text:
Don't Have an Account? Sign Up to Save Favorite Listings, Save Searches & More...
You have to check out this Fully Fenced 5 Acre Property! Stroll through beautiful mature trees, sit by the pond, or add some fun with ATV's or pedal your mountain bikes through the trees. This home features 4 bedrooms, 3 bathrooms plus a bonus room. Cook with the whole family in this large fully equipped kitchen. This home just feels open, but has a wonderful split floor plan to give everyone their own space. With almost 2500 sqft of living space, you can truly stretch out your arms. This house has water hose attachments all over the property, and also features an RV hookup overlooking the pond. There is space for all of your tools and toys inside a wonderful garage/barn which is a great bonus to this amazing piece of property. Come on over and relax by the fire, relax in the large screened lanai, and explore this wonderful place for yourself.
All listing information is deemed reliable but not guaranteed and should be independently verified through personal inspection by appropriate professionals. Listings displayed on this website may be subject to prior sale or removal from sale; availability of any listing should always be independently verified.
Listing information is provided for consumer personal, non-commercial use, solely to identify potential properties for potential purchase; all other use is strictly prohibited and may violate relevant federal and state law.
Listing data comes from My Florida Regional MLS DBA Stellar MLS.
Listing information last updated on December 10th, 2019 at 10:16am EST.


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Big events often equal big advertising which means big traffic to your website. Think Super Bowl, Oscars, the NCAA basketball tournament, our party at South By Southwest, etc.
But while so much of your attention is on the front end and whether your site looks great, what about the technical side of that coin? When you finally air your first big spot during this week's March Madness that will get people talking and clicking, can your site withstand the traffic and if not, what do you do?
If you plan ahead, you have options via our Dynect platform — slam dunk options.
Load Balancing
There are a few cool things about how we handle Load Balancing that I really like. One is that with our Round Robin approach, traffic load is distributed equally among your various IP addresses for a more even and efficient approach. Why slam one when you can spread the wealth? With us, you also don't have any limits in terms of IP addresses.
I also like that in the event of a server failure, we'll remove that bad server from the available pool and keep evenly distributing traffic to the active ones. Again, it helps even things out and doesn't continually try to force a player into the game that has a twisted ankle. (Basketball analogy…2 points!)
You also can make changes instantly on your end of things. What isn't there to love about this? Prepare and enjoy the benefits of no downtime. By the way, you don't have to buy any hardware. We got your back.
Active Failover
By now, you've seen our video starring some of the finest young actors available at the time in Manchester, NH. But let's go a bit deeper into what our Active Failover service is and how it can help you avoid madness in March, July, October, anytime.
As everyone knows, sh*t happens. A power strip dies at a datacenter. There's a mass power outage or something slightly catastrophic that causes your servers to be inaccessible. It's an awful and helpless feeling to have, but you don't have to have it.
Here's what we do: we monitor your datacenter/primary servers on HTTP, HTTPS, SMTP or ICMP/Ping from multiple locations 'round the clock. (What can we say? We love coffee for a reason.) In the event something happens, we redistribute that traffic on the spot to an alternate location that you choose beforehand.
Again, you manage (via Dynect) where you want to handle this and again, you don't have to buy any hardware. Sometimes, this type of failover setup will reside in the same datacenter where the issue is, which is kinda useless if you can't access it. You don't have to worry about that here, meaning you're like that Sheen fella everyone's talking about: winning.
Why Does This All Matter?
Honestly? Downtime sucks. In today's internet-driven world, your site is your 24/7 storefront to the world. If someone from Calgary, Alberta, Canada drops by at 3 am and they get an error page instead of your boot-selling business, you lose. If you launch the best Super Bowl ad of all time and are doing a drive to web but your server crashes due to all of the traffic, you've wasted millions.
Your site needs to be up 24/7. Above are two ways that stuck out to me, but there are others. How can we help you avoid the madness of downtime?
Share Now

subset: commoncrawl


text:
To know: U.S. special-operations troops rescued two aid workers, including one American, who were being held captive by Somali pirates … New Jersey Governor Chris Christie says he'll veto a bill legalizing same-sex marriage in the state, and that he wants the issue put to the voters … Apple reported a quarterly profit of $13.1 billion; that's one of the most profitable quarters ever for an American company … Google will start tracking its users across all its products … Today is the one-year anniversary of the start of the Tahrir Square demonstrations that brought down Egyptian President Hosni Mubarak. (Wendell Steavenson has more on that.)
To read: NPR's Adam Cole has a fun piece on the history of coffee:
Sultan Murad IV, a ruler of the Ottoman Empire, would not have been a fan of Starbucks. Under his rule, the consumption of coffee was a capital offense.
The sultan was so intent on eradicating coffee that he would disguise himself as a commoner and stalk the streets of Istanbul with a hundred-pound broadsword. Unfortunate coffee drinkers were decapitated as they sipped.
In the New York Times Magazine, Ronen Bergman asks, "Will Israel Attack Iran?":
Netanyahu and Barak have both repeatedly stressed that a decision has not yet been made and that a deadline for making one has not been set. As we spoke, however, Barak laid out three categories of questions, which he characterized as "Israel's ability to act," "international legitimacy" and "necessity," all of which require affirmative responses before a decision is made to attack.
To watch: Ten common misconceptions debunked in just under four minutes. (Via Gizmodo.)


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Kitoko from A.S.P The new sulphate free Kitoko range of shampoos, conditioners and treatments is also now in salon use and for purchase. Incredible rejuvenating and restorative qualities ensuring fantastically healthy, beautiful hair. Receive a diagnosis for the right products for your hair type and needs.These products are sulphate-free, paraben free, and contain no waxes or mineral oils, making them as kind as possible to your hair and skin.
To have successful colouring and styling you need to use products with confidence. The experienced hair stylist in Brampton will advise the best use of Affinage hair products.
Indigo is a line of salon professional Affinage hair products which can also be used at home as recommended by your hair Sylist in Brampton. Whether you need texture, shine, volume, root lift, straightening or heat protection - Affinage delivers!
Choose from Indigo Affinage hair products with strong (3), medium (2) or gentle (1) hold factor or our range of protect and shine products without hold factor (0). Alternatively, create your own 'cocktail' of products to suit your specific needs.
Ask your hair stylist in Brampton to advise you on the very best combination of Affinage styling products for your hair.
The world's most advanced permanent hair colour creme with DATEM™ Technology.
Unrivalled Technology...
INFINITI Permanent Hair Colour Créme penetrates deeper and faster into the hairshaft. The pH level steadily decreases throughout the colour process which, combined with our unique DATEM™ Technology, locks in the colour molecule to give intense, long lasting results and 100% grey coverage.
INFINITI is kind...
INFINITI's low ammonia content and emulsion creme base reduce the risk of sensitivity, whilst the incredible lift action allows much lower volumes of developer. INFINITI's gentle formulation with UV filters and protectors ensures that the hair is left in beautiful condition, producing clean blondes, vibrant reds, or soft natural tones.
The Hair Stylist in Brampton has different ways of using Affinage Hair products to correct your hair. Some days we all wish our hair had a reset button. Let's face it, hair colour need not last forever, and with Affinage hair products such as Eraser, they don't have to.
Affinage Eraser is a revolution in colour removal systems, saving you time, saving your image, and most importantly saving your hair.
A simple, effective, and safe colour removal system, Affinage Eraser specifically targets individual artificial hair colour molecules, breaking them down and removing them from the hair shaft.
With an easy to use crème consistency, Affinage Eraser is as easy to apply as it is to remove, and with 100% removal of broken down colour molecules you can rest assured that when you re-colour the results will be everything you hoped for.
Unlike other colour removal systems the low pH level of Affinage Eraser conditions your hair, leaving it in better condition than when you started, and ready for a fresh application of colour immediately.
Affinage hair product Eraser is a unique and superior system for removal of unwanted or incorrect hair colour, and with it's quick, easy, and safe application:-- Gives you the power to create tomorrows look today.
B-blonde, B-Red or any other colour combination inbetween. With cap, foils or all full cover, for quality colouring and styling come to the hair stylist in Brampton and enjoy good results.
Tel : 01480 454260
Don't forget to like us on Facebook so you can keep up to date with what we are up to.


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What are anchors? I'll give you a hint; I'm not talking about the object that holds a boat in a steady position in the water. I am referring to anchors that are placed in an email or on a web page. Anchors are intangible navigational functions that conveniently direct your audience to a specific location in an email or on a web page. An anchor link does away with the manual scrolling you would normally have to do in order to navigate further down an email or a web page.
Anchor functionality is commonly referred to as anchor tags, anchor links (internal or external/outside) or anchor elements. If your web page uses anchor tags, make the most out of their functionality by linking to them in a ClickDimensions email. Using outside anchor links in an email is an easy process and you can use them to measure the popularity of your email links and see which content on your web page is more appealing to your audience.
Ready to learn more about anchors? In this post, I will answer some common questions about anchors and explain the difference between anchor link types, show how to insert them into an email template, and illustrate how you can create a CRM personal view and chart to evaluate the success of your email campaign.
What is the difference between outside and inside anchor links?
When you place a unique URL in an email template and you want recipients to navigate to an exact place on a web page instead of the default top of the page, you would do this using an outside anchor link. This is what a URL with an outside anchor looks like: http://help.clickdimensions.com/clickdimensions-academy/#CD201. In this case, the anchor is "#CD201."
If you want recipients to automatically move to a specific place within the email itself by clicking on a link, you would use an internal anchor link. See this blog post if you're interested in using internal anchor links to create a table of contents for your email.
Does my web page use anchors? How do I know or find out?
Anchors are coded into a web page when the page is designed by a web developer. If you were to view the source of a particular web page (by right clicking on the page) and see this type of tag , that is an anchor tag and your web page has anchors. As an example, for our #CD201 anchor, the code in the web page looks like this: . With those anchor tags, you are able to link to those specific web page sections using outside anchor links in your email.
How do I get anchors?
If you do not have anchors in your web page, you can ask your web developer to create them for you. This will enable you to link to them in emails and give your recipients a more convenient email experience.
How do I add anchor links to my email templates?
Using our ClickDimensions Academy CD201 example from above, this is how the #CD201 anchor link is inserted into the ClickDimensions Drag and Drop email template editor using the Link button:
You will notice there are extra characters/code in the URL in addition to the main link: http://help.clickdimensions.com/clickdimensions-academy/#CD201.
For outside anchor links in all of our template editors, you need to use the method explained here to insert those links into the template so the email will send and the links will be tracked correctly. This is what the full link in the screenshot above looks like in its entirety:
Once the email is received, if you click on the "ClickDimensions CD201 Training Session" link in the email:
It will take you here on the ClickDimensions Academy web page:
How can I see the performance of my email links?
Once you have sent a ClickDimensions email with outside anchor links, you can create a CRM personal view and CRM chart using an advanced find query that allows you to see the performance of your anchor links. It can show you which topics/sections of your email and web page were navigated to the most in the email you sent out.
This is the CRM advanced find criteria you will query to create your view:
In my email, I used six anchor links, so I used those in the query. I'm telling the advanced find to look for all six anchors that are on the six URLs in the particular email send, look for email events that are a click type, and make sure the status of the email events is active. With the advanced find set up to look for email events, that means my personal view called "Outside Anchor Link Performance" will reside in Marketing > Email Events > My Views > Outside Anchor Link Performance once the view has been saved.
To create the chart in CRM, I made the chart pane visible in the view first by right clicking, then clicking Expand and the New button:
Here is the chart criteria I used:
The personal view and chart then look like this together with the specific click email events on the left and the chart I created on the right:
Or you can expand the chart across the whole view to see the full anchor links and the corresponding clicks on them:
Please note: Views and charts are native CRM functions and not ClickDimensions entities. If assistance is needed in setting these up, it is best to reach out to a CRM admin or CRM partner.


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- Impact of Postmigration Living Difficulties on the Mental Health of Afghan Migrants Residing in Istanbul, Qais Alemi, Carl Stempel, Kelly Baek, Lisa Lares, Patricia Villa, Didem Danis, and Susanne Montgomery
International Journal of Population Research
Research Article (8 pages), Article ID 7690697, Volume 2016 (2016)
Published 28 September 2016
International Journal of Population Research
Volume 2017, Article ID 3571237, 1 page
Corrigendum to "Impact of Postmigration Living Difficulties on the Mental Health of Afghan Migrants Residing in Istanbul"
1Department of Social Work and Social Ecology, School of Behavioral Health, Loma Linda University, Loma Linda, CA 92354, USA
2Department of Sociology and Social Services, California State University, East Bay, Oakland, CA 94607, USA
3Department of Sociology, Galatasaray University, 34349 Istanbul, Turkey
4Department of Social Work & Social Ecology, Behavioral Health Institute, Loma Linda University, Redlands, CA 92373, USA
Correspondence should be addressed to Qais Alemi; ude.ull@imelaq
Received 13 December 2016; Accepted 21 December 2016; Published 12 January 2017
Copyright © 2017 Qais Alemi et al. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
This article has no abstract.


text:
Dickinson, Thomas; Fernandez, Miriam; Thomas, Lisa; Mulholland, Paul; Briggs, Pam and Alani, Harith
PDF (Version of Record)
- Requires a PDF viewer such as GSview, Xpdf or Adobe Acrobat Reader
Download (564kB) | Preview
|Google Scholar:
|Look up in Google Scholar
Identifying global events from social media has been the focus of much research in recent years. However, the identification of personal life events poses new requirements and challenges that have received relatively little research attention. In this paper we explore a new approach for life event identification, where we expand social media posts into both semantic, and syntactic networks of content. Frequent graph patterns are mined from these networks and used as features to enrich life-event classifiers. Results show that our approach significantly outperforms the best performing baseline in accuracy (by 4.48% points) and F-measure (by 4.54% points) when used to identify five major life events identified from the psychology literature: Getting Married, Having Children, Death of a Parent, Starting School, and Falling in Love. In addition, our results show that, while semantic graphs are effective at discriminating the theme of the post (e.g. the topic of marriage), syntactic graphs help identify whether the post describes a personal event (e.g. someone getting married).
|Item Type:
|Journal Item
|Project Funding Details:
|semantic networks; event detection; frequent pattern mining; classification; social media
|Academic Unit/School:
|Faculty of Science, Technology, Engineering and Mathematics (STEM) > Knowledge Media Institute (KMi)
Faculty of Science, Technology, Engineering and Mathematics (STEM)
|Research Group:
|Centre for Research in Computing (CRC)
|Item ID:
|Depositing User:
|Harith Alani
|Date Deposited:
|28 Feb 2017 16:21
|Last Modified:
|01 May 2019 16:26
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Premiam Meetings Promote Cooperation & Integration in Post-spill monitoring
03 December 2015
In recent weeks 2 meetings have taken place under the Premiam initiative providing strong support for the promotion of best practice and integration in post-spill monitoring preparedness and conduct.
On 12th November the inaugural Premiam/Industry liaison meeting was held between a number of industry representatives at the ITOPF offices in London. The meeting, chaired by Cefas, was attended by 14 delegates representing key industry sector organisations including ITOPF, Oil & Gas UK, OSRL, UKSpill, BP and IOPC Funds as well as public sector representation from the Environment Agency and Maritime and Coastguard Agency. The meeting provided an excellent opportunity to establish the importance of post-spill environmental monitoring across industry sectors and to promote the principles as set out under the Premiam initiative. There was strong support for the aims of the Premiam initiative and very useful discussion about how integration on this issue between the private and public sectors can be taken forward.
On 1st December the Premiam Steering Group meeting was convened for the milestone 10th time. Of the 22 public sector Premiam partner organisations 16 were able to field delegates as well as attendance by the PMCC (Premiam Monitoring Coordination Cell) chairs for both England and Wales. This annual meeting is the main opportunity for partners to compare developments in the field of post spill monitoring and to decide on the ongoing key actions required to maintain and promote the principles of best practice in science and management for post spill monitoring and impact assessment activities.
The actions taken from both meetings will form the basis of an ongoing programme of activity in 2016 aimed at continuing the excellent progress in cooperation and preparedness promoted under the Premiam initiative. As well as key actions aimed at promoting public/private sector liaison on such issues key decisions were taken with respect to convening a 3rd Premiam Conference in 2016 and an aim to revise the current Premiam guidelines to include several new sections (hopefully to be by the end of 2016). Should you have any interest of queries about the Premiam initiative do not hesitate to contact the Premiam coordinator, Mark Kirby.


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Just when you feel you've got your head round the wacky world of marketing someone seems to cook up something new.
In fact Content Marketing has been in existence for decades but it has come to prominence because of social media. If you are posting on social media you shouldn't be selling but you can be helping.
So Content Marketing is the name for the helpful resources on your website to which you can point from your social media. These are nearly always educational and sometimes entertaining and take many forms from a pdf to a podcast, from a white paper to a webcast, from a video to a very handy "How to" piece of advice - often within a Blog (like mine)
Of course, all of this fresh content is also looked upon most favourably by Google in terms of demonstrating your authority; enabling those links from other websites and those links & likes from social media; as well as showing that you're on the case in terms of current thinking. These things combined helps your website to be found more easily in terms of search engine optimisation (SEO).
How can I help? From coming up with a cunning plan in terms of your approach to Content Marketing to actually helping you create the resource(s). One popular service is the regular generation of marketing ideas for blog posts and either writing or editing these where required.
Please get in touch if you are in or around Hampshire and think some help in the area of Content Marketing would be useful to you.


text:
Maurizio Sarri has revealed that Alvaro Morata asked him to leave Chelsea last month, pacing the way for the club to complete the signing of Gonzalo Higuain from Juventus.
Higuain joined Chelsea on loan until the end of the season with an option for a further 12 months on Wednesday and has already been given the club's No.9 shirt, worn by Morata last season.
The Argentine's arrival will pave the way for Morata to return to Spain and join Atletico Madrid on an initial loan deal with an option to buy for a reported £43.7m in the summer.
Expectations surrounding Morata were high when he joined Chelsea in a club-record £57m move from Real Madrid in 2017 but he has struggled for consistency during his time in England.
Explaining Morata's situation, Sarri said: 'I think that Morata is a very good player. I think that Morata has the characteristics for playing in my team
'But Morata, one month ago, said he wanted to play in another team. So it was really very difficult for him to give us the 100 per cent for his mental situation.
'But I think that Morata is potentially a very important player. From the physical and technical point of view, he is a very good player and suitable for my football.
'The situation changed in the last month. So we needed to change. I don't know [about the transfer market]. As you know very well, I don't want to follow the market day by day. I don't know the actual situation.
'Morata told me 10 days ago that there was an opportunity in Spain, but I don't know where.
'We have some problems in scoring. Higuain usually is able to score 25 or 30 goals every season. But, as I told you before, in the market in January it's very difficult to secure a very important striker.
'Gonzalo was in a situation that we could try to buy him, and so we decided to try for Higuain.'
Morata featured regularly for Chelsea at the start of the season, starting the club's first four Premier League games under Sarri, but inconsistent performances saw him lose his place.
The Spain international was left out of Chelsea's matchday squad entirely for the 2-0 win over Manchester City in December and since then has started just one Premier League game.
Eden Hazard has been deployed in his place but the Belgian could benefit from a return to his natural position on the left wing once Higuain settles into the side.
A move back to the Spanish capital, meanwhile, could help Morata rediscover his form and confidence. Atletico are currently second in La Liga, five points behind Barcelona.
Higuain scored 36 goals in 35 Serie A games under Sarri in 2015-16 but only has one more league goal than Morata this term following a disappointing spell with AC Milan.


text: Statik Selektah's sixth studio album What Goes Around is out today. The project includes a number of high-profile guests, including Snoop Dogg, Logic, Ab-Soul, and Action Bronson. Today, Complex premieres Statik's new video, "Carry On," a jazzy boom bap tune that features the like-minded street lyricism of Joey Bada$$ and Freddie Gibbs. The video also includes a cameo from veteran rapper and Duck Down co-founder Buckshot. Check out the video above, which is directed by Guy Blelloch.


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The Spud Fit Academy Is The Ultimate Self-Led, Online Food Addiction Rehab Clinic That Will Change The Way You Think About Food, Health And Life.
The Spud Fit Academy is an online food addiction rehab clinic. It is a multi-faceted educational hub designed to guide you through the Spud fit methodology. Our online content and Facebook support group will provide you the tools needed to begin your own Spud Fit plan. Do this in the comfort of your own home, and at your own pace. Start freeing yourself from the shackles of food addiction: lose weight, regain your health and energy and become the person you know you can be. Take a second right now to imagine yourself mentally and physically lighter, in peak condition. What would that look like? How would it feel? How would it transform your life? The Spud Fit Academy is the perfect launch pad!
In the Spud Fit Academy, you get:
- Daily lessons, activities and exercises to educate, inspire and get to the core of your own individual food issues.
- A comprehensive program designed to guide you through your own self managed Spud Fit experience
- 24/7 support from the Spud Fit online community and Andrew.
- A constantly updating and evolving educational environment to keep you ahead of the curve and on top of your game.


text:
These are chat archives for juttle/juttle
collections in
node-grok I decided it makes sense to go forward rather than revert the grok parser. So I just released
juttle 0.3.1.
git cp because the merge clearly marks that the changes were taken back to master. Any possible future 0.3.x releases should go from the 0.3.x branch again. And I think we should use a similar approach for patch releases in the future (except when there are no commits on master since the last release when then need of a patch release is realized).
tail 1000 | view table all the data appears.
read file -file 'Archive/Empatica-Rollups/file1.json' -to :1970-01-01T02:29:08.000Z:
| put city = 'Chicago'
read file -file 'Archive/Empatica-Rollups/file2.json' -to :1970-01-01T02:29:08.000Z:
read file -file 'Archive/Empatica-Rollups/file3.json' -to :1970-01-01T02:29:08.000Z:
read file -file 'Archive/Empatica-Rollups/file4.json' -to :1970-01-01T02:29:08.000Z:
| filter time < :1970-01-01T02:29:08.000Z:
| reduce -every :1s: avg_hr = avg(avg_hr), avg_skin_temp = avg(avg_skin_temp), avg_bvp = avg(avg_bvp), avg_eda = avg(avg_eda), avg_rms = avg(avg_accel_rms), stan_dev_accel_rms = sigma(stan_dev_accel_rms)
| split avg_hr, avg_skin_temp, avg_rms, stan_dev_accel_rms
//| tail 1000
//| view table
| view timechart -keyField 'name' -valueField 'value' -display.dataDensity 0 -series [{name: 'stan_dev_accel_rms', yScale: 'secondary'}, {name: 'avg_rms', yScale: 'secondary'}] -title 'Empatica Revenant Data';
-to options doesn't change anything noticeable; same with removing the
view text output of the juttle program either?
keyField and the
valueField it shouldn't really have an impact on the chart
-timeField is interpreted in the
file source. I have a milliseconds since epoch field in a file. When that field was full of integers, the table output of the file said the first point occurred in the year 2000 even though the value for the point was 0. When I changed all the values from ints to floats, 0.00 got interpreted as Thu Jan 1 00:00:00 1970 UTC but then 267000.00 got interpreted as Sun Jan 4 02:10:00 1970 UTC. Weird!
-duration. Instead, I'm zeroing the timestamps from each chunk of data based on the start of the data.
:0: which is
-timefield option required milliseconds (due to the conversation here juttle/juttle#166) but if it returns Sun Jan 4 02:10:00 1970 UTC from 267000.00 then it must think 267000.00 is a time in seconds since epoch
-duration :22.5 hours: -overlayTime true? or are the time periods of interest at unequal distances from each other?
in juttle treated as ms:
$ cat /tmp/data.json
{ "mytime": 1.00, "a" : "a0" },
{ "mytime": 267000.00, "a": "a1" },
{ "mytime": 267001.00, "a": "a2" },
{ "mytime": 268000.00, "a": "a3" }
juttle> read file -file '/tmp/data.json' -timeField 'mytime'
│ time │ a │ mytime │
│ 1970-01-01T00:00:00.001Z │ a0 │ 1 │
│ 1970-01-01T00:04:27.000Z │ a1 │ 267000 │
│ 1970-01-01T00:04:27.001Z │ a2 │ 267001 │
│ 1970-01-01T00:04:28.000Z │ a3 │ 268000 │
Warning: point is missing a time, so make sure you're not zeroing out the first point to the actual 0
timeField and then add a
| put time=Date.new(timestamp) + :today: and that way all of your dates don't start at 0 but instead from todays midnight going forward ?
read file -file 'Archive/events.csv' -timeField 'time_begin_ms' -format 'csv'
| view table
the complication is that Date.new() constructor expects seconds which is why i did that conversion.
read file -file 'Archive/events.csv' -format 'csv'
| put time = Date.new(Number.fromString(time_begin_ms)/1000)
csv type. I'm filing an issue on that.


text:
CCF Connectivity Conservation Working Group
CCF Connectivity Conservation Working Group
Connectivity Conservation address the preservation of ecological function and structure in landscapes, waterscapes and seascapes as well as aerial migratory routes such as bird flyways. This will allow organisms to thrive and ecosystem services to be maintained and be sustainably used. In other words, connectivity conservation links landscapes, reducing fragmentation and enabling migratory flows to a functioning and resilient system.
Connectivity here "is inherently about the degree of movement of organisms or processes – the more movement, the more connectivity. Perhaps even more critical for those committed to biodiversity conversation is the converse – less movement, less connectivity. Movement in nature can take many forms: soil, fire, wind, and water move; plants and animals move; ecological interactions, ecosystem processes, and natural disturbances move, or elements move through them. All require, to different degrees and at different scales, connectivity in nature." (In Connectivity Conservation, Crooks & Sanjayan, (Eds) 2006)
The Cambridge Conservation Forum Connectivity Working Group has been set up to help galvanize the discussion on connectivity conservation among members of the forum as well as:
- Collate information on ongoing connectivity conservation initiatives at different scales e.g. local, in the UK and globally especially on:
o Case studies and success stories;
o Policies related to CC implementation;
o Monitoring of CC effectiveness
o GIS information
o Tools
- Promote the dissemination of connectivity conservation initiatives through symposiums, special editions, CCF Newsletter and to the general public
- Support the IUCN/WCPA consultation process to refine Areas of Connectivity Conservation designations;
- And much more!
For more information, email Dr Marcelo Gonçalves de Lima (IUCN-WCPA Connectivity Conservation Specialist Group) or subscribe to the mailing list here.


text:
Viking Neptune River Cruises
Luxury River Cruises on board the Viking Neptune with Cruise Direct
- Ship in Detail
- Facilities
- Cabins
- Deck Plans
- Statistics
Built a little over 10 years ago the Viking Neptune, along with her sister ships Viking Pride and Viking Spirit offer beautiful public areas and have a wraparound deck allowing you to take in the breathtaking scenery whilst sailing the rivers and Europe.
Viking Neptune has a host of facilities that you'd expect from a river vessel including exquisite cuisine and fine wines, a friendly and attentive onboard cruise, and for those who can't do without their technology, ship wide wifi.
Laundry Service
Food and Drink
The Restaurant
Stateroom size: 170 sq. ft. Hotel-style beds 79 inches x 63 inches (with optional twin-bed configuration). Panoramic window 7.32 ft. x 3.61 ft. (can be opened). Private bathroom with shower and premium bath products. Bathrobe and slippers available upon request. Telephone, safe, hairdryer & bottled water replenished daily. Individual climate control. Space under bed for storing suitcases. Roomy wardrobe with wooden hangers. Voltage: 220V and 110V in the stateroom. TV with premium entertainment package including; CNBC, CNN, FOX, ESPN, National Geographic, MGM Movies, Sky Cinema and "View From the Bridge".
Deck Plans
Year Entered Service 10/06/2013
Length 0
Total Passengers 0
Total Crew 0


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Create an Account - Increase your productivity, customize your experience, and engage in information you care about.
Project Description: Widen State Route 13/Atlanta Highway from Sawnee Avenue in Gwinnett County to State Route 347/Lanier Islands Parkway in Hall County. The length of the project is approximately 1.5 miles. This road will be widened to a 4-lane urban facility with a 20-foot raised median, 4-foot bike lanes, curb and gutter, and a 5-foot sidewalk on both sides. Project Status: Construction is scheduled in FY 2016. $120 Million in Hall Road Projects Could Start in 2016


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Looking to give yourself a makeover? Before you do, you'll have to prepare for it. This article will give you tips and advice to do just that.
1Be prepared for the huge change the makeover will have on your appearance. Before you make any drastic changes, try changing your clothes or hair. Don't jump into anything you think you will regret.
2Look in the mirror. List some pros and cons of your current appearance. Compare it to what you want to look like after the makeover. Would you be better off leaving it as is?
3Cut your hair if you feel comfortable doing so, but be careful if you do. You don't want to cut too much or too little. If you aren't going to a professional hair stylist, make sure you know exactly what you want before taking out the scissors.
- Choose how short you want to cut it. If you have long hair and want short hair, consider donating it. Also, remember that if you cut it, you'll have to wait a while for it to grow back. Think everything through first!
- If you want to try out extensions or dye your hair, think about the cost and how hard it will be to do at home. If you don't know what you are doing, ask someone with experience.
- If you are cutting your hair, choose the style you want beforehand. If you are trimming it or losing 4 inches (10.2 cm) or under, cut the sides first. Then carefully measure out the back and trim. If you are cutting 4 inches (10.2 cm) or more, use a rubber band to divide your hair into 3-4 sections. Make sure they are all even. After that, carefully cut each one at the rubber band. Shake your hair out, and use a comb to trim the ends.
- For a fringe, make a tiny ponytail in front of your face. Cut it off at your nose (be careful not to cut yourself). Comb the hair across your face, and shape it with scissors. Don't cut a fringe when your hair is wet--it will dry and appear shorter!
- Don't freak out if the style is a lot different than what you are used to. Normally, the point of a makeover is to change your self image. Be proud to show your true colors!
4Dye your hair, if you feel comfortable doing so. If you decide to dye your hair, choose a color that looks good with your skin color and/or eye color. If you have a dark skin color, don't choose beach blonde if you want it to look somewhat natural. (But if you want to stand out and look flashy, go for it!) Hair dye aisles of stores often have mirrors, so hold your preferred color up to your skin to see if they look nice together. Also, compare it to your current hair color. If it is the complete opposite, the color may not look good on you. However, don't be afraid of trying new things, just be cautious.
- Once you have picked out a color, follow the directions on the box. Remember that the dye will fade eventually and your hair will start to return to your natural color, so make sure you have some extra dye handy to cover up roots that are standing out after a few weeks.
5Be makeup savvy. If you choose to wear makeup, choose a good color scheme. Don't jump around from oranges and reds to blues and greens. Choose colors that go together.
- Apply in moderation. You don't want to look like you rolled around in makeup. If this is your first time using makeup, start small. You don't want to have too drastic of a change until you're used to it.
- Ask a friend for their opinion on your makeup. Something that looks great to you may not look great to others.
6Go through your closet. While doing so, think about what image you want to show. Put aside clothes that remind you of your previous look for now. This is a chance to go through your clothes and decide what is really you and what isn't.
- If you are going for a bright, flashy look, choose clothes that match your lively personality. Avoid dark colors and aim for the colors of the rainbow!
- If you are a shy person who tries to stay away from big crowds, choose clothes that are lighter in color and somewhat blend in. Don't wear glittery clothes or clothes that show off a lot of your body.
- Remember, be who you want to be! Don't feel like you have to fit into one particular theme. You can bounce back and forth everyday if you want to!
7Be proud of yourself. When you finish your makeover, stand tall. You are showing off the new you! Don't appear bashful of your new look, otherwise people will think that you don't like it. Congratulations on finishing your self makeover!Advertisement
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- Don't do a self makeover unless you are positive it is what you want.Thanks!
- Don't let what someone else says lead you into a makeover. If someone else thinks you're ugly but you love your current style, don't change! They are only saying that to make you feel bad about yourself.Thanks!
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Nominated for 11 Academy Awards, including Best Picture and Best Director (Martin Scorsese), Hugo 3D tells the story of an orphan boy (Asa Butterfield), 12-year-old boy in 1931 Paris. ORPHAN, CLOCK KEEPER, AND THIEF, twelve-year-old Hugo lives in the walls of a busy Paris train station, where his survival depends on secrets and anonymity. But when his world suddenly interlocks with an eccentric girl and the owner of a small toy booth in the train station, Hugo's undercover life, and his most precious secret, are put in jeopardy. A cryptic drawing, a treasured notebook, a stolen key, a mechanical man, and a hidden message all come together…in The Invention of Hugo Cabret.
In broad terms, the story of his hero, Hugo Cabret, is Scorsese's own story. In Paris of the '30s, and schooling himself in the workings of artistic mechanisms. That runs in the family. Hugo's uncle is in charge of the clocks at a cavernous Parisian train station. And his father's dream is to complete an automaton, an automated man he found in a museum. He dies with it left unperfected. Rather than be treated as an orphan, the boy hides himself in the maze of ladders, catwalks, passages and gears of the clockworks themselves, keeping them running right on time. He feeds himself with croissants snatched from station shops and begins to sneak off to the movies. His life in the station is made complicated by a toy shop owner named Georges Melies. Yes, this grumpy old man, played by Ben Kingsley, is none other than the immortal French film pioneer, who was also the original inventor of the automaton. Hugo has no idea of this. The real Melies was a magician who made his first movies to play tricks on his audiences.
Hugo who lives by himself in the upper reaches of a massive train station, rushing around through hidden corridors like a boy Phantom of the Opera as he keeps all the station clocks wound and in good repair. With the help of an eccentric girl (Chloë Grace Moretz), he searches for the answer to a mystery linking the father he recently lost, the ill-tempered toy shop owner living below him and a heart shaped lock, seemingly without a key. Hugo has been stealing windup toys from the old man's booth. The orphan is trying to fix something very special: an automaton — a complicated, windup figure — left behind when his clockmaker father died.
Hugo is based on Brian Selznick's 2007 award winning novel and imaginative New York Times bestseller "The Invention of Hugo Cabret," which won a Caldecott Medal and was a National Book Award finalist, introduced an innovative strategy for blending words and images, interweaving narrative and picture sequences to tell two sides of a single story, in which an orphan, living in a Paris train station at the dawn of the 1930s, forges an unlikely friendship with the pioneering French filmmaker Georges Méliès.
Hugo is a tribute to one of Martin Scorsese's great passions, his love for the early history of cinema. "Hugo" deals extensively with one of the movie's key pioneers, the great Georges Melies, whose 1902 "A Trip to the Moon" was one of the art form's first international sensations. For a lover of cinema, the best scenes will come in the second half, as flashbacks trace the history and career of Georges Melies.
Scorsese has made documentaries about great films and directors, and here he brings those skills to storytelling. We see Melies (who built the first movie studio) using fantastical sets and bizarre costumes to make films with magical effects — all of them hand-tinted, frame by frame. And as the plot makes unlikely connections, the old man is able to discover that he is not forgotten, but indeed is honored as worthy of the Pantheon.
Watch his most famous short film (below), "A Trip to the Moon" (1902), in which space voyagers enter a ship that is shot from a cannon toward the moon; the vessel pokes the Man in the Moon in the eye.
"Hugo's" use of the third dimension is exceptionally well thought out and essential to the film's ability to make a children's vision of the world come to life. Scorsese uses 3-D here as it should be used, not as a gimmick but as an enhancement of the total effect. Notice in particular his re-creation of the famous little film "Arrival of a Train at La Ciotat" (1897), by the Lumiere brothers. In this film a train rushes toward the camera, the audience panics and struggles to get out of its way. That is a shot which demonstrates the proper use of 3-D, which the Lumieres might have used had it been available. "Hugo" celebrates the birth of the cinema and dramatizes Scorsese's personal pet cause, the preservation of old films. In one heartbreaking scene, we learn that Melies, convinced his time had passed and his work had been forgotten, melted down countless films so that their celluloid could be used to manufacture the heels of women's shoes. But they weren't all melted, and at the end of "Hugo, " we see that thanks to this boy, they never will be. Now there's a happy ending for you. Scorsese's affection for this man and his work, which extended to building a replica of Melies' famous glass-walled studio and meticulously re-creating his gorgeously tinted "Kingdom of the Fairies," bring a vividness to "Hugo's" closing sections. "Films have the power to capture dreams," Melies said.
Making that world a Parisian one has also inspired "Hugo's" visual team, led by production designer Dante Ferretti, and the film's numerous shots floating over the rooftops of Paris are always fantastic. As with the original novel, the wordless parts of "Hugo," including a masterful re-creation of a famous train wreck, are very much its strength. This magical tale also stars Jude Law, Sacha Baron Cohen, Ben Kingsley, Christopher Lee and Emily Mortimer. A mysterious mechanical man with the ability to write and draw holds a place of honor in Hugo. And the author's description of the automaton's construction — "A cascade of perfect movements, with hundreds of brilliantly calibrated actions" — is an equally good way to describe Scorsese's achievement in making art that uses the most advanced of 3-D technology to sing a song of love to the movies, from the very dawn of the medium. For a lay audience, the result is a haunting, piquant melodrama about childhood dreams and yearnings, enhanced with a pleasant survey course in early film history.
Bringing Georges Melies' Le Voyage Dans La Lune (1902, "A Trip to the Moon") Back To Life – By Nancy Miller is Fast Company's West Coast Editorial Director
When Serge Bromberg learned that a color version of Georges Melies' 16-minute silent film Le Voyage dans la Lune (A Trip to the Moon)–a rendering that had not been seen in almost a century–had been found in Barcelona, he had to have it. That the celluloid relic had deteriorated into a solid decomposed mass and was damaged beyond all likely repair only made the film preservationist's resolve deeper. "When you have a piece of the Holy Grail in your hand," declares Bromberg, in a phone call from Paris, "you say, We have to save it!" So he did. A decade later, Bromberg is putting the finishing touches on The Extraordinary Voyage, a documentary that chronicles both the making of Melies' groundbreaking 1902 film and the meticulous, against-all-odds process of restoring it to its full-color glory. The documentary, which closes with the color A Trip to the Moon, complete with a new soundtrack by the electronica group Air, will have its world premiere November 11 at New York City's Museum of Modern Art (the restored short itself debuted at the Cannes Film Festival earlier this year).
A distributor is being sought for an American theatrical release of the documentary (after all, no standard exists for showing a 16-minute silent film in theaters) and a Blu-ray release is anticipated for 2012, but the project isn't going to gross anyone millions. It was done for the love of the art of film and an appreciation for the wonder of filmmaking, much like the wonder that prompted Melies to make what many consider the first sci-fi film, about humans flying to the moon at a time when the new medium was mostly devoted to very real-world events, like trains going into tunnels.
The MoMA premiere culminates a 10-year process that took roughly a million dollars and a faith in technology to render a cinematic feat that even the most seasoned experts had deemed impossible. "It's just sheer bravado to think you can pull that off," says Tom Burton, director of restoration services at Technicolor, who came on board a year ago for the final stage of restoration. "It was a gamble," concedes Bromberg, who came into possession of the film in 1999 and began a risky 14-month chemical process on it in February 2001. The film was placed in a humidor where the chemicals' vapors prompted the celluloid to unpeel itself. The chemicals were also destroying the film in the process, making the endeavor a race to get each image digitized in order to recreate Melies' hand-painted film frame by frame before the original film was gone forever. (Bromberg will not reveal the exact nature of the chemicals.)
Little by little, technicians broke the mass apart, revealing individual frames that were then shot digitally and stored on CD in multiple locations for safekeeping while Bromberg and his Lobster Films colleague Eric Lange sought money to complete the restoration. Funding eventually came from Groupama Gan Foundation, a French bank and insurance company and, later, from Technicolor, also based in France, which specializes in restorations.
"This is cinematic altruism at its best," says Burton, who works for Technicolor in Hollywood, where he has overseen such high-profile film restorations as The Little Mermaid, Breakfast at Tiffany's, and Mr. Hulot's Holiday. "They did it for the art and for film heritage, not for a high-profit Blu-ray release," as is the case with most of his projects. When the digital files came to Burton, he was charged with piecing together a rather complex puzzle. "It was pretty overwhelming at the beginning. 'How in the hell are we going to figure out the order?'" It was a mishmash of full frames, half frames, many of them multiples and in a variety of file formats. His team searched for what he calls the "hero" images, those with the best sharpness, the best color, and the most stable images, to anchor the resurrection.
To most moviegoers, Melies' image of a rocket landing in the eye of the man in the moon might be familiar, but his name is not. It's an obscurity the French filmmaker might soon shed. A fictionalized version of Melies, played by Ben Kingsley, has a central role in Martin Scorsese's Hugo, a 3-D film opening November 23 based on Brian Selznick's best-selling children's book of historical fiction, The Invention of Hugo Cabret.
"Some of my favorite scenes in the movie are these joyous images of life inside Melies' studio, where he's experimenting with this brand-new medium," says Selznick, marveling at Scorsese's knack for drawing in audiences with the film's primary story, about a boy, Hugo, whose father has died and who is living in hiding inside a train station. But the filmmaker has other messages to share. "What you're actually getting is this master class on the history of cinema from one of the greatest filmmakers of all time."
Like many people who post videos on YouTube today, Melies was pretty much a one-man operation. He designed the sets, created the costumes, and adapted the story from a Jules Verne novel, according to Selznick. Melies even played the leading character. What he didn't do was compose music. As far as we know, no score originally accompanied A Trip to the Moon. "It's an enigma," says Bromberg, who commissioned Air to write a score, an idea first proposed by Olivier Assayas, a friend and fellow French filmmaker who wrote and directed the Emmy winning miniseries Carlos. The move has been controversial. "Half of them say, 'It's a wonderful idea! So unusual!'" Bromberg reports, referring to film buffs. "The other half say, 'It is criminal! It is a tragedy!' But we know that if Melies was around today maybe he would shoot it in 3-D."
Bromberg justifies Air's funky score as a fleeting gimmick meant to interest younger people in the restored film. "The film has its own life without the Air music," he says. Melies did not earn much money off of his creation. "There were no royalties," explains Bromberg. "Once the print was sold to an exhibitor, he could show it as long as the print would run in the projector." Early films were mostly newsreels and travelogues, shown together at fairgrounds, not yet in proper cinemas. Hugo (and Selznick's book on which it is based) is set in 1931 and depicts Melies as bitter and alone, an emotional state that Selznick imagined based on research about Melies, who by that time had fallen into obscurity as technology passed him by; silent films had given way to talkies and his talents were no longer valued.
"I wanted my book to be an homage to the real Georges Melies," says Selznick, who's thrilled at the timely coincidence of Scorsese's film and the Melies restoration. "I think everybody has such inaccurate ideas about what silent movies were like because most of us only see little clips on TV or now on the computer. Usually the quality is really bad and it's something we think of as desperately old-fashioned. But going to see A Trip to the Moon in 1903 was like going to see Avatar [in 2009]. It blew your mind!"
Academy Award Nominations: February 26, 2012
- Pending – Best Picture – Graham King, Martin Scorsese
- Pending – Best Director – Martin Scorsese
- Pending – Best Adapted Screenplay – John Logan
- Pending – Best Cinematography – Robert Richardson
- Pending – Best Original Score – Howard Shore
- Pending – Best Art Direction – Dante Ferretti and Francesca Lo Schiavo
- Pending – Best Costume Design – Sandy Powell
- Pending – Best Visual Effects – Robert Legato, Joss Williams, Ben Grossmann and Alex Henning
- Pending – Best Film Editing – Thelma Schoonmaker
- Pending – Best Sound Editing – Philip Stockton and Eugene Gearty
- Pending – Best Sound Mixing – Tom Fleischman and John Midgley


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John Taggart
Melissa Ritter
Thomas Albro
Dick Gibson
Thomas Hendell
Evan Mayo
Exceptional legal representation and superior client relationships
Welcome to Tremblay & Smith, PLLC. We serve clients throughout the Commonwealth from our location in Central Virginia. We have provided exceptional legal representation while fostering superior client relations for over fifty years.
We specialize in these practice areas: personal injury and professional malpractice, corporate and business law, and domestic and family law.
Legal challenges often create anxiety. We are here to help you find a fair remedy and peace of mind.
Sanctions for Loss or Destruction of Evidence – SB1619
Under a new Virginia law that will go into effect July 1, 2019[1], parties to lawsuits now have a duty by statute to preserve evidence that may be relevant to litigation. The measure, SB1619, authorizes courts to punish parties and potential parties to lawsuits alike for failing to preserve, disposing of, altering, or concealing evidence […]
Thomas E. Albro awarded the Civility and Professionalism Award by the VADA
This month Thomas E. Albro was awarded the 2016 VADA-VTLA Civility and Professionalism Award by the Virginia Association of Defense Attorneys. Mr. Albro is the inaugural recipient of the award, which will be presented annually to a plaintiff's attorney chosen by the VADA and to a defense attorney selected by the VTLA. […]
Three Tremblay & Smith, PLLC Attorneys Named to 2015 Best Lawyers® in America List
Tremblay & Smith, PLLC is pleased to announce that three lawyers have been named to the 2015 Edition of Best Lawyers®, the oldest and most respected peer-review publication in the legal profession. Best Lawyers has published their list for over three decades, earning the respect of the profession, the media, and the […]


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|Max, Kelsi, Danielle, Marysa, Amanda, Mia, Maggie and Erika
All I can say is don't ever let anyone tell you something can't be done or try to squash your visions because you can't make them understand what you are trying to accomplish with all of what you are doing OR because the path you choose is not the life they see for you. This is your life, so live it.
I am here to remind you first hand: if you can see something you want to do in your mind's eye, you can make it real. No matter what the odds are. All of what we are doing at HKT is proof positive.
An outdoor fitness program has been something on the shelves for a few years now and yesterday it became a reality. The kickoff of A FIT KID Outdoors was perfect; we really could not have asked for more. The weather was beautiful and Sunset Hills Community Center and the park and trails behind it can't be beat. Add to this great backdrop an outstanding cast of talent and ready and willing participants and you have success!! AFK Outdoors is led by Marysa Warnhoff, a certified Exercise Physiologist and practicing Doctor of Physical Therapy. Our Mentor Crew is a lively bunch of scholars from Saint Louis University's Program in Physical Therapy and Athletic Training and Washington University's Program in Physical Therapy. Our star pupils hail from private and public schools in St.Louis County and got great workouts--we all did actually. Me too...and I am a middle aged mom from St. Louis County and think I need this program more than anybody. I have about 30 lbs to go...I can see my old self in my mind's eye...
Let's go Team! Thank you SO much!! Keep up the GREAT work Everyone!!!


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Grand Circus Announces New Scholarship Program for WomenBy Amanda Lewan on April 2nd, 2014 /
The scholarship a great opportunity for women in career transition, women interested in starting a company, or those who want to learn a new skill. The summer class will be completed at Grand Circus in Downtown Detroit on Monday and Wednesday evenings, June 16th – August 20th . It's followed by a 6-week, 20 hours per week internship where you participants will do real coding work with a local tech company within the Metro-Detroit area.
Applications due by April 6th, so get yours in today. Apply here.


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Pnkyandbrain partilhou 87 fotos de 31 pavilhões.
Pnkyandbrain recebeu 22 obrigados.
Toronto Blue Jays vs New York Mets513Lsecção12fila110lugar
Toronto Blue Jays vs New York MetsPretty far out there from the infield, and pretty high up. Can't see some of the right field corner. I'd suggest sitting closer in towards the infield at least.513Lsecção12fila110lugar
Toronto Blue Jays vs New York MetsGreat seats nearly right on the field (there is a box just in front of you). Great view with CN Tower with the roof open.128Lsecção1fila110lugar
New York Mets vs Arizona DiamondbacksNothing bad I can say about these seats, other than they probably aren't worth the price. If you can get them at a discount then I recommend them.11secção10fila8lugar
Come From AwayPretty good seat. You can't see the back right stage corner, but you don't miss much of anything happening there. You don't feel too far from the stage.Mezzanine RsecçãoFfila22lugar
Seattle Mariners vs New York Mets111secção36fila6lugar
Seattle Mariners vs New York MetsNot a great seat overall. Far from the infield action, you can't see much of the right field corner warning track, scoreboard is a little obstructed. It is in the shade for a day game.111secção36fila6lugar
Seattle Mariners vs New York MetsNot great seats. Lose a bunch of the right field corner warning track, and pretty far from infield action. It was in the shade for a day game.111secção36fila6lugar
Worcester Bravehearts vs Martha's Vineyard SharksAvoid 1st base side as you're looking into the sun. You are just behind the very end of the netting.Lsecção4fila9lugar
Seattle Mariners vs New York MetsGood seat for post-game fireworks as well.321secção9fila6lugar
Seattle Mariners vs New York MetsGood seat. Excellent view of field and city makes a nice backdrop. There is a railing in front of you, separating you from first 8 rows of the section, which is good for view. There is a railing blocking right field corner, so sit closer to home plate.321secção9fila6lugar
New York Mets vs Colorado RockiesThis was a fireworks night. Fine seats for the show, but around by Coke Corner is better.412secção7fila13lugar
New York Mets vs Colorado RockiesGood view of entire field. Back row of section, right off of Promenade club, which you do have access to. I liked this seat.412secção7fila13lugar
Charlie and the Chocolate FactoryFar right seat, aisle seat actually. Very close to stage somewhat makes up for it. You are going to miss the back right corner of the stage, but not too much seemed to be happening back there. Okay seat.Orchestra RsecçãoJfila16lugar
New York Mets vs Philadelphia PhilliesGood view of the scoreboard. For a day game in June this seat doesn't get in the shade until about halfway through the game. Sit a few rows back.523secção2fila7lugar
New York Mets vs Philadelphia PhilliesRailing cuts through the infield, and I think had there been people in front of me I would have lost half of the infield. Avoid seats 1-5 as there is a glass railing along top of a stairwell that will be in your way. Lose a little of left field corner.523secção2fila7lugar
Pittsburgh Pirates vs New York Mets112secçãoMfila7lugar
Pittsburgh Pirates vs New York MetsExcellent Seats, close to the action. Good view of the scoreboard. Have to look through net, but not a big deal. Behind visitors Dugout.112secçãoMfila7lugar
Pittsburgh Pirates vs New York Mets316secçãoJfila16lugar
Pittsburgh Pirates vs New York MetsExcellent view of the entire field and downtown Pittsburgh beyond. Even though this is the upper level you don't feel far from the field. I suggest not sitting too much closer to avoid railings getting in your way. Excellent view, highly recommend.316secçãoJfila16lugar


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HASTINGS - Hastings' thirst for a local brewery will soon be quenched with the grand opening weekend of Spiral Brewery in downtown Hastings April 20-22.
What can brewery patrons expect when they visit?
"Great beer is probably the most important one," said Amy Fox, one of the owners.
Owners Amy, Nick Fox, Jen Fox, Luke McGuire and Claire Sandahl have been working since August to get the building, located at 111 Second St. E., ready for patrons.
"We're really excited for people to try the beer for one, but I think when people get in here they'll quickly see that the space is really welcoming and warm and cool to hang out in," Amy said.
The team of entrepreneurs did as much of the work inside the building themselves, which included lots of demolition work in the beginning. Jen said they had some incredible help from friends and family.
One of the most challenging tasks completed by the group was the 1,700 square feet of tiling. Amy said each tile was about 6-by-6 inches making it quite time consuming.
"It was like extreme team bonding," Nick added.
Luckily, the group works well together and once the tiling was complete, they moved on to the painting, a little finish work and the decorating.
Amy said McGuire, Spiral's brewmaster, has been working tirelessly to prepare for the opening weekend. Six beers will be available including the T'wnie, Oliver's Grove, Downward Spiral, LeDuc Red IPA, The Bottoms and Hard Left Stout. There will also be non-alcoholic options like Kombucha, Nitro Cold Press and soda.
In addition to the beer names paying homage to the city of Hastings, some pieces within the taproom are centered around the rich history. In the seating area, all the table tops and benches were made from the original flooring inside the building. In order to get some of the equipment inside, parts of the floor joist were removed. Instead of tossing the wood, they decided to repurpose it with the help of local resident Corey Yoder, of The Grainary Designs.
"He has poured his heart and soul into all of this stuff," Amy said, also referring to the bar area he built.
Another piece of historical significance will be a few of the photos hanging on the wall. The brewery found old photos of the Hastings bridge from the Pioneer Room at City Hall. They were able to enlarge the photos which will be displayed in the taproom.
The opening of the brewery has been a long time coming with about four years of actively pursuing work to get it done. So with the opening finally in sight, it has been surreal.
"There are moments where it just becomes so real and you're like 'I can't believe we did this,'" Nick said.
Amy said they have been overwhelmed by the amount of excitement and support from the community and they are excited for people to visit.
The grand opening celebration will include some special activities or engagement throughout the weekend which will be announced as they become finalized. More information can be found on the Spiral Brewery Facebook page.


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Download Samsung Keyboard v4.0 APK for Android
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Tag Archives: Fall Retreat
A Strategic Time to Connect: Fall Retreat 2016
In our latest post, we showed a video giving you a behind the scenes peek into fall retreat. Here is that link if you would like to rewatch it. A little over a week ago, the staff team met in our driveway at 10:00 in the morning. We were getting ready to head to New Life Ranch […]
Behind the Scenes at Fall Retreat
This past weekend, our family joined Ok State Cru on our annual Fall Retreat. This retreat is a great chance for students to connect relationally and be challenged to grow. Here is a video that recaps a great weekend we had.


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Ep. 25: Autumn Calabrese on Healthy Eating, Exercising When Anxious, Her Beachbody Programs, and Battling Depression
This week's episode features an in-depth conversation with celebrity trainer and best-selling author Autumn Calabrese. We discuss her incredible incredible Beachbody programs, her portion-control cookbook FIXATE™, healthy eating, exercising...
Podcast: Play in new window | Download
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"As a person with clinical anxiety and depression, this is so important and helpful! It is so great to know you're not alone and your symptoms don't make you crazy."
"As soon as I started listening to Anxiety Diaries, I realized how much I needed to hear it...Hearing Scott discuss anxiety so openly made me feel less alone."
"This podcast is so needed right now! So many people have anxiety and it's nice to have someone who relates. Keep doing what you're doing, it definitely will help a lot of people."
Show Creator & Host
Scott Neumyer
Scott Neumyer is a writer who has been published by The New York Times, Rolling Stone, Wall Street Journal, Sports Illustrated, ESPN, GQ, Esquire, Wired, Men's Fitness, and many more publications.
Please take a moment to subscribe to the show on your podcast platform of choice. And if you like what you hear, please rate and review the show. It really does help!


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Sterling Silver - Turquoise Nugget - Eagle Pendant
This Eagle pendant with a turquoise nugget is handcrafted in Sterling Silver. A 10mm Turquoise Nugget is set at the top of this large piece of silver measuring 2 1/4 inches in length and 1 inch across.
***Chain sold separately.***
Turquoise is perhaps the oldest stone in man's history, the talisman of kings, shamans, and warriors. It is a stone of protection, strong and opaque, yet soothing to the touch, healing to the eye, as if carved from an azure heaven and slipped to earth.
Native American bird and animal symbols and totems are believed to represent the physical form of a spirit helper and guide. The Native Americans consider the bald eagle and the golden eagle to be sacred. As eagles are the highest flying birds they were seen to be nearer to the Creator.


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A shoe boot makes the perfect transitional choice for dressing in-between seasons. Styled in khaki imitation suede, design features include an edgy lace-up front fastening, alongside an exposed ankle and comfortable low block heel, which is perfect for adding subtle height to your everyday look.Additional DetailsUpper: Textile. Sock Lining: Other. Sole: Other.CareN/A.Product IDS2710824_C419
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Click & Collect: FREE
Your order will arrive in store within 3-5 working days. Use our Store Finder to locate your nearest Matalan.
Next Day Click & Collect:£1.99
Order before 4pm Monday-Friday to collect your item(s) on the next working day. Any orders placed after 4pm on Friday will arrive in store on Tuesday.
Standard Home Delivery: £3.95 or FREE on orders over £50
Your order will arrive within 5 working days. Deliveries are made between Monday-Friday.
Next Working Day Home Delivery: £4.95
Order before 4pm Monday-Friday for home delivery on the next working day. Any orders placed after 4pm on Friday will be delivered on Tuesday. Please note our Next Working Day Home Delivery service is not available on selected items due to their size or weight. Details of exclusions can be found on our dedicated delivery page.
For your peace of mind, we offer a 14 day returns policy.
In store: FREE
By post: A delivery charge is applicable.Delivery Information Returns Information
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As we reach our first birthday, we are celebrating by launching our new design concept products.
We believe in spreading inspiration, sparking change and having a positive impact.
To help us do that, we have created our new design concept products.
We will be collating a number of design concepts which we have created to inspire you.
Whilst they are copyrighted to us, we hope they spark ideas in you.
If you love our work, or any idea we have created, get in touch to talk to us about buying it.
Here are our first two design concepts:
The Sipping Tree
The Sipping Tree is a concept tea and coffee shop.
The Roebuck Inn at Harrietsham
A redesign concept for The Roebuck Inn pub, restaurant and hotel (B&B) in our village, Harrietsham.
Want to know more?
Visit our design concepts page.
© All designs are copyrighted to Burning Leaf Creatives, 2018