ask yourself: would the world be better off if everyone was like him and the reviewers that thought about what they wrote or would the world be better off if we were all like the others who call names and refer to themselves as civilized in the process?
16 people found this helpful
- Smelly Ian
- 04-06-07
A must-have in your listening library
Noam Chomsky has important things to say about world affairs, the American government's role in them, in particular. His books, though well-researched and informative, can be a bit overwhelming to a lot of readers, myself included. This series of interviews with David Barsamian, an obvious admirer of Chomsky's, is a great introduction to what Chomsky has to say and what citizens need to do to improve the world we live in. Excluding the first interview, which is done over the phone, the sound quality is very good to excellent.
7 people found this helpful
- steve
- 22-05-10
The scary, honest truth
Chomsky is one of the best political writers out there and this book does a great job in summarizing many of his beliefs through some of the interviews he's taken throughout the years. A good listen and a must-listen, if you're interested in learning about the American policies and how they've shaped this world.
4 people found this helpful
- David
- 24-10-05
sometimes the truth hurts
Mr. Chomsky is one of this countries greatest minds. The right wing fears him, and they pray that people never hear what he has to say. In this book he continues with the brand of brutal honesty that he has always been known for. His critics can never deny his facts, they never have and never will. They can only complain like children in denial that have been sent to the corner. Just another masterpiece to add to the list. If you want unadulterated truth about our world today listen to this man. It will do you good.
16 people found this helpful
- 24-01-06
Educating the Ignorant
This book gives insight on how society at large is unaware of how the Bush administration has taken control of our country and is completely ignoring and misleading the people of America. Chomsky reveals how the Bush administration and previous administrations blatantly ignore our constitution and human rights for the promotion of economic interest.
8 people found this helpful
- Arturo
- 09-10-05
A necessary voice of dissent
One of the biggest problems with America today is the lack of introspection from the mainstream media (and to a lesser extent academics) regarding U.S. foreign policy. After the attacks of September 11th one of the recurring questions continues to be ?Why do they hate us?? If you truly want to get a better understanding of the world in which we live in, Chomsky gives a necessary analytical perspective on U.S. foreign policy over the last fifty years which is regrettably absent in the mainstream. Whether you like or dislike Chomsky?s ideas, it is necessary to hear his perspective because it is like no other, his profound knowledge of U.S. history is incomparable, which is why his analysis is so essential. Whenever you read or listen to Chomsky one thing is guaranteed, you will learn a couple of things you have never heard before.
10 people found this helpful
- Ahmed
- 29-09-05
Very good
enjoyable and honest. hope everyone would read it.
32 people found this helpful
- James
- 07-10-05
Good food for open minds
The nice theory behind free speech is that, weighing the value of what another has to say, one can sharpen one's own ideas. Judging from the dull thud of the two reactionary reviewers to this audio book, it's highly doubtful they have actually downloaded it and listened to it. They make no point coming from the content itself, and in fact they make no point other than to question this country's leadership is of itself an act of treason and wrongness. (Beaucoups de brown shirts for the obedient ones, I say.) If we are forced to listen to a simpleton in the White House stammer and gush, we all should force ourselves to find intellectual antidote, for our own mental health, sure, but also for this democracy in which we live. Imperial Ambitions contains ideas that right wing ideologues should think through, and consider, and test in deliberation hid away from their fellow dittoheads. Then, if you come out thinking the same way as you went in, you can rest assured, refreshingly smug, that our national thinking is better led by a C- student, frat-rat, draft-dodging business failure with an intemporate demeanor, the common sense God gave wet napkins, and incredible family connections from a family headed by a full-time employee of the Saudi royal family. Which I guess makes our military, mired in sand of what used to be a mean neighbor to the House of Faad, sort of like your basic Brinks security patrol with wheels spinning on soggy lawn. This is what happens when you don't recognize Imperial Ambitions.
4 people found this helpful
- Gia
- 04-10-05
Bitter Socialist Opines
All should read or listen to Noam Chomsky. He snivels on behalf of our enemies, cries over the palestinians, bashes the civilized world.......and seems to think he's cool.
This man has hordes of the mindless and gullible groupies.
29 people found this helpful
- Donald
- 04-10-05
Noam and The ACLU
Noam drones on in his continuing saga of "Amerika; The Real Enemy."
His moaning is encouraged by David Barsamian, recipient of the ACLU's Upton Sinclair Award.
17 people found this helpful


text:
The cyclists are coming, people – if you are allergic to Lycra, get outta' town! (Of course, if you are allergic to Lycra you should not be living along the Front Range). The USA Pro Challenge begins Monday in Aspen, and finishes the following Sunday, Aug. 25, in Denver. The ride roams across the mountains – from Aspen to Breckenridge to Steamboat Springs to Beaver Creek to Vail to Loveland and Fort Collins and finally Denver.
Restaurants across the state celebrate the race with different specials. One of them is The Fourteener, a stuffed pizza containing chicken breast, pepperoni, fresh spinach and artichoke hearts, from Patxi's Pizza, a newish pizzeria to Colorado, with spots in Cherry Creek and Cherry Hills.
Patxi's workers are slinging the hefty pie for the duration of the race, in 10″, 12″ or 14″ inch sizes, along with slices for $4.75.


text:
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text:
Edward J. McCluskey, a professor emeritus at Stanford whose research helped pave the way for electronics and computing, died on Feb. 13. He was 86.
Born on the eve of the Great Depression, McCluskey graduated from Bowdoin College in Maine in 1953, earning honors in mathematics and physics, then went on to study electrical engineering at MIT, where he earned his doctorate in 1956. But the experience that set him on the path toward professional greatness occurred during the period from 1955 through 1959, when he worked first as an MIT intern and later as a staff researcher at Bell Telephone Laboratories during its heyday.
In a 2008 lecture, when he won an award from the Association for Computing Machinery (ACM), McCluskey fondly recalled that storied period when Bell researchers were inventing many of the building blocks of electronics and computing. It was in this intellectual crucible that McCluskey helped devise a way to efficiently and unerringly design logic chips...read more


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BACKGROUND IMAGE: iSTOCK/GETTY IMAGES
iSTOCK/GETTY IMAGES
The state of standards
Confused by FAIS, SMI-S, RAID DDF or iSCSI? We make sense out of the alphabet soup of storage standards and help you determine which ones you should consider when purchasing storage gear.
|A quick look at some major storage standards
What follows is a look at four storage-related standards: the Fabric Application Interface Standard (FAIS), Storage Management Interface Standard (SMI-S), RAID Data Disk Format (DDF) and iSCSI. The standards are presented in various stages of family unity, presented in rough order from the youngest to the oldest.
"There are always differences of opinion on any major standard," says Roger Reich, a member of the technical working group (TWG) responsible for SMI-S. "There are plenty of disagreements; that's part of the process."
All these disagreements can take a while to work out. For example, there were 20 distinct revisions of the iSCSI protocol before it got to a point where the entire membership of the Internet Engineering Task Force (IETF)--the guiding organization behind iSCSI--voted on it in April 2004. After four-plus years in the making, iSCSI is now officially considered a "proposed standard," meaning that the first version of the protocol is done. There will be additions and modifications in future versions, but the basics are set.
Generally, there are several pieces of any given standard. There's a core specification for iSCSI, for example, but there are also subsections related to security, naming, internationalization and other issues. Different members of subworking groups are generally responsible for those.
Then there's the matter of implementation. Many of today's standards require ensuring all of the resulting wares really do play nicely together, particularly because vendors are trying to get an early jump on incorporating them into products. As Gartner Inc. analyst Ken Dulaney explains, a standard doesn't necessarily "mean much to the end user until it is certified by an independent party. Without a certification body, there's liberty to implement it in many ways."
Of the standards profiled here, only SMI-S includes a separate product-certification effort to date, with plans to do so for RAID DDF-enabled products soon.
|Sleeper standard: NDMP
FAIS is a means of standardizing the way that management and other types of storage-related software can talk to intelligent switches. For the immediate future, this standard is the most important to the vendor community. It will allow software suppliers like Veritas Software Corp. to create only one version of any given application that will then be able to run on different storage fabrics and across most of the major manufacturers' switches.
Ultimately, industry watchers expect that FAIS will affect users by resulting in more and different types of smart-switch applications and the ability to mix and match software from different vendors. But that's a couple of years away. FAIS is, at its heart, an application programming interface. So the people working on the standard are spending lots of time discussing how best to represent certain features. These are things that are implemented across different vendors' smart switches, such as programming calls and ways to boost performance by, for example, separating the control path from the data path.
Originally, FAIS started out as a proprietary Brocade Communications Systems protocol called XPath. According to Zulfiqar Qazilbash, co-founder and CSO at iVivity Inc. and a member of the FAIS TWG, the standard hasn't changed all that much since Brocade first offered it to a small group of interested vendors in early 2003.
The group is now "concentrating on the core features, and we've made a lot of headway in terms of what will be in version 1.0," Qazilbash says. "We're at a point where we've gotten 90% consensus and are discussing the last 10%." Both he and Brocade's chief technology officer Jay Kidd expect the first FAIS version to be pretty much agreed on by the end of this year. Then the various votes, feedback loops and other procedural matters should take until mid-2005. By the end of 2005, the first version of FAIS should be a done deal, participants say.
Of the standards reviewed here, SMI-S and iSCSI arguably have the most potential for the most long-term, direct impact on users. Several large companies have already included SMI-S as one of their requirements for storage contracts currently out for bid, according to two SMI-S spokesmen.
The main reason for this demand: SMI-S addresses a huge user need to more effectively manage different vendors' switches, RAID arrays and the like, and to share information among the different management packages. The way things work now, storage gear is often managed with proprietary software that tends not to work well with other vendors' software. So it's next to impossible to get information about how well your Brocade switch is performing, for instance, from your EMC Corp. Symmetrix-based storage area network (SAN).
SMI-S aims to solve that problem by extending some older standards, namely the Common Information Model and Web-Based Enterprise Management, both developed originally by the Distributed Management Task Force. SMI-S takes those as the basic transport mechanism and then adds an object model, an automated means of discovering new SAN components as they're added, resource locking and other features.
So far, 14 vendors--including AppIQ Inc., Dell Inc., Computer Network Technology Corp., Hewlett-Packard Co., Hitachi, IBM Corp., Network Appliance, Softek Storage Solutions Corp. and Sun Microsystems--have passed the first version of the certification test to prove their SMI-S products successfully interoperate. The Storage Network Industry Association (SNIA) runs its interoperability lab out of Colorado Springs and is currently preparing the fifth test bed in as many years.
Version 1.0 of SMI-S has been available for more than a year, and revisions are coming in the next six months to a year, says Phil Kemp, who works with SNIA's Storage Management Forum and whose day job involves product marketing at HP's storage software group. Enhancements on tap for version 1.1 include performance management and measurement and the addition of tape libraries to the management mix. There will also "be an attempt to do logical file systems on hosts," he says. After that, the SMI-S roadmap calls for adding service level agreements and policy management, perhaps in version 1.2 of the standard.
|Advanced Switch Interconnect
RAID DDF is designed to allow users to swap their vendor's RAID device for another to do what's called an inplace migration. "If a customer has a RAID set on a server that's direct-attached, and then wants to move that to an internal enclosure, you can migrate the RAID set," explains Larry Lamers, director of technology and standards at Adaptec Inc. and secretary of the DDF TWG. The other key benefit is if users run into a failure with a specific RAID controller, they can replace it with a different vendor's controller, in place of the original.
Lamers says that the TWG is "pretty much in agreement" over what the standard should include. "This one was pretty straightforward." Interoperability testing should take place the first half of next year, with products on tap for late 2005, he says. The group is currently working on profiles that define interoperability points.
The standard currently includes two basic elements. One is a data structure, to define which level of RAID has been implemented. This lets every disk know which other disks are part of the RAID configuration. The second piece is the actual layout--stripe size, stripe depth, etc. Today the metadata that describes how each vendor represents its RAID device is supplier-specific, and the goal is to allow RAID disks to recognize each other.
Although the DDF's list of supporters and participants isn't public yet, Lamers says, "I can't think of any RAID vendor with any significant market share that's not involved in this. Some came in late, but everybody pretty much joined the parade."
So far there have been two prototype implementations of DDF, says Ramamurthy Krithivas, an architect with Intel Corp.'s storage components division and a member of the TWG. He says he'd like to see the next version of the DDF incorporate a basic reporting mechanism for RAID 6 that wasn't included in the first version of DDF "because of all the complexities" involved. "I'm talking about the configuration information, not the layout, because the layout is where vendors add value."
Most industry watchers expect iSCSI to help users connect second- and third-tier servers into SANs that have been previously reserved for only critical applications. iSCSI will also help smaller firms implement SANs for the first time over their existing network infrastructure without needing to install Fibre Channel equipment.
In the lingo of the IETF--the organization shepherding this protocol--iSCSI is a "proposed" standard. That means "it's been agreed upon by an IETF working group, it's complete and secure and has its bases covered," says Mark Bakke, who is a technology leader with Cisco's Storage Technology Group and also sits on the iSCSI TWG.
It's at this point that vendors go out and implement, and "we find out how well all the products work together," Bakke says.
The next level up is considered a "draft" standard, and its function is to clean up any bugs, remove any optional pieces that nobody implemented and other housekeeping tasks. "There's no big rush to do it and there are no current plans to advance iSCSI to a draft standard, but I expect we will because the standard is so popular," Bakke explains.
He says there are many products with iSCSI included because the core functions of the protocol "haven't changed in two years." From an operational standpoint, the products based on iSCSI have remained constant for the past several revisions.
That said, there are some new things to watch for. One is a layer that defines how iSCSI can run over InfiniBand or over Remote Direct Memory Access, so the IP network can handle the same kind of high-bandwidth, low-latency applications that traditionally have required more expensive alternatives.
Other pieces will relate to various management information bases (MIBs)--in other words, defining modules to plug into the Simple Network Management Protocol and that gather network-related statistics about and from different types of gear. Those MIBs will come out at the end of this year, Bakke says. And there will be a mechanism to boot diskless devices over iSCSI that Cisco, for one, is already supporting but isn't yet official.
Taken as a group, it's still an open question if these standards will make storage managers' jobs easier anytime soon or simply serve to complicate what can be an already convoluted situation. Then again, that may be an argument better left for another day.
Related Resources
- Storage in a Virtual Environment: Expert Answers to 4 FAQ –SearchStorage.com
- Accelerating Time-to-Value: Fast-Growing Reduxio Implements Priority Engine to ... –TechTarget
- Focus on Storage in a VMware Environment –SearchConvergedInfrastucture


text:
My Syrup Script
Update 6-Dec-04: At Fortress's request, I've removed the script while they make their decision. Thanks to everyone who reviewed it and made suggestions!
Okay, for anyone who's interested: here's my attempt at the first twenty-something pages of a Syrup screenplay.
This is what the Fortress guys will use to decide whether I'm the right guy to write the full thing. I would really, really love to do that, but I'm going to try to spend the next few weeks not fretting about it. This is what I've decided: if they like the way I've done it, then terrific, but if not, well, it'll just mean that one of my most fervent wishes is dashed in a highly public and embarrassing way. That's all.
If you're reading this via your web browser, you might notice I've also added the ability for people to leave comments in response to my blogs, something I've been threatening to do for ages. This is more hand-written code on my part, so I apologize in advance if something goes wrong, or the comments all disappear, or my web host freaks out again at the load I'm generating on their server ("Aahhhh! Scripts!") and takes down the whole site.
Assuming this works, though, I'm very interested in what you guys think of my draft. If I actually get this gig, I want to use any feedback I get here to help me write the rest of it.


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Special thanks to Ainsley Bevis for sending in this great Adobe Illustrator tutorial! She covers a number of good techniques good for beginner to intermediate Illustrator users.
Ainsley is from BloomWebDesign.net ... and writes . . .
Learn how to create a Vector Combination Lock icon in Illustrator from scratch!
1. Geting Started : Create a new document which measures 500×500.
Get the Ellipse tool and draw a black circle while holding down the shift key to maintain a perfect circle.
Next using the rectangle tool draw a square shape on the bottom of the circle (like below).
Next select the two shape, go into Pathfinder (shift+ctrl+f9) and press the Unite icon. This will turn the two shapes into one.
2. Create the Shackle : With the shape selected hold down the alt key and drag the shape away to duplicate it, press the duplicated shape with the Selection Tool and drag it to the centre of the shape & make it smaller, change the colour to something light.
Select the 2 shapes, go into the Pathfinder again and click Minus Front to remove the front shape, you now have the top part of the lock.
3. Fill with Gradient : Click on the shape and make it a gradient with a 2pt dark grey stroke.
4. Duplicate and Fill again : Select the shape and go into Object > Path > Offset Path, this will create another shape inside. Change the gradient to a light grey.
Duplicate the shape using the same method previously and move it down. Click on the back shape and make the colour black.
NEXT, we'll decorate the face of the lock with some reflections . . .
... continues on the next page!


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Storage managers can reach for their wallets again
The outlook for data storage managers in 2010 is a little brighter according to our Storage Purchasing Intentions survey. Find out what technologies respondents are looking at.
The purchasing picture for storage managers is a good news/bad news story: budgets are no longer in the negative column, but they're not rising much either.
Storage managers may be able to loosen their belts a notch in 2010, but the era of storage budget belt-tightening is hardly over. Storage budgets, as reported by the 697 respondents to the Storage magazine/SearchStorage.com bi-annual Storage Purchasing Intentions survey, didn't budge into positive territory, but avoided the negative to stay flat compared with 2009. Given the recent context, that's vaguely encouraging news as we saw year-over-year budgets go negative last year on both the spring (-1.9%) and fall (-0.4%) editions of the survey.
Smaller companies appear to be bearing the brunt of the still uneasy economy more than their big brethren. At companies with revenue less than $100 million, budgets are down 0.8% compared with last year. For medium-sized and large companies, the picture is considerably brighter; storage budgets should rise 1.3% at medium-sized firms and 1.9% at companies with revenue in excess of $1 billion.
With regard to sheer dollar amounts, the average storage budget clocked in at $2.8 million, just a hair shy of the $2.9 million recorded on both of our 2009 surveys. And as in previous years, that relatively high average was skewed by some pretty hefty budgets at the top end; of all reporting companies, 57% of respondents noted that their storage budgets were less than $1 million for 2010.
Whether reduced or slightly increased, storage budgets will be allocated much as they have been in previous years, with the biggest chunk -- 39% -- earmarked for disk hardware.
|About the survey
The Storage magazine/SearchStorage.com Purchasing Intentions survey is fielded twice a year; this is the eighth year the survey has been conducted. Storage magazine subscribers and SearchStorage.com members are invited to participate in the survey, which gathers information related to storage managers' purchasing plans for a variety of storage product categories. This edition had 697 qualified respondents across a broad spectrum of industries, with the average company size measured as having revenue of $1.4 billion.
No recession for disk capacity
Seeing budgets remain at the level of an extraordinarily recessionary year or rising a point or so may be small solace to storage managers who once again are faced with the need to add more disk capacity. On average, companies expect to add 40 TB of new disk capacity, up from 34 TB last fall. Over the past couple of years we've seen the estimates for additional disk capacity drop a bit in the fall, so the actual average additions may be lower by year's end.
New disk capacity will be added to an already installed average of 61 TB, so if the anticipated growth follows through, that growth rate would be approaching 66%. Not surprisingly, larger companies plan to add more capacity (84 TB) than smaller outfits, but with 35 TB and 25 TB, respectively, medium-sized and small companies are gearing up for some hefty upgrades, too.
Continuing a trend that emerged over the last three years, more than a third of the money data storage managers plan to spend on disk hardware will go to buying disks to beef up the capacity of existing arrays rather than purchasing entirely new frames. This suggests that those managers anticipated the kind of capacity growth we've seen and "bought big" a few years back and are still topping off those larger systems.
Click here to get a PDF of the By the Numbers information on storage budgets, additional disk capacity and solid-state implementations.
Storage virtualization to the rescue
The need for more and more disk capacity is nothing new, but it looks like storage managers are taking (or considering) some newer approaches to cope with burgeoning data stores. In this survey, for example, we see a renewed interest in storage virtualization, an effective method of squeezing efficiency out of installed arrays. Although it's hard to call storage virtualization "new," companies have been fairly cautious over the years in adopting it.
Thirty-five percent of this survey's respondents have virtualized some or all their storage, a jump of 4 points compared with last fall and a sizable spread of 8 points over last spring. The number of companies evaluating storage virtualization technology is up as well, at 24% vs. 21% in the spring of 2009. Perhaps even more telling, only 41% said they haven't virtualized any storage compared with 53% a year ago.
And those who have taken the storage virtualization plunge are doing more of it. Last spring (2009), 53% said they had virtualized some of their block storage; this year, 69% have done so. The file storage virtualization results are nearly as dramatic: 71% have virtualized some of their file systems vs. the 58% reported one year ago. It should be pointed out, however, that the number of companies that have virtualized all of their block (20%) or file (14%) storage hasn't truly increased much over the past year.
Plans to add storage virtualization technologies are also up. Last fall, 30% of those surveyed indicated they would purchase virtualization hardware or software; this year, 42% are in the market for storage virtualization gear. Among the many virtualization alternatives, most interest is focused on virtualization appliances (16% plan to purchase) and virtualization software that runs in an array (also 16%).
With "NAS sprawl" now a familiar phrase in our storage lexicon, interest in file virtualization seems to be gaining; 36% will give it a look and some consideration this year.
Seeking storage efficiency
Of course, storage virtualization isn't the only route to more efficient use of installed and new storage capacity. Getting a bigger bang for the buck, especially for sub-tier-1 storage, is another tack especially when storage density is a greater requisite than performance. iSCSI systems neatly fill that bill and often still boast enough performance to host a company's key applications.
Forty percent of respondents currently use iSCSI storage, and 41% (there is some overlap) already have or plan to deploy iSCSI storage in their shops. Price is obviously one of the most attractive features of iSCSI storage, but for 47% of the companies represented in the survey, these systems can still burn enough rubber to serve up data for their mission-critical applications.
Cheaper storage is all well and good, but it still has to be used efficiently to minimize capacity waste. In the past year, primary storage data reduction has become, arguably, the hottest topic in storage. Users have been impressed with the results they've seen with data deduplication in their backup operations and its relatively easy implementation, and they're eager to see similar results for their online or nearline storage.
Given that primary storage data reduction is still a relatively new concept and the field of players offering products is still rather small, a surprising 30% of respondents have either implemented it or plan to this year. Add to that the 33% who are currently evaluating primary storage data reduction technologies and products, and it's clear that more storage vendors will take note and roll out new products over the coming months. An interesting parallel can be drawn to thin provisioning, which was met with some resistance by storage system vendors who feared they might cannibalize their own disk sales. Ultimately, user demand won out and thin provisioning is now a checklist item on most system vendors' spec sheets.
Saving on operational costs is also an imperative in these days of pared-down budgets. Power conservation in storage systems has, traditionally, been met with mostly yawns from storage managers, who rated it little better than "nice to have" rather than "need it." Saving a few bucks on electricity is still hardly a top priority, but 5% note that conservation is their most important criteria when considering an array purchase decision -- a modest number but the highest we've seen to date.
Click here to get a PDF of the By the Numbers information on cloud services for backup and virtualized storage.
The state of solid state
Solid-state storage has captured the imagination of most storage managers, and a hefty chunk of the storage budgets for those shops that have implemented this diskless storage medium. There's an awful lot to like about solid state -- it's lightning fast, runs cool and sips juice -- but it's still significantly more expensive than traditional hard disk drives.
In the fall of 2009, when we first asked about solid state use, we found that just under 8% of respondents were using solid-state storage in some form. In our most recent survey, that slice has increased to more than 10%, with another 6% planning to deploy it this year. Thirty-five percent expressed plans to evaluate solid-state storage in 2010.
Among shops currently running solid-state storage, the average installation was 6.9 TB, which is a substantial amount of solid state. Despite the high average, typical installations appear to be smaller, with 38% of those surveyed reporting less than 1 TB currently installed.
While still substantially higher than hard disks prices, the cost of solid state is dropping sharply and users seem to be increasing their purchases. For users who indicated that they would be purchasing (or have already purchased) solid-state storage in 2010, the average amount they said they'll buy is 6.1 TB. If you factor in those respondents who said they weren't in the market for any solid-state storage this year, that average drops to 2.8 TB, which is still a hefty chunk of solid state.
The most popular place to put solid-state storage is in traditional storage arrays, hardly surprising, as just about every array vendor out there now offers a solid-state drive (SSD) option. Sixty-nine percent of solid-state users have implemented the technology in their arrays; 33% are using it as direct-attached storage (DAS) in servers.
Though solid-state storage has obvious appeal, its price still bars entry for many companies (61% said it's too expensive). For 43% of survey respondents, there's no need for solid state as they're quite satisfied with the performance of their hard disk systems.
Cloud storage isn't just an illusion
In a close race with solid state for buzzword of the year, cloud storage is taking shape as a viable alternative to building out in-house storage environments. The current survey marked the first time we asked questions specifically about using cloud storage services for things other than backup, and we were surprised at the results, especially considering all of the concerns we've been hearing from storage managers about putting their companies' data out there in the cloud.
Fourteen percent of respondents report using cloud storage now, with the most activity occurring around cloud storage for disaster recovery (6%). But 4% are using it to hold primary data from their data centers, and an equal number are using it for nearline data storage.
While those statistics aren't staggering at this point, plans for cloud storage services in 2010 tell a different story -- one that's bound to warm the hearts of service providers.
We asked respondents which types of data they will start using cloud storage services to store in 2010, and perhaps the most significant finding is that only 43% rule out using these services this year. Among the others, 17% will use it for disaster recovery and an eye-opening 9% will look to the cloud to store primary data. Six percent will use it for remote office data, and another 5% expect to tuck some nearline data into the cloud.
Backup technologies still top of mind
Once again, survey respondents plan to reduce their dependence on tape as a backup medium. Thirty-one percent plan to decrease their use of tape for backup in 2010, which is the highest number we've seen in years (it was 29% in the spring of 2009). Over the years, however, we've seen higher decrease-tape-usage numbers in the spring surveys tempered by more moderate, and probably realistic, numbers in the fall editions of the surveys.
That said, it's the bigger and smaller companies where we see the largest segments planning a reduced role for tape. Among large companies, 36% will decrease tape use in 2010, the highest we've seen to date. For small companies, the figure is 34%, a 6-point jump from last fall and also the highest recorded in years.
Still, some respondents (26%) report that they'll actually increase their use of tape. But among those who plan to buy new tape libraries, the size of the libraries they've already purchased or are likely to purchase continues to shrink. Overall, the average number of slots in planned new library purchases dropped to 97, compared to 101 last year and 130 in the spring of 2008. (Higher tape drive densities also play a big part in reducing the number of slots required in a library.)
The move away from tape has been a long, drawn-out process and, if the technology is truly dying, it has taken a page out of Generalissimo Francisco Franco's book in delaying its demise. We expect the slow downward spiral will level out soon, as tape still plays an important role in many companies of all sizes: 79% still spin off some or all of their backup data to tape.
But the biggest backup story continues to be data deduplication. Forty percent of respondents hope to increase their spending on dedupe technologies in 2010. That supports the 23% who are currently using dedupe in their backup operations and the 32% who plan to add it this year.
Generally, it looks like data deduplication for backup is maturing. It's not necessarily showing the impressive jumps in implementations and spending plans as it did a couple of years ago, but rather rising steadily with fairly consistent budget allocations.
While the cloud is just getting its grip on primary data storage, it's becoming well entrenched for backup and quickly gaining the confidence and budget dollars of our respondents. Last year, between 19% and 21% were using cloud backup services for one or more applications or storage types. In the latest survey, that number jumped to 34%, a notable increase that could signal the acceptance of cloud backup among companies of all sizes. Thirty-eight percent of small businesses are using at least one of these services and 35% of big businesses are using them -- a sign that a fair number of enterprises now have faith in cloud storage.
Using cloud backup services for email and database application data ranked at the top, with both used by 18% of respondents; backing up user files or desktop/notebook files are each used by 14% of those surveyed, while 13% use these services to back up remote sites or branch offices.
Looking ahead
Each year our survey wraps up with a question that asks about intentions related to new or newer storage technologies that may not yet have market penetration. On this "What's hot/What's not" list, data deduplication holds the top spot, as it has for the last four surveys, with 76% of respondents already implementing it, planning to or actively evaluating the technology. Encryption was ranked second (65%) and has been near the top of storage managers' priority lists for some time; however, this year it looks like some of those past plans for data encryption have carried through, as 60% are using encryption somewhere in the storage infrastructure vs. 43% a couple of years ago.
As noted earlier, there's renewed interest in file virtualization; 64% have implemented it, will implement it or expect to evaluate it this year. Primary storage data reduction garnered significant interest as well, racking up 63% in its inaugural year on the list.
As storage managers set their sights on 2010 and beyond, it's clear that using their shop's storage more efficiently will be Job No. 1 for some time to come.
BIO: Rich Castagna (email@example.com) is editorial director of the Storage Media Group.


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The Rails Rumble is an annual programming competition where teams of up to four people will have 48 hours to build an innovative web application in Ruby on Rails. Once the build portion of the competition is over, a two-phase judging process selects the winning entries in several categories. In the first judging phase, a selected panel of experts reviews all qualifying applications to determine the top tier. Once they're finished and the top applications identified, the public judging period begins. The categories of winners include: Grand Prize, Second Prize, Third Prize, Solo, Appearance and User Interface, Originality and Innovation, Usefulness, and Completeness. Thanks to Nick Plante, Darcy Laycock, Erin Shine, and Jeff Rafter who organized this year's event.
Third Prize
The 2009 Rails Rumble Third Prize goes to the TableSurfing application, developed by Jelle Desramaults, Benny Degezelle, Jeroen Jacobs, and Jan De Poorter.
Jan, tell us about TableSurfing. What does it do?
TableSurfing is like CouchSurfing... but with food. People who don't want to eat alone, but do like to cook, can put up a table on the website, and spread the word through Twitter/FaceBook/.... People can then sign up for their table and have a fine dinner party. With TableSurfing, you'll never eat alone!
What tools did you use to build it?
Ruby on Rails, of course. And jQuery, Google Maps API, Geokit ruby gem, FB Connect, Textmate, A lot of paper, crayons, sweat, and tears.
What was the hard part in building TableSurfing?
We were kind of struggling getting the Facebook integration working as we wanted it, not having a lot of experience with the code/plugin was really hard. We also spent a lot more time then we tought we would on the intro movie.
In retrospect, what would you have done different?
We should have familiarized ourselves with the plugins we would use instead of just assuming FaceBook integration was easy. I think we had a better run then last year though, so I think we're going in the right direction ;-)
What's next with the app? Any enhancements, improvements in the offing?
At the moment we're all loaded at work (end of the summer), but we want to go ahead and do some minor updates first (Simplifying the table creation process, having more interesting local results, add RSS/Tags to follow). We also need a lot of test coverage, which we didn't get to during the Rumble. After all that it's not sure yet where we're going.
For More Rails Rumble 2009


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The Veneerware bamboo spork is the ideal multi-use appetizer utensil. For olives, hors d-oeurves, or other small apps. Fork side or spoon side, you decide. Made by bambu, a values-driven company focused on renewable materials and sustainable business practices. The principles foster a close, fair-trade relationship with the workers at the source. Their products and practices have earned bambu Green Americas Green Business Network Seal of Approval. This recognizes bambus commitments toward fair treatment of workers, promoting healthy communities, preserving the environment and providing quality products; also evidenced by their IMO certification. bambus Certified Organic Bamboo is grown without chemicals, pesticides or fertilizers and is sustainably harvested every 3-5 years. Bambu is the only company using Certified Organic bamboo sources for their products. And naturally, they only use water-based formaldehyde-free adhesives. bambus products are a testament to fair-trade, sustainable harvesting and inspirational food-safe design. Single use and fully compostable. Twenty-four pack of 3-1/2 length sporks.
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We are proud to be a part of 500 Startups500's mission is to discover and back the world's most talented entrepreneurs, help them create successful companies at scale, and build thriving global ecosystems. 500 Startups helped MyFavorito to make its first steps in Silicon Valley and build the foundation to make MyFavorito the leading B2C CRM platform. Needless to say: We are very proud to be a part of the family.
2018 was a busy year for our investor and we are proud to share what the team has accomplished over the past 365 days. Read the full article and learn more about some of the 2018 highlights.


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Copyright © 2011 The Milano Room at Amici, St. Augustine, FL.
St. Augustine Weddings
The Milano Room is located in St. Augustine Beach, Florida, and specializes in Florida wedding receptions. Close to downtown St. Augustine and St. Augustine beach, The Milano room is a perfect wedding reception location for couples who have beach weddings or downtown St. Augustine weddings. The Milano Room is also convenient to all other wedding venues in St. Augustine. When planning a St. Augustine Wedding, and need the perfect wedding reception location, contact The Milano Room in St. Augustine Beach.


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Coatesville, PA (Witmer Public Safety Group, Inc.) January 29, 2013 – Witmer Public Safety Group, Inc., (WPSG) has announced they will not impose a surcharge to customers using their credit cards to make purchases. The parent company of TheFireStore.com, OfficerStore.com, and theEMSstore.com understands that the current economic conditions of their customers across the country are difficult enough and has rejected the opportunity to charge additional "swipe fees" of up to 4% on purchases.
The settlement of a long-running antitrust suit between card companies and merchants opened the door for merchants nationwide to add surcharges onto purchases made with VISA and MasterCard Credit Cards. WPSG made the decision not to add surcharges because they value their customers, understand their current economic challenges, and seek to maximize the purchasing power of each dollar their customers invest in public safety equipment and supplies.
WPSG has joined some of the country's largest retailers including Wal-Mart, Target, Sears, Home Depot, and Rite Aid. All of these retailers do not plan on taking advantage of the new rule.
About Witmer Public Safety Group, Inc.
Witmer Public Safety Group, Inc. offers product lines from more than 400 manufacturers. Their motto is Equipping Heroes™ and this continues as they extend their commitment to provide the industry's best equipment and supplies to the professional men and women who serve to ensure the public's safety. For additional information, please call (800) 852-6088 or visit TheFireStore.com, OfficerStore.com or theEMSstore.com.


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Boulder District Judge M. Gwyneth Whalen will step down from her post next month to take a special counsel position with her former law firm, Caplan and Earnest LLC.
Whalen on Aug. 31 will leave the Boulder District bench, and will focus her work at Caplan and Earnest on complex civil litigation, according to a news release Wednesday.
Whalen managed the firm's litigation practice in 2006 when she was appointed to her post with Colorado's 20th Judicial District. Whalen, a University of Colorado School of Law graduate, previously served as a clerk in the district, and served as an assistant Boulder County attorney before entering private practice.
"I thoroughly enjoyed my time on the bench and I will miss the challenge of the job and my outstanding colleagues," Whalen said in the news release. "But, the litigation practice is expanding at Caplan and Earnest and I am looking forward to getting back to that practice and new challenges."
News of Whalen's departure comes shortly after the announcement that Chief Boulder District Judge Roxanne Bailin will retire on Aug. 31.