text:
June 9, 2002
I'm now running workshops !! Come see...
March 3, 2002
Updates to Pierre-Paul Prud'hon: An Investigation into theTechnique of a Great 19th Century Draughtsman
October 25, 2001
Updates to Pierre-Paul Prud'hon: An Investigation into theTechnique of a Great 19th Century Draughtsman
October 10, 2001
American Artist Feature Article! This article is about my painting, and features portraits.
April 23, 2000
I'm in a gallery show! April 22 through June 3, 2000. See a virtual display on-line and read more about the show.
November 14, 1999
I'm in a museum show! November 11, 1999 through February 12, 2000. See a virtual display on-line and read more about the show.
More Drawings:The black & white chalk on blue green paper Academies are proliferating. In chronological order, here some are:
July 14, 1999
Pierre-Paul Prud'hon: An Investication into the Technique of a Great 19th Century Draughtsman
Every time I bring out my book of black and white chalk on blue paper academies by Prud'hon, I get excited, my students get excited, everybody gets excited. So I thought I would get you excited too.
July 13, 1999
Miscellaneous Show: More life drawing to see-- chalk, charcoal, pen & Ink-- | 2 | 3 | 4 | 5 | 6 |
March 12, 1999
Hecuba's Child: a new addition to my life drawing and painting show. Included are two close-ups (face; feet) to show the detail better.
Black and White Chalk on Bluegreen Paper: another addition to the life drawing show.
Self Portraits: a new section in my portrait portfolio.
October 11, 1998
A Dramatic Pose: new addition to my portrait portfolio. Included are two close-ups (#1, #2) to show the detail better. And don't forget to keep checking Live Studio.
October 10, 1998
The Bird Paintings of Morgan Warren. A new addition to the Guest Wing. And don't forget to keep checking Live Studio.
June 15, 1998
I restyled my studio entrance.
Live Studio. I added a new category. Find out what's on my mind right now: Current Events, Paintings in Progress, Career Strategy.
Portfolio. This consolidates the start points for my on-line portfolio samples. See new portraits on display.
February 15, 1998
Spatial Relationships in Landscape Painting. Can't figure out how to get dramatic distance shifts in your paintings? Play with some of these ideas.
February 14, 1998
Life Drawing: Lesson I: Gesture - The Foundation of Figurative Art. I have taught life drawing for almost a decade. On the first day of class, I introduce the gesture sketch. It is a good way to start the figure drawing process, for learning, but for much more besides...
Two Paintings by Paul Atroshenko, in the Guest Wing. Paul is an artist and participant in the goodart discussion list.
June 4, 1997
One Painting by Charles Imbro, in the Guest Wing. Charles is an artist and participant in the goodart discussion list.
May 11, 1997
Two Paintings by C. Dennis Forsyth, in the Guest Wing. Dennis is an artist and participant in the goodart discussion list.
January 25, 1997
Test by Fire in Proposals. Bold, but why not? -- An application for grant writing services with a specific goal in mind.
Cost of Models in Proposals. A simple request.
January 1, 1997
Eulogy for the Nature Spirits, an animated gif in Current Work (182K)
Two more smaller animated gifs can now be found in the Ballet Preview page.
December 11, 1996
The goodart Artists: Introducing a Guest Wing show where artist readers of goodart (listserv) can display their work on the web. Our first artist to display is Chris Ousley.
November 2, 1996
More About Cast Shadows: This is an expansion from Shade, Light & Form Modeling, Definitions/Topics, in the Academy.
Closet D: An oil study from a posing model...But wait!...is she or isn't she? A secret weapon is disclosed.
Pastel on Rag Board: More life drawing.
October 22, 1996
Bouguereau at the Haggin: From Museum Notes, pictures, notes and a subtle revelation about beams of light in a dark grotto.
October 9, 1996
Shade, Light & Form Modeling: From the Academy -- Here is an ever-expanding lesson where we will explore shade, light, reflection and other tone related influences on our perception of form. Updates to this lesson will always be announced here, in "What's New?"
October 6,1996
Closet C, in the Study Collection: A landscape wash drawing using historic inks. Also a color portrait sketch.
September 14, 1996
Shortcut: My on-line studio is so big, I fear you might get lost. Now you can see how I organize my information, where you've been, and where you might like to be, all in a single click. You can find Shortcut- on every page next to What's New?
August 19, 1996
The Ballet Proposal: It's finally here! This is a description of a major project proposal. This is a large section with both pictures and writing.
July 9, 1996
A Little Fun -- having it my way. A questionnaire for grantors, in Proposals , of the Idea Library.
July 2, 1996
First Day in Rome, or...Travel Is a Painful Ordeal: A new addition to Museum Notes.
Reubens: A new addition to Museum Notes.
Leonardo da Vinci: A new addition to Museum Notes.
June 11, 1996
Life Drawings A new addition to the Miscellaneous Show.
Landscape Painting A new addition: not a new painting.
June 10, 1996
Study for The Extinguishing of Destiny- Series A new Study in Current Work.
Care to read some explanatory comments? The first of many explanations about my paintings.
Symbols The first installation in a collection of explanations for symbols in my paintings.
May 28, 1996
Two Eight Color Pastel Sets: An Academy lesson in small pastel palettes for landscape and portrait.
Page 6 of the Digital Illustration Portfolio: Packaging -- Binder with case for current IBM project.
May 16, 1996
Page 4a and 4b of the Digital Illustration Portfolio: Three comps for AMD new creative, and one poster for Kock industries.
Page 5 a and 5b of the Digital Illustration Portfolio: Samples of art especially for the web.
April 28, 1996
Page 3 of the Digital Illustration Portfolio: Cool Ad for current IBM job.
April 22, 1996
I reject the title -- Woman Artist; and other cautions Explanatory Comments:
1st installment. Text, No pictures
April 20, 1996
Page 2 of the Digital Illustration Portfolio: Four comp illustrations for current IBM job
Michelangelo Sculpture: Notes from the Medici & Accademia
Closet B of the Study Collection: Two new studies
April 9, 1996
See my guest gallery, view my drawings, studies and museum notes, get a lesson, read why I made that, link to cool sites, and more. A couple of pages are under construction, but there's PLENTY to do right now. Have fun!
Alzofon Art Institute
March 9, 1996
Studio Opening
| Home | What's New? | Shortcut | Portfolio | LiveStudio | Alzofon Art Institute |


text:
In this Thursday, April 24, 2014 photo, Crystl Faye Horton-Friedman, right, and Kristin Beckler, left, pose for a photo at Del Frisco's in New York. Both women are mothers and work as sommeliers at the restaurant. More women are moving up the wine ranks, said Dorothy Cann Hamilton, founder and CEO of the International Culinary Center. (AP Photo/Frank Franklin II) |
(AP) — This Mother's Day, sommeliers will be on hand to help you select just the right wine to go with that special meal out. And some of those somms will be moms.
Though it's still very much a man's world, more women are moving up the wine ranks, says Dorothy Cann Hamilton, founder and CEO of the International Culinary Center which has branches in New York and California. For the 2012 and 2013 school years, 60 percent of the 251 graduates in the schools' sommelier programs were women.
And at the California branch of The Culinary Institute of America (CIA, Greystone), the Accelerated Wine & Beverage Program, designed to train future sommeliers and wine industry leaders, has enrolled more women than men, looking at overall numbers for the four years the course has been offered.
It comes down to simple economics, says Cann Hamilton. Women already work in front-of-house positions such as waitress and hostess, and when they realize that sommeliers tend to make more money, it makes sense to get the training.
Crystl Faye Horton-Friedman, a certified sommelier working at Del Frisco's Double Eagle Steak House in Manhattan, started out as a bartender working to support her acting ambitions. But it wasn't long before she realized that sommelier was the role she wanted to play since she loved wine and enjoyed interacting with customers.
"I didn't really know at first that it was so male-dominated," she says. "You very quickly understood that it was."
Back when she started, she'd sometimes get customers who wanted to know, "Where's the wine guy?" It made her a little her nervous. But "I started saying to people, 'Well, now you got the wine babe. How about that?' I just kept going to school and learning more things and I knew that anything people could throw at me, I could back up with facts and knowledge."
These days there are four "wine babes" at Del Frisco's, including fellow sommelier Kristin Beckler.
"Getting someone to trust you is the biggest obstacle to overcome because they are expecting a man to talk to them about wine," says Beckler. "Once you can win their trust, then they become these really loyal guests."
Beckler has a 4-year-old son and Horton-Friedman has a 6-year-old and 13-month-old. Like other mothers, they juggle their responsibilities. Both enjoy being able to spend days with their young children since they generally work at night, though the flip side to that is things get tougher when the kids go to school. "Right now, it's been the best thing," says Beckler.
On the job, neither woman tries to overawe customers with their wine knowledge. "You take your ego right out of it," says Horton-Friedman.
When dealing with a somm of either gender, Horton-Friedman has an important piece of advice: Tell them what you want. "Don't be afraid of the sommelier," she says. If you want a certain price range say so, and if you end up not liking the somm's suggestion, don't be too intimidated to say so.
"Wine is fun," says Horton-Friedman. "It's not supposed to be stressful or confusing."
In California, Lisa Redwine, a certified advanced sommelier, is taking things to the next level, studying for the title of master sommelier, the highest and most rigorous level of certification.
Redwine, who is director of restaurants and beverage operations for The Marine Room, The Shores Restaurant and the La Jolla Beach and Tennis Club in San Diego, Calif., has been working as a sommelier for the last 15 years ago, a job she was drawn to while working at a restaurant where she noticed "the somms looked like they were having so much fun."
As a mom to two boys, ages 5 and 10, she has tried to balance work and family, with family taking precedence some of the time and work other times.
She hasn't found working restaurant hours a hindrance, though she has had to make some adjustments. Thanksgiving is celebrated, together as a family, but the Sunday before. And at Christmas, no need for the kids to wait impatiently until their parents awake. She has them up at 5 a.m. to make sure she won't miss present-opening before going to work.
"I don't think they know any different, so for them it's fine," she says.
And about her last name — it is perfect for her job, though she wasn't born with it. Redwine is her husband's last name. "It shows I have exceptional taste in dating," she jokes.
Her advice for young women considering a career as a sommelier?
"Go! Run, don't walk," she says. "It's an amazing career."

subset: commoncrawl


text:
Use CODE VVEGANOFIRST for 5% OFF on your first order. For COD, whatsapp "COD" on chat box.
Your cart is currently empty.
© 2024 Vvegano
Save 15% OFF on your First order on Vvegano App on App Store / Play Store by using code VVEGANOAPP..
MAVI's Kairi Mirchi - 300ml & 500ml
A classic kombucha made with Tamarind, Cumin and Jaggery. For those of you who like things a bit..spicy..try the Kairi Mirchi that has chillies and raw mango!
Shelf Life: 60 days
At MAVI's Commbucha, we are brewing some fizzy, energizing and refreshing booch-love for you. Basically, MAVI's Commbucha is handcrafted fermented tea which apart from having a long list of amazing health benefits, also keeps your taste buds tickling making it perfect for social drinking, as a non-alcoholic beverage as well as a mixer. From the beginning, we have ensured that we keep the experimentation and innovation going, so we offer a wide variety of perennial and seasonal flavours like plums, oranges, watermelon, the list goes on, we have something for every kind of palate!
As our name suggests, we believe in a strong sense of community, in fact, that's our vision- we do not look at Kombucha as only a beverage, we look at it as something that symbolises a sustainable way of living, and that's the community we are building, a community of people who take ownership of the change they want to see in themselves and the world around them. We are no preachers, but we strongly believe in conscious living and taking small actions in our own capacity to preserve the environment around us. At times, we have felt confused and overwhelmed as to where to begin because the world is such a complex and interconnected place but over a period of time we have found our own little ways to do our part about the issues we care for, for instance, finding alternatives to plastic or being more conscious about the source of our food. This is also reflective in the way we produce Kombucha, we procure all our raw material from local farmers and farmer's market who are spread across the country. We are building a community of like-minded people who are exploring ways of making a difference in their own capacities.
Mashi is someone who has always lived life by her rules, in her unique, unapologetic manner. We see her embracing challenges with absolute ease and giving every situation her own colour. A natural risk taker, when asked how this journey of brewing and stirring is going for her, she said, "One place where I did not want to be was in the kitchen but as it turns out, I am enjoying it!" Exactly like Kombucha, Mashi comes in many avatars- a friend, partner in crime, boss-lady, activist and dog-lover. Around her, there is never a dull moment and she ensures keeping all the values of community and leadership absolutely intact with love, empathy and creativity!
The first thought that comes to mind when we think of Vikram is the Iron Throne from GoT, because that's how he looks at life- full of thrilling and exciting experiences. Other than talking about his love for Kombucha and Mashi, in his free time, he is always on a look-out to do something new. He was backpacking solo much before the trend caught up in India, one day, you find him learning horse-riding and then on another, he treats you with some amazing home-baked bread. In his own words, "Jo baaki sab kar rahe hain, vahin karoge toh kya mazza hai?" His entrepreneurial spirit of doing something new and his passion for health is what keeps his mind buzzing with all kinds of ideas at MAVI's Commbucha.
Together, these two different yet complementing energies brew magic!
Vendor Legal Name: MAVIRegistered Address: A-102, Forest hill Chs, Killa Belapur, Navi Mumbai 400614Nature of Entity: Private Limited CompanyCustomer Care number: +91 9509973983Country of Manufacture: IndiaFor any Grievances: Name of Officer: Vikram MittalDesignation: Founder Contact: +91 9509973983
Time taken to Ship:
Time taken for Delivery:
For the below terms, kindly refer to Vvegano terms of Cancellation / Refunds / Returns / Replacements (see footer of the page) for further information:
Refunds, Returns & Replacements:
Only if you have received an item which is different from what you ordered OR damaged product received or excessive delay in shipment of the products
Products that you have used cannot be returned.
Packaging of the product as received from the vendor should be intact, unless breaking the seal of the package is essential to determining the state / quality of the product.
Refunds & Returns will be subject to the verification by the Vendor of the product returned. We encourage you to intimate us on firstname.lastname@example.com within 24 hours in case of having received a damaged product or incorrect product or poor quality of the product. Exceptions may be made for issues raised after 24 hours based on a case-by-case basis after discussion with the vendor.
What's Your Email?
Logging you in


text:
These following reviews are from Stylophiles online magazine. This first review, comparing the venerable Parker 51 to the Hero 329, appeared in the April 1999 issue. Originally, the included photos were of those two pens, but somehow when Bill moved his files, these photos of the Dragon shell pen were substituted. Here's the link to the 329: '329' series (the Dragon shell pen can be seen here). This next review is from Stylophile's June 1999 issue and continues with a look at a number of Hero models. Please note that these are images of the pages, not the originals, so the links shown in the review do not actually work. This final review is from the November issue of Stylophile's, and to date, the last (I very much hope that publishing will begin again on this terrific online pen magazine!). It's a bit curious, as the original review was digitally lost, and then re-written from memory several months later. Unfortunately, the author had returned the pens to me by this point, and did not contact me prior to publication to check his memory. So, before you become totally confused <G>, let me clarify a couple of points. The first mention is of a '94' series pen. There is no such model, and the photos on that first page don't correspond to the description. I believe that the pen being referred to is the '58' series Sea Mist or the '63' Mountain Mist. Note: these models are no longer available. The Dragon shell pen pictured at the top of the page is mistakenly referred to as being made of 'Mother-of-Pearl'. Actually, this hand-made pen is inlaid with conch shell. Note: this model are no longer available. The 'Doctor' pen next referred to is actually not silver, but the '900' series Palladium & Gold. The last pen on the first page is referred to as the 'Lacquer', but that's actually the fountain pen half of the FP/ballpoint '902' series Autumn Leaves pen set. Note: this model are no longer available. So, the 3 photos on the first page show the Dragon shell, Palladium & Gold, and Autumn Leaves pens! The second page repeats the 'Mother-of-Pearl' error, but is otherwise correct. So, are you confused yet? <G> |
Ordering Procedures & Returns International customers, please note, we will not falsify shipping documents Please send your order and shipping address (along with any questions) to:
firstname.lastname@example.com We will email you back with your order total (PA residents please add 6% sales tax) Credit cards, for the quickest fulfillment of your order, are accepted through PayPal, a secure site allowing you to use your credit card without us even seeing the information. If you'd like to make use of this credit card service, please let us know when you email your order and address, and we'll email you the appropriate Request for Payment, and instructions for the simple payment procedure (you don't need to join PayPal to use it). If you would like us process your credit card directly instead, then please email us: 1. Card # (dividing this number in two, between two emails, will
ensure security) If you'd rather pay by money order or check, kindly make payable to: His Nibs.com We ship via
insured Priority Mail Warranties and returns If an item proves to be defective, in most cases the manufacturer's warranty will apply. However, please email us first so that we can determine the easiest way to resolve the problem to your satisfaction. In the case of fountain pens -- which are a bit more individualistic than other writing instruments -- what may at first appear to be a defect (hard starting or poor flow for example), can in almost all cases be resolved with a few simple 'tweaks' to the nib, which we'll be happy to guide you through or perhaps suggest returning to us for adjustment. Should you wish to return a non-defective item within 3 days of receipt because it doesn't suit you for some reason, again please email us and we'll arrange an exchange, credit or refund (minus any shipping/insurance charges), if the item is returned in an 'as new' condition. If you've dipped a fountain pen to try its writing characteristics, kindly clean off any ink residue prior to shipping -- to save us both a nasty surprise . We want you to be happy with your purchase from HisNibs.com and hope to have you join the ranks of our many long-term, repeat customers! Revised: August 19th, 2023 |


text:
Research set to be presented by P&G Beauty & Grooming scientists at the 71st Annual Meeting of the American Academy of Dermatology (AAD) examines skin care science from multiple perspectives, offering insights into new ingredient formulations, skin care regimens and more. P&G Beauty & Grooming has 22 studies on display at the event, taking place March 1–5 in Miami Beach, and topics such as cellular bioenergetics, skin fatigue theory and scientific breakthroughs in management of stress-related sweat are being addressed.
"P&G Beauty & Grooming is thrilled to have nearly two dozen posters on display at AAD this year and looks forward to sharing our research and findings. Our team's hard work has, among others, informed innovations in skin energy research with the Olay brand and led to a deeper understanding of stress sweat, spurring Secret brand product development," said Phil Marchant, global scientific communications director with P&G Beauty & Grooming. "Innovation is at the core of our brands, and P&G Beauty & Grooming scientists are proud to use this event to showcase our findings and collaborate with thought leaders in the field of dermatology."
The following research titles are just a sample of the science that P&G Beauty & Grooming will share at the AAD Annual Meeting:
- Appearance of Uneven Facial Texture is Improved by a Facial Moisturizer Containing Cosmetic Ingredients that Boost Cellular Energy
- Impact of Oxidative Stress on Cellular Bioenergetics in Older Aged Fibroblasts: Ability of Niacinamide to Prevent and Restore Metabolic Pathway Efficiency and Energy Production
- Significant Protection from Event Sweat—Without a Prescription
- Improvement in Facial Skin Appearance by a Cosmetic Treatment Regimen: A Case Study in Identical Twins


text:
A persistent criticism of the digital-humanities movement is that it is elitist and exclusive because it requires the resources of a major university (faculty, infrastructure, money), and is thus more suited to campuses with a research focus. Academics and administrators at small liberal-arts colleges may read about DH and, however exciting it sounds, decide that it ill suits their teaching mission.
In fact, teaching-focused colleges have significant advantages over research universities in pursuing the digital humanities.
With shallower administrative hierarchies and less institutional inertia, liberal-arts colleges can innovate relatively rapidly and at lower cost. They usually have more collegiality across disciplines and divisions, and between faculty and staff members. It\'s easier to build coalitions and to organize project teams at small colleges.
Because of their teaching focus, they have lighter expectations for faculty research: Faculty members are more likely to be able to experiment with projects that may not lead to traditional scholarly publications. Some liberal-arts colleges even have a culture of faculty-student collaborative research, which translates perfectly into the project-building methods of the digital humanities. And the great variety of missions among liberal-arts colleges allows each of them to develop projects serving communities that might otherwise be neglected. All in all, participating in DH is not more difficult at liberal-arts colleges than at research universities; it simply presents a different set of challenges and opportunities.
Since 2008 I\'ve been part of an effort, sponsored by the Andrew W. Mellon Foundation, to build a DH program at a liberal-arts college in the Midwest, and have found all of the advantages I\'ve just mentioned to be real. While I would not say that our situation is applicable to every college in our sector, I\'d like to offer some casual suggestions for program building in this emerging field.
Stop calling it \"digital humanities.\" Or worse, \"DH,\" with a knowing air. The backlash against the field has already arrived. The DH\'ers have always known that their work is interdisciplinary (or metadisciplinary), but many academics who are not humanists think they\'re excluded from it.
As an umbrella term for many kinds of technologically enhanced scholarly work, DH has built up a lot of brand visibility, especially at research universities. But in the context in which I work, it seems more inclusive to call it digital liberal arts (DLA) with the assumption that we\'ll lose the \"digital\" within a few years, once practices that seem innovative today become the ordinary methods of scholarship.
Show how digital humanities supports the liberal arts. Even before DH arrived, liberal-arts colleges were moving from traditional, lecture-based courses toward a model of teachers and students as co-researchers, collaborating across disciplines and cohorts, attempting to build projects that can serve a wide range of needs, seeking support for those projects, and presenting that work at conferences and now, increasingly, online. In that context, DH is not a \"disruption\"—it is an enhancement of the core methods of an ideal liberal-arts education.
Build a support network with like-minded colleagues. A small college may not have many people who are openly experimenting with the digital humanities, but there are likely to be many who are interested in some aspect of it, especially the ways it can enhance teaching and learning. In particular, reach out to the library staff and the information technologists. They are likely to become your closest allies, because they tend to be early adopters of new technology and have an institutional perspective and a culture of service and collaboration.
Departments such as communication, computer science, and education often include potential allies as well, because they are interested in new media and social media, coding and Web design, instructional technology, hybrid pedagogy, and assessment. The process of looking for collaborators may cause some colleagues to re-envision their work in ways that bring them more intentionally into the DH community.
Integrate digital humanities into the curriculum. The easiest way to start is by changing your own courses and letting others know what you\'re doing by attending or organizing workshops on teaching. Invite colleagues to participate in collaborative faculty-student research projects that relate to their areas of expertise. Encourage them to introduce DH in their pieces of the curriculum, particularly the general-education program, so that the expectation that studentswill use digital approaches becomes as normal as expecting them to write a research paper or give a presentation.
Work closely with the guardians of curricular integrity, and use assessment to demonstrate that digital approaches enhance learning. Reassure untenured colleagues that classes that liberate students from lectures and exams, and involve them in their own learning, will be popular and receive strong evaluation scores.
Show how digital techniques support faculty research. Introduce your colleagues to digital tools that will allow them to pose new questions and produce interesting results. Invite to campus speakers who have built strong yet attainable careers as scholars using digital methods. Demonstrate how digitally enhanced collaboration can improve the quality of research by allowing even geographically isolated academics to participate. Work to open the tenure-and-promotion process to include new forms of scholarly production.
Celebrate the accomplishments of students and colleagues. One of the great advantages of DH work is that—unlike most research papers—it can be showcased online. But also expect your students to present their work at college events (and train them for it); encourage them to present at national events, such as those sponsored by the Council on Undergraduate Research; and advocate for public recognition and awards for their scholarly achievement and leadership.
Organize campus events in which faculty members and students present their work together, as colleagues. Build a close relationship with your college\'s public-relations office. Keep its staff members informed (send them photographs and links to accomplishments), and alert them to digital projects that can be highlighted on the college Web site.
Invest as much as you can in at least one collaborative, multidisciplinary flagship project—ideally one with strong ties to the institution\'s most distinctive qualities or regional connections. The idea here is to identify the digital humanities with something that everyone already supports.
Seek the support of the higher-ups. Your administrators are probably pro-technology in general, but they may not know a lot about DH. Show them how digital methods enhance the college\'s mission and can promote its image. Call attention to the value of encouraging faculty and staff members to use new technologies.
Even so, most liberal-arts colleges are very conservative with money. If you want to try something experimental, it should be low cost. Plan to raise your own money, preferably from external sources, while looking for internal partners with whom you can share resources toward common goals. Your advancement office will be an essential partner in that effort.
Invest in faculty and staff development. The digital humanities is a rapidly evolving field. Keep a supply of relevant books and articles; never meet a newcomer to the field empty-handed. Encourage colleagues to ask you questions, and send them links to helpful resources, such as the DH Syllabi Wiki, DiRT Wiki, DH Commons, and DH Questions and Answers.
Seek support from external organizations like the National Institute for Technology in Liberal Education, whose purpose is to integrate technology with the mission of liberal-arts colleges. Organize faculty-development events with outside speakers. Hold collective drop-in events where people can work on their projects in the same space. Co-teach and guest-teach as much as possible, so that DH methods can be cross-fertilized.
If you can find the money, support sending faculty and staff members to regional THATCamps. Such humanities-and-technology camps are among the most economical options. And because of their open-ended, collaborative nature, they are the least intimidating and most beneficial to novices. On the other hand, such international events as the Digital Humanities Summer and Winter Institutes can provide an extraordinary, intensive experience in more-focused methods, such as geographic information systems.
Seek external partnerships. Share resources with other liberal-arts colleges and regional consortia, and consider using technology to create cross-institutional courses and projects. Reach out to nearby universities, especially ones with digital-humanities centers. They can offer specialized courses for your faculty members and students, and provide lecturers or postdocs to assist in the development of your DH program.
Seek opportunities to join or organize collaborative partnerships at the national level, including faculty exchanges with leading centers that provide support for specific kinds of research.
Strive to be a \"servant leader.\" Build an extensive portfolio of service commitments so that you are aware of opportunities to unite common interests, and so that you can keep your project on the minds of a wide range of people. Do not neglect seemingly minor posts, such as advising internship programs. My experience is that such internship programs are often looking for students who can combine traditional liberal-arts skills and digital expertise. In fact, joining DH to the workplace may be one of the best ways to enhance the marketability of a liberal-arts education.
Think of your main duty as providing a place where others can grow and exceed their goals. Invest as much as you can in the success of your colleagues and students, while keeping in mind the benefit of their service to the larger institution.
Pursuing the digital humanities at a small liberal-arts college is not easy, but then, it\'s not easy at research universities, either. The challenges are significant in both contexts, but if you believe in the importance of this kind of work and see its potential, then it\'s effort well applied.
The digital humanities has the potential to revitalize what we do, and to justify continuing support from institutions, foundations, academic administrations, the government, and the general public. The DH\'ers—or DLA\'ers—are among the hardest-working people I know in higher education, but they also are among the most optimistic about the future and the most confident in the value of what they are doing.
Author Bio: William Pannapacker is an associate professor of English at Hope College, in Holland, Mich. His Twitter handle is @Pannapacker. The views expressed here are his own and do not necessarily represent those of his employers.


text:
$xp$ is not a hermitian operator and hence doesn't represent an observable. Then, how can we interpret the expression
$$ \langle x p \rangle \text{,} $$
the expectation value of position times momentum?
How to interpret the expectation value of a hermitian operator, say $p$, is clear: make several measurements on identically prepared systems and get the expectation value from the measured quantities.
But now we are talking about the expectation value of an operator that doesn't represent an observable. The discussion above hence isn't valid. However, computing $\langle x p \rangle$ knowing $\Psi$ according to the mathematical definition can be done, so $\langle x p \rangle$ can clearly be deduced if we know the wave function - but how can we interpret the quantity we get?
(The question arises from a line in my textbook - "in a stationary state, $\frac{d}{dt} \langle x p \rangle = 0$, ..." without further explanation - why is this obvious?)


text:
Transparency Market Research Add New "mHealth Market- Global Industry Analysis, Market Size, Share, Growth, Trends and Forecast, 2012 - 2018" Market Research Report To It's a Database.
Albany, NY -- (SBWIRE) -- 06/06/2013 -- According to a new market report published by Transparency Market Research "mHealth Market- Global Industry Analysis, Market Size, Share, Growth, Trends and Forecast, 2012 - 2018," the global mHealth market is expected to reach USD 10.2 billion by 2018 from USD 1.3 billion in 2012 at a CAGR of 41.5% from 2012 to 2018. The monitoring services segment is in commanding position having contributed about 63% of the global mHealth market revenue in 2012.
Browse the full report at http://www.transparencymarketresearch.com/mobile-health-market.html
The global mHealth market is primarily driven by factors such as the increasing adoption of smartphones and rising incidences of chronic diseases. The development in smartphone applications has created new and interactive ways of communication between patients and healthcare providers. Use of smartphone applications is expected to revolutionize the mHealth market by improving healthcare delivery and dissemination of medical information.
The most impactful trend witnessed in the mHealth market is the growth in remote patient monitoring. Remote monitoring of patients can help reduce costs significantly by reducing the amount of time the patient spends in hospitals and also by lowering the frequency of follow-up visits to the physician. In addition, quick service and ease of use functionalities, and rising healthcare expenditure are supporting faster adoption of mHealth applications. Moreover, increasing demand for independent aging solutions and post-acute care services are also aiding the mHealth market growth.
The report analyzes the global mHealth market with cross sectional analysis of its various services and the players involved in the ecosystem. Based on the services, the market is segmented into - monitoring services, diagnostic services, healthcare system strengthening services and other services. The mHealth market ecosystem is analyzed in respect with major value system participants such as mobile operators, device vendors, content players and healthcare providers.
The monitoring services segment holds the largest share of about 63% of the global mHealth market followed by diagnostic services and healthcare systems strengthening. The monitoring services segment will also be the fastest growing during the forecast period, owing to their usability in acute conditions such as coronary artery disease, hypertension, and congestive heart failure. The contribution of monitoring services to the overall mHealth revenues will be greater in countries with higher income levels.
Within the mHealth participants' landscape, mobile operators hold majority of the market share of 50% followed by device vendors, content developers and healthcare providers. Mobile operators are gaining majority of the mHealth revenues from monitoring services, whereas diagnosis and treatment solutions will also be attractive opportunities for operators in the near future.
Browse all Pharmaceutical Market Research Reports @ http://www.transparencymarketresearch.com/pharmaceutical-market-reports-1.html
North America commands the largest share of mHealth market revenue followed by Europe and the Asia Pacific region. The current mHealth deployments in the Asia Pacific region are primarily focused on improving the efficiency of the healthcare workforce and systems. India is emerging as one of the mHealth hotspots in the region with a varied range of mHealth solution launches. Though the mHealth market has witnessed increasing influence of emerging economies, highest per capita expenditure on mHealth applications will continue to be from developed regions such as the U.S. and Canada, owing to an increasing percentage of chronic diseases and higher disposable income.
The mHealth market consists of a mix of players from different categories namely mobile operators, content developers, device vendors and healthcare providers. AT&T, AllScripts Healthcare Solutions, AirStrip Technologies, Qualcomm, Vodafone, Soft Serve, HealthSaaS and mQure are a few active key players across different categories mentioned above.
Browse the full report with TOC at http://www.transparencymarketresearch.com/mobile-health-market.html


text:
My Work
Tag Archives: chilling adventures of sabrina
Streaming Picks: April 2019
Sorry for the delay. March was a crazy month that involved a lot of travel. The Criterion Channel launches on my birthday (April 8) and I'm hoping that's one of my gifts. Might eventually add that to the list of … Continue reading
Posted in Film, Previews, Television
Tagged addams family, addams family values, amazon, anthony jeselnik, arcadia, attack on titan, baki, beast of the water, black summer, bob hope, bonding, bonnie and clyde, book club, border, bosch, brene brown, bug diaries, buried alive, burning, carol burnett, chambers, chilling adventures of sabrina, chio's school road, cuckoo, diablo guardian, don't go, fairy tail, fortunate man, grass is greener, hateful eight, how not to summon a demon lord, huge in france, hulu, humans, i am the night, i daniel blake, i think you should leave, ingress, into the dark, kevin hart, land imagined, last ship, legacies, luis miguel, mid90s, mighty little bheem, murder she wrote, music teacher, my first first love, netflix, new girl, one punch man, our planet, overboard, perfect date, persona, pinky malinky, pledge, prime, protector, quake, quiet place, ramy, red skelton, remastered, rick steves, rilakkuma and kaoru, roman empire, samantha, selection day, señora acero, she-ra, silence, sisters brothers, someone great, special, spirit, stargate universe, street food, super monsters, suzzanna, tick, tijuana, tim robinson, trolls, tyrel, ultraman, unicorn store, vikings, we are columbine, who would you take to a deserted island, yankee, you vs wild
Leave a comment


text:
The five hottest gifts this season at UFC Store -- score one for your loved one (or yourself) today.
With special deals going on all week, it's the perfect time to knock out all your gift-giving duties with one stop at the UFC Store.
MCMXCIII Pullover Hoodie
The UFC turned 20 years old this year. And while you'll have to bring your own cupcakes, you can still grace any serious fan with this pullover hoodie featuring the founding year of 1993 in Roman numerals.
UFC 162 Official Canvas Relic
At UFC 162 on July 6, 2013 at the MGM Grand Garden Arena in Las Vegas, Chris Weidman shocked the world by knocking out longtime champion Anderson Silva to earn the middleweight title. Commemorating the event, we've embedded an actual piece of the canvas in acrylic with the UFC 162 logo etched into the front. Each one of the 200 limited edition relics is individually numbered on the back and comes with a certificate of authenticity.
Women's 20 Years Logo Zip-Up Hoodie
From the first-ever women's title fight to the cast of The Ultimate Fighter 18, 2013 was truly the year of the woman in the UFC. Give your favorite fight girl this 20 Years hoodie to celebrate 20 years of knockouts, 20 years of champions, 20 years of defeats, 20 years of history-making matches, and 20 years of changing the world of martial arts.
Click to order
UFC: Ultimate Fight Collection - 2013 Edition DVD
The UFC is the most exciting and dynamic sport in the world, and that was never more evident than from July 2012 to June 2013. This historic 12-month period showcased some of the greatest bouts to take place inside the Octagon, including the crowing of the first-ever flyweight champion and women's champion. This 20-disc collection of more than 200 fights includes everything that makes the UFC great, with legendary fighters including Jon Jones, Anderson Silva, Ronda Rousey, Cain Velasquez, Wanderlei Silva, Georges St-Pierre and more.
Click to order
UFC Fight Gloves T-Shirt
Touching gloves is about showing your utmost respect for your opponent, and the fight. Respect the fight with the UFC Fight Gloves T-Shirt, a soft white tee featuring two UFC gloves touching before a match.
UFC Performance Institute
Dana White On The Opening Of UFC PI Mexico