text:
1. Alonso (McLaren)
2. Massa (Ferrari)
3. Webber (Red Bull)
4. Wurz (Williams)
5. Coulthard (Red Bull)
6. Kubica (BMW Sauber)
7. Heidfeld (BMW Sauber)
To get involved, text us on 81111 (UK users only) or contribute to 606
Lap 60: That's it. Alonso holds on to take his third victory of the season for McLaren. The Spaniard closes to within two points of team-mate Hamilton at the top of the drivers' standings.
Massa takes second after leading for much of the race while Webber hangs on to third, despite a late challenge from Wurz.
Coulthard rounds off a satisfying day for Red Bull as he comes home in fifth with Heidfeld and Kubica sixth and seventh for BMW Sauber.
Kovalainen, who was running in fifth before switching to immediates, takes the final point on offer as he crosses in eighth.
Hamilton finishes his frantic race in ninth, and out of the points for the first time in his career.
Lap 59: Hamilton makes a move on Fisichella to move up to ninth as he stays in the hunt for a championship point.
Lap 58: Alonso looks on course for victory at the Nurburgring. Even though the track is drying out now it seems unlikely that anyone will stop again. Kovalainen's tyre gamble failed to pay off as the Finn's Renault is down in eighth.
Lap 57: Alonso leads and is now 2.4 seconds ahead of Massa. If he goes on to win then he will close the gap on team-mate Hamilton to two points at the top of the championship.
Lap 56: Massa and Alonso are neck-and neck-now. Massa holds off the Spaniard at turn one but the duo touch wheels and Alonso pours past him into turn five. Hamilton pits for intermediates so he will be out of the points now.
Lap 54: Massa and Alonso come in to switch tyres too. Alonso almost takes out Fisichella in the pit lane. And there is a real battle between Massa and Alonso for the lead now.
Lap 53: Coulthard and Kubica into the pits.
Lap 52: It is raining now on certain parts of the track but Kovalainen is 87 seconds off the lead so surely he can't make up too many more places.
Lap 51: Kovalainen says it is just starting to drizzle but no real rain yet.
Lap 49: Kovalainen pits to move onto intermediate tyres. What a gamble by Renault as no rain is falling as yet. He comes back out into eighth with the idea of grabbing a podium spot if the rain comes.
Lap 48: Hmmmm we might get some more drama afterall as more rain is predicted for seven minutes time. The crowd are hastily putting on their rain coats.
Lap 47: Race leader Massa has to dodge round a loose wheel cover that is out on the track, and Alonso has reduced the Brazilian's lead to five seconds.
Lap 46: Unless there is more drama at the Nurburgring, Hamilton's record of straight podiums will come to an end in Germany.
Lap 45: The Hamilton debate is still raging on 606, is he brilliant or is it just the car? Here's what Fordale on 606 thinks:"No doubt Hamilton is a remarkable driver but 'experience' counts and he is still lacking in that department. He will have to bow to experience in this one."
Lap 44: Coulthard pits from third in his Red Bull and he rejoins in sixth.
Lap 42: Massa leads Alonso by six seconds at the front of the field but the double world champion looks like he is closing on the Ferrari.
Lap 41: Webber pits from third while Hamilton roars beyond Barrichello to climb up to 10th.
Lap 39: Raikkonen sounds even more despondent as usual as he explains where the race went wrong for him. He said: "I was in a good position and catching Alonso but the car just stopped." Asked if the conditions affected him he answered: "Naaah, it doesn't matter."
Lap 38: Massa pits from the lead. He gets in and out in 8.5 seconds and retains the lead.
Lap 37: Alonso pits while team-mate Hamilton gets past Trulli for 12th.
Lap 36: Massa leads Alonso by 8.3 seconds at the front as the race looks to have shrunk into a two-car contest.
Lap 35: Hamilton comes into the pits.
Lap 34: Big problems for Raikkonen as his Ferrari sputters and gutters its way round the track. Could be electrical problems and he cannot get back to the pits. His Nurburgring jinx strikes again,
Lap 33: Hamilton tries to squeeze past Fisichella and after a battle with the Italian he sails beyond him at turn 11.
Lap 32: Here's Ralf Schumacher's take on his brush with Heidfeld:"Even after the rain we were still in a good position to score some points. The corner before I made a mistake and that's why he came so close. But I thought he wasn't close enough. He had only one wheel inside and that's not enough."
Lap 30: Hamilton is really trying to fight back at the back of the field. He lays down another fastest lap, but Massa quickly follows suit and clocks 1:33.351.
"We had a phone-in last night and one guy asked me if I thought Lewis Hamilton was dramatically over-hyped. I couldn't believe my ears."Five Live commentator Murray Walker
Lap 29: Massa stretches his lead up to 5.9 seconds over Alonso at the front.
Lap 28: Kovalainen pits from fifth.
Lap 25: "It was really exciting for me and I'm happy to lead a Formula One race for once in my life. No-one can take that away from me. It wasn't easy to lead out there as I hadn't driven an F1 car in the rain before. It was just a shame I couldn't finish the race."Spyker's Markus Winkelhock on his eventful debut.
Lap 24: Raikkonen is starting to hunt down Alonso for second, he is only 0.5 seconds behind the Spaniard. At the back, Hamilton sets a new fastest lap of 1:33.607.
Lap 23: The stewards announce they will look into Heidfeld and Schumacher's shunt after the race. Here's what Murray Walker reckons: "Each will say it's the other's fault - they always do."
Lap 22: New fastest lap for race leader Massa, who clocks 1:33.732.
Lap 21: Hamilton continues to pour on the pace as he sets another fastest lap of 1:34.020 - only problem is he's 83 seconds off the lead. Takuma Sato also retires.
Lap 20: "Kimi Raikkonen is driving the wheels off his Ferrari and he's closing up on Fernando Alonso's McLaren. But Lewis Hamilton down in 16th place is also flying."BBC Five Live commentator Murray Walker
Things are not going so well for Ralf Schumacher, who is clipped by Heidfeld's BMW Sauber. Schumacher is out of the race.
Lap 19: Kovalainen passes Wurz to take fifth place with a neat overtaking move into turn one.
Lap 17: Kovalainen comes under pressure from his team radio to overtake Wurz for fifth.
Lap 16: Raikkonen sets a new fastest lap of 1:35.129, but that is quickly overhauled by backmarker Hamilton, who finds some pace to set a hot lap of 1:34.359.
Lap 15: Hamilton is 85 seconds behind back in 17th place. At the front, Massa leads Alonso by 2.1 seconds. Winkelhock's day is over as he retires with flames licking out of the back of his Spyker.
Lap 13: Coulthard and Heidfeld pit, which means Massa retakes the lead.
Lap 12: Massa and Alonso pit. They also take on a glug of fuel too.
Lap 11: Raikkonen comes into the Ferrari pits to take on dry tyres, which are coming good now. Wurz, Davidson and Winkelhock also pit.
Lap 10: Looks like it was too early for Hamilton to take on the dry tyres as he is now a lap down again. Webber squeezes past his Red Bull team-mate Coulthard for third.
Lap nine: Lots of moves throughout the field now as the race settles down. Raikkonen is putting pressure on Kovalainen for fifth place.
Lap eight: Massa and Alonso pour round Winkelhock, who is likely to go backwards from here on him. Who knows what is going on with Hamilton, as he spins off the track. He is struggling for grip with the dry tyres.
Lap seven: Hamilton has been allowed to overtake all cars and the safety car so he is no longer a lap behind, but he's still at the back of the field. The Briton then comes into the pits to refuel and put on dry tyres. The safety car is removed so we're racing again.
Lap six: The safety car remains out. Heidfeld comes in to put on intermediates instead of full wets - race leader Winkelhock is already on full wets.
1335: The cars restart under safety car conditions. And it's started to rain again.
1334: "It's a pity because the wet is good for us. I had a crap start, but after we changed tyres I was up to fourth behind a Ferrari, a McLaren and obviously Winkelhock. But then I came down to the first corner and it was like a lake down there and I just went straight off - like everyone else who arrived at that time."Jenson Button gives his verdict on the treacherous rain-storm
1333: McLaren are claiming that Hamilton is definitely not a lap down. Let's see how things pan out.
1331: Most drivers are likely to take Murray's advice and start on intermediate tyres - especially as more rain is predicted in 15 minutes' time.
1330: There are a handful of drivers who won't be back on the track and they are; Vitantonio Liuzzi (Toro Rosso), Scott Speed (Toro Rosso), Nico Rosberg (Williams), Adrian Sutil (Spyker) and Britain's Jenson Button (Honda).
1327: The race will restart at 1335.
1326: "It's absolutely chaotic. I would put intermediate tyres on and hope for the best. We need someone with the skills of Ayrton Senna or an ice-skater to deal with these conditions."Murray Walker on Five Live
1324: The drivers will restart the race shortly and will run one lap behind the safety car.
1319: Here's where things stand. Hamilton is down in 17th one lap behind as his action-packed weekend continues. The McLaren man had a puncture, changed his tyres, then immediately aquaplaned off the track and was then lifted back onto the Nurburgring by a crane while he sat in the car.
Pole-sitter Raikkonen is down in seventh while his Ferrari team-mate Felipe Massa is second ahead of McLaren's Alonso.
1317: The cars will be restarted in the order that they were in when they were last running. They could be starting soon as the sun is now shining - which means the drivers will probably all be on the wrong tyres again.
1315: "This restarting is quite a complicated business and the mechanics are pouring out of the pits to put on full wet tyres."Murray Walker on Five Live
Lap four: Winkelhock, who had led the race on his debut, pits from the lead, while Hamilton's car has been lifted out of the gravel with the rookie still in the cockpit. He is back in the race.
At the end of lap the race is red-flagged which means they will line up behind the safety car for a restart, once the terrible weather has cleared.
Lap three: Safety car deployed as six cars all plough off the track at Turn One. Lewis Hamilton is amongst them. Also off are Jenson Button, Sutil, Rosberg and Speed because of aquaplaning. Liuzzi also spins off too.
Lap two: Raikkonen comes into the pits, finally. And bizarrely that means Spyker's Markus Winkelhock leads the race on his Grand Prix debut.
Lap one: Dramatic start to the race. Lots to say but first of all, Hamilton suffers a left-rear puncture. The conditions are causing chaos and the two BMW Saubers have collided. Alonso and Hamilton both in pits to change tyres. Raikkonen tries to get into the pits but misses and he is still out on the slicks as the rain falls harder. Utter chaos.
1303: The rain is falling harder now and the race is off.
1301: All the frontrunners have opted for the harder tyres, but if the rain falls then they will have to soon duck in the pits for the wet tyres.
1259: The drivers are ready and off they go to warm up their tyres on the formation lap.
1258: "Rain has been forecast for about three minutes time from now - and they're sitting on the grid with dry tyres on. If it does rain - and it is just a forecast - it is going to be very interesting in the pit lane."BBC Radio Five Live commentator Murray Walker
1256: Late celeb spot on the grid. BBC tennis pundit Boris Becker - and he is wearing the same ill-advised black cap as he was at Wimbledon.
1255: "Lewis Hamilton and British Drivers good luck in Germany: Fahren Sie Ausgezeichnet!"Elizabeth via text
1249: Hamilton is sheltering under a large McLaren umbrella, on goes his fireproof hood while his team-mate Alonso is still doing some meet and greets. So he must be in a good mood then.
1246: We should be in for a dry race in Germany as there is plenty of blue sky stretching over the Nurburgring.
1240: How odd. Red Bull's Mark Webber gets an enthusiastic send-off from cult film director Quentin Tarantino. Otherwise no sign of any other celebs in the paddock.
1231: The drivers fire up their engines and emerge from the pits to bring their cars round onto the grid.
1230: "I have a feeling that Massa and Alonso will have a bit of a dice into the first corner, and one of the BMWs will be making up a place or two."Norbert on 606
1220: News in from the McLaren pits. Hamilton will start from 10th as the team have managed to rebuild his car. The suspension has been changed but the engine and gearbox are the same, so under FIA rules he will be able to start on the grid.
1214: McLaren have been letting Hamilton take it easy this morning, keeping him away from media work and the drivers' usual corporate commitments. The rookie's dad, Anthony, says he is absolutely fine and just focusing on the race.
1210: "Hamilton needs a good start to be in with a podium shout, the win is beyond him. I'm going to go for a Fernando Alonso win and relishing the prospect of him and Kimi going neck-and-neck into the first corner."Celtic06 on 606
1207: First glimpse of the weather at the unpredictable Nurburgring. So far so good, it's sunny with temperatures around 21C.
1200: We are asking for your favourite Murray Walker memories via 606 and the text. The legendary commentator, 83, is back behind the mic for Five Live, and you can also listen to the commentary here on the BBC Sport website (UK users only).
1155: "Lewis is wandering around as if nothing had happened to him. It's an incredible testimony to the strength of the modern Formula One car - and to Lewis himself. It's amazing. He's 22 - a boy to me - and he's so mature and friendly.
"If I had to put money on anyone it would be Kimi Raikkonen. It looks like a fight between Raikkonen and Alonso. But I'll be very interested to see how Heidfeld goes from fourth on the grid."BBC Five Live commentator Murray Walker
1150: "7 to 1 that Hamilton will make the podium? I don't think he's got it today, he will not move through this field easily, and he might be happy enough to make the top 5."ThanksalotBBC on 606
1146: "I'm having a difficult time with the race as I want both Raikkonen and Hamilton to win, and as this isn't possible, I say may the best man win! I'm looking forward to a good race."Xynoxx on 606
1130: Will the European Grand Prix, staged at the Nurburgring for the 12th time, live up to the drama of Saturday's qualifying?
The ingredients for another exciting race in Germany are in place - and Michael Schumacher returns in front of his adoring fans to drive a lap of the track to mark the renaming of turns 8 and 9 as the 'Schumacher S'.
It was there that Lewis Hamilton crashed at high speed in qualifying, an incident which saw him whisked off to a military hospital for a check-up.
The British McLaren driver, 22, has been given the green light by FIA doctors, and starts 10th on the grid. If he has to use the spare car he will begin his race from the pit lane.
In his quest to keep up his superb record of straight podium finishes - nine so far - expect the rookie to try to weave his way through the field.
Kimi Raikkonen finds himself in new territory as he chases a hat-trick of wins for the first time in his career.
The Finn lines up his Ferrari on pole and, after a dominant weekend, he looks favourite to add to his wins in France and Britain.
McLaren's Fernando Alonso lines up on the front row alongside Raikkonen and, with news he is settling into the team and getting to grips with the Bridgestone tyres, he could challenge the Finn.
Felipe Massa starts the second Ferrari in third ahead of Nick Heidfeld, who is dashing back from his Swiss home for the race after taking leave to see his newborn son, Joda.
We would like your thoughts ahead of the European Grand Prix via text and 606.
Grid positions for the European Grand Prix:
1. Kimi Raikkonen (Fin) Ferrari 2. Fernando Alonso (Spa) McLaren-Mercedes 3. Felipe Massa (Brz) Ferrari 4. Nick Heidfeld (Ger) BMW Sauber 5. Robert Kubica (Pol) BMW Sauber 6. Mark Webber (Aus) Red Bull-Renault 7. Heikki Kovalainen (Fin) Renault 8. Jarno Trulli (Ita) Toyota 9. Ralf Schumacher (Ger) Toyota 10. Lewis Hamilton (GB) McLaren-Mercedes 11. Nico Rosberg (Ger) Williams-Toyota 12. Alexander Wurz (Aus) Williams-Toyota 13. Giancarlo Fisichella (Ita) Renault 14. Rubens Barrichello (Brz) Honda 15. Anthony Davidson (GB) Super Aguri-Honda16. Takuma Sato (Jpn) Super Aguri-Honda 17. Jenson Button (GB) Honda 18. Scott Speed (US) Toro Rosso-Ferrari19. Vitantonio Liuzzi (Ita) Toro Rosso-Ferrari 20. David Coulthard (GB) Red Bull-Renault 21. Adrian Sutil (Ger) Spyker-Ferrari 22. Markus Winkelhock (Ger) Spyker-Ferrari


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Von Braun Center in Huntsville
Thinking of planning a city break to Huntsville. Expedia have a great range of hotels and accomodation in Huntsville near Von Braun Center that will help make your stay that little bit more special. But before you go make sure to check out the Expedia travel guide on Von Braun Center first, so you can find out everything you need to know before you go away.

subset: commoncrawl


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JOHN TERRY found some welcome relief from his troubles as he provided the
biggest shock of the night.
Just hours after another tortuous grilling from the FA's disciplinary
commission, the former England skipper was a surprise selection to lead
Chelsea out against Wolves.
Terry had only left the Wembley hearing into his alleged racist abuse of Anton
Ferdinand in the early afternoon following five hours of questioning and
legal wrangling.
And no one had expected the 31-year-old defender to be on duty after such a
draining battle to save his reputation.
But the football pitch is Terry's only safe haven right now and with a
potential lengthy ban looming he clearly wants to take full advantage of
every opportunity to play.
He will be back at Wembley today as his lawyers continue to plead his
innocence but the Stamford Bridge supporters have already delivered their
verdict on the man they call captain, leader, legend.
"One England captain," they chanted as soon as their hero appeared and Terry
acknowledged their support with an appreciative gesture.
As a contest, this one was as easy as Terry could ever have dared to hope for
as Chelsea put the tie to bed while barely breaking sweat.
They were ahead after just four minutes and never took their foot off the gas
as poor Wolves were simply crushed in this Capital One Cup tie.
It all started with Ronald Zubar's foul on Victor Moses which allowed Juan
Mata to send over a free-kick for an emphatic back post header by Gary
And with the visitors still trying to sort themselves out at the back, Chelsea
doubled their lead inside eight minutes when keeper Dorus de Vries failed to
hold Oriol Romeu's low shot and Ryan Bertrand pounced on Lucas Piazon's
It was shaping up to be a long night for Wolves boss Stale Solbakken, who had
made 10 changes to the team which had won at 2-0 Peterborough at the
The last time he had faced Chelsea was two years ago in the Champions League
when he was boss of FC Copenhagen.
Now he was trying to halt the European champions with his reserve team… and
failing miserably.
Chelsea looked capable of scoring every time they crossed the halfway line and
it came as no surprise when the impeccable Mata fired them even further
ahead on 17 minutes.
Swapping passes with first Ramires and then Fernando Torres, the little
Spanish maestro waltzed through the mesmerised Wolves defence before lashing
home his first goal of the season.
It was like shooting fish in a barrel for Chelsea and they almost paid for
taking things a bit too easily midway through the first-half.
David Davis' ball allowed Slawomir Peszko to run right between Terry and
Cahill and around keeper Ross Turnbull, but with the goal beckoning the
Polish winger shot wide.
It was as close as Wolves were going to get to a consolation all night and
they were soon back deep in their own half desperately trying to keep the
score respectable.
Mata, all 5ft 7in of him, shaved the post with a free-kick and Torres fired
across the face of goal after a poor first touch had forced him wide.
Georg Margreitter almost sliced into his own net and Mata fizzed another
free-kick perilously close on a night when Piazon, Moses and Cesar
Azpilicueta all started their first game for the Blues.
But any Wolves hopes that Chelsea might take things easy after the break were
quickly dashed when Moses was brought down by De Vries and Romeu scored from
the spot with 53 minutes gone.
Even Torres got in on the act with his first goal in five games, the striker
heading in unchallenged from Mata's 58th-minute corner.
And Moses completed the rout from substitute Oscar's cross.
Chelsea started the season going for seven trophies and have already waved
goodbye to the Community Shield and Super Cup.
But at least their Capital One Cup hopes are still alive.
STAR MAN – JUAN MATA (Chelsea)
CHELSEA: Turnbull 5, Azpilicueta 7, Cahill 7, Terry 7, Bertrand 7,
Ramires 7 (Oscar 7), Romeu 7, Moses 8, Mata 9 (Marin 6), Piazon 6, Torres 7
(Hazard 5). Subs not used: Hilario, Ferreira, Luiz, Mikel.


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In the land of the epic…
The Hidimba Temple, located at the foot of the Himalayas, is a popular tourist destination. According to the Mahabharata epic, the Pandavas spent much of their time in exile in and around Manali. When the demon Hidimb attacked them, in the ensuing fight, Bheem, the strongest Pandav, managed to slay the rakshas. What followed was a marriage between Bheem and Hidimb's sister, Hidimba; but when the Pandavas returned from exile, the demoness remained behind doing a combination of meditation, prayer and penance so as to eventually attain the status of a goddess. The ancient cave temple was built in dedication to her in the 16th century.
Opportunities for day-trips are plenty, as small towns like Vashisht and Manikaran, famed for their natural hot springs, are not far. The grassy slopes of the Rohtang Pass are but a short ride away, as is the house of the great Russian painter Nicholus Roerich. Solang Valley, with its sprawling pitches of lawn, is popular for its summer and winter sports, most specifically skiing. When the snow melts in the summer months, thrill-seekers switch to zorbing, which involves rolling down a 200 metre hill in a giant ball.
Trekking enthusiasts can climb up to the Bijli Mahadev, the temple of lightning, which glistens like a silver beacon in the sun and offers a panoramic view of the Kullu and Parvati valleys.


text:
Edit: After half day, my wife's Mac started having the same problem. I have then applied the solution that I found in the Apple
Increasing Engineers on iOS 7 questions time left –
With the WWDC 2013 closing in, Apple have been reportedly borrowing engineers to finish iOS 7 in time. The new Operating System for iPhones, iPads and iPods is set to make a preview in San Francisco between June 10th to the 14th.
Sources report that company has been borrowing programmers from the OS X 10.9 team as part of an effort to speed up production time. This is most likely due to Ive's new role in the interface design for the new OS. The new OS is set to have improved graphics and more gestures to enhance the merge of hardware and software. This was discussed last week when news came in about Ive's "very, very flat" design which can be seen here. One source talks about the whole of Game Center will be refined design wise, removing all elements of the green colour scheme that have been evident since its release.
In simple terms, the iOS is like an old car, and iOS 7 is the same car but with a completely new body kit.
This complete design overhaul evidently is pushing on Apple's time left and resources but this new design is much needed since the lack of change since the iPhone's release in 2007.
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1.42 acres in Union County, Mississippi
1.42 acres in Blue Springs. No restrictions. All info subject to verification.
78 to Hwy 9 N. Turn right onto 9 S, 4 miles turn left on Hwy 348, Property is 5.4 miles on left.
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James Brandon Allred
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NOTE: The information contained herein is provided as general information only and has been obtained from sources deemed reliable. It is provided without any guaranty, warranty or representation, expressed or implied, made by Lands of America, or any related entity, as to the accuracy or completeness of the information. The information is presented subject to errors, omissions, change of price or conditions, prior sale or withdrawal without notice. Prospective purchasers should make their own investigations, projections and conclusions concerning the information.


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Financial Express (Holdings) Limited ("we", "our", "us" and derivatives) are committed to protecting and respecting your privacy. This Privacy Policy, together with our Terms of Use, sets out the basis on which any personal data that we collect from you, or that you provide to us, will be processed by us relating to your use of any of the below websites ("sites").
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NB Private Equity Partners Limited Registered Number 47214(the "Company")
Annual General Meeting
Date of Annual General Meeting
The Company will hold its Annual General Meeting at 1.45pm (London time) on 15th May 2012 at Lefebvre Place, Lefebvre Street, St Peter Port, Guernsey for the transaction of the following business, all proposed as ordinary resolutions for the purposes of the Companies (Guernsey) Law, 2008 (as amended) (the "Companies Law").
Business of Annual General Meeting
1. To receive and adopt the Audited Financial Statements, the Directors' report, and the Auditors' report for the year ended 31st December 2011.
2. To approve the Directors' remuneration for the year ended 31st December 2011.
3. To re-appoint Christopher W Sherwell as Director of the Company, retiring in accordance with Article 26.2 of the Company's Articles of Incorporation.
4. To re-appoint John P Buser as Director of the Company, retiring in accordance with Article 26.2 of the Company's Articles of Incorporation.
5. To re-appoint KPMG Channel Islands Limited, who have indicated their willingness to continue in office, as Auditors of the Company and to hold office until the next Annual General Meeting.
6. To authorise the Directors to determine KPMG Channel Islands Limited's remuneration.
7. THAT the Company be authorised in accordance with section 315 of the Companies (Guernsey) Law, 2008 (the "Companies Law"), to make market purchases (within the meaning of section 316 of the Companies Law) of its own Class A Shares, provided that:
a. the maximum number of Class A Shares authorised to be purchased shall be 7,381,630 Class A shares (being 14.99 per cent. of the Class A Shares in issue (excluding Class A Shares held in treasury) as at the date of this Notice of AGM);
b. the minimum price which may be paid for a Class A Share is US$0.01;
c. the maximum price which may be paid for a Class A Share is an amount equal to the higher of (a) 5 per cent. above the average market value of the Class A Shares on the regulated market where the repurchase is carried out for the five business days before the purchase is made and (b) the higher of (i) the price of the last independent trade and (ii) the highest current independent bid price, in each case on the regulated market where the purchase is carried out;
d. such authority shall expire at the annual general meeting of the Company in 2012 unless such authority is varied, revoked or renewed prior to such date by an ordinary resolution of the Company; and
e. the Company may make a contract to purchase Class A Shares under such authority prior to its expiry which will or may be executed wholly or partly after its expiration and the Company may make a purchase of Shares pursuant to any such contract.
8. THAT the Company be and is hereby authorised, in accordance with and to the fullest extent permitted by the Companies (Guernsey) Law, 2008, to hold any Class A Shares purchased by it as treasury shares provided that the aggregate number of Class A Shares held as treasury shares shall not at any time exceed 10 per cent of the total number of Class A Shares in issue at that time.
Rights of Shareholders to Receive Notice
Pursuant to the Company's Articles of Incorporation, only Class B Ordinary shareholders are entitled to receive notice of the Annual General Meeting.
Rights of Shareholders to Attend
Pursuant to the Company's Articles of Incorporation, only Class B Ordinary shareholders are entitled to attend the Annual General Meeting.
Total Shares and Voting Rights
As at the date of this information, the Company has issued share capital of:-- 52,394,104 Class A Ordinary shares (3,150,408 of which are held by the Company in treasury);- 10,000 Class B Ordinary shares; and- 32,999,999 Zero Dividend Preference Shares.
Pursuant to the Company's Articles of Incorporation, only Class B Ordinary shareholders are entitled to vote at the Annual General Meeting.
For further information, please contact:
About NB Private Equity Partners Limited
NBPE is a closed-end private equity investment company with class A ordinary shares admitted to trading on Euronext Amsterdam and the Specialist Fund Market of the London Stock Exchange. NBPE has ZDP shares admitted to trading on the Specialist Fund Market of the London Stock Exchange and the Daily Official List of the Channel Islands Stock Exchange. NBPE holds a diversified portfolio of private equity fund investments and direct / co-investments selected by the NB Alternatives group of Neuberger Berman, diversified across private equity asset class, geography, industry, vintage year, and sponsor.
About Neuberger Berman
Neuberger Berman is a private, independent, employee-controlled investment manager. It partners with institutions, advisors and individuals throughout the world to customize solutions that address their needs for income, growth and capital preservation. With more than 1,700 professionals focused exclusively on asset management, it offers an investment culture of independent thinking. Founded in 1939, the company provides solutions across equities, fixed income, hedge funds and private equity, and had $193 billion in assets under management as of December 31, 2011. For more information, please visit our website at www.nb.com.
This press release appears as a matter of record only and does not constitute an offer to sell or a solicitation of an offer to purchase any security.
NBPE is established as a closed-end investment company domiciled in Guernsey. NBPE has received the necessary consent of the Guernsey Financial Services Commission and the States of Guernsey Policy Council. NBPE is registered with the Dutch Authority for the Financial Markets as a collective investment scheme which may offer participations in The Netherlands pursuant to article 2:66 of the Financial Markets Supervision Act (Wet op het financial toezicht). All investments are subject to risk. Past performance is no guarantee of future returns. The value of investments may fluctuate. Results achieved in the past are no guarantee of future results. This document is not intended to constitute legal, tax or accounting advice or investment recommendations. Prospective investors are advised to seek expert legal, financial, tax and other professional advice before making any investment decision. Statements contained in this document that are not historical facts are based on current expectations, estimates, projections, opinions and beliefs of NBPE's investment manager. Such statements involve known and unknown risks, uncertainties and other factors, and undue reliance should not be placed thereon. Additionally, this document may contain "forward-looking statements." Actual events or results or the actual performance of NBPE may differ materially from those reflected or contemplated in such targets or forward-looking statements.
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More power to Golemizer's community
I keep getting requests from players that would like to become GMs. The problem is that most of them just don't understand what becoming a GM for Golemizer is about.
Sure you get access to the mute and ban commands but those are just boring tools. I have never given a GM account based only on those commands. Want to know how a player becomes a GM? Well he/she was a GM before even knowing it. Most of them never asked me to become a GM and those that did should have become GM long before asking me.
Golemizer is a game about creating stuff. Stories, houses, quests, events, … All players can create those. A GM just have access to some cool stuff to do a bit more. The current GMs in Golemizer are artists, quests builders, zone builders and not policemen. Yes they will mute and ban people to keep the game clean but that's not why they are GM in the first place. It's because they can make the game a better game on the creative level. All of them were dedicated creative players.
Recently I have started to build some more tools I should have built a long time ago. Tools that will allow GMs to add new items, new skills and even new golems (later) to the game. I'm saying that I'm giving more power to Golemizer's community because all GMs were once regular players that felt in love with the possibilities Golemizer is offering. And ultimately having GMs to do more will benefit the community since I just can't keep up with everything.
Let's say a GM wanted to run a special event and needed a special trophy to give players attending it well it meant that I had to add the item myself before they can carry on with their plan. It would be wonderful that I could sit in front of my computer working all the time on Golemizer but that's just not possible so it meant that GMs were always waiting after me. Many GMs, only one of me (that I'm aware of …).
Yes it's a risky move. The moment you give a GM account there's a risk those new powers will not be used the way you wanted to. So far I've been lucky though. I don't give a GM account easily and a player must have shown a lot of dedication to the game before I even consider it. And no the it doesn't matter if a player have played Golemizer for more than a year. It makes that player a veteran but not a GM. Those are 2 separate things but not everyone see this. Playing a game is not the same as helping building it …
So GMs now have a bit more power and will have more as I complete the tools. There's of course a limit to the powers I can give them but what I can give should be more than enough to make Golemizer more active than ever.
Why did I not do this before? Well I thought I would be able to run everything myself to some point. Considering the small size of Golemizer, the money it gets in and my available time though I had no choice but to open the game a bit more at the risk of seeing it slowly die because of the lack of progress.
I don't think this is the kind of power that could be given to many MMOs but Golemizer happens to be the perfect case to run this experiment. Time will tell if I was right about that.
well to be honest while interesting i think u said all this before XD but ya it needs to be said again…..players that become gms gave alot to the game and not every one who plays over a year will be a gm bla bla bla the good part was the part about the new tools, sounds like things could get interesting
ya but it does seem to help sending an mail also for some its all about dedication and achievements im sure you also get plenty of those too
Wow, that IS an interesting spin to the game
I been hanging around searching for a MMO but i didnt find anything like Golemizer, Maybe is time to come back and begin to pixel some cool stuff
I swear I will make more art, just give me some time, personal real life is demanding at the moment. I'm more than willing to help!
Congrats/welcome to all the new GM's, I'm losing track a bit lately. Just a bit behind all that stuff, I'll catch up later this Fall, just a fews weeks away from you all


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With more than 75 years of combined experience in residential, commercial and solar construction, Cal Paso Solar has the expertise to provide the perfect solar system solution for your home, business or agricultural operation in Paso Robles, Atascadero, Templeton, San Luis Obispo and the surrounding communities of California's Central Coast and Central Valley.
Our local team of licensed and certified roofers, electricians and builders, engineer each system using only the highest quality American made solar panels and equipment.
Start saving money on your electric bills today! Contact us today for a no-obligation solar system quote.
Cal Paso Solar Electric provides residential solar installation for San Luis Obispo County and the Central Valley. Depending on your needs and lifestyle, it may be possible to completely eliminate energy bills while meeting 100% of your energy needs!
Our commercial solar power solutions span multiple industry sectors, helping businesses save money while maximizing energy production and efficiency. We're proud to help an increasing number of commercial interests and government entities transition to clean solar energy.
Harness the power of the sun for more than just your crops. From family-run farms to vineyards and full-scale agricultural operations, Cal Paso Solar Electric is here to work with the farming and ranching communities of San Luis Obispo County and the Central Valley to help achieve energy independence and maximize profits.


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BECOME A PREFERRED SUBSCRIBER+ Get 15% off Your Next Order
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Handheld Spotlight - Thor X Scout
Light up your work area with this cordless spotlight
We've been hunting for a super bright, rechargeable, professional-grade, handheld spotlight - and now we've found it. The 6.5 million candlepower handheld spotlight features Philips ® halogen bulbs providing a continuous bright light for up to 40 minutes in regular mode. Adjustable stand allows you to aim the light where you need, for hands-free use. Handheld spotlight features a removable carrying strap for easy transport. Durable rubberized construction. Includes a 120-volt AC charger and a 12-volt DC charger. Imported.


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Join the G.F.F.A.
Hello everyone. As many of you already know, a new organization has been created here on FTF. It is known as the G.F.F.A. (Gunowners for a Free America). We stand for 2A rights and plan to teach children and adults about firearms, safety, and the laws that surround them.
We also plan on fighting to protect our 2A rights and will fight to regain some of the rights that our government has taken away from us. Some of the rights we want back are constitutional carry, repeal of laws regarding the legality of hi capacity magazines, and any other law that clearly violates our rights and the constitution. (Of course, our organization will have to grow in size first)
What we are trying to do now is increase membership so that we may be able to do these things. Membership is free and everyone who is 18/older or an active member of the military is encouraged to join.
We have a thread posted as a sticky under legal and activism and a group in FTF that you can talk to the rest of the organization through and learn more about us through. You can ask to join by either contacting me or any other founder/council member of the G.F.F.A (most of us have shields with G.F.F.A. on them for avitars) throught pm or you can go to this thread and ask to join. We will then send you an invite then you'll be able to join the group. (http://www.firearmstalk.com/forums/f97/gunowners-free-america-thread-50526/) You can also join here.
Thank you for you time.
Aaron Mustin
Secretary of the G.F.F.A.
Joined! :D
Welcome to the team.
I think I'm already in. If not, sign me up.
Yep Ca, you already joined. Welcome to the club.
I added the official page link to my signature. Would there be any objection of someone posting the link to FB as well?
I wouldn't have a problem with it. Ask g17frantz though. He's the one who created the FB group and has control of it.
Joined ;).
Welcome to the GFFA.
Our membership is growing fast. Thank you to everyone who has joined so far. Remember, membership is free and anybody can join.
|All times are GMT. The time now is 04:06 AM.
Copyright ©2000 - 2017, Jelsoft Enterprises Ltd.


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ISR is pleased to announce the release of the Asian Studies Collection, the latest addition to the Beloit College Digital Collections.
The Asian Studies Collection contains images of holdings in the Wright Museum of Art and the Logan Museum of Anthropology that pertain to Asia and its history. The objects in the collection provide an excellent supplement to coursework in Asian Studies. In addition, they highlight the museums' strength in this subject area. Consisting of 53 full-color images captured via direct digital photography, this collection was created as a collaboration between Information Services and Resources and both campus museums with support from the Office of International Education.
To view the collection, please visit http://dcms.beloit.edu/cdm4/browse.php?CISOROOT=/freeman. To view the Beloit College Digital Collections homepage, go to http://www.beloit.edu/bcdc/.


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Posted: 20 February 2013
Prize: With gemstones coming back in full fashion swing, you can't go wrong with this Druzy Quartz. Nature and glamour have officially collided with this necklace. While it has a smooth and natural backside, this gem is completely textured on the top The stone pendant is hand wrapped by 14K gold filled wire.
Can you enter this giveaway daily?: Yes
Expiration Date: 03/16/2013 11:59 PM
Eligibility: Worldwide 18+ only
Entry Method: Rafflecopter
Enter Here: http://stuffimmaking.blogspot.com/2013/02/etsy-giveaways-druzy-quartz-necklace.html


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Love Chiropractic Center
by: Tell Me First • 0
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by: Tell Me First • 0
What Is Chiropractic?
Welcome new, veteran and prospective chiropractic patients!
Thank you in advance for taking the time to discover chiropractic and its powerful effects on human health.
Each year more than 15 million Americans choose chiropractic for safe, natural and effective relief from back pain, neck pain, headaches, extremity pain, poor overall health, low energy levels and much more.
Dr. Steve Love, D.C., Doctor of Chiropractic
Dr. Love is a native of Lakeland, Florida. He is a graduate of Lake Gibson High School, Florida Southern College and Palmer College of Chiropractic Florida. He is glad to be practicing in the Lakeland area to serve the community in which he grew up.
Dr. Tiffany Love, D.C., Doctor of Chiropractic
Dr. Tiffany Love is a graduate of Lawrence University with a B.A. in Biology, and earned her Doctor of Chiropractic from Palmer College of Chiropractic. She is a member of both the Florida and Polk County Chiropractic Associations. Dr. Love is trained extensively in various physical therapy techniques, including the Graston Technique, Gonstead and Thompson techniques. She is certified in Cox Flexion Distraction and the Activator Method, and is a Certified Chiropractic Extremity Practitioner.
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The long and detailed interview given by the People's Bank of China governor, Zhou Xiaochuan, to Caixin Weekly on Tuesday is in one sense very un-Chinese. It provides a much more fulsome statement of foreign exchange policy, as viewed from the central bank, than anything available in the past. After months in which the governor has been conspicuously absent from the public fray, he has now chosen to go on the attack.
Mr Zhou sees the recent exchange rate crisis as out of line with economic fundamentals in China, and for that reason essentially temporary. He describes a new currency regime that is best characterised as a dirty floating regime, measured against the renminbi basket, not the dollar. "Speculative" attacks on that regime will be opposed and defeated by the central bank. In the longer term, the peg against the basket can be adjusted if fundamentals change, and the links between the two will be explained in more detail in the future.
This statement will further reduce the risk of a competitive devaluation of the renminbi in the near term. But does that mean that the China currency crisis is over? Read more


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Interviewed by Michael Juvinall, MoreHorror.com
Peter Dukes is an independent filmmaker on the rise. His company Dream Seekers Productions has produced 14 short, independent films to date, with more on the way. His films run the gamut of genres and include horror, fantasy, sci-fi, thriller, drama, and soon to be comedy. Peter is truly an exceptional artist with an eye for film that only a handful of indie filmmakers have today. Dream Seekers Productions pride themselves on bringing unique, challenging and innovative films to life when they might not have a life elsewhere. They hope to remind moviegoers how inspiring, thought-provoking and wonderful cinema can be.
His most recent short film, and my favorite of his, is a family driven horror tale called The Beast. It stars the award winning Bill Oberst Jr. as a father trying to help his son who has a terrible affliction. Another popular Peter Dukes short film is A Goblin's Tale which stars Radio Disney star Tiffany Giardina. This dark fantasy tells the tale of a Goblin that comes out of a storybook and meets the young owner of the book. His films include all manner of creatures including goblins, werewolves, zombies, fairies, witches, ghosts and even some ordinary folk sprinkled in here and there.
Peter prides himself on making films that require the audience use their heads and think a little bit. He doesn't believe in giving away all the answers because your own imagination is much scarier than anything which can be shown on screen. His films make you leave the theater thinking about what you just saw in the tradition of the greatest genre filmmakers such as Jacques Tourneur, Dario Argento, and John Carpenter. So far, Peter and his Dream Seekers Production team have only made short films but he is due to make his mark in the feature market in the near future. Read on as this incredibly versatile and creative writer, producer, cinematographer, editor, and director talks about why he does what he does, what influences him, and where he plans to go from here.
Michael Juvinall: I really loved your short film The Beast. I'm a huge werewolf fan and I've been a werewolf fan ever since I was a kid. I eat up anything that has to do with werewolves. I've watched your short film probably 7 or 8 times now and each time I watch it, I like it more and more. I'm also a big Bill Oberst Jr. fan; he's great in it too.
Peter Dukes: He's a super cool guy, I love Bill. I really wanted to make a film that was an ode to the horror films of yesterday. I wanted to make one that was a classic tale of subtle horror and more than in your face stuff. I was trying to think of what kind of monster I wanted to go for, I'm a big fan of horror and it's got this rich, long history. I love the werewolves too, and they're kind of like the unwanted stepchild, they've never gotten as much love or attention from the horror community itself. They get buried behind vampires and zombies so I figured why not, let's show them some love.
MJ: I completely agree. Stepping back a little bit here, you've been making films for almost 20 years now. What got you started making films and why?
PD: I'm like a lot of indie filmmakers. I've loved the idea of being able to craft your own story and get a reaction out of people. Ever since I was a kid, I've been making films of one sort or another. God knows what actually first got me into it. I can think back to the days, Raiders of the Lost Ark was something I saw when I was maybe five. A lot of those movies back then got me all excited about getting into the craft of storytelling. Things progressed from one thing to the next and I decided to go after a film degree in college, then after college I came out to Los Angeles, shortly after that we founded Dream Seekers.
MJ: Do you find yourself leaning more towards genre films or are you out there to make all types of films?
PD: We're definitely into all types of films. We have a certain taste in storytelling that tends to lean towards horror/fantasy/sci-fi; we have a soft spot for those and will continue to do them but we are up for trying all types of things. I'd love to do straight drama, a little bit of comedy and I'd love to do a western. As long as it's an interesting story and interesting concept and gives me the opportunity to try something different or take a new angle on a genre or sub-genre or even turn a genre on its head, I'm all for it. To be sure, we are always going to love the type of material that allows us creative flexibility and horror/sci-fi/fantasy will definitely give us the opportunity to do that and we take advantage of it.
MJ: In researching your background, I watched almost all of your short films that were available. I was pretty impressed with them.
PD: Thank you. You can see the progression through the years. Each film I do is a challenge, I always try to make films that help me highlight what my strengths and weaknesses are and we continue to work on that. Our films have progressively gotten better and better or at least more polished. You're a student of filmmaking until you die, I believe. We're still learning, growing and honing the craft, but we're proud of what we've done.
MJ: When you write your short films, where do you get your ideas from?
PD: I'm a big inspiration guy. At any given time I probably have six or eight scripts that are ready to go but more often than not I find that I'll be looking those scripts over and can't quite decide which one I can do realistically. I get inspired, crank out a script in a day or two and get the ball rolling really quickly. That happened with The Beast, A Goblin's Tale, and that happened with almost all my films. There are general themes of life, love, death, and time is a big one for me. Those things are always in my head that help fuel the creative fire.
MJ: Those are all pretty good themes and from what I've seen, they've lead to some great filmmaking from your part.
PD: Thank you, thank you. It's all in fun. We have fun doing it, we've gained a following, and we are starting to gain attention on a small scale. No doubt we've used it also as a stepping stone to build up a body of work that gains some attention and eventually helps us break through to the feature world. It would be great one day to get paid to do this and not have to do it on the side. In the meantime, the more work we put together, the higher quality we're able to shoot and we're able to get people like Bill Oberst Jr. and terrific DP's and other great cast members.
MJ: It's nice to have good people you trust behind you. It's nice that you have that.
PD: For sure, and most of the time, the people I've worked with are happy to come back. I'm about to go into production on a new film of ours. It's the first film that I've ever done that I was able to secure outside investors for. Hopefully that will be a new change for us. I've handled things out of pocket for years, it's quite a relief to have some other funds coming in, it gives us a little more breathing room and spreads things out a little bit, We can shoot for more than just a day or two. It all comes from putting together the 14 films we've done.
MJ: Are you a fan of horror films yourself?
PD: Absolutely. I'm a big fan of horror, we all have our own cup of tea, I guess. I'm not necessarily the biggest fan of torture porn, I can respect them, and they have an audience. I can certainly respect the value of them, but it's not for me. I tend to lean more towards the subtle, atmospheric films like Let the Right One In, that is more my taste in horror. Most of my horror inspiration comes from literature; I'm a book reading junkie. Guys like H.P. Lovecraft, Shirley Jackson, Henry James, I could go on and on, some of the masters of horror from back in the day. It blows your mind once you read some of this stuff; it absolutely is brimming with creativity.
MJ: All those authors you mentioned are some of my favorites as well. I feel that a lot of kids and young filmmakers these days haven't really touched on the classics yet. There's all this inspiration that's waiting to be read and most of them haven't done it yet.
PD: Even if today's filmmakers reach back to some of these older pieces of literature, they're putting today's trends into it and I don't think it works that well. I'd love to see The Haunting of Hill House done as it was written; I think it would be stupendous. Today's horror community has the films for today and that's fine but I would like to give them a little dose of something different that harkens back to where horror was born and what its capabilities really are.
MJ: Again, I agree with you completely.
PD: I'm not always about being extra subtle. I might not be into the torture porn thing but certain kinds of heightened reality or exaggerated gore sometimes works for me. I'm a big fan of Dario Argento and that kind of ultra-stylized creepy stuff. I think horror can take on many different faces and can do so successfully. I think we're at a place right now where were kind of waiting for the next big thing to hit. Right now we're kind of in the zombie phase and vampire thing still and the pseudo-documentary thing is still pretty big. I'm very curious to see what the next big thing is going to be.
MJ: Going back to The Beast again, that's an old school style horror film. It relies more on atmosphere and tension rather than blood and guts. It has a great story and great actors. Your influences when making that film, I'm assuming are more of what you were just speaking about, the old-school type of horror?
PD: Yeah, it was as close to my vision as I could get. Obviously, if I'd had more time to shoot it there are some other things I would've toyed with. We shot that in one night with $700 bucks, which is insane. It's what we had so we went with it, but the idea was to keep it subtle. Just give hints to the audience and let them fill in the gaps on their own. It's not so much straight horror, it's really a family drama with some horrific details sprinkled on top for lack of a better description. More so than being a werewolf movie, it turned out to be more of a father/son movie that just happened to have a werewolf in it. It's something I wanted to put out there and see what people thought about it.
I'm glad I got Bill (Oberst), he's such a versatile actor and he's known as this creepy, dark, kind of character. I was happy to give him a chance to try something different, to play a complicated human being and a father facing a tough situation. He wasn't playing a ruthless, psychotic kind of killer, he's playing a regular guy and I loved seeing him delve into that. I think he did a great job. Wherever he goes in his career, I hope he continues to get chances to play different kinds of roles like that, because he really is terrific in those horrific roles but I think he can do so much more.
MJ: Yes, I hope so too. Who did the creature effects for the werewolf in the film?
PD: What little there are. I brought in a makeup artist to do the extreme close-ups just to do some prosthetics. I knew we wouldn't have much money and I didn't want to show much. Even if we'd had a lot of money and more time to do a more complicated outfit for the werewolf, I still would not have wanted to see him very much. I wanted to keep it very brief, almost eye to eye. We ended up using a little bit more of that in the film then I had originally intended, regardless, I wanted to keep using the shadows and make the audience use their imagination more than having this werewolf pop up. We did end up seeing a little bit of his face, a makeup artist came in and helped me with that. For the wide shots, God help me, I just used an old Halloween mask (laughing). It looked fine, some people get a little picky with it but it did the trick. I think for the kind of monster I was looking to portray, it was very appropriate. It was never going to be a huge, slimy, completely menacing creature. It was basically just a Halloween mask for the wides and for close ups, just a couple of small prosthetics, not even a full facial.
MJ: You could never tell that it was a Halloween mask. That's one of the things I love so much about the film because you don't show the full werewolf, you only see a head in shadows and a close up of the eyes and nose. Those are the kind of movies that I really enjoy, the ones that leave a little bit more up to your imagination.
PD: Nothing will ever be scarier than our own imaginations; we all have demons so to speak that are part of us, if you tap into that. Jaws certainly isn't the first film to take advantage of that by any means but it's certainly one of the most famous. By not seeing the shark, it's scarier; it's all in our head. There are films that did it before, I can't remember, I think it was called Cat People, an old black & white film that really took advantage of that. You rarely ever saw the actual creature but there were a lot of deep shadows and sounds, you're feeding off the fear that you see in these characters faces. They're walking through the unknown, things like that are really scary. I don't want to know all the details.
One of the things that drives me crazy when I see remakes is that I don't want to know per say about Michael Myers childhood or the man under the mask too much, I don't need to know all those details, it demystifies it for me. I don't need to know his whole psychological upbringing, give me the bare minimal and my mind will fill in the rest far better than any attempt at a backstory. Those are certainly lessons that I try to do with my films, sometimes more successfully more than others, but it certainly something I try to put in all my scripts.
MJ: Do you have any plans on making The Beast or any of your other shorts into feature films?
PD: We've been putting these films together for a long time, only in the last year or two have we been getting more attention. We've had people asking us for interviews and getting out and reviewed so we're still putting our pieces in place. Would I? Sure. I've had a lot of people ask me about A Goblin's Tale, The Beast and a couple of the other ones. I certainly think the potential is there. It's a matter of completing a script that's worthy of the short.
MJ: A Goblin's Tale is probably my second favorite short of yours next to The Beast and I would love to see both of those turned into feature films.
PD: Those two tend to have the most potential in terms of expanding it into something more. I think both of them have the potential to do it. A Goblin's Tale is a darker fantasy. That was my ode to the darker fantasy films of the 80's like Labyrinth, Legend, Secret of NIMH, and The Dark Crystal. I don't know if they had a little more edge or what, but they were a little bit different back then and this was my ode to them. I certainly would be open to it and it's something I've been mulling over for a few months so we'll see what happens.
MJ: Lanrete also, I'd love to see the story of what's behind that ski mask and what his story is.
PD: I like to force the audience to fill in the holes themselves, sometimes too much. That was my spin on the zombie movie and people would be like zombie movie? They had no idea it was a zombie movie. They still liked it, but didn't get zombie at all. He never calls himself a zombie, but it's my take on the zombie film.
MJ: Referring to your financing has it been hard for you to finance the small, independent films?
PD: Well, the film I'm doing now is the first one that I've ever attempted to have someone else pay for, so I can't speak too much to that in terms of how it's changed in years past, I've just paid for it myself. So yes, that has been difficult. In terms of going out for this film, getting financing is hard period. Getting financing for independent films under a millions dollars is even tougher, getting financing for a short film is damn near impossible. There's no return on investment, you're basically just asking for money. You have to be persistent, you have to know where to look, how to approach people and offer things that are worth-while to them. It was a process that was probably about two months long in terms of me putting out the feelers and approaching people. It's certainly very tedious; you're going to get a lot of turn downs. You just have to find a way to make it happen.
MJ: If you had a dream project what do you think it would be?
PD: Oooooh, I was not expecting that one. I just got used to doing interviews, podcasts, or radio shows. You kind of get used to the same questions, I have not been asked that one before, and it's a tough one. First and foremost, it would be great to do a feature. If it was a dream project, I would have to say an original genre script. If I were to get something like a low budget version of Let the Right One In or something like that. Even something super low budget as a starter film. Do you know Duel, Spielberg's early TV movie?
MJ: Oh yeah.
PD: Something like that, that really challenges you to maximize the material that's been given to you. Duel is one of the best examples I could ever think of, a very simple concept, shot in a short amount of days, all daylight exteriors, it's an amazing film. That's something I would like to take on someday, some kind of original piece of material that really surprises people when they see what the concept is and see what you could do with it.
MJ: That sounds awesome and hopefully you'll get the chance. I know you kind of touched on it before but what are you working on now and what's coming up for you?
PD: Well, I'm shooting a quirky, horror short film called The Naughty Little Reaper. It's about the grim reapers daughter. She's kind of feisty and independent, who really doesn't want to be a reaper but she is forced to take over her father's duties for one day and of course chaos ensues. It's this crazy horror film; it's got a lot of comedy in it. I like to challenge myself; I haven't really tackled comedy before, so it's got a lot of crazy elements like that in there. It's relatively light hearted; it's something that's all in fun. We've got a fantastic cast and great crew.
After that we've got a gloomy psychological horror film called Caged, that's like The X-Files or Tales from the Crypt. It's about a mentally disturbed man who believes that a killer lives inside of him. We are approaching really recognizable name talent, I really wanted to make that my "We have arrived" film. We've had some surprisingly well-known actors read for the lead, whether or not they attach themselves is beside the point. It's a super small film, but just the fact they're willing to read this material for a film this small is a success in and of itself. We've had a feature script that's been optioned, it's come out of option since then but we've been kicking that around. It's a feature version of Unreachable. The time has to come here soon where I need to avoid the temptation of continually shooting and creating new stories and put those on the shelf for a while and really focus on making a feature. That might be the step I take after this one, we will just have to see.
MJ: I want to thank you for taking time out of your busy schedule to talk with me. I watched almost all of your short films through your website and I really think you're an amazing filmmaker and I know we will be seeing feature films from you and Dream Seekers very soon.
PD: Thank you very much and taking the time to talk with me. It's a small horror community and I know a lot of the same people that you know, I've seen your name kicked around and this has been a ball for me and I would love to talk to you again down the road.
MJ: Thank you, I could talk to you for hours for sure.
Watch Peter Dukes' short horror film The Beast right here,
Watch Peter Dukes' short dark fantasy film A Goblin's Tale right here,
For more information on Peter Dukes, you can visit hisIMDBpage, you can also visit his Dream Seekers Productions official websiteto watch all of his short films or "Like" Dream Seekers Productions official Facebook page.
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Selection of wet fly hooks
Bought these in bulk, but i just dont like the shape of them.
They're the allen 3769 wet fly hook (W502 is the new number.)
Size 8 ~120
size 10 ~170
size 12 ~120
size 14 ~80
size 16 ~80
i underestimated the number here cause i cant be bothered to count them all.
youre getting roughly 550 hooks (probably more), which at allen rate is about $33
$20 shipped takes them
Re: Selection of wet fly hooks
Good deal. Did the math and Allen bulk rates make this package (at 550 hooks) worth at least $38. I actually do like the Allen hooks.
If you don't have any luck selling (fat chance) and wish to part out the hooks (I know its probably not worth it with such an inexpensive starting price) I could be persuaded to take the 14's and 16's. Here in Arizona we don't fish nymphs bigger than size 12 very often.
Re: Selection of wet fly hooks
I'll take them off of your hands.
Re: Selection of wet fly hooks
SOLD. Thanks
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Tiger Woods Got WASTED
It was then, at that moment, that Tiger Woods realized Lindsey Vonn wasn't Elin Nordegren this whole time.
So remember how Tiger Woods made an uncharacteristically public appearance with Lindsey Vonn at the MET Gala because he's trying not to be a withdrawn, secretive hooker banging machine hell-bent on golf and fucking? Turns out he was so uncomfortable he got shit-hammered drunk and she had to carry him out. Us Magazine reports:
At one point in the evening, the once-divorced golfer got up to dance awkwardly, bopping from side to side and grabbing Vonn's butt affectionately as she giggled.
When it was time to go, around 2 a.m., a seemingly tipsy Woods fell while walking up a small flight of stairs — and didn't move from the spot until Vonn, clenching her teeth and looking embarrassed, helped him up and guided him (swaying a bit as he walked) to the exit, according to a witness.
In Tiger Woods' defense, at least he didn't marry her, have kids, and then plow no less than a thousand women behind her back making her look like a doormat gold-digger to the entire world. In fact, by comparison, this is probably the most romantic thing he's ever done for a woman. He probably wept afterward he was so overcome with emotion. "I'm sorry.. *wipes tears* I've just.. I've just never felt comfortable enough to be this nice in a relationship before, you know? *pukes on her shoes* Okay, you can blow me now."
Photo: Splash News


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Hey there, time traveller!
This article was published 29/8/2009 (2909 days ago), so information in it may no longer be current.
Say you're the director of a school, church or community choir.
Your singers show up in September for their first rehearsal, each expecting to receive a stack of fresh music, including Christmas repertoire.
But you were late placing your order. The music hasn't arrived. To scrounge up photocopies instead is often impossible -- and it's illegal under copyright law.
No wonder August is the most frantic month at Canadian Choral Centre (CCC).
The Winnipeg company supplies printed music to customers in every province and territory, ranking as the largest retailer of choral music in the country. Only about 10 per cent of sales are within Manitoba.
While the bulk of its sales are in Canada, CCC has shipped music to choirs as far off as Ireland, Paraguay, Mexico and Singapore, as well as the U.S.
Founder and president Judy Pringle believes hers is North America's only choral-music specialty store. The company is celebrating its 25th anniversary.
The phones are ringing and emails are pouring in at such a rate that Pringle can't let any of her six staff (she really needs eight, she says) take holidays in August.
Although her 6,000 regular customers are increasingly shifting to online ordering, "our toll-free telephone line has been the mainstay of our business," she says.
How much pressure do those choir conductors feel to get their orders in?
Pringle, a personable woman with a loud, jolly laugh, remembers one Ottawa teacher who scrawled hers on bathroom tissue.
"She was on recess duty at school. It was the only thing handy. She actually mailed us the order on toilet paper!"
Another order came from Toronto, entirely in Chinese. CCC got it translated and filled it.
It's 5 p.m. on this August weekday and Pringle, 57, has been at the store since 5 a.m. During this intense period, she puts in at least 80 hours per week.
Raised in the town of Manitou, she was a longtime Winnipeg choral leader at venues such as Young United Church, until she got too busy running CCC. She holds degrees in vocal and piano performance, music education and conducting.
Her staff are also musicians. That's essential, she says, because while CCC does sell to top-flight professional conductors, it has found a particular niche helping amateur conductors who lack the time and expertise to choose appropriate music.
"Seventy-five per cent of our calls ask us for suggestions," she says.
To provide such advice, staff members have to study the scores and know the inventory. "I don't read novels, I read music," says Pringle about her nightly bedtime reading.
Pringle's friend Pat Rabson, conductor of the Women of Note community choir, says the businesswoman is a generous supporter of the choral community.
"If you go to any choral event, very often you will see Canadian Choral Centre listed as a sponsor. When the Manitoba Choral Association (held) an endowment campaign recently, she was one of the first big donors."
The recession has affected CCC's profits, particularly since many customers are in hard-hit southern Ontario, but Pringle is confident that sales will rebound. Inventory control, the key to profitability, was something she had to learn through failure in the early years.
"I was very green and I made lots of mistakes," she recalls. One was assuming she should stock all the available Bach cantatas -- more than 200 of them -- instead of just the popular ones.
"Twenty-five years later, I still have some of the original Bach cantatas sitting there!" she laughs. "You don't have something on the shelf 'just in case.' You have to know it's going to turn over."
Eventually, all choral music will come in the form of computer downloads and CCC will have to adapt. Already, publishers permit CCC to download and print certain items, such as one copy of the flute part for a choral accompaniment.
Pringle forms such personal bonds with her customers that she makes trips to see their choirs in concert. "The Peterborough Singers are next on my list," she says.
She frequently travels to meet with publishers in cities such as Dayton, Ohio, Chicago and New York (publishers also come to Winnipeg to call on her), as well as to sell music at camps for teachers and church musicians, attend conventions and host clinics.
Her greatest satisfaction, she says, comes from supplying music to a choir in a small community that is holding its very first concert.
"That, for me, is as thrilling as selling a piece of music to the Crystal Cathedral (a famous California church whose services are broadcast worldwide), which I have done."
She takes pride in helping when there's a crisis, like the time a panicked teacher in Ontario called to say that a child had accidentally broken the choir's accompaniment CD, the day before the school musical.
"We over-nighted it to them," she says.
Pringle loves her work, but there's one thing that tends to wear on her.
"Now, how do I say this nicely?" she says with a raucous laugh. "The pet peeve of my entire staff is: We'll be at the movies, or at a concert, or shopping, and someone will spot us and say, 'Do you know if my order's in yet?'"
Canadian Choral Centre's greatest hits
Twenty-five years ago, Winnipeg's Judy Pringle founded Canadian Choral Centre because as a choir conductor herself, she had to make trips to Minneapolis to find the music she wanted.
From its modest beginnings in a 500-square-foot space, CCC now occupies a 4,000-sq.-ft. store and warehouse on Century Street near Polo Park. Some conductors from places like Saskatoon make annual pilgrimages to the store, the way Pringle used to trek to Minneapolis.
The store includes a rehearsal space that accommodates 50 people when Pringle brings in big-name choral composers for clinics.
CCC represents 89 music publishers throughout the world. Twice a year, it does mass mailings of catalogues that often include CDs. Pringle keeps more than 10,000 titles in stock -- from Advent anthems to kids' songs tailored to Halloween -- and places special orders for many more.
What titles are flying off the shelves? These are CCC's current choral bestsellers in various categories:
Pop: Hallelujah by Leonard Cohen
Broadway: Wicked by Stephen Schwartz
Classical: Felix Mendelssohn's Prayer For Peace, arranged by Kirk Aamot
Christmas: I Wish You Christmas by John Rutter
Canadian Composer: Go Lassie Go by Mark Sirett


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Sixth Annual Benefit for Local Animal Rescues and Shelters in Canton Area ST. PET'S DAY Shamroc
Current subscribers have full access to all online news content as part of their subscription. If you are a current subscriber, please log in with your website account information for full access. If you are a current subscriber, but have not yet registered for access to the website, please call our Circulation Department at (330) 821-1200


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The Cambridge Swedish Festival (CSF) committee is sponsoring a Nordic concert on Tuesday, June 14, at 7 p.m. at the Cambridge Lutheran Church located on Old North Main.
Featured performers are world-renown Finnish composer and master fiddler Arto Järvelä and the Finnish-American acoustic folk band Kaivama consisting of the Minneapolis-based duo of fiddler Sara Pajunen and multi-instrumentalist Jonathan Rundman. All musicians appear in Cambridge after their featured performances at the Nisswastämma north of Brainerd.
A donation of $5-10 is suggested to attend. All are welcome and the music is suitable for all ages. Coffee will follow the concert.
Järvelä is one of Finland's most accomplished folk musicians and a third generation fiddler in the Kaustinen tradition. He has represented Finnish music and culture in more than 30 countries and returns to the United States after previous tours with the legendary Finnish fiddle band JPP.
Finnish-American musicians Pajunen and Rundman will perform at Braham Pie Day later in the summer. They have teamed up to form a new folk music duo called Kaivama, which is based on the Finnish word for to delve or dig.
Pajunen's unique prowess on the fiddle and Rundman's versatility on guitar, harmonium, piano, and banjo allow the duo to explore a surprising variety of sonic textures. Audiences from performance halls to folk festivals to rock clubs are captivated by their instrumental skill and fresh approach in creating music that is alternately joyous, primitive, experimental, haunting, and time-honored.
For more information about the performing artists visit www.myspace.com/artojarvela and www.kaivama.com.
For Cambridge concert information call 763-689-1211. Other concerts scheduled in the June 8-17 tour occur in Chicago, Decorah, and several Minnesota locations: Nisswa at Nisswastämman, Virginia, Duluth, and at the Cedar Cultural Center in Minneapolis.


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Tough date Russian gold!
Contains .1245 oz of pure gold. This better date from the reign of Czar Alexander III is seen with much less frequency than the later Nicholas II's. This highly desirable 5 Rouble coin has been graded Almost Uncirculated 55 by NGC. Listed in Krause as Y#42.
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Sorry, the book that you are looking for is not available right now.
We did a search for other books with a similar title, and found some results for you that may be helpful.
Two bound Thai prostitutes are thrown into a Northern Territory river teeming with crocodiles.
An elderly father and son are chopped to pieces by tomahawk-wielding ferals in Tasmania.
A 'brave heart' youth worker is found savagely battered to death in Sydney for no apparent reason, mysteriously with false teeth in his pocket.
And in Melbourne a gay man is locked up for murder but insists he was only telling tales.
When it comes to Australia's most baffling, bizarre and brutal modern murders, very little is as it seems. Badlands unpacks the compelling psychological riddles, inspired investigations and sensational plot twists of 13 intriguing contemporary homicides. Taking in the full sweep of humanity, from bumbling junkies to rich white rappers, illustrious art critics, deranged killers and tenacious cops, Liam Houlihan melds exclusive interviews and scrupulous research to bring us the most riveting stories from the depths of Australia's Badlands.
About the Author
Liam Houlihan is a multi-award-winning journalist and former lawyer. He has reported from New York (for the NY Post), Washington, DC (including a stint in the White House press pool), from Sri Lanka after the Boxing Day tsunami, and has trailed Mick Gatto's pursuit of missing Opes Prime money in Singapore. He is Crime Reporter with the Sunday Herald Sun, whose police and underworld exclusives are regularly syndicated by other media around the country.
"Houlihan gives every state a look-in with this collection of easy-to-read true but nasty tales of people doing unspeakable things to each other . . . In most instances the perpetrators are caught, but not all, and those are the most intriguing." "--MX"
Audience: General
Format: Paperback
Language: English
Number Of Pages: 243
Published: 1st August 2010
Country of Publication: AU
Dimensions (cm): 23.3 x 15.6 x 2.2
Weight (kg): 0.35
Edition Number: 1


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Cinnafilm's patented, GPU-based algorithms in Tachyon are the replacement for dedicated, SDI hardware converters that broadcasters and post facilities have wanted for years. And since Tachyon is available as a plug-in for most popular transcoding platforms, the need to replace an entire workflow just to achieve real-time Standards Transcoding, has come to an end.
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Results 1 to 3 of 3
Active Autowerke releases E60 545i, E70 745i N62 V8 performance ECU software -$499.00
The naturally aspirated 4.4 liter N62 V8 found in the E60 545i does not get a lot of love. Why? Well, one reason is this motor launched with BMW's Valvetronic variable valve lift system that complicates tuning a bit and also that enthusiasts who want to tune tend to opt for the M5. The N62 just does not get much attention from tuners similar to how the N52 naturally aspirated six-cylinder in the E9X 3-Series is ignored in favor of the N54 in the 335i.
Fortunately Active Autowerke is giving the N62 some love with a very reasonably priced $499.00 ECU tune. The tune is available for 91-93 octane fuels. For manual transmission cars, the rev limit is raised.
Horsepower gains are 8 peak wheel horsepower as shown on the conservative Active Autowerke Mustang Dyno. Peak HP does not tell the whole story as there are significant torque gains through the curve. Peak torque is increased by 15 pound-feet.
Expect greater gains with bolt on modifications to compliment the tune. Dynograph of a 545i flashed with the software below.
1 SPOT LEFT - BoostAddict Fantasy Football League
09-24-2013, 09:28 AM #2Supporting Vendor
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Dr Who Oversized Tardis Pop! Vinyl
Bigger on the inside
Out of stock
- Officially licensed Pop! Vinyl figure
- Time and relative dimension in your workspace
- Measures approx. 12cm tall
Back to Top
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UK Property Law
Get UK Property Law Questions Answered by Experts
Thanks for your question.
To enable me to answer your question could you please respond to the following:-
Kind regards.
The property for which we wish to transfer equity is mortgage free (currently tenants live there-probably til May 2012 at least. )
We live in a separate house with our two children. We are not in the process of divorcing or splitting up. We wish to make the income from the rental fall entirely to me- for tax reasons.
Thank you
Hi Jo
Thanks for your reply.
The main disadvantage of this for him would be that he would lose all control over the property. As it is mortgage free he is at liberty to transfer it to you, but similaly you are at liberty to sell the property if you so wish. You would not need his consent to do this and could arrange the whole conveyance yourself because all that is required would be your signatures on the Contract, Land Registry Transfer Form and sundry documentation.
The disadvatage is tempered somewhat in that it would still be a matrimonial asset which would be included in the matrimonial asset pool for the purpose of financial settlement pursuant to divorce, but that would not stop you selling the asset and disappating the capital and/or charging the property under mortgage.
There would also be the disadvantage that if he were to run in to financial trouble and had creditors then they could apply to Court to ahve the transfer set aside as it was done at an undervalue.
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Kind regards,Tom