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Sports Radio 105 "The Ticket", the Twin Cities new Sports Talk on FM debuts a weekly segment with Jack Jablonski.
Jack will host "Hockey Night in Minnesota" where he'll cover the latest news and insights from the prep, college and pro hockey community and interview prominent personalities ranging from NHL players to coaches and administrators. Jack will be joined by co-hosts Bob Sansevere and Mike Morris.
Jack's first guest Wednesday October 2nd is former Chicago Blackhawk great and current hockey analyst for the NBC Sports Network, Jeremy Roenick
"Hockey Night in Minnesota" airs from 5:15pm to 5:45pm CST every Wednesday on Sports Radio 105 The Ticket in Minneapolis on 105.1, 105.3 and 105.7 and streamed worldwide at
When the station announced Jack's new hosting role, Station Operations Manager Scott Jameson said, "Jack's inspirational story illustrates how a positive outlook on life and a true love of sports can lead to new opportunities. Jack impressed us with his maturity and ability to deliver quality hockey commentary. We're offering him a chance to explore the media business to see if it's something he may pursue in college and beyond".
Jack Jablonski added, "This is such an awesome opportunity. I'm looking forward to joining The Ticket and to share my love of the game of hockey.
The Jack Jablonski "Bel13ve in Miracles" Foundation was created to help others with spinal cord injuries have access to the same great therapies helping Jack today and funding research to advance spinal cord injury recovery.
The 2013 BEL13VE Gala was a great success
thanks to our many donors, sponsors, volunteers, and guests!
Thank you all for helping Jack support recovery opportunities
for others living with a spinal cord injury.
The 2013 BEL13VE Golf Tournament was a great success
thanks to our many donors, sponsors, volunteers, and golfers!
Thank you all for helping Jack support recovery opportunities for others
living with a spinal cord injury.
The Jack Jablonski BEL13VE in Miracles Foundation is a volunteer-led 501(c)3
not-for-profit organization that started by accident.
Jack Jablonski's life changed forever after he was hit during a high school hockey game. The resulting injury left him quadriplegic. During 2012, an outpouring of local and national support helped Jack begin the journey toward his personal goal to skate again.
That support also attracted unprecedented attention to the possibilities of spinal cord injury recovery. The BEL13VE in Miracles Foundation was established to focus community support on doing something amazing for everyone living with a spinal cord injury.
Through scholarships, the BEL13VE in Miracles Foundation is already helping other individuals with spinal cord injuries gain access to the same advanced therapies helping Jack (read more on the back side).
Next, the Foundation will support spinal cord injury research to uncover the next miracle of recovery.
The BEL13VE in Miracles Foundation sprang to life from the kindness of others in a moment of tragedy. Today, we share that love and support with others facing the same challenges.
Because we do believe in miracles.
Shop for all of the new BEL13VE Foundation shirts, wristbands, and other items in the new Jabby13 online store. Show your support for Jack and help support spinal injury recovery. Proceeds will help others with spinal injuries have access to the same great therapies that are helping Jack today.
Inspired by thousands of BEL13VERS who rallied to support Jack Jablonski during the past year, this new volunteer-lead foundation was created to advance spinal cord injury recovery.
BEL13VE in Miracles Foundation goals include (1) providing access for others with spinal cord injuries to the same great therapies helping Jack today and (2) funding the next advance in spinal cord injury recovery. read more
Do you BEL13VE? Click the link below to make your tax deductible gift to the Jack Jablonski BEL13VE in Miracles Foundation to help us support the next advance in spinal cord injury recovery and to fund scholarships for others with have a spinal cord injury so that they may have access to the same therapies that are helping Jack.
Please share this video with your friends
so they may learn more about Jack's recovery
and the importance of Courage Center's ABLE program,
supported by the Christopher and Dana Reeve Foundation.


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Premier League
November 17, 2012
- FTFT1Arsenal
- FTFT2Liverpool
- FTFT3Man City
Aston Villa5
- FTFT4Newcastle
- FTFT6Reading
- FTFT7West Brom
- FTFT8Norwich
Man Utd1
That's it for tonight then but you can join us tomorrow for live commentary of Fulham v Sunderland. See you then.
A superb win for Norwich and well deserved. Pilkington capped off a great performance with the winning goal, while Norwich defended brilliantly and Ruddy was unbeatable in goal. United saw a lot of possession but failed to create many real chances. Not their finest display.
And there goes the final whistle. It's all over...
Superb from Ruddy again. He makes a great save to deny a long-distance effort from Rafael before reacting well to get to the ball first ahead of the incoming Scholes.
Time must be up now surely...
Smalling with a header this time but it fails to trouble the Norwich goal.
Ruddy makes a tremendous save to deny a Bassong header that seemed destined for the back of the net.
Norwich are frustrating United at the moment, keeping the ball by the corner flag.
Rafael is shown the yellow card for dissent. First booking of the game.
Four minutes of injury time to be played...
Elliott Bennett comes on for Snodgrass.
That really should have been game over for United there.
Unbelievable stuff. Norwich break after Carrick has his effort blocked. Pilkington plays in Howson on goal but the sub can only drag his effort well wide.
The keeper again is first to a United delivery.
Ruddy has been a commanding figure in goal for Norwich too. He made that outstanding save in the first half to deny Young remember.
A rare attack in these closing moments for the home side.
Howson with a cross-cum-shot that fizzes across the face of the goal for Norwich.
Young with another ball in from the right but this time Ruddy gets to it.
Norwich have been very well organised at the back today. You have to give them major credit for that.
Young sends in another ball from the right but Welbeck can only head wide.
A similar situation to the Arsenal game at Carrow Road a few weeks ago.
United with all the ball now but really struggling to create.
Anderson comes on for Ferdinand for United.
Morison and Howson come on for Holt and Hoolahan.
Norwich are defending for their lives at the minute.
Whittaker again heads clear a Young delivery.
Holt gets the resulting corner clear at the near post with the half volley.
It's Whittaker this time with a great defensive header to deny Giggs at the far post, following Young's delivery.
Bassong gets his head to a dangerous Giggs delivery.
Young just fails to bring a ball down in the box and Norwich get it clear.
It's all United now, with Norwich putting ten men behind the ball.
Turner made a great last-ditch tackle leading up to that chance. He has had a great game for Norwich tonight.
Welbeck again comes close with his head but this time he fails to get any real power on it and it falls straight to Ruddy.
United come close through Welbeck as he heads Young's cross just wide of the post, via a deflection.
Snodgrass lofts a ball into the United box. Johnson catches the away side's defence sleeping but the angle is too tight to hit the target with his shot.
Rafael brings down Pilkington once again for a free-kick.
Giggs tries to slot in Evra but Turner does well to intercept at a vital moment.
Snodgrass does well to dispossess Evra before beating Scholes but he overhits his touch and the ball runs off for a throw.
First Rafael and then Young fire in efforts at goal but both are blocked and Ruddy claims the ball.
Not a great game from the pair.
And Welbeck is on for Hernandez.
Scholes comes on for Valencia.
Valencia does well to win a corner off Garrido.
Giggs tries to send a delivery into the box but it was tame and Norwich clear it with ease.
Scholes is getting warmed up now. United need his range of passing to unlock the Norwich defence.
The away side have really looked short of ideas in the final third.
Young slips at the wrong moment and United lose possession just as they were starting to create something.
Norwich are still sticking to their game plan, playing the ball around in United's half.
United are going to have to come out and really play now if they want to get back into this game.
Giggs tries to create something for United but he overhits a pass and it runs out for a goal kick.
Pilkington again causing United problems as he does well on the left wing before firing a dangerous ball across the face of goal. The away side survive it.
Pilkington scores against his old side. He really deserves it too as he has been Norwich's best player.
A fantastic goal from Norwich as Garrido sends in a great ball from the left and Pilkington rises highest to head home past Lindergaard. Superb header from the Norwich man.
Rafael does well as he comes forward and beats a man before firing an effort in at goal, however it is blocked by a defender and bounces clear.
Valencia sends in a ball to Young but Norwich are able to deal with it.
Norwich are seeing a lot more of the ball this half. But still not creating too much with it.
Pilkington beats Rafael once again however his cross is a little overhit.
Pilkington has been causing problems for Rafael all night so far.
United are able to head the set piece clear.
Rafael brings down Pilkington for the free-kick.
Garrido sends in a ball from the left, after some nice play from Hoolahan and Pilkington, but he fails to pick out Holt.
A nice period of possession for the home side at the moment.
Ruddy does well as he comes out of his goal to clear a long ball played over the top, just as Hernandez was ready to pounce.
The game is looking far more open since the restart.
Garrido does well to bring an end to a United move with a good interception.
Snodgrass sends in a dangerous ball that causes Lindergaard and his defence problems. They manage to clear it however.
A chance here for Norwich...
Snodgrass does well to dispossess Evra before winning a free-kick off the left back.
Ferguson obviously had some words to say at half time to his team, as they have come out of the dressing room looking a much better proposition.
Van Persie is played in by Young and brings the ball down before eventually firing an effort at goal. Ruddy makes a comfortable save. The Dutchman had Hernandez waiting in the middle of the box, perhaps he made the wrong choice.
Valencia sends in a delivery from the right after some nice play from the away team but Ruddy does well to grab hold of the ball.
United kick off this second half. Neither team make any changes.
Tonight's hosts have conceded just once in their last four league games. Can they keep out United?
Norwich won't be complaining though. Let's hope the next 45 minutes are a major improvement.
About time too. Not the greatest 45 minutes of football. Neither side showing too much urgency in their play but United produced their best spell of the half in its closing moments, with Young bringing out a fantastic stop from Ruddy.
And there goes the half-time whistle...
Rafael breaks from right back position but his searching ball towards Young is cut out by Turner.
Van Persie goes in late on Turner to concede the free-kick. No card given.
United have really upped their game in these last few minutes. Sadly for them they are doing it just as half-time is approaching.
Van Persie sends in a corner that Ruddy nearly fumbles. He does well to recover and smother the ball though.
The resulting corner falls to Young at the edge of the box. He fires in an effort at goal but Ruddy does superbly to tip round the post.
Valencia does well to win the corner off Garrido.
Van Persie was in an awkward position to receive the ball to be fair to him.
A real chance for United as Giggs picks out Van Persie with a great ball into the box but the Dutchman proceeds to miskick the ball and it bounces out for a goal kick. A let-off for Norwich.
It looks like United have barely broken a sweat.
That was the best piece of action we have seen for some time.
Some nice work by Snodgrass down the right before the winger tries to pick out Holt in the middle. Smalling does well to scramble the ball away.
Rafael sends in a ball from the right but it lands straight into Ruddy's arms.
This game has got 0-0 written all over it. I have a feeling Sir Alex will have a few words to say at half-time and United will come back out a different side though.
Neither side are showing much urgency in their play at the minute.
Valencia does some good work down the right before the move soon stalls.
Tettey, conscious that Norwich are showing little urgency with their passing, fires in a shot from long distance but it is straight at Lindergaard.
Rafael's poorly-placed pass bounces out for a throw. It has not been a classic this...
Smalling gives away the ball in a dangerous position. Johnson sends in an effort at goal but it is blocked and bounces clear.
United have struggled to really get into their groove as Valencia sends in a poor ball from the right that goes out for a goal kick.
Giggs looks to find Hernandez but he gives the ball away. Not for the first time today.
That was Norwich's best move of the match there.
Holt picks out Pilkington on the left who then slips in Garrido into the box but the full back drags his effort wide of the post.
Holt picks out Pilkington on the left who then slips in Garrido into the box but the full back drags his effort wide of the post.
Pilkington does well to send in a dangerous ball into the box from the right. It is Snodgrass who rises highest but he heads just wide.
Norwich have seen a fair bit of the ball but they have struggled at trying to penetrate United's defence.
The last ten minutes or so have not been the most lively...
Young sends in the corner to the unmarked Evra but the Frenchman heads it well wide. Should have done better.
Young picks out Hernandez in space with a killer ball but the striker is eventually closed down on the left and the ball goes off for a corner.
Norwich again give it away, this time Hoolahan just outside United's penalty area.
Young tries to create something down the left but Turner does well to close him down and the ball bounces out for a goal kick.
Johnson picks out Hoolahan with a good pass. The attacker turns on a six pence before striking from distance but Lindergaard does well to get down low and make the save.
Norwich have been a little sloppy in possession in the last few minutes, giving it away cheaply.
It's Young who fires in the free-kick at goal but it was never troubling Ruddy who makes the save.
Turner brings down Hernandez for a free-kick in a dangerous position.
Holt brings down Rafael for a free-kick. Harsh on the striker.
Tettey misplaces a pass just as Norwich look like they are about to start a decent attack.
Bassong does well to dispossess Hernandez.
Chris Hughton will be pleased with his side's start to the game. They've shown that they won't just be sitting back tonight.
Ferdinand heads clear a dangerous Pilkington delivery.
A decent start to the game then with both sides creating a few chances already.
Giggs spots the run of Van Persie on the edge of the box but the striker fails to keep his shot down.
Whittaker brings down Young in a dangerous position.
Carrick does well to intercept a Hoolahan pass and bring an end to a promising Norwich move.
Norwich go close again as they break from the United corner before eventually Pilkington fires in an effort just wide of the post from the edge of the penalty area.
Valencia sends in a ball from the right but he just fails to pick out Hernandez. Norwich clear it for the corner.
Hoolahan tries to pick out the run of Holt but Ferdinand does well to intercept the pass.
Snodgrass goes close for Norwich as a speculative effort from the edge of the box goes just over the bar.
United are starting to impose themselves on the game early on with their players seeing plenty of the ball.
Norwich manage to clear Young's corner out for a throw.
First chance of the game goes to United as Van Persie tries to bend an effort into the bottom corner from the edge of the area but Ruddy gets down low to tip round the post.
Ferdinand almost gets caught in possession by Holt in a dangerous position but he manages to recover.
Garrido tries to play Pilkington in down the left but he misplaces his pass.
Carrick tries to send an early ball over the top to Hernandez but Bassong does well to deal with the danger.
And we're off...
Interestingly, Chris Hughton has yet to beat Sir Alex Ferguson as a manager.
The players are out onto the pitch. We are just moments away from kick-off...
United bring in Anders Lindegaard, Ryan Giggs and Javier Hernandez at the expense of David de Gea, Paul Scholes and Wayne Rooney. The England striker has failed to shake off an ankle injury.
Norwich are unchanged from the side that drew 0-0 with Reading last week, with Alex Tettey recovering from a back problem in time.
Manchester United substitutes: Johnstone, Jones, Anderson, Welbeck, Scholes, Cleverley, Fletcher.
Norwich substitutes: Bunn, Howson, Jackson, Morison, E. Bennett, Tierney, R. Bennett.
Anders Lindegaard is a late replacement in goal for David de Gea, who picked up an injury in the warm-up.
Manchester United team to face Norwich: Lindegaard, Rafael, Ferdinand, Smalling, Evra, Valencia, Carrick, Giggs, Young, Hernandez, Van Persie.
Norwich team to face Manchester United: Ruddy, Garrido, Turner, Bassong, Whittaker, Tettey, Johnson, Pilkington, Hoolahan, Snodgrass, Holt.
Our Norwich blogger Paddy Davitt reckons the Canaries must go back to the future to thwart United, while ESPN analyst Kevin Keegan says Javier Hernandez will be desperate to prove himself from the start and shed the dreaded 'super sub' tag.
United battled back in this fixture last season, with Ryan Giggs scoring a dramatic late winner on his 900th appearance for the club.
Join us from 1730 GMT to see if Manchester United will make it hard for themselves again when they take on Norwich at Carrow Road.

subset: commoncrawl


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All Edinburgh Content
September 26, 2013 10:13 amGo medieval on your next trip with a visit to one of these incredible castles where ancient history is alive and well. read more
March 24, 2010 12:00 amIn Edinburgh, layers of history overlap to create a town that remains refreshingly modern. Visitors can take in the past and present, from a medieval castle to an avant-garde festival. read more
December 21, 2009 11:21 amThe votes are in, and here are your best travel photos! read more
November 10, 2009 12:00 amThe Deal Detective weighs the pluses and minuses of an escorted tour versus an independent vacation. read more
September 24, 2009 12:41 pmThe Deal Detective helps a mother and daughter reunite, and shares a little trick for determining the best value when choosing a package versus an a-la-carte vacation. read more
December 12, 2007 12:00 amFrom Sydney, Australia, to Las Vegas, you can enjoy New Years traditions around the world. Find out which cities are hosting the best parties. read more
June 26, 2008 5:09 pmDelta plans to add 14 new routes to Europe, Africa, and Latin America by summer 2008. It will also help reduce congestion and cut delays at the notoriously delayed airport. read more
April 26, 2007 12:00 amOur latest travel guides will show you where to find the best information and deals for destinations from Denver to Dublin. read more
June 26, 2008 5:09 pmFrom the "City of Light" to tiny under-the-radar towns, here are 12 favorite Europe destinations as experienced by 12 different SmarterTravel.com editors. read more
June 26, 2008 5:09 pmAs any experienced traveler knows, many of the most enjoyable destinations are a little off the beaten path. Here are some insider tips for more than 20 little-known European destinations worth seeking out, as well as recommendations for secret spots in well-visited areas. read more


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Bridge Accountants in Bideford help keep your finances in order As a business owner, it's important to keep your finances in order. But form filling and...
Call us now: 01237 8706510 Reviews
North Devon Journal list all of the business services in Barnstaple. If you are looking for business services in the local area then you can find a good business and deal with North Devon Journal!
Why not list your Barnstaple business on North Devon Journal?
South West Office Supplies(SWOS) in North Devon offers you the best range of office products and business machines in the UK sourced from the major wholesalers. Office Stationery, Office Supplies, Toner Cartridges, Print Cartridges, Office Machines,...
Phone: 01271 440646
Welcome To Moorland Finance Based in the heart of Devon in Newton Abbot, Moorland Finance have over 25 years of experience in the brokerage industry We offer finance for a range of business asset purchases, however our five main categories...
Phone: 01626 240379
Unit 1 Estuary Business Park, West Yelland, Barnstaple, Devon
Unit 6, Gratton Court Gratton Way, Roundswell Business Park
Upcott Avenue
Pottington Industrial Estate, Pottington Business Park


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You will have to ask them why they have such high markups. Let us know what they say.
How come I can find many local water treatment installer/service companies that want to charge 2 to 3 times as much for a Fleck valve water softener complete with 1.5 cu ft Resin as I can find online? -Not including their insallation charges. Their installation charges are cheap, but they all jack up their softeners. I thought there was some protection from this happening by Fleck or something?
Should I just buy one way cheaper online, have it installed, and call around till I can find one of them that will install a softener I have and not theirs? Seems to me that is the cheapest route to go. Am I missing something here? It's just a little scary buying one online. All the plumbers I've talked reccomend not to. Maybe just because THEY want my sale. I don't know.
You will have to ask them why they have such high markups. Let us know what they say.
It's called a free market society. Internet prices are wholesale (most sites) your local dealer is retail. When you buy on-line, don't know what you're doing and somethings happens during install or it needs service. You are liable for it and you have to figure it out. That's why there are water treatment professionals. Have you ever seen what the actual cost to manufacture a car is?
Water treatment companies have liability insurance, workmens comp, medical insurance, vehicles/insurance, building costs, employee compensation, warranty coverage, advertising, etc, etc. By the time its all said and done a 20% profit margin is the norm. So in the end we are just out here trying to do the best we can (as you also), keep good employees, grow our business and provide our customers quality service and equipment.
Do the local dealers have a office? They pay rent. Do the local dealers have trucks? They pay insurance. Are the local companies in the phone book? They pay advertising. Do the local dealers offer on site repairs? They pay service techs. This is way they are priced higher. IMO you should be able to find a Fleck unit for $800.00-$1000.00 installed. I agree that some dealers rise the price too much and you should not buy from them. With online sales, how would you get the unit fixed? If it is still under warranty, you have to take it apart, box it up, pay to ship it and wait until it is returned. Will it take a week or 2? With local dealers, you may have it serviced within a couple of days and not have to touch it yourself. Sure you can save money buying it online, but what valve do you give to have a service tech fix it at your home within a couple of days instead of waiting 2 weeks?
And most people buying online are DIYers or wannabees and will replace a part or two themselves when needed, which is normally is rarely. They save more money that way.
Click Here to learn how to correctly size or program a water softener.
CAUTION, as of Nov 12 2013 all YouTube videos showing how to rebuild a Clack valve have an error in them that can cause damage.
ok so the main reason is... They can?
I get the free market society, they have to pay rent, workers, whatever. I would also have no problem paying a "little" extra for a local water treatment specialist to install their unit.
However, I have had 3 of them come out to give me estimates, and they are all around $1500-$2000 just for the softener, then they charge a little more for the installation. The same unit I can get for just a little over $600 shipped free to my house with all of the parts I need (except for a little extra PVC etc.)
So it just frustrates me because I'm not even going to Culligan or the other Higher end guys. I just want a good installation by one of these guys pros, not an average cheap plumber that has maybe installed a few softeners before.
Oh well, I'm going to just call all of these guys back and tell them I already have a softener and need someone to install it and see what kind (if any) of a quote I can get.
It just doesn't sound convincing that I should get one from them because IF I have a warranty issue, I can get it fixed easier and quicker by calling them back out. However, if I buy online I could almost buy two of the units for the same price as these guys.
I don't know how you'd get parts from any dealer without waiting for them to get there but.... A dealer that is trusted by his supplier can be given advanced replacement meaning the dealer has the part he believes to be bad sent to his customer without the customer first sending the part in for evaluation. If the part fixes the problem, in some cases you'd then pay to return the used/bad part.
SO... the dealer has to trust you to do that, and you must earn that trust, and if he doesn't, you don't get advanced replacement parts. I was an advance replacement dealer for many years and got taken by one customer for $10.xx once.
The option to that is to buy from a local dealer and pay whatever he wants to charge you for the equipment and parts and service; they usually will not allow you to replace parts under warranty.... and if they don't have the art, you wait until it is shipped to them and then until they can get out to your place with the part.
Not all dealers will know about this or be offered it.
Click Here to learn how to correctly size or program a water softener.
CAUTION, as of Nov 12 2013 all YouTube videos showing how to rebuild a Clack valve have an error in them that can cause damage.


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Global Outreach
Our missional heartbeat has been going strong since 1902.
Global Outreach is a group of students who promote, pray and raise funds for Kingdom ministry around the world. We help the Northwestern community grow in understanding of God's heart for the nations to become globally minded followers of Christ. Here's how:
We have recently traveled to China, South Africa, the Czech Republic, San Diego, Mexico and Alaska. This year, groups are traveling to Nepal, Guatemala and the Philippines.
View stories and photos from Northwestern's Team South Africa!
Reaching Out
"The missions trip I went on to Trinidad was challenging in several ways but mostly, it made me look beyond myself and really pour into others. I had the opportunity to meet some of the most beautiful people in the world and fell in love with the country."
Kaitlyn – Andover, Minn.


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Giant Bone Spider
Binds when picked up
Use: Teaches you how to summon this companion.
I would like to say that the name of this companion is misleading. It is not giant at all. Its the same size as any spider companion. This disappoints me >.>
This dropped for me today in Naxxaramas. I love him. He's got tiny glowing red eyes, a spikey abdomen, spindly cobwebby legs, and he looks larger than your average spider.
Just got mine of the AH for 750G thought it was a pretty good deal. Giant no :( but it is slightly bigger than all the others I have.
From a pet battle point of veiw this guy kinda sux. Beast moves strong vs critter, undead takes more damage from critter. Maybe good vs the handful of humanoid wild pets. I wish this guy had a unique look to match the rest of the raid pets, even if it cloned the boss that dropped it.
does it need to be on 25 man or does it also drop in 10?
got it first try :)


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Mr. Cook goes to WashingtonMay 25, 2012: 8:54 AM ET
Apple CEO Tim Cook has paid his first visit to a place Steve Jobs preferred to avoid: Capitol Hill. Aides say Apple's hot-button issues were not addressed.
By Tory Newmyer, writer
FORTUNE -- Apple CEO Tim Cook got barely any notice when he slipped into the Capitol last Tuesday for a handful of meetings with Congressional leaders. The low-key visit was in keeping with the company's traditional approach to Washington. But the fact that Cook visited at all signals a subtle but significant pivot for the outfit inside the Beltway.
For years, Apple has hewed to a studiously hands-off lobbying strategy, flowing from co-founder and longtime CEO Steve Jobs' aversion to tangling with the policymaking process. As his successor begins to put his own imprint on the company, however, Cook wants key players in Washington to know they now have an open line to the chief executive in Cupertino.
That was the message aides briefed on the meetings said Cook conveyed in sit-downs with House Speaker John Boehner (R-Ohio), Senate Majority Leader Harry Reid (D-Nev.), and Senate Minority Leader Mitch McConnell (R-Ky.). Cook didn't connect with the top House Democrat, Nancy Pelosi, who hails from neighboring San Francisco, because she was traveling back from an official trip to Afghanistan when he made his rounds.
MORE: How Tim Cook is changing Apple
The huddles were brief and largely introductory. McConnell, for example, mentioned his iPad, and they discussed the fact that the glass used on the device and in the iPhone is manufactured at a Corning plant in Kentucky. But the talks did not delve into the company's current headaches in Washington -- the Justice Department lawsuit over e-books pricing, a look by the International Trade Commission into whether Apple violated a Motorola patent, and gripes from lawmakers about the company's effective tax rate. Instead, aides described the talks as get-to-know-you sessions that also touched obliquely on the economy and jobs.
"It was an act of opening up a line of communication," one aide briefed on a meeting said, "but it was a first step in what hopefully will be a growing relationship. They didn't become best buds in one meeting."
An informed industry source said the meetings were consistent with the Apple (AAPL) way: "They were quiet and focused. There was no public statement, no press conference, no hoopla, just like the company, which is focused on product design and end results." The source added that Cook, unlike Jobs, "has a strong personal interest in policy issues and recognizes the role an engaged CEO can play in making a difference on those policy priorities."
President Obama cultivated a relationship with Jobs, seeking him out for economic counsel. But even as Apple's explosive growth earned it new and not-always friendly attention from policymakers, Jobs avoided the kind of courtesy calls Cook made on Capitol Hill last week, and the company itself has maintained a low profile. Though it participated in other hearings in the last Congress, Apple joined Google (GOOG) in declining to send executives to testify at an April 2010 hearing on Internet privacy, prompting Senate Commerce Chairman Jay Rockefeller (D-W.Va.) to snap, "When people don't show up when we asked them to… all it does is increase our interest in what they're doing and why they don't show up… It was a stupid mistake for them not to show up, and I say shame on them."
MORE: Apple CEO to forgo $75M dividend
Cook's visit followed other moves indicating the company may be getting more engaged. In March, for example, Apple met with Sen. Charles Schumer (D-N.Y.) about his concerns regarding a privacy loophole on smartphones. "They were friendly and open to the idea that this ought to be changed," Schumer told the New York Times. That same week, Apple responded to separate privacy concerns raised by Reps. Henry Waxman (D-Calif.) and G.K. Butterfield (D-N.C.) with a five-page letter.
For its size, the company maintains an exceedingly modest lobbying footprint, spending only $500,000 on advocacy in the first quarter of the year. Google, by comparison, spent 10 times that amount. And unlike most major companies with a stake in the capital, it has no political action committee to dole out campaign funds to lawmakers. That likely won't change overnight, but it is clear the Cook era at Apple has announced itself, quietly, in Washington.


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deal.II is a C++ library supporting the generation of complex adaptive finite element codes. It features locally-refined grids, various scalar and vector-valued finite elements, linear solvers of low and higher order, arbitrary mappings, and support for 1, 2, and 3D computations. It comes with extensive documentation and example programs showing the use of the library for modern finite element programs.
JyConsole is an efficient component able to manipulate Python/Jython and Java objects through a command line interface. It features several requirements of modern consoles, such as command history, completion (Ctrl+Space), easy script loading, and basic GUI preference management. JyConsole can be directly used as a standalone application or as an embedded graphical component in a Java or Jython application.
A library and a tool for a read-only access on a Smaky disk.
An easy-to-use integrated penetration testing tool for finding vulnerabilities in Web applications.


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Washington, D.C. – On behalf of the House Democratic Caucus, Congressman Tim Walz (D-Minn.) filed a discharge petition to bring the Senate-passed middle class tax cuts to the floor for a vote:
"Thank you, Mr. Speaker.
"Today, let's show the American people the politics of the possible. Let's focus on what we agree on, not what we disagree on. Let's find common ground. We can accomplish this by extending the middle class tax cuts immediately. Let's have the people's House break this ridiculous stalemate. Let families across the nation go into the holiday season with certainty.
"Everyone here agrees: taxes should not go up on middle class families. Democrats and Republicans can come together to make that happen. By extending the tax cuts, every American will get a tax break on the first $250,000 of income. Let me repeat that: 100 percent of Americans will receive a tax break on $250,000 of income. It also extends the child tax credit, makes it easier for small businesses to expand, makes it affordable to go to college, and fixes the Alternative Minimum Tax.
"If we fail to act in the next 10 days, middle class families could see their income taxes go up by $2,000. No one wants it, the economy doesn't need it. The Senate's already passed a bill. The President said he would sign it today. It can be done now.
"Please stand up, sign the discharge petition, make a difference for the American public. I yield back."


text:
Four mallard ducks in flight over a pond, their bright coloring a noteworthy contrast to their surroundings. From acclaimed national wildlife photographer George Barnett, the country's most well-known white tail deer photographer. BarZ integrated matte design technology creates the look of rock for artistic impact. Includes a wooden frame, glass and hanger. A portion of the proceeds are donated to Camp Patriot, an organization that gives disabled veterans the opportunity to experience outdoor adventures. Measures 11 x 14".
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I deduce that there will not be a Michigan - Appalachian State rematch at the Big House.
Urban's myth gets official quashing; more Designated Reads
@SIHolly This turtle has DISAPPOINTED ME. It is SOFT. It is PROBABLY A HIPPY punchpunchpunchpunch—
Matt Brown (@MattLGHL) February 12, 2013
• Just let us have this. And it came to pass that Urban Meyer's recycled turtle story, which brought great joy to all corners of God's green internet, gained such traction that Ohio State's media relations folks were forced to issue the following statement, which we are printing here in full, caps and italics emphasis faithfully reproduced from the original document:
Date: Feb. 12, 2013
To: Media Covering Ohio State Football
What: Joke
This note is in response to the headlines that are running on the internet that don't seem to take into consideration that Coach Meyer told a JOKE to a crowd of high school coaches last week. He was telling a story about toughness and he exaggerated a story about toughness. It is the same story he has told numerous times before, including last year at this same convention; only the coach he talked about last year wasn't Coach Hayes, but Coach Bruce.
So please know: the story about toughness that Coach Meyer shared with a crowd last week and the year before and numerous times before was a joke and only a joke.
Thank you in advance for your clarifications.
Nothing gold can stay, y'all.
• In happier B1G news … Barry Alvarez says the Big Ten is done scheduling FCS programs. We are pleased. Some other folks are not, and there are valid reasons, but we'd still rather watch New Mexico State than the Citadel. Sorry, the Citadel.
• And back to unhappy news. "Former Arkansas football coach John L. Smith has been accused of using his employment contracts with the Razorbacks to defraud several of his creditors, according to two complaints filed this week in U.S. Bankruptcy Court." Read more from Brent Schrotenboer.
• That's just gonna make next year's hot seat all the hotter, PAAAOWL. Mark Richt gets a raise and a contrat extension through 2017.
• Crootin' tyme! Two important pieces of work for your post-Signing Day cooldown: Andy Staples imagines the deepest, Darth-est recruiting machinations of Mike Slive, and Steven Godfrey compiles a delightful compliance Q&A with Texas A&M's Brad Barnes.
• Schedule matters. The Mountain West has released conference matchups for 2013-16 … peruse all the Pac-12 spring football schedules in one place … Army's spring game won't be played at Fort Hood after all.
• Tweet of the day. Mike Vrabel, never un-perky no matter the occasion:
Ash wed is a reminder and celebration of human mortality, and as a sign of mourning and repentance to God.
Have a great day!!—
Mike Vrabel (@CoachVrabel50) February 13, 2013
• Misc. If you were curious about Missouri players' heart rates today, here is your satisfaction … Bill Connelly maps out targets and catches … and even some Texas fans think DeLoss Dodds needs to sit a couple plays out.
I would much rather watch Wisconsin play The Citadel. I am, admittedly, biased. I might also point out the Bulldogs gave the Badgers a very good game when they did play (it was tied at halftime).
Alvarez not knowing that FCS schools are actually members of Division I does not do him much credit. The bottom line, though, is this is just another move in the Big 10's inevitable separation from the NCAA, which will happen once the league has completed its expansion, whether that be 18 or 24 or 32 schools (whatever the final number is).


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Paul Jenkins Catalogue
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Information and images courtesy of the Artist
Paul Jenkins
artist's home
Works of Art
Solo Exhibitions
Group Exhibitions
Artist Interviews
Museum and Public Collections
Special Projects
Retour ŕ l'accueil Monographies artnet
Studies at the Kansas City Art Institute, where he makes drawings from a model and paints a series of watercolors he calls "interior landscapes" related to caves he knew in the Ozarks, rivers, campfires and other forms of nature. Works in ceramics with James Weldon where he pours clay slip into molds, applies glazes and creates a series of clay sculptures of heads and figures that he then fires and glazes. The fire of the kiln reveals the transformation of color: the dry opaque glazes prior to the firing which then become subtly translucent or vitally defined in density. Frequent visits to the renowned Eastern collection of the Nelson-Atkins Museum [then the William Rockhill Nelson Gallery], where he is strongly affected by the vast Chinese fresco of a Buddha, the polychrome sculptures, notably the Bodhisattva, Kuan-Yin, from Shansi, in northern China (11-12th century), Indian bronzes, especially Shiva, and statues of lohans in meditation. Meets Frank Lloyd Wright in 1940 when his great-uncle, the Reverend Burris Jenkins, pastor of the First Community Church in Kansas City, Missouri, commissioned Wright to rebuild his church after a fire destroyed the building on Linwood Boulevard. On his great-uncle's suggestion, visits with Thomas Hart Benton at his home to discuss his intention to be a painter.
From the United States Maritime Service, enters the US Naval Air Corps where he serves as a pharmacist's mate. Paints a series of watercolors of Kabuki dancers during his time in the Naval Air Corps and makes what the distinguished art historian Albert E. Elsen describes as "Durer-esque" black and white graphite drawings. Is drawn to the teachings of Lao Tse Tung in the
Tao Te Ching
which he describes in a December 5, 1945 letter as "masterpieces in simplicity." After his discharge from military service in March of 1946, studies playwriting with George McCalmon at the Carnegie Institute of Technology and continues to paint and draw on his own.
Under the G.I. Bill, studies with Yasuo Kuniyoshi for four years and with Morris Kantor at the Art Students League in New York where he meets Mark Rothko. Frequent visits to the Frick Collection to see Goya, Rembrandt's
, Turner, Georges de la Tour, Vermeer, Bellini, Holbein. In New York, paints
Sea Escape
, 1951, an ink wash on paper with permeated color. Invited by Martha Graham to observe her dance classes in 1951, he makes several drawings of her. Meets Jackson Pollock and Barnett Newman in New York. In reading P. D. Ouspensky's
In Search of the Miraculous
, discovers the ideas of G. I. Gurdjieff.
Travels to Italy where, during a stay of several months, he paints a series of works on canvas in Taormina, in Sicily, and to Spain where he is deeply moved by the Prado. Settles in Paris where he meets Jean Dubuffet in December at his exhibition of lithographs and "Terres Radieuses" at the Galerie La Hune in Paris. Meets Henri Michaux, Michel Tapié, Pierre Restany, Etienne Martin, Zoe Dusanne, Kenneth B. Sawyer, as well as other American artists living there at the time. The
of Gustave Moreau reveal to him the structure and inherent luminosity of color; the small oil paintings of Wols hold another way of perceiving, a mystery that eluded Surrealism. He begins to pour paint on canvas and paper. Is greatly drawn to the luminous density in the pastels of Odilon Redon, particularly in
La Coquille
. Discovers
Psychology and Alchemy
by Carl Gustav Jung and the
I Ching: The Confucian Book of Changes
The flatness of the reflected lights at night on the Seine assumes a compelling verticality which disrupts the intruding horizon line and moves forward in a frontal configuration, evoking a sensation of nearness. First solo exhibition: Studio Paul Facchetti in Paris, Édouard Jaguer writes the text,
Lumičre d'Ambre
. In Paris, meets Martha Jackson; Peter, Charles and Jean Gimpel, and Mark Tobey. Works with Winsor Newton powdered pigments and chrysochrome, a viscous enamel paint. Group exhibition "Divergences" at the Galerie Arnaud in Paris. Visits the Henri Matisse chapel in Vence.
First solo exhibition in the United States at the Zoe Dusanne Gallery in Seattle. The Seattle Museum is the first museum to buy his work. Participates in group exhibitions at the Martha Jackson Gallery in New York; the Petit Palais, Galerie Jean Larcade and "Signes Autres" at the Galerie Rive Droite in Paris. Travels to London from Paris to see Mark Tobey's exhibition at ICA [Institute of Contemporary Art]. Travels from Paris to New York in July of 1955 on the
SS Liberté
. In New York, comes to know Willem de Kooning, Franz Kline, Ad Reinhardt, and, with George Wittenborn, meets Robert Motherwell. During his year-long stay in New York, visits Mark Rothko's studio mid-town on the West side, near what is now Lincoln Center.
First solo exhibition in New York takes place at the Martha Jackson Gallery in March. John I. H. Baur buys
Divining Rod
for the Whitney Museum of American Art in New York.
Observations of Michel Tapié
is published by George Wittenborn in New York. Group exhibitions at the Museum of Modern Art in New York; in Paris, with the Galerie Stadler, Galerie Rive Droite, Galerie Jean Larcade and in
Sculpteurs et Peintres Abstraits Américains de Paris
at the Galerie Arnaud. Peter Cochrane invites him to exhibit in a group show,
The Exploration of Paint
, at Arthur Tooth & Sons in London the following season. Visits Jackson Pollock's studio in Springs and sees his recent paintings, as well as a series of black and white drawings to be shown at the Gimpel Fils Gallery in London. On his return to the city, gives Pollock a copy of Herrigal's
Zen and the Art of Archery
, presently in the library of the Pollock-Krasner House in Springs. Returns to Paris. After a visit to see the Gimpels in Ménerbes in July, Lee Krasner stays at Jenkins' studio in Paris where she later receives a call from Clement Greenberg of Pollock's fatal car accident on August 11. Arnold Newman makes the first of several series of photographs of the artist in Paris and then in New York, spanning several decades. Meets Henri Michaux at the Odilon Redon exhibition at the Orangerie in Paris.
Peggy Guggenheim buys
from his studio in Paris, this work is soon included in his solo exhibition at the Galerie Stadler in Paris. Is aware of the Gutai Group in Osaka through Michel Tapié. Hideo Hayahasi and Mr. Yamamoto of the Tokyo Gallery visit his atelier, rue Decrčs. Participates in group exhibitions at Arthur Tooth & Sons in London and at the Whitney Museum in New York. Exchanges studios with Joan Mitchell for two years; he works in her St. Mark's Place studio in New York, and she works in his studio on the rue Decrčs in Paris. Meets the writer, James Jones, and his wife, Gloria, in New York and they remain lifelong friends. Is aware of the Gutai through Michel Tapié in Paris.
In late 1957, at Joan Mitchell's St. Mark's Place studio in New York, begins the paintings entitled
Eyes of the Dove
, which continue into 1959. The title was inspired by a story told to the artist by Harold Rosenberg concerning a rabbi who intoned "the eyes of the dove" on his visits to different synagogues. To the artist, the story held the meaning that "the eyes of the dove see everything but never the same thing twice." At the Gutai exhibition at the Martha Jackson Gallery in New York, is invited by Jiro Yoshihara to work with the Gutai in Osaka, an invitation that he does not implement until 1964. Joseph Hirshhorn buys
Dakota Ridge
from his exhibition at the Martha Jackson Gallery in New York. Participates in exhibitions at Arthur Tooth & Sons, London, at the Carnegie Institute Museum of Art, Pittsburgh, and at the Corcoran Gallery of Art, Washington, D.C.
In Paris, James Jones is of the first to buy a painting from the
Eyes of the Dove series: Turtle Gold
. Works with dry pigments mixed with acri-medium, and in oil. Studies the writing of Kant and Goethe. Uses an ivory knife to guide the flows of paint. Begins to title his canvases Phenomena, followed by a key phrase or word. Travels to Spain, meets the poet and critic, Juan-Eduardo Cirlot in Barcelona, who later writes about Jenkins' work. Obtains a cold-water flat in New York on 12th Street between Avenues A and B. Begins gradually to work in acrylic.
First exhibition at the Galerie Karl Flinker in Paris; James Jones writes the catalogue text, "Moving Shapes without Name." The exhibition continues the evolution of the image against a white ground and evidences the recent development of monochrome paintings.
The Paintings of Paul Jenkins
is published by Éditions Two Cities in Paris with texts by Kenneth B. Sawyer, Pierre Restany and James Fitzsimmons.
Travels in Europe. Meets Albert E. Elsen in the Rodin Museum in Paris. Henri Michaux visits his Paris studio. Participates in group exhibitions at the Musée des Arts décoratifs, musée du Louvre and musée d'Art moderne in Paris and at the Whitney Museum in New York. Gradual encroachment of the granular veils in the paintings reveals a new sense of substance integrated on the canvas and
"another kind of light, a reflecting or incandescent light."
[Elsen, Paul Jenkins, p. 77] The artist continues his exploration of monochrome paint on canvas, including works in
Publication of
by Jean Cassou, Éditions de la Galerie Karl Flinker, Paris. Group exhibitions at the Musée d'Art moderne in Paris, at the Art Institute in Chicago, and at the Guggenheim Museum in New York. Obtains loft on Broadway in New York from Willem de Kooning. The photographer David Douglas Duncan takes a series of prismatic photos of the artist in Paris.
First retrospective takes place at the Kestner-Gesellschaft of Hanover, with the catalogue text by Wieland Schmied. Filming of
The Ivory Knife: Paul Jenkins at Work
, produced by Martha Jackson in New York with original percussion score by Irwin Bazelon. Travels to Japan for his exhibition at the Tokyo Gallery; at the suggestion of Joseph Campbell, visits Ise and experiences the profound impact of its architectural elements within the sacred environment. With Bernard Leach, takes a train in Japan to see the works of Hamada. Works with Jiro Yoshihara and the Gutai group in Osaka. Travels to India, visits Bombay, Agra, the Ajanta caves in Aurangabad. In New Delhi, is struck by the independence of the color worn against the landscape. Donates bronze head of Dylan Thomas by Ibram Lassaw and David Slivka to the National Museum of Wales in Cardiff, accepted by Richard Burton and his foster father, Phillip Burton, during a presentation at The Poetry Center of the YM-YWHA at 92nd Street in New York.
Travels to Madrid, visits L'Escorial, and then to Biarritz. Publication of
Seeing Voice Welsh Heart
by the Éditions de la Galerie Karl Flinker in Paris; a series of original lithographs on stone printed by Fernand Mourlot, with poems by Cyril Hodges. Group exhibitions at the Whitney Museum in New York and at the Pennsylvania Academy of Arts in Philadelphia.
Travels in Russia, visits Moscow, Leningrad and Kiev. In Zagorsk, sees for the first time the icons of Andreiev Roublev, whose intensity and force impress him greatly.
The Ivory Knife
is shown at the Museum of Modern Art in New York and receives the Golden Eagle Award in Venice. Publication of his play, Strike the Puma, by Éditions Gonthier, Paris. In New York, pursues the study of Jungian concepts with Dr. Erlo van Waveren. Harry Abrams proposes publishing a monograph book on his work.
Over the next several years the artist paints a series of large canvases in which grays and granular whites predominate. What Albert E. Elsen describes as "the coming of the grays," came about through the artist's search "to find another temperature" and become in touch with a new sense of "structure, or substantial substance." Awarded the silver medal in painting during the 30th Biennial of the Corcoran Gallery of Art in Washington, D.C. Places a trunk of photographs, correspondence and writings on deposit with the Beinecke Library at Yale University.
Strike the Puma
is produced off-Broadway, directed by Vasek Simek. The artist paints two large-scale canvases for the stage set, as well as a mannequin torso (painted in 1967). Begins to make a series of unique glass sculptures in Venice with Egidio Costantini, whom he met through Mark Tobey. Harry Abrams decides against integrating what the artist terms his "black-and-white autobiographical photomontages" into his forthcoming Abrams' monograph published in 1973. These elements later evolve into
Anatomy of a Cloud
, published by Harry N. Abrams in 1983.
Retrospective at the Houston Museum of Fine Arts and the San Francisco Museum of Art, organized by Gerald Nordland and Philippe de Montebello. Jean-Louis Barrault visits his studio in New York. Sculpts two-ton piece of French limestone at the Sculptors' Symposium at the Cooper-Hewitt Museum in New York. At the inauguration of the Rothko Chapel in Houston, donates a letter written to him by Mark Rothko concerning his trip to Paris where they visited museums, notably L'Orangerie [
Les Nymphéas
], to explore different solutions for a protective distance between the viewer and the paintings for the chapel then in preparation.
"Paul Jenkins: Works on Paper,"
an exhibition of watercolors, is presented at the Corcoran Gallery of Art in Washington, D.C., then travels for two years in the United States. After his exhibition in London with the Gimpel Fils Gallery, travels to Cornwall with Peter Gimpel to see the dolmens. Completes a series of original lithographs on stone,
The Four Seasons
, for Abrams Original Editions. At Triton Press, Jenkins creates
, described by the artist and printer Harry Lerner as a "light graphic," in order to differentiate it from traditional collotype.
Paul Jenkins
, with a text by Albert E. Elsen, is published by Harry N. Abrams in New York. First drawings for
Mandala Meditation Sundial
, a sculpture project for a park. Sees the prehistoric stones at Carnac in France. Emergence of the autobiographical collage,
Horizon Findings
. Receives an honorary Doctor of Humanities from the Lindenwood Colleges in Missouri.
Retrospective at the Palais des Beaux-Arts in Charleroi. Casts
Meditation Mandala Sundial
in bronze and in brass. On canvas and paper, continues to explore through veils of color the Newtonian prism and to investigate translucent and opaque light, revealed and hidden forms. Finishes
Boy Man Man Boy
, pivotal collage for
Anatomy of a Cloud
. In 1974-75, attends series of lectures by Meyer Schapiro at Columbia University in New York. Creates a series of original lithographs on stone at Atelier Mourlot in Paris, including a diagram for
Meditation Mandala Sundial
Begins St. Croix series of watercolors and paintings and is strongly influenced by the physicality of working outside, reminiscent of Taormina where he was confronted by color in a direct and decisive way. Participates in
An Unmarried Woman
by Paul Mazursky, filmed in his studio in New York. Works on the autobiographical collages.
Mandala Meditation Sundial
Shakti Samothrace
are cast in bronze at Tallix Foundry, New York. From his work on canvas, Jean Erdman creates a visual environment for
Shining House
, a dance piece about Pelé, a goddess in Hawaiian mythology. Requests the return of his trunk of photographs, correspondence and writings on deposit with the Beinecke Library at Yale University since 1967, elements of which become integrated into the artist's evolving autobiographical collages published in
Anatomy of a Cloud
by Harry N. Abrams in 1983.
Anatomy of a Cloud
, a series of collages, paintings and sculptures, at the Gimpel Weitzenhoffer Gallery in New York. Casts two sculptures into bronze,
Echo Chamber
, at Tallix Foundry, New York.
During a long stay in the Caribbean, impasto begins to appear in the paintings. Completes
Phenomena Forcing a Passage at the Mark
, a key painting to him in discovering the scraped veils with prism concentrates. Uses paint thickly to reveal and break down the persistent features of the Newtonian prism.
Named Officer of Arts and Letters by the Republic of France. Participates in the D. H. Lawrence Festival in Taos and Santa Fe, New Mexico. At Shidoni Foundry, near Santa Fe, begins construction of full-scale section of
Meditation Mandala Sundial
in steel.
Retrospective at the Palm Springs Desert Museum. In conjunction with the preparation of
Anatomy of a Cloud
, creates a series of collages in honor of Jean-Louis Barrault. These collages are shown at the French Cultural Services of the French Embassy in New York. At the request of Jean-Louis Barrault, these works inaugurate the Maison Internationale du Théâtre of the Renaud-Barrault Company, at the Théâtre du Rond-Point, in Paris, for which he also makes the insignia. Creates a series of original lithographs on stone in Canada at Sword Street Press. Continues to build elements of the
Meditation Mandala Sundial
sculpture in steel at the Shidoni Foundry in Tesuque, New Mexico; these elements are now in the Sculpture Garden of the Hofstra Museum.
Publication of
Paul Jenkins
by Alain Bosquet, Éditions Georges Fall, Paris, in conjunction with an exhibition which is visited by President François Mitterrand. The Fonds national d'Art contemporain du ministčre de la Culture et de la Communication purchases
Phenomena Saturn Observes
. Participates in the colloquium in Paris organized by Jack Lang on creation and its development. The director, Alan Schneider, enters
Anatomy of a Cloud
into his workshop of actors at the University of California at San Diego. Receives the Humanitarian Award from the National Committee of Arts for the Handicapped. Begins to use granular poured veils on scraped prism forms; abstract collage elements integrate themselves with the works on canvas.
Named Commander of Arts and Letters by the Republic of France.
Anatomy of a Cloud
, an autobiographical book of what the artist calls "word impressions" and collages, is published by Harry N. Abrams in New York and receives the silver medal from the Art Directors Club.
The series of collages
Homage to Jean-Louis Barrault
Tibetan Remnants
are shown at the Musée d'Art contemporain of Dunkirk.
Creates a medal, in bronze dipped in silver and struck at La Monnaie in Paris, for the French Center of Civilization and Culture of New York University. Solo exhibition at the Gimpel Weitzenhoffer Gallery at FIAC in Paris. Jean-Louis Martinoty proposes the creation of a ballet to the music,
, of Debussy.
Shaman to the Prism Seen
, a dance drama. Exhibits his autobiographical collages at the Butler Institute of American Art, Youngstown. Travels to London for his exhibition with the Gimpel Fils Gallery and to Tokyo for his exhibition with the Gallery Art Point. Visits Okayama for the collection of works by Yasuo Kuniyoshi and discovers an early painting he last saw leaning against the wall in Kuniyoshi's 14th Street Union Square studio in New York during his Art Students League years. The billowing and vibrantly colored silks of the entrances to the temples in Nara and Kyoto juxtaposed with the monumental stillness of the architecture leaves a lasting impression. Exhibition-installation at Shidoni Foundry near Santa Fe, of the construction in steel of a portion of
Meditation Mandala Sundial
Retrospective of his works on canvas at the Musée Picasso in Antibes. The Paris Opera presents his dance-drama,
Shaman to the Prism Seen
, in the Salle Favart, within the context of the new series "Carte Blanche," initiated by Jean-Louis Martinoty. Paints two canvases 30 x 40 feet each for the stage set, together with a series of vertical paintings on canvas as sentinel elements for the stage, costumes and silks, and creates a prism dais form for Shaman. Music by Henri Dutilleux; directed by Simone Benmussa. Creates a series of original lithographs on stone at Atelier Franck Bordas in Paris, including one for the Paris Opera. Completes two mosaics with Heidi Melano in Biot, one of which belongs to the City of Antibes. Creates an original lithograph on stone in triptych for a bicentenary edition on parchment of the U.S. Constitution published by Galerie Art Concorde in Paris, and printed at Atelier Clot Bramsen Georges, Paris.
Commissioned to create and paint a silk décor for a performance at the Great Hall of the People in Beijing, during "The Return of Marco Polo," organized by the International Committee for the Safeguard of Venice and the Great Wall. In Beijing paints six banners of 40 x 15 feet, a backdrop of 60 x 75 feet and a series of banners 30 x 3 feet for the Great Wall. Publication by Atelier Franck Bordas in Paris of
Euphories de la couleur
, a portfolio of original lithographs on stone, with texts by André Verdet. Printed in book form by Imago Terrae.
Les Musées de Nice presents the original painted stage sets for
Shaman to the Prism Seen
, together with a series of watercolors and large-scale paintings from the last five years at the Galerie des Ponchettes and the Galerie d'Art Contemporain.
Euphories de la couleur
is shown at the Maison des Écrivains in Paris, organized by Hugues de Kerret, and then at the Galerie Sapone in Nice. The 7čme Rencontre des Arts Contemporains in Cannes honors Paul Jenkins in the context of their summer exhibition. Based on the
Broken Prism
, the architect, Yves Bayard, creates
Meditation Tower
, a structure based on the prism and featuring large-scale stained glass windows by the artist.
Exhibition of the silks painted in China and in Paris at the Castello Doria in Portovenere. Receives the medal of the city of Menton. Invited to Israel by Abba and Suzy Eban, and is based in Mishkenot Sha'ananim in Jerusalem; visits the tomb of Maimonides in Tiberius. Travels to Japan for his exhibition with Gallery Art Point in Tokyo.
Exhibits two original lithographs on stone at the Associated American Artists in New York,
Masters of Contemporary Printmaking
. Exhibition of
Conjunctions and Annexes
, a series of polyptychs on canvas, at the Gimpel Weitzenhoffer Gallery, New York, together with the publication of a book of the same title with a text by Pascal Bonafoux. Invited by Tadashi Suzuk, travels to Japan in August to attend the 10th anniversary of his theatre festival in Toga. Begins to work on a series of original lithographs on stone at the Atelier Franck Bordas in Paris. Exhibition of
Grid Panel Prisms
, a further series of polyptychs on canvas, at the Gimpel Fils Gallery in London. In December, travels to Mito in Japan for the premičre of
, an adaptation by Tadashi Suzuki of the Chekhov play, where Suzuki integrates the silks painted in China and in Paris as elements of the stage set and for Anna's costume.
Exhibition of watercolors at the Roswitha Haftmann Gallery in Zurich.
Seven Aspects of Amadeus and the Others
, lithographs on stone printed by Atelier Franck Bordas, are shown at the Basel Art Fair. Writes a text as a one-act play in reference to the lithographs of the
series, published by Éditions Galilée in Paris. Visits Florence and returns to the frescoes by Giotto and Fra Angelico. Exhibition of
series lithographs at Atelier Franck Bordas in Paris. Exhibition of recent watercolors and Amadeus lithographs at Associated American Artists Gallery in New York.
Associated American Artists Gallery presents a selection of collages and watercolors at the Armory show in New York. Travels to Palo Alto, California where he completes a series of monotypes at Smith Andersen Editions. Exhibits in
Collection of the Maeght Fondation, a Choice of 150 works
, Fondation Maeght, St-Paul. Exhibitions of two groups of collages in the fall: in Paris at the Yoshii Gallery and in New York, at Associated American Artists Gallery.
Prism Moon to the Shaman
, an allegorical tale about color. Associated American Artists Gallery presents selected recent paintings at the Armory show in New York. Inauguration of
L'Eau et la Couleur
, a traveling exhibition in France of watercolors in conjunction with the Paris Opera performance of his dance-drama,
Shaman to the Prism Seen
, together with recent watercolors, including five monumental scale works created in Paris in November of 1993. The historian, Frank Anderson Trapp, writes an in-depth study of the work in watercolor for the catalogue text. Travels to New Mexico for the Santa Fe Institute of Fine Arts. Works on monotypes at Smith Andersen in Palo Alto. His sculpture,
Meditation Mandala Sundial
, is installed in the Hofstra University Museum Sculpture Garden.
Exhibition of recent works on canvas at Associated American Artists in New York. The Chateau-Museum of Cagnes-sur-mer mounts an extensive exhibition of recent collages including collage doors from his Paris studio made in the fifties and not previously shown. The City of Nice exhibits the series of lithographs
Seven Aspects of Amadeus and the Others
. Travels to Zurich for his exhibition of recent paintings and watercolors at Galerie Proarta. Jacques Garelli, poet and phenomenologist, writes an expansive text concerning the paintings and watercolors, excerpts from this text are published in the exhibition catalogue. The gallery ArtCurial in Paris mounts an exhibition of his lithographs.
Receives an honorary doctorate in humanities from Hofstra University. Participates in the 50th Anniversary Exhibition of Gimpel Fils in London. Travels to Milan for exhibition at Lorenzelli Arte.
The Butler Institute of American Art mounts an exhibition of recent work from the last five years. Receives the Life Achievement Award from the Butler Institute, together with the medal of the City of Paris from Pierre Buhler, the French Cultural Counsellor of New York. Exhibition of
Cardinal Recognitions
at the Galerie Georges Fall in Paris. Exhibition,
Francis Jenkins Mathieu
at Associated American Artists in New York. Elected to the National Academy, New York. Completes
Five Incantations
, a series of five original lithographs on stone printed by Atelier Bordas in Paris, for the Galerie Georges Fall. Merchant Ivory features a selection of his works from the fifties in the film,
A Soldier's Daughter Never Cries
, from the novel by Kaylie Jones, based on her years in Paris with her parents, the writer James Jones and his wife, Gloria.
Entrance Shaman
, five original lithographs on stone printed by Atelier Bordas in Paris. Elected an honorary member of the Royal Cambrian Academy in Wales. Participates in the group exhibition,
Masters of Color and Light: Homer, Sargent and the American Watercolor Movement
, the Brooklyn Museum of Art.
Group exhibition
On Paper
, Associated American Artists. Exhibition
Three Americans [Drei Amerikaner]: Sam Francis, Paul Jenkins, Mark Tobey
, at Galerie Wazzau, Davos, Switzerland. Exhibition of the collection of the Fondation Maeght, St-Paul-de-Vence. Group exhibition
Regard sur l'estampe en France de 1945 ŕ nos jours
, PACA, traveling exhibition beginning in Angers.
At Stroke of Twelve
, an original stone lithograph for the Print Club in New York presented in October. The Hofstra Museum mounts an exhibition of works on canvas from the years 1954-1960, and the Joseph Rickards Gallery in New York exhibits works from the transitional series of 1957-59 paintings,
Eyes of the Dove
. A painting from the
Eyes of the Dove
is shown in the traveling exhibition and catalogue,
Les Années de Combat, 1951-1962
, organized by Présence d'Art Contemporain in Angers centering on the Paris art review Cimaise and the Galerie Arnaud. Invited to write text about the Gutai for the exhibition at the Jeu de Paume, Paris, and meets again Gutai artists he knew from Osaka who have traveled to Paris for the opening.
Travels to the Butler Institute of American Art in Ohio where his exhibition
Water and Color
is shown in celebration of their new wing. Receives the Benjamin Clinedinst Medal from the Artists' Fellowship in New York. The City of Vicenza mounts
Viaggio in Italia
, an extensive exhibition of works on canvas and watercolors in the Basilica Palladiana, with a fully illustrated catalogue of the works shown. Creates lithograph on stone with watercolor for the limited edition of
La Misčre des Philosophes
by Jean-François Lyotard, published by Editions Galilée, Paris.
, an exhibition of small scale works on canvas, opens at the Joseph Rickards Gallery, New York. In honor of the New York visit of the Rev. Seiyu Kiriyama, exhibits recent paintings at the Agon-shu Agama Gallery. Seiyu Kiriyama Kancho performs the Sacred Fire Ritual at the Unitarian Church.
Broken Silences
, the first retrospective exhibition of collages, is shown at the Vero Beach Museum of Art, Florida. Moves from his studio acquired from Willem de Kooning in 1963.
Invited by the Rev. Seiyu Kiriyama Kancho, travels to Kyoto in February for the monumental outdoor Fire Ceremony; visits stone gardens, temples and shrines and experiences the intensity of their stillness. Le Centre d'Art Contemporain of Bouvet-Ladubay in Saumur, mounts an extensive exhibition of recent works on canvas.
Series of lectures at The Butler Institute of American Art, Youngstown. Travels to Les Corbičres for an exhibition of recent work at Chateau Haut-Gléon. From the artist's studio in St-Paul, David Douglas Duncan purchases a large-scale painting, which he then donates to the Nelson-Atkins Museum of Art in Kansas City, Missouri. Travels to London to see the Barnett Newman exhibition at the Tate Gallery. Travels to Bordeaux for
Feu Sacré
, a theatre performance by Macha Méril with a large-scale backdrop of the artist's painting,
Phenomena Strike the Tiger
, texts by George Sand and music by Chopin interpreted by Jean-Marc Luisada.
Travels to London for his exhibition at the Redfern Gallery, and to Prato in Italy. Writes eulogy for Al Hirschfeld, published in the Art Students League quarterly,
Japanese television, NHK, films interview in the studio about Yasuo Kuniyoshi and the Art Student League years. Interview by the Biography channel for the documentary on Jackson Pollock.
A two-part exhibition of works on canvas from the 60s and the 90s is presented at Robert Green Fine Arts in Mill Valley, California. Exhibition of watercolors at Galerie Proarta in Zurich. Creates specific works on canvas in New York for
As Above So Below
, a temporary installation at the Abbaye of Silvacane, a 12th century Cistercian abbey in Roque d'Anthéron, near Aix-en-Provence. A painting from this series is shown at the Maison Cézanne in Aix-en-Provence.
Śuvres Majeures
, an exhibition of works on canvas together with watercolors, opens at the Palais des Beaux-Arts in Lille and is attended by over 40,000 viewers. Receives the gold medal of the City of Lille, awarded at the exhibition inauguration. Exhibition of works on canvas 1954-1960 opens at the Redfern Gallery in London. Exhibition of works 1954-2003 at Galleria Open Art, Prato, with accompanying catalogue,
Cosmogonie Interiori
, text by Bruno Corŕ.
Water and Color
, exhibition of more than 50 watercolors, including 5 of mural scale, is shown at the Arkansas Arts Center, Little Rock.
Feu Sacré
, with Macha Méril and Jean-Marc Luisada, is performed in Paris at the Théâtre Mogador, with a large-scale backdrop of the artist's painting,
Phenomena Strike the Tiger
, texts by George Sand and music by Chopin. The canvas,
(1956) is shown in the exhibition
L'Envolée Lyrique: Paris 1945-1956
, Musée du Luxembourg, Paris. Exhibition at the Maison des Princes, in Pérouges. Exhibition of works on canvas from the 70s at Robert Green Fine Arts, Mill Valley, California.
Paul Jenkins in the Fifties: Space, Color and Light
, works on canvas from 1955-1960 at D. Wigmore Fine Art, New York. The Ballet Western Reserve performs two evenings of dance choreographed to his paintings in the collection of the Butler Institute of American Art in Ohio. Travels to London for his exhibition of current paintings at the Redfern Gallery, and to Venice for a retrospective presentation of his works at the Cornice Art Fair by Galleria Open Art. Travels to Padua to see again the frescoes of Giotto in the Scrovegni chapel. The artist donates close to 5,000 pieces from his archive to the Archives of American Art of the Smithsonian Institution. This donation includes correspondence from Willem de Kooning, Beauford Delaney, Jean Dubuffet, Philippe Hosiasson, Thomas B. Hess, Joan Mitchell, Mark Tobey among many others. In addition, the collection contains a rich and extensive correspondence with the Seattle art dealer Zoe Dusanne, and art historians Albert E. Elsen and Frank Anderson Trapp. Donates over 400 black-and-white theatre photographs of Jean-Louis Barrault to the Special Collections & Archives of the Fenwick Library of George Mason University in Fairfax, Virginia. Selected and acquired by the artist in 1980, the photographs are of stage productions, theatre events and interior views o the company's successive theatres from 1979 reaching back to 1947 when, with Madeleine Renaud, the Renaud-Barrault Company was founded.
The Archives of American Art of the Smithsonian Institution receives more than 1,000 additional items for the Paul Jenkins Papers. Continues to work on canvas and in watercolor.
Recent Acquisitions—the Paul Jenkins Papers
, selected documents are on view in the New York City location of the Archives of American Art. D. Wigmore Fine Art exhibits
Paul Jenkins in the 1960s and 1970s: Space Color and Light
in New York City. The Pollock-Krasner House & Study Center in East Hampton, New York exhibits
"Under Each Other's Spell": Gutai and New York
, featuring work from the artist's Gutai collection — acquired during his stay in 1964 when he worked with the Gutai in Osaka — together with a painting by the artist from that time. The exhibition travels to The Harold B. Lemmerman Gallery, New Jersey City University, New Jersey. Participates in the panel
Gutai: A 'Concrete' Discussion of Transnationalism
, at the Guggenheim Museum. Donation to the Archives of American Art of eight watercolor drawings from 1977 by the late architect Frank Prince of a proposed building to adjoin the artist's sculpture park,
Meditation Mandala Sundial
The Galleria Civica Ezio Mariani di Seregno exhibits
Paul Jenkins Watercolors
. The UB Art Galleries of the State University of New York at Buffalo mount two exhibitions concurrently:
Paul Jenkins in the 1960s and 1970s
, expanded to include additional large-scale works, and
"Under Each Other's Spell": Gutai and New York
. Concurrent exhibitions at Palazzo Pacchiani and Galleria Open Art in Prato.
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text:
I used the Carlos method to unlock a 1.0.2. i updated my installer.app to 3.0 from 2.63 (via wi-fi).
Now everytime i try to open it it just goes back to the homescreen.
Is there anyway to rectify this? If not please suggest a way to manually remove installer (tried iBricker - doesn't show up in that).
Also, is it safe to use Itunes 7.4.3 (currently use 18.104.22.168) with an unlocked 1.0.2?


text: Vince Caligiuri, Getty Images More People Are Dating Online By Paul Wolfe October 22, 2013 | I-95 FM A new poll finds online dating is no longer for the 'desperate.' Read More Category: Articles, Local News, News, Polls, Social Media, Technology Tags: internet, Internet Dating, Match.com, Pew Poll Send to a friend! Print this page Share on Facebook Share on Twitter Pin it! Reddit This! Share on Tumblr!


text:
- How does the approvals process work in CMS2?
- What happens when an approver clicks the Approve or Reject button?
- How do I review the changes that have been made?
- OK, I am happy with the changes. How do I approve them?
- I haven't received any approval emails. Can I approve changes another way?
How does the approvals process work in CMS2?
CMS2 provides a structured approvals workflow that requires all changes to the University's website to be approved by a designated content approver. Changes cannot be published to the live website without this approval.
When a file is submitted within CMS2, an email is generated to the designated content approver outlining the changes and requesting approval. The content approver will also be able to read any comments added by the author or publisher. A screen shot of a sample email is attached below:
The approver can review the changes made to the document by clicking on the Approve or Reject these files button at the bottom of the email.
What happens when an approver clicks the Approve or Reject button?
Once an approver clicks on the Approve or Reject these Files button, a login screen for the CMS will pop up. Approvers need to enter in their Uni ID (eg abc123) as the username, and their normal University systems password. A screen shot is below:
Once the approver logs in, he or she will see a screen that is similar to the email, which shows the files submitted for approval and the comments entered by whoever made the changes. A sample screen shot is below:
How do I review the changes that have been made?
Approvers can view the changes made to a particular file by clicking on the View differences link that appears on the screen next to the Attached Files section. This will then show all of the changes made to a particular piece of content by bringing up a preview that shows the old and new versions of the file.
For the example above, if Tim clicked on the View differences link next to the Contact Us file, he would be taken to a screen that shows the old and new versions of the Contact Us file. A screen shot is shown below:
The one on the left is the one that has been changed, while the one on the right is the original version of the file. In the example, you can see that the amended file has a different heading Get in Contact to that of the older file Contact Us.
OK, I am happy with the changes. How do I approve them?
Once you have reviewed the submitted files, close the preview window. This will take you back to the main approvals screen. There are three options that approvers can select: Approve & Publish, Send back to author and Reject. These options are represented by the three buttons at the bottom of the screen:
- To approve the change, add any relevant comments into the Comments field and click on Approve & Publish. This will then publish the change to the University's website.
- To reject the change completely, add any relevant comments into the Comments field and click on Reject. This will then send an email to whoever submitted the content telling them that their changes have been rejected and will not be published.
- If the file needs more amendments before being published, you have the option to Send back to author for changes. You must add comments into the Comments field explaining what needs to be done. This will then send an email to the author asking them to make the required changes and resubmit the file.
I haven't received any approval emails. Can I approve changes another way?
If you are an area approver and you are not receiving the CMS generated approval emails when you know a change has been submitted, please email email@example.com.
Please note that Groupwise may have filtered your approval email into your Junk or other folder in your mailbox. Please check all folder inboxes before contacting the team.
Manual approvals
If you have not received an email, you can still approve changes in the workflow by logging in to the CMS system at http://cms.newcastle.edu.au.
Once you have logged in, you will need to navigate to the 'Workflow' tab in the top left-hand corner of the browser window. Please select 'Tasks' and then view 'All Tasks' from the drop-down menu.
Scan for the task that you are responsible for and select it. (You can locate the task by looking at the author's ID in the 'Requested by' column).
Click on the task. The bottom half of the screen will change to provide the task description; you can view the files contained in the task by clicking on them. Next, you should 'Take' the task by clicking the blue take button . This means that you are now responsible for approving or rejecting the workflow.
When you have finished reviewing the files, please choose Approve & Publish, Send back to author or Reject.
Once you have made your selection, the task will disappear from the workflow and an email will be sent back to the author with details of your approval.
If you have finished your task approvals, please log out.


text:
The Sisters of Mercy founded St. Bernard's Hospital in 1887. The first Mercy Hospital was then built to serve as an acute care facility in 1902. The two facilities merged in 1965.
Six years later in 1971, the Mercy Hospital of today was built as a 284-bed acute care hospital along with a 40-bed mental health facility. The combination of Mercy Hospital, Bergan Mercy Medical Center and Immanuel Health Systems formed Alegent Health in 1996.
The need for additional healthcare services in Pottawattamie County and the surrounding region will be addressed with a major expansion and other improvements for patients at Mercy Hospital. In 2007, the Alegent Health Board of Directors approved a $27 million investment to complete the expansion and enhancement project.
Highlights of the Mercy Hospital project include the addition of four intensive care beds and renovation of existing space for a total of 16 beds in the Intensive Care Unit, reconfiguration and expansion of the surgical area to enhance operating room suites to include the latest technology and patient preparation and recovery stations will also be added to improve patient care, comfort and monitoring before and after surgery.
Entryway improvements and additions will be made to ensure convenient patient access and additional surface parking will be added to serve outpatients visiting the hospital's ambulatory services center.
In the fall of 2006, Mercy Hospital undertook a $3.7 million renovation and expansion project to the second and fourth floors will provide an even higher level of comfort and privacy during a patient's stay. Once completed, the transformation on each of these floors feature private patient rooms; warm, inviting family lounges; and an overall home-like atmosphere aimed at promoting patient-centered care.
Mercy Hospital nurses also have distinguished themselves by achieving Magnet Status, the profession's gold standard for nursing excellence. Out of 6,000 hospitals nationwide, Mercy Hospital ranks in the top two percent (160 hospitals) to receive this prestigious distinction. The Magnet Recognition Program serves as the ultimate benchmark for consumers to measure the quality of nursing care they can expect to receive. Patient satisfaction survey results also rank Mercy Hospital's Emergency Department number one in the nation for overall quality of care.
The hospital's Joint Replacement Center has established itself as a leader by receiving the 2006 Premier Award for Quality. Mercy Hospital was selected out of approximately 400 hospitals as an industry leader after scoring high marks in the areas of length of stay, pain management, surgical outcomes, data management and overall operational efficiency.
In May 2006, Mercy Hospital opened a new state-of-the-art Cardiac Catheterization lab, allowing cardiologists at Mercy to perform procedures that they were unable to accommodate before – such as heart catheterizations, coronary interventions including balloon angioplasty and stenting, as well as implantation of pacemakers and defibrillators. The $1.8 million project included the addition of the latest technology, such as digital acquisition and flat-panel monitors. These monitors will allow cardiologists to view higher quality images of the heart and arteries, making blockage detection much easier. The new 850-square-foot Cath Lab is located between the emergency department and critical care units.
Healthcare services at Alegent Creighton Mercy Hospital include:
- Behavioral Services
- Chest Pain Center
- Critical Care
- Emergency Services
- Home Care/Hospice/DME/Infusion Therapy
- Maternity
- Mental Health
- Orthopedics
- Outpatient Surgery
- Pediatrics
- Women's Services
Some facts about the facility:
- 278 licensed beds
- 288 active staff physicians
- 156 full-time RNs
- 576 full-time employees


text:
Got game? The PQC Soccer Program is looking for student athletes who are interested in earning a higher education and competing at the collegiate level. Tryouts will be held 4/26 at PQC. Learn more here.
Copyright © 2013 PAUL QUINN COLLEGE | 3837 Simpson Stuart Road Dallas, Texas 75241 | All Rights Reserved


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You are hereHome › Calendar of Events ›
Calendar of Events
"The Complete Works of Shakespeare (Abridged)" at Lyric Arts
Peter Pan, The Musical
Once: 2013-14 Broadway Across America-Minneapolis Season
KFAI Spring 2014 Pledge Drive
Networking in the Environmental Field - Women's Environmental Network
Library Salon Series: The Library as Material
Sierra Leone's Refugee All Stars – at The Cedar
Kinetic Kitchen 10th Anniversary
Northrop Inside Out Grand Reopening: American Ballet Theatre
The Lowest Pair with The Dead Pigeons – at The Cedar
Sounds From The Underground Hip Hop Show
Workshop: Creating Content
Make a Move for MARS
American Ballet Theatre
Caravan Palace – at The Cedar
The Wave Project - Pledge Drive Edition
American Ballet Theatre
American Ballet Theatre
Evening with Novelist David Mitchell
2014 MN Music Summit
2014 MN Music Summit
Zeitgeist Early Music Festival: Music of George Crumb
The Platform Series
CollegeHumor Live
Wings Flight of Fashion
The Persuasions – at The Cedar
World Circus Day with Circus Juventas
"Click, Clack, Moo: Cows that Type" at Lyric Arts
Spirit Reach - A Twin Cities Tribute to Imamu Amiri Baraka
22nd Annual Alzheimer's Association Gala 2014
Fatoumata Diawara – at The Cedar
The Afterthought Party
Junebug at The Acadia
Full Moon Puppet Show - Pink Moon
Pianist Anthony de Mare Celebrates Sondheim 4/13
KFAI's 3rd Annual Black History Month "SoundStage" Rebroadcast
Condoleezza Rice
The Gaelic Harp & Its Three Musics
KFAI's 3rd Annual Black History Month Rebroadcast
Poetry Reading by Palestinian American Author Susan Abulhawa
Celtic Fiddle Festival – at The Cedar
Easter Extravaganza and Egg Hunt
Earth Day "Do the Math" Screening
Trey McIntyre Project
lake Street Ramblers at The Happy Gnome
Mid West Music Fest 2014
North of North
Peter Mulvey and Kris Delmhorst – at The Cedar
Dr. Dan Siegel
Studio Ramble Spring Art Fair 2014
A Prairie Home Companion
JazzMN Orchestra Featuring Miguel Zenon, saxophone
Studio Ramble Spring Art Fair 2014
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Home > > Patterns > Patterns U - Z > Vintage > Marquis Vintage Stainless Steel Flask
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text:
That would work with the UPC code.
Budget overuns on a house my wife and I are renovating are making it neccesary for me to do something I haven't done in a looong time - install a dwv system. Heck, even when I was doing it it was under the watchfull eye of a master!
The major code where I'm at is the Southern Building Code. Hopefully the attached image of my poorly drawn isometric drawing is understandable. The drawing can also be viewed by following this link DWV Layout
Although you can't tell it from the isometric, the wyes on the horizontal are on their side.
Thanks in advance.
That would work with the UPC code.
Before I could fully comprehend it, a wise plumber told me... "Go to your vent first."
Piping in this way will eliminate the unwashed, flat water closet vent.
I was taught that if you can, head for the water closet first. Doing it that way usually a bathroom can be plumbed and vented off of the lavatory only (as long as the wc isn't flushing past the shower of course).
Semi-professional plumbing designer
Enjoying life in SW Florida
No message
Last edited by Cass; 12-13-2005 at 04:18 AM.
All the previous comments are correct. My only addition is that what you call a "Y" is probably a combination Y-1/8 bend from the way they are drawn.
Last edited by Terry; 09-15-2007 at 06:53 PM.
Thanks to everyone for their comments and suggestions. Of course, I liked Terry's "that would work" best!
What dubldare is suggesting makes sense, and I'll change the way I plumb the drain at the water closet.
I've run drains the way FloridaOrange suggests; somewhere along the way I picked up the idea that individual drain runs to the horizontal work better in the long run. Follow up comments on the merits of either approach would be appreciated.
Finally, my drawing must be as bad as I thought. I wasn't planning on using combo wyes on the horizontal. Instead, I was going to rotate the long sweep 90s 45 degrees.
Again, thanks to everyone.
Wish you well on your project. I'm in S.Florida, everything is run as shallow as we can, most times backventing wc's (or showers) isn't real practical. I was just indicating the way I would have approached it but anyway that keeps your fixtures vented will work.
Semi-professional plumbing designer
Enjoying life in SW Florida
You're absolutely correct, FloridaOrange. If I had limited altitude or were building slab on grade I'd definately take your approach. Guess I'll head over to the house now to see what cost overuns, I mean problems, the carpenters have found today.
Thanks again to everyone.
Finally, my drawing must be as bad as I thought. I wasn't planning on using combo wyes on the horizontal. Instead, I was going to rotate the long sweep 90s 45 degrees.
In that case the lines to the long sweeps should have been horizontal rather than on a slope. In any case, I will try to arrange my systems so as much as possible connects to a single point. Which in your case would mean the toilet would go into a sanitary tee with a left hand inlet. The shower would go into that, which means it would not need its own vent, and the lavatory would arm over to the toilet's vent, so it would not need a vent either.
Last edited by hj; 12-15-2005 at 05:36 AM. Reason: text
Thanks guys. I believe the consensus is that my bathroom dwv layout should look more like the attached drawing. Much simplier and easier to install!
As long as no offsetting of trap arms beyond the 90 degrees shown, and maintaining adequate trap arm distances, you'll be fine in the situation shown.
The "KISS" philosophy works in plumbing just as good as it does in computers.


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English Department Faculty Profile - Dr. James (Jim) Dervin
|James (Jim) Dervin
Professor of English, Department of English
Phone: (336) 750-2328
Department of English
|• Ph.D. English UNC-CH American Studies
• S.T.L. (theology) St. Marys, KS
• Ph.L. (philosophy) St. Louis University
• M.A.T. (English) St. Louis University
• B.A. (philosophy & classics) St. Louis U
• High school teaching (Omaha & Milwaukee)
• Assistant Prof. W.F.U.
|Position Responsibilities
|Teaching, QEP Faculty, NCQuest Faculty
Curriculum VitaeCourses Taught: ENG 4302, Composition Theory & Pedagogy; ENG 3331, Literary Aspects of the Bible; American Studies; Writing for Publication; Advanced Composition; American Survey; World Literature I & II; Composition I & II, Remedial; National Writing Project Site Director
|Research Interest
|Biblical Studies; Composition, theory & pedagogy; Classical literature
|Life is a never ending learning experience, intellectually and spiritually. Everyone deserves the opportunity to understand this early, develop the curiosity and skills to explore all possibilities so that they reach their maximum potential as a complete human being.