text:
Sanskrit poet and writer S. Jagannatha is indeed familiar to visitors of this blog. His books 'Astavystam', 'Dve Mukhe' and 'Abhanakajagannatha' were posted to this blog sometime back.
It is our good fortune that the author thought it fit to share with us his latest work 'Gandhavali', an
anthology of 335 muktakas* composed in a new meter named 'Gandha', created by the author
himself. It is remarkable that he could complete the work in just 8 days. As the author says in his preface, the anthology contains verses on various subjects. Novices in Sanskrit literature will find it
helpful that the author has provided notes for difficult words.
*Muktaka is a detached stanza, the meaning ot which is complete in itself. मुक्तकं श्लोक एवैकश्चमत्कारक्षमः सताम् – अग्निपुराणः
Tantric Texts Series Edited by Arthur Avalon (John Woodroffe) and published by Agamanusandhana Samiti, Calcutta.
1. Tantrabhidhanam with Bijanighantu & Mudranighantu – A Tantric Dictionary (not found)
2. Shatchakranirupanam (Serpant Power) with 2 commentaries – Taranatha Vaidyaratna
3. Prapachasaratantram (reprinted as volumes 18 & 19)
4. Kulachudamani Tantra – Girish Chandra Vedantatirtha
5. Kularnavatantram edited by Taranatha Vaidyaratna (not found)
6. Kalivilasatantram edited by Parvati Charana Tarkatirtha
7. Shrichakrasambhara edited by Kazi Dawa samdup (Buddhist Tantra)
8. Tantraraja Part 1 commentary by Subhagananda Natha
9. Karpuradistotra with intro & commentary by Vimalananda Swami
10. Kamakalavilasa of Punyananda, commentary by Natananadanatha
11. Kaula & Other Upanishads with commentaries by Bhaskararaya & others
12. Tantraraja Part 2 commentary by Subhagananda Natha
13. Mahanirvanatantram with commentary of Hariharananda Bharati
14. Kaulavalinirnayah of Jnanananda Paramahamsa (not found)
15. Brahmasamhita with commentary of Jiva Gosvami & Vishnusahasranama (not found)
16. Sharadatilakatantram of Lakshmana Desikendra with commentary Part 1
17. Sharadatilakatantram of Lakshmana Desikendra with commentary Part 2 (not found)
18. Prapachasaratantram Part 1
19. Prapachasaratantram Part 2
20. Chidgaganachandrika – Swami Trivikrama Tirtha
21. Tarabhakti Sudharnava – Panchanana Bhattacharya Tarkaratna
22. Sataratna samgraha, with Sataratnollekhani – Edited by Panchanan Sastri
Complete works of Pandit Jibananda Vidyasagara Bhattacharya consist of around 200 texts – some of these were originally written by him while some others were commented, edited and published by him. They cover a wide range of subjects like Vedic literature, Puranas, Tantras, Mimamsa, Nyaya, Vaiseshika, Sankhya, Yoga, Sanskirt Kavyas, Vyakarana, etc.
Complete Works of Jibananda Vidyasagara
Atharvanopanishadah with Commentary – Jibananda Vidyasagara
Adhyatmaramayana with Tika – Jibananda Vidyasagara (not found)
Abhijnana Sakuntalam with Commentary- Jibananda Vidyasagara Agnipurana – Jibananda Vidyasagara
Amarakosa – Jibananda Vidyasagara
Anargharaghavam with Commentary – Jibananda Vidyasagara
Anumanachintamani with Tika – Jibananda Vidyasagara (LINK 2)
Aranyasamhita with Commentary – Jibananda Vidyasagara
Arthasamgraha – Jibananda Vidyasagara (not found)
Ashtangahridayasamhita of Vagbhatta – Jibananda Vidyasagara
Ashtavakrasamhita Commentary – Jibananda Vidyasagara
Ashvalayanagrihyasutra with Commentary – Jibananda Vidyasagara
Asvasastra Asvavaidyaka – Jibananda Vidyasagara (not found)
Balaramayana Nataka Commentary – Jibananda Vidyasagara
Bhagavadgita with Commentary & Tika – Jibananda Vidyasagara
Bhamati – Jibananda Vidyasagara
Bhaminivilasa Commentary – Jibananda Vidyasagara
Bhashaparichcheda with Muktavali & Dinakari- Jibananda Vidyasagara Bhattikavya with Tika Part 1 – Jibananda Vidyasagara
Bhattikavya with Tika Part 2 – Jibananda Vidyasagara
Bhattikavya with Tika Part 3 – Jibananda Vidyasagara
Bhavaprakasha – Jibananda Vidyasagara (not found)
Bhojaprabandha – Jibananda Vidyasagara
Brahmavaivartapurana Part 1 – Jibananda Vidyasagara
Brahmavaivartapurana Part 2 – Jibananda Vidyasagara (LINK 2)
Brihadaranyakopanishad with Commentary & Tika – Jibananda Vidyasagara
Brihatsamhita – Jibananda Vidyasagara
Chaitanyachandrodayanataka Commentary – Jibananda Vidyasagara
Chakradatta Vaidyaka – Jibananda Vidyasagara
Champuramayana Commentary – Jibananda Vidyasagara
Champuramayana – Jibananda Vidyasagara
Chandakaushikanataka Commentary – Jibananda Vidyasagara
Chandogya Upanishad with Commentary & Tika – Jibananda Vidyasagara
Chandraloka – Jibananda Vidyasagara (not found)
Chandrashekhara Champukavya Part 1 – Jibananda Vidyasagara (not found)
Chandrashekhara Champukavya Part 2 – Jibananda Vidyasagara
Charakasamhita – Jibananda Vidyasagara
Chikitsasarasamgraha of Vangasena – Jibananda Vidyasagara
Daivata Brahmana And Shadvimsha Brahmana with Commentary – Jibananda Vidyasagara
Dasakumaracharita Commentary – Jibananda Vidyasagara
Dasarupa with Tika – Jibananda Vidyasagara (not found)
Dayabhaga of Jimutavahana – Jibananda Vidyasagara
Dhananjayavijaya Commentary – Jibananda Vidyasagara (not found)
Dharmasastrasangraha Purvardha & Uttarardha – Jibananda Vidyasagara
Drivyaguna Commentary – Jibananda Vidyasagara
Dvatrimshatputtalikasimhasanam Original Work – Jibananda Vidyasagara
Ganitadhyaya – Jibananda Vidyasagara
Garudapurana – Jibananda Vidyasagara
Gayatri Vyakhya of Taranatha Tarkavachaspati – Jibananda Vidyasagara
Gitagovinda Commentary – Jibananda Vidyasagara
Goladhyaya – Jibananda Vidyasagara
Gopatha Brahmana – Jibananda Vidyasagara (not found)
Haritasamhita – Jibananda Vidyasagara Harshacharita Commentary – Jibananda Vidyasagara
Hitopadesha Commentary – Jibananda Vidyasagara
Indrajalavidyasangraha – Jibananda Vidyasagara (not found)
Isha, Kena, Katha, Prashna, Mundaka, Mandukya Upanishads with Commentary & Tika – Jibananda Vidyasagara
Jaiminiyanyayamalavistara – Jibananda Vidyasagara
Kadambari Commentary – Jibananda Vidyasagara (not found)
Kadambarikathasara – Jibananda Vidyasagara (not found)
Kalapavyakarana – Jibananda Vidyasagara
Kalkipurana – Jibananda Vidyasagara
Kamandakiya Nitisara – Jibananda Vidyasagara
Karpuramanjari Commentary – Jibananda Vidyasagara
Kathasaritsagara Original Work – Jibananda Vidyasagara
Kavyadarsa with Vivritti – Jibananda Vidyasagara
Kavyadipika with Commentary – Jibananda Vidyasagara
Kavyalamkarasutravritti of Vamana – Jibananda Vidyasagara (not found)
Kavyaprakasha with Tika – Jibananda Vidyasagara
Kavyasangraha – Jibananda Vidyasagara
Kavyasangraha with Tika Part 1 – Jibananda Vidyasagara
Kavyasangraha with Tika Part 2 – Jibananda Vidyasagara
Kavyasangraha with Tika Part 3 – Jibananda Vidyasagara
Kevalanvayi Anumanam – Jibananda Vidyasagara
Kiratarjuniya with Tika – Jibananda Vidyasagara
Kularnava Tantra – Jibananda Vidyasagara
Kumarasambhava Saptamasargantam Commentary – Jibananda Vidyasagara
Kusumanjali with Tika – Jibananda Vidyasagara (not found)
Kuvalayananda with Tika – Jibananda Vidyasagara
Laghukaumudi Vyakarana – Jibananda Vidyasagara
Lilavati – Jibananda Vidyasagara (not found)
Lingapurana – Jibananda Vidyasagara
Madanapala – Jibananda Vidyasagara (not found)
Madhavachampu – Jibananda Vidyasagara
Madhavanidana with Tika – Jibananda Vidyasagara (not found)
Mahanataka Commentary – Jibananda Vidyasagara
Mahanirvanatantra with Tika – Jibananda Vidyasagara
Mahaviracharita Nataka Commentary – Jibananda Vidyasagara
Malatimadhava Nataka Commentary – Jibananda Vidyasagara
Mallikamarutanataka with Tika – Jibananda Vidyasagara
Mantramahodadhi with Tika – Jibananda Vidyasagara (not found)
Markandeyapurana – Jibananda Vidyasagara
Matsyapurana – Jibananda Vidyasagara
Medinikosa – Jibananda Vidyasagara (not found)
Meghaduta with Tika – Jibananda Vidyasagara (not found)
Mimamsadarshana with Shabarabhashya Volume 1 – Jibananda Vidyasagara
Mimamsadarshana with Shabarabhashya Volume 2 – Jibananda Vidyasagara
Mimamsanyayaprakasa – Jibananda Vidyasagara
Mimamsaparibhasha – Jibananda Vidyasagara
Mrichchakatika Commentary – Jibananda Vidyasagara
Mudrarakshasa Nataka Commentary – Jibananda Vidyasagara
Mudrarakshasa Purvapithika Original Work – Jibananda Vidyasagara (not found)
Mugdhabodhavyakarana with Tika – Jibananda Vidyasagara
Muktikopanishad – Jibananda Vidyasagara
Nadivijnanam of Kanada with Commentary – Jibananda Vidyasagara (to be uploaded)
Nagananda Commentary – Jibananda Vidyasagara
Naishadhacharita Mahakavya Part 1 Commentary – Jibananda Vidyasagara (not found)
Naishadhacharita Mahakavya Part 2 Commentary – Jibananda Vidyasagara
Navaratna Commentary – Jibananda Vidyasagara (not found)
Nirukta with Commentary & Tika Part 1 – Jibananda Vidyasagara
Nirukta with Commentary & Tika Part 2 – Jibananda Vidyasagara (not found)
Nirukta with Commentary & Tika Part 3 – Jibananda Vidyasagara
Nrisimhatapani Upanishad with Commentary & Tika – Jibananda Vidyasagara (not found)
Nyayadarshana with Commentary & Vritti – Jibananda Vidyasagara
Panchadashi with Tika – Jibananda Vidyasagara
Panchatantra Commentary – Jibananda Vidyasagara
Paribhashendushekhara with Tika – Jibananda Vidyasagara (not found)
Patanjaladarshana with Bhojavritti – Jibananda Vidyasagara (not fond)
Patanjaladarshana with Commentary & Tika – Jibananda Vidyasagara
Pingalachchanda with Vritti – Jibananda Vidyasagara
Prabodhachandrodaya with Tika – Jibananda Vidyasagara
Prasannaraghava Nataka – Jibananda Vidyasagara
Prayashchittaviveka of Sulapani with Tika – Jibananda Vidyasagara
Priyadarshika Natika Commentary – Jibananda Vidyasagara
Purnaprajnadarshana with Commentary – Jibananda Vidyasagara
Pushpavanavilasakavya Commentary – Jibananda Vidyasagara
Raghuvamsha with Tika – Jibananda Vidyasagara (not found)
Rajaprashasti Commentary – Jibananda Vidyasagara
Rakshasakavya Commentary – Jibananda Vidyasagara (not found)
Rasendrachintamani Rasaratnakara – Jibananda Vidyasagara (not found)
Ratnavali Natika Commentary – Jibananda Vidyasagara
Ritusamhara Commentary – Jibananda Vidyasagara (not found)
Rudrayamala Tantra – Jibananda Vidyasagara
Sabdarupadarsha Original Work – Jibananda Vidyasagara (not found)
Sabdasagara – Jibananda Vidyasagara
Sabdasaktiprakashika – Jibananda Vidyasagara
Sahityadarpana Commentary – Jibananda Vidyasagara
Samanyanirukti – Jibananda Vidyasagara
Samaveda Samhita with Commentary – Jibananda Vidyasagara (not found)
Samskrita Sikshamanjari Parts 1 to 3 – Jivananda Vidyasagara (to be uploaded) Sandilyasutra – Jibananda Vidyasagara (not found)
Sangitaparijata – Jibananda Vidyasagara (not found)
Sankaravijaya – Jibananda Vidyasagara
Sankhyadarshana with Commentary by Vijnanabhikshu – Jibananda Vidyasagara
Sankhyakarika with Gaudapadabhashya – Jibananda Vidyasagara
Sankhya Sara of Vijnanabhikshu – Jibananda Vidyasagara
Sankhyasutra with Aniruddhavritti – Jibananda Vidyasagara Sankshipta Dasakumaracharita Original Work – Jibananda Vidyasagara (not found)
Sankshipta Harshacharita – Jibananda Vidyasagara (not found)
Saradatilakatantra – Jibananda Vidyasagara
Saramanjari Commentary – Jibananda Vidyasagara
Sarangadhara Samhita – Jibananda Vidyasagara
Sarasvatikanthabharana Commentary – Jibananda Vidyasagara
Saraswata Vyakarana with Tika – Jibananda Vidyasagara (not found)
Sarvadarshanasangraha – Jibananda Vidyasagara
Satakavali – Jibananda Vidyasagara
Sukraniti Commentary – Jibananda Vidyasagara
Sisupalavadha with Tika – Jibananda Vidyasagara
Suklayajurveda Pratishakhya with Commentary – Jibananda Vidyasagara (not found)
Suklayajurveda with Commentary – Jibananda Vidyasagara (not found)
Suryasiddhanta Commentary – Jibananda Vidyasagara
Sushrutasamhita with Dallanakritatika – Jibananda Vidyasagara (not found)
Syama Rahasya – Jibananda Vidyasagara (to be uploaded)
Taittiriya Aitareya & Svetasvatara Upanishad with Commentary & Tika (not found)
Tara Rahasya – Jibananda Vidyasagara Tarkamrita – Jibananda Vidyasagara
Tarkasamgraha of Annambhatta with English Translation – Jibananda Vidyasagara
Tripurasarasamuchchaya – Jibananda Vidyasagara
Tuladanapaddhati Original Work – Jibananda Vidyasagara
Unadisutras – Jibananda Vidyasagara (not found)
Upamanachintamani – Jibananda Vidyasagara
Uttararamacharitanataka Commentary Not Found – Jibananda Vidyasagara (not found)
Vagbhattalankara Commentary – Jibananda Vidyasagara
Vaisheshikadarshana with Tika – Jibananda Vidyasagara
Valmiki Ramayana (Balakanda) 26th-35th Sargas with Ramanuja's Tika – Jibananda Vidyasagara
Varaha Purana – Jibananda Vidyasagar Vasantatilaka Bhana – Jibananda Vidyasagara
Vasavadatta with Tika – Jibananda Vidyasagara (not found)
Vedantadarshana with Commentary & Satika Adhikaranamala – Jibananda Vidyasagara
Vedantaparibhasha – Jibananda Vidyasagara
Vedantaparibhasha Commentary – Jibananda Vidyasagara
Vedantasara with Tikas of Nrisimhasarasvati & Ramatirtha – Jibananda Vidyasagara
Vedantasiddhantamuktavali Commentary – Jibananda Vidyasagara
Venisamharanatakam Commentary – Jibananda Vidyasagara
Vetalapanchavimshati Original Work – Jibananda Vidyasagara
Viddhashalabhanjika Nataka Commentary – Jibananda Vidyasagara
Vidvanmodatarangini Not Found – Jibananda Vidyasagara
Vikramorvashi Commentary – Jibananda Vidyasagara (not found)
Viramitrodaya – Vyavaharadhyaya – Jibananda Vidyasagara (to be uploaded)
Vishnupurana with Tika – Jibananda Vidyasagara
Vivekachudamani – Jibananda Vidyasagara
Vritta Ratnakara & Chandomanjari Commentary of Taranatha Tarkavachaspati Yogini Tantra – Jibananda Vidyasagara
अपवादं तिरस्कृत्य पाणिन्यसत्त्वकं चिरं।
कृत्स्ना च कौमुदी येन सरलया हि टीकिता॥
विजयो वङ्गवासिनां पुनर्येन नवीकृतः।
कृत्याऽनया नवीनया विशालबुद्धिना खलु॥
तारानाथं प्रणम्य तं वाचस्पत्यादिकारकं।
कृतिः सा सरला तस्य पुनरुत्सृज्यते मुदा॥
परमप्रमोदास्पदमिदं यत् पण्डितरूपैः श्रीमद्भिस्तारानाथतर्कवाचस्पतिभट्टाचार्यमहाभागैर्विनिर्मिता वैयाकरणसिद्धान्तकौमुद्याष्टीका सरला नाम बहुवर्षात्परं विदूषां पुरस्तात् पुनःप्रस्तूयते। वाङ्गैश्च पण्डितैः कृतानां कौमुदीटीकानां मध्य इयमेव प्राथम्येन परिगणनार्हेति श्रीशम्भुचन्द्रविद्यारत्नप्रणीततर्कवाचस्पतिमहाभागानां जीवनचरिततः प्रतीयते। श्रूयते ततश्चास्या दर्शनेन काशीस्थानामपि विदूषां ईर्षासूये जाते। आतश्च प्रतिस्पर्धित्वेनेदृश्येका कौमुदीटीका केनचिदपि तदानीं निर्मातुमसाम्प्रतम्। एतट्टीकानिर्माणेन खलु तेषां विद्वत्प्रवराणां तर्कवाचस्पतिपादानां वैयाकरणत्वेन प्रसिद्धिरासेतुहिमाचलं परिव्याप्तेति। ग्रन्थकृतां भट्टाचार्यमहाभागानां जीवद्दशायां तावदस्याः संस्करणत्रयं जातमिति एतत्सरलाख्यटीकाया बहुलप्रचारितत्वे प्रमाणम्। अतोऽस्याः पुनःप्रचारेण तु पाणिनिव्याकरणपिपठिषूणां महोपकारो भविष्यतीति विश्वसिमः।
It is a matter of immense pride for us to present a digital version of the Saralā, a 19th century Sanskrit commentary on the Vaiyākaraṇasiddhāntakaumudī of Bhaṭṭojī Dīkṣita, by Prof. Tārānātha Tarkavācaspati Bhaṭṭācārya of Vācaspatya fame. From Pt. Śambhucandra Vidyāratna's biography of Tārānātha Tarkavācaspati it appears that it is the first Sanskrit commentary on the Siddhāntakaumudī written by any Bengali scholar. From the same source we learn that this commentary, Saralā, generated professional and academic jealousy even in the minds of contemporary scholars of Pāṇinian grammar residing in Benares, the cultural capital of India, who when asked to compose a like commentary on the Siddhāntakaumudī to discount the uniqueness of the Saralā, remained silent in failure. The authorship of this commentary led to the widespread fame of Tarkvācaspati as an outstanding grammarian of the Pāṇinian School. Also the fact of the running of the Saralā through three editions during the lifetime of Tārānātha Tarkavācaspati legitimates its claim to immense popularity. Thus we earnestly believe that a widespread cultivation of this commentary will immensely benefit students of Pāṇinian grammar all over the world.DOWNLOAD LINKS
Siddhantakaumudi with Saralaya Vyakhya Volume 1
'Dve Mukhe' by S. Jagannatha consists of two short poems in Samskrta namely, Moghaduta (not Meghaduta), a humorous poetry ridiculing love (written in mandakranta metre) and Lokalankara-pankiya, a work of humorous figures of speech containing 112 examples with definitions (written in anustubh metre).
Sanskrit poet and writer S. Jagannatha is indeed familiar to visitors of this blog. His book of modern proverbs 'Abhanakajagannatha' was posted to this blog sometime back.
It is our good fortune that the author thought it fit to share with us 'Astavyastam', a satirical Sanskrit play in eleven acts. Message of this play is very simple – "Sanksrit language cannot be revived & rejuvanated merely by our taking pride in its greatness. We need to study Sanskrit earnestly and gain sufficient mastery over it to produce new Sanskrit works of every genre."
'Astavyastam' is not just a play that one reads and enjoys, it inspires and compels one to think and act.
Anandashram Samskrita Granthavali (Anandashram Sanskrit Series) is a collection of ancient, very rare Sanskrit works published from the year 1888 to 1942. A total of 144 books on Vedasamhita, Aranyakas, Brahmanas, Upanishads, Srautasutras, Grahyasutras, Mimamsa, Puranas, Kavya, Vyakarakana, etc were published under this series. Out of this, four books are in Marathi which are not uploaded here.
ASS_001. Sri Ganesa Atharvasirsham Sabhashyam – Vamansastri Islampurkar 1889
ASS_002. Rudradhyaya with Commentaries of Sayana & Bhattabhaskara – Anandasram
ASS_003. Purushasukta with Sayanabhashya – GB Kale 1952
ASS_004. Yogaratnakara – Anna Moresvar Kunte 1889
ASS_005. Isavasya Upanishad with Skt Commentaries – Rajaram Sastri Bodas 1905
ASS_006. Kenopanishad with Sankarabhashya & Tika – Balasastri Agase 1909
ASS_007. Kathopanishad Sankarabhashya with 2 Tikas – Vaijnath Rajwade 1935
ASS_008. Prasnopanishad Sankarabhashya with Anandagiri's Tika & Sankarananda's Dipika 1911
ASS_009. Mundakopanishad Sankarabhashya with Anandagiri's Tika & Sankarananda's Dipika 1935
ASS_010. Mandukyopanishad with Karika – Abhajisarma Kathawade 1923
ASS_011. Aitareyopanishad Sankarabhashya with Anandagiri's Tika & Vidyaranya's Dipika 1931
ASS_012. Taittiriyopanishatsatikashankarabhashyopeta – Vamansastri Islampurkar 1889
ASS_013. Taittiriyopanishadbashyavartikam – HN Apte 1889
ASS_014. Chandogyopanishad Sankarabhashya with Anandagiri's Tika – Kasinath Sastri Agase 1934
ASS_015. Brihadaranyak Upanishat Sankara Bhashyam & Anandagiri Tika – KS Agase 1891
ASS_016. Brahadaranyakopnishad Bhashya Vartikam Vol 1 (Sambandhavartika) – KS Agase 1892
ASS_016. Brahadaranyakopnishad Bhashya Vartikam Vol 2 (Chapters 1-2) – KS Agase 1893
ASS_016. Brahadaranyakopnishad Bhashya Vartikam Vol 3 (Chapters 3-6) – KS Agase 1893
ASS_017. Svetasvatara Upanishad with Sankara Bhashya & 3 Commenataries – VG Apte 1927
ASS_018. Saura Purana – Kasinathsastri Lele 1924
ASS_019. Rasaratnasamuchchaya – Krishnarao Sarma Bapat 1890
ASS_020. Jivanmuktiviveka with AR Modak's Commentary – Ganeshsastri Gokhale 1916
ASS_021. Brahmasutra Sankarabhashya with Anandagiri Tika Part 1 – Anandasram 1890
ASS_021. Brahmasutra Sankarabhashya with Anandagiri Tika Part 2 – Anandasram 1891
ASS_022. Sankaravijaya of Vidyaranya with Tika of DhanapatiSuri – MC Apte 1921
ASS_023. Vaiyasika Nyaya Mala – Pandita Sivadatta Dadhicha 1891
ASS_024. Jaiminiyanyayamala with Vistara 1892
ASS_025. Sutasamhit with Tatparyadipikaa Part 1 – VS Pansikar 1891
ASS_025. Sutasamhit with Tatparyadipikaa Part 2 – VS Pansikar 1891
ASS_025. Sutasamhit with Tatparyadipikaa Part 3 – VS Pansikar 1925
ASS_026. Hastyayurvedah of Palakapya Muni – Sivadatta Sarma 1894
ASS_027. Vrindamadhavaparanama Siddhayogah
ASS_028. Brahmapurana of Vedavyasa 1895
ASS_029. Upanishadam Samucchayah (32 Upanishads) – HN Apte 1895
ASS_030. Nrisimhapurvottaratapaniyopanishat with Sankarabhashya & Dipika of Vidyaranya 1929
ASS_031. Brihadaranyakopanishad with Mitakshara of Nityanandamuni – KS Agase 1895
ASS_032. Aitareya Brahmanam with Sayanabhashya Part 1 – Kasinathsastri Agase 1896
ASS_032. Aitareya Brahmanam with Sayanabhashya Part 2 – Kasinathsastri Agase 1896
ASS_033. Rajanighantusahito Dhanwantariya Nighantuh
ASS_034. Bhagavad Gita Sankara Bhashya – Kashinath Sastri Agase 1927
ASS_034. Bhagavad Gita Sankara Bhashya with Anandagiri Tika – Kasinath Sastri Agase 1896
ASS_035. Sangita Ratnakara with Kalanidhi Tika Part 1 – MR Telang 1942
ASS_035. Sangita Ratnakara with Kalanidhi Tika Part 2 – MR Telang 1942
ASS_036. Taittiriya Aranyakam with Sayana Bhashya Part 1 – Babasastri Phadke 1898
ASS_036. Taittiriya Aranyakam with Sayana Bhashya Part 2 – Babasastri Phadke 1927
ASS_037. Taittiriya Brahmanam with Sayanabhashya Part 1 – Narayanasastri Godbole 1934
ASS_037. Taittiriya Brahmanam with Sayanabhashya Part 2 – Narayanasastri Godbole 1898
ASS_037. Taittiriya Brahmanam with Sayanabhashya Part 3 – Narayanasastri Godbole 1898
ASS_038. Aitareyaranyakam with Sayanabhashya – Babasastri Phadke 1898
ASS_038. Samskara Ratnamala of Bhatta Gopinatha Dikshita Part 1 – KS Agase 1899
ASS_039. Samskara Ratnamala of Bhatta Gopinatha Dikshita Part 2 – KS Agase 1899
ASS_040. Sandhya Bhashya Samuchaya with 5 Commentaries – KS Agase 1899
ASS_041. Agnipuranam – Sanskrit – Anandasram 1900
ASS_042. Taittiriya Samhita with Sayanabhashya Part 1 – Kasinath Sastri Agase 1940
ASS_042. Taittiriya Samhita with Sayanabhashya Part 2 – Kasinath Sastri Agase 1940
ASS_042. Taittiriya Samhita with Sayanabhashya Part 3 – Kasinath Sastri Agase 1947
ASS_042. Taittiriya Samhita with Sayanabhashya Part 4 – Kasinath Sastri Agase 1946
ASS_042. Taittiriya Samhita with Sayanabhashya Part 5 – Kasinath Sastri Agase 1946
ASS_042. Taittiriya Samhita with Sayanabhashya Part 6 – Kasinath Sastri Agase 1946
ASS_042. Taittiriya Samhita with Sayanabhashya Part 7 – Kasinath Sastri Agase 1949
ASS_042. Taittiriya Samhita with Sayanabhashya Part 8 – Kasinath Sastri Agase 1951
ASS_042. Taittiriya Samhita with Sayanabhashya Part 9 – Kasinath Sastri Agase 1947
ASS_043. Vaiyakarana Siddhanta Karika of Bhattoji Dikshita – HN Apte 1909
ASS_044. Bhagavad Gita with Paisachabhashya – Kasinath Sastri Agase 1933
ASS_045. Bhagavad Gita with Gudharthadipika & Subodhini – Kasinath Sastri Agase 1901
ASS_046. Yajnavalkya Smriti with Aparaditya's Tippani Part 1 – HN Apte 1903
ASS_046. Yajnavalkya Smriti with Aparaditya's Tippani Part 2 – HN Apte 1903
ASS_047. Patanjalayogasutrani with Vyasabhashya, Bhojavritti & Vachaspatimishra's Tika – KS Agase 1919
ASS_048. Smritinam Samuchchaya – Anandasram 1905
ASS_049. Vayu Puranam of Vedavyasa – HN Apte 1905
ASS_050. Yatindrmatadipika with Vyakhya – VS Abhyankar 1934
ASS_051. Sarvadarshana Sangraha with Prasthanabheda – VG Apte 1950
ASS_052. Ganesa Gita with Tika of Nilakantha – HN Apte 1906
ASS_053. Satyashada Virachita Srautasutra Part 01 – Kasinathsastri Agase 1907
ASS_053. Satyashada Virachita Srautasutra Part 02 – Kasinathsastri Agase 1907
ASS_053. Satyashada Virachita Srautasutra Part 03 – Kasinathsastri Agase 1908
ASS_053. Satyashada Virachita Srautasutra Part 04 – Kasinathsastri Agase 1908
ASS_053. Satyashada Virachita Srautasutra Part 05 – Kasinathsastri Agase 1927
ASS_053. Satyashada Virachita Srautasutra Part 06 – Kasinathsastri Agase 1927
ASS_053. Satyashada Virachita Srautasutra Part 07 – Kasinathsastri Agase 1928
ASS_053. Satyashada Virachita Srautasutra Part 08 – Kasinathsastri Agase 1929
ASS_053. Satyashada Virachita Srautasutra Part 09 – Kasinathsastri Agase 1930
ASS_053. Satyashada Virachita Srautasutra Part 10 – Kasinathsastri Agase 1932
ASS_054. Matsya Puranam of Vedavyasa 1907
ASS_055. Purushartha Chintamani of Vishnusastri Athavale – Bhaskarsastri Pavagi 1907
ASS_056. Nityashodhasikarnava with Setubandha Vyakhya – Kasinathsastri Agase 1908
ASS_057. Acharabhushanam of Tryambak Oka 1905
ASS_058. Acharendu of Tryambak Mate – Dattatreya Sastri Agase 1909
ASS_059. Shraddhamanjari – Dattatreyasastri Agase 1909
ASS_060. Yatidharamasangrah of Visweswara Saraswati – GS Gokhale 1928
ASS_061. Gautamapranita Dharmasutrani with Mitakshara – Ganesh Sastri Gokhale 1931
ASS_062. Isha to Taittiriya with Visishtadvaita Commentaries – HN Apte 1910
ASS_063. Chandogyopanishad with Ramanujabhashya – Ganeshsastri Gokhale 1910
ASS_064. Brahadaranyakopanishad with Prakasika by Rangaramanuja – SS Venegavkar 1911
ASS_065. Sankhayana Brahmanam – Gulabrao Vajhesankar Chaya 1911
ASS_066. Kavyaprakasa with Udyota of Nagojibhatta & Pradipa
ASS_067. Brahmasutra with Dipika and Brahmamritavarshini – VG Apte 1911
ASS_068. Brihat Brahmasamhita – SS Venegavkar 1912
ASS_069. Jnanarnava Tantram – Ganeshsastri Gokhale 1952
ASS_070. Smrityarthasara of Sridharacharya – Ranganath Sastri Vaidya 1912
ASS_071. Brahadyogatarangini Part 1 – Hanumant Sastri Padhye 1935
ASS_071. Brahadyogatarangini Part 2 – Hanumant Sastri Padhye 1935
ASS_072. Paribhashendusekhara with Tika of Vaidyanatha – Ganeshsastri Gokhale 1913
ASS_073. Gayatripurascharanapaddhati – Ranganath Sastri Vaidya 1937
ASS_074. Drayhyayana Grahyasutravritti – Ganeshsastri Gokhale 1914
ASS_075. Bhashhyartha Ratnamala of Subrahmanya - Ganeshsastri Gokhale 1915
ASS_076. Isakenakathopanishadah Digambaranuchari Vyakhya – SS Pathak 1915
ASS_077. Vedanta Sutra Muktavali of Brahmananda Saraswati – Ganesh Sastri Gokhale 1915
ASS_078. Tristhalisetu of Narayana Bhatta – Ganesh Sastri Gokhale 1915
ASS_079. Chandogyopanishad with Mitakshari of Nityanandamuni – Anandasram
ASS_080. Vakyavritti of Sri Sankaracharya with Tika – Ranganathsastri Vaidya 1915
ASS_081. Asvalayana Srautasutra with Vritti of Narayana – Ganesh Sastri Gokhale 1917
ASS_082. Brahmasutra Vritti of Hari Dikshita – Ranganathsastri Vaidya 1917
ASS_083. Samkshepa Sariraka with Subodhini & Prakasika Tikas Part 1 – Ranganathsastri Vaidya 1918
ASS_083. Samkshepa Sariraka with Subodhini & Prakasika Tikas Part 2 – Ranganathsastri Vaidya 1918
ASS_084. Advaitamoda of Vasudev Abhyankar – KV Abhyankar 1975
ASS_085. Jyotirnibandha – Ranganath Sastri Vaidya 1919
ASS_086. Vidhanamala of Nrisimhabhatta – SS Marulkar 1920
ASS_087. Agnihotrachandrika of Kinjawadekar – KS Agase 1921
ASS_088. Niruktam with Durgacharya's Vritti Part 1 – VK Rajawade 1921
ASS_088. Niruktam with Durgacharya's Vritti Part 2 – VK Rajawade 1926
ASS_089. Kavyaprakasa with Sanketa of Manikyachandra – VS Abhyankar 1921
ASS_090. Sankhayanaranyakam – Sridhar Sastri Pathak 1922
ASS_091. Nyayasutra with Vritti – Digambar Sastri Johi 1922
ASS_092. Bhagavad Gita with Ramanuja Bhashya & Venkatanatha's Tika
ASS_093. Darsapurnamasaprakasa of Vamansastri Kinjawadekar
ASS_094. Samskarapaddhati of Bhaskarsastri Abhyankar – VS Abhyankar 1924
ASS_095. Kasyapasilpam – Krishnaraya Vajhe 1926
ASS_096. Karanakaustubha of Krishna Daivajna – VG Apte 1927
ASS_097. Mimamsadarsana Part 1 (with Sabarabhashya & Prabhavyakhya) – Subbasastri 1929
ASS_097. Mimamsadarsana Part 2 (with Sabarabhashya & Tantravartika) – Subbasastri 1930
ASS_097. Mimamsadarsana Part 3 (with Sabarabhashya & Tantravartika) – Subbasastri 1931
ASS_097. Mimamsadarsana Part 4 (with Sabarabhashya & Tup Tika) – Subbasastri 1932
ASS_097. Mimamsadarsana Part 5 (with Sabarabhashya & Tup Tika) – Subbasastri 1933
ASS_097. Mimamsadarsana Part 6 (with Sabarabhashya & Tup Tika) – Subbasastri 1934
ASS_097. Mimamsadarsana Part 7 (with Sabarabhashya & Tup Tika) – Subbasastri 1934
ASS_098. Dharmatatvanirnaya – VS Abhyankar 1929
ASS_098. Dharmatatvanirnaya – Parisishtam – VS Abhyankar 1931
ASS_099. Bhaskariya Bijaganitam of Krishna Daivajna – Dattatreya Apte 1930
ASS_100. Prayaschittendusekhara & Kundarka – Sankarsastri Marulkar 1931
ASS_101. Sankarapadabhusanam Raghunatha Suri Part 1 – SS Marulkar 1932
ASS_101. Sankarapadabhusanam Raghunatha Suri Part 2 – SS Marulkar 1932
ASS_102. Brahmavaivata Purana Part 1 – Vasudevsastri Marathe 1935
ASS_102. Brahmavaivata Purana Part 2 – Vasudevsastri Marathe 1935
ASS_103. Srutisarasamuddharanam with Skt Commentary by Sachidanandayogi – 1936
ASS_104. Trinsachchloki with Vivriti & Tippani – SS Marulkar 1958
ASS_105. Asvalayana Grahyasutra with Vritti of Narayana
ASS_106. Dasopanishadah – SS Marulkar 1937
ASS_107. Lilawati with Sanskrit Commentaries Part 1 – Dattatreya Apte 1937
ASS_107. Lilawati with Sanskrit Commentaries Part 2 – Dattatreya Apte 1937
ASS_108. Vyakaranamahabhashya with Udyota Part 1
ASS_108. Vyakaranamahabhashya with Udyota Part 2
ASS_109. Bhagavadgita Prathamadivitiyadhyayau with Advaitankuravyakya of VS Abhyankar 1938
ASS_110. Grahaganitadhyaya of Bhaskaracharya Part 1 – Dattatreya Apte 1941
ASS_110. Grahaganitadhyaya of Bhaskaracharya Part 2 – Dattatreya Apte 1941
ASS_111. Kayaparisuddhi of VS Abhyankar – SS Marulkar 1939
ASS_112. Bhagavad Gita with Sarvatobhadra (Kashmir Text) – SN Tadpatrikar 1939
ASS_113. Madhvatantramukhamardanam of Appayya Dishita – Ramachandra Sastri 1940
ASS_114. Rudradhyaya with Commentary of Vishnu Suri – SS Marulkar 1958
ASS_115. Rasaratnasamuchchayatika of Chintamani – PG Ranade
ASS_116. Dattakamimamsa with Commentary – SS Marulkar 1954
ASS_117. Brahmasutra Siddhanta Muktavali of Vanamali – Anandasram
ASS_118. Dattakachandrika with Sankari Vyakhya – SS Marulkar 1942
ASS_119. Kalamadhavakarika of Madhavacharya with Vivarna of Bhatta Vidyanatha – SS Marulkar 1942
ASS_120. Tithichintamani
ASS_121. Vyavaharamala – Venkatarama Sarma 1943
ASS_122. Goladhyaya with 2 Tikas Part 1 – Dattatreya Apte 1943
ASS_122. Goladhyaya with 2 Tikas Part 2 – Dattatreya Apte 1943
ASS_123. Laghumaanasam With Commentary by Parameswara – BD Apte 1952
ASS_124. Dharmika Vimarsa Samuchchaya of Vidyasankarabharati Swami – SS Marulkar 1944
ASS_125. Kuttakara Siromani of Devaraja – Balvantraya Apte 1944
ASS_126. Mahabhaskariyam
ASS_127. Satakatrayam
ASS_128. Laghubhaskariyam with Commentary by Parameswara – Balvantrai Apte 1946
ASS_129. Bodhaikyasiddhi of Achyutaraya Modak with Commentary Part 1 – SS Marulakar 1951
ASS_130. Adhanapaddhati – Vaman Sastri
ASS_131. Padma Puranam Part 1 – VN Mandalik 1893
ASS_131. Padma Puranam Part 2 – VN Mandalik 1894
ASS_131. Padma Puranam Part 3 – VN Mandalik 1894
ASS_131. Padma Puranam Part 4 – VN Mandalik 1894
ASS_132. Pasvalambhamimansa – VS Kinjawadekar 1923 (Anandasram)
ASS_133. Sivabharatam of Kavindra Paramananda – Purushotham Sastri Ranade 1930
ASS_134. Siddhantadarsanam with Niranjanabhashya – Sasimohan Smritiratna 1907
ASS_135. Vaiyyakarana Bhushanasara of Kaundabhatta – SS Marulkar 1957
ASS_136. Kamandakiya Nitisara Part 1
ASS_136. Kamandakiya Nitisara Part 2
ASS_136. Kamandakiya Nitisara Part 3
ASS_137. Angatvaniruktih
ASS_138. Svaraprakriya with Commentary – KV Abhyankar 1974 (copyrighted)
ASS_139. Sivayogadipika of Sadasivayogisvara with Atmavidyavilasa 1907
ASS_140. Suktiratnakarah
Trivandrum Sanskrit Series (Anantasayana Samskrita Granthavali) is a collection of ancient, very rare and previously unpublished Sanskrit works published by Manuscripts Library, Trivandrum in the early part of 20th century. First book in Trivandrum Sanskrit Series – "Daivam", a work on Sanskrit grammar, was published in 1905 edited by MM T. Ganapati Sastri. Nearly 100 texts were published within a short span of 20 years and the series continues to this day.
An article on Trivandrum Sanskrit Series written by G Harihara Sastri that appeared in Indian Historical Quarterly Volume 1 in 1925 describes the genesis and growth of this series and also evaluates the unique contributions of this series to the growth of Indological studies.
TSS-001 Daivam (Vyakarana) by Deva with Purusakara of Krishnalilasuka muni
TSS-002 Abhinavakausthubamala and Dakshinamurtistava by Krishnalilasukamuni
TSS-003 Nalabhyudaya (Kavya) by Vamana Bhatta Bana
TSS-004 Sivaleelarnava (Kavya) by Nilakanta Dikshita
TSS-005 Vyaktiviveka (Alankara) by Mahima Bhatta with commentary
TSS-006 Durghatavritti (Vyakarana) by Saranadeva
TSS-007 Brahmatatvaprakasika of Sadasivendra Sarasvati
TSS-008 Pradyumnabhyudaya (Nataka) by Ravi Varma Bhupa
TSS-009 Virupakshapanchasika (Vedanta) with the commentary of Vidyacharya
TSS-010 Matangalila (Gajalakshana) by Nilakanatha
TSS-011 Tapathisamvaranam (Nataka)Kulasekharavarma with the commentary of Sivarama
TSS-012 Paramarthasaram (Vedanta) by Adisesa with the commentary of Raghavananda
TSS-013 Subhadradhananjayam (Nataka) by Kulasekhara Varma with the commentary of Sivarama
TSS-014 Nitisara (Niti) by Kamandaka with the commentary of Sankararaya
TSS-015 Svapnavasavadattam (Nataka ) by Bhasa
TSS-016 Pratijnayaugandharayanam (Nataka) of Bhasa
TSS-017 Pancharatram (nataka) by Bhasa
TSS-018 Narayaneeyam (Stuti) by Narayana Bhattathiri with the commentary of Dasamangalavarya
TSS-019 Manameyodaya (Mimamsa) by Narayana Pandita
TSS-020 Avimarakam (Nataka) Bhasa
TSS-021 Balacharitam (Nataka) Bhasa
TSS-022 Madhyamavyayoga Dutavakya Dutaghatotkacha karnabhara and Uirubhangam of Bhasa
TSS-023 Nanartharnavasamshepa Kesavasvamin Part 1
TSS-024 Janakiparinaya (Kavya)by chakrakavi
TSS-025 Kanadasidhantha Chandrika (Nyaya) by Gangadhara Suri (not found)
TSS-026 Abhisekanatakam by Bhasa
TSS-027 Kumarasambhava with the two commentaries Prakasika of Arunagirinatha and Vivarana of Narayana Pandita Part 1
TSS-028 Vaikhanasadharmaprasna (Dharmasutra) by Vikhanas
TSS-029 Nanarthanavasamshepa (Kosa) by Kesavasvamin Part 2
TSS-030 Vastuvidya (silpa) not found
TSS-031 Nanartharnavasamshepa of Kesavasvamin Part 3
TSS-032 Kumarasambhava (Kavya ) o+B169f Kalidasa with the two commentaries Part 2
TSS-033 Vararuchasangraha (Vyakarana) with the commentary of Dipaprabha of Narayana
TSS-034 Manidarpana (Nyaya) Rajachudamanimakhin
TSS-035 Manisara (Nyaya)of Gopinatha (not found)
TSS-036 Kumarasambhava (Kavya) of Kalidasa with the two commentaries Part 3
TSS-037 Asouchashtakam (Smriti) by vararuchi with commentary
TSS-038 Namalinganusasanam (Kosa) by amarasimha with the commentary Tikasarvasva of Vandyaghatiya Sarvananda Part 1
TSS-039 Charudatham (Nataka ) Bhasa
TSS-040 Alankarasutram of Rajanaka Ruyyaka with the Alankarasarvasa of Mankhuka and its commentary by Smudrabandhin
TSS-041 Adhyatmapatalam (Vedanta) by Apasthamba with the vivarana of Sri Sankara Bhagavad Pada
TSS-042 Pratimanatakam of Bhasa
TSS-043 Namalinganusasanam (Kosa) by Amarasimha with Tikasarvasva of Vandyaghatiya Sarvananda Part 2
TSS-044 Tantrasuddham by Bhattaraka Vedottama (not found)
TSS-045 Prapanchahridayam (not found)
TSS-046 Paribhashavritti (Vyakarana) Nilakanta Diskhita (not found)
TSS-047 Sidhanthasidhanjanam (Vedanta) Krishnananda Sarasvati Part 1
TSS-048 Sidhanthasidhanjanam (Vedanta) Krishnananda Sarasvati Part 2
TSS-049 Goladeepika (Jyotisha) by Paramesvara (not found)
TSS-050 Rasarnavasudhakara (Alankara) by Singha Bhupala
TSS-051 Namalinganusasanam Part 3
TSS-052 Namalinganusasanam Part 4
TSS-053 Sabdanirnaya (Vedanta) Prakasamatyatindra
TSS-054 Sphotasidhinyayavichara (Vyakarana) (not found)
TSS-055 Mattavilasaprahasana (Nataka) Mahendravikramavarman (not found)
TSS-056 Manushyalayachandrika (Silpa) (not found)
TSS-057 Raghuviracharitham (Kavya)
TSS-058 Sidhanthasidhanjanam (Vedanta) Krishnananda Sarasvati Part 3
TSS-059 Naganandam (Nataka) by Harsadeva with the commentary Vimarsini of Sivarama
TSS-060 Laghusthuti by Laghubhattaraka with the commentary of Raghavananda (not found)
TSS-061 Sidhanthasidhanjanam (Vedanta) Krishnananda Sarasvati Part 4
TSS-062 Sarvamata sangraha
TSS-063 Kiraturjiniya of Bharavi with the commentary of Sabdarthadipika of Chitrabhanu
TSS-064 Meghasandesa of Kalidasa commentary by pradipa of Dakshinavartanatha
TSS-065 Mayamatam (silpa)of Mayamuni
TSS-066 Maharthamanjari(Darsana) with the commentary of Parimala of Mahesvarananda (not found)
TSS-067 Tantrasamuchaya (Tantra) of Narayana with the commentary of Vimarsini of Sankara Part 1 (1-6 patalas)
TSS-068 Tatwaprakasa (Agama)by Sri Bhojadeva with the commentary Tatparyadipika of Srikumara
TSS-069 Isanagurudevapadhathi (Tantra) by Isaanasivagurudevamisra Part 1 Samanyapada
TSS-070 Aryamanjusrimulakalpa Part 1
TSS-071 Tantrasamuchaya (tantra) byNarayana with the commentary Vimarsini of Sankara Part 2 (7-12 patala)
TSS-072 Isanagurudevapadhathi (Tantra) by Isanasivaguridevamisra Part 2 mantrapada
TSS-073 Isvarapratipattiprakasa (Vedanta) madhusudanandasarasvati (not found)
TSS-074 Yajnavalkyasmriti with the commentary Balakrida of Visvarupacarya Part 1 (not found)
TSS-075 Silparatnam (silpa) by Srikumara Part 1
TSS-076 Aryamanjusrimulakalpa Part 2
TSS-077 Isanasivagurudevapadhathi (tantra )Part 3
TSS-078 Asvalyanagrihyasutram with the commentary of Haradattacharya
TSS-079 Arthasastran of kautilya with commentary by Mahamahopadhyaya Ganapathi sastri Part 1
TSS-080 Arthasastram of Kautilya Part 2
TSS-081 Yanjnavalkyasmriti with the commentary of Balakrida of Visvarupacarya Part 2
TSS-082 Arthasastram of Kautilya Part 3
TSS-083 Isanasivagurudevapadhathi (Tantra) by Isanasivagurudevamisra Part 1v
TSS-084 Aryamanjusrimulakalpa Part 3
TSS-085 Vishnusamhita (Tantra)
TSS-086 Bharathacharitam of Srikrishnakavi (Kavya) not found
TSS-087 Sangitasamayasara (sangita) of Parsvadeva
TSS-088 Kavyaprakasa (Alankara) of Mammatabhatta with the two commentaries the Sampradayaprakasini of Sri Vidyachakravartin and the Sahityacudamani of Bhattagopala Part 1
TSS-089 Sphotasiddhi (Vyakarana) of Bharatamisra not found
TSS-090 Mimamsaslokavartikam Part 1 with the commentary of Kasika of Sucaritamisra
TSS-091 Horasastram of Varahamihiracarya with the vivarana of rudra
TSS-092 Rasopanishat
TSS-093 Vedantaparibhasha (Vedanta ) of dharmarajadhvaranindra with the commentary Prakasika of Peddadikshita not found
TSS-094 Brihaddesi (Sangita) of Matangamuni not found
TSS-095 Ranadipika (Jyotisa) of Kumaraganaka
TSS-096 Rksamhita (with the Bhashya of skandasvamin and the commentary of Venkatamadhavaraya (Part 1)
TSS-097 Naradiyamanusamhita (smriti) with the bhasya of Bhavasvamin
TSS-098 Silparatnam (silpa) Sri kumara
TSS-099 Mimamsaslokavartikam Part 2
TSS-100 Kavyaprakasa (Alankara) of Mammatabhatta Part 2 not found
TSS-101 Aryabhatiyam (Jyotisha) of Aryabhatacarya with the Bhashya of Nilakantasomasutvan (Part 1 Ganitapada)
TSS-102 Dattilam (Sangita) of Dattilamuni not found
TSS-103 Hamsasandesa with Commentary (Kavya) (Vedanta)
TSS-104 Sambapancasika (Stuti) with commentary
TSS-105 Nidhipradipa of Sidha Srikanthasambhu
TSS-106 Prakriyasarvasva (Vyakarana) of Sri Narayanana Bhatta with the commentary Part 1
TSS-107 Kavyaratna (Kavya) of Arhaddasa
TSS-108 Balamartandavijayam (Nataka) of Devarajakavi
TSS-109 Nyayasara with the commentary of Vasudevasuri
TSS-110 Aryabhatiyam (Jyotish) of Aryabhatacarya wth Bhashya of Nilakanthasomasutvan Part 2
TSS-111 Hridayapriya (Vaidyaka) by parameswara
Midsummer Night's Dream is, perhaps, the first drama of Shakespeare that was translated into Sanskrit. Several decades after Krishnamacharya's translated Midsummer Night's Dream into Sanskrit, Sanskrit scholars turned their attention to translating other dramas of Shakespeare. Some of them are listed below:
1. Venisa sarthavahah (Merchant of Venice) – Ananta Tripathi Śarma 1969
2. Dinarkarajakumarahemalekham (Hamlet) – Sukhamay Mukhopadhyay 1971
3. Uthika (Romeo & Juliet) – Revaprasad Dvivedi 1978
4. Candrasenah Durgadesasya Yuvarajah – Sanskrit adaptation of Shakespeare's Hamlet, the prince of Denmark – Translated by SD Joshi; Pandit Vighnahari Deo & RG Takwale 1980
Excerpts from the author's preface in the first edition of "Vasantika Swapnam"
It has been my long-cherished wish, to render into Sanskrit some of the plays of Shakespeare. But a translation in the form of a Sanskrit drama, is attended with difficulties. A Sanskrit drama, even if it should be a translation, has to conform to a string of hard and fast rules. Failing in this respect, the work, no matter however good, is sure to offend the taste of Sanskrit Pandits, and a work like mine written in the first instance to give our Pandits a taste of Western poetry will have no reason for its existence.
It is for this reason that Prof. H. H. Wilson has adopted the form of the English drama in translating Sanskrit Natakas. Following the same plan a translation of Shakespeare should have the garb of a Sanskrit drama, though it may not be possible in every case to observe the rules laid down for Sanskrit Natakas.
This work is an adaptation of Shakespeare's Midsummer-night's Dream. The rendering is free in some places, and literal in other places, without being detrimental to the general tenor of the passages in the original. The ideas are enlarged in some places, but the enlargement is generally in keeping with the dominant feelings. There are deviations in details with view to keep up the characteristics of the Sanskrit drama. Some few passages pregnant with such ideas as could be brought home to our Pandits have been omitted, as also some passages which relate purely to Western habits and customs. I dare say men of greater capacity and learning than myself may produce a much happier and better translation of the same play.
I have selected Midsummer-night's Dream at the outset, since it is not long and most of the ideas in it are not unfamiliar to the best of our Pandits. This play of Shakespeare has, of all his plays, the most Oriental cast about it, and I have accordingly given Sanskrit names for all the characters in the play.
I sincerely hope that this essay of mine may induce abler scholars to take up the task, and, with far better success, introduce to the literatii of the East some of the most chaste and beautiful thoughts of the West.
R Krishnamacharya,
24th February 1892
It is surprising and at the same time good news that Digital Library of India has a very good collection of Sanskrit biographies of Indian Saints and Heroes like Sri Ramakrishna Paramahamsa, Samartha Ramadas, Guru Gobind Singh, Sivaji, Gandhiji, Rana Pratap, Prithviraj Chauhan, etal. Though it is said that Sanskrit lags in the genre of biography, I could find plenty of books in this genre at the DLI. This post is an attempt to present before you a collection of biographies written in Sanskrit prose.
01. Sanskrit Biography of Sri Ramakrishna Paramahamsa
Vedamurti Sriramakrishna – Swami Apoorvananda Skt Biography 1963
02. Sanskrit Biography of Sri Vallabhacharya
Shrimad Vallabhacharyacharitam – Shripad Shastri Hasurkar 1940
03. Sanskrit Biography of Samartha Ramadas
Ramadasaswamicharitam – SS Hasurkar
04. Sanskrit Biography of Sikh Gurus
Shree Sheekha Guru Charitamritam – Shripad Shastri Hasurkar 1933
05. Sanskrit Biography of Guru Gobind Singh
Sri Gurugovind Singh Bhagvat Padah Jeevnetivratham – SK Sharma 1966 (ALTERNATE LINK)
06. Sanskrit Biography of Gandhiji
Gandhicharitam – Charudev Sastri 1930
07. Sanskrit Biography of Banda Bairagi
Viravairagicaritam – Sudarshan Kumar Sharma (ALTERNATE LINK)
08. Sanskrit Biographies of Sivaji
Sivarajavijaya – Sanskrit – Ambikadatta (ALTERNATE LINK)
Shriishivajimaharajacharitam – Shripad Shastri Hasurkar
09. Sanskrit Biogrpahies of Rana Pratap
Veerpratapa Natakam – MP Dikshit (ALTERNATE LINK)
Mivara Pratapam – Sanskrit Drama – HS Bhattacharya 1947
Pratapavijayam – Sanskrit Play – Mulshanker Maneklal Yajnik 1931
Maha Rana Pratapa Charitam – SS Hasurkar
10. Sanskrit Biography of Lokmanya Tilak
Shrilokmanyacharitam Sanskrit – SN Sastri 1970
11. Sanskrit Biography of Prithviraj Chauhan
Shri Pruthviraj Chavhana Charitam – Shripad Shastri Hasurkar
Kavyamala Series of Books of Nirnaya Sagar Press, Mumbai published during late 19th and early 20th centuries. Kavyamala is a collection of ancient, very rare and previously unpublished Sanskrit works. There were two separate series – 14 volumes of Kavyamala anthologies of ancient Sanskrit works and 95 volumes of single books.
Kavyamala Anthology Volume 01. Mahaganapatistotra of Raghavachaitanya, etc 1929
Kavyamala Anthology Volume 02. Vishnupadadikesantavarnana, etc 1932
Kavyamala Anthology Volume 03. Sivasatakam of Gokulanatha, etc 1899
Kavyamala Anthology Volume 04. Chandi Satakam-Bhava Satakam-etc 1937
Kavyamala Anthology Volume 05. Mukapanchasati-Kalividambanam-etc 1937
Kavyamala Anthology Volume 06. Sivapadadi Kesanta Varnana Stotram-etc. 1930
Kavyamala Anthology Volume 07. Bhaktamara Stotram, etc 1890
Kavyamala Anthology Volume 08. Sudarsanasatakam of Kuranarayana, etc 1891
Kavyamala Anthology Volume 09. Devisatakam of Anandavardhana, etc 1897
Kavyamala Anthology Volume 10. Lalitastavaratnam of Durvasa, etc 1915
Kavyamala Anthology Volume 11. Tripuramahima Stotram of Durvasa, etc 1895
Kavyamala Anthology Volume 12. Ramachapastava of Ramabhadra Dikshita, etc 1897
Kavyamala Anthology Volume 13. Varnamala Stotram-Pavanaduta Kavyam-etc 1916
Kavyamala Anthology Volume 14. Ardhanariswara Stotram of Kalhana, etc 1938
Kavyamala Vol_ 01 – Aryasapatshati – Govardhana 1934.pdf
Kavyamala Vol_ 02 – Kavyalankara of Rudrata 1886
Kavyamala Vol_ 03 – Srikantha Charita of Mankhaka 1887.pdf
Kavyamala Vol_ 04 – Karpuramanjari of Rajasekhara 1887
Kavyamala Vol_ 05 – Anargha Raghava 1929.pdf
Kavyamala Vol_ 06 – Kamsavadha of Seshakrishna 1935.pdf
Kavyamala Vol_ 07 – Karnasundari of Bilhana 1932
Kavyamala Vol_ 08 – Dharmasarmabhyudayam of Harichandra 1933
Kavyamala Vol_ 09 – Subhadraharanam of Madhava Bhatta 1888
Kavyamala Vol_ 10 – Samaya Matrika – Kshemendra 1925
Kavyamala Vol_ 11 – Kadambarikathasara of Abhinanda 1925
Kavyamala Vol_ 12 – Rasagangadhara of Jagannatha 1888.pdf
Kavyamala Vol_ 14 – Parijataharanachampu of Sesha Srikrishna 1926
Kavyamala Vol_ 15 – Kavyalankara Sutras of Vamana 1926
Kavyamala Vol_ 16 – Mukaundananda Bhana of Kashipati 1889
Kavyamala Vol_ 17 – Unmattaraghava of Bhaskara 1899
Kavyamala Vol_ 18 – Amarushatakam of Amarukari 1916.pdf
Kavyamala Vol_ 19 – Suryasataka of Tribhuvanapala
Kavyamala Vol_ 20 – Latakamelakaprahasanam of Sankhadhara 1923
Kavyamala Vol_ 21 – Gatha Saptasati of Satavahana 1911.pdf
Kavyamala Vol_ 22 – Haravijaya of Rajanaka Ratnakara 1890.pdf
Kavyamala Vol_ 23 – Stutikusumanjali – Jagadwar Bhatta.pdf
Kavyamala Vol_ 24 – Kavyapradipa of Govinda 1933.pdf
Kavyamala Vol_ 25 – Dhvanyaloka of Anandavardhana 1928
Kavyamala Vol_ 26 – Dasavataracharitam of Kshemendra 1891
Kavyamala Vol_ 28 – Dutangadanatakam of Subhatakavi 1900
Kavyamala Vol_ 29 – Bhartriharinirvedanatakam of Hariharopadhyaya
Kavyamala Vol_ 30 – Chandraprabhacharita of Viranandi 1892
Kavyamala Vol_ 31 – Vishnubhktikalpalata of Purushothama 1917
Kavyamala Vol_ 32 – Sahridayananda of Krishnananda 1930
Kavyamala Vol_ 33 – Srinivasavilasa Champu of Venkatadhwari 1886.pdf
Kavyamala Vol_ 34 – Prachina Lekhamala 1, 1892.pdf
Kavyamala Vol_ 35 – Alankarasarvasva of Rajanaka Ruyyaka 1893.pdf
Kavyamala Vol_ 36 – Vrittivartika of Appayya Dikshita 1892
Kavyamala Vol_ 37 – Rasasadana Bhana of Yuvaraja 1893
Kavyamala Vol_ 38 – Chitramimasa of Appayya Dikshita 1941
Kavyamala Vol_ 39 – Vidyaparinayana of Anandarya Makhi 1893
Kavyamala Vol_ 40 – Rukminiparinayanatakam 1894
Kavyamala Vol_ 41 – Prakrita Pingalasutrani of Lakshmanabhatta 1894.pdf
Kavyamala Vol_ 42 – Natya Sastra of Bharata Muni 1894.pdf
Kavyamala Vol_ 43 – Kavyanusasanam of Vagbhata 1915
Kavyamala Vol_ 44 – Sringaratilaka Bhana of Ramachandra 1894
Kavyamala Vol_ 45 – Balabharata of Amarachandra Suri 1894.pdf
Kavyamala Vol_ 46 – Vrishabhanuja Natika Of Mathuradasa 1895
Kavyamala Vol_ 47 – Setubandha [Ravanavaha] of Pravarasena 1895
Kavyamala Vol_ 48 – Vagbhatalankara
Kavyamala Vol_ 49 – (Title not identified)
Kavyamala Vol_ 50 – Alankara Shekhara of Kesava Misra 1895
Kavyamala Vol_ 51 – The Patanjali-Charita – Pt Sivadatta 1895
Kavyamala Vol_ 52 – Mandaramarandchampu of Krishna Kavi 1895.pdf
Kavyamala Vol_ 53 – Vanibhushana of Damodara Misra (1925)
Kavyamala Vol_ 54 – Dhananjayavijaya of Kanchanacharya 1911
Kavyamala Vol_ 55 – Adbhutadarpana of Mahadeva
Kavyamala Vol_ 56 – Neminirvana of Vagbhata 1936
Kavyamala Vol_ 57 – Raghavanaishadhiya of Haradatta Suri 1926
Kavyamala Vol_ 58 – Shrangarbhushanam of Vamana Bhatta Bana 1896
Kavyamala Vol_ 59 – Amritodaya of Gokulanatha 1897
Kavyamala Vol_ 60 – Yudhishthiravijaya of Vasudeva 1930.pdf
Kavyamala Vol_ 61 – Haracaritacintamani, by …?anaka Jayadratha 1897.pdf
Kavyamala Vol_ 62 – Raghavapandaviya of Kaviraja 1897
Kavyamala Vol_ 63 – Sahityakaumudi of Vidyabhushana 1897
Kavyamala Vol_ 64 – Prachina Lekhamala 2, 1898.pdf
Kavyamala Vol_ 65 – Bharatamanjari of Kshemendra 1898
Kavyamala Vol_ 66 – Alankara Kaustubha of Visweswara 1898.pdf
Kavyamala Vol_ 67 – Hira Saubhagya of Devavimala Gani 1900
Kavyamala Vol_ 68 – Ravanarjuniya – Bhatta Bhima 1900.pdf
Kavyamala Vol_ 69 – Brihatkathamanjari of Kshemendra 1901.pdf
Kavyamala Vol_ 70 – Yasastilakam of Somadeva Suri Part 1, 1916.pdf
Kavyamala Vol_ 70 – Yasastilakam of Somadeva Suri Part 2, 1903.pdf
Kavyamala Vol_ 71 – Kavyanusasana of Hemachandra 1901
Kavyamala Vol_ 72 – Kathakautukam of Srivara 1901
Kavyamala Vol_ 73 – Surathotsavam of Someswaradeva 1902.pdf
Kavyamala Vol_ 74 – Saugandhikaharana of Vishwanatha 1902
Kavyamala Vol_ 75 – Jayantavijaya of Abhayadeva. 1902.pdf
Kavyamala Vol_ 76 – Gangavataranam of Nilakantha Dikshita 1916
Kavyamala Vol_ 77 – Dela Rama Kathasara of Rajan… Bhatta Ahladaka 1902
Kavyamala Vol_ 78 – Sringara Sarvasva Bhana of Nalla Dikshita 1911
Kavyamala Vol_ 79 – Karna Bhushana – Gangananda 1926
Kavyamala Vol_ 80 – Prachina Lekhamala 3, 1903.pdf
Kavyamala Vol_ 81 – Vidagdhamadhava of Rupa Goswami 1937.pdf
Kavyamala Vol_ 82 – Subhashitaratnasandoha of Amitagati 1903
Kavyamala Vol_ 83 – Ramayanamanjari of Kshemendra 1903.pdf
Kavyamala Vol_ 85 – Tilakamanjari of Dhanapala 1938.pdf
Kavyamala Vol_ 86 – (Title not identified)
Kavyamala Vol_ 87 – Chaitanya Chandrodayam – Pansikar 1917.pdf
Kavyamala Vol_ 88 – Anyokti muktavali of Hamsavijaya Gani 1907
Kavyamala Vol_ 89 – Padyaracana of Lakshmanabhatta Ankolkar
Kavyamala Vol_ 90 – Yatra Prabandha of Samarapungava Dikshita 1936.pdf
Kavyamala Vol_ 91 – Chandas Sastra of Pingala 1927.pdf
Kavyamala Vol_ 92 – (Title not identified)
Kavyamala Vol_ 93 – Pandavacharitam Mahakavyam…? Muralidaharadev 1911.pdf
Kavyamala Vol_ 94 – Saraswatikanthabharana of Bhoja 1934.pdf
Kavyamala Vol_ 95 – Ujjvala Nilamani of Rupa Goswami 1932.pdf
KALIDASA, (kaalidaasa), India's greatest Sanskrit poet and dramatist. In spite of the celebrity of his name, the time when he flourished always has been an unsettled question, although most scholars nowadays favor the middle of the 4th and early 5th centuries A.D., during the reigns of Chandragupta II Vikramaaditya and his successor Kumaaragupta. Undetermined also is the place of Kaalidaasa's principal literary activity, as the frequent and minute geographic allusions in his works suggest that he traveled extensively.
Numerous works have been attributed to his authorship. Most of them, however, are either by lesser poets bearing the same name or by others of some intrinsic worth, whose works simply chanced to be associated with Kaalidaasa's name their own names having long before ceased to be remembered. Only seven are generally considered genuine.
Kalidasa's Life Time: There are eight hypothesis about his lifetime. The main logics, ecidences are as follows:
1. 6th century AD, Yashodharman defeated Mihirkul of HooN clan. Dr. Harnely says this Yashodharman is kalidas's Vikramaaditya. Flaw: Y. never tok the title of Vikramaaditya
2. Fargusen says that 6th century AD, there was a king Vikramaaditya in Ujjayini (present day Ujjain). he defeated Shakas, started `Vikram-samvat' calendar, starting it 600 years back 57BC. Prof. Max Muller basing on this said that Kalidasa was in the court of this Vikram. Flaw: There was no king by name VIkramaaditya in 600 AD in India. `Vikram-samvat' calendar was in vogue since 1st century BC as `maalav-samvat'. This is clear from `mandasor' `shilaalekha' (stone writings) of VatsabhaTTi.
3. Kalidasa was familiar with Greek astronomy, using words like `jaamitra'. Greek astronomy/geometry was popularised by AryabhaTTa who was in 5th century AD. SO, Kalidasa was in 6th AD onwards. Dr McDonald refutes this saying `Romaka-siddhaanta' was prevalant before AryabhaTTa, so he didn't popularise Greek astronomy.
4. Mallinaath (the most famous commentrator on Kalidasa) gives two meanings to Meghadoot's 14th verse. He says that `dinnaaga' and `nichula' words refer to Buddhist philosophers `dinnaaga'. Based on this some scholars put kalidasa in 6th century AD `coz kalidasa's contemporary `dinnaaga' was disciple of Vasubandhu who was in 6th century AD. Flaw: Vasubandhu was apparently in 400 AD `coz his books were translated in Chinese around 475-525 AD.
5, 6, 7: some more complex conjuctures )
Finally this is what can be said about his lifetime:
Kalidasa in his drama `Malvikaa-agni-mitra' makes Agni-mitra his hero, who was the son of Pushamitra Shunga who was in 2nd century BC. This is his upper bound.
Banabhatta in the preface of his Kadambari mentions Kalidasa. Banabhatta was in early 7th century AD. This is Kalidasa's lower bound.
Kalidasa's Life: Many tell tales are there for his life. Some call him native of Kashmir, some of Vidarbh, some of Bengal and others of Ujjain.
It is said that he was a dumb fool to start with. The king's daughter was a very learned lady and said that she will marry him who will defeat her in `shaastraartha' (debate on the scriptures). Anyone who gets defeated will be black faced, head shaven and kicked out of country on a donkey. (The punishment part might be later aditions!) SO, the pundits took Kalidasa (whom they apparently saw cutting the tree branch on which he was sitting) for debate. They said that he (Kalidasa) only does mute debates. The princess showed him one finger saying `shakti is one'. He thot she will poke his one eye, so he showed her two fingers. She accepted it as valid answer, since `shakti' is manifest in duality (shiv-shakti, nar-naaree etc etc). She showed her the palm with fingers extended like in a slap. He showed her the fist. She accepted it as answer to her question. She said `five elements' and he said `make the body' (earth, water, fire, air, and void). [ The debate explanations are also apparently later additions] So they get married and she finds he is a dumbo. So she kicks him out of the house. He straightaway went to Kali's temple and cut his tongue at her feet. Kali was appeased with him and granted him profound wisdom. When he returned to his house, his wife (the learned) asked, "asti kashchit vaag-visheshaH" (asti = is; kashchit = when, as in questioning; vaag = speech, visheshaH = expert; i.e. "are you now an expert in speaking").
And the great Kalidasa wrote three books starting with the 3 words:
with asti = asti-uttarasyaam dishi = Kumara-sambhavam (epic)
with kashchit = kashchit-kaantaa = Meghdoot (poetry)
with vaag = vaagarthaaviva = Raghuvansha (epic)
Another story says that he was the friend of Kumardas of Ceylon. He was killed by a courtesan once when he visited his friend in Ceylon.
(Courtesy: Shashikanth Joshi)
Works of Kalidasa
Plays. There are three plays, the earliest of which is probably the Malavikaagnimitra ( Malavikaa and Agnimitra), a work concerned with palace intrigue. It is of special interest because the hero is a historical figure, King Agnimitra, whose father, Pushhpamitra, wrested the kingship of northern India from the Mauryan king Brihadratha about 185 B.C. and established the Sunga dvnasty, which held power for more than a century. The Vikramorvashiiya ( Urvashii Won Through Valor) is based on the old legend of the love of the mortal Pururavaas for the heavenly damsel Urvashii. The legend occurs in embryonic form in a hymn of the Rig Veda and in a much amplified version in the ShatapathabraahmaNa.
The third play, AbhiGYaanashaakuntala ( Shakuntalaa Recognized by the Token Ring), is the work by which Kaalidaasa is best known not only in India but throughout the world. It was the first work of Kaalidaasa to be translated into English from which was made a German translation in 1791 that evoked the often quoted admiration by Goethe. The raw material for this play, which usually is called in English simply Shaakuntala after the name of the heroine, is contained in the Mahaabhaarata and in similar form also in the PadmapuraaNa, but these versions seem crude and primitive when compared with Kaalidaasa's polished and refined treatment of the story. In bare outline the story of the play is as follows: King Dushhyanta, while on a hunting expedition, meets the hermit-girl Shakuntalaa, whom he marries in the hermitage by a ceremony of mutual consent. Obliged by affairs of state to return to his palace, he gives Shakuntalaa his signet ring, promising to send for her later. But when Shakuntalaa comes to the court for their reunion, pregnant with his child, Dushhyanta fails to acknowledge her as his wife because of a curse. The spell is subsequently broken by the discovery of the ring, which Shakuntalaa had lost on her way to the court. The couple are later reunited, and all ends happily.
The influence of the AbhiGYaanashaakuntala outside India is evident not only in the abundance of translations in many languages, but also in its adaptation to the operatic stage by Paderewski, Weinggartner, and Alfano.
Poems. In addition to these three plays Kaalidaasa wrote two long epic poems, the Kumaarasambhava ( Birth of Kumaara) and the Raghuvamsha ( Dynasty of Raghu). The former is concerned with the events that lead to the marriage of the god Shiva and Paarvatii, daughter of the Himaalaya. This union was desired by the gods for the production of a son, Kumaara, god of war, who would help them defeat the demon Taaraka. The gods induce Kaama, god of love, to discharge an amatory arrow at Siva who is engrossed in meditation. Angered by this interruption of his austerities, he burns Kaama to ashes with a glance of his third eye. But love for Paarvatii has been aroused, and it culminates in their marriage.
The Raghuvamsha treats of the family to which the great hero Rama belonged, commencing with its earliest antecedents and encapsulating the principal events told in the RaamaayaNa of Vaalmikii. But like the Kumaarasambhava, the last nine cantos of which are clearly the addition of another poet, the Raghuvamsha ends rather abruptly, suggesting either that it was left unfinished by the poet or that its final portion was lost early.
Finally there are two lyric poems, the Meghaduuta ( Cloud Messenger) and the Ritusamhaara ( Description of the Seasons). The latter, if at all a genuine work of Kaalidaasa, must surely be regarded as a youthful composition, as it is distinguished by rather exaggerated and overly exuberant depictions of nature, such as are not elsewhere typical of the poet. It is of tangential interest, however, that the Ritusamhaara, published in Bengal in 1792, was the first book to be printed in Sanskrit.
On the other hand, the Meghaduuta, until the 1960′s hardly known outside India, is in many ways the finest and most perfect of all Kaalidaasa's works and certainly one of the masterpiece of world literature. A short poem of 111 stanzas, it is founded at once upon the barest and yet most original of plots. For some unexplained dereliction of duty, a Yaksha, or attendant of Kubera, god of wealth, has been sent by his lord into yearlong exile in the mountains of central India, far away from his beloved wife on Mount Kailasa in the Himaalaya. At the opening of the poem, particularly distraught and hapless at the onset of the rains when the sky is dark and gloomy with clouds, the yaksa opens his heart to a cloud hugging close the mountain top. He requests it mere aggregation of smoke, lightning, water, and wind that it is, to convey a message of consolation to his beloved while on its northward course. The Yaksha then describes the many captivating sights that are in store for the cloud on its way to the fabulous city of Alakaa, where his wife languishes amid her memories of him. Throughout the Meghaduuta, as perhaps nowhere else So plentifully in Kaalidaasa's works, are an unvarying� freshness of inspiration and charm, delight imagerry and fancy, profound insight into the emotions, and a oneness with the phenomena of nature. Moreover, the fluidity and beauty of the language are probably unmatched in Sanskrit literature, a feature all the more remarkable for its inevitable loss in translation.
(Courtesy: Walter Harding Maurer University of Hawaii at Manoe)
1. Abhijnana Sakuntalam
Abhijnana Sakuntalam Of Kalidasa – Mr.Kale
Abhijnana Sakuntalam English Translation by CSR Sastri
Sakuntala – Sanskrit Text with English Translation by Monier Williams
Sakuntala – English Translation by JG Jennings
Kalidasa's Sakuntala – English Translation by Richard Pischel
2. Malavikagnimitram
Malavikagnimitram of Kalidasa – Skt Commentary – KP Parab
English Translation by CH Tawney
3. Vikramorvasiyam
Sanksirt Text with English Notes by SP Pandit
English Translation by EB Cowell
4. Kumarasambhavam
Kumarasambhava Cantos I-VII – Sanskrit Commentary, English Translation & Notes – MR Kale
Kumarasambhavam – Eng Translation by RTH Griffith
Kumarasambhavam with Mallinatha's Sanskrit Commentary
5. Raghuvamsam
Raghuvamsa with Mallinatha's commentary Shankar Pandit Part 3
Raghuvamsa with Mallinatha's commentary Hindi translation by Pt. Lakshmi Prapanna Acharya(DJVU)
English Translation by De Lacy Johnston
Cantos 1 to 10 with Mallinatha's commentary and Eng Translation by MR Kale
6. Meghasandesam (Meghadutam)
Meghasandesa with Dakshinavartanatha's Tika – TG Sastri
Meghaduta with Sanjivani Vyakhya 1894
Kalidasa's Meghaduta with Skt Commentary & English Translation – KB Pathak, 1916
English Translation by HH Wilson, 1814
English Translation by Col. HA Ouvry, 1868
In this post there are links to 3 books on the Panchatantram by Vishnu Sarma.
1. Sanskrit commentary on Pancahtantra
2. Sanskrit text of Panchatantra with Hindi translation by JP Mishra
3. English translation of Panchatantra by AW Ryder
According to Indian tradition, the Panchatantra was written around 200 BCE by Pandit Vishnu Sarma, a sage. However, based as it is on older oral traditions, its antecedents among storytellers probably hark back to the origins of language. One of the most influential Sanskrit contributions to world literature, it is "certainly the most frequently translated literary product of India" and there are over 200 versions in more than 50 languages.
In the Indian tradition, the Panchatantra is a nitisastra, a treatise on political science and human conduct, or niti. It is said that Vishnu Sarma's objective was to instruct three dull and ignorant princes in the principles of polity, by means of stories. Panchatantra consists of five books, which are called:
1. Mitra Bhedha (The Loss of Friends)
2. Mitra Laabha also called Mitra Samprapti (Gaining Friends)
3. Kakolukiyam (Crows and Owls)
4. Labdhapranasam (Loss Of Gains)
5. Aparikshitakaraka (Ill-Considered Action / Rash deeds)
1. Panchatantra Sanskrit text with Hindi translation – JP Mishra
2. Panchatantra Sanskrit Commentary
3. Panchatantra English translation by AW Ryder
Siddhanta Kaumudi is a celebrated Sanskrit commentary by Bhattoji Dikshita (early 17th century) on the Ashtadhydyi and is believed to be more popular than Panini's work. It re-arranges the sutras of Panini under appropriate heads and offers exposition that is orderly and easy to follow.
The sutras are arranged in two parts – the first part deals with the rules of interpretation, sandhis, declensions, formation of feminines, case endings, compounds, secondary derivations and the second part with conjugation, primary suffixes, Vedic grammar and accents.
English commentary of Siddhanta Kaumudi by Saradaranjan Ray & Kumudranjan Ray is highly useful to students of Sanskrit grammar who are not capable of studying the Ashtadhyayi or Siddhanta Kaumudi with the help of Sanskrit commentaries.
Siddhanta Kaumudi English Commentary (6 Volumes)
Volume 1 Part 1
Volume 1 Part 2
Volume 2 Part 1
Volume 2 Part 2
Volume 3 Part 1
Volume 3 Part 2
Volume 4
Volume 5
Volume 6
Siddhanta Kaumudi with Sanskrit Commentary "Tattwabodhini" of Jnanendra Saraswatihttp://asi.nic.in/asi_books/446.pdf
In presenting this rendering of the popular oriental tale of Ali Baba and the Forty Thieves (Chora Chatvarimsi Katha) into the Sanskrit language, to the student-world, and to the reading public, Mr. Modak has given evidence of his mastery over the classical language of India and has vindicated the claim of Sanskrit as an instrument of expressing in an incisive manner the most modern as well as the most ancient ideas. In true oriental style, he has supplied the usual framework of the story- the fiction of a master inculcating a moral lesson upon his disciples by means of a story.
Another excellent feature – entirely an innovation of the author – is the introduction in proper places of epigrams and pithy sayings in verse form which give to the translation the appearance of an original work modelled on the pattern of the Hitopadesa or the Pancatantra. The Sanskrit language is unequalled in its power of concise metrical argument, and in its precision and adequacy as an instrument of expression. A lover of Sanskrit, therefore, will be delighted to read these pages which will not fail to give him the impression that he is not reading a translation at all, but an original tale in Sanskrit.
In the hands of Mr. Modak, the language becomes a wonderfully facile and fluid instrument of expressing the thought in the simplest and most natural way. The language is simple, flowing and chaste; and I make no doubt that the book will serve as an excellent Sanskrit text not only in the class but outside it. Even a student who has learnt just the bare elements of the language will be able to follow the story unaided – for if in places he will not understand the meaning of a word or an expression, yet the story interest will ensure that he journeys to the end.
(From the forward to the book by Shri N.G. Suru)
"A Smaller Sanskrit Grammar is specially intended for the Matriculation and the ordinary College students. Its plan of arrangement is the same as that of the 'Higher Sanskrt Grammar.' In it the more intricate rules and matter which was thought quite unnecessary for the students for whom it is intended have been omitted. The chapter on the Conjugation of Verbs has been almost the same as in the 'Higher Sanskrit Grammar', Frequentative verbs only being omitted. The last chapter contains but the commonest rules of Sanskrt Syntax.
"Those who desire a more thorough knowledge of Sanskrit Grammar may use 'Higher Sanskrit Grammar.' The wording of many rules has been the same in both, so that the two grammars may be used side by side."
(From the author's preface to the first edition of this book)
Vaman Sivaram Apte (1848-1892) is an author well known to Sanskrit students. In spite of the short span of his life, i. e. 34 years, Apte's scholarly output was remarkable. His Guide to Sanskrit Composition (1881) and his Sanskrit Dictionaries for use in schools and colleges hold the foremost place among books of their kind, even after the lapse of close upon 125 years and claim the respect of every student of Sanskrit, by their monumental wealth of learning.
His works: -
1. The Practical Sanskrit-English Dictionary (1890).
2. The Students' English-Sanskrit Dictionary (1884).
3. The Students' Sanskrit-English Dictionary.
4. The Students' Guide to Sanskrit Composition (1881).
5. The Students' Hand-Book of Progressive Exercises, Part I and, II.
6. Kusuma-mala (1891).
The 'Guide To Sanskrit Composition' had become very popular and Apte himself revised the third edition of the book in 1890. Since then many more editions have been out. A short biographical sketch of VS Apte is available here.
Students Guide To Sanskrit Composition (English) Link – 1
Students Guide To Sanskrit Composition (English) Link – 2
Samskrit Nibandh Path Pradarsak (Hindi)
Samskrita Sabdartha Kaustubha by Dwarikaprasad Chaturvedi is perhaps the most comprehensive and largest Sanskrit-Hindi Dictionary ever to be published.
A good dictionary is an indispensable companion of a Sanskrit student (and of scholars). There are many popular Sanskrit-English dictionaries like those of Monier Williams, VS Apte, AA Mac Donell. But they could be of use only to those who know English. The great work known as Vachaspatya is a standard work and is very useful for scholars. But until a well edited edition of this work comes out, it could not be of much help to even an average Sanskrit student.
When the author of Samskrita Sabdartha Kaustubha compiled it, there were only three Sanskrit Hindi dictionaries available for the Hindi speaking students. They were all too small for much practical use, so the author compiled the present work with the hope of answering the needs of Hindi speaking Sanskrit students who are studying Sandkrit in a college or schoof or privately. Samskrita Sabdartha Kaustubha is designed to be an adequate guide to a knowledge of Sanskrit words. It contains as many explanations and details as are permitted by the limited space at the disposal of the compiler.
Samskrita Sabdartha Kaustubha – Sanskrit Hindi Dictionary
Chaturvedi Sanskrit Hindi Kosh (smaller in content)


text:
Commissioners approve improvements to the Taylor County Coliseum
The Taylor County Commissioners Court approved Tuesday a nearly $480,000 quote from a Michigan company to replace all the seats at Taylor County Coliseum this fall.
In a 4-0 vote, without Precinct 1 Commissioner Randy Williams who was absent, the court agreed on one of four options quoted by Irwin Seating Co. of Grand Rapids. For $479,849, the company will remove the old seats and replace them with 4,999 new seats — plus 16 handicap seats. The project quote also includes 10 spare chairs.
The new seats will have a cast iron stanchion, with a blown molded polyethylene back and seat, and a torsion spring lift mechanism. Richard Greenawalt, county purchasing agent, said requests for quotes were sent out to three vendors represented on the Texas Association of School Boards BuyBoard contracts, a cooperative purchasing program, but only two responded to the request.
The other company, Specialty Supply & Installation of Conroe, also sent in four options for seats with a bid on only one. That bid was for nearly $600,000, including seat removal.
Greenawalt said the winning quote also includes a 5-year warranty on the chairs.
The seats have "held up, but it is time to replace them," Precinct 4 Commissioner Chuck Statler said.
In related business, the court approved a cleaning and joint caulking project for the coliseum's seating area. The project, to be done by Jeans Waterproofing, will cost $88,575.
Greenawalt said the coliseum's joints were caulked years ago but has since deteriorated, and "is now allowing spilled liquids to penetrate onto the ceiling tile in the concourse."
Other items approved include:
A BridgeTex Pipeline Company right of way agreement in Precinct 4.
The declaration of a 1990 Ingersoll Rand compact roller, from Precinct 2, as surplus property to be sold to the city of Merkel for $7,500.
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subset: commoncrawl


text:
Marist petitions to move into Midwestern League
Marist athletic director Sharee Waldron confirmed to me this morning that Marist has petitioned the OSAA to allow the Spartans to move up from Class 4A to 5A and join the Midwestern League beginning next school year.
I'll have a story in tomorrow's paper on the issue.
The OSAA executive board will hear Marist's request at its Dec. 3 board meeting and make a ruling that day.
The Midwestern League schools are expected to give their opinion on Thursday. Principals and athletic directors from the six schools are scheduled to meet in the morning and vote on whether or not they want the Spartans in the league.
No matter how the vote turns out, the Midwestern schools do not have the final say on the issue, the OSAA board will. However, the board will consider any comments on the issue from both Midwestern and Sky-Em schools.
Again, you can read more about this in Thursday's paper.
Steve Mims covers Oregon football, men's basketball and baseball for The Register-Guard. He has been a sportswriter at the paper since 1999 and covered high school sports while also reporting on Oregon football in the Rose Bowl and Fiesta Bowl as well as men's basketball during their Elite 8 run in 2007 and trip to the Sweet 16 in 2013.


text:
Vandoren V16 Hard Rubber Tenor Saxophone Mouthpiece T8Product #463123 Vandoren 463123 KFGBD Tenor Saxophone Mouthpieces https://www.esnapw.com/rses/ESnapServlet?MerchantNumberSent=63655
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text:
Help, Training Advice Needed??
Previous Forum topic
Next Forum topic
I've been training towards a 60 mile sportive at the end of March. Everything was going well until a few family commitments all came along at teh same time. Then my 1 year old son started teething badly.
So I've lost a couple of weeks training before the event. I'm worried now that I'm not going to have the necessary condition to do the ride, the most I've done before is 50 miles.
I was thinking a couple of weeks of HIIT sessions might help or should I just keep to my normal routine??
If you can do 50 miles then you can do 60. Remember to pace yourself and eat & drink adequately. Hopefully you've found what food works for you during your training rides.
Intense intervals won't really help, just try to get some decent rides in, you won't have lost much in a couple of weeks. If the route is particularly hilly then make sure you include similar climbs in your rides if you can. But don't wear yourself out, that's counterproductive.
posted by Simon E [2419 posts]
10th March 2013 - 22:10
I agree. I think it's reasonable for most to assume that on the day of your event you can add about 30% to what you're used to so if you're comfortable riding 40 and have already done 50 you'll be fine.
posted by racingcondor [150 posts]
10th March 2013 - 23:30
At nearly 66yrs and retired I can choose my days and follow my old training regime,and usually get plenty of steady miles,either on fixed wheel or gears,and up to this new lot of snow,was doing just over 100 miles per week,if the snow looks iffy,then I get on the turbos.When the evening 10 miles start at the middle of April,I will use them for speed work,and also use my turbos for some intervals on my TT bike.I did a 57 minute 25 mile TT,on my old steel Holdsworth Cyclone,many years ago,following the regime I use now,and agree with the others you should get around ok.We are all different what works for one may not work for another,a week or so off the bike is not life threatening,all the very best.
posted by foxyloxy [52 posts]
12th March 2013 - 16:57


text:
Link Building Round Up: 2, Reasonable Surfer Edition
More yummy link building goodness for all you link builders out there! Here's the Ontolo round up of link building articles from the past week. If you have submissions for the round up, get them to me before next Thursday (Garrett.French[at]Ontolo.com) ;)
>> Must Reads This Week:
Google's Reasonable Surfer: How the Value of a Link May Differ Based upon Link and Document Features and User Data
Top 15 Signs That Your Links Are Not Natural
Viral Link Building; Build Links Quickly
Link Building is All About Answering One Question
Breathe New Life Into Your Emailed Link Requests
Some Backlinks Deserve to Have Their Backs Scratched
>> More Strong LB Content:
Interview with Link Builder Kaila Strong
2 (Alternative) Ways to Share Your Guest Posts on Your Own Blog
Link-Building Campaigns: 8 Common Mistakes in Link Request Emails
>> By or About Ontolo:
The Link Builder's Guide to Competitive 'How-To' Content Analysis
Link Building Round Up: 1
4 Engagement Methods for Content-Based Link Building (reprint)
77 Experts in 3 Group Interviews: A Quick Comparison for Content-Based Link Builders


text: Kate went for a walk with Peter and Autumn Phillips' daughter Savannah and dog Lupo at the Beaufort Polo Club in Tetbury, England on June 17, 2012. "They're very outdoorsy," one friend of the couple told Us. "I'm sure it will be the same with the kids -- playing outside and going for walks."


text:
Company Overview of United Way of the National Capital Area
Executive Profile
Robert A. Malson Esq.
Director, United Way of the National Capital Area
|Total Calculated Compensation
|This person is connected to 3 Board Members in 3 different organizations across 2 different industries.
See Board Relationships
Mr. Robert A. Malson, Esq. serves as the President at District of Columbia Hospital Association. Mr. Malson served as the Chairman at the United Way of the National Capital Area. He serves as Director of Not-For-Profit Hospital Corporation. He serves as a Director at the United Way of the National Capital Area. He serves as a Director at Greater Washington Board of Trade.
Corporate Headquarters
--Phone: --
--, -- --
United States
Fax: --
Board Members Memberships
EducationThere is no Education data available.
Other Affiliations
Annual CompensationThere is no Annual Compensation data available.
Stocks OptionsThere is no Stock Options data available.
Total CompensationThere is no Total Compensation data available.
|There is no Competitor Compensation data available.
Sponsored Financial Commentaries
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To contact United Way of the National Capital Area, please visit . Company data is provided by Capital IQ. Please use this form to report any data issues.
Please enter your information in the following field(s):
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Our data partners will research the update request and update the information on this page if necessary. Research and follow-up could take several weeks. If you have questions, you can contact them at email@example.com.


text:
The procedure for using
FEDERATED tables is
very simple. Normally, you have two servers running, either both
on the same host or on different hosts. (It is possible for a
FEDERATED table to use another table that is
managed by the same server, although there is little point in
doing so.)
First, you must have a table on the remote server that you want to
access by using a
FEDERATED table. Suppose that
the remote table is in the
federated database
and is defined like this:
CREATE TABLE test_table ( id INT(20) NOT NULL AUTO_INCREMENT, name VARCHAR(32) NOT NULL DEFAULT '', other INT(20) NOT NULL DEFAULT '0', PRIMARY KEY (id), INDEX name (name), INDEX other_key (other) ) ENGINE=MyISAM DEFAULT CHARSET=latin1;
The example uses a
MyISAM table, but the table
could use any storage engine.
Next, create a
FEDERATED table on the local
server for accessing the remote table:
CREATE TABLE federated_table ( id INT(20) NOT NULL AUTO_INCREMENT, name VARCHAR(32) NOT NULL DEFAULT '', other INT(20) NOT NULL DEFAULT '0', PRIMARY KEY (id), INDEX name (name), INDEX other_key (other) ) ENGINE=FEDERATED DEFAULT CHARSET=latin1 CONNECTION='mysql://fed_user@remote_host:9306/federated/test_table';
(Before MySQL 5.0.13, use
COMMENT rather than
The basic structure of this table should match that of the remote
table, except that the
ENGINE table option
should be
FEDERATED and the
CONNECTION table option is a connection string
that indicates to the
FEDERATED engine how to
connect to the remote server.
You can improve the performance of a
FEDERATED table by adding indexes to the
table on the host. The optimization will occur because the query
sent to the remote server will include the contents of the
WHERE clause and will be sent to the remote
server and subsequently executed locally. This reduces the
network traffic that would otherwise request the entire table
from the server for local processing.
FEDERATED engine creates only the
test_table.frm file in the
federated database.
The remote host information indicates the remote server to which
your local server connects, and the database and table information
indicates which remote table to use as the data source. In this
example, the remote server is indicated to be running as
remote_host on port 9306, so there must be a
MySQL server running on the remote host and listening to port
The general format of the connection string in the
CONNECTION option is as follows:
mysql is supported as the
scheme value at this point; the
password and port number are optional.
Sample connection strings:
CONNECTION='mysql://username:password@hostname:port/database/tablename' CONNECTION='mysql://username@hostname/database/tablename' CONNECTION='mysql://username:password@hostname/database/tablename'
The use of
CONNECTION for specifying the
connection string is nonoptimal and is likely to change in future.
Keep this in mind for applications that use
FEDERATED tables. Such applications are likely
to need modification if the format for specifying connection
information changes.
Because any password given in the connection string is stored as
plain text, it can be seen by any user who can use
SHOW CREATE TABLE or
SHOW TABLE STATUS for the
FEDERATED table, or query the
TABLES table in the
INFORMATION_SCHEMA database.
|Posted by Chris Bloom on February 2 2007 2:40am
|[Delete] [Edit]
I was having trouble connecting to a MySQL database using a connection URL like scheme://user_name:password@host_name/db_name/tbl_name until I realized that it was failing because my password contained an '@' character. I assume that '@', ':', '?', '&', and '/' are considered "special" characters and cannot be used within a connection URL scheme. To the best of my knowledge there is no way to escape these characters.
Also, note that this occurs anytime you use a URL connection string, from ANY connector program and to ANY MySQL table type. In my case I was using the ADOdb library for PHP to connect to an MyISAM table. I decided to post the note here since it was the only place I could find reference to a connection URL.
|Posted by john danilson on July 27 2007 5:40pm
|[Delete] [Edit]
be sure to check that the target table exists, that the user you use exists and has the correct password. Any error in the remote connection returns the <useless> error
ERROR 1064 (42000): You have an error in your SQL syntax; check the manual that corresponds to your MySQL server version for the right syntax...
In my case I mistyped the password.
|Posted by Charles Hamilton on January 6 2008 1:27am
|[Delete] [Edit]
If I am wrong here...let me apologize in advance. Otherwise...
I would say that any Introduction to a new or unfamiliar product should include basic requirements. For example, that BOTH servers must be running MySQL.
This may seem trivial after figuring it out or for experienced web masters, but for others it takes a lot of time to figure this out.
I eventually figured out that I couldn't access tables via MySQL on a remote server unless the "local" server (for example the one with the web pages on it) was also running MySQL (which it isn't).
Hope this helps someone else.
|Posted by Cody Baker on December 6 2009 7:40pm
|[Delete] [Edit]
Dropping the federated table only drops the linked table and leaves the remote copy intact.
This is the behavior I expected, but wanted to verify before using it against a production database. Hopefully this saves someone that step.
|Posted by David Johnston on April 21 2011 12:48pm
|[Delete] [Edit]
In the simple test I set up to map a Federated table on one machine to an InnoDB table on another, I neglected to establish a primary key in the schema for each. The error message was "1031 - Table storage engine for 'testtable' doesn't have this option"; not terribly obvious. Adding the primary keys eliminated the error.
|Posted by First Last on January 10 2013 12:00pm
|[Delete] [Edit]
If your password has special characters such as @, :, %, ? etc try url encoding them. For example, @ should be represented as %40.


text: Are you wanting hours are persons working now? that their acquiring lower paying jobsdepends practical my fiance is mostly a ma weather underground leesburg florida nager at taco and gets slightly below a week, very rarely overtime as it will be greatly frowned about by management. going to know people within potawatomi working double shifts because company doesn't like to waste money using the services of new people. and will give between - hrs each week... hope that may help!! to... While I'm just in. And I'm just constantly strapped intended for: -\.


text:
Wu Wen wrote:Congratulations!
I have a question about the exam, the practice given in K&B book doesn't tell you how many options are correct in each question.
But in the mock tests I found on line normally tell you how many options you should choose. How does it looks in real exam?
Juan Diaz wrote:Congratulations!!!
I'm studying for the OCJP exam. I'm stuck in collections because they have a lot of methods and I wonder if I have to memorize all methods or only some of them for the exam.
any advise please about collections?
Vikas Sheoran wrote:Hello All,
I had my OCPJP 6 exam today and passed with 100% ...
This is probably my second post here, but i am a regular visitor of this wonderful java community website.
I read a lots of success stories and guidelines here by those ranchers who have passed this exam and those were really really helpful.
2.5 month preparation, read K&B couple of times ... what an amazing book it is. Did all the mocks from "OCP Java SE6 Programmer Practice Exams" book, ExamLab test simulator and some online mocks. I wasn't scoring very well initially but i kept doing a lots of code and started understanding the concepts much better... if you want to pass this exam... start writing code as much as possible.
Real exam questions were easy compared to Mocks, and ExamLab simulator..... and thats what Practice Exam book and ExamLab simulator do, they will prepare you to that level where you will start seeing every question so easy.
Thanks to all who manage this website and who shared their stories and preparation experience here...
From here, i want to go for SCWCD 6. Can someone please share some experience/guidance on it..
koilraj abraham wrote:Hello Ilakya Mukunth,
You can find chapter wise mock exams at epractizelabs website for all java certification.
koilraj abraham wrote:Hello,
you can find free mock exams at https://www.coderanch.com/how-to/java/ScjpMockTests
Ilakya Mukunth wrote:
koilraj abraham wrote:Hello Ilakya Mukunth,
You can find chapter wise mock exams at epractizelabs website for all java certification.
Thanks abraham. I downloaded it. But i am using mac book pro. I am unable to install this exe. Can you suggest me something else?


text:
So far, Nintendo has created NES Remix and NES Remix 2 in its new Remix series, the latter being released later this week. It combines classic NES titles into mini challenges in a sort of Wario Ware way. NES Remix, as you can guess, only takes NES games in the compilation, but game director Koichi Hayashida says that it's possible we may see future Remix titles that are themed after Super Nintendo, Game Boy, or Game Boy Advance.
Here's what he says, speaking to IGN.
"Well, personally, I have a large desire to explore that very idea. But it really harkens back to the answer I just gave. Does the marketplace want it or need it? If we get a big enough cry for that, with a lot of people saying, 'Hey, we'd love to see more of these perhaps for the SNES, Game Boy or Game Boy Advance,' then it would be something we can take a look at."
He also adds that it's possible that new Remix games could include non-Nintendo games, which so far only includes first party titles. Again, it would be up to the players whether there's support or a need for these titles.
The NES Remix series is available for Wii U. NES Remix 2 will release this Friday on the Wii U eShop but you can take a look at GT's review at the video posted above.
Source: IGN


text:
"Damages" in an Injury Lawsuit: An Introduction for Lay People
Your Deposition: What to Expect
Why Secret Settlements of Injury Lawsuits Are Bad (for Everyone but the Defendant)
Karl Rove's Efforts to "Buy" Courts Harmed America, Says Legendary Attorney
Polsinelli Podcast - Business Litigation Survival Guide
Class Action Litigation Reform – Interview with Dan Pascucci, Member, Mintz Levin
Prosecuting Environmental and Toxic Torts
Is Fracking Safe?
The Australian Federal Court has fined a children's sleepwear brand $1 million in relation to its supply of unsafe children's nightdresses and pajamas.
According to Product Safety Australia, Cotton On Kids Pty Ltd supplied...more
The United States (US) Consumer Product Safety Commission (CPSC) and Health Canada issued a joint recall of expanding toys in the US and Canada.
The toys, which go by the names Water Balz, Growing Skulls, H2O Orbs...more
Asbestos is a naturally-occurring mineral that is found in six different varieties, each of which can be used for different industrial or manufacturing applications. Workers who are exposed to asbestos may face an increased...more
The latest enacted, amended, and revised REACH requirements; proposed REACH requirements; and REACH enforcement actions in Q4 2011.
Includes proposed amendments and new restrictions on lead and mercury; recommendations on...more
A summary of the latest global proposals, enactments, amendments, and enforcements applicable to toys and children's products, including apparel, food contact articles, and jewelry.
Includes updates on chemicals of high...more
On April 15, 2010, both Houses of Congress introduced legislation aimed at revamping the Toxic Substances Control Act of 1976 (TSCA). As explained in more detail below, if adopted as written, this legislation could impose...more
*Toy makers settle lead-contaminated toy lawsuit in California
*Consumer advocacy groups file lawsuit challenging CPSC's phthalates ruling
*Obama team to meet with advocates pushing for BPA ban
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Metin2 guide for Warriors for leveling up
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Subject: Metin2 guide for Warriors for leveling up
Sat Nov 06, 2010 12:03 am
Hi, i collect this guide to explain to metin2 beginners how to go through levels and reach the 1st goal of everyone : LeveL 65.If you have just started playing a warrior, then this is the portion you should read.Have fun in game.
i start with the most popular character : Warrior
From level 1 to 21 you can level up your newbie by doing all quests while gaining gold and items and good exp.
From level 21 to 24: You can take your character the the Oath group and lure 4- 5 mobs wich will give you a good exp allowing you to level up.
From level 25 - 30 : Prepare a level 18 armor +6- 7 and a iron helm +5 with a good silver sword/war scythe +5 or 6 and a hp of 3k - 4k and go to the second village of your kingdom where you can gain decent exp by luring 6 - 7 mobs it will be very fast leveling up, Second villages also get the most popular and hunted metin stones : level 25 metin stone ( metin of black) level 30 metin (metin of darkness) level 35 metin ( metin of jealousy) these metins can give you a decent drop, and mostly stones +2-3 and a skill book and pots.
From level 30 - 34 : Now it's time to move to Nulla-Valley, in the beginning of Nulla-Valley you will meet the easiest monsters of the map: King scorpions. elite orcs. Elite chief orc wich will be in 4 monster groups, you can lure up till 4 -5 mobs wich will give a good Exp, and these monsters can drop you a level 30 daggers ( Black leaf dirk aka BLD), and while being in Nulla, you can always go hunt a Full moon sword (level 30 sword) and an Antler Bow ( Level 30 bow) where you can sell and collect good gold by selling them in shops/trades.
From level 35-40 : At this level you will go search for a black orcs party, Black orcs are the hardest monsters in the map, they give very great exp and gold if you are in party, on your level, you will help the party killing the monsters while the others will be tanking.
From level 41- 48, now that you got your level 41 helm and 41 shield, and prepared a good armor and a level 30 weapon, you are gonna be a tanker in the party, and you will hit the monsters hard and kill them, this is still very great exp at the orcs cause as high as you go in level you will tank more mobs and so on, and while you are in nulla valley, you can head to the middle of the map and start hunting Metin of Shadow( level 45 metin stone) wich would give a good drop, dont forget to get your armed horse cause its the key in PvM and specially hunting metins.
From level 49- 61: Now its time for the first Valcon Dungeon ( Aka v1), you will call a buffer and lure some level 55 and 59 spiders that will give you a decent exp, these mobs will drop level 48 armor and 45,50,55 swords wich can be NPCed and give you good gold, if you have prepared a 10k+hp and good items you can try killing 1 mob at Valcon Dungeon level 2 (Aka v2) where the great exp comes.
From level 61- 75 : Now you have no where but v2 to get ur exp, you will have to be with a party og Mage buffer/healer and more people. At your level you can go to Tangra Mountain to kill level 55,60,65 metins and if you have good items you will Go to Wild leaf forest ( Aka WLF) and you might beat the Liquiron (level 85 metin).
From level 75 to 80: You can try to Bravery cape the Big Room in v2 wich will give regular exp and good drops but i prefer you go to DWLF ( Dark wild leaf forest) or WC(Watery Cavern), if you are looking for exp and hunt, go DWLF, you will get 85 and 90 stones and good drop with exp, if you want exp more, go to the WC.
PvP Arahan Warrior:
Stats : STR maxed, DEX maxed, and the rest on CON, never touch your int.
Skills : Heroic Strike, Whirlwind , Frenzy , Charging <-- Never ever forget to master your Heroic strike.
PvM Arahan warrior:
Stats : STR Maxed, CON maxed, and the rest on DEX, never touch int.
Skills : Heroic Strike, Whirlwind, Frenzy, Berserk <-- Never forget to Master Heroic Strike
PvP Partisan Warrior:
Stats: Con 90, STR 90, and the rest on DEX, never touch int.
Skills : Might, Slash, Leap, Fury <--- Never forget to master your Might.
PvM Partisan warrior:
Stats: CON 90, DEX 90, and the rest on STR, never touch int.
Skills : Might, Slash, Leap, Stomp <---- Never forget to master your Might.
Read more,go to http://www.rmtmark.com/server_list.aspx?game_id=72
Metin2 guide for Warriors for leveling up
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Directions & Maps
Starved Rock Lodge is the only lodging facility in Starved Rock State Park. The Lodge & Park are located east of the intersection of Routes 178 & 71 near Utica, IL. Our GPS address is: 2668 East 873rd Road, Oglesby, IL 61348. Directions from Interstate 80 (Exit 81): travel south on Highway 178, approximately 3 miles through the Village of North Utica, over the Illinois River bridge. Take the first left into the park Follow the DNR signs to the Lodge.
Take the Route 178 (UTICA) exit and head south through the Village of North Utica. Stay on Route 178 over the Illinois River.
From I-39:
Take the Route 71 exit and follow Route 71 through Oglesby. Be sure to follow the signs leading you to the park. The entrance is approx. 1 mile east of the intersection of Routes 178 & 71 on the north side of the road.
Starved Rock State Park and Lodge are located south of the Illinois River. If you enter the park from IL Highway 178, the Lodge is at the top of the hill after you pass the Starved Rock State Park Visitor Center. If you enter the park from Route 71, take the entrance road about 3/4 mile. Turn right to enter the Lodge parking lots. You'll see our pioneer cabins first and then the Lodge's Main steps. The Hotel entrance is just beyond that. The Hotel parking lot is on the west side of the building (near the pool complex).
Click here for a Trail Map of Starved Rock State Park
Click here for a Trail Map with GPS coordinates