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Sundays with the Modern offers unique perspectives on special exhibitions, with artists, curators, art historians, and writers holding conversations in the galleries. This special program is free and begins at 1 pm on the first Sunday of selected months.
Artist David Bates and Modern Curator of Education Terri Thornton take this opportunity to walk through the Modern's current exhibition, DAVID BATES, and individually discuss Bates's bold, visceral paintings and track the artist's developments, shifts, and repeated motifs throughout his 40-year career. Please join us for a direct and intimate look at the exhibition that has been a favorite of Modern visitors. This gallery program is free with gallery admission and open to the public.
Matthew Buckingham is a filmmaker and multimedia artist recognized for utilizing photography, film, video, audio, writing, and drawing to question the role that social memory plays in contemporary life. After earning an MFA from Bard College and attending the Whitney's Independent Study Program, Buckingham received the 2003 DAAD Artists-in-Berlin Fellowship and a 2007 Artpace residency. His projects create physical and social contexts that encourage viewers to question what is most familiar to them. The artist Josiah McElheny writes for BOMB magazine, "Despite often having history, fiction, or narrative as their subject, each one of Buckingham's projects reframes the question of experience itself, in Walter Benjamin's sense: experience as the result and totality of a person's perception, interpretation, and memory." For this Tuesday Evenings presentation, Matthew Buckingham shares his ideas and experiences as they have developed throughout his art practice and 20-year career.
Kenneth Goldsmith is, among many distinctions, the 2013 inaugural Poet Laureate of The Museum of Modern Art in New York and founding editor of online archive UbuWeb. With eleven books of poetry to his name, Goldsmith's writing has been called "some of the most exhaustive and beautiful collage work yet produced in poetry" by Publishers Weekly. He was invited to read at President Obama's "A Celebration of American Poetry" at the White House, where he also held a poetry workshop with First Lady Michelle Obama. In addition to poetry, his book of essays, Uncreative Writing: Managing Language in the Digital Age, won the 2012 Association for the Study of the Arts of the Present Book Prize. An enlightening documentary on Goldsmith's work, Sucking on Words, was first shown at the British Library in 2007. As a poet, writer, editor, professor, and music critic, Goldsmith acknowledges few boundaries in his practice. With a BFA in sculpture from the Rhode Island School of Design, he has written about, continuously participates in, and is recognized by the visual art world, as demonstrated by his recent inclusion in the 2012 dOCUMENTA (13) with his Letter to Bettina Funcke as part of the event's 100 Notes – 100 Thoughts book series.
For this Tuesday Evenings, Goldsmith presents "My Career in Poetry or: How I Learned to Stop Worrying and Love the Institution."
The Modern is happy to collaborate with The Reading Room in Dallas on this occasion. Each venue offers specific insight into Kenneth Goldsmith's work as he shares the nature and experiences of his career at the Modern, and reads his own work at The Reading Room. More information can be found at http://thereadingroom-dallas.blogspot.com/.
Cynthia Daignault, a New York painter recognized for her tenacious and poetic spirit, makes work that highly regards its predecessors while honoring the present solitary and unsung moment within nature, technology, and unsuspecting spaces. With a BA from Stanford in 2001, Daignault has had early success with a 2010 MacDowell Colony Fellowship and a 2011 Rema Hort Mann Foundation Grant. Her work was well received in a 2011 solo exhibition at White Columns, and she has published two limited edition artist books, CCTV (2012) and I love you more than one more day (2013). The latter was in conjunction with her show Which is the Sun and Which is the Shadow? at Lisa Cooley in New York. In a review, The New Yorker's column GOINGS ON ABOUT TOWN: ART suggests, "Take your time with this subtly yearning poet of a painter. Big, creamy oils breed single floating images of windows or shadows or a pale sun in fields of close-toned beige and light-blue strokes. Three hundred and sixty-five small paintings render one-a-day skies in wide-ranging styles and share the title I love you more than one more day. A restive lyricism seethes within cautious formal constraints. The work stammers on the verge of transcendence, as if having forgotten and then just half-remembering some vital thing that it was about to say." For Tuesday Evenings, Daignault discusses her love of Impressionism and its continued influence, both on conceptual art and her work, in "Lasting Impressions: following in the footsteps of the Impressionists in contemporary painting."
Triple Canopy is a magazine based in New York. Since 2007, Triple Canopy has advanced a model for publication that encompasses digital works of art and literature, public conversations, exhibitions, and books. This model hinges on the development of publishing systems that incorporate networked forms of production and circulation. Working closely with artists, writers, technologists, and designers, Triple Canopy produces projects that demand considered reading and viewing. Last summer, as part of the MoMA PS1 exhibition EXPO 1: New York, Triple Canopy organized Speculations ("The Future is ________"), an installation and fifty-day series of presentations, discussions, and performances in which artists, writers, technologists, economists, academics, activists, and economists were invited to place speculative bets on the future. Triple Canopy's resistance to the atomization of culture and efforts to enrich the public sphere through sustained inquiry and creative research, have set apart the magazine and earned it much recognition and praise. Most recently, Triple Canopy was selected to participate in the Whitney Museum of American Art's 2014 Biennial, opening March 7. Such a distinction is unusual for a magazine, but comes as no surprise given Triple Canopy's unbridled enthusiasm, intelligence, and confidence in its many endeavors at the intersection of visual art, literature, criticism, publishing, curating, and technology. For this Tuesday Evenings presentation, Triple Canopy editors Lucy Ives and Alexander Provan discuss Pointing Machines, the magazine's project for the 2014 Whitney Biennial.
HOMECOMING! Committee is an assembly of artists and creatives who seek to develop collaborative projects in conjunction with their individual artistic production, establishing initiatives and venues in which all manner of creative individuals can operate as co-collaborators. This relational aesthetics-like program has proven successful. The group's first endeavor, Launch Party in 2011, set into motion what has been a flourishing exhibition and event schedule. Recently their activities have included Post Communiqué at the Dallas Museum of Art in 2013, an exhibition of faux historical displays, data, and performance meant to "blur the lines between historical fact and fictitious narrative" and questioning institutional trust as it applies to the museum as a whole; as well as being selected to participate in the 2013 Texas Biennial with Friskt kopplat, hälften brunnet (Quickly connected, half burned), an exhibition of IKEA furniture repurposed into art crates which fulfills its purpose by being shown in Sweden before going to Torsvik in Jönköping for "final waste to energy incineration." Each HOMECOMING! Committee initiative is interactive and participatory with the generative intent of "creating an environment to springboard artists into action and build networks for future collaborations, fortifying creative resources to reposition the artist as an individual shaping cultural discourse rather than merely reacting to it." Moderated by the Modern's Curator of Education and artist Terri Thornton, members of HOMECOMING! Committee present the trajectory of their collaborative projects to date and beyond for this Tuesday Evenings presentation titled "In Brief."
HOMECOMING! Committee includes: Christopher Bond, Bradly Brown, Ryan Goolsby, Courtney Hamilton, Timothy Harding, Shelby Meier, Devon Nowlin, Kris Pierce, Gregory Ruppe, Alden Williams, Briana Williams, and Tiffany Wolf.
Michael Petry presents "Nature Morte: Contemporary artists reinvigorate the Still-Life tradition" in conjunction with the publication of his new book by the same title. Dr. Michael Petry was born in Texas, but has lived in London since 1981. With a PhD in Arts from Middlesex University, Petry has diligently investigated art from various angles as an artist, author, co-founder of the Museum of Installation in London, and Director of the Museum of Contemporary Art (MOCA), London. He was Guest Curator at the Kunstakademiet in Oslo, Research Fellow at the University of Wolverhampton, and Curator of London's Royal Academy Schools Gallery, and is a Fellow of the Royal British Society of Sculptors (FRBS) and a Brother of the Art Workers' Guild. For this Tuesday Evenings presentation, Petry shares his findings, observations, and thoughts on the timeless themes of life, death, and passage of time in the work of contemporary artists who are revisiting the age-old tradition of still life.
Come early for a book signing of Nature Morte: Contemporary artists reinvigorate the Still-Life tradition at 6 pm.
Stefan Kalmár, Executive Director/Curator, and Richard Birkett, Curator of Artists Space, a nonprofit art gallery and arts organization founded in New York by arts administrator Trudie Grace and critic Irving Sandler in 1972, share their insights into the history and current life of this alternative space that continues to set the bar. As Roberta Smith of the New York Times has proclaimed, "True to its word, Artists Space provides alternatives; they constantly bring to our attention things that for one reason or another are being missed. They remind us that there are other things going on than what is presented by more established institutions." Artists Space has changed the institutional and economic landscape for contemporary art by lending support to emerging artists and emerging ideas alike, often critically challenging and controversially contributing to the intellectual and artistic status quo in New York City and beyond. The site of provocative discussion and experimentation within contemporary artistic debate, regarding issues including the postmodern image, identity politics, institutional critique, and the AIDS Crisis, Artists Space facilitates between local and global critical dialogue. The current exhibition, Macho Man, Tell It To My Heart: Collected By Julie Ault, suggests Artists Space's mission through the genuine and time capsule-like collection of the artist, writer, and curator Julie Ault, which was aptly described as "a portrait, in objects, not just of one person but of many; the diary of an era that valued community as retold in a time that doesn't. It's a view of a collection not as a monument carved in stone, but as energy gathering and dispersing, as a page still being written on" by Holland Cotter in his New York Times review (December 19, 2013).
This special Tuesday Evenings presentation features artist David Bates in conversation with Tyler Green for a live-audience taping of an episode of the Modern Art Notes Podcast.
David Bates is the renowned Dallas-based artist whose work is the subject of David Bates, a two-part exhibition presented jointly by the Modern Art Museum of Fort Worth and Nasher Sculpture Center, Dallas. Early in his career, Bates attended the Whitney Museum of American Art's Independent Study Program before completing a Masters of Fine Art at Southern Methodist University and returning to Texas to make his work and build his career. Almost a decade after his return to this region, Bates was included in the prestigious 1987 Whitney Biennial for his renowned ability to capture the essence of his subjects and transport his viewers, qualities still evident in the artist's materially conscious paintings, drawings, reliefs, and sculptures.
Modern Art Notes is a production of and wholly owned by Modern Art Notes Media and is enabled by advertising from over a dozen art museums, including The Museum of Modern Art, the Modern Art Museum of Fort Worth, and the J. Paul Getty Museum. The Modern Art Notes Podcast, which is released each Thursday at noon ET, is available on Modern Art Notes, MANPodcast.com, iTunes, SoundCloud, and wherever podcasts are downloaded.


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subset: commoncrawl


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Rashi, the most basic commentary on the Torah, was printed for the first time, in Reggio di Calabria, Italy. In this print, the commentary on the Five Books of Moses, authored in the 11th century by Rabbi Shlomo Yitzchaki, was not on the same page as the text of the Scriptures, as it is normally printed today.
This was the first time that the rounded Hebrew font was used, the font which has since become known as "Rashi Letters."
Links:RashiDid Rashi Lack a Scientific Method?
Rabbi Yosef Rosen, known as the Rogatchover Gaon (Prodigy/Genius), passed away in Vienna on Thursday, March 5, 1936.
Rabbi Rosen, born in 1858, and raised in the Belarusian city of Rogatchov, served for decades as a rabbi in the Latvian city of Dvinsk (Daugavpils). He was an unparalleled genius, whose in depth understanding of all Talmudic literature left the greatest of scholars awestruck. He habitually demonstrated that many of the famous debates between the Talmudic sages have a singular thread and theme.
Rabbi Rosen authored tens of thousands of responsa on the Talmud and Jewish law. Many of them have been compiled in the set of volumes Tzafnat Paneach.
Because Adar 13 (the day before Purim) falls on a Shabbat this year, the "Fast of Esther," usually observed on that date, is moved back to today.
The fast -- which is observed today by all adults (i.e., over bar or bat mitzvah age) -- is in commemoration of the three-day fast called at Esther's behest before she risked her life to appear unsummoned before King Achashveirosh to save the Jewish people from Haman's evil decree (as related in the Book of Esther, chapter 4). The fast also commemorates Esther's fasting on the 13th of Adar, as the Jews fought their enemies (see "Today in Jewish History" for Adar 13). No food or drink is partaken of from daybreak to nightfall. Pregnant of nursing woman or people in ill health are exempted from fasting.
In commemoration of the half shekel contributed by each Jew to the Holy Temple -- and which the Talmud credits as having counteracted the 10,000 silver coins Haman gave to King Achashverosh to obtain the royal decree calling for the extermination of the Jewish people -- it is customary to give three coins in "half denomination" (e.g., the half-dollar coins) to charity on the afternoon of the Fast of Esther. (In many synagogues, plates are set out with silver half-dollars, so that all could purchase them to use in observance of this custom).
Links: Parshat Shekalim; the mystical significance of the half-shekel
In Talmudic times, a special stipulation allowed for Jews living in small villages or hamlets to hear the reading of the Megillah (Book of Esther) on the Monday or Thursday before Purim -- the days when villagers would come to town because the courts were in session. Depending on the year's configuration, this meant that the Megillah could be read as early as the 11th of Adar or as late as the 15th -- but no earlier or later than these dates (Talmud, beginning of Tractate Megillah).
Link: The Book of Esther with commentary


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– Rey Mysterio's contract is the next major WWE deal to expire, in about two months or so. Rey has one of the highest downsides but is also one of the biggest merchandise movers for the company.
Usually at this point WWE officials would be aggressively trying to get Rey to sign a new deal but that has not really been the case.
Speaking of Mysterio, the reason he was booked on Northern California shows last weekend instead of his hometown San Diego is because officials felt he's been booked too often in San Diego. San Diego ended up drawing the worst crowd of last week.
Backstage News on a Possible Retirement, Plans for Triple H, More
Source: Wrestling Observer Newsletter


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Beek. Ever try hanging raw bacon on your fence? Just a thought as I heard that it works really, really good! At our last club meeting, the DNR said that they would come trap any problem bears. Lord willing, I won't have one. Sorry about your loss.
Agreed; Bacon gets rancid.....AND.....its also very attractive to BEARS :shock:. Much depends on the bear if bacon is used as bait. A young one may get shocked and move on.....an old determined one, one that knows what is waiting beyond the fence will not be detoured.
In the spring time when they wake from hibernation they need protine, larvae are a great source.In the fall they need to build up fat stores, then they go for the honey.mvh Edward :-P


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Discipline: Literacy
Copyright: 2012
Grade(s): K - 5
Program Type: Supplemental
Delivery Method: Blended (Print & Digital)
Funding Sources: IDEA, 1003a School Improvement Funds, Title I, Title III, 21st Century Community Learning Centers
Words Their Way: Word Study in Action Developmental Model. Following the 5 stages of spelling development, this classroom-ready package features all materials needed to assist teachers to instruct in phonics, vocabulary, and spelling.
A companion to Words Their Way: Word Study in Action, Words Their Way: Digital allows teachers to implement the proven word study instructional model on any device. Students have access to a large array of word study practice activities and receive instant feedback on their work.
Words Their Way: Word Study in Action Developmental Model aligns students' spelling development into the following five research-based stages. This developmental model recognizes the synchronous nature of reading, writing, and spelling, and has identified common characteristics of readers, writers, and spellers along the literacy continuum.
View writing samples to gain a sense of the five developmental stages.


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Operating Systems:
Windows 10 x64
Detailed Description
Lenovo Monitor Driver 18.104.22.168 for Windows 10 64-bitThe driver package provides the installation files for Lenovo Monitor Driver 184.108.40.206 for Windows 10 64-bit system. If you consider updating this driver package by Driver Genius, all you need to do is clicking the Update button beside this driver update. Driver Genius will install the driver automatically, smoothly and silently.Moreover, constantly scan driver updates by Driver Genius or enable the Scheduled Scan function in Options- Schedule to make sure that will not miss a new release.ABOUT Monitor Driver:When connected, operating systems automatically apply a generic driver that allows computers to properly use the monitor. Installing the appropriate drivers can help systems recognize all available characteristics such as LCD type, size, display technology and many others.If additional software is applied, users will be able to configure various display features such as brightness, gamma, contrast and several others. Still, these options might also be configurable from the monitorĪ»s buttons (if available), or once different graphic-related drivers have been installed.
Supported Devices
Lenovo Display 1920x1080


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2014 Fur Ball deserves support
It would be hard to imagine 21st-century America without pets. They contribute wonderfully to the happiness and well-being of people of all ages.
In a perfect world, every pet would at all times be a welcome and loved part of someone's home. Unfortunately, reality falls short of that ideal.
That's why it's important to our community that the Humane Society of North Central Iowa remain strong and grow even more robust. As with so many other worthwhile endeavors, achieving laudable goals depends in part on mobilizing the financial resources necessary to support the cause.
The sixth annual Fur Ball will take place from 7 to 11 p.m. Saturday at Fort Dodge Ford Lincoln Toyota, 2723 Fifth Ave. S. This event is an important fundraiser for the local Humane Society. It also is a chance for a festive evening featuring casino-style gambling with "funny money," refreshments, silent and live auctions, music and dancing. Tickets can be purchased in advance at Almost Home Animal Shelter, Hy-Vee and Fort Dodge Ford Lincoln Toyota. They will also be available at the door.
The impressive Almost Home Animal Shelter operated by the Humane Society helps wonderful animals in search of loving human companions find appropriate matches. It also provides a caring refuge for those animals who for a variety of reasons aren't immediately destined to be someone's pet. Additionally, the Humane Society undertakes an important educational mission – teaching people how to be responsible pet owners.
The Fur Ball warrants the strongest possible community support.


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Olive Studio necesitaba un nuevo diseño de logotipo y lanzó un concurso de diseño en 99designs.
Un ganador ha sido elegido entre 70 diseños de 20 diseñadores freelance.
Olive Studio
My name is April Maciborka and I am a photographer. I have two photography companies that I like to keep completely separate in design, name, atmosphere and colours. The company that I am seeking help in a logo for is Olive Studio which specializes in portraits of families, children, actors, maternity and babies.
I graduated from Sheridan College for photography in 2004 and am launching an advertising website for Olive Studio. I want this site to be a portrayal of my silly and fun side to photography as opposed to a sleek black and more traditional website. I would like this one to be clean, white, fun and different from the average portrait studios. I am very spontaneous, love travel, babies, volunteer work in orphanages, exploring new places and food, dance, shopping, the city, calalillies, the beach, the ocean, a coffee in the morning and a long cozy sleep :) I want people to relate to me, to be comfortable with me, to laugh and to forget that a camera is in their face when I am capturing them.
I targeting the average person interested in capturing moments with their families, children and babies. I am capturing life moments such as new babies or the growth of one. I appeal to women who want their family moments captured in time. I also appeal to the young actor, dancer or corporate personality who needs a headshot for their business.
I am creating a website for Olive Studio which can be viewed prematurely at http://126.96.36.199/~pickl/index2.php#/home/.
I would like to make a logo that is fun and quirky yet sleek with clean lines. My nickname is "Olive" referring to Olive Oil from Popeye cartoon because I suddenly lost a lot of weight and looked like a stick figure. I continue to get made fun of because of my knobby knees. I would like to play on this idea and make a cartoon like characteur of myself with my studio name "Olive" next to it. I am open to a colour scheme that fits with my work. I want it to be clean and not distract too much from my photography. My website is primarily white - playing on the clean and fresh feeling. I would like to see some examples of "Olive" written with a cursive font to balance the fun icon of her with a more serious and traditional feeling.
I am pretty girly. I love pinks, purples, reds and greens. I would like to stay away from orange and blue. I would like my characteur to be wearing shorts so that her legs are shown and wearing flat shoes. My hair is mostly worn down. I smile a lot showing my teeth and have short nails. I have olive skin, brown hair (that I leave to dry on its own in a wavy mess), brown eyes and a small chest. I would like this icon to be representative of me in a cartoony way but still keeping it professional and with the theme of my website.
Descubre cómo funciona un concurso de diseño u obtén más información sobre nuestros servicios de diseño de logo.


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Train St Poelten → Munich
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Scarlet Faith has always grown gardens since she was a little girl and lived in a kind of garden suburbs. She really got into herbs when grocery prices started going through the roof. If you are going to grow something, why not grow something you will use. That is the way she thinks about it anyway. Read more from Scarlet by visiting her blog Beautiful Body By Faith.
"Girls just want to have fuuu'un," (Go ahead and sing to Cyndi Lauper's old tune!) "just growing herbs." Hmmm ... I guess guys do, too.
I love to read anything on herbs; I learn from what others have to say, then I kinda figure things out on my own. I want to try to see if it would be easier and if the herb will grow well with my idea. For example, I have always wanted to learn how to grow a lemon tree. And boy are they expensive! I have plans to buy a pink striped lemon tree, but anything over $20 seems expensive to me. I am just a little country southern girl who would rather make it than buy it. But that is just me.
So I read up on growing lemon trees, bought some lemons that had never been refrigerated, saved the seeds, let them dry out for about two and a half weeks, planted them in a little round seed sprouting disk, and wah-la!
I now have a lemon tree that has been growing for nearly seven years. I had to cut it down almost to the bare trunk when I moved to North Carolina from Georgia. And now, she is putting back out very nicely and doing pretty well, I might add. (For more information, find me on Facebook; don't forget to like me!) She will not produce lemons, they say, unless I graph her with a budding piece of a lemon tree. But to me, no lemons will be fine. And here's why.
Now that it's winter time and I have the heater going. The air gets very, very dry and I have awful sinuses. Whats a girl to do? The old time country thing, of course. I put on a pot of boiling water and trim off a few lemon leaves that are starting to yellow and throw them in the water. When it starts to come to a full boil I will turn it down to simmer and steam slowly to create a facial steam. I don't leave it on if I go upstairs—safety is always the best policy. When it starts steaming—and boy does it smell lemony good—I breathe in my lemon steamand my sinuses feel wonderful again. I have tried humidifiers, but I haven't found one that I like yet. They are usually pretty hard to clean. A pot of boiling water is so easy to use and even more easy to clean.
I grow my lemon tree in a container; I always change out her dirt and bring her in before we have a frost. I let her stay out until we get down to about 40 degrees at night. When I do bring her in for the winter, I put her in a very sunny window and I always water her at least once a week. I give her food once before the change of each season. A happy plant is a healthy plant!
Here is a little tidbit from me: If you really want a plant to grow and thrive, a little weirdness is called for. I talk to my sweet little lemon tree, play music for her (she likes Madonna and the top hits), and I send her lots of love. Plants make great friends. They never talk back. They are great listeners. And plants can really make you feel special by showing you that you can accomplish the goals you set for yourself. When you see your plant grow and it thrives for years, a relationship is made. It is the little things that make life special. Just think about it.
Give it a try and let me know how it works out for you by emailing me at firstname.lastname@example.com.
Here is the fruit cup, dirt pod and seed.
Put the dirt pod into the fruit cup. Add just enough water to expand the dirt pod. Now, put the seed into the dirt. Make sure the dirt covers the seed. Wait 2 to 6 weeks and you should have a baby lemon tree start to grow.
You can grow a lemont tree, such as this, with a little tender, love and care.
Photos by Ms. Scarlet Faith
Ok little grasshopper. This is where you must be patient and take care of your new baby. After you get a pretty good root system and a good size plant, transfer it to a large pot with a little plant food or you can try to grow hydroponically and see how it does. Good luck and many blessings to all you growers out here. Please share and leave comments on how your growing adventures have worked out for you.


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back in february, i bought a radio and boombox, and also a year's subscription. well today, the radio stopped working, and had a message that said "subcription updated, press any key to continue", which i did. after i pushed a button, it then said call (888-539-sirius) to subscribe
im not sure why it happened, or what to do to fix it, but has this happened to anyone else before?


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Banana Pound Cake
Total TimePrep: 20 min. Bake: 1-1/4 hours + cooling
Makes12 servings
- 3 teaspoons plus 3 cups sugar, divided
- 1 cup butter, softened
- 6 large eggs, room temperature
- 1 cup mashed ripe bananas (about 2 medium)
- 1-1/2 teaspoons vanilla extract
- 1/2 teaspoon lemon extract
- 3 cups all-purpose flour
- 1/4 teaspoon baking soda
- 1 cup sour cream
- 1-1/2 cups confectioners' sugar
- 1/2 teaspoon vanilla extract
- 3 to 4 teaspoons whole milk
- Grease a 10-in. fluted tube pan. Sprinkle with 3 teaspoons sugar; set aside.
- In a large bowl, cream butter and the remaining 3 cups sugar until light and fluffy. Add 1 egg at a time, beating well after each addition. Stir in bananas and extracts. Combine flour and baking soda; add to the creamed mixture alternately with sour cream, beating just until combined.
- Pour into prepared pan (pan will be full). Bake at 325° until a toothpick inserted near the center comes out clean, 75-85 minutes. Cool for 10 minutes before removing from pan to a wire rack to cool completely.
- In a small bowl, whisk glaze ingredients until smooth; drizzle over cake. Store in the refrigerator. May be frozen for up to 1 month.
Nutrition Facts1 slice: 600 calories, 22g fat (13g saturated fat), 138mg cholesterol, 192mg sodium, 96g carbohydrate (69g sugars, 1g fiber), 7g protein.
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Sep 27, 2015
Very moist and great flavor
Sep 10, 2015
Made for a birthday cake. Iced it with cream cheese icing since it was a birthday cake. Very moist and tasty! Lots of compliments.....
Aug 13, 2014
Hi all new to the site found this recipe thru google and a couple of others. I must say this is a great cake followed your instructions to the letter. It slid right out one solid cake with no effort. Just right on the flavor and the drizzle just makes it that more delicious. Thanks for that going in my favorite box..
Apr 18, 2014
I purposely adjusted this recipe to fit my preferences! I used 1 tsp. EACH salt and baking soda & I used about 1-1/4 cup of ripe mashed bananas. I didn't put 3 Tbsp. of sugar in the cake pan. I also used a regular greased and floured 10" angel-food type tube pan so that the batter wouldn't overflow in a fluted pan! I did keep the flour, butter & 3 cups sugar and eggs the same, but I'd cut the butter into the Tbsp. segments for easier creaming! I also kept the amount of extracts the same and the amount of sour cream the same! I baked the cake at 350o F., rather than at 325o F. I baked the cake for 70 minutes & tested cake with a cake tester to make sure that cake tester came out clean before cooling in pan 15 minutes! I ran a knife around the cake to loosen it from the pan and I cooled the cake for 15 minutes before easing it out of the pan! Before baking, I'd sprinkled about 2 Tbsp. cinnamon-sugar over the batter, then ran a knife through the batter to swirl it! The cake came out easily from the pan! I didn't glaze the cake! I admit that there are times that I prefer to leave a tube cake plain and other times, depending on the flavor and the recipe, I've iced a cake! I think this cake can be classified as a 5* rating! NanZim, Thank you for sharing this recipe with Taste of Home! I've seen other recipes which you've shared-one of your other recipes I'd used from you is your Hummingbird Cake! I admit that I hadn't used EVERY recipe you've shared, but you have a real talent for food preparation & have enjoyed perusing TOH and seeing the various recipes from you!delowenstein
Jan 18, 2014
This was one of the best recipes I have ever made. It does have issues with coming out of the pan but I put tinfoil around the bottom of my pan which kept it in place. Cool cake completely before removing from pan...so much easier.
Sep 5, 2013
I found this cake to be excellent. Very moist and not too sweet. I waited until cake cooled completely before removing it from the pan and it cake out no problem (all intact).
May 8, 2013
Planning to make/take this cake for husband's family reunion this summer. K.
Jan 29, 2013
This cake is very dense and doesn't have enough banana flavor in my opinion. I too like others here had it fall apart on me when I removed it from the pan...maybe due to the excessive moisture. Don't think I'll try it again.
Sep 27, 2012
I have been baking for 35 years. This is one of the worst cakes I have every baked. After following the recipe as written, the cake stuck in the pan. I had to dig it out. It was a tasteless mess and a waste of my time and ingredients.
Nov 11, 2011
Hands down the best pound cake i have ever made


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General Information
(How this product works)
Durango herbicide is a postemergence, systemic herbicide with no soil residual activity and is intended for control of annual and perennial weeds and woody plants in various cropping systems, fallow cropland and CRP acres, and farmsteads. Durango is generally non-selective and gives broad-spectrum control of many annual weeds, perennial weeds, woody brush and trees. It is formulated as a water-soluble liquid. It may be applied through most standard industrial or field-type sprayers after dilution and thorough mixing with water or other carriers according to label instructions.
Although not generally required, surfactant may be added to spray solutions if water or fertilizer carrier volume is greater than 30 gallons per acre, the application rate for Durango is less than 15 fl oz per acre, or additional surfactant is desired for burndown applications.
Nonionic surfactants that are labeled for use with herbicides may be used. Do not reduce rates of this product when adding surfactant.
When using additional surfactant, a surfactant concentration of 0.125 to 0.25 percent (1 to 2 pints per 100 gallons of spray solution) is recommended for surfactants containing 70 percent or more active ingredient. Read and follow the precautionary statements and applicable use directions on the label of the surfactant product.
When applied as recommended and under the conditions described, this product controls annual and perennial weeds listed in the label booklet.
Do not add buffering agents or pH adjusting agents to the spray solution when Durango is the only pesticide being applied. The use of additional surfactant with this product for applications over the-top of crops containing the Roundup Ready gene is not recommended unless required by a tank mix partner. Do not use additional surfactant with this product for preharvest to cotton applications.
Time to Symptoms: The active ingredient in Durango moves through the plant from the point of foliage contact to and into the root system. Visible effects on most annual weeds occur within 2 to 4 days, but on most perennial weeds may not occur for 7 days or more. Extremely cool or cloudy weather following treatment may slow activity of Durango and delay development of visual symptoms. Visible effects are a gradual wilting and yellowing of the plant that advances to complete browning of above ground growth and deterioration of underground plant parts.
Stage of Weeds: Annual weeds are easiest to control when they are small. Best control of most perennial weeds is obtained when treatment is made at late growth stages approaching maturity. Refer to the annual, perennial, woody brush and trees rate tables for recommendations for specific weeds.
Always use the higher rate of Durango per acre within the recommended range when weed growth is heavy or dense or weeds are growing in an undisturbed (non-cultivated) area.
Do not treat weeds under poor growing conditions such as drought stress, disease or insect damage, as reduced weed control may result. Reduced herbicidal activity may also occur when treating weeds heavily covered with dust.
Cultural Considerations: Reduced control may result when applications are made to annual or perennial weeds that have been mowed, grazed, or cut, and have not been allowed to regrow to the recommended stage for treatment.
Rainfastness: Heavy rainfall soon after application may wash Durango off of the foliage and a repeat application may be required for adequate control.
Spray Coverage: For best results, spray coverage should be uniform and complete. Do not spray weed foliage to the point of runoff.
Mode of Action: The active ingredient in Durango inhibits an enzyme found only in plants and microorganisms that is essential to formation of specific amino acids.
No Soil Activity: Weeds must be emerged at the time of application to be controlled by Durango. Weeds germinating from seed after application will not be controlled. Unemerged plants arising from unattached underground rhizomes or rootstocks of perennials will not be affected by the herbicide and will continue to grow.
Biological Degradation: Degradation of Durango is primarily a biological process carried out by soil microbes.
Annual Maximum Use Rate: Except as otherwise specified in a crop section of the label, the combined total of all treatments must not exceed 6 quarts of Durango per acre per year. The maximum use rates stated throughout this product's labeling apply to this product combined with the use of all other herbicides containing glyphosate or sulfosate as the active ingredient, whether applied as mixtures or separately. Calculate the application rates and ensure that the total use of this and other glyphosate or sulfosate containing products does not exceed stated use rate.
For noncrop uses, the combined total of all treatments must not exceed 8 quarts of Durango per acre per year.
Weed Resistance Management
Glyphosate, the active ingredient in this product, is a group 9 herbicide (inhibitor of EPSP synthase). Some naturally occurring weed biotypes that are tolerant (resistant) to glyphosate may exist due to genetic variability in a weed population. Where resistant biotypes exist, the repeated use of herbicides with the same mode of action can lead to the selection for resistant weeds. Certain agronomic practices reduce the likelihood that resistant weed populations will develop, and can be utilized to manage weed resistance once it occurs.
Specific Recommendations:
- In burndown programs, always tank mix glyphosate with 2,4-D and/or other non-glyphosate herbicide. This product may be tank mixed with the products listed provided the product tank-mixed is registered for use on this site.
- Use soil-applied herbicides at full or reduced rates on some or all of your Roundup Ready crop fields to provide early season weed control, allow for optimal postemergence applications of glyphosate and to interrupt or delay selection for glyphosate resistant weeds.
Because the presence of glyphosate-resistance in weed populations is difficult to detect prior to use, Dow AgroSciences accepts no liability for any losses that may result from the failure of Durango to control glyphosate-resistant weeds.
Avoid contact of herbicide with foliage, green stems, exposed non-woody roots or fruit of crops, desirable plants and trees, because severe injury or destruction may result.
NOTE: Use of Durango in any manner not consistent with the label may result in injury to persons, animals or crops, or other unintended consequences. Keep container closed to prevent spills and contamination.
Application-Applications should not be made at a height greater than 10 feet above the top of the largest plants unless a greater height is required for aircraft safety. Making applications at the lowest height that is safe reduces exposure of droplets to evaporation and wind.
Mixing with Water
Durango mixes readily with water. Mix spray solutions of Durango as follows: Fill the mixing or spray tank with the required amount of water.
Add the recommended amount of Durango near the end of the filling process and mix well. Use caution to avoid siphoning back into the carrier source. Use approved anti-back-siphoning devices where required by state or local regulations. During mixing and application, foaming of the spray solution may occur. To prevent or minimize foam, avoid the use of mechanical agitators, terminate by-pass and return lines at the bottom of the tank and, if needed, use an approved anti-foam or defoaming agent.
Application Equipment and Techniques
Do not apply Durango through any type of irrigation system.
Durango may be applied with the following application equipment:
Aerial: Fixed Wing and Helicopter
Ground Broadcast Spray: Boom or boomless systems, pull-type sprayer, floaters, pick-up sprayers, spray coupes and other ground broadcast equipment.
Hand-Held and High-Volume Spray Equipment: Knapsack and backpack sprayers, pump-up pressure sprayers, handguns, hand wands, mistblowers1, lances and other hand-held and motorized spray equipment used to direct the spray onto weed foliage.
1Durango is not registered in California or Arizona for use in mistblowers.
Selective Equipment: Recirculating sprayers, shielded and hooded sprayers, wiper applicators and sponge bars.
Injection Systems: Aerial or ground injection sprayers.
Controlled Droplet Applicator (CDA): Hand-held or boom-mounted applicators that produce a spray consisting of a narrow range of droplet sizes.
Apply these spray solutions in properly maintained and calibrated equipment capable of delivering desired volumes.
Cut Stump Application: Apply using suitable equipment to ensure coverage of the entire cambium of cut stems.
Aerial Equipment
Do not apply Durango using aerial spray equipment except under conditions as specified within the label.
Use the recommended rates of this herbicide in 3 to 15 gallons of water per acre unless otherwise specified on the label. Unless otherwise specified, do not exceed 24 fluid ounces per acre. Aerial applications of Durango may be made in annual cropping conventional tillage systems, fallow and reduced tillage systems and preharvest applications. Refer to the individual use area sections of the label for recommended volumes and application rates.
For aerial application in California or Arkansas, refer to the federal supplemental label for aerial applications in that state for specific instructions, restrictions and requirements. Tank mixtures of Durango plus dicamba herbicide may not be applied by air in California.
Avoid direct application to any body of water.
Ground Broadcast Equipment
Use the recommended rates of Durango in 3 to 40 gallons of water per acre as a broadcast spray unless otherwise specified. As density of weeds increases, spray volume should be increased within the recommended range to ensure complete coverage. Carefully select proper nozzles to avoid spraying a fine mist. For best results with ground application equipment, use flat fan nozzles. Check for even distribution of spray droplets.
Hand-Held and High-Volume Equipment
Apply to foliage of vegetation to be controlled. For applications made on a spray-to-wet basis, spray coverage should be uniform and complete.
Do not spray to the point of runoff. Use coarse sprays only. Refer to the "Mixing for Hand-held Sprayers" section of the label for instructions on preparing spray solutions of a certain percentage content.
For control of weeds listed in the annual weeds rate table, apply a 0.5 percent solution of Durango to weeds less than 6 inches in height or runner length. Apply prior to seedhead formation in grass or bud formation in broadleaf weeds. For annual weeds over 6 inches tall, or unless otherwise specified, use a 1 percent solution.
For best results, use a 1.5 percent solution on harder-to-control perennials, such as bermudagrass, dock, field bindweed, hemp dogbane, milkweed and Canada thistle.
When using application methods that result in less than complete coverage, use a 3.75 percent solution for annual and perennial weeds and a 3.75 to 5 percent solution for woody brush and trees.
Selective Equipment
Durango may be applied through recirculating spray systems, shielded applicators, hooded sprayers, wiper applicators or sponge bars after dilution and thorough mixing with water to listed weeds growing in any noncrop site specified on the label and only when specifically recommended in cropping systems.
A recirculating spray system directs the spray solution onto weeds growing above desirable vegetation, while spray solution not intercepted by weeds is collected and returned to the spray tank for reuse.
A shielded or hooded applicator directs the herbicide solution onto weeds, while shielding desirable vegetation from the herbicide.
A wiper or sponge applicator applies the herbicide solution onto weeds by rubbing the weed with an absorbent material containing the herbicide solution.
Applications made above the crops should be made when the weeds are a minimum of 6 inches above the desirable vegetation. Better results may be obtained when more of the weed is exposed to the herbicide solution. Weeds not contacted by the herbicide solution will not be affected. This may occur in dense clumps, severe infestations or when the height of the weeds varies so that not all weeds are contacted. In these instances, repeat treatment may be necessary.
Shielded and hooded applicators
Use nozzles that provide uniform coverage within the treated area.
Keep shields on these sprayers adjusted to protect desirable vegetation.
Extreme care must be exercised to avoid contact of herbicide with desirable vegetation.
A hooded sprayer is a type of shielded applicator. The spray pattern is completely enclosed on the top and all sides by a hood, thereby shielding the crop from the spray solution. This equipment must be set up and operated in a manner that avoids bouncing or raising the hoods off the ground in any way. If the hoods are raised, spray particles may escape and come into contact with the crop, causing damage or destruction of the crop. The spray hoods must be operated on the ground or skimming across the ground. Speed of operation must be adjusted to avoid bouncing of the spray hoods. Avoid operation on rough or sloping ground where the spray hoods might be raised off the ground.
Wiper applicators and sponge bars
Wiper applicators are devices that physically wipe appropriate amounts of Durango directly onto the weed.
Equipment must be designed, maintained and operated to prevent the herbicide solution from contacting desirable vegetation. Operate this equipment at ground speeds no greater than 5 mph. Performance may be improved by reducing speed in areas of heavy weed infestations to ensure adequate wiper saturation. Better results may be obtained if 2 applications are made in opposite directions.
Avoid leakage or dripping onto desirable vegetation. Adjust height of applicator to ensure adequate contact with weeds. Keep wiping surfaces clean. Be aware that, on sloping ground, the herbicide solution may migrate, causing dripping on the lower end and drying of the wicks on the upper end of a wiper applicator.
Do not use wiper equipment when weeds are wet.
Mix only the amount of solution to be used during a 1-day period, as reduced activity may result from use of leftover solutions. Clean wiper parts immediately after using Durango by thoroughly flushing with water.
A nonionic surfactant at a rate of 10 percent by volume of total herbicide solution is recommended for all wiper applications.
For Rope or Sponge Wick Applicators: Mix 3 quarts of Durango in 2 gallons of water to prepare a 25 percent solution. Apply this solution to weeds listed in this section.
For Porous-Plastic Applicators: Solutions ranging from 25 to 100 percent of Durango in water may be used in porous-plastic wiper applicators.
Injection Systems
Durango may be used in aerial or ground injection spray systems.
It may be used as a liquid concentrate or diluted prior to injecting into the spray stream. Do not mix Durango with the concentrate of other products when using injection systems.
CDA Equipment
The rate of Durango applied per acre by vehicle-mounted controlled droplet application (CDA) equipment must not be less than the amount recommended in the label when applied by conventional broadcast equipment. For vehicle-mounted CDA equipment, apply 3 to 15 gallons of water per acre.
For the control of annual weeds with hand-held CDA units, apply a 20 percent solution of Durango at a flow rate of 2 fluid ounces per minute and a walking speed of 1.5 mph (1 1/2 pints per acre). For the control of perennial weeds, apply a 20 to 40 percent solution of Durango at a flow rate of 2 fluid ounces per minute and a walking speed of 0.75 mph (3 to 6 pints per acre).
Controlled droplet application equipment produces a spray pattern that is not easily visible. Extreme care must be exercised to avoid spray or drift contacting the foliage or any other green tissue of desirable vegetation, as damage or destruction may result.
Refer to the label regarding tank mix information.
Specific Use Recommendations: Make applications at 35 percent grain moisture or less. Ensure that maximum kernel fill is complete and the corn is physiologically mature (black layer formed). For ground applications, apply up to 4.5 pints per acre of this product. For aerial applications, apply up to 1.5 pints per acre of this product.
Precautions and Restrictions: Allow a minimum of 7 days between application and harvest. It is not recommended that corn grown for seed be treated because a reduction in germination or vigor may result.
Perennial Weeds
Apply to actively growing perennial weeds.
Note: If weeds have been mowed or tilled, do not treat until plants have resumed active growth and have reached the recommended stages.
Repeat treatments may be necessary to control weeds regenerating from underground parts or seed. Repeat treatments must be made prior to crop emergence.
Unless otherwise stated, allow 7 or more days after application before tillage.
Best results are obtained when soil moisture is adequate for active weed growth.
Refer to perennial weeds rate section in the label for specific information.


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Praise for Daniel H. Wilson's Amped
"A fast-paced narrative, not too far away at all from everyday experience, that treats an unsettling question: How long will tolerance last once you can buy a better brain?"
—The Wall Street Journal
"With Amped, Wilson has taken another step to claiming the late Michael Crichton's crown as the public's sci-fi thriller writer of choice. . . . Wilson hits all the notes in the right order, and the book's pace is relentless. And perhaps best of all, he leavens his cautionary message with good-sized dollops of fistfights and gunfire. Amped might have a commendable message about tolerance and civil rights, but Wilson doesn't let the message get in the way of our fun."
—Richmond Times-Dispatch
"A wild ride. . . . Wilson taps into something primal with Amped. . . . Wilson is a roboticist by trade, and he combines his background in science and engineering with a knack for fast-paced narrative. . . . [Amped taps into] some of the deep questions about medical ethics, the social effects of technology, and the way that class and politics make technological questions much harder to resolve"
"A fast-paced, futuristic thriller that'll make you think, especially about the dangers of us-versus-them demagoguery."
—Fredericksburg Free Lance Star
"Absorbing . . . Wilson is no stranger to exploring the intersection of technology and humankind. In Amped, certain individuals have technology embedded under their skin. These humans are smarter and faster than norm—and because most of the federally funded upgrades went to the needy, the formerly dumb and afflicted 'amps' are scaring the 'pure' humans. The not-so-distant future is a hotbed of class war and civil unrest."
—Portland Mercury
"A fast-paced narrative, not too far away at all from everyday experience, that treats an unsettling question: How long will tolerance last once you can buy a better brain? Mr. Wilson recognizes that, in the modern world, the battlegrounds would be legal and political, not just physical."
—The Wall Street Journal
"Fast-paced . . . fascinating . . . for hardcore sci-fi readers, Amped offers plenty of juicy details to savor. As he showed in his bestselling thriller Robopocalypse, Daniel H. Wilson can write. The Carnegie Mellon-trained roboticist has a voice and style very much like Stephen King. But unlike King, Wilson also has the chops to base the weird beings in his stories on hard science."
—Wired's Geek Dad
"Entertaining . . . propulsive . . . Amped [is] a gripping story of a community of Amps trying to make it in the middle of a prejudiced Oklahoma, where regular humans strike back at anyone with a telltale port on their temple. A piece of trenchant political science fiction about how we mistreat those who are different."
—The Onion A.V. Club
"Amped beckons back to the Civil Rights era, when the definition and rights of American citizens were called into question."
"Wilson keeps the action and fear-based prejudice ever-present without sacrificing depth. The story's heart is the moral quandary Owen faces once he knows his implant only responds to his deepest thoughts, keeping the reader wondering how far he will go and how much he is willing to sacrifice."
—Publishers Weekly
"Provocative . . . A thoughtful, well-written novel which deals with the often tense interplay between machines and humans. Wilson, whose prose is always a step above the norm, is at his strongest creating amp augmented action sequences and in conjuring situations which explore the boundaries between humankind and its technological creations."
—Kirkus Reviews
"Thrilling . . . First he gave us helpful advice for the robot uprising, then he wrote the robot war novel Robopocalypse. Now Daniel H. Wilson is turning his attention to the plight of cyborgs and posthumans with his dystopian new novel Amped."
"Wilson's newest novel, Amped, shares with its predecessor [Robopocalypse] a solid basis in current scientific technology—in this case, neural implants that treat a variety of conditions. Amped imagines a not-too-distant world, when these 'superabled' people—made stronger, smarter, faster by the devices in their heads—are perceived as a threat to unaltered or 'pure' humans."
—Tulsa World
"This is a terrific book on any number of levels, doing what sf has always been able to do best: showing us a possible future so that we can not only attempt to avoid it, but we can also look at its echoes as they already exist in our own time." —The Magazine of Fantasy & Science Fiction


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J.O.Y. Adult Study Group
Every Wednesday, 5:45 PM - 7:00 PM
Ongoing @ 5:45pm in the Small Dining Room near the Fellowship Hall
Contact: Roger Short, or the church office at (205) 663-0509
Led by Rev. Roger Short, this dynamic group is studying "Life Together in Christ: Experiencing Transformation in Community"by Ruth Haley Barton. In this group, we seek to experience true transformation and deeper faith through the community of faith in our lives together in Christ.
Have you joined a church or small group in hopes of experiencing real life change, only to be disappointed? Have you sat through inspiring sermons about what is possible when Christians gather together in mutually edifying relationships, only to recognize how cynical you have become after many failed attempts? Community may be one of the most over-promised, under-delivered aspects of the Christian life today. Individuals remain selfish and stuck in their ways. Communities become spiritually lifeless or even fall apart because we don't know how to experience transformation together. Transforming community does not come primarily from listening to inspiring preaching or adding another church program. It emerges as we embrace a shared commitment to the attitudes, practices and behaviors that open us to Christ in our midst. And that's where Life Together in Christ comes in. Reflecting on the story of the two disciples who meet Christ on the Emmaus Road, Ruth Haley Barton offers this interactive guide for small groups of spiritual companions who are ready to encounter Christ in transforming ways―right where they are on the road of real life.


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You still have some items left in your basket from your last visit!
Our best sleepy time teas!
Sick of counting sheep when you go to sleep? We often hear 'I need a tea for sleep' so we always guide our Teabirds to our relaxing tea blends which have specifically been made to bring the inner calm you from within you; blended with calming and naturally caffeine-free ingredients like chamomile, valerian & lavender!
From: $4.10
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Herbal Infusion
From: $4.10
To: $52.00


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Member Questions
7 replies so far...
You sound like me.... I have a 4 drawer filing cabinet downstairs and at first I was saving everything by month, zip lock bags labeled worked good. Then I decided that wasn't the best solution because I'd need to recall what month an event happened so I could pull that zip lock bag so then I changed it to a zip lock bag for 2006 Nicor, 2006 ComEd, 2006 CitiBank etc... hold on to them for "x" amount of years then shred when appropriate. Tax returns are always separate w/associated documents. Household repairs and receipt for water heaters, plumbers etc again a zip lock bag for 2006, 2007 etc...
I keep putting off cleaning my 4 drawer.... Good luck
Flag as inappropriate Posted by Mary Jane on 17th February 2008
Paper Tiger is a great software!
Flag as inappropriate Posted by Shelleen McHale on 10th February 2008
We have two filing spots, a two-drawer cabinet in the basement that my husband maintains, and two desk-top hanging files that I maintain. Mine are my business things: one for receipts, and one for contracts, invoices, and correspondance. In the basement go the larger household things: warranties, mortgage and property taxes. After I do my taxes each year, I move that year's folders into banker's boxes in which I keep my tax stuff for seven years. And then I get to THROW IT OUT.
I love that part. Heh.
Flag as inappropriate Posted by MaryP on 28th January 2008
Oh, so that's the other thing I do -- we only keep things in the actual filing cabinet for 3 years -- after that I put them in a large clear box I got at Target. They go in there in their respective folders so we can find them later if we have to. I hate clutter so I hate keeping things for a long time, but I think to be safe, 7 years is a good idea. (Oh, and instead of whiting out labels -- buy cheap labels at the store, this is faster.)
Flag as inappropriate Posted by Nataly on 27th January 2008
The bigger folder idea is great. Good idea. I just need to white out the old labels and start again, maybe. Do I really have to save things for 7-10 years? Isn't five good enough? *LOL*
Flag as inappropriate Posted by Dana on 27th January 2008
OK, I'd love to agree with Nataly, not just because it seems like the right thing to do so I can stay on this site ;), but because I've tried it. It's hard to figure out what files go in what catagory then in what order...For our house it works best to just stick to alphabetical. Each bank account, investment, kid, pet, the house, credit cards, car, etc., etc, all have a file. We even keep a file at the very beginning of FILE ME which consists of things that go in a file but hasn't been figured out yet. THey may be waiting for the final print out or invoice or whatnot and we got through that file all the time to keep everything on track.
Oh, and I must clarify that I'm happy to just ignore the file cabinet in terms of putting things in it. DH is super anal and great about filing. And I always need to access the stuff so I appreciate his analocity.
Flag as inappropriate Posted by Mandy Nelson - Dandysound on 27th January 2008
I'm not really an expert, but what I do is create categories -- banking, house, medical, taxes, etc -- and those are the main, hanging folders. I put them in sort of alphabetical order and then put individual files in folders, based on category. So for example, our tax files for 2007 go into a folder, which then goes into the big Taxes hanging folder (I hope that makes sense.)
Flag as inappropriate Posted by Nataly on 27th January 2008


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Our Spanish Language School in Peru offers the exceptional opportunity to learn Spanish while immersed in Peruvian culture.
Other activities, such as Quechua Language Courses, workshops on Latin American Culture and daily Student Activities, make our Spanish school a distinctive language institute in the former capital of the majestic Inca Empire: Cusco.
Our Spanish School is located in a colonial building at only one block from the main square, the Plaza de Armas. Here we also offer accommodation in a lovely setting with a sunny terrace. On top of that, there are Peruvian host families, who offer a welcoming living environment where you will speak Spanish only.
Currently, the Spanish Immersion programs runs at three locations: the beautiful city of Cusco, the picturesque village of Urubamba (in the Sacred Valley of the Incas) and the Rainforest of Tambopata. Take advantage of studying at either or all three locations, combining the Spanish lessons with excursions, each highlighting a different aspect of Peruvian culture. Our Volunteer work program provides the unique opportunity to live and work in Peru, while cultivating a superior level of the Spanish language.
Students Activities
"The course was well organized and flexible. I had very specific learning goals and the teachers enabled me to focus on those aspects I found most difficult"


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The Utah Jazz may have found its next star player.
Actor and comedian Adam Sandler stopped by the team's practice facility to shoot hoops on Monday.
He also took pictures with the team.
But the real question is, can Sandler ball? Donovan Mitchell filmed the actor sinking a shot.
Sandler was in Utah for his 100% Fresher tour hosted at the Vivint Smart Home Arena.
The comedian promised surprise guests, new stand up material and new songs , a press release stated.
Netflix released this trailer for Sandler's tour:


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SanDisk and Belkin both want your money - but this time it's for good causes, justifying the bring purple and pink colours schemes. Both companies have launched products and pledged to donate a percentage of the price to charity.
Sansdisk's purple Cruzer Micro and Ultra II SD
SanDisk yesterday announced a 2GB Ultra II SD card and a 2GB Cruzer Micro USB Flash drive both affiliated with the US' Alzheimer's Association. You can buy them now for $45 and $40, respectively, from Best Buy stores in the US and, from October, at other North American retailers.
Belkin's Folio iPod Nano case
For each of the purple products that are sold, SanDisk will sent $1 to the charity, which not only funds research into Alzheimer's treatments but also provides care and counselling for victims of the illness and their families.
Belkin's favoured charity is the Susan G Komen for the Cure breast cancer organisation, which it's helping with a range of five rose-hued cases for the second-generation iPod Nano. All of the cases are priced at $25, from which Belkin will send the charity $2.50. It also pledged it would make a minimum donation of $225,000.
Belkin's Slim Fit (left) and Remix Metal iPod Nano cases
The range covers most case types: hard acrylic and metal ones, soft denim and leather folio versions, and a flexible neoprene case.
All five cases are available now from US retailers.
Susan G Komen for the Cure provides support for breast cancer sufferers and their carers, and funds research into curing the disease.
Sponsored: Webcast: Simplify data protection on AWS


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This module implements Basic HTTP Authentication as described in RFC 2617. It can be used to add an authentication layer to sites with no built-in authentication (e.g. static files).
Beware, passwords are transmitted in cleartext with this scheme, so the medium should be secured somehow (by e.g. SSL).
This module implements only the HTTP-related part of the protocol, and is meant to be extended with various authentication plugins.
A very naive one is provided as an example. See the developer's documentation if you want to make your own one.
In order to use it, you must first add the following line to your ocsigen.conf:
<extension findlib-package="ocsigenserver.ext.authbasic"/>
This extension defines one action, <authbasic>, and one authentication plugin, <plain>.
The <authbasic> action
To add an authentication layer to a site, add the following lines before the actions defining the restricted part of your site:
<authbasic realm="..."> ... </authbasic>
The realm attribute is some name identifying the protected resource. The client is expected to send the same authentication info to all pages protected with the same realm on the same hostname.
When a request containing the right authentication token arrives, this action doesn't do anything (and therefore grants access). If the authentication info is missing, an HTTP 401 Unauthorized is immediately returned (no other extension is tried) to request the client to provide this authentication token. On most interactive browsers, this is done by popping up a dialog box asking the user for a login and a password.
The <authbasic> element expects one child element, specifying which authentication plugin to use.
The <plain> plugin
To protect a resource with some fixed login and password given in the configuration file, you can use the <plain> plugin. Here is a self-contained example:
<authbasic realm="example"> <plain login="me" password="mypassword" /> </authbasic>


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Tokyo, Japan, October 28, 2010 - Japan electrified their hometown crowd with a marathon five-set 3-2 (26-28, 21-25, 25-20, 25-23, 15-12) comeback win against Pool A rivals Poland at Yoyogi Stadium on Friday.
In the process the hosts recorded their 13th win in 19 encounters between two of the favourites in the pool, including six in the last nine matches. The stunning victory reversed a defeat by Poland in the 2010 World Grand Prix Final Round while repeating the Asians' dramatic five-set victory at the Beijing Olympic Games.
Star player Saori Kimura led the home team's scoring with 25 points while Kaori Inoue added 16 of her own. For Poland, Joanna Kaczor delivered 24 points with Anna Werblinska chalking up another 21.FIVB Women's World Championship Japan 2010 official pageJapan opened in strong fashion with Kimura taking a soft set from Yoshie Takeshita to drive a spike down the middle to start. Yukiko Ebata followed with two impressive serves that both found the mark to put Japan 3-0 ahead, but Poland responded with a pair of spikes from Malgorzata Glinka-Mogentale, closing the gap to 5-4.
Ebata's kill put Japan 8-5 up going into the First Technical Timeout (FTT) and the teams then traded points until a long serve by Werblinska and another kill by Ebata extended the hosts' lead to 12-7, forcing Poland into a timeout. Japan edged further ahead with a Kimura spike that painted the sideline before Inoue produced a spike after a miraculous Takeshita dig, making it 16-10 going into the Second Technical Timeout (STT).
Coming back out, Poland showed great spirit with the influential Werblinska firing no fewer than four lasers through the heart of Japan's defence to restore parity at 17-17, forcing the opposition into a timeout. Poland then took the lead at 20-19 and once the European Championship bronze medallists and world No.8 had their noses in front, they refused to look back. Kaczor and Saori traded points until an errant drive by Saori gave Poland the set at 28-26.
The Poles kept the momentum going in the second set, with some strong serving frustrating Japan's Yuko Sano as they opened up a 4-1 lead. Inoue responded with two wonderful attacks, only to follow with a long serve that left her side 6-4 down. With Werblinska maintaining her aggressive net play with a spike down the centre, the Poles held an 8-5 advantage going into the FTT. If Werblinska produced a wonderful touch at the net, she was not alone – Kaczor contributed several blocks to help Poland move 14-8 ahead. Japan replied with a great dig by the diminutive Takeshita which set up Ebata at the net for a spike, making it 16-11. But Poland kept ahead down the stretch with a powerful spike by Glinka-Mogentale putting them ahead at 21-14 before Katarzyna Gajgal came in with an vicious spike to win the second set 25-21 and quieten the home crowd.
In an even opening to the third set, both teams showed great defensive work in a long rally that ended with a Saori put-away to tie it at 4-4. Saori Sakoda came in and made her presence felt with a spike down the middle but she later had difficulty with a tip at the net that fell back on her side, giving Poland an 8-7 edge going into the FTT. Milena Sadurek dropped a wonderful ball over the net to make it 10-9 for Poland but then Japan's Sakoda fired a kill of her own. Poland's Gajgal continued the back and forth, keeping her team on top at 14-11 and forcing Japan into a timeout.
When the action resumed Werblinska continued to pummel attacks at Japan, being blocked once, and finding the mark on the next attempt to make it 16-15 at the STT. Yet the tide began to turn as Ebata put a stubborn block on Kaczor to tie the scores at 17-all before Saori produced a flurry of superb attacks that led to a set-point at 24-20. She finished off the set with a hard service that Poland could not handle, so keeping home hopes alive.
With Sakoda delivering a pair of spikes and two miraculous digs, Japan took an 8-6 lead into the FTT in the fourth set and Masayoshi Manabe's team kept ahead with the help of Megumi Kurihara, who contributed a soft put-away at the net and a spike down the centre. Sakoda drove an attack of her own through the Poland defence to make it 13-10 but she was then blocked as the Europeans closed the gap to 13-12.
Saori missed the sideline with a strike and was frustrated at the net by Polish blockers as Jerzy Matlak's side went 15-14 in front and the hosts called a timeout when Poland extended their lead at 19-17. Japan were soon trailing 22-19 but Sakoda cut the deficit with an ace that the defenders hoped would go long and when a Gajgal attack went wide, the teams were back level at 22-all. With attacks from Mai Yamaguchi and Inoue, Japan earned a set-point at 24-23 and an errant serve by Poland duly handed it to them 25-23.
Into the decider and both teams came out looking take charge. Locked at 5-5, key spikes from Saori and Inoue gave Japan an 8-7 edge at the technical timeout. Glinka-Mogentale then tied the scoring at 10-10 with a powerful drive but Poland's resistance was crumbling. Kurihara found the mark on an attack after some great defensive work by Takeshita and that set up Inoue to drive a spike home to reach 15, completing an incredible comeback which hopefully sets the tone for a magnificent tournament.


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The history of the suit
A suit consists of a blazer and a pair of pants made from the same fabric. A suit is the outfit that separates a man from a boy, gives him character and shows masculinity. If you want to learn more about the history of the suit, its functionalities and how to style it with a modern and casual look, we encourage you to read on.
History of the suit
A suit is a formal type of clothing and is derived from the late 19th century. Men wanted more comfortable garments, because they weren't satisfied with the comfort when they for example rode on their horses. Their regular clothes at that time were made of a much stiffer fabric, which didn't help on the comfort. In their search for a comfortable garment, more men began to wear a suit, and now it is synonymous with elegant men's clothing. In the beginning a suit consisted of a blazer, pants and a waistcoat – a three-piece suit. You still see this today, but more often the waistcoat is absent and only the blazer and pants are used.
When you're thinking a suit you cannot avoid associating with Savile Row in London – home for some of the most famous tailors in the world and an epicenter for the suit and its current style, even though it's termed classic now. A tailored suit is not for everybody because it's very expensive, especially from Savile Row. They stick to "ready to wear" suits and get a tailor to make small adjustments to get the perfect fit. It is possible to get your suit adjusted at Bertoni. You just have to contact one of our stores and they'll take care of the rest. This type of acquiring a suit started in the beginning of the 20th Century where Burton's launched their "ready to wear" suits. After the 2nd world war all UK servicemen were given a suit from Burton's, and around 1950 one in every five men wore a Burton's suit.
Functionality and etiquette
A suit can have 3 different cuts – an Italian, a British, and an American cut. The cut decides how the blazer and pant fit on the body. An Italian cut has a narrow silhouette and fits tight on the body. Often a suit with an Italian cut is made from lighter fabric. The British cut in known from Savile Row and its tailors. It's tight, but not as tight as an Italian cut. In addition, you often see a waistcoat in a suit with a British cut. In the beginning an American suit were baggier and had a softer silhouette than the other cuts. Lately it has been tailored to a narrower fit, but is still the widest of the three.
It can be tricky to see the different cut apart if you don't have a trained eye, and nowadays it's not a matter of location or geography but rather a question about style and personal preferences. The cut in a Bertoni suit is young, comfortable, and following international trends. But we assure you that we have a suit which fits you. The blazers are available in both single- and double-breasted, and you can read more about the history of the blazer.
How to style your Bertoni Suit
A safe choice for a suit is always to pair it with a shirt and a tie, and it will be appropriate for most occasions, expect the most formal events where a smoking is required. You can also get a casual look in a suit if you use it with a turtleneck instead of shirt and tie. You'll be free from the tight look that a tie gives, but you'll still have the elegance a suit provides.
Find your new Bertoni Suit
Are you on the look-out for a new suit or maybe even your first suit? At Bertoni, we have a great selection of suits, and you can see the selection at our online shop or at one of our stores where you will meet our knowledgeable staff ready to guide you to your new suit.


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invada_studio_plugins_lv2 (Audio plugins for LV2)
Plugins include delay, tube warmth/distortion simulation, compression,
low and high pass filters, stereo phaser, reverb, an input module,
peak/VU/spectrograph meters, and a test tone generator.
As shipped, the package is built with -O3. If you for some reason want
to use Slackware standard CFLAGS, set FORCE_SLACK_CFLAGS=yes in the
build environment.
This requires: lv2
Maintained by: B. Watson
Keywords: jack,lv2,effects,delay,tube,distortion,phaser,reverb,guitar
ChangeLog: invada_studio_plugins_lv2
Download SlackBuild:
invada_studio_plugins_lv2.tar.gz.asc (FAQ)
(the SlackBuild does not include the source)
|Individual Files:
| invada_studio_plugins_lv2.SlackBuild
| invada_studio_plugins_lv2.info
| slack-desc
© 2006-2020 SlackBuilds.org Project. All rights reserved.
Slackware® is a registered trademark of Patrick Volkerding
Linux® is a registered trademark of Linus Torvalds
Web Design by WebSight Designs | Managed Hosting by OnyxLight Communications


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This job is archived
(Archived) Physical Therapist - Home Health - (PT - HH)
Job Description
Job Description & Requirements
Physical Therapist - Home Health - (PT - HH)
StartDate: ASAP Available Shifts: 8 D Pay Rate: $45.00 - 47.50
Home healthcare company is seeking a self starting, highly motivated Physical Therapist to join the team. Therapist will treat an Adult population seeing approximately 5.5 patients per day. Candidates must be willing to support a friendly, positive and professional environment.Additional Requirements/Information:" Interested candidates must have 1 year of experience " Exclusive/Preferred account" Nationally recognized rehab company" Candidates must be currently licensed or eligible for licensure as a Physical Therapist and/or registered as a Physical Therapist per state requirements.
Required Qualifications
1 Year Minimum Home Health Experience
CA License in hand
Oasis exp
Preferred Qualifications
2 Years Minimum Home Health Experience
CA License in hand
Oasis exp
Facility Location
Situated in California's San Joaquin Valley - one of the greatest agricultural areas in the nation - Modesto offers a small-town ambiance and easy access to the ocean, mountains and some of the nation's most renowned national parks. Day trip options from Modesto include San Francisco, Sacramento, and Yosemite National Park among many others. With its mild climate, outdoor activities can be enjoyed year round.
Job Benefits
Allied travel assignments are typically for 13 weeks and offer generous packages that include:
- Competitive pay rates
- Medical, Dental, Vision
- 401(k) and Flex Spending
- Life Insurance
- Accident and Short-term Disability Coverage
- Free Continuing Education
- Free Private Housing
- Refer a friend and earn extra cash!
About the Company
Club Staffing, an AMN Healthcare company, is the leader in allied healthcare staffing, with thousands of travel positions available throughout the United States. We are dedicated to meeting the unique needs of each allied healthcare professional; whether it's travel, per diem, temp-to-perm, or permanent. We also offer more therapist, laboratory and medical imaging jobs in more places than other travel companies. AMN Healthcare is an EEO/AA/Disability/Protected Veteran Employer. We encourage minority and female applicants to apply.
physical therapist, physical therapy, PT, physiotherapy, rehabilitation therapist, physician rehab therapist, rehabilitation, rehab, allied health, allied, home health physical therapist, home care physical therapist, home health PT


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Since we have had quite a few changes to the Antipoints system, I will try to bring my original post up to date.
User Tends To Assign bar correction
This bar used to show that a new user tended to assign only very negative. It was corrected and now, for the new user, shows balenced directly in the middle, untill the user gains approx 50 positive antipoints themselves and their assignment actually give points. Then it will show the pecentage of positive and negative antipoints assigned in a graph form.
Antipoint Message in Your Account, on the main index page
This will say that you have 'no new antipoint' or You have receive new antipoints. When it tells you that you have received new antipoints, this will be underlined and is a link directly to your antipoint center so you can see what you have received.
Thread Antipoints
A new feature we have just received is:This function allows you to be able to assign antipoints to the thread itself and not effect the status of any member. This is set up so members can close (or hold open) a thread that they feel is not worthy of staying open, and not having to neg any member to make it go suicidal. The negatives and/or positives only effect the thread itself and not any of the posters to that thread. It does show in the antipoints given section of your Antipoint Center as points assigned to a thread.The Overall AntiPoint Status Of This Thread Is: extremely positive
Assign Positive or Negative AntiPoints To This Thread | View AntiPoint Assignments Made to This Thread
Variable Assignment of Points
Another new feature is the variable antipoints power scale:This provides a method of assigning less points, either positive or negative to any post. This is an important feature for 'Seniors' with massive antipoints to be able to adjust the impact of their assignment.What do you think of XXXXX's post?
I approve
I disapprove
Adjustment: *
100% 75% 50% 25%
Your comments on this post:
Example - If I think you have made a bad post, but I don't wish to neg you with the full power of my accumulated antipoints, then I can use the 25% function and hit you with only 25% of the negs I could have given you.
I hope this helps some of the questions I have been seeing on the changes that have been made to our Antipoint System.


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You have no items in your shopping cart.
Subtotal: €0.00
Feathers in the Premium range, bundles and individuals, are of the highest quality and best origin.
Carefully selected for use in exclusive trendy hairsalons based on customer trends.
These feathers, specially for use as an hair-accessoire, can be washed, blow-dried and styled.


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When TLC's show "Extreme Couponing" hit the airwaves, the response was drastic. Some fans loved the show and started to learn more about how they could use coupons to significantly reduce their grocery bills. On the other side of the coin are those consumers who were concerned about the hoarding-like behavior exhibited by some extreme couponers. Now retailers are sounding off, and many companies are changing their coupon policies.
Kelli B. Grant covers some of the store coupon policy changes in her SmartMoney.com blog post, Extreme Couponing: Now Extremely Prohibited.
"Rite Aid, Target and Publix have all revised coupon policies in recent weeks (see details below) to limit the number of store and manufacturers' coupons they accept per item or per shopping trip. Procter & Gamble now limits consumers to four of the same coupon per shopping trip."
In some cases, the new polices will prevent coupon stacking — using multiple types of coupons on a single item. In other cases, the policy will limit purchase quantities. Having seen one episode of "Extreme Couponing" myself, I think the item limit is probably a good thing. I can't imagine being a shopper in a grocery store after an extreme couponer just cleared the shelves.
While these policies might have an effect on the extreme couponer, everyday coupon users probably won't face any problems. According to Grant's article, The Grocery Game founder Teri Gault shares this sentiment. "Being tighter about coupon redemption is fine for the average shopper buying two or three of something," she says. "You can still save a ton of money using coupons."
The policy changes probably won't have a negative effect on your average consumer and the effect will be less noticeable to those of us that prefer organic, natural or non-processed foods. The vast majority of coupons available today are for processed food items. Sure, I'll find a coupon for Horizon organic milk or Stonyfield Farm yogurt from time to time, but most of the coupons in my Sunday paper are for products I wouldn't purchase anyhow.
How about you? Are you a coupon user? Will the store changes affect your shopping trips?
Also on MNN:


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