text:
Rebuilt border crossing aims to speed traffic
Long lines and lengthy waits have become an inescapable burden for tens of thousands of cross-border commuters at the San Ysidro Port of Entry.
Proposing to dramatically decrease crossing times for both vehicles and pedestrians, authorities Thursday formally launched a $577 million expansion and modernization of the world's busiest land-border crossing.
Wait times during peak hours can currently stretch to more than two hours, and a 2009 study by the U.S. General Services Administration showed that if nothing is done, those waits could stretch to 10 hours by 2030.
Planned for completion by 2016, the new facility would reduce maximum waits to 30 minutes, according to U.S. Customs and Border Protection.
Added lanes, more booths and high-tech inspections are at the heart of the overhaul. It is the largest and costliest infrastructure project the U.S. government has ever undertaken along its land border.
"The need for a new facility is clear, and the stakes are high," said Martha Johnson, administrator of the GSA, speaking at an outdoor ceremony at the port that drew authorities from the United States and Mexico. Over the next two decades, she said, traffic through the San Ysidro port is expected to increase by as much as 90 percent.
Growing delays have stifled myriad transactions on both sides of the border. San Diego's supermarkets, shops and restaurants have lost large amounts of business from Mexican customers. Baja California's hotels, restaurants and other tourist amenities have suffered a devastating drop in U.S. clientele in recent years, partly as a result of tighter security measures adopted following the Sept. 11 terrorist attacks.
The San Diego Association of Governments' latest estimate, from 2007, calculates that the congestion at California's border with Mexico costs the region close to $7.2 billion and more than 62,000 jobs annually.
"For most people who don't go back and forth across the border, it's just out of sight, out of mind," said Christina Luhn, director of the Mega-Region Initiative at the San Diego Regional Economic Development Corp. "They don't understand what a two- or three-hour wait can mean."
San Ysidro's current facility has long been outdated. When it opened in the mid-1970s, the country was recovering from the Watergate scandal, disco was all the rage and terrorism wasn't a domestic concern.
"It's a changed society and buildings have to change with it," said Ramon Riesgo, land port of entry adviser for the GSA, which is overseeing the construction of the new port.
The new facility is being called the "port of the future." While San Ysidro now has 24 northbound lanes, including six with two inspection booths each, the rebuilt facility will include 34 northbound lanes with 64 inspection booths. Expanded pedestrian facilities will include a shaded path and 20 inspection stations.
To handle beefed-up inspections southbound, six lanes are being added on the U.S. side of the border.
The design, by Seattle-based Miller Hull Partnership, includes a translucent roof structure that shields cars and officers from rain and sun. The project is being planned to conserve both energy and water, and the aim is to achieve LEED Platinum certification, a recognition for environmentally friendly structures.
Another environmental benefit being cited is improved air quality at the crossing, due to the decreased wait times and shorter lines.
The new port "will enable us to better manage traffic in many many ways," said Thomas Winkowski, assistant commissioner for U.S. Customs and Border Protection, the agency that operates the port of entry. The changes will allow for improved use of technology, greater flexibility in opening and closing lanes, and the expansion of trusted traveler programs where prescreened crossers are processed more quickly.


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Ride2FGCU is Florida Gulf Coast University's dedicated ridesharing system. Make your commute more fun and cost effective by finding carpool, walking, biking, or transit buddies today.Use the Single Trip Finder to share rides to off-campus destinations when planning a weekend road trip, heading to a conference, or going home for break.
This site is fully secure and only available to FGCU students, faculty and staff. It is completely free for all campus community members thanks to financial support from Student Government and administrative support from Environmental Health & Safety.

subset: commoncrawl


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Starke, Florida — A north Florida man used his tanning bed business to secretly record videos of women — many underage — undressing and/or participating in sexual acts.
According to court documents, 48-year-old Doyce Dean Griffis operated a tanning bed in an outbuilding at his home in Starke for more than 10 years.
The case against Griffis began when two women told a detective they thought the man was videotaping women.
An investigation revealed Griffis used a two-way mirror and a hole in an air vent to make video recordings of many of his customers as they undressed, entered and exited from the tanning bed.
Griffis made recordings of dozens of female customers, including more than 20 underage girls. These recordings depicted customers in various stages of undress and using the tanning. One of the videos showed an underage girl and boy having sex in the tanning room.
None of the people in the videos knew they were being recorded.
A search of Griffis' laptop computer also revealed videos and images of child pornography that had been downloaded from the Internet. He was arrested and has been in custody since April of 2011.
On Thursday the U.S. Attorney's Office says Griffis pleaded guilty to five counts of producing videos of child pornography.
On each count, Griffis faces between 15 and 30 years in federal prison, a $250,000 fine and a potential life term of supervised release.


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Courses 2013-2014
COM 119 Introduction to Film 3 credits
Students are introduced to the Aesthetics of narrative and documentary motion pictures through the study of the basic elements of cinema. Topics may include story structure, cinematography, editing, sound, and lighting.
COM 121 Introduction to Theatre 3 credits
This course will include a general survey of Western theatre from Classical Greece to contemporary America. Students will learn the diverse practice of the art of theatre by studying theatre history, dramatic literature, and the practical components of acting, directing, design, and production.
COM 151 Introduction to Mass Media 3 credits
An examination of the media-related industries in America (broadcasting, journalism, advertising, public relations and online communications), how they work, and the issues related to those industries that affect contemporary public discourse.
COM 197 Special Topics 1-6 credits
COM 202 Academic Writing and Inquiry 3 credits
Students expand on the process and techniques begun in Academic Writing. Primary focus is on analytical written communication and on advocacy oral communication. Also included throughout the course is the reading of relevant academic professional writing, which promotes student awareness of the role of written and oral communication in academic and professional life. Prerequisite: ENG 102 with a minimum grade of "C-."
COM 205 Communication Arts I 3 credits
This course is a study of the theory and associated terminology of visual communication including the application of concepts to film, theatre, and convergent media. Topics include aesthetics, design elements, mimesis, performance, semiotics and introduction to the primary techniques of the various communication arts. Prerequisite: ENG 102 with a minimum grade of "C-".
COM 216 Dramatic Literture and Script Analysis 3 credits
This course will introduce students to the diverse genre of dramatic literature in Western and Eastern theatre. We will study the origins of tragedy, comedy, melodrama, the rise of Realism and Anti-Realism, as well as the sub-genres within those general categories. We will also study Eastern traditions of text such as Kabuki, Noh, and Bunraku. Students will learn how to read a play on a deeper level for content, themes, historical and socio-political influences, as well as the emerging and changing aesthetics of each genre. Prerequisite: ENG 102.
COM 231 Technical Production I 3 credits
A study of how things are done behind the scenes in theatre and film and why they are done that way, including the basic customs and traditions of production work and the philosophy, aesthetics, and process of production. Intensive hands-on development of skills in the construction of sets, costumes, lights, sound, and props; the operation of rolling units, lights, flies, and sound; and production assistant duties.
COM 235 Fundamentals of Acting 3 credits
An introduction to the principles, processes, and techniques of acting. The study is designed to balance theory and performance; to explore in detail the psychological, perceptual, and conceptual linkages to the strategies, techniques, and skills of the actor; and to develop a significant sense of self-discipline on the part of the actor. Topics include warm-up and awareness skills, basic body and voice integration techniques, the theories of Stanislavski, character analysis, and performance process.
COM 241 Media Writing 3 credits
An analysis and practice of the major forms of media writing, including print, broadcast and web-based publication, with an introduction to the ways that production varies the writing of each. Prerequisite: ENG 102 with a minimum grade of "C-."
COM 261 Introduction to Audio Communication 3 credits
This course introduces the basic concepts, functions and technology of audio production as they relate to the elements of narrative and storytelling. Prerequisite: COM 119, COM 121, or COM 151; or instructor permission.
For experienced students working with faculty supervision in the College radio station or television facilities. Students improve their specialty skills while working with the practical applications of the media.
COM 264 Introduction to Production and Theory 3 credits
An introduction to the theory and practice of media production including critical and aesthetic theories. Topics may include scriptwriting, producing, directing, cinematography, sound recording, editing, and standards of operation for production facilities and equipment. Prerequisites: COM 205, COM 261, and sophomore standing, or instructor permission.
COM 274 Public Relations Communication 3 credits
A study of the use of communication to establish credibility, trust, and confidence between and among communities, employees, public agencies, civic organizations and business institutions.
COM 284 Sophomore Portfolio 1 credit
A course in which students familiarize themselves with the requirements for the Communication Arts program and related capstone project, formulate specific goals, and prepare strategies through which those goals can be achieved. Students will develop an awareness of field-specific expectations required of them in professional or graduate-level work, and develop a plan for creating a portfolio that reflects that awareness. A part of the course consists of formally applying for admission to the Communication Arts program. Prerequisite or corequisite: COM 205 or instructor permission.
COM 297 Special Topics 1-6 credits
COM 298 Practicum 1-4 credits
Entry-level supervised experiences in theatre, organizational communication and journalism/ mass media. Prerequisite: instructor permission.
COM 305 Communication Arts II 3 credits
An exploration of the philosophical and theoretical foundations of human communication, concentrating specifically on textual analysis and interpretation. Using a wide range of media, students will investigate how the particular method of communication informs, alters, and shapes the messages being consumed, and how those messages both constitute and affect self-expressive acts. Prerequisites: COM 205 and admission of the Communication Arts Program; or instructor permission.
COM 306 Scriptwriting 3 credits
An introduction to the fundamental tools and skills required to craft a script for performance on stage or in film/video. Students are expected to produce playscripts and screenplays of varying lengths; they are also expected to read and respond to one another's writing. Some history of playwriting and study of prevailing models of scriptwriting are also included. Prerequisites: COM 205 and COM 222, or ENG 205, with a minimum grade of "C."
COM 310 Introduction to Performance Studies 3 credits
An interdisciplinary course exploring the human desire to perform in both aesthetic and everyday settings. It explores the links between the arts and literature, anthropology, communication, sociology, and philosophy. Critical reading, written analysis, and performance of literary texts are essential elements of the course.
COM 317 Studies in the History of Performance Traditions 3 credits
An introduction to performance studies research and artistic practice through readings, discussion and creative work. Prerequisites: junior standing and instructor permission. Repeatable for a maximum of six credits among different topic areas.
COM 323 Media/Arts Management 3 credits
An introduction to the basic principles and structure of management as it applies to Communication Arts. Particular focus is given to management of small and mid-size non-profit media and arts organizations, and to the interrelationship between those two areas. Prerequisite: junior standing or permission of the instructor.
COM 324 Advanced Acting 3 credits
An advanced-level course that focuses on specific areas of actor training, including methods of voice and movement training; the requirements and techniques of different styles of acting including classical, Elizabethan, Restoration/18th Century, Commedia, and Advanced Contemporary acting styles; and advanced textual analysis required of actors by specific theatrical works. Repeatable for a maximum of six credits among different topic areas. Prerequisite: COM 235.
COM 327 Performers for Social Change 3 credits
An in-depth look at the role of performance, predominantly theatre, for social change and community activism. Students learn about the historical movements combining performance and social change, study the theories behind the practice influenced by Paulo Freire and Augusto Boal, and have hands-on opportunities to train their own performance and writing skills in this manner. Prerequisite: instructor permission.
COM 330 Technical Production II 3 credits
An intermediate-level study of lighting and sound production for theatre and film. Instruction is provided in the proper rigging of light and sound equipment, use of control consoles and software, optics, basic electrical theory, the nature of light, and acoustics. The design and aesthetic use of light and sound are also explored. Prerequisite: COM 231 or instructor permission.
COM 343 Persuasive and Expressive Writing on Public Issues 3 credits
A writing course that draws upon the analysis and practice of both editorials and features as interpretive responses to issue-related topics in print and electronic media. Prerequisite: COM 241 or instructor permission.
COM 346 Multimedia Communication 3 credits
An exploration of the theory and application of multimedia communication principles through projects that use common interactive multimedia, animation, non-linear editing, web authoring, and desktop-publishing programs. Prerequisites: COM 205, or instructor permission.
COM 351 Media Theory and Research 3 credits
An examination of media from a theoretical, organizational perspective. Topics covered include departmental functions and duties, programming, formats, regulations and finances. Also, in the context of media theory, empirical data is explored. Prerequisite: COM 214 and COM 274, or instructor permission.
COM 352 Advanced Cinema Studies 3 credits
An in-depth study of the aesthetics and theory of cinema through the examination and critical analysis of the technical and creative elements of selected iconic Hollywood and international motion pictures. Prerequisite: Junior standing.
COM 362 Advanced Audio Production 3 credits
An in-depth study of audio design and production for film, radio, television and live theatre. Prerequisite COM 261,
COM 371 Argument and Conflict Management 3 credits
An exploration of various conceptions and types of conflict and the role of argumentation in managing and/or resolving conflict. The study examines problem solving and decision making as common contexts in which argument occurs and conflict arises, and a continuum from formal to informal modes of conflict management/resolution is discussed and practiced by the students. Specific areas covered include formal debate, negotiation, arbitration, and the legal system.
COM 372 Issues Management 3 credits
An exploration of the communication practices and strategies used by organizations to react to current events, publicity, and society. Emphasis is placed upon persuasion, media relations, and information campaigns.
COM 378 Peer Leadership 2 credits
A course providing students theoretical foundations, practical knowledge and skills development for leadership with specific on-campus programming. Prerequisite: instructor permission.
COM 389 Media Production: Narrative 3 credits
An introduction to the theory and practice of the field-based production of narrative films. Topics emphasized may include fictional story, cinematography, lighting, sound, editing, and production management. Prerequisite: COM 264 with a minimum grade of "C."
COM 390 Media Production: Documentary 3 credits
An introduction to the theory and practice of producing nonfiction works, including conventional documentary forms and autobiographical or experimental works. Topics may include actual story, cinematography, lighting, sound, editing, and production management. Prerequisite: COM 264 with a minimum grade of "C."
COM 392 Independent Study in Communication and Theatre 1-6 credits
A detailed study in a specific area of communication and theatre, emphasizing individualized approaches toward development of creativity and scholarship. Prerequisites: junior or senior status and 10 credits in Communication Arts.
COM 397 Special Topics 1-6 credits
COM 398 Practicum 1-4 credits
Supervised applications and experiences in communication and theatre. Students assist, analyze, manage, and participate in various aspects of practical situations or job training. Prerequisites: instructor permission and completion of one of the following: COM 241 COM 261 or COM 298
COM 405 Communication Arts III 3 credits
A multi-disciplinary and multi-media course offering significant historical, theoretical, and practical content by which to explore and discuiss how meaning is conveyed in communication. Special emphasis is given to the nature of oral communication in oral societies and to the nature and function of myth, symbol, sign, and inferential reasoning. Prerequisites: COM 305 or instructor permission.
COM 406 Advanced Screenwriting and Producing 3 credits
Students are immersed in advanced screenwriting projects and pitching for independent feature film, television drama and situation comedy. Producing content may include such topics as contract law, releases, copyright, fair use, ethics, location and talent management, production management, and other administrative subject matter pertaining to film and television production. Prerequisite: COM 306 with a minimum grade of "C".
COM 423 Presentational Aesthetics 3 credits
An examination of the theatrical performance convention from the perspective of the adaptor, director, and performer. This course offers invigorating challenges for the director, dramaturg, actor, and designer who will work collaboratively to explore presentational mode, theatrical convention, and conscious artifice in the performance of dramatic literature, poetry, nonfiction, and prose fiction. Prerequisites: COM 231, COM 235, COM 310 and minimum junior standing; or instructor permission.
COM 431 Integrated Design for Media and Performance 3 credits
A study of designing visually for the stage and screen, with an emphasis on a unified look and a single intense effect. A strong emphasis on script analysis as a basis for design. Additional information on visual research for theatre and film including location scouting and contextual research into the background of the story. Hands-on development of skills in generating graphic communication of design ideas is included. Prerequisite: COM 231 or instructor permission.
COM 474 Campaign Planning in Advertising and Public Information 3 credits
An analysis of the many facets of information campaign planning. It explores concepts like persuasion and audience behavior, researching attitudes and effectiveness, campaign objectives and strategies, media choices, and relevant social and ethical issues. In addition, students are expected to build their own information campaigns. Prerequisite: COM 374.
COM 484 Communication Arts Seminar 2 credits
A capstone course in which students complete their individual Communication Arts portfolios, based upon their cumulative work through the COM program and guided by their specific career or graduate school goals. The seminar provides an opportunity for students to work individually, in small groups, and with the instructor to evaluate the overall effectiveness of their finished portfolios, and revise accordingly, utilizing the critical techniques, cultural awareness, and technical skills students have developed throughout the COM program. Prerequisite: COM 30
COM 490 Advanced Media Production 3 credits
Students are immersed in advanced project work. Topics may include cinematography, lighting, grip, electrical, special effects, visual effects, sound effects recording, sound design, and animation. Prerequisite: COM 389 or COM 390 with a minimum grade of "C."
COM 497 Special Topics 1-6 credits
COM 499 Internship in Communication and Theatre 1-12 credits
Prerequisite: instructor permission.


text: The National Weather Service issued their long-awaited winter forecast on Thursday and it calls for a less severe winter across much of the East Coast. The Southeast is expected to be warmer and much drier than last year. The period from December through February averaged 3.75 degrees below normal last year. Average highs during the winter are in the lower to middle 50s with lows in the lower 30s. There should be less storm activity as well and that should mean less precipitation. Last winter much of eastern North Carolina received more than average snowfall. The drier and warmer forecast would suggest less snow this winter but even milder winters can sometimes produce one or two snowfalls across our area. We'll see how that turns out over the next few months.


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Social media posts by businesses influence consumers' buying decisions as much as their friends' posts do, according to a new study from Market Force Information. The study found that 81 percent of U.S. consumers are influenced by their friends' social media posts, while a comparable 78 percent are influenced by vendors' posts, suggesting that company-driven social media content is surprisingly powerful in driving purchase decisions.
The survey of more than 12,000 consumers by Market Force, was designed to understand how U.S. and UK consumers use social media. It explored how they interact with retail, restaurant, travel, entertainment and financial businesses on social media channels such as Facebook, Twitter, LinkedIn and Google+ in both North America and Europe.
When asked how their friends' social media posts affected their purchase decisions, 81 percent of U.S. respondents said they were moderately-to-highly influential. Nearly an equal number – 78 percent – said the posts by companies they follow on social media impact their purchases.
UK lags in social media usage
Market Force's other findings reinforce the fact that consumers are living in a social media world. Ninety-five percent of U.S. consumers surveyed indicated that they have a Facebook account, and 62 percent have a Twitter account. What's more, all of the U.S. respondents reported using some form of social media, whereas 14 percent of UK consumers surveyed said they do not use social media.
The survey also found that consumers are turning to those social networks to glean information and opinions about restaurants and retailers from their friends. In the United States, 60 percent said they gather insights on companies from their friends' social media posts. In the UK, about half said they do.
On both sides of the pond, about one in 10 posted something negative about a business on a social media site, but more than two-thirds of the time, companies do not appear to be listening. Those who admitted to negative posts said they were not subsequently offered the chance by that company to provide feedback to the retailer or brand through a satisfaction survey, special website or other means.
What consumers "like"
Also revealing was that 76 percent of U.S. respondents, compared to 65 percent of UK respondents, regularly "like" the Facebook page of restaurant, retail, travel, entertainment and financial services businesses. Nearly half of those – or 46 percent – indicated that they followed those businesses on Twitter. In both the United States (79 percent) and the UK (67 percent), the number one reason given for consumers who "like" a company's Facebook page is to take advantage of incentives or discounts offered for joining their page.
American consumers "like" restaurant pages (86 percent) on Facebook more than any other category, with entertainment second most popular (76 percent) and retail ranking third (75 percent).
Meanwhile, UK consumers are more prone to "like" entertainment business pages (76 percent), followed by retail (73 percent) and then restaurant pages (71 percent). Financial services pages came in last among both groups, mentioned by only 13 percent of U.S. and 7 percent of UK respondents.
"Social media channels create an ideal two-way platform for direct conversations with customers. What's striking is that consumers have more positive things to say than most brands realize," said Janet Eden-Harris, chief marketing officer for Market Force. "Using social media monitoring tools, brands can mitigate the downside by pulling negative comments into a private conversation, and maximize the upside by giving consumers an easy way to engage. There's no reason not to take the plunge. Consumers are out there talking about you."
In the Twitter world, entertainment-oriented businesses attract the greatest following. Eighty-one percent of U.S. and UK consumers said they follow companies in that category, followed by 65 percent who follow retail companies and 53 percent who follow restaurants.
Market Force conducted the survey on social media preferences in February 2012. The pool of 12,000 survey respondents—half in North America and half in the UK – ranged in age from 18 to more than 65. Seventy-five percent were women, the primary household consumer purchasers.
Read more about online, mobile and social trends.
Topics: Business Strategy and Profitability , Marketing / Branding / Promotion , Online / Mobile / Social , Trends / Statistics
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What's the optimum — or, at least, the most widely used — tomato to onion ratio for making the tomato masala (sauce)? Masala is used as the base for a number of north Indian dishes. Onions are fried in oil and then tomatoes and spices are added and cooked down until the oil separates out.
I am not intimately familiar with the recipe but according to the recipes I have researched the ratio seems to run the gamut from 2-1 tomatoes to onions all the way to 1-1 tomatoes to onions. I would recommend starting at the 2-1 ration and adjusting according to taste.
Here are the recipes I reviewed:
I hope that helps! Ideally someone with more experience with this dish can eventually write a more comprehensive answer.
I have a coworker from North India whose wife is a fantastic cook. I asked him and he asked her.
Her response was basically "it depends".
Her recipes are commonly 1:1 ratios. I commented that this was a lot of onion and my coworker said that's fine because he's the one that chops it.
Some recipes have even more onion and the onion is pureed. Others have a little more tomato.
She recommended starting with a 1:1 ratio by volume unless there is a specific type of masala recipe that requires a different ratio.
The ratio basically depends upon ones taste and the dish in particular. 2:1 ratio is opted in cases where we would like to have a sweet taste of the tomato, in other cases we go for 1:1.
Often for spicy dishes 2:1 is preferred.
I would recommend to start from 1:1, and bring down the ratio depending upon whether you love the taste of tomato.
I basically stick to 2:1, as I am not a tomato fan.. B-)


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"Mormons and Jews have something in common if they don't repent and surrender their lives to Jesus Christ." – reader comment on my recent interview with blogger Menachem Wecker
Following a briefing I gave to a havurah group last weekend in Camarillo, I was asked by a cantor why Jews should accept the support of Evangelicals who believe that they will be destroyed in the last days. This is a common objection made by Jews who are uncomfortable with the thought of close collaboration on Israel with right-wing Christians. I believe it is an unnecessary one. Tens of millions of Evangelicals are fervent supporters of Israel and Jews, and in these difficult times their support should be welcomed, not spurned.
To begin with, it is a gross generalization to claim that all Evangelicals believe that Jews will meet a violent end when the Messiah comes again (or for the first time, if you prefer). Some believe that a mass conversion of Jews will take place, while other believe that a special divine dispensation of grace will be extended to the Jews at the last day (I first heard this theory espoused by Pastor John Hagee of Christians United for Israel). Still others are content to leave the Jews' fate in God's hands.
As the above quote makes clear, the subset of Evangelicals who believe that Jesus-denying Jews are going to hell after they die almost always believe the same about Mormons (they claim that we worship a "different" Jesus). Condemning people to hell is not in the Mormon lexicon; we teach moral principles, but the consequences of sin and transgression are God's to impose, not ours. [We also don't believe in a traditional concept of hell, but I digress]. When these people call down hellfire upon the heads of Jews, Mormons, and most of the world's people unless they accept Evangelicalism's Jesus, Mormons dismiss their condemnation as unauthorized, presumptuous, and doctrinally flawed. We certainly don't believe that Jews and other non-Christians are going to hell, and we don't like to be lumped with those Christians who do. The good news is that none of these differences matter when it comes to coming together to support the Jewish people – in this life, anyway. There is no need for Jews or Mormons to worry about what these people believe will happen to non-Evangelicals in the future. I for one am willing to take the chance that they're wrong. When the Messiah comes (again), we can ask Him for clarification.
We shouldn't require people to have similar theologies in order to accept their Zionism. During my tenure with the Zionist Organization of America, we welcomed Mormons, other Christians, and atheists to our meetings. The only person we turned away was a Messianic Jew. Her Christianity wasn't a problem, but her insistence on "witnessing" to people whenever she felt moved to do so was obviously unacceptable. Neither the cantor nor anyone else in the havurah believes that Jews are going to become cannon fodder during Armageddon. In all likelihood, they don't believe in Armageddon to begin with. Whether a fellow Israel supporter believes in "end times" theology is not nearly as important as her belief in a strong, secure Israel.
Some Jewish leaders argue that Judaism should not be seeking converts, that there is nothing wrong with remaining a small, cohesive group of Torah followers. I am not qualified to give an opinion on their religious argument, but Israel advocacy requires a different mindset of inclusion. I'm positive that Jews in previous centuries would have been overjoyed to have the active support of their Christian neighbors, regardless of their end-time beliefs. I have had many interactions over the years with Evangelical pro-Israel groups (e.g., Israel Christian Nexus, CUFI, Eagles' Wings), and am fully convinced of their sincerity and deep love for Israel. I have never asked any of their representatives what they thought of my theology, and they have never asked me to evaluate theirs. It is my hope that pro-Israel coalitions around the world will strive to follow the admonition of Isaiah: "Enlarge the place of thy tent, and let them stretch forth the curtains of thine habitations: spare not, lengthen thy cords, and strengthen thy stakes."
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I am trying to upgrade a system that uses Thrift 0.2 libraries for communication. Since this is rather old version (latest stable is 0.5), and there have been alleged significant improvements to performance (in 0.4) I was hoping to upgrade. However, I could not find information regarding whether there have been incompatible changes to underlying data format. Based on versioning scheme, one would hope there was not; but since these are still pre-1.0 versions, maybe there is less expectation for stability.
The reason I am hoping to learn that data format itself was backwards compatible is that it would allow upgrades to components to occur one by one.
Anyway: I was hoping that someone with more information could point me to right documentation.


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I bought an old house in June that was re-done except the original 2x4's that stayed. I have brand new siding, and just yesterday noticed brown drippings all over the front of my house, not the sides or the back just the front. I dont know if the 2x4's are getting moisture then leaking through to the siding or what. I dont know were to start, someone PLEASE point me in a direction...
- Forum >
- Roofing & Siding >
- Bleeding under Siding
The 2x4 should have sheething that the siding gets attached to, prolly not the issue.
How is the siding terminated on the trim and or the top ? What type of siding is it ? We`ll start with that !!
How is the siding terminated on the trim and or the top ? What type of siding is it ? We`ll start with that !!
it is masonite siding, with not sure what paint it is. My house also has a Loft if that means anything. So there is only like a foot between my drywall and the roof.
The loft could be a problem if insulated and not vented but that would also show up on the cieling, and sides, not the front. Masonite siding needs to be flashed at all openings, windows, edges, tops, and the expoiser has to be correct or the joints will not cover the row under it.
Do your windows fog up ?
Do you have a humidifier ?
Can you post photos` ? (Edges, streaks, from a little distance to show the wall)
Do your windows fog up ?
Do you have a humidifier ?
Can you post photos` ? (Edges, streaks, from a little distance to show the wall)
Flashing Windows and T1-11 siding
insulation under siding?
insulation under siding
Rotten plywood under siding
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Industrial market: Rebounding?
Vacancy drops to 9%, space rented up but construction remains anemic
San Diego County's industrial real estate marketed looked pretty good at mid-year.
- Vacancies dropped to 9 percent, the lowest in five years.
- Space rented in the second quarter, ended June 30, totaled 641,819 square feet, after accounting for vacated space -- a big improvement over the first quarter and year-ago levels.
- The average posted rental rate was $9.95, up a penny from the first quarter and 7 cents higher than a year ago.
But the bellwether for a healthy market -- new construction -- was not something to call the president's Council of Economic Advisers about.
Only one building of 59,815 square feet was completed in the second quarter and only one of 31,246 square feet was under construction. In 2006, the peak of the last cycle, the total completed was 138 buildings of nearly 3.6 million square feet.
CoStar, which tracks the commercial market and issued the statistical report on San Diego, found similar conditions in other markets.
The reason: Jobs drive the economy and the economy drives construction.
While the unemployment rate is dropping locally and nationally and new jobs are being added monthly, the pace of recovery from the 2007-8 recession is anemic.
Two other factors may also explain some of San Diego's slow industrial market.
CoStar research economist Donald Hall said the area is not a national distribution hub such as the Riverside-San Bernardino Inland Empire and thus needs little in the way of major warehousing. Local manufacturing also is a small player on the national stage.
"Warehouse is not the highest use for land in San Diego," he said from his Boston headquarters. "Land is expensive there and there's a lot more you can do than put a box on it."
Mark Fitzgerald, research manager for the San Diego office of the CBRE brokerage, said in his midyear report that federal budget sequestration figured into defense-related activities which use warehouse and manufacturing space.
"So far, the short-term impact of sequestration has been limited," Fitzgerald said in the report. "However uncertainty persists in many specialties."
Still, movement is taking place.
General Atomics is planning to start construction soon on a 115,000-square-foot facility in Poway.
The shift away from manufacturing in China back to Mexico portends well for more cross-border business in Otay Mesa in the long term.
And San Diego's industrial workforce of 144,000 is expected to grow by 1.4 percent annually over the next five years, according to CBRE Econometric Advisors.
However, San Diego is not a cheap place for industrial warehousing. CBRE said the average leasing rate here was 99 cents per square foot per month, compared with 66 cents in Orange County and 38 cents in the Inland Empire.
But San Diego hosts 600 companies with 36,000 workers in the biotech sector, which typically uses industrial space. CBRE quotes PricewaterhouseCoopers as saying the average quarterly capital investment last year of $151.1 million was more than 15 times that of Los Angeles and Orange County combined. Lab space rents run two to three times typical industrial space -- an explanation for San Diego's higher overall industrial rental rate.
CBRE industrial broker Bill Dolan said not until the overall vacancy dips below 8 percent will new construction be justified, especially in the most desired areas.
In Otay Mesa, the vacancy rate on 15.1 million square feet has dropped from over 18 percent to 15.3 percent most recently, CBRE broker Tim Mills said. It could drop further if expected growth in Tijuana assembly and manufacturing, returning from China, stimulates a need for more distribution and warehousing in Otay Mesa.
"That could be a trigger for further absorption of our warehouse-distribution space in the area," Mills said.


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So it seems even when Carlos Moya + Flavia Pennetta were together on-court (like in this picture from the '06 Aussie Open) the sexy Spaniard had a wandering eye. No wonder why their 3-year relationship ended so harshly.
According to an interview with Chris Bowers for Tennisreporters.net Flavia, who defeated Katarina Srebotnik 7-5, 6-2 to reach the Zurich semifinals, made a surprise trip in 2007 to visit Carlos in Bastad where he was competing in the Swedish Open. But it was the Italian who was in for a surprise: she discovered the strapping Spaniard with another woman. Suffice it to say, Flavia kept the couple's shared digs in Verbier, Switzerland after the breakup.
Wow - who knew? It's good Flavia got to keep the pad at the very least and it's probably no coincidence she's having a late-career surge. Forget what I said about Potito Starace Flav.
And to Carlos: "woof woof" to you doggie.
(image via Getty)
Friday, October 17, 2008
Reason for Carlos + Flavia breakup revealed, doggie door installed in Verbier digs
Labels: Carlos Moya, Flavia Pennetta, gossip, tennis
1 comment:
- AnonymousOctober 19, 2008 at 3:47 PM
carlos is a selfish guy who puts his dick everywhere he can and he wants us to believe that he is shy. This guy doesn't love even himself, he just loves money. She is lucky not to be with him anymore, he doens't deserve a girl like that. I hope one day every girls he hurt will say the truth so we all can know what king of shit he isReplyDelete
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Maruti Suzuki's ambitious attempt at breaking the Guinness Record for the most number of single make gathering of cars didn't go that well in Chennai. You see, the attempt was held in three venues – Delhi, Mumbai and Chennai simultaneously and Wheelosphere was present at the Chennai leg of the event that was held at the Madras Motorsports Track in Sriperumbudur. The Chennai leg saw record participation from over 610 Swifts from Chennai. Yup, that is a very huge amount of cars and uncontrollable considering the crowd that had lined-up.
All the arrangements were good, right from numbering the cars to stickering them and providing unlimited breakfast and water (and Nimbooz too) to all the participants. There were many games and two Suzuki GSX 150R models were on display as well. Maruti provided a goodie bag to all participants which consists of a Reebok bag, t-shirts, pens, discounted service coupons, 10L of free petrol/diesel and free tickets to Queensland Amusement park. That's now all, JK Tyre provided free Tubeless tire repair kits and umbrellas. We predict that Maruti would have spent around Rs 1000 per car plus the charges for the track and refreshments.
The existing record is 250 Ford cars at New Zealand and the record could have easily come to Chennai had the event gone well. For two reasons it didnt go well and here are the reasons why. There were far too many Swifts, much more than what the organisers could handle and second reason is the lack of discipline from the participants. You see, to achieve the attempt, cars had to go in two rows for three laps around the track at a constant speed of around 20km/h with a 3 metre distance between the cars to set the record but that was when everything went wrong wrong wrong.
However, the attempt was achieved in Delhi with just 342 cars but failed in Mumbai. Images and more details after the break. Chennai could have been the best with over 600 cars but that did not happen.
All cars were asked to stand in an orderly manner and allowed into the track one by one to follow two lead cars. Teenagers and other un-cultured people for once did not follow the lead car and started violating the primary objective of the parade. Following them were several other cars who too violated the queue and went past several other cars following the rules. Once it was initiated, it was only a matter of time before everybody started doing the same and there were more than six rows by the time the formation lap ended. Very few cars were following the rules till then end. Maruti officials tried to modulate it such that the next lap would go well but that did not happen so. The Guinness Record attempt FAILED, thanks to all the reckless drivers out there. At that time, all we hoped was for a successful parade in Mumbai and Delhi. The Official judge from Guinness Book of Records just couldn't accept the hooliganism.
After the formation lap, there were people who started arguing with the organisers for questioning their violation. There was one specific person arguing that he had emptied one full tank of diesel just after one lap! Those feeling unhappy, started arguing. The words they used against the organisers were unthinkable. So those unwilling to participate were shown the way out and the rest went for another lap which didn't help either. So when the organiers finally decided to call it quits and allow the cars out, another quarrel broke out on the gifts issue. Finally, everybody were given the fuel coupons and tickets to the park and let off.
The failed attempt was due to mistakes on both sides. For once, Maruti did not depute enough officials. There was never enough manpower at all and the organising was poor too. They could have done more and a company of this calibre could have done well, especially an event that is of this scale. Anyways, we are disappointed.
We are disappointed.


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FairyTail: The New Age
A FairyTail TG Story by JanusDaGuardian
Chapter 1: Mark of the Guild
The year is X864. The great magical country of Fiore has undergone many changes since the once great magic guilds. With the coming of the New Order of Knights, the use of magic has become a capital crime, and the mere possession of a magical item, aside from those assigned said items by the New Order, has become a crime punishable by death. Despite the new law, there are those amongst the undying, magically-gifted populace who still attempt to hold onto their parent's legacy.
Our tale begins in the old city of Magnolia, the historical metropolis that once housed the legendary wizard guild known as Fairy Tail before changing hands several times, including those from the Guild known as Twilight Ogre. The New Order knights have made great strides in trying restore the once vibrant tourist attraction, but recent attacks have enforced a curfew and numerous security points to be erected along the main entrances into the city and the ports, effectively slowing traffic and shipments going in and out of the city. Despite the complaints of the city's inhabitants, the young captain in charge of the military forces in the city, a man by the name of Kanousei Nakushi, has declared that these measures aren't nearly as extensive as they should be, stating the belief that the magical exiles-- the Anarchists-- may attempt to take the city, and was, therefore, in dire need of extra hands and supplies in order to provide for more security... His requests have fallen on deaf ears.
*** ***
The wooden door to the pawnshop flew open, practically knocking the small, golden bell off its high perch as a young man, dressed in a new, and well-polished suit of armor strode inside. The purposeful sound of his steel-plated boots trekking across the wooden floorboards were what brought the attention of the scrawny old man behind the counter to the front. His features were already slightly strained since the wooden door had knocked over a full, Old Age suit of bronze armor off its pedestal, but his features became even more visibly strained once he saw the young knight/captain shuffle past the random wares in the center of his shop and approach the back counter.
"Good afternoon, Yamada-san," the young knight said, a hint of aggression in his otherwise neutral tone.
"G-g-good afternoon, Captain Nakushi. Can I help you?"
"Yes, you may..." Captain Nakushi glanced around the room, his right eye partially concealed under his slightly-parted hair. "I'm here to inquire about any items you may have received from a suspicious looking man earlier..." The captain's next sentence was delivered with a powerful glare. "I have been told by my informants that the possible new inventory may... not have been in accordance with city regulations..."
The old man looked even more uncomfortable than before. "Oh, uh... you may need to be more specific, sir. I've received several visits from both buyers and sellers today. In fact, I just had a gentleman come in and purchase a couple items, said he was stocking his museum or something out in Clover..."
Nakushi blinked. "Interesting... What did he purchase?"
"He, uh... he purchased a couple of old training swords and other Old Age weapons," Yamada gestured to a large pot in the corner next to the counter where a mixed assortment of old age weapons ranging from axes, to spears, to double-edged long-swords had been carelessly tossed inside. The dust on their hilts and blades was as thick as ever. "They aren't in any greater shape than when I first received them, but he seemed quite takenNNNN--!"
Mr. Yamada yelped as his story was cut short, near-literally, by the appearance a magical, double-edged sword as it impaled the wall right behind the old clerk's right ear. A moment passed before the young knight/captain holding the sword sighed and said, "Yamada-san... if you're going to lie to me, learn to be more convincing... I know that you've received no other customers today, aside from the man in question. Furthermore," Kanousei's next glare made the clerk want to soil his trousers, "you're magic-less old age weapons hold no value to anyone, even the Anarchists. Why else do you think they been trying to get their traitorous hands on our weapons or some of the older, magical weapon models? They been after the latter since even before I joined the academy, even though the older models would be considered junk as well..."
Kanousei withdrew his sword, making the old codger sigh and relax his tense shoulders. However, he tensed right back up when the young knight seized the protruding item that was ill-concealed inside his trouser's right pocket. A moment later, a key-shaped item coated in platinum dangled between the young investigator's and the guilty old man's faces.
"When exactly were you planing to notify the guards of your customer's illegal possession of a magical item, old man?"
Kanousei sighed in irritation. "You're just like those Anarchists; unable to live within the laws of the New Order, supplying magical weapons to an exiled minority who ceaselessly attempt to destroy whatever stability we have achieved. You ought be hung in the middle of the plaza and have your traitorous hide burned to cinders, old man!"
"Captain Nakushi, please...!"
"However..." Kanousei slipped the platinum key into a small satchel attached to his belt, "I will suspend your sentence just this once..."
"Oh, thank you, Captain Nakushi. Thank you..." the old man sighed.
"Remember," Kanousei said, pointing an accusing finger at the strained old man, "this is your first and only warning, old man. If I catch wind of another suspicious deal having taken place here, I will not only see to it that your treachery is disposed of, your family will have their home and their money confiscated. Understand?"
The old man bowed as low as his aging spine would allow as he said with the most sincere tone possible, "Yes, Captain Nakushi. I swear, it will not happen again..."
With that, Kanousei marched out of the pawnshop, slamming the door behind him and causing another suit of armor to come crashing down.
*** ***
Outside of the shop, Kanousei Nakushi nearly punched the first civilian he came across. After all he'd done to protect these people, they continued to make shady deals with the Anarchists behind his back at the cost of safety amongst the populace and his New Order brethren. Naturally, this wasn't the first time he'd caught someone, but it was first time he really thought about running someone through.
As the young captain made his way along the waterway on his way to the city center, his headquarters, his thoughts returned to the new key in satchel, making numerous questions form within his mind, all of them trying to seize his attention at the same time in order to make sense of the most recent events:
Why the pawnshop? The old man was already having problems since the items in his shop were losing value, and, again, the checkpoints surrounding the city had made braving the traveling and trading routes a much harder task to undertake, thus causing his business to suffer from an increasingly less frequent visits from probable customers, including the poverty-stricken attempting to get a couple Jewels for whatever they managed to scrape-up, or steal, as would be the case with Anarchist thugs like the one that supposedly visited Mr. Yamada's shop earlier that day.
Why sell a Celestial Spirit Key? Granted, it could have been stolen by a fool who couldn't wield magic, but surely they'd have some competent, more unstable friends who'd want to use it.
Why would the old man buy the key off some Anarchist thug? Perhaps he had it in his head to resell it for some substantial quantity of profit, but it'd be tough to do so since, according to his superiors at least, most of the people within the city limits couldn't use magic, and it'd be risky to even offer such an item since even the most disgruntled patron might report having been offered a highly-illegal piece of merchandise.
Finally, what kind of Spirit key did he just seize? It's appearance was quite unique. The entire thing looked like it was made of pure platinum. It's hilt possessed a pronounced feminine figure, it's tip shaped like a cemetery cross. When he was in the academy, Kanousei had learned about the Celestial Spirit keys, and how they, with the magical power of a key wielder, could summon powerful or supportive beings from another universe, commonly referred to as "The Celestial Spirit World". Those keys were separated into two categories, two categories that did NOT contain keys made of platinum: The first contained Silver Celestial Spirit keys, which were once found in many shops, and whose summoning power could call a being whose powers ranged from mediocre to decent. The others were the ancient Golden Zodiac Celestial Spirit Keys, which were incredibly rare and summoned one of the Great 12 Spirits of the Zodiac, whose powers far-surpassed those of their silver-key-summoned counterparts. Needless to say, it was for this reason that most of the 12 golden keys were seized by members of the New Order in order to be either sealed or given to the most prestigious graduates of the New Order Academy. Kanousei was one of the few knights of the New Order who was given charge of a gold celestial spirit key. Even though Kanousei could not use magic, his superiors agreed that the key was safer in his care than the magically-sealed vaults and shrines they had hidden several. The Anarchists, however petty their magical-prowess that they were thought to possess, were starting to break through the seals holding certain lost magical items and take them for their own, a fact that had been made very clear to Kanousei as of late. More magical items had been seized in the last few months than in the three years prior combined, which lead his superiors to one conclusion: The Anarchists were regaining the magical power left behind by their ancestors, and were growing more powerful with every passing day.
"Captain! Captain Nakushi!"
Kanousei Nakushi glanced backwards to see a strange, two-wheeled vehicle speeding past several gasping groups of pedestrians as it zoomed over the nearby bridge. Its operator was a young man, about the same age as Kanousei, with bushy brown hair wearing a less armored and decorated version of his own uniform. Kanousei recognized him instantly.
"Kensen! What's wrong?"
The two-wheeled vehicle screeched to a halt several feet before the young captain's boots. Kensen Tensai seized a few moments to catch his breath before he delivered the startling news.
"Bad news, Captain! Our station up in the hills has been attacked by an unknown force boosting fire magic!"
Kensen nodded. "I was sent to inform you and gather as many reinforcements as possible! The detachment up there isn't going to hold-out for long!"
Kanousei nodded, too. "Understood. I'll make haste to the hills. If you find Sergeant Gauss, tell him to bring his best cannon. Now get moving!"
"Will do, sir!"
Kensen raced down the waterline, making a sharp left turn at the next fork, causing several more people to yelp as they got out of the way of the speeding freakshow-of-a-vehicle and its reckless driver. Kanousei made haste to the nearest stable, where he would attempt to borrow a horse as he rushed to reach the hills and the old guild concealed.
"They aren't going to get away with this...those damn, Anarchists..."
It didn't take long for Kanousei to reach Magnolia town. Unlike the inhabitants, he was able to dash through the checkpoint near the city's southern coast without the fear of hassle from his own men. From there, he and his borrowed horse crossed the old stone bridge that separated the city from the town as he made haste to the small hill in the distance. As he raced towards the roadway that would take him to the old guild itself, he heard a small explosion coming from the peak. Kicking his horse in the ribs, the brown-haired beast galloped up the hill, leaving clouds of dry dirt and dust in his wake as his horse's hooves thundered over the stoney pathway leading to the summit.
At the top of the hill, Kanousei saw that the once great splendor of an old tavern and farming atmosphere, surrounded by a wall made of strong timber, had become a war zone with the wooden gate completely blown-through with what appeared to be a high-yielding incendiary. Past the gate, sprawled upon the ground, were the charred bodies of the knights commissioned to the outpost. As he approached to check them for vitals, he was surprised to find that they were all stable, aside from also being unconscious. From the looks of things, whoever did this had some serious power behind them; the shields some of the soldiers carried were blasted pieces scraps now.
The red, wooden doors to the tavern were wide open, the wind teasing them as the air rushed in and out of the damp interior. Above the door, half-hanging, half-falling was an old, orange, tattered flag with the white, winged and tailed symbol of the legendary guild that last took residence there.
"In there, huh? You bastards are gonna pay for this..."
Kanousei took his time going through the door. With his support down until Kensen arrived with reinforcements, there was nothing to prevent the enemy from setting up an ambush. One slip-up could mean instant death for him, and doorways were one of the more common places for a soldier to die, aside from the battlefield. Slipping through, Kanousei crept along the wooden floorboards of the front sitting area, trying to minimize the sound of his plated boots as he glanced around the old tavern.
The tavern was very quiet, but Kanousei knew from the feeling in his gut that he was being watched. Straight ahead was a small flight of stairs which lead to far sitting area, the right to the tavern's service counter and bar. The tables and chairs were old, but had long been cleaned and arranged by the outpost occupants. Several windows had been broken and covered by plywood. Mugs of beer and plates of food still adorned the surface of the circular tables closest to the bar. In two cut-outs, off to the left, were a sparse arrangements of home-grade furniture.
A metallic creak from above prompted Kanousei to turn his gaze towards the rafters, to a wooden chandler just barely hidden in the tavern's low light. That's when he saw the silhouette of the phantom in its perch.
"Karyū no Hōkō!!"
A stream of fire rained down from the enemy's perch above like a water geyser made of flames. It came so fast and so suddenly that Kanousei barely managed to dodge the attack as it demolished the floorboards he stood on moments prior.
"Anarchist thug!" Kanousei drew his sword, the shiny magic-infused steel gleaming in the low light of the tavern as he called out to his aggressor. "Come down here and fight me like a man!"
The silhouette up in the rafters complied as a young girl with long pink hair, dressed in baggy black trousers and a red blouse with gold trimming, fell thirty feet down and landed feet-first onto the old tavern floor.
"I don't know about fighting like a man," the girl said, "but I'll give you a good fight if that's what you want." With that, the girl summoned a ball of fire in her right hand like a wad of paper had just combusted in her palm.
"An ability-type wizard?!"
"Karyū no Tekken!!"
Kanousei swept to the side as the girl's flaming punch slashed the air near his face. He could feel the heat as it passed and, worse, the power that would've been strong enough to decapitate him had he moved just a split-second later. This girl was strong.
The pink-haired girl whirled around, swinging another flaming fist at her opponent, only to be parried by the blunt side of the knight's awaiting blade.
"Not bad... You're faster than the rest of those fascist pigs, but..." the girl struck the blade with another flaming punch and the blade split in two. "how good are you without a decent weapon?"
The flame girl wizard went after Kanousei again, and the young captain had no choice but to try parrying with what was left of his broken magical sword. Three punches later, Kanousei barely had the hilt for which to parry with. This he threw at the advancing beast of a girl, which only bought him a split-second before one of the girl's flaming punches connected with the armored-plating covering his abdomen, the force of the blow knocking him backwards before his back hit the wooden tavern floor several feet away.
"Rats," The pink-haired girl cracked her neck. "I was really hoping for a good fight here."
Kanousei cursed and rose to his feet.
"Still want more?" The girl smirked. "Well, alrighty then."
Though the fight had only just begun, Kanousei knew he had already lost, a fact the girl proved when she hit him several more times, ripping his armor's entire breastplate off like a linen sheet before delivering a flaming, full-on punch to his now completely exposed ribs and black under-shirt, sending him flying and falling to the floor once more. This was the power of a fire ability-type mage, and it was much more than he could handle.
"You know, this wouldn't have been necessary if your little dogs out there hadn't tried to take up residence here... This is our guild...our birthright. You guys think you can take anything you want...end any lives in your way, but you're wrong!"
"I guess," Kanousei sigh, "this is it..."
"Use the spirit key within your satchel. Make the contract."
"Huh?" Kanousei sat up, holding his wounded stomach, his facial expression reeking with pain. "Who was that?"
"Don't bother getting up," the pink-haired girl spat as she turned towards the door. "I was just leaving..."
Slowly, with a slight shake in his joints, Kanousei rose to his feet once more, his left hand holding his abdomen while his right hand opened the satchel on his belt and pulled out the platinum, feminine-shaped key he'd taken from the old man at the pawn shop less than an hour before. He wasn't exactly sure what he was thinking, considering how he couldn't use magic in any way, shape, or form. So, why was he even trying? Perhaps because something inside of him was telling him that he could...
The flame girl wizard paused. "A spirit key?"
"I call upon thee, in the world of the Celestial Spirits!" Kanousei cried. "I beckon you to my side! Pass through the gate!"
Before their eyes, a circle of magic appeared beneath Kanousei's feet. It was white, like the feathers of a morning dove, but it was also translucent and nearly blinding to watch.
The key within Kanousei's hand suddenly dissolved into a twin set of white streamers, which circled around him temporally before slipping under the cuff of his right gauntlet. Upon sensing a slight tingle, Kanousei removed the gauntlet just in time to see a familiar white, winged and tailed symbol manifest itself onto the back of the young knight's hand.
"What is this?"
This discovery was followed by blinding flash, which prompted Kanousei to yelp and cover his eyes. The pink-haired girl, who was still very much present, was forced to do the latter action as well.
When the light finally dimmed, the pink-haired girl closed her eyes and shook her head with an obvious scoff. "Honestly. Did you honestly think that a fascist pig like you could use holder-type magic?" When the pink-haired girl glanced towards where her opponent had been before the blinding flash occurred and saw that an unfamiliar figure had taken form there, prompting her to nearly trip over herself as she took several steps back.
"What's the matter? Surprised?" the figure asked.
"Wha-- Who are you?"
"What kind of question is that?"
The pink-haired girl blinked. "Fascist pig?"
"If that's what want to call me, sure," Kanousei said, raising his palm for emphasis. That's when he first noticed the petite fingers, which were connected to an equally petite palm... "Eh?" Then, when he looked down... "EHHH?!"
It was quite a shock for Kanousei see two large mammary glands blocking the sight of his own feet, but the sight of his new outfit was just as shocking. In place of his steel-plated boots were a pair of black thigh-boots that hugged his new, shapely legs like a pair of black pantyhose. In place of his black undershirt was a low-cut, blue and white tube-top with gold trims, a matching blue, sleeveless vest, and a set of blue sleeve-lets with frilly white cuffs. The new draft between his legs announced the presence of a purple miniskirt with a single white seam running along his wider hips along with the absence of a particular external male organ. Finally, the added weight on his head confirmed that his hair had grown significantly, and had taken-on a lighter-shade of blonde.
"What the hell is this?" Kanousei turned his right hand over to discover that the symbol on his hand had changed to a pink color, which was also glowing the same translucent light the magic circle had before it had vanished.
"A holder-type mage with the ability to transform..." The pink-haired girl smirked "I guess I underestimated you." The girl sucked in his breath and, for the first time, he saw the grotesque sight of the girl's cheeks bulging to such an extent that she looked like a giant bull-frog about to croak. That was right before he, or rather she, knew what she was doing. "Karyū no Hōkō!!"
A familiar stream of fire aced towards Kanousei as she ran and vaulted over the small railing that separated the back of the tavern from the front. The flame-based attack ripped through the railing and obliterated the table Kanousei had landed next to as she ducked covered her head. A moment later, several mug of beers fell to the floor around her, splashing their contents all over her new clothing and the floors surrounding her.
Kanousei cursed again. "Now what do I do?"
"Use the spirit key around your neck. Open the gate of The Water Bearer."
"But it can't work, unless I have..." Kanousei looked around at the puddles of ale surround her and realized that she had everything she needed. "water to summon her with..."
Kanousei yanked on the brown-string around her neck, and a key made of gold appeared from, to Kanousei's displeasure, between her new, feminine cleavage.
"How long do you plan on hiding?" The pink-haired girl leaped over the railing on the far side, summoning another ball of flames with her left hand. "I'm not a patient woman, you know!"
"You're not a woman at all! You're a monster!" Kanousei retorted. "Open the gate of The Water Bearer!" Kanousei stabbed the Golden Celestial Spirit Key into one of the puddles of ale next to her. "Aquarius!"
A magic circle of blue translucent light appeared over the puddle, summoning a stream of water which was accompanied by a voluptuous mermaid carrying a large silver ern. She had a navy-blue tail, the same color as her vacant-looking eyes and her revealing blue-and-white bikini top, long, straight, light-blue locks, and some golden accessories, including a pair of armlets, a belt, and a pair of bracers.
"Who called me?" the mermaid demanded, aggression in her tone. "You've just interrupted my special time with my boyfriend, and I won't have it!"
"You spirits have boyfriends?"
The mermaid Celestial Spirit glanced down at the young blonde girl holding her Celestial Spirit key. "You again?! I've spent Wednesday after crappy Wednesday alone waiting for a call from you and you chose a Friday to ask for my services?!"
"'Again?!' This is the first time I've summoned you! And, if you don't mind, I'd appreciate it if you could stow that attitude for, like, thirty-seconds so you can deal with that fire-brained Anarchist over there!"
"What did you just call me?!" The pink-haired girl snapped.
Aquarius scoffed. "Fine... but remember: if you ever summon me on a day other than Wednesday, or summon me in alcohol again," the blue mermaid shot Kanousei a murderous glare, "I'll kill you..."
Kanousei shrank back slightly. He had no idea what the mermaid could do quite yet, having yet to research that far into the Celestial Spirits, but he didn't want to call the fish-woman's bluff.
Before their eyes, streams of water rushed up from the floor, as if the entire tavern was made of water, and washed into Aquarius's silver urn. Then, with a sinister smile on her face, she tossed her silver urn sideways... right in the Kanousei's general direction... Out came a humongous wave that swept over her, barely catching her opponent as well.
In an instant, the water swept away both Kanousei and his pink-haired opponent as the tidal wave crashed through the old taverns door and the outpost's broken gate as it raced down the hillside with it's two victims screaming all the way.
"Captain Nakushi! Captain! Captain? Captain, wake up!"
Upon hearing the distraught call of his best friend, Kanousei slowly regained consciousness. The first thing he saw when he opened his eyes was his best friend standing over him. The first thing he felt was the familiar firmness of his armored uniform, followed by the uncomfortable feeling of wetness all over his skin and wool undergarments.
As Kanousei slowly sat up and rubbed his head, he realized that he had turned back to his original form, including the absence of his breastplate and the presence of soreness in his abdomen. He also noticed the presence of several dozen New Order knights that Kensen must have brought with him, including Sergeant Gauss, who was toting the biggest steel-plated cannon he had in his arsenal. Most of them were seeing to the still unconscious men that the giant wave must have carried away too when the wave washed down the hillside.
"Captain Nakushi..."
"I'm all right, Kensen. I just had a physical altercation with a fire ability-type wizard up in the summit outpost..."
"An ability-type wizard..." Kensen mused. "Should we pursue...?"
Kanousei looked down at his right hand to find that the pink symbol that was there before was gone. However, it had been replaced by a visible white outline, which he set about wrapping with a piece of his black undershirt, which he ripped off, all the while concealing the symbol's-outline from his young, intelligent friend. "No... Just look for any other survivors from the outpost. We'll deal with her when the time is right..."
Kensen blinked. "Her, sir?"
"Yes," Kanousei sighed. "Her..."
This is just a story idea that I decided to run with and make a full introductory chapter. Whether it'll be made into a real story or not is yet to be decided.
It was good practice for writing beginnings for a more darker genre type, and it was a lot of fun to let my imagination run wild in an already spectacular world.
Fairy Tail is owned by Hiro Mashima and whoever bought the rights to make the anime. Please support the official release.
It was good practice for writing beginnings for a more darker genre type, and it was a lot of fun to let my imagination run wild in an already spectacular world.
Fairy Tail is owned by Hiro Mashima and whoever bought the rights to make the anime. Please support the official release.
This story has been worth rereading every time I come back to it. When Aquarius is summoned I feel as though I can hear the corresponding sound effects from the anime. After reading this story the first time is when I started watching Fairy Tail and intermittently coming back as I progressed in the series. I've gained quite a few questions since I first read this story that I look forward to seeing answered as this story progresses. I look forward to the release of chapter 2 because this story is what sparked my initial interest in Fairy Tail which I later recommended too both of my younger brothers who have also enjoyed the anime. But until the day of the next update comes I'll just keep myself entertained with my copy of Fairy Tail Portable Guild 2.
It's nice to hear that I captured some of the magic of the anime. I've been in semi-poor health for the past few months, so, hopefully, now that I'm better, I'll be able to get the ball rolling on not only the next chapter of this story but for the chapters of my other, on-going fan-fictions. *Nods*
Thanks for commenting.
Yay! ^^
*Laughs* May I inquire as to why you're so happy?
This is a awesome story the plot had me hooked can't wait for the upcoming chapters. Its also like you know what to write how is your sailor moon story going?
I'm working on the next chapter right now. I'm taking my time since it's gonna be the first chapter with a fight scene in it.
I think this is an excellent new story and can't wait to see more chapters. Also since this was my first time reading anything related to Fairy Tail in detail I had to go look it up just out of the curiosity that your story created after I read it.
I'm probably going to do a lot of reviewing if and when I decide to make this into a full-fledged story, but that's not such a bad thing since the story and characters are worth another read-through.
Well if you decide to make a full-fledged story out of this it should be worth whatever time we have to wait until then. Until that time comes I look forward to reading new chapters of DTA when they are posted.
i got lost when i saw aquarius... but i like the concept
Aquarius hasn't been used by Lucy much since she got eight(?) of the other 12 golden Celestial Spirit Keys, so I wouldn't be surprised if most of the fans have forgotten about her. But, I can't really blame Lucy for that since Aquarius has had some pretty hostile tendencies, such as what I detailed in this piece.
I have to say, for a moment there I thought this was your original concept, until i scrolled down and looked at the description, even then, the descriptive detail in this story is incredible. Well done, there were some typos that caught me up. The most prominent example being in the sentence "It bad, Captain! Our station up in the hills has been attacked by an unknown force boosting fire magic!". Other then that this was a fantastic read, and I look forward to your continuation of this story arc.
Just finished reading the story. I am not familiar with the Fairy Tail story so I am just going off of what you have written. The introduction area did a good job of allowing me to jump into the story without reading any of the back story. So far it seems to be a good beginning of an epic storyline. I would like to see it continued for a few more chapters. It seems to be well written with good points of view that do not stray from person to person. Sorry if I am rambling a bit, but it looks like you have a well developed story in mind and I can't wait to see what happens next.
And for the record.... FIRST!!
And for the record.... FIRST!!


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Today is Saturday May 28, 2016 15:23:09 CDTTHE DEPARTMENT OF ORTHOPAEDIC SURGERYSaint Louis University School of Medicine 3635 Vista at Grand Blvd. || St. Louis, Missouri 63104 Phone: Academic Office:314-577-8850/Clinic Appts:314-256-3850 || Website: http://orthopedics.slu.edu || Email: email@example.com


text: >I don't have any copies of MacVNC up and didn't keep any around, sorry. >I could probably retrieve an old copy of the source from Voodoo if >anyone's interested, but you're also going to need an old copy of >CodeWarrior to get it to build. I think I've still got at least a binary copy on my Quadra, might even (shock!) have the source as well. It's by no means perfect, but it does seem to work on a basic level. If Mr. Goodwin doesn't have any luck with Tim's viewer, I'll dig it out and send it over. <rant mood="frustrated"> It's rather a pity I don't have time to maintain a "Classic Mac" version of a VNC viewer, otherwise I would. As it is, I barely have time to do anything on ChromiVNC Server, due largely to Tridia's apparent reluctance to employ me this summer as they did last summer - I have had to find other ways to maintain a reasonable standard of living, which precludes me doing much beyond preparing for the final-year project at university. </rant> -- -------------------------------------------------------------- from: Jonathan "Chromatix" Morton mail: chromi "at" cyberspace.org (not for attachments) website: http://www.chromatix.uklinux.net/vnc/ geekcode: GCS$/E dpu(!) s:- a20 C+++ UL++ P L+++ E W+ N- o? K? w--- O-- M++$ V? PS PE- Y+ PGP++ t- 5- X- R !tv b++ DI+++ D G e+ h+ r++ y+(*) tagline: The key to knowledge is not to rely on people to teach you it. --------------------------------------------------------------------- To unsubscribe, send a message with the line: unsubscribe vnc-list to majordomo "at" uk.research.att.com See also: http://www.uk.research.att.com/vnc/intouch.html ---------------------------------------------------------------------


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What Should I Expect?
When you visit Grace Baptist Church for the very first time, you will be welcomed at the door by one of our members. During the service, you will have the opportunity to participate in God-centered worship through prayer and song and listen to one of our pastors give a sermon from the Bible. If you have children, you will find age-graded programs that operate during all of our meeting times, giving your children an opportunity to be enriched spiritually by screened and loving staff. After the service, you will have an opportunity to visit with our pastors and ask any questions that you may have.


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Colorful Wooden ToysChelsea Fuss
Isn't this little wooden boat cute? It is made in Germany with non-toxic paint . It looks great decorating a child's bookshelf but can also be played with in the pool or bathtub. Take a peek at some other lovely wooden toys (all new from Romp) after the jump!
Sailboat $22
Rainbow blocks $46
Woden cars $9
See more at Romp!
Photos: Romp.
Chelsea Fuss is a blogger and prop stylist based in Portland who blogs daily at Frolic!
More Posts from Chelsea:
10 Picnic Supplies for Summer!
Article Posted 4 years Ago


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FC Barcelona's first team will play a benefit futsal match for TV3 and Cataluna Ràdio's Marathon against Poverty
The game will be played on Sunday, May 27 at the Palau Sant Jordi
Pep Guardiola and Tito Vilanova will manage both the teams
FC Barcelona participation in the Marathon against Poverty run will be unique. The first-team players, split into two teams, will play a futsal match. One team will be managed by Josep Guardiola, the other by Tito Vilanova.
The game will take place on Sunday, May 27, afternoon on the day of the Marathon at Palau Sant Jordi, thanks to the collaboration with the Barcelona City Government. This will be a unique opportunity to watch FC Barcelona's first team players play in an futsal match. All proceeds from the match will go to the Marathon against Poverty.
This afternoon, the agreement between FC Barcelona and TV3 became official. Sandro Rosell, President of the Club, and the Director of TV3, Mònica Terribas, were both pleased: "we are very thankful to Barça for their collaboration with Marathon against Poverty. Many of the country's institutions will stand in solidarity on May 27th, and the fact that Barça will as well, helps our cause. We want to thank the board of directors, the members, the manager and the players."
Sandro Rosell said: "Barça always intends to convey social responsibility, and in this case, in conjunction with TV3 and The Marathon Foundation, we decided to hold an event that we hope many people will collaborate on, this is the Club's, members, players and managers' contribution. We all must unite behind this cause because in Catalonia there is poverty and we have to fight against it."
FC Barcelona, in addition to holding a benefit match, have announced that they will donate 200,000 euros to the Marathon Foundation.


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Recently, Chris Malone changed his schedule from 3pm- 7pm to 5am-10 am and now can be heard with Storm Roberts and Janie Pope weekday mornings. Some still say he's still quite possibly the best voice you will hear all day!
6 Knives Every Kitchen Needs
by Chris Malone
posted Jan 8 2013 5:06AM
So how close have you ever gotten to buying one of those knives on TV that cuts through tin cans and never needs sharpening? As tempting as they sound, experts says your kitchen only needs 6 types of knives for cooking.
What To Look For
The best quality knives are forged from high-carbon, no-stain steel. Knives stamped from a single sheet of steel are generally more affordable and also work well. Regardless of the construction the blade should not bend easily, there should be some weight to it and the handle should fit your hand well. Buy the best quality knives you can afford, focusing on a few key choices that will perform many different tasks.
Skip The Block
So many people have large knife blocks on their countertops, but how many of the dozen or so knives are really used? Most cooks rely on a tried-and-true few to perform the bulk of their kitchen duties. Buying your knives separately enables you to choose your favorites, regardless of whether they make a nice matched set.
Knife #1-
Chef's Knife
— 8 to 10 inches
If there is only room for one knife in your kitchen tool budget, this is the one. Heavy enough to mince garlic or onions quickly — yet long enough to slice a pork roast — this is one tool no cook should be without. Choose the best you can afford, since this is the knife that will see the most game time in your kitchen.
Knife #2-
Paring Knife
Choose a paring knife with a blade slightly longer than the traditional 3-inch blade, and this quickly becomes one of the most versatile items in your kitchen. Paring knives are commonly used for mincing garlic or shallots and peeling apples or pears, but a longer blade makes it useful for cutting cheese or fruit, even deboning chicken breasts.
Knife #3-
Serrated Bread Knife
Who doesn't love a loaf of crusty bread? Using your chef's knife to slice bread quickly dulls the blade, making your other cutting duties more difficult. A good bread knife is sharp enough to slice through the toughest sourdough, yet still ready to slice a tomato for your BLT.
Knife #4-
Think there isn't anything new on the knife scene? Think again. The Santoku is like a cross between a classic French chef's knife and a Japanese cleaver — and rapidly becoming a kitchen favorite. Good for a wide range of applications, this knife would be a welcome addition to any kitchen.
Knife #5-
Carving Knife
While you won't be carving the Thanksgiving turkey often, a nice addition to your knife collection is a carving set. Think roast chicken, spiral-sliced ham at Easter or prime rib on New Year's Eve — this isn't just a turkey tool. Look for a carving set with 8-inch carver blade and a meat fork.
Knife #6-
Sharpening Steel
OK, it technically isn't a knife, but quickly becomes your kitchen's best friend. Also known as a Honing Steel, a high-quality sharpening steel will help keep your blades sharp and ready for action and will allow you to care for your own knives efficiently. Just a couple brushes on each side is all you need before each use.
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May 27, 2016
Paul Everette Woodward is to be executed Wednesday at the State Penitentiary at Parchman. Gerald James Holland is to be put to death Thursday.
Defense attorneys for both inmates had filed papers with the court seeking to halt the execution. Justices issued orders Monday either denying or dismissing the motions.
Woodward, who's now 62, was sentenced to death for the 1986 rape and shooting death of 24-year-old Rhonda Crane of Escatawpa.
Holland, of Adams County, was sentenced to death for raping and killing 15-year-old Krystal King in 1987. Now 72, Holland is the oldest death-row inmate in Mississippi.
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During more than three and one-half years in office, President Barack Obama has accomplished virtually nothing to ease unemployment. That's the simple answer to whether we Americans are better off now than when he became chief executive.
According to the Bureau of Labor Statistics, here are the seasonally adjusted statistics for the numbers of Americans 16 years of age and older working when Obama was inaugurated in January 2009 and now:
January 2009 - 142,187,000.
August 2012 - 142,101,000.
The U.S. population has grown, meaning that unemployment percentages can be a bit misleading. Here, again according to the BLS, are seasonally adjusted statistics for the numbers of people 16 and over who would like to be working but can't find jobs:
January 2009 - 120,490,000.
August 2012 - 125,440,000.
Look again and do the arithmetic, as former President Bill Clinton suggested the other night. That's right: Nearly 5 million more people are unemployed now than when Obama took office. Clearly, they're not better off because of his presidency.
Obama has adopted "Forward" as the slogan for his re-election campaign. Yet during the first half of what he hopes will be a two-term presidency, we've moved backward in many ways.
Here are a few other ways in which many Americans aren't better off than they were when Obama took office - and won't be in another four years, if he's reelected:
-- Liberals insist those in racial minorities need Democrats' protection. Yet in August, while the unemployment rate for all Americans was about 8.2 percent, it was 14.1 percent for blacks and 10.2 percent for Hispanics. The rate for blacks when Obama took office, by the way, as 12.7.
-- During the Democrat National Convention this week there was much bragging about the new national health care law, "Obamacare." There was talk about ensuring every American has access to health care. But the nonpartisan Congressional Budget Office estimates that after Obamacare is fully implemented, 30 million Americans still will lack health insurance.
-- The average price of a gallon of regular-grade gasoline in the United States was about $1.87 when Obama was inaugurated. It's $3.79 now. Yet Obama insists his "green" energy policy is working.
-- Federal spending was 20.8 percent of the nation's gross domestic product in 2008. In 2009, with Obama as president, it shot up to 25.2 percent. It's expected to be 24.3 percent this year, according to the White House.
-- When Obama took office, the national debt was about $10.6 trillion. It passed $16 trillion last week. If Obama's policies remain in place, it will increase to $23 trillion within the decade, according to the Congressional Budget Office.
-- Obama and his liberal allies insist they are defending the middle class. But since he took office, average income for middle class families has dropped by about $4,000 a year.
-- Home values have declined by about 11 percent - much more than that in some areas - since Obama took office.
-- Yes, times are tough and Obama emphasized that during his DNC speech. But you'd expect him to at least make progress (you know - forward) during his first term, wouldn't you? By this summer, the number of Americans requiring help in the form of food stamps had hit 47 million - a new record.
-- The American people usually are the best judges of whether things are getting better or worse - and in record numbers, according to public opinion polls, they're choosing the latter. For the first time in history, many people worry their children's lives will not be better than theirs.
Obama's theme during his Thursday speech at the DNC was that while he's been fighting hard for Americans, he needs four more years in office. But in view of his record thus far, the question voters will be asking is: Can we survive four more years of Obama?
Myer can be reached via e-mail at: email@example.com.


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The Kardashians
"Everyone's Going to Die": Top 10 Quotes from Keeping Up With the Kardashians Season 7, Episode 14
We weren't expecting the Kardashian gang to be so morbid on Keeping Up With the Kardashians Season 7, Episode 14, but they certainly let loose some quotable phrases during their family excursion of picking out future burial plots.
That being said, here are our top 10 faves!
Anger Management
Khloe: I wasn't given a Rubik's cube when I was younger because I get very angry, frustrated, and I threw it at things.
Animals Are Just Like Us, Sweetie
Mason (on Fruity and Pebbles the fish): Why are they eating cereal in there?
Final Resting Place
Kris: Everyone's going to die.
Bruce: I'll actually get some peace and quiet. It will be great!
The Funeral Biz Makes a Killing
Khloe: Oh, the funeral business, now there's a way you could extort us! Yeah, let's make some commissions on those plots, baby.
Having an Epic Afterlife
Kim: I'm into the mausoleum. Go hard or go home.
Dying in Style
Kim: Why not go out and have like a fab resting place?
The Bash of a Lifetime
Rob (on Kris's funeral planning): It's like she's trying to plan a party.
Looking Out for Number One
Kourtney (to Kim, about why she is not Mason's guardian): You are all about Kim right now.
Keeping It Real
Bruce (to Kourtney, about how she should talk to Mason about his dead fish): There is life. There is death. Fishies go to heaven.
Oedipus Complex Much?
Kris (on Rob's tattoo of her face): Sweet, but a little crazy.
Can't get enough Kardashians gossip? Like us on our Facebook page or follow us on Twitter!


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El Museo del Barrio's 19th Spring gala was held on May 17th at Cipriani on 42nd Street in the heart of New York City. Various celebrities and fashion world luminaries attended the lively event which is among the most important Latino fundraisers in New York. The highlight of the evening was honoring the Cuban-American fashion designer, Narciso Rodriguez.
A sea of fashion designers such as Bibhu Mohapatra, Cristian Cota, Carlos Campos and editors from Vogue and W Magazines among others intermingled, as actress Julianna Margulies presented the award for Excellence in the Arts to Rodriguez for his longtime patronage to El Museo del Barrio. Margulies described the designer as "the only designer to win two consecutive CFDA awards for women's wear and her dear friend for the past 18 years".
Fashion designer Carolina Herrera also served as presenter, bestowing Yaz Hernández with a trustee leadership award for her generosity, exemplary years of service and influential work on the museum's Executive Committee. Ruben and Isabel Toledo presented Bacardi U.S.A., Inc. with the 2012 Corporate Excellence in Arts Award as the company celebrates the 150th anniversary of their founding in Santiago de Cuba.
The glamorous fundraising event benefits New York's leading Latino cultural institution and was chaired by Nina Garcia, Alex González and Sarah G. Wolfe. All honorees received a one of a kind piece designed by jeweler John Hardy.


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Investigation Turns Up Stolen Equipment And A Meth Lab
Hudson Tool Rental of New Castle had reported a Bobcat construction tractor had been rented by two men on Friday 2/24 and not returned
Henry County, Indiana – Hudson Tool Rental of New Castle reported a Bobcat construction tractor had been rented by two men on Friday 2/24 and not returned. Troopers Nate Raney and Brandon Steffee started an investigation which led them to a warehouse in Muncie Wednesday night where they located the Bobcat tractor and a suspect who was stripping the tractor preparing to repaint it.
The investigation eventually led them to a house at 759 South CR 250 East in Henry County yesterday. While there interviewing a second suspect materials used in the manufacture of meth could be seen in plain view. Further investigation turned up the toxic chemicals used to manufacture methamphetamine.
Arrested at the home was Joshua Pope, 37, of New Castle. He was charged with Conspiracy to Manufacture Methamphetamine, Class "B" Felony, and Theft, Class "D" Felony. Also arrested at the home was the homeowner, Stacy Mills, 49, for Maintaining a Common Nuisance, Class "D" Felony and Possession of Hypodermic Needles, Class "D" Felony.
The investigation is continuing, and further arrests could follow. Members of the Meth Suppression Unit were at the house for hours removing the toxic chemicals. Often times Meth Labs are found as a result of an anonymous tip from a neighbor or friend. Anyone with information about illegal drug use may call the Pendleton Post at 1-800-527-4752, or the Indiana State Police Drug Tip Line at 1-800-453-4756. Tips can be made and kept anonymous. The Indiana Meth Investigation System or IMIS, can also take tips on meth labs. Just go to www.meth.in.gov and click on the "Report Suspected Meth Activity" Link.


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Anthony Peregrine deliberates Gascony vs. Dordogne this week. http://www.telegraph.co.uk/travel/destinations/europe/france/8581904/France-holidays-Gascony-vs-Dordogne.html
One is a famous favourite with the British, the other is less well-known, but which region offers more to the traveller? Which do you prefer and why?
Tell us your view in around 150 words or less. The best views will be considered for our Travel View of the Week competition, where we select the most useful, amusing or original letter, email or website comment of the week.
The winner will receive two return flights courtesy of Flybe.
The closing date is midnight on Tuesday June 21.
Read the terms and conditions here.


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Child poverty and its causes will be one of the main focuses of the conference. Nearly 15 million children in the United States, or 21 percent of all children, live in families below the federal poverty level, according to the National Center for Children in Poverty (NCCP). A study from the NCCP found Cincinnati has the third-worst children's poverty rate at 48 percent. Only Detroit and Cleveland were worse, with 53.6 percent and 52.6 percent, respectively.
"We're going to look at all the range of policies and practices and the impact of those and what we can do," CDF President Marian Wright told WVXU today.
The conference will also look at education issues. It seeks to shine light on the issue of the achievement gap between the poor and non-poor and racial disparities. A 2011 analysis by the National Center for Education Statistics found black and Hispanic students are behind their white peers by 20 test-points in math and reading tests provided by the National Assessment of Educational Progress. The difference equates to about two grade levels.
The conference will also look at child health care services, zero-tolerance discipline policies in schools and tools and programs that can be used to improve the lives of struggling children.
Anyone is free to register at CDF's website to join the conference. Experts, doctors and activists will also be there.