text:
Tina Campbell was ready to walk away from her marriage before her sister Erica Campbell shared how she overcame infidelity.
On the next episode of "Mary Mary," Tina's anger over her husband's cheating will consume her after she finds out how many more affairs he really had. At first, Tina thought Teddy had only cheated once, but the truth is that he was sleeping with many other women while she was on the road.
"I thought we had a good life just like everybody else watching. I thought we was the ideal relationship just like everybody else," Tina said, expressing what she would probably have said to Teddy if he were standing in front of her.
"You stole my life away from me. I'm angry. Why you gotta do me like this?! I was good to you, man!" Tina shouted before coming to the conclusion that she was ready for a divorce. "I don't want him. He don't deserve me. I don't want him.
She continued, "I had hope when all of this started, when I let the whole world know about it. I thought we was healing because he had me thinking that we was healing."
What hurt most for Tina was the fact, that he kept dragging out the healing process by admitting the magnitude of his infidelity bit by bit. Instead of coming clean about all of his affairs at once, he's chosen to deliver the bad news slowly, making it harder for Tina to mend her broken heart.
"You can't keep telling me stuff," Tina hollered. "You wait two months, then you tell me something else. You wait two weeks, then you tell me something else. You're torturing, man! You're torturing me. Why are you putting me through all of this? Break my heart once! You're gonna break my heart every month?!"
Tina said, "That's too much for anybody, Erica! That's too much."
That's when Erica told Tina that she's been in exactly the same position as Tina, and she shared her steps for getting over the hurt in this preview of "Mary Mary" below! See what else she has to say when "Mary Mary" airs Thursday at 9 p.m. EST on WEtv.
You might also like:
Tina Campbell seeks prayer for her marriage
Tina Campbell's husband admits to more cheating
Tina Campbell tried to stab husband over cheating
Tina Campbell blames herself for husband's cheating
Tina Campbell struggles to trust her husband after his affair


text:
The Twilight Saga: Breaking Dawn - Part 2
(2012) » Crew
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The Twilight Saga: Breaking Dawn - Part 2 (2012) Crew
List of people involved in the production of
The Twilight Saga: Breaking Dawn - Part 2
(list of
The Twilight Saga: Breaking Dawn - Part 2
crew members).
edit cast
Bill Condon
Melissa Rosenberg
Stephenie Meyer
Bill Bannerman
Marty Bowen
executive producer
Wyck Godfrey
Stephenie Meyer
Mark Morgan
executive producer
Karen Rosenfelt
Original Music
Carter Burwell
Guillermo Navarro
Virginia Katz
Ian Slater
Casting Director
Debra Zane
Production Designer
Richard Sherman
Art Director
Lorin Flemming
Nate Fredenburg
Jeremy Stanbridge
Set Decorator
David Schlesinger
Costume Designer
Michael Wilkinson
Makeup Department
Denise Adams
contact lens technician
Hailey Authement
makeup artist: second unit
Jean Ann Black
makeup designer
Andrea Bowman
hair stylist
Bonnie Clevering
hairstylist: Kristen Stewart
Beatrice De Alba
department head hairstylist
Richard De Alba
assistant department head hair stylist
Karola Dirnberger
hair stylist, wig colorist
Margeaux Fox
hair stylist
Allison Gordin
third makeup
Dierdre Harris
additional hairstylist
Lisa Hazell
hair stylist
Stacey Herbert
makeup artist
Jules Keppel
additional makeup artist
Rolf John Keppler
assistant department head makeup
Jack Lazzaro
makeup artist
Courtney Lether
additional makeup artist
Karen Lovell
hair stylist
Darryl Lucas
makeup artist
Patricia McAlhany Glasser
hair stylist
Amanda McGowan
first assistant makeup artist
Chrissy Morris
key makeup: second unit
Jessica Nelson
contact lens technician
Stacey Panepinto
makeup artist: Ms. Stewart
Rita Parillo
key hair stylist
Cristina Patterson
contact lens coordinator/painter
Paige Reeves
makeup artist
Jami Hight
makeup artist
Forest Sala
department head hair stylist: Canada
Remi Savva
makeup artist
Katrina Suhre
hair stylist
Vicki Syskakis
first assistant makeup artist
Brenda Gibson
hair stylist
Faye Von Schroeder
department head makeup: Canada
Ashley Walsh
additional makeup artist
Amy C. Weinberg
makeup artist
Beka Wilson
hair stylist
Andrea Young
hair stylist
Production Manager
Shawn Boyachek
second unit production supervisor
Shawn Boyachek
second unit production supervisor
Mary Guilfoyle
production manager: second unit, Canada
Ruth Hasty
post-production supervisor
Sara Irvine
unit manager
Barbara Kelly
unit production manager
Mark McCoy
vice president feature post production
Jason Pomerantz
production manager
David Price
assistant production manager
Angela Quiles
production supervisor: Baton Rouge
Second Unit Director or Assistant Director
Bill Bannerman
aerial unit director: Canada/USA/Italy
Karin Behrenz
third assistant director
Josy Capkun
first assistant director: aerial unit, Canada, second assistant director
Gabriel Correa
third assistant director
E.J. Foerster
second unit director
David Hallinan
first assistant director: second unit
Craig Harris
assistant director: second unit
Dylan Hopkins
first assistant director: second unit
Scott Kukurudz
trainee assistant director: second unit
Steve Lonano
second second assistant director
Bryant Marshall
third assistant director: second unit
Meaghan F. McLaughlin
second assistant director: second unit
John M. Morse
second assistant director
Justin Muller
first assistant director
Matt Paull
assistant director: second unit, second second assistant director
Cali Pomes
second second assistant director
Greg Zenon
first assistant director: second unit
Dawne Charette
trainee assistant director
Art Department
A. Russell Amdal
Vaughan V. Baker
head painter: reshoot
Sean Blackie
assistant set decorator
Eddie Burcham
set dresser
Cassie Catalanotto
set dresser
Niki Charalambopoulos
scenic painter
Todd Clevenger
scenic artist
Kelton Cram
concept artist
Carl Denooyer
set dresser gangboss
Ken Deubel III
scenic foreman
Dylan Dowd
head greens person
Grace Emden
prop food
Jaime Fernandez
on set dresser
Terry Foerster
lead carpenter
Joshua Gauthier
lead painter: reshoot
Julie Gueydan
construction buyer
Doug Hardwick
construction coordinator
Jan Holmsten
construction buyer
Zoe Jirik
set decoration buyer: Canada
Peggy Johnson
scenic gang boss
Thomas V. Johnson
lead scenic
Jaclyn Kenney
art department coordinator: Canada
Ty Landry
set dresser
K. Emily Levine
art department coordinator
Ken Lewis Jr.
plaster gangboss
Jernel Marantz
character designer
Robert McKinnon
concept artist
Mike McLeod
construction foreman
Sheila Millar
set designer
Darren Moore
best boy greensperson
Scotty Morris
set dresser
Rick Newsome
storyboard artist
Derek Pineo
assistant property master
Megz Reynolds
set dresser
Janna Roach
assistant property master
Michael Sabo
property master
George Sanchez
Macleod Sinclaire
on set dresser: Canada
Tyler Smith
property master: second unit
Mark Stainthorpe
construction foreman
Nevin Swain
property master: Canada
Jason Sweers
graphic designer
Joel Watts Jr.
Richard Blake Wester
David O. Whatley
Sonia Zimmerman
Melisa Coby
scenic artist
Sound Department
Steve C. Aaron
production sound mixer
Christopher Alba
supervising foley editor
Darren Brisker
production sound mixer
Dane A. Davis
sound designer, supervising sound editor
Ryan Farris
boom operator
Stephanie Flack
dialogue editor
Judah Getz
adr mixer
Nerses Gezalyan
sound mixer
Gary A. Hecker
supervising foley artist
Michael Hibberson
boom operator
Matthew W. Kielkopf
first assistant sound editor
Tony Lamberti
sound re-recording mixer
Gary Marullo
foley artist
Michael Minkler
sound re-recording mixer
Chris Navarro
adr mixer
Mike Szakmeister
adr editor, dialogue editor
Greg Townsend
assistant re-recording mixer
Robert Ulrich
supervising adr & dialogue editor
Jared Watt
sound utility
David A. Whittaker
sound effects editor
Special Effects
Alex Burdett
special effects supervisor
William Catania
special effects technician
Lela Checco
special effects
Ebraham Francis
contact lens technician
Skylar Gorrell
special effects technician
Jared Guenther
special effects technician
Chris Hatchwell
special effects fabricator/rigger
Heath Hood
special effects on-set foreman
Jeremy Johnson
special effects technician
Walter Kiesling
rigging forman
Aimee Macabeo
special effects makeup
Lindsay MacGowan
studio coordinator: Legacy Effects
Jason Matthews
artist/puppeteer: Legacy Effects
Gary Minielly
special effects assistant
Michael O'Brien
sculptor: Legacy Effects
David A. Poole
special effects coordinator, special effects supervisor
John Rosengrant
animatronic and special makeup effects supervisor
Alan Scott
studio coordinator: Legacy Effects
Russell L. Smith
special effects technician
Mike Splatt
second unit coordinator
Adam Tayler
special effects best boy
Jeffrey Scott Thomas
special effects technician
Richard Terry Tjelmeland
special effects foreman
Thomas Van Koeverden
special effects technician
Rebecca Walker
special effects technician
Patrick Edward White
special effects technician
Brad Zehr
effects best boy: second unit
Cole Taylor
legacy effects coordinator
Michael Watson
special photographic effects: Faction Creative
Visual Effects
Nathan Abbot
digital compositor: Tippett Studio
Akemi Abe
digital compositor
Samuel Accardo
visual effects
Eri Adachi
digital compositor: Hydraulx
Sean William Adair
compositor: Hydraulx
Leslie Adkins-Garza
visual effects coordinator
Mario Afu
model/texture artist: Hydraulx
Frank Akrong
digital compositor
Tim Alexander
asset supervisor
Neishaw Ali
executive visual effects producer
Holli Alvarado
Flame artist, matte painter
Juan Alvarez
visual effects artist
Jongjun An
Matt Anderson
CG artist
Jim Aupperle
lightning td
Jarrod Avalos
layout & matchmove lead
Patrice Avery
previs producer: HALON
Karan Awasthi
digital compositor
Derel Babchishin
senior animator
Joseph Bailey
digital compositor: Tippett Studio
Natalie Nolan
digital compositor
Graeme Baitz
digital compositor: Zoic Studios
Kristopher Baldwin
visual effects artist
Scott Balkcom
compositing supervisor
William Barkus
junior compositor
Daryl Bartley
postvis artist
Dan Bartolucci
Flame artist: Lola VFX
Robert Beckwith
pipeline technical assistant: Tippett Studios
Steven Benjamin
junior compositor: Hydraulx
Giorgio Bertolone
senior rigger
Himanshu Bhatia
r&d programmer: hydraulx
Zena Bielewicz
digital compositor
Michael Bienz
rotoscope artist
Vincent Blanco
system administrator: Rodeo FX
Justin Blaustein
Flame artist
Vincent Blin
flame artist
Robert Bock
visual effects director of photography: Rodeo FX
Jeremy Boissinot
matte painter: Rodeo FX
Raoul Bolognini
visual effects producer: zoic studios
Joey Bonander
visual effects coordinator: Zoic Studios
Guy Botham
visual effects executive producer: Hydraulx
Rachel Bouchard
camera matchmove artist: Rodeo FX
Marie-Pierre Boucher
visual effects production assistant: Rodeo FX
Peter Bowmar
head of technology: Method Studios Vancouver
Bob Branam
witness camera operator
Kristen Branan
head of production: Zoic Studios
Mark Breakspear
visual effects supervisor: CIS Vancouver
Hans Brekke
lead animator: Tippett Studios
Pankaj Brijlani
visual effects artist
Kirk Brillon
compositing supervisor: Spin VFX
A.J. Briones
previsualization supervisor
John Bruno
visual effects supervisor
Cody Brunty
visual effects artist
Jean-Francois Burdin
rotoscope artist: Rodeo FX
J.D. Burditt
Karen Bushnell
visual effects production assistant
Jeremy F. Butler
character rigging supervisor
Unjoo Lee Byars
visual effects executive producer
Moises Flores Cabrera
junior compositor: Lola Visual Effects
Nicolas Cadorette
digital compositor
John Cairns
compositing supervisor: Method Vancouver
Doug Campbell
senior compositor
Howard R. Campbell
lead lighting
Jeff Campbell
visual effects supervisor: SpinVFX
Enrique Campos
cg generalist
Patrick Canning
rotoscope artist: Hydraulx VFX
Antonio Carbajo Bescansa
digital lighting artist: Hydraulx
Bobby Cardenas
junior compositor
Marla Carter
digital compositor: LOLA VFX
Shoghi Castel De Oro
previsualization supervisor: The Third Floor
Jayson Castro
roto artist
Michael Cavanaugh
visual effects editor: Tippett Studio
Christophe Chabot-Blanchet
digital compositor: Rodeo FX
Ed Chapman
visual effects plate photography supervisor: Hydraulx
Daniel Chavez
visual effects producer: Hydraulx
Karen Cheng
compositor: Pixomondo
Sujesh V. Chitty
matte painter: Soho VFX
Jeremy Cho
digital paint & roto artist
YouJin Choung
compositor: Tippett Studio
Patrick Clancey
digital opticals
Caleb Clark
digital compositor
Michael Cliett
cg supervisor: Zoic Studios
Francis Clément
digital compositor: Rodeo FX
Corey Coates
Natalie Conliffe
visual effects artist
Brian Conlon
Flame artist
Nolan Conrad
Joshua Cordes
visual effects: Hydraulx
Michelle Cornwall
data IO render wrangler: Method Studios Vancouver
Andrew Cottingham
previsualization coordinator: The Third Floor
Andrew G. Cox
visual effects coordinator
Francois Croteau
matte painter: Rodeo FX
Jessica Cuff
production assistant: Hydraulx VFX
Mikaël Damant-Sirois
CG supervisor: Rodeo FX
Ashish Dani
cg generalist: matte painter
Patrick David
digital compositor: Rodeo FX
Andy Delia
matchmove artist: Pixomondo
Justin Denton
previs artist
Fefo Desouza
flame artist
Simon Devault
digital compositor: Rodeo FX
John Dinh
compositor: Pixomondo
Gus Dizon
lead digital painter
Yann Doray
Matthew Dorazio
visual effects artist
Scott Dougherty
visual effects executive producer: Furious FX
Julien Dubuisson
pipeline td: Rodeo FX
Debora Dunphy
digital compositor
Gus Duron
digital opticals editor
Christopher Edwards
previsualization creative director: The Third Floor
Michael Eggert
compositor: Hydraulx/Lola VFX
Nadav Ehrlich
visual effects supervisor: Soho VFX
Jennifer Elena
human resources: Rodeo FX
Josh Elmore
Nicholas Elwell
associate vfx producer: Hydraulx
Eddie Englander
compositor: Hydraulx
Gerald Feather
visual effects artist
Patrick Flannery
visual effects camera department: Hydraulx
Chun Wai Adam Fok
modeler/rigging artist: Pixomondo
Q. Fortier
head of technology: Tippett Studio
Damon Foster
visual effects
Adam Francis
motion control technician
Miles Friedman
visual effects coordinator: Lola VFX
Carl Frytz
postvis artist
Jeff Fuller
visual effects artist
Jean-Francois Gagne
digital compositor: Rodeo FX
Carl Gagnon
CG artist: Rodeo FX
Jason Gandhi
visual effects executive producer
Andrew Gardner
research and development: Tippett Studios
Demitre Garza
flame artist
Steve Gazo
systems and software
Safeer Ghaznavi
Chris Gibbons
compositor: Tippett Studio
Robin Griffin
visual effects producer
William Elder-Groebe
storyboard artist
Martine Guay
matte painter: Rodeo FX
Miguel A. Guerrero
modeling supervisor: hydraulx
Lee Hahn
digital production manager
Chris Halstead
digital compositor: Tippett Studio
Chris Haney
pipeline supervisor
Scott Hankel
previsualization artist: The Third Floor
Patricio Harris
postvis artist
Andy Hass
animator: Tippett Studio
Adam Hazard
digital compositor: Tippett Stuido
Jessica Hee
matchmove artist: Tippett Studio
Jordi Israel Hernandez Lopez
rotoscope artist: Rodeo FX
Tulio Hernandez
senior lighting/lookdev td
Aaron Herrera
modeler/texture artist
Sean Castle Hitchcock
junior compositor: Lola Visual Effects
Irit Hod
senior lighting technical director: Spin VFX
Amanda Hollingworth
digital compositor
Elizabeth Holmes
compositor: Pixomondo
Nathan Hopkins
previs artist
Adam Howard
visual effects supervisor
Drew Huntley
compositor: Hydraulx
Nathan Hurlburt
digital compositor
Andrew Hwang
previsualization artist: The Third Floor
Brad Isdrab
technical support
Imraan Ismail
on-set data wrangler
Robbie Janda
lead visual effects coordinator
Jean-Sebastien Jasenovic
system administrator: Rodeo FX
Qi Steven Jin
previsualization artist: The Third Floor
Zahid Jiwa
lead rotoscope artist: Method Studios Vancouver
Zack Judson
visual effects artist
Kirk Larkins
on-set survey/matchmove: Tippett Studio
Ming-Hsiang Kao
visual effects
James Kawano
roto and paint artist
Stéphane Keller
matte painter: Rodeo FX
Donn Kennedy
visual effects coordinator
Rob Kennedy
digital compositor
Simran Khalsa
visual effects coordinator
Jin Yong Kim
matchmove artist: Tippett Studio
Jinsung Kim
fx artist: Pixomondo
SeungJang 'Jack' Kim
modeling supervisor
Tricia Kim
matchmove artist: Pixomondo
Perry M. Kimura
scanning and recording
Paul King
digital effects producer: Pixomondo
Daniel Klöhn
visual effects artist
Kelly Knauff
visual effects production manager: Soho VFX
Jason Knight
senior compositor: Method Studios
Ken Kokka
visual effects producer: Tippett Studio
Allie Koppel
previsualization accountant: The Third Floor
Michael Kowalski
visual effects executive producer: Pixomondo
Jason Kozsurek
digital compositor
Bill Kunin
Jasmine Labelle
visual effects accountant: Rodeo FX
Simon Lacey
on-set data wrangler
Isabelle Langlois
visual effects producer: Rodeo FX
Erik LaPlant
cg coordinator: hydraulx
Christine Leclerc
CG artist: Rodeo FX
Jooyong Lee
inferno/flame compositor: Hydraulx
Sun Lee
senior matte painter: Hydraulx
Erwan Leroy
Raphaël Letertre
cg artist: Rodeo FX
Eric Leven
visual effects supervisor: Tippett Studio
Dave Levine
flame artist: Lola VFX
Sharlene Lin
model/texture artist: Hydraulx
Arthur Lobo
digital compositor
Kegan Long
flame artist: Lola Visual Effects
Anthony Lucero
vfx editor
Joaquin Ludewig
visual effects artist
Valy Lungoccia
Darren MacKay
digital compositor
Douglas R. MacMillan
pipeline software engineer
Jonathan MacPherson
senior data wrangler
George Macri
visual effects producer: SPIN VFX
Allan Magled
visual effects supervisor: Soho VFX
Ralph Maiers
visual effects supervisor: Zoic BC
Philippe Majdalani
digital intermediate assistant producer
John Mann
storyboard artist
Gal Manor
CG artist
Paul Maples
motion control operator
Eric Marko
location matchmove supervisor: Tippett Studio
Natanya Marks
previsualization production manager: The Third Floor
Paul Martinez
model/texture artist: Hydraulx
Corey Mayne
digital compositor
Matt McClurg
previsualization artist: The Third Floor
Jamison McCord
roto/paint: Hydraulx VFX
Yves McCrae
CG production assistant
Daniel McCue
postvis artist
Ken McCuen
matte painter
Riley McDougall
visual effects coordinator: Method Studios
Mare McIntosh
cgi coordinator: Hydraulx VFX
Steve McLeod
visual effects editor: method studios
Jim McVay
visual effects artist
Simon Mercier
rotoscope artist: Rodeo FX
David Michaels
character technical director
Scott Michelson
visual effects executive producer
Brad Minnich
visual effects editor
Toshiko Miura
compositor: Pixomondo
Young Joon Mok
digital compositor
Thomas Brodeur
digital compositor: Rodeo FX
Ronald B. Moore
visual effects coordinator
Sébastien Moreau
visual effects supervisor: Rodeo FX
Rene Morel
matte painter: Rodeo FX
Aleksi Moriarty
pipeline td: Pixomondo
Christian Morin
digital compositor: Rodeo FX
Jean-Francois Morissette
lead matchmover: Rodeo FX
Stephen Moros
Farzin Mottaghi
Christopher Mullins
animator: Tippett
Suzanne Murarik
visual effects coordinator
Karen M. Murphy
visual effects producer
Ross Nakamura
digital compositor: Tippett Studio
Adrian Neub
it manager: Pixomondo
Torsten Neuendorf
digital compositor
Jordan Nieuwland
matte painter: SPIN VFX
Thomas Nittmann
visual effects producer: Lola Visual Effects
Denise O'Neill
2d coordinator: Hydraulx VFX
Daniel Ostrov
programmer: Hydraulx
Chris Paizis
matchmove and layout supervisor: Tippett Studio
Eugene Paluso
Khaled Pamir
lighting artist: Pixomondo
Blaise Panfalone
visual effects coordinator
Earl Paraszczynec
cg supervisor
Jale Parsons
digital compositor
Rocco Passionino
visual effects supervisor
Devon Patterson
visual effects production assistant
Todd Patterson
previz artist
Allison Paul
visual effects coordinator: Lola Visual Effects
Stephen J. Pavelski
previs artist
Rafael Perez
digital compositor
Sean Pfeiffer
visual effects artist
Chi Pham
visual effects systems administrator
Nicolette Picardo
matte painter
Armando Plata
digital production manager
Michael Plotnikov
roto/paint artist
Vincent Poitras
digital compositor: Rodeo FX
Josa Leah 'SDB' Porter
visual effects producer: Pixomondo
Shaun Potts
digital resource manager
Etienne Poulin St-Laurent
matchmover: Rodeo FX
Mark Powers
animator: Tippett Studios
Esdras Prudente
rotoscope artist: Method Studios Vancouver
Chris Radcliffe
senior modeler
Mahmoud Rahnama
visual effects supervisor: Pixomondo
Igor Ramade
fx artist: Pixomondo
Kenton Rannie
compositing supervisor: Zoic Studios
Mark Rasmussen
senior compositor
Satish Ratakonda
lead compositor: Tippett Studio
Cory Redmond
lighting technical director
Raymond Ribaric
lighting techical director
Carrie Richardson
visual effects production manager: Spin VFX
Bryce Rieger
Emily Rifkin
previsualization artist: The Third Floor
Andre Rios
visual effects artist
Ryan Robertson
visual effects producer
Mariusz Rokicki
Jules Roman
president: Tippett Studio
Niketa Roman
visual effects coordinator
Charles Rose
cg supervisor
Vishal Rustgi
digital compositor
Harrison Rutherford
Moika Sabourin
matte painter: Rodeo FX
Krystal Sae Eua
model/texture artist: Hydraulx
Diganta Saha
systems administrator: Prologue
Juwana Samman
lighting technical director
V. Samundeswari
digital compositor: Hydraulx
Tiago Santos
digital compositor
Kosta Saric
visual effects editor
Julian Sarmiento
head of CG
Geoff Sayer
senior compositor
Jason Adam Schaefer
rotoscope artist: Hydraulx VFX
Jordan Schilling
digital compositor: Tippett Studio
David Schnee
compositing supervisor: Tippett Studio
Andrew Schwartz
Flame artist: Hydraulx
Alexandre Scott
fx artist: Pixomondo
Matt Scott
animator: Pixomondo
Laetitia Seguin
visual effects coordinator: Rodeo FX
Joel Sevilla
cg supervisor
Rommel Shamoun
compositor: Pixomondo
Kerry Shea
previsualization producer: The Third Floor
Ahmed Shehata
CG supervisor: SPIN VFX
Brian Shows
digital production manager, vfx production manager
Marcela A. Silva
paint & roto artist
Aaron Sims
concept artist
Scott Singer
digital effects supervisor
Joao Sita
digital compositor: Rodeo FX
Brian Smith
roto/paint artist
Tiffany Smith
visual effects producer: Illusion FX
Jordan Soles
director of technology: Rodeo FX
Somboun Souannhaphanh
animator: Pixomondo
Laurent Spillemaecker
compositing supervisor: Rodeo FX
Jean-Michel St-Pierre Lapierre
digital compositor: Rodeo FX
Mike Stadnyckyj
digital compositor
Joe Statham
production assistant/data wrangler
Darryl Stawychny
visual effects assistant
Mark Stern
visual effects production executive: Lola Visual Effects
Mark Stetson
senior visual effects supervisor: Zoic Studios
Kellany Stewart
digital compositor
Colin Strause
visual effects supervisor
Greg Strause
visual effects supervisor
Kevin Struckman
CG artist
David Sullivan
roto/paint supervisor
Adrian Sutherland
digital compositor: Soho vfx
Josh Sutherland
visual effects editor: Hydraulx
Jeremiah Sweeney
compositor: Lola VFX
Sarah Swick
visual effects producer: Soho VFX
Joe Takai
visual effects supervisor
Katrina Taylor
visual effects production assistant
Mike Terrigno
digital compositor
Brandon Terry
visual effects editor: Spin VFX
Sky Tesi
visual effects artist
Shivas Thilak Anthikkat
paint & roto artist
Ainslie Thomas
visual effects production manager: Soho VFX
Dan Tickle
Flame artist: Lola VFX
Dan Tindell
previsualization artist: The Third Floor
Phil Tippett
visual effects supervisor
Ryan Michael Todd
digital lighting artist
Kar Hung Tom
system administrator: Rodeo FX
Yimi Tong
visual effects coordinator
Benoit Touchette
senior staff: Rodeo FX
Marjolaine Tremblay
bidding producer: Rodeo FX
Thiago Teles Trilux
roto artist
Matthew Trivan
visual effects artist
Abel Vargas
roto and paint artist
Benito Vargas
previs artist
Cassy Vasile
visual effects coordinator
Frederick Vega
fx animator: Tippett Studio
Mathieu Veilette
matte painter: Rodeo FX
Sebastien Veilleux
digital compositor: Rodeo FX
Pankaj Verma
visual effects artist
Rickey Verma
compositor: Pixomondo
Kenneth Voss
roto/paint artist: Tippett Studio
Evan Wake
rotoscope artist
Jocelyne Ward
visual effects production assistant
Lauren Weidel
visual effects producer
Mark H. Weingartner
visual effects director of photography
Larry Weiss
digital lighting artist: Tippett Studio
Alexander Wells
character technical director: Tippett Studio
Adrian White
digital compositor
Spencer Wider
visual effects camera department: Hydraulx
Edson Williams
visual effects supervisor: Lola Visual Effects
Joni Williams
roto supervisor
Grant Wilson
Terry Windell
visual effects supervisor
Derek Winslow
senior matte painter
Chris Winters
senior lighter
Patrik Witzmann
fx artist: Pixomondo
Bruce Woloshyn
visual effects supervisor
Mark Wright
visual effects editor: Hydraulx
Hui-wen Wu
visual effects artist
Trevor Wyatt
rotoscope and matchmove coordinator: Method Studios Vancouver
Shyam V. Yadav
data wrangler
Yoshiya Yamada
project lead technical director: Hydraulx
Dylan Yastremski
Michelle Yhan
digital compositor
Michael Zavala
2D production manager: Hydraulx
Tristan Zerafa
compositor: Pixomondo
Pedram Ziaei
compositor: Pixomondo
Ben Funk
digital compositor
Van Ouk
modeler: Hydraulx
Matt Pearson
fx artist
Corey Rosen
director of creative marketing: tippett studio
David Windhorst
roto artist
Jay Amor
stunt rigger
Krista Bell
stunt double: Elizabeth Reaser
Curt Bonn
stunt rigging coordinator
Freddy Bouciegues
Chris Brewster
stunt double: Charlie Bewley
Byron Briscoe
stunt performer
Allison Caetano
stunt double: Dakota Fanning
Janene Carleton
stunt double
Mike Carpenter
stunt double: Lee Pace
Richard Cetrone
stunt double: Lee Pace/Christian Camargo
Brett Chan
Colby Chartrand
stunt double
Mike Ching
stunt performer
Fraser Corbett
stunt performer
Holland Diaz
stunt double: Alec/Jasper
Dawn Dininger
stunt performer
Jayson Dumenigo
utility stunts
Dave Dunaway
stunt rigger
Kofi Elam
utility stunts
Marny Eng
stunt double: Kristen Stewart
Corbin Fox
stunt rigger
Kory Grimolfson
Guillermo Grispo
utility stunts
Adam Hart
stunt double: Peter Facinelli/Kellan Lutz
Leif Havdale
stunt double: Robert Patinson
Kiralee Hayashi
stunt double: Kristen Stewart
Rob Hayter
stunt performer
Adrian Hein
stunt double: Peter Facinelli
Brian Hite
utility stunts
Brian Ho
stunt performer
Jake Huang
utility stunts
Jeff Imada
fight coordinator, stunt coordinator
Sam Tjhia
stunt double: Kristen Stewart
Jacob Kabel
Bevin Kaye
utility stunts
John Koyama
assistant stunt coordinator
Dustin Kydd
stunt player
David Lane
stunt rigger
Michael Li
key stunt rigger
Sam Looc
utility stunts
Reg Milne
stunt rigger
Atlin Mitchell
stunt double: Ashley Greene, stunt double: Nikki Reed
Anthony Moyer
Blaire Noonan
stunt medic
Gabriel Nunez
utility stunts
Hugh Aodh O'Brien
utility stunts
Rochelle Okoye
stunt double: Tracey Heggins
Louis Paquette
stunt performer
Darryl Quon
Bridgett Riley
stunt double: Casey Labow, stunt double: Elizabeth Reaser, stunt double: Mia Maestro, stunt double: ashley greene
Karin Silvestri
stunt double: Nikki Reed
Monte Thompson
stunt rigging coordinator
Aaron Toney
utility stunts
Jon Valera
stunt performer
Owen Walstrom
stunt performer
Mike Wilson
stunt performer
Travis Wong
utility stunts
Kofi Yiadom
utility stunts
Eli Zagoudakis
stunt performer
Peng Zhang
co-fight coordinator
Camera and Electrical Department
Dustin Allen
lighting technician
Skylar Almas
Michael Applebaum
camera operator: "b" camera
Scott Andrew Armstrong
rigging grip
Bob Bates
gaffer: second unit
Melissa Beaupre
grip: second unit
Christa Beth Watkins
camera production assistant
Jeffrey Bjorgum
video assist
John Bramley
second unit photographer
Eliot Brasseaux
Guy Broussard
set lighting technician
Bryan Bubba Carlisle
Andrew Cooper
still photographer
Brown Cooper
camera operator: "c" camera
Chris Cove
libra head technician: second unit
James Covert
lighting technician
David Crone
camera operator, steadicam operator
Rob Crone
second assistant camera
Nicholas Davidoff
b camera operator: second unit, camera operator, steadicam operator: second unit
Bryan Delorenzo
first assistant camera "b" camera: second unit
Matthew Devitt
best boy grip
Stephen Early
assistant camera
Cam Esau
lighting technician
Eli Everhard
best boy electric: second unit
Chris Fisher
first assistant camera "a" camera: second unit
Ryan French
assistant chief lighting technician
David Goldsmith
key video assist
David Goyer
lamp operator
Daniel Greenup
Doane Gregory
still photographer: second unit
Tyler Guenther
rigging grip
Sean M. Harding
b camera operator: Vancouver
Jeff Harvey
Thairon Harvey
rigging electrician
Patrick Hogue
film loader
Richie Hollis
rigging grip
T.S. Jensen
cinematographer: end title sequence
Franklin Jones II
rigging grip
Timothy Kane
first assistant camera: "a" camera
Adam Kolegas
Jeff Kuzyk
lighting technician
Marvin Lee
second assistant "a" camera: second unit
Kevin Lippincott
rigging electrician
Mark Lovedale
grip: second unit
Josh Lovig
rigging grip
Daryl Makortoff
rigging grip
Byron Marigny
rigging electrician
Bradley Martin
lighting technician: second unit
Paul Stoker Mayne
lighting technician
Kevin McCloy
rigging key grip
Adam Mitchell
set lighting: second unit
Charlie Nauman
second assistant "b" camera: second unit
Robert Owen
lighting technician: second unit
Sean Oxenbury
rigging gaffer
Max Patrucco
rigging grip
Lance Rieck
scorpio head technician
Jonathan E. Robinson
Peter D. Roome
first assistant camera: b
Rigney Sackley
"a" camera second assistant
Courtland Sandover-Sly
security grip
Ted Sapp
rigging key grip
Scott Schroeder
Rigging Grip
Derek A. Schwebel
video assist: splinter unit
James Selph
best boy rigging grip
Rob Skuse
Kevin Soto
vfx grip
Stephanie Sousa
Jonathan Stoll
set grip
Rick Stribling
key grip
Brandon Swain
set lighting technician
Jeff Taylor
second assistant camera: "b" camera
Remi Tournois
additional steadicam operator: second unit
John Trapman
aerial director of photography
Jeffery J. Tufano
camera operator: "a" camera, second unit
Brendan van Meter
lighting balloon operator
Roger Vernon
director of photography: second unit
Jason Vowell
video assist: second unit
Jordan Whaley
additional lighting technician
Lance White
digital video assist coordinator: 2nd unit
Jared Wilcox
Travis Williams
Darin Wong
dolly grip
Earl Woods
rigging gaffer
Justin Wright
Arthur Zajac
second assistant camera: vfx unit
Kurt Zelmer
best boy rigging electric
Amie Gibbins
c cam second assistant camera
Chris Gibbins
additional photography
Trenton McRae
Animation Department
Jimmy Almeida
Ryan Bradley
T.J. Burke
lead animator: Hydraulx
Trung Doan
Chuck Duke
Tom Gibbons
animation supervisor: Tippett Studio
Louis Jones
animator: Tippett Studio
Adam Lawson
Leonardo Martinez
senior animator
Yuhon Ng
Byron Slaybaugh
animator: title sequence, Prologue Films
Danny Southard
animator: Tippett Studio
Althea Suarez Gata
Johnny Turco
Jess Vickery
Casting Department
Andrea Brown
extras casting director
Sean Cossey
casting: Canada
Elizabeth Coulon
extras casting director
Tara Feldstein
location casting associate
Candi Lei
extras casting
Patty Majorczak-Connolly
adr voice casting
Shayna Markowitz
casting assistant
J.J. Ogilvy
casting associate
Pamela Pearl
casting associate
Sebastian Rey
extras casting
Mark Sussman
adr voice casting
Costume and Wardrobe Department
Mary E. Bird
wardrobe assistant
Lindsay Borowko
2nd unit truck costumer: Canada
Phillip Boutte Jr.
key costume illustrator
Dan Bronson
costume supervisor
Stacy Caballero
assistant costume designer
Jordan Carper
costume p.a.
Suzanne M.B. Chambliss
key costumer
Anne Cicero
costumes buyer
Megan Coates
set costumer
Meghan Cornay
Luisa Dalmagro
costume buyer
Karen Durrant
key breakdown artist, key costumer
Annette Farnsworth
set costumer
Alison Fraser
assistant costume designer
Mollie Gates
wardrobe assistant
Amie Hamer
set costumer
Sarah P. Koeppe
set costumer
Frances LeCompte
Shonta T. McCray
set costumer
Janet Melody
head ager/dyer
Heather Rae Miller
set costumer
Susan O'Hara
costume set supervisor
Heather Osborne
truck costumer
Renee Ragucci
set costumer
Katey Ravencraft
set costumer
Melissa Reed
set costumer
Reba Saul
set costumer
Paul Sinnott
wardrobe assistant
Michelle Toledo
costume shopper
Rodney Williamson
Editorial Department
Joey Amron
assistant editor
Todd Busch
previsualization editor: The Third Floor
Simon Clowes
colorist: Prologue Films
Pete Conlin
post production
Jason Dale
first assistant editor
Gabriel J. Diaz
opening titles editor
Thomas Erickson
editorial assistant
Ben Estrada
colorist: dailies
Vanessa Galvez
digital intermediate project manager
Jermaine R. Gill
color correction assistant
Rob Grant
post-production assistant
Jonathan Hoffman
post production
Dane Jensen
post-production intern
Jeremy Kirkland
editorial assistant
Ken Lebre
dailies producer
Yvan Lucas
film colorist
Christopher McDonald
dailies operator
Harry Muller
color timer
Alessandro Pagnini
technical manager
Justin Powell
post-production coordinator
Tom Reiser
colorist: Efilm
Shae Salmon
assistant editor
Luis Silva
digital intermediate colorist assist
Lisa Tutunjian
digital intermediate editor
Jordan VanDina
on set visual effects editor: Hydraulx
Anthony Motta
dailies operator
Daniel Sessoms
nextLAB operator
Music Department
Jamie Ashton
assistant scoring engineer
Jamie Ashton
assistant score engineer
John Barrett
scoring protools engineer
Christine Bergren
music clearance and legal services
Carter Burwell
conductor, orchestrator
Michael Farrow
scoring mixer
Dalia Franco
music clearance and legal services
Vic Fraser
music copyist
Isobel Griffiths
orchestral contractor
Scott Johnson
assistant music editor
Paul Katz
music consultant
Philip Klein
additional music arranger
Sonny Kompanek
Katia Lewin Palomo
assistant music editor
Dean Parker
composer assistant
Alexandra Patsavas
music supervisor
Adam Milo Smalley
music editor
John Ashton Thomas
conductor, orchestrator
Kasey Truman
music coordinator
Lucy Whalley
assistant orchestra contractor
Bruce White
Ginger Whitman
music coordinator
Brittany Whyte
music coordinator
Christopher Willis
composer: additional music
Dave Metzger
Transportation Department
Simon Aubin
picture car wrangler
Monte Emery
picture car coordinator, transportation captain: second unit
Jim Filippone
pilot: camera helicopter
Robert Foster Jr.
transportation coordinator
Monica Williamson
Dave Greenbaum
driver: make up truck
Matthew Habgood
picture car coordinator
Beau Holden
personal driver: Robert Pattinson
Charles Lanoue
Danny Lewis
Jeffrey L. McLaughlin
driver: honeywagon
Kyndra Short
dot compliance coordinator
Dean Williams
production driver
Felicia Zamora
Other Crew
Jack Samuel
physical production
Sheila Allen
production accountant
Diana Ascher
post production accountant: Trevanna Post
Toni Atterbury
unit publicist
Frank Barnett
set production assistant
Roy Barrios
medic: location
Jupiter Baudot
production assistant
Doreen Beaulac
assistant accountant
Paul Becker
Bob Bedard
head chef
Nicholas Bencriscutto
digital resource technician
Chuck Bennethum IV
production assistant
Jennifer Benton
Daniel Bonjour
adr/voice talent
Kara Bowman
Barbara Branch
first assistant accountant
David E. Burke
Michael J. Burmeister
location manager
Kris Butler
set medic
Unjoo Lee Byars
main titles executive producer
Steve Cainas
production coordinator
Lisa Calhoun
location scout
Nadine Charleson
production assistant
Chris Clinton
set production assistant
Rudy Coblentz Jr.
construction accountant
Jeff Croft
set containment: second unit
Charles Crossin
set containment
Zane Crump
production assistant
Angel De La Vina
basecamp production assistant
Christina DeCharles
key assistant location manager
Samantha DeGagne
office production assistant
Brittney Diez
production assistant: second unit
Mike Doiron
assistant location manager
Haley Duryea
photo double: Mackenzie Foy, stand-in: Mackenzie Foy
Lea Enslin
key second assistant accountant
John Fahrendorf
assistant to ms. stewart
Erik Feig
production executive
Lucien Fernandez
production assistant
Shayne Fiske
production executive
Kelsey Fonda
key production assistant: reshoots
Erin Foster
photo double: Dakota Fanning, stand-in: Ashley Greene
Jason Frannino
animal wrangler
Abraham Fraser
location manager
Laura Fuller
set location assistant
Jeff Galpin
horse wrangler, marine safety
Taylor Gerrity
assistant: post-production accountant
Jesse Goodman
production assistant
Tom Goodrich
studio teacher
Grant Grabowski
travel coordinator
Justin Groetsch
production coordinator: second unit
Joe M. Hagg
office production assistant
Danielle Green
assistant to Mr. Bannerman
Sara Hartman
production assistant: second unit
Jeffrey Hawkes
assistant to mr. pattinson
Andre Herrera
set production assistant
Meghan Hibbett
assistant to ms. meyer
Saraya Hickey
production assistant
Jaclyn Huntling
assistant to mr. godfrey
Annie Jackson
production staff
Anne Jacobsen
production accountant: Canada
Kathryn Jarymy
production assistant
Quanita Johnson
production finance manager
Katye Kalivoda
set production assistant: second unit
Tarik Kanafani
assistant to mr. lautner
Sue Kittler
location scout
Iran Kuykendall
set production assistant
Amy Law
set and construction medic
Michael J. LeGresley
first assistant location manager
Jessica Lichtner
script supervisor
Sarah Long
office production assistant: second unit
Danielle Loosemore
accounting clerk
Jason Lopes
lead systems engineer legacy effects
Giovanni Lopez
Julie Lopinto
second assistant accountant
Caroline MacVicar
assistant: Karen Rosenfelt
David Magee
production coordinator: second unit
Evan Michael Magers
photo double: Robert Pattinson
Corey S. Mah
production assistant
Michael Andrew Mann
accounting clerk
Bonnie Marquette
location scout
Benjamin Jeran McGinn
stand-in: Peter Facinelli, stand-in: Robert Pattinson, second unit
Jill McQueen
assistant production coordinator: Canada
Patrick Mizell
location set assistant
James Moffat
asst chef
Charlie Morrison
assistant to mr. bowen
Emily Morrow
assistant production coordinator
Heidi Brook Myers
additional voices
Mike Park
production legal counsel
John Parker
production accountant: Additional Photography
Shannon Parker
set production assistant
Allie Paterson
production assistant
Marion Pejaire
production assistant
Danielle Poret
clearance/product placement coordinator
Liam Powell
production assistant
Benjamin R. Reder
production legal counsel
Jeremy Roberts
lead payroll accountant
Ryan Robertson
main title producer
Ashley Romain
office production assistant: second unit
Ashlynn Ross
photo double: Dakota Fanning, photo double: Kristen Stewart
Sheena Ross
accounting clerk: Canada
Claire Schexnayder
second assistant accountant
Michael James 'Scotty' Scott
manager: production finance
Davida Smith
production secretary
Natalie Zara Smith
studio teacher
Todd Steiner
production financing
Arielle Stephens
photo double: Mackenzie Foy
Melinda Taksen
script supervisor: second unit
Paul Tennis
production staff
A.J. Timmcke
assistant production coordinator: second unit
Kelli Turner
set paramedic
Chanda Venable
production staff
Jason Waggenspack
assistant location manager
Kathleen Whelan
production coordinator
Konrad Damian Wieclawski
production assistant
Alexander B. Williams
craft service assistant
Alex John Wiseman
Greg Yolen
assistant to Bill Condon
Grant Babbitt
production assistant: behind-the-scenes / promo
Krysta Halliwell
production assistant
Eric Kops
Nicole Mak
dailies film assistant: Deluxe Vancouver
Xavier Collin
Jack Morrissey
the producers wish to thank
Marc Olla
very special thanks
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This is a book in English. The book is about my personal experience facing the pain and suffering of my parent stemming from elder financial abuse, exploitation and abuse committed by my own sibling. Writer need to have understanding of elderly physical condition, psychological such as memory loss, dementia etc. The effect of the financial abuse, exploitation and neglect on the elderly, family members, and among other siblings. Understand social behavior, customs in certain area, and how to educate community (bank; doctor; caregiver; other family members) to break through social norms, and secrecy to combat this type of conduct and to preserve dignity and the true meaning of living life in golden years.
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LTR seeks the following products and/or services to help us provide equine assisted activities and therapies to those in our community with developmental challenges.
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Chemical Week Magazine :: Business & Finance :: United States/Americas
ACC economic indicator survey forecasts continued US growth
July 1, 2013 | —Lindsay Frost
ACC has released its chemical activity barometer (CAB) for May, showing continued US economic growth. The CAB increased 0.3% over May on a 3-month moving average basis—the 11th consecutive monthly gain—and is up 3.5% year on year. ACC says production of plastic resins used in consumer and institutional applications continues to expand, which suggests further gains in the economy driven by the consumer. Last month's CAB showed 0.1% growth over April. "Virtually all production-related indicators strengthened in June," says Kevin Swift...
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text:
Milton Banana
Milton Banana (born as Antônio de Souza, died in May 22, 1999) is the musician who invented the bossa nova drumming style. An extremely busy session man during the first period of bossa nova, he recorded the historic Chega de Saudade (João Gilberto's debut album), the equally historic Getz-Gilberto, and recorded extensively with Tom Jobim, João Donato, and many others. He also performed gigs every night with people like Luís Eça, Johnny Alf, Roberto Menescal, Carlos Lyra, Ed Lincoln...
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text:
The Art of Deception
Although many years have passed since then, I'm pretty sure it was 2003 when I read Kevin Mitnick's book The Art of Deception. In it, he describes several real and hypothetical "hacking" cases, illustrating that humans are the weakest link in any secure system, thus a very good target for such attacks. The whole concept is called social engineering.Read more →


text:
Deviant Art
UntitledI shouldn't strike up the words againMore Like This
I shouldn't allow the pain such an avenue.
Though the words often flow unbidden,
they shouldn't be given free reign.
Silent tears were never more prudent,
or so I was told.
But they were wrong,
for the shame was not mine,
but his.
The disgrace is not mine to despair at,
it is his to live with.
What is mine,
is the freedom to not be silent.
Perhaps my refusal to pretend,
will help others to shed unearned shame.
And then their defiance will help another,
and then our shame will be placed back where it should,
and the cycle will end.
This Is My Life NowI received a comment today that really set me off. It said, "You should work with other photographers sometimes, you haven't had great images in ages." Well, let me explain this. There are many reasons that I only work with Scott now. First, it is due to the fact of how many times I have been screwed over by other photographers. Whether I never got photos, never had an input on creative control, or what not. I just shoot for fun now. Moving on to the main reason I shoot with Scott, he is the love of my life. I have never been so in love or yearn to create art with someone more than him. He will hike long distances with me to get to the location, he makes me feel more comfortable and beautiful than anyone else, I could go on and on. I understand that there will be some people that wish that I worked with other photographers, but this is my life now. I create art that I love, even if no one else loves it. You can follow me on this journey or not. (I hope that you do). However, there is nMore Like This
|Sta.sh Submit


text:
This article is provided courtesy of Stars and Stripes, which got its start as a newspaper for Union troops during the Civil War, and has been published continuously since 1942 in Europe and 1945 in the Pacific. Stripes reporters have been in the field with American soldiers, sailors and airmen in World War II, Korea, the Cold War, Vietnam, the Gulf War, Bosnia and Kosovo, and are now on assignment in the Middle East.
Stars and Stripes has one of the widest distribution ranges of any newspaper in the world. Between the Pacific and European editions, Stars and Stripes services over 50 countries where there are bases, posts, service members, ships, or embassies.
Stars and Stripes Website
Starting in June, service members who deploy to nine countries removed from eligibility for imminent danger pay will no longer receive rest-and-recuperation leave, according to an Air Force news release.
The countries, in the U.S. Central Command theater of operations, include Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, United Arab Emirates, Kyrgyzstan, Tajikistan and Uzbekistan.
"Due to a normal IDP recertification process completed in December 2013, servicemembers who deploy on 365-day deployments or PCS to these nine countries after June 1 will no longer be eligible for the R&R program," the Air Force release said, citing a Department of Defense letter dated May 6.
Service members whose deployment began before June 1 will retain their R&R leave.
In January, the DOD announced changes to the list of places eligible for imminent danger pay, or IDP, removing some areas and adding others. The nine countries no longer eligible for R&R were decertified for IDP, both of which will take effect June 1.The decision to remove R&R leave from those countries "has taken place over time as the region has stabilized and countries in the AOR continue to become more and more safe," said Col. Ron Dougherty, U.S. Air Forces Central Command director of manpower, personnel and services.
About 500 airmen in USCENTCOM will be affected by the R&R policy change, the Air Force said.
Related Topics
|Special Pay


text: More from SI Report: Dodgers release pitcher Freddy Garcia Report: Dodgers release pitcher Freddy Garcia Marshawn Lynch sports gold cleats for Super Bowl Marshawn Lynch sports gold cleats for Super Bowl Louisville vs. FIU: Game time, live stream, TV coverage Louisville vs. FIU: Game time, live stream, TV coverage Pittsburgh-area high school football player dies after... Pittsburgh-area high school football player dies after... Close Tweet0 Share0 Comment0 Share0 Share0 Stumble It0 Print0 More SI Wire Andrew Bynum is still 5-8 weeks from making 76ers debut by Tim Polzer Email Posted: Mon Nov. 12, 2012 Andrew Bynum is scheduled to resume basketball activities in December. (David Dow/NBAE via Getty Images)Andrew Bynum's much anticipated debut as a 76er may be delayed until 2013 according to the team.Bynum, who injured his knee in September of 2012, will not return to basketball activity until Dec. 10. He will likely require one to four weeks of conditioning and practices before he's available to his new team.Tony DiLeo, the 76ers General Manager said, "We know that Sixers fans are eager to see Andrew Bynum play and shine in a 76ers uniform. We also know that no one is more eager to see Andrew play for the Sixers than Andrew himself. He fully realizes the key contribution he can make to the team. Hopefully, that day is coming soon."Bynum suffered a bone bruise on his right knee in mid-September 2012, and was originally expected to need four weeks of rest. After being re-examined in late October, four more weeks were added to his time frame. Bynum was traded along with Jason Richardson from the Lakers to the 76ers as part of the three-team deal that landed Dwight Howard in Los Angeles. Promoted Stories Comments


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Don't waste your money
Reviewer: Pinellas Medic
Bought these thinking they were made for the riggers of working on the rescue, sadly I was wrong. I bought them on May 28, 2015 and they began falling apart sometime in early September 2015. I had to start wearing moleskin on my heels due all of the padding and fabric being worn away. If you were to look at them now you would think that they have over a year of wear and tear when it has only been 4 months.
We apologize that your boots didn't hold up as long as you were expecting. If you would like recommendations for a more durable style, feel free to contact our Customer Service department. We'd be happy to help!
Bates 8" Code 6 SZ WP
Great boots at a great price
Reviewer: Maynes Ray
Comfort and durability.
Bates GX-8 GTX CT SZ
Light and comfortable
Reviewer: Alex
I have been wearing these boots for about 2 weeks so I cannot say how long they will last but they live up to the reviews I've read about being the most comfortable boots you can wear. They broke in within a couple hours and are very light so they don't wear down your legs and back. My feet have stayed dry through hot days and through rain. If they have a good life span I will keep buying these boots when they wear out.
The Tactical Boots Destination
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Ben-Gurion University Delivers Data in the Desert
Intel worked with Ben-Gurion University of the Negev to set up a Big Data Analytics Lab, enabling information systems engineering students to better understand and develop complex machine learning algorithms. The Lab is one of the first in the world running Intel® Distribution for Apache Hadoop* software together with Apache Spark*, on servers powered by the Intel® Xeon® processor E5-2630 v2 product family. By removing I/O bottlenecks with distributed RAM, Apache Spark offers much better utilization of the Intel® processors. This project showcases the performance gains enabled through these three elements working together.
• Peak performance. The Department of Information Systems Engineering at Ben-Gurion University wanted to roll out a more powerful computing cluster to enable its students to mine massive datasets and work on research projects akin to those faced in industry.
• Keeping pace. The Big Data Analytics Lab allows students to mine even larger datasets than before and develop more complex and distributed algorithms, enabling them to continue to work with industry in the resolution of real-world web mining and cyber security problems.
Read the full Ben-Gurion University Delivers Data in the Desert Case Study.


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What's the point of designating a so-called American Dream if we're not willing to extend it to anyone and everyone who works hard to make this country a better place?
Shifts away from Islamism require grassroots, ground-up approaches to change.
Sometimes we gorge on caffeine hoping it'll jump-start our attention and focus, but that's not actually how our brains work.
Ever want to get rid of the link to that pic of you doing a keg stand? Google can help. And it's pretty creepy.
For years, health experts have raved about the regenerative benefits of antioxidants. Now there's a big caveat.
Beauty and duty are increasingly involved in an undeclared conflict. It's not a fair fight; one side is much stronger (illustrating how art works on our "hidden brain").
Our grandparents shouldn't lose out on life just because they age.
Ayaan Hirsi Ali is a Dutch-American feminist filmmaker and political writer. She is author of several books, the latest of which is Heretic: Why Islam Needs a Reformation Now. …
Angie McArthur is Professional Thinking Partners' acting CEO. She has been an integral part of PTP since 1998, co-facilitating and designing global conferences, leadership retreats, training programs, and ongoing one-on-one…
Stephen Petranek's career of over 40 years in the publishing world is marked by numerous prizes and awards for excellent writing on science, nature, technology, politics, economics and more. He…


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Recent Posts
Tagsadvent and nativity baby #4 baby love babywearing birthdays booklists daybook domestic church examined life faith family adventures fasting finished projects funny goals homemaking homeschool 2014 james Kid Crafts kitchen Knitting learning at home lent memories miriam mothering name days nature study photography portland and oregon pregnancy and birth preschool and kindergarten reading recipes seasonal celebrations sophia Yarn along
Winter, but Mostly the Cute Toddler Being Cute
Posted in Uncategorized Tagged sophia Leave a comment
Christmas 2014
Notice that there is one extra stocking? Since the big kids got their first bikes for Christmas, Sophia got this little Scuttle Bug. And a sippy cup. I think she was most excited about the sippy cup.
Day after Christmas at Softah's (my grandmother) house on Vashon Island. All eleven great-grandchildren made it!
Getting a picture of Softah with all her "greats."
The papas getting the board games started.
Posted in Uncategorized Tagged advent and nativity, baby #4, seasonal celebrations 2 Comments
Pumpkin Time
We went to the lovely Lakeview Farms today to search for pumpkins. It's a great pumpkin farm – not too much like an amusement park, with just enough to make kids think it's awesome. You take either a train or a boat out to the pumpkins, which both Miriam and Sophia were rather freaked out about (and I was freaked out by having three kids five and under on a boat by myself, so we took the train both ways), but we all managed. And I loved that there was nothing scary. Even the dark tunnel the train goes through is full of happy pumpkin people rather than skeletons and zombies, something friends tell me is a change from last year. Nice change, Lakeview! I approve.
Posted in Uncategorized Tagged family adventures, portland and oregon, seasonal celebrations 1 Comment
Morning Time
I go back and forth between wanting to post here every day and not feeling like I have anything to say or post about. I do like having this blog as a record of our days, though, so I'll try and make more of an effort.
I have been meaning to post more about how our Kindergarten of Good Shepherd is going. For the most part, very well. We certainly don't get to everything on the plan but I knew that would probably be the case. I prefer to over-plan and then let go of some of it. But what may be my favorite part of what we are doing is our Morning Time.
The first poem we memorized together is:
Little drops of water
Little grains of sand
Make the mighty ocean
And the beauteous land
Little deeds of kindness,
Little words of love,
Make our earth an Eden,
Like the heaven above
And the little moments,
Humble though they be,
Make the mighty ages.
Of eternity.
Mrs. J. A. Carney (1845)
I think about this poem a lot when it comes to our Morning Time. In fact, I got the idea for this being the first poem to memorize from the Morning Time guru herself, Cindy Rollins. It says something very true about what we do for Morning Time. Just a little bit, every morning, adds up to a lifetime of good literature, prayer, Scripture reading, Scripture memorization, hymns, Psalms, and the lives of saints. Nothing we do is very complicated. There is no grand plan. I keep myself from complicating it at all, even when I want to. Partially this is because of my children's short attention spans. Partially this is because grand plans don't ever last very long, and I want this to be for the long haul. And partially it is because I believe the Church can speak for herself through the Scriptures, hymns, and prayers, and I don't need to insert myself into it.
Our mornings start with a read-aloud from our current chapter book. It eases us into the day. I have my coffee and the kids are still in PJs. It means I don't have to start the day by getting sleepy kids to immediately stand in front of the icon corner and pay attention, and I don't have to do anything more strenuous than sit on the couch, drink my coffee, wake up a little, and read out loud.
When we are done, I tell them it's time for prayers. We light the candles and sometimes the incense and say morning prayers. They morning prayers in our prayer book are rather long, so I don't do all of them, but sometimes try to add back in a few parts to see how they do. They are memorizing the prayers as we do this, and I can stop in many parts and let James take over. I am usually very surprised at how many parts he does have memorized. He started by just being in charge of the Lord's Prayer, but then I noticed that if I stopped just about anywhere, including the Creed, he'd just keep going. s
We sing It is Truly Meet and then whatever hymn we are singing that week. I try to choose one new hymn each week, mostly according to a feast that week. We don't memorize them in the same way we memorize Scripture, since they are tied to time. We just sing it once or twice a day for the week, then put it in the appropriate month in our memory box for when it comes around next year.
Then I read the saint or feast of the day from the Horologian, and sometimes also sing the hymn for the day.
Then we sit and read a section of Scripture. It is short, not a whole chapter, but a complete event or teaching. We are going through Luke. I like the idea of reading according to the lectionary, but again, I'm keeping it as simple as possible. Just read the next section. Sometimes we discuss it a little so I can make sure they understand what we read.
Then we get out our memory box again and go over our Scriptures. We use this Scripture memory system, so there are usually a few to review. We just read the current verse twice and the review verses once. At some point I start saying the verse with them and stop. When they can easily finish it themselves, it goes into review and we choose a new Scripture for the Daily tab. They are pretty quick memorizers. I think they did all of Psalm 23 in a week. They are definitely faster than me.
Then they blow out their candles and we go make breakfast!
I love that our prayer corner is just as much theirs as it is for the grownups. They have (mostly) learned to be careful and respectful of this space. It is their job to make sure the flower on the table ("Mary's flower") stays fresh, so when it wilts they go outside and choose another one. And sometimes I see that they have left another little gift of their own, like this tiny violet they left for the Good Shepherd.
We have large collection of icons that are not hung in the icon corner, and we switch them out on the little stand when their feast comes around.
As for Sophia, she usually sleeps through all this. When she doesn't, she is often right here :)
Posted in Uncategorized Tagged domestic church, faith, homeschool 2014, preschool and kindergarten 3 Comments
Christopher Hitchins on the King James Bible
This was an interesting post by the Circe Institute, on atheist Christopher Hitchen's perspective on the King James Bible. I've been thinking about this lately as we've started reading from the Bible (as opposed to the children's Bible) every morning and also starting memorizing Scripture. I have considered whether we should use the KJV for both for the reasons outlined in this post – cultural reference, familiarity with beautiful, poetic language, the timelessness. I have no theological attachment to the KJV, of course, but it is an educational (and spiritual, if you consider that education should rightly be the education of the soul) goal of ours to offer our children rich and poetic language. So far I have always been happy with the Bible I chose in college – the Revised Standard Version (the "Catholic" edition in order to have our full canon). It satisfies my requirements for both accuracy and language. But I may be a little inconsistent when it comes to memorization. I've already switched our memory card for Pslam 23 to the KJV after the first reading of it – it seemed almost vulgar in any version but the KJV that I learned myself. I think that also Philippians 4:8 – which I consider the guiding verse for our entire homeschooling venture – will be memorized in the KJV. And perhaps when the children are older I will make a point to spend a year or two doing our daily readings in the KJV so that it is familiar and they are able to understand the many references to it.
Posted in Uncategorized Tagged domestic church, faith, learning at home, preschool and kindergarten Leave a comment
Oregon Renaissance Faire
The second annual Oregon Renaissance Faire and our second annual trip! (See last year's photos, with a cute, very tiny Sophia, here). Again, we managed to choose the hottest of hottest days (mid-90s) to hang out all day in the fairgrounds, but we still had a lot of fun! The players all get a big kick out of dressed up kids, and especially like treating "Sir James" like a true knight.
One player was trying to figure out if Miriam was a gypsy or a princess. We all settled on gypsy-princess.
This guy was really great. He had a whole armory in his tent, including armor he had made himself. He showed us all the different weapons and how they are used differently, and then gave James a swordfighting lesson! James was an excellent fighter.
…and making the kill shot! At the forge watching the blacksmith work.
James was in need of a new sword since the old one is missing, and we decided Miriam needed one too in order to be a gypsy-warrior-princess. Miriam eating a turkey leg the size of her head. At the joust. You know me and baby feet. Can't help it. Sir James and Lady Miriam at their first swordfight. You know, a Charlotte Mason curriculum includes learning folk songs. I made a case to Paul for doing a unit on drunken pirate songs. He remains unconvinced. The tavern owners daughter and Blackbeard's daughter fighting it out at the human chess game. And right before we left, Sir James and Lady Miriam were both knighted by the queen herself. James really wanted to know how the queen decided he should be made a knight. We told him the armorer he fought probably told the queen how brave he fought. James seemed satisfied by this answer. After their portrait with the queen, both James and Miriam turned and bowed low, receiving applause and many exclamations of "Well done, young sir and lady!"
Posted in Uncategorized Tagged family adventures, james, miriam, portland and oregon 2 Comments
Playing Hooky
I've been feeling a little like I missed summer. We took our big trip to Ireland at the end of May, so we kind of used up our vacation time early. I could have/should have done more summery things. But we didn't, and now we are in September, we have started our homeschool routine. But what better time to take advantage of the freedom of not having kids in school than during the first week of school? When it is still sunny and in the 90s? So we took off for Cannon Beach for the day.
Sophia thought the sand was so awesome. The second I put her down she was doing her funny crab crawl all over the place, and kept trying to crawl straight for the ocean. The kids dug and made castles and ran away from the waves, and poked around in the tidepools by Haystack Rock. We drank hot chocolate, dressed up in capes, chased the birds, and later went out to a very late lunch at a French cafe.
A whole day where no one had to be told to please be quiet, don't do that, be careful, not even once. Totally free to run, barefoot, as far as one could possibly want. Free to get as dirty as possible, yell as loud as you want, run around in your underwear looking for sea creatures in the tidepools. If there is ONE thing I have found to be always true in this mothering journey, it's that time in freedom outside calms and causes everyone to be peaceful. No conflicts, with me or with each other. Perfect trip for the first day of school.


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Vero Beach City Council to meet May 2 about FPL
A special City Council meeting will be held at 9:30 a.m. May 2 to discuss Florida Power & Light Co.'s letter of intent to make an offer to buy the city's electric system.
Originally, FPL representatives were scheduled to appear at the April 19 City Council meeting, but not all council members will be able to attend that meeting.
In addition, by having the meeting on May 2, County Commission members and staff interested in FPL's proposal will be able to attend the meeting. City Council and County Commission meetings are sometimes in conflict because both meet on Tuesday, although some of the council meetings are held in the evening.
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ExxonMobil Territory Manager Interview Questions
Interview Experience
Interview Experience
Getting an Interview
Getting an Interview
Interview Difficulty
Interviews for Top Jobs at ExxonMobil
- Intern (78)
- Engineer (30)
- Engineering (29)
- Research Engineer (19)
- Process Engineer (17)
- Mechanical Engineer (11)
- Chemical Engineer (11)
- Summer (9)
- Internship (7)
- Analyst (7)
- Project Engineer (7)
- Engineering Intern (7)
- Procurement Associate (7)
- Financial Analyst (6)
- IT Analyst (6)
- Cashier (5)
- Petroleum Engineer (4)
- Cost Engineer (4)
- Territory Manager (4)
- Mechanical Engineering (3)
- Process Operator (3)
- Chemical Engineering (3)
- Customer Service (3)
- Controller (3)
- Electrical Engineer (3)
- Geophysicist (3)
- Human Resources (3)
- Intern - Hourly (3)
- Information Technology (3)
4 Candidate Interview Reviews Back to all InterviewsSort: Popular Date Difficulty
Territory Manager Interview
I applied through college or university. The process took 4 weeks. I interviewed at ExxonMobil.
Extremely generic interview process. Every interview was a pure behavioral interview with standard questions like "tell me about a time...". Very unstructured. Interviewers were not prepared.
Interview Questions
- They were all standard behavioral interview questions Answer Question
As a college hire, there was no negotiation. No signing bonuses.
Other Interview Reviews for ExxonMobil
Territory Manager InterviewAccepted OfferPositive ExperienceDifficult Interview
I applied through college or university. The process took 4 weeks. I interviewed at ExxonMobil in November 2009.
The interview process consisted of an on-campus interview during the university career fair. After a few weeks I was contacted for a second interview at ExxonMobil headquarters in Fairfax, VA. This interview consisted of an informal dinner and breakfast with a host, then three interviews before having an exit lunch. You get "wined and dined", which is nice. The interviews themselves are straight-to-the-point and don't mess around. Your resume gets picked apart, but I suppose if I was investing the type of money they do on new hires I'd make sure to know EXACTLY the type of person I was hiring.
Interview Questions
- What do you bring to the table for ExxonMobil? Answer Question
Helpful (2)
Territory Manager InterviewAccepted OfferPositive ExperienceAverage Interview
I applied online. I interviewed at ExxonMobil (Singapore (Singapore)).
2 rounds of interviews. Interviewers were friendly. First interview was relatively easy with questions such as tell me about yourself, how can you contribute to ExxonMobil. Second interview was slightly harder with more scenario questions. Prepare yourself well by reading up on the company, company values and job responsibilities that you are applying for.
Interview Questions
- Tell me about a time where you showed leadership. Answer Question
Helpful (2)
Territory Manager InterviewAccepted OfferPositive ExperienceAverage Interview
I applied through college or university. The process took 5+ weeks. I interviewed at ExxonMobil.
I was taken out to dinner with around 10-15 other candidates. I then had an on-campus interview which lasted 45 minutes. The questions were pretty straightforward, behavioral based. (i.e. Tell me about a time when...) My interviewer recommended me for the Sales Territory Management position, at which point my name entered a pool of candidates from all national universities. I contacted my recruiter and RPAT to let them know that I had another offer deadline, which I believe expedited the hiring process. They flew me to Fairfax and had three 45 minute interviews as well as meals with a host. The interviews were again pretty straightforward and behavioral based. I think that if you get an on-site interview, they mainly want to see 1) how well you fit with the company and other employees and 2) how well you present yourself. Overall: Not extremely stressful/difficult interviews, but a lot of work to get an interview
Interview Questions
- Tell me about a time when you had to sell your idea to a group of people. How did you go about that/did you face any problems? Answer Question
The salary was better than I was expecting, and with the bonus package there wasn't much competition. I accepted without negotiation. I believe they offer a good enough starting salary that they don't expect to negotiate much. I was told that you might get a couple thousand more, but you risk leaving bad feelings with the recruiters. Since Exxon is a long-term proposition anyway, it's not worth it in my opinion.


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My dealer told me about a new cabinet being made by Koala for Bernina owners, but I haven't seen anything on the website. I was just trolling the web and saw this picture:
Bernina Koala Cabinet
Looks like there is a cabinet coming out for Bernina owners that allow the embroidery arm to be stowed away. It also looks like there is a slide out drawer of sorts on the right to hold the specialty feet cabinets. Looks pretty neat.
------Babylock Ellisimo Gold
Babylock Enlighten
Kenmore 1914
Kenmore 1814
Looks nice. But, I am enjoying my Horn Super Quilter's Dream for my 830LE. It has a huge footprint but is so roomy for quilting.
------~ Patricia ~
Bernina B780E & 350SE Tula Pink ~ Juki TL-2010Q
Juki 654DE ~ Brother 2340CV
DesignerPlus7 ~ Designworks Suite ~ EQ7
"It is better to light a candle than curse the darkness." Eleanor Roosevelt
Other then a custom all wood this is really super. Do you have any idea how much it costs?
------Bernina 780, 635E, 1630, Juki 2010
Serger 1100DC
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what's next for Marvel (movies)?
View Single Post
May 7 2012, 08:32 AM
A beaker full of death
Vice Admiral
Re: what's next for Marvel (movies)?
Methos wrote:
they already did it wrong with Avengers XXX: A Porn Parody lmao
Oh dear God, they really did, didn't they:
And sadly, some of the costumes look better than the ones in the current Hollywood blockbuster.
Skywalker wrote:
I'd rather see a Luke Cage/Iron Fist TV series.
That could only work if they go retro with it. Big afro and big kung fu mysticism.
"shall not be infringed" is naturally open to infringements of all kinds, because shut up and think of the children.
A beaker full of death
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A Winter weather advisory is in effect from 6 am to 2 pm eastern Monday. Snow showers are likely this evening with accumulations up to a half inch. Near steady temperature
In the lower 20s. West winds 10 to 20 mph. Chance of snow 70 percent.
Monday chance of snow 100 percent. Accumulations 1 to 2 inches. Highs 21 to 25.
Southwest winds 5 to 15 mph, becoming light southeast. Wind chills down to around 1 below.


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Named after the short story by James Joyce, Two Gallants present a definitive fusion of punk-rock energy and folkish storytelling. The duo's existence began in 2002, performing guerilla shows and house parties, which brewed into touring and eventually a debut album with Alive records in 2004. The juxtaposition of their sound - their aggressive, drunken-sounding balladry - is something to behold.
See more info at twogallants.com
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JavaOne: Getting Serious About Build Automation: Using Maven in the Real World
This year, I'll be talking at JavaOne about Getting Serious About Build Automation: Using Maven in the Real World (TS-3941):
Maven 2 is becoming increasingly popular in larger organizations looking to standardize and industrialize their build processes as well as in smaller shops simply trying to get more out of their builds. This session, for developers wanting to learn about Maven and Maven users wanting to get more out of their build tool, covers the main features and benefits of Maven and then looks at some of the more advanced uses of Maven in the real world, including complex transitive dependency management, dependency conflicts, multimodule projects, and integration with other build systems. It also looks at how the m2eclipse plug-in can be used to improve the Maven user experience and how to use the Nexus repository manager with the Maven release process to publish your APIs within your organization.
In this talk, I'll be discussing some of the finer points of Maven development, including:
- Some more advanced uses of multi-module projects, project inheritance, and dependency management
- Revving up the release process with automated releases, Hudson and Nexus
- Doing up your deployment process - towards one-click deployments
The talk is on Wednesday, June 3, 9:45-10:45 (Esplanade 300). Last time I looked, there were still about 20 places left for this talk.
I'll be in San Francisco all week, so if anyone wants to catch up or hang out, just give a yell!
"Probably the best training course I've been on."..."Not just how to write Java code but the 'business end' - how to build, test, deploy, manage and monitor"..."One of the best and most useful courses I have attended. And they didn't even try to sell me anything!" - Get in quick - there are still some places available on the London course! Get up to scratch with the latest in Java tools and best practices!
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Victoria's Secret Amber Romance Body Splash
158 reviews
70% would repurchase
Package Quality: 3.8
Price: $$
Package Quality: 3.8
Price: $$
on 7/11/2011 8:51:00 PM
Age: 19-24
Skin: Sensitive, Olive, Not Sure
Hair: Other, Wavy, Medium
Eyes: Brown
This is definitely my favorite scent from VS.. perfect for winter or a low key day.. its really warm and not too overpowering.. and it's cheap compared to other perfumes/body sprays I've come across
on 7/11/2011 5:46:00 PM
Age: 25-29
Skin: Combination, Olive, Not Sure
Hair: Black, Other, Coarse
Eyes: Brown
This was the first Victoria's Secret scent I loved when I went to the states some years back. I stocked up on quite a few bottles of it.
I used it till I kinda got tired of it. 6years down the line I discovered it again and I'm loving it, I love it as a winter scent. It's just a lovely warm scent.
on 2/22/2011 7:35:00 AM
Age: 25-29
Skin: Combination, Fair, Cool
Hair: Red, Straight, Medium
Eyes: Blue
Beautiful scent, very feminine. Layer with other products (Pure Seduction or Wild Scarlet) To switch up your own personal scent. Normally you can catch a sale and get the sprays for $5-$7 on sale.
on 9/20/2010 2:09:00 AM
Age: 56 & Over
Skin: Acne-prone, Fair-Medium, Warm
Hair: Blond, Straight, Fine
Eyes: Hazel
From the fragrance notes I was just sure I would love this scent....but I did not at all. On me it had a harsh note although it was lingering (but the scent did not seem to improve any). Too bad that one I really like, Lost in Fantasy, faded out very quickly. Seems that is often the way. LOL
on 8/14/2010 10:51:00 PM
Age: Unknown
Skin: Normal, Olive, Neutral
Hair: Black, Curly, Medium
Eyes: Black
One word: YUCK! Sorry Vicky. :(
on 4/25/2010 2:56:00 AM
Age: 30-35
Skin: Normal, Fair-Medium, Neutral
Hair: Blond, Straight, Fine
Eyes: Green
Fav from the VS. This is my before bed scent or after shower... sweet dreams...
on 2/17/2010 8:15:00 AM
Age: 19-24
Skin: Normal, Fair-Medium, Warm
Hair: Brunette, Straight, Medium
Eyes: Black
erm i first smelled it on my boyfriend, and i did like it on him. But when i tried it and apply on me, i just don't know why i don't like it at all. I mean on me. It smells quite great, esp i like vanilla smell so much. It has vanilla smell, i smell vanilla's first, then it smelled something strong after the vanilla. It has a bit of floral. Would recommend it on guy tough. Can't wait to try the Vanilla Lace. :)
on 2/8/2010 1:50:00 AM
Age: 18 & Under
Skin: Combination, Fair-Medium, Not Sure
Hair: Brunette, Straight, Fine
Eyes: Brown
my mom loves this scent haahhaha i think it smells good, but not like GREAT. kinda vanilla-y, flowery, hard to explain. would only buy if on super sale
on 1/18/2010 10:45:00 PM
Age: 19-24
Skin: Normal, Medium, Warm
Hair: Black, Straight, Fine
Eyes: Brown
was given to me as a gift unfortunately i thought the scent was too strong :/
on 11/15/2009 1:09:00 PM
Age: Unknown
Skin: Other, Other, Not Sure
Hair: Other, Other, Other
Eyes: Other
My favorite VS scent. The body mist is superior to the EDT or other forms; strangely body mist is stronger in fragrance.
The body lotion is also very nice.
This to me doesn't smell like most VS fragrances - it's not fruity and chemical smelling.
It has notes of amber, vanilla, and black cherry (fruity but soft and deep fruity) and is a very warm sexy scent.
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text:
Firm Opens Doors with Offices in New York and London
NEW YORK, April 28 /PRNewswire/ -- Diversified Agency Services (DAS) today announced the launch of TogoRun(TM), a global healthcare communications agency with offices in New York and London. TogoRun specializes in healthcare, pharmaceutical and consumer wellness public relations and public affairs; its client roster includes many of the world's leading healthcare brands.
The new agency will be a member of the DAS network of Omnicom Group Inc. DAS oversees operating companies in a variety of marketing disciplines, including customer relationship management, public relations and specialty communications.
TogoRun will expand DAS's global healthcare communications offering by absorbing and building upon the foundation of CPR Worldwide, a DAS healthcare boutique agency that has grown considerably in recent years.
"The launch reflects a new and exciting direction for this agency, as well as the importance we place on having diverse service offerings in a highly competitive market," said Tom Harrison, CEO of Omnicom's DAS. "TogoRun occupies a distinct position for clients seeking both the staff experience of a full-service agency and the customized service offering of a healthcare boutique."
Kathy Hyett will lead the new agency as president. Hyett previously headed CPR Worldwide and has more than 30 years of experience that includes award-winning agency work and leadership positions at Fleishman-Hillard, Burson-Marsteller and Mark Krueger & Associates.
CPR senior vice president and senior partner Lauren Letellier was named managing director, New York. Letellier has more than 20 years of public relations agency experience and, prior to joining CPR, was a senior member of Fleishman-Hillard's New York healthcare practice. Jennifer Wilson, formerly of Athena Medical P
|SOURCE Diversified Agency Services
Copyright©2009 PR Newswire.
All rights reserved


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The sweep-em-up 2D platforming game Dustforce is out on Xbox 360 today via Xbox Live Arcade.
The PS3, X360, and Vita versions of the game were announced in October 2013, which had the game pegged as a January 2014 release. The PS Vita and PS3 versions eventually launched earlier this year in February but the Xbox 360 version was no where to be seen until today.
The XBLA release is also priced at $9.99.
Clean up the world with style! As an acrobatic janitor, you are an adept force against dust and disorder. Leap and dash off walls and ceilings, and deftly traverse precarious environments. Cleanse each level swiftly and thoroughly to achieve mastery in this 2D sweep-'em-up platformer.
Source: Capcom-Unity


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Compliance at UVa-Wise
The University of Virginia's College at Wise is committed to operating with integrity and honor in full compliance with all applicable federal and state laws and regulations, as well as College policies.
The Office of Compliance & Conduct serves to:
- promote campus compliance with applicable laws, regulations and policies
- keep the campus community informed of compliance information and resources
- support the coordination of campus compliance activities
- provide updates to the campus community regarding required guidelines and mandates
- promote a campus culture of ethical conduct and commitment to compliance
- oversee the student conduct system and Student Code of Conduct
Areas of emphasis include, but are not limited to:
- Title IX of the Education Amendments of 1972 to the 1964 Civil Rights Act (Title IX)
- Crime Awareness and Campus Security Act (Clery Act)
- Violence Against Women Act (VAWA)
Visit the links below for additional information about each of these compliance areas.
Meet Our Staff
The Office of Compliance & Conduct is located on the upper level of Cantrell Hall. Contact us at 276.376.3451.


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Prepare yourself for a truly relaxing escape with a medi pedi package at Jardin Beauty Lounge. This intensive treatment treats your worst toe woes and ends in the polish of your choice:
• $42 ($85 value) for a 1-hour medi pedi
• $52 ($113 value) for a 1-hour medi pedi and a half-hour reflexology massage
• Upscale salon has been in business since 1989
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Jardin Beauty Lounge
Relax and Beautify: Medi Pedicure Package with or without Reflexology Massage
- from C$42


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BukerPXE Lite
Root required - will not work if not rooted. BukerPXE is a lightweight TFTP, FTP, HTTP, and proxyDHCP server suitable for hosting...
Root required - will not work if not rooted. BukerPXE is a lightweight TFTP, FTP, HTTP, and proxyDHCP server suitable for hosting...
Companies such as Cisco and Singapore Internet Exchange share their journeys in switching to new protocol but the effort and costs committed represents major reason why others avoid making the move.
China and Japan leading region in migrating to new protocol while India and South Korea lagging behind, with user mentality and service availability main reasons for slow uptake, observers note.
State-owned telco BSNL to set up telecommunication links including Internet in all Indian villages to bring e-services to rural, far-flung areas, report says.
Wireless LAN infrastructure continues to grow, up 14 percent year over year. Market research firm Dell'Oro breaks down the numbers.
Wi-Fi services relatively cheap and easy to deploy, but security, legal implications and network that cater to needs more important to retailers when deciding to provide service, insiders say.
NAT gateway-empowered EIM (Employee Internet Management) product realizing LAN infrastructure/hardware-independent Web monitoring and...
Networking equipment maker's plan to cut 23 percent of global workforce by 2013 will help it save US$1.34 billion as it focuses on mobile broadband and services, company says.
IT productivity, security and energy efficiency presenting "invisible" challenges to enterprise networks which companies will need to address, says Cisco exec.
An NAT gateway-empowered EIM (Employee Internet Management) product realizing LAN infrastructure/hardware-independent Web monitoring...
Chinese networking vendor confident about expansion into enterprise market but analysts say paradigm shift will be biggest hurdle amid more established competitors in region.
Rapid network growth in region and receptivity toward hosted offerings makes Brocade's new subscription-based networking service relevant for Asia-Pacific, says Singapore-based exec.
Country's Telecom Commission proposes to extend fiber optic network to reach rural village areas in hope of boosting economy and uptake of e-government services, says minister.
Singapore company Progreso starts first IPv6 Forum-certified course to equip local IT professionals for more efficient IPv6 migration and "plug" existing skills gap, says managing director.
Business-grade cloud computing will demand stronger physical network infrastructure than public Internet Protocol can satisfy, Ovum says, noting increasing reliance on trusted networks.
South Korea, Hong Kong and Japan beat out others including Romania, U.S. and Netherlands to claim top 3 positions in fastest Internet connection speeds globally, reveals Akamai study.
Operators see business case in promoting indoor base stations to commercial entities, a shift from previous trend of targeting residential areas, says Femto Forum executive.
newsmaker No stranger to implementing large-scale IT projects, BT Global Services' CEO for Southeast Asia Stephen Yeo is open to working, for free, on initiatives to drive learning using technology.
Growing demand for mobile broadband in emerging markets drives operators to expand their networks, but one industry observer calls for changes in existing business strategies to maintain their competitive edge.
Chipmaker says purchase of networking solutions firm will help expand its semiconductor business into adjacent markets and access new growth opportunities.
As data consumption by users continues to increase, disgruntled European operators are asking bandwidth-hogging service providers such as Google and Facebook to help defray network investments, according to a news report.
Looking at file size, network congestion
India's largest telecom company says it's ready to offer host of managed services to corporate clients, having spent past few years building up its network capacity.
For privacy and security, change these iOS 9 settings immediately
Four hours in Apple Store hell: What iPhone Upgrade customers need to know


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This is not the first time for such a controversy.
book fairs
Sharjah Book Fair in Numbers: 1.47 Visitors, $48.5 Million in Sales
The Sharjah International Book Fair ended on the 15th, and — by the numbers — it was the most successful in that city's book fairs yet, drawing a number of visitors (or visits?) that puts it in league with the mammoth Cairo and Riyadh book fairs in terms of attendance.
Book Fairs Still Thriving in Riyadh, Muscat
The Muscat International Book Fair in Oman, which closes tomorrow and has in the past seen 800,000-some visitors, saw an infrastructural push this year. Meanwhile, the giant Riyadh Book Fair — which sees between one and two million visitors — opened on March 5.
How to Reinvigorate the Beirut, Doha Book Fairs?
Two Arabic book fairs were held at the beginning of December — one in Doha and one in Beirut — and they both reported slow sales. Al-Sharq al-Awsat said that "reports regarding the demise of the Arab-language book are perhaps looking somewhat exaggerated," although noting that sales have been down for the past three years.
Writers, Artist Protest Israel's 'Guest of Honor' Spot at Guadalajara International Book Fair
The "guest of honor" spot at book fairs is often controversial — in 2009, China's honorary status at the Frankfurt Book Fair raised hackles and eyebrows, as did Saudi Arabia at Book World Prague in 2011. What does it mean to have a country "honored" at a fair?
Sights and Sounds from This Year's Sharjah International Book Fair
Last week, contributor Kate Kasimor walked the grounds of the Sharjah International Book Fair, which runs through November 16. She shared a few photos and a few of her thoughts from the talks.
Sharjah Book Fair Releases Schedule; Emirates Lit Fest to Add 'Literary Idol' Competition
This past week, both the Dubai-based Emirates LitFest (March 4-8 2014) and the Sharjah Book Fair (November 6-16 2013) released their programs; both of which are filled with big literary names.
Scenes from the Sharjah International Book Fair's Opening Days
Images courtesy of a mystery photographer and the Twitter feed of @ShjIntlBookFair:
Sharjah International Book Fair Opens, Tunis Fair Closes
International publishers are meeting in Sharjah again this year, the thirty-first year of its international book fair, although only the fourth in its new guise as one of the world's important trade fairs. The Sharjah fair — in some ways… Read More ›
Day 2: Sharjah Book Fair Professional Program
Today, the Sharjah International Book Fair's pre-fair professional program wrapped up with a few speeches, an interesting (brief) presentation from Jon Malinowski about PubMatch.Com, and a pair of "matchmaking" sessions. The idea behind these matchmaking sessions was to pair publishers, agents,… Read More ›
Sharjah Announces 2011 Book Fair Events
Sharjah International Book Fair organizers, intent on putting their fair on the map of must-attend literary events, announced 2011's roster of events today. This year's fair, the city's 30th, is set to run from November 16-26. Much like the (myth… Read More ›


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The 2014 Christmas Boat Parade Cruise in Newport Beach is the premier Christmas event for Southern California. With more than 105 years of history, it is viewed by over one and half million people each year.
Prizes are awarded in a variety of categories such as "Best Humor and Originality" and "Best Lights and Animation!"
The parade takes place over 5 nights, with this year's parade from December 17 to December 21. Three cruises are available each night of the parade traveling in the parade and viewing both ships and estates in full holiday décor.
Length: Approximately 2 hours (75 minutes of cruising time)
5:30 pm, 7:00 pm & 8:30 pm (December 17-21, 2014)
Tour does not include hotel pick ups. Please order online or call to order or for more information.
There is a $6.95 USD processing fee per order. This is a flat fee regardless of the number of tickets or tours purchased on an order. There is a service charge per ticket. This charge will be reflected on your summary before you checkout. The total shown includes any and all taxes, fuel surcharges, and service fees. There are no additional charges, unless otherwise specified.
There are no refunds. All sales are final.
These cruises offer holiday music and a full bar for purchase of alcohol and snacks. Dress warmly as some of the viewing is outdoors. Make sure to bring your camera!
It is asked that you abide by the following rules:
Tour does not include hotel pick ups. Please order online or call to order or for more information.