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Archive for the 'Liines Lemur App' Category:
Still alive 2019
Hey folks,
years passes by, and I focused more on my day job as research group manager at the university. I am still making music and use the Lemur, but I am no more into programming new interfaces for a while now. I guess thats how it goes very often with such special application developers. As I had my toolcase for the Lemur I was fine. Actually I even stopped reading the forum on liines website regulary and than, after I while, I forgot to look at the forum at all. Suddenly I registered that Liine put their forum down [sic!]. It must had happend nearly a year ago. And no proof of live from them at all. I tried to contact them, but no answer. So, sadly, it seems Lemur is dieng a second time, after that Jazzmutant death in 2012. If anyone has more information, please drop me a mail. Meanwhile one user had thankfully opened a new forum for lemur users: http://lemur.boards.net/
I will see that I update this page soon and make a collestion of my interfaces available. At the moment you can also still download them from the Liine user area: https://forum.liine.net/en/community/user-library/user/542/ but who knows for how long…
Hope you are all well and kind regards
studio setup 2013
a short overview on my setup for making electronic music
In my actual setup, everything that makes sounds comes out of ableton. so the video is more about controlling, than sounds or audio…
I use 2 Lemur parallel (iPad and Jazzmutant hardware), and get midifeedback on both. That means, changing values in any interface, will be reflected on all devices.
Isn´t so special? true, in days of networks it should have been standard…and I know there are some nice plug and play devices that are ultra coupled with software and for sure give feedback,… but between devices it is sometimes tricky.
I use at least 10 midiports to achive this on PC*:
*(it differs on mac, based on IAC and Lemurports)
active INs in ableton [track/remote]:
active OUTs in ableton [remote]:
This way, I got feedback on my Lemur. (While feedback on hardware controllers is not possible, misses motor encoders)
Demo video Scalomat 2013
Scalomat 2013
I have updated the Scalomat (for previous version see: http://music-interface.com/?p=64).
Scalomat is a scale dependent keyboard for note entry.
Download Scalomat 2013 in the Liine user area: http://liine.net/en/community/user-library/view/419/
Visit the thread in Liine forum: http://forum.liine.net/viewtopic.php?uid=1010&f=26&t=3478&start=0
———-update 131020——-
added more resolutions:
Modumat [update 2013]
Its been a while since I posted some new tools or add ons…. but now I have found some time to update the "Modumat", one of my first Lemur modules.
"Modumat" does step modulation of Midi Control Change data on up to 16 steps. This can be linked to any function like filters, velocity, pan or whatever. The modulation can be send stepwise (default) or as a continious line (interpolate). There is a range for the output (e.g. if you only want filter to vary between 34 and 56 instead of 0-127) and a range for the used steps (16 is maximum). The new version6 got also a row of random-switches beneath the sliders – if a switch is activated the corresponding slider will get a new random value shortly after it is triggered. This brings in some variation. As you can control the position of random and the amount of output that is still interpreted by a range, I like to call it "controlled random".
All values can be saved in 15 presets. Saved slots are highlighted. To erase the highlighting press preset 0 and 14 parallel in play mode. This only erases the highlighting, to erase a preset just override it with a new preset.
The output can be routed to any Midichannel and controller number by a drop down menu (sending to Miditarget 0 on Lemur). There is a syncronised version (listening to clock input on Miditarget 0) and a unsynced version. Both using only half the screen, so there is enough space to combine it with a small key or a 2nd modumat on one interfacepage.
You can download Modumat from the Liine user section: http://liine.net/en/community/user-library/view/59/
Here is a video from early 2009 which shows one of the first versions of Modumat. It does not contain all features (random switches, presets, Midirouting are missing) but it gives an idea how to use the Modumat.
Sequencomat v3.4 – program change
I am currently working on an update for my Sequencomat,
this short video gives insight into some of the new functions:
The video shows in the following order:
- setup CCs for program change
- using right slider to set all values
- set stepvalues, use random
- program pattern chain
- play chain and see blinking
- see feedback on synth1 template (normal midimapping)
- and overwrite it manually
v3.4 update will be available february 2013
links and info will follow soon…
See topic at Liine: http://liine.net/forum/viewtopic.php?f=26&t=2491
manual of v3.3: http://www.tonvibration.de/SequencomatV3.html
New features on Sequencomat v3.4:
- Program change is now transmitted via ControlChange on Controller
number 129. This means you can jump the sound stepwise if you like or
patternwise, which leads to some new musical opportunities. Controlling
the 128 programnumbers via the MultiSlider is not the best ergonomic
solution, but shrinking the range helps a bit and gives more
- Pattern chains (follow actions) can now be programmed total free,
including iterations of the same pattern and jumps across patternbanks.
Chains can be programmed on the fly during playback.
- Saved patternslots are now highlighted. This feature is an ergonomic
must have and was already integrated in v1 and v2 of Sequencomat (where
pattern saving was done in Lemur, not in max), but I missed it in v3
(cause now pattern handling was done in max and I have to fiddle out a
appropriate method to do so). Actually this feature was the reason I
started the update.
- Patternjumping can now be done with next beat. Although I am quite
proud that Sequencomat jumps pattern directly so you can play them
like an instrument some users asked me for a function where
patternjumps are done at the end of the beat. So I integrated a
dropdown-menu where you can choose between direct pattern triggering or
with next 1/2bar, bar, 2bars, 4bars.
- Next pattern to come will blink. This gives a good visual feedback for
above mentioned patternchains and triggering on beat. Blinking rate
responds to 8th of actual bpm.
- Shortcuts for 15 scales. Although you still can define your scales
totally free by entering the halftonesteps, I added shortcuts for 15
well known scales. Scales can be defined independent for track 1-4 and
5-8. They are parts of the set (not of a pattern) and can not be changed
during playback.
- 20 colortemplates. I expanded the available colors for the surface a
lot. That 20 color themes include 4 mainly grey templates and 4 user
templates, that can be built individually.
- Sets of Sequencomat v3.3 are compatible with new v3.4, but will miss
the patlight-vector for highlighting saved slots, which can be built
by saving the patterns in same slots with v3.4
The update will be available in February and all users of full license
will get a free update.
Route n Range: external Midigear with Lemur
Dear Lemurians,
here is a new patch I´ve made in max/msp with a control surface for the Lemur.
It is called "Route n Range" and what it does is: It takes an incoming MidiControlChange message from external gear, display it on the Lemur, where you can range it, and send it out to another Midi destination.
Incoming Midi CC can be linked to 8 Controllers. Pressing the top bvutton will link the aligned Fader to the actual incoming Midi (Midilearn). Channel and Controllernumber can be also set manually by pressing switches in the 2nd row and turning the endless knobs for Channel and Controller. By activating the switches at the bottom line, values for Channel and Controller for Midiout can be changed with the 2 knobs too.
Each Fader got a attached range, which controls the value output, displayed in a monitor below. This allows to transform the full movement of a hardware rotary encoder (0-127) to only send between concrete values (e.g. 35-76). However – the fader will follow the Midi input (0-127). Midiinput can also be overwritten by moving the Fader directly.
Settings of all In and Out routings and ranges can be saved in 12 sets. If the numberpad is green, it is in load mode. For saving change to record mode by pressing the red switch above. Notice that these sets will only load the routings, they are not snapshots of the CCvalues! After a jump triggering is initiated by hardware input, where here all 8 Controls act independent from each other (no list processing).
The Midiports for in and out can be chosen on the maxpatch. They are split for Controller 1-4 and 5-8, so you can use different Midiports or just the same. Choice of Midiports can be done only direct on the maxptach, not on the Lemur. But Midiports are also saved within presets, which can be loaded from the lemur.
Between the maxpatch and the lemur surface is a bidirectional OSC connection. So the lemur controls the patch, while all Midi is handled in max/msp. (In fact the patch also works completely without a lemur.)
You might ask: What the hell is that good for???
As you can route your external Midigear directly within your DAW, why this circuitous way with a maxpatch and a lemur in between? The answer lays deep in my personal setup: I have a very well defined Midirouting in my DAW where I controll over 200 CCs. As I have learned many functions to concrete controllers, I do want to change the sending side of Midi, not receiving in my DAW. While most USBcontrollers can do that easily, my beloved "Doepfer Pocket Control" – best feeling encoders ever – has only a small DIPswitch, which makes midirouting unconfortable. Therefore, I needed the patch to switch the Encoders to different Controllernumbers. Furthermore I wanted to have a range, so I got more detailed control and I wanted to switch during playback. …thats where the patch comes from.
I admit that this is a very specific use. But it might be, that there are some other users, who also have (old) Midigear and want to link it up dynamically, so here is the patch btw: the maxpatch is open for editing. I think it can be easily expanded to 16 Controllers if necessary.
Sequencomat V1 – re-release for iPad 2012
I re-released my SequencomatV1 for iPad:
Threat in Liines forum: http://liine.net/forum/viewtopic.php?f=26&t=1225
V1 was first released september 2009. I had only some minor changes on maxptach, but I resized the interface, try to make it a bit "clearer" and also added physics on the Velocity and Length MultiSlider for trackvalues. I also put some effort in writing a manual/documentation. It is attached in the zip as pdf and available online: http://www.tonvibration.de/extra/SequencomatV1_2012_manual.pdf. The manual also contains some scripting tutorials, because most variables are calculated on the lemur in V1 and only triggering of those is done in max.
Naturally V2 and V3 of Sequencomat give more detailed control, but V1 with its direct controls has its own charme. A comparison of all Sequencomat sequencers is given in the FAQ of the manual. In common: Global values in V1 (Midichannel, grid, playdirection, steprange, startpoint) become trackvalues in V3; and track values in V1 (pitch, velocity, length) become stepvalues in V3. There is a video where I compare V1 (old legacy surface) and full V3.1: http://youtu.be/v4pdzmYzrxQ
There is also a playlist (3 videos) that show functions of V1: http://www.youtube.com/playlist?list=PL55F20A2D3AFEA7AE (videos are also with old legacy surface, but demonstrate functions quite well)
V1 is combinable with V3 and/or V3 lite. This can be done as different interfaces within one lemur project, but also on different lemurs (legacy/iPad). You just have to run both patches in max and set right IP and OSC for communication. For sync V1 and V3lite use rewire clock on both, cause it is the only clock V1 has. For sync V1 and fullV3, deactivate rewire and V1 will automatically follow V3 settings (it uses the same clock variable names).
4balls – Multiball sending ranged Control Change
I´ve completely reworked the 4-balls module for iPad resolution:
It was one of my first modules at all and had no update till years. The colors were broken since Lemur 2.0 (!) and the surface needed an update too (although Liine had streched the original to iPad size). And while starting programming I felt the fever again and added some usefull functions….
The main idea is sending control change on each axis and for each of the 4 balls, but not 0-127 cause each ball/axis got its own range. This enables a slighter, more controlled variation. I normally use the horizontal axis for sending pan and the vertical axis for sending FX-amount on 4 tracks. So you do not only "play with the balls" (haha) you play also with the ranges on the module. Therefore they have to be big and grabable.
You can see the original module in this video, explaining the main idea (min 4:40) :
Each axis also got a mute switch. If pressed it stops sending the ball variation and sends instead the minimum range (vertical axis) or middle position (horizontal axis). If muted you can use the ranges like faders. I added also a "drag" switch, so each range can be locked.
The old module was sending "hard wired" controllernumber and midichannel. Thats a bit unpractical, cause you have to fit your setup to the module. Now you can programm controllernumber and channel for each axis.
press "setup" and a popup container appears:
- activate the axis you want to change,
- a red LED will mark those axis
- set channel and/or controller with up and down pads….
After I had made that dynamic mapping I thought it will be cool to save those mappings, so I insert a preset container. The point why I mention this is, only after that I had the idea to save the ranges too…. But it in the end I found out that saving the range is even more a deal maker!! It is nice to jump with different ranges, setting all 8 CCs to a special pattern…very effectfull!
For completeness I also added save to the mute and drag switches on each axis.
Now you got 15 presets to save and load:
- switch between save/load with the mode button
- background of patterns show mode: red=save green=load
- press pattern slot to execute
- saved slots are highlighted
- to reset highlight, press parallel pattern slot 0 and 14
- 3 groups of values: midisettings, ranges, switches
- groups can be deactivated (e.g. if you only want the ranges to variate…)
- or save/load all together
- Saving Lemur project on iPad will also save presets.
- To save presets to the module (so they are default next time you enter it in a project) keep Jazzeditor in sync while editing presets and save the modul ("Fourball"container) with a different name.
Some common info:
- This module can be added to any project as a new interface.
- You can also use it more than once within one project (if you prefer 8 balls).
- It sends all Midi to Miditarget 0 of your Lemur.
- For routing the Output to your DAW/hardware use the ranges! (…as a ball will always send on 2 axis…)
and let me know what you think of the new features…
Ipad running Sequencomat V3 lite + full version
Here is a video showing Sequencomat V3 lite + full version
running parallel on an Ipad via WiFi connection.
Finally, it works
Before I had lag in feedback and even dropouts (only visual feedback, triggering was not effected)
But changing the channel of my router helped a lot to get better feedback (as to be seen in the video).
Using an ad hoc network instead of WiFi can make communication even more fluent and save.
Well, I tested with Wifi and I am really impressed that it works great job, people at line!
At the moment I am still testing SequencomatV3 for Ipad, have found some beta testers in the forum.
In common all looks fine. seems that the knob object (used for BPM control and position) is somehow broken in Lemur 3.0.
Unfortunately the Endless Knobs always fall back to value 0 if touched, which is no good idea for bpm. So for the moment you have to set the tempo in once at the beginning. You can make small changes by using the BPMfine knob later…. If Liine can not fix that, I will enter another control typ for bpm and position.
- The bidirectional OSC communication between Lemur and maxpatch was designed for ethernet connection on its original hardware Lemur. The full version of SequencomatV3 sends about 4000 values forth and back in realtime. On original Lemur that was never a problem (while internal 4MB memory sure was!), on Ipad it clearly depends on your network settings. Ad hoc works fine. But even wifi can work as shown in the video…. However: If lite version works, full versions works also and you can even run both.
"Offical" release of full version will be early 2012
Read manual of SequencomatV3.


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As you know, Artificial intelligence, or AI, has been a part of our world at ai-one since our founding in 2003. Don't be confused by the latest buzzwords, deep learning, machine learning, artificial intelligence and biologically inspired intelligence (our Nathan) are all part of the field of A.I. It's a hot subject now but the languages, techniques and algorithms have been around for decades, often as part of an application (Google search and map directions for example).
In order to become it's own industry A.I. needs a large number of companies, money and its own problems to solve. This is the real news of the last few years and Max Wegner and our friends at appcessories.co.uk have created "State of Artificial Intelligence Infographic" to tell the story.
Today A.I. is a significant and growing sector of the technology industry; billions of dollars are invested in new AI developments, and companies around the world are working on new AI applications as you read this. And while most AI companies have been in existence for less than a decade (the average age is around four or five years), the tech behind AI is evolving, and the role of AI in our lives in the coming years is all but certain to grow.
One of the surprises in the report is the ranking of Switzerland as the second largest location in the world by amount of VC funding received and third by number of companies. With almost all of the companies less than 10 years old, ai-one was clearly early, before the cloud and big data brought in the new era. Our biologically inspired intelligence is another differentiation from all but a few of these companies.
It is a new era and with all the competition comes the demand from the business community to make significant investments in A.I. powered applications. We see the change in the character of the inbound leads from our website. In the past those inquiries were from PhDs, engineers and startups where today they are almost exclusively from product managers at larger enterprises. This is the type of demand that will drive growth and we're excited to be in this space.
If you want to put see what our AI can do for your enterprise, please connect.

subset: commoncrawl


text:
ATLANTA � Fredi Gonzalez gave three struggling stars a chance to relax.
ATLANTA � Fredi Gonzalez gave three struggling stars a chance to relax.
Fill-in starters Ramiro Pena, Jordan Schafer and Evan Gattis then showed the slumping regulars that hitting isn�t so difficult.
Pena drove in four runs with three hits, including a run-scoring single in the sixth that gave Atlanta the lead, Mike Minor pitched seven strong innings and the Braves� makeshift lineup had a season-high 16 hits in an 11-3 win over R.A. Dickey and the Toronto Blue Jays on Thursday night.
Freddie Freeman and Reed Johnson homered, Gattis had three hits and Schafer had two hits, including a two-run single in the sixth.
�We are trying to do our job, you know,� Pena said. �We want to play well also. I think we got great ABs and we produced.�
Pena, Schafer and Gattis made the most of fill-in starts as Gonzalez rested three regulars hitting below .200: outfielders B.J. Upton and Jason Heyward and second baseman Dan Uggla.
Gonzalez wouldn�t say after the game if he would hold out the regulars again when the Braves open a weekend series against the Washington Nationals on Friday night.
�We�ll see,� Gonzalez said. �The guys played well. One thing you always want to do is put your best team out there.�
Minor (7-2) gave up six hits and three runs � two earned � with five strikeouts and no walks in winning his fourth straight decision.
Dickey (4-7) allowed 11 hits and six runs in six innings.
It was Dickey�s fourth start allowing six or more runs this season, leaving his ERA at 5.18 one season after he won the NL Cy Young Award with the Mets.
Dickey said he gave up a lot of soft hits.
�I might have given up four hard-hit balls all night,� Dickey said. �I mean, it was tough. It seemed like every ball off the bat would find a hole somewhere, or a little space in the outfield.
�This game�s tough. It�s hard. And you can�t quit grinding it out, and you can�t quit searching for the answers. I certainly won�t. And I�ll find it. I�ll find it.�
The Blue Jays scored three runs in the sixth to pull even at 3, but the Braves scored three runs off Dickey in the bottom of the inning. Pena�s infield single drove in Gattis, who led off with a single. Schafer singled with two outs to drive in Chris Johnson, who reached on a fielder�s choice grounder, and Pena.
Toronto manager John Gibbons said Dickey�s velocity on his knuckleball is down.
�He�s been battling that, trying to find it,� Gibbons said. �He battles you out there. I know that�s frustrating him.�
One day after a 3-0 loss to the Blue Jays, the Braves made some lineup changes. Third baseman Juan Francisco, who was sharing time with Chris Johnson, was designated for assignment. Francisco was hitting .241 with five homers, 16 RBIs and 43 strikeouts in 108 at-bats.
The Braves have 10 days to trade, release or send Francisco outright to the minors.
Schafer, who hit leadoff and started in center field for Upton, had a first-inning double that bounced over third baseman Mark DeRosa. Schafer scored on Andrelton Simmons� single to left.
Gattis, starting in left field, led off the second by slapping a single to right field. Gattis scored on a single to left by Pena, who started for Uggla.
Heyward, pinch-hitting in the seventh, reached on catcher�s interference when his bat hit J.P. Arencibia�s glove.
Freeman pushed the lead to 3-0 in the third with his two-out homer off Dickey. The homer came on the night fans received Freeman bobblehead dolls.
Toronto pulled even in the sixth. Dickey led off with an infield single and moved to second when Simmons misplayed Jose Bautista�s grounder for an error. Edwin Encarnacion drove in Dickey with a single to center field and DeRosa added a two-run double to right field.
Reed Johnson hit a pinch-hit, two-run homer off Todd Redmond in the eighth, capping the impressive show of depth on the Braves� roster.
�It�s a deep team position-wise,� Gonzalez said. �There are some days that the guys sitting on the bench may be better than the guys on the field and vice versa. You�ve got to take every opportunity and put guys out there.�
Gonzalez remains confident in Upton, Uggla and Heyward.
�You�ve got to believe the back of the baseball cards, and they�re good players,� Gonzalez said. �It may not even be the end of June. It may be the middle of June or five days from now. Who knows? But those bench guys are playing well.�
NOTES: The Braves selected the contract of LHP Alex Wood from Double-A Mississippi. Wood, a 2012 second-round pick from the University of Georgia, pitched the ninth, allowing one hit, in his major league debut. � Atlanta improved to 22-3 when scoring first. � The Braves open a series against NL East rival Washington on Friday night when Julio Teheran faces Nationals ace Stephen Strasburg. The Blue Jays� seven-game road trip continues at San Diego, when Chad Jenkins will face Padres RHP Jason Marquis.


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Slow-Roasted Pork Wrapped in Lettuce with Ginger, Scallions and Red Chilies
Normally I can't resist tweaking a recipe, but not this time. As soon as I read this article and recipe in the New York Times for Momofuku Bo Ssam, I began to plan my week around making it. Adapted from the Momofuku cookbook by David Chang and Peter Meehan, this Korean-inspired recipe has perfection written all over it. Despite its exotic name with a restaurant pedigree, I might call this dish Lacquered Slow-Roasted Pork. The meat alone is a masterpiece, oven-roasted to a crispy, caramelized heap with nothing more than copious amounts of sugar and salt. It's then wrapped in lettuce (ssam), brightened with an intoxicating muddle of ginger and scallions and thoroughly electrified with a fermented bean and chili sauce which will rock any Scoville Scale. If it's not broken, then don't fix it.
Bo Ssam: Slow-Roasted Lacquered Pork with Ginger, Scallions and Chile Sauce
I have adjusted ingredients to suit my pantry and adapted the quantities to generously feed a family of 4 with lots of leftovers.
Makes about 8 servings.
For the pork:
4 pounds pork butt (shoulder)
1/2 cup granulated sugar
1/2 cup kosher salt, plus extra for sprinkling
1/4 cup brown sugar
For the ginger-scallion sauce:
1 bunch scallions, about 8, white and green parts, thinly sliced
1/4 cup freshly grated ginger
2 tablespoons grapeseed oil
1 teaspoon light soy sauce
1/2 teaspoon sherry vinegar
1/4 teaspoon kosher salt
For the red chili sauce:
1 tablespoon fermented bean and chili paste
1 teaspoon sweet chili sauce
2 tablespoons sherry vinegar
2 tablespoons grapeseed oil
Cooked basmati rice
Bibb lettuce leaves, washed and dried
Place the pork in a large bowl. Combine the granulated sugar and 1/2 cup salt in a small bowl. Rub all over the meat. Cover with plastic wrap and refrigerate overnight.
When you are ready to cook, heat oven to 300 F. Remove pork from refrigerator and discard any accumulated juices. Place the pork in a roasting pan. Roast in the oven until the pork is falling apart tender, about 5 hours, basting occasionally. Remove meat from oven. Increase oven temperature to 500 F. Rub brown sugar all over pork. Sprinkle with a little salt. Return to the oven. Roast until a dark caramel crust forms on the pork, 10-15 minutes. Remove from oven. When cool enough to handle, shred into pieces and large chunks. Arrange on a serving plate.
While the meat is roasting, prepare the ginger-scallion sauce and red chili sauce. Combine all of the ingredients for the ginger-scallion sauce together in a bowl. Taste for seasoning and set aside. Combine all of the ingredients for the red chili sauce together in a bowl. Set aside.
To serve: Place a few forkfuls of shredded pork in the center of a lettuce leave. Top with rice, ginger-scallion sauce and a drizzle of red chili sauce.


text: Cee Lo Green has announced plans for a Las Vegas residency at Planet Hollywood Resort & Casino, starting in August. "Cee Lo Green Presents Loberace" is to premiere Aug. 29. It will mark the first of "The Voice" coach's 28 planned performances at the venue this year. Best known as half the soul duo Gnarls Barkley, Green's solo song "Forget You" was a huge hit in 2010. He is now serving as judge on TV's "The Voice" for a second season and he performed with Madonna at the Super Bowl halftime show this year, as well. "More of a spectacle than a show, Cee Lo, the conductor\/ringmaster 'Loberace,' will take you on a ride through the colorful decades of music, stopping at legendary moments in time, from Prince to Blue Magic to The Rolling Stones, new wave to disco and beyond," a synopsis said. "Visually, the production will combine CeeLo's flamboyant sense of style and over-the-top creativity, magnified and intensified, with his soulful voice covering some of his favorite music, as well as original songs."


text:
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4 customers found this review useful.
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Fuel management for passenger cars
A central aspect of fuel management is the efficient filtration of the fuel, in order to protect the engine and its components from contamination and damage. As manufacturers increasingly pursue a strategy of identical parts or modular design, the same engine is being used in more and more regions of the world. The fuel quality varies accordingly, at times due to biocomponents in the fuel. The water content plays a role along with dirt particles. Water separation systems can pave the way for the global application of an engine while making it possible to use biodiesel.
The MAHLE product range for fuel management includes products such as fuel filters, water separation systems, fuel heaters, and activated carbon canisters.
Fuel filter modules efficiently prepare gasoline and diesel fuels for the combustion process. For this purpose, they use high-separation filter media and feature an advanced functionality scope. The fuel pressure in gasoline filters can thus be adjusted by a pressure regulator integrated in the fuel filter.
For diesel engines, the functional range of the MAHLE fuel filter modules can be significantly more complex. The fuel can be cooled or heated, for example, or the water content of the fuel can be separated.
In order to comply with demanding emissions limits, modern diesel engines typically employ common rail injection systems. These are extremely sensitive to solid particles and diesel fuel containing unsolved water. Since world engines are also used in countries with poor fuel quality and varying shares of biofuel, it is necessary to enable optimal separation of contaminants and water even under these conditions.
For this purpose, MAHLE has developed a solution with the active prefilter module that achieves a separation level of up to 98 percent in new condition.
Every fuel tank has a pressure balance pipe, which ensures that no vacuum develops as the tank is emptied, and that heating and expansion of the fuel does not create overpressure in the tank. The fuel fumes that escape when the overpressure is relieved are fed through a pipe to the activated carbon canister, where they are captured or stored. The fuel fumes stored in the filter are then burned during engine operation. Activated carbon canister modules thus reliably reduce the emission of hydrocarbons and pollutants.
MAHLE electrical heaters are used in diesel and ethanol engines for cold starting and operation at low ambient temperatures. For diesel engines, they ensure that flowability is maintained and prevent flocculation of fuel components that could lead to clogging of the filter. In ethanol engines, MAHLE heaters significantly improve the critical cold start.


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If you're in the market for a used car, you've come to the right place! McCarthy Auto Group is proud to manage a group of premier used car dealerships near Kansas City. Each of our nine dealerships offers unparalleled variety and a wide selection of pre-owned vehicles ranging from subcompact cars to full-size trucks. That's part of what makes our used car dealerships near Kansas City so revered; we offer late-model used vehicles from Chevrolet, Buick, GMC, Hyundai, Nissan, and Toyota, among many others.
Search through our online inventory of used cars for sale in Kansas City, and visit any of our dealership locations to take advantage of our exceptional prices and pre-owned specials. When you're introduced to our outstanding selection and excellent customer service, you'll realize why so many buyers opt for McCarthy used cars when it's time to upgrade their ride.
Our used auto dealerships are known to have some of the largest and most diverse selections of pre-owned cars near Kansas City, MO. Perhaps no better validation of that claim is here in our inventory of certified pre-owned cars. With so many brands of certified pre-owned vehicles in stock, our dealerships prove that the McCarthy name is backed by more than excellent word of mouth and five-star reviews -- we're built to offer the selection necessary to serve every driver within the greater Kansas City area.
Why else do drivers choose McCarthy as their trusted Kansas City used car dealers?
If you already know you're interested in a top-quality used car rather than a new vehicle, visit our McCarthy Pre-Owned Supercenter location in Blue Springs, MO. There you'll find a huge variety of the best used cars near Kansas City, from ex-fleet and rental cars to older models that simply needed some TLC. Priced to sell and ready for a new home, each previously owned vehicle at our Supercenter makes the grade.
Wherever you are in the Kansas City area, we're here to help you with the purchase of your (new) used car. We take pride in knowing that each pre-owned vehicle that leaves one of our dealership lots with a new owner is revved up and ready for the road ahead. You never have to worry about low-quality cars when shopping with McCarthy. Browse our extensive selection above, and be sure to check out our inventory of used cars under $15,000.
Our network of dealerships serves both sides of the state line, offering used cars for sale in Kansas City, KS, as well as Kansas City and Sedalia, MO, and beyond. If you're searching for a new car, view our current new inventory or visit any of our area dealerships. We're also here to help with auto financing and any of your vehicle repair and maintenance needs. If you have any questions about our used cars near Kansas City, MO, please find the closest McCarthy dealership and let our friendly staff assist you. We look forward to helping you find your next car!
Please note: Content mistakes could occur, see our sales department for complete information and a product presentation at the dealership or through a video walk-around that we can email you.
Chevrolet: Pricing does not include the $199 Administrative Fee. Prices may contain errors due to electronic errors. Please ask to speak with a McCarthy Auto Group Sales Professional for any questions.
Toyota of Sedalia: Price excludes tax, tag, title || PLUS $199 dealer fee and $999 McCarthy Protection Package. Please see dealer for full details. Must have trade of any year, make or model, dealer must arrange financing.
All other dealerships: Pricing does not include the Administrative Fee. This vehicle may have previously been a loaner vehicle. Prices may contain errors due to electronic errors. Please ask to speak with a McCarthy Auto Group Sales Professional for any questions.