text:
Recommended: Tsvi – Malfunction EP
Perhaps a limitless agenda is more of a detriment than a virtue in some respects. Online statistics, an objective gauge of popularity in music for most, in this instance intimate to us that a good chunk of label B. YRSLF DIVISION's output goes relatively unnoticed, which is a pity for a label that has at some point cultivated a flavor for everyone. A discography made up of venerable artists such as Obey City, Myrryrs, Pedro 123 and Seapoint among others now spans four years; the French imprint has certainly surpassed a fledgling status. Still, you simply don't see enough of Simon Bernheim's alien-like signage cover art when an EP drops, whether that's because their brand lacks a consistent sonic signature or not. A Truant—or anyone else susceptible to the unexpected—knows better, and the play button was clicked immediately when London newcomer Tsvi's debut-at-large Malfunction hit the net, B. YRSLF's fifth installment of a rather scattershot 2014 schedule.
While clearly positioning nearly half of Malfunction to fit within the club trax format, Tsvi remains pleasurably refreshing most of the time, though that's not to say it sounds like he wrote the EP completely ignorant of the contemporary transatlantic electronic climate either. Track 1, "Cop LAPD" is the most well-natured track of the bunch—which is of course in comparison to the racy (if not pornographic) eroticism that imbues "Something" and "Gold Cave"—for which Tsvi borrows Obey City's rhythmic elements: the mousse'd over bassline, sprightly chords, and 80s new beat-inspired drum programming. A flaccid, detuned melody suitably preludes the said elements, which all play loose, taking their own paths throughout the track, but still feasibly tight, arriving at the same rhythmic end. The producer sounds more than inspired by Jam City on the title track. "Integrating new DNA profile" voices a seemingly robot-assembling system, which successfully contextualizes the industrial mid-range sounds that give the track its jagged outline atop Jersey-influenced drums. To our pleasure, "I Married The Woman Of My Dreams" could be a cut off P. Morris's Debut.
The video treatment for "Malfunction" plays out very well in conjunction with the EP. The otherworldly montage was created by visual artist Matteo Zamagni with various techniques involving 3D photo-scanning, 3D fractal software, microscopic videos and audio reactive particle systems. The end result looks as if its a relic documentation of space exploration. The sun soaked alien scapes with these morphing anomalous organisms mirror the way Tsvi uses synths on the EP, bringing some old classic sounds into a new modern and highly stylized framework. The vocal samples, which we are pretty sure comes from Metroid Prime and Crysis, fit perfectly with the video, as if you are in a robot suit flying through space and your helmet HUD is reminding you of all the possible problems. Through out the video Zamagni creates stunning rhythm and motions out of these figures with incredible angles and swift cuts. Two thirds through the video the "danger" and "missile malfunction" samples come in again paired with error messages jilting out in different colors. Much like Dr. David Bowman in 2001 with the black monolith, once the viewer of Zamagni's piece makes contact they are thrusted through an abstract version of the space time continuum, hurtling off into deep space.
TSVI's "Malfunction" EP is out now via B.YRSLF Division.
Words by Michael Scala and Joe Linden, 29 January 2015. Leave a comment
Truancy Volume 108: Krystal Klear
Happy new year! 2014 was a great year for us at Truants. We celebrated the 100th edition of our Truancy Volume series, interviewed some bonafide heroes of ours and started the Temporary Trax feature to help keep our site ad-free. If you missed out on this or any of the year's other highlights then be sure to check out our 2014 roundup.
For now though, we're working on making 2015 even better. To catapult us back into the swing of things, we've got Krystal Klear on hand to deliver our 108th Truancy Volume. Last year was equally busy for the Dublin-born, Manchester-based producer with three releases, the birth of his own label and the expansion of his Labour of Love parties. This year shows no signs of any slow-down, with a stellar single featuring Yasmin scheduled for a release on Rinse/Island Records soon. In addition to his production duties, Krystal Klear is also a supreme DJ, which is why we're thrilled to present you with this Truancy Volume today. Not only does the mix perfectly encapsulate the man's undeniable talents behind the decks but it's also our longest mix to date, clocking in at over two hours. In lesser hands this could risk getting a bit dull, but here Krystal Klear expertly distils what his peak-time club sets are about, delivering a barnstorming two hours which hasn't failed to get us moving. We also caught up with him for a chat where we discussed New Year's resolutions, his new label and his progression as a producer and DJ.
Truants: Thanks for the mix! How have you been and what have you been up to lately? Krystal Klear: "I've been good! Truth be told it's probably been the most productive start to a new year I've ever had to be honest. I've managed to get a lot of music done and sort out a few home truths that were bugging me, but for the most part I've been keeping a fairly tame January lifestyle with the intention on getting a fuck load of music done."
This past year has been a busy one for you. What were your highlights and most memorable moments? "I'd be a gobshite if I didn't acknowledge that working with Nile Rodgers and Michael McDonald in New York wasn't the highlight of my life, never mind 2014! Otherwise a couple of memorable moments were playing Panorama Bar on NYE, Sonar with all the troops (those who were there will know why) and doing my first live visuals show in The Academy Dublin."
Last year also saw you starting your own label. What triggered you to want to start your own label? What would you describe the idea is behind Cold Tonic? "More so than anything, frustration was the reason behind it. To be honest, starting a label was the LAST thing on my mind but I was laundering out a lot of beats that, due to one schedule reason or another, weren't seeing the light of day. Without getting too methodical about it, I felt that my musical growth wasn't moving in line with my profile's growth which in turn adds confusion and a dishonest element to my audience.
I'm aware that could sound dead wanky so just to explain it briefly – while I was making perhaps tougher house stuff or weird indie cosmic disco stuff, the people following my music were finally hearing "Addiction", which was two years old anyway. So I was sick of waiting to release stuff and figured it be better for me in the long run to try keep my release schedule as close as possible to my production one.
Cold Tonic isn't really an idea or doesn't have an ethos. The photography does, which is basically a drunken diary with some madness thrown in. The label is about good music and music we love with a touch more of a dance floor aesthetic – simple."
Can we expect Cold Tonic to release other artists work or are you intending to keep it as an outlet for your own productions? If so, who? "10000% – I've already made a conscious decision to make the next couple of releases to be other peoples music which I'm much more excited about. I find it difficult to push my own music so with releasing other people's stuff it will be much more refreshing. Moreover, it will add a new dynamic to the label.
We are working with two artists in particular at the moment (both under pseudonyms) and we'll have something very special lined up for Record Store Day (potential kiss of death) which I can't really talk about JUST yet."
You were also able to bring the Labour of Love parties to Manchester last year. Can you tell us a bit about this experience? "Doing the Labour of Love parties have been amazing and something I have really enjoyed developing so far. It's similar to running the label in the sense that I have control over everything. Not that I'm a control freak, but it really enhances things for me if I know that everything fits the conception in my brain, if that makes sense. The Love parties aren't necessarily going to be every month nor every quarter, but simply when I know I can put someone on that I really respect in a space that can do it right. If people come, then it's a basically a bonus."
As someone who lives and runs a night in the city, what do you consider the best and worst parts of Manchester's club/music scene? "I have very little to complain about when it comes to the Manchester music scene. It's funny because despite the plethora of stuff on at any given point, there isn't any major rivalry or snide-ness which can come in other club scenes. It's cool because subconsciously everyone supports each other in some way or the other. It's nice to know that you can always rely upon a core of people who will show up regardless just to hear or see something new. Manchester is an extremely open minded city with incredible knowledge spread vast amongst its patrons.
If I had to nitpick, it'd be the lack or medium sized spaces with quality systems. Considering all the urban space surrounding the city, I still find it hard to believe that nobody has set up a tasty 500-800 capacity spot with an incredible system and solid, not over-the-top lighting arrangement, but then again with The Warehouse Project and Sankeys it makes these things semi understandable as to why they aren't there."
I noticed you tweet that you've started working on a remix for Kelis. You've done a fair amount of remix work before – how do you usually approach remixes? What are the challenges that come with them and what is your favourite aspect about them? "The Kelis remix never happened which was a shame because I was really happy with it, but apparently it wasn't her bag. I've done a lot of remixes of all sorts of acts, some of which I love and some of which I possibly should have thought twice about, but I generally tend to open the multi-track and start by muting bits and pieces to see how things sound without certain elements. Nine out of ten times I delete all melody and just work off the vocals and drums and build from there." Are there any artists/singers you'd still really like to remix? "No one really to be honest, but this year I would like to remix a good house or techno 12″ as opposed to the more major label pop stuff for a change. Either that or do a multi-track edit of an old disco belter like they have done with SAM or Salsoul comps."
Some of your recent music has a slightly tougher feel than what we've maybe been used to from you before. Was this a conscious change? "Entirely but naturally. See, the thing is is that I have always had a foundation for tougher music. As the years have developed I have made a broad horizon of music in the studio, from new jack R&B to acid, to harder stuff but never had the chance nor opportunity to release. Now, with Cold Tonic I do have this opportunity." Is this change reflected in your DJ sets as well? "The DJ sets have been a real mixed bag because there's still people there expecting to hear me play BB&Q Band which is fine. Sometimes I still do but now when I DJ I'm trying to delve more into my Hoya Hoya roots and cover a larger spectrum without being over self-indulgent. I never really want to be pidgeon-holed."
Can you tell us a little bit about the mix you did for us? "I guess I wanted to make a statement really, as most mixes I've done try to cover the whole tempo scale via 8 different genres from funk to techno, but with this I wanted to treat it like it was 2am in the club and I was about to go on and play. I want to give people a true representation of where I'm at. I've been working on doing a mix for fucking ages, but my record selection was becoming fucking impossible to widdle down. After numerous Serato crates and record bags I just said 'fuck it', pressed record and went for it." What's the perfect setting for it to be enjoyed? "Best setting is with your pals about 8-9pm smashing beers before you go out. I don't think this one for an 8am bus journey to work, but then again I could be wrong."
What can we expect from you this year? Have you made any New Year's resolutions? "Get an album done properly and not fuck around like I have done before."
When was the last time you danced? "This morning at 10.30 am to Leon Ware – Inside Is Love (was more of an arse wiggle via cooking eggs).
Words by Matt Gibney, 27 January 2015. Leave a comment
Happy Holidays From Truants
Happy holidays from all of us here at Truants! We look back on another year of wonderful content made possible by the best crew on earth. Our sincerest thanks to everyone that has contributed to and supported Truants over the past year, especially to all of our writers and visual artists that have worked hard to transform our concepts into reality. A special shout out to Matt and the Her Records crew for initiating Temporary Trax to help keep our site running, we are so humbled by the feature and are excited to see what content it will bring us in the future.
We're taking a short break for the holiday season and will be back in January. Until then, our Soundcloud will continue to host the countless hours of music that make up our Truancy Volumes, Functions of the Now and more. If you need a little inspiration, below are some of our #2014Faves that we're proud to call our own. We can't wait to share with all of you what we've got lined up for the new year.. See you in 2015! Continue Reading →
Words by Sindhuja Shyam, 24 December 2014. Leave a comment
Functions of the Now XI: Air Max '97
After a heavyweight Functions of the Now entry by Bloom we now shift our gaze back down under, where Air Max '97 has been hard at work creating new spaces and possibilities for the club. With an open-ended, exploratory process, Air Max's work hones in on lush texture and rhythmic imbalance, on the dancefloor its felt as confronting, challenging yet undeniably fun and playful. These themes were fully explored in his label-debut "Progress and Memory" on Liminal Sounds, though traces can be found in his earlier self-released material ("Recurse", a sleepy-eyed wake-n-bake soundtrack, is a personal favourite). On January 26 we'll be taken deeper down the rabbit hole with his follow-up Liminal EP "Fruit Crush", 3 tracks of twinkling dancefloor magic in which his unique approach fully crystalises. These dense rhythmachines are instantly recognizable as Air Max's, they are a Galapagos island of images and iterations. Again we find only a tangential connection to grime, an admiration of its sonic and spatial magic and a knowing respect for its historic and current communities, contexts and localities. The impact of grime is felt as sonic philosophy, as process and possibility.
In partnership with DJs Aspartame and Rap Simons, Air Max 97 runs Melbourne's club ESC, where a growing community of pluralistic aliens regularly join together to experience their particular brand of 'oblique club trax'. I made the trip down earlier this year to pray at the alter of Total Freedom, a night that won't easily be forgotten. What is amazing about club ESC is it is a space of true collective euphoria and embodied resistance, those qualities so often spoken about but so rarely achieved in nightlife. The night's name references those promises of disembodiment that arises out of both club space and digital existence – at points during the night the audience is blanketed with smoke thick enough to provide a transcendental cocoon, inviting them into nothingness, into total freedom. Air Max 97's bent noises and utopic club nights both encourage us to move differently, to break two-step hegemony.
As always there've been some amazing happenings in the FOTN sphere, the most devastating being the anthemic Gage and Kevin Jz Prodigy collab on Crazylegs. We need barely even mention "Bad Bitch" (read Tayab's excellent review here), but it perfectly encapsulates what is wonderful and exciting about club music at the moment. Another flowering convergence can be found in DJ J Heat's remix of M.E.S.H.'s "Scythians", in which M.E.S.H.'s lush design is reconfigured into a floating Jersey requiem. The rest of the remix EP, with contributions from TT faves Lotic, Logos and Grovestreet, is also essential. Berlin-based Soda Plains issued a deadly single on the excellent Black Ocean, a pair of heavily melodic weapons primed for freaky dancefloors. Elsewhere Imaab's contribution to Trax Couture's World Series offers a set of gritty industrial drum trax par excellence, if you need more kicks in your life this is the place to find them. Also highly recommended is OMAAR's EP (and everything else, really) on Mexico's NAAFI imprint. For us NAAFI are one of the most exciting crews around at the moment, their mix of high-sheen club vibes and the homegrown rave sounds of Mexico and the surrounding area has added a whole new element to this soundscape. Check out their PIRATA compilation for further evidence of their seam work.
We also caught up with Air Max on Skype for a lengthy chat – check it below. We'll be back in 2015 and hope you've enjoyed 2k14 as much as we have, see you on the other side! We're so thankful that it's "Wanna Party" that fittingly takes us out for the year.
Hey Air Max! I'm gonna kick off with a question that Martin Blackdown often starts his interviews with which I think is quite cool: where is your head at, musically speaking, at the moment? "What do you mean exactly, like in terms of my production or what I'm getting into?" I guess both and how they interrelate. Like for me I could tell when, for instance, you had heard DJ Lag and then hearing bits and pieces sprinkled throughout your stuff. "Yeah, I feel indebted to a lot of Gqom stuff at the moment, that's been super inspiring for me. But it's funny because I was playing some SA stuff while Lawson Aspartame (of club ESC) was around, and he was like "what's this new Air Max '97 shit?", haha. So I feel like me becoming aware of that music was really timely because I was already heading into that vibe a bit. Certainly the Nidia Minaj remix has got a strong Gqom feel, but I feel like a lot of that was already present in Nidia's Tarraxo rhythms. I've been chatting a little with some Durban people and I've got a few loose plans to collab, we'll see how that goes. I love that vibe, it's so dark and percussive. Melody is very restrained and there's a lot of tension and a very masterful use of a reduced palette." It feels like its constantly about to explode. "That bpm is really good for me at the moment as well, I find myself playing a lot around 128. I've really been getting into lower bpms and playing around with some different vibes, some hypnotic energy rather than straight up 135 aerobics!"
What about the production side? "Production-wise I've just been finishing these two EPs. The Liminal Sounds follow up is called "Fruit Crush" and will be out January 26th on vinyl and digital. The title track has been kicking around for a little while, it's a bit of a monster. "Shape Cut", which is in the mix, was written more recently. "Armour Form" was written in February when Jon Strict Face was here for club ESC. We hung out in my apartment the next day on no sleep and wrote a tune together in like 4 or 5 hours. Then there's the other EP for Trax Couture's World Series, which should be out in March. I just finished mixdowns for that. The Liminal one is quite sonically colourful. I sent all my dubs to Sam and Sara and they made a selection that maybe I wouldn't have, but then I listened through and went, 'wait, this is really cool! It really makes sense'. The choices that Rushmore made for the Trax Couture EP are relatively stripped back and a bit darker."
So did you approach the two EPs differently? Or was it on the shoulders of the people from the label rather than writing for a release? "Yeah, the former. I haven't worked in that way yet, writing for a release. I just write tunes whenever I can. Some I write one in a single afternoon and some take months. Basically, I write them and then they go into my little collection of dubs and I send them around." Do they follow on from the first EP or are you feeling out a different vibe? "Ah, well, I'm still trying to figure out what I'm doing really! The Liminal EP I'm really happy with as a follow up, it occupies a space that follows on from the previous one but it's a bit more of a tighter zone, it's like a more specific vibe that's articulated in three different ways. I also like it because it has quite diverse tempos. The one for Trax Couture was perhaps a moment where I was trying to make more drum tracky stuff, like 'tool' style things. I guess I go through little periods where I find myself doing different things. I have a tendency to work towards pop structures but I'm interested in pushing myself to work differently, like for example making a structure more about shifts rather than build-ups. I don't know; my process is very exploratory. I don't really sit down and go 'OK I'm going to make this thing to serve this purpose', it'll be an inspiration, whether that's a little rhythm in my head or a melodic thought, or even just a couple of sounds and then the ideal projects seem to write themselves and I make sense of them afterwards." Lots of people say that about writing tunes, that the best ones write themselves. "Yeah, it's so true though! I really appreciate the momentum of writing music and I'm quite wary of erasing that by trying to too carefully fine-tune something. I find often what makes a track really work is just the juicy idea that, if you're trying to polish up later, you might actually obscure."
That reminds me of Objekt. He always says in interviews its takes him like 6 months to make a track, and then on the other hand you read about Girl Unit or Ikonika who have said they tend to move on very quickly if it's not working in the first couple of sittings. But Objekt tunes things so finely that they kinda come back in the other side and you find these weird, fucked grooves in the immense detail. "I have heaps of admiration for an approach like Objekt. I don't have too much insight into the ways other people produce but I sometimes hear stuff and go, wow, every single instance of every sound has been carefully manipulated, every sonic event is unique, and it's incredible. I'm super in awe of that and part of me aspires to that but the part of me that vibes off that initial idea outweighs the other. Time constraints, too. But Objekt's stuff pushes so far that it ends up in this totally different space and you just can't mess with it, it's totally sick. But I also don't have the technical ability, that person seems like a scientist." Yeah but that's all just part of this genius myth, like 'Renegade Snares' where the breaks are all intricately and individually handcrafted. "Yeah, actually one more thing, I'm an advocate of a good idea and a grimey mixdown. The world is so full of immaculately produced music that I feel like there needs to be a space where the thing doesn't have to be perfectly realised. There's no point in having a beautifully produced track if the content isn't making things move. We exist in a really unique space right now. I did this really nerdy thing when I was in Indonesia recently where I went through Resident Advisor's top 50 tracks of the year in reverse chronology. If you go back to, say, 2008, already shit sounds fucked! Way less HD, heaps shoddier, heaps less tight. The current production climate is this terabyte era where you can really go super detailed on stuff and that feels really natural to us but it's actually recent in the history of dance music for stuff to be this precise, sharp, punchy and aggressive."
The relationship between DJing and producing has been one of the interesting themes to come out of this series, I wonder if you could shed some light on your practice in that respect? "Playing out is really instructive, I tend to play a lot of my own stuff and things in progress to get a sense of how they're behaving. That's been hugely instrumental. DJing is a fundamental aspect of my production practice." How has the context of club ESC played into that specifically? "It's my favourite context to play. I feel very at home and I can play exactly what I want to play. It's awesome, club ESC is beautiful. I love it so much. [looks off wistfully into the distance]"
How did the club ESC nights get started? "It's the usual story of wanting to have more club experiences and wanting to be able to play on a more regular basis. It was obvious that the only way to do that was to do it ourselves. Jona (Rap Simons) and myself had known each other for quite a while and then realised one day while chatting that we had quite similar music tastes. We were making tentative steps on the club night but when I met Lawson, he was really the missing part of the puzzle. Actually it was really cute, I was playing in early 2013 and like, no one was there – it was really early in the night so it was just my partner and Jona sitting down at the back, and then this lone dude dancing. I was played my set and at the end we were all like "Who was that dude!?" and he'd disappeared. About an hour later that person (Lawson) tweeted at me, so I DM'd him and organized to meet up and it became immediately clear that we were very like-minded. So that's how it started. It works really well, the three of us are organizers and resident deejays. Jona and I handle all the graphics and art direction, with input from Lawson, of course. Lawson is the logistical mastermind. We're up to number 5 now for this year. It's basically just a bunch of our friends, it maybe flexes beyond that from night to night, but that's the core. And that's super special, that community means so much to us. It's so fucking humbling to see people come out to every night, I feel a really deep sense of respect and reverence for, and responsibility to them, because you know, club music isn't shit without dancers." Yeah, that community thing is something I really noticed. What I found interesting is that there were lots of lights, usually I personally prefer pitch black, but the vibe was obviously popping off. Lawson was saying you guys wanted to create a platform where people can be quite performative, to see and be seen so to speak (but, like, not in a surveilled way), and that played into the way you guys engage with your community. I'm wondering how you go about those kinds of things – lighting, DJ placement and other structural aspects of the night and how those things might help to foster a community? "With the lighting, you make it sound like club ESC is super bright – I think we're still in the dark end. But a lot of the time our hands are tied with the venue, they need to have a certain amount of light or whatever. We have fun with it, we change the colour or temperature of lighting according to the theme of the night, but I don't know if keeping it bright so that people are visible is necessarily a conscious decision. Intense darkness can also sometimes make people feel unsafe. One of my favourites was number 4 with Simona Kapitolina, she played a 3 hour techno set and that night we had a really bright projection of time-lapsed flowers opening and closing on loop, and the stage was flooded with pink light illuminating $300 worth of flowers we had all over the DJ table. And that felt really right. Other nights the lights might get cut at some stage and that feels really right too, so it depends. I know you're really invested in the idea of the invisible DJ but it can also be wonderful to create a platform for our guests to be visible and do their thing, and if audience members aren't into that they can rave out at the back of the room."
So with these structural aspects of the club space in mind, how does club ESC relate to queer identity? "Well, I love queer dance floors. Queer dance floors are way better than straight dance floors. Dance floors where people are on E are also definitely my favourite. Although obviously people should do their thing and shine bright as they wish! It's interesting because it's not part of the mission of the night as such, it has just ended up that way. It's something that we've talked about a bit, among ourselves and with some of our friends who attend often, figuring out how to maintain that or prioritise the enjoyment of club ESC for the queer people or trans people that turn up. It's ideal for that space to be accessible and safe for everyone. I identify as queer, but we collectively don't feel comfortable advertising as a queer night or laying claim or trying to speak for, for instance, the trans community here in Melbourne. Which is structural: that's not our story to tell, club ESC is really just our beautiful friends that come and party and we try to make sure that it's as fun and safe as it can be for them. It's as simple and as complicated as that."
Your involvement with the art world comes at a cool time because the intersection between contemporary art and dance music is super interesting at the moment, there seems to be a really productive and invigorating relationship forming with digital platforms really opening up music to aesthetics. I hear your music as quite conceptual in that artsy way, I was listening to one of your tracks the other day and had this realization of like 'damn everything in this track is so wet' – not realised in that seapunk method of signification but in a more physical and visceral way. It might've been damp or moist or dewy but always within that ecosystem. "Haha, that track probably just had too much reverb. But yeah, I definitely identify with that, when I think about writing club music I try to go in with an expanded mindset, I don't go in to write a house track or a grime track… I'm really not interested in recreating something that already exists. I'm interested in abstraction, in generating cool sounds that can coexist and building relationships between sounds and textures that are affective or interesting. I'm interested in the boundaries. I have this one rule that it needs to work in the club. I want it to be affective. Beyond that one rule, I wanna fuck shit up as much as I can, and I don't know how successful I am with that. I try and force myself to not use that drum sample but find an instance of the frequency that I want in a completely different sound. I think this has a lot to do with where I fit culturally, I don't feel I can lay claim to any established genre because that's not where I'm from."
Yeah word, I've been thinking a lot about this Australian/outsider cultural identity and it's really interesting to hear the way your location affects your approach to sound design. I think this context has created some really cool, weird shit, like your stuff. When I interviewed Justin of Victoria Kim he said, you know, 'we're all just imitating people but doing it wrong', which is an interesting perspective and pretty true. On the other hand I definitely feel like your music exists outside of that a little bit, so I'm wondering how your identity plays into your music? "Firstly I do not identify as Australian. Technically I'm Dutch, I was born there but grew up in New Zealand. I'm also politically very suspect of the nation state. So it's kind of complicated. If I had to choose it would probably be New Zealander. I feel like these issues are super complex especially because of the colonial histories of both of these countries, which I think needs to be addressed as part of this conversation although I'm probably not capable of doing that properly right now. But bringing it back to the musical space we occupy, I think it's a blessing and a curse really, this southern hemisphere existence. If I was somewhere that had super established protocols or styles or something, I would possibly just be making much more straightforward 'genre x'. With the lack of mentors or scenes also comes a great deal of freedom. I really appreciate Victoria Kim's idea of doing stuff wrong, like in the absence of an established protocol or context for creating a specific kind of music, trying some shit and making a bunch of mistakes that sound cool is probably the best thing. I listen to my own tracks and can hear that they sound way off, but it's good that it doesn't sound 'right'. I am very conscious of not concretely copying things from other genres, especially genres that come from very real communities, often minority communities or communities that are socially marginalized. For better or for worse, I've kind of been associated with grime, and that's cool but I don't actually identify that way because I genuinely feel that I cannot lay claim that to culture at all. The degree to which I identify with grime is maybe this thing that I've heard from interviews and some writing about when grime was emerging out of a more polished garage context, and people would say 'fuck off with that grimey shit'. So like, grimey but not capital G 'Grime'. It always makes me uneasy if some privileged suburban kid is making tracks with ha crashes when the last track they made was a Jersey club track and the one before that was a footwork track… Yeah, I've been having a bit of a crisis lately about negotiating this stuff. This also plays into what you said before about being associated with grime. Like me doing this weird column as a 21 year old cis-whyte-boy from inner-city Sydney… it's ridiculous, really. But I'm kinda stumped for what to do. "Aw man, I know that feeling exactly. I think it's important to be able to critically deconstruct that blogger-in-Sydney-situation but also acknowledge that its absurdity is kinda wonderful. Because I definitely struggle with that too: at the end of the day me building my practice and 'career' is just another white man taking up cultural space, which is not really what the world needs right now. It's just about finding some balance between doing the thing but being aware that you're taking up space and doing so in a self-conscious way. And if that becomes a position of power, just being aware and sensitive to that. I'm interested in owning that as well, like owning the fact that I pass as a man, but trying to be true to kinds of masculinities I identify with that aren't normative and like smuggling those in along with the pass. Being a bit femme or cute or whatever and just trying to make some noise from within the system."
Considering the emphasis on the body in recent critical theory and also your emphasis on club functionality and affect, I was wondering if you could delve into the kinds of (dis)embodiments or mindstates you're interested in producing or that you enjoy when raving? It's interesting as well that the idea of liminality is obviously closely tied to the Liminal Sounds label, but also Fade To Mind alludes to that certain state of becoming, of the in-between that club space can put you in. "Yeah, the relationship to the word liminal is wild, that's definitely a concept I'm really fascinated by. It's very serendipitous or appropriate that I'm releasing with those guys, although we haven't actually talked about that yet. I'm very interested in the concept of affect, I don't do so much reading right now but for a moment I was doing some reading around Deleuzian sort of thought that explores ideas of affect and becoming and pre-individuality. These concepts are very hard to discuss because the language we use to discuss them has to operate in a way that marginalises the inbetween or the relationality of the world and of things. And our Western capitalistic framework privileges much more fixed notions of identity. The degree to which one can gesture towards this stuff within music, club space or the dancefloor is a whole other thing that I don't know if I've put a lot of thought into, but I definitely love those ideas. Then, in terms of specific 'effects' or mindstates that I'm interested in inducing, I don't know, one of the little handholds I have on the concept of affect is that moment when you're experiencing something and all the hairs stand up on the back of your neck, and I get that sometimes with music, so maybe something like that? I'm also just trying to inspire movement. Some tracks that I hear in a club I just can't help but freak out and move and close my eyes and surrender to. There are really different ways of dancing, like where you're kind of in control of what you're doing, consciously maintaining a rhythm, but then there's also times where, for me I'm just like, freaking out, haha. I'm not interested so much in alienating my audience, which kind of goes back to that threshold of club functionality. I want things to be disorientating or unusual for the dance floor to a degree, but I don't want that to be something that will make people tune out or feel bad. I wanna be able to hopefully boogie around on that threshold in a way where it can be as much infectious and sexy and like, kinetic as it is alien."
Cool, let's finish up with some business – what are your plans for the next few months? "I'm going to be on tour in Europe in May and June, also trying to tour Asia next year. club ESC are in talks about doing a nationwide Air Max '97 tour soon and I've got gigs coming up in Adelaide and Canberra. Basically club ESC continues as long as the three of us are in Melbourne, so I'll be working on that as well."
Words by Tobias Shine, 19 December 2014. Tags: FOTN | Leave a comment
Recommended: Delta Funktionen – Setup One: Decorum
Reissues and represses were aplenty in 2014, but it's not something we often cover here on Truants. In terms of a few highlights, Donato Dozzy & Neel put out the brilliant Aquaplano Sessions compilation, Berceuse Heroique put out an old 2002 Bitasweet record from one half of 4hero and Dance Mania went all out with a double disc release featuring 20 plus tracks chronicling some of the labels earliest releases from 1986 to 1997. Although not on as big a scale as some of the items just mentioned, a recent repress of Niels Luinenburg's classic first Setup record has quietly landed at a number of online vendors amidst a tonne of end-of-year lists. Originally released in 2010 on Delsin sub-label Ann Amiee, Setup One: Decorum served as a starting point for a trilogy of releases that followed with Setup Two: Fusion and Setup Three: O/F/F in the following year. Enjoying a small rise to notoriety with just a small back catalog and a particular track called "Silhouette" being hammered in the techno community at the time, 2010 saw Niels capitalise on his penchant for functional techno on Decorum while also flirting with ideas of experimentalism and abstract ambience.
The first track on the record, "Abundance", is arguably the track people might pull for the most at peak-time hours in the club. The exceptional claps alone and their rolling arrangement make this a highly effective weapon, with the bass/acid licks driving this all the way till the finish. Things fall into the deeper side of the techno spectrum with tracks "One's Space" and "Please Identity", while "Erosion" sees Delta Funktionen dropping the techno in favour of mesmerising ambient soundscapes, which rounds off the release nicely. Although the repress comes as a hand-stamped 12″, it's probably worth pointing out the brilliant artwork by Boris Tellegen that blessed the original press and the following two records in the series. It's very likely if you own any Delta Funktionen releases, for that matter, that you might recognise the Dutch artist's signature style. Sure, Setup One: Decorum wasn't the best techno release of 2010, but whether you source out the original on Discogs for the artwork or buy the just released repress, this is a must-have record for anyone wanting to beef out their club-ready techno collection.
Delta Funkionen – Setup One: Decorum is available to buy from the Delsin store, Phonica, Juno and other popular outlets.
Words by Riccardo Villella, 18 December 2014. Leave a comment


text: Wacky Sports Photos of the Week (Feb. 25-March 3) Wacky Sports Photos of the Week (Feb. 25-March 3) California H.S. team reinstated after DQ for pink-lette... California H.S. team reinstated after DQ for pink-lette... by SI Wire Girls' hoops team disqualified for pink-lettered unifor... Girls' hoops team disqualified for pink-lettered unifor... Boomer: Curt Schilling and I know the cost of being on... Boomer: Curt Schilling and I know the cost of being on... The Highlight Zone: Biggest plays, latest news from las... The Highlight Zone: Biggest plays, latest news from las... by SI Wire Faces in the Crowd: Feb. 23, 2015 Faces in the Crowd: Feb. 23, 2015 by Ali Fenwick An in-depth look at ESPN Audio and the future of sports... An in-depth look at ESPN Audio and the future of sports... by Richard Deitsch Laboral Kutxa, Bilbao Basket game turns into brawl Laboral Kutxa, Bilbao Basket game turns into brawl by SI Wire The Highlight Zone: Biggest plays, latest news from las... The Highlight Zone: Biggest plays, latest news from las... by SI Wire A call to give Dick Vitale one more Duke-North Carolina... A call to give Dick Vitale one more Duke-North Carolina... by Richard Deitsch Playing In The Bush League: The sporting life of Presid... Playing In The Bush League: The sporting life of Presid... by Curry Kirkpatrick SI 60 Q&A: Curry Kirkpatrick plays tennis and talks tra... SI 60 Q&A: Curry Kirkpatrick plays tennis and talks tra... by Ted Keith SI.com's 10 most popular stories from the week ending F... SI.com's 10 most popular stories from the week ending F... by SI Wire Report: English Premiership rugby discussing eliminatin... Report: English Premiership rugby discussing eliminatin... by SI Wire The Highlight Zone: Biggest plays, latest news from las... The Highlight Zone: Biggest plays, latest news from las... by SI Wire Nevada regulators vote to allow sports betting for 2016... Nevada regulators vote to allow sports betting for 2016... by SI Wire New York City girls' basketball team wins playoff game... New York City girls' basketball team wins playoff game... by SI Wire Openly gay athlete speaks out after school calls homose... Openly gay athlete speaks out after school calls homose... by SI Wire Close Tweet0 Share0 Comment0 Share0 Share0 Stumble It0 Print0 More More Sports MMQB Mail: Eagles get first-round value for McNabb; Stallworth retort by Peter King Twitter Email Posted: Tue Apr. 6, 2010 While we can debate the wisdom/insanity of trading an in-his-prime quarterback within the division to a rival that desperately needs a QB, we won't know for two or three years whether Eagles coach Andy Reid did the right thing for his franchise Sunday night in dealing Donovan McNabb to the Redskins.We can, however, make some judgments about the compensation level Reid got from Washington (a second-round pick in this year's draft and either a third- or fourth-round pick next year.) And in that, we can get into some pretty good arguments.From the fans in Philly unhappy with getting "just a second-rounder and something next year'' for McNabb, I'd say that's a pretty silly way to look at it. The second-round pick is the fifth pick in the round, the 37th overall, in what most football people think is somewhere between a good to very good draft. The third/fourth-rounder next year is currency, a chip for a Philadelphia team that aggressively trades picks and players and is married to no one.The Eagles could have traded McNabb to at least two other teams for a second-round pick straight-up, I'm told. I'm assuming those are Oakland and Buffalo. Instead, they got a better second-round pick, plus a future middle-of-the-draft choice.Let's look at the value they acquired using the draft chart first put in play by the Cowboys 20-some years ago to help Dallas make quick decisions on draft-day trades by assigning every pick a point value, with a slight twist. The draft-day chart makes no allowance for a good or bad draft. Because this year's draft is clearly above average, I'm going to inflate the 2010 second-round pick by 10 percent. And to assign value to the 2011 pick, I'm going to arbitrarily give the value of a sandwich pick between the third and fourth rounds -- the 97th pick overall. The yield:• The value of the 37th pick this year on the trade chart is 530 points. Using my math, let's inflate that by 10 percent, or 53 points, and give this pick a value of 583 points.• The value of the 97th pick on the trade chart is 112 points.• The total value, then, from the McNabb deal is 695 points. That translates to about the 26th overall pick in the draft. (This year, the Cards pick 26th, with a value of 700 points for the pick, and Dallas picks 27th, with a value of 680 points.)I understand that if I'm inflating this year's pick, it stands to reason that the 26th pick would have an inflated value too. But I inflate because I know the Eagles could well use the 37th pick as trade bait, and there's a good chance it will have more value in dealing for a future pick (a first-round pick in next year's draft, for example).Philadelphia has dealt a second-round pick for a one the following year. And with such a strong crop atop the draft, it would stand to reason that the 37th pick in 2010 would be worth a first-rounder in 2011 to many teams. So if McNabb ends up being worth picks in the middle of round one and middle of round three, for example, in 2011, then we'd be talking about much greater value than we're talking about now.The Eagles had three quarterbacks in the last year of their contracts. They wanted to keep Kevin Kolb to be the quarterback of the future. It's hard to allow Kolb to be that quarterback of the future if he sits behind a 33-year-old McNabb. This is one reason the Eagles didn't have a great market for McNabb. As ex-GM Charley Casserly told me this morning: "There are two ways to consider trades. One is theoretical; if Rob Johnson were traded for the eighth pick in the draft, then Donovan McNabb is certainly worth more than a two and a lower pick next year. But the second way is dependent on the year. And this is just a different year. It's what you can get for a player when you really want to trade him.''If I told you that you could get the 26th pick for a player you felt like you really wanted to trade, wouldn't you think that's a good deal? I would -- even if the player ends up on a division rival -- if you're confident the player you have is better, and if you're confident the player you're trading has enough inadequacies to his game that you don't think he can hurt you.That last point is probably the key to this trade. And only Reid and the coaches closest to him know if it's true. You can be sure of one thing: Eagle fans will remind them, quite loudly, if they erred.***I appreciate the flood of e-mails and Tweets about my Donte Stallworth story Monday. Some of you thought I was balanced; some thought I was too pro-Stallworth. What I tried to do is tell the story fairly of the night he committed vehicular homicide, and the events that led to it. Many of you wrote to say you didn't believe that Stallworth could have tested at a blood-alcohol level of .126 by having, as he said, four shots of liquor and no other alcohol, and then being tested after the death of Mario Reyes -- about three hours or so after he consumed the alcohol.A California Highway Patrol officer in northern California, Brian Geraghty, wrote to say he believes the difference between .126 and the legal limit of .08 in Florida "is significant in terms of brain impairment'' and he believes there's no way Stallworth could have had a .126 level with four drinks -- even if he had nothing to eat all evening. We'll start with his e-mail:• ONE VIEW ON STALLWORTH. From Brian Geraghty of Berkeley, Calif.: "Hi Peter, thanks for the great columns each week. I don't think I can believe Donte Stallworth is trying to change his image when he's obviously not being truthful about the night he drove drunk and killed another human being. The guy weighs 200 pounds, had four drinks in four hours and took a nap in between and still blew a .126? Ridiculous. I'm a California Highway Patrol Officer and know that you'd have to be a 100 pounds to have that BAC after 4 hours. Let's be honest and say that Mr. Stallworth is trying to rehab his image because he wants to get paid more money.''Fair point. I checked out the California Highway Patrol website and used the chart that can estimate blood alcohol content after a certain number of drinks, and the BAC would read about half of .126. I reached out to Stallworth on Monday night, told him of the skepticism, and asked him for a response. He said via text message: "Regarding the officer, I think I'll just let my words stand on their own. I'm trying to move past this and I don't want to go back and forth with every person who has an opinion that really doesn't know the facts.'' You'll have to judge for yourself whether Stallworth was more than just marginally impaired when his car struck a man and killed him in the pre-dawn hours of March 14, 2009.• ANOTHER VIEW ON STALLWORTH. From Andrew Lane of Brandon, Manitoba: "Thanks for the story about Donte Stallworth. Like so many things, this story is not clear-cut; you did a great job of presenting the story without judgment, yet with a deep sense of the emotion that this tragic event generated for all involved. I wish Mr. Stallworth well and I extend my condolences to the family of the man who died in the accident.''Thanks.• KEEP HIM. From Steve of Fairfax, Va.: "I am curious to understand what the Eagles will do with Mike Vick and his $5.6 million contract if he is not the starting quarterback.''He'll be the backup to Kevin Kolb, and play his 2009 changeup role at least a few times each game -- and more if Kolb is either injured or lousy.• THE LIONS HAVE HOPE, HE THINKS. From Craig Ikens of Chicago: "As a lifelong Lions fans, I've been very impressed with the work of Martin Mayhew since he took over for 'he-who-shall-not-be-named.' It's already been a very business offseason (Corey Williams, Kyle Vanden Bosch, Nate Burleson, Chris Houston and now Rob Sims). What are the impressions of Mayhew around the league and your impressions of his work to date?''Mayhew got high grades among his peers for the compensation he got from Dallas for wideout Roy Williams (first- and third-round picks), and his first draft -- I believe -- will go down as a very good one, with a quarterback, tight end and safety who should all be cornerstone players. Louis Delmas, as you've seen, is a terrific tackler and rangy cover player in the secondary. The reviews so far are very good.• THE LIONS ARE TOPICAL THIS WEEK. From Rich of Minneapolis: "I don't think enough attention has been made to the Lions possible drafting an OT. You mentioned it in MMQB, but most mock drafts have the Lions penciled in taking Ndamukong Suh or Gerald McCoy, defensive tackles. I don't think it can be underestimated that the NFC North has three very legit pass rushers (Julius Peppers, Jared Allen, Clay Matthews) and the Lions can't afford to have Matt Stafford on his back as much as he was last year. Don't you think it's possible that even if they stay at number two that they take Russell Okung, the tackle from Oklahoma State?''Possible if they trade down, but unlikely if they stay at two. My belief is the two defensive tackles -- a position of great need for the Lions -- are such strong value that Detroit would take their DT of choice at two and then take an offensive tackle with the second-round pick. Promoted Stories Comments

subset: commoncrawl


text:
dog lover, vegetarian, & bicycle enthusiast/mechanic.
Yvonne has completed online and offline ID verification.
We had a great stay at Yvonne's apartment during Mardi Gras! The place is exactly as described and Puccini is definitely the cutest dog ever. The location is perfect and with the bike we rented from Yvonne you can go everywhere in NOLA. Yvonne as been very welcoming and full of good advice during our stay, we fully recommend this airbnb!!! Thanks Yvonne and Kyle for everything :)
Yvonne was very welcoming, helped us navigate the city and find spots that suited our interests. I would definitely stay with her again.
It was exactly as promised on the site. Yvonne was concise and helpful. No drama. Easy
Yvonne and Poochini were very warm and welcoming! Yvonne has huge binders of restaurant menus in the area and lots of recommendations! The neighborhood is awesome. Very cool and chill, much nicer than the touristy rowdiness of FQ.
My brother and I came through Nola unaware of Mardi Gras happening and hit up Yvonne at 5pm and she was prompt at responding and accommodated us immediately. Very helpful and knowledgeable host, her place was as described and of great value. We thought we needed bikes, but we could really just walk to and around the french quarter at ease from her apartment (ergo great location). Would recommend her for future travelers. Personally, Yvonne and her dude Kyle were great people aswell.
Yvonne is really great! She made us feel very welcome from the moment we arrived. She has a lot of great information about what is going on, especially about places to eat and probably our best experience in New Orleans: the social bike ride!!! it was simply awesome!!! Her place is close to everything in New Orleans and after just a few days there we really felt at home in the neighbourhood. Staying with Yvonne meant that we got to know more of New Orleans than we expected, thanks Yvonne for everything!
Yvonne was a wonderful host, communicating prior to arrival, providing guidance and a map - even some yummy nibbles! Her dog just very sweet too, especially if like me, you love dogs. The property is located a short walk from Frenchman Street and about 15-20min walk from Bourbon Street. I have no hesitation recommending Yvonne as a host for a visit to New Orleans.
Yvonne's upper story home is in a cute up-and-coming neighborhood that's a short walk to the French Quarter. She's a kind host and her friendly dog loves company! She's got a great supply of maps and restaurants to help travelers navigate the city. I recommend the coffee/breakfast shop down the street and a run along the river front. As a solo traveler, the colorful back bedroom was the perfect quiet space with room to unpack.
Yvonne is a great host, walking distance to Frenchman street and French quarter. Even let us leave our bags when we arrived at 9am and let us hang out a little longer when our departing flight was in the evening. Left us notebooks of restaurants and things to do in the area and little snacks when we got back late at night. It was great hanging out with poochini too, since we left our dog at home. Would recommend staying with her and would love to stay again!
Yvonne was awesome, super sweet and welcoming :) as was Pochini (the precious pup). The room was perfect for our stay and in the morning we strolled down to Who Dat Coffee Cafe for breakfast. It was great. Thanks again, Yvonne! :) I'm looking forward to staying with you again sometime soon.


text:
Samples of the Wyss Institute's human organs-on-chips were acquired by The Museum of Modern Art (MoMA) and are on display in MoMA's latest Architecture and ...
Harvard's Tsai Auditorium in CGIS South was filled to the brim on Monday evening for Microemgas: The Very Small, the Very Large and the Object of Digital ...
The new Murty Classical Library of India from Harvard University Press, aiming for 500 volumes over the next century, will reveal to the world a "colossal Indian past" of multilanguage literary history from as far back as two millennia.
The Harvard South Asian Association's annual arts showcase, called Ghungroo, is a complex coordinated production that draws hundreds of student performers and delighted classmates in the audience.
"Exiled by the sound of the lash" from the slaveholding state of South Carolina, the Grimké sisters came North before the Civil War with rule-breaking ideas on slavery's wrongs and women's rights. They represented an antebellum moment in which "women became political."
A series of virtual tours enables a deep dive into selected pieces at the Harvard Art Museums.
Escaped slave and abolitionist Lewis Hayden's work goes on, through the students who receive the scholarship established in his name at Harvard Medical School.
One of the nation's largest and most prestigious literary awards, the George Washington Book Prize recognizes the best new books on early American history.
Film critic A.O. Scott spoke with the Gazette about the current crop of Oscar contenders, and Hollywood's trends.
In a question-and-answer interview, New York Times film critic and Harvard alumnus A.O. Scott explains his craft, and how he came to it.
Sign up for daily emails with the latest Harvard news.
Historian Richard Dunn talks about his new book, a sweeping historical analysis of life on two plantations in Jamaica and Virginia across the final decades of slavery.
Experts on World War I gathered for a conference on the "great seminal catastrophe" of the 20th century.
A new exhibition at Harvard's Loeb Music Library, containing items from the Harvard Theatre Collection in Houghton Library, offers visitors a disturbing look at the racist history and enduring legacy of blackface minstrelsy.
A new Harvard-wide seminar program, slated for three years, takes on a constellation of interdisciplinary issues around violence and nonviolence.
Conductor John Eliot Gardiner has been appointed the Harvard Music Department's inaugural Christoph Wolff Distinguished Visiting Scholar in the Music ...
The Harvard Film Archive is launching a retrospective of the work of Robert J. Flaherty, a pioneer in documentary film. "Folklore and Flaherty: A Symposium on the First Irish-Language Film" will be held on Feb. 19 from 1:30 to 4 p.m. at the Harvard Film Archive.
In 1944, the young and gifted creators of 'On the Town' quietly stirred diversity into their groundbreaking musical, Professor Carol Oja recounts in her new book.
Pulitzer Prize-winner Suzan-Lori Parks returns to the American Repertory Theater with her new play, "Father Comes Home From the Wars."
"Selma" director Ava DuVernay discussed the film with Henry Louis Gates in an event sponsored by Harvard's Hutchins Center.
Drawn from a series of family correspondence, letters, diaries, and journals, a new exhibit at the Schlesinger Library offers firsthand accounts of men, women, soldiers, and slaves caught up in the Civil War.


text:
Stop Animal Exploitation NOW! Reviews
Invite reviews
Invite friends and colleagues to share their experiences with this nonprofit
January 3, 2013
After being educated in a research setting and witnessing the suffering of innocent animals in labs firsthand, I vowed from that day forward to make a difference by working until all of the cages are empty! In 1996, along with my wife, Karen, I co-founded SAEN - Stop Animal Exploitation Now!, a national non-profit animal advocacy organization dedicated to the rights of all animals concentrating our focus on eliminating the use of animals in experimentation. I invite everyone to educate yourself to be a voice for the animals imprisoned in labs right now and learn how our tax money pays for this torture - check our website (www.saenonline.org) and "like" us on Facebook to educate yourself, get involved, and keep up on our many campaigns.
More feedback...
Will you volunteer or donate to this organization beyond what is required of board members?
How much of an impact do you think this organization has?
Will you tell others about this organization?
When was your last experience with this nonprofit?
Previous |
Filter by reviewer role:
- Volunteer22
- Client Served1
- Expert12
- Public15
- Board Member1
- Donor16
- Advisor1
Support This Nonprofit
Help this nonprofit get more reviews
5 tips for getting reviews


text:
Unfortunately its just a tiny house with some make shift walls, the bathroom was a little stinky although Im not sure that can be helped too much, nice if you like intimacy and a homey feel. It also has a little front yard and is in a good location, far away enough from the loud bars although still walking distance,... More
Mexico >
Yucatan Peninsula >
Quintana Roo >
Riviera Maya >
Playa del Carmen
Number of rooms: 20
- Reservation Options:
- TripAdvisor is proud to partner with HostelBookers so you can book your Hostel Casa Fairy reservations with confidence. We help millions of travelers each month to find the perfect hotel for both vacation and business trips, always with the best discounts and special offers.
- Also Known As:
- Hostel Casa Fairy Riviera Maya/Playa Del Carmen, Mexico


text:
Excellent education & research
Home to innovative research and first-rate legal education, Erasmus School of Law (ESL) attracts ambitious students and staff from all over the world.
ESL combines academic thinking with practical training. Company visits and skills workshops are included in our LL.M. programmes. Our school is located in Rotterdam, a multicultural entrepreneurial city with the largest port in Europe
Our research is international and interdisciplinary. Due to its high quality education and research ESL achieves high positions in international rankings.
ESL congratulates Michiel van der Wolf on winning an Emmy
Wednesday, 25 February 2015
Michiel van der Wolf wins an Emmy award for short (kids) TV-movie 'alles mag' (anything goes). He was part of the screenwriting team.
European Master in Law and Economics celebrated 25 years of excellence
Wednesday, 18 February 2015
The European Master in Law and Economics (EMLE) celebrated 25 years of internationalisation, interdisciplinarity and academic excellence during the MidTerm Meeting.
International Conference 'Legal argumentation and the rule of Law'
Friday, 13 February 2015
On June 25 and 26, 2015, the International Conference 'Legal argumentation and the rule of Law' will be held at the Erasmus School of Law, Rotterdam the Netherlands. The aim of the conference is to draw together scholars from a...


text:
Alexa Grasso y Irene Aldana Music: "2 Cool 4 School" - Niña Dioz https://www.facebook.com/oficialninadioz Videography by: Cynthia Vance, Djatmiko Waluyo, E. Casey Leydon, Scott Hirano Edited by: Cynthia Vance Special Thanks: Fightland Djatmiko Waluyo Niña Dioz FACEBOOK: https://www.facebook.com/InvictaFights TWITTER: https://twitter.com/InvictaFights TUMBLR: http://invictafc.tumblr.com INSTAGRAM: http://instagram.com/invictafc watch video >>
2011-6-17 HKFC: School of Hard Knocks 12 Ronda Rousey in the second fight of her career against Charmaine Tweet. watch video >>
This week Master Ricardo Cavalcanti shows an Old School Carlson Gracie style Guard Pass and Defense. Don't forget to Vote Carlson Gracie Training Center the best of Las Vegas!! Go to bestoflasvegas.com login with your Facebook account search for carlson gracie training center, and vote, simple!! show your support for our team!! If you have any questions or suggestions for future videos please leave a comment below or e-mail Master Ricardo email@example.com For more visit rcjiujitsu.com Carlsongracietc.com Check Out Da Firma Kimono Company at www.dafirmabjj.com watch video >>
George Lockhart discusses weight cutting in MMA, working with Cris Cyborg, and more on The MMA Hour. Subscribe: http://www.youtube.com /subscription_center?add_user=mmafightingonsbn Check out our full video catalog: http://www.youtube.com/mmafightingonsbn/videos Visit our playlists: http://www.youtube.com/mmafightingonsbn/playlists Like MMAF on Facebook: http://www.facebook.com/mmafighting Follow on Twitter: http://www.twitter.com/mmafighting Read More: http://www.mmafighting.com watch video >>
Paige VanZant says she was bullied in high school for being pretty watch video >>
Anderson Silva trains for his UFC 183 fight against Nick Diaz. Short clips from his school's Instagram. http://instagram.com/silva_mtc/ watch video >>
The Old School MMA Review is FINALLY back (how many times have we said that?) for another episode of mixed-martial arts oldies but goldies. In this episode, we take a break from our rundown of the stone age of SEG UFC while we continue counting the votes in our OSMMA Review Awards (which will be the next episode) to look at what else was going on in the sport at the same time. To do that, we watch "Choke", one of the oldest documentary films on the subject of MMA, and was the movie that introduced Rickson Gracie to the world. Released in 1999, director Robert Raphael Goodman filmed the movie in 1995. The doc follows around three fighters preparing for and competing in the Vale Tudo Japan tournament in '95 - Rickson, Todd "Hollywood" Hays and Koichiro Kimura. watch video >>
For more Boxing and MMA videos log onto http://www.fighthubtv.com Like us:http://on.fb.me/xWRC1f follow us:http://bit.ly/wACkIv Boxing videos! MMA videos! uploaded daily! Subscribe:http://goo.gl/vnzIb watch video >>
The cast shares some deep and not deep secrets, things that only their closest friends and family know. watch video >>
MMA H.E.A.T.'s Karyn Bryant talks via Skype with UFC #1 Lightweight Contender Gilbert Melendez and hears what he has to say about his upcoming title fight with champ Anthony Pettis. Gil talks about the stylistic match-up, his own evolution as a fighter and his training with the Diaz Brothers, Jake Shields and Yancy Medeiros. He also discusses his role as coach on TUF 20, Rose Namajunas' success on the show so far and the new UFC uniform deal with Reebok. *MMA H.E.A.T. SPECIAL: Receive up to 10% OFF on ONNIT products by visiting: http://www.mmaheat.com/onnit/ Also be sure to visit http://www.MMAHEAT.com for more interviews, Boxing and MMA content. Nós falamos Português! * We're on Facebook: http://www.facebook.com/MMAHEAT * Follow MMAHEAT on Twitter: http://www.twitter.com/MMAHEAT * Follow Karyn on Twitter: http://www.twitter.com/KarynBryant watch video >>
The old school meets the new tonight - October 10th - on Spike TV as Bantamweight World Champion Eduardo Dantas faces Interim Bantamweight World Champion Joe Warren to determine the undisputed champion. Talk about bad blood... watch video >>
UFC superstar Ronda Rousey visited Flavio Canto's judo school in Rio de Janeiro, and the MMA champion taught some of her special moves in a seminar to young kids. Watch Rousey throw two-time Pan-American gold medalist and judo world champion Rafaela Silva down in Brazil. watch video >>
UFC bantamweight champion Ronda Rousey spoke to the Brazilian media at Flavio Canto's judo school in Rio de Janeiro, Brazil, and discussed the importance of judo in her life, her advantages in MMA because of her background in judo, what would it take for her to fight Cris Cyborg, potential bouts against Gina Carano and Bethe Correia, who's the next Ronda Rousey at TUF 20 and much more. Subscribe to our channel for more MMA videos! Click here: http://www.youtube.com/subscription_center?add_user=mmafightingonsbn - Check us out on Facebook (Facebook.com/MMAFighting) and follow us on Twitter (@MMAFighting)! - MMA Fighting http://www.mmafighting.com watch video >>
Antonio "Bigfoot" Silva loves cars and getting out on the open road. Watch the big heavyweight go to driving school to improve his skills behind the wheel. Silva faces Andrei Arlovski at Fight Night Brasilia. watch video >>


text:
I needed help with a magic item. Once again, I was given an excellent prompt and honest reply. This is my favourite place to buy magic.Read More ->
MJM Magic is a delightful company with which to do business. Their prices are keen and the free shipping is the icecing on the cake! Keep up the good...Read More ->


text:
We stayed one night here before heading to Chianti, but wished we stayed more. We didn't have a view, but the room had high ceilings and nice drapes and automatic window coverings on a switch to make the room dark. The room was really big for Europe. We loved the layout. My only two complaints are the shower didn't get very hot and the hair dyer was terrible. If we stayed another night I would have asked for a new hair dryer. The breakfast buffet was excellent! Everything you can imagine. I got free wifi and a gold member and it worked great. Some wifi in hotels can be spotty. The rooftop bar has an amazing view! Drinks are pricey, but what you would expect at a hotel like this and worth going to see the Duomo and Ponte Vecchio lit up at night. The staff was really friendly and helpful. Overall, very enjoyable!
- Reservation Options:
- TripAdvisor is proud to partner with Booking.com, Orbitz, Expedia, Hotels.com, Amex, Priceline, Despegar.com, Venere, TripOnline SA, Odigeo and Tingo so you can book your The Westin Excelsior Florence reservations with confidence. We help millions of travelers each month to find the perfect hotel for both vacation and business trips, always with the best discounts and special offers.
- Also Known As:
- The Westin Excelsior Florence Hotel Florence
- Westin Florence
- Florence Westin
- Westin Excelsior Florence


text:
Just another Perl shrine | |
PerlMonks |
Comment on |
( #3333=superdoc: print w/ replies, xml ) | Need Help?? |
Very, VERY cool!!!!
As the master said: "More than one way to do it there is" : GreetZ!,
print "profeth still\n" if /bird|devil/; In reply to Re: Yoda Speak Translator
by ChOas


text:
follow Dictionary.com
A lot vs. Alot: 9 Grammatical Pitfalls
astronomical observatory founded in 1965 in Chile as the southern branch of the Kitt Peak National Observatory. It is located on top of two mountains, Cerro Tololo, which is 7,200 feet (2,200 metres) high, and Cerro Pachon, which is 8,900 feet (2,700 metres) high; both mountains are about 285 miles (460 km) north of Santiago and 50 miles (80 km) inland from the coastal city of La Serena. It is operated by the Association of Universities for Research in Astronomy and funded by the U.S. National Science Foundation.


text:
Powered By ZergNet
Free Ground Shipping on Three TasteBooks or More
You'll be looking forward to snow with this recipe!!
In large mixing bowl, beat together all ingredients except snow until will mixed. Then stir in clean snow until you get the desired consistency you want.
Does not keep well in the freezer.
Source:Karen Seavers
Powered By ZergNet


text:
Marin Software
This employer has taken extra steps to respond to reviews and provide job seekers with accurate company information, photos, and reviews. Interested for your company?Learn More.
Employer Engaged
Marin Software Senior Financial Analyst Salary in San Francisco, CA
4 employee salaries Back to all Marin Software San Francisco, CA Area Salaries
Marin Software is Hiring! Check out the latest Marin Software Senior Financial Analyst jobs
This salary is 18% above the local average. See all Senior Financial Analyst Salaries.
Base Salary
Total Compensation
Be the first community member to contribute total compensation for this company
Cash Bonus, Stock Bonus, Profit Sharing, Commission Sharing, Tips have not been reported for this role.
Be the first to get salary and job alerts
Marin Software Photos
Explore Senior Financial Analyst Salaries
Looking beyond Marin Software?
Check out the latest Senior Financial Analyst Jobs or see Senior Financial Analyst Salaries at other companies.
See if they're hiring! Check out the latest Marin Software Jobs


text:
Our Mission
The mission of the Herkimer Housing Authority is to be the area's affordable housing of choice. We provide and maintain cost effective, safe, quality housing. By partnering with others, we offer rental assistance and other related services to our community in a non-discriminatory manner.
About Us
The Herkimer Housing Authority was established in 1951 to offer safe, decent, affordable housing to low-income families, disabled individuals and Veterans, and senior citizens in the Village of Herkimer. At the present time we serve 52 families under Section 8 Housing. In addition, we have 3 apartment complexes, Mid-Town apartments, Eastern Gardens and Creekside Courts. We have 175 families housed in these 3 apartment complexes.
Our Complexes
Mid-Town Apartments
315 North Prospect Street
Herkimer, New York 13350
Map it with google
Learn More


text:
Painter 11 continues to blur the line between traditional and digital painting. From the RealBristle Painting System, which simulates real brushes, to the new Hard Media Controls and Dry Media which replicates markers, pencil and chalk, Painter gives you full control over your digital creativity. From oils, to watercolor, to pastels and even animation, Painter 11 handles them all with style. Join professional illustrator / television art director Dwayne Ferguson as he takes you on an in-depth look at Corel® Painter 11. Work files are included. To begin learning, simply click the movie links.
Genetic Engineering Project pt. 1
(05:27) TGenetic Engineering Project pt. 2
(02:30) TGenetic Engineering Project pt. 3
(02:55) TEvery course on the vtc.com website contains free movies that let you assess the quality of our tutorials before you subscribe - just click on the blue links to watch them. Become a member to access all 98,729 instructional videos.
Sign Up NowIf you are already an active vtc.com member, please log in to access the tutorials.


text:
'Jihadi John' identifiedReuters: A Kuwaiti-born Londoner is ISIS executionerBy Laura Smith-Spark, CNNA man with a British accent seen in ISIS beheading videos is believed to be Mohammed Emwazi, Reuters reports, citing The Washington Post and BBC.
'It just went ballistic': Shark attacks teenager A shark attacked a teenager while he was spearfishing near a popular Australian beach. CNN affiliate Seven Network reports.


text:
Study: Google, The "Most Attractive Employer"
Universum released a report that shows Google is the "most attractive employer" globally. Google was ranked number one in both the top 50 global businesses and engineering companies. Microsoft was also up there on that list, ranked as number three for business and 2 for engineering.
The study asked about 120,000 students at "top academic institutions" to select their ideal companies to work for. The students were from all around the globe, including US, Japan, China, Germany, France, UK, Italy, Russia, Spain, Canada and India.
SMX West kicks off next week! Join your peers at Search Engine Land's SMX West conference for three days of tactical sessions, keynotes and clinics on paid search, SEO, mobile search and more. All Access and free Expo+ passes available. Register today!
(Some images used under license from Shutterstock.com.)
Discover what's up in the business of marketing each Friday.


text:
Pion Ltd, London
Environment and Planning A
Web page: http://www.pion.co.uk
To be notified about new items in this series: For email notification of new EPA papers, see http://www.envplan.com/alertregister.cgi?journal=A (see also NEP)
Download restrictions: Fulltext access restricted to subscribers, see http://www.envplan.co.uk/A.html for details
For corrections or technical questions regarding this series, please contact (Neil Hammond)
Series handle: repec:pio:envira
Citations RSS feed: at CitEc
Top item:
Citations RSS feed: at CitEc
Impact factors
- Simple (last 10 years)
- Recursive (10)
- Discounted (10)
- Recursive discounted (10)
- H-Index (10)
- Aggregate (10)
Top item:
- By citations
- By downloads (last 12 months)
1991, Volume 23, Issue 9
1991, Volume 23, Issue 8
- 1095-1109 Location theory and service development planning: which way now?
by C G Gore - 1111-1119 Redefinition of enumeration district centroids: a test of their accuracy by using Thiessen polygons
by P J Boyle & C E Dunn - 1121-1132 Discounting the economic costs of conservation and compensation
by R Cullen - 1133-1146 Skilled international migration: an analysis of the geography of international secondments within large accountancy firms
by J V Beaverstock - 1147-1162 The relationship between residential migration and housing tenure in London, 1971 - 81: a longitudinal analysis
by C Hamnett - 1163-1182 The cost of improving the quality of the environment
by R Boyd & N D Uri - 1183-1195 The cost of conservation: a comparison of ESA and SSSI payment rates
by I Brotherton - 1197-1208 An approach to estimating the economic impact of climatic change on a regional economy
by S Johnson & J C Stabler - 1209-1216 Hotelling's migration model revisited
by T Puu - 1217-1223 The Campeau takeovers -- the arbitrage economy in action
by A G Hallsworth
1991, Volume 23, Issue 7
- 939-953 The spatial separatist theme and the problem of representation in location - allocation models
by C G Gore - 955-967 Production theory of land rent
by G I Thrall - 969-985 A map-transformation approach to the location of central places: the case of the central Kanto region in preindustrial Japan
by Y Sugiura - 987-1005 Forecasting state and local population growth with limited data: the use of employment - migration relationships and trends in vital rates
by M J Greenwood & G L Hunt - 1007-1024 Residential density patterns in London -- any role left for the exponential density gradient?
by G R Crampton - 1025-1044 The modifiable areal unit problem in multivariate statistical analysis
by A S Fotheringham & D W S Wong - 1045-1061 The investigation of parameter drift by expanded regressions: generalities, and a 'family-planning' example
by E Casetti - 1063-1068 The interindustry employment demand variable: an extension of the I-SAMIS technique for linking input - output and econometric models
by P Coomes & D Olson & D Glennon - 1069-1075 Techniques for modelling population-related raster databases
by D Martin & I Bracken
1991, Volume 23, Issue 6
- 783-812 Research policy and review 34: The development of ideas of uncertainty representation
by B Tonn - 813-832 Youth training and the local reconstruction of skill: evidence from the engineering industry of North West England, 1981 - 88
by J A Peck & G F Haughton - 833-852 Small firms, industrial reorganisation, and space: the case of the UK high-fidelity audio sector
by S Milne - 853-867 The internationalisation and commercialisation of health care in Britain
by J Mohan - 869-884 Regional formation of high-technology service industries: the software industry in Washington State
by P Haug - 885-902 Household modelling and forecasting -- dynamic approaches with use of linked Census data
by M Murphy - 903-920 Duration of unemployment among men in Northern Ireland: regional inequality or denominational discrimination?
by R Crouchley & A R Pickles & P N O'Farrell
1991, Volume 23, Issue 5
- 629-650 An analysis of housing careers in Cardiff
by R B Davies & A R Pickles - 651-662 A stochastic model of the propagation of local fire fronts in New York City: implications for public policy
by R Wallace - 663-676 The farmed landscape and the occupancy change process
by T K Marsden & R J C Munton - 677-703 Industrial change in southern England: a case study of the electronics and electrical engineering industry in the Southampton city-region
by C Mason & S Pinch & S Witt - 705-730 Models of the land-development process: a critical review
by T Gore & D Nicholson - 731-744 Retail activity allocation modeling with endogenous retail prices and shopping travel costs
by N Oppenheim - 745-756 Interregional gross migration and structural changes in local industries
by I Matsukawa - 757-764 Intraurban location effects on firm performance: some evidence from the Leeds engineering sector
by S Dobson & B Gerrard
1991, Volume 23, Issue 4
- 465-484 The empirical analysis of housing careers: a review and a general statistical modelling framework
by A R Pickles & R B Davies - 485-498 Housing famine and homelessness: how the low-income housing crisis affects families with inadequate supports
by R Wallace & E Bassuk - 499-510 Occupancy change and the farmed landscape: an analysis of farm-level trends, 1970 - 85
by R J C Munton & T K Marsden - 511-544 Generating urban forms from diffusive growth
by M Batty - 545-556 Fractal analysis of multiscale spatial autocorrelation among point data
by L De Cola - 557-570 The zone-size-dependent entropy formula and spatial interaction modelling: a note on some implications
by J Paulov - 571-590 Urban growth and housing-market change: Aberdeen 1968 to 1978
by C Jones & D Maclennan - 591-606 Interfirm information linkages in an economically disadvantaged region: an empirical perspective from metropolitan Buffalo
by A MacPherson
1991, Volume 23, Issue 3
- 319-332 School-performance indicators, the local residential environment, and parental choice
by M Bradford - 333-348 Subsidies to owner-occupiers: some estimates from data on individual households
by M Nicholson & K Willis - 349-370 Divisions of homeownership: housing tenure and social change
by A Murie - 371-383 Convergence of certain traffic and land-use equilibrium assignment models
by A J Horowitz - 385-395 Central facility location and environmental health
by J Malczewski - 397-409 An empirical update on the product-cycle explanation and branch-plant location in the nonmetropolitan US South
by M Johnson - 411-420 Evaluating the use of entropy-maximising procedures in the study of voting patterns: 1. Sampling and measurement error in the flow-of-the-vote matrix and the robustness of estimates
by R J Johnston & C J Pattie - 421-431 Shift - share analysis as a linear model
by D C Knudsen & R Barff - 433-446 Demographic indices as social indicators
by J Anson
1991, Volume 23, Issue 2
- 165-177 Locality studies and the household
by L D Morris - 179-196 Locality research and comparative analysis: the case of local housing policy in Sweden
by I Elander & T Str�mberg & B Danermark & B S�derfeldt - 197-213 From localised social structures to localities as agents
by K R Cox & A Mair - 215-228 Mapping meanings: a cultural critique of locality studies
by P Jackson - 229-238 Raymond Williams and local cultures
by B Longhurst - 239-256 Deconstructing regions: notes on the scales of spatial life
by A Paasi - 257-266 Discourses of locality
by A C Pratt - 267-281 The political place of locality studies
by D Massey - 283-308 Behind the locality debate: deconstructing geography's dualisms
by A Sayer
1991, Volume 23, Issue 1
- 9-35 The break-up of an international labour union: uneven development in the North American auto industry and the schism in the UAW
by J Holmes & A Rusonik - 37-58 Plant closures, multilocational firms, and the urban economy: Sheffield, UK
by H D Watts - 59-85 Defining occupational groupings by educational structure
by A de Grip & L F M Groot & J A M Heijke - 87-106 The geography of international strategic alliances in the telecommunications industry: the cases of Cable and Wireless, Ericsson, and Fujitsu
by P E Wells & P N Cooke - 107-126 Deregulation and rural bus services: a study in rural Wales
by P Bell & P Cloke - 127-138 Properties and estimation of a production-constrained Alonso model
by H J Miller & M E O'KelIy - 139-146 An empirical analysis of the space rent and land rent within a central business district
by K Sasaki
1990, Volume 22, Issue 12
- 1561-1574 Employment subcenters and land values in a polycentric urban area: the case of Chicago
by J F McDonald & D P McMillen - 1575-1605 The technopoles of Southern California
by A J Scott - 1607-1620 Service activities and the evolution of production systems: an international comparison
by W J Coffey & A S Bailly - 1621-1636 Inner, final, and feedback structures in an extended input - output system
by N Adamou & J M Gowdy - 1637-1656 Spatial and sectoral aggregation in the commodity - industry multiregional input - output model
by R E Miller & G Shao - 1657-1665 Resource allocation and planning in health care systems
by R M Wilson & R W Gibberd & L D Mayhew - 1667-1675 Embodied inputs and the classification of basic and nonbasic activity: implications for economic base and regional growth analysis
by J C Stabler & L V St. Louis
1990, Volume 22, Issue 11
- 1421-1439 Research policy and review 33. Why is more notice not taken of economists' prescriptions for the control of pollution?
by N Hanley & S Hallett & I Moffatt - 1441-1454 The uneven development of capitalist states: 2. The struggle for cooperative housing
by V Chouinard - 1455-1467 Logit models and chaotic behaviour: a new perspective
by P Nijkamp & A Reggiani - 1469-1486 An analytical framework for assessing the benefits and costs of policies related to protecting groundwater quality
by W-Y Huang & N D Uri - 1487-1496 Quantity-discounted transportation rates, location, and the theory of production
by J P O'Brien & Y-N Shieh - 1497-1516 The migration response to the economic turnaround in New England
by R Barff - 1517-1544 Housing submarket differentiation under conditions of capital decentralisation -- Albury - Wodonga, Australia
by R J King & J A Fitzmaurice
1990, Volume 22, Issue 10
- 1281-1290 Location-spatial interaction models: 3. Competition between organizations
by H C W L Williams & K S Kim - 1291-1308 The uneven development of capitalist states: 1. Theoretical proposals and an analysis of postwar changes in Canada's assisted housing programmes
by V Chouinard - 1309-1321 Transient chaotic behaviour in a hierarchical economic system
by R W White - 1323-1336 Public investment and privatisation in the new towns: a financial assessment of Bracknell
by I Turok - 1337-1354 Service activities and uneven spatial development in Britain and its European partners: determinist fallacies and new options
by J N Marshall & C Jaeger - 1355-1373 A theoretical framework for the interactions among models in the integrated transportation and land-use package
by H W Miller - 1375-1388 Greenbelts in the Cornbelt: riparian wetlands, intrinsic values, and market failure
by C L Lant & R S Roberts - 1389-1405 Tertiary sector hypertrophy during development: an examination of regional variation
by K Pandit
1990, Volume 22, Issue 9
- 1141-1154 Research policy and review 32. Producer services and regional development: a review of some major conceptual policy and research issues
by P N O'Farrell & D M W N Hitchens - 1155-1168 Location-spatial intreaction models: 2. Competition between independent firms
by H C W L Williams & K S Kim - 1169-1182 The services sector and urban spatial structure: equilibrium versus catastrophe
by Xiao-Ping Zheng - 1183-1203 Dealing with uncertainty and fuzziness in development planning: a simulation of high-technology industrial location decisionmaking by the analytic hierarchy process
by A R Banai-Kashani - 1205-1222 The location of US manufacturing: some empirical evidence on recent geographical shifts
by B � hUallach�in - 1223-1238 L�schian spatial competition and the related labor market
by J E Kohlhase & H Ohta - 1239-1258 Why not in my backyard? A radical interpretation of public opposition to the deep disposal of radioactive waste in the United Kingdom
by R Kemp - 1259-1266 Environmental sustainability and cost - benefit analysis
by E B Barbier & A Markandya & D W Pearce
1990, Volume 22, Issue 8
- 993-1006 Analytical political economy: a geographical introduction
by T J Barnes - 1007-1024 Transportation in a capitalist space-economy: transportation demand, circulation time, and transportation innovations
by E Sheppard - 1025-1034 Technical reswitching: a spatial case
by C Pavlik - 1035-1038 The state of analytical political economy in geography
by M S Gertler - 1039-1050 Technical change and the rate of profit: an obituary for Okishio's theorem
by D L Rigby - 1051-1071 Profitability and capital accumulation in Canadian manufacturing industries
by M Webber & S Tonkin - 1073-1078 Rates of interest: a review
by A C Lea - 1079-1089 Location-spatial interaction models: 1. Benefit-maximizing configurations of services
by H C W L Williams & K S Kim & D Martin - 1091-1114 Class, politics, and planning: from reductionism to pluralism in Marxist class analysis
by N P Low - 1115-1119 The zealousness of being novel: a reply to Haila
by E Clark
1990, Volume 22, Issue 7
- 855-874 Trajectories of neighborhood change: the case of gentrification
by R A Beauregard - 875-892 Job quality in small businesses: electrical and electronic engineering firms in Dorset
by R A Blackburn - 893-908 Class, attitudes, and retrospective voting: exploring the regional variations in the 1983 general election in Great Britain
by R J Johnston & C J Pattie - 909-924 Modeling elderly mobility
by W A V Clark & K White - 925-939 On the voluntary approach to resolving rural conflict
by I Brotherton - 941-959 Perspectives on the post-1984 restructuring of state forestry in New Zealand
by M M Roche - 961-973 A behavioral model of international labor and nonlabor migration: the case of Turkish movements to West Germany, 1960 - 1986
by B S Waldorf & A Esparza & J O Huff
1990, Volume 22, Issue 6
- 719-732 Spatial search processes and spatial interaction: 2. Polarization, concentration, and spatial search equilibrium
by H Jayet - 733-745 Invisible women? The contribution of the Chicago School of Social Service Administration to urban analysis
by D Sibley - 747-761 Perturbations of the Perron vector: applications to finite Markov chains and demographic population models
by E Dietzenbacher - 763-777 Physical and environmental determinants of urban deterioration and rehabilitation: a conceptual framework and a case study
by H Law Vane & M Shechter - 779-792 A behavioural map of commuting distances in the London region
by I Molho - 793-810 Shifting the balance between state and market: the reprivatisation of rental housing provision in Britain
by P A Kemp - 811-828 Replacing the concept of high technology: towards a diffusion-based approach
by R McArthur - 829-833 Residential property values, the CBD, and multiple nodes: further analysis
by H W Richardson & P Gordon & M-J Jun & E Heikkila & R Peiser & D Dale-Johnson
1990, Volume 22, Issue 5
- 583-599 Spatial search processes and spatial interaction: 1. Sequential search, intervening opportunities, and spatial search equilibrium
by H Jayet - 601-614 The redistributional impact of modern rent control
by R P Appelbaum & J I Gilderbloom - 615-628 Temporal and spatial distribution of benefits and costs in river-basin schemes: a cooperative game approach
by C M Dufournaud & J J Harrington - 629-646 Australian coal in the global context: a paradox of efficiency and crisis
by K D Gibson - 647-666 Elders IXL Ltd: finance capital and the geography of corporate restructuring
by R H Fagan - 667-682 The location of closed watersheds for urban water supplies: a theoretical and historical analysis
by J R Lund - 683-688 On partial consultation in forestry
by I Brotherton & M Hetherington - 689-693 The differential impact of a uniform access improvement
by A Skaburskis
1990, Volume 22, Issue 4
- 439-457 A flexible and consistent system for modelling interregional trade flows
by C Hua - 459-475 Comparative analysis of modelling land-use transport interaction at the micro and macro levels
by R L Mackett - 477-491 Conceptualizing regional dynamics in recently industrialized countries
by A V�zquez-Barquero - 493-506 An entropy model with variable target
by K O J�rnsten & T Larsson & J T Lundgren & A Migdalas - 507-526 Ranking regression analysis of spatiotemporal variables
by R Reiner & M Munz - 527-549 Spatial flows and competing central places: towards a general theory of hierarchical interaction
by T J Fik & G F Mulligan - 551-558 The lure of the USA: some further reflections
by A G Hallsworth
1990, Volume 22, Issue 3
- 291-308 Using hierarchical information integration to model consumer responses to possible planning actions: recreation destination choice illustration
by J J Louviere & H J P Timmermans - 309-320 Labour productivity growth in Canadian manufacturing: a regional analysis
by W P Anderson - 321-331 Mortgage default: why Finland is not like Britain
by J Doling - 333-343 Neutral migration process and its application to an analysis of Canadian migration data
by K-L Liaw - 345-368 The internationalisation of the Japanese construction industry: the rise and rise of Kumagai Gumi
by P J Rimmer - 369-383 The establishment of a subcenter and urban spatial structure
by K Sasaki - 385-398 The changing spatial structure of manufacturing plant in Great Britain, 1976 to 1987
by J Tomkins & J Twomey - 399-416 Modelling the transition from the industrial to the informational revolution
by Y Veneris
1990, Volume 22, Issue 2
- 149-168 Restructuring, workers' pension rights, and the law
by G L Clark - 169-191 Human way-finding in an urban environment: a performance analysis of a computational process model
by S Gopal & T R Smith - 193-210 The importance of place of birth in migration and population redistribution analysis
by A Rogers & A Belanger - 211-232 New forms of manufacturing and their spatial implications: the UK electronic consumer goods industry
by S Milne - 233-252 High-technology restructuring in the USA and Japan
by R Florida & M Kenney - 253-270 Testing the recession theory as an explanation for the migration turnaround
by T Kontuly & H J Bierens
1990, Volume 22, Issue 1
- 5-15 'Homelessness', contagious destruction of housing, and municipal service cuts in New York City: 2. Dynamics of a housing famine
by R Wallace - 17-37 Location, management strategy, and workers' pensions
by G L Clark - 39-52 The location of fire stations in a rural environment: a case study
by D Richard & H Beguin & D Peeters - 53-67 Household life-cycle change in the urban council housing sector, 1971-81
by R G Ford & G C Smith - 69-77 Variability and location
by A Camacho & J Persky - 79-100 Regional differences in manufacturing performance: the case of the Canadian food and beverage industry, 1961 - 84
by D L Rigby - 101-118 External takeover and regional linkage adjustment: the case of Scotch whisky
by J H Love - 119-128 Intensive income in demo-economic input-output models
by J H Ll Dewhurst
1989, Volume 21, Issue 12
- 1565-1583 Research policy and review 31. From branch plants to back offices: prospects for rural services growth
by A Glasmeier & G Borchard - 1585-1602 'Homelessness', contagious destruction of housing, and municipal service cuts in New York City: 1. Demographics of a housing deficit
by R Wallace - 1603-1618 Information intensive industries in metropolitan areas of the United States of America
by M P Drennan - 1619-1638 The fiscal crisis and the local state: examination of the structuralist concept
by W M�ller & R Rohr-Z�nker - 1639-1653 From tourist to tourism entrepreneur, from consumption to production: evidence from Cornwall, England
by A M Williams & G Shaw & J Greenwood - 1655-1666 Indicators of quality of life: some methodological issues
by R J Rogerson & A M Findlay & A S Morris & M G Coombes
1989, Volume 21, Issue 11
- 1427-1446 Agricultural location theory, 2: relaxation of assumptions and applications
by A Kellerman - 1447-1472 Urban growth and form: scaling, fractal geometry, and diffusion-limited aggregation
by M Batty & P Longley & S Fotheringham - 1473-1489 The onset and spread of modern economic growth in Europe: an emprical test of a catastrophe model
by E Casetti - 1491-1510 Labour turnover characteristics at the Eurocan Pulp and Paper Mill, Kitimat: a log-linear analysis
by B Ofori-Amoah & R Hayter - 1511-1523 Statistical analysis of spatial data in the presence of missing observations: a methodological guide and an application to urban census data
by D A Griffith & R J Bennett & R P Haining - 1525-1532 Misguided rhetoric on rent: a comment on Ball and Clark
by A Haila - 1533-1539 On the relationship between the supply-driven and the demand-driven input - output model
by E Dietzenbacher - 1541-1546 Maximum-entropy representations in convex polytopes: applications to spatial interaction
by P B Slater
1989, Volume 21, Issue 10
- 1285-1296 Coal and the environment: planning and management issues for the future of the coalfields
by P W Roberts - 1297-1314 The choice of pollution control instruments: why is so little notice taken of economists' recommendations?
by M S Common - 1315-1327 The potential of decision analysis as a means of integrating the environment into energy policy decisionmaking
by M R Jones - 1329-1348 Proactive energy - environment policy strategies: a role for input - output analysis?
by P J G Pearson - 1349-1362 Energy and environment: deriving a research agenda
by B Sheldrick & A Scott - 1363-1379 Research policy and review 30. How to add value to migration data from the 1991 Census
by P H Rees - 1381-1396 Agricultural location theory 1: basic models
by A Kellerman - 1397-1411 District-level variations in the configuration of service provision in England: A graphical approach to classification
by R Dunn & P Walker
1989, Volume 21, Issue 9
- 1141-1156 Patterns of change in the use of energy in the New Zealand economy
by C Cocklin & M Harte & S Lonergan - 1157-1167 The effects of the relaxation of planning controls in enterprise zones on industrial pollution
by C Wood & P Hooper - 1169-1178 Multiplant location with respect to price-elastic demand
by V F D�kmeci - 1179-1194 On the space - time associations in the consumer patronage of planned shopping centres
by R G V Baker & B J Garner - 1195-1203 Endogenizing the rise and fall of urban subcenters via discrete programming models
by P Gordon & J E Moore II - 1205-1228 Developments in economic valuation of environmental resources in centrally planned economies
by A P J Mol & J B Opschoor - 1229-1240 The evolution and implications of mineral planning policy in the national parks of England and Wales
by D I Brotherton - 1241-1263 The competitiveness and performance of small manufacturing firms: an analysis of matched pairs in Scotland and England
by P N O'Farrell & D M W N Hitchens
1989, Volume 21, Issue 8
- 1001-1013 Uncertainty, spatial proximity, and the stability of oligopoly pricing
by R E Kuenne - 1015-1026 A multipurpose optimization model for area-wide sewerage systems
by A Koizumi & T Inakazu - 1027-1036 Compensation for nature conservation
by I D Hodge - 1037-1048 A variety seeking model of spatial choice-behaviour
by A W J Borgers & R E C M van der Heijden & H J P Timmermans - 1049-1074 Valid modelling of institutions that are challenged by rapid environmental change -- the case of a waterworks coping with nitrate compounds in drinking water
by N M�ller - 1075-1092 Input - output multipliers when data are incomplete or unreliable
by G Lorenzen - 1093-1112 Provincial out-migration patterns of Canadian elderly: characterization and explanation
by J Ledent & K- L Liau - 1113-1120 Stability of supply coefficients and consistency of supply-driven and demand-driven input - output models: a comment
by R E Miller
1989, Volume 21, Issue 7
- 853-880 Capital switching and the role of ground rent: 3 Switching between circuits, switching between submarkets, and social change
by R J King - 881-904 Intraregional income distribution and poverty: some investigations for the Netherlands, 1960 - 81
by P Rietveld & H Ouwersloot - 905-926 The restructuring thesis and the study of public services
by S P Pinch