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Diet Coke & Diet 7 Up Snowflake Christmas Ornament
Personalized Christmas Ornament
A great holiday combination links a Diet Coke can to a Diet 7 Up can for a unique explosion of color that is creates this ornament made from recycled pop cans. The red and silver of the Diet Coke with the green and white of the Diet 7 Up is an unusual look for a snowflake that is made in the USA by two teenage girls who wanted to make eco-friendly ornaments. Your favorite soda drinkers will love this fun snowflake ornament. Because they are aluminum cans, they are practically weightless and won't pull the branches of your tree down! A percentage of the proceeds goes to The Nature Conservancy so you can feel good about buying this snowflake ornament and giving back to the environment at the same time!
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Material: Aluminum Can
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Wednesday, May 25, 2016
Destruction - Under Attack (2016)
Not so for Under Attack: this is pure, 21st millennium, muscular thrash metal which more or less comes across as an unerring sequence of remodeled, rearranged, riffs from their 80s era, only with the 'boon' of modern production which actually works against it, rendering it nigh indistinguishable from 4-5 of their other reunion era recordings. Voluminous, punchy rhythm guitars playing strings of notes and chords that don't possess a lot of nuance individually, but grant the listener enough variation that he or she isn't going to be too concerned as long as the neck can be strained, which with cuts like these is never really in question. The lead guitars here are actually pretty good, though, possessed of a style which seems to outlast their brevity, and most importantly, this just oozes Schmier's charismatic, strained snarls and roars to the extent that he might have recorded them all as prepwork for a "Nailed to the Cross" or "Thrash 'Til Death" and just saved them for now. He sounds like he's been taking some sort of miracle enhancement pill for his throat, and his bass lines are still fat and omnipresent even where they're not turning away from Mike's untiring, masterful ground work.
This is now Vaaver's third full-length within the ranks and he's hammering away with enough force that his presence instantly brings the Destruction beat system into line with other modern, extreme acts who might play faster and more technically, but not 'harder'. All of this adds up to what is just a consummately professional, pure, nasty Teutonic thrash blowout, at best semi-catchy in pieces like "Generation Nevermore" or "Pathogenic", at worst never really lagging behind much of the other material they've spewed out these last couple decades. The cleaner guitars add just a sliver of variety to the proceedings, tasteful and never overstaying their use, and whilst the bonus material, a cookie cutter cover of Venom's "Black Metal" and a re-recording of the original "Thrash Attack" from Infernal Overkill, are pretty safe choices, they don't allow the sum energy of the disco to falter. In the end, while this is unquestionably going to feel redundant to a lot of listeners, it's a well executed album which I'm going to get a handful of spins out of, but won't last me forever since there just aren't any tunes present that I could consider bonafide future classics for the Germans.
Verdict: Win [7.5/10] (we don't dare to learn)
Posted by autothrall at 3:28 PM No comments:
Labels: 2016, destruction, Germany, thrash metal, win
Wednesday, May 18, 2016
Hoth - Rites of the Black Goddess (2001)
Drudging and ritualistic, Hoth could hardly be dubbed riffing masters when most of the rhythms involve a scant few chords repeated ad nauseam to the point that any change whatsoever comes as a sigh of relief in cuts like "Impious Congregation" or "Hellish Revelation". Any enjoyment here is derived solely from the raw, bludgeoning buzz off the guitars, and the thinly toned synthesizer lines, usually done in somnolent or organ-based pads, which accompany them. Fairly predictable in most songs, but there is nonetheless a timeless sort of charisma which dusts off the cobwebbed atavism at the core of your brain. Loose, wailing leads and bare bones beats round out the experience, as well as the growled vocal lines which certainly distinguished it from a lot of other black metal, which had been pioneered and evolved through the higher pitched snarling intonations. Hoth was also not above a few risks, like the acoustic/keyboard piece "Celebration of Isis", or the inverse ambient bookends.
Somewhere in here, I want to say there's a Hellhammer/Celtic Frost foundation to which the sole member JA's most dingy perception of horror/occult was to be applied. You can definitely hear this in the chord progression of "Pagan Melodies", as well as the overall murk of the production. Black Goddess is like some rare offshoot species of that style, which might have burgeoned forth into the musical gene-streams even if the northern, popular form of black metal had never taken off. Add to that the alluring cover art, and I'm really shocked this doesn't get picked up more, or discussed. That's not to say I have any ringing endorsement for the record. It's compelling as a window to obscurity, but not musically or atmospherically on the level of something I'd want to continually revisit. Still, if you find yourself wandering the grimy underground of antiquity, and don't mind the raw, simplistic, ambition-free riffing, dull if eerie keyboard lines and bare minimum DIY beats, Rites of the Black Goddess might induce a haze of corpse candles, dust and nostalgic rot into your lungs. And J.A. is still doing this, having put out a 'sequel' to the album just last year.
Verdict: Indifference [6.25/10]
Posted by autothrall at 7:06 AM No comments:
Labels: 2001, black metal, hoth, Indifference, portugal
Monday, May 16, 2016
Enlighten - Illvmantithesis EP (2016)
Enlighten emit some dry black metal which shifts between sparser, atmospheric moments, fueled entirely by the guitars, and then the charging intensity that their chosen genre is best known for. But where they apply some melodies, there is just enough of an unexpected dissonance and flavor to the patterns that I wasn't exactly sure where they were all headed, nor was I disappointed with where they ended up. The bass lines are great, rampaging alongside the moderate blasting when necessary with a solid, distorted undertow, but also meting out some faint, lighter-than-air grooves which complement the rhythm guitar structures during less intense points in the songs. Drums are functional, raw and crashing, though I wouldn't call them a strength of the material, and the vocals shift between gruesome growls and snarls, with a little bit of maudlin Gothic mumbling at the close of the second tune "Shroud", which I also felt had the lion's share of the better guitar riffs. My favorite among these would be the almost vomited post-T.G. Warrior lines, so I do wish there were more of them, they simply sound more genuinely disgusting.
Rhythmically and structurally, a lot of the riffing doesn't distance itself much from other bands in the genre, but as I have hinted, there is simply a sincerity evoked through its slight degree of unique choices in what notes will construct a chord or sequence. The EP is given this bright sheen to it, balanced out by the ballast of the tortured vocals and sheer existence of aggressive tempos. Not sure that it has the capacity to overwhelm the senses like a number of the bands who really excel in this odd space between the orthodox and alien aspects of black metal, but it's at the very least a hint that there is some thinking going behind the songwriting, and that Enlighten is not entirely content with just setting up a comfort zone and staying inside its borders, even if the 11 minutes of material here are in truth pretty consistent in style and effect. Wasn't an entirely memorable experience, but it does make me remember the name as a band to watch in the future, since I'd like to hear how their more eclectic choices would span out over a full-length effort.
Verdict: Indifference [6.75/10]
Posted by autothrall at 1:08 PM No comments:
Labels: 2016, black metal, enlighten, Indifference, portugal
Thursday, May 12, 2016
Blakk Old Blood - Greed EP (2016)
There are four tracks here, but unfortunately only two which are bearable. Opener "Misanthrope" is quite good, a burgeoning, bloody black/thrasher in the vein of old Bathory, Hellhammer, early Mayhem, Impaled Nazarene, and most notably Nifelheim. Driven, simplistic, hellish momentum established through a gruesome, more guttural vocal timbre and a set of riffs that are infernally catchy no matter how many times you feel you've heard them before. The third tune, "Thou Are the Dragon" is a bit more of a blast piece using tremolo picked riffs redolent of antique black/death metal, but I loved the trappings, such as the fat and voluminous bass of the into. Sadly, these two particular songs only comprise about four minutes of material, which in of itself is fine, and suits their impish nature, but for the fact that the EP is finished off with an eight minute, dragged out bore of a tune in "Seed of Greed". This piece alternates between two very simple riffing structures, monotonous chords and an attempt at a creeper, circular guitar line which falls flat after about two minutes, and has no business going on for as long as it does.
There simply aren't enough ideas there, and to top that off, it's void of any drum beats save for some very tinny, distant cadence which I frankly think I might have been hallucinating. The whole idea was to create this blasphemous, hypnotic escapism but it's simply too dry. The other track here is just a growled vocal mantra with a couple of voices that doesn't exactly add much to the proceedings, and so I'm left with a feeling that what I just experienced had plenty of untapped possibilities. Had all the cuts been worthy of "Misanthrope", I would be singing it's praises to the golden dawn, but as it stands, it just feels like an entertaining teaser with a bunch of other, inferior material tacked on. At their peak, Blakk Old Blood certainly lives up to their name, and has reserves of potential best channeled into 2-3 minute blackened speed/punk, but don't get too comfortable with structural variation to the degree that it becomes detrimental to the experience.
Verdict: Indifference [5.5/10]
Posted by autothrall at 6:09 AM No comments:
Labels: 2016, black metal, blakk old blood, Indifference, switzerland
Friday, May 6, 2016
Ithaqua - The Black Mass Sabbath Pulse EP (2016)
And, for what it's worth, they make a fairly strong showing of the style, which has long been defined by its mid-paced, cavalry charge riffs with tinnier chugging patterns splayed out into more uplifting melodies than the dissonant and dextrous Scandinavian strain that took off with Immortal and Emperor. In other passages, primarily in the second track here ("Walpurgis, the Flight of Spectral Witches"), the guitars feel like pure driving heavy metal highlighted by the arcane but cheesy synth lines, bluesy leads and then little popping, perky melodies highly redolent of Triarchy of the Lost Lovers, albeit with the production of the two previous Rotting Christ records, even some cutoff points where the guitars take over before the charge begins anew. Bass lines are pretty pedestrian, in that they don't often disengage from the root notes to explore the atmosphere of broaden out the songs as a whole, but at least you can hear them audibly plugging away, and the drums play with the similar shuffling rock beats to their influences, rather than trying to extremify it all with endless walls of double bass and blasting.
Vocals have a murky snarl to them, which is surely reminiscent of Tolis, if not exactly the same, but they don't ever shine quite so much as the guitars, which are going to be the make or break aspect of this 7" for almost anyone interested in hearing it. The tunes run a little on the long side, 16 minutes for just the pair of them, and they might have proven more effective with a bit of editing down; but at the same time, it's not like they just stuffed them with boring content. Personally, while I appreciated Ithaqua's attention to detail in both composing the songs and mirroring that early to mid-90s style of production, I just don't know that they're quite as majestic as the material they pay homage to, and so I'm more likely to run into August Derleth's Great Old One in a tabletop session of Arkham Horror or Eldritch Horror than I am to bring this one back out, when instead I could just pop on some vintage Rotting Christ and still get more from that. But don't view that as a rousing rebuttal on my part. N.C.M. and Echetleos certainly know their business here, and get about it quickly for anyone who direly misses the sound and wants it trapped on vinyl yet again.
Verdict: Indifference [6.5/10]
Posted by autothrall at 6:01 AM No comments:
Labels: 2016, black metal, Greece, Indifference, ithaqua
Thursday, May 5, 2016
Barús - Barús EP (2015)
I don't want to say it's 'confusing', necessarily, but these gentlemen consistently shepherd a busy flow of ideas which tended to stick with me more often than not. The grooves on tracks like "Tarot" and "Disillusions" get slightly more involved than your garden variety banal jumpdafucup style, and they fuck with time signatures just enough, using them more like fills than status quos, to give your mind that impression of the alien. The drums are just great, loads of jazzy snare and toms giving the bottom end of the recording a little more imagination, but beyond that I really liked how they twisted up the vocals, so you've got growls and snarls contrasted against sustained howls, doped roars ala Neurosis, and even some chants, both overt and background, that conjure up a really unique atmosphere. They'll even go for a straight, deep vocal once the metallic elements break down as in the bridge of "Disillusions", or a more manic conversational tone circa an asylum, and really you just have no idea what's coming next.
Even when the band is chugging along with a simplistic riff, they're layering on brighter or dissonant guitars above it and you constantly feel like you're on the edge of them just freaking out, which does happen enough that you get an emotional, angry payoff. I also found the more that I repeatedly went through the EP, the more it grew on me, and if they can record a longer record with the same level of general quirkiness but paint the tempos and vocals with even broader strokes, I think Barús is a name we might have to get used to. Well worth checking out if you're a fan of dissonant, odd death metal but not afraid of having enough straight groove in there that your much cooler friends will disown you and break your Meshuggah records before storming out of your life. By the way, those aren't your friends and never were. Good disc!
Verdict: Win [8/10]
Posted by autothrall at 3:14 PM No comments:
Labels: 2015, Barús, death metal, France, progressive metal, win
Wednesday, May 4, 2016
Wildernessking - Mystical Future (2016)
To that extent, I have to say that Mystical Future is slightly a disappointment, since it's more or less a drawn out, bare style of melodic black metal which concentrates on generally lengthy compositions and has that meandering aesthetic to it which isn't really news. There's certainly a spaciousness to the proceedings which my mind might attribute to a territorial stereotype, but had you told me this band was from the Cascadian scene or even Sweden I wouldn't have noticed much of a difference. Now, this all being said, that is perhaps the ONLY area in which I felt Wildernessking was indistinct, for in truth this is a pretty well done record, solitary and dreamy and seamlessly shifts from its wide open pastures of simplistic, harsher chords and vocals to cleaner, dry air guitar tones, best experienced in the middle piece "To Transcend" which is an exercise in lulling tranquility, despite the rasps that oft ring out against the background which only enhance its mood.
Such a tune is an exception, of course, because the majority of the material is either lurching or surging gloriously along at a determined clip, with dirty-bright guitar chords that easily place this in the wheelhouse of popular 'blackgaze' groups like Drudkh, Alcest, Austere or Wolves in the Throne Room, but in certain sequences are clinging directly to the conventions of old. They accent a lot of the mid-paced riffing with higher, melodic chords that blow the atmosphere wide open, and the vocalist has a nice, grueling, sustained black metal snarl that works really well, imbuing the lighter feel of the chords with something more torturous. The drums hammer along with a steady clap and crash, and the bass line keeps up with some occasional grooves that offer a leaden balance against the more windy maneuvers of the other instruments. Despite a few of the cuts being pretty long at 9ish and 13 minutes, I never felt like abandoning this journey throughout, and that's a testament to there being just enough happening here that it engages you. Simple, sure, and in places the chords are wrought in a predictable fashion, but it never really loses its sense of elegant savagery. I don't envision myself breaking this out much unless I'm in a very specific mood for this enveloping, patient burn, but it's certainly a well made, consistent sophomore from a promising act.
Verdict: Win [7.75/10]
Posted by autothrall at 3:10 PM No comments:
Labels: 2016, black metal, south africa, wildernessking, win
Sunday, May 1, 2016
Maleficence - Realms of Mortification EP (2016)
To be clear, once the swell of the dark ambient intro subsides, this is not a group that focuses in too heavily on atmospherics, instead opting for a more potent, clean studio mix in which the guitars are punchy and effective and vocals placed at a volume that emphasizes their ghastly, barking abandon. Riffing here is highly reminiscent of Mike Sifringer, only it's not as flecked with industrial steel as All Hell Breaks Loose or The Antichrist, but more of a polished Sentence of Death or Mad Butcher. The drums are forceful and enhance the charging momentum of "Pyre of Penitence", while the bass has just enough of a distorted coil and groove to it that you can really pick out where it deviates from the rhythm guitar line. They'll spurt out some picked tremolo riffing sequences to spin just enough of a Slayer-like proto-death metal undercurrent that complements straight up old 80s Teutonic thrashing, and throw up a few melodic bits you wouldn't otherwise expect (in the opening of the title cut), but there are other passages in which it's nearly indistinguishable from that classic thrash sphere.
Fortunately, the Belgians are not lazily spewing forth black/punk riffs that are all too predictable from the get-go, and there seems to have been a modicum of effort and enthusiasm here in the writing. The attention to the more accessible recording places this more firmly into the camp of bands like Erazor and Raise Hell than dingier, atmospheric groups like Power from Hell and Diavolos, but that's not a bad thing, as Maleficence just let the riffs do their talking for them, and that dialogue is established with a vivid and determined force. Not incredibly memorable to the point that you'll be hearing it in your head 25 years later, or perhaps even 24 hours later, but the tunes are entertaining enough throughout their existence, and a full-length of this quality, with the same commitment to varied, intense, impactful writing, would likely stir up some appreciation.
Verdict: Win [7.25/10]
Posted by autothrall at 7:02 AM No comments:
Labels: 2016, belgium, black metal, maleficence, thrash metal, win
Friday, April 29, 2016
Seventh Xul - Qliphothic Rites of Death EP (2010)
"Sitra Ahra" immediately grabs the attention with its repeated, evil melodic phrase and the punchy precision and bulk of the rhythm guitar used to accent it like percussion. Once the song develops further, it's composed of largely predictable tremolo picked death metal patterns redolent of old Deicide, accented with bold octave chords ala Morbid Angel, but while they honor these old, overt Floridian influences, there is also a tiny hint of ritualistic Greek black metal that you'd associate more with Thou Art Lord or Rotting Christ, only a lot of the fetchier melodies have been supplanted by pure sepulchral aggression. Granted, this is more often captured in some of the break riffs, where the drums drop out, and the meat of the thing is far more conservative to its inspirations, but there are moments of departure, especially in the 2nd track, that bring this native spirit to the fore. Bernardo's blasting and double bass have a mechanical nature to them which seems better suited to a pure brutal death experience, not that it doesn't work within the context of this material, but it also doesn't leave much up to the imagination.
In all, while I didn't really enjoy the two tracks enough to spin them more than a handful of times, there were some decent ideas here which were clearly the foundation of great potential. As mentioned, the production is really good, better than what you'd find on a number of albums by its constituents. I do wish the drums were a little less clinical, and more atmospheric in volume, but he was more or less serving as a studio player and I'm not sure how much attention he was able to give the project. Also, the majority of the riffs are just not as compelling as the intro to the first tune, or the choppier atmospheric breaks nestled into the trenches of either of them, and one wishes they had fleshed that out more to make this stand out against a wider variety of old school death metal acts, because this is clearly more in that subgenre than the blackness, which manifests through only a handful of riffs and themes. Still, Seventh Xul was quite competent, and Qliphothic Rites of Death has its moments. With more space allotted for their ideas to gestate, they could very well have climbed 'the ranks' and become more radar-worthy across the underground.
Verdict: Indifference [6.5/10]
Posted by autothrall at 6:49 AM No comments:
Labels: 2010, black metal, death metal, Greece, Indifference, seventh xul
Tuesday, April 26, 2016
The Provenance - 25th Hour; Bleeding (2001)
As mentioned, Emma Hellström had a soothing, rich pitch reminiscent of Anneke van Giersbergen, but she also could hit an eerier, I.C.S. Vortex keening during the less comfortable moments. Yet she was not alone here, joined by a panoply of grunts, growls and Goth-speak by guitarist/vocalist Tobias Martinsson, to the point that they're fairly even distributed with their own lines, and also capable of some rather elegant harmonies as in "Frequencynic". The guitars ranged from lamentations of crisp Goth/doom to more biting patterns that recalled mid-paced progressive thrash, offset by some dingier, cleaner tones. Though 25th Hour; Bleeding is stylistically consistent, there was quite enough going on here that each composition eschewed predictability to create a jagged landscape of ideas that would both calm the listener and jerk him about within a small cluster of measures. The drums set a grooving pace with lots of great little fills and an almost jazzy angel of approach in spots, while the bass bounced back and forth between a smooth low end and its own cavorting grooves that lend the album an impression of murky, druggy 70s psychedelia.
Add to this the judicious use of flute, in a tasteful, Tull-like fashion, and a bevy of synthesizers, pianos and organ tones that enhance the rhythm guitars rather than compete with them for your attentions, and you had quite an engaging listen. In fact, I was quite sure the first time I spun 25th Hour; Bleeding that I was listening to the 'next big thing'. The lyrics were mildly more poetic and poignant than the droopy-eyed standards of the niche, and the music, while maintaining a slightly serrated edge, had this refreshing, hopeful quality to its aggression which stood out. Paired up with some really catchy vocal and guitar hooks, this is just one of those debut records that deserved more. The cover image was shite with its silhouette, and Scarlet Records was unable to effectively market a number of its more compelling bands, but otherwise this was a very good disc which I'd recommend to those seeking off-kilter Scandinavian mash-ups, somewhere between Theater of Tragedy and The Sins of Thy Beloved and the eclectics of Solefald and Ulver.
Verdict: Win [8.25/10] (suppressed by all mankind)
Posted by autothrall at 5:41 AM No comments:
Labels: 2001, doom metal, gothic metal, progressive metal, sweden, the provenance, win
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Zakir Hussain and the Masters of Percussion
Imagine, for a moment, that there are whole worlds of music about which you know nothing. Stars rise and fall in these other spheres, completely uninfluenced by the mechanisms of popular Western music. From time to time, one artist will galvanize an entire nation; one song will become an intrinsic part of cultural identity. While they may speak another language, both literally and figuratively, the artists who create these works draw their inspiration from the same human concerns as do the more familiar voices of our Western musical heritage. This deep affinity provides a much surer translation than any travel dictionary or phrase book.
Classical tabla virtuoso Zakir Hussain stands as a testament to the power of musical expression to make the foreign familiar, like a cultural ambassadorship through sound and rhythm. He blends a rigorous study of classical forms with a willingness to experiment with new sounds and moods. In other words, Hussain's music is at once a vital part of Indian cultural identity as well as a vibrant form of outreach. This was recently evidenced by his commission from the Indian government to compose a song commemorating the nation's 60 years of independence, and earlier, by his role as co-composer of the opening music for the 1996 Olympics in Atlanta. If only all diplomacy sounded this good.
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Margaret Atwood
1 Magazine | 62 Articles | 1,571 Followers | @MargaretAtwood | Margaret Atwood, whose work has been published in more than thirty-five countries is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid's Tale, she is also the author of the acclaimed novels Cat's Eye, Alias Grace, The Blind Assassin, as well as the first two novels in the MaddAddam trilogy, Oryx and Crake and The Year of the Flood.
Meet Snake-girl - the contortionist getting circus audiences in a twist
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"The sounds uttered by birds offer in several respects the nearest analogy to language," Charles Darwin wrote in "The Descent of Man" (1871), while …Science
The Book of Barely Imagined Beings
The Blog of Barely Imagined Beings
Welcome to the blog of The Book of Barely Imagined Beings. I posted more than a thousand entries between February …
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A good story can make or break a presentation, article, or conversation. But why is that? When Buffer co-founder Leo Widrich started to market his …Storytelling
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From rooftop apiaries in Paris to a vegetable-and-chicken farm in Philadelphia, agriculture has come to the city. Urban farmer Mary Seton Corboy and food writer Jennifer Cockrall-King talk about the future of food in the city. Plus, Tama Matsuoka Wong gives tasty tips for eating garden …Urban Ecology
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Is a little-known property of cat purrs the key to keeping astronauts healthy during long trips in space? Judge for yourself!
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Human, animal DNA mixing needs oversight
The fast-moving field of mixing animal and human DNA may need new ethical or regulatory boundaries for some experiments, a British panel …DNA
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Harvesting fog to provide drinking water to world's driest regions
A fog-harvesting system that is up to five times more efficient than previous systems at turning airborne water into drinking water has been developed by researchers at MIT in collaboration with colleagues in Chile.
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Make Your Own Crochet Top (Without Crocheting!)
You don't need any special skills to make this chic crochet top. Why? Because it's actually made out of a crochet throw. You'll be shocked at how easy it is to do!
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scissors ( 1 )
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• roll of thread ( 1 )
• Needle ( 1 )
Ready to make? Find out how …Crochet
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It's illegal, but that's kind of the point.
Incendiary Chinese artist Ai Weiwei, known for his highly political art, isn't exactly a fan of surveillance cameras. When Swiss art curator Hans-Ulrich Obrist asked Ai to contribute to a Do-It-Yourself compendium full of projects from artists, Ai designed …
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What do plants need to grow? Soil, water, sunlight. But there's something else that's just as important: nitrogen. Most plants are only able to …
"Invisibility Wetsuits" Hide You From Sharks While You Swim
Surf's up, dude.
The coast of Western Australia has been particularly dangerous place for shark attacks recent years, earning it the distinction of becoming "shark attack capital of the world." Between October 2011 and July 2012, great white sharks killed five people in attacks in the area.
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- Status: Active
- Full Name: Kyle Duerr Seager
- Age: 28 (November 3, 1987)
- Birthplace: Charlotte, NC
- Bats/Throws: L/R Ht: 6' 0" Wt: 210
- Draft: Round 3 (2009, SEA)
- MLB Debut: 07/07/2011
- School: North Carolina
- Relationship(s): brother of Justin Seager, brother of Corey Seager
Kyle Seager Stats Summary
Kyle Seager Career Stats
MiLB.com News
- Braves' Swanson stays focused despite scrutiny
- Mets' Nimmo, Rangers' Ortiz headline Roundup
- Promo Watch: El Paso rocks 'n' rolls all night
- Indians' Morimando keeps on winning
- Angels' Alcantara refining his arsenal
- Shipley wheels, deals six shutout innings for Aces
- Dickerson dramatically extends hit streak to 21
- Banged-up Rangers call on Gallo for third time
Kyle Seager Video
Watch more Kyle Seager videos »
MiLB.com Photos
View MiLB.com photos »
|August 2, 2011
|Seattle Mariners recalled 3B Kyle Seager from Tacoma Rainiers.
|July 21, 2011
|Seattle Mariners optioned Kyle Seager to Tacoma Rainiers.
|July 7, 2011
|Seattle Mariners selected the contract of Kyle Seager from Tacoma Rainiers.
|June 23, 2011
|Kyle Seager assigned to Tacoma Rainiers from Jackson Generals.
|April 4, 2011
|Kyle Seager assigned to Jackson Generals from High Desert Mavericks.
|March 1, 2011
|IF Kyle Seager assigned to Seattle Mariners.
|March 4, 2010
|3B Kyle Seager assigned to Seattle Mariners.
|September 5, 2009
|Kyle Seager assigned to High Desert Mavericks from Clinton LumberKings.
|July 18, 2009
|Kyle Seager assigned to Clinton LumberKings from AZL Mariners.
|July 17, 2009
|3B Kyle Seager assigned to AZL Mariners from Seattle Mariners.
|July 15, 2009
|Seattle Mariners signed Kyle Seager.
Kyle Seager Awards and Honors
Kyle Seager 15 3B
- Full Name: Kyle Duerr Seager
- Born: November 3, 1987
- Age: 28
- Birthplace: Charlotte, NC
- Bats: L
- Throws: R
- Height: 6' 0"
- Weight: 210
- Draft: Round 3 (2009, SEA)
- School: North Carolina
- MLB Debut: 07/07/2011
Selected by the Seattle Mariners in the third round of the 2009 First-Year Player Draft. ... Signed by Mariners scout Rob Mummau. ... Graduated from Northwest Cabarrus (N.C.) High School in 2006. ... Named First Team Louisville Slugger High School All-America. ... Impact Baseball Co-North Carolina Player of the Year. ... Also earned all-state and All-Charlotte Observer honors. ... Played three seasons at the University of North Carolina from 2007-09. ... Named first team All-Atlantic Coast Conference in 2009. ... Earned second team All-America honors from the NCBWA, third team All-America status from Collegiate Baseball and second team ABCA All-Atlantic Region and All-ACC accolades in 2008. ... Won the Walter Rabb Award as the Tar Heels' most improved position player during his sophomore season.


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New pope will be chosen based on spirituality, says Quebec cardinal
CTVNews.ca Staff
Published Tuesday, February 26, 2013 11:43AM EST
A Quebec cardinal says the new leader of the Catholic Church will be chosen based on his spirituality, not through lobbying.
Cardinal Jean-Claude Turcotte made the comments Tuesday ahead of a trip to Rome where he will be part of the conclave that will elect a new pope after Pope Benedict XVI's retirement.
"Before the opening (of the conclave), the cardinals have some meetings together, not to organize the election of so and so," he told reporters during a press conference in Montreal. "It's very important that you know that someone who will fight to win the job will be excommunicated."
Turcotte said Canadian Cardinal of the Catholic Church Marc Ouellet -- considered to be among the front-runners to succeed Benedict -- will be an important figure during the upcoming conclave.
"Ouellet is a very important one because he is very well-known around the world," Turcotte said. "He was involved in the nomination of almost all the bishops in the world.
"But we don't know what's going to happen," Turcotte added, explaining that there are a number of cardinals who can replace Benedict.
"The pope is not a prime minister or a union leader. He's a spiritual man," Turcotte said. "It's very important that he has very good faith and receives the Holy Spirit in his governing of the Church."
Turcotte and Ouellet will be joined by Archbishop of Toronto Thomas Collins as Canada's three representatives who will convene in the Vatican's Sistine Chapel to elect the next pope.
The first conclave meeting isn't expected to take place until Monday, a Vatican spokesperson said today, since the official convocation to cardinals to come to Rome will only go out on Friday.
In all, 115 cardinals under the age of 80 are expected for the conclave to vote to elect the next pope.
Future title, final appearance
On Tuesday the Vatican announced that, after his resignation, Pope Benedict XVI will be known as either "Your Holiness Benedict XVI" or "emeritus pope".
It was also revealed that Benedict will continue to wear a white cassock.
The pope's title and what he would wear have been major questions ever since Benedict announced his retirement, making him the first pontiff to do so in 600 years.
It was believed that after stepping down, Benedict would return to wearing the traditional black garb of a cleric and use the title "emeritus bishop of Rome", as to not create confusion with the future pope.
Vatican spokesman Rev. Federico Lombardi said Benedict decided on his name in consultation with others.
While he will no longer wear his trademark red shoes, Lombardi said Benedict has taken a liking to a pair of hand-crafted brown loafers made for him by artisans in Leon, Mexico, which were presented to him during his 2012 visit.
With files from The Associated Press
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X-Men: Apocalypse
X-Men: Apocalypse is a confused, bloated, mess of a film.
X-Men: Apocalypse is a confused, bloated, mess of a film.
There is no magic, no wonder, just junk rehashed from a movie that was itself a rehash of Lewis Carroll, tricked out with physically unpersuasive…
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Ken Loach's "I, Daniel Blake" wins the Palme d'Or at the 69th Cannes Film Festival.
Barbara Scharres on the cats of Cannes 2016.
Roger's Favorites: actress Faye Dunaway.
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Part two of Jana Monji's essay about the portrayal of Asian characters in cinema.
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A review of the second season of FOX's "Wayward Pines," premiering Wednesday, May 25th.
* This filmography is not intended to be a comprehensive list of this artist's work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Marie writes: In a move which didn't fail to put a subversive smile on my face, works by the mysterious graffiti artist Banksy began to appear recently in Hollywood as Academy Awards voters prepared to judge Exit Through the Gift Shop, which is up for best Documentary. (Click to enlarge.)
The most controversial thus far was painted on a billboard directly opposite the Directors Guild of America HQ on Sunset Boulevard. A poster advertising The Light Group (a property, nightclub and restaurant developer) was stenciled over with images of a cocktail-guzzling Mickey Mouse grasping a woman's breast. As it was being removed, a scuffle broke out between workmen and a man claiming the poster was his "property" - presumably triggered by the fact that an authentic piece by Banksy is worth thousands. To read more visit Banksy targets LA ahead of Oscars at the Guardian. And to see more pictures go HERE.


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Moms & BabiesKerry Washington's Polished & Pretty Bump Style
Flawless hair? Check. Fabulous designer gowns? Check. See how the expectant Scandal star brought her A-game to the red carpet
Credit: Jen Lowery/Splash News Online
Updated: Thursday Mar 13, 2014 | 03:30 PM EDT By: Laura Lane
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The NiStars Saturday School covers singing, dancing, drama, modeling, DJing, TV presenting and loads more. With tuition from experienced industry professionals, students also get regular performance opportunities.
Saturdays, 10am –1pm. £60/month.
Performance Classes
Singing and Dancing performance classes for 6-18 year olds with regular performance opportunities.
Juniors: Sundays 1-3pm
Seniors: Mondays 7-8pm. £5/session.
Saturday 4th, 11th & 18th June (three sessions) 12-3pm
Three Saturday morning sessions for ages 6+ in film making and animation skills using digital technology. With children learning their way around tablets and other devices from an early age, it's never too early to start!
12-1.30pm watch a special film, followed by a picnic lunch (£3 per person), then learn how to make your own film on iPads!
Monthly Heritage tour with our expert projectionist and Film enthusiast Alan McClurg.
Come hear about The Strand's history, its unique Art Deco architecture and traditional movie theatres. Get behind the scenes to see the workings of both our original 35mm film projector and the new digital projectors. Watch selected footage from the Northern Ireland Screen Digital Archive.
Only 10 places available, pre-book to avoid disappointment.
If you have a group of more than 6 people we will put on another tour for you - please email: email@example.com / 02890655830
Saturday 23rd April 12.30pm
Saturday 18th June 12.30pm


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Screw you with your Crime in Stereos, your Capitals, your Agents, and your Thieves and Assassins. Seriously, take a long jump off a short pier into Long Island Sound. Every week there seems to be a new band coming from that damn island that of yours that just feels the need to completely floor me. Is it something in the water that keeps you pumping out one great band after another? What is going on over there?
Case in point, Up the Fury. This band is reminiscent of bands I don't really listen to on a daily basis - Life Long Tragedy, Modern Life is War, Final Fight, etc. I for one am over this slow build up to a throbbing crescendo of emotional catharsis type hardcore. But then comes Up the Fury with Behind Every Mind and makes this sound seem as fresh as it did a few years ago. Up the Fury take that sound and add a solid groove to each and every song with some quality 90's chugga-chugga mosh. While Up the Fury's brethren like to live between walls of sound and snail pace climbs, Up the Fury, on the other hand, goes straight for the throat, grips tight, and doesn't let go till the final note.
It's always refreshing to hear a band that takes a genre of music that you've been over-saturating with and turn it into some listenable and enjoyable. I know it has something to do with you Long Island. You just have this uncanny knack as of late to put out great band after great band. I'm jealous. Who wouldn't want to go to their local hardcore show and get see a plethora of sweet hardcore/punk bands that share the same zip code, the same passion, but yet sound different from each other? Who wouldn't want to be part of that?
Long Island, one of these days I'm going to bare witness your awesome scene with my own two eyes. Until then you keep sending in your records to Scene Point Blank and I'll keep swooping them up to review. I'll sit in my living room chair moshing along and relish every minute of it.
8.2 / 10
The Dandy Warhols new release Distortland is a trippy foray into pop that should not only garner new fans but also satisfy their long term fans as well. The band ...
Marissa Nadler has been releasing albums since 2004, and her meticulous constructions of dream states has been astonishing since the first notes of "Fifty Five Falls." Through the years, Nadler ...
Music Band, along with JEFF the Brotherhood and Diarrhea Planet, forms the Infinity Cat triad, the latest representatives of the Nashville indie punk scene. I'll readily admit to being a ...
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text: Ultimate Guide to Games for ISTE 2016 BY Elle Jacobson May 26, 2016 Industry News Get ready to game at ISTE 2016! We've created the ultimate, pre-planned guide to game-based learning at this year's ISTE conference! Check out our guide below for recommended sessions, workshops, lectures, panels, social events, and exhibitors to visit during... Keep Reading


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Lyrics Depot is your source of lyrics to Enough by Heart. Please check back for more Heart lyrics.
Enough Lyrics
Artist: Heart
Album: Jupiter's Darling
The color blue
I always felt it like a sigh
But this is new
This blue fire inside his eyes
With feet of snow
I try in vain
He makes the northern lights come dance for me again
He's good enough
He's sweet enough
He's man enough a little touch
I need so much
I want so much
I need to feel that secret touch
Why can't I break out
Why won't he reach out for me
Oh Loneliness
It comes and it goes
But lately loneliness loneliness
It just grows and grows and grows
Cause here he is living deep inside
Nowhere nowhere nowhere to hide
Heart Lyrics
Heart Jupiter's Darling Lyrics
More Heart Music Lyrics:
Heart - All I Want To Do Is Make Love To You Lyrics
Heart - Easy Target Lyrics
Heart - Heavy Heart Lyrics
Heart - I Love You Lyrics
Heart - Lost Angel Lyrics
Heart - Private Audition Lyrics
Heart - Stranded Lyrics
Heart - Together Now Lyrics


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Today's Devotional
Powerful PatienceHow can you trust God more even as you wait on Him?
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Susan Weagant is a inspirational Christian Women's Speaker. She currently speaks for Stonecroft Ministries and is a Bible teacher at Camp Peniel, a youth and family camp. She is also on a lecture team for a community Bible study for women. She is available for speaking engagements, and this information is on her website susanweagant.com.


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Your views on Super RugbyShare your stories, photos and videos.
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Super Rugby
Graham Henry admits he's struggling to button his lip in his latest coaching assignment.
So used to being the "guv'nor", the 66-year-old is still coming to terms with his assistant's role in the top-heavy Blues coaching structure as they get set to open their season against the Hurricanes in Wellington tomorrow.
It's been a summer of transition for Henry, the All Blacks coach who brought the World Cup back to New Zealand.
"The only time I've been an assistant coach in 40 years of coaching was in 2002-03 when I came back from Wales," Henry said of hooking up with Peter Sloane back then as technical director and helping the Blues land their third title.
Now he's got the same role in a coaching team headed by Sir John Kirwan.
"I've found that more difficult than what I thought I would. I've found it hard to shut my face at times. I'm getting better at that. But I have to bite my lip . . . 'shut up Graham, shut up Ted', I keep telling myself."
Henry is very much aware that this is Kirwan's time and it is his fellow knight who will largely be held responsible for the demanding job of rebuilding the once proud franchise.
So autocratic in his early days with the whistle and clipboard, Henry surrounded himself with heavyweight assistants at the All Blacks and developed a coaching by committee style. But ultimately, the buck stopped with him.
Now Henry's experience and knowledge, as well as his aura, are invaluable to the new breed of coaches and players. But in his wide brief as technical director with a focus on defence, he's learning about choosing his moments.
"Because it's JK's team and he's doing a great job. The guys are enjoying their environment and they are learning," Henry said, adding he was hugely impressed by Kirwan's passion for the squad and the region and the high energy he was bringing to the job.
Kirwan oozed positives and that was a valuable commodity in such a raw squad.
Having had his arm twisted to join the setup late last year, Henry was also feeling invigorated by what he's experienced over the last couple of months.
The only hiccup has been arthroscopic ligament surgery to his knee - wear and tear from all those years - that leaves him a bit ginger after "a couple of hours on your feet". But nothing can weary his spirit.
"I've been loving it. It's a bloody good challenge. I always enjoy rugby coaching. I enjoy the young guys. It's just been part of my life, a very enjoyable part and it's just continuing . . . in a minor role."
So used to working with the cream of the crop, Henry has had to adjust his sights.
"It's a major change. We've got a big group of guys and a lot of them are very inexperienced at this level. But they are enthusiastic, they are keen and they want to learn. And when you have got guys that want to learn, and are very coachable, it makes life very good.
"It's a learning environment. They are getting better and they are enjoying it, that's the foundation to go on."
It's an adjustment of expectations, too. Asked where the Blues started in the New Zealand conference, Henry didn't hesitate: "Fifth."
He'll back his team to make an impact but he can't remember a tougher time to try to do that.
"I think New Zealand rugby is probably as strong as I've ever seen it if you look at the Highlanders, the Crusaders, the Hurricanes and the Chiefs and even the Blues . . . I can't remember - and I've been involved from the start - the sides being so strong across the board.
"That's brilliant for New Zealand rugby. It's going to be highly competitive. That's probably a bit of a disadvantage for the New Zealand franchises because they play each other twice. It's obviously going to affect the hierarchy at the finish when the final results come through. But it's good for the development of our players.
"They are the strongest player rosters I can remember. There have been the Crusaders and Blues, the Crusaders and Hurricanes, the Chiefs of late . . . but to have all of our teams with the playing strength they have got is phenomenal."
- Fairfax Media
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Which 2015 NZ Super Rugby team looks best?


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Hollywood Valentines 2008
Valentine's Newest Sweethearts
Struck by Cupid's arrow, these Hollywood couples – George & Sarah! Reese & Jake – will be celebrating their first holiday together. By Suzy Byrne
Credit: BAUER-GRIFFIN
Updated: Thursday Feb 07, 2008 | 06:00 AM EST
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Dead FishRead MoreFive Things to Know About The Dead Fish Growing up in Italy, the chef of The Dead Fish regularly indulged on the seafood dishes of his grandmother, who he affectionately called Nonna. In fact, she cooked fresh catches of fish, crustaceans, and mollusks so often, she regularly forgot what should initially put in the pot. When anyone asked what she was making, she replied, "It's a dead fish!" Here's how the team at The Dead Fish lives up to Nonna's passion for seafood and good company: The house specialty is the Killer Crab. Hauled straight out of the Pacific, every whole dungeness crab tips the scale at least 2 lb. Each meaty crab comes roasted and drizzled with a house garlic-butter sauce. A bawdy sense of humor enlivens the menu. Dishes go by a variety of names at The Dead Fish, from the Nice Piece of Bass to the Chocolate Fourplay fondue. The daily special goes by "Recently Demised Fish of the Day," and the turf selection owns the heading, "Other Dead Things." Landlubbers are welcome, too. After a handful of seafood specialties, The Dead Fish's next most popular dish is the slow-roasted prime rib. Mighty appetites can go for "the slab" cut. The view is something to behold. Grab a table on the European-style patio for stirring views of the Carquinez Straits and bridge. Expect an energetic atmosphere. Like Nonna's kitchen, The Dead Fish tends to be a boisterous place, full of sounds and smells.20050 San Pablo AvenueCrockett, CA US
Sardine CanRead MoreFresh fare can be found at Sardine Can, where diners seek to sample every seafood dish on the menu. The menu at Sardine Can does not include any low-fat options, so come ready to indulge. Find time to peruse the wine list here — Sardine Can offers a variety of drink options. Little guys and gals will also love dining at Sardine Can, which offers a family-friendly environment (and menu). Open air seating is ready for diners at Sardine Can when the weather is warm. Sardine Can has a large dining room, making it easy to seat large parties. Don't get stuck waiting for a table — the restaurant accepts reservations. Business casual dress, tasty food and a classic atmosphere makes this a great place for any occasion. Getting your food to go is also an option. Catering is also available if you'd like to serve Sardine Can's tasty dishes at your next party. Parking is provided in a nearby lot, so diners can easily walk to and from their cars. Sardine Can offers outdoor bike racks for cyclists. If you go out for a nice meal, it doesn't need to cost $100, come treat yourself at Sardine Can. Breakfast, lunch, and dinner are all available at Sardine Can.0 Harbor WayVallejo, CA US
Red LobsterRead MoreStart with the calamari and save room for the fresh catch at Vallejo's Red Lobster — this Vallejo seafood spot has quite the selection. Looking for low-fat, gluten-free meal options? Look no further than Red Lobster. This restaurant also provides alcohol, so diners don't have to worry about bringing their own bottle. Bring the whole clan to this restaurant — kids and parents will love the menu and ambience here. At Red Lobster, you won't have to wait for your large or small group to be seated. Call ahead for reservations to ensure your table is waiting for you when you arrive. No need for a wardrobe change when you hit Red Lobster — it's strictly casual. You can also grab your food to go. Ample parking is located near Red Lobster. Red Lobster's moderately-priced platters and top-notch taste bring foodies back to Red Lobster time and time again. Seafood cravings are best satisfied at Red Lobster.1180 Admiral Callaghan LaneVallejo, CA US
Long John Silver'sRead MoreOne of the most-frequented restaurants in Vallejo, Long John Silver's has flavorsome seafood and good salad. It's a popular restaurant for customers that want terrific food. There's no particular required attire, so feel free to dress comfortably. Also, though the overall price may be low, you can bank on the ingredients being fresh. In fact, you should certainly be able to enjoy a good meal for nine or ten bucks, and can probably get in and out for just a fiver if you try. If you're in a hurry, the menu has plenty of items that are well-suited to eat on the go. A reliable option for both lunch and dinner in Vallejo, this Long John Silver's definitely stands out from the competition. Don't worry about trying to find a spot on the street, as visitors to the restaurant do have access to a private parking lot nearby. Would you rather ride there? Bike parking is also provided.1015 Redwood StreetVallejo, CA US
JJ Fish and ChickenRead MoreIndulge in J J's Fish and Chicken's fried chicken and tasty sides. Quit fat and gluten at J J's Fish and Chicken, where low-fat fare and G-free offerings are the norm. Take the kids along too — this restaurant is a great spot for families with food that even little ones will love. Outdoor seating is ready for diners on those warm summer days. Or, take your grub to go. Forget circling the block, J J's Fish and Chicken has plenty of nearby parking options. J J's Fish and Chicken offers various parking options, including bike parking. Menu items at J J's Fish and Chicken tend to be mid-priced, so expect to plop down about $30 per person to dine here. Flavorful, juicy chicken is hard to come by, and J J's Fish and Chicken is serving it up tens of different ways!515 Fairgrounds DriveVallejo, CA US
Louisiana Fish & ChipsRead MoreThe premier destination for fantastic seafood and tasty fish and chips, Louisiana Fish and Chips in Vallejo is one of the area's best-rated restaurants. It's an ideal choice for those that want fantastic food. There's no specific recommended attire, so feel free to dress casually and comfortably. If you need food provided for a local event, take advantage of its catering options. Specializing in lunch, Louisiana Fish and Chips is a great choice when you're in the mood for unique international cuisine, and want to get more adventurous than the usual Chinese/Mexican/Italian fare. Don't worry about trying to find a spot on the street, as visitors to the restaurant do have access to a private parking lot nearby.601 Tennessee StreetVallejo, CA US


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Articles tagged killer of sheep
24 Jan 2008 // 10:00 PM
It was the year of the behemoth box set, the multi-disc triumph that tried to give long suffering fans everything their demanding little digital hearts ever desired. Here are PopMatters' 30 picks for the best DVDs of the year.READ more
29 Nov 2007 // 10:00 PM
Hopefully the appearance of Killer of Sheep just the marks beginning of the due recognition that the UCLA school of black filmmakers deserves as a whole.READ more
2 Aug 2007 // 4:00 AM
In the box-like living room of their Watts bungalow, Stan and his wife are slow dancing to Dinah Washington's "This Bitter Earth": "This bitterREAD more
//Mixed media
Shabazz Palaces "Dawn in Luxor" (Singles Going Steady) // Music
Randy Rogers and Wade Bowen "West Texas Rain" (audio) (premiere) // Music
Kaytranada "Lite Spots" (Singles Going Steady) // Music
Rachael Sage "I Don't Believe It" (video) (premiere) // Music
//Pm Picks
Cage the Elephant Ignite Central Park with Kickoff for Summerstage Season
// Notes from the Road
"Cage the Elephant rocked two sold-out nights at Summerstage and return to NYC for a free show May 29th. Info on that and a preview of the full Summerstage schedule is here.READ the article


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Mothers Day
Keeley Burton
TRACY BURTON Happy Mother's Day Thank you for everything. hope you have a good day. Love Keeley…Add message
Mothers Day
Sharon Attree
SHARON ATTREE Happy Mother's Day Nanny. Thanks for being the best Nanny ever. Love you lots and…Add message
Mothers Day
Karen Powell
Karen Powell To our lovely Mummy Happy Mother's Day All our love your little girls Hollie and…Add message
Mothers Day
Gloria Greatbatch
Gloria Greatbatch Happy Mother's Day to a lovely Mum, Nan & Great Nan. Love ~ Wendy,…Add message
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BETTY WHITE Happy Mother's Day. Relax and enjoy yourself. You are the best. All our love Your…Add message
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KAY POWELL Happy Mother's Day, to our special mum/grandma, much love Karen, Mark, Hollie,…Add message
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Nora Dean
Nora Dean "Doll" My first Mother's Day without you dear mum. So many treasured times together.…Add message
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Gladys Mary Boisse Remembering a very dearly loved Mum and Nan on your special day. All our…Add message
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Francesca Ruth Thornton
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Vilma Jean Cox
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John Entwistle
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Sara Barry
SARA I love you more today than yesterday and less than tomorrow. Love forever Vince xxxAdd message


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We loved this deal too, but it's no longer available. Check out our other cool deals here.
Bellota at SKYCITY
$25 for a $50 or $50 for a $100 Food & Beverage Voucher (value up to $100)
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- Enjoy a delicious menu of traditional Spanish and Mediterranean tapas designed by internationally renowned chef Peter Gordon.
- Grab a $50 food and beverage voucher at Bellota for only $25.
- Keen for more delicious dining? Pay $50 for a $100 voucher.
- Soak up the authentic Spanish atmosphere with good company, great music and fabulous Spanish wines and tapas.
It seems like some things are tough to improve. Take dinner, for instance – a gorgeous plate of steaming goodness and delicious flavours. However, what if rather than just one plate of dinner there were many different plates of many different flavours? Not just a foodie's dream – a reality, thanks to tapas.
We've got one of the most authentic tapas experiences you'll find in Auckland, thanks to international chef Peter Gordon's popular Spanish-style tapas bar, Bellota at SKYCITY. Try it for yourself by grabbing a $50 food and beverage voucher at Bellota (pronounced bey-otta) for just $25. Keen for more delicious dining? Pay $50 for a $100 voucher.
Stepping into Bellota feels like you've stepped into a tapas bar in Madrid. Tapas plates and little dishes scatter the tables, friends laugh over jugs of sangria and couples enjoy intimate conversation in the private booths. The authentic menu is stuffed with all the basics of Spanish cuisine - starting with crusty bread, olives, nuts, pickles and fine cheeses. Then there's a range of pintxos and montaditos (small bread-based tapas meaning 'little mounds') and hot delicious bites of tapas, such as snapper ceviche, crumbed deep-fried goat cheese, crispy squid tentacles, cheese stuffed figs on salad, green-lipped mussels and homemade ricotta and chimichurri salsa. Be sure to save some space for the sweet desserts and extensive beverage list, including sherry, wines and cocktails.
Bellota at SKYCITY
SKYCITY Auckland
Auckland City
Business in trade
Opening Hours
Open daily from 4.30pm (from midday on Fridays)
ConditionsValid from Jan 22, 2013
Expires Feb 19, 2013
Max 1 voucher per person per visit, max 2 vouchers per table. Must be redeemed in 1 visit. No change will be given. R18 for the service of alcohol. Host Responsibility limits apply. Employees of SKYCITY are not eligible to take up this offer. *Please note, Bellota does not take bookings. Tables are subject to availability.
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Syracuse Heritage Days June 25-30
Dr. Seuss characters will be coming to Syracuse on Wednesday, June 27, as part of the city's Heritage Days, which will run June 25-30.
The "Seussville" parade, where residents are encouraged to dress as their favorite Dr. Seuss character, is part of the children's night where there will also be rides, face-painting and games.
In preparation for the pie social on Thursday, June 28, the city will be painting — or rather chalking — Founders Park. The sidewalks and concrete surrounding the park will covered by chalk masterpieces, created by artists of all skill levels.
The celebration will also have a family magic show, family movie night, basketball tournament, carnival and concert and fireworks in the park.
The music will be performed by a local Beatles tribute band, Get Back.
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List all words starting with herding
Only the word herding was found, nothing longer.
Some random words: vocable vying jeon odious do bub man
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George Harrison - Cloud 9 (Live in Japan - 1991)
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George Harrison - Cloud 9 (Live in Japan - 1991) - YouTube. There's some superior slide guitar solo work by George. A feast for the eyes and the ears.
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A performance from the album "Live in Japan" (1991), featuring Eric Clapton.
George Harrison - Cloud Nine (tradução)
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George Harrison,[nb 1] MBE (25 February 1943 – 29 November 2001) was an English musician, singer and songwriter who achieved international fame as the lead guitarist of the Beatles. Although John Lennon and Paul McCartney were the band's primary songwriters, most of their albums included at least one Harrison composition, including "While My Guitar Gently Weeps", "Here Comes the Sun" and "Something", which became the Beatles' second-most-covered song.
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"Maybe now if you talk to Yoko she may say she liked The Beatles. But she didn't really like us because she saw The Beatles as something that was between her and John. The vibe I picked up was that she was a wedge trying to drive itself deeper and deeper between him and us, and it actually happened. It may be unfair to blame Yoko totally for any break-up because we'd all had enough by then, anyway. At that time I was definitely uncomfortable about her being there." - George Harrison, 1995
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"I remember thinking I just want more. This isn't it. Fame is not the goal. Money is not the goal. To be able to know how to get peace of mind, how to be happy, is something you don't just stumble across. You've got to search for it." -George Harrison
The film's soundtrack was George Harrison debut solo album, Wonderwall Music, and was the first release for The Beatles' company Apple Records.
"The only thing we really have to work at in this life is how to manifest love." - George Harrison
A very psychedelic George Harrison of The Beatles in meditative pose
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Kinfauns, aka one of the houses I'd want to live in. I guess, why did they had to demolish and replace it with another house? Kinfauns was so beautiful, with all those colours, psychedelic patterns and the message "Mick and Marianne were here" (that's one of the things I love most about that house, I don't know why). And of course a lovely garden, a swimming pool... all those things everyone wants in his house. I wish I was one of the lucky fans who went and saw George (my second favorite Beatle, after John) and the gorgeous Pattie... Kinfauns was a bungalow located in Esher, Surrey, where George Harrison and Pattie Boyd lived from 1964 to 1970. George bought it for £ 20.000 on the advice of the Beatles' accountant. In 1967 George and Pattie, inspired by the book Tantrum Art, painted the house in psychedelic patterns, and The Fool painted George's Mini and a mural around the fireplace. In 1968, after the Beatles' stay in India, many demos were recorded here. One day Mick Jagger and Marianne Faithfull went to Kinfauns but as they saw nobody was home, they painted the message "Mick and Marianne were here". In 1970 George moved to Friar Park and Kinfauns was demolished and replaced with a new house. With Brian Jones and Anita Pallenberg With George's parents and a fan Can I be that girl? Sources: www.tumblr.com/tagged/kinfauns http://whenyouawake.com/2010/05/18/picture-book-george-harrisons-kinfauns/
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George "Hair-rison" #longhair #georgeharrison #beatles The BEST example of LONG HAIR in the late 60s and early to mid 1970s. Very good hair indeed.
He wrote my two favorite Beatles songs and he was the absolute best of the bunch.
George Harrison Quote: Happy birthday George, we miss you!
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George Harrison in Munich, 24 June 1966. Photo by Robert Whitaker.
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George Harrison Photo: This Photo was uploaded by darlindarlin. Find other George Harrison pictures and photos or upload your own with Photobucket free ...
how does it feel to be one of the beautiful people | via Beatle Love ~ Cityhaüs Design
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"It's being here now that's important. There's no past and there's no future. Time is a very misleading thing. All there is ever, is the now. We can gain experience from the past, but we can't relive it; and we can hope for the future, but we don't know if there is one." George Harrison | via Beatle Love ~ Cityhaüs Design
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In this activity, students learn about how climate change is affecting the Arctic ecosystem and then investigate how this change is impacting polar bear populations. Students analyze maps of Arctic sea ice, temperature graphs, and polar bear population data to answer questions about the impact of climate change on the Arctic ecosystem.
This video is part of the Climate Science in a Nutshell video series. This short video looks at the effects of climate change happening right now around the globe, including: more extreme weather events, droughts, forest fires, land use changes, altered ranges of disease-carrying insects, and the loss of some agricultural products. It concludes with a discussion of the differences among weather, climate variability and climate change.
This video features University of Wisconsin-Madison researcher John Magnuson, who studies the ecology of freshwater systems. He explains the difference between weather and climate using data on ice cover from Lake Mendota in Madison, WI. Analysis of the data indicates a long-term trend that can be connected to climate change.
In this activity, students use NASA satellite data to explore the seasonal changes in sea surface temperatures of the Gulf Stream. Students use NASA's Live Active Server (LAS) to generate data of sea surface temperatures in the Gulf Stream, which they then graph and analyze.
These animations depict the three major Milankovitch Cycles that impact global climate, visually demonstrating the definitions of eccentricity, obliquity, and precession, and their ranges of variation and timing on Earth.
This carbon calculator, developed by the EPA, guides students in calculating their carbon footprint and then using that information to make decisions about how to reduce their carbon emissions.
This resource is a website that is a self-contained, multi-part introduction to how climate models work. The materials include videos and animations about understanding, constructing and applying climate models.
A simple three-part diagram from UNEP GRID Vital Water Graphics showing what the impact of global warming will be on projected coastlines and populated areas of Bangladesh with a 1 and 1.5 m sea level rise relative to the current coastline.
In this hands-on activity, students will learn about dendrochronology (the study of tree rings to understand ecological conditions in the recent past) and come up with conclusions as to what possible climatic conditions might affect tree growth in their region. Students determine the average age of the trees in their schoolyard, investigate any years of poor growth, and draw conclusions about the reasons for those years.
This short cartoon video uses a simple baseball analogy (steroid use increases probability of hitting home runs) to explain how small increases in greenhouse gases can cause global temperature changes and increase the probability of extreme weather events.


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Zimbabwe won the Confederation of School Sport Associations of Southern Africa (Cossasa) Championships for the third time with a total of 55 medals, 21 of which were gold, 20 silver and 14 bronze.
It will set sail on 19 May again. The BOA Sub C represents improved capacity, workability, safety and comfort for offshore construction work. It has proven to be an excellent resource for transportation and float over operations.
The Walvis Bay Corridor Group (WBCG) initiated efforts to uplift the freight-forwarding sector through training as well as to strengthen the professional competence of Namibian freight forwarders by equipping them with requisite skills in anticipation of increased cargo volumes expected with the
Erongo Red held a shareholders' summit to provide the newly-appointed councillors in the Erongo Region with an overview of the electricity supply situation in the region.
Rushin Samuels (25) is the newly-crowned Mr Walvis Bay 2016. He was the judges' favourite at the Mr Walvis Bay junior and senior beauty pageant.
Namibia Bureau de Change, a foreign currency exchange company, opened its doors in Walvis Bay. The exchange company is a subsidiary of the Bidvest Group.
From 22 to 24 September it is festival time in this town on the edge of the desert when locals and visitors alike celebrate the 10th birthday of the Artist Trail - a well-established event on the national arts calendar - and the only one of its kind in Namibia.
Dit lyk of truie, baadjies en musse maar die naweek hul lê in die hangkas kan kry met warmer toestande wat van Vrydag kan intree. Maar pas nou op vir 'n oosweertjie, want 'n voorspelling vir Vrydag is 'n masksimum van 28 grade vir die sentrale kus.
"Namibian fisheries resources do not belong to just a few. Right holders receive rights on behalf of all Namibians and it is not an entitlement limited to themselves for all times.
Namibia's coastal resorts are well represented in the final stage of the national search for the Town of the Year. Crunch time is the Namibian Tourism Expo and Motor Show in Windhoek where all four finalists will be on parade.