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"Coming into this lifetime, we agree to play the old abusive relationship behaviors over and once again try to end the negative karma and even transcend it. This is what I call our Karmic Dance." ~ Holly E. Messick
Holly grew up in Columbus, Ohio where her childhood love of reading led her to eventually becoming a librarian. But it was a children's literature class in college that made her realize that she really wanted to be an author.
After graduation, she got a job as a school librarian, but didn't start writing until after her son was born. Over the years that followed, raising children, her husband's military career, and all the things that go with being a young wife and mother took precedence over her dream of being an author.
She never gave up on her dream, and over the years she would spend time writing, reading about being an author, getting involved in writer's organizations, and attending writing conferences.
Holly eventually returned to college to get her Master's degree in Library and Information Science. Afterwards, she began working in children's library work, first in public libraries, then in school libraries.
When her first marriage ended in divorce, she married her high school sweetheart. As the marriage progressed, her spiritual growth and learning led her to realization that they were in a karmic relationship. Through past life regression work, she learned that they had past lifetimes where they had played out the same roles in a recurring cycle of abuse.
Finally, realizing that she needed to end her role of victim, she left the marriage thus ending the lifetimes of negative karma. After a fifteen month separation, she and her husband, Terry, reunited and worked together to create a more balanced, loving relationship.
Holly's first book, Karmic Dance—A Spiritual Journey through Verbal Abuse is the story of her second marriage and how she and her husband were finally able to end the abuse and heal their relationship.
She is a retired librarian, former business owner, artist, seeker of spiritual wisdom, knowledge, and understanding, as well as an author. Her family, including her two cats, bring much love and entertainment into her life. She believes everything she has experienced in her life has brought a richness of lessons, purpose, and depth to her life and who she is.
She currently resides in Arizona and is busy writing her next book.
"Did you ever wonder what your life would be like if you had done things differently?
Second-guessing your decisions, your plans, your lives. I know — I've done it. We all do. But when we reach a higher perspective in life,
we begin to see how the decisions we've made were often guided by a higher power
. We're not puppets on a string, but we each have
a higher self who guides us along our path through life.
It's only when something ends that we may have that "Aha!" moment and realize what has really been going on all along. I've looked at my life in just that way.
In the midst of the chaos, the messiness, and even the peaceful times I couldn't see the higher plan."
Karmic Dance — A Spiritual Journey through Verbal Abuse
is a memoir about the author's second marriage which she eventually realized was a karmic relationship.
Holly and Terry met in high school and dated for four years
. During the first three years they dated each other exclusively, but as Holly's view of the world expanded, her mother's words that she should date other boys finally made sense. Even after they began to date other people, they continued to date each other.
Then Holly met the young man who would become her first husband.
Holly and Terry married other people,
had children, and built happy, successful lives for themselves. But at the end of twenty years, both of them were on the edge of divorce. When Holly returned home to Columbus, Ohio for her
20th high school reunion, they reconnected.
Five months later, Holly moved back to Ohio and they began their life together.
Without their awareness,
they began to play out the karmic relationship that they came into this lifetime to experience
. Terry had learned to be a
who used verbally abusive behaviors. Holly had learned to be a victim and a people pleaser.
Several years into their marriage, Holly had a spiritual "Aha" moment. As she learned and grew spiritually, she began to explore past life regressions. It was during these experiences that she
saw several past lifetimes where she and Terry had played out the same type of relationship.
It was then that she realized that they were in a karmic relationship.
Karmic Dance
shows how their abusive relationship escalated into a crisis which resulted in ending the negative karma.
What follows is how they were able to put their marriage back together and create a relationship that enabled them to transcend the negative karma.
"This book has great advice whether you are the person who finds yourself not knowing what to do or how to respond to someone who spurts words of painful fiery arrows.
While we can't control what others do or say, we can better grasp how to respond with peace, forgiveness, and grace.
I found this book refreshing and uplifting." ~ A. Rogers
Filled with integrity, honesty and personal grit
, Holly Messick weaves the story of her karmic dance while educating and enlightening with non judgement and respect for all the players. She sets the stage for understanding and accepting how compelling it is for each individual as they play the cards they are dealt.
Sharing fully the positive and negative thoughts, patterns and actions that created the karmic chain while it continued to bind them to each other until one or both gained the understanding needed to break the patterns.
Ahhh, the poem Karma Owed, Karma Paid…..wonderful touch, an invitation to read further – spinning the mystery so that
I was eager to keep turning the pages to see how the next chapter evolves.
Loved the unfolding story of high school innocence and first love that leads to the 'tie that binds' or said another way – casts the karmic spell. Two souls entering innocently into the beginning of a drama that's taken centuries to unfold – leaping into the unknown, playing the cards as each hand is dealt.
Excellent story evolution – understanding how first relationship set the stage for the second relationship that held the keys for karmic resolution. Absolutely awesome!
All through the book, Holly
invites the reader to see her world through her eyes
, the good, the bad and the ugly. Claiming it only as 'what is'. Increasing her knowledge and understanding so she can work toward
shifting her patterns while being called on to make daily personal decisions
because she's still engaged in the karmic dance.
I, genuinely, enjoyed the combination of psychology presented with her spiritual understanding of the 'bigger picture' so
we could see how the puzzle pieces fit together
- how all the elements combine to make 'karma' exactly what it is. Even better, how each player either does or doesn't take part in that particular dance scene. Inspiring!
Definitely, a must read!
And for certain, a book that you can tell your friends that they'll want a copy – everyone can use this level of karmic relationship enlightenment. Especially since Holly has so aptly and willingly shared her story which provides a perspective of the karma dance evolving toward resolution. Resolution – isn't that what everyone wants? This story warms my heart because resolving the karmic dance, as Holly has done,
takes perseverance, patience, awareness and lots of self talk and self truths!
~ Patricia S.
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- Ratepayers concerned at transport, Taupo rates
|2004-08-20 00:00:00
Environment Waikato is receiving about 700 calls a day from people wanting to know more about their rates since the Council's rate invoices began going out earlier this month.
Apart from questions about how to make payments or changing details, Hamilton ratepayers have been concerned at paying a passenger transport rate and those living outside the Taupo area want to know why they are paying a rate to protect Lake Taupo.
Finance Manager Warren Stevens said Hamilton City ratepayers had always paid a Passenger Transport rate, but many people had only noticed it when the Council began directly rating last year.
"Attracting more people onto public transport reduces car congestion, reduces economic, environmental and social pressures on roads, parking problems and pollution. It also reduces the cost of having to make new roads. Bus service improvements made last year have already increased bus use by 12 percent, and 53 percent in the past four years.
"Buses are a viable and sustainable alternative to cars, and improvements to bus services are making buses more attractive and accessible to everyone, which also benefits those who use their own cars, " he said.
At least 6000 passengers a day used buses. If there were no public transport system and only half of those passengers used cars, another 3000 vehicles would be on the road every day.
Environment Waikato was working closely with Hamilton City Council on routes to ensure the bus service met the needs of the community, he said. This included extending the service into new growing areas which were currently without a bus service.
Mr Stevens said the passenger transport rate per $100,000 CV had decreased slightly this year, but capital property values had increased. The increased amount collected would help offset inflation and an increase in contract prices.
"We will be considering the feedback we are receiving that the transport rate should be a rate per property rather than based on capital value.
He said all Waikato ratepayers were paying $9 per property towards protecting Lake Taupo. The health of the Lake is declining from excessive nitrogen caused by intensifying rural land use and urban growth over the past 50 years.
Environment Waikato, Taupo District Council and Central Government are working with stakeholders on an $81 million project to reduce the amount of nitrogen reaching the Lake by 20 percent. He said protecting the Lake would have far-reaching implications for the Region's economy.
"We believe that all New Zealanders benefit from having a clean lake. There are also significant benefits to the Region from Lake Taupo, and Environment Waikato has a legislative responsibility to ensure that Taupo is managed sustainably. Clearly Hamiltonians and others throughout the wider Waikato catchment have a major stake in the health of the Waikato River, which is fed by the lake.
"Rural landowners in the District will bear the significant cost of foregoing opportunities for future land development and Taupo farmers will face heavy compliance costs with the rules that will be part of this project. Urban residents will contribute through ongoing costs of sewage treatment and stormwater management," he said.

subset: commoncrawl


text:
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One person found this helpful. Amazon Rapids Fun stories for kids on the go. Pixi Sheer Cheek Gel Blush reviews. Sensitive, Fair, Warm Hair: Now that I'm older early 60sI prefer cream blush but many are too oily looking and fade quickly. Combination, Fair-Medium, Warm Hair: Write a customer review.
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I haven't named a child yet, but we're getting to that point, and I can already see how the ideal of names I've always had is getting subverted. The top boy/girl contenders don't really go together, but if we had one of each we'd likely use them anyway. Then there's all the relative baggage -- I'm fine with the names on my side of the family tree but less enthused about my partner's side. I'm lucky that he is really open-minded to names, as I get the impression on here that some peoples' husbands are more traditionalist on the subject.
I comfort myself that I write a lot of fiction and they all need names. Although even in writing, I often can't use the names I like as they don't sound like realistic choices for the age of the characters or where they're from.
I threw it all out the window one time though, and had protagonists named Casper and Ione. That was a happy writing experience. :)


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Published on: 18:09PM Jul 24, 2008
This may be the first time I spend my weekly blog writing about a produce item but my point is broader as hopefully you will see. This week the discussion involves potatoes. The USDA recently published their estimate for 2008 Idaho fall potato acreage which is 300,000. Sounds like a lot of acreage going to one product in one state but as we look further plantings are 14% or 50,000 acres less than a year ago. As a matter of fact, Idaho potato acreage this year is the lowest since 1980. About 90% of the US potato acreage is designated for the Fall season and Idaho last year accounted for 35% of the total acreage in the US. In short, Idaho potato acreage is "no small potatoes" in reference to the entire US potato supply. So where did all of the potato acreage go in Idaho? Good question. Spring wheat acreage in Idaho this year is forecasted to be 15% higher than a year ago and the largest since 2000. Grain corn acreage in the state this year is forecasted to be 7% more than a year ago and the largest on record. These two very profitable grain crops account for a 90,000 acre increase this year. For the first time recorded, corn acreage in Idaho is surpassing potatoes. What's my point? Rising grain prices are leading to broader food inflation than initially meets the eye. The rise in wheat and bread prices are well documented. Expectations are for higher protein prices in the coming years due in part to inflated feed costs. And because grains have become so profitable to plant, other crops including potatoes may continue to experience below average acreage over the next few years leading to market inflation in those products.
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"Black Panther" is still wearing the box office crown in its second weekend.
The Disney (DIS) and Marvel Studios film was the number one film in the U.S. for the second weekend in a row bringing in an estimated $108 million at the box office.
"Black Panther" becomes only the fourth film ever to cross $100 million in its second weekend, joining "Star Wars: The Force Awakens," "Jurassic World," and "The Avengers." It is the second highest second weekend for a film behind only "Force Awakens."
"Black Panther" has also crossed the $700 million mark globally in just two weekends of release and will cross $400 million domestically on Sunday, its 10th day of release. The film has yet to open in China or Japan.
After its second weekend domestically, the film, starring Chadwick Boseman and directed by Ryan Coogler, is already the fifth highest grossing Marvel Studios film and will likely pass "Captain America: Civil War" and "Iron Man 3" to take the number three spot in the coming days.
Overall, "Black Panther" showed strong staying power losing only 47% of its domestic audience from its record-breaking opening weekend. That's less of a drop than other films in Marvel's Cinematic Universe like "Captain America: Civil War" and "The Avengers: Age of Ultron," which saw its second weekend totals drop closer to 60%, according to comScore.
By Frank Pallotta
CNN Money


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They change the installer, add new filler content like soundtracks or wallpapers, wrap the game into an emulation layer or add improved resolution mods.
As a result, the release no longer allows to travel back the memory lane; because the new product is incompatible with old computers where the game was originally played on, and is a kind of distorted image of the real thing, mixing old and new.
For one, I bore myself by some shooting on a cell-phone. But what I like is certain 'action' browser games on my nettop.
What's nice with browser games, is that they don't need downloading. I mean as files, apps onto the machine, and...
Well, maybe I just feel "connected" this way?;)
My son has gotten me addicted to playing Clash of the Clans on my phone. :)Who wins?
Computer opponents cheat a lot as common in this genre...It varies. (I even wanted to set a special topic for racing games.)
We are apart of the same clan.Were you banished!?
Need for Speed Underground 2 (http://en.wikipedia.org/wiki/Need_for_Speed:_Underground_2)


text:
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Hawk Brake Pad, Vette 84-96 Rear, Camaro 89-97 Rear (D413)
Hawk Brake Pad, 94-04 Mustang Rear (D627)
Custom Cut Vinyl Letters and Numbers, Standard Colors
Pre-Assembled Size 3 Braided PTFE Racing Hoses
Triangular 4" Die-Cut Vinyl Tow Hook Decal
"You folks are AWESOME! Thanks for keeping the customer in mind. I wish more companies thought the same way." D.R. from Illinois
Brand: Hawk Performance Products
FMSI D412. Fits:
1988-96 Corvette (including 1990-95 ZR-1)
1994-2004 Mustang Cobra / Bullit
1996-97 Aston Martin Vantage / DB7
The 1LE caliper was also optional equipment on 1989-92 Camaro and Firebird. Also fits Baer A-Sedan, "Serious Street," "Sport," and "Track" brake kits.
Ferro-Carbon is a unique, high-tech family of friction materials developed and manufactured by Hawk Brake for the racing community. Hawk Pads do not require an extensive "bedding-in" procedure. Keep in mind however, that all disc brake pads require a short period of bedding-in before being used to the maximum of their potential.
Enter desired order quantities below, then click the "Add selected quantities to cart" button.
HB111-BLACK-.610Condition: NewSKU: 31873
Hawk Brake Pad, Vette/Mustang/Camaro 1LE, Black .610
HB111-BLUE-.511Condition: NewSKU: 78880
Hawk Brake Pad, Vette/Mustang/Camaro 1LE, Blue .511
HB111-BLUE-.610Condition: NewSKU: 31874
Hawk Brake Pad, Vette/Mustang/Camaro 1LE, Blue .610
HB111-DTC60-.610Condition: NewSKU: 74794
HB111 Hawk Brake Pad, PBR GM, Mustang, DTC-60, 0.610" thk
HB111-DTC70-.610Condition: NewSKU: 45222
Hawk DTC-70 Brake Pad, Corvette, Cobra, Camaro, .610
HB111-HPPLUS-.610Condition: NewSKU: 37174
Hawk Brake Pad, Vette/Mustang/Camaro 1LE, HP Plus .610
HB111-HPS-.610Condition: NewSKU: 31875
Hawk Brake Pad, Vette/Mustang/Camaro 1LE, HPS .610
HB111-HPS 5.0-.610Condition: NewSKU: 82689
Hawk Brake Pad, Vette/Mustang/Camaro 1LE, HPS 5.0 .610
HB111-HT10-.610Condition: NewSKU: 37177
Hawk Brake Pad, Vette/Mustang/Camaro 1LE, HT10 .610
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text:
Demonstrators carried signs — "Police rape," read one, the outlet reported — and smaller groups assembled in other suburbs.
But before the day was done, at least 37 people would be in jail, and a little girl had to be rescued from a burning car. Police told AFP that "several hundred" people rampaged though the streets of Bobigny, "attacking cars, shops and public property."
Paris rally over alleged police rape descends into riot https://t.co/ZN2a74FT1k pic.twitter.com/vh5uosqzOQ— Al Jazeera News (@AJENews) February 11, 2017
"The whole area where the demonstration started is now soaking in tear gas," Al Jazeera reported from the city.
Théo, the victim, was still in a hospital during the chaos, AFP reported, after an operation for severe injuries to his anus.
He was covered in blood when he arrived at an emergency room Feb. 2.
Doctors discovered that his primary injury had been caused by a police truncheon that had been forced inside his rectum during a violent encounter with officers in Aulnay-sous-Bois, a suburb north of Paris.
Théo, a 22-year-old French youth worker whose last name has not been released, said that the injury — which required major surgery to repair — was inflicted intentionally and that he was the victim of a horrific sexual assault.
More than a week later, investigators have reached an entirely different conclusion: The violent sodomy was accidental and occurred when the officer's expandable baton happened to slip into the victim's anus.
While noting that the violent encounter was "very serious," the investigation by France's national police determined that the incident was "not a rape" because of the "unintentional character" of the penetration, according to Huffington Post's French edition.
Despite those conclusions, Interior Minister Bruno Le Roux announced Sunday that one officer faces aggravated rape charges and three others have been charged with aggravated assault, according to the Independent. The men deny the charges and have been suspended from the police force, the paper reported.
Théo said the incident began after he saw an officer slap someone and approached a group of police, according to the Huffington Post. He claims that the group took him around a corner and attacked.
"I didn't try to run away. I told the officers, 'You've torn my bag,' to which they replied that they didn't give a damn," he said, according to the Huffington Post. "They all tried to grab me. I asked them why they were doing this, but they just continued to throw insults at me."
"He told me to put my hands behind my back. They put handcuffs on me and then they told me to sit down," he added. "They sprayed tear gas in my face, and then I had a pain in my buttocks. My trousers were lowered. I was in serious pain."
During the encounter, Théo said, officers spit on him and called him names such as "Negro" and "bitch."
Police claim that during the interaction, Théo's pants "slipped down on their own."
A police source told the Local that video taken at the scene and being reviewed by investigators shows an officer "applying a truncheon blow horizontally across the buttocks."
On Tuesday, Théo was visited by President François Hollande, who tweeted that "Théo reacted with dignity and responsibility."
Théo a réagi avec dignité et responsabilité. La justice a été saisie, il faut lui faire confiance. Elle ira jusqu'au bout. pic.twitter.com/YRlpdFXII6— François Hollande (@fhollande) February 7, 2017
Hollande's visit did little to quell the fury of rioters, who in recent nights have "aimed large fireworks at police and set fire to cars and garbage bins" in the "working-class region northeast of the French capital with a large minority population" known as Seine-Saint-Denis, according to the Associated Press. Between Wednesday night and Thursday morning, the AP reported, police arrested 26 people.
Théo and his family have urged the community to act peacefully.
"I would like to ask the residents of my neighborhood to calm down," he told the French news station BFMTV. "I ask them to stop the hostilities because I love my city and I want to find it the way I left it."
"Violence is not the way to support me," he added. "Justice will do its job."
Bruno Beschizza, the conservative mayor of Aulnay-sous-Bois, has described Théo as a "respectable" young man whose family has been "psychologically destroyed" by his suffering.
In a statement posted Thursday on Facebook, Beschizza acknowledged that "tensions remain palpable" in Aulnay-sous-Bois and called for peace.
"Justice has been seized," the statement said. "The indictments were decided. Lawyers have been chosen. The presumption of innocence is respected. The Case will be judged in respect for the rights of each of the parties."
"So we are now in the judicial time concerning the case of Théo," the statement added. "This time must be respected. Justice must be able to work in complete transparency and in complete serenity."
Yasser Louati, a French human rights and civil liberties activist, told Al Jazeera that the riots are fueled by the fact that the police are viewed "as an occupying force, not a force of protection for the weak and against crime."
"There is an atmosphere of open defiance to the state ... the fear is that this might spark riots before the election, [which] may be a blessing for the right and far right," he added.


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A senior officer in the Atheist Secular Army stands accused of committing war crimes in the decadeslong war against Christmas.
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RADOX® 155 battery cable, aluminium (FLR41X or FLR91X) Number of conductors Cross section Voltage rating Temperature range Min. bending radius 1 16 to 120 mm2 1000 V AC/1500 V DC −55 to +150 °C (3000 h) 3 × cable dia. Composition of cable 1. Conductor stranded aluminium 2. Plastic tape optional 3. Insulation RADOX 155, extruded irradiation cross-linked polyolefin, various colours Characteristics and specialities • Excellent high and low temperature resistance • Ozone, weathering and hydrolysis resistance • O utstanding resistance against battery acids, humidity, petrol, brake fluids, engine coolant, window washer, fluids, diesel and various oils • Flame retardant • Easy to strip and process Application ADR approved battery or power cable for use in road vehicle applications. Standards Conductor ISO 6722-2 ISO 6892-1 ASTM B231 EN 573-1 General ISO 6722-2, ISO 19642-6, class D, thin-wall For further technical details please refer to our data sheet STD 776028. 22 HUBER+SUHNER Automotive products
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NASHVILLE, Tenn. - - Belmont University men's basketball head coach Rick Byrd will serve as keynote speaker at the first annual Program for Injury Prevention in Youth Sports (PIPYS) Conference.
The event will take place Monday, July 22 from 8:30 a.m. to 3:30 p.m. at Montgomery Bell Academy.
The event is FREE and open to the public with advanced registration.
Several participating speakers will be discussing key youth sports safety topics such as concussions, heat illness, sideline emergencies and care, as well as injury prevention techniques.
Byrd will address such topics as the modern student athlete, balancing life, academics and athletics, plus the impact that athletics has on life after sports (discipline, leadership, success).
About two years ago, Vanderbilt created the PIPYS program as a partnership between sports medicine and the children's hospital in order to promote the safety and health of the young athlete. It comprises a group of volunteers from not only the medical center but the larger Middle Tennessee community as well (doctors, athletic trainers, physical therapists, injury prevention specialists, youth sports, leaders and concerned parents) with efforts focused on research, education and community outreach.


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A year ago some of its neighbours blockaded Qatar, accusing the tiny Gulf state of supporting terrorism, being too close to Iran and destabilising the region. With the aid of Turkey, and with a deepening relationship with Tehran, Qatar is resisting.
The U-17 national basketball team of Qatar travelled to Turkey to play a few practice games for the Gulf Countries Cup after some countries refused to play against the team.
Led by Saudi Arabia, several states in the Middle East and Africa have severed ties with Qatar since June 5, accusing the gas-rich Gulf state of supporting terrorism and Iran. Qatar denies the allegations.
The US State Department on Tuesday says it's "mystified" that Gulf Arab states haven't released to the public or Qatar details of the grievances that prompted their boycott of the country.
The United Arab Emirates said Qatar needs to make "iron-clad" commitments to change policies on funding militants but not to change "its regime." Meanwhile, Turkey looks to fast-track a law to send more troops to the Qatar base.
The oil-dependent country has introduced a series of unpopular price hikes to boost non-oil revenues as crude prices dwindle.
Subscribe to our Youtube channel for all latest in-depth, on the ground reporting from around the world.
Copyright © 2019 TRT World.


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Reach the Beach made #18 for 1983, and Phantoms #73 for 1984.
Going through the top albums of those years is like looking at a inventory of my collection. Very sweet!
I'm drivin' in my car, I used to be able to walk this far
Shuttered Room made #35 for 1982!
I'm drivin' in my car, I used to be able to walk this far
Okay, so it made the top 100 at #95: http://www.slicingupeyeballs.com/201...lbums-of-1986/
We'll be ready for Calm Animals and of course, RTB for the upcoming best of the decade. Keep your voting finger warm.
The site said they had polls running thru the end of the year, but the link wasn't jumping out at me... anyone?


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Most Recently Rated
Dhill (2001)
Dum was a copy of Dhill
Some reviewer has said that the film is a remake of Dum while Dum released in 2003 and this in 2001.
The film is a great film to watch and Vikrams acting is any day better then Vivek Oberoi while Atul Kulkarni does a good job in Ashish Vidyarthi's role.
Kash... Aap Hamare Hote (2003)
Movie stuck in 60s
The film was known because of it being debut of Juhi Babbar
The film however is stuck in 60s and was a flop.
The first half is still ok with twists and turns though we have seen such before. But the second half gets boring with cliches and predictable scenes
Climax also seems rushed.
Direction is ordinary Music is okay
Sonu Nigam in his second half is lousy, in drunken scenes he is terrible and otherwise also tends to ham and imitate Dev Anand Juhi Babbar is excellent in her debut sadly her career didnt go much further Raj Babbar is great, Om Puri is excellent Sharad Kapoor is good in his part rest are okay
Mera Haque (1986)
Remake of Saawan Badhon
This film released when Sanju was tryin hard to make a comeback in Hindi films after his drug addiction.
The film is a copy of Saawan Badhon 1970
Copy pasted
The film was later remade as Chuppa Rustam 2001.
The film is quite interesting if you havent seen the original but follows cliches and the director fails to add anything new.
Direction is okay Music is alright
Sanjay dutt is decent in his role though he was raw those days Anita Raj is okay Gulshan Grover, Bindu and others are okay.
Mera Haque (1986)
Remake of Saawan Badhon
This film released when Sanju was tryin hard to make a comeback in Hindi films after his drug addiction.
The film is a copy of Saawan Badhon 1970
Copy pasted
The film was later remade as Chuppa Rustam 2001.
The film is quite interesting if you havent seen the original but follows cliches and the director fails to add anything new.
Direction is okay Music is alright
Sanjay dutt is decent in his role though he was raw those days Anita Raj is okay Gulshan Grover, Bindu and others are okay.
Rangeela Raja (2019)
There was a time Govinda's films were superhits and Pahlaj Nihalini could get audiences to theatres but now times have changed.
The film in short is an assault to the senses and ruined by bad direction and loud acting
The film looks out of place in today's times The film is a remake of Rajnikant's Netrikant but looks stupid and out of place in today's times
Direction is bad Music is bad
Govinda in both roles is too loud and gets to the nerves especially in the role of womaniser The heroines are awful Shakti Kapoor is loud Govind Namdeo gets no scope Rest are all okay
Rehnaa Hai Terre Dil Mein (2001)
Minnale Copy Paste but quite watchable
RHTDM as it's affectionately called was a remake of Tamil film Minnale(2001) which also starred Madhavan alongwith Reema Sen Govind Menon remakes the same film with a few changes. The film starts off well, with Maddy and Saif fight and then Maddy falling for Dia, though the south style may not work for all at times Yet the scenes between Dia and Maddy are superbly handled The twist in the tale is well handled too with Saif making a comeback The going ons do get predictable in second half but the climax is well handled
Direction is good Music is mostly recreated yet Zara Zara became a rage
Madhavan tends to overdo a bit and reminds u of Shahrukh Khan but yet he plays Maddy superbly of course he has played it before in Minnale but he lends freshness to the role though he was overweight Dia is also cute in her role though weak in her emotional scenes and dialogue delivery Their chemistry is amazing Saif Ali Khan is superb in his role, this was his first role after Dil Chahta Hai and he is good Vrajesh Hirjee is funny as Maddy's friend, Anupam Kher is lovable though typecast rest are okay
Ajay (1996)
Nothing Great
In the year 1996, Sunny and Karisma worked in 2 films Jeet and Ajay and after that never worked again. This was also the last film of Suneel Darshan with Sunny Deol The film has a done to death story, nothing new about it It is basically a love story between a poor guy Sunny and a rich girl Karisma who detests him first and later falls in love her evil uncles played by Suresh Oberoi and Kiran Kumar are the villains.
Direction is nothing great as story is quite outdated Music is decent but the chamak challo dance number is hilarious for bad choreography
Sunny Deol does his usual stuff nothing new, Karisma doesn't get anything much to do and she is as usual Suresh Oberoi,Kiran Kumar leave a mark Farida Jalal is as usual, Sharat Saxena is good in his role.
Jurm (1990)
An amazing film of Bhatt and Khanna though inspired
Mahesh Bhatt has remade several Hollywood films into Hindi, Jurm is a remake of Someone to watch over me(1987). The film has a decent story and it's well handled though it's copied with several changes in script to suit Indian audiences. The film keeps you involved though a bit lengthy at times
Direction by Mahesh Bhatt is good Music by Rajesh Roshan is decent though 2 songs Jab Koi Baat and Marne Ke Darr se were copied from English songs 500 miles and La Bonita
Vinod Khanna though looking aged does a good job in his role, this was his last film with Bhatts due to his differences with Mukesh Bhatt who was his secretary then. Meenaxi does a good job too while Shafi Inamdar is good Om Shivpuri is good, Anang Desai,Mahesh Anand are good as well rest are okay
Fan (2016)
Well Done Srk
Srk's quality of films in recent past has gone downhill, right from Jab Tak Hai Jaan, Chennai Express, Happy New Year to recent Dilwale all being nothing great. FAN which was launched before Dilwale is a film with a difference In this film Srk has a double role but unlike Duplicate and other of his double role films, here the double role looks different, first of all kudos to the VFX team and the make up team. The film starts with Srk playing Gaurav a fan of Srk who eats, breathes and lives Srk oops Aaryan Khanna. He gets an award and goes to Mumbai to meet Srk and gift him for his birthday but of course something unexpected happens. Gaurav starts hating Aaryan and becomes a revenge seeker. The first half is good though it takes it's own time at times it looks very realistic, Gaurav's ambitions are identifiable, the twist too is well handled though one wonders why Aryan behaves so rudely with his fan but still at times stars do tend to get rude The second half does tend to get filmy and unrealistic at times, like the 2 long chase scenes but yet there are some good scenes too like the entire track when Gaurav goes to Aryan's house and also the pre-climax and the climax are well handled
Direction by Maneesh Sharma is good There are no songs shown in the film which is a good thing Background music is good
Srk plays both the roles superbly, as Aaryan he plays himself again after Om Shanti Om and Billu, but he surprises as Gaurav the entire mannerisms, dialogue delivery and all is simply superb he makes you believe that he is the character which is a pluspoint -8/10 Waluscha Dsouza does a good job in her small role while Shriya Pilgaonkar is good, rest are all okay
Raampur Ka Lakshman (1972)
One of Manmohan Desai's early hits
Manmohan Desai started his career doing serious films but slowly ventured into masala films. This film released in 1972 fresh after the success of Sacha Jhutha(1970) which is also mentioned in the film. The film stars Randhir Kapoor in the lead role, and Rekha alongwith Shatrughan Sinha. The story is of long lost brothers, who separate in the initial reels after a catastrophe. Perhaps this was one of the earlier films to show a family that gets lost, which became a trademark of MDK films later like Amar Akbar Anthony, Suhaag, Mard.etc In the film Randhir plays a simpleton who goes to Mumbai to search his friend whose father helped his father when the separation happened. Randhir saves Rekha(In MDK's NASEEB he had a similar scene) from getting raped by thugs, soon they befriend each other Shatrughan Sinha plays a negative role, he is a leader of a gang who put Randhir's friend in trouble, he is the brother of Laxman who was taken away by a thief to make him like him. The film also has a get up formula wherein Randhir dresses as Louis Dsouza from Goa!!! All formulas which became a trademark of MDK.
Direction is good Music by RD Burman was fab, Ghum Hai Kisi Ke became famous, other songs too are good, mostly sung by Kishore Kumar
Randhir Kapoor does a good job, looking suitably goofy for the role, though he couldn't make it really as big as Rishi Kapoor or other Kapoors yet he left a mark especially in this film. There is a scene where he dresses up like his father Raj Kapoor and there is a tribute to him. Rekha who looks different compared to today does a good job Shatrughan Sinha is terrific in a negative role, something he started his career with. The rest are all good in their roles.
Raaste Kaa Patthar (1972)
One of Amitabh's early films
The year was 1972, Amitabh was not yet a star, he was struggling as an actor alongwith Shatrughan Sinha. They both unite in this film The film is similar to THE APARTMENT(1960), in Life in a Metro(2007) Sharman's story was quite similar to this film. The film is quite different fro it's times, here we are shown day to day life, how people have to obey their bosses and support their not so good intentions just for their better career prospects. The film has Shatru play a honest poet while Amitabh plays a guy who gives in to his manager's demands, they use his house to have sex. Quite unique thought in 1970s The film is well handled, with moments of comedy and emotion You relate to the characters, perhaps that time when characters had to be heroic people didn't hence it flopped. The film also drags at times yet it does have several good scenes
Direction is good Music is okay Mukesh and Rafi sing for Bachchan here
Amitabh Bachchan was growing as an actor, though he had rough edges he does a superb job in the role, showing good comic timing, his emotional scenes too are good his screen presence was a bit weak those days though Shatrughan Sinha has a short role and is good Laxmi Chaya is okay Satyen Kapoo, Prem Chopra and all are good in their roles rest are okay
Kareeb (1998)
Quite good but could be better
This was was VVC's next film after 1942 A Love Story. The film starred Bobby Deol and Neha. The film is supposedly based on Vidhu Vinod Chopra's own youth love story. The first half is more on the romance which does get stretched, however Bobby's scenes with Neha are cute,the pace is slow but yet the love story is well handled, the second half gets dramatic, there is a comic relief in the name of Johny Lever but the entire lottery part seems like a compromise, for Bobby who has vowed not to lie to actually support the lottery taken by bribe is hard to digest but yet the end is good
Direction is good but the writing could be better Music by Anu Malik is good, Chori Chori, Churalo Na Dil are all good songs
Bobby Deol is sincere, he shows vast improvement from GUPT and does his part of a lovesick lost puppy well, the second half gets him more scope to act and he does a good job. Neha(Shabana-actual name) is cute and does her part well The film also has Abhay Chopra son of VVC making his debut and he is okay Saurabh Shukla is superb as always, Moushumi chaterjee does a good job Shammi Kapoor, Sushma Seth are okay in small roles rest are okay
Plan (2004)
Flop Plan
Hriday Shetty,step brother of Rohit Shetty debutted with this film, which was produced by Sanjay Gupta. The film is a remake of Suicide Kings(1997) and Lost Stock and 2 Smoking Barrels. It starts off with 4 losers from Allahabad meet together in a train and come to mumbai, each having different dreams. The first half is well handled, the way the friends meet and the twists are well handled, Sanju's introduction is also well handled however a flaw in the story is the Sanju-Mahesh Manjerekar tiff which doesn't have any strong ground, also the romantic tracks could be avoided. The film also lacks a strong impact
Direction is okay, writing could be better Music is okay, Pyaar Aaya is okay, Aanewala Pal too is good however many songs are crammed in the second half
This film released 2 weeks after Munnabhai MBBS which got Sanju immense praise, however in this film he plays a bhai he has played several times before, though his new look doesn't really gel well he does his part well but doesn't really get much to do that he hasn't done before Sanjay Suri is superb in a role that he is in contrast with his image till then, Dino Morea shows improvement though his dialogue delivery jars at places, Rohit Roy is good, Bikram Saluja too does well Amongst heroines Priyanka Chopra is okay, she does ham at places, Sameera Reddy, Payal Rohatgi, Riya Sen have nothing much to do Mahesh Manjerekar is good in his role but annoys at times rest are all okay
Taaqatwar (1989)
First film of David Dhawan,Govinda and Sanju
David Dhawan was an editor who turned director with Taaqatwar The film brought together Govinda and Sanjay Dutt in main leads, the pair was seen in Do Qaidi(1989) in the same year, also in Jeete Hai Shaan Se wherein Govinda had a cameo. The film is a typical 80s long lost type, it starts with Anupam Kher who is an officer after criminals, one of them being Shakti Kapoor who gets him killed with the help of hawaldar Paresh Rawal who is cunning. The blame of the murder is put on Anil Dhawan(brother of David) Tanuja wife of Anupam, takes care of Anil's son as her own though the society doesn't support him and he becomes a goon years later. Sanjay Dutt son of Anupam becomes a cop, who is after Shakti Kapoor rest is typical masala. DD being a fan of Manmohan Desai has several parts inspired from him, there is also a fight scene between Sanjay and Govinda which looks straight from Amar Akbar Anthony, the story also has shades of several films, Govinda's character seems a mix of Anthony Gonsalves and Amitabh in Suhaag.
Direction is decent but the story is outright predictable Music by Annu Malik is okay, Thanedaar song is quite good rest are okay
Sanjay Dutt plays the serious cop act well, Govinda plays the tapori character brilliantly, his name is John D'mello in the film and their chemistry too is good, their pairing was repeated in several films and got better Anita Raaj is good, Neelam has a small role and she is okay Shakti Kapoor plays the villain well, Gulshan Grover is good too Paresh Rawal is good in his character, Tanuja is okay Anupam Kher has a guest role and is good, Anil Dhawan is okay in a small guest appearance.
Josh (2000)
Unrealistic yet entertaining
Mansoor Khan is known for giving us quality cinema, remember Jo Jeeta Wohi Sikandar(remake of Breaking Away), Akele Hum Akele Tum(remake of Kramer vs Kramer) and finally Josh a remake of West Side Story The film is the first film not to star his cousin Aamir Khan, in fact Aamir was offered the role played by Sharad Kapoor but he felt his character was overshadowed by Srk. The film took 4 years to complete, but did well at the B.O. The film is set in Goa, my hometown, where 2 gangs Eagle and Bichhoo reside(something I have never heard about,lol) anywayz Srk is the boss of Eagle Gang which comprises of christians while Bichoo gang are the hindus from outside of Goa. The film is set in 1980s, there is also a subplot of Alberto Vasco on whom the village was named, which however is not true, of course we never except realism in Hindi films and that too when stories are set in Goa. The film starts off with a clash between 2 gangs which are quite entertaining, Srk- Aishwarya who play twins have some good scenes, even scenes between Sharad Kapoor and Chandrachur Singh are well handled Mansoor gives most characters equal space and thats laudable. Chandrachur-Aish love story is also well handled, while Srk-Priya Gill portions do they their moments. The clash at the interval is fab, while the second half too starts well but things stagnate when Chandrachur comes to know a secret of Srk and Aish, things get stretched, also the revelation is very half baked, the climax too seems hurried
Direction is good, the director and writers do a great job handling the film Music is good by Anu Malik, Sailaro is a fun song, Hai Mera Dil and Haare Haare are good too, Apun Bola sung by Srk is fun, Mere Khyalon Ki Malika is good too, In this film Abhijeet who was normally Srk's voice didn't sing at all for him.
Shahrukh Khan played a tapori earlier in Ram Jaane but overdid it, here he does a superb job, he is in control and does a great job Aishwarya Rai who tanned her role does a good job too, though at times she prances too much Chandrachur Singh is good in his role, Sharad Kapoor does a superb job, he plays Prakash superbly, sadly his career didn't really move much even after this film. Sushant Singh is good, Vivek Vaswani is okay, Priya Gill is good too Sharat Saxena is good, rest are all okay
Duplicate (1998)
Mahesh Bhatt's one of worst films
Sometimes some filmmakers surprise for good and bad, Mahesh Bhatt who gave us several great films also gave us some horrible films like Duplicate(1998). The film released in 1998 when Srk had another flop though a good film Dil Se. Duplicate is pure trash, it has actors hamming and overdoing, Sr plays a dual role as Bablu and Mannu, one good and one evil, he overdoes in both roles. The film starts with Bablu who is an aspiring waiter, he falls for Juhi Chawla, while Manu is a gangster who is trying to settle scores with his evil partners(Gulshan Grover, Sharat Saxena, Rana Jung Bahadur.etc) Once the cops arrest Bablu thinking him to be Manu, Manu realises that he has a duplicate and lands up in his house. The film is similar to Sacha Jhutha(1970) and many such films however it's handling is unbearable, the ease at which Bablu fools Manu's gang is really stupid. The climax is however decent but even there we have actors hamming and overdoing
Direction is awful Music is decent, Ek Shararat, Kakte Aankhon Waali, Mere Mehboob are all good songs
Srk overdoes in both roles, he does better as Manu wherein he plays an anti hero after ages but as Bablu he is terrible Juhi Chawla is quite okay, she too hams in up at times Sonali Bendre is decent Mohinish Behl is okay, Tiku Talsania, Farida Jalal and others are okay
Shikhar (2005)
After the success of SARFAROSH(1999), John Matthew Mathan came back after 6 years with SHIKHAR which bombed. The film brought together Ajay Devgan with Shahid Kapur, also starring Bipasha and Amrita Rao. The film is similar to Raju Ban Gaya Gentlemen, Bas Itna Sa Khwaab Hai.etc and follows a similar route. Ajay plays a businessman who wants to build his own city, yes right!! Shahid plays a son of a rich businessman who left his business and started an ashram. The film has a decent plot but the execution and writing play a spoiltsport. The situations are clichéd, also there are too many songs Some scenes are well handled but overall the impact is missing Ajay-Shahid scenes are well handled but why does Shahid follow him looks hard to digest, all of a sudden he treats him like a guru. Also the climax could have been better, things look rushed
Direction is ruined due to the writing Music by Viju Shah is ordinary, the songs are nothing great Fitna Dil is a decent song rest are okay
Ajay Devgan plays GG superbly, he has played negative roles before but in this yet again he adds a sheen, Surprisingly Govinda was signed by John before due to his comic nature but Ajay suits the role to the T However his styling is below par Shahid Kapur excels in his role too, lending it the right amt of conviction Amrita Rao plays a typical coy actress and she is okay Bipasha Basu gets to play also a typical clichéd role and she too is okay Farah is as usual, Sushant Singh hams in his shudh Hindi role Manoj Joshi is okay, Javed Sheikh gives a decent account of himself in his debut rest are okay
Dosti: Friends Forever (2005)
Oldfashioned and outdated
Suneel Darshan is one director who mostly resorts to old stories to move audiences, After giving a new lease to Akki's career with Jaanwar(1999) he gave him a flop TALAASH(2003) which also was a mix of many old films In 2005 he gave 2 films BARSAAT(copy of SWEET HOME ALABAMA) and DOSTI, both films flopped at the B.O. Dosti friends forever is as oldfashioned as ever, The film has all the clichés we have seen before, like the childhood friendship between rich boy Bobby Deol and a poor boy(done in the most outdated fashion) Bobby's parents have no time for him, they are the typical rich parents seen in films like Bobby(1973). Akshay's character reminds us of characters like Rajesh Khanna in Namak Haraam(1973) who relies on his friend for everything. Anywayz after years, Bobby is a playboy(like in Dillagi) whereas Akki is a sincere guy, Akki loves Kareena(this trio were in Ajnabee together) Bobby slowly and predictabily falls for Lara who gives him a trial period to prove himself. There is a twist at the interval which is well handled but then in the second half suddenly the film goes into the Kal Ho Naa Ho mode There are some good emotional scenes but the film gets too predictable yet Akshay's death scene is well handled
Direction is outdated, nothing really to speak about Nadeem Sharavan's music too sounds dated, in fact this was their last film together as a pair.
Akshay Kumar plays his role superbly, in that year Akki had got noticed as a comedian with GARAM MASALA which was a hit, followed by DHP which flopped, this was his last release and thankfully he isn't just a comedian, he does the serious part superbly Bobby Deol too is good as his friend, he leaves a huge mark especially in the emotional scenes but his appearance and styling could be better Kareena Kapoor gets less scope but does a good job, this wa her 3rd pairing with Akshay after TALAASH and BEWAFAA. Lara Dutta doesn't really get much scope and is okay Juhi Chawla is superb in her small role, Mahesh Thakur is good Kiran Kumar, Lilette Dubey are typecast, Shakti Kapoor has a cameo Karishma Tanna is okay in a brief role rest are all okay
Dushmani: A Violent Love Story (1995)
Shekhar Kapur left 2 films midway, first being Joshilay which was completed and released in 1988 and it failed, This film however was stuck for 5 years and finally released after being completed by many directors, Karan Razdan, Sanjay Khanna, Bunty Soorma(though only 1 got credit) The film released in 1995 and flopped. The film has a very age old story, it is about a love story between scions of 2 underworld eniemies The film starts well, but the romance between Sunny and Manisha could be better, also the film gets predictable. There are some good scenes in the film sprinkled perhaps which was directed by Kapur.
Direction is inconsistent due to the different directors hndling the film Music is okay
Jackie Shroff has played similar roles before, in Parinda(1989) perhaps he signed the film at that time and he does a good job Sunny Deol has inconsistent looks at places and does a decent job Manisha Koirala's dubbing by someone else ruins her performance make her sound artificial and kiddish Anupam Kher is terrific as the villain, Deepti Naval is good, rest are all okay
Jai Gangaajal (2016)
More like a showreel for Prakash Jha the actor
When GANGAAJAL was released, it was mistaken to be a normal cop drama but the film became famous and won awards, it is still remembered as Ajay's one of best performances and films. After GANGAAJAL Prakash Jha gave us APARAHAN, RAJNEETI which were hits and got acclaim, SATYAGRAHA and AARAKSHAN didn't really get that much though and slowly he got predictable. In Jai Gangaajal, he also debuts as an actor and the film has him play an almost parallel lead to Priyanka Chopra. Sadly the film leaves you been there seen dat throughout. There is nothing we haven't seen before, ever since Gangaajal many films are made on such topics, Another flaw is the background music which comprises of the entire jukebox of the film and gets irritating. The film is also too predictable and except some scenes there is nothing worthy to talk out.
Direction is decent but the writing plays spoil spot Music is okay mostly playing in the background but as i said it spoils the impact.
Priyanka Chopra gets to play a cop and she tries hard, she is decent but yet could've been more impactful at times, yet she gives a good performance- 7/10 Prakash Jha gets the most meatiest part(like Manoj Kumar in his heydays) and though he does a good job, giving him too much importance was not required - 6/10 The film has Ninad Kamat who played a small role in Airlift, playing a villain looking overweight he does a decent job at times he hams though - 5/10 Manav Kaul is getting typecast sadly in negative roles Murli Sharma seen mostly in Jha films does a decent job as usual Rahul Bhat has a small role and he does a good job Nitin Karmarkar is good too rest are okay
Kaun? (1999)
Ahead of it's times
Ram Gopal Verma was a unique director, in 90s he gave us films like Rangeela which made Urmila a star, and then he made films like SATYA(1998) which also had Urmila in it. Kaun is a small film(in those days terms), it has no songs, whole film set in one house, one night, just 3 characters, something that's common today but those days it was unique. The only songless thriller known to bollywood is Ittefaq(1969) Kaun starred Urmila, Manoj Bajpai and Sushant Singh(all three who worked with RGV in Satya). The film is set in one house, where Urmila stays alone, the entire first 20-30 mins are set establishing her loneliness giving it a horror film, but post Manoj entering the scene, things get intriguing, Sushant Singh's character also adds some more suspense The end though shocks you but doesn't register that well in terms of logic.
Direction is good Background Music by Sandeep Chowta is superb
Urmila Matondkar is splendid in this complex role, she proves she was an actress of calibre, Manoj Bajpai is superb in his role, he portrays the role to perfection Sushant Singh who was later launched by RGV in Jungle is superb too in a small role
Prithvi (1997)
The film could be much better
In late 90s Suneil Shetty was going through a mixed phase, on one side doing films like BORDER while on the other side doing JUDGE MUJRIM Prithv starts off like a normal love story but then becomes a thriller when Sunil starts searching for his wife who is kidnapped in US. The film has lot of US bashing though, with Sunil criticising the country, thankfully it was that time and now today!!!! The film does have some good scenes but many times sticks to clichés and action scenes. The climax is hard to digest, where our Indian hero enters a foreign court with ek minute judge saab!!!! Still the film is watchable in parts The film was earlier supposed to be directed by Deepak Shivdasani who was thrown out from the film and the film was completed by Nitin Manmohan himself, result shows Music is okay
Sunil Shetty does a decent job, though his dialogue delivery and voice jars at places, those days he was improving as an actor though and it shows Shilpa Shetty does a good job in her double role Faraz Khan(Son of late Yusuf Khan) does a decent job as a villain Suresh OBeroi in a guest appearance is okay, Navin Nischol appears in a cameo Shakti Kapoor irritates with his comedy track and why the hell have him in a 7 role appearance when one doesn't work? Shweta Menon in her debut role is fair
Baarood (The Fire) - A Love Story (2012)
After Khanjar, this is yet another delayed film of Suneil Shetty This film pairs him with Shilpa Shirodkar with whom we worked in many film in 1990s and then she quit bollywood in 2000. This film was perhaps started in 1990s and finally releases in 2012 with new faces added. The film was supported by Mukesh Khanna who is the only actor who dubbed in his own voice and also helped in completing the film. The film was perhaps 70% complete as unlike Khanjar we have Suneil,Shilpa Shirodkar.etc for half the film. The film has such a done to death story that I doubt it would work even in 90s. The film has Suneil Shetty play a kidnapper who alongwith some guys kidnap children, he is headed by Kiran Kumar Mukesh Khanna plays a cop who is after them. The film seems so dated that it bores, there are unintentional hilarious scenes too.The film seems to be rushed and completed hastily. Sunil Shetty is killed almost 40 mins before the climax and then the film shifts to 18 years later(perhaps shot recently) where all newcomers are added who form Barood Gang under the leadership of Mukesh Khanna. The villains Kiran Kumar.etc are replaced by newcomers too who claim they have done a plastic surgery!!!!!Hahahahah Direction is nothing great Music sounds outdated, as most of the songs were recorded in 90s and only few recently
Suneil Shetty looks straight out of Mohra(1994) and perhaps the film was started in 1990s when he was a raw actor, here too his act is nothing great, his dubbing however makes his original voice even of those days sound better, it's really awful Shilpa Shirodkar has a small role and is okay, but her dubbing gives away Kiran Kumar does decently but his dubbing is horrible Mukesh Khanna is the only actor who dubbed in his voice and does an okay job. The newcomers are all non actors.
Barood (1998)
Akshay's bad days
Akshay being a playboy he was, had numerous affairs with many leading ladies before settling to Twinkle Khanna. His affair with Raveena ended in 1996 which made several films suffer, his last 2 films with Raveena were KEEMAT and BAROOD both which releaed in 1998. BAROOD was delayed for 3 years for perhaps the same reason. The film is directed by Pramod Chakravarthy who directed Akki in Deedaar(1992). The film has a standard story which was seen a lot in 80s and 90s. Nothing really worthy to speak about. Those days Akki was going through a bad phase,giving several flops, he was called a wooden actor and people only praised his action scenes which slowly were loosing their charm. BAROOD was another flop in a row. Direction is nothing great Music is okay, the title song is shot well rest are okay
Akshay Kumar is nothing great as in those days, his action scenes were praised as usual Raveena Tandon plays the heroine as usual in those days Amrish Puri plays a villain again, Raakhee too is tiring playing the mother Mohinish Behl is as usual ditto for Mohan Joshi Gulshan Grover is likable.
Sheesha (2005)
Could have been better
In 2005, Neha Dhupia was hot property with filmmakers trying to cash on her sex symbol tag, Also Sonu Sood was trying to get launched as a lead hero, both resulted in Sheesha(2005). The film was directed by Ashu Trikha who gave us Deewanapan(2001). Sheesha tells a story of Twins Neha Dhupia, one who can't speak nor ear and the other a normal girl falling for Sonu Sood. Yet again it's a story of obsession which we have seen before but yet it does sound interesting but sadly it falters. The film is a remake of Vaali, A tamil film however which has a reverse story of 2 guys after 1 girl. Sheesha starts off well, but there are lot of flaws like the cop doubting on Neha after her earring is found near a dead body? Also several other The climax too is not too convincing and predictable Direction is decent, the director handles several scenes well, however his focus is a lot on sex which could be avoided and hope he had concentrated on the script Music is decent, Yaar Ko Maine and Mujhe Jeena Sikha Do are the best songs
Neha Dhupia tries hard and is okay in both roles, quite a challenging role for her, as she was 2 film old, however she needed to brush her acting skills, thank god she has come a long way now as a n actor at least Sonu Sood is passable, he has come a long way too now and got famous though not as a lead Late Vivek Shauq provides some humour though its unnecessary at times rest are okay


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The last few weeks has seen a number of headlines coming through in regards to what is next in line with the Nexus range. Specifically, the last few weeks has seen what looks to be the specs coming through on Sailfish and Marlin, the upcoming Nexus handsets which are both said to be HTC-made. The HTC thing is not anything new, as for months it has been rumored that HTC was making both the Nexus devices for this year. Which raises many questions in itself as HTC has not exactly been having the best of times of late and while the HTC 10 does seem to have hit the right note with some of the Android community, the Nexus line is another thing altogether. Or is it?
As well as the specs that came through over the last few weeks, an image also came through this week. While the image is admittedly not a real image and is a mockup, it is one which is said to be based on known information. What was most revealing about this image is that it is thought to be a representation of both of the upcoming Nexus devices. Which in itself reveals that the design cues and aspects between Sailfish and Marlin are going to be minimal at best. It would seem that 2016 is the year in which the two Nexus smartphones will mainly be identifiable purely based on the specs. But the problem here is that they are going to be specs which only differentiate them from each other. In the wider smartphone market, the specs being touted seem anything but special. An issue which has started to plague the Nexus line for some time.
When it first came to light this week that the greater of the two Nexus smartphones, Marlin, was going to come sporting 4GB RAM. The first and initial reaction was – that is not enough. And not because it is not enough, but simply because the market is moving quickly these days and 4GB is no longer the now thing. Thanks to the likes of the OnePlus 3 and the rumored specs for the upcoming Galaxy Note 7, 6GB RAM does seem the new and current norm and this does seem to be the goalpost that all manufacturers are now aiming towards. Or at least, should be aiming towards as standard, with a flagship smartphone running on 4GB RAM now seeming very much like a Q1 2016 type of phone. However, in the reality of things 4GB RAM is exactly where the Nexus line should be, as last year's model, the Nexus 6P, came with the same issue due to it arriving on the scene with only 3GB RAM, while the rest of the smartphone world was already moving towards 4GB RAM. An issue which is unlikely to change where the Nexus line is concerned. Which means Google needs another annual smartphone release. It has never been clearer that the Nexus line is one which drags its heels when it comes to specs. It simply does and while this was less of an issue a few years ago, with the ever-evolving and time-sensitive nature of smartphone saturation, the Nexus line is going to continue being behind the times. Speaking of which, over the last year (longer if you really get into the details), there has been a number of sporadic reports coming through suggesting that Google is working on its own phone, a 'Google Phone'. This did immediately raise concerns for the longevity of the Nexus program with some assuming that the Google Phone will replace the Nexus program in the long term. This train of thought was further compounded by multiple reports coming through suggesting Google is taking more control and future Nexus devices will be void of manufacturer branding and more in line with Google's vision of what their hardware should be like. When taken together, these points do paint a very bleak future for Nexus. But any sort of replacing of Nexus by a Google Phone would be a mistake.
The Nexus line is synonymous with software. Just like Samsung is to TouchWiz, Nexus is to Android. It is considered to be the purest Android software experience available, one which is untainted by carrier, manufacturer or third-party intervention and that is its selling point. More pertinently, that should remain the specific selling point for Nexus. While Nexus focuses on software, what a Google Phone needs to do is focus exclusively on hardware. It will need to be a device which comes to market with bleeding edge hardware and specs and one which essentially acts as a proof-of-concept hardware device for Google and Android. Much like the Chromebook Pixel already is for Chromebooks. The benefit of this approach is that the release of a Google Phone (independently of Nexus) will not be reliant on the timescale associated with the latest version of Android. It is commonly understood (and expected) that a Nexus in any given year will be the first device to arrive sporting the latest version of Android and that is fine for those who want the latest version of Android, in its pure form, and on day zero. In fact, it even goes as far as to explain why the Nexus range and in particular Marlin is already behind the times with its measly 5.5-inch AMOLED QHD display, 4GB RAM, 32GB storage, Qualcomm Snapdragon 820, 12-megapixel rear camera, 8-megapixel front-facing camera, USB Type-C fingerprint sensor, 3,450 mAh battery and Android Nougat. Chances are good that the next Nexus has been in testing with Nougat for quite some time to ensure everything runs smooth. The problem with this approach is that it limits how experimental they can be with the hardware, as they need the Nexus range to be based on solid and proven spec configurations to ensure the latest version of Android runs right when the new device(s) are released. Yes, they could test them on older Nexus devices (and they likely do), but that is a different and backward-compatibility thing. They also need to ensure Nougat runs right on current hardware, as well as outdated hardware.
So by definition, the Nexus range, which is highly centered on the Android experience, lacks the ability to push the boundaries with hardware. Enter the Google Phone. While we already have the likes of Tango and Ara, they are a little too far swung in the opposite direction and are essentially too experimental for the mass market, not to mention that neither device is looking to be that spec-heavy. What the Google Phone could be is a device which comes to the public in the early part of the year (think Galaxy S timescale) and running on the software that has been available for the last six months on the Nexus range, but boasting the absolute pinnacle of specs at the time. This would mean the Google Phone actually sets the tone for the smartphone arena for the year ahead. Unlike the Nexus range which comes out in the fall each year and is always playing catch up to the market. A Google Phone (released in conjunction with a Nexus phone) would have the freedom to be developed, brought to market (and analyzed by the market) independently of the newer version of Android. It would be able to offer those consumers who want the Google experience a true phone which is symbolic of the company that refers to its more outlandish endeavors as its "other bets". It would be a device which is able to declare at the start of each year what Google considers an Android smartphone to be running for that year (at a minimum) in terms of hardware. And as a result, would mean manufacturers are continually pushed to improve their offerings as well. Not the case which we have now where smartphones manufacturers are content to define a handset's evolution against the status of its predecessor. A Google Phone could become the Android smartphone hardware benchmark, as many already expect the Nexus line to be.
Just like Samsung has the Galaxy S range and the Galaxy Note range, which are clearly directed to different consumers and capitalizing on the changing markets in each six month cycle, joint Google Phone and Nexus phone releases would be able to capitalize on both the 'Android experience' and the 'Android hardware experience'. And the reality is, unless this is the case, it is starting to feel like the Nexus range is beginning to lose much of its appeal. They are no longer as future-proof as they once might have been and they are no longer the only manufacturer who looks to offer a lightweight approach to Android. In fact, for better or worse many consumers are starting to view the likes of the OnePlus 3 as the new type of Nexus. Spec-heavy, feature-light, unlocked and priced to suit everyone. While it was an interesting change for Google to start releasing two different Nexus devices each year, the fact remains that they now seem to have turned to the same manufacturer to produce both devices this year. Equally as important, they seem just as happy with the fact that they are essentially the same device, barring some basic spec differences, while keeping in mind that both seem to be lagging in the specs and hardware department in general. This does start to take the sheen off the fact there are two Nexus devices this year. HTC and Google can release ten different Nexus devices if they like, but unless at least one of them cuts the mustard in relation to the rest of the market, then what is the actual point? The time is right for a Google Phone. One which places its entire emphasis on hardware and it would be not too far from the truth to say that a Google Phone might not be what kills off the Nexus program. If executed right, it just might be just what saves the Nexus program from becoming an outdated program.


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Intersection: Opioid Crisis & Law Enforcement
The opioid epidemic in Florida triggered a state of emergency, and it's prompted police departments and sheriff's offices to equip their officers with Narcan. Narcan's an overdose reversal drug, but it's not as effective against some of the more potent opioids like fentanyl or carfentanil.
Meanwhile, the state is imposing tougher penalties for fentanyl related offences, including a 3 year mandatory minimum sentence for people caught with 4 grams of fentanyl, and murder charges for dealers when someone overdoses and dies.
So is the combination of better resuscitation tools for first responders and tougher penalties for dealers a good one? Are we heading back into a war on drugs?
Robert Wesley, the public defender for Orange and Osceola County, joins Intersection along with Lt. Dominick Galiano, who leads the street drug unit with the Orange County sheriff's office.
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