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Hi there! At the time I´m reading a lot in your technical reports about XML and SVG. Sometimes I encounter grammatical ("syntax") errors in a document (e.g. "evemt" instead of "event"). Are you interested in replies about this kind of errors? If you are then where should I post them? Regards, HJReceived on Thursday, 3 October 2002 08:11:45 UTC
This archive was generated by hypermail 2.3.1 : Tuesday, 6 January 2015 21:15:32 UTC


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Keep Me Informed
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subset: commoncrawl


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What's not to like about "Tightrope," the brand-new single from Diddy/OutKast protegée Janelle Monae? It's a wildly catchy future-funk workout, led by a jumpy walking bassline and featuring a characteristically suave guest verse from OutKast's Big Boi. Monae has always had style and out-there ambition to spare, but "Tightrope" works better as an undeniable pop blast than anything I've heard from her to date. My only complaint is that it's not a cover of Yeasayer's tune of the same name — surely Monae could work wonders with that song, right? — but I suppose that's really neither here nor there.
Head over to Janelle Monae's official site for a free stream of her "Tightrope," then let us know if this has you anticipating her full-length debut, May 18's The ArchAndroid, as much as we are.
(Follow the Music Mix on Twitter: @EWMusicMix.)
More from EW.com's Music Mix:
John Mayer is very sorry: Do you believe him?
Rihanna throws a crazy, colorful party in her "Rude Boy" video
Tom DeLonge on Angels & Airwaves' free LOVE, the blink-182 reunion, and more
Dixie Chicks sisters announce details of new project, Court Yard Hounds
Photo credit: Jiro Schneider


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In this article from Catholic News Service the talk that the future pope gave to the cardinals before his election is revelatory of the intellect and holiness that led to his election.
An excerpt.
"VATICAN CITY (CNS) — Evils within the church are caused by a self-centeredness and "theological narcissism" that forget to share Christ with people outside of the church, Pope Francis said in the days before his election.
"When the church is self-referential, inadvertently, she believes she has her own light," he said in a summary of a speech he gave to the College of Cardinals before the start of the conclave that ended in his election.
"When the church ceases to be "the mysterium lunae," that is, to depend on Christ for receiving and reflecting his — not its own — light, the church then "gives way to that very serious evil, spiritual worldliness, which according to (Jesuit Cardinal Henri-Marie) De Lubac, is the worst evil that can befall the church," said then-Cardinal Jorge Mario Bergoglio.
"The church then "lives to give glory only to one another" and not the rest of the world, he said.
"The Vatican newspaper, L'Osservatore Romano, and Vatican Radio published March 27 the future pope's comments, which were in the handwritten outline of the speech he gave during the pre-conclave meetings, called general congregations. The meetings, which ran March 4-11, gave the cardinals a chance to discuss the main challenges facing the church.
"Cuban Cardinal Jaime Ortega Alamino of Havana "had been so impressed" by then-Cardinal Bergoglio's speech that he asked for a copy of it, according to Vatican Radio. The radio said Cardinal Ortega received the pope's permission to share the contents of the speech's outline.
"The outline said evangelization presupposes that the church does not want to be locked up inside herself, but wants to go "to the peripheries, not only geographically, but also the existential peripheries: the mystery of sin, of pain, of injustice, of ignorance and indifference to religion, of intellectual currents, and of all misery."
"When the church does not come out of herself to evangelize, she becomes self-referential and then gets sick," he wrote, adding a note of reference to St. Luke's Gospel account of Jesus curing the crippled woman on the Sabbath….
"Then-Cardinal Bergoglio told the College of Cardinals that the next pope "must be a man who, from the contemplation and adoration of Jesus Christ, helps the church to go out to the existential peripheries, that helps her to be the fruitful mother, who gains life from 'the sweet and comforting joy of evangelizing.'"


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Scott Pingel became Principal Bass of the SFS in 2004, having previously served in that position with the Charleston Symphony. Prior to that, he was a member of the New World Symphony. He has also served as guest principal with the National Arts Centre Orchestra in Canada. Mr. Pingel received degrees from the University of Wisconsin-Eau Claire and the Manhattan School of Music. Also a jazz musician, he has worked with artists including Michael Brecker, Geoff Keezer, and James Williams. For more on Scott Pingel, visit sfsymphony.org/scottpingel.
(October 2019)
Daniel G. Smith was appointed Associate Principal Bass of the San Francisco Symphony in 2017. He previously served as principal bass of the Santa Barbara Symphony, and he was a member of the San Diego Symphony. He has served as guest principal and associate principal bass with the Los Angeles Chamber Orchestra, and guest principal of the Lakes Area Music Festival in Brainerd, MN. Mr. Smith received his Bachelor of Music from Rice University's Shepherd School of Music under the tutelage of Timothy Pitts.
(September 2019)
Stephen Tramontozzi serves as San Francisco Symphony Assistant Principal Bass, occupying the Richard & Rhoda Goldman Chair. A native of Arlington, MA, he studied at the Eastman School of Music, New England Conservatory, and the San Francisco Conservatory, and joined the San Francisco Symphony in 1980. He has been Principal Bass with the Sun Valley Summer Symphony since 2004. A member of the faculty at the San Francisco Conservatory since 1985, Mr. Tramontozzi has led master classes across the US, and he has coached members of the SFS Youth Orchestra bass section since its inception. He also formerly served on the faculties of Stanford University, the University of California, Berkeley, and UC Santa Cruz. His publications include The Solo Cello Suites of J.S. Bach for Double Bass Nos. 2, 3, and 4 and recordings include the Books of Madrigals by George Crumb under his supervision; the keyboard concertos of J.S. Bach with Awadagin Pratt and the Saint Lawrence Quartet; and a CD of chamber music by Lou Harrison. Mr. Tramontozzi has recently released a solo CD with Keisuke Nakagoshi on piano of a variety of music for double bass.
(September 2018)
Charles Chandler is the first member of the SFS Youth Orchestra to have become a member of the San Francisco Symphony. He studied with Shinji Eshima of the San Francisco Opera Orchestra and with David Walter at Juilliard. Prior to joining the SFS in 1992, he performed at the Schleswig-Holstein Festival and served as associate principal bass of the Phoenix Symphony.
Brian Marcus
Member since 1981
Hometown: Northridge, CA
I love improvisational theater. Doing improv requires amazing listening skills and the ability to be present—what drives a scene is how you listen and relate to someone else on stage. I also do a great deal of Feldenkrais, the movement method, which helps with my own health and well-being as well as my playing.
Current listening:
I enjoy listening to the Guarneri Quartet playing late Beethoven string quartets; also recordings of Dietrich Fischer-Dieskau singing Schubert lieder. I love listening to him because of the quality of his sound and his amazing musicality—it's all so perfect and effortless.
Advice for aspiring musicians:
Take a movement class. It makes such a difference to become aware of what you're doing with your body while you're playing. Take yoga or Feldenkrais, whatever it is—this is especially true for young bass players, because bass is such a physical instrument. Also, I think it's important to learn and practice music away from your instrument. Study scores, practice visualization, and listen.
SFS member since: 1983
Hometown: West Islip, NY
Music schools you attended: Eastman, Juilliard
Began playing music: At age 6
Musical inspirations: Attending School of Orchestral Studies at Saratoga, NY, summer home of the Philadelphia Orchestra
If I were not a professional musician, I might be a: Chef
Favorite composers: Mahler, Stravinsky
Favorite works featuring my instrument: Mahler, Symphony No. 1; Stravinsky, Firebird Suite and Rite of Spring
When I'm not working, I enjoy: Fly fishing, golf
Recent reading: Undaunted Courage, by Stephen Ambrose
On my CD player/iPod: Various jazz artists
Favorite thing to do in the Bay Area: Spending a day out at Point Reyes for relaxation.
S. Mark Wright, a native of Emporia, KS, attended the Interlochen Music Camp as a child and studied bass with Larry Hurst at the University of Michigan. He played in the Detroit Symphony throughout the summer of 1986, joining the San Francisco Symphony in September of that year. For more on Mark Wright, visit sfsymphony.org/markwright.
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