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MED TRUST is an Austrian manufacturer for medical devices and In-Vitro diagnostic products. We provide high-quality products under the brands Wellion (human) and WellionVet (veterinary).
MED TRUST is a family-owned business with subsidiaries in Austria, Bulgaria, Germany, Sweden, Greece, Czech Republic, Ukraine, Slovakia, Slovenia, Portugal, Netherlands, Croatia, Italy and France.
"We endeavour to make life easier for patients and partners. Through innovative ideas, advice and service".

subset: commoncrawl


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Life in Hawks Ridge is the perfect blend of convenience, comfort, sustainability and beauty. The community is surrounded by open, natural space. Bringing together timeless style and classic home design, you'll love this charmingly crafted apprx. 2119 square foot 2 storey. This stunning open-concept home that features 9' ceilings on every floor, upgraded quartz counters, and a double attached garage. Your main floor has an inviting front entry, a walk-through pantry from the mud/laundry room that leads to the kitchen where beautiful cabinets and an abundance of counter space make a perfect place to host friends and family. With its open floor plan, you can see everything going on in your spacious great room where a fireplace makes a stunning focal point. Head upstairs and enjoy some R&R in any of three large bedrooms, including a master sanctuary with a walk-in closet and 5pc en-suite or cozy up with the family in your large bonus room! **PHOTOS OF SHOW HOME; ACTUAL HOME MAY VARY**
Residential Detached Single Family
Courtesy Of Michael Melnychuk Of Century 21 All Stars Realty Ltd
Courtesy Of Michael Melnychuk Of Century 21 All Stars Realty Ltd.
Data is deemed reliable but is not guaranteed accurate by the REALTORS® Association of Edmonton.
Copyright 2019 by the REALTORS® Association of Edmonton. All rights reserved.
Listing information last updated on December 5th, 2019 at 12:16pm CST.


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ArtistGustav Stickley
TitleSide Chair
Creation Dateca. 1910
Medium & SupportWood and leather
Credit LineTransferred from the College to Museum Collection
CopyrightThis artwork may be under copyright. For further information, please consult the Museum's Copyright Terms and Conditions.
Please suggest keywords to describe this object. Separate multiple keywords by commas. Example: road,angel,technology,toy
Portfolios: Collections: Decorative Arts - American Collections: Decorative Arts


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Please be forewarned, I very much like bullfights and think they are an important and profound art form. Yes I am a hypocrite because otherwise I am for animal rights, although let's face it, these bulls live much much much happier lives than animals that are eaten, although that does not make it right to hurt any animal, but it does give some relativity to the politics of bullfighting. So unless you're a vegan and are anti-bullfighting, please read on with an open mind as I express my recent experiences at bullfights….
|The Plaza de Toros de La Maestranza (The bullring in Sevilla) with the cathedral in the background).
(photo: abc.sevilla.es)
There are two moments I love in bullfights. The first, and most obvious moment from which to be astounded, is the instant before the torero kills the bull. Yes, this sounds like it will be gruesome, but there is something profound when you see the matador line up the bulls feet perfectly (they have to be side by side or else the sword will not enter in the space between the scapula and not pierce the aorta, which will ensure a quick death for the bull), prepare the muleta (red cape used in the last third of the bullfight) in such a way that it looks like a small live animal crouching at the feet of the matador–yet it's just a piece of fabric, then in an instant the bullfighter and the bull are face to face right before the sword is plunged into the bull, or alternatively the bullfighter is gored by the horns and severely injured. It's that moment before the contact that astonishes me–there is no trickery, no side swipes–the bullfighter is directly in front of the bull, face to face. He has to attack the bull completely frontally in order to kill it properly. The bull has to be convinced the cape and not the bullfighter is what he is after, and the bullfighter has only an instant to reach the sword forward before he must leap to the side. I guess it's just that full-frontal confrontation that astounds me.
|Morante as he prepares to kill a bull.
The second part of bull fights that I love is quite the opposite; when the torero stands completely still, facing the bull, and does absolutely nothing. Nothing but stare at the bull and wait. That in and of itself has to be one of the hardest and most riveting moments of a bullfight, and from those moments I have learned so much about flamenco. The emptiness of nothing happening is one of my biggest fears in a dance; yet those are the moments you remember. Israel Galván once said that the audience is the dancer's bull. And it's true in many ways. We are confronting the audience, making ourselves completely vulnerable. I've learned about rhythm and pacing from the bullfights. In many ways, the music itself is our bull–as dancers we are able to 'play' with the rhythm and the music, weave in and out, just as the bullfighters weave around the bull with their cape. And if we don't fully command the space, ourselves, and the musicians, the audience will not believe us–we will not be able to transmit anything. It's that attitude that is so essential to flamenco, and the ability to wait–to not rush through each movement and each section, but to truly experience it. This may seem a bit cheesy, but there is a reason the bullfighting worlds and flamenco worlds are closely linked. In a more concrete way, dances are structured similar to a bullfight, with different sections and each one serving a purpose.
There are many gestures that come directly from the bullfight and the vocabulary used to describe movements are the same. For example, a remate is a culminating step in flamenco that is used at the end of a section of footwork, as a response to a verse of the singing, or to close or open a section of a dance. In the bullfight, it is the end of a series of successful passes with the bull, when the bullfighter turns away with a sort of flourish with his arm to round off the series. Knowing the intention behind this gesture in this context gives a different meaning to a remate for me in flamenco. A remate is any sort of rounding off–it is the word used to mean hem in clothing, but knowing its connection to bullfighting enriches its use in flamenco for me.
There are also many postures that come from bullfighting, and the bullfight is in many ways a dance between the bullfighters and the bull. Yes, it is trickery–tricking the bull into going for the cape, but in so doing the bullfighter creates a sort of pas de deux with the bull. He leads the bull, he decides which way it must go, which way it will turn around him. Sometimes they spin around each other several times before the bullfighter bulls the cape away and finished the pass. That a large animal and a man can move in such unison is incredible.
I've been to two bullfights recently, and I have to say, each time I go I understand flamenco a little bit better. Regardless of your opinions on the politics of bullfighting, it is an important influence on flamenco and the art forms are closely related. I don't know as much as I would like to about bullfighting, it is a complex art form with much history and symbolism, along with its own dictionary of terminology. Little by little I am learning more.
The spanish wikipedia page has a good basic overview if you speak spanish: http://es.wikipedia.org/wiki/Corrida_de_toros
The english version is not as detailed or orientated towards the art form, but here is the link:


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Review by David Baldwin for Mr. Will Wong
Ruben (Riz Ahmed) and Lou (Olivia Cooke) are a metal band touring and driving around the US in their RV. As he preps for a show, Ruben gets a loud ringing in his ears. He thinks nothing of it, but finds out soon after that he is losing his hearing rapidly and will soon become deaf.
This is the set-up for Co-Writer/Director Darius Marder's harrowing journey Sound of Metal. The Film is loud, intense, and is a genuine test of endurance for audiences. It pulls no punches, plunging us right into the mind of Ruben as he learns how to communicate as a newly deaf person. Special attention was paid to the sound design, with Marder and his team creating an impeccable mix that is authentic to the experiences deaf people go through each and every day. And it switches from a normal mix to this authentic mix so often that it is almost impossible to prepare for it. Cooke is great in her small number of scenes, but the whole Film is held together by career best work from Ahmed. He digs-in deep, allowing us to feel every moment of triumph and tragedy. Ahmed's visceral level of commitment here cannot simply be described; it demands to be seen.
SOUND OF METAL screens during TIFF at the following times:
Friday September 6, 9:00pm @ Winter Garden Theatre [World Premiere]
Saturday September 7, 10:00am @ Elgin Theatre
Saturday September 14, 9:00pm @ TIFF Bell Lightbox
TIFF '19 officially has kicked into high gear and you won't believe the star power we witnessed!
Check it out. Hover right on each album to navigate.
HUSTLERS – #SheInspiresMe Panel
SEBERG – Press Stop
View this post on Instagram
#TIFF19: #KristenStewart winning raves for her work in #Seberg. #TIFF #KStew #HuaweiP30Pro
SYNCHRONIC – Press Stop
THE FRIEND – Press Stop
COLOR OUT OF SPACE – Press Stop
SOUND OF METAL – Press Stop
KNIVES OUT – Press Stop
JOJO RABBIT – Press Stop
THE LIGHTHOUSE – Press Stop
View this post on Instagram
#TIFF19: Always a blast at the #HFPA #HollywoodReporter Party! So happy seeing #AnselElgort who makes me so proud! He remembered me from the first time we met when he was making his first film! Now he stars in #TIFF Gala #TheGoldfinch and next in #WestSideStory! Other awesome sightings: #MatthewGrayGubler, #IslaFisher, #JonBernthal, #AlfieAllen, #CariceVanHouten, #KeeganMichaelKey, #GaryOldman, #GeraldineViswanathan (#TIFF Rising Star) + #CatrionaBalfe! #HuaweiP30Pro
Informative and fun segment Will!! We're on Festival Street tonight and off to a film tomorrow. Hope to see you around town Handsome! You're always in the heart of all the media excitement. pic.twitter.com/SIZEnlLlxL
— YYZ Bliss (@yyz_bliss) September 7, 2019
(Photo/video credit: Mr. Will Wong)
Review by David Baldwin for Mr. Will Wong
After dominating the TV landscape with This Is Us, Writer/Director Dan Fogelman has the big screen in his sights as he presented the World Premiere of Life Itself at TIFF. The Film is a multi-generational story revolving around two families and how they cope with tragedy, happiness and everything in-between.
Having watched This Is Us, I was prepared for melodrama, lengthy monologues and sheer moments of emotional devastation. All of these elements are accounted for over the course of Life Itself multiple times over, with some being a lot less effective than others. But what sets it apart from the popular Series is the pitch-black humour and surprisingly vulgar Script. Both are honest, unflinching and at times, shocking. The problem with all of this is that Fogelman never nails down a proper tone, which makes some scenes come off more awkward than they do genuine. The cast takes it in stride though, committing to every ludicrous plot turn Fogelman throws at them. Just be sure to bring a Kleenex box when you watch it.
Life, Itself screens on Saturday, September 9 at 6:30 PM at Roy Thomson Hall and 8:00 PM at Elgin Theatre, and Monday, September 10 at 9:30 AM at Elgin Theatre.
By Mr. Will Wong
We don't recall a more explosive first Saturday at TIFF in recent memory! Several stars were out and about on Day Three of the Festival and your jaw will drop who we saw!
A STAR IS BORN – Lady Gaga
THE HUMMINGBIRD PROJECT – Alexander Skarsgård and Jesse Eisenberg
GLORIA BELL – John Turturro and Julianne Moore
View this post on Instagram
The Cast of #GloriaBell: #JulianneMoore and #JohnTurturro at #TIFF18. #torontointernationalfilmfestival #TIFF
THE FRONT RUNNER – Hugh Jackman and Jason Reitman
HALLOWEEN – Jamie Lee Curtis
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🤞🖖#JamieLeeCurtis at #TIFF18 for #Halloween! #TIFF #torontointernationalfilmfestival
LIFE ITSELF – Annette Bening, Olivia Cooke and Mandy Patinkin
IF BEALE STREET COULD TALK – Stephan James, Kiki Layne and Barry Jenkins
PAPI CHULO – Matt Bomer
View this post on Instagram
#MattBomer at #TIFF18 for #PapiChulo. #TIFF #torontointernationalfilmfestival
WILD ROSE – Jessie Buckley and Mary Steenburgen
THE KINDERGARTEN TEACHER – Maggie Gyllenhaal
THE SISTERS BROTHERS – Riz Ahmed
View this post on Instagram
#RizAhmed at #TIFF18 for #TheSistersBrothers. #torontointernationalfilmfestival #TIFF
WIDOWS – Viola Davis and Daniel Kaluuya
INSTYLE MAGAZINE PARTY – traditionally the hottest party at the Festival!
THE HATE U GIVE – Amandla Stenberg
BEAUTIFUL BOY – Timothée Chalamet
SORRY FOR YOUR LOSS – Kelly Marie Tran
(Photo credit: David Baldwin/Mr. Will Wong)
From the same man who brought us acclaimed TV Series THIS IS US, Dan Fogelman, comes LIFE ITSELF! See the new Trailer for the touching Film which hits theatres this fall!
As a young New York couple goes from college romance to marriage and the birth of their first child, the unexpected twists of their journey create reverberations that echo over continents and through lifetimes in Life Itself. Director and writer Dan Fogelman ("This Is Us") examines the perils and rewards of everyday life in a multigenerational saga featuring an international ensemble including Oscar Isaac, Olivia Wilde, Antonio Banderas, Annette Bening, Olivia Cooke, Sergio Peris- Mencheta, Laia Costa, Alex Monner and Mandy Patinkin. Set in New York City and Carmona, Spain, Life Itself celebrates the human condition and all of its complications with humor, poignancy and love..
See the Trailer:
VVS Films release LIFE ITSELF Friday, September 21, 2018.
(Photo/video credit: VVS Films)
Already having worked with some of the greatest Directors of our day including Jeff Nichols, Terrence Malick, Bryan Singer and now Steven Spielberg, 21-year-old Tye Sheridan is bound for great things. The X-Men Franchise star is front and center in Spielberg's latest effort READY PLAYER ONE and he was in Toronto to promote the new Film, opening in theatres end of March.
While he didn't get much sleep last night due to flight delays , Sheridan still made the most of his day having to cancel a few interviews, but doing Press including a taping of Global's The Morning Show.
See our Snap with him and a young fan and her mom. He was a true gentleman, shaking hands and introducing himself to everyone individually!
See the Trailer for Ready Player One:
Huge things are expected of this. Will you be seeing READY PLAYER ONE?
Warner Bros. Pictures Canada release READY PLAYER ONE on Friday, March 29, 2018.
(Photo/video credit: Warner Bros. Pictures Canada/Mr. Will Wong)
Universal Pictures Canada x Mr. Will want to give Readers in Toronto Wednesday, March 7, 2018 to see THOROUGHBREDS starring Anya Taylor-Joy, Olivia Cooke + the late Anton Yelchin.
Childhood friends Lily and Amanda reconnect in suburban Connecticut after years of growing apart. Lily has turned into a polished, upper-class teenager, with a fancy boarding school on her transcript and a coveted internship on her resume; Amanda has developed a sharp wit and her own particular attitude, but all in the process of becoming a social outcast. Though they initially seem completely at odds, the pair bond over Lily's contempt for her oppressive stepfather, Mark, and as their friendship grows, they begin to bring out one another's most destructive tendencies. Their ambitions lead them to hire a local hustler, Tim, and take matters into their own hands to set their lives straight.
See the Trailer:
To enter to win, click "like" on this Post at MR. WILL ON FACEBOOK. Tell us about a friend who brings out the best and worst in you.
Universal Pictures Canada release THOROUGHBREDS Friday, March 9, 2018.
(Photo/video credit: Universal Pictures Canada)
TIFF fever continues throughout Toronto on the Festival's fourth day! Premieres took place tonight including Fashion icon Tom Ford's NOCTURNAL ANIMALS starring Amy Adams, Michael Shannon, Aaron Taylor-Johnson and an in-absentia Jake Gyllenhaal. Also premiering tonight was Oscar bait DENIAL starring Rachel Weisz over at Princess of Wales Theatre. THE PROMISE starring Oscar Isaac and Christian Bale also premiered at Roy Thomson Hall tonight. An A-List Cast including Matthew McConaughey, Scarlett Johansson, Reese Witherspoon and Jennifer Hudson appeared at the midday Premiere for Animated Feature SING over at Princess of Wales Theatre. The Premiere was followed by performances from both Hudson and Popstar Tori Kelly even.
See some of the names we spotted around today!
Bill Nighy, THE LIMEHOUSE GOLEM
Olivia Cooke, KATIE SAYS GOODBYE
#OliviaCooke at #TIFF16 with #KatieSaysGoodbye.
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Chris Lowell, KATIE SAYS GOODBYE
Xavier Dolan, IT'S ONLY THE END OF THE WORLD
Auteur #XavierDolan at #TIFF16 for #ItsOnlytheEndofWorld.
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Lea Seydoux, IT'S ONLY THE END OF THE WORLD
Inseynity! #LeaSeydoux causing a commotion. She is at #TIFF16 for #ItsOnlytheEndofWorld.
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Gaspard Ulliel, IT'S ONLY THE END OF THE WORLD
#Pharrell. #TIFF16 #HiddenFigures
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Mireille Enos, KATIE SAYS GOODBYE
#MireilleEnos at #TIFF16 with #KatieSaysGoodbye.
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Sigourney Weaver, A MONSTER CALLS
#SigourneyWeaver at #TIFF16 for #AMonsterCalls.
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Lewis MacDougall, A MONSTER CALLS
#LewisMacDougall, star of #AMonsterCalls. #TIFF16
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Felicity Jones, A MONSTER CALLS
Things got v. aggressive. #FelicityJones at #TIFF16 for #AMonsterCalls. #RogueOne #StarWars
A video posted by Mr. Will Wong 📸 (@mrwillwong) on
Michael Shannon, NOCTURNAL ANIMALS
#MichaelShannon. #TIFF16 #NocturnalAnimals
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Aaron Taylor-Johnson, NOCTURNAL ANIMALS
#AaronTaylorJohnson. #TIFF16 #NocturnalAnimals
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Taraji P. Henson, HIDDEN FIGURES
Yes!!! Cookie Time!! #TarajiPHenson #TIFF16 #HiddenFigures #Empire
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Pharrell, HIDDEN FIGURES
#Pharrell. #TIFF16 #HiddenFigures
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Glen Powell, HIDDEN FIGURES
#ScreamQueens' #GlenPowell at #TIFF16 with #HiddenFigures.
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Rachel Weisz, DENIAL
The prune-like expressions you make when #RachelWeisz finally agrees to a Selfie after x years. Her performance in #Denial is 👏!!! #TIFF16
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Lucas Hedges, MANCHESTER BY THE SEA
#LucasHedges at #TIFF16 for #ManchesterbytheSea.
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
Rami Malek, BUSTER'S MAL HEART
With #MrRobot star #RamiMalek at #TIFF16 with #BustersMalHeart
A photo posted by Mr. Will Wong 📸 (@mrwillwong) on
(Photo/video credit: Mr. Will Wong)
By David Baldwin for Mr. Will Wong
Alfonso Gomez-Rejon started his Film career as a Production Assistant in 1990. Twenty-five years later he is being showered with unanimous praise for his second feature as a Director, Me and Earl and the Dying Girl. "The response is so beautiful because it's recognition for everyone who worked on the Film," he says when asked about the critical and audience reaction to the Film. "It feels great."
The Film tells the story of high school student Greg (Thomas Mann), who befriends Rachel (Olivia Cooke) after he learns of her being diagnosed with Leukemia. In his spare time, he likes making short Parody Films based on mainstream hits and obscure Foreign Films. He makes these shorts with his friend and "co-worker" Earl (RJ Cyler), and realizes that he needs to make a Film for Rachel.
While Mann and Cooke are industry veterans despite their youth, Cyler is making his Feature debut in Me and Earl. Gomez-Rejon tells us, "I've always loved discovering talent. I like when you have the opportunity to find new talent. People take chances on me all the time."
It is no wonder people are taking chances on him; his credentials more than speak for themselves. He acted as a Casting Director on Babel, Eat Pray Love and an unrealized Terrence Malick Film, as a Second Unit Director on The Eagle and Best Picture Oscar-winner Argo, and has directed multiple episodes of Glee and American Horror Story. His Feature debut, last year's Remake/Sequel The Town That Dreaded Sundown, only came to fruition when pre-production on Me and Earl fell apart. "Ryan [Murphy, the Creator of Glee and American Horror Story] said 'You keep trying to make your Citizen Kane, why don't you make your Boxcar Bertha?' And so I did," Gomez-Rejon explains. "Luckily this movie came back together and I jumped right into this."
Me and Earl is Gomez-Rejon's first "personal" Film and he found its intimacy to be "so refreshing" to work on. Drawing on the style of Classics like Harold and Maude and The Graduate, he says he wanted this Film "to be kind of like Greg: very playful, and big and exciting and energetic at the beginning, and then it calms down and becomes more intimate and still and quiet, quiet, quiet." Despite the drama and emotion that comes later in the Film, he intended to "always [have] a little joke in there somewhere, to lighten it up until the very end."
In discussing a pivotal scene late in the Film between Mann and Cooke, Gomez-Rejon notes that the shot "was going to be the master and then I was going to do two close-ups. But after [the first take] it just felt so good that I walked away from it. It only works because they're brilliant in it." He is even more enthusiastic talking about Cyler: "It was quite a beautiful process to see pure emotion come out of him as Earl. This is his first Movie, and you're watching him and he doesn't even know that he had this in him."
While he is coy about his next project, Gomez-Rejon hopes to continue his work in feature Films: "I love the beginning, middle and end of it – it's a journey you go through and it finishes, and you put it aside, and that's who you were at that point. Scorsese has a body of work that reveals who he is. And I'd like in the next fifty years, if I'm still making Movies, being able to leave behind more and more of Films that I think will show who I am at that particular time."
Echoing the sentiments of his Cast, Gomez-Rejon's feels that Me and Earl is "not a Movie about dying. It's a Movie about living." But the Film was summed up even more eloquently for him by a high school student from Seattle. They had been grieving from the loss of a friend in a car accident and told him at a screening of Me and Earl that "When people leave their lives, they're like a stained glass window. Their definition is not as clear but the beauty of their life is evermore present."
Gomez-Rejon was so touched by the words of this student that he made sure to write them down, and take them with him everywhere he goes. "There's an infinity of layers in all of us, and just because one of them is gone doesn't mean that others remain," he says. "We just have to pay attention and find them, and listen to them.".
Fox Searchlight release ME AND EARL AND THE DYING GIRL on Friday, June 12, 2015.
By David Baldwin for Mr. Will Wong
Thomas Mann and Olivia Cooke may not be household names, but they will be this June after Fox Searchlight unspools Me and Earl and the Dying Girl. The Film rocked Sundance this past January, picking-up the Audience Award and the Grand Jury Prize. But on a sunny Toronto afternoon, they are just two courteous young adults apprehensive of how the howling wind is going to affect our interview.
"I just don't want it to mess with the sound because the air is bad for microphones," Mann says as we hurry inside, dodging unsecure patio furniture.
At the suggestion of his mother, Greg (Mann) befriends Rachel (Cooke), who has just been diagnosed with leukemia. The Film chronicles their friendship, and the way they grow into adulthood when faced with this debilitating disease. RJ Cyler plays Earl, Greg's friend and "co-worker" who helps him make short Parody Films based on their favourite Films.
Cooke was no stranger to ill characters before taking on the role of Rachel – her character on the TV Series Bates Motel struggles with Cystic Fibrosis: "I'm always drawn to the [roles] that are going to challenge me. I never approached it as 'Oh my God I'm playing another dying girl again!'" Cooke shaved her head for the Film and worked on-set with Director Alfonso Gomez-Rejon to track the five stages of Chemotherapy.
Mann was very cautious not to interfere with any of this. He says, "I purposely kept myself distant from her process. Greg has no idea about the stages of Cancer, and so I would just arrive on-set and see her in these different stages. It was just a very subtle, physical thing I would notice and it affects you."
Despite what she goes through, Cooke was very precise on how she wanted to play Rachel, "You don't ever want to see Rachel as a victim or as a tragic character, or anyone with Cancer as a tragic character. Because they're still themselves." She has nothing but praise for costume designer Jennifer Eve for helping her achieve this: "As Rachel got sicker, her clothes and her wigs and her hats became more vibrant and brighter because she's like 'I'm still me, I'm not completely vanished and disappeared because I'm deteriorating'."
In discussing the content of the Film, Mann and Cooke were very strongly opposed to lumping the Film into the sick-fiction genre shared with Films like The Fault in Our Stars and If I Stay. "Cancer is more of a backdrop," Mann says, "It's so complex and I feel so many things about it, that talking about it is often really frustrating." Cooke elaborates that "I feel like people like to pigeonhole, and it's so annoying. You can't compartmentalize it because it's so many things at once. I feel like you can take the Cancer or the illness aspect out of it, and you'll still have a really wonderful movie about friendship and discovery."
And that friendship is what Mann really likes about the Film: "When you see a romantic couple on screen, you're not taking a part in it. The fact that we're friends, you feel like you could be one of us. If you like spending time with these kids then anything tragic that happens to them is so much more resonant."
While the Film is emotional, there is a lot of humour and comedy scattered throughout. Mann had a lot of fun working on the Short Films Greg and Earl make in their spare time. His favourite was 'Burden of Screams', based on Les Blank's 1982 Documentary Burden of Dreams, "That was the first day of shooting, and they're like 'You can do a German accent right?' It's just so ridiculous. I'm wearing this all-White suit with a straw hat. And there's kids walking by, and I'm cursing at the top of my lungs."
In the end, both Actors took something away from Me and Earl and the Dying Girl. Mann learned "to trust myself and trust Alfonso, and really just [learnt] to let myself go. I'm a more emotional person now. I cry when I watch movies, and I never used to do that before. I've grown as an actor, and hopefully as a person." Cooke was just as emotional. When discussing romanticizing death, she says "It's so stupid to waste your time on thinking like that. If it's going to happen, it's going to happen." Instead, she now wants to "just be more present and live.".
Fox Searchlight release ME AND EARL AND THE DYING GIRL on Friday, June 12, 2015.
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After two months of searching for a new CEO, the Board at Lafarge Holcim Zambia Plc announced the appointment of Jimmy J. Khan as Managing Director and Chief Executive Officer effective 12 February 2019.
Jimmy takes over from Vincent Bouckaert who held the role barely two years following his appointment in 2016. He is also a "company man" who joined the Lafarge Holcim group back in April 2004. Vincent's performance at the helm during his tenure in his last full financial year saw turnover of the company increase 13.3% year on year with cement production growing by 6.7%. Cement sales rose by 7% with the sale of aggregates also enjoying an increase of 4.9%.
He started his career with the cement maker as Lead for the Rapid Close Team, according to his personnel linkedIn profile page. Ten months later he became a Consolidation Accountant, a role he held for a year and 8 months.
He has an accounting background from Virginia Tech – Pamplin College of Business where he graduated with an Account and Computer Information Systems qualification which saw him rise to Senior Financial Analyst for the company. He held the role for a year and eight months before being appointed as Human Resource Manager for Lafarge's Washington DC Metro area. His role as HR Manager saw him apply a different skill set that was far from accounting that included the development and creation of sustainable HR metrics for the Cement Division in North America. His background was instrumental in him managing a five person team that administered over the company's USD$ 76 million bonus scheme.
After holding the role of HR manager for another 2 years, Jimmy was appointed Audit Manager for the company's french operations based in Paris. He went on to Head the Business Processes Unit which managed internal control and audit in Nigeria for another two and half years up to June 2015. He got his first shot as a CEO when he was appointed as Managing Director of LafargeHolcim overseeing the company's Mauritius and Seychelles operations.
The month of love is fast proving to be an exciting month for listed companies in Zambia as Jimmy's appointment CEO for the Zambia outfit becomes the third biggest announcement on Stock Exchange News Services (SENS) after ZCCM IH and ZAMBEEF.
Khan's first objective as CEO will be to carry on with the Chairman Muna Hantuba led Board 's vision for the company to focus on accelerating commercial innovations that will continue to differentiate Lafarge in the highly competitive building and construction sector whilst maximizing shareholder value.


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Kelvynboy fires back at Bullet and Wendy Shay in latest video
07 June, 2019 05:36 pm
Ghanaian Afrobeats singer Kelvynboy known in real life Kelvin Brown has responded to the recent jab by Bullet and Wendy Shay.
Burniton Music Group artiste Kelvynboy has thrown some jabs in response to what Rufftown Records CEO Bullet wrote on Instagram about the peace press conference brouhaha.
According to the 'Afrobeats' hitmaker, awards and hit songs do not make him who he is as Kelvynboy.
In an interview with Accra based radio station Accra FM, Kelvyboy responded to Bullet's post concerning the peace press conference brouhaha.
After being asked by the host whether fans did not vote for him, Kelvynboy replied "Let me tell you something, me Kelvynboy, it is not awards or hit songs that will make me." "Because there are people that if you tell them to bring out one Kelvynboy song on their phone they can't but if they are mentioning those with four and five hits, they mention my name also," he added.
Kelvynboy went on to jab Bullet and Wendy as he said "She is the one who need awards more and hit songs to stay relevant, as for me I will come and sing and stay relevant."
Meanwhile he denied that he has habored any pain in him concerning Wendy Shay's win as he claimed that he is just speaking the truth.
Kelvynboy's comment followed a post that Wendy Shay's manager Bullet wrote on his Instagram page concerning the peace press conference brouhaha.
In the post, Bullet jabbed Kelvynboy as he wrote "I am old and with my experience in this industry I have never seen a man beefing a woman all in the name of awards."
His post accused Kelvynboy of shunning Wendy Shay because she won VGMA New Artiste of the Year over him.
In an earlier interview however, Kelvynboy apologized to Wendy Shay, claiming that he did not shun her intentionally.
Source: Yen


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Habe zeitlich sehr knapp gebucht, aber alles super gelaufen. Gerne wieder, 100%tige Empfehlung
Board the special Vatican train from St. Peter's Train Station, enjoy the visit of the Apostolic Palace in Castel Gandolfo and get an audio-guided tour.
Board the special Vatican train from St. Peter's Train Station, enjoy the visit of the Apostolic Palace in Castel Gandolfo and get an audio-guided tour.
Das gewählte Produkt hat derzeit keine festgelegte Verfügbarkeit. Sie haben jedoch die Möglichkeit eine Anfrage direkt an den Anbieter zu schicken.
Your journey into the life of the former popes starts at the so called "Stazione San Pietro" (St. Peter's Station). The special Vatican train will bring you to Castel Gandolfo, where 17th century summer residence of the pope is located. During the one-hour train travel you enjoy the Roman city- and countryside as well as the special atmosphere in the historic passenger coach.
Castel Gandolfo is famous for hosting the summer and vacation residence of the leader of the Catholic Church. Since centuries the pope travels to the little village to retreat himself and to refresh his energy. Although the residence is located within the city, it has extraterritorial status and is not under the jurisdiction of Italy.
Once you arrive at the Apostolic Palace, you'll be provided with an audio guide. You'll have the privilege to explore the Pope's summer residence and listen to the exciting explanations about its history and use. While walking through the building, you can admire the historic architecture, original ceiling decorations and other pieces of art. Afterwards you can relax in the bright gardens of the villa or visit the enclosed village Castel Gandolfo, before returning to the Rome by train.
Time schedule:
11:00 Departure from Saint Peter Train Station to Pontifical Villa Train Station
12:10 Arrival at Castel Gandolfo Train Station
12:30 Visit of pontifical Villa and audio-guided apostolic place tour
17:24 Departure from Castel Gandolfo Train Station
18:30 Arrival in Saint Peter Train Station
Please note that your knees and shoulders have to be covered. Sleeveless tops or shorts won't be permitted. If you violate these dressing rules, you risk being refused.
This tour involves a fair amount of walking, so it is advisable to wear comfortable shoes. Unfortunately, the tour is not accessible for wheelchair users or persons with reduced mobility.
All participants are requested to report in time. In case of being late, you won't receive a refund.
Directly on board ot the Vatican Train at the St. Peter Train Station (Stazione San Pietro).
This deal can be cancelled for free up to 3 days before the date of the activity.
Habe zeitlich sehr knapp gebucht, aber alles super gelaufen. Gerne wieder, 100%tige Empfehlung
Perfekt, hat alles gut funktioniert!!
5****Schnelle kompetente Bearbeitung, telefonischer Rückruf um Alternativen zu finden. Super nette Kontaktpartner. Hat mich überrascht und überzeugt. Sehr zu empfehlen


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Tarik YousefBrookings Institution
Tarik Yousef is a Member of Board of Directors, Arab Financial Services Corporation. His research focuses on topics related to Political Economy of Policy Reform, Public Policy and Economic Development, Youth Exclusion and Labor Markets. He received his PhD. in Economics from Harvard University, USA. He is an ERF Research Fellow.


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Register for the Industry Expo
Sales prospects come directly to you at the Circuit Breaker Industry Expo. This is your number one marketing opportunity if you are in the business of circuit breaker related products and services. Click here to register now.
Basic Exhibitor Package — $4,500 USD
Basic Exhibitors receive one (1) 10′ x 10′ booth at the Circuit Breaker Seminar Industry Expo with two (2) booth attendees who may attend sessions, one (1) six-foot table, two (2) chairs, one (1) waste paper basket and one (1) identification sign.
Additional Booth Staff
Additional booth attendees may attend the Industry Expo at a cost of $650 USD. To register additional staff visit http://www.cvent.com/d/x5qxyj and select attendee type "Exhibitor."
First-Time Exhibitor Special – Save $500
First-time exhibitors save $500 on the exhibitor package fee. Enter discount code "newbie" when registering. It's our way of welcoming you to the show!
Sponsorship Opportunities
There are various sponsorship opportunities at the Circuit Breaker Seminar that will give your company the maximum amount of exposure.
For more information and/or to reserve your spot email Doble Events at firstname.lastname@example.com.
Terms & Conditions
By agreeing to participate in the Industry Expo you agree to Doble's Terms and Conditions. Read the full agreement.
IMPORTANT: Exhibitors must clear any social event of six (6) people or more (people representing companies other than the exhibitor) with written pre-approved by Doble. There are no exceptions to this rule. Failure to notify and gain approval from Doble may result in expulsion from the event.
Notice of cancellation must be received in writing a minimum of 90 days prior to event to qualify for a refund.
All exhibit space must be paid for a minimum of 30 days prior to the event.
Final layout of the Exhibit Hall is subject to change.
Doble Industry Expos events are by invitation. Doble reserves the right, at its discretion, to rescind acceptance of exhibitor and sponsor applications.


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- Henry VI, Part 2
"The Second Part of King Henry the Sixth", or "Henry VI, Part 2", is a history play by
William Shakespearebelieved written in approximately 1590-91. It is the second part of the trilogy on Henry VI, and often grouped together with "Richard III" as a tetralogy on The Wars of the Roses—the success of which established Shakespeare's reputation as a playwright.
Shakespeare's primary source for "Henry VI, Part 2", as for most of his chronicle histories, was Raphael Holinshed's "Chronicles"; the publication of the second edition in 1587 provides a terminus ad quem for the play. Edward Hall's "The Union of the Two Illustrious Families of Lancaster and York" appears also to have been consulted, and scholars have also supposed Shakespeare familiar with Samuel Daniel's poem on the civil wars.
Date and text
"Henry VI, Part 2" was probably written ca. 1590–91. The Diary of
Philip Henslowerecords a performance of a play called "Henry VI" on March 3, 1592. It is known from other sources that the other two parts of Shakespeare's Henrician trilogy were on stage in 1592. Thomas Nashe's "Pierce Penniless" (registered August 1592) refers to a popular play about Lord Talbot, which is thought to be " Henry VI, Part 1" (there is no alternative candidate). Robert Greene's pamphlet "A Groatsworth of Wit" (registered Sept. 1592) parodies a line from " Henry VI, Part 3". Since both Parts 1 and 3 were being acted in 1592, it is sensibly assumed that Part 2 was also—though there is no direct evidence of this.
A version of "2 Henry VI" was published in 1594. It was entered into the Register of the Stationers Company on
March 12, 1594by the bookseller Thomas Millington, and printed by him later that year. This text it generally known by a shortened version of its long title, usually "The First Part of the Contention Betwixt the Two Famous Houses of York and Lancaster", or some variant of the same. [Full title: "The First Part of the Contention Betwixt the Two Famous Houses of York and Lancaster, With the Death of the Good Duke Humphrey: and the Banishment and Death of the Duke of Suffolk, and the Tragical End of the Proud Cardinal of Winchester, With the Notable Rebellion of Jack Cade: and the Duke of York's First Claim Unto the Crown."]
This version of the play was reprinted twice, in 1600 (Q2) and 1619 (Q3). The 1619 text was part of
William Jaggard's False Folio.
In the nineteenth century, "The First Part of the Contention" was thought to be a play by another writer or writers that Shakespeare had used as a source for his own. Modern critical opinion favors the view that "The Contention" is a "
bad quarto" of a Shakespearean original, likely a reported text or memorial reconstruction, perhaps by the actor who had played Suffolk and Cade. [F. E. Halliday, "A Shakespeare Companion 1564–1964," Baltimore, Penguin, 1964; p. 217.] (Yet the case is complicated; see: bad quarto.)
After from the original 1592 performances, "2 Henry VI" was rarely acted. During the Restoration, John Crowne adapted the last two acts of Part 2 and all of Part 3 (roughly half the total trilogy) into "The Misery of Civil War" (1680). Another adaptation was produced by
Theophilus Cibberin 1723. Several revivals of the entire Henrician trilogy have been staged in the twentieth century, beginning in 1906. [Halliday, p. 216–18.]
*King Henry VI
*Duke of Gloucester, his uncle (
Humphrey, Duke of Gloucester)
*Cardinal Beaufort, Bishop of Winchester, great-uncle to the King (
Henry Cardinal Beaufort)
*Duke of York (
Richard, Duke of York)
*Edward, his son (future Edward IV)
*Richard, also son to the Duke of York (future Richard III)
*Duke of Somerset (
Edmund Beaufort, 2nd Duke of Somerset)
*Duke of Suffolk (
William de la Pole, 1st Duke of Suffolk)
*Duke of Buckingham (
Humphrey Stafford, 1st Duke of Buckingham)
*Lord Clifford (
Thomas Clifford, 8th Baron de Clifford)
*Young Clifford, his son (
John Clifford, 9th Baron de Clifford)
*Earl of Salisbury (
Richard Neville, 5th Earl of Salisbury)
*Earl of Warwick (
Richard Neville, 16th Earl of Warwick)
*Lord Scales (
Thomas de Scales, 7th Baron Scales)
*Lord Say (
James Fiennes, 1st Baron Saye and Sele)
*Sir Humphrey Stafford
*William Stafford, his brother
*Sir John Stanley
*Matthew Goffe
*Alexander Iden, a Kentish Gentleman
*Lieutenant, Shipmates, Master's Mate, and Walter Whitmore
*Two Gentlemen, prisoners with Suffolk
*John Hume and John Southwell, priests
*Roger Bolingbrook, a conjurer
*Thomas Horner, an armorer
*Peter Thump, his apprentice
*Clerk of Chartam
*Mayor of Saint Albans
*Simcox, an impostor
Jack Cade, a rebel
*George Bevis, John Holland, Dick the butcher, Smith the Weaver, Michael, etc., followers of Jack Cade
*two murderers
*Margaret, Queen to King Henry (
Margaret of Anjou)
*Duchess of Gloucester (
Eleanor Cobham)
*Margery Jordan, a witch
*Wife to Simcox
*Lords, Ladies, attendants, heralds, soldiers, etc.
This play begins with the marriage of King
Henry VI of Englandto the young Margaret of Anjou. Margaret is the protégée (and possibly lover) of William de la Pole, 4th Earl of Suffolk, who aims to influence the king through her. The major obstacle to this pair is the regent of the crown, Duke Humphrey ( Humphrey, Duke of Gloucester), who is immensely popular with the common people. Queen Margaret vies with his wife, Eleanor, for precedence at court. Eleanor is lured by an agent of Suffolk into dabbling in necromancy, and then apprehended, to the embarrassment of Gloucester. Nevertheless, the demon she has summoned delivers some accurate prophecies concerning the fates of several characters in the play. Gloucester, who is busy exposing the imposture of an old beggar and his wife, is then accused of treason and imprisoned, and afterwards assassinated by agents of Suffolk and the Queen. Meanwhile, as this struggle plays itself out, Richard, Duke of York, reveals his claim to the throne to the Earls of Salisbury and Warwick, who pledge to support him.
The Earl of Suffolk is banished for his role in Gloucester's death and killed by Walter the pirate ("by Wa'ter shall he die" proclaimed the demon), leaving Margaret without her mainstay. Margaret is soon portrayed holding Suffolk's gory head in her lap and weeping. Meanwhile, Richard of York has got himself appointed commander of an army to suppress a revolt in Ireland. York enlists a former officer
Jack Cadeto lead a rebellion that threatens the whole kingdom, in order that he may bring his army from Ireland into England and seize the throne.
York returns to England with his army, but not before Cade's rebellion is put down. Robbed of this pretext for his army's presence, York claims his intent is to protect the King from Somerset. Opposed by Margaret and Lord Clifford, York exerts his claim to the throne, supported by his sons, Edward (the future King
Edward IV of England) and Richard (the future King Richard III of England). (Shakespeare is building up to making Richard III one of his greatest villains, with little concern for historical veracity -- Richard, at this date, would have been a small child, and thus easily beaten in combat).
The English nobility now take sides, and the Battle of St. Albans is fought. The Duke of Somerset is killed by the future Richard III. Young Lord Clifford, whose father has been killed by the Duke of York, vows revenge on the Yorkists, and allies himself with King Henry's other supporters. The play ends there, to be continued with "
Henry VI, Part 3".
External links
* [http://www.shakespeare-literature.com/Henry_VI,_part_2/index.html Henry VI, part 2] - searchable, indexed e-text
* [http://william-shakespeare.classic-literature.co.uk/the-second-part-of-henry-the-sixt/ The second Part of Henry the Sixt] - HTML version of this title.
* [http://www.gutenberg.net/etext/1501 Henry the Sixth Part 2] - plain vanilla text from
Project Gutenberg
Wikimedia Foundation. 2010.
Look at other dictionaries:
Henry VI, Part 3 — Henry the Sixth, Part 3 , is a history play by William Shakespeare, believed written in approximately 1590, and set during the lifetime of King Henry VI of England. It prepares the ground for one of his best known and most controversial plays:… … Wikipedia
Henry IV, Part 1 — This article is about Shakespeare s play. For other uses, see Henry IV. Title page of the first quarto (1598) Henry IV, Part 1 is a history play by William Shakespeare, believed to have been written no later than 1597. It is the second play in… … Wikipedia
Henry IV, Part 2 — This article is about the Shakespeare s play. For other uses, see Henry IV. Facsimile of the first page of The Second Part of King Henry the Fourth from the First Folio, published in 1623 Henry IV, Part 2 is a history play by William Shakespeare … Wikipedia
Henry VI, Part 1 — believed written in approximately 1588–1590. It is the first in the cycle of four plays often referred to as The First Tetralogy .ourcesShakespeare s primary source for Henry VI, Part 1 , as for most of his chronicle histories, was Raphael… … Wikipedia
Henry VI, Part 1 — ▪ work by Shakespeare chronicle play in five acts by William Shakespeare (Shakespeare, William), written sometime in 1589–92 and published in the First Folio of 1623. Henry VI, Part 1 is the first in a sequence of four history plays (the… … Universalium
Henry VI, Part 2 — (Shakespeare) Henry VI, Part 2, is the second play in William Shakespeare's tetralogy (i.e., four play series) depicting the characters and events of the WARS OF THE ROSES. If the traditional belief that the four plays were written in… … Encyclopedia of the Wars of the Roses
Henry IV, Part 1 — ▪ work by Shakespeare chronicle play in five acts by William Shakespeare (Shakespeare, William), written about 1596–97 and published from a reliable authorial draft in a 1598 quarto edition. Henry IV, Part 1 is the second in a sequence of four… … Universalium
Henry IV, Part 2 — ▪ work by Shakespeare chronicle play in five acts by William Shakespeare (Shakespeare, William), written in 1597–98 and published in a corrupt text based in part on memorial reconstruction in a quarto edition in 1600; a better text, printed … Universalium
Henry VI, Part 1 — (Shakespeare) Written probably in early 1590, Henry VI, Part 1, is the first work in William Shakespeare's tetralogy (i.e., series of four plays) depicting the people and events of the WARS OF THE ROSES. The play is probably Shakespeare's… … Encyclopedia of the Wars of the Roses
Henry VI, Part 3 — (Shakespeare) Probably written early in 1591, Henry VI, Part 3 is the third work in William Shakespeare's tetralogy (or four play cycle) depicting the WARS OF THE ROSES. Like the other plays in the series (HENRY VI, PART 1; HENRY VI, PART 2;… … Encyclopedia of the Wars of the Roses


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FELA Matters
The Federal Employers Liability Act (FELA)
The Federal Employers Liability Act (FELA) is a U.S. federal law designed to protect and compensate railroad workers who are injured on the job. FELA claims are similar to workers compensation claims, however, they differ in that the injured employee must show that the employer (or railroad) at least partly caused the injury. Because it can be difficult to prove that the railroad played a role in an injury, legal cases around railroad accidents can take some time.
When we talk about FELA cases, we mean everything from improperly functioning railroads to dangerous conditions on the tracks, injuries caused by repetitive motions and other occupation-related injuries such as hearing loss. If you are a railroad worker and are a victim of any of the above (or any other work related incident), we can provide the funding you need to remain financially stable while you work through your lawsuit.
All of our lawsuit funding is risk-free, which means that if you don't win your case, you don't pay!
We also do not expect you to do any of the leg work when it comes to getting documents from your attorney and other information related to your case. Our funding specialists will contact your attorney on your behalf so that you can focus on recovering, and once approved, you can use the funding however you need to.


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100% suggests that the worth of the reward will certainly represent 100% of the worth of your down payment. If you transfer greater than $200, you still have a perk of $200. If you transfer much less than $200, you obtain a bonus offer representing the quantity you down payment; You can just take benefit of it if it is initial time you transfer some loan at the poker area. An additional kind of perk is a reload reward, where the poker space recommends it for an extra down payment.
Majority Of The Moment
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Regardless of all these constraints, poker perks can still be extremely rewarding. It is very hard to contrast the benefits used by all the poker spaces, yet with the instance provided listed below, you ought to be able to at the very least comprehend plainly what is recommended. It is an initial down payment reward and 100% as much as $1000 represents the reward that will certainly match your down payment approximately $1000, with 60 days to remove it, in a round figure. Poker incentives are a huge component of online poker and there can be lots of deals on top of these bonus offers.


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My Blog
Posts for tag: Achilles Tendonitis
Heel pain is one of the most common complaints a podiatrist hears about from patients. If you are dealing with heel pain above the heel bone then you could be dealing with Achilles Tendonitis, a result of overuse. The Achilles tendon is the longest tendon in the body and it serves to connect the muscles of the calf with the lower leg and heel bone.
While Achilles Tendonitis tends to occur most often in runners, this condition can still occur in athletes that play certain sports such as soccer or tennis. Unfortunately, this tendon does weaken as we get older, which makes at an increased risk for developing this overuse injury as we age.
What are the symptoms of Achilles Tendonitis?
The most obvious symptom of Achilles Tendonitis is pain above the heel bone. When the pain first appears it's usually pretty mild and you may only notice it after running; however, over time you may notice that the pain gets worse after certain exercises. Along with pain you may also experience stiffness or tenderness in the heel, especially in the morning or after long periods of sitting.
When should I see a podiatrist?
If this is the first time that you've ever experienced heel pain then it's a good idea to turn to a foot doctor who can determine whether Achilles Tendonitis is causing your symptoms or whether it's something else. If you're experiencing chronic heel pain around the Achilles tendon it's also a good time to see a doctor. If the pain is severe or you are unable to put weight on your foot it's possible that you might be dealing with a ruptured tendon, which requires immediate attention.
How do you treat Achilles Tendonitis?
In most cases, Achilles Tendonitis can be treated with simple self-care options. Unless symptoms are severe you may be able to treat your heel pain by:
- Taking over-the-counter pain medications
- Avoiding high-impact activities or activities that exacerbate symptoms
- Elevating the foot to reduce swelling
- Performing stretching exercises or undergoing physical therapy
- Icing the heel
- Wearing custom orthotics
- Replacing worn-out shoes, especially running shoes
Surgery is only necessary if your symptoms aren't responding to any other nonsurgical treatment options after several months or if the tendon is torn.
If you think your heel pain could be the result of Achilles Tendonitis then it's time to turn to a podiatrist as soon as possible. A podiatrist can provide you with a variety of treatment options, from simple lifestyle modifications to custom orthotics.
No matter what sport you play, the type of shoe you wear while playing your favorite game is one of your most important pieces of equipment. Choosing the most appropriate, supportive athletic shoes for your specific sport and foot structure can make a huge difference in keeping your feet healthy and comfortable while improving your performance. Serious back, knee, hip and heel pain; Achilles tendonitis; fractures; and painful blisters are some of the common conditions faced by athletes wearing the wrong footwear.
From soccer and tennis to golf and basketball, the structure of your foot and any abnormalities should be considered when selecting a proper shoe for your activity. Look for a shoe that combines flexibility, support and cushioning to absorb impact and lessen shock on the feet. Before selecting an athletic shoe, it is always recommended to consult Howard Schaengold, DPM for a professional evaluation of your foot type, any underlying deformities and helpful shoe buying tips.
Types of Shoes
There are unique variations in the way different athletic shoes support your feet. This means that it's not good to play football in the same shoes you use for jogging. Your feet require different support for different activities and movement.
A good sports shoe should be fitted to support the foot in position that is most natural to the movement required. For instance, a running shoe is designed to accommodate high impact while a shoe built for tennis or basketball provides a combination of flexibility and sideways support.
Out with the Old
Like most things, your athletic shoes will wear out after a period of time. An old, worn out shoe is a common cause of sport-related injuries. If you run, track your mileage to determine when your shoes have endured too much activity, and when you notice obvious wearing of the soles or you sense a lack of cushioning from the shoes, it may be time to buy a new pair.
Remember, the best pair of athletic footwear doesn't have to be expensive to support the needs of your feet and body during a workout. There are numerous shoes available that will fit both your needs and your budget. When you're feet are protected by the right footwear, you can reduce the likelihood of injury. Visit our Sammamish office for an evaluation and shoe recommendations.
The Achilles tendon is the largest and strongest tendon in the body, located in the back of the lower leg and connecting the heel bone to the calf muscle. This tendon is crucial as it facilitates walking and running by helping to raise the heel off of the ground. While the tendon can withstand immense force, it's also surprisingly vulnerable. Injuries to the Achilles tendon require prompt treatment.
When the Achilles tendon becomes inflamed from excessive use, tendonitis can weaken it over time and cause small tears. Athletes are at a high risk for Achilles tendon injuries, which often occurs at the start of a new exercise or training program, or due to not having enough rest or recovery time.
You don't have to be an accomplished athlete to suffer an Achilles tendon injury. People with flat feet, arthritis and other foot problems are also more susceptible to develop Achilles tendonitis due to increased demands placed on the tendon when walking.
Common symptoms of Achilles tendonitis include:
- Mild pain after running or exercising that intensifies gradually
- Localized pain along the tendon, especially after running
- Tenderness near the heel bone, with pain being worse first thing in the morning
- Stiffness and limited range of motion in the lower leg and ankle
- Swelling around the tendon
- When the disorder progresses to degeneration, the tendon may become enlarged and develop nodules in the area where the tissue is damaged
To prevent injuries to the Achilles tendon, strengthening and stretching the calf muscles through daily exercise is recommended. Alternating intense exercise with low-impact workouts and wearing proper shoes for your foot type and activity can also help reduce your risk for injury.
Any time you experience pain, tenderness or swelling along the Achilles tendon, visit Howard Schaengold, DPM for professional diagnosis and treatment. Treatment for an injured Achilles tendon should begin right away with rest, ice, compression and elevation. Without prompt care, Achilles tendonitis will get progressively worse, thus increasing the risk for further deterioration and rupture. As a last resort and when other treatments fail, surgery may be recommended to repair the tendon.
The professional podiatrists at our Sammamish office can provide the best diagnosis and treatment for optimal recovery.


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A love letter to his late father, the owner of "Sid King's Crazy Horse Bar", Mike King reminisces about his life in dentistry, stand-up comedy, and growing up as the son of the infamous Sid King, "The Sultan of Striptease".... Read more
Mike's story is truly a heart-warming, comic tribute to his father. Mike has built his pediatric dental practice in an unusual manner as he incorporates comedy into his dental office in order to relax the children. Kid's jokes and magic tricks are all part of his treatment. As a standup comedian, Mike has appeared on Comedy Central, America's Funniest Home Videos, Evening at the Improv, and opened many times for Ray Romano. He also created the award winning web-series "My Friends Think I'm Funny," and recently completed his first children's book, "Flossopher and The Brushing Trees."
A new musical that tells the story of African-American women through Top-40 music from the '30s through the '90s, including hits like "Oh, Happy Day," "Mama Said" and "I Will Survive."... Read more
After a matriarch's death, the women in the family clean Grandma's attic and find love and old memories packed away. In the process, they share their stories through hit tunes, from the trials of the 1930s through the Girl Groups of the 1960s to the empowerment of the 1990s.
In this new drama, when a college professor is asked by a male student about her role time in the Carter administration, she retells it dramatically, with her playing Carter, and her student playing her.... Read more
From the show:
On July 4, 1979 President Carter cancelled an important energy policy speech he was scheduled to give the next day and disappeared to Camp David. Ten days later, he emerged from his impromptu domestic summit and gave a new speech, the Crisis of Confidence speech, which many now view as unprecedented, farsighted and insightful. Others think it may have ultimately cost him the White House. Forty years later, college professor Cynthia Cooper is approached by a stranger, a young man, and asked to recall her time with the Carter Administration during the days before the now infamous "malaise" speech. If she is going to tell her story of that time, she is going to play the President. And the young man who wants to know her story? Well, he is going to play her. This unique cross-gender play explores the confidence of a president, a nation in chaos and women in politics.
Harlem Repertory Theatre mounts a one-hour, family-friendly adaptation of the iconic 1939 MGM movie musical about a little girl from Kansas who journeys to the Land of Oz.
When Dorothy wakes up in a strange land filled with witches and wizards, and munchkins and monkeys, she's charmed but desperate to return home. She sets off on a quest to ask the Wizard for help and along the way befriends a scarecrow without a brain, a tin man without a heart, and a cowardly lion. Journey down the yellow brick road while humming along to memorable songs from the Oscar-nominated film, including "Over the Rainbow," "We're Off to See the Wizard," and "If I Only Had a Brain."
Frigid New York presents this evening of dance, clown, and mime.... Read more
From the show:
A mixture of dance, clown, and mime, all with the intent to make audiences laugh without any of us having to learn our lines - I mean, er - using body language? Yeah, that's it, body language. Artsy stuff like that. Using our head, shoulders, knees, and toes, we'll be contorting and wiggling into your hearts and nightmares.
Harlem Rep presents Lorraine Hansberry's classic play about a working-class African-American family that faces financial salvation or personal ruin after receiving a substantial insurance payment.... Read more
Set in Chicago's South Side, 'A Raisin in the Sun' revolves around the divergent dreams and conflicts within three generations of the Younger family: son Walter Lee, his wife Ruth, his sister Beneatha, his son Travis and matriarch Lena, called Mama. When her deceased husband's money comes through, Mama dreams of moving to a new home and a better neighborhood in Chicago. Walter Lee, a chauffeur, has other plans: buying a liquor store and being his own man. Beneatha dreams of medical school. The tensions and prejudice they face form this seminal American drama.
A children's musical from Secret Theatre about Pirate Pete, a lovable rogue on a mission to find his beloved runaway parrot, Polly.... Read more
Upon setting out, Pete decides it can't hurt to pick up some buried treasure as well, to help make the month's rent. Armed with an endearing crew of misfits like Jolly Roger (the insufferably happy second mate) and Miroslav, the Czech mate (get it?), Pete embarks on a journey complete with songs, sword fights, and plenty of audience interaction.
Secret Theatre's new musical for children about the spirited and feisty young Princess Particular.... Read more
Princess Particular is used to getting what she wants, when she wants it. And today she wants to be a ballerina. King Loadsadough and Queen Patience want their daughter to practice curtseying. Fortunately, her four maids, the Chancellor, and the Lady-in-Waiting are on hand to help the princess to follow her dream! Princess Particular is part of a rotating line-up of children's musicals, presented every Saturday at The Secret Theatre.
The Secret Theatre presents a return engagement of the stage adaptation of the beloved Peanuts holiday TV special.... Read more
Join Charlie Brown, Snoopy, and the whole Peanuts gang as they dig past the commercialized gimmicks of gifts and decorations to rediscover the true meaning of Christmas. Through a pageant and a spindly tree, Charlie Brown resurrects the holiday spirit for families once again. Featuring the song 'Christmas Time is Here,' the original jazz score of Vince Guaraldi, and brand-new dance numbers.
On the first Saturday of every month, Ted Greenberg, an Emmy Award-winning writer on Letterman, performs a comedy show before chauffeuring one audience member home in a NYC taxi.... Read more
Greenberg performs his hit Off-Broadway "mostly one man" comedy show before whisking a lucky audience member home in a New York City taxi driven by Greenberg himself. This unique comedic experience is now in its 8th smash season at the historic SoHo Playhouse theater.
The Secret Theater presents a new staging of Christopher Marlowe's most famous tragedy.... Read more
From the show:
Dr. Faustus may be a respected scholar and scientist, but he has grown dissatisfied with his position and with traditional science. As a result, he decides to take up magic with the help of some dark supernatural forces, with consequences that are comical, mesmerizing, terrifying, and altogether life-altering.
After a successful premiere at the New York Theatre Festival's 2019 NYWinterfest, Anthony J. Piccione's controversial, semi-autobiographical drama returns in May 2019 for a series of monthly performances.... Read more
During the summer before his senior year, Alex Grayson - a young college student and aspiring writer living with living with social anxiety, depression, and Asperger's syndrome - receives a mysterious visit from "himself", a human incarnation of his inner consciousness. As they interact, Alex is forced to reflect on his own flaws and personality quirks, as well as some of the darkest and most painful memories of his adolescence, while also pondering the question of whether or not he can overcome his inner demons, and ultimately build a brighter future for himself.


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Unsurpassed views and incredible quiet abound at this 50 acre parcel with interior finished 40x40 garage complete with full bath, laundry easily converted to living quarters while you build your dream home! All utilities including phone and plumbed for woodstove. RV hookups at pad next to garage PLUS house pad has well septic & electricity to it. 2nd well location has been witched. Irrigation water to property, road maintenace agreement, CCR's private gated access, borders Hidden Falls
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Listing information last updated on December 11th, 2019 at 11:07am PST.


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Cisco is considerably spreading its knowledge-middle expertise to assist customers develop and management hybrid, multicloud or hyperconverged edge environments. Pc security is a branch of laptop expertise often known as data safety as applied to computers and networks. Google has mentioned the appearance of Apple's music and video streaming service, Apple Music, on its Assistant-enabled good Home speakers was due to a software bug.
The way it's affecting industries: In keeping with Deloitte, this is one of the largest issues to hit eCommerce in recent years with purchases of this kind expected to increase by one hundred fifty% this 12 months alone and retailers in nearly every business anticipating a rise in gross sales directly related to this new expertise.
Akamai proclaims Akamai Connector, integrates it with Salesforce answer US-based cloud service provider Akamai Applied sciences has expanded its cloud services with the discharge of the new Akamai Connector and integrating it with Salesforce Commerce Cloud.
These applied sciences have been developed by ASTAR research institutes together with the Institute for Infocomm Analysis (I2R), Information Storage Institute (DSI), Institute of High Efficiency Computing (IHPC) and Singapore Bioimaging Consortium (SBIC).
These might cowl several different subjects in addition to computing and often take care of extra technical features of hardware and software. One other exciting emerging expertise is machine studying, which is basically a pc's potential to learn by itself by analyzing data and monitoring repeating patterns.


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Events Calendar
This camp is designed for high school-juniors and seniors who have an interest in learning more about the Central Nervous System with an emphasis on the brain and spinal cord. Students will learn through a variety of approaches including lecture, discussion, debate, games, laboratory visits, and hands-on activities. For more information and to apply, visit OSU NEUROSCIENCE CAMP. Deadline to register is May 16, 2019.


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AUSTIN (KXAN) The Texas Longhorns and UL Monroe Warhawks played even for 24 minutes before Texas used a 16-0 run on their way to 1 65-55 win. Elijah Mitrou-Long's three pointer with 12:09 to go in the game gave Texas the 46-43 lead and extended it to 59-43.
The Longhorns struggled offensively, shooting just 42% from the field and 6-25 from three. Senior Kerwin Roach led three Longhorns in double figures with 13 points and six assists. Dylan Osetkowski had 12 points, and a team high 10 rebounds while freshman Jaxson Hayes scored 11 points and had three blocked shots.
UL Monroe was led by Michael Ertel's 16 points, but shot but shot 37% as a team and turned it over 15 times.
Texas improves to 3-0 and host The Citadel on Friday night before heading to the Las Vegas Classic over Thanksgiving.


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Bellevue Advertising Lawyer, Iowa
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Donna L. Smith
Industry Specialties, Estate, Divorce & Family Law, Civil Rights
Status: In Good Standing Licensed: 22 Years
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Before making a season plan it is important to define exactly what you are planning for. What happens in a hockey game should determine how you prepare to play. If it doesn't relate to the game then it is a waste of time and energy.
So first it is important to consider how to prepare for a game by thinking about what happens in a hockey game.
General principles of a Game:
- Average amount of goals between equal teams is 5. So you must average 3 or more a game for and 2 or less a game against.
- Players are on offense about 35% of the time, on defense about 35% of the time and the puck is loose about 30% of the time (first loose puck situation is a face off)
- Your team will have the puck about 200 times and the opponents about 200 times so there are about 7 transitions from offense to defense, defense to offense or loose puck to either every minute.
- Players spend about 40% of the time gliding on two skates and do most of the actions starting from this position.
- On offense you are either in game playing role one of puck carrier or role two of puck support.
- On defense you are either in role 3 the closest player checking the puck carrier or racing for a loose puck or in role 4 of defensive support.
- Over 60% of goals are scored on rebounds.
- On average the puck carrier is in possession about 2.5 seconds and the team on offense about 5 seconds before transition or a loose puck.
These facts demonstrate why good habits are critical. The game is a game of transition between situations, offense, defense and loose puck and in those situation between game playing roles on offense of puck carrier and puck support and on defense of closest checker and covering away from the puck. These roles constantly change. i.e. when you pass the puck you immediately go from role 1 puck carrier to role 2 puck support. You don't stand there and watch but get open for a return pass.
Habits like always face the puck, stick on the ice, head on a swivel, communicate, skate hard to open ice when you get the puck, find openings, stop at the net, follow your shot, follow your pass, tie up sticks on rebounds, seal sticks to the outside when covering in front etc..are what makes the difference between winning and losing.
So a season plan must cover all of the skills of each game playing role and each situation. Numerical situations from 1-0, 1-1 to 6-5 must also be prepared for.
If you are coaching young children skating instruction and practice should be part of each ice session.
Each practice should warm up with individual offensive skills and a possible rotation of practice themes would be:
Day 1 - work on individual offensive skills and skating skills.
Day 2 - work on individual defensive skills up to a 2-2 which has all four game playing roles.
Dav 3 - team offensive skills in each zone from 3-2 to 6-5
Day 4 - team defensive skills from 2-3 to 5-6.
Do this 4 practice rotation and prioritize the progression of skills and situations. By the end of the season you should have worked on everything and be going through review practices based on game performance.
Before making a season plan it is important to define exactly what you are planning for. What happens in a hockey game should determine how you prepare to play. If it doesn't relate to the game then it is a waste of time and energy.
Beginning players need to learn to move on the ice so they would practice
A1, A2, A3 skating and puck carrying.
D1 to D8 skill games
E shootouts and contests.
When they can move in all directions and stop then incorporate B1 to B5 which are formations to practice individual offensive and defensive skills up to 2-2 as well as transition games with passive support using half or cross ice. Also skill games with jokers can create decision making situations.
The next stage is to learn how to play all the situations from 1-1 to 6-5 and C drills are used to practice the situations trying to score vs defenders. B600 drills are used extensively and full ice transition games.
As players mature you intoduce more advanced concepts using the same method and focus more on team play using various controlled scrimmage situations but always reviewing the skills of the game.
In addressing the earlier of these two posts, I have usually been a 'fly by the seat of your pants' guy when it came to practice. Sometimes it worked...certainly not always. In this part of the country ice time is not easy to come by, nor is it cheap. Our boys get 2 hours a week. As such, this year needs to be much more organized. The goal of this weekend is to come up with something that will save me from indecision. Would you guys mind if I shared the basic components? Constructive criticism would be welcome.
Hey Pops - Tom,
Pops, I for one would be interested? Tom, love to see how you set up your seasonal plan - heck I am going to "steal" some of that if you don't mind. I would be interested in your critique or criticism as well, this is what I have done with my seasonal plan.
We are fortunate to have 4-5 days a week on ice, 2 of those days are shared ice times with another team - (this is for Pee Wees). Starting in November we start league games, so our ice practices deminish a little bit, but we do pick up some other ice times from other teams in our association as they pick up scrimmages or are playing in tournaments.
The first part of the season:
Oct 5 - Nov 30 Goals & Objectives
•Implement our dryland training - usually before our ice times
•Team Meetings - 2
•Parent Meetings - 1
•Team party / get together - 1
•Coach Meetings - 2
•Individual Technical Skills, Individual
Tactics, Introduce - Team Tactics, Team Play
Mid season:
Dec 1 - Feb 15
•Continued dryland
•Team Meetings - 2
•Team parties / get togethers - 1
•Coach Meetings - 2
•Tournament play - 3/4
Continue to work on individual & team
development. Add team strategy
Late season and into playoffs
•Continued dryland & chalk talks
•Team Meetings - 1
•Player & Parent Meetings - 1
•Team party / get togethers - 1
•Coach Meetings - 1/2
Continued development, strategy
continued and implant tournament goals
We also use our dryland time for video (kids love to see themselves playing - we use this more as a team bonding time as well), teaching our team tactics out in a parking lot and or in a gym - not always taking away ice time for the DZ coverage, Forecheck, Breakouts, etc.
Thoughts? Ideas?
Iceman, the season outline looks solid. My only suggestion, and you may already have done this, is to use the 4 game playing roles as the template to rotate the themes of each ice session or in Pops case divide the 2 ice sessions into 4 parts. What do you want in place early in the season as the basis for everything else you will progress towards.
Also at an early player meeting I suggest you have the players come up with a team covenant that lists behavior and performance expectations in about 10 short points.
We start the second week of September and will have 2 practices a week. My early focus will be.
Role 1. Puck control all around the body and against opposition.
Role 3. D side positioning, stick on the puck, stick in passing lanes and tight gaps.
Role 2. Forecheck and breakouts.
Role 4. Back checking and D zone coverage.
We will progress to specialty teams later as well as regroups etc. Lots of games for skills and decision making and transition games for situations and team play.
My players have all played NCAA or CIS or on the National U22 or National team so it isn't teaching the skills but improving the technique and stressing good habits which are the key to playing well.
The 4 game playing roles is going to be added in my seasonal plan. This will be a new deminsion to the plan and will really help - thank you.
The covenent you have is similar (because I "borrowed" your lead) to what I have and we call it our "Expectations". These expecations go over what is expected by the player, how the player will conduct themselves on and off ice. With a youth program, we include an Expectations list for the parents.
In the past, I used our OZ entry for our powerplay, have a couple set plays - but not much. Do you think it is a good idea to teach all the PP's - Umbrella, Overload, etc. or teach to your teams strengths?
I do let all players participate, but in tournament games - late in those games. I do have two PP lines and for the players who are not on the PP I have them on the PK. Letting the PK team know they have a very important role on the team, just like the PP units. It seems to help and both units, PP and PK can change throughout the season.
Here's (link) how we planed our season. I've translated it straight from finnish so terminology can be odd. It's a plan of how we focus our training during the season. note that in physical training every training included at least 15 minute warm up with dynamic stretchin etc. and 15 minute cool down after the practice. On ice we wanted to keep main focus on offensive playing. I'm happy to answer to any questions you have about our season planing.
Kai, thanks for sharing. The pre and post practice training is good if you can get the parents to come early enough and stay later.
Iceman I think at the PW 11-1-2 year old level it is good to learn the slot set power play. It flows very well into what most NA teams do on their forecheck on 5-5. If they are skilled enough and the D can shoot well enough then you could have the weak side D slide down for a diamond 1-3-1 but I wouldn't do that until they are very good at the slot set.
I just got an update for my team. I thought a lot of Olympic team players would join us as half of them played for the Oval Extreme in Calgary previously. I guess the ones from here have either retired or moved down east where they are having a draft for them today. We host the Nationals in the west this year so I guess Minnesota will be the only team in our division with a lot of Olympic players from Team USA.
Too bad for those girl's. They don't get to have me as their coach.
Hi everyone:
This thread has motivated me to think through a season plan for the mite travel level (7-8 year old) in southern US. I got a formal "expectations and rules" letter out and expect to review it with the parents at the beginning of our last summer practice. (We have five optional practices before Labor Day.) I have been trying to determine the limits of what these kids can handle in terms of positioning, and so far, I've been very impressed. I am trying to work a continuous half-ice transition game into the end of every practice (1-1 to 2-2, etc) to see if they can get it. I will probably drop this game for less complicated games to teach the skills I am focusing on if they don't have it by Labor Day. Even with me telling them when to enter and leave the game, the transition game seems to be a great teaching tool, and it's fantastic to see the support players hustling into the play.
Based on two 1 hr 15 min half-ice practices/week, I plan to rotate A week (offense) and B week (defense) practices as follows:
Week A - day 1 - Role 1
-Warmup 10-15 min: game, Montreal/corner drill, passing drill
-skating 10 min
-game 10 min
-puck handling/shooting 10 min
-skating 10 min
-[reserved: skill or individual tactic] 10 min
-game 10-15 min: transition game
Week A - day 2 - Role 3
-Warmup 10-15 min: game, Montreal/corner drill, passing drill
-skating 10 min
-game 10 min
-puck handling/shooting 10 min
-skating 10 min
-[reserved for offensive team tactic] 10 min
-game 10-15 min: transition game
Week B - day 1 - Role 2
-Warmup 10-15 min: game, Montreal/corner drill, passing drill
-skating 10 min
-game 10 min
-puck handling/shooting 10 min
-skating 10 min
-[reserved for defensive skill or individual tactic] 10 min
-game 10-15 min: transition game
Week B - day 2 - Role 4
-Warmup 10-15 min: game, Montreal/corner drill, passing drill
-skating 10 min
-game 10 min
-puck handling/shooting 10 min
-skating 10 min
-[reserved for defensive team tactic] 10 min
-game 10-15 min: transition game
rcmat, I think it looks good. Suggestion is to change up the warm up game so it isn't always the same and then move the teaching part of the practice to about 20 minutes in and that should be the theme behind everything you do the remainder of practice.
I also think you only need skating technique once during the practice and replace the second technique with a skating game. i.e. 1/2 ice game at each end or 2 games at once in one end if you only have half ice where the players can only skate backward, or flat footed, or must pivot with the puck etc.
Few thougth about roles and training
Notice allso that when you are training role 1 you train allso role 3 and when you train role 2 you train role 4. Naturally you can practice role 1 (and a little role 2) without defensive roles. Basicly it's it up to Coach how you focus your training.
In our season plan we had 5 week sections where 4 weeks the focus was of offensive skills, roles and tactics and one week we focused on the defensive skills, roles and tactics. For example 4 weeks defensive zone attacking and then one week defensive zone defence. Idea was thateven we our focus was heavyly on offensive playing we know that our defence would develop too as a byproduct.
You can allso try to break skills in to roles. when doing a passing drill and your recieving a pass, showing a square blade to passer it's a role 2 skill. Backward skating and pivots would be role 3 and 4 skills and so on.
Role 2 practice could be like this:
1. "break out warm up" with 2/3 of a rink 1/3 for goalie warm up
- you can do this 3-0 to 5-0. pick up the puck, break out, every one touches the puck before offensive blue line.
- you can turn back and regoup from DZ or NZ and then the next group starts
- focus on how reciever make him/her self playable, is thre as stick on ice, square blade to passer and tha he/she faces the puck
2.full ice passing drill a lot of passing and recieving to get much repetitions
3. SAG, 2-2 or 3-3 with jokers focus on getting open and losing your opponent
4. recieving competition, Player has to recieve a bouncing or high pass and then score on a break away if you don't control the puck you lose your chance. you can do it like a team relay race or something like that
5. SAG 2-2 or 3-3 you can score on both goals, focus again on getting open for the pass
6. SAG or full ice 2-2 to 5-5 1-3 touch game, focus on how to greate space with out a puck.
I hope that this makes any sense to you it's quite late here.
Attached is a Planner for the first 10 practices and first 5 games. Usually I waited until try outs were finished and had some idea of what the team looked like but this is my first year using the ABC's so I am leaving some time for corrections and adjustments. All ideas and suggestions are welcome as I really want to give these boys a good time.
By the way, it's good to see that the site is back up.


text:
The DCTV universe on the CW may be getting shorter, or maybe making room for over shows; sooner than you think. The CW once upon a time wanted to practically dedicate their network to the Arrowverse, but according to a rumor from We Got This Covered, Arrow and Legends of Tomorrow may not continue after their already ordered new seasons. According to this rumor, the Arrowverse will change drastically after the crossover Crisis on Infinite Earths.
I should reiterate that both Arrow and Legends of Tomorrow were previously renewed for new seasons, but those seasons may also be their last. With the Crisis on Infinite Earths famous for its destruction of many characters, this is how they could explain the two shows not continuing on. This rumor does not include shows like Supergirl, The Flash, or the upcoming Batwoman series. So, we'll have to see how the universe survives without two of it shows, including the one that started it all.
Does this news shock you? Let us know.
Source: Heroic Hollywood
A girl with too many fandoms to count.


text:
Create a wordpress plugin to translate another plugin
Budget $30-250 USD
I'm using a real esate idx plugin which is not translation ready (not .pot file, cannot use Poedit nor EasyPo, does not work with Loco either). The IDX plugin generates a bunch of pages in English in a French website. I need this pages generated to be translated to french. So I guess the only solution I have is hanving a plugin that would translate this plugin.
Translations will be from english to french, I'll give the translations (<200 words like bedroom, bathroom...).
15 freelancere byder i gennemsnit $153 på dette job
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text:
On Wed, 2005-08-31 at 18:39 -0500, akonstam trinity edu wrote:
> People's answers to me have set me on the right track and here is what
> I have observed now. I just can't understand that no one else has
> noticed this glitch.
> I made the shifting to init 3 in a terminal more mysterious than it
> really is. crl-alt-f1 takes you into a terminal. Login as root and
> run init 3. The machine seems to be hung but typing ctl-alt-f2 takes
> you into another terminal window where of course you are not logged
> on. Then typing ctrl-alt-f1 again will take you back to the first
> terminal where you are logged on and in into level 3.
> So as people have suggested the going into init level 3 is occurring
> but what is not occurring is the last step in a problem we used to
> have on previous fedoras where going into init 3 would stop at the
> anacron stop step. To get a prompt you would have to hit return.
> Now the return is not accepted and the machine seems to be hung.
> Maybe a bugzilla is needed.
This may in fact be bugzillable (now there is a new word....).
But the original issue of needing to hit return is simply that the
"prompt" is overwritten by the "console" messages generated when
services are starting and stopping. So your hitting return displays a
new prompt... The challenge, of course, being that the services are
outside the running shell process so the shell is unaware of needing to
redisplay its prompt.
Now, my other thought on the new problem is this....
1) You are on tty1 (a text based virtual console), logged in as root,
typing in init 3. If you are in a "window" inside of the GUI/X, then
the blank screen is entirely appropriate - you are still on tty7 but
there is no running process attached to it to display something to you.
2) The screen goes blank? Or do you still see the init 3 command that
you typed in? If it is truly going blank, I think you may again be
switched to tty7 without you pressing the keys. Perhaps the death of X
causes the tty switch much like the start of prefdm/X causes us to
switch to tty7 when we boot. If this is the case, I am not sure if this
is a bug or perhaps just a feature.... <big grin>
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text:
Click a button below to find out more.
Case for Change
The Case for Change for this project was developed in response to the following drivers:
- New technology is creating more advanced automotive materials and equipment
- Changing consumer preferences and increased awareness
The qualifications in scope of this project include the Certificate II in Marine Mechanical Technology and Certificate III in Marine Mechanical Technology in the Automotive Retail, Service and Repair Training Package (AUR).
PwC's Skills for Australia is in the process of consulting with a wide range of stakeholders relevant to this sub-sector of the automotive industries.
If you would like to read the Industry Skills Forecast and Proposed Schedule of Work 2018 you can download it below.
Please subscribe to our website to be kept up-to-date on how this project is progressing.
Between August and October 2018, PwC's Skills for Australia undertook a national round of consultation on the AUR and AUM Training Packages, on behalf of the five Automotive Industry Reference Committees.
The consultation findings, as well as the proposed Training Package changes, can be found in the Recommendations Report below.
Training Product Development
Following Automotive IRC approval of our key findings from consultation, we developed draft training products for this project.
These draft training products were available online for public feedback in July 2019.
The next step is to develop a Case for Endorsement for changes to the Training Package, which is to be provided to the IRC for approval and submitted to the AISC later this year.
To keep up to date on how this project is progressing, please subscribe to our mailing list.


text:
Tell me a little bit about yourself where you're from, your vision for your wedding day or session, etc.
You can reach me at
I was referred to you by
Hello, our names are
My event is at
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and I am inquiring about a
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My event is at
So excited that my work & personality has resonated with you and that you're here on this page!
I'm excited to get to know you, whether you're inquiring about a wedding/elopement, a couple session, or just want to say hola!
You can also reach me at firstname.lastname@example.com