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Rockhill Creamery
Richmond, Utah
Award Type: Honor Award
Rockhill Creamery, a micro-dairy and artisanal cheese operation, is bringing Utah's rich agricultural heritage to life. Owners Pete Shropp and Jennifer Hines have painstakingly restored and re-purposed seven historic structures on their property, and Rockhill Creamery has become a community centerpiece in the Cache Valley.
What is now known as Rockhill Creamery began as the Burnham Farmstead in 1895 in Utah's rocky Cache Valley. It functioned as a family farming operation until it was sold to Pete Schropp and Jennifer Hines in 1986. The new owners saw an opportunity to open a micro-dairy and artisanal cheese operation on the premises, and over the next 20 years, rehabilitated seven of the farm's historic structures. Now the egg-cooler building houses the cheese parlor, where cheeses are handmade in small batches and aged. The hay barn hosts a summer farmers market, and the 1940s granary serves as the farm stand and tasting room. The farm's historic charm, its commitment to local, sustainable food production and its outstanding artisanal cheese have made it a community hub and a popular tourist attraction.


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Think it's cold? You have good reason. Seattle just experienced the coldest first week of June, according to climate records dating to 1891...
Think it's cold? You have good reason.
Seattle just experienced the coldest first week of June, according to climate records dating to 1891, said Cliff Mass, University of Washington metrologist. Both 1999 and 2008 share the record, with 1917 falling in second place, he said. "Just wait until tomorrow," he said, when temperatures are going to be even colder.
A heavy snow warning has been issued for the Washington Cascades and Olympics as a storm from the Gulf of Alaska plows into the state tonight.
Forecasters with the National Weather Service said up to a foot of snow may fall in the mountains as low as 3,000 feet, which means Snoqualmie Pass may get a dusting.
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State transportation crews will be parking their mowers and driving snowplows.
"We will have crews working through the night, and we'll have extra crews on standby just in case this storm hits hard," said Monty Mills, Washington Department of Transportation maintenance manager for snow and ice operations.
Crews will be on the roads today and tonight applying de-icer as necessary to prevent the road surface from icing up.
The state has four snowplows available over White Pass on Highway 12 and seven on Snoqualmie Pass on Interstate 90.
For the last few weeks, crews have stopped fighting snow to mowing grass, tackling weeds, striping lane lines and sweeping roads. It's back to winter operations tonight.
"In 30 years I can only remember two other times when it snowed this late in the season," said Sam Krahenbuhl, Snoqualmie Pass assistant maintenance superintendent. "One time it snowed on a Fourth of July weekend. This is really rare."
While it won't snow in the Puget Sound area, records for the lowest high temperature may be broken today and Tuesday. Forecasters said the high temperature today should be 57 degrees, 1 degree below the record set last year. On Tuesday, under windy and rainy skies, the temperature should only get to 54 degrees, 2 degrees below the record set in 1972.
"It's not completely unusual to get snow in June," said forecaster Dennis D'Amico. "But this is a lot of snow and it's an unseasonable cold system."
Said Mass: "People are really upset about this weather."
He said in the mix of all the statistics, he's put together the "barbecue" index. That's the number of times since March 11 (the usual start of spring here) temperature climbs to 60 degrees or more — a temperature that Mass thinks people are comfortable being outside in.
"It turns out that this year was the worst year of the barbecue index since 1917," said Mass. "We only got to 60 degrees 23 times this year. Compare that to 1934 (74) times or 1992 (69) times."
Mass said the coldest spring was 1917. This year is tied with 1908 for 2nd coldest, he said. The warmest spring was 1934.
Susan Gilmore: 206-464-2054 or firstname.lastname@example.com

subset: commoncrawl


text: Granite Roots Construction provides complete residential and light commercial construction services throughout New Hampshire. Our skilled team can quickly provide you with detailed itemized project estimates including complete scope of work as well as alternative solutions to meet your budgetary constraints. Our experience with energy efficient-high performance construction and belief in providing exemplary customer service, create enduring projects and trusted relationships. Please phone or email for a FREE project consultation and estimate.


text: What moms really want for Mother's Day Looking for ideas that go beyond the usual box of chocolates and freshly cut flowers? Here are some great ways to give Mom what she really wants for Mother's Day. By E.R. Leclair ©iStockphoto.com/Miodrag Gajic Give what she wants Mother's Day is the time to show your mom you understand and appreciate her. So tailor your gift around what she likes -- or dislikes. If she likes to shop, buy her a gift certificate for her favourite store. If she hates weeding the garden, surprise her by doing the chore for her. Think outside the family Don't forget all the other moms you know, especially those without partners. Send those moms you love cards or call them and wish them a happy Mother's Day. If you can, take a mom's kids off her hands for a few hours. Better yet, if you have the means to hire a babysitter and treat her to lunch, an afternoon walk or a latte, you'll probably make her day. A girl's gotta eat Get to the woman of the hour in time for dinner -- Mom doesn't need to be chef and dishwasher on her special day. Make reservations, order her favourite takeout meal or pick up groceries and cook a nice dinner for her at home. The bottom line Just let her know how much you love her and how much you appreciate everything she does for you all year long -- it's the best gift of all. This story was originally titled "What moms really, really want" in the May 2012 issue. Subscribe to Canadian Living today and never miss an issue! Page 2 of 2 1 2


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All Dolled Up2Style and save your own stardoll.Home Comfort2Click the save button to register changes to your Suite.Memory Bank2Design your Album and save your work.One Stop Shopping2Purchase an item from the Starplaza.Stylist To The Stars2Play dress up with a celebrity doll and save the doll.Attached At The Hip15Connect your Stardoll account to Facebook and stay connected for 200 days.Born This Way7Attain Superstar status.Fit For A Queen15Attain Royalty status.Club Soda7Own a club and have at least 2 members.It Started With A Sketch4Sell 1 of your own StarDesign items in the StarBazaar.Counting Coppers4Sell items in the StarBazaar for a total of 10 Starcoins.Stardollars And Cents4Sell items in the StarBazaar for a total of 5 Stardollars.My Space2Unlock 4 of your own rooms in your suite.View From The Top15Unlock 12 of your own rooms in your Suite.File Under Fabulous2Save a hand or foot studio design in the Beauty Parlor.
QUICKFACTSCelebrity look-a-like: Harry Styles
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- Favorite food: Italian
- Favorite color: Blue
- Future dream job: Working with kids
- Favorite TV-show: X Factor
- Eye color: Brown
- Hair color: Brunette
- Favorite hobby: Music


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Hello World! Processing – Screening on April 2ndPosted on March 23, 2013 | No CommentsProcessing Orlando, will be screening Hello World! Processing, the first in a documentary series on open creative programming languages. This first one is focused on Processing and runs about 40 minutes. […]


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It is time to re-consider some societal fundamentals and have an honest conversation about the legitimacy of power.
Why are we surprised that the Eurozone remains in crisis? That the issue of 'Palestine' remains unresolved? That American kids are still being shot in the streets, only weeks after the horrors of Newtown? That austerity lingers where (better) growth can prevail? It is because we are mistaking power for leadership; power for authentic authority; power for a real hunger for change? Is it because the power status quo offers a comfort blanket, shabbily knitted by the devil we know and that 'power', if not corrupted, has certainly become inert? Is it just simply because our leaders have failed us? It is because we are looking for trust in institutions which now lack relevance and for trust in people who have de-based both the 't' word and, quite often, the trust principle itself?
These failures are not personal. They are systemic.
Power, as currently constituted in business and in government, is locking and blocking: too often locking the wrong people in the wrong roles to ultimately make probably the wrong decisions; and blocking the emergence of a new leadership and the credible authority we need to liberate us from this prevalence of crises. Re-imagined power, leadership and authority perhaps lie with the young and (often) dis-enfranchised; not, by deign of fate, with the older elites. Maybe power and authority could do with skipping a generation or two. Power, as currently constructed, is losing its legitimacy.
It is time to re-think our historic power complexes and to question existing 'gatekeepers' and institutional authority at a most fundamental level. The Social Contract, once always implicit and occasionally docile, now needs open re-consideration and a more explicit affirmation of the relationship between rulers and the ruled, citizens and state. A revised Social Contract should be re-calibrated away from traditional authority and in favour of the citizens within, as society becomes more social, more complex and more democratized by technology and access to information. Plato and Aristotle; Rousseau and Hobbes; even < Rawls; none of these had really to contend with the implications of a properly empowered citizenship – with either the transparent accountability of the web or the contention of business empires of scales that out-strip the GDPs of entire nations. The new conversation needs to be open, honest and immediate.
This is more than a rage against vested interests. 'Progress' can no longer be entrusted to those who simply sway with happenstance in a world which is properly shifting. To ignore these shifts is to have learned nothing from the trauma and crises of the past half-decade – from the financial sector to the environment and the uprisings of the Middle East. Whatever the bounce-back seersayers of the financial markets may now predict, these have been seismic and irreversible changes. Re-imagined power, authority and legitimate leadership needs to reside elsewhere if a real change is going to come, especially as more millenials enter the workplaces and polling booths – increasingly unemployed, debt-ridden and uncertain about future security. Millenials can recognize the shifts that the swayers ignore. They are active and activist; loyal to companies and loyal to brands – but equally capable of a new, creative destruction.
There is something apparently fundamental in human nature that leaves us enslaved to the power complex of authority. We feel comfortable with the power we know. We are passive acceptors – often paralyzed by our own fear of future -and so anchor ourselves in a failing past. We do not drive to change things either through apathy or because we (wrongly) believe that we cannot change things or that only those in 'power' and 'authority' can precipitate the change we crave. We create our own, misplaced mystique around authority. The consequence is a gridlock of progress and an entrapment of enlightened citizen values within a probable future and not one of real possibilities. In so doing, we cede the magic of our imagination to a world of 'status quo plus'. It is depressing in all senses of the word. We, the citizens, need to be the change.
Even the more liberal of thinkers often remain perversely – if unconsciously – attached to the trappings of authority. We implicitly accept our legacy institutions and benign power structures: United Nations or Parliament, Civil Service or multinational employer. Radical thought is required: we need new bankers before we need new banks – and we need those same bankers to start thinking as citizens first and as bankers, second. We are otherwise complicit in the acceptance of leadership 'norms' and are then surprised at the frustrating lack of societal progress this engenders. Yet if we can intellectually grasp the increasing re-distribution of influence (top to bottom; west to east; north to south), then surely we can understand the need for a parallel re-distribution of leadership and authority? What we lack is the engineering skills to make this happen; the operators to sit alongside the prophets to make it real. We lack a roadmap for the future.
The swayers are the traditional gatekeepers -managers, executives, producers and broadcasters: controllers, if not owners, of the modern means of production. Few of them are real leaders. This era of vertical quasi-leadership is fast eroding, philosophically, but those in charge are understandably clinging onto control (because they can). Few are challenging them in peaceful dissent because the 'new channels' remain in their relative infancy. Organizations similarly recognize the need for more profound change but remain comforted by the historical structures that cocoon them. They, too, are ultimately fearful of the shift to a possible, not probable, future. Why rock the boat (especially when you are sitting on the inside)? Bravery is an absent friend.
Politicians and business leaders meanwhile emanate mixed messages – proclaiming trust, engagement and even progress. They may intellectually understand that the ground beneath them is shifting, but respond not with like-minded shifts in attitude and policy but instead meander in comfortable and recognizable sways – thus giving all the appearances of change but in effect manipulating or simply re-framing the status quo. They remain the protectorate of old power and window dress the future as they prepare for re-election or re-appointment. Four or five year Parliaments and/ or four or five year CEO tenures militate against the reform and the progress society needs for the long-term. It has been forever thus. Power is as self-protective as it is seductive. Mild changes may be only cosmetic but are nonetheless often met with critical acclaim, in the absence of radical solutions. Everyone needs to be seen to be doing their bit to save the world.
But the swayers will not save the world.
Take Climate Change. The factual truth confirms a tectonic shift that demands urgent and radical action – but the response is all sway. Launching a re-cycling initiative; reducing water consumption; introducing Plans A, B or C. There is of course nothing wrong with doing the right things – but even 'extreme swaying' is not going to save the planet from its own meltdown. Business' approach to carbon reduction has to be fundamental, not merely compliant. Governments need to start addressing issues of reduced demand, not alternative supply.
Take Diversity. We hear endlessly compassionate words about the need for greater access and greater opportunity in the workplace and in politics. These tick the boxes of responsibility and action but they ignore the more fundamental truth – that a failure to aggressively address the access issue is a denial of a pool of the future talent, future leadership and future authority that can actually make the world a better place. Homosocial reproduction flies in the face of citizen inclusion and a more explicit social contract. It conspires to support the traditional authorities of power, not to liberate the new ones.
Take 'leadership' within corporations. More frequent Town Hall meetings and the occasional webinar are not the answer to an engaged workplace citizenship. They are instead a mass representation of implicit authority, where 'presence' is mistaken for full engagement. They might even be seen as pacifiers for the employed masses. They fail to feed the growing hunger of employee activism, holding corporations to account to 'do the right thing'. Instead, let networks of Citizen Supervisory Boards help re-orientate corporations and shape a new, sustainable capitalism.
Across business and politics, beyond the initial conversation, a more explicit form of consent is now required – driven by citizens activists with citizen values. To originate this, our failing society urgently needs a new and constant, re-generative dialogue that seeks the active involvement of the crowd, and not just the crowd's implicit acceptance of the status quo, through its passive presence and acceptance of authority. Corporate monologue should not be tolerated as leadership. The shifters are those who embody ethics rather than speak or learn them; those who properly embrace diversity; those who move beyond compliance; those who insist that all leaders pass the five tests of trust; those who are prepared to think the un-thinkable, even if it means that they, the 'controllers', now need to relinquish control; those who are prepared to accept that local might in fact trump global; and those who properly understand that real shifts can never occur while in constant pursuit of short-term (shareholder) goals.
Leadership can be co-created and consent made explicit. The legitimate power of the new will replace trust bestowed from above with trust and leadership properly earned from within, where the real wisdom of the crowd prevails and where capitalism itself is re-imagined with co-operative citizenship at its heart – far beyond the soundbites of a Big Society.
The 2013 World Economic Forum in Davos was characterized by some as little more than 'unbearable vanity' – a mountain-top meeting place for the ultimate swayers. Contrast this with the visceral bloodshed in Egypt, where real, non-militant voices are fighting so hard to be heard and to be properly represented, second time around. The mass plea is for recognition, involvement and moderation: to change things for the better; to establish civil and civic democracy. Revolution does not always have to foster extremes.
History teaches us that popular movements will eventually win through. Old elitists cling to old power through aggression alone, active or passive. In this sense, the streets of Cairo are now alive with the fight against a silent acquiescence, long suppressed. Two years ago, Tahrir Square showed what is possible when the popular voice is first heard. In Egypt, once again, we are seeing an emblematic battle play out: activists must break the hierarchy before the hierarchy breaks the truer citizen need.


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Philadelphia Eagles coach Chip Kelly reached back into his past Friday and selected Oregon wide receiver Josh Huff in the third round of the NFL Draft.
Kelly, who just completed his first season with the Eagles, helped recruit Huff to the Ducks in 2010 and coached him for three seasons.
Now Huff joins the Eagles, in need of some wide receiver help after cutting lose Pro Bowler DeSean Jackson during the winter.
Huff, projected by many to go a round or two later, had a record-setting season at Oregon last year by catching 62 passes for 1,140 yards and 12 touchdowns.
Huff will be competing with two other former Oregon wideouts in Philadelphia, Will Murphy and Jeff Maehl. Both entered the NFL as undrafted rookie free agents.
The Eagles projected starters at wide receiver are Jeremy Maclin, recovering from a knee injury, and Riley Cooper. Huff will likely be competing for the No. 3 receiver position with fellow rookie wide receiver Jordan Matthews from Vanderbilt. The Eagles selected Matthews in the second round.
The Eagles now have six former Ducks on their roster: Huff, Maehl, Murphy, linebackers Casey Matthews and Josh Kadu, and defensive tackle Brandon Bair.
Huff was the first Oregon Ducks player selected in this year's draft, which began with the first round on Thursday.
Other Ducks selected to be drafted are defensive tackle Taylor Hart, receiver/running back De'Anthony Thomas, cornerback Terrance Mitchell and tight end Colt Lyerla.


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text: Posi-flate's unique butterfly valve design uses air pressure to expand the seat against the disc, providing even pressure distribution for bubble-tight seals. Because the seat makes only casual contact with the disc during valve opening and closing, there is minimal disc impingement. This is in contrast to conventional butterfly valves where disc impingement leads to shaving of the seat, decreasing the overall performance and valve life. Substantially less torque is required to open and close the Posi-flate butterfly valve, thus a smaller actuator can be used resulting in lower overall valve cost. Standard valve sizes range from 2 inches (50mm) to 24 inches (600mm) and fit both ANSI and metric flanges. A full line of actuators, limit switches and controls are available to suit individual applications.


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FIDDLER ON THE ROOF Lyricist Sheldon Harnick Set for Museum at Eldridge Street Next Month
by BWW News Desk - Nov 30, 2015
Breaking all box office records in its day, FIDDLER ON THE ROOF, currently in previews at the Broadway Theater and scheduled to open December 20th, has thrilled audiences on Broadway and around the world for more than half a century. Generations have embraced Tevye's story and such unforgettable songs as 'Tradition,' 'If I were a Rich Man,' and 'Sunrise, Sunset.' Now as this beloved musical returns to the New York stage, the Museum at Eldridge Street welcomes the show's legendary lyricist: Tony, Grammy, and Pulitzer Prize winner, Sheldon Harnick. (more...)
Met Music Director James Levine to Conduct His First Met Performances of DIE FLEDERMAUS
by BWW News Desk - Nov 30, 2015
After a 44-year career at the Met, during which he has led performances of more than 85 operas, James Levine expands his company repertory with his first-ever Met performances of the sparkling Johann Strauss operetta Die Fledermaus. (more...)
BWW Review: THE MERRY WIDOW Comes Up Singing at Lyric Opera
by Rachel Weinberg - Nov 25, 2015
With artful direction and choreography from Susan Stroman, Lyric Opera's mounting of Franz Lehar's well-known 1905 operetta The Merry Widow sweeps audiences into a joyful waltz, complete with exquisite talent and a production with opulence to spare. This production debuted at the Metropolitan Opera in the fall of 2014 with commanding opera diva Renee Fleming at the helm as the titular widow Hanna Glawari. Fleming truly shines in this production, with the equally talented Thomas Hampson at her side as Count Danilo Danilovich. (more...)
'The Showtune Mosh Pit' for November 25th, 2015
by Paul W. Thompson - Nov 25, 2015
The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. 'Plaid Tidings,' the Q Brothers and 'Die Hard' bring us holiday shows, and shows come and go at Lyric Opera and the Royal George. 'The Wiz' comes to TV and to a Bailiwick benefit, and 'The Lion King' and 'Pinocchio' promise family-friendly fare. And buy 'Season Of Carols 3!' (more...)
Coming Up This Week in Theatre - 11/21/2015
by - Nov 21, 2015
BroadwayWorld.com's Upcoming Events calendar for the week - updated on 11/21/2015. (more...)
Alan Gilbert, Kajsa William-Olsson and More Set for PREformances with Allison Charney, 11/23
by BWW News Desk - Nov 19, 2015
JCC Manhattan presents PREformances with Allison Charney on Monday, November 23rd at 7:30 p.m. (more...)
WAKE UP with BWW 11/16/2015 - Mimi Awards and Galas All Around!
by Jessica Khan - Nov 16, 2015
Good morning, BroadwayWorld! Because we know all our readers eat, sleep and breathe Broadway, what could be better than waking up to it? Today's big news: Two playwrights get their dues at tonight's Mimi Awards, York honors Angela Lansbury, and galas take over New York City! (more...)
MY FAIR LADY Begins 6/4 at Light Opera Works
by BWW News Desk - May 27, 2016
Lerner and Loewe's Broadway classic MY FAIR LADY, with 28-piece orchestra, will be staged by Light Opera Works at Cahn Auditorium in Evanston, June 4 through 12. (more...)
Houston Ballet to Present GISELLE, 6/9-19
by BWW News Desk - May 27, 2016
From June 9 - 19, 2016, Houston Ballet will conclude its 2015-16 season with the world premiere of artistic director Stanton Welch's Giselle. The world premiere of Giselle is made possible through the generosity of longtime Houston Ballet supporter and trustee Lynn Wyatt. This production will showcase the company's strength and depth of talent, while staying true to the original story of love, betrayal, and redemption, set in the Romantic era. The ballet is set to the famous score by Adolphe Adam and designed by renowned Italian designer Roberta Guidi di Bagno, who will create the scenery and costumes for the production. (more...)
Colman Domingo Will Host Vineyard Theatre's Annual Emerging Artists Luncheon
by BWW News Desk - May 26, 2016
Colman Domingo will host Vineyard Theatre's Annual Emerging Artists Luncheon on Thursday, June 30 from noon-2pm at The Gander (15 West 18th Street) in Manhattan. The event will feature the presentation of the 2016 Susan Stroman Directing Award to Lee Sunday Evans (D DEB DEBBIE DEBORAH, A BEAUTIFUL DAY IN NOVEMBER...). (more...)
Drury Lane Theatre to Stage DEATHTRAP, 6/9-8/14
by BWW News Desk - May 19, 2016
Drury Lane Theatre continues its 2016-2017 season with Ira Levin's popular murder mystery, Deathtrap, directed by Artistic Director William Osetek. Deathtrap runs June 9 - August 14, 2016 at Drury Lane Theatre, 100 Drury Lane in Oakbrook Terrace. The Press Opening is Thursday, June 16 at 8:00 p.m. (more...)
Round Barn Theatre at Amish Acres to Present PLAIN AND FANCY, 5/25-10/15
by BWW News Desk - May 12, 2016
The Round Barn Theatre at Amish Acres is celebrating its 30th anniversary of Plain and Fancy which opens May 25 and runs through October 15. With over 3,600 performances before audiences totaling 355,000, it has become one of the longest running musicals of all time. (more...)
Elena Shaddow, Jason Gotay, PJ Benjamin, Kevin Cahoon & More Join The Muny's 98th Season!
by BWW News Desk - May 10, 2016
Following its initial casting announcement in April, The Muny announced today additional principal cast members for its spectacular 98th season. The 2016 Muny season opens with The Wizard of Oz followed by 42nd Street and The Music Man. The season includes the premieres of the popular Mel Brooks comedy, Young Frankenstein and world-wide megahit, Mamma Mia!, and closes with Fiddler on the Roof and Elton John and Tim Rice's Aida. (more...)
Tony Winner Kelli O'Hara to Headline Long Wharf Theatre's 2016 Gala
by BWW News Desk - Mar 8, 2016
Broadway's Anna is headed to Connecticut this summer! Long Wharf Theatre will welcome Tony Award-winning THE KING AND I star Kelli O'Hara at its annual Gala on Monday, June 6, 2016. (more...)
Mary Zimmerman's THE ODYSSEY to Run 3/16-26 at Temple
by BWW News Desk - Mar 8, 2016
Temple Theaters presents The Odyssey, by Homer, adapted and originally directed by Mary Zimmerman, running March 16 - 26, 2016 in Temple University's Tomlinson Theater. Directed by Brandon McShaffrey, this contemporary and imaginative production breathes new life into the epic tale of a hero's arduous journey home. With a gifted team of designers and talented cast, The Odyssey is an inspired drama for the twenty-first century. (more...)
Met Opera Announces Finalists in Vocal Competition
by BWW News Desk - Mar 8, 2016
Following yesterday's highly competitive semi-final competition, nine young singers will advance to the final phase of the Metropolitan Opera's 2016 National Council Auditions, America's most prestigious vocal competition. The selected finalists, chosen by a panel of experts from the classical music industry, will compete on the Met stage on Sunday, March 13 at 3 p.m. The winners will receive individual cash prizes of $15,000 and the prestigious-and potentially career-launching-title of National Council Auditions Winner. The Grand Finals Concert will feature Antony Walker conducting the Metropolitan Opera Orchestra as each finalist performs two arias. (more...)
Christiane Noll, Doug LaBrecque & Dee Roscioli Set for Philly POPS' Broadway's Greatest Hits Concert
by BWW News Desk - Mar 21, 2016
The Philly POPS will perform three Broadway's Greatest Hits concerts April 15-17 at the Kimmel Center. (more...)
Photo Flash: Broadway Legend Patricia Morison Celebrates 101st Birthday
by BWW News Desk - Mar 18, 2016
Best friend and host director John Bowab, Charlotte Rae, Janis Paige, critic Sylvie Drake, Peter White, Anne Jeffreys and Marty Wiviott of the Pantages Theatre, were among the select industry elite on hand to celebrate film and Broadway legend and icon, Patricia Morison's 101st birthday this week. Scroll down for photos from the celebration! (more...)
Pacific Opera Project to Present Salieri & Mozart Double Bill
by BWW News Desk - Mar 16, 2016
Fresh off their sold out run of The Merry 'Widder', POP looks to shake things up again by recreating a competition that took place between the now infamous rivals W.A. Mozart and Antonio Salieri when they present a double bill of The Impresario and Prima la musica, e poi le parole. (more...)
Sondra Radvanovsky to Star as Queen Elizabeth I in Met Opera's ROBERTO DEVEREUX
by BWW News Desk - Mar 10, 2016
Sondra Radvanovsky completes her season-long quest to sing the leading roles in all three operas in Donizetti's Tudor queens trilogy on March 24, when she stars as Queen Elizabeth I in the Met premiere of Roberto Devereux. Radvanovsky gave acclaimed performances as Anne Boleyn in Anna Bolena and Mary, Queen of Scots in Maria Stuarda earlier this season. Her performances in Roberto Devereux will make her the first singer since Beverly Sills in the 1970s to perform all three roles in a single New York season. (more...)
Pepperdine Opera Program to Present THE MAGIC FLUTE, 2/25 & 27
by BWW News Desk - Jan 25, 2016
The Pepperdine University Flora L. Thornton Opera Program presents Mozart's most enduring comedy, The Magic Flute (Die Zauberflote), sung in the original German with English subtitles and dialogue in English, at 7:30 p.m. on Thursday and Saturday, February 25 and 27, at Smothers Theatre on Pepperdine's Malibu campus. (more...)
John Tartaglia, Marcia Milgrom Dodge, Josh Rhodes, Denis Jones & More Join Creative Teams for The Muny's 2016 Season! Tickets on Sale, 3/5
by BWW News Desk - Jan 20, 2016
BroadwayWorld and The Muny announces today the directors, choreographers and music directors for the Muny's 2016 Season, which opens on June 13 with The Wizard of Oz. (more...)
BWW's On This Day - January 16, 2016
by - Jan 16, 2016
Here are the Broadway, Off-Broadway and West End shows which opened on January 16 along with all of the upcoming show openings, closings and special events! (more...)
Met Opera to Present Cavalleria Rusticana/Pagliacci Double Bill
by BWW News Desk - Jan 11, 2016
The popular verismo double bill of Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci returns to the Met beginning January 21. (more...)
Rashidra Scott, David Harris and Stephen DeRosa to Star in ANYTHING GOES at Goodspeed Musicals; Cast Announced!
by BWW News Desk - Feb 25, 2016
All aboard! Goodspeed Musicals kicks off its 2016 season at The Goodspeed with the Broadway hit ANYTHING GOES, and the company just announced a star-packed cast. (more...)
Three New Productions Slated for Opera Saratoga's 2016 Summer Festival
by BWW News Desk - Feb 24, 2016
Lawrence Edelson, Artistic and General Director of Opera Saratoga, announced the program for the 2016 Summer Festival, which will run from May 28th through July 17, 2016. (more...)
New Production of Puccini's Romance MANON LESCAUT to Open This Month at the Met
by BWW News Desk - Feb 2, 2016
The Met's new production of Puccini's MANON LESCAUT opens February 12 with Kristine Opolais as the seductive, tragic heroine and Roberto Alagna in a role debut as her ardent lover, the Chevalier des Grieux. (more...)
Jim Gaffigan, Carl Reiner Lend Voices to Animated Film DUCK DUCK GOOSE
by TV News Desk - Feb 2, 2016
Original Force Animation continues to add cast and filmmaking talent to its first animated feature DUCK DUCK GOOSE. Joining the impressive list of vocal talent, actor/writer Jim Gaffigan has been cast in one of the film's leading roles and will voice the rebellious but lovable goose Peng. Legendary director/writer/actor Carl Reiner will voice Larry, a venerable, wise and loyal friend who happens to be a turtle. (more...)
Jim Gaffigan and Carl Reiner Join Original Force Animation's 2017 Family Comedy 'Duck Duck Goose'
by BWW News Desk - Feb 2, 2016
Tony Winner Kelli O'Hara Will Depart THE KING AND I on 4/17; Marin Mazzie Will Take Over!
by BWW News Desk - Feb 16, 2016
Lincoln Center Theater (under the direction of André Bishop, Producing Artistic Director) has announced that 3-time Tony Award nominee Marin Mazzie will assume the role of Anna Leonowens in its Tony Award-winning production of Rodgers & Hammerstein's THE KING AND I beginning Tuesday, May 3 at the Vivian Beaumont Theater (150 West 65 Street). (more...)
Palm Beach Dramaworks to Welcome William Ivey Long for 'Dramalogue' Series, 3/1
by BWW News Desk - Feb 16, 2016
Rodgers + Hammerstein's Cinderella. The Producers.Hairspray. Nine. Contact. Revivals of Chicago and Guys and Dolls. In addition to being big Broadway hits, those musicals have something else in common: their costume designer, the brilliant William Ivey Long. On Tuesday, March 1, Long will speak with Sheryl Flatow about the craft of costume design and discuss his illustrious career as part of Palm Beach Dramaworks' popular series,Dramalogue - Talking Theatre! William Ivey Long: Creating Character Through Costumes will be presented twice, at 2pm and 7pm, at the Don & Ann Brown Theatre. (more...)
Tickets on Sale This Friday for CABARET at the Marcus Center
by BWW News Desk - Dec 9, 2015
Associated Bank Broadway at the Marcus Center announced today that individual tickets for the Milwaukee premiere of Roundabout Theatre Company's CABARET will go on sale Friday, December 11 at 12:00 pm. (more...)
The Dallas Opera to Present Frederica von Stade in Concert, 1/31
by BWW News Desk - Dec 9, 2015
DALLAS, TX, December 8, 2015 The Dallas Opera will present opera legend Frederica von Stade, mezzo-soprano, for another magnificent performance in The Robert E. and Jean Ann Titus Art Song Recital Series. The one-time-only recital will be presented Sunday, January 31, 2016 at 2:00 p.m. at City Performance Hall (a 749-seat venue located at 2520 Flora Street in the Arts District, Dallas, TX 75201). Also featured at the exclusive event will be Jake Heggie, composer (Great Scott, Moby-Dick) and accomplished pianist, who has had a long-standing artistic collaboration with Miss von Stade. (more...)
BWW's On This Day - December 30, 2015
by - Dec 30, 2015
Here are the Broadway, Off-Broadway and West End shows which opened on December 30 along with all of the upcoming show openings, closings and special events! (more...)
SALUTE TO VIENNA New Year's Concert Returns to Van Wezel
by BWW News Desk - Dec 3, 2015
SALUTE TO VIENNA returns to Sarasota's Van Wezel Performing Arts Hall this New Year's, with the Strauss Symphony of America, conducted by Viennese conductor Niels Muus. (more...)
2015 Year in Review: Gary Naylor's Best and Worst of Theatre
by Gary Naylor - Dec 21, 2015
Gary Naylor looks back on over 100 reviews to pick plenty of Christmas crackers and a few Christmas turkeys after another wonderful year in London Theatre. (more...)
BWW's On This Day - December 2, 2015
by - Dec 2, 2015
Here are the Broadway, Off-Broadway and West End shows which opened on December 2 along with all of the upcoming show openings, closings and special events! (more...)
The Utah Symphony to Pay Homage to Vienna and More in New Year's Celebration Concert, 1/2
by BWW News Desk - Dec 18, 2015
Music Director Thierry Fischer leads the Utah Symphony in the New Year's Celebration concert on Saturday, January 2 at 7 PM in Abravanel Hall. Kick-off 2016 beautifully with traditional Strauss waltzes, polkas, and other Old World dance hall favorites as the orchestra pays homage to the Vienna Philharmonic's enduring New Year's Day concert. (more...)
Mixologists Create Cocktails Inspired by Utah Opera's THE MERRY WIDOW
by BWW News Desk - Dec 17, 2015
Utah Opera is continuing the Salt Lake Magazine partnership for the annual Libretti & Libations where art influences life - or at least a drink. Talented mixologists from favored Salt Lake City and Park City restaurants curate unique cocktails inspired by the season's opera productions. From Dec. 18 to Jan. 24, six locations will offer refined libations inspired by Utah Opera's The Merry Widow as a way of infusing food and beverage with the experience of opera. Visit www.utahopera.org/libations for more information. (more...)
Carol Wincenc and More Set for PREformances with Allison Charney, 12/14 at JCC Manhattan
by BWW News Desk - Dec 11, 2015
JCC Manhattan presents the fall season finale of PREformances with Allison Charney on Monday, December 14th at 12:30pm. In this unique concert series, you will hear celebrated classical musicians just before their performances on the world's most prestigious stages removing traditional barriers between performer and audience. (more...)
Soprano Tamara Wilson Wins the 2016 Richard Tucker Award
by BWW News Desk - Apr 4, 2016
The Richard Tucker Music Foundation is thrilled to announce that soprano Tamara Wilson whose voice of steely beauty and great power (Houston Chronicle) has already won international accolades has been named as winner of the 2016 Richard Tucker Award. Dubbed the Heisman Trophy of Opera, the Tucker Award carries the foundation's most substantial cash prize of $50,000, and is conferred each year by a panel of opera industry professionals on an American singer at the threshold of a major international career. Featuring such luminaries as Renée Fleming, Stephanie Blythe,Lawrence Brownlee, David Daniels, Christine Goerke and Joyce DiDonato, the list of past winners reads like a who's who of American opera. (more...)
Cast Set for Theo Ubique's AN ANTHONY NEWLEY AND LESLIE BRICUSSE SONGBOOK
by BWW News Desk - Apr 28, 2016
The British songwriting duo of Anthony Newley and Leslie Bricusse, who together wrote some of the most enduring and loved songs of Broadway and Hollywood, will be celebrated in Theo Ubique Cabaret Theatre's 2016 summer cabaret. (more...)
MasterVoices' DIDO AND AENEAS with Kelli O'Hara and Victoria Clark Opens Tonight
by BWW News Desk - Apr 28, 2016
MasterVoices (formerly The Collegiate Chorale) continues the 2015-2016 season with Henry Purcell and Nahum Tate's tempestuous Baroque opera, DIDO AND AENEAS, tonight, April 28, 2016 at 7pm and tomorrow, April 29, 2016 at 8pm at New York City Center, 131 W. 55th Street, New York City. (more...)
Coming Up This Week in Theatre - 4/23/2016
by - Apr 23, 2016
BroadwayWorld.com's Upcoming Events calendar for the week - updated on 4/23/2016. (more...)
MasterVoices' DIDO AND AENEAS with Kelli O'Hara and Victoria Clark Opens Next Week
by BWW News Desk - Apr 19, 2016
A friendly reminder! MasterVoices (formerly The Collegiate Chorale) continues the 2015-2016 season with Henry Purcell and Nahum Tate's tempestuous Baroque opera, DIDO AND AENEAS, on April 28, 2016 at 7pm and April 29, 2016 at 8pm at New York City Center, 131 W. 55th Street, New York City. (more...)
Hottest Articles on BWWOperaWorld.com for 4/10/2016 - 4/17/2016
by BWW - Apr 17, 2016
Hottest Articles on BWWOperaWorld.com from 4/10/2016 - 4/17/2016. (more...)
Hottest Articles on BWWOperaWorld.com for 4/3/2016 - 4/10/2016
by BWW - Apr 10, 2016
Hottest Articles on BWWOperaWorld.com from 4/3/2016 - 4/10/2016. (more...)
JCC Manhattan's PREformances with Allison Charney Concludes Tomorrow, 4/11
by Louisa Brady - Apr 10, 2016
JCC Manhattan proudly presents PREformances with Allison Charney featuring violinists Laura Jean Goldberg, Ani Bukujian and Alexandros Martino Petrin, violist Lisa Heffter, cellist Roberta Cooper, pianists Alexei Tartakovsky and Moshe Knoll as well as actor, Jordan Charney, on Monday, April 11th at 12:30pm. The program will feature world premieres by American composers Kim D. Sherman and Moshe S. Knoll, along with Debussy's beautiful 'Arpeggio Etude' and Liszt's thrilling 'Chasse Neige' for virtuoso piano. (more...)
Boston Lyric Opera to Close Out Season with THE MERRY WIDOW, 4/29
by BWW News Desk - Apr 10, 2016
Boston, MA April 7, 2016 Boston Lyric Opera closes its 2015/16 Season with composer Franz Lehár's classic comic operetta The Merry Widow, whose light-hearted fun within the fictional Pontevedrian Embassy in Paris plays out among international diplomats as the dark clouds of World War I gather on the horizon. This new BLO production of The Merry Widowopens April 29 for a five-performance run through May 8 at the Citi Performing Arts CenterSMShubert Theatre in Boston. (more...)
BWW's On This Day - April 10, 2016
by - Apr 10, 2016
Here are the Broadway, Off-Broadway and West End shows which opened on April 10 along with all of the upcoming show openings, closings and special events! (more...)


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|March Meet & Eat Menu
|Written by Holyoke Enterprise
Friday, March 1—Salmon loaf, cheese sauce, mashed potatoes, asparagus cuts, roll, Oregon berry mix.
Monday, March 4—Ham and beans, Waldorf salad, corn bread, grape juice, pineapple tidbits.
Tuesday, March 5—Hot turkey sandwich, marinated vegetable salad, pear slices, lentil cookie with raisins.
Wednesday, March 6—Southern beef pie, tossed salad with dressing, bean medley, pear slices, yellow cake.
Thursday, March 7—Hamburger steak, potatoes, mixed vegetables, whole wheat roll, tropical fruit cup.
Friday, March 8—Macaroni and cheese, peas, confetti coleslaw, blueberry muffin, pear slices.
Monday, March 11—Smothered pork chops, scalloped potatoes, Italian vegetables, whole wheat roll, pineapple/mandarin/orange compote.
Tuesday, March 12—Meatloaf, gravy, mashed potatoes, Carolina salad, roll, orange.
Wednesday, March 13—Lasagna rotini casserole, tossed salad with dressing, green beans, French bread, fruit cocktail.
Thursday, March 14—Ham potato omelet, salsa, bean medley, bran muffin, Oregon berry mix.
Friday, March 15—Potato soup supreme, tuna croissant, winter fruit cup, lentil cookie with raisins.
Monday, March 18—Chicken cacciatore, mashed potatoes, asparagus cuts, whole wheat roll, tropical fruit cup.
Tuesday, March 19—Hot roast beef, peas, cranberry mold.
Wednesday, March 20—Scalloped potatoes with ham, layered salad, spinach, whole wheat roll, apple.
Thursday, March 21—Soft shell tacos, peas, fruit cup, applesauce cake.
Friday, March 22—Tuna noodle casserole, California vegetables, whole wheat roll, plums.
Monday, March 25—Chicken a la king with biscuit, perfection salad, mixed vegetables, peach slices.
Tuesday, March 26—Pot roast with vegetables, Anna's dilly bread, pineapple/mandarin/orange compote, nature cookie.
Wednesday, March 27—Ham, mashed potatoes, gravy, bean medley, oatmeal roll, apricot halves, lentil brownie.
Thursday, March 28—Shepherd's pie, confetti coleslaw, onion rolls, applesauce.
Friday, March 29—Baked fish, tartar sauce. baked potato, carrot coins, Anna's dilly bread, winter fruit cup.
The meal is served each day at noon in the large community room at SunSet View. Please make reservations and cancellations no later than 8 a.m. the day of the meal. Call 854-2646 and leave a message for reservations or cancellations.
Holyoke Enterprise February 28, 2013


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How can i add a description to a Facebook application? It seems there is no way to do it.i can only manage the title, url, but no description. I know this was possible before, as i see description on other Facebook applications.And there is no info about this. Please help
Thank you


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A couple of weeks ago I asked for advice on how to permanently (or even for extended periods) attach a bike rack to a car without damaging the paint. The best functional solution suggested was to get a hitch mount rack but there is about a $400-$500 price tag attached to that by the time I get a hitch installed. Someone else suggested that I try "helicopter tape", a 8 mil, transparent and VERY tough film on the car at the contact points. Since I found that the tape wouldn't damage the paint finish and that I could try it cheaply ($10), seems logical to give it a try. Found that one of the main uses for "helicopter tape" these days is in applying essentially invisible car bras to protect paint on high end vehicles. I've got a few million miles of experience in driving around construction and gravel truck infested Atlanta and have collected many hundreds of rock chips. I can see the need for a product like this.
Just installed the tape and the rack over it yesterday. Pictures below. You have to get up close and look hard to even see that there is a tape applied to the car so I can conclude that the tape works from a visual point. There are also pieces below the two contact points below the vertical supports. I'll give it several weeks and pull the rack to examine the tape for any sign of abrasion damage or tape release or whatever.
One unintended result of the Saris bike rack always being on the car is that it gives me immunity from the red light cameras proliferating locally over the past few years. The bottom shot is a very close approximation of the angle from which the revenue generators shoot. Ain't that a heartbreaker?


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Horns Fall to Mizzou in Oklahoma City
courtesy of statesman.com
OKLAHOMA CITY — The last time Longhorn Corey Knebel pitched against Missouri, earlier in May, he lost after teammate Kirby Bellow made two errors at first base in the 11th inning.
Knebel lost to the Tigers again on Wednesday, but not because of any lapses in the field.
Missouri smacked Knebel around, knocking him out of the game in the fifth inning of a 5-0 Tigers' victory in the first round of the Big 12 tournament.
The Longhorns (30-21) face elimination today when they face Kansas (22-23) at 12:30 p.m. The Jayhawks lost to Texas A&M 10-4 in the first round.
Knebel (4-5) allowed nine hits — including four doubles in 4 1/3 innings. He threw 91 pitches.
Missouri (29-26) left-hander Rob Zastryzny (5-5) pitched 8 1/3 innings, allowing five hits.
The Longhorns scored six runs against Zastryzny in 7 2/3 innings during a 6-4 win on May 5.
Missouri scored one run for Knebel in the third inning with doubles by Blake Brown and Conner Mach.
The Tigers followed up with four runs on five hits in the fourth.
Erich Garcia sent one run home with a single, and Brown drove in two with a double to deep left-center. Brown scored the fourth run on a wild pitch.
The Longhorns catch one break against Kansas: they avoid Frank Duncan, the Jayhawks' top pitcher. Duncan was pounded by the Aggies Wednesday, but he pitched a complete game during a 7-2 victory at Texas on April 20.


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The purpose of the Peace & Justice Symposium is to actively promote civic engagement and social responsibility toward strengthening peace, justice, equality, equity, and unity on campus and in our local and global communities. The Symposium provides an avenue for discussion of global and domestic issues affecting world peace, human rights, race relations, justice, and other social concerns. Our goal is to educate, enlighten, engage, and empower participants to become actively involved in improving human relations within their community and to incorporate this commitment into their respective faith and vocation.
In addition, the Symposium offers an avenue where the works of peace educators, researchers, and activists who foster alternatives to violence in our homes, schools, communities, and the national and international arena can be presented. Topics may include poverty, racism, domestic violence, inequality, and other social injustices and inequities.
Valparaiso University nurtures a community whose members learn to embody social responsibility. The community challenges its members to discover ways of using their abilities in the service of the whole human family. The Peace and Social Justice Studies Minor is an interdisciplinary program focusing on social responsibility by examining the means of establishing justice, achieving peace, and resolving conflicts nonviolently. Peace rooted in justice requires teaching peace and social justice to cultivate those who will become socially responsible leaders. There are two alternative tracks in the program:
How to get involved:
VU faculty, students, staff, and community members may apply to serve on the planning committee, be a volunteer on the day of the Symposium, or submit a workshop proposal for the Symposium


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Hospital Billing
Hospital bills contain a lot of information. IU Health team members are here to help you understand the information in your statement and to answer questions you may have regarding insurance, payment or assistance. We've created a helpful guide to reading your statement, and some additional help in understanding your statement and what services are available in the below. Your insurance company will be billed shortly after your child goes home. This bill may include such items as your daily room rate, operating room charges, lab tests, x-rays, medications and supplies, and in some cases the physician charges as well. Charges are submitted to your insurance company, and insurance will cover those charges based on your individual plan. You will receive a patient statement from IU Health which contains an itemized list of charges. The amount that appears in the 'patient' column is the amount due from you.
Physician Billing
It is possible that you may receive additional statements for certain physician services billed separately from your hospital services. If you have any questions about these statements, please call the telephone number printed on the statement in question.
My IU Health Billing Services
Online billing is now accessed through My IU Health. To access your online billing account, please select the red button below to sign in or create a My IU Health account. To pay bills without an account please select the Make a Payment with Quick Pay button.
Option 1:
My IU Health Billing Services
My IU Health Billing Services allows patients to manage their online payments, billing statements and account balances, request itemized bills, and much more.
In just a few easy steps, you can also securely view lab results and past procedures, message with your provider to ask health related questions, and request new appointments and prescription refills.
Access My IU Health Billing Services:Sign In or Create an Account
Option 2:
Quick Pay
Our online Quick Pay option offers a secure method to make an online payment without a My IU Health account. Quick Pay still protects your privacy but allows anyone to pay a bill without access to your detailed billing information found within My IU Health Billing Services.
If you are not registered for My IU Health:Make a Payment with Quick Pay
Riley Hospital for Children at IU Health is committed to helping patients address their financial concerns and questions. We're ready to help address any issue you may have with your statement or invoice, from answering questions about your bill to helping you understand what charges are covered by your insurance.
In the Indianapolis area:
Outside Indianapolis:
Select Preferred Language
- Press 1 for English.
- Press 2 for Spanish.
Main Menu
- Press 1 to pay by credit card.
- Press 2 to pay by electronic check.
- Press 3 to update your insurance information.
- Press 4 to update your phone number or your mailing address.
- Press 5 to request a copy of your last statement or to request an itemized statement.
- Press 6 for information regarding Financial Assistance.
- Press 9 to speak to a Representative.
- Press * for information regarding your Consolidated Patient Statement.
- Press # to hear these options again.
Phone Services
With our 24-hour automated phone services, you can navigate a variety of touch-tone menus to pay your bill, check your balance, update your information or speak to a customer service representative.
Before calling, please have your account number available. Your account number can be found in the upper left hand corner of the statement you received in the mail.
Automated Phone Service Options
Before speaking to a Customer Service Representative you will be guided through a short information gathering process.
Speak with a Customer Service Representative
To speak to a customer service representative once finished with the information gathering process press the number 9 on your telephone keypad.
Customer Service Representatives are located in the Admitting Office. They can answer questions about your bills and help you arrange a payment plan. You can stop by the office or call the Patient Financial Services Department Monday – Friday, excluding all major holidays, 8 am – 7 pm, ET.
If you would like to speak to a representative about your statement or to ask questions regarding your bill, please contact Patient Financial Services online any time using My IU Health or call our team at 317.612.2754, or toll-free at 877.668.5621, 8 am – 7 pm ET, Monday – Friday. Our team members have the ability to look up your statement and walk through any questions or concerns with you.


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2010-06-24 / Community
Bob Bowman's East Texas
Hitmaker earns historical marker
When historians in Southeast Texas unveiled a Texas State Historical Marker for Ivory Joe Hunter at a cemeter y near Kirbyville, they stirred memories of one of America's greatest musicians.
You must be an online subscriber to read this story. Stories older than 30 days are only accessible to online subscribers. Please sign in or use the links below to order a subscription.


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Web Content ViewerActions
CANON U.S.A.,Inc. MAKES NO GUARANTEES OF ANY KIND WITH REGARD TO ANY PROGRAMS, FILES, DRIVERS OR ANY OTHER MATERIALS CONTAINED ON OR DOWNLOADED FROM THIS, OR ANY OTHER, CANON SOFTWARE SITE. ALL SUCH PROGRAMS, FILES, DRIVERS AND OTHER MATERIALS ARE SUPPLIED "AS IS." CANON DISCLAIMS ALL WARRANTIES, EXPRESS OR IMPLIED, INCLUDING, WITHOUT LIMITATION, IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT.
CANON U.S.A.,Inc. SHALL NOT BE HELD LIABLE FOR ERRORS CONTAINED HEREIN, OR FOR LOST PROFITS, LOST OPPORTUNITIES, CONSEQUENTIAL OR INCIDENTAL DAMAGES INCURRED AS A RESULT OF ACTING ON INFORMATION, OR THE OPERATION OF ANY SOFTWARE, INCLUDED IN THIS SOFTWARE SITE.
I have read and understand the information above, and wish to download the designated software.
Cinema EOS
Canon Store: $
Tech Explained: Learn The Science Behind 4K Optics.
Learn more about our special offers on select Cinema EOS products. Restrictions apply.
Providing access to all important user functions.
Find an authorized Canon dealer or rental house for Cinema EOS.
Now under the umbrella of the Cinema EOS System, Canon is extending the flexibility of digital 4K origination with the EOS-1D C - the first Canon hybrid DSLR to offer onboard 4K motion imaging and Full HD motion imaging on CF cards, in a rugged, ultra-compact form factor. Coupled with Canon's compact EF-mount lenses, the EOS-1D C facilitates 4K image origination in the tightest and most challenging environments, opening up fresh cinematic opportunities along the way.
For anyone familiar with Canon's 5D Mark II or 1D product line, the size and weight of the EOS-1D C will be immediately familiar. The EOS-1D C features an 18.1-megapixel full frame CMOS image sensor that offers a wide range of image acquisition options, including 4K (4096 x 2160), HD (1920 x 1080); or 18-megapixel (5184 x 3456) still images. The 4K is recorded as Motion JPEG; the HD is recorded as H.264; and the still images are recorded as RAW or JPEG. All of the selected motion imaging formats can be recorded as normal gamma-corrected video or with Canon Log. In addition, like with other Cinema EOS products, the EOS-1D C exhibits incredible low-light performance, ensuring optimum image quality under conditions of extremely low scene illumination, essential for natural-looking image capture when shooting in challenging environments. For capturing stills, the EOS-1D C offers the same level of high performance as an EOS DSLR, with top-of-the-range focusing, exposure, and burst mode.
The EOS-1D C is designed to go where other 4K cameras cannot go - into hostile environments, into very cramped spaces, mounted on the end of extended jib arms, or embedded on-set. With onboard 4K recording at 24p or HD recording at a range of frame rates up to 60p; and Clean HD via HDMI, the EOS-1D C offers additional capabilities for film and TV production as well as specialty image acquisition applications. For added versatility, record start/stop can be remotely controlled by EOS Utility Software via a WFT unit.
The EOS-1D C is an HD video powerhouse providing cinematographers 4K video capture in a single unit, with no need for external power or recording devices. The EOS-1D C is fully self-contained, with the ergonomic ease-of-use portability one expects from a Canon DSLR. Control layout is intuitive for both still and video shooting and the compact size provides an unobtrusive method to getting your desired footage. The EOS-1D C is also fully sealed for protection against dust and moisture.
The EOS-1D C carries the latest generation of Canon's Full-Frame CMOS sensor. With a Full-Frame sensor, Canon EF and EF Cinema lenses will perform to their true potential, while improved signal-to-noise ratio provide clearer shadows and highlights in both bright and low-light environments. Achieve high quality results across the ISO range from 100 to 51200, expandable from ISO 50 to 204800. The sensor in the EOS-1D C also minimizes the rolling shutter effect with a high-speed read across the sensor bus for true-to-life images.
The EOS-1D C is a completely self-contained device that captures 4K video in a cropped-sensor configuration at 24fps in YCbCr color space with a sampling ratio of 4:2:2 and 8-bit depth. Color and luminescence are preserved, while footage can easily adapt to existing post-production workflows without conversion. 4K video can be monitored on the camera's rear LCD, or HD video can be output via HDMI to an external recorder for proxy editing. 4K files can also be played in native resolution using the EOS MOVIE Player.
In addition to standard frame rates of 30fps, 25fps and 24fps, the EOS-1D C also enables Full HD recording at 60fps and 50fps and supports high-speed shooting for spectacular slow-motion footage. The camera's built-in LCD monitor can both preview and play back footage at its native frame rate. The EOS-1D C also supports Super 35mm Crop in Full HD at 30fps, 25fps, and 24fps. Image compression is H.264 and HDMI support permits external monitoring and playback of footage independent of shooting mode. When monitoring Super 35mm Crop images, the monitor automatically masks the image to aid composition.
The EOS-1D C utilizes dual DIGIC 5+ Image Processors for stunning speed and image quality. Each DIGIC 5+ Image Processor contains twin 4-channel A/D converters for outstanding image quality, and refined algorithms reduce noise at high ISO values. The EOS-1D C also applies real-time correction of chromatic aberration and other optical artifacts based on data stored in-camera. Lens data can be added and deleted by using the included EOS Utility software.
Canon Log Gamma is a setting that sets the EOS-1D C to maximize dynamic range and provide a wide exposure latitude. The files produced using log format are ideal for post-production processes where corrections, color matching, and grading are applied, providing users with a high level of creative freedom in post-production without substantially degrading image quality. When using Canon Log, the EOS-1D C can provide a dynamic range of up to 800%.
The EOS-1D C offers several new capabilities via HDMI output. Connect via HDMI to an external video recorder and output uncompressed YCbCb 4:2:2 8-bit video footage. Output frame rate is independent of shooting rate, allowing it to be matched to the capabilities of the external recorder. HDMI output supports Full HD video, even when recording 4K video to the on-board CF cards. Time code is embedded into the footage for easy synchronization of audio or visual effects. Camera control is also enabled via HDMI; the transport controls on the external recorder can be used to control the camera remotely. In addition, footage can be previewed simultaneously on the camera's LCD monitor and via the HDMI output for multiple monitoring options.
The EOS-1D C is compatible with the full line of Canon EF lenses, including EF Cinema lenses (Cinema zooms are compatible only in Super 35mm Crop mode; Cinema primes are compatible in all modes). Ultra-wide, zoom, 4x macro, tilt-shift, and super-telephoto lenses in the EF line are tools to realize your most ambitious cinematic vision. EF Cinema Lenses merges the technology of advanced Canon cinema optics and compatibility with a broad array of industry-standard accessories.
The EOS-1D C includes a built-in headphone terminal which outputs unprocessed sound, giving you the clear audio image while the camera is recording it.
The EOS-1D C can connect to an optional Wi-Fi® transmitter unit WFT-E6A to provide unique capabilities not found in competitive units. Users can control the EOS-1D C using any web-enabled devices such as laptops, smartphones, and tablet PC's. Functions of the EOS-1D C with the WFT-E6A include the ability to adjust shooting parameters, start and stop the camera, monitor a remote feed and input metadata. Bluetooth v2.1 +EDR communicates with external GPS units to embed location data with your footage.
The EOS-1D C shares its heritage with the EOS-1 Series family and is a world-class DSLR camera besides being a cinema powerhouse. Dual DIGIC 5+ Image Processors and an 18.1 Megapixel Full-Frame CMOS sensor provide a burst shot rate of 12.0 fps for capturing the action with exceptional quality. With ISO sensitivity ranging from 100 to 51200, expandable to L: 50, H1: 102,400, H2: 204,800, the EOS-1D C allows you to grab the best possible shot even in the most challenging lighting. The 61-Point High-Density Reticular autofocus system with a coordinated 100,000 pixel RGB metering system provides sharp images with incredible color and clarity.
Imaging SensorResolution
Approx. 18.1 million effective pixels (Total pixels: Approx. 19.3 million)
Recording Pixels
5208 x 3477 effective pixels
Sensor Type
Full-Frame CMOS sensor
Pixel Size
6.95 microns square
Lens Focal Length Factor
Same as indicated on lens (as indicated on lens)
4K: approx. 1.3x; Super 35mm Crop: approx. 1.6x
LensCompatible Lenses
Canon EF Lenses (excluding EF-S, EF-M lenses)
Canon EF Cinema (CN-E) lenses*
* Since the image circle of EF Cinema zoom lenses only support the image sizes of Super 35mm Crop and APS-C, vignetting will occur if you shoot larger image sizes.
AutofocusNumber of AF Points
Number of Cross-Type AF Points
1 to 5 cross-type AF points at f/2.8
10 to 20 cross-type AF points at f/4
15 to 21 cross-type AF points at f/5.6
1 cross-type AF point at f/8
(The number of cross-type AF points will differ depending on the lens.)
AF Area Selection Modes
Single-point AF (Manual selection)
Auto selection 61-point AF
Single-point Spot AF (Manual selection)
AF point expansion (Manual selection, 4 points: up, down, left, and right)
AF point expansion (Manual selection, surrounding 8 points)
Zone AF (Manual zone selection)
AF point setting for vertical/horizontal orientation
Focus Modes
One-Shot AF
Predictive AI Servo AF*
Manual focus
* For automatic AF point selection, the AF point to start the AI Servo AF operation can be selected. For automatic AF point selection, the active AF point can be displayed.
EOS Movie Shooting and PlaybackRecording Format
4K: Motion JPEG
Super 35mm Crop, Full HD, HD
MPEG-4 AVC (H.264), variable bit rate
Audio: Linear PCM, Meta information is embedded in the MOV file (no separate THM file)
NTSC and PAL
Approx. 100% vertically and horizontally Movie Recording Resolutions, and Frame Rates (progressive)
|Movie-recording size
|Compression Method
|4K (4096x2160)
|24 fps
|24 fps
|Super 35mm Crop (1920x1080)
|30 fps
|25 fps
|24 fps
|24 fps
|Full HD (1920x1080)
|60 fps
|50 fps
|30 fps
|25 fps
|24 fps
|24 fps
|HD (1280x720)
|60 fps
|50 fps
|SD (640x480)
|30 fps
|25 fps
Movie Recording Size-related Figures
|Movie-recording size
|Compression Method
|File Size (approx.)
|Total Recording Time (approx.)
|4GB Card
|32GB Card
|128GB Card
|24 fps
|3.76 GB/min.
|60 sec.
|8 min.
|32 min.
|Super 35mm Crop
| 30 fps
25 fps
24 fps
|385 MB/min.
|9 min. 30 sec.
|1 hr. 19 min.
|5 hr. 16 min.
|685 MB/min.
|5 min.
|44 min.
|2 hr. 57 min.
|Full HD
| 60 fps
50 fps
|1.36 MB/min.
|2 min. 30 sec.
|22 min.
|1 hr. 29 min.
| 30 fps
25 fps
24 fps
|235 MB/min.
|16 min.
|2 hr. 9 min.
|8 hr. 37 min.
|685 MB/min.
|5 min.
|44 min.
|2 hr. 57 min.
| 60 fps
50 fps
|205 MB/min.
|18 min.
|2 hr. 28 min.
|9 hr. 52 min.
|610 MB/min.
|6 min.
|49 min.
|3 hr. 19 min.
| 30 fps
25 fps
|78 MB/min.
|48 min.
|6 hr. 28 min.
|2 hr. 55 min.
Required Storage Card Performance
|Movie-recording size
|Compression Method
|CF Card writing/Reading speed[Approx., MB/sec.]
|Bit Rate [Approx., Mbps]
|24 fps
100 MB/sec. or faster
|Super 35mm Crop
| 30 fps
25 fps
24 fps
|20 MB/sec. or faster
|30 MB/sec. or faster
|Full HD
| 60 fps
50 fps
|60 MB/sec. or faster
| 30 fps
25 fps
24 fps
|10 MB/sec. or faster
|30 MB/sec. or faster
| 60 fps
50 fps
|10 MB/sec. or faster
|30 MB/sec. or faster
| 30 fps
25 fps
|10 MB/sec. or faster
Color Space
Color space matches the TV monitor
Color Sampling Method
YCbCr 4:2:2 (8bit): 4K
YCbCr 4:2:0 (8bit): Super 35mm Crop, Full HD, HD, SD
Rec. ITU-R BT.601: 4K, SD
Rec. ITU-R BT.709: Super 35mm Crop, Full HD, HD
Based on current Picture Style
Canon Log gamma * View Assist possible.
Full range (0-255)
Count up: Rec run, Free run
Start time setting: Manual entry, Reset, Set to camera time
Count indicator: Rec/Play time (Recording and playback time), Timecode
Drop frame: Enable, Disable
Maximum File Size Per Video Clip
Maximum Length for a Movie
12 hours
HDMI Output for Movie Footage
Possible - Output frame rate: Auto/24p/50i/60i
Adding time code is possible
Possible to synchronize an external recording device to start/stop recording
1080: 60i/50i/24p, 480/60p, 576/50p
HDMI Output Signal During Full HD Television Connection
Before movie shooting: 1080: 60i/50i/24p
During movie shooting: 1080: 60i/50i/24p
Audio Recording Method
Linear PCM
Internal monaural microphone
External stereo microphone jack
Recording level automatically adjusted.
Sampling frequency: 48 kHz, Bits: 16 bit x 2 ch
Compatible with a commercially-available external microphone with 3.5mm dia. stereo mini-jack.
Headphone Terminal
Stereo mini-jack (3.5mm diameter) provided * Max. -9dBv (with 16 kΩ)
Sound Recording Adjustment
Sound-recording level: Auto, Manual (64 levels), None
*With the movie silent setting, recording level can be changed with touch pad.
Sound-recording meter: Provided
Wind filter: Disable/Enable
Video Snapshots
Not provided
Creative Image Processing
Based on current Picture Style
Canon Log gamma (View Assist possible)
Same as focusing with Live View shooting
During movie shooting, the image cannot be magnified for manual focusing.
Compatible with power focus mode in movie shooting.
Metering Method
AF point-linked evaluative metering
When the AF mode is Live mode or Face Detection Live mode
Center-weighted average metering
For manual focusing or when the AF mode is set to Quick mode
Metering range: EV 0 to EV 20 (At 73° F / 23° C and ISO 100, with 50mm f/1.4 lens)
Video Exposure Control
Program AE for movie shooting
For shooting modes other than manual exposure and bulb
Shutter speed (1/30-1/4000 sec., signal accumulation time), aperture, and ISO speed automatically set.
Manual exposure
For manual exposure.
Shutter speed (signal accumulation time), aperture, and ISO speed (auto/manual) manually set. The shutter speed (signal accumulation time) is limited to 1/4000 sec. at the maximum and to 1/30 sec. at the minimum for 24/25/30 fps or 1/60 sec. or higher for 50/60 fps.
ISO Speed
P, Av, Bulb: Automatically set within ISO 100-25600
Expandable to H (equivalent to ISO 51200), H1 (equivalent to ISO 102400) and H2 (equivalent to ISO 204800).
Tv: Automatically set within ISO 100-25600
M: With Auto ISO, automatically set within ISO 100-25600.
With manual setting, ISO 100–25600 set manually (in 1/3- or wholestop increments). Expandable to H (equivalent to ISO 32000/40000/51200), H1 (equivalent to ISO 102400) and H2 (equivalent to ISO 204800).
* If highlight tone priority is set, the ISO speed range will be ISO 200-25600.
Exposure Compensation
Up to ± 3 stops in 1/3-stop increments
AE Lock
During movie shooting, press AE Lock button to set AE lock and the AF point selection button to cancel AE lock (no automatic cancellation).
AE lock (canceled automatically when metering turns off) possible before movie shooting. Movie shooting can start while AE lock is in effect.
Movie Digital Zoom
Not Provided
Information Display
Switchable with INFO button (5 settings)
Image Stabilization
With an IS lens and the Image Stabilizer switch turned on, image stabilization operates during metering and movie shooting.
Final Image Simulation
Before shooting, the effects of the following settings will be reflected in the Live View image
|Auto Lighting Optimizer
|Depth of field
|Peripheral illumination correction
|White balance
|Chromatic aberration correction
|White balance compensation
|Highlight tone priority
|Picture Style
Still Image Capture During Video Recording
Still photos shooting possible during movie shooting by pressing the shutter button (Still image capture is not possible when Canon Log gamma is set, or when 4K, Super 35mm Crop, or Full HD recording at 60p/50p is set)
Still shooting will interrupt the movie shooting.
The still photo is inserted in the movie for about 1 sec.
Exposure control used for movie shooting is applied to the still shooting.
Flash cannot be used.
Super high-speed continuous shooting at 14 fps cannot be selected.
Wireless Remote Control Shooting
Enabled with Wireless Controller LC-5. Possible only when the shutter button can start/stop the movie shooting. Playback Methods
Playback on camera LCD monitor
Playback on TV connected with AV or HDMI cable
Playback with ImageBrowser EX
* Recommended are (1) and (2), while (3) requires a high-performance personal computer.
Movie Shooting Battery Life
4K: 1 hr. 25 min. at 73° F / 23° C
1 hr. 15 min. at 32° F / 0° C
Full HD (30 fps, ALL-I): 2 hr. 10 min. at 73° F / 23° C
2 hr. at 32° F / 0° C
Movie Playback
The following playback is possible:
Playback, Slow motion (variable speed possible), Jump to first frame, Previous frame, Next frame, Jump to last frame, Edit first or last frame, and Audio volume (11 levels, including mute)
* The audio level when the camera is connected to a TV set is adjusted with the TV set.
Editing Out First/Last Scenes
First/last scenes editable (deletion) in 1-sec. increments
Still Photo Extraction
Possible with updated version of ImageBrowser EX
Image RecordingImage Type / Processing
JPEG, RAW (14-bit)
Image Format Options
JPEG (compression adjustable) RAW (CR2)
Resolution Options
Large - 5184 x 3456 (Approx. 17.90 million pixels)
Medium 1 - 4608 x 3072 (Approx. 14.20 million pixels)
Medium 2 - 3456 x 2304 (Approx. 8.00 million pixels)
Small - 2592 x 1728 (Approx. 4.50 million pixels)
RAW - 5184 x 3456 (Approx. 17.90 million pixels)
M-RAW - 3888 x 2592 (Approx. 10.10 million pixels)
S-RAW - 2592 x 1728 (Approx. 4.50 million pixels)
Data Recording Format
Complies with Design rule for Camera File system 2.0 and Exif 2.3
Folder Setting
Creating new folders and selecting folders in the card is possible.
Storage Media
CF card (2 slots)
Type I/II drive (Incompatible with Microdrive)
High-speed writing possible with UDMA CF cards.
Recording Options
Select one of the CF cards to record.
When the current card becomes full, the camera switches to the other card automatically.
The same image is saved to both cards, but in a different size (L, M1, M2, S, RAW, M-RAW, or S-RAW) that was set for the respective card.
The same image is saved to both cards in the same size (RAW+JPEG also possible).
Auto switch card
Record separately
Record to multiple
Image copying: Possible between the two CF cards (2 slots).
Noise Reduction
Long exposure noise reduction (set with a menu):
Functions with exposures 1 sec. or longer.
[Auto] or [Disable](always applied) settable.
[Standard], [Low], [High], or [Disable] can be selected.
High ISO speed noise reduction (set with a menu):
PerformanceImaging Processor
Dual DIGIC 5+ Image Processor
Maximum Frames Per Second
12 fps High-speed continuous shooting
14 fps Super high-speed continuous shooting:
Drive Modes
Single Shooting
High-speed continuous shooting (12 fps)
Low-speed continuous shooting (3 fps)
Silent single shooting
Self-timer (10 sec. and 2 sec.)
Super high-speed continuous shooting (14 fps)
Number of Maximum Frames / Burst
JPEG Large: 180
JPEG Medium 1: 310
JPEG Medium 2: 1390
JPEG Small: 6430
RAW + JPEG Large: 17
M-RAW + JPEG Large: 19
S-RAW + JPEG Large: 20
High-speed continuous shooting with 8GB UDMA-7 card based on Canon's testing standards and may vary depending on shooting conditions.
Flash Sync Speed
Up to 1/250 sec.
Shutter "Lag" Time
During SW-1 ON, time lag between SW-2 ON and start of exposure: Approx. 0.09 sec. *With flash, approx. 0.035 sec.
Time lag between simultaneous SW-1/SW-2 ON and start of exposure: Approx. 0.55 sec.
Start-up Time
Approx. 0.1 sec (Based on CIPA testing standards)
UDMA High-Speed Compatible
High-speed writing possible with UDMA CF cards.
Image PlaybackLCD Monitor
3.2-inch (Screen aspect ratio of 3:2)
Approx. 1,040,000 dots
Approx. 100% coverage
Approx. 170° vertical and horizontal viewing angle
Brightness Adjustment
Manually adjustable to one of seven brightness levels
Playback Options
Single image display
Two types of single-image full display and two types of shooting information display.
Index display
4-image index and 9-index image
Jump display, Jump 1 image, Jump 10 images, Jump 100 images, Date, Folder,Movies, Stills, or Rating
Dust Reduction3-Part Dust Reduction System
EOS Integrated Cleaning System:
Self Cleaning Sensor Unit - * Carrier wave type, removes dust adhering to the infrared- and ultraviolet-blocking glass. Self-cleaning executed automatically (taking about 1.8 sec.) when power is turned on or off. Manual execution also possible (taking about 5.2 sec.). Low-pass filter has a fluorine coating.
Dust Delete Data acquisition and appending - The coordinates of the dust adhering to the infrared- and ultraviolet-blocking glass are detected by a test shot and appended to subsequent images. The dust coordinate data appended to the image is used by the provided software to automatically erase the dust spots.
Manual cleaning
Exposure ControlISO Range
100-51,200 in 1/3-stop or whole-stop increments
ISO Expansion Range
Auto ISO: 100-51,200
Shutter Speed Range
1/8000 to 1/30 sec., bulb, X-sync at 1/250 sec.
Shutter speed's control range can be set with a Custom Function.
Exposure Modes
Program AE (shiftable), Shutter-priority AE (Safety shift possible), Aperture-priority AE (Safety shift possible), Manual exposure, Bulb, E-TTL II autoflash program AE
Metering Modes
252-zone metering with approx. 100,000-pixel RGB AE sensor and TTL maximum aperture metering employed.
EOS iSA (Intelligent Subject Analysis) system employed.
Evaluative metering (linked to all AF points)
Partial metering (center, approx. 6.5% of viewfinder)
Spot metering (center, approx. 2.5% of viewfinder)
Center spot metering
AF point-linked spot metering (Custom Function)
Multi-spot metering
Up to eight multi-spot meter readings can be taken.
Center-weighted average metering
Metering Range
EV 0-20 (at 73° F / 23° C with 50mm f/1.4 lens at ISO 100)
Exposure Compensation
Manual: ± 5 stops in 1/3- or 1/2-stop increments
AEB: ± 3 stops in 1/3- or 1/2-stop increments
Automatic Image Correction
Peripheral Illumination Correction
Chromatic Aberration Correction
Highlight Tone Priority
Auto Lighting Optimizer
Color ControlWhite Balance Modes
Auto (AWB)
Preset (Daylight, Shade, Cloudy, Twilight, Sunset Tungsten, White fluorescent, Flash)
Custom (Custom WB)
Color Temperature (Approx. 2,500-10,000 Kelvin)
Personal WB settings PC-1 - PC-5 (up to five white balance data that you set yourself with the provided software.)
White Balance Compensation
Alter white balance in amber-blue direction, and/or magenta-green direction ± 9 levels
White Balance Bracketing
Alter white balance in amber-blue direction or magenta-green direction, ± 3 levels in single-level increments
Picture Styles
Auto, Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined 1-3
FlashCompatible Flashes
Canon EX-Series Speedlites (Manual flash only with non EX-Speedlites)
FE Microadjustment
Flash Exposure Lock
Flash Exposure Compensation
±3 stops in 1/3-stop or 1/2-stop increments
PC Socket
Not Provided
Intelligent Viewfinder uses a transparent LCD for superimposed display of the following:
AF Information
AF Points
AF Confirmation
AF Status Indicator
Metering mode
shooting mode
AE lock
Shutter speed
Exposure compensation
ISO speed (always displayed)
Exposure level
Exposure warning
Flash ready
High-speed sync
FE lock
Flash exposure compensation
Grid, electronic level
Exposure information
Flash information
Image information
Battery check
Composition information
Approx. 20mm
Focusing Screen
-3 ~ +1.0 (user-adjustable)
Live ViewType
Electronic viewfinder with image sensor
Live mode (Contrast based)
Face Detection Live mode (Contrast based)
Quick mode (Phase based)
Live View Features
Magnified view, 3 Grid types, Correct Exposure/Exposure Simulation Display activated through Menu (Aspect Ratio indicator not provided.)
Multiple ExposuresExposures
2 to 9
Additive, Average, Bright, Dark
Shutter DurabilityShutter Durability
400,000 Cycles
Copyright and Camera InformationCopyright Capability
The copyright information set with the camera is appended to the image as part of the Exif information
Camera System Information
Basic information:
Serial No.
Firmware version
Shutter-release cycles
Camera status log:
Error log
Caution log
InterfaceVideo Output
HDMI mini OUT terminal (Type C), CEC compatible
Audio (stereo)/video (NTSC/PAL selectable) OUT terminal
External Microphone IN Terminal
3.5mm diameter stereo mini-jack
Headphone Terminal
PC Terminal
Not provided
Digital Terminal
For personal computer communications, direct printing (Hi-Speed USB)
Audio (stereo)/video (NTSC/PAL) output
Connects to GPS Receiver GP-E2 (Non-dedicated GPS)
Remote Control Terminal
N3-type terminal
Wireless Remote Control
Enabled with Wireless Controller LC-5
System extension terminal
For Wireless Transmitter WFT-E6A and GPS Receiver GP-E1
Ethernet terminal
RJ-45 jack (for gigabit Ethernet)
Power SupplyBattery
LP-E4 or LP-E4N Lithium-Ion battery pack
With the AC Adapter Kit ACK-E4, AC power is possible.
Battery Life
With a fully charged LP-E4N Battery Pack:
Approx. 2 hr. 10 min. (at 73° F/23° C)
Approx. 2 hr. (at 32° F/0° C)
Battery Information
The power source type, remaining capacity (in 1% increments + 6-level battery check), shutter count, and recharge performance can be checked.
The battery registration and operation history (serial number, remaining battery level when removed, and date) cannot be checked.
Battery rechargeable regardless of remaining capacity.
BodyExterior Material
Magnesium alloy
Weight (without eye-cup)
Approx. 54.5 oz./1545g (CIPA Standard)
Approx. TBA oz./TBA g (Body only*)
* with date/time function battery
Weather Sealing
Dust and water resistant
Dimensions, W x H x D
6.2 x 6.4 x 3.3 in. (158 x 163.6 x 82.7mm)
Compatible Supplies & Accessories
Canon offers a wide range of compatible supplies and accessories that can enhance your user experience with you EOS-1D C that you can purchase direct. Scroll down to easily select items to add to your shopping cart for a faster, easier checkout. Visit the Canon Online Store
AC Adapter Kit ACK-E4
Canon ACK-E4 AC Adapter Kit for Canon EOS 1D Mark III SLR Digital Camera.
Angle Finder C (incl. Adapter Ec-C, Ed-C)
Angle Finder C lets you adjust the viewing angle while providing a 2.5x magnification for critical focusing with a full screen image that also shows exposure data.
Anti-Fog Eyepiece Eg
The Anti-Fog eyepiece uses specially treated advanced-process glass, which prevents condensation or fogging. Designed for use in warm and humid or cold weather when fogging is most likely to occur, and attaches easily to reduce condensation and help you maintain a clear view of your subject.
Battery Charger LC-E4
*Please note: You cannot charge any batteries other than Battery Pack LP-E4 with this charger.
Battery Charger LC-E4N
Two battery packs can be attached. It takes about 130 minutes to charge one LP-E4N battery pack (120 minutes for LP-E4). It plugs directly into AC outlets, and with the optional CB-570 cable, into a car cigarette lighter.
Battery Pack LP-E4N
Designed to be used with the EOS-1D X, the LP-E4N is a high-capacity (2450 mAH) lithium-ion battery pack, offering approximately 10% larger capacity than the LP-E4. Exact battery info can be viewed on the camera's menu.
CB-570 Car Battery Cable
Combine the CB-570 with the CG-570 Battery Charger and charge your batteries directly from your car for the ultimate in power supply convenience.
Dioptric Adjustment Lens Eg (+1)
The Dioptric Adjustment Lens provides near- and far-sighted users a clear viewfinder image without the use of eyeglasses. The lens fits into the eyepiece holder of you EOS camera. Please see the Compatibility tab for a list of compatible EOS cameras.
Dioptric Adjustment Lens Eg (+2)
The Dioptric Adjustment Lens provides near- and far-sighted users a clear viewfinder image without the use of eyeglasses. The lens fits into the eyepiece holder of you EOS camera. Please see the Compatibility tab for a list of compatible EOS cameras.
Dioptric Adjustment Lens Eg (+3)
The Dioptric Adjustment Lens provides near- and far-sighted users a clear viewfinder image without the use of eyeglasses. The lens fits into the eyepiece holder of you EOS camera. Please see the Compatibility tab for a list of compatible EOS cameras.
Dioptric Adjustment Lens Eg (-2)
The Dioptric Adjustment Lens provides near- and far-sighted users a clear viewfinder image without the use of eyeglasses. The lens fits into the eyepiece holder of you EOS camera. Please see the Compatibility tab for a list of compatible EOS cameras.
Dioptric Adjustment Lens Eg (-3)
The Dioptric Adjustment Lens provides near- and far-sighted users a clear viewfinder image without the use of eyeglasses. The lens fits into the eyepiece holder of you EOS camera. Please see the Compatibility tab for a list of compatible EOS cameras.
Dioptric Adjustment Lens Eg (-4)
The Dioptric Adjustment Lens provides near- and far-sighted users a clear viewfinder image without the use of eyeglasses. The lens fits into the eyepiece holder of you EOS camera. Please see the Compatibility tab for a list of compatible EOS cameras.
Dioptric Adjustment Lens Eg (0)
The Dioptric Adjustment Lens provides near- and far-sighted users a clear viewfinder image without the use of eyeglasses. The lens fits into the eyepiece holder of you EOS camera. Please see the Compatibility tab for a list of compatible EOS cameras.
Eyecup Eg
Canon Eyecup EG for EOS 1D and 1Ds Mark III Digital Cameras.
Focusing Screen EC-CV
The EC-CV Focusing Screen is a matte field with vertical and horizontal scales marked in mm. It is for close-up and microphotography, and for determining magnification ratios and composition. Replace the standard focus screen of your EOS-1D X camera
Focusing Screen Ec-A
Focusing Screen Ec-D
The Ec-D focusing screen is a matte field with grid lines that assist in composition for close-up and copy work. The camera's AF points remain fully visible. It is for general photography.
Focusing Screen Ec-H
The Canon Ec-H Focusing Screen is a matte field with vertical and horizontal scales marked in mm. It is for close-up and microphotography, and for determining magnification ratios and composition.
Focusing Screen Ec-I
Focusing Screen Ec-L
GPS Receiver GP-E1
Adds location/direction information to images Displays the shooting orientation on a map with the bundled software Enables camera clock setting synchronization with the GPS's atomic clock Rugged, compact design
Mini-HDMI Cable: connects Canon HD Camcorders/select PowerShot Cameras to HDMI compatible TV.
Hand Strap E1
Hand strap E1 requires Battery Grip BG-E2
Hand Strap E2
The Canon Hand Strap E2 is designed to add support and comfort to hand-holding a Canon SLR camera. The strap attaches to the eyelets at the sides of the camera.
LC-5 Wireless Controller for EOS
Extended range wireless controller system.
Remote Switch RS-80N3
Remote switch for EOS cameras with the N3-type socket to prevent camera shake for super telephoto shots, macro photography shots and bulb exposures. The Remote Switch works just like a shutter button, enabling halfway or complete pressing. It has a shutter-release lock and a 2.6ft/80cm cord.
Timer Remote Controller TC-80N3
Remote switch for EOS cameras with the N3-type socket. This remote switch has a self-timer, interval timer, long exposure timer and exposure-count setting feature. The timer can be set from 1 second to 99 hours. A new dial enables you to easily enter the numeric settings with a single thumb. It has an illuminated LCD panel and a 2.6ft/80cm cord.
USB Cable IFC-200U
The Canon IFC-200U USB Interface Cable enables you to transfer your camera pictures to a computer fast. The cable connects to your camera and to the USB port on your PC or MAC Computer. Comes standard with the EOS 1Ds Mark III, 1D Mark IV, 1D Mark III, 5D Mark II, 7D, 60D, 50D, 40D, Rebel T2i, Rebel T1i, Rebel XSi and Rebel XS. Please see Compatibility tab for compatible models.
USB Cable IFC-500U
The Canon IFC-500U USB Interface Cable enables you to transfer your camera pictures to a computer fast. The cable connects to your camera and to the USB port on your PC or MAC Computer. Please see Compatibility tab for compatible models.
Video Cable AVC-DC400ST
Enables direct image display from the EOS to an HD television or a similar display device. Comes standard with the EOS 1D Mark IV, 7D, 60D, Rebel T3i and Rebel T2i. Please see Compatibility tab for compatible models.
Wireless File Transmitter WFT-E6A
New Wireless LAN support for IEEE 802.11n communication in addition to existing IEEE 802.11a/b/g for the EOS-1D X Internal Bluetooth Function for secure communication with Bluetooth compatible equipment Stable design ensures sending errors can be sent automatically Enhanced camera clock synchronization across multiple cameras
TIPA's 2013 Best Video DSLR
† Prices and specifications subject to change without notice. Actual prices are determined by individual dealers and may vary.
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text:
Is cyberbullying out of control?
PODCAST: An extended radio interview with USD's Frank Kemerer
Rutgers University made a simple request of students when they returned for classes this fall: Be civil.
Like other schools, Rutgers officials sensed an erosion of tolerance and charitability. Rutgers also was trying to rein in the abusive use of social media, like Twitter and Facebook, and such fast growing technologies as smartphones.
The university made the request as part of Project Civility, a campaign that became an ironic footnote to a shocking incident only three weeks later. One of the school's freshmen, Tyler Clementi, committed suicide after he was secretly filmed having sex with another male. A fellow Rutgers student allegedly used a webcam to broadcast the encounter live over the Internet.
Police ended up arresting two students and charging them with invasion of privacy. That didn't calm the situation. Clementi's suicide has ignited a national discussion about cyberbullying.
The debate is being watched closely by Frank Kemerer, who teaches education law and policy at the University of San Diego. Kemerer specializes in studying problems that arise from so-called electronic communication devices, such as webcams smartphones, which can be used to feed video on to the Internet.
We spoke to Kemerer at length about the implications of such technology, and the explosive growth of social media.
Q: Is cyberbullying a deep and growing problem, or is it getting a lot of attention because of incidents such as the suicide of Tyler Clementi?
A: It is a growing problem that is hard to understand and even more difficult to control. Sometimes cyberbullying can be pretty nasty. We see this in schools where adolescents begin picking on one another as they move into middle and high school. The Tyler Clementi matter may have been motivated more by a bizarre form of college humor -- exposing a sexual encounter of two male college students in a university dorm room. Or perhaps a form of sexual gratification known as voyeurism for those who did the webcamming. But the effect was just as tragic as has occurred from long-term cyberbullying that ridicules a named student.
Q: Can a college or university order students not to bully and abuse others through new and emerging technologies, or does that violate First Amendment rights?
A: Well, the first problem with such a simple order is that it doesn't define what "bully" means or where it occurs. On campus? In a university dorm? Off-campus? The second is that it doesn't identify what are "new and emerging technologies." Would these include computers and networks controlled by the college or university? And, yes, First Amendment issues will surface. Much speech in our democratic society is disputatious and often negative. The ads and public comments of political office-seekers in the recent mid-term elections are cases-in-point.
Q: The word bully used to refer to someone who would harass or mistreat you in person. Now, such harassment is often done online, through anonymous posts. Or through the posting of embarrassing videos, like in the Clementi case. Has the very meaning of the word bully changed?
A: I don't think so. Bullying is the same whether done face-to-face or via online posting. What is different is the impact it has on victims. Electronic bullying -- now known as "cyberbullying" -- can reach a far larger audience. Thus, the impact on victims is much greater. We just hear a lot more about it now than prior to electronic devices and social networking.
Q: Is it going to be difficult to define cyberbullying? If a person spoke the words that were written, say, in a Twitter message, they might have a very different connotation.


text:
Images: Every Marine a Rifleman [Image 3 of 3]
Photo by Lance Cpl. James Marchetti
Master Sergeant Julia Watson, an instructor for the Marksmanship Training Unit at Marine Forces Reserve New Orleans, sights in during her prep-time prior to the third string of fire of the Competition-In-Arms Program Western Divisional team rifle match at the Wilcox Range aboard Marine Corps Base Camp Pendleton, Calif., March 5. Watson, a native of Provo, Utah, became the fourth female Marine to earn a distinguished badge in both the rifle and the pistol, following the results of the 2014 CIAP Western Divisional.
This work, Every Marine a Rifleman [Image 1 of 3], by Sgt James Marchetti, identified by DVIDS, is free of known copyright restrictions under U.S. copyright law.
Date Taken:03.05.2014
Date Posted:03.20.2014 18:33
Photo ID:1191658
Size:10.21 MB
Location:CAMP PENDLETON, CA, US
Hometown:PROVO, UT, US
Gallery Images
Associated News
Every Marine a Rifleman: Master Sgt. Julia Watson makes history at 2014 CIAP Western Divisional


text:
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