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Have Legal Questions? Ask a Lawyer Now.
Rights and Duties of a Parent Joint Managing Conservator in Texas — Waiver To the Guidelines is a Matter of Court Discretion
As a joint managing conservator of a child in a divorce proceeding in Texas, unless special circumstances arise justifying a variance from the Guidelines, the Court will normally order guideline code rights and duties and a parent will be awarded the following:
1.the right to receive information from any other conservator of the child concerning the health, education, and welfare of the child.
2.the right to confer with the other parent to the extent possible before making a decision concerning the health, education, and welfare of the child.
3.the right of access to medical, dental, psychological, and educational records of the child.
4.the right to consult with a physician, dentist, or psychologist of the child.
5.the right to consult with school officials concerning the child's welfare and educational status, including school activities.
6.the right to attend school activities.
7.the right to be designated on the child's records as a person to be notified in case of an emergency.
8.the right to consent to medical, dental, and surgical treatment during an emergency involving an immediate danger to the health and safety of the child.
9.the right to manage the estate of the child to the extent the estate has been created by the parent/conservator or the parent/conservator's family.
10.the duty to inform the other conservator of the child in a timely manner of significant information concerning the health, education, and welfare of the child; and
11.the duty to inform the other conservator of the child if the conservator resides with for at least thirty days, marries, or intends to marry a person who the conservator knows is registered as a sex offender under chapter 62 of the Code of Criminal Procedure or is currently charged with an offense for which on conviction the person would be required to register under that chapter. IT IS ORDERED that this information shall be tendered in the form of a notice made as soon as practicable, but not later than the fortieth day after the date the conservator of the child begins to reside with the person or on the tenth day after the date the marriage occurs, as appropriate. IT IS ORDERED that the notice must include a description of the offense that is the basis of the person's requirement to register as a sex offender or of the offense with which the person is charged. WARNING: A CONSERVATOR COMMITS AN OFFENSE PUNISHABLE AS A CLASS C MISDEMEANOR IF THE CONSERVATOR FAILS TO PROVIDE THIS NOTICE.
12.the duty of care, control, protection, and reasonable discipline of the child.
13.the duty to support the child, including providing the child with clothing, food, shelter, and medical and dental care not involving an invasive procedure.
14.the right to consent for the child to medical and dental care not involving an invasive procedure.
15.the right to direct the moral and religious training of the child.
16.Only one parent shall have the exclusive right to designate the primary residence of child in a specific geographical area, which is commonly the county in which the child currently resides and the contiguous counties thereto.
17.the right to consent to medical, dental, and surgical treatment involving invasive procedures may be subject to agreement, an independent right or an exclusive right;
18.the right to consent to psychiatric and psychological treatment of the child may be subject to agreement, an independent right or an exclusive right;
19.Only one parent shall have the exclusive right to receive and give receipt for periodic payments for the support of the child and to hold or disburse these funds for the benefit of the child;
20.the right to represent the child in legal action and to make other decisions of substantial legal significance concerning the child may be subject to agreement, an independent right or an exclusive right;
21.the right to consent to marriage and to enlistment in the armed forces of the United States may be subject to agreement, an independent right or an exclusive right;
22.the right to make decisions concerning the child's education may be subject to agreement, an independent right a joint right or an exclusive right;
23.except as provided by section(NNN) NNN-NNNNof the Texas Family Code, the right to the services and earnings of the child may be subject to agreement, an independent right or an exclusive right;
24.except when a guardian of the child's estate or a guardian or attorney ad litem has been appointed for the child, the right to act as an agent of the child in relation to the child's estate if the child's action is required by a state, the United States, or a foreign government may be subject to agreement, an independent right or an exclusive right; and
25.the right to manage the estate of the child to the extent the estate has been created by community property or the joint property of the parent/conservator may be subject to agreement, an independent right or an exclusive right.
In accordance with section 153.001 of the Texas Family Code, it is the public policy of Texas to assure that children will have frequent and continuing contact with parents who have shown the ability to act in the best interest of the child, to provide a safe, stable, and nonviolent environment for the child, and to encourage parents to share in the rights and duties of raising their child after the parents have separated or dissolved their marriage. The Court will therefore normally establish the primary residence of the child in the county where the child currently resides and/or a contiguous county thereto, and the parties shall not remove the child from such county for the purpose of changing the primary residence of child until there is a modification to the existing order of the court of continuing jurisdiction or a written agreement signed by the parties and filed with the court.
The geographical restriction on the residence of the child may be lifted or modified if, at the time the primary parent with the right to establish residence wishes to remove the child from the county for the purpose of changing the primary residence of the child, the other parent does not reside in that county or a contiguous county thereto.
Time constraints, employment issues of the primary Joint Managing Conservator, and other material factors may come into play when a Joint Managing Conservator requests waiver of the geographical restrictions. It customarily is a very difficult, but not always insurmountable, burden to achieve a geographical restriction waiver. The success, consistency and regularity of the non-primary conservator's possession and access to the child is a factor the court will view in making a ruling. Frequently, an agreement to adjust the amount of support and/or transportation costs comes into play in resolving such disputes.
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For the first time since a baby giraffe was born at the Greenville Zoo, the entire family is now back together.
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At Wedding Belles of Otley we offer a lovely selection of bridesmaid and flower girl dresses. With some dresses offered in over 90 different colours, you'll be amazed at the choice available in just about every colour, style and size – the variety is truly breathtaking.
We currently stock fabulous bridesmaid and flower girl dress collections by Impression Bridesmaids, Linzi Jay, Romantica of Devon and Venus Bridesmaids. Prices range from £189 – £245. Sample sizes between a UK size 10 and 16


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NETHERLANDISH SCHOOL, 17th Century
HALS, Frans, attributed to
NMW A 25Portrait of a Lady
(Amgueddfa Cymru regrets that we are not able to provide an image for this item at this time. This is either due to copyright restrictions, or the item is awaiting digitisation. We apologise for any inconvenience caused.)
NMW A 401The Virgin and St John


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Jerry Siegel came of age during the 1910s and '20s. The youngest child of Jewish Lithuanian immigrants, Siegel often felt out of place in the blue collar, Midwestern atmosphere of his Cleveland, Ohio, neighborhood. When his father died of a heart attack during a robbery at his haberdashery, the shy and socially awkward teenager retreated further into his shell.
As he matured and found himself as an artist and storyteller, Siegel channeled his memories of growing up vulnerable and isolated in the big city — a metropolis, if you will — and used them to create one of the most iconic and enduring characters of the 20th century.
As Superman speeds toward his 75th birthday, Siegel's thematic use of an immigrant outsider trying to fit into American culture continues to resonate with readers. It is this use of Siegel's own memories of his early life in Cleveland that makes the superhuman so — humane.
Siegel's approach to writing the legend of Superman also exemplifies one of the cardinal rules of good writing: "Write what you know."
The best writers often take personal experiences and memories (either their own or those of others) and infuse their work with feelings, fears, sounds, tastes and other personal markers that give authenticity to their work. Utilizing memories to flesh out a story — whether an autobiography or a work of science fiction — lends the plotline a sense of gravitas and urgency.
I recently asked a quintet of accomplished USC Dornsife authors — novelists, historians, screenwriters, memoirists and poets — to contemplate the role that memory has in their writing. The degree to which all five rely on memories to inform their work may surprise you.
Peter Mancall is Andrew W. Mellon Professor of the Humanities and a professor of history and anthropology.
PETER C. MANCALL is Andrew W. Mellon Professor of the Humanities and a professor of history and anthropology. He is also the director of the USC-Huntington Early Modern Studies Institute and vice dean for the humanities in USC Dornsife. He has authored several books, including Fatal Journey: The Final Expedition of Henry Hudson (Basic Books, 2009) and Hakluyt's Promise: An Elizabethan's Obsession for an English America (Yale, 2007).
DK: From the cave paintings in France, to parchment scrolls, to bound diaries and even blogs, people have recorded their everyday occurrences for millennia. Where do you think the fascination with detailing personal events comes?
PM: I always try to be attentive to the places where individuals lived. For my study of the Elizabethan colonial promoter Richard Hakluyt, I needed to describe Oxford, London and Paris, where he spent the most important years of his life. In those places, he became obsessed with recording all of the information he could find about English travelers abroad. He understood, more than anyone of his time, how personal recollections of journeys might goad readers to undertake their own explorations, and in the process their actions might benefit the realm. Since Hakluyt never sailed across the Atlantic, he needed to rely on others' memories — a risky proposition in an era when, as one English critic later quipped, travelers were often travel liars. But Hakluyt knew that without recording those memories the English would lose ground in their competition with Continental Europeans, so he set them down in collections that, taken together, rivaled the completed works of William Shakespeare in length and complexity.
DK: Memories are certainly subjective. What happens when first person accounts you find during research do not align with the common perception of a historical event or person? For example, did you run into conflicting information when researching your book on Henry Hudson?
PM: Henry Hudson, unlike Hakluyt, was an inveterate explorer, who tried four times to sail from England to East Asia. He and others on board kept records of their activities. But when Hudson's ship Discovery returned to London without him in 1611, the last pages of Hudson's log were missing. The survivors told about a mutiny in Hudson Bay and claimed that all of the mutineers died soon after they dispatched Hudson and his closest colleagues — including his teenage son. How could judges in London know if these men, who had come home on a boat with blood-stained decks, were telling the truth? In my book, I tried to piece together the scattered accounts of what happened on that journey into an Arctic landscape where truth and myth often collapse into each other.
Dinah Lenney, assistant professor of teaching in USC Dornsife's Master of Professional Writing (MPW) Program, teaches multiple genres, including memoir.
DINAH LENNEY, assistant professor of teaching in USC Dornsife's Master of Professional Writing (MPW) Program, teaches multiple genres, including memoir. In 2007, Lenney authored Bigger than Life (University of Nebraska Press), in which she details the tragic events and aftermath surrounding the murder of her father, former New Jersey politician and prominent businessman Nelson G. Gross.
DK: Your father's death made national headlines. Aside from the tragedy itself and his social standing, what triggered the writing of the book and how much time and distance did you need to be able to tell the story?
DL: You're exactly right, the tragedy was the trigger — and I started writing immediately, as a way of making sense of what had happened to my father and to me. But that led me to write the story I'd been trying to write for years, which, I hope, turns out to be as much about family — the ties that bind — as it is about a murder. I guess it was a couple of years after my dad was killed, I realized I was ready to intentionally craft a book that had been gestating for decades.
DK: Your memoir digs deep into family issues and your own memories regarding your relationship with your father. Did anyone object to the book after the fact and how did you reconcile yourself with telling the truth your way?
DL: Objections — there were some, yes. Not as many as I'd expected, but I was surprised by who and why. Look, it doesn't feel good to hurt people you love. Even people you don't. Here's the thing about memory, though — it's subjective; therefore somebody's always going to object. But I was certain, and still am, that I'd been honest and fair, and as hard on myself as anyone else. And that bolstered me.
DK: Was it hard to write about events on the East Coast all the way from Los Angeles?
DL: It wasn't, no. As much as I love L.A., as long as I've lived here, the smell of that part of the world is in my nose. It's the stuff of my memory and my imagination, too — plus, like the passage of time, physical distance can inform a writer's perspective in rich and vivid ways.
DK: What advice do you offer your students about which memories to inject into such a personal project?
DL: Well, memoir isn't autobiography. It's not meant to be a chronological blow by blow — it's only a slice of the pie. Maybe you're looking at an event through the lens of a relationship — or maybe a relationship through the lens of an event. Bottom line, you don't want to be boring. As Elmore Leonard says, you should "leave out the parts that readers tend to skip."
DK: Memoir writing has exploded in the literary world. Even children are writing memoirs. What's the monumental fascination and should kids and tweens be writing memoirs?
DL: I guess we want to mark the moment — to insist that who we are and what we do in this life amounts to something meaningful. Here's what I believe: Kids should be reading and writing. If they're jazzed about memoir, if it inspires them to live mindfully — to develop a taste for all things literary? Well then, I'm all for it.
Lois Banner is the first female president of the American Studies Association and one of the founders of the field of women's history in the 1970s.
The first female president of the American Studies Association, LOIS BANNER is one of the founders of the field of women's history in the 1970s. She is the author of 10 books, including American Beauty (Knopf, 1983) and the prize-winning Intertwined Lives: Margaret Mead, Ruth Benedict and Their Circle (Knopf, 2003). Her study of the life, image and career of Marilyn Monroe — Marilyn: the Passion and the Paradox — was published in 2012 as a follow-up to MM – Personal (Abrams, 2010).
DK: You have written extensively on the impact Marilyn Monroe has had on feminism and culture. Both of your Monroe books are well-regarded for their level of research on the movie screen icon. What personal memories of Monroe did you draw from when you were crafting your books?
LB: My historical memory has often been important to my books on recent eras. With regard to Marilyn, I was a teenager in the 1950s, but I wasn't a Marilyn fan. In researching her life, I discovered I was raised 10 miles from her first foster home, so I knew the environment of the area. I was raised in Inglewood; she in Hawthorne. I came from a Midwestern farm family, as she had, and I was raised in an evangelical Christian religion, as she was. I had relatives in the movie industry, which dominated Los Angeles in the 1950s, as she had. I went to a local Los Angeles high school, as she had, and I understood the dating culture of that era. I married a New York intellectual, as Marilyn had, and I understood that world. The major problem I had in doing 100 interviews for my book on Marilyn was not memory, but lying. I had to use my best judgment — my intuition — when I interviewed people. I talked to people who were at Marilyn's the day and night she died and listened to oral interviews of others. That was truly amazing. I also had many arguments with individuals who don't believe that historians should reveal anyone's private life, even if they are dead. I disagree. You can't truly understand Marilyn Monroe, Margaret Mead or Elizabeth Cady Stanton — three of my biographical subjects — without knowing the full depth of their experiences and internal motivations. So memory is both fallible and can easily be manipulated. But it is an important tool among many that writers possess.
DK: To complement your numerous studies on the lives of some of the 20th century's most influential women — Mead, Benedict, Monroe, Stanton — you authored a memoir about your divergent relationship with childhood friend Fran Huneke. Finding Fran (Columbia University Press, 1998) is remarkably detailed.
LB: As for Finding Fran, I remembered a lot about my childhood. I had my mother's daily diary, written when the events occurred. I didn't read it until I had written down my memories, and I was astounded by the similarities in the two sources. As is often the case, my siblings have different recollections from mine about our upbringing. Fran's memories also differed from mine. I had family letters and documents, and Fran gave me letters and documents that she possessed after I found her in Alexandria, Egypt, now a devout Muslim. I read newspapers, newsletters and other material that pertained to what I was writing about. In other words, I checked the material I had from people's memories against other kinds of historical sources.
Mark Richard lectures in USC Dornsife's Master of Professional Writing Program.
MARK RICHARD lectures in USC Dornsife's Master of Professional Writing Program. His works include the award-winning collection of short stories The Ice at the Bottom of the World (Anchor, 1991) and the best seller Fishboy (Anchor, 1994). His most recent book — a memoir titled House of Prayer No. 2 (Nan A. Talese) — is frequently cited among the best nonfiction books of 2011. In addition to teaching and writing novels, Richard spent much of this past summer in Calgary, Canada, scripting the second season of the AMC series Hell on Wheels.
DK: Literary commentators frequently mention your work in the same breath as those by William Faulkner and Tennessee Williams. Does being a Louisiana native influence your storytelling?
MR: We moved from south Louisiana when I was young to east Texas, then to tidewater Virginia. Geographically those places all have swamps, snakes, dark rivers and complicated racial configurations that were often the talk of the same barber shops, sidewalks and front porches in the evenings. No one had air conditioning back then, so as a child in all of those places, you could always hear adults talking just outside your window as you lay in the dark drifting off to sleep.
DK: House of Prayer No. 2 deals with your boyhood and adolescence. Given that it is a memoir, how much of the work comes from your own memories of those years in the 1950s and '60s and how did you go about filling in the gaps?
MR: It's all from memory, though sometimes I'd look at old photographs to stir the memories up. I found early on that it's o.k. just to skip over stretches of time of which you have no recollection. Either that time was unremarkable as some time can be, or it was so traumatic that you've buried it and either it'll surface later or it won't.
DK: There has been so much controversy in memoir writing with scandals about writers fabricating events to families demanding retractions. When you wrote your memoir, how did you ensure details were true and did you worry about anyone disputing the facts?
MR: The only person who has disputed the memoir is my mother. Thanks, mom! There were some very personal things I revealed that I should have known would have caused her some grief but it didn't occur to me — or it did and at the time I didn't care. But since the book's reception has been so positive, she's come around and is proud of the book and has admitted that I barely scratched the surface of some of the more painful aspects of our lives.
When I finished the book, I sent it to three friends whom I trust to make sure I had gotten it right. They are friends from three different eras in my life. Not only did they substantiate what I had remembered, but they helped me remember some deeper contexts of the incidents. By the way, I tracked down the trawler-mate who'd seen the monkey-like creature we pulled out of the ocean one night that was hairless and hissed at us before leaping back into water and he confirmed what we had seen and to this day gets choked up with fear or awe just talking about it. So yeah, I tried to ensure all the details from the personal to the primeval.
Considered an authority on '60s-era America, Alice Echols is Barbra Streisand Professor of Contemporary Gender Studies and professor of English in USC Dornsife.
Considered an authority on '60s-era America, ALICE ECHOLS is Barbra Streisand Professor of Contemporary Gender Studies and professor of English in USC Dornsife. A few of her books include Scars of Sweet Paradise: The Life and Times of Janis Joplin (Henry Holt and Company, 1999) and Hot Stuff: Disco and the Remaking of American Culture (W. W. Norton & Company, 2010).
DK: One of the things that lends considerable authenticity and authority to your writing is the fact that you've lived through much of the time you've detailed in your books. How have your life experiences and memories shaped your writing projects? For example, do you think you would have written Hot Stuff had you not worked as a club deejay and had memories in your head of mirrored disco balls?
AE: Well, despite Bob Dylan's great line — anyone who remembers the '60s wasn't there — I guess I do have a few memories! Although I know it doesn't work this way for everyone, having lived through the era I'm writing about seems to inoculate me against nostalgia. But of course, memory is fragmentary, unreliable and, sometimes, most interesting as an object of study itself. One of the themes of Hot Stuff is that, through disco culture, gay men remade themselves, shedding the effeminacy so long associated with homosexuality. But had I relied only upon my own disco memories, and not read that era's fiction, journalism and cultural criticism and once again watched its films and listened to its music, I doubt that gay macho would have been such a prominent theme. Hmm, would I have written Hot Stuff had I not been a deejay? I'm not sure, but I suspect that working as a deejay in a Midwestern college town, rather than in New York or San Francisco, and being a 'girl deejay' gave me a different angle of vision.
DK: Much of your writing takes popular culture and looks at it through the lens of gender, sexuality or politics. When you re-examine cultural artifacts through this type of construct, do you ever worry that you may be changing the reader's memories or opinions about iconic figures like, for example, Janis Joplin or Donna Summer?
AE: Historians are always messing with people's minds — or should be! After all, new material becomes available, and the world changes in ways that affect historians, who then pose different questions about the past. So this sort of revisionism is at the heart of writing and doing history. As for pop music icons, we usually only know a sliver of who they are, very often because they're busy constructing and burnishing an image that corresponds to their genre's notion of what's authentic. This was certainly true of Janis Joplin, who put an enormous amount of energy into being what I called 'the queen of the real.'
DK: What made you decide to take off your historian hat and write about something deeply personal? Can you talk about your upcoming book, a memoir about your grandfather?
AE: My grandfather was an accused bank embezzler whose shortfall was discovered during the Depression. I never met my grandfather, so the book's memoirish bit is about how the scandal reverberated inside my family. But this is much more a work of history than memoir, and about a period that, for once, I did not live through!
Illustrations by Michael Waraksa.
Read more articles from the Fall 2012/Winter 2013 issue of USC Dornsife Magazine


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Timbre's Rock & Roots Festival enters its fourth year with arguably its best edition yet as it presents some of the biggest names in music.
The two-day festival which moved from Marina Promenade to the greens of Fort Canning Park opened with local stalwarts Raw Earth, fronted by Timbre's creative director and resident bluesman Danny Loong.
The band ripped through a tight 45-minute set of blues and funk numbers and they even brought out 11-year-old singer Miguel Antonio, who has been hailed as the next big thing in music to jam with band. But the highlight of the opening set will be Aussie soul slinger Kara Grainger who is known for her groove-rooted sound and mean slide guitar; her sultry vocal melting hearts and minds, a true delight to see.
And then there was Rufus Wainwright. Always the consummate performer, Wainwright performed an intimate solo set, with him just on a Steinway & Sons grand piano or an acoustic guitar.
Rufus Wainwright. Photo: Zaki Jufri (Click on above image to view photo gallery)
The singer immediately showed off his incredible pitch, never missing a note in any of his intricate melodies through songs 'Martha, 'Out of The Game', 'The Maker Makes', 'Hallelujah' and 'Cigarettes & Milk'. The usually reserved singer was even in a chatty mood on Thursday night and even joked about buying a Hello Kitty guitar in Korea, which he gamely took out and play with.
Also read: Interview with Rufus Wainwright
But the act that the 5,000-strong crowd was waiting for came up next – the 63-year-old lead singer of one of the most legendary bands on the planet, Robert Plant.
With his newest group in tow, The Sensational Space Shifters, a motley crew of collaborators from bands like Strange Sensation, Portishead and Jah Wobble, the old 'witchdoctor' is finally in Singapore to take us on a "questionably good time".
"I've been waiting all my life to see him perform here," gushes Joe William. Clad in a Led Zeppelin t-shirt and black jeans, the retired asset manager is joined by a like-minded group of music fans, most of them looking like hippie grandparents than head-banging rockers to see the iconic singer-songwriter.
William adds, "This year's festival is probably its best edition yet. I thought the year with Bob Dylan was crazy but this year with Robert Plant, Paul Simon and Jimmy Cliff, it's something else."
Robert Plant & The Sensational Space Shifters. Photo: Zaki Jufri (Click on above image to view photo gallery)
Right from the get-go it was clear that this performance would be one that avoided being pigeonholed into a specific genre. From the rock 'n' roll fervor of opener 'Heartbreaker' and psychedelic 'Tin Pan Alley' to the folksy 'Bron Y Aur Stomp'.
Things even took an exotic turn when Gambian musician Juldeh Camara came onstage with the ritti (an African one-stringed fiddle) to add Afro-centric polyrhythmic sounds to the jam onstage.
The Tedeschi Trucks Band, led by Susan Tedeschi and Derek Trucks, also known as the First Couple of Guitar brought the first day of the festival to a close; dishing out an almost perfect set of the blues-y rock.
The Tedeschi Trucks Band. Photo: Zaki Jufri (Click on above image to view photo gallery)
The 11-member band, all of them musical virtuosos in their own right, mesmerized the audience with an impeccable performance. They looked and sometimes sounded more like an improv jazz band rather than a rock/blues act: dueling drummers, a three-piece horn section, backing vocals and not to mention Trucks' awesome fingerwork on the guitar as well as Tedeschi's powerful vocal which recalls Janis Joplin.
The band gave the first day of the festival a rousing finish.
Next up for Day 2: Paul Simon, Bonnie Raitt, Jimmy Cliff and Mike's Apartment.


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May 31, 2016
Hazlehurst, Miss.
Bond has been denied for the second man charged in the slaying of a Mississippi woman and her 7-year-old son.
30-year-old Cedric D. Mason of Jackson appeared Friday in Copiah County Justice Court. He's charged in the deaths of Atira Hughes-Smith and her son, Jaidon Hill. It was not immediately clear whether Mason has an attorney.
Mason was arrested Wednesday and charged with two counts each of capital murder and kidnapping.
Timothy L. Burns was arrested Monday and charged with two counts of murder and arson.
No charges had been filed in the slaying of Hughes-Smith's husband, Laterry Smith, who was also killed.
The three family members' bodies were found Tuesday, days after their burned vehicle was found in a remote area southwest of Jackson.
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Michelle Obama Makes Fun of Homeless By Wearing $540 Shoes to a Food Bank
Michelle Obama continued to flaunt her money recently, as she made fun of homeless people by wearing $540 shoes to a food bank.
What a sick day and age we live in when millionaires endlessly gallivant around the globe in their jets and fancy clothes, but still make sure to remind the poor of just how little they have in pocket.
This is just more proof of how the liberal elite live these extravagant lives and are not in touch with us common people. We do all the hard work of fighting wars and building up this country, while they enjoy the fruits of our labor and control all the wealth.
My stomach churns with disgust because of these types of liberal antics and disregard for human life. For just about $5 a day, you can feed a starving child in Africa. With $540, Michelle Obama could by a struggling American family a month's worth of groceries.
Why must these liberal elite continue to show their mocking contempt for the homeless in America and destitute in Africa? It burdens my heart and I can only hope and pray that God teaches all these arrogant aristocrats a lesson in humility.
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|Texas Aggie
|5:56am on Saturday, May 1st, 2010
|its a great product and it works very well for the size hard drive Durable, Fast Connectivity, Quiet, Reliable, Versatile Cant connect with eSATA I use this for personal use only. Attractive Design, Compact, Easy To Setup, Easy to use, High Capacity, Quiet No onoff switch hooked it up to my sony vaio p. worked out of the box without installing any additional software. windows recognize the drive instantly.
|6:35am on Friday, April 23rd, 2010
|"I have another 2 Toshiba hard drives of 400 GB.... this one is the same size as those and also the same good quality. "If you are looking to get a Portable External Hard Drive for under $100 then go with this one. It is great!" It is fast, light, cool design.
|1:19pm on Sunday, April 4th, 2010
|Simply nice I got it when I saw it with a friend of mine. his was so dirty and looked old but was working fine so i decided to get one . Good luck if it fails I purchased 2 of these to use as backup media. One failed after app. 6 months.
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
Moisture Condensation Warning
Moisture condensation may occur inside the unit when it is moved from a cold place to a warm place, after heating a cold room, or under conditions of high humidity. Do not use the unit for at least 2 hours to allow the inside to dry.
About Copyright
Unauthorised copying, broadcasting, public performance and lending of discs are prohibited. This product incorporates copyright protection technology that is protected by U.S. patents and other intellectual property rights. Use of this copyright protection technology must be authorised by Macrovision, and is intended for home and other limited viewing uses only unless otherwise authorised by Macrovision. Reverse engineering or disassembly is prohibited.
Playback Editing Function Setup Others
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Notice for the Progressive Scan Outputs
Consumers should note that not all high definition television sets are fully compatible with this product and may cause artifacts to be displayed in the picture. In case of picture problems with 480 or 576 progressive scan output, it is recommended that the user switch the connection to the standard definition output. If there are questions regarding your TV set compatibility with this 480p or 576p product, please contact our customer service centre. Manufactured under license from Dolby Laboratories. Dolby and the double-D symbol are trademarks of Dolby Laboratories.
EU Conformity Statement
This product is marked with CE and complies therefore with the applicable harmonized European standards listed under the Low Voltage Directive 2006/95/EC and the EMC Directive 2004/108/EC. Responsible for CE-marking is TOSHIBA INFORMATION SYSTEMS (U.K.) LTD, Toshiba Court, Weybridge Business Park, Addlestone Road, Weybridge, Surrey, KT15 2UL, United Kingdom
Dolby Digital Stereo Creator enables consumers to create stereo DVD-Videos with stunning Dolby Digital sound tracks at home. The technology, when utilised instead of PCM recording, also saves recordable disc space, allowing for higher video resolution or extended recording time on each DVD. DVDs mastered using Dolby Digital Stereo Creator will play back on all DVD-Video players. Note: This is true when the players are compatible with actual recordable DVD discs.
HDD DVD Theatre surround sound: [E Page 23] When the unit is connected to an amplifier or a decoder compatible with Dolby Digital or DTS, you can enjoy theatre-quality surround sound from discs recorded with the surround sound system. Quick search: [E Pages 68 - 69] You can easily find the part you want to watch using the search function. Search for a desired point on a disc by title, chapter / track or time. Variable skip: [E Page 65] You can skip forward a certain time, which is specified in Playback menu in advance, with one-touch during playback. Variable replay: [E Page 65] You can skip back a certain time, which is specified in Playback menu in advance, with one-touch during playback. Playback from Original or a Playlist: You can play back titles using either the Original list or a Playlist.
Recording Playback Editing
Virtual Surround System: [E Page 72] You can enjoy stereophonic space through your existing 2 channel stereo system. HDD Chasing Playback during Recording and Simultaneous Playback and Recording: [E Pages 67 - 68] You can play the already recorded part of the current recording or another title during recording. Pausing a TV broadcast to resume later (Pause TV): [E Pages 67 - 68] With [TIME SLIP], you can virtually pause and resume the live TV broadcast. DVD Playing back MP3 / JPEG / DivX files: [E Pages 59 - 62] You can enjoy MP3 / JPEG / DivX files which are recorded on CD-RW/-R. DivX files can also be recorded on DVD-RW/-R and DVD+RW/+R discs.
Function Setup Others
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HDD DVD Adding or Deleting Chapter Marks Manually: [E Pages 76 - 77] You can add or delete chapter marks manually. Creating Titles to a Playlist: [E Page 79] You can create a title to the Playlist. Deleting Titles: [E Page 74] You can delete titles which you do not need anymore. Deleting a Scene of a Title: [E Pages 80 - 81] You can delete a specific scene of a title. Editing title name: [E Pages 75 - 76] You can name titles or change the title name. Combining Titles: [E Page 79] You can combine two titles into a single title. Dividing Titles: [E Pages 78 - 79] You can divide a title into two new titles. Protecting titles: [E Page 78] To avoid accidental editing or erasing of titles, the protect function is useful when set to ON in the Original list. DVD Adding or Deleting chapter marks at once (Video mode DVD-RW only) [E Page 77] You can easily add chapter marks at every selected time interval or delete all chapter marks at once for easy editing. Hiding chapters: [E Pages 77 - 78] To keep others from playing back some chapters without permission, you can hide chapters.
Allows you to select the display time of the slide show mode.
9 Delete All Titles:
Allows you to delete all titles, including the protected titles in the HDD title list.
10 Delete All Unprotected Titles:
Allows you to delete all unprotected titles in the HDD title list.
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Front Panel Display Guide
1 Title / Track and Chapter number
: : Title / track number Chapter number : Appears when a disc is in this unit.
Appears during dubbing.
2 Current status of the unit
Appears when disc playback is paused. Appears during step by step playback. B: Appears when playing back an HDD or disc. F B: Appears during slow forward / reverse playback. : Appears when the timer programming or One-touch Timer Recording (OTR) is set and is operating. Appears when the unit goes into the Satellite Link standby mode. Flashes when timer programming was not executed because of some error. I: Appears when recording. Flashes when recording being paused. F:
3 Displays the following
Playing back time Current title / chapter / track number Recording time / remaining time Clock Channel number One-touch Timer Recording (OTR) remaining time Selected HDMI output mode
Recording Playback
Display Messages
The disc tray is opening. The PBC function of the Video CD is activated. The disc tray is closing. A disc is loading. Appears when HDMI output mode (480p) is selected. Appears when HDMI output mode (576p) is selected. Appears when HDMI output mode (720p) is selected. Appears when HDMI output mode (1080i) is selected. Appears when HDMI output mode (1080p) is selected.
Editing Function Setup
Data is being recorded on a disc. Appears when the Satellite Link Recording is in standby.
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Antenna Cable Signal To Aerial jack Audio/Video cable (not supplied)
RF cable (supplied) Scart adaptor (not supplied) Scart/RCA cable (not supplied)
Scart cable (not supplied)
RF cable (not supplied)
Connecting to a TV
Connect the unit to a TV after considering the capabilities of your existing equipment.
If you want to adjust the clock, follow to step 5 on page 36 in Manual Clock Setting.
Press [ENTER] to exit.
Select your desired country to the channel plan using [U \ D]. Then press [ENTER] to go to the next step.
Country France Spain Germany Italy Switzerland
Select your desired channel preset type using [U \ D]. Then press [ENTER].
Auto Tuning Make sure the antenna is connected to ANTENNA IN jack. Digital tuning Digital & Analog tuning Analog tuning
The unit will start getting channels available in your area.
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Channel Setting
You can retune this unit or edit the channel setting with following methods.
Auto Tuning (ANALOG)
ANALOG Programme the tuner to scan only the analogue channels you can receive in your area.
Auto Tuning (DVB & ANALOG)
Programme the tuner to scan both analogue and DVB channels you can receive in your area.
In stop mode, press [SETUP]. Select General Setting using [U \ D], then press [ENTER]. Select Channel using [U \ D], then press [ENTER]. Select ANALOG Channel Setup using [U \ D], then press [ENTER]. Select Auto Tuning using [U \ D], then press [ENTER].
The unit will start storing channels available in your area.
ANALOG Channel Setup Auto Tuning Manual Tuning Move
In stop mode, press [SETUP]. Select General Setting using [U \ D], then press [ENTER].
General Setting menu will appear.
Select Channel using [U \ D], then press [ENTER]. Select Auto Tuning (DVB & ANALOG) using [U \ D], then press [ENTER].
Country Auto Tuning (DVB & ANALOG) DVB Channel Setup ANALOG Channel Setup
Wait for several minutes to finish channel storing. Analogue channels will be stored in channel 901-999 after it is scanned by this unit.
Press [SETUP] to exit.
You can select only the channels memorised in this unit by using [PROG. G \ H].
To cancel auto tuning Press [RETURN] or [SETUP] during scanning.
The selection will be affected by how you receive TV channels in your local area. If the auto tuning is cancelled during scanning, some channels not yet tuned may not be received. You cannot change the channel when this unit is in any recording mode (normal recording, One-touch Timer Recording or timer recording). Sorting of TV channels from 901 to 906 will be performed automatically as follows. 901: TF1 902: F2 903: F3 904: CANAL+ 905: F5/ARTE 906: M6
The selection will be affected by how you receive TV channels in your local area. If the auto tuning is cancelled during scanning, some channels not yet tuned may not be received. You cannot change the channel when this unit is in any recording mode (normal recording, One-touch Timer Recording or timer recording).
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Manual Tuning (ANALOG)
ANALOG You can preset an analogue channel manually and individually.
[L (SECAM-L)] Channel Plan CH Indication TV Channel F1 - F69 E21 E86 BQ S4 S141 S21 S41 [BG (PAL-B/G)] Channel Plan CH Indication TV Channel E2 - E20 A H (only ITALY) E21 E78 X, Y, Z, Z+1, Z+99, 100 S1 S20, GAP S21 S41 This unit can receive the Hyper and Oscar frequency bands. If Skip is set to ON, select Skip using [U \ D], then press [P]. Select OFF using [U \ D], then press [L]. If you want to decode scrambled signals, select Decoder using [U \ D], then press [P]. Select ON using [U \ D], then press [L]. To store another channel, repeat steps 5 to 10.
In stop mode, press [SETUP]. Select General Setting using [U \ D], then press [ENTER]. Select Channel using [U \ D], then press [ENTER]. Select ANALOG Channel Setup using [U \ D], then press [ENTER]. Select Manual Tuning using [U \ D], then press [ENTER]. Select Position using [U \ D], then press [P].
Manual Tuning
Position System Channel Decoder Skip
11 Press [SETUP] to exit.
Skip a Preset Channel
ANALOG You can set the unit to skip channels. You can no longer receive or watch when you access channels using [PROG. G \ H].
Select the position number you want to use using [the Number buttons] or [U \ D], then press [L].
You can select position number 901-999. With [the Number buttons], you only need to enter the last 2-digit numbers.
Follow steps 1 to 4 in Manual Tuning (ANALOG) on this page. Select Position using [U \ D], then press [P]. Select the position number you want to skip using [the Number buttons] or [U \ D], then press [L]. Select Skip using [U \ D], then press [P]. Select ON using [U \ D], then press [L].
To skip another channel, repeat steps 2 to 5.
Select System using [U \ D], then press [P]. Select L or BG using [U \ D], then press [L].
If your system is SECAM-L, select L. If your system is PAL-B/G, select BG.
Select Channel using [U \ D], then press [P].
The tuner will begin to search up or down automatically. When a channel is found, the unit will stop searching and the picture will appear on the TV screen. You can select a desired channel number using [the Number buttons]. Refer to the following Channel Plan table and press the three digits to select the channel number. (To select channel 4, press [0] first and then press [0] and [4]. Or press [4] and then 4 appears and wait for 2 seconds.) If this is the channel you want, press [L].
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Discs recorded in Video mode on this unit cannot record additional information using other DVD recorders. Since recording is performed using the Variable Bit Rate (VBR) method, the actual remaining time for recording may be a little shorter than the remaining time displayed on the OSD, depending on the picture you are recording.
Making Discs Playable in Other DVD Players (Finalise)
After recording, you must finalise the disc to play it back in other players. (See page 57.) You cannot finalise discs in other DVD recorders. After finalising After DVD-R discs are finalised: - A Title menu is created automatically. - Undo finalising is not possible. - Additional recording or editing is not possible. After DVD-RW (Video mode) discs are finalised: - A Title menu is created automatically. - Undo finalising is possible. (See page 57.) - Additional recording or editing is possible if you undo finalise. (See page 57.) After DVD-RW (VR mode) discs are finalised: - A Title menu is not created. - Undo finalising is possible. (See page 57.) - Additional recording or editing is possible if you undo finalise. (See page 57.) After DVD+RW discs are finalised: - A Title menu is created automatically. - Undo finalising is possible. (See page 57.) - Additional recording or editing is possible even without undo finalising. After DVD+R discs are finalised: - A Title menu is created automatically. - Undo finalising is not possible. - Additional recording or editing is not possible.
Be sure to dub (back up) data promptly if you find abnormalities in HDD: If there is mechanical trouble with the HDD, grinding or other sounds may be heard or blocky noise may appear on the image. If you continue to use as it is, deterioration may continue and eventually the HDD may not be used at all. If you notice these symptoms of a failing HDD, promptly dub the data to a DVD disc. When an HDD fails, recovery of recorded content (data) may be impossible. About the remaining capacity of HDD recording time: In recording to HDD, the Remaining Capacity Display may differ from the actual recordable time as this unit adopts Variable Bit Rate encoding, which varies the recording (storage) amount of data in conformity with the information amount of video. Before recording to the HDD, ensure there is sufficient space on the HDD by deleting unnecessary titles in advance. (Remaining capacity will not increase if you only delete Playlists.)
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Reformatting a Disc Manually
Selecting the Sound Mode
This unit can receive bilingual broadcasts. You can switch between modes by pressing [AUDIO D]. Each mode is indicated on the TV. When you record a DVB channel, only output sound channel will be recorded.
DVD-RW DVD-RW DVD+RW If you are using a DVD-RW/+RW disc, you can format the disc by performing Format. You can format DVDRW disc for either Video mode recording or VR mode recording. DVD+RW disc can be formatted in order to erase all content of the disc.
When you reformat the disc, the contents of the disc are erased. Make sure that the recording format is set to the desired mode. (Refer steps 1 to 6 in Choosing the Recording Format of a Blank DVD-RW Disc on page 39.)
Setting External Input Audio
Insert a recordable disc.
In stop mode, press [SETUP]. Select DVD Menu using [U \ D], then press [ENTER]. Select Format using [U \ D], then press [ENTER]. Select Start using [U \ D], then press [ENTER].
For DVD+RW, use [U \ D] to select Yes, then press [ENTER]. A pop up window will appear and prompt you to confirm.
DVD+RW DVD+RW VD+RW DVD+R DVD+R When the external input audio is a bilingual broadcast, you can choose Stereo or Bilingual to record on an HDD/DVD. This setting is only for recording external input (AV1/AV2/AV3).
In stop mode, press [SETUP]. Select General Setting using [U \ D], then press [ENTER]. Select Recording using [U \ D], then press [ENTER].
Select External Input Audio using [U \ D], then press [ENTER].
Select Yes using [U \ D], then press [ENTER].
e.g.) VR mode DVD-RW
Are you sure? Yes No
Formatting will start. If you want to cancel formatting, select No.
Select Stereo or Bilingual using [U \ D], then press [ENTER].
External Input Audio Stereo Bilingual
It is not possible to use a disc formatted with this unit in other DVD recorder. When you use a disc with another DVD recorder, format a disc using that DVD recorder.
If you select Stereo: The audio will be recorded as stereo audio. If you select Bilingual: The audio will be recorded as bilingual audio. (See Setting Bilingual Recording Audio on page 42 for more detail.)
Press [SETUP]. Select General Setting using [U \ D], then press [ENTER]. Select DivX using [U \ D], then press [ENTER]. Select DivX VOD using [U \ D], then press [ENTER].
Select the desired extension you want to display using [U \ D], then press [ENTER]. DivX with the subtitle starts playback. The subtitle cannot be displayed when the setting is OFF.
If there is more than one extension, the extension selection will appear in Subtitle List.
DivX VOD DivX Subtitle
DivX Subtitle must be activated in the DivX Menu. (Refer to DivX Subtitle on page 89.) Playback file and the subtitle file must have the same name. Playback file and the subtitle file must locate in the same folder. Only the subtitle files with the following extensions are supported;.smi (.SMI),.srt (.SRT),.sub (.SUB),.ass (.ASS),.ssa (.SSA),.txt (.TXT). (.sub (.SUB) and.txt (.TXT) files may not be recognised.) The subtitles that exceed the playback time of the DivX file will not be displayed.
Your registration code will appear.
DivX VOD Your registration code is:
To learn more visit: www.divx.com/vod
One registration code is only valid for one DivX VOD file. You must first download the file from the internet and play it back on this unit before you are able to get another code. You must follow this step every time you purchase or rent a DivX VOD file from the internet. For more information for DivX, please visit http://www.divx.com/vod.
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It is recommended that files to be played back in this unit are recorded under the following specifications: [DivX] Official DivX Certified product Playable Codec of AVI files : DivX3.x, DivX4.x, DivX5.x, DivX6.x Maximum size of image : 720 x 480 @30 fps 720 x 576 @25 fps Sampling frequency of audio : 8 kHz - 48 kHz Audio type : MPEG1 audio layer 3 (MP3), MPEG1 audio layer 2, Dolby Digital Hint for the purchased or rental official DivX Certified product When you purchased or rental a DivX file through the official site of DivX Video which is called DivX Video-On-Demand (VOD) services, a registration code is required every time you get the new file from the DivX VOD services. Refer to DivX VOD on page 60. Some DivX VOD files are restricted with the limited playable times (you cannot play them back beyond the limit). If your DivX VOD file has such limit, the playback confirmation screen will appear. Use [L \ P] to select Yes if you want to play back the file, or to select No if you do not want to play it back. Then press [ENTER] to confirm the selection.
DivX is a codec (compression/decompression) that can compress images to a very small amount of data. The software can compress video data from almost any sources to the size that can be sent on the Internet without compromising visual quality of the images. A file with an extension of.avi and.divx is called an DivX file. All files with the.avi extension are recognised as MPEG4. Files whose extension other than.avi and.divx will not be listed on the DivX menu. However, unplayable groups or tracks may be displayed, depending on the recording conditions. Even if the file has an extension of either.avi and.divx, this unit cannot play it back if it is recorded in the format other than DivX. Folders are known as Groups; files are known as tracks. A symbol of is shown on the top of the file name. A maximum of 255 folders or 999 files may be recognised in one disc. Up to 8 hierarchies can be recognised in one folder. Files in the 9th or deeper hierarchies cannot be played back. If the track extends beyond the scope of screen, a down arrow appears, indicating that the user can view another part on the next page. The current page number and the number of total pages are shown on the right of the down arrow . Letters of a file / folder name overflowing the given space will be displayed as. You can play back the disc recorded in multisession. It may take awhile for audio and images to be output after you inserted a disc and pressed [PLAY B]. When playing back the files recorded in high bit rates, the images can be interrupted in some occasions. Although DivX logo has been obtained for this unit, it may not be able to play back some data, depending on the characteristics, bit rates, or audio format settings, etc. Use the software recognised by the DivX, Inc. when you make DivX files. A DivX file whose file size exceeds 2 GB cannot be played back. If you try to play back the DivX file that has the screen resolution which this unit does not support, the playback will be stopped and error message will appear. If a large-sized DivX file is selected, it may take awhile to start the playback (over 20 seconds sometimes). If DivX files written on CD discs cannot be played back, rewrite them on a DVD disc and try to play back. For more information for DivX, please visit http://www.divx.com.
The resume message will appear.
Press [PLAY B].
In a few seconds, playback will resume from the point at which you stopped it before. Even if you turn off the unit, you can resume playback at the same point after turning back on the unit. For title in the HDD, you can also play from the resume point by selecting Resume Playback at step 7 of Playing Back an HDD / DVD-RW / DVDR / DVD+RW / DVD+R Disc on page 58.
Select OFF using [U \ D], then press [ENTER]. Press [SETUP] to exit.
To recall the PBC function, select ON at step 4 above.
To cancel the resume playback and start playing back the disc from the beginning: Press [STOP C] while playback is stopped. For HDD: You can set a resume point per every title. For DVD-Videos, DVD+RW/+R, DVD-RW/-R, Video CD, Audio CD, MP3 files, JPEG files, and DivX files: You can set only one resume point per disc.
The default setting of PBC (Video CD only) is ON.
For Video CDs, if you turn PBC on using Setup menu, the resume function is cancelled. For MP3 and JPEG files, playback will resume from the beginning of the track at which playback was stopped.
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Fast Forward / Fast Reverse
DVD+RW DVD+RW VD+RW DivX
During playback, press [FWD D] or [REV E].
Each time you press [FWD D] or [REV E], the approximate speed will change as follows. Fast forward or fast reverse playback across titles (for DVDs) or tracks / files (for Video CD / MP3 / DivX) is not possible.
During playback, press [PAUSE F].
Playback will pause with the sound muted.
Press [PLAY B] to resume playback.
Rapid Playback
Normal speed playback
For Audio CDs and MP3 files approximate speed is fixed at 8x with sound. For Video CDs, approximate forward / reverse speeds are 2x, 8x and 16x. For DivX files, approximate forward speeds are 2x, 20x and 40x, and approximate reverse speeds are 5x, 20x and 40x. To return to playback at normal speed, press [PLAY B]. Picture quality of DivX files in fast reverse is lower than that in fast forward. For some DivX files, Fast forward/Fast reverse may not function.
ORG PL +VR Video
Press [RETURN] to exit the title list.
Scene Delete Edit Title Name Chapter Mark Protect
Editing Discs
You will find editing discs is easy. This unit offers convenient edit functions. You can edit the following from a title list. Assigning a name to a title Dividing a title Combining titles Adding titles to a Playlist Erasing all Playlist Setting or releasing the title protection Adding or deleting chapter marks Deleting titles or parts of titles (Possible editing functions depend on the recording format and editing method.)
7 Title name. Title information, which displays recorded time, length of the title, date / month / year, recorded CH, and the recording mode. 3 Title list: List of titles recorded on the HDD or disc. Each title is indicated by its index picture. Index picture for the selected title can be seen in motion. Following icons may be displayed on the index picture. : Indicating the title has never been played back yet. : Indicating the title is protected. : Indicating the title is a copy-protected title. 1 : Indicating the title is a copy-once programme. I : If you call up the title list while recording, I will be displayed on the index picture of the title currently being recorded. For DVD+RW/+R, empty title always appears at the last of the title list.
What Original or Playlist is for?
There are 2 types for the title list: Original and Playlist. Original: Original is the list of the recorded programmes (titles) when they are recorded. Original is available for HDD and DVD-RW. Please note that editing the titles in the Original is like editing the original data. For example, if you erase a title in the Original, the title cannot be recovered.
: Available to edit in the HDD Original : Available to edit in the VR mode DVD-RWs Original
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Playlist: Playlist is the copy of the Original. You can edit the titles in the Playlist as you like without affecting the original data in the Original. It works like a backup for the Original. Delete a Playlist does not delete the corresponding Original. But if you delete an Original, the corresponding Playlists will be deleted. Playlist is available only for the HDD and the VR mode DVDRWs.
Set the language for audio.
Subtitle Language E Page 86
Set the language for subtitles.
General Setting
Angle Icon E Page 86 Still Mode E Page 86 Variable Skip / Replay E Page 86
Set whether or not to display the angle icon. Set the type of still image in pausing playback.
Set the amount of skip time when you press [VARIABLE SKIP].
Set the amount of rewind time when you press [VARIABLE REPLAY].
TV System E Page 86 OSD Language E Page 87
Set the TV system. Set the language for OSD (on-screen display).
Screen Saver E Page 87
Set the idling time before the screen saver starts.
FL Dimmer E Page 87 Video TV Aspect E Page 88 Select Video E Page 50 Video Out E Page 88
Set the brightness of the Front Panel Display.
Set a picture size according to aspect ratio of your TV. Set the video input type for the external input. Sets the video output mode.
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Setup Recording
Items (highlight is the default) Auto Chapter E Page 40
Recording Audio Select (XP) E Page 42 Auto Finalise E Page 57 Aspect Ratio (Video mode) E Page 40 Make Recording Compatible E Page 39 Bilingual Recording Audio E Page 42 External Input Audio E Page 41 Video Colour System E Page 50 Clock Auto Clock Setting
OFF 5 minutes 10 minutes 15 minutes 30 minutes 60 minutes PCM Dolby Digital ON OFF Auto 4:3 16:9 ON OFF Main Sub Stereo Bilingual Auto PAL SECAM ON OFF
Contents Insert chapter marks periodically.
Set the recording audio type. (Only when the recording mode is set to XP.) Set the unit to finalise the disc automatically.
Set a aspect ratio for Video mode recording.
Set to prohibiting additional recording (OFF) or to replace the title list after recording (ON). Set the audio type for recording. Set the external input audio type for recording. Set the video colour system to PAL or SECAM automatically. Set the video colour system to PAL. Set the video colour system to SECAM. Set the clock automatically. Set the clock manually.
E Page 36
Clock Setting E Page 36 Country E Page 28
France Spain Germany Italy Switzerland
Set the DVB channels to Channel Plan of each country.
If Other is selected, enter the appropriate 4-digit code using [the Number buttons].
Refer to Language Code on page 96.
Code Input
Variable Skip Variable Replay
When you finish entering the code, press [ENTER].
You can also change or switch off the subtitles on a DVD from the disc menu if it is available. Press [CLEAR] or [L] to erase numbers entered incorrectly.
Refer to the explanations below and set the selected item. A : Variable Skip (Default: 30 seconds) Sets the amount of skip time for [VARIABLE SKIP].
Variable Skip 5 seconds 15 seconds 30 seconds 1 minute 5 minutes
You can only select the languages supported by the inserted disc. Audio Language setting may not be available for some discs.
B : Variable Replay (Default: 30 seconds) Sets the amount of rewind time for [VARIABLE REPLAY].
Variable Replay 5 seconds 15 seconds 30 seconds 1 minute 5 minutes
6. Angle Icon (Default: ON) (DVD only)
Set Angle Icon.
Angle Icon ON OFF
9. TV System (Default : PAL) (DVD only)
TV System PAL Auto
7. Still Mode (Default : Auto) (DVD only)
Still Mode Auto Field Frame
Your setting will be activated. PAL: Auto: Outputs a modified PAL signal for viewing discs recorded with the NTSC system on a PAL system TV. Changes the video system (PAL / NTSC) automatically according to the format of the inserted disc.
Your setting is activated. Auto: Field: Automatically select the best resolution setting (Frame or Field) based on the data characteristics of the pictures. Select Field when the pictures are still unstable even if Auto is selected. Field stabilises the pictures, although the picture quality may become coarse due to the limited amount of data.
With discs recorded using the PAL system, a PAL signal is output for viewing on a PAL system TV. Discs recorded with the PAL system cannot be viewed on an NTSC system TV. With discs recorded using the NTSC system, an NTSC signal is output for viewing on an NTSC or Multi system TV. With discs recorded using the NTSC system, select PAL to view on a PAL system TV.
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3. FL Dimmer (Default: Bright)
Display 1 In stop mode, press [SETUP]. Select
Set the front panel display brightness.
FL Dimmer Auto Bright Dark
Select Display using [U \ D], then press [ENTER].
You can choose one from Auto, Bright or Dark. If Auto is selected, the display gets dark when the power is off.
Select the desired item using [U \ D], then press [ENTER].
1 OSD Language 2 Screen Saver 3 FL Dimmer
Refer to 1. to 3. on this page and set the selected item. When you finish with the setting, press [SETUP] to exit.
Set the OSD language.
1. OSD Language (Default: Franais)
E2N7071FD_EN.book Page 98 Thursday, February 28, 2008 12:21 PM
HDD Power requirements Power consumption Weight Dimensions (width x height x depth) Operating temperature Operating humidity TV system Internal 3.5 inch HDD 160 GB (RD-88DTKF) Internal 3.5 inch HDD 250 GB (RD-98DTKF) 220240 V 10%, 50 Hz 0.5%
35 W (standby: 8.0 W) 3.7 kg 420 x 59 x 315 mm 5C to 40C Less than 80% (no condensation) PAL-B/G, SECAM-LL
Recording format Recordable discs Video recording format Sampling frequency Compression format Audio recording format Sampling frequency Compression format Video Recording (VR) format (DVD-RW only), Video format (DVD-RW, DVD-R), +VR format (DVD+RW, DVD+R) DVD-ReWritable, DVD-Recordable, DVD+ReWritable, DVD+Recordable 13.5 MHz MPEG 48 kHz Dolby Digital
Analogue channels L (SECAM L) BG (PAL B/G) DVB-T channels VHF UHF F1 - E69 E2 - E69 F5 - F10 E21 - E69
Front Panel : (AV3) Video input Input level S-Video input Input level Audio input Input level DV input DV 4-pin jack Rear Panel : VHF/UHF antenna input/output terminal Audio input /output Video input /output Input /output level Component video output Output level Audio output Output level Digital audio output Output level HDMI output 75 Two 21-pin scart sockets (AV1, AV2) Two 21-pin scart sockets (AV1, AV2) 1 Vp-p (75 ) each Three RCA connectors Y: 1.0 Vp-p (75 ) PB/CB, PR/CR: 0.7 Vp-p (75 ) each Two RCA connectors 2 Vrms (output impedance: 680 ) One Coaxial pin jack 500 mVp-p (75 ) HDMI jack One RCA connector 1 Vp-p (75 ) One Mini DIN 4-pin jack Y (luminance) 1 Vp-p (75 ) C (colour) 300 mVp-p (75 ) Two RCA connectors 2 Vrms (input impedance: more than 10 k) IEEE 1394
The specifications and design of this product are subject to change without notice.
E2N7071FD_EN.book Page 99 Thursday, February 28, 2008 12:21 PM
F5D9630 S-CR59 Induction GK1640T MS-7125 DZ-HS403 8391dwpe KD-AVX1 DV-S77 26HF7875 Azera HI 8417 Assault Inventor 2010 SD-206 DI-624S PCG-GRT996VP SE245 Trio SRT 5011 TM-C100 833 V HT-SF470 Samson Smix Exacto WM-FX877 COM II DFX-9000 D3120X RX1202FX Travelmate-4400 TA-FB920R Laptop ZBM762N E360DN KX-TC1721B KV-21FQ10B Adventure-2003 VK540E-2001 WM1200A 600GTI SL-MC7 FLE1215W A Farm DSC-W360 TX816 MS-220 240V GR-B197GVC RC198H WF-T1330TP TX-L55 AVR 360 TVT 03 ICF-SW7600GS FWF3105 IC-H21T N2000 Extensa-5420 Alpaclim 5100 MAX MHS-PM5 L MS5000 GSA-2166D DP-60L Dp-150 T630 VE CD6501B 50C-K NV-GS15EB Diva 48 MDX-C5200 Bissell 1623 MX-3500N Alarms SA2 Kenox S860 KD-LX330R PX150E ER-A550S D-EJ885 EF4124 VGN-AR41SR RR420CD Renaissance DD-50 32LG20 Series KX-TG2583W KDC-S2007 IC-M421 NWZ-X1051 EOS 60D Tachymeter 360 SMS Freehand 10 DVD-HR720P KX-TG2322 Secureplus Essen CD31 SDX-560V Review WPN 802
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Please see some similar alternatives below
NicoBloc is the next generation aid to stop smoking. Made from food grade ingredients, NicoBloc reduces the amount of nicotine and tar you inhale from the cigarettes you smoke. Used over a short period, it will reduce your body's dependence on nicotine, whilst helping to protect you from withdrawal symptoms while you quit smoking.
NicoBloc, the ultimate new-generation product to help you stop smoking.
NicoBloc is a coloured fluid that you apply to the filter of the cigarette immediately before smoking. Typically you use the product over a six-week period to prepare you to quit smoking by reducing gradually your nicotine intake to allow your body to adjust gently to physical changes that occur during the drug withdrawal.
Whilst other systems help overcome the withdrawal syndrome once you have stopped smoking, NicoBloc prepares you physically and mentally and helps you before you break the habit completely.
The NicoBloc solution is not taken orally but is put on the filter of the cigarette without significantly changing its taste. Because of this, it does not have any counter-indications or interfere with any medication, so it can be used by anyone, including pregnant women.
You keep smoking but slowly reduce your tobacco consumption until you stop entirely.
There are no withdrawal symptoms, as NicoBloc helps your body adapt gradually to the reduction of nicotine levels at the same time as the number of cigarettes smoked is also being reduced.
The NicoBloc solution is not ingested; you apply it to the cigarette filter.
NicoBloc blocks the ingestion of nicotine and harmful tar, which causes cancer, by up to 99%.
It does not have any counter-indications or produce undesired effects.
How NicoBloc is used...
The patented NicoBloc solution is a fluid based on maize syrup, which, when a drop is applied to the filter of your cigarette before tou smoke, will trap up to 99% of its nicotine and tar content.
Week 1: 33% Nicotine and Tar is blocked - reducing the addiction to Nicotine and the harmful effects of tar.
Week 2: 66% Nicotine and Tar is blocked - further reducing the addiction to cigarettes.
Weeks 3-6: 99% Nicotine and Tar normally consumed is blocked and by this stage the consumer trials prove that 60% of users have given up smoking.
How NicoBlock works...
NicoBloc combines the breaking of the nicotine habit with a gradual reduction in the numer of cigarettes you smoke. To achieve this difficult objective, NicoBloc has created a specific plan taking account of physiological and psychological aspects of smoking.
This plan helps you set objectives for the weekly reduction in the cigarettes you smoke compared to the number of cigarettes you smoked per day before using NicoBloc.
The gradual reduction of nicotine and tar makes it possible to alleviate the symptoms of withdrawal syndrome; this helps you to face the complete giving up of cigarettes with confidence.
The fact of having to apply to NicoBloc solution to each cigarette before smoking it breaks down your smoking routine. What's more, you have to do more and more work in order to obtain decreasing compensation.
All this means that you will tend to lose the desire to smoke.
It couldn't be simpler. In the first week of using NicoBloc, you apply ONE drop of NicoBloc to the filter of EACH cigarette you smoke. This reduces the amount of tar and nicotine you inhale by up to 33%, and starts to wean you off the effects of nicotine addiction. In week two you use TWO drops of NicoBloc on the filter of EACH cigarette you smoke. This reduces the amount of tar and nicotine you inhale by up to 66%. And from week three onwards, you apply THREE drops of NicoBloc to EACH cigarette you smoke.


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Mile High skydivers glide into Mile High Stadium and Thornton venue, generate UFO reports
DENVER - Wonder what it's like to skydive over Denver at night?
These skydivers jumped over Mile High Stadium Friday night as part of a July 4th Fireworks show for Denver Outlaws fans.
The Denver Broncos Thunderstorm parachute team is the official parachute team of the Denver Broncos. The video was taken by one of the skydivers, showing the pyrotechnics attached to their feet, lighting up the sky.
Four of the team jumped over Mile High and five other members of the team jumped over Thornton at Carpenter Park Multipurpose Fields.
The two skydiver groups generated numerous reports of UFO's in the Denver metro area.
And here is video, posted on YouTube of a small drone that took video of the fireworks at Coors Field Friday night:


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Happening Now
Excel Introduction – 2010
12 April at 9:30 am — 4 June at 4:30 pm, 2016
Learn to use Excel effectively. This introductory course covers creating a simple workbook, creating formulas, selecting ranges, copying and filling data and formulas, working with different functi...
Excel Intermediate – 2010
19 April at 9:30 am — 11 June at 4:30 pm, 2016
Expand your knowledge of Excel. Covers working with worksheets and multiple workbooks and using absolute and relative referencing in formulas. Customise filling a series, use names and labels in fo...
Excel Advanced- 2010
26 April at 9:30 am — 25 June at 4:30 pm, 2016
This course is designed for those wanting to further extend their knowledge of Excel and learn some of the more sophisticated aspects of this program. Covers advanced filters, data tables, pivot ta...
March 2012
Evolve Yoga and Wellness Festival
3 March at 9:00 am — 4 March at 5:30 am, 2012
How much yoga can one person do? February, 2012 An entire weekend of yoga is on offer as Evolve Yoga and Wellness Festival is back in town on the 3rd and 4th...
Emergency Department Management Course
5 March at 8:30 am — 9 March at 5:00 pm, 2012
Organiser: Centre of Research Excellence in Patient Safety (CREPS), Monash University Venue: School of Public Health and Preventive Medicine, 99 Commercial Road, Melbourne Cost: $2,500 ...
8 March, 2012 from 10:00 am — 5:00 am
Don't wait until your last exam to start looking for a graduate job. Employers are looking to hire graduates for 2013 now, and they want you! Come to GradFest and meet with over 90 empl...
Giants of the Bay: Charity Marathon Swim, March 2012
10 March at 8:00 am — 11 March at 8:00 pm, 2012
I am organising a team of swimmers from Monash to take part in the inaugural 'Giants of the Bay' 42km marathon relay swim across Port Philip Bay on 10-11 March 2012, to raise funds for Au...
Black & Blue: The Writing Editor
15 March, 2012 from 6:30 pm — 9:00 pm
It is said that every writer possesses an internal editor. But what if that editor gets paid more than the writer and is always out working for other people? Editor and novelist Glenys Osborne will...
European agriculture and the transition to a new CAP
16 March, 2012 from 1:00 pm — 2:00 pm
The Common Agricultural Policy (CAP) has been continuously adapted to respond to the needs and expectations of European society, such that it is now barely recognisable from the CAP of 20 years ago...
Putin's Russia
19 March, 2012 from 2:00 pm — 3:00 pm
Russia in the 21st century can easily be termed "Putin's Russia" so far, as Vladimir Putin has been in power since the year 2000. Following two terms as president, he ruled the ...
Monash Business Breakfast Series - Geothermal Energy
22 March, 2012 from 7:30 am — 9:00 am
An urgent search is on across the globe to find new, renewable and cleaner energy sources that will power future development without further damaging our planet. Although not widely utilised...
Who governs Europe?
22 March at 12:00 pm — 23 March at 1:00 pm, 2012
Forty years ago US State Secretary Henry Kissinger wondered, "If I want to talk to Europe, then who should I call?" This question is no less valid today. In this session ...
26 March at 5:30 pm — 19 March at 9:30 pm, 2012
A beautifully poured coffee will immediately capture the attention of those who drink it. This new course covers a quick espresso machine and grinder overview, milk theory, ad...
All Abilities Student Panel
27 March, 2012 from 2:00 pm — 3:30 pm
A panel of students with disabilities, medical and mental health conditions share their journeys to university, their experiences at Monash and their challenges and achievements along the way. ...
Monash Business Breakfast Series - Medtech
28 March, 2012 from 12:00 am — 12:00 am
A Monash Business Breakfast event. Register your interest to join us and hear from the experts in ...
Monash Business Breakfast Series - Medtech
28 March, 2012 from 7:30 am — 9:00 am
A Monash Business Breakfast event. Register your interest to join us and hear from the experts in your field....
Masters and Honours Information Evening
28 March, 2012 from 4:30 pm — 6:30 pm
Meet staff and students to discuss study in one of Australia's largest teaching & research precinctsPizza and RefreshmentsD...
Contemporary European Studies seminars
30 March, 2012 from 12:00 pm — 2:00 pm
The EU, Russia and the Rest of Europe This lecture considers the relationship between the EU and the European countries that are not members of the EU. Foremost among ...


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The Information Commissioner has ordered the Government under the Freedom of Information Act to release minutes of two cabinet meetings where the decision to invade Iraq was made. There is an exemption in the Act that documents about the formulation of Government policy and ministerial communications are not always released, subject to a public interest test. At these meetings, the opinion of the Attorney-General on the legality of an invasion was discussed.
The ICO said that the importance of such a decision and the need for transparency must take precedence. The Cabinet Office argued that the release of the minutes would undermine the confidentiality of Cabinet discussions and the concept of Cabinet collective responsibility. Not all of the minutes would be released. Some references in the minutes would have a detrimental effect on international relations.
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UNDP and QDF forge strategic partnership for DevelopmentMay 24, 2016Istanbul - The United Nations Development Programme (UNDP) and the Qatar Development Fund (QDF) signed today in Istanbul, on the sidelines of the World Humanitarian Summit, a Memorandum of Understanding to strengthen their cooperation and strategic partnership in support of the achievement of internationally agreed development goals including the Sustainable Development Goals. UNDP Administrator, Helen Clark and Director General of the QDF, Khalifa Al Kuwari signed the Memorandum of Understanding.
World Humanitarian Summit: Growing crises need development answersMay 20, 2016Development is a key part of the solution to the unprecedented humanitarian crises the world currently faces, said the UNDP.
Partnership between Ministry of Interior, UNDP and the European Union in support of Local Development and Participatory DemocracyMay 12, 2016Algiers- A program of capacity building in local development / joint models (CapDEL) was signed today at the Ministry of Foreign Affairs between the United Nations Development Programme (UNDP) and the Algerian Government . Previously a financing agreement was signed between the Algerian government and the European Union on this project.
UNDP and the Social Fund for Development expand their cooperation to enhance job creation for the poorApr 27, 2016The United Nations Development Programme (UNDP) and the Social Fund for Development (SFD) signed today Wednesday 27th of April a three-year extension of the on-going partnership that aims at strengthening the institutional capacity of SFD and enhancing the sustainability of SFD's role in poverty alleviation and job creation in Egypt.
Yemen Our Home and Sabafon partnering to bring relief to physically disabled and war victims in Sana'aApr 27, 2016Sana'a – The UNDP Yemen Our Home initiative and Sabafon Telecommunication Company, the first GSM network operator in Yemen, have signed a contribution agreement to establish a medical mobile clinic in Sho'ub District in Sana'a Capital City. The clinic will provide medical services and improve reach to the physically disabled and war-injured.
UNDP and OFID launch Arab Development PortalApr 25, 2016Amman, Jordan - The United Nations Development Programme (UNDP) and the OPEC Fund for International Development (OFID) today launched the Arab Development Portal (ADP), an open, one-stop, online knowledge platform providing timely data and information on development in the Arab region.
UNDP and Japan agree to expand support for restoring access to electricity in SyriaApr 15, 2016New York - The United Nations Development Programme's Regional Bureau for Arab States and the Government of Japan signed today a US$11.5 million agreement to expand efforts to restore reliable electricity to Syrian communities affected by the crisis in Syria. The one-year agreement will be implemented by UNDP Syria and builds on ongoing support by the Government of Japan for UNDP's efforts to reach the most vulnerable people across the war-torn country which has been in crisis since 2011.
Top UN Development Official commends Egypt's Sustainable Development Strategy 2030Apr 6, 2016Cairo - The United Nations Development Programme (UNDP) Administrator and Chair of the UN Development Group, Helen Clark, congratulated H.E. Abdel Fattah El Sisi President of the Arab Republic of Egypt for his leadership on Egypt's forward-looking Sustainable Development Strategy that he launched last month.
Arab Women Legal e-Platform launchedMar 28, 2016Tunis – The Centre for Arab Women Training and Research (CAWTAR) launched the Legal and Human Rights of Women and Men: between Equality and Gaps, an online information tool that aims to feature "legal status and rights" compiling laws related to the status of gender and human rights in 20 Arab countries.
High level UN mission to Ramadi to launch stabilization activitiesMar 22, 2016Ramadi – The Governor of Anbar, Mr. Sohaib al-Rawi, and the United Nations Development Programme (UNDP) Resident Representative and UN Resident and Humanitarian Coordinator for Iraq, Ms. Lise Grande, visited Ramadi today to assess conditions and provide urgently needed support to families returning to their homes.
Contact UNDP in RegionMedia Inquiries Phone: +(202)24535603
Mail: firstname.lastname@example.com Fax: +(202)24535602


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Explaining This Week's Market Jitters In One Chart
Presented with no comment...
via Google Trends
(h/t F.F. Wiley of Cyniconomics blog)
- advertisements -
If erection lasts more that 4 hours, please consult a physician -- or short ES.
We are in a Puetz eclipse crash window: http://thespiritoftruth.blogspot.com/2013/05/puetz-eclipse-crash-window-...
google trends ''short squeeze''
google trends ''physical shortage''
So, how many of those searchers realize that the Fed's only exit is into the black hole?
Fed Exit is like a gigantic erect penis leaving a sodomized anus with no lube.
I would rather it be a flower penis in my anus, but Ben isn't giving me a choice. pic.twitter.com/17t62b8KUU
Seriously, let's get this over with and move to a normal interest rate regime. Fuck it. Deal the cards already.
Man......the sheep eat up the baffle them with bullshit Ben remarks and pre-release FOMC remarks of associated monkeys.
I wonder if Maria thinks I should buy the dip.
It's not over until Maria cries on live TV.
I'd really like to see that.
get the clam dip
"its the only game in town"
You can check out but you can never leave....
why yes, yes you can......
Gold Bitchezzz!
Silver Bitchezzz!
"You can't go! All the plants are gonna die!"
Can't wait for the "exit is good for the market" spin.
I can't wait to see an actual exit. Won't hold me breath waiting for it happen, as I believe they certainly cannot exit without a bukaki explosion of fiat collapse on their face. Or.....maybe Benny is indeed the great magician this world has ever seen.
An exit will be by default and in no way else.
If you have CNBS\Bloomberg on you can hear that 100 times a day.
"Can't wait for the "exit is good for the market" spin."
You missed Teper on CNBC?
The chart shows what the fed wants. People actually think they can exit.
No problem for U.S. markets though, just the usual 'upsie daisy'!
This data is only from the Bearded One's terminal
Hilarious. I wonder if Bernanke is getting yesterday's "Google Search Report" (or is that TPS report?), on his desk every morning?
Dow just went green a few minutes ago..
another perfect v- shaped retracement almost point by point....
that is all...
of to buy some Shiny......shit is truly fucked up
tepper tapered turd truly troubled today
did u guys forget, markets closed monday, which means what? next trading day is tuesday. which means what? btdf, 19 for 19 on tuesdays.
it does not matter what happens over in europe and asia during the weekend, u.s markets must be green tuesday regardless of what happens.
anyone know what the pomo is for tuesday?
The same it is everyday, Pinky. 2.5 billilon dollars.
....closer to $10bln daily :
Monthly Injections
FED = $85bln
BOJ = $75bln
BOE = $20bln
Corporate = $50bln
How does Fed exit.. they are the biggest idiot in the room... In the turncoat Buffet speak They are the Patsy!
A little divergence between USD.JPY vs ES, ummmmm?
That chart looks like the notorious global warming 'Hockey Stick'. Makes one wonder what is missing off the left margin.
Funniest no-comment chart on ZH in like... EVER. Funny how it looks like so many other "hockey stick" graphs I've seen around here. LOL. Fire Angel


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Alejandro Valverde wins Roma Maxima
- By VeloNews.com
- Published Mar. 9, 2014
- Updated Mar. 9, 2014 at 5:21 PM EDT
Alejandro Valverde (Movistar) claimed a narrow victory in the Roma Maxima on Sunday, just a single second ahead of a charging peloton.
Valverde and Domenico Pozzovivo (Ag2r La Mondiale) were off the front in the final 10km, chased by Matteo Rabottini (Yellow Fluo) at 38 with a second chase at 47.
With 5km to go Rabottini was barely hanging onto third while the peloton swept in a second chase and closed in on him.
Valverde, fresh off his third-place finish in Saturday's Strade Bianche, was on the front in the final 2km, and Pozzovivo was gambling, skipping his pulls as the Coliseum came into view.
At the red kite the chase was just a couple dozen seconds behind, having snuffed a last-ditch attack by Samuel Sanchez (BMC Racing).
Inside 300 meters the bunch was charging down on the two leaders as Valverde drove toward the line. But they were too late — the Spaniard just had time to raise one hand in triumph as he crossed the line, while Pozzovivo saw his second place disappear in the bunch sprint.
Davide Appollonio (Ag2r) deprived his teammate of the runner-up spot with Sonny Colbrelli (Bardiani-CSF) third.
FILED UNDER: News / Race Report / Road TAGS: Alejandro Valverde / Roma Maxima


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The division of Obstetric Anesthesia is dedicated to the care of the obstetric patient. From the low risk healthy parturient requesting a free delivery with minimal intervention, to the critically ill parturient requiring a multidisciplinary team approach, the division of obstetric anesthesia works continuously to provide its patients immediate and constant care.
Our anesthesia care team includes a number of fellowship trained anesthesiologists in obstetric anesthesia as well as experienced nurse anesthetists dedicated to obstetric anesthesia.
The division of obstetric anesthesia provides a wide range of services to our laboring patients. We provide analgesia with a number of different techniques including epidurals, combined spinal epidurals and spinal narcotics allowing parturients to be almost instantaneously comfortable as well as walk or move freely during uncomplicated labor and deliveries. Our future plans include modifying epidural analgesia to allow for patient controlled epidural analgesia allowing patients to have better control over their pain relief in labor.
To improve overall care of the obstetric patient we have worked with the department of obstetrics in developing a multidisciplinary approach for the care of the medically complicated high risk parturient. We participate in obstetric morning conference to provide coordinated care for high risk inpatients. We also provide antenatal out-patient consultation with parturients to develop anesthesia care plans for high-risk deliveries.
Along with our practice of obstetric anesthesia, we have continued to provide care for patients requiring minor gynecologic surgery including D&Cs and immediate post partum tubal ligations.
The division of obstetric anesthesia is committed to providing excellence in clinical care along with continued dedication to the academic mission of education to both medical students, post graduate nursing students and obstetric and anesthesia residents.
What's it Like?
Here's a chance to peek into a typical day in the life of the Obstetric Anesthesia Resident.
A typical day starts at 6:30 am when we arrive on the OB ward. Our first task is to obtain sign-out from the on-call person. They will inform us of any preceding events which occurred that we will need to follow up on, any potential cesarean sections, and the patients with current working epidurals. We then review the day's operative room schedule and the status of the current patients on the board. The key in OB is preparation, so we set up the operating rooms in anticipation of a worst case scenario; the crash cesarean section with the difficult airway usually found in the OB patient. The remainder of my morning and day will be spent seeing patients, conducting the initial history and physical, follow-up post-operative examinations, placement of epidurals, or the cesarean section for the laboring patient who is failing to progress.
Today, as we were preparing for a caesarean section on a parturient who is having a child with a left hypoplastic heart., a patient came into the ward at the latter stages of labor demanding an epidural. We quickly placed the epidural and then proceeded to the scheduled cesarean section. A delivery of this nature, demands a multidiscipline approach, with the involvement of other specialties within the institution, which will help optimize the child and mother prior to the delivery and provide excellent neonatal care to the newborn in AMC's state of the art 60+ bed NICU. Working within this team allows me to give the very best care to both the mother and her child as well as gain key experience we will need for our future careers as anesthesiologists.
As a first year anesthesia resident, we are allowed an increasing range of responsibilities, yet always have readily available the guidance of the anesthesia attending. As we gain more experience during my rotation, we are allowed a greater degree of independence, such as the taking of OB call. Our aspirations and expectations at the end of this rotation, is to become both technically skilled in regional anesthesia required for the OB patient, but more importantly to gain the clinical insight required to be a good perioperative anesthesia physician. This rotation which is devoted to OB anesthesia has provided an opportunity to improve my procedural skills, further develop our ability to respond to and provide care to patients in emergency settings, and it was a unique opportunity to share a more continual physician-patient relationship with our patients which guaranteed are usually very happy to see me.


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Web's Largest listing of crowdsourcing and crowdfunding events
2,968 crowdsourcing and crowdfunding sites
It's turning out to be quite the record-setting day for Kickstarter: in addition to video game developer Double Fine's adventure project, which raised $1 million USD in a measly 25-hour window, a second project today surpassed the $1 million mark in total funds raised through the crowdfunding platform.
At the time of writing, over 9,987 backers collectively pledge a total of $1,088,347 to build the Elevation iPhone dock. The project's funding round will expire in 39 hours, but since it passed the $1 million threshold, it will undoubtedly finish strong — not that it needs to do so. Originally, the dock creators asked for $75,000, a meager 7% (or less) of what project creator Casey Hopkins will receive on Saturday.
Project creator Casey Hopkins included a number of enticing perks for project funders: backer benefits range from a dock for those who pledge $59 or more to "reseller" and "distributor" packs for the highest pledges — from $2,000 to $10,000 or more.
Check out the original project pitch video below, or visit the project's Kickstarter page here.
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